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Speaker 1: We're all owned by the syndicate Body and Soul or

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should I just say Bunny.

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Speaker 2: Hello, Filthy movie lovers, Something weirdos and anti Criterion Bros.

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To the forty second episode of The Sin Syndicate, where

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sinnyst's fear to tread and even the bottom of the

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barrel might contain Someone's Favorite Production. My name is Gentry Austen,

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writer and researcher, and I'm here with my co host,

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adult film historian Casey Scott, And in this week's episode,

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we are throwing a slightly premature celebration of our one

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year anniversary of being part of the Antenna Empire as

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I call it, or more specifically, the Someone's Favorite Production

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podcast network, led by Ryan Verel and Will Dotson, and

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we have Ryan with us this week. He's going to

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join us for the duration. So we are going to

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talk a whole bunch of stuff, but mainly we are

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going to cover our five most wanted not on home

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video or most wanted.

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Speaker 3: Our top five movies that are sexpotation or Sexpotation adjacent

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that need an upgrade to.

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Speaker 4: HD in four at least a modern release.

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Speaker 3: Yeah, yes, past the DBAT, past DVDs. Yes, if it's

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been if it's only come out of VHS or DVD

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or sometimes even streaming only. In some cases it needs

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a physical yes.

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Speaker 4: Or something that's not English friendly. I think I got

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one of those that too.

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Speaker 3: Yes, exactly, because yes, there are Blu rays in other

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countries that are not English friendly. So we're gonna be

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We're gonna be America.

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Speaker 2: Fuck.

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Speaker 3: Yeah, we need English speaking releases, just you know, for

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our own libraries.

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Speaker 2: Yeah, we talked about if out of print is in

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the running, but I thought we decided not really right.

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Speaker 4: I didn't go for anything like that, but I.

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Speaker 3: Didn't think there's too much stuff that has never upgraded

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from VHS that Yeah, I had no problem picking stuff

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that is, yeah, gathering dust at like a Salvation army somewhere.

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That's our table set, Ryan, But welcome to the dungeon.

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Speaker 4: Glad to be tortured.

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Speaker 2: Let's do no.

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Speaker 3: Yes, Alex is not here too, with his with his

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writing crop, so yeah, you're you're it's an easier visit.

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Speaker 4: We can postpone until Saturday if we need to, right, right.

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Speaker 2: Let's do a few news and updates real quick before

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we get into our top five picks. We were recently

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on the two in the pink Ou podcast. That's a

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nice segue. They are recent additions to the Someone's Favorite

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production podcast network.

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Speaker 4: Those guys are incredible.

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Speaker 2: Yes, of course, they're very close friends of ours. We

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talk with them almost every day. So it was like

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just hanging you know. I think that was a two

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and a half hour podcast, which is a good length.

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Speaker 3: Yes, and a lot of Yeah, I don't know, we're

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all we're very passionate about these things, and so uh yeah,

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it's a lot. A lot of it was. It's it's

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kind of good because like we're trying to we all

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have some of some of the same thoughts and so

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we're trying to say some of the same things at

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the same time. I don't think we ran into that

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too much of that. I was worried about that for

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their editing.

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Speaker 2: Was got talking over each other.

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Speaker 3: Yeah, Like I tried to not do that as much,

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but you know how difficult others me to not do.

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Speaker 2: So Yeah, but it was.

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Speaker 3: Yeah, it was great. It was fun and I finally

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got to expel some of my Roman porno love, which

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I can't do on this podcast. We don't really cover it.

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I will do it until like I do that.

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Speaker 2: Yeah, news, But I was able to name.

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Speaker 3: Drop like my favorite actresses and some of my favorite films,

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and they brought up some other films that I'm like,

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oh yeah, I need to take a shot. Every time

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I say, oh, I've downloaded that, I need to watch it.

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Oh yeah, So I think I said it at least

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fifteen times.

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Speaker 2: It's another T shirt idea.

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Speaker 3: Right, I have a downloaded I need to watch it.

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That's not bad?

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Speaker 2: Is that anti physical media? I don't know.

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Speaker 4: These things aren't when you're a historian. Now, when you're

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a historian and you gotta you gotta watch it for

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an upcoming commentary so out.

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Speaker 3: There, Well, yes, that's very true. My ratio on so

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I'm agatting right now is rough?

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Speaker 2: Are you talking from an sperience recently?

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Speaker 4: Ryan, Not at all. I was about to throw out there.

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I almost feel like my version of that would be,

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oh yeah, I got that from ray Lust or something

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like that.

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Speaker 3: Oh yeah, very must takes too long for me to download.

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Thank God for some of the god Yeah yeah. But

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I feel like a lot of people are using it

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as much because I feel like there's not a lot

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of seeds on there. But when it's free, Leach. I

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grabbed all the Roman porno I could and now it's

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all now it's all backed up. I don't have time

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to watch it.

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Speaker 2: Yeah, so we were on that episode. Go listen to it.

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It was a fun time and nothing else really to say.

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Just go listen to it. Those guys have been like

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putting out. I don't think they're really on a schedule.

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They just put stuff out as soon as they recorded,

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which is very funny to me.

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Speaker 3: I know we're so regimented. Yeah, we are type a personality. Yeah,

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I need a little And actually that's why that was

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an interesting experience because I was like, there's no notes.

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I was just like I took some took a few

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little notes here and there, but it was all very

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very free flow and stream up consciousness, very different from

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our show. So a nice little break.

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Speaker 4: It does make their show quite accessible though, too, especially

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if you've never listened or seen anything from that genre.

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It is very easy to jump in and just kind

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of hang out with two people that love this stuff.

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And I mean every single one of the episodes is

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like you, as a listener show almost be taking notes.

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You've got references all kinds of things that you're going

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to be dying to see now.

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Speaker 3: Yeah, yep, And I will say it was something that

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I did. I started doing was once I started buying

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these movies and finding places to download them, I started

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watching them so I could actually listen to the episodes.

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But there are some episodes where like I can't find

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these goddamn movies and they bought like the vhs from Japan,

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and I have to listen to the episode. So, you know,

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luckily they do a really good job of We didn't

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do a good job of covering synopsies of those two

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movies on our episode. We just launched right in, but

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they typically do a great job at it. We did not.

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We were just too hyper and excited to be on

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a call together, so we just kind of launched right in.

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Speaker 2: Oh yeah, it's true. We have a email here from

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a listener. I wanted to kind of throw your way, Casey,

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to see what you think. This is from William Murra.

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He said, I'm going to just quote it, so in

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response to our commentary track on The Lustful Turk, they said,

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I think it does appear to be Michelle Triola as

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the belly dancer in that movie. He says, when you

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started discussing this is another Byron made movie, Half the

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Action hardcore movie from nineteen eighty. It says on IMDb

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that the plot of that one is a satire of

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the court case between Michelle Triola and Lee Marvin. They

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have not seen Half the Action this writer, but yes,

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I have seen it. Anyway, the commentaries were very good

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on this blue So I saw that IMDb trivia, but

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I think that was added recently, because I'm pretty sure

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that I looked at that IMDb, as you know, after

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I watched that movie, and I don't remember seeing this.

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This is kind of crazy. Have you heard of this

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court case?

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Speaker 3: Yes, because she was like his It was very it

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was very like she was like the she was like

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his common I think the case was he was trying

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she was trying to say he was his common law wife,

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or she was his common law wife. Remember if you

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mentioned that. I don't recall, but it's I mean, but

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I did mention that she was kind of the common

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law wife of a wife of Dick Van Dyke. For

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decades after Lee Marvin, even though Dick van Dyke was

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legally married to somebody else, he still would show up

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on red carpets with with Michelle Triola randomly, I don't

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going by going by visuals, I don't think it's her.

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I think this is a really fascinating coincidence though, because yeah, that.

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Speaker 2: Buyer maybe directed a movie that might have been a

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satire of her real life. That doesn't necessarily mean that

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she was in Lustful Turk.

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Speaker 3: No, I mean it's I mean, yeah, it's it's porno.

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They're gonna especially that movie is like cheap Jack Porno,

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so like they're going to try to do it. It

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came out the same year as like Sissy's Hot Summer,

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which is supposed to be like oh no, there's a

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one Way at a Time, which is like one day

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at a time spoof. And yeah, there's like, yeah, cheap

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Jack Porno is going to spoof anything, including stuff in

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the in the papers. I just think that's very it's

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a very interesting coincidence though, But I don't think she's

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in that. I don't think she's in Lustible Turk. I

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will stand by that because just going by visuals of

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what they both looked like in nineteen sixty seven sixty eight,

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that dancer, it has much more of a like rotten

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apple face. Seltriola was much more pretty than that belly dancer.

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Sorry belly dancer, she's not. Yeah, that was a that

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was a weathered belly dancer. And Michelle Triola at that time,

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she was with Lee Marvin. I'll say, there's no reason

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for her to be in that movie as a belly dancer.

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I think that's insane. Yeah, she was like, she was

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like getting gigs doing like nightclub singing. She was a

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singer and an entertainer. There's no reason for her to

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show up in that movie. So I don't know. It's

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a strange coincidence though, Yeah, I I I appreciate that.

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I appreciate him flagging that because that is such a

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weird little connection.

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Speaker 2: Yeah, And to be clear, Michelle Tyel is not credited

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in Lustful Turk. She's not even in the press book

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that that does list some pseudonym pseudonymous names. So what

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you see on IMDb and you know TMDb and letterbox

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that lists her, that's not coming from any official materials.

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Speaker 3: That's just it's coming from that interview where he said

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she was the star of the movie, and that was it.

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Forget the real name of the star of Lustful Turk,

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but her name was similar to that it was Michelle something. Yeah,

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it was like it was a Michelle, like an Italian name,

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and and the story he told about her was clearly

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not her. It was like this, you know, blonde, blonde

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hippie chick who got prison time for trying to smuggle

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pot back into California from Mexico. So like that was

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not Michelle Tariola. So yeah, the confusion is there. Unfortunately,

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as we often note, everyone is dead, so we really

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cannot get we really can't get any firm confirmations. So

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Michelle Triola also, yeah, just passed away a couple of

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years ago, I think, yeah, not even that long ago.

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Speaker 4: I'd also hope people that are listening to commentaries understand

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that most film historians are not turning to IMDb for

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answers of cast members. IMDb classically very accurate, right casey.

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Speaker 3: Yes, No, we're actively trying to confirm IMDb. That's how

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we kind of That's how I was able to confirm

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that William L. Rose and Werner Rose are not the

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same person through actual research and researching these two different

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people with very different backgrounds, like IMDb is not necessarily

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to be trusted.

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Speaker 2: Well, especially for sexploitation, because yeah, if you're covering a

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you know, a popular movie from nineteen eighty from a

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major studio, sure you can go to IMDb and it's

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gonna be probably one hundred percent accurate, right because there's

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studio records and stuff, right.

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Speaker 4: But also anybody can update it. It still may not

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be accurate. Like anybody can go there, That's true.

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Speaker 3: The trivia when they say, like crewe verified to completed

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or cast for everybody to be completed, then they really

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won't let you fix it even if there is an

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error on it. And I'm just like, well, this person

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was dead when this was made, so this crew is

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not accurate. Yeah, this does not make any sense. So yeah,

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it's it's like they it's it's like Wikipedia before Wikipedia,

238
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and it's been around longer than Wikipedia. Anybody can say

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anything like I like, I will own up just to

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uh to saying that Peter Woodcock was ROBERTA. Finlay under

241
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a pseudonym when I was in high school. I just

242
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changed it and said, yeah, this is sever ROBERTA. Finley movie.

243
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I'm just gonna change it.

244
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Speaker 2: It's fact.

245
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Speaker 3: No, it was not fact. I changed that back really

246
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quick after I interviewed her in two thousand and five

247
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or whatever.

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Speaker 2: I didn't know this casey, I didn't know this was all.

249
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Speaker 3: I also that Robin Boujie probably hates me. I said

250
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that Robert Kerman was the star of The Girl Grabbers

251
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in nineteen sixty eight because a guy in the trailer

252
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looked like him. I hadn't even seen the movie. So

253
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he wrote the box copy for Google Grabbers and said

254
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Robert Kerman was in the movie. And I was like, well, Robin,

255
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you saw, you watched the movie, you would know if

256
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it was Robert Kerman or not. But his comtalk cop

257
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is just like he went by IMDb, which I stupidly.

258
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Speaker 2: Said, Well, and that's the case with Peter wood You know,

259
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if you go to cult Pics right now and you

260
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you know, look up the Peter Woodcock movies, it says

261
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Peter Woodcock aka ROBERTA. Findlay or something like that. Wow.

262
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Speaker 3: So I have read a Bennett moment, except nobody knows

263
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that I did it because I didn't say it on

264
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a comicsary like a certain someone. Yeah, who listens to this? No,

265
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I'm kidding, this is right.

266
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Speaker 2: This is a very honest and open moment from you, Casey,

267
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I appreciate it.

268
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Speaker 3: We all make errors. What was another error? I said,

269
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Oh that I once said that this is based on

270
00:14:07,039 --> 00:14:11,679
Red Rose is a passion. I thought that Lorraine Claire

271
00:14:12,600 --> 00:14:16,320
was Ara Stromberg from vimpiros Lesbos. Oh yeah, And I

272
00:14:16,399 --> 00:14:17,960
was like, oh, yeah, I don't know what she was

273
00:14:17,960 --> 00:14:19,720
doing in New York, but yeah, Ava Stromberg and I

274
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actually messaged Michael Bowen it was like, do you know

275
00:14:22,000 --> 00:14:26,960
anything about this? Listen? She was never, in any not

276
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fully developed exactly my thought of love enow fully developed.

277
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I was in high school when I did this.

278
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Speaker 2: Shit, So that's what just excited. Yeah.

279
00:14:34,879 --> 00:14:37,440
Speaker 3: I was very excitable. And I actually hadn't had my

280
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feet on the ground interviewing people and verifying you know,

281
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sources and stuff. So and now that stuff has a

282
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life of its own now like twenty six years later.

283
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Speaker 2: All right, Yeah, thanks for the email, keep them coming,

284
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Thanks for listening to our commentaries. Like I said, we

285
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love commentaries and we hope that other people do. Let's

286
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move on quick notes. If you've been kind of following along,

287
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you know that I'm working on a project involving Annie Bell,

288
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the French actress. She was in a bunch of European

289
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cult movies. I guess you could slightly say sexploitation movies. Yes, absolutely,

290
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I made a little video essay. I'm trying my hand

291
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at doing that. I had a little bit of help

292
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from Alex DeSanto who went over this with me last night.

293
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He got the world premiere and he was like, do this,

294
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change this, extend this, and so I made all these

295
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edits and I released it today. Because if you're keeping track,

296
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this is going to segue into our next little note here.

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There is a sever in sale going on and they

298
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announced that they're doing a UHD upgrade of a movie

299
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that Annie Bell is in called Absurd. It's a Joe

300
00:15:50,519 --> 00:15:54,440
Tomato film that had gotten a UHD upgrade over in

301
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Region B with eighty eight films, but Severn is doing

302
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their version, and they're releasing a cute little pin with

303
00:16:02,519 --> 00:16:05,879
it of Annie Bell, not oh yeah, her appearance in

304
00:16:05,919 --> 00:16:08,240
the movie. It's a version of Antie Bell from a

305
00:16:08,279 --> 00:16:13,159
different movie. But anyways, Yeah, I wanted to do something

306
00:16:13,200 --> 00:16:16,879
to kind of commemorate that release, and uh yeah, I'm

307
00:16:16,879 --> 00:16:18,399
going to put it in the show notes. Go check

308
00:16:18,440 --> 00:16:20,360
it out. But I think it turned out pretty well.

309
00:16:20,600 --> 00:16:22,519
So yeah, as we mentioned there is a seven in

310
00:16:22,639 --> 00:16:25,759
summer sale on the weekend here that we're recording this.

311
00:16:26,600 --> 00:16:30,000
It's Friday night that we're recording. What do you think,

312
00:16:30,080 --> 00:16:33,519
casey seventy five percent off sale? What do you think

313
00:16:33,519 --> 00:16:34,679
about the picks?

314
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Speaker 5: So?

315
00:16:35,480 --> 00:16:37,399
Speaker 3: I think I told you that this feels like a

316
00:16:37,440 --> 00:16:40,480
photocopy of the last sale that they had last year,

317
00:16:40,600 --> 00:16:42,960
because it's a lot of the same titles on sale

318
00:16:42,960 --> 00:16:46,720
again and including titles that I definitely bought on sale

319
00:16:46,919 --> 00:16:49,720
that time. And I'm like, well, you know me too.

320
00:16:50,919 --> 00:16:54,120
There's definitely some ones that I would recommend if people

321
00:16:54,200 --> 00:16:57,559
don't have I think you definitely have to grab Wild Wire,

322
00:16:57,600 --> 00:17:03,000
World of Jane Mansfield, Horrors of Spider Island. I think

323
00:17:03,039 --> 00:17:06,440
the Manda Fred Amanda Bizarre Early Frosts, the Pressy double

324
00:17:06,480 --> 00:17:09,319
Feature and Echo and the Forbidden Same Thing where those

325
00:17:09,359 --> 00:17:13,039
are cressy things, Cries of Pleasure, which is a really

326
00:17:13,200 --> 00:17:17,759
terrific underrated Franco Golden Films. It's very sex heavy, but

327
00:17:17,880 --> 00:17:20,960
let me tell you, there is something incredibly hypnotic and

328
00:17:21,000 --> 00:17:24,599
mesmerizing about how that all comes together.

329
00:17:24,960 --> 00:17:27,799
Speaker 2: Because it's his longest takes. Yeah, I think it.

330
00:17:29,319 --> 00:17:32,240
Speaker 3: Takes so it really draws you in it's you feel

331
00:17:32,240 --> 00:17:34,000
like you're in the room with these people. It really

332
00:17:34,079 --> 00:17:36,319
draws you in with the characters, which is shocking to

333
00:17:36,400 --> 00:17:40,839
me because like Franco with long take Seccines sounds like

334
00:17:40,920 --> 00:17:43,079
a real chore. And so when I watched this, I

335
00:17:43,119 --> 00:17:44,839
was just like, oh my god, I can't believe how

336
00:17:44,880 --> 00:17:47,759
good this is. Yeah, that's really good. There are some

337
00:17:47,839 --> 00:17:50,599
other single releases of stuff that are in box sets.

338
00:17:51,079 --> 00:17:54,960
The Nunsploit Take the Nasty Habits box set actually sucks.

339
00:17:55,079 --> 00:17:57,079
The only good one in that is Story of a

340
00:17:57,119 --> 00:18:02,160
Cloistered Nun, which is on sale. That is absolutely amazing.

341
00:18:02,400 --> 00:18:05,599
That is like a top five etation movie for me. Well,

342
00:18:05,880 --> 00:18:10,599
it's Catherine Spock is absolutely sensational in it. Yeah, that

343
00:18:10,640 --> 00:18:14,119
one's really good. And there's the Manuel ones. Yes, Susy

344
00:18:14,160 --> 00:18:16,400
Candle's great in it too. Yeah, it's it's real story

345
00:18:16,440 --> 00:18:18,680
of closer done. Is that one blew me away? I

346
00:18:18,720 --> 00:18:21,839
loved it. There's some Emmanuel ones that are on sale,

347
00:18:21,880 --> 00:18:25,720
but just get censor World of Black Emmanuel. Escape from

348
00:18:25,720 --> 00:18:28,640
Women's Prison is not in the Black Emmanuel, and that

349
00:18:28,839 --> 00:18:32,319
I do like that is like a sleazy gross that's

350
00:18:32,359 --> 00:18:36,119
the Allian uh, you know, Women in Prison movie. I

351
00:18:36,119 --> 00:18:39,079
do like that one quite a bit. The two Caligula's.

352
00:18:39,160 --> 00:18:42,160
I've not seen the Caligula and Messalina, but Caligula the

353
00:18:42,240 --> 00:18:45,319
Untold story is great. And that's my queen. Laura, Laura,

354
00:18:45,440 --> 00:18:49,519
Laura gemser quite And I explained this to you because

355
00:18:49,640 --> 00:18:52,920
she is a gem to me, She's my diamond. So

356
00:18:53,240 --> 00:18:56,519
I know it's gemser. I pronounced it gemser. That's my

357
00:18:56,680 --> 00:18:57,359
little quirk.

358
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Speaker 2: I've heard both ye leave me alone.

359
00:18:59,480 --> 00:19:02,559
Speaker 3: Yeah, I will do what I want when it comes

360
00:19:02,599 --> 00:19:03,960
to Laura, And she's never going to hear this or

361
00:19:03,960 --> 00:19:08,559
care anyway. So and I think that's a mandable orders

362
00:19:08,599 --> 00:19:11,200
on sale pass. You don't need that. And by let

363
00:19:11,240 --> 00:19:14,880
the demon of incest is garbage too. So those are

364
00:19:14,880 --> 00:19:18,960
the sexploitation ones. I wanted more Francos for seventy five

365
00:19:19,000 --> 00:19:20,400
percent off. I know that a lot of them are

366
00:19:20,400 --> 00:19:21,400
fifty percent off.

367
00:19:21,319 --> 00:19:23,079
Speaker 2: Like what you're looking for?

368
00:19:23,240 --> 00:19:28,160
Speaker 3: All of them? I need, Oh God on the Inconfestable

369
00:19:28,279 --> 00:19:35,240
Orgies of Emmanuel, sexual story of Oh Cecilia Dead Cecilia

370
00:19:35,440 --> 00:19:39,440
is like a seven year old blu ray at this reason.

371
00:19:39,640 --> 00:19:41,119
Speaker 2: Yeah they should be seventy five.

372
00:19:41,240 --> 00:19:44,279
Speaker 3: Yeah, that thing is years old. There is a Felicity

373
00:19:44,400 --> 00:19:47,480
also years old. There is no reason why that shouldn't

374
00:19:47,480 --> 00:19:48,519
be seventy five percent off.

375
00:19:48,599 --> 00:19:49,160
Speaker 2: That is yea.

376
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Speaker 4: So the reason I guarantee you, I guarantee you these

377
00:19:52,960 --> 00:19:56,079
still sell very well, so they feel no motivation to

378
00:19:56,160 --> 00:19:58,720
discount them more. The ones that are discounted high, they're

379
00:19:58,720 --> 00:20:00,000
probably just hidden. Yeah.

380
00:20:00,000 --> 00:20:03,599
Speaker 3: No, no, you think the felicity that Australians exploitation movie

381
00:20:03,640 --> 00:20:04,559
is selling very well.

382
00:20:05,160 --> 00:20:08,000
Speaker 4: Literally just the cover art on that draws a lot

383
00:20:08,039 --> 00:20:10,039
of people in and then most of them never watch it.

384
00:20:10,880 --> 00:20:13,119
Speaker 3: That's a good sign for sexploitation. Then if you just

385
00:20:13,160 --> 00:20:18,039
need a good cover, okay, get on a girls, you

386
00:20:18,039 --> 00:20:20,759
can put out this movie with Glory Glory in and

387
00:20:20,839 --> 00:20:23,880
who people don't even know in America, but she's great. Yeah,

388
00:20:23,920 --> 00:20:26,640
there's just a lot that I and like black leather whatever,

389
00:20:26,759 --> 00:20:28,759
black leather, black boots or whatever. I don't have that.

390
00:20:28,880 --> 00:20:31,599
There's Yeah, there's a lot of composeexual with a geta.

391
00:20:31,680 --> 00:20:33,279
I don't have a lot of them. I don't have

392
00:20:33,359 --> 00:20:35,480
because I was broke for years and now I finally

393
00:20:35,559 --> 00:20:38,119
have money and I'm like, okay, let me backfill, and

394
00:20:38,759 --> 00:20:41,599
my greedy ass wants more. Seventy five percent off. I'm sorry,

395
00:20:42,000 --> 00:20:44,799
especially if it came out, especially because licenses are typically

396
00:20:44,799 --> 00:20:47,519
five years, so we're looking at stuff from unless they're

397
00:20:47,559 --> 00:20:50,880
renewing the licenses, which I guess for European is much

398
00:20:50,880 --> 00:20:53,279
easier than doing it for like MGM. MGM loves to

399
00:20:53,319 --> 00:20:54,799
just do five and that's it and then they move

400
00:20:54,839 --> 00:20:56,799
on to whoever. That's why you have stuff coming out

401
00:20:56,799 --> 00:21:00,920
from like Keno Criterion, you know Arrow, you know whoever.

402
00:21:01,720 --> 00:21:03,759
European licenses is probably better about that.

403
00:21:04,119 --> 00:21:06,240
Speaker 2: Have you run into that, Ryan, Have you dealt with

404
00:21:06,319 --> 00:21:09,920
any like outside US licensing?

405
00:21:10,519 --> 00:21:13,519
Speaker 4: Not a ton yet a little bit. The biggest thing, though,

406
00:21:13,519 --> 00:21:15,480
is we're just going straight to the filmmaker, And I

407
00:21:15,559 --> 00:21:17,480
kind of think that's what a lot of the future

408
00:21:17,480 --> 00:21:18,880
of this is going to need to be is not

409
00:21:19,119 --> 00:21:22,440
as many studio films and really finding the gems of

410
00:21:22,720 --> 00:21:25,400
great movies that don't have modern releases and find somebody

411
00:21:25,400 --> 00:21:27,319
that's willing to say, oh, yeah, you can sign this

412
00:21:27,359 --> 00:21:29,200
for six years and if you're kind to us, yeah

413
00:21:29,200 --> 00:21:30,240
we'll extend. No big deal here.

414
00:21:30,240 --> 00:21:34,559
Speaker 3: We go absolutely absolutely. And you guys are thinking you

415
00:21:34,599 --> 00:21:37,039
can Ryan, you can cut this. Of ryan'says to cut this,

416
00:21:37,519 --> 00:21:40,160
I think you guys are getting like all rights, correct,

417
00:21:40,240 --> 00:21:43,880
so we're talking home video in addition to other all

418
00:21:43,920 --> 00:21:46,640
non theatrical, right, so you're trying to get these movies

419
00:21:46,640 --> 00:21:48,799
in front of as many eyes as possible and as

420
00:21:48,880 --> 00:21:51,400
many markets as possible, which I think or.

421
00:21:51,400 --> 00:21:55,240
Speaker 4: Not worldwide too, worldwide, all digital, all theatrical, all home

422
00:21:55,319 --> 00:21:57,519
video on most of our films. There's only a couple

423
00:21:57,559 --> 00:21:59,400
of things that we don't have all of those. Yeah,

424
00:21:59,599 --> 00:21:59,880
that's me.

425
00:22:00,359 --> 00:22:03,079
Speaker 3: That's great. So, like you were, I mean, just for

426
00:22:03,119 --> 00:22:05,519
anyone who's maybe not familiar with all the non THEOSTCA,

427
00:22:05,519 --> 00:22:10,240
we're talking education, we're talking cruise ships, we're talking hospitals, prisons,

428
00:22:10,480 --> 00:22:15,079
u ranch buses, trains, yeah, all that stuff. Because I

429
00:22:15,119 --> 00:22:19,720
worked in yes, yes exactly, museum screenings. Yes, So like

430
00:22:19,799 --> 00:22:23,480
that is major and so major. Kdos to you for

431
00:22:23,559 --> 00:22:26,720
securing all those because yeah, it's it's it's it's good

432
00:22:26,720 --> 00:22:29,079
to kind of pursue any avenue you possibly can.

433
00:22:29,359 --> 00:22:30,799
Speaker 2: A lot of things.

434
00:22:31,240 --> 00:22:34,359
Speaker 3: Are like found money too, because you know, people don't

435
00:22:34,400 --> 00:22:37,440
consider them necessarily for good outlets for income, but they

436
00:22:37,480 --> 00:22:38,640
are good outlets for income.

437
00:22:39,160 --> 00:22:42,000
Speaker 2: Yeah, that's the sale. But yeah, there's a box set

438
00:22:42,079 --> 00:22:45,240
sale tomorrow, and then I think, uh, Sunday is the

439
00:22:45,359 --> 00:22:51,279
UHD Upgrade sale box sets. Yeah.

440
00:22:51,440 --> 00:22:54,400
Speaker 3: I still haven't finished my Central World that I bought

441
00:22:54,480 --> 00:22:58,119
last year and it's still not finished. I have all

442
00:22:58,160 --> 00:23:01,480
the folks, all the all the of what all the

443
00:23:01,519 --> 00:23:04,160
worlds were ours, the full core of volume two. I

444
00:23:04,200 --> 00:23:08,440
have Game of Clones. They're all sitting there. Crocodile pile, Yeah,

445
00:23:08,440 --> 00:23:10,839
I have a pile. I have Club Super eight. I

446
00:23:10,880 --> 00:23:12,960
have deaf Crocodile. I have vinegar syndrome.

447
00:23:14,039 --> 00:23:15,920
Speaker 4: Internally, we call it a deaf crocod pile.

448
00:23:15,920 --> 00:23:20,160
Speaker 3: By the way, that's really good. Okay, Yeah, I need

449
00:23:20,200 --> 00:23:22,400
to finish the day. I need to finish the DAFA

450
00:23:22,440 --> 00:23:26,839
Fairy Tales box. The boxes great, the finish box that

451
00:23:26,960 --> 00:23:28,799
I was recommended.

452
00:23:29,599 --> 00:23:32,119
Speaker 4: The I was gonna bring that up tonight. Have you

453
00:23:32,160 --> 00:23:34,279
guys seen the Tulio films that we put out through

454
00:23:34,279 --> 00:23:34,960
Deaf Crocodile.

455
00:23:35,359 --> 00:23:39,240
Speaker 3: No, but you're so social media person recommended it to

456
00:23:39,279 --> 00:23:41,240
me and he suggested that we cover it. So I

457
00:23:41,279 --> 00:23:43,240
bought it and I'm like, Okay, I'm gonna watch this

458
00:23:43,279 --> 00:23:46,079
and we'll see because we did Swedish you know, why

459
00:23:46,119 --> 00:23:46,680
not you finish?

460
00:23:46,759 --> 00:23:50,519
Speaker 2: Wait? They recommended it. They recommended it to you because

461
00:23:50,599 --> 00:23:54,039
it's like sexploitation really there.

462
00:23:54,519 --> 00:23:57,200
Speaker 4: Yes, there are two filmed well technically all three are

463
00:23:57,279 --> 00:23:59,519
kind of at least in that arena. But what's really

464
00:23:59,559 --> 00:24:02,079
interesting at the box set is the third film in

465
00:24:02,119 --> 00:24:04,240
the box set is a remake of the first film

466
00:24:04,240 --> 00:24:07,960
in the box set, and they're very like drastically different.

467
00:24:08,839 --> 00:24:13,279
One is very like almost like a slightly pre code

468
00:24:13,440 --> 00:24:15,680
feeling a little bit. It's very black and white, very

469
00:24:15,680 --> 00:24:19,000
well made, a little bit of nudity and more of

470
00:24:19,160 --> 00:24:22,200
like a traditional scandal in a way. And then the

471
00:24:22,240 --> 00:24:25,680
third film is just like we're this is not a spoiler.

472
00:24:25,720 --> 00:24:28,359
It happens like three minutes into the movie. They're literally

473
00:24:28,400 --> 00:24:31,960
like castrating reindeer on film in this movie. And then

474
00:24:32,079 --> 00:24:35,279
there's like raucous exploitation throughout half the film and it's

475
00:24:35,559 --> 00:24:39,720
colorful and shocking and like disco meets pre code plus

476
00:24:39,759 --> 00:24:43,960
actual sleeves and it's so it's a crazy great box set.

477
00:24:44,119 --> 00:24:46,960
Love those country it's finished.

478
00:24:47,480 --> 00:24:51,839
Speaker 3: Yeah, okay, which I learned that Scandinavia does not claim

479
00:24:52,200 --> 00:24:57,480
Apparently they don't. They don't care for Finland. It's yeah,

480
00:24:57,559 --> 00:25:00,440
I thought was very strange they don't claim, they don't

481
00:25:00,440 --> 00:25:04,240
claim Finland. I was like, wait, isn't Sweden, Norway, Finland

482
00:25:04,279 --> 00:25:07,440
and Denmark? And they say, no, you drop Finland, that's Scandinavia.

483
00:25:07,680 --> 00:25:11,880
It's like, oh, okay, interesting, apparently there's history there. I

484
00:25:11,920 --> 00:25:18,119
had to be educated by a Norwegian person. No, don't

485
00:25:18,160 --> 00:25:20,279
we don't. We don't claim them, don't don't lump the

486
00:25:20,279 --> 00:25:21,039
fins in with us.

487
00:25:21,079 --> 00:25:23,359
Speaker 2: I was like, okay, are you sure this wasn't just

488
00:25:23,400 --> 00:25:25,359
one particular prejudice.

489
00:25:28,200 --> 00:25:30,720
Speaker 3: I had a friend of mine who was also the

490
00:25:31,000 --> 00:25:34,880
British slash Danish, who also confirmed this. His father is Danish,

491
00:25:34,920 --> 00:25:36,400
and he was like, oh, yeah, no, don't bring up

492
00:25:36,400 --> 00:25:38,960
the fins. I'm like, what the hell happened here? And

493
00:25:39,759 --> 00:25:42,240
apparently there's a big Wikipedia article article about it. I

494
00:25:42,240 --> 00:25:44,279
was like, listen, I'll just I'll just believe you whatever

495
00:25:45,079 --> 00:25:48,119
you know. No, no skin off my ass. I like

496
00:25:48,200 --> 00:25:49,640
all of the I want to go visit all those

497
00:25:49,640 --> 00:25:53,759
countries so I could care less. But I color me

498
00:25:53,839 --> 00:25:56,680
a fan of all but yeah, I and actually deaf crocodile.

499
00:25:56,759 --> 00:25:58,599
The funny thing was they had that massive sale and

500
00:25:58,640 --> 00:26:01,720
they were behind on mailing stuff, and I was perfectly

501
00:26:01,720 --> 00:26:04,119
fine because I god, I think I spent a fortune

502
00:26:04,160 --> 00:26:07,559
on that sale, and because it was, and I bought

503
00:26:07,599 --> 00:26:09,799
a lot of stuff. I typically don't buy stuff blind,

504
00:26:10,640 --> 00:26:14,680
but the trailers that they do do an amazing job

505
00:26:14,720 --> 00:26:17,359
of selling shit that you have never ever heard of.

506
00:26:17,680 --> 00:26:20,480
And so I was just like, Okay, I need a

507
00:26:20,799 --> 00:26:23,400
Savage Hunt of King Sek or whatever, like I need

508
00:26:23,440 --> 00:26:26,920
Adella whatever, Like yeah, I need I need the Soviet

509
00:26:26,960 --> 00:26:30,160
animation thing, like I went nuts. I bought all of

510
00:26:30,160 --> 00:26:34,200
that stuff of them.

511
00:26:34,279 --> 00:26:37,599
Speaker 4: Yeah, we get a few people. I've got a friend

512
00:26:37,640 --> 00:26:39,519
of mine in Germany that's cutting some of them now

513
00:26:39,599 --> 00:26:42,640
and he's he's gonna he's gonna impress some people. But

514
00:26:42,680 --> 00:26:44,319
the hard part is we don't even have trailers for

515
00:26:44,359 --> 00:26:46,759
every film, and I'm like, guys, we're slacking a little bit.

516
00:26:46,799 --> 00:26:50,039
If you did, like these movies are genuinely masterpieces. People

517
00:26:50,119 --> 00:26:51,599
just have never heard of them, and if you show

518
00:26:51,640 --> 00:26:53,920
them twelve seconds, they're gonna want to buy it. Come on,

519
00:26:53,960 --> 00:26:54,839
we got to do this.

520
00:26:55,359 --> 00:26:57,759
Speaker 3: Right right, well, yeah, like I keep a master list

521
00:26:57,880 --> 00:27:00,200
of everything that comes out in twenty twenty six, every

522
00:27:00,200 --> 00:27:04,599
boutique label, and Jesus, I know I'm insane.

523
00:27:04,799 --> 00:27:07,839
Speaker 4: So basically, like I've heard you bring that up wild.

524
00:27:07,720 --> 00:27:10,160
Speaker 3: Oh it's really nuts so and I do it in

525
00:27:10,319 --> 00:27:13,279
order of release, non alphabetical, so I'll add to it

526
00:27:13,279 --> 00:27:16,119
as stuff gets announced. And I actually I will spend

527
00:27:16,160 --> 00:27:19,960
Saturday mornings going through the disconnected Instagram and just clicking

528
00:27:20,000 --> 00:27:24,440
through images like okay, okay, Warner Archive, Okay, new Wave video,

529
00:27:24,519 --> 00:27:26,880
okay this, and I'll add it to my my Google doc.

530
00:27:27,200 --> 00:27:29,960
But I will bold stuff. I will put stuff in

531
00:27:30,000 --> 00:27:32,119
bold if it's stuff I need to buy. And the

532
00:27:32,200 --> 00:27:34,960
funny thing is for Deaf Crocodile, every time there's an announcement,

533
00:27:35,200 --> 00:27:38,319
it goes bold. After I watch a trailer, I'm like, okay,

534
00:27:38,359 --> 00:27:41,240
I don't know what this is. I like kracketit. I'm

535
00:27:41,359 --> 00:27:45,079
just like, I watched the trailer and I was like,

536
00:27:45,200 --> 00:27:48,079
holy shit, I absolutely need this. So yeah, there is

537
00:27:48,119 --> 00:27:50,079
no way I'm missing this. And that's streaming on two

538
00:27:50,160 --> 00:27:53,039
B randomly, which I'm just like, okay, get go on

539
00:27:53,119 --> 00:27:55,279
Deaf Crocodile. Let's get some stuff on streaming to test

540
00:27:55,359 --> 00:27:58,119
drive because I like test driding stuff. But if I'm

541
00:27:58,160 --> 00:28:00,359
not able to test drive it, those trailers will and

542
00:28:00,480 --> 00:28:04,160
Dead Mountaineers Hotel, I need to get to that movie.

543
00:28:04,279 --> 00:28:06,480
Speaker 4: If people have never seen Dead Mountinear's hotel. It is

544
00:28:06,480 --> 00:28:09,440
one of the most interestingly shot films that you're probably

545
00:28:09,480 --> 00:28:12,200
gonna at the end still say, well, that was incoherent,

546
00:28:12,319 --> 00:28:14,680
but it's still just a blast to be able to see.

547
00:28:14,720 --> 00:28:18,079
And there are shots in that that they it's first off,

548
00:28:18,119 --> 00:28:20,279
it's this like beginning of the Shining. It's basically a

549
00:28:20,279 --> 00:28:22,240
hotel out in the middle of the Alps in these

550
00:28:22,279 --> 00:28:25,519
mountain salt snowy, gorgeous shots of course, and then they

551
00:28:25,559 --> 00:28:27,920
take a shot where it's basically like a murder mystery

552
00:28:27,920 --> 00:28:30,960
feeling thing, and they'll shoot down towards the hotel from

553
00:28:31,039 --> 00:28:35,640
outside through a corridor, across a courtyard and into a

554
00:28:35,720 --> 00:28:37,880
room on the other side of that and zoom in

555
00:28:37,920 --> 00:28:39,680
the whole way and you see a couple of people

556
00:28:39,720 --> 00:28:42,319
walk by and they're following somebody, and the tracking shot

557
00:28:42,359 --> 00:28:45,200
is literally like hundreds of feet away and still just

558
00:28:45,440 --> 00:28:49,200
gorgeously perfectly set up. And I really want to see

559
00:28:49,200 --> 00:28:51,599
what they did, like to plan out the blocking had

560
00:28:51,640 --> 00:28:54,319
to be insane. I cannot imagine how they made that movie.

561
00:28:54,559 --> 00:28:57,319
Speaker 3: I know, and that well, and then I know Tomorrow

562
00:28:57,400 --> 00:29:00,160
just sold out that limited edition and that was and

563
00:29:00,200 --> 00:29:03,160
that's something that I will say listeners, if you're sleeping

564
00:29:03,200 --> 00:29:05,519
on deaf crocodile like I did. I was like, that

565
00:29:05,559 --> 00:29:08,400
won't sell out. It's sold out, so now I have

566
00:29:08,480 --> 00:29:10,640
to get the freaking standard edition or pay a lot

567
00:29:10,640 --> 00:29:13,759
of money for for a dinged copy if one shows up.

568
00:29:13,960 --> 00:29:17,000
That's another good one, the dinged copies. I got dinged

569
00:29:17,039 --> 00:29:20,240
copies of that Trulio set, and I was like, these

570
00:29:20,240 --> 00:29:23,680
are gorgeous. These are not dinged. Like that's the best secret.

571
00:29:23,839 --> 00:29:24,119
Speaker 4: I mean.

572
00:29:25,680 --> 00:29:30,079
Speaker 3: You yeah, right, yes, I'm just like, yeah, that's the

573
00:29:30,119 --> 00:29:32,519
best kept secret. I think if someone's selling something dinged,

574
00:29:32,519 --> 00:29:35,480
it's usually because I think some people are complaining about

575
00:29:35,720 --> 00:29:37,880
a ding that's not there, or you guys have or

576
00:29:38,160 --> 00:29:40,319
the company has been really overly careful because they know

577
00:29:40,480 --> 00:29:45,359
how anally retentive there's that customer base is, literally And

578
00:29:45,400 --> 00:29:47,799
I'm just like, I am not. I got dings and

579
00:29:47,880 --> 00:29:49,920
rips and shit all over the place. I could care less.

580
00:29:50,160 --> 00:29:52,559
Speaker 2: So that that Dead Mountaineers one. I heard a lot

581
00:29:52,559 --> 00:29:55,079
of hype about that. Is that doing? Can you say?

582
00:29:55,119 --> 00:29:56,079
Is that doing pretty well?

583
00:29:56,160 --> 00:29:56,440
Speaker 3: Ryan?

584
00:29:57,079 --> 00:29:59,920
Speaker 4: Uh, here's the funny thing. It's done pretty decently. Theatric

585
00:30:01,000 --> 00:30:03,880
on home video, it is not sold anywhere near as

586
00:30:03,880 --> 00:30:06,799
well as we had hoped for. It is just an

587
00:30:06,799 --> 00:30:09,279
amazing release, but I think people are a little intimidated

588
00:30:09,319 --> 00:30:11,160
by that. And of course a few years ago there

589
00:30:11,160 --> 00:30:12,599
was a German media book of it that came out

590
00:30:12,599 --> 00:30:15,000
and a lot of people got it because the iconic

591
00:30:15,039 --> 00:30:17,240
poster that you might remember of I think it's a

592
00:30:17,279 --> 00:30:18,920
full head or a skull and it's got a big

593
00:30:19,000 --> 00:30:21,119
plug going into the back of it. People just love

594
00:30:21,200 --> 00:30:23,200
that image and they bought it. And unfortunately they're like, well,

595
00:30:23,200 --> 00:30:25,640
already go on the movie. That blu ray looks like

596
00:30:25,880 --> 00:30:30,400
absolute dog water. This new four K restoration is mind

597
00:30:30,400 --> 00:30:33,880
blowing and the movie is astonishing, great extras, The booklet

598
00:30:33,920 --> 00:30:36,960
in it is just incredible. Yeah, people are sleeping on

599
00:30:37,000 --> 00:30:38,640
it and we got a lot of copies left.

600
00:30:38,960 --> 00:30:39,200
Speaker 2: Yeah.

601
00:30:39,480 --> 00:30:42,839
Speaker 3: Yeah, well it's on my list. I need to like, well,

602
00:30:43,000 --> 00:30:45,640
now that I'm not that impressed with the Severn sale,

603
00:30:45,720 --> 00:30:47,599
I might be heading over to Death Crocodile and and

604
00:30:47,680 --> 00:30:50,559
it's a backfill cause yeah, I'm trying to stay on

605
00:30:50,599 --> 00:30:53,240
top of twenty twenty six releases, specifically because when we

606
00:30:53,279 --> 00:30:55,880
did your show last year and we went over like,

607
00:30:55,920 --> 00:30:57,400
so what are you watching? What were you favorite? Thanks

608
00:30:57,440 --> 00:30:59,279
to twenty twenty five, and I was like, I didn't

609
00:30:59,279 --> 00:31:01,440
really buy an enough. So now I'm trying to stay

610
00:31:01,440 --> 00:31:05,440
on top of stuff that I would want, you know,

611
00:31:06,160 --> 00:31:07,880
to the detriment of my bank account.

612
00:31:08,039 --> 00:31:10,680
Speaker 2: But that's a statement. I don't know if we hear

613
00:31:10,759 --> 00:31:13,599
that often I didn't buy enough on uh you know,

614
00:31:13,960 --> 00:31:14,400
I didn't.

615
00:31:14,920 --> 00:31:19,359
Speaker 3: Typically i'll backfill for on sales for stuff that came

616
00:31:19,400 --> 00:31:21,079
out like five six years ago, because that means that

617
00:31:21,119 --> 00:31:24,200
it's probably going out of print. But now I'm trying

618
00:31:24,200 --> 00:31:27,680
to be more proactive and pre ordering things. Yeah, and

619
00:31:27,680 --> 00:31:30,240
and and especially if it's a boutique label like Deaf

620
00:31:30,240 --> 00:31:34,279
Crocodile or Severn that I want to support, and they

621
00:31:34,559 --> 00:31:38,799
have more Mondo Micawber like companies that are more hits

622
00:31:38,839 --> 00:31:42,319
than misses. Like actually, I don't have a Deaf Crocodile miss. Yeah,

623
00:31:42,400 --> 00:31:46,200
I haven't had one. So that's that's a good track record.

624
00:31:46,240 --> 00:31:49,480
Speaker 4: That's pretty stilling. Yeah yeah, yeah.

625
00:31:49,359 --> 00:31:52,039
Speaker 3: No, there's it's a it's a no miss, no miss company.

626
00:31:52,079 --> 00:31:56,319
Speaker 2: All right, that's enough Deaf Crocodile advertising, I know, because.

627
00:31:56,119 --> 00:31:59,400
Speaker 3: That enough glazing. But I love Death Crocodile. Don't know

628
00:31:59,440 --> 00:32:01,720
what to tell you. Yeah, I think people still kind

629
00:32:01,720 --> 00:32:02,880
of sleep on them a little bit.

630
00:32:02,920 --> 00:32:05,480
Speaker 4: But they do. And we got big things to announce

631
00:32:05,519 --> 00:32:06,480
the next couple months.

632
00:32:06,240 --> 00:32:08,039
Speaker 2: So just wait, cool, so excited.

633
00:32:08,039 --> 00:32:10,119
Speaker 3: Well I almost signed up for that subscriber thing too,

634
00:32:10,160 --> 00:32:12,319
because everything that was announced, I was like, I need that,

635
00:32:12,359 --> 00:32:13,279
I need that, I need that.

636
00:32:13,400 --> 00:32:18,200
Speaker 4: But yeah, yeah, I could just keep up. Yeah, I'll

637
00:32:18,200 --> 00:32:19,559
be done with that crocodile. Sorry.

638
00:32:20,000 --> 00:32:23,200
Speaker 6: Join us semi weekly as we peer into the adults

639
00:32:23,279 --> 00:32:27,200
only theaters in sticky floored cinemas of the golden age

640
00:32:27,200 --> 00:32:32,359
of sexploitation, when the morals were loose, the laws were murky.

641
00:32:32,519 --> 00:32:36,799
Speaker 7: And the intercourse was all simulated. Find us now on

642
00:32:36,880 --> 00:32:45,880
the Someone's Favorite Productions podcast network.

643
00:32:47,440 --> 00:32:52,799
Speaker 2: Well one year of Someone's Favorite Productions. It's been a

644
00:32:52,880 --> 00:32:56,799
wild year, hasn't it. Ryan. Think about where you were

645
00:32:56,839 --> 00:32:58,400
in July of last year.

646
00:32:59,240 --> 00:33:01,240
Speaker 3: Oh my god, Oh yeah.

647
00:33:01,359 --> 00:33:03,799
Speaker 4: People have people have no idea. So yeah, July of

648
00:33:03,880 --> 00:33:06,960
last year I had, you know, life was very different then.

649
00:33:07,079 --> 00:33:09,160
I was still working full time for the federal government,

650
00:33:09,200 --> 00:33:11,079
thinking that everything was going to be all right. Eventually,

651
00:33:11,279 --> 00:33:13,319
turns out twenty twenty six had a different plan for

652
00:33:13,400 --> 00:33:16,640
that plan. Uh yeah, And a lot of people had

653
00:33:16,640 --> 00:33:18,359
no idea that I was already working on this whole

654
00:33:18,400 --> 00:33:21,519
other venture behind the scenes. I was already gosh, a

655
00:33:21,559 --> 00:33:24,960
little over a year into full on planning for Antenna

656
00:33:25,200 --> 00:33:27,160
and everything that was about to happen with that. It

657
00:33:27,279 --> 00:33:30,480
was just waiting for that right title and connecting with

658
00:33:30,519 --> 00:33:33,279
the right people. And yeah, since July of last year,

659
00:33:33,400 --> 00:33:35,400
how about you, guys, how's the first year feel?

660
00:33:35,960 --> 00:33:38,960
Speaker 3: It's been feels longer because we've been doing nons. We've

661
00:33:38,960 --> 00:33:40,640
been doing a lot more extras than I thought we

662
00:33:40,680 --> 00:33:41,240
would be doing.

663
00:33:41,279 --> 00:33:43,400
Speaker 4: Yeah, yeah, which has been nice to see your name

664
00:33:43,480 --> 00:33:43,960
so often.

665
00:33:44,799 --> 00:33:49,240
Speaker 3: It's it's I'm used to having to work last minute

666
00:33:49,240 --> 00:33:52,000
to get you know, try to lure an adult film

667
00:33:52,039 --> 00:33:55,640
actress out of hiding in like two weeks. Notice, I

668
00:33:55,720 --> 00:33:58,319
can do not easy somebody to get an interview. No,

669
00:33:58,400 --> 00:34:00,440
it's not. And so even when I try to work ahead,

670
00:34:00,480 --> 00:34:02,839
this schedule gets shuffled around and stuff. But this has

671
00:34:02,880 --> 00:34:05,599
been more consistent because we're dealing with a variety of

672
00:34:05,640 --> 00:34:08,920
different companies and uh, and actually Lisa has been Lisa

673
00:34:08,960 --> 00:34:11,400
Pertucci's been like the guiding light. Honestly, she's the one

674
00:34:11,440 --> 00:34:13,599
who thought of us for the Keno and for the

675
00:34:13,639 --> 00:34:17,320
AGFA film movement. Justin the Liberty. That was a crazy

676
00:34:18,440 --> 00:34:21,480
random question request.

677
00:34:21,960 --> 00:34:25,320
Speaker 2: Yeah, because let's you know, we're not like you said, glaze,

678
00:34:25,360 --> 00:34:29,000
We're not glazing in ourselves to say that there's not

679
00:34:29,159 --> 00:34:32,239
that many people out there who could do a full

680
00:34:32,320 --> 00:34:35,840
commentary on some of these movies. Let's just be real, like,

681
00:34:36,320 --> 00:34:40,480
this is a small it's a small pool of talent. Yeah,

682
00:34:40,519 --> 00:34:43,880
and the people that could actually deliver, you know, it's

683
00:34:43,920 --> 00:34:48,760
even smaller. So you know, Lisa has been super nice

684
00:34:48,760 --> 00:34:50,880
and she knows that we're passionate and that we want

685
00:34:50,920 --> 00:34:54,320
to do it and that we love doing it. So yeah,

686
00:34:54,360 --> 00:34:57,320
she's been a cheerleader for us. But of course, Ryan,

687
00:34:57,480 --> 00:35:00,320
like I'm trying to remember, I think I reached out

688
00:35:00,360 --> 00:35:03,360
to you originally when I saw that you had a

689
00:35:03,400 --> 00:35:07,000
podcast network, and I think I was just like joking like, hey,

690
00:35:07,079 --> 00:35:11,760
if you want to something different like sex film podcast

691
00:35:11,800 --> 00:35:14,679
on your network, I was kind of like lol, and

692
00:35:14,719 --> 00:35:18,480
You're like, actually, let's do it well.

693
00:35:18,320 --> 00:35:21,239
Speaker 4: And funny enough around that time, like we will and

694
00:35:21,320 --> 00:35:23,920
I will and I we had already been discussing a

695
00:35:23,920 --> 00:35:27,840
lot because after the Uh there was what two or

696
00:35:27,840 --> 00:35:31,360
three Frost films that got announced by seven early last year.

697
00:35:31,480 --> 00:35:34,880
Speaker 3: I think, yeah, like Hot Spur and Scavengers was that

698
00:35:34,960 --> 00:35:37,119
last year? Yeah, it was early last year. Yeah, and

699
00:35:37,159 --> 00:35:39,159
then a big fan.

700
00:35:39,320 --> 00:35:42,559
Speaker 4: Yeah, he's a big Frost fan. And I had uh

701
00:35:42,599 --> 00:35:44,800
before they got announced. I was helping for Toado try

702
00:35:44,800 --> 00:35:46,920
to track down some research for that. I was working

703
00:35:46,960 --> 00:35:50,280
behind the scenes and just I mean, you both know

704
00:35:50,320 --> 00:35:51,880
how this is. It was one of those worlds where

705
00:35:51,920 --> 00:35:53,519
I'm like, you know, I know a little bit about

706
00:35:53,559 --> 00:35:55,400
this and you start researching and go, oh no, I

707
00:35:55,880 --> 00:35:59,480
love this world, Like this is just so unsung and

708
00:35:59,679 --> 00:36:02,639
that sort of I mean, it's almost like quicksand like

709
00:36:02,760 --> 00:36:05,400
you start researching for a moment you're like, man, the

710
00:36:05,400 --> 00:36:07,880
more I researched, the more buried everything gets it.

711
00:36:07,960 --> 00:36:10,360
Speaker 2: And I just talk about Sean Langrick. That's him right there.

712
00:36:10,800 --> 00:36:14,400
Speaker 3: Oh my god, buried and Sean God love you. But

713
00:36:14,519 --> 00:36:18,360
he gets obsessed with I don't. I would never want

714
00:36:18,400 --> 00:36:21,599
to spend time researching the only house in town by

715
00:36:21,719 --> 00:36:25,280
ed Wood? Are you fucking kidding me? He knows so

716
00:36:25,400 --> 00:36:27,800
much about that movie and spoiler alert, I think I've

717
00:36:27,800 --> 00:36:29,280
had my arm twisted that we'll have him on to

718
00:36:29,320 --> 00:36:31,880
discuss it. I'll stay on mute the whole time. Yeah,

719
00:36:31,920 --> 00:36:34,840
because I'm just I fucking hate that movie. But like,

720
00:36:35,079 --> 00:36:37,880
as we've noted when we've done commentaries on stuff that

721
00:36:37,920 --> 00:36:41,760
we don't necessarily like, there are so many good stories

722
00:36:41,800 --> 00:36:44,000
about the people who did it. So, for example, Lust

723
00:36:44,000 --> 00:36:47,400
will Turk, it looks nice, the colors are great. That

724
00:36:47,440 --> 00:36:51,679
movie is not good, but it's Byron made who's fascinating.

725
00:36:51,719 --> 00:36:55,480
It's Dave Friedman, it's Willie Ann Castleman. I mean, there's

726
00:36:55,519 --> 00:36:58,519
the makeup guy on that who was like with Tyrone

727
00:36:58,519 --> 00:37:01,559
Power when he died. Like, there's there's major people involved

728
00:37:01,599 --> 00:37:04,480
with that film. So and that's something else that I

729
00:37:04,480 --> 00:37:07,880
think maybe people are I feel like maybe there's a situation.

730
00:37:08,000 --> 00:37:10,360
I can't speak for everybody, but like there's a situation

731
00:37:10,400 --> 00:37:12,800
of not seeing forest for the trees where it's like, well,

732
00:37:12,840 --> 00:37:15,400
I need to know everything about the production, and if

733
00:37:15,440 --> 00:37:17,280
I don't know everything about the production, I analyze this

734
00:37:17,320 --> 00:37:20,039
thing to death. And it's like, well, you can just

735
00:37:20,079 --> 00:37:22,800
get background and all the incredible cast and crew, which

736
00:37:22,840 --> 00:37:26,559
is perfectly fine, just it doesn't need to correspond necessarily

737
00:37:26,599 --> 00:37:28,800
to the action that's going on, because there's only so

738
00:37:28,880 --> 00:37:30,199
much you can say about the action we've gone for.

739
00:37:30,239 --> 00:37:33,880
It's something that isn't well documented like sexploitation. So when

740
00:37:33,920 --> 00:37:38,199
we did Jezebel and Turk, that's really what it was.

741
00:37:38,599 --> 00:37:41,199
There is no documentation of the production of those movies.

742
00:37:41,440 --> 00:37:43,840
We covered the releases of the films, but it really

743
00:37:43,920 --> 00:37:46,239
was about the personalities it came together to make the movies,

744
00:37:46,360 --> 00:37:49,920
and that is that makes the films more interesting, like

745
00:37:49,960 --> 00:37:54,440
by default, because somehow this incredible group of people came

746
00:37:54,440 --> 00:37:56,639
together to make this thing in this moment in time

747
00:37:57,000 --> 00:38:00,519
for this very specific market that doesn't existing. So it's

748
00:38:00,559 --> 00:38:00,840
just a.

749
00:38:00,920 --> 00:38:04,440
Speaker 4: Very yeah, that's specific about this niche too, and other

750
00:38:04,559 --> 00:38:06,440
niches as well, not taking that away, but you know,

751
00:38:06,480 --> 00:38:09,400
if we're covering a paramount film from nineteen seventy six,

752
00:38:09,679 --> 00:38:11,760
this idea doesn't work as well. We don't need to

753
00:38:11,800 --> 00:38:14,480
hear the background of all these famous studio actors. But

754
00:38:14,639 --> 00:38:16,920
if you're covering a Freedman film from nineteen seventy six,

755
00:38:17,039 --> 00:38:19,239
you can talk about that for hours and just say, listen,

756
00:38:19,559 --> 00:38:21,559
you guys have never heard of this person. It's not

757
00:38:21,599 --> 00:38:25,079
Sean Connery. It's not somebody that has a very well

758
00:38:25,599 --> 00:38:28,840
likable face that has been in all of the Hollywood tabloids.

759
00:38:28,840 --> 00:38:31,239
It's people that like you would just want to hear

760
00:38:31,280 --> 00:38:34,639
about because they're interesting stories, and the ones that are

761
00:38:34,679 --> 00:38:37,559
still alive. I mean specifically, Casey. You've covered so many

762
00:38:37,599 --> 00:38:41,199
people's lives with not even just research, just genuine respect

763
00:38:41,480 --> 00:38:43,840
that other people have never given that time to. And

764
00:38:43,840 --> 00:38:47,000
that's when you listen to the show. God, here comes

765
00:38:47,039 --> 00:38:51,079
some more glazing. When Gentry first reached out and it

766
00:38:51,119 --> 00:38:54,119
was like, hey, how does this sound? And I was like, well,

767
00:38:54,440 --> 00:38:56,280
you know, I've had many people reach out before, and

768
00:38:56,480 --> 00:38:59,119
I can show you know, one of these shows. In

769
00:38:59,159 --> 00:39:01,239
five minutes, I'm like, yeah, that's sorry, we're going to pass.

770
00:39:01,280 --> 00:39:04,079
But I listened to this show and ten minutes I

771
00:39:04,119 --> 00:39:07,719
was like, Wow, this is different. This is respectful, this

772
00:39:07,840 --> 00:39:11,639
is exciting, this is well researched, this is meaningful of

773
00:39:11,639 --> 00:39:14,239
something that nobody's talking about. Why would we not want

774
00:39:14,239 --> 00:39:17,320
this on the network. And all you've done since then

775
00:39:18,000 --> 00:39:21,360
is increase the quality, So like it was the best

776
00:39:21,360 --> 00:39:23,320
decision ever. Yeah, it's been amazing you guys.

777
00:39:23,320 --> 00:39:27,840
Speaker 3: Are we appreciate that? Yeah? We try to. Yeah. I

778
00:39:28,199 --> 00:39:30,719
was all nervous about going down to every other week Gentry,

779
00:39:30,760 --> 00:39:33,920
but we need to do that for our sanity too,

780
00:39:34,719 --> 00:39:37,079
that's the thing. Yes, and so now that we're doing

781
00:39:37,159 --> 00:39:39,880
every other week, I also feel a little bit like

782
00:39:40,280 --> 00:39:44,679
everyone has to be a banger, you know, So it's like, okay, yeah,

783
00:39:45,079 --> 00:39:47,440
then I'm fine with everyone being every episode being like

784
00:39:47,440 --> 00:39:50,760
two and a half hours, because then we're feeding the

785
00:39:50,840 --> 00:39:53,360
children for the next two weeks. Yes, and it'll be

786
00:39:53,639 --> 00:39:57,679
educational and nourishing and hopefully entertaining, and I won't drive

787
00:39:57,719 --> 00:39:59,280
everyone crazy with my hottakes.

788
00:39:59,360 --> 00:40:03,519
Speaker 2: But yeah, well and I yeah, Ryan, I've told you

789
00:40:03,559 --> 00:40:06,800
before too, But yeah, we just I think that I

790
00:40:07,000 --> 00:40:09,920
saw the stuff you had already put out, and I

791
00:40:10,000 --> 00:40:13,400
kind of got a feeling that you were open to taking.

792
00:40:13,679 --> 00:40:15,519
I mean, look, it's a little bit of a risk,

793
00:40:15,639 --> 00:40:18,199
I guess because of the subject matter that we're covering.

794
00:40:18,840 --> 00:40:22,519
You know, there's some podcast networks that they would instantly

795
00:40:22,599 --> 00:40:26,679
just that would be a hard no, right, And so yeah,

796
00:40:26,719 --> 00:40:30,480
I appreciate your open mindedness, and you've always been super supportive,

797
00:40:31,000 --> 00:40:34,719
and the network itself is you know, there's just such

798
00:40:34,880 --> 00:40:40,360
variety there, you know, there's opportunities to collaborate and everybody's

799
00:40:40,480 --> 00:40:45,400
just super cool. Yeah, I have no complaints. I appreciate

800
00:40:45,440 --> 00:40:48,079
you and all that you've done, and you, I mean

801
00:40:48,199 --> 00:40:50,599
here's the thing. What I like about the network is

802
00:40:50,639 --> 00:40:53,440
that you're easy to get a hold of if we

803
00:40:53,559 --> 00:40:56,719
have issues or questions or need something. But at the

804
00:40:56,719 --> 00:40:58,519
same time, you just kind of let people do their

805
00:40:58,519 --> 00:40:58,920
own thing.

806
00:40:59,280 --> 00:41:03,159
Speaker 4: Yeah, it's it's important. I mean, it's literally more than

807
00:41:03,199 --> 00:41:07,480
thirty shows at this point, and the amount of management alone,

808
00:41:07,480 --> 00:41:10,159
if you were trying to micromanage, that would be like

809
00:41:11,119 --> 00:41:14,480
mind ruining. But beyond that, why would I want to

810
00:41:14,480 --> 00:41:16,960
stifle the creativity. The reason every single one of these

811
00:41:16,960 --> 00:41:19,880
shows is on the network is because will or myself

812
00:41:20,079 --> 00:41:22,599
like them or both of us, and I don't want

813
00:41:22,599 --> 00:41:24,719
to damper that. I don't want to harm that. I

814
00:41:24,719 --> 00:41:27,480
don't want to color that. I mean I already like it.

815
00:41:27,519 --> 00:41:29,880
So yeah, let's just increase what we can with your

816
00:41:29,920 --> 00:41:32,559
exposure and help each other out. And when you've got

817
00:41:32,559 --> 00:41:34,880
a problem, we've got you know, thirty two other shows

818
00:41:34,880 --> 00:41:36,519
that can step in and say, oh, yeah, I've seen

819
00:41:36,519 --> 00:41:38,039
that before, let me help for sure.

820
00:41:38,480 --> 00:41:41,119
Speaker 2: Yeah, nothing else to say there about the network and

821
00:41:41,159 --> 00:41:44,400
our collaboration there. I'm just looking forward to continuing it.

822
00:41:44,440 --> 00:41:46,719
And I mean I feel like we barely even scratch

823
00:41:46,800 --> 00:41:50,719
the surface of like opportunities for what we can do

824
00:41:50,800 --> 00:41:55,880
together because you've been so busy this last year launching Antenna.

825
00:41:56,360 --> 00:41:59,559
I'm not blaming you. I'm just saying like, look, we've

826
00:41:59,559 --> 00:42:01,960
got a ton of stuff going on, and look these

827
00:42:02,000 --> 00:42:04,119
just open up more doors for us down the road.

828
00:42:04,199 --> 00:42:05,880
So yeah, I'm really excited about it.

829
00:42:06,400 --> 00:42:08,519
Speaker 4: Well, and that's I mean, secretly, one of my selfish

830
00:42:08,519 --> 00:42:11,280
desires is to start putting out some films that people

831
00:42:11,320 --> 00:42:13,519
on the network and friends of mine can love and

832
00:42:13,559 --> 00:42:16,360
then I can hire them for those releases. And a

833
00:42:16,400 --> 00:42:18,519
lot of these people, I mean both of you are

834
00:42:18,559 --> 00:42:22,159
already producers in your own right, and literally I could say, yeah,

835
00:42:22,239 --> 00:42:24,360
let's start an exploitation line if we can get the

836
00:42:24,440 --> 00:42:26,599
rights to twelve of these and see if we can

837
00:42:26,639 --> 00:42:31,920
start making amazing criterion level releases of Cressy films of whatever.

838
00:42:32,960 --> 00:42:35,320
Speaker 3: Scott, if you could make a deal with Carmen Novak,

839
00:42:36,639 --> 00:42:40,360
that I think. That's honestly, that's the that's the last

840
00:42:41,119 --> 00:42:45,079
that's the last pillar standing that has not been tapped

841
00:42:45,519 --> 00:42:49,679
majorly for reissues and spoiler alert, I have none of

842
00:42:49,679 --> 00:42:52,800
those on my list for tonight because I've already ranted

843
00:42:52,880 --> 00:42:56,679
enough about them on this podcast. But no, Elabrary, no

844
00:42:56,679 --> 00:43:01,239
Novacks around my list. Okay, just that whole library needs

845
00:43:01,239 --> 00:43:04,880
to be rescued. And so if not you, somebody please

846
00:43:06,519 --> 00:43:09,639
from Carmen Novac somebody. Yeah, yeah, even if she wanted

847
00:43:09,679 --> 00:43:12,159
to do like a five package, maybe do like a five.

848
00:43:12,320 --> 00:43:14,920
If there's a possibility to do like a five package deal,

849
00:43:15,239 --> 00:43:17,199
then we would absolutely tell you which five to go

850
00:43:17,280 --> 00:43:21,639
for and make sure that they sell. Well, we would

851
00:43:21,719 --> 00:43:23,639
stump the hell out of them. Yeah, oh yeah, we

852
00:43:23,679 --> 00:43:26,800
would kiss me quick. Please give me kiss me quick?

853
00:43:27,320 --> 00:43:27,920
Speaker 2: How is that not?

854
00:43:28,159 --> 00:43:30,400
Speaker 4: Yes? Anyways, that's a that's.

855
00:43:30,199 --> 00:43:32,000
Speaker 3: A slam dunk for sever and I don't know why

856
00:43:32,000 --> 00:43:34,440
they didn't get that. It's a horror sex movie. It's crazy.

857
00:43:34,800 --> 00:43:36,760
Speaker 2: Well you guys are you guys know more about this

858
00:43:36,800 --> 00:43:40,599
world than I do. But okay, so just hypothetical, there's

859
00:43:40,679 --> 00:43:44,639
like an orphaned film that doesn't necessarily have an owner,

860
00:43:44,840 --> 00:43:47,880
nobody's claiming ownership of it. How would you put that

861
00:43:48,000 --> 00:43:50,440
out on physical media? What are the hurdles?

862
00:43:51,320 --> 00:43:54,119
Speaker 4: I mean, if it's truly orphaned and you can't find

863
00:43:54,280 --> 00:43:56,519
a chain of title, which for those that are not

864
00:43:56,679 --> 00:43:59,280
familiar with it, that's literally who owned it and when

865
00:43:59,360 --> 00:44:02,119
and how you are legally acquiring the rights for it.

866
00:44:02,400 --> 00:44:04,840
I mean, the reality is there's a couple of ways

867
00:44:04,840 --> 00:44:07,159
you can pursue it for the next twenty years. Get

868
00:44:07,199 --> 00:44:10,360
frustrated and give up. That's the most common one, and

869
00:44:10,400 --> 00:44:12,880
then the other one is take a risk and just

870
00:44:12,960 --> 00:44:16,119
hope that nobody sues you. And the reality is, if

871
00:44:16,159 --> 00:44:19,000
you're putting ten thousand dollars minimum into a film to

872
00:44:19,039 --> 00:44:21,119
put that out and on day two you get to

873
00:44:21,159 --> 00:44:25,199
see some desist, you're screwed. Like there's no opportunity for

874
00:44:25,239 --> 00:44:26,840
you to get rid of those in a way that

875
00:44:27,000 --> 00:44:30,079
doesn't bring legal scrutiny, that makes the future of your

876
00:44:30,159 --> 00:44:32,840
company come into question. And if other people see you

877
00:44:32,880 --> 00:44:35,199
doing that already, they're immediately going to lose respect for you.

878
00:44:35,280 --> 00:44:37,400
And that's I mean, I'm not going to name names,

879
00:44:37,440 --> 00:44:40,960
but there's a handful of companies that either are operating

880
00:44:41,039 --> 00:44:44,320
right now or have operated and owners have died in

881
00:44:44,519 --> 00:44:47,599
not great situations and they lost a lot of respect

882
00:44:47,880 --> 00:44:51,480
and based on that, it ruined their reputations. And I

883
00:44:51,519 --> 00:44:53,559
have no plans to be one of those at the moment.

884
00:44:55,079 --> 00:44:58,239
Speaker 3: You really have to do, if you're going to take

885
00:44:58,280 --> 00:45:02,519
that risk, have to do your due diligence and have

886
00:45:03,159 --> 00:45:05,679
documentation to back it up in a court of law

887
00:45:06,280 --> 00:45:10,480
that you paid the Library of Congress to do the research,

888
00:45:10,559 --> 00:45:14,159
that you paid to have some kind of research done,

889
00:45:14,159 --> 00:45:17,320
to research a company of the people involved. You have

890
00:45:17,360 --> 00:45:18,559
to have that documentation.

891
00:45:19,079 --> 00:45:20,960
Speaker 2: So what I'm hearing is is it might even be

892
00:45:21,079 --> 00:45:24,079
harder to put out, Like it might be a bad

893
00:45:24,119 --> 00:45:25,880
idea to put out an orphan film.

894
00:45:25,960 --> 00:45:28,559
Speaker 3: It's better to do so much more work to cover rules.

895
00:45:28,679 --> 00:45:30,840
Speaker 2: Yes, yeah, follow the rules.

896
00:45:30,880 --> 00:45:33,400
Speaker 4: It's not a bad idea. If you are loaded, if

897
00:45:33,440 --> 00:45:35,440
you've got a ton of money, you can you can

898
00:45:35,480 --> 00:45:37,599
pull this off. But that when I just said, you

899
00:45:37,639 --> 00:45:40,159
know that that release that you put ten thousand dollars into,

900
00:45:40,400 --> 00:45:42,320
now it's a release that you put thirty five thousand

901
00:45:42,320 --> 00:45:46,639
dollars into at bare minimum. Yeah, And unfortunately the orphan films,

902
00:45:46,760 --> 00:45:48,760
they're never making thirty five thousand dollars to make up

903
00:45:48,760 --> 00:45:48,920
for that.

904
00:45:49,079 --> 00:45:51,559
Speaker 3: No, absolutely not. There's a reason why you can't find

905
00:45:51,599 --> 00:45:53,840
the right z owner. They're typically so obscure that that's

906
00:45:53,880 --> 00:45:56,320
why you can't find the right zonner. Yeah, so you're

907
00:45:56,400 --> 00:45:59,440
taking a big risk putting something out where it's like yeah,

908
00:45:59,480 --> 00:46:01,880
typically stuff from like the sixties and seventies that stuff

909
00:46:01,920 --> 00:46:04,760
already has a diminished return on value depending on the

910
00:46:04,760 --> 00:46:06,079
title and the people involved.

911
00:46:06,559 --> 00:46:10,880
Speaker 2: So yeah, all right, all right, should we get into

912
00:46:10,880 --> 00:46:11,400
some pics.

913
00:46:12,559 --> 00:46:13,960
Speaker 4: Yeah, let's do it.

914
00:46:14,360 --> 00:46:18,159
Speaker 2: All right, let's read it. You're intrigued, all right.

915
00:46:18,000 --> 00:46:19,760
Speaker 3: I'm intrigued. I don't think we're going to have a

916
00:46:19,800 --> 00:46:20,519
lot of crossover.

917
00:46:21,159 --> 00:46:22,840
Speaker 2: I'll say that.

918
00:46:24,400 --> 00:46:24,840
Speaker 4: I don't know.

919
00:46:24,920 --> 00:46:26,559
Speaker 3: I was thinking more mainstream with mine.

920
00:46:26,719 --> 00:46:29,880
Speaker 2: Actually, oh okay, I don't know what I was going

921
00:46:29,880 --> 00:46:32,239
with mine. I had a I had a list I

922
00:46:32,280 --> 00:46:34,280
made on letterbox a while ago where I was like, well,

923
00:46:34,360 --> 00:46:36,639
things that I want to see upgraded. And I went

924
00:46:36,679 --> 00:46:38,320
back and looked at that and I just picked a

925
00:46:38,320 --> 00:46:38,920
few off there.

926
00:46:39,039 --> 00:46:42,960
Speaker 3: So I looked at my DVDR collection and I was like,

927
00:46:43,239 --> 00:46:47,480
why is this still on DVDR in my collection? I

928
00:46:47,559 --> 00:46:49,320
need this on Blu ray. That was kind of what

929
00:46:49,400 --> 00:46:49,679
I did.

930
00:46:49,800 --> 00:46:53,159
Speaker 2: Yeah, all right, Well, my first one is, uh, it's

931
00:46:53,159 --> 00:46:55,480
one that I haven't even seen yet. I don't know

932
00:46:55,519 --> 00:46:58,079
if you guys have ones that you haven't seen, I

933
00:46:58,159 --> 00:46:59,559
do you? Okay?

934
00:47:00,039 --> 00:47:00,599
Speaker 3: And all of mine?

935
00:47:01,000 --> 00:47:05,000
Speaker 2: Okay, all right. My first one is a movie by

936
00:47:05,840 --> 00:47:10,400
jose Lauras. It goes by a number of different titles,

937
00:47:10,559 --> 00:47:13,599
but I think The English title is and Give Us

938
00:47:13,639 --> 00:47:18,440
Our Daily Sex. It's also known as El Periscopio in

939
00:47:18,519 --> 00:47:23,599
Spanish and it's also went by a. It also had

940
00:47:23,639 --> 00:47:26,360
like a student Nurse. Yeah, it was called Young Nurses.

941
00:47:26,599 --> 00:47:30,639
I've seen that ad Matt before. I've heard it described

942
00:47:30,679 --> 00:47:34,079
as sort of an Italian sexy comedy style movie but

943
00:47:34,440 --> 00:47:35,599
done in Spain.

944
00:47:37,800 --> 00:47:40,199
Speaker 1: Done no good, give.

945
00:47:43,559 --> 00:47:43,880
Speaker 8: Yucky.

946
00:48:08,159 --> 00:48:10,840
Speaker 2: So it's Jose Lauras. Obviously. The big pole here though,

947
00:48:11,039 --> 00:48:17,280
is Casey Laura Gemser. Isn't it Miss Laura? So this

948
00:48:17,320 --> 00:48:19,599
is one of the few Laura Gemser movies I haven't

949
00:48:19,639 --> 00:48:23,039
seen because the versions that I've found of this out

950
00:48:23,079 --> 00:48:25,920
there are just terrible. And I don't know about you, guys,

951
00:48:25,920 --> 00:48:29,920
but I like to see things that look their best.

952
00:48:30,519 --> 00:48:34,320
So sometimes I'll hold off on watching something if if

953
00:48:34,320 --> 00:48:37,079
it's terrible quality, I'll be like, well, this might be

954
00:48:37,119 --> 00:48:39,199
put out at some point, so I'm just gonna wait.

955
00:48:39,559 --> 00:48:41,920
And that's what the case is with this one. What

956
00:48:42,000 --> 00:48:42,559
about you, guys.

957
00:48:42,599 --> 00:48:46,280
Speaker 3: I come from an old the old school, having to

958
00:48:46,440 --> 00:48:49,679
order bootleg vhs and like shocking videos and luminism and

959
00:48:49,760 --> 00:48:52,400
video works and video sharts in Miami, So no, I

960
00:48:52,440 --> 00:48:55,039
will watch something if it's in terrible quality, thinking that

961
00:48:55,599 --> 00:48:58,559
it has come to my eyeballs from the bowels of

962
00:48:58,639 --> 00:49:01,159
hell and I will never see another version of it,

963
00:49:01,280 --> 00:49:03,119
and so I have to make deal with what it is.

964
00:49:03,199 --> 00:49:07,599
So yeah, I don't have that that that quality threshold

965
00:49:07,599 --> 00:49:10,480
that you do, Okay seeing some of this shit.

966
00:49:10,719 --> 00:49:13,679
Speaker 2: Yeah yeah, well so this was Let me just rate

967
00:49:13,719 --> 00:49:16,000
a little quick synopsis too, Maybe I should have done that. Well,

968
00:49:16,039 --> 00:49:19,320
so this is from nineteen Well the nineteen seventy nine

969
00:49:19,599 --> 00:49:22,559
is I think the original release date. This is, like

970
00:49:22,559 --> 00:49:25,599
I said, Jose Larraz you might know him from Vampires

971
00:49:25,880 --> 00:49:30,679
and Whirlpool. Aero put out that Jose Laaraz set Coming

972
00:49:30,760 --> 00:49:34,199
of Sin. I mean he's a big name. Yeah, he's

973
00:49:34,239 --> 00:49:40,360
a big name in Spanish exploitation. The quick synopsis is, yeah,

974
00:49:40,360 --> 00:49:42,360
it's in the mode. It's in the model of the

975
00:49:42,400 --> 00:49:46,159
famous Italian comedy Malicious, which is a Laura Antonelli movie.

976
00:49:46,199 --> 00:49:49,320
It's sort of like kind of a riff on that movie.

977
00:49:50,079 --> 00:49:53,039
You can sense the commissioned work. They're talking about Larraz.

978
00:49:53,199 --> 00:49:55,159
He you know, he kind of was just doing this

979
00:49:55,199 --> 00:49:57,920
for money. He apparently only took the financi Yeah, he

980
00:49:58,159 --> 00:50:01,519
undertook it for financial gain. Neverthe less, the parent banality

981
00:50:01,599 --> 00:50:05,239
of the subject belies a rather fierce critique of the

982
00:50:05,280 --> 00:50:09,159
Spanish bourgeoisie, embodied by the character of the family man,

983
00:50:09,280 --> 00:50:13,639
essentially preoccupied with watching sports on TV and haunted by

984
00:50:13,639 --> 00:50:17,840
the fear of receding hairlines. This is a comedy, so

985
00:50:18,000 --> 00:50:23,199
a very Italian comedy, for which one is surprised by

986
00:50:23,199 --> 00:50:26,760
the absence of the obligatory big boobs nurse Edward Fennick.

987
00:50:27,760 --> 00:50:30,960
A pleasant film, nothing more, which, in our opinion, is

988
00:50:31,000 --> 00:50:33,800
only worthwhile for the presence of Laura Gemzer.

989
00:50:35,800 --> 00:50:37,639
Speaker 3: How many movies can you say that about?

990
00:50:37,840 --> 00:50:42,280
Speaker 2: Yeah, so, I for real, I've been kind of I know,

991
00:50:42,360 --> 00:50:46,599
other exploitation fans that are that love Jose Lauras like

992
00:50:46,679 --> 00:50:49,039
I do, have been kind of asking, like, when's the

993
00:50:49,079 --> 00:50:52,320
follow up? Errow, Let's do a Jose Laraz box set

994
00:50:52,400 --> 00:50:55,880
part two? Maybe it didn't sell well, but there's a

995
00:50:55,880 --> 00:50:58,320
lot of other Jose Lauras that they could package together,

996
00:50:58,360 --> 00:50:59,480
and this would be a good one.

997
00:51:00,239 --> 00:51:03,000
Speaker 3: What are the other ones besides this one? Don't say

998
00:51:03,000 --> 00:51:05,559
Black Candles and don't say Stigma?

999
00:51:06,079 --> 00:51:06,400
Speaker 2: Why not?

1000
00:51:06,440 --> 00:51:08,000
Speaker 3: What else?

1001
00:51:08,840 --> 00:51:08,920
Speaker 5: So?

1002
00:51:08,960 --> 00:51:10,719
Speaker 2: What else black Candles has been put out?

1003
00:51:11,760 --> 00:51:13,639
Speaker 3: I know I'm saying if you want a volume two?

1004
00:51:14,000 --> 00:51:17,599
What's going in the volume two? Frustration is he frustration?

1005
00:51:18,360 --> 00:51:20,480
Speaker 2: Deviation, that's deviation.

1006
00:51:20,639 --> 00:51:25,280
Speaker 3: Frustration is peca, that's right, Yeah, frustration is different, right, yeah, yeah,

1007
00:51:25,400 --> 00:51:26,280
I prefer Pikack.

1008
00:51:26,679 --> 00:51:27,280
Speaker 4: Yeah.

1009
00:51:27,519 --> 00:51:29,719
Speaker 3: So I didn't think that there were like that many

1010
00:51:29,760 --> 00:51:31,719
more movies of his that actually needed to.

1011
00:51:32,480 --> 00:51:38,480
Speaker 2: Be Lamerte in Sierta. It's the English is Death Uncertain?

1012
00:51:39,079 --> 00:51:42,639
Speaker 3: Yeah, it's yeah, okay, interesting.

1013
00:51:43,320 --> 00:51:46,000
Speaker 2: Yeah, there's there's quite a few other ones, but Emma,

1014
00:51:46,199 --> 00:51:48,440
there's enough Emma Dark Doors. I think I'm trying to

1015
00:51:48,440 --> 00:51:52,280
remember who put that out Horses or there's been some

1016
00:51:52,360 --> 00:51:53,280
crappy blue.

1017
00:51:54,840 --> 00:51:56,039
Speaker 3: Didn't it come out of Stigma?

1018
00:51:56,719 --> 00:52:01,280
Speaker 2: That's a different No, yeah, yes, Stigma gotta release. But

1019
00:52:01,280 --> 00:52:02,559
it's like a crappy blu ray.

1020
00:52:03,119 --> 00:52:09,280
Speaker 3: So that's terrible, right right. Interesting hasn't been picked up

1021
00:52:09,280 --> 00:52:11,199
with the game, with the laura of it all.

1022
00:52:11,639 --> 00:52:11,840
Speaker 6: I know.

1023
00:52:11,880 --> 00:52:15,239
Speaker 2: That's why I think maybe there's just no elements or something.

1024
00:52:15,400 --> 00:52:15,880
I don't know.

1025
00:52:16,119 --> 00:52:19,679
Speaker 3: Some rights holders are insane. We'll get into that when

1026
00:52:19,679 --> 00:52:23,079
I there's some on my list. Some people overvalue their

1027
00:52:23,280 --> 00:52:27,800
their library, Some lie about having access to negatives when

1028
00:52:27,840 --> 00:52:31,480
they don't, and they like having people dangled. You know,

1029
00:52:31,840 --> 00:52:34,079
they like dangling a carrot, being like, well I have

1030
00:52:34,079 --> 00:52:36,320
the original camera. Negative, you need to pay me like

1031
00:52:36,400 --> 00:52:38,639
a million dollars. Then they don't have it.

1032
00:52:38,960 --> 00:52:43,320
Speaker 2: Yeah, Jose Lauras and Laura gun there, let's do it.

1033
00:52:44,760 --> 00:52:46,280
Speaker 4: I feel like, did she talk about that?

1034
00:52:46,639 --> 00:52:48,800
Speaker 3: Did she talk about that in her Maturno interview. I

1035
00:52:48,840 --> 00:52:52,559
don't think she did. No, talked about everything else that that.

1036
00:52:55,000 --> 00:52:57,199
Speaker 2: Well, it's kind of an oddity too, because again it's

1037
00:52:57,239 --> 00:53:02,639
like a it's Spanish. It's kind of a sexy comedy. Yeah,

1038
00:53:03,079 --> 00:53:04,159
Gabrielle's got there.

1039
00:53:05,159 --> 00:53:07,760
Speaker 4: The hard part too. That first Laura's Box from Arrow

1040
00:53:07,880 --> 00:53:10,400
came out over seven years ago now, and Aero is

1041
00:53:10,440 --> 00:53:13,159
a very different company than they were seven years ago.

1042
00:53:13,239 --> 00:53:16,400
Speaker 3: Yes, they are. They have they're doing mostly studio stuff.

1043
00:53:16,239 --> 00:53:18,639
Speaker 4: Now, almost entirely. Yeah.

1044
00:53:19,000 --> 00:53:21,480
Speaker 3: Yeah, yeah, it's a lot of output deals with major

1045
00:53:21,480 --> 00:53:26,719
studio now. It's kind of like Keno, but like leveled up. Yeah. Yeah,

1046
00:53:26,840 --> 00:53:30,800
that's interesting. That's interesting. And I just realized now now

1047
00:53:30,880 --> 00:53:32,760
if we're now they're on the topic of Laura, I

1048
00:53:32,800 --> 00:53:35,039
forgot to put Emmanuel, Queen of Sados on my list,

1049
00:53:35,719 --> 00:53:38,719
which Severn was supposed to put in that box set.

1050
00:53:38,880 --> 00:53:40,599
But then they got chicken shit because they couldn't prove

1051
00:53:40,639 --> 00:53:42,519
Olivia Jerusso's age.

1052
00:53:42,559 --> 00:53:45,719
Speaker 2: And we don't know the reason. We don't know that's

1053
00:53:45,719 --> 00:53:46,000
the reason.

1054
00:53:46,719 --> 00:53:49,159
Speaker 3: What other reason is there? That is the reason.

1055
00:53:49,559 --> 00:53:51,880
Speaker 4: Let's be honest. It hasn't stopped many of these other boutiques.

1056
00:53:52,320 --> 00:53:54,880
Speaker 3: Yeah, well, media bastard didn't care because that was a DVD.

1057
00:53:55,800 --> 00:54:00,519
I don't think. Yeah, I think you can tell it's

1058
00:54:00,519 --> 00:54:03,119
supposed to be included in that. It's in the it's

1059
00:54:03,119 --> 00:54:06,559
in the accompanying booklet discussed in great detail. And then

1060
00:54:06,599 --> 00:54:10,559
there's actually that newly designed artwork that matches all the

1061
00:54:10,599 --> 00:54:13,400
other artwork for the box on letterbox. So I'm like, yeah,

1062
00:54:13,440 --> 00:54:15,559
this was supposed to be with her. I'm really surprised

1063
00:54:15,639 --> 00:54:18,400
how people haven't flagged that. Yeah, that they dropped that.

1064
00:54:19,559 --> 00:54:22,239
I think, like only people like meee care because I

1065
00:54:22,280 --> 00:54:25,960
actually love that movie, but as leazy as it is,

1066
00:54:26,000 --> 00:54:29,280
because you get to see Laura playing like a villain. Yeah,

1067
00:54:29,559 --> 00:54:31,679
all right, I'd like to see Laura in comedy mode.

1068
00:54:31,679 --> 00:54:33,280
You don't see her in comedy mode that much.

1069
00:54:33,719 --> 00:54:34,400
Speaker 4: That's true.

1070
00:54:34,599 --> 00:54:36,880
Speaker 2: All right, Ryan, you're next.

1071
00:54:37,039 --> 00:54:40,960
Speaker 4: I'm next. This is probably one of my two of

1072
00:54:41,400 --> 00:54:44,079
my most obvious obvious choices. And I was telling Casey

1073
00:54:44,119 --> 00:54:46,960
this before, but I was so overthinking this that I

1074
00:54:47,039 --> 00:54:48,840
overthought it so much that I went back to like

1075
00:54:48,920 --> 00:54:51,719
full circle and said, well, they're probably gonna go way deeper.

1076
00:54:51,760 --> 00:54:53,639
I should just make sure that we're naming some of

1077
00:54:53,639 --> 00:54:56,199
the very obvious ones. And this one's kind of a

1078
00:54:56,280 --> 00:55:00,800
cheat too, because we know it's coming, but I as

1079
00:55:00,840 --> 00:55:04,719
disconnected speaking for a moment, This is a very selfish request.

1080
00:55:05,199 --> 00:55:08,440
Nineteen eighty nine's Muscle by Sato. We know it's coming,

1081
00:55:08,800 --> 00:55:12,159
but all I gotta say, just freaking release it already.

1082
00:55:12,199 --> 00:55:15,239
Like the amount of times I get complaints of, oh,

1083
00:55:15,280 --> 00:55:18,800
they're announcing volume nineteen and we still haven't gotten the muscle,

1084
00:55:18,880 --> 00:55:21,679
Like what are we doing? Justin please just prioritize that.

1085
00:55:21,800 --> 00:55:24,840
I'm so tired of answering the question that it's coming. I,

1086
00:55:25,320 --> 00:55:28,199
you know, as disconnected on social media. Pretty much everybody

1087
00:55:28,199 --> 00:55:30,639
knows I respond to every comment that I possibly can.

1088
00:55:31,119 --> 00:55:33,400
I every single time they announce another Sado set, that

1089
00:55:33,519 --> 00:55:36,760
is the main question I get is can they do muscle?

1090
00:55:36,800 --> 00:55:39,000
When are we getting muscle? Is muscle coming? And I

1091
00:55:39,039 --> 00:55:41,519
have to say yes and soon and please stop asking?

1092
00:55:41,639 --> 00:55:45,000
Eighty four times every time, and like, listen, we all

1093
00:55:45,000 --> 00:55:47,239
want the movie. You know, we were just talking so

1094
00:55:47,360 --> 00:55:50,559
much about the two in the Pinku guys. Dakota specifically

1095
00:55:50,840 --> 00:55:55,880
loves this film. The amount of amazing comments that Dakota

1096
00:55:55,920 --> 00:55:57,920
has made about this over the years should tell you

1097
00:55:58,000 --> 00:56:00,679
enough to want to see this. There are are moments

1098
00:56:00,719 --> 00:56:03,800
that if you read one of his reviews, you're gonna

1099
00:56:03,800 --> 00:56:06,960
think it's pure poetry. Dakota earlier this year said a

1100
00:56:06,960 --> 00:56:09,679
film that can make straight men cry and gay men come.

1101
00:56:09,800 --> 00:56:12,840
If that alone does not make you say we need this, please,

1102
00:56:13,880 --> 00:56:15,639
there's another review of this from a couple of years

1103
00:56:15,639 --> 00:56:19,880
ago from Dakota. This says cold, queer, underlicking love. That's amazing.

1104
00:56:20,920 --> 00:56:23,320
The start of one from earlier that same year, he says,

1105
00:56:23,519 --> 00:56:27,159
squirted and swallowed. This is the oral tradition of queer desire.

1106
00:56:27,280 --> 00:56:30,039
Speaker 2: Like the how many times this movie?

1107
00:56:30,159 --> 00:56:31,199
Speaker 4: You don't want to know?

1108
00:56:31,519 --> 00:56:35,199
Speaker 3: No, he's reviewed that as much as Zoom In Sex Apartments,

1109
00:56:35,239 --> 00:56:37,960
which I've reviewed three times, He's reviewed that like six times.

1110
00:56:38,119 --> 00:56:41,440
Those are the two that he has reviewed like a ton, Yeah, those.

1111
00:56:42,719 --> 00:56:45,920
Speaker 4: More than ten times. I can say yes on Letterbox

1112
00:56:46,039 --> 00:56:50,000
alone more than ten times, and listen if Dakota is

1113
00:56:50,039 --> 00:56:53,920
that passionate about it. Everybody should know it is top tier.

1114
00:56:54,000 --> 00:56:56,239
This is amazing, and the reality is we all know

1115
00:56:56,320 --> 00:56:59,519
it's coming if you're paying attention. But dear God, this

1116
00:56:59,599 --> 00:57:01,639
is one of the releases that I'm like, just put

1117
00:57:01,639 --> 00:57:39,719
it out already so I could stop getting the questions, well.

1118
00:57:40,239 --> 00:57:45,480
Speaker 3: What were we They announced volume four, and it's like, well,

1119
00:57:45,519 --> 00:57:48,320
it's it's Pride. Why why would you not put it

1120
00:57:48,360 --> 00:57:49,239
out now?

1121
00:57:49,679 --> 00:57:51,800
Speaker 4: Thank you? The exact same thing.

1122
00:57:51,920 --> 00:57:55,320
Speaker 3: It's it's June. Why are we not getting all of

1123
00:57:55,320 --> 00:57:58,800
his gay films in the collection for Pride? Was it

1124
00:57:58,800 --> 00:58:01,280
because they are already pried it out with the two

1125
00:58:01,360 --> 00:58:04,119
cinematograph releases, so they're like, you know what, enough gay shit.

1126
00:58:04,639 --> 00:58:07,000
We're not We're not doing any more gay ship. But

1127
00:58:07,639 --> 00:58:10,719
that that would have been perfect because it's any other

1128
00:58:11,239 --> 00:58:14,079
forget yeah, exactly we're gonna release If we're gonna release

1129
00:58:14,119 --> 00:58:15,559
it any other time of the year, it's just I

1130
00:58:15,559 --> 00:58:18,320
don't know, it's gonna be great any time of the year.

1131
00:58:18,639 --> 00:58:20,679
This just would have been like, maybe it was too perfect,

1132
00:58:20,840 --> 00:58:22,039
Maybe that's too on the nose.

1133
00:58:22,920 --> 00:58:24,679
Speaker 4: I mean, if anything, it extends probably to be a

1134
00:58:24,679 --> 00:58:26,920
little longer. So hey, win Win probably.

1135
00:58:26,719 --> 00:58:29,840
Speaker 3: That's true. That's true. That's good. His the rest of

1136
00:58:29,880 --> 00:58:34,679
his gay stuff is the fetest is really good. But

1137
00:58:35,239 --> 00:58:37,840
Muscle is the masterpiece. Yeah that that and Rewind. And

1138
00:58:37,880 --> 00:58:38,840
Rewind's already come.

1139
00:58:38,719 --> 00:58:41,719
Speaker 2: Out, so yeah, Yeah, it's funny that someone like a

1140
00:58:41,760 --> 00:58:45,000
few of his biggest movies, like most popular, still haven't

1141
00:58:45,000 --> 00:58:47,880
gotten out yet. You know, Splattered Naked Blood, I know

1142
00:58:48,000 --> 00:58:52,679
all the Edge Lords love and that's coming out. Vibrator Torture,

1143
00:58:52,880 --> 00:58:54,239
that's another big that one is.

1144
00:58:54,400 --> 00:58:57,280
Speaker 3: Yeah, that's Nikatsu. And I don't think they're gonna deal

1145
00:58:57,320 --> 00:59:00,280
with Nikatsu for pink line because ni Katsu. I think

1146
00:59:00,280 --> 00:59:03,000
they've talked about it because Nikatsu Roman porno is not

1147
00:59:03,119 --> 00:59:06,039
pink film, and that's the distinction. So Nikoto would be like, no,

1148
00:59:06,119 --> 00:59:07,920
this is a Roman porno, so you can't put it

1149
00:59:07,960 --> 00:59:10,760
out as a pink line because it's not pink. Yeah,

1150
00:59:11,280 --> 00:59:13,400
but yeah, that's a no brainer. Somebody should be getting

1151
00:59:13,400 --> 00:59:15,440
those three nikotsus that he did and put those out

1152
00:59:15,440 --> 00:59:17,440
as a collection too, that's a no brainer.

1153
00:59:17,679 --> 00:59:20,639
Speaker 2: Yeah. I don't understand how strict they're I wonder if

1154
00:59:20,639 --> 00:59:24,559
they've like boxed themselves in literally with these box sets,

1155
00:59:25,039 --> 00:59:27,440
and that the way that they're presenting these movies. I wonder,

1156
00:59:27,840 --> 00:59:31,519
you know, if they you know, if they try to

1157
00:59:31,519 --> 00:59:34,280
put Asato out on its own, people are going to

1158
00:59:34,320 --> 00:59:36,920
complain like, why isn't this part of a bigger box set?

1159
00:59:37,039 --> 00:59:38,599
Speaker 4: And you know, I think Muscle is kind of the

1160
00:59:38,639 --> 00:59:40,840
only one they could do that with because it's got

1161
00:59:40,920 --> 00:59:43,280
the pedigre anything else, And I mean, you'd have to

1162
00:59:43,360 --> 00:59:44,880
charge way less at this point.

1163
00:59:45,800 --> 00:59:49,079
Speaker 3: Yeah, but yes, because it's a sixty minute film, you

1164
00:59:49,119 --> 00:59:51,480
can't put it out on its own. Yeah, you can't

1165
00:59:51,480 --> 00:59:53,119
do an eighty eight films and put out a sixty

1166
00:59:53,159 --> 00:59:55,400
minute blu ray like they're doing with the Ni Katsus,

1167
00:59:55,440 --> 00:59:57,880
which they need to not do anymore for the next ones.

1168
00:59:57,920 --> 00:59:59,800
I'll just put it that way. You need to bundle

1169
00:59:59,840 --> 01:00:02,559
those up, baby like, like Hannie did, I think it's

1170
01:00:02,559 --> 01:00:05,119
gonna be. I think it has to be like another

1171
01:00:05,159 --> 01:00:07,400
box I'm sure, because I guaranteed.

1172
01:00:07,840 --> 01:00:12,360
Speaker 4: Maybe that's the bigger problem why, I mean, I'm economics

1173
01:00:12,480 --> 01:00:14,239
is probably the reason why. But the reality is, if

1174
01:00:14,239 --> 01:00:16,559
you're gonna start a new line, why would the first

1175
01:00:16,679 --> 01:00:19,079
five releases be from the same filmmaker. At least throw

1176
01:00:19,159 --> 01:00:22,440
some diversity in there and get some other voices so

1177
01:00:22,480 --> 01:00:25,599
people can be excited about it. Just one filmmaker is a.

1178
01:00:25,519 --> 01:00:27,280
Speaker 3: Lot, Yes, it is.

1179
01:00:27,840 --> 01:00:30,519
Speaker 2: We just talked about that, worried about, you know, people

1180
01:00:30,559 --> 01:00:33,000
getting burnt out on Sato and then when they release

1181
01:00:33,280 --> 01:00:35,559
something like Muscle if some people are going to be like,

1182
01:00:35,639 --> 01:00:38,079
I'm well, I don't think I want that. I just

1183
01:00:38,159 --> 01:00:40,719
watched ten Sato movies in the last year.

1184
01:00:41,320 --> 01:00:46,239
Speaker 3: Yeah, yeah, and they all had either cameras or or

1185
01:00:46,360 --> 01:00:49,480
the medical field or yeah it's like some one of

1186
01:00:49,519 --> 01:00:52,480
those things. Yes, yeah, I'm kind of burnt out on

1187
01:00:52,519 --> 01:00:55,679
the Sato to tell you the truth. Yeah, I'm ready

1188
01:00:55,719 --> 01:00:58,440
to I'm ready to. Remember there's a lot of other filmmakers.

1189
01:00:58,440 --> 01:01:02,000
Speaker 2: Well, that's and why they if they did, that could

1190
01:01:02,079 --> 01:01:04,760
kind of reset things a bit, because that would be.

1191
01:01:04,800 --> 01:01:07,559
Speaker 3: Sort of you haven't seen these movies, happy gentry.

1192
01:01:07,880 --> 01:01:08,880
Speaker 2: I know, I haven't seen the Gate.

1193
01:01:09,599 --> 01:01:12,519
Speaker 4: And you're already up against an industry that does not

1194
01:01:12,639 --> 01:01:15,599
sell queer films well at all. That's the other big

1195
01:01:15,639 --> 01:01:18,199
thing is queer films do not sell for shit, even

1196
01:01:18,199 --> 01:01:21,480
though like the masterpieces that are known amazing titles, people

1197
01:01:21,840 --> 01:01:23,960
are so homophobic that they won't even watch.

1198
01:01:23,880 --> 01:01:26,119
Speaker 3: Them right and altered in a sense, I think is

1199
01:01:26,159 --> 01:01:28,519
the only one really doing that. Yeah, and they have

1200
01:01:28,559 --> 01:01:32,119
a much they have a very different outreach than Janner

1201
01:01:32,119 --> 01:01:34,119
Center Ocean do. Yeah.

1202
01:01:34,199 --> 01:01:36,280
Speaker 4: Well, I will happily say Antenna's doing some of that,

1203
01:01:36,519 --> 01:01:39,440
and a Strand Releasing is still doing it BFI and

1204
01:01:39,519 --> 01:01:40,039
some of it.

1205
01:01:40,239 --> 01:01:42,960
Speaker 3: So, yes, Pink Narcissists they just put out which I

1206
01:01:42,960 --> 01:01:45,920
need to buy because I freaking love that movie. Yeah,

1207
01:01:46,280 --> 01:01:48,079
did they? I wonder if they included the cum shot

1208
01:01:48,159 --> 01:01:48,440
in it?

1209
01:01:48,719 --> 01:01:52,320
Speaker 4: There's a there is is uncut.

1210
01:01:52,159 --> 01:01:55,079
Speaker 3: So it has the scene I believe the dick shooting

1211
01:01:55,119 --> 01:01:58,599
into the camera. Wow, I think so Okay, Wow, Okay,

1212
01:01:58,920 --> 01:02:00,480
I wonder it was because they didn't know what it was.

1213
01:02:02,440 --> 01:02:06,199
It's hard to tell. It's very upclose and personal. It's

1214
01:02:06,199 --> 01:02:08,800
like it's the camera is like it feels like it's

1215
01:02:08,840 --> 01:02:10,960
like what the inside of like a dick sleeve would

1216
01:02:11,000 --> 01:02:14,480
look like. And that's kind of Yeah. It's very artistic

1217
01:02:14,519 --> 01:02:19,400
and very classy. Yeah, yes, artistic and classy. It's James Bidgood,

1218
01:02:19,440 --> 01:02:20,280
he was a genius.

1219
01:02:20,440 --> 01:02:23,039
Speaker 2: Yeah. Wait, so is it more or less classy than

1220
01:02:23,280 --> 01:02:24,239
Behind the Green Door?

1221
01:02:24,639 --> 01:02:26,159
Speaker 3: Slow Motion weight class here?

1222
01:02:26,639 --> 01:02:28,639
Speaker 4: Okay, it's also a good movie.

1223
01:02:29,320 --> 01:02:31,880
Speaker 3: Yes, it's like it's yeah, it's it's a it's it's

1224
01:02:31,960 --> 01:02:36,239
a gorgeous, stunning film made by like an actual artist,

1225
01:02:36,440 --> 01:02:39,480
not the Mitchell Brothers, which took a while for them

1226
01:02:39,519 --> 01:02:40,320
to figure out art.

1227
01:02:40,800 --> 01:02:43,639
Speaker 2: Yeah, I thought we were all about the Mitchell Brothers

1228
01:02:43,960 --> 01:02:44,679
being artists.

1229
01:02:45,519 --> 01:02:48,400
Speaker 4: I'm about supporting them and being excited that we get

1230
01:02:48,440 --> 01:02:49,400
to see those restored.

1231
01:02:49,679 --> 01:02:52,960
Speaker 3: Absolutely, And actually I did a major extra for one

1232
01:02:53,000 --> 01:02:56,440
of those, which I don't know when that's coming out.

1233
01:02:56,760 --> 01:03:00,519
It needs to be edited. It's a four hour interview

1234
01:03:01,320 --> 01:03:03,920
with the pretty major Mitchell Brothers player who's never spoken

1235
01:03:03,960 --> 01:03:04,480
on the record.

1236
01:03:04,800 --> 01:03:06,480
Speaker 2: Oh yes, I remember that.

1237
01:03:06,599 --> 01:03:09,960
Speaker 3: Yeah, so Steven, I will get in touch with you.

1238
01:03:09,960 --> 01:03:12,239
We need to figure that out because he's waiting to

1239
01:03:12,280 --> 01:03:12,920
hear it himself.

1240
01:03:13,000 --> 01:03:14,840
Speaker 2: Yeah, Casey, give us your number five.

1241
01:03:15,599 --> 01:03:18,719
Speaker 3: Number five. So I'm going to do what I did

1242
01:03:18,719 --> 01:03:22,320
with our lost films. I'm going but written reverse. I'm

1243
01:03:22,320 --> 01:03:24,639
going to start with the most recent and then go backwards.

1244
01:03:25,000 --> 01:03:31,639
So my number five is a little movie called lunch Wagon.

1245
01:03:31,960 --> 01:03:34,280
And I don't know how your big guys seen lunch Wagon.

1246
01:03:34,800 --> 01:03:43,239
Speaker 9: No am trying to make.

1247
01:04:10,239 --> 01:04:14,159
Speaker 3: Okay, So it's nineteen eighty. It was made by Seymour

1248
01:04:14,199 --> 01:04:16,760
Boordy and his son Mark and so they were getting

1249
01:04:16,760 --> 01:04:20,760
into the sex comedy region. They did a bunch of

1250
01:04:20,760 --> 01:04:23,119
movies with They did Hollywood Hot Tubs with Chuck Vincent

1251
01:04:23,280 --> 01:04:25,480
later and they did a movie called Summer Camp and

1252
01:04:25,519 --> 01:04:29,320
some other stuff with Chuck Vincent. So it's Roseanne Caton

1253
01:04:29,360 --> 01:04:32,280
and Pamela Jean Bryant, who were both Playboy playmates. And

1254
01:04:32,599 --> 01:04:35,039
I think most people know Roseanne Kayton because she was

1255
01:04:35,039 --> 01:04:39,000
in like Swinging Cheerleaders and Motel Hell, and she had

1256
01:04:39,000 --> 01:04:43,880
an incredible career. And they are they're gifted a lunch

1257
01:04:43,920 --> 01:04:47,400
wagon by Dick Van Patton and a cameo because two

1258
01:04:47,440 --> 01:04:49,440
of his children are in the movie and wrote and

1259
01:04:49,480 --> 01:04:53,000
they compete against rose Marie from the Dick Van Dyke Show,

1260
01:04:53,000 --> 01:04:56,360
who has her own lunch wagon. And so Roseanne and

1261
01:04:56,360 --> 01:05:01,000
Pamela hire these hot babes to serve lunch out of

1262
01:05:01,000 --> 01:05:05,000
this lunch wagon and their hot competition. I think the

1263
01:05:05,039 --> 01:05:08,719
hold up on this might be the reason why you

1264
01:05:08,800 --> 01:05:11,639
might have trouble putting a clip from this in this episode.

1265
01:05:12,039 --> 01:05:16,559
It includes performances and music by missing Persons. The band

1266
01:05:16,920 --> 01:05:21,360
the Dale Bosio Band. They perform Mental Hopscotch and I

1267
01:05:21,480 --> 01:05:23,719
Like Boys from their first album It came out the

1268
01:05:23,800 --> 01:05:26,679
year before their first album came out, so they were

1269
01:05:26,719 --> 01:05:29,079
like not known yet, and that might be the reason

1270
01:05:29,119 --> 01:05:30,880
why this is being held up. The other reason might

1271
01:05:30,920 --> 01:05:35,239
be because I don't know who owns this, because the Boardy stuff,

1272
01:05:35,360 --> 01:05:39,280
the Brewerty stuff is weird. Mark Board's around. Apparently he's

1273
01:05:39,360 --> 01:05:41,519
very difficult to deal with and has been trying to

1274
01:05:41,679 --> 01:05:44,400
try to enforce stuff to try to enforce ownership on

1275
01:05:44,480 --> 01:05:46,800
movies that his dad distributed in like the sixties and seventies,

1276
01:05:46,840 --> 01:05:49,079
which he has no ownership to, So I don't know

1277
01:05:49,280 --> 01:05:51,360
what his ownership on this would be. It came out

1278
01:05:51,400 --> 01:05:54,599
of media VHS. I thought this when I was in

1279
01:05:54,599 --> 01:05:57,320
a Rose and Katon phase because I worshiped that woman.

1280
01:05:58,239 --> 01:06:02,920
She's great, it's funny, it's good sexy. Yeah, Like the

1281
01:06:03,000 --> 01:06:06,920
opening scene is Pamela Jan Brian in the shower and

1282
01:06:07,280 --> 01:06:10,199
the roommates with Roseanne Kayton and they're, yeah, just shooting

1283
01:06:10,199 --> 01:06:11,320
the shit topless. It's fun.

1284
01:06:11,480 --> 01:06:11,679
Speaker 1: Yeah.

1285
01:06:11,719 --> 01:06:15,519
Speaker 2: I know ro Kayton from Chesty Anderson US Navy. She's

1286
01:06:15,559 --> 01:06:16,880
like the best part of that movie.

1287
01:06:17,159 --> 01:06:20,199
Speaker 3: Yeah, that was not on my list because that one. Yeah,

1288
01:06:20,239 --> 01:06:23,119
she said the movie was mobbed up, So that's another one.

1289
01:06:23,119 --> 01:06:24,519
That I don't think we're ever going to see. I

1290
01:06:24,519 --> 01:06:26,679
don't think anybody know who knows who owns that, which

1291
01:06:26,679 --> 01:06:29,360
sucks because it's Sharry you Bank's only other movie. Yeah,

1292
01:06:29,440 --> 01:06:32,559
lunch Wagon is so much fun, and that's one that Yeah,

1293
01:06:32,840 --> 01:06:34,800
this is you know, when like chat Actory was doing

1294
01:06:34,840 --> 01:06:36,679
those kind of like four movie packs when they were

1295
01:06:36,840 --> 01:06:39,360
doing deals with MGM, and so like the Chatterbox came

1296
01:06:39,360 --> 01:06:41,239
out in one of those, I thought for sure if

1297
01:06:41,320 --> 01:06:43,559
MGM had it, they would have put lunch Wagon on

1298
01:06:43,559 --> 01:06:45,719
one of those collections. But I don't think MGM has it.

1299
01:06:45,840 --> 01:06:50,159
So that's my number five, just purely because it's like

1300
01:06:50,519 --> 01:06:54,599
sexy fun with like new wave music by Missing Persons,

1301
01:06:54,719 --> 01:06:57,320
and yeah, Rose and Kayton has really good comic timing

1302
01:06:57,400 --> 01:06:59,679
and Pamela Jean Brian is not a good actress, but

1303
01:06:59,719 --> 01:07:03,280
it makes for some really good like line readings, and

1304
01:07:03,480 --> 01:07:05,159
it's just it's a lot of fun. It's a real

1305
01:07:05,199 --> 01:07:06,679
lot of fun, and I think it would have a

1306
01:07:06,760 --> 01:07:08,800
much larger cult following up where people could see it.

1307
01:07:09,039 --> 01:07:10,599
I think it's kind of tough to see.

1308
01:07:10,679 --> 01:07:13,920
Speaker 2: So it's a fun pick. Hey, justin the Liberty's seen

1309
01:07:14,000 --> 01:07:15,960
it in twenty nineteen.

1310
01:07:15,719 --> 01:07:18,280
Speaker 3: He gave it a good review too. I was like, justin,

1311
01:07:18,440 --> 01:07:20,039
cinematograph lunch Wagon.

1312
01:07:22,679 --> 01:07:25,239
Speaker 2: You know what, I would love that if cinematic grafts

1313
01:07:25,239 --> 01:07:29,039
started getting into like sexploitation, that would be so funny

1314
01:07:29,039 --> 01:07:30,000
to me on.

1315
01:07:29,920 --> 01:07:36,400
Speaker 3: This exploitation movies. They could do candy. They should do candy. Actually,

1316
01:07:37,119 --> 01:07:38,760
Quino came out, but I can't put it out, but

1317
01:07:38,760 --> 01:07:42,079
I think it's out of print. Yeah, they're definitely options

1318
01:07:42,079 --> 01:07:45,400
they could do. But yeah, that was Yeah, he liked it.

1319
01:07:45,400 --> 01:07:47,559
So I'm like, justin, let's go at lunch wagon.

1320
01:07:48,800 --> 01:07:51,679
Speaker 2: Lunch Wagon. Yeah, I love the art. The art style

1321
01:07:51,719 --> 01:07:56,079
on this, you know, it's that goofy like exaggerated caricature style. Yeah,

1322
01:07:56,119 --> 01:07:58,920
you don't see that anymore.

1323
01:07:59,119 --> 01:08:02,159
Speaker 3: Is funny in it? It's actually genuinely funny. Like it's

1324
01:08:02,159 --> 01:08:04,880
not like Hollywood Hot Tubs isn't really that funny. Lunch

1325
01:08:04,960 --> 01:08:07,280
wagons like genuinely funny. Some of these sex comedies are

1326
01:08:07,320 --> 01:08:09,800
really mostly focused on like the sex, and like the

1327
01:08:09,800 --> 01:08:14,440
lowest common denominator comedy, lunch wagons like genuinely amusing and fun. Yeah,

1328
01:08:14,480 --> 01:08:18,720
it looks like everyone's having a blast. Yes, And Jimmy

1329
01:08:18,800 --> 01:08:22,239
Van Patten's in it. You know somebody else. Louisa Moritz

1330
01:08:22,319 --> 01:08:25,920
is in it too. Who I love Louisa Moritz, big, bouncy,

1331
01:08:26,399 --> 01:08:30,640
wonderful Louisa Moritz. Yeah, it's it's good. It's good. I'm

1332
01:08:30,640 --> 01:08:33,640
actually might watch it after we finished reporting because I

1333
01:08:33,640 --> 01:08:36,079
haven't haven't seen it forever, and I ripped clips of

1334
01:08:36,119 --> 01:08:38,720
it to send to you for audio dumps, and I

1335
01:08:38,760 --> 01:08:40,399
was like, I just need to watch this whole thing again.

1336
01:08:40,439 --> 01:08:41,359
It is so much fun.

1337
01:08:41,560 --> 01:08:44,520
Speaker 2: Yeah, it's it's what is the best quality that you

1338
01:08:44,560 --> 01:08:45,279
can find of it?

1339
01:08:45,319 --> 01:08:50,880
Speaker 3: Is it VHS RIP VHHS rip. Yeah, it's never graduated

1340
01:08:50,880 --> 01:08:53,560
from VHS VHS from nineteen eighty two.

1341
01:08:54,000 --> 01:08:56,359
Speaker 2: We've gotten a little folder that you could drop that

1342
01:08:56,520 --> 01:08:58,239
in casey so I could watch.

1343
01:08:58,399 --> 01:09:00,840
Speaker 3: Oh, I might do that, and actually one of my

1344
01:09:00,920 --> 01:09:03,960
other choice, one of my other on this list, I

1345
01:09:04,000 --> 01:09:05,760
probably will as well, because I think you and Alex

1346
01:09:05,840 --> 01:09:06,760
need to see that as well.

1347
01:09:06,960 --> 01:09:10,039
Speaker 2: Yeah, okay, all right, I will do my number four

1348
01:09:10,079 --> 01:09:12,560
and this will be a quick one because we have

1349
01:09:12,680 --> 01:09:18,319
covered this movie extensively. It's crazy. Do you know what

1350
01:09:18,319 --> 01:09:20,199
this is? Let me see if you can guess it.

1351
01:09:21,920 --> 01:09:27,720
Speaker 3: All American girl. Yes, I thought it might have been

1352
01:09:27,720 --> 01:09:29,560
secret place of secret things. But we know there's no

1353
01:09:29,640 --> 01:09:31,800
elements for that. But yes, All American Girl, we know

1354
01:09:31,840 --> 01:09:35,000
the negative is there, Like, let's get to step in,

1355
01:09:35,159 --> 01:09:37,199
let's go, let's get this restored. Please.

1356
01:09:37,279 --> 01:09:40,319
Speaker 2: I'd say both of those movies are actually like equally

1357
01:09:41,000 --> 01:09:44,239
available in the same terrible quality.

1358
01:09:44,880 --> 01:09:47,960
Speaker 3: Yes, and the sequel is actually quite good. I like

1359
01:09:48,000 --> 01:09:50,880
the sequel a lot. Yes, yeah, not as good, but

1360
01:09:51,279 --> 01:09:51,720
very good.

1361
01:09:52,159 --> 01:09:53,600
Speaker 2: I still need to watch it, I am.

1362
01:09:54,000 --> 01:09:54,520
Speaker 3: Yeah.

1363
01:09:54,760 --> 01:09:56,800
Speaker 2: I don't know why I haven't yet, Maybe just because

1364
01:09:56,800 --> 01:09:57,439
I don't either.

1365
01:09:58,079 --> 01:10:02,279
Speaker 3: You're suffering through distropict shit. You're suffering through Leonard Kirtman garbage.

1366
01:10:02,399 --> 01:10:04,560
When you have All American Women. You need to finish

1367
01:10:04,600 --> 01:10:08,439
the Mark Aggart filmography. It's very stylish and good. It's

1368
01:10:08,520 --> 01:10:13,199
really it's quite good. And where something dougy that's in order?

1369
01:10:13,560 --> 01:10:16,039
Speaker 6: Yes, Master, Master Hu.

1370
01:10:16,920 --> 01:10:18,399
Speaker 7: That's not a bad idea.

1371
01:10:18,760 --> 01:10:21,239
Speaker 3: Tonight you'll be my slave and do whatever I wish.

1372
01:10:22,680 --> 01:10:25,439
Speaker 1: Yes, Master, I think it ought to be fun.

1373
01:10:26,039 --> 01:10:29,560
Speaker 3: I'll be here promptly at the sick see the master.

1374
01:10:34,399 --> 01:10:38,640
Speaker 2: But yeah, we covered All American Girl pretty extensively in

1375
01:10:38,800 --> 01:10:43,520
episode twenty called Don't Forget Your Girl with Patrick Crane,

1376
01:10:43,560 --> 01:10:46,800
who is the Bob Chin guy and Bob Chin was

1377
01:10:46,840 --> 01:10:49,399
involved in the production of this movie. So yeah, that

1378
01:10:49,520 --> 01:10:52,039
was a fun episode, and we all love this movie

1379
01:10:52,079 --> 01:10:56,600
so much. Peggy Church is just a one of a

1380
01:10:56,800 --> 01:11:02,720
kind talent, and she delivers such a I mean, I

1381
01:11:02,800 --> 01:11:04,680
just can't imagine any It's one of those roles you

1382
01:11:04,680 --> 01:11:07,720
can't imagine anybody else doing it. It's just Penny Church

1383
01:11:07,920 --> 01:11:11,239
is the all American girl. There should have been five

1384
01:11:11,279 --> 01:11:13,479
of these movies. Five is good. We don't need more

1385
01:11:13,479 --> 01:11:13,840
than five.

1386
01:11:15,039 --> 01:11:16,560
Speaker 3: Well, she could have. I would have loved if she'd

1387
01:11:16,600 --> 01:11:18,399
come back as an all American woman. That's like a

1388
01:11:18,479 --> 01:11:21,079
three years later, two years later.

1389
01:11:21,000 --> 01:11:23,920
Speaker 2: What going like? She could be the all American mother.

1390
01:11:24,199 --> 01:11:26,520
She could be. Just keep it going. I'd be fine

1391
01:11:26,520 --> 01:11:26,800
with that.

1392
01:11:27,279 --> 01:11:29,199
Speaker 3: I don't mind that. So keep her in the business

1393
01:11:29,239 --> 01:11:31,520
for ten years and actually to make it like boyhood.

1394
01:11:31,520 --> 01:11:34,119
You're saying, make it a boyhood situation where we just

1395
01:11:34,359 --> 01:11:38,560
follow her. She grows up and tells you, gets married

1396
01:11:38,600 --> 01:11:41,720
and retires from the business. Actually, I don't hate that.

1397
01:11:41,840 --> 01:11:44,399
Marcia Jordan was making movies for like fifteen years.

1398
01:11:44,600 --> 01:11:46,680
Speaker 2: Yeah, I was gonna say, what other like, what's a

1399
01:11:46,760 --> 01:11:52,199
sexploitation actress? That did continue until her elder years. Is

1400
01:11:52,239 --> 01:11:53,399
there one really?

1401
01:11:53,640 --> 01:11:56,840
Speaker 3: There are several in Roman porno, yes, but not an

1402
01:11:56,840 --> 01:11:59,239
American that I can think. Marcia Jordan's the only one.

1403
01:11:59,279 --> 01:12:01,439
I mean, eventually she stopped taking her clothes off in movies.

1404
01:12:01,479 --> 01:12:03,560
She was just there because even.

1405
01:12:03,840 --> 01:12:08,119
Speaker 4: Came back later too. Yeah, some that were consistent and

1406
01:12:08,119 --> 01:12:09,000
then came back later.

1407
01:12:09,640 --> 01:12:10,079
Speaker 2: Yeah.

1408
01:12:10,159 --> 01:12:12,479
Speaker 3: Yeah. The only one I can think of is like, well,

1409
01:12:12,479 --> 01:12:15,119
in Hardcore, happened like Ronica Heart would do non sex

1410
01:12:15,479 --> 01:12:19,079
cameos all the time after she retired. Uh so with

1411
01:12:19,239 --> 01:12:23,119
Kelly Nichols. But yeah, not really. In Sexplanation, it's very

1412
01:12:23,119 --> 01:12:24,680
interesting contant.

1413
01:12:24,760 --> 01:12:27,880
Speaker 2: Yeah, that film is just what's available right now is

1414
01:12:28,239 --> 01:12:32,560
just it's so rough, but I mean you can still

1415
01:12:32,640 --> 01:12:38,119
see how beautiful and great this would this would be restored, so.

1416
01:12:38,880 --> 01:12:42,439
Speaker 3: That masturbation sequence restored. Oh my god, I know that

1417
01:12:42,479 --> 01:12:45,479
sounds gross, but like it's that is it is high art.

1418
01:12:45,600 --> 01:12:48,880
It's a beautiful cinematic self love sequence that is not

1419
01:12:49,680 --> 01:12:53,039
It's not tasteless or gross as you would think it

1420
01:12:53,039 --> 01:12:57,239
would be. It's actually really beautifully done. It's absolutely incredible.

1421
01:12:57,479 --> 01:12:59,520
Speaker 2: So that's like a that's one of those that's just

1422
01:12:59,600 --> 01:13:02,840
like before I die, if that happens, I'm I'd be

1423
01:13:02,880 --> 01:13:07,039
happy to see that. Mark Haggard, Yeah, we've talked about

1424
01:13:07,119 --> 01:13:09,840
him a bit. I'd love to see a little Mark,

1425
01:13:09,960 --> 01:13:14,640
a little Mark Haggard box something because they have Love

1426
01:13:14,680 --> 01:13:19,119
Garden reissue that reissue that one, because that was put

1427
01:13:19,119 --> 01:13:22,399
outside print vinegar syndrome. But yeah, it's out of print.

1428
01:13:23,199 --> 01:13:25,279
Speaker 3: That'd be a three. That'd be a three. It's three movies,

1429
01:13:25,319 --> 01:13:27,520
so yeah, it's all Americans in Love Garden. First neody

1430
01:13:27,600 --> 01:13:32,119
musical is with First Kimball, I think, yeah, which is

1431
01:13:32,119 --> 01:13:35,119
also fun, but that one's really good. I love musical

1432
01:13:35,239 --> 01:13:39,439
that in Eskimonell are actually twins. Essentially, they're kind of

1433
01:13:39,439 --> 01:13:40,800
the same movie. They're great.

1434
01:13:40,880 --> 01:13:44,039
Speaker 2: Yeah. Yeah, episode twenty don't Forget Your Girl, go listen

1435
01:13:44,119 --> 01:13:46,960
to it. That's where we talk about all American girls.

1436
01:13:47,079 --> 01:13:51,079
So that's my quickie. But I can't not mention that

1437
01:13:52,560 --> 01:13:53,880
Ryan number.

1438
01:13:53,560 --> 01:13:56,760
Speaker 4: Four another one that I'm assuming is a cheater because

1439
01:13:56,760 --> 01:14:00,479
I'm assuming it's going to come out eventually, although at

1440
01:14:00,520 --> 01:14:03,000
this point I almost feel like it would have already

1441
01:14:03,000 --> 01:14:05,239
if it was coming. But I'm assuming Severn is going

1442
01:14:05,279 --> 01:14:08,399
to work some magic. So the reality here is Jess

1443
01:14:08,439 --> 01:14:12,239
Franco is sort of like the looming godfather over everything

1444
01:14:12,279 --> 01:14:14,840
for so many of these people, and I, you know,

1445
01:14:14,960 --> 01:14:16,560
was just able to be on a commentary that was

1446
01:14:16,600 --> 01:14:20,279
released of Jack the Ripper and lamented during that commentary

1447
01:14:20,279 --> 01:14:23,880
that I don't I've never loved Jack or Jess Franco

1448
01:14:24,119 --> 01:14:26,279
like as a as an Au tour. I'm not a

1449
01:14:26,479 --> 01:14:29,600
Franco fan, but I was on a commentary for a

1450
01:14:29,640 --> 01:14:33,800
Franco film. Now, the reality is that commentary was recorded

1451
01:14:34,279 --> 01:14:36,079
more than two and a half years ago at this point,

1452
01:14:36,359 --> 01:14:39,520
and since then, I've gone through quite a bit of

1453
01:14:39,520 --> 01:14:41,920
Stockholm syndrome and I'm not going to say I love

1454
01:14:42,000 --> 01:14:45,199
Jess Franco. However, I've found myself enjoying more and more

1455
01:14:45,239 --> 01:14:48,079
and more and returning to a movie that I believe

1456
01:14:48,159 --> 01:14:50,479
is still on tub. That was one of the first

1457
01:14:50,520 --> 01:14:52,640
couple that I ever saw of Jess because it had

1458
01:14:52,760 --> 01:14:55,800
such a big reputation, and I got to know, like

1459
01:14:56,199 --> 01:14:58,000
we are going to see a four K Venus and

1460
01:14:58,039 --> 01:15:00,680
Furs at some point, right, Like, how do we not

1461
01:15:00,840 --> 01:15:04,520
have an hour long conversation with Stephen Thrower just gushing

1462
01:15:04,600 --> 01:15:06,960
over this film. I mean, it's klaus Kinski. It is

1463
01:15:07,760 --> 01:15:11,720
like it's his most well known named film. I guess

1464
01:15:11,760 --> 01:15:14,640
in a way. You know, he's obviously got more famous films,

1465
01:15:14,680 --> 01:15:18,600
but this name has penetrated so much out there. It's Frankco.

1466
01:15:18,680 --> 01:15:21,840
It's the one that everybody wants. It's sexy, it's stylish,

1467
01:15:21,960 --> 01:15:25,680
it's smart, it's well done. It's still slightly incoherent, but

1468
01:15:25,760 --> 01:15:28,560
it's still like it's it's one of his better movies.

1469
01:15:28,600 --> 01:15:30,319
It's one of those that I don't know, if you're

1470
01:15:30,880 --> 01:15:32,920
if you're looking for one of his, that's it's still

1471
01:15:32,960 --> 01:15:35,920
got the horror cult element, but it also leans into

1472
01:15:35,920 --> 01:15:38,319
the sexier stuff, but is better made than a lot

1473
01:15:38,359 --> 01:15:42,520
of the just sort of, hey, here's Franco's mind. Dump this.

1474
01:15:42,520 --> 01:15:44,479
This feels like a better one that would actually bring

1475
01:15:44,560 --> 01:15:46,520
people in. And I wish this would have come out

1476
01:15:46,600 --> 01:15:49,319
in I don't know, twenty eighteen on four K and

1477
01:15:49,800 --> 01:15:52,600
Crush It do an amazing disc and all these Franco

1478
01:15:52,680 --> 01:15:54,239
titles that would have came out after this. People might

1479
01:15:54,239 --> 01:15:56,079
have been a little more excited and picked up that

1480
01:15:56,119 --> 01:15:59,560
one first and gotten, you know, sort of Stockholm syndrome

1481
01:15:59,600 --> 01:16:02,359
themselves and fallen in love with him. But yeah, Venus

1482
01:16:02,359 --> 01:16:04,920
at first, like there's there's enough exploitation to Jane slit

1483
01:16:05,000 --> 01:16:06,800
here we we we need that movie, come on.

1484
01:16:09,560 --> 01:16:49,640
Speaker 10: Ye yeah, I wasn't sure if you're gonna say Venus

1485
01:16:49,680 --> 01:16:51,359
in furs or Suckubis.

1486
01:16:51,399 --> 01:16:53,640
Speaker 2: Those are the two big ones that haven't.

1487
01:16:53,600 --> 01:16:56,800
Speaker 3: Oh no, see mine. Mine would be USI de Sad

1488
01:16:57,359 --> 01:17:00,840
the Anode onto the movie. That's the last big movie.

1489
01:17:00,880 --> 01:17:03,880
They're never gonna do Debulka from Akasava, which I like.

1490
01:17:04,239 --> 01:17:07,600
Sorry but she gets comedy which she never gets to do.

1491
01:17:08,119 --> 01:17:10,239
But yeah, no, that's a good one. Venus and first

1492
01:17:10,359 --> 01:17:12,520
and it's good point you. Yeah, I would have loved

1493
01:17:12,520 --> 01:17:14,920
to see this earlier because Maria Rome was still alive

1494
01:17:15,239 --> 01:17:20,039
and she's like magnetic in that movie, and she appears

1495
01:17:20,079 --> 01:17:22,840
in audio form on other releases, but like, that's her movie.

1496
01:17:22,880 --> 01:17:25,960
I would have really loved, yeah to hear her thoughts

1497
01:17:25,960 --> 01:17:28,119
on being in that film. Margaret Lee passed away now,

1498
01:17:28,199 --> 01:17:32,159
but and so did James Darren just recently passed away. Yeah, damn,

1499
01:17:32,159 --> 01:17:37,000
Barbara McNair, right, yeah, everyone from that movie now, Yeah, yeah,

1500
01:17:37,199 --> 01:17:39,399
it's yeah, that's a that is a slam dunk. I'm

1501
01:17:39,439 --> 01:17:41,039
not sure what the deal is with that. I'm not

1502
01:17:41,079 --> 01:17:42,319
sure what the whole up is on that.

1503
01:17:42,640 --> 01:17:45,640
Speaker 4: And it's also like if you're in this scene. This industry.

1504
01:17:45,720 --> 01:17:49,399
It's kind of the like consistently highest rated Franco. It's

1505
01:17:49,439 --> 01:17:51,760
one of those that is not super divisive. A lot

1506
01:17:51,840 --> 01:17:54,800
of people that don't like Franco love this movie because

1507
01:17:54,920 --> 01:17:58,199
of the style in it, which Franco style is kind

1508
01:17:58,239 --> 01:17:59,680
of off the wall in a lot of other movies,

1509
01:17:59,680 --> 01:18:02,279
but this one is pretty populous related.

1510
01:18:02,439 --> 01:18:04,960
Speaker 2: It's just it's the towers. Yeah, it's a hairy tower.

1511
01:18:05,079 --> 01:18:06,760
Speaker 3: Yeah, it's the towers.

1512
01:18:06,439 --> 01:18:08,199
Speaker 2: He's on the Towers moment.

1513
01:18:08,319 --> 01:18:11,039
Speaker 3: So you live in a world where we we but

1514
01:18:11,119 --> 01:18:13,239
we live in a world where we have the fu

1515
01:18:13,359 --> 01:18:18,199
Man Choes on four K, but not Venus and first.

1516
01:18:18,920 --> 01:18:22,039
Speaker 2: That's the world we have the bloody Judge on four K.

1517
01:18:23,159 --> 01:18:26,119
Speaker 3: I like that more than you. I'll I won't defend

1518
01:18:26,159 --> 01:18:28,600
it too harsh. I won't defend it too hard, but

1519
01:18:29,199 --> 01:18:33,760
I like enough of it. But yeah, like it's it's

1520
01:18:33,760 --> 01:18:36,439
shocking to me that that has not come out. I'm

1521
01:18:36,520 --> 01:18:41,319
going I'm thinking it might be an element's issue because

1522
01:18:41,359 --> 01:18:43,560
the rights I think are with the same people that

1523
01:18:44,000 --> 01:18:45,960
I mean, it's the same people that have like u

1524
01:18:46,359 --> 01:18:49,039
Usni story of Journey into Version of Justine, isn't it.

1525
01:18:49,439 --> 01:18:51,560
So I'm wondering if the elements are gone.

1526
01:18:51,640 --> 01:18:53,239
Speaker 4: I don't know, not to give any hope or anything,

1527
01:18:53,319 --> 01:18:55,479
but this did play at the New Bed earlier this

1528
01:18:55,560 --> 01:18:57,880
year on thirty five, and supposedly it was from a

1529
01:18:57,920 --> 01:19:01,319
print made from the negative and it looked like shockingly crisp.

1530
01:19:01,479 --> 01:19:04,239
So there always new prints this work. It was not

1531
01:19:04,279 --> 01:19:05,920
a brand new print, but it was from a print

1532
01:19:05,960 --> 01:19:08,039
that was like stored. It looked like new, and it

1533
01:19:08,079 --> 01:19:10,720
looked like brand new from the negative. And if they

1534
01:19:10,720 --> 01:19:14,159
were able to do that, like I mean, we might

1535
01:19:14,199 --> 01:19:15,600
be some magic here.

1536
01:19:16,279 --> 01:19:18,000
Speaker 3: I wonder if it's the same print I saw, because

1537
01:19:18,000 --> 01:19:20,439
I saw there was a Kinsky series of all Things

1538
01:19:20,800 --> 01:19:22,960
at Anthology Film Archives and that was one of the

1539
01:19:23,039 --> 01:19:27,319
Kinski movies they chose, and that print was stunning. I

1540
01:19:27,359 --> 01:19:28,800
was so lucky to see that in the theater because

1541
01:19:28,840 --> 01:19:30,840
everyone was like it was seeing it in.

1542
01:19:30,720 --> 01:19:33,039
Speaker 2: The theater is maybe it was the same print.

1543
01:19:33,199 --> 01:19:36,319
Speaker 3: Crazy, It's it's a it's a great experience that it

1544
01:19:36,399 --> 01:19:38,359
really we've spell over you. And that's when it's kind

1545
01:19:38,399 --> 01:19:41,000
of like, oh, Franco movies. We didn't see more Franco

1546
01:19:41,039 --> 01:19:43,199
movies in theaters in general, because I feel like there's

1547
01:19:43,199 --> 01:19:45,640
certain things about them that would work better in like

1548
01:19:45,760 --> 01:19:47,199
a dark movie theater.

1549
01:19:47,399 --> 01:19:48,279
Speaker 2: Oh yeah, for sure.

1550
01:19:48,960 --> 01:19:51,720
Speaker 3: Yeah, but that's a really good choice. I keep forgetting

1551
01:19:51,760 --> 01:19:52,560
that's not a bit.

1552
01:19:52,399 --> 01:19:55,520
Speaker 2: A good choice. Yeah, very good one. I actually just

1553
01:19:55,560 --> 01:19:56,880
rewatched that one recently.

1554
01:19:56,960 --> 01:19:58,359
Speaker 3: Yeah, oh really.

1555
01:20:00,840 --> 01:20:01,000
Speaker 2: Right.

1556
01:20:01,279 --> 01:20:04,279
Speaker 3: Well, Actually, something I should note, just in case anyone's wondering.

1557
01:20:04,800 --> 01:20:07,600
The amazing theme song to the opening credits of that

1558
01:20:07,680 --> 01:20:10,800
movie is not Manfred Man. It is a library music

1559
01:20:10,840 --> 01:20:14,199
piece called Marco Polo from the KPM library, and I

1560
01:20:14,279 --> 01:20:18,359
believe you can stream it on everything. Yeah, it's called

1561
01:20:18,359 --> 01:20:22,720
Marco Polo. I forget the composer. It's not Siddale. Actually

1562
01:20:22,800 --> 01:20:27,399
it might be Siddale, so yeah. Like, and there's music

1563
01:20:27,439 --> 01:20:30,039
from the soundtrack to the name of the game is Killed,

1564
01:20:30,079 --> 01:20:33,119
the stup Phillips soundtrack that somehow ended up in Venus

1565
01:20:33,119 --> 01:20:35,920
and first stup Phillips has no idea how that happened,

1566
01:20:35,960 --> 01:20:38,920
because I sent him eclipse of it, and Throwerd doesn't

1567
01:20:38,920 --> 01:20:41,039
mention that in his book either, which is strange. He

1568
01:20:41,079 --> 01:20:42,359
doesn't mention the KPM.

1569
01:20:42,680 --> 01:20:46,439
Speaker 2: I you know, Franco didn't really use KPM library stuff

1570
01:20:46,439 --> 01:20:48,359
that often, so I think that that was part of

1571
01:20:48,439 --> 01:20:51,720
the non Frankel part of the movie.

1572
01:20:51,800 --> 01:20:55,439
Speaker 3: Actually most of the music, and that is not Manfred

1573
01:20:55,479 --> 01:20:58,119
man now that I think about it, all the memorable

1574
01:20:58,119 --> 01:20:59,279
stuff is not Manfred Maan.

1575
01:20:59,399 --> 01:21:01,279
Speaker 4: And if I remember this, this movie had like a

1576
01:21:01,319 --> 01:21:04,720
ton of editors. That's probably that's probably one of the

1577
01:21:04,760 --> 01:21:07,079
reasons why it's a better movie, He'll be honest, And

1578
01:21:07,279 --> 01:21:08,880
that could be why.

1579
01:21:09,680 --> 01:21:13,159
Speaker 3: So right, right, it's so good. Yeah, I don't even

1580
01:21:13,159 --> 01:21:14,960
think I have a DVD of it, to be honest.

1581
01:21:15,239 --> 01:21:17,079
I think I think I sold it years ago and

1582
01:21:17,119 --> 01:21:19,960
I planned to re buy it, and I I just haven't.

1583
01:21:20,119 --> 01:21:23,159
Speaker 2: It's been on to be forever, like is it still

1584
01:21:23,199 --> 01:21:25,720
on to me? That's how everybody sees it, Like you

1585
01:21:25,800 --> 01:21:28,960
can like very young. I've seen a lot of young

1586
01:21:29,039 --> 01:21:32,359
people watching it and logging it and talking about it

1587
01:21:32,359 --> 01:21:33,239
on social media.

1588
01:21:33,880 --> 01:21:34,039
Speaker 4: Yeah.

1589
01:21:34,119 --> 01:21:37,199
Speaker 2: Yeah, people love it all across the board. So yeah,

1590
01:21:37,199 --> 01:21:38,439
that would be a huge one.

1591
01:21:38,479 --> 01:21:41,239
Speaker 3: I forget that there's a really good one.

1592
01:21:41,520 --> 01:21:44,760
Speaker 2: I know David Gregory has probably tried. If he could

1593
01:21:44,880 --> 01:21:46,199
get it, he would put it out.

1594
01:21:46,359 --> 01:21:49,560
Speaker 3: So or Lastig still has the rights and he's just

1595
01:21:49,600 --> 01:21:51,840
waiting because you know, he puts out what three four

1596
01:21:51,920 --> 01:21:55,600
k a year, and he like staggers them to keep

1597
01:21:55,640 --> 01:21:57,920
you holding on and hoping that one of them is

1598
01:21:57,920 --> 01:21:59,159
going to be a good one and not a fucking

1599
01:21:59,159 --> 01:22:04,359
fou Manshow movie. Yeah, yeah, well that's that was what

1600
01:22:04,479 --> 01:22:08,159
Lustig did. Lustig would like to buy rights in perpetuity,

1601
01:22:08,319 --> 01:22:11,319
like he wouldn't license those things so and he would

1602
01:22:11,319 --> 01:22:12,840
spend a fortune doing it. So that's why, like he

1603
01:22:12,880 --> 01:22:15,439
put out Justine and New Genie, like he owns those now.

1604
01:22:15,479 --> 01:22:18,399
He bought those from the Towers. So I imagine that Venis

1605
01:22:18,399 --> 01:22:20,039
and Furs might be the same thing. He might just

1606
01:22:20,079 --> 01:22:23,159
be sitting on it and waiting. Maybe he's kind of

1607
01:22:23,279 --> 01:22:26,359
later this year, you guys, let's get excited, just waiting

1608
01:22:26,840 --> 01:22:28,960
because he knows he has to keep Blue Underground alive

1609
01:22:29,000 --> 01:22:31,760
in some way, So putting out two releases a year

1610
01:22:32,000 --> 01:22:33,760
is keeping the company alive.

1611
01:22:33,800 --> 01:22:35,520
Speaker 2: I guess, Okay, I don't know.

1612
01:22:35,520 --> 01:22:37,800
Speaker 3: I can't speak for Lustick. He's very Yeah, he's an

1613
01:22:37,840 --> 01:22:42,319
interesting guy, get it that way, all right?

1614
01:22:42,359 --> 01:22:43,600
Speaker 2: Caseye, what's your number?

1615
01:22:43,640 --> 01:22:43,880
Speaker 6: Four?

1616
01:22:44,600 --> 01:22:49,079
Speaker 3: Mine is another Europe is also a European film. It

1617
01:22:49,239 --> 01:22:52,119
is a film that Monda Micawber put out in the

1618
01:22:52,239 --> 01:22:54,800
UK only in their very It was one of their

1619
01:22:54,920 --> 01:22:58,399
very first DVD releases and it was the Nude Princess

1620
01:22:58,880 --> 01:23:03,079
nineteen seventy six, uh Cesari Canivari, who did High in

1621
01:23:03,319 --> 01:23:06,319
a Safe which just came out, and Gestapo's Last Orgy.

1622
01:23:07,159 --> 01:23:14,880
Very interesting, yes, very inconsistent, no real rhyme or reasoned

1623
01:23:14,880 --> 01:23:17,520
as projects, But Hying in the Safe gives you no

1624
01:23:17,600 --> 01:23:19,800
idea that everything he did after that would be really

1625
01:23:19,800 --> 01:23:22,199
scattershot in terms of like visual style.

1626
01:23:23,000 --> 01:23:25,119
Speaker 5: Beautiful Lady, you call me.

1627
01:23:27,039 --> 01:23:31,800
Speaker 9: A few reflections of me, and he had a strain

1628
01:23:31,880 --> 01:23:32,840
into my clone.

1629
01:23:33,880 --> 01:23:35,520
Speaker 7: I'm not the girl I I could be.

1630
01:23:37,840 --> 01:23:46,039
Speaker 1: With my I walked with rhythm memory.

1631
01:23:46,279 --> 01:23:48,560
Speaker 3: The soundtrack has been reissued on vinyl which I have

1632
01:23:49,640 --> 01:23:52,640
by Detto Mariani, which is really good. It has a

1633
01:23:53,039 --> 01:23:56,640
loved or hated theme song called Beautiful Lady by Hasley Rose,

1634
01:23:56,920 --> 01:24:01,119
which I will say I left the DVD menu on

1635
01:24:01,159 --> 01:24:05,000
repeat many nights so I could hear the song on repeat,

1636
01:24:05,399 --> 01:24:07,479
which he used to do a lot in the DVD era.

1637
01:24:07,880 --> 01:24:10,560
But the big reason I picked this was because I

1638
01:24:10,600 --> 01:24:14,359
feel like, well, it's Pride Month, and we are still

1639
01:24:14,359 --> 01:24:17,439
in an environment where a lot of trans rights are

1640
01:24:18,039 --> 01:24:21,800
at risk, and so I think it's always important for

1641
01:24:22,079 --> 01:24:25,119
me to remind myself and maybe to remind other people

1642
01:24:25,319 --> 01:24:28,439
that the first international sex symbol that was a trans

1643
01:24:28,439 --> 01:24:30,079
woman was a black trans woman, and it was a

1644
01:24:30,119 --> 01:24:33,520
Gita Wilson. Whither she was out as trans when she

1645
01:24:33,600 --> 01:24:36,439
was making the films, which that's debatable people. You know,

1646
01:24:36,479 --> 01:24:38,159
there are different people who have said they didn't know,

1647
01:24:38,199 --> 01:24:39,680
and there are some people who said they did know.

1648
01:24:40,680 --> 01:24:44,199
She is wildly underdocumented. I don't like you like for

1649
01:24:44,600 --> 01:24:48,000
your Annie billbook is overdue because she's been underdocumented. I'm

1650
01:24:48,039 --> 01:24:50,720
shocked no one's even tried to do an Agita Wilson book.

1651
01:24:51,119 --> 01:24:53,760
Speaker 2: Okay, Well, my friend, my friend Ian Higbee, who is

1652
01:24:53,800 --> 01:24:56,720
also a big Anni belfan, he has done quite a

1653
01:24:56,760 --> 01:25:00,840
bit of research on Agita Wilson, so he's I've had

1654
01:25:00,880 --> 01:25:05,000
discussioning Kim about Yea doing something, you know, we've talked

1655
01:25:05,039 --> 01:25:08,399
about even just him helping him do a podcast just

1656
01:25:08,439 --> 01:25:13,159
to get this information out there somehow. But yeah, her, Yeah,

1657
01:25:13,199 --> 01:25:18,119
I totally agree her. His background is just it's not

1658
01:25:18,119 --> 01:25:23,520
only undocumented, it's complicated, and you hear different stories from

1659
01:25:23,560 --> 01:25:24,359
different people.

1660
01:25:24,600 --> 01:25:28,399
Speaker 3: So and also something that I something that kind of

1661
01:25:28,600 --> 01:25:32,720
I forget sometimes in terms of people who make these

1662
01:25:32,720 --> 01:25:35,359
eurocult movies because we're sitting them in like English dubs

1663
01:25:35,439 --> 01:25:37,920
or whatever. No, we don't know what her real voice

1664
01:25:37,920 --> 01:25:41,960
sounded like. She never spoke with live sound, and to

1665
01:25:42,000 --> 01:25:43,920
the best of our knowledge, she didn't go to the

1666
01:25:43,960 --> 01:25:46,399
dubbing studio to dub herself in English, So we have

1667
01:25:46,479 --> 01:25:51,039
no idea what the first international trans sex symbol sounded like.

1668
01:25:51,279 --> 01:25:53,479
We have no idea what her real voice is. So

1669
01:25:53,560 --> 01:25:56,000
she doesn't really have a voice. So that's why I'm

1670
01:25:56,079 --> 01:25:57,960
kind of like, I want to know more about her,

1671
01:25:58,000 --> 01:26:01,079
but I don't know where to go in that direction.

1672
01:26:01,359 --> 01:26:03,039
And I feel like a lot of people don't know either,

1673
01:26:03,159 --> 01:26:05,920
Like I know that they the people interviewed Jess Franco

1674
01:26:06,000 --> 01:26:09,640
and Tino omont Is interviewed in that DVD. I think

1675
01:26:09,640 --> 01:26:12,319
Carlos oh Red was interviewed about her, and that's where

1676
01:26:12,359 --> 01:26:14,600
a lot of information about her comes from, which I

1677
01:26:14,800 --> 01:26:17,640
is questionable. I think people discuss her making porn in

1678
01:26:17,720 --> 01:26:20,279
New York before she went to Italy. I've never seen

1679
01:26:20,319 --> 01:26:23,119
any of that, so and I would think I'd come

1680
01:26:23,159 --> 01:26:27,720
across that considering my extensive background in porn. Never seen

1681
01:26:27,760 --> 01:26:28,399
anything with her.

1682
01:26:28,720 --> 01:26:34,439
Speaker 2: Yeah. Alex Mandible, he's uh a Spanish film historian. He

1683
01:26:34,479 --> 01:26:37,319
did a piece on that Ava Man release that Mondo.

1684
01:26:37,199 --> 01:26:39,560
Speaker 3: Micapo did yes, which I still need.

1685
01:26:39,720 --> 01:26:43,520
Speaker 2: Yes, So yeah, there's some credible Yeah, there's some information.

1686
01:26:44,279 --> 01:26:45,560
Speaker 3: Ava Robbins is incredible.

1687
01:26:45,840 --> 01:26:48,720
Speaker 2: But again, you know, talking with my friend Ian Higbee

1688
01:26:48,720 --> 01:26:51,760
and he said that there's some stuff in Alex's piece

1689
01:26:51,800 --> 01:26:55,880
that he might not have said or he slightly disagreed

1690
01:26:55,880 --> 01:26:57,880
to it. So yeah, interesting.

1691
01:26:58,319 --> 01:27:01,840
Speaker 3: Yeah, I'm surprised that. I mean, there's definitely movies that

1692
01:27:02,000 --> 01:27:05,039
we know the reasons that Monta Micaber hasn't upgraded, like Alocarto,

1693
01:27:05,079 --> 01:27:08,600
we know it's an elements issue, and there's other studios

1694
01:27:08,600 --> 01:27:12,399
that like Doctor Ducklan went to Vinegar Syndrome, but like

1695
01:27:12,520 --> 01:27:15,439
Nude Princess is just kind of like an outlier. It

1696
01:27:15,520 --> 01:27:17,479
was one of the first DVD releases. They never released

1697
01:27:17,520 --> 01:27:21,159
it in America and it's kind of been forgotten. It

1698
01:27:21,199 --> 01:27:23,880
came out like, you know, two thousand and four, two

1699
01:27:23,880 --> 01:27:27,960
thousand and three maybe so like years ago. So actually yeah,

1700
01:27:27,960 --> 01:27:29,800
twenty three years ago, I think is that DVD is

1701
01:27:29,840 --> 01:27:33,359
when that came out? So yeah, it's it's overdue. And

1702
01:27:33,479 --> 01:27:37,479
I yeah that vinyl. I played that vinyl a lot.

1703
01:27:38,039 --> 01:27:39,279
That soundtrack is really good.

1704
01:27:39,640 --> 01:27:44,039
Speaker 2: I've also talked with I keep mentioning Ian because he's

1705
01:27:44,079 --> 01:27:47,399
talked to the Monda Micabro guys about some of this stuff,

1706
01:27:47,439 --> 01:27:51,600
like putting out more Geta or more sex films. And

1707
01:27:52,199 --> 01:27:55,960
I get the feeling that there is a hesitancy because

1708
01:27:56,000 --> 01:27:59,359
of how certain stuff has sold in the past. And

1709
01:27:59,399 --> 01:28:02,119
that's what makes me worry about something like New Princess,

1710
01:28:02,199 --> 01:28:04,760
because it's just like, well, is it gonna sell like

1711
01:28:05,279 --> 01:28:07,960
Sex Apocalypse did for them, you know, which had Lina

1712
01:28:08,079 --> 01:28:11,359
Romay and Gda Wilson. I don't think that did very well.

1713
01:28:11,439 --> 01:28:15,079
Speaker 3: There is a gulf of quality between these two films.

1714
01:28:15,680 --> 01:28:16,600
Speaker 2: Yes, that is it?

1715
01:28:16,880 --> 01:28:17,399
Speaker 3: That is it?

1716
01:28:17,720 --> 01:28:18,720
Speaker 4: Do you how do you like?

1717
01:28:19,319 --> 01:28:22,279
Speaker 3: Piece of garbage? I reviewed my letterbox and raked it

1718
01:28:22,319 --> 01:28:24,319
over the coals and I told people not to watch it.

1719
01:28:24,319 --> 01:28:26,520
It's a total piece of shit. I think they I

1720
01:28:26,560 --> 01:28:28,319
don't know. I think they released it because they're like, well,

1721
01:28:28,359 --> 01:28:30,520
it's Lena, we can sell Lena. But it's not a

1722
01:28:30,560 --> 01:28:34,680
good movie. So, you know, New Prince is at least interesting,

1723
01:28:34,680 --> 01:28:37,760
and it also has like biographical connections to it. Feels

1724
01:28:37,800 --> 01:28:40,960
like there's very personal stuff in that script, but intentional

1725
01:28:41,039 --> 01:28:44,920
or not that tie into a story what we know

1726
01:28:45,000 --> 01:28:47,880
of it. Yeah, So it's like, yeah, Sex Apocalypse is

1727
01:28:47,880 --> 01:28:51,680
such garbage. It's it's so bad. But then she made

1728
01:28:51,680 --> 01:28:54,199
those Greek movies like and Vinegerson to put one of

1729
01:28:54,239 --> 01:28:57,279
those out Erotic Passion came out on Blu Ray, and

1730
01:28:57,319 --> 01:29:00,359
then she did some hardcore which is really depressing to watch.

1731
01:29:00,800 --> 01:29:03,640
She clearly didn't want to be doing it. See, I

1732
01:29:03,640 --> 01:29:08,600
don't know. Yeah, happy Bride Viva, I love Vegeta. Yes, like, yeah,

1733
01:29:08,640 --> 01:29:10,680
I adore her.

1734
01:29:11,239 --> 01:29:13,319
Speaker 2: Yeah, all right, that's a good one too.

1735
01:29:13,520 --> 01:29:13,720
Speaker 8: Yeah.

1736
01:29:13,760 --> 01:29:15,840
Speaker 2: I haven't seen that one, but I've seen Hyena, I've

1737
01:29:15,880 --> 01:29:20,920
seen last Orgy, I've seen Matalo his Western that so

1738
01:29:21,520 --> 01:29:26,279
his Yeah, his stuff is very weird and very almost

1739
01:29:26,319 --> 01:29:28,520
I mean, you could call it experimental and kind of

1740
01:29:28,560 --> 01:29:32,680
avant garde in certain instances. So yeah, very stylish. I'm

1741
01:29:32,720 --> 01:29:35,399
sure this is good. I need I need to see it,

1742
01:29:35,760 --> 01:29:40,840
all right. My number three is a movie by Nellie Kaplan.

1743
01:29:41,159 --> 01:29:44,039
Are you guys familiar with director Nellie Kaplan?

1744
01:29:44,880 --> 01:29:45,199
Speaker 3: I'm not.

1745
01:29:46,640 --> 01:29:51,800
Speaker 2: This is a movie called Nia n e A. This

1746
01:29:51,920 --> 01:29:57,000
is actually am Manuel movie. Well, it's written the original

1747
01:29:57,079 --> 01:30:02,760
story was written by Emmanuel Arson and it is starring

1748
01:30:03,359 --> 01:30:09,119
Sammy Frey. He's a French actor and the girl is

1749
01:30:09,600 --> 01:30:14,079
her name is Anne Zacharias. She is a Swedish girl.

1750
01:30:14,319 --> 01:30:17,680
So this is sort of an Emmanuel story. But the

1751
01:30:17,720 --> 01:30:19,880
difference is that the book it's based on is a

1752
01:30:19,920 --> 01:30:22,039
short novel. I don't know if you guys have read

1753
01:30:22,039 --> 01:30:26,760
any of the Manuel Arsan novels, but they get very wordy,

1754
01:30:26,840 --> 01:30:31,920
and they get very verbose, and they get sort of philosophical.

1755
01:30:32,399 --> 01:30:35,319
The good thing about the Nia book is it's short

1756
01:30:35,600 --> 01:30:37,239
and it doesn't get into all that.

1757
01:30:37,479 --> 01:30:39,199
Speaker 3: You gave it four and a half stars on Letterbox.

1758
01:30:39,600 --> 01:30:41,319
Speaker 4: Yeah, I'm reading that review right now.

1759
01:30:42,159 --> 01:30:45,199
Speaker 2: Jeremy Richie, You're like, Gentry is not helping me here

1760
01:30:45,359 --> 01:30:47,600
to sell this movie. I need to just read his review.

1761
01:30:48,600 --> 01:30:50,560
Speaker 3: Well, because I've never heard of it. This is brand

1762
01:30:50,600 --> 01:30:52,359
new to me, and none of the cast is I

1763
01:30:52,399 --> 01:30:57,039
know Ingrid Covin, she's a Fastbender actress, but other than that,

1764
01:30:57,079 --> 01:30:58,880
I don't recognize any of the names in this cast.

1765
01:30:58,880 --> 01:30:59,920
So I'm very intrigued.

1766
01:31:00,680 --> 01:31:04,800
Speaker 2: Yeah, this is also a favorite of our buddy Jeremy Ritchie.

1767
01:31:05,000 --> 01:31:06,600
He's a big fan of this movie.

1768
01:31:06,720 --> 01:31:09,159
Speaker 4: His review is wild for this Mona. People need to

1769
01:31:09,159 --> 01:31:09,840
read that review.

1770
01:31:10,119 --> 01:31:14,279
Speaker 2: Yeah, I love Jeremy. I love Jeremy the best way

1771
01:31:14,359 --> 01:31:16,560
I can explain it is it is. It is in

1772
01:31:16,640 --> 01:31:19,199
the Emmanuel mode in that it is about a young

1773
01:31:19,279 --> 01:31:23,279
girl having like a sexual awakening, but it's also very

1774
01:31:23,439 --> 01:31:28,159
meta in that she wants to be a writer better

1775
01:31:28,239 --> 01:31:32,079
than Emmanuel Arsan and she even like name drops like

1776
01:31:32,159 --> 01:31:35,079
Marquis de Sade. And the funny thing is she name

1777
01:31:35,159 --> 01:31:37,239
drops a name that I had to look up and

1778
01:31:37,279 --> 01:31:39,279
I was like, who the heck is this writer? And

1779
01:31:39,319 --> 01:31:43,920
it's Nellie Kaplan, the director. She used to write erotic

1780
01:31:43,960 --> 01:31:47,119
novels under a pseudonym, So there's lots of like really

1781
01:31:47,159 --> 01:31:51,119
meta things going on with erotic novel writing and.

1782
01:31:52,800 --> 01:31:56,680
Speaker 3: What's oh Nellie Kaplin. She did a very Curious Girl,

1783
01:31:56,720 --> 01:31:59,159
which Radiance was trying to get. Yeah, I haven't seen

1784
01:31:59,199 --> 01:32:01,640
anything else from now Kaplan, but I've read a lot

1785
01:32:01,680 --> 01:32:07,039
of people's reviews of her stuff, and especially feminist authors

1786
01:32:07,279 --> 01:32:11,560
really like her, and so yeah, I haven't seen anything

1787
01:32:11,560 --> 01:32:13,359
else by her, but I was really blown away when

1788
01:32:13,399 --> 01:32:14,560
I first watched this movie.

1789
01:32:14,600 --> 01:32:19,600
Speaker 2: As sort of part of my general Emmanuel and Emmanuel

1790
01:32:19,680 --> 01:32:23,439
adjacent research, I checked this one out and I really

1791
01:32:23,479 --> 01:32:26,600
really enjoyed it. But I think that there might be

1792
01:32:26,640 --> 01:32:30,399
some hiccups with regard to. You know, the age gap

1793
01:32:30,479 --> 01:32:32,800
is going to probably freak some people out because the

1794
01:32:32,880 --> 01:32:37,520
character in it is sixteen years old. The character in it, people,

1795
01:32:38,039 --> 01:32:40,119
the character in the movie is sixteen.

1796
01:32:40,159 --> 01:32:43,840
Speaker 3: People still rave about Gigi, that girl is fifteen in

1797
01:32:43,880 --> 01:32:48,880
that Best Picture Oscar winning MGM musical. So I don't

1798
01:32:48,880 --> 01:32:51,560
want to hear it from anybody about this movie or

1799
01:32:51,640 --> 01:32:56,560
any other movie when Gigi has a record win for

1800
01:32:56,720 --> 01:32:59,880
Best Picture from the Academy Awards of a girl being

1801
01:33:00,079 --> 01:33:03,199
roomed for Louis Jordan. Yeah, so I'm okay with a

1802
01:33:03,239 --> 01:33:06,560
sixteen year old girl, you know in a movie. I'm

1803
01:33:06,560 --> 01:33:07,159
fine with that.

1804
01:33:07,279 --> 01:33:08,359
Speaker 4: Nobody clipped that, please.

1805
01:33:08,800 --> 01:33:11,439
Speaker 2: Yeah, I also say that there's an use it against me.

1806
01:33:11,479 --> 01:33:13,119
Speaker 3: I'm gay. I don't need anything to do with sixteen

1807
01:33:13,159 --> 01:33:13,640
year old.

1808
01:33:14,960 --> 01:33:18,439
Speaker 2: Sure, there's a really great cat in this movie, so

1809
01:33:18,920 --> 01:33:26,119
all you, oh Dakma film lovers, it's a really great fat.

1810
01:33:27,359 --> 01:33:30,399
Speaker 3: Well my deaf crocodile. The cats. There's cat movies coming

1811
01:33:30,399 --> 01:33:31,079
out there.

1812
01:33:31,239 --> 01:33:34,119
Speaker 4: There's coming, by the way, another promo.

1813
01:33:34,359 --> 01:33:37,880
Speaker 2: And angeless angeless cat movies. This was also shot in

1814
01:33:38,119 --> 01:33:42,159
uh Geneva, Switzerland, in the winter, so it has a

1815
01:33:42,359 --> 01:33:45,920
very different feel to it than you know. If you

1816
01:33:45,960 --> 01:33:49,800
watch a lot of these Emmanuel I call them Emmanuel clones.

1817
01:33:50,720 --> 01:33:53,000
A lot of them are in the sort of exotic,

1818
01:33:53,039 --> 01:33:56,479
erotic variety, and that they're like on an island somewhere,

1819
01:33:56,640 --> 01:34:00,760
or you know, it's summer people are in bikinis whatever

1820
01:34:01,319 --> 01:34:05,039
or less. This is different feeling. It's yeah, like I said,

1821
01:34:05,039 --> 01:34:08,640
it's in Geneva in the winter. It's got some great cinematography.

1822
01:34:09,560 --> 01:34:12,279
Go check out Nia if you can find it. But

1823
01:34:12,399 --> 01:34:15,600
I'd like to see a solid home video release of

1824
01:34:15,640 --> 01:34:18,760
that one. I see that CCC put it out. It's

1825
01:34:18,800 --> 01:34:21,800
they were the studio, you know c c C did

1826
01:34:22,319 --> 01:34:26,000
that's less Yep, it was a it was one of

1827
01:34:26,039 --> 01:34:30,359
those co productions, you know, France, Germany. So yeah, it's

1828
01:34:30,439 --> 01:34:33,279
probably in a vault somewhere. Yeah.

1829
01:34:33,439 --> 01:34:36,600
Speaker 3: Wait, Pathfinder put it on DVD in two thousand and three.

1830
01:34:36,680 --> 01:34:39,199
Pathfinder you know Pathfinder has been around, yeah.

1831
01:34:39,039 --> 01:34:39,920
Speaker 4: A long time.

1832
01:34:40,720 --> 01:34:43,279
Speaker 3: Yeah, it's on Blu Ray in Japan. Give us a

1833
01:34:43,439 --> 01:34:45,600
give us an English friendly one because you know they

1834
01:34:45,640 --> 01:34:47,479
don't do English subtitles for those things.

1835
01:34:48,079 --> 01:34:52,840
Speaker 4: Pathfinders fifteen bucks used, I don't want to actually.

1836
01:34:55,880 --> 01:34:56,640
Speaker 3: Give me a Blue Ray.

1837
01:34:56,960 --> 01:35:01,359
Speaker 2: Yeah, Nia, Nellie Kaplan, yep, that's my I'm very intrigued.

1838
01:35:01,680 --> 01:35:03,720
Speaker 3: I am very intrigued.

1839
01:35:03,399 --> 01:35:06,439
Speaker 2: If you like Emmanuel style films, but maybe a little

1840
01:35:06,479 --> 01:35:11,520
bit more the feminist edge and a little bit more artsy,

1841
01:35:12,000 --> 01:35:15,880
maybe a little bit more darkly seductive. Yeah, that's a

1842
01:35:15,920 --> 01:35:16,359
good one.

1843
01:35:16,520 --> 01:35:19,119
Speaker 3: So not like that terrible Emmanuel remake that just came

1844
01:35:19,159 --> 01:35:22,279
out recently, where that was like a feminist update of

1845
01:35:22,359 --> 01:35:25,560
Emmanuel and it was garbage. This sounds much more promising.

1846
01:35:26,439 --> 01:35:28,239
Speaker 2: I felt like I was in a series of like

1847
01:35:28,359 --> 01:35:31,359
board meetings watching that. Oh it was horrible.

1848
01:35:31,560 --> 01:35:34,039
Speaker 3: It was like an e manual movie created by committee. Yes,

1849
01:35:34,199 --> 01:35:37,159
it was really it was so bad. It was really bad.

1850
01:35:37,199 --> 01:35:39,439
Some things you just can't update. It just does not work.

1851
01:35:39,720 --> 01:35:42,479
So it's fine to just enjoy them for they from

1852
01:35:42,479 --> 01:35:45,199
when they were made in the seventies in that time,

1853
01:35:45,520 --> 01:35:47,960
Like I don't want to see someone doing Emmanuel in

1854
01:35:48,000 --> 01:35:52,319
America and twenty six. That's not going to work of

1855
01:35:52,359 --> 01:35:54,520
its time. We enjoy it for that reason.

1856
01:35:55,000 --> 01:35:56,479
Speaker 2: I need to see this ran.

1857
01:35:56,680 --> 01:36:00,840
Speaker 4: This one is another title related to somebody that's very

1858
01:36:00,880 --> 01:36:04,399
mainstream for our crowd. But uh, this is also probably

1859
01:36:04,439 --> 01:36:06,640
my least exploitation of all of my titles. But it's

1860
01:36:06,680 --> 01:36:09,520
another one that I don't understand how we haven't crossed

1861
01:36:09,520 --> 01:36:12,600
over to the HD world for this and listen, I

1862
01:36:12,720 --> 01:36:16,960
understand like it is later era lesser and a lot

1863
01:36:17,000 --> 01:36:19,880
of people have a problem with three of the films

1864
01:36:19,880 --> 01:36:22,159
specifically because they think that it doesn't live up to

1865
01:36:22,159 --> 01:36:23,920
everything before it, And I get it, it's not the same.

1866
01:36:24,479 --> 01:36:27,560
But I gotta wonder, how do we not have Pecker

1867
01:36:27,640 --> 01:36:31,920
by John Waters on Blu Ray yet, Like, yes, this

1868
01:36:31,920 --> 01:36:34,039
this movie, Like I understand when it came out it

1869
01:36:34,039 --> 01:36:37,279
was hated. You know, people that wanted Pink Flamingo's part,

1870
01:36:37,479 --> 01:36:40,159
duh did not get that and it was never going

1871
01:36:40,199 --> 01:36:43,960
to be he he got glossy. By then there is

1872
01:36:44,000 --> 01:36:47,479
a very different sheen and that is fine. However, Pecker

1873
01:36:47,600 --> 01:36:49,479
is a lot better than you remember it being, and

1874
01:36:49,520 --> 01:36:51,520
you probably need to go watch it again if you

1875
01:36:51,600 --> 01:36:55,079
ever want to feel like you are seeing somebody mature

1876
01:36:55,119 --> 01:36:58,479
before your eyes in a way that can still challenge

1877
01:36:58,479 --> 01:37:02,000
the status quo, that can still bring the crude to

1878
01:37:02,079 --> 01:37:05,000
the prudes. It is very interesting to see how you

1879
01:37:05,039 --> 01:37:08,880
bring little Edward Furlong into this world and John Waters

1880
01:37:08,880 --> 01:37:14,039
brings this very like weird story to the world in

1881
01:37:14,039 --> 01:37:16,479
a way that you know, after cry Baby and after

1882
01:37:16,840 --> 01:37:18,880
even Cereal Mom, Like, a lot of people do not

1883
01:37:19,000 --> 01:37:21,439
expect this to come out of him, and for those

1884
01:37:21,479 --> 01:37:23,760
that had been around since the beginning or discovered him

1885
01:37:23,800 --> 01:37:27,359
through art house random crap where everybody was just looking

1886
01:37:27,359 --> 01:37:29,479
at at him as amazing outsider art, which I'm not

1887
01:37:29,520 --> 01:37:32,279
saying he's not, but you expected something different and the

1888
01:37:32,319 --> 01:37:35,720
sheen alone probably turned you off. But if you watch

1889
01:37:35,720 --> 01:37:37,880
it in twenty twenty six and you see that that

1890
01:37:38,079 --> 01:37:41,720
sheen is still a lot grungier than anything coming out

1891
01:37:41,760 --> 01:37:44,279
on Netflix today, this movie is so much better than

1892
01:37:44,319 --> 01:37:47,840
you gave it credit for. And sure it's exploitation in

1893
01:37:47,880 --> 01:37:50,439
the lightest of ways, but come on, there's dicks everywhere,

1894
01:37:50,479 --> 01:37:52,199
like so much about games.

1895
01:37:52,279 --> 01:37:54,880
Speaker 3: Come on, RIGHTMZ.

1896
01:37:56,479 --> 01:38:00,520
Speaker 4: It's an incredible cast. Furlong is genuinely amazing in the movie,

1897
01:38:00,560 --> 01:38:02,520
and if you don't think so, you probably need to

1898
01:38:02,520 --> 01:38:07,319
watch it again. But I mean, Christina Ritchie, Martha, Martha Limpton, right,

1899
01:38:08,359 --> 01:38:15,520
Mink Stole again as always, Patty Hurst. Yeah, this is

1900
01:38:18,119 --> 01:38:21,479
this is special. And you know, fortunate enough a couple

1901
01:38:21,479 --> 01:38:23,199
of years ago to the h to go to the

1902
01:38:23,199 --> 01:38:26,000
Waters exhibit in la at the Academy Museum and just

1903
01:38:26,760 --> 01:38:30,119
being in the idea of waters for like ninety minutes

1904
01:38:30,159 --> 01:38:32,560
of my life was such a unique place to see

1905
01:38:32,560 --> 01:38:36,800
your mind go yeah, essentially, And you know, watching the

1906
01:38:37,880 --> 01:38:39,840
costumes come to life a little bit in front of

1907
01:38:39,840 --> 01:38:41,439
you and seeing clips from all of them back to

1908
01:38:41,479 --> 01:38:44,359
back to back. This movie, Yes, I understand it does

1909
01:38:44,399 --> 01:38:46,920
stick out like a saret them compared to you know,

1910
01:38:47,000 --> 01:38:50,159
Desperate Living and all that other stuff. But this movie

1911
01:38:50,199 --> 01:38:52,279
is worth a lot more than you give it credit for.

1912
01:38:52,520 --> 01:38:54,800
And when you watch this right after film school, when

1913
01:38:54,840 --> 01:38:56,279
you saw the other ones and you felt a little

1914
01:38:56,279 --> 01:38:59,319
pretentious and condescending towards it, it's better than that. Go

1915
01:38:59,359 --> 01:39:01,319
give it another Pecker.

1916
01:39:01,159 --> 01:39:04,560
Speaker 9: She's talking, Hi, Mary Grace.

1917
01:39:05,000 --> 01:39:18,439
Speaker 11: Oh wow, Pecker, his name is Pecker.

1918
01:39:18,600 --> 01:39:19,399
Speaker 2: Give me a post.

1919
01:39:20,880 --> 01:39:24,279
Speaker 11: Oh honey, No, no, no, no, that's enough chocolate, says Sugar.

1920
01:39:24,880 --> 01:39:29,520
Speaker 2: A small town boy with big time talent. You know

1921
01:39:29,600 --> 01:39:30,640
that you're crazy.

1922
01:39:30,720 --> 01:39:32,079
Speaker 8: You see art when there's nothing there.

1923
01:39:32,239 --> 01:39:34,840
Speaker 2: Who's just looking for his big break?

1924
01:39:34,960 --> 01:39:36,760
Speaker 9: My here for Larry the Locket.

1925
01:39:37,359 --> 01:39:40,239
Speaker 3: Larry's twenty one years ago and it's still very Baltimore.

1926
01:39:40,960 --> 01:39:44,960
M It is better than cecil be demented, which for

1927
01:39:45,000 --> 01:39:48,199
some reason is people are reevaluating and that is not good.

1928
01:39:48,560 --> 01:39:52,159
It's better than cry Baby, which people give a lot

1929
01:39:52,199 --> 01:39:56,319
of grace to, which is way glossier, way less funny.

1930
01:39:56,720 --> 01:40:01,000
Like you know, I'm sorry the sugar Addict did sister

1931
01:40:01,560 --> 01:40:05,319
the little sister when when you when you go when

1932
01:40:05,560 --> 01:40:08,000
she's up in the middle of the night, like eating

1933
01:40:08,319 --> 01:40:10,399
out of a bag of sugars, rolling sugar, and he

1934
01:40:10,399 --> 01:40:13,039
takes a picture of her, like that's that's John Waters.

1935
01:40:13,079 --> 01:40:15,119
That is that is It's like it's kind of like

1936
01:40:15,159 --> 01:40:17,840
it's it's kind of similar to like it's not as

1937
01:40:17,880 --> 01:40:22,079
it's not as not as much of a parody as Polyester,

1938
01:40:22,239 --> 01:40:23,800
but it's kind of similar to that. And then it's

1939
01:40:23,840 --> 01:40:26,239
like a very interesting take on like the family dynamic

1940
01:40:26,359 --> 01:40:30,239
is very interesting. Martha Clinton is so good as in

1941
01:40:30,279 --> 01:40:32,680
the in the yeah, in the gay bar with all

1942
01:40:32,720 --> 01:40:35,640
the dancers and stuff. Yeah, it's I like it a lot.

1943
01:40:35,680 --> 01:40:38,840
And I until you told me that, I would have

1944
01:40:38,840 --> 01:40:41,560
thought it had been on Blu Ray And that's shocking

1945
01:40:41,560 --> 01:40:42,600
to me that it has not.

1946
01:40:43,359 --> 01:40:46,520
Speaker 4: Yeah, I mean at least on Blu Ray for the

1947
01:40:46,520 --> 01:40:47,760
first time. By Umbrella.

1948
01:40:47,960 --> 01:40:50,640
Speaker 3: Yeah, I saw that in theaters and it was it

1949
01:40:50,680 --> 01:40:54,399
has its moments, but dirty, it's better. Pecker's better than

1950
01:40:54,439 --> 01:40:57,319
the second half of Dirty Shame too. That movie goes

1951
01:40:57,359 --> 01:41:01,600
downhill once the Johnny Knoxville shit starts. Yeah, I have

1952
01:41:01,720 --> 01:41:03,720
John Waters had that guy got me through college or

1953
01:41:03,720 --> 01:41:04,479
through high school.

1954
01:41:04,960 --> 01:41:07,479
Speaker 4: Yeah, I mean it's it's one of those creators like

1955
01:41:07,600 --> 01:41:10,159
that director. Everything should be in the highest quality possible,

1956
01:41:10,359 --> 01:41:12,840
even if it's shit like it is film history.

1957
01:41:13,079 --> 01:41:15,920
Speaker 2: Well, he's very home video friendly too, so I'm surprised

1958
01:41:16,000 --> 01:41:18,199
he hasn't said, like, hey, why.

1959
01:41:18,079 --> 01:41:21,560
Speaker 4: Is out There's got to be something else. I think.

1960
01:41:21,640 --> 01:41:24,880
Speaker 3: I don't know. I'm hoping that Criterion is getting to

1961
01:41:24,920 --> 01:41:29,239
it because they are going down the and they're dealing

1962
01:41:29,279 --> 01:41:31,239
with all the New Line stuff, which is what all

1963
01:41:31,279 --> 01:41:34,439
of these are. So Pecker is still New Line, which

1964
01:41:34,479 --> 01:41:36,760
is weird because yeah, he went to someone else for

1965
01:41:36,840 --> 01:41:39,239
Serial Mom and then went back to Newline.

1966
01:41:38,840 --> 01:41:41,800
Speaker 4: For I'm kind of curious with Umbrella being the first

1967
01:41:41,840 --> 01:41:44,479
one to do Cecil. I wonder if there's something likeness

1968
01:41:44,520 --> 01:41:47,000
related maybe in some of these last three films, and

1969
01:41:47,039 --> 01:41:50,159
because it was Australia, they were able to skidaddle around

1970
01:41:50,159 --> 01:41:51,239
some of those rights problems.

1971
01:41:52,079 --> 01:41:55,680
Speaker 3: Maybe maybe I kind of reminds me how like Radiance

1972
01:41:55,680 --> 01:41:57,680
put out a really good addition to Welcome to Dollhouse

1973
01:41:57,720 --> 01:42:03,279
and we got shipped over here. This is really upsetting. Yeah,

1974
01:42:03,279 --> 01:42:06,159
those nineties movies, I'm telling you, it's it's a good

1975
01:42:06,159 --> 01:42:08,840
time to reevaluate those now that they're thirty years old.

1976
01:42:09,000 --> 01:42:11,319
Oh yeah, and it's just like, oh, some have aged

1977
01:42:11,479 --> 01:42:15,560
terribly and others are like, actually, this is still really good.

1978
01:42:15,680 --> 01:42:18,199
This really hits. Yeah, it's good. And a lot of

1979
01:42:18,239 --> 01:42:20,039
some of the dream and more of the Dreamlanders are

1980
01:42:20,079 --> 01:42:22,119
in it. It's like one of the last movies with

1981
01:42:22,359 --> 01:42:26,239
Mote with enough the Dreamlanders in it. What's his face?

1982
01:42:26,279 --> 01:42:27,359
The eight what's his face?

1983
01:42:27,359 --> 01:42:27,520
Speaker 1: Who?

1984
01:42:27,520 --> 01:42:30,760
Speaker 3: Plaze Channing is in it too? Yeah. And the lesbian

1985
01:42:30,760 --> 01:42:33,119
from Desperate Living is like the lesbian bouncer of the

1986
01:42:33,159 --> 01:42:35,079
gay bar. Yeah, it's like, yeah, don't get me started

1987
01:42:35,119 --> 01:42:38,079
on John Waters. I can go down. Yeah. I lived

1988
01:42:38,119 --> 01:42:41,840
and breathe John Waters for like my entire high schools.

1989
01:42:42,039 --> 01:42:46,119
Speaker 2: Okay, so casperg was ninety five. This is ninety eight.

1990
01:42:47,279 --> 01:42:50,840
Speaker 3: This was the same year as Buffalo Buffalo sixty six,

1991
01:42:50,920 --> 01:42:51,239
isn't it.

1992
01:42:51,560 --> 01:42:55,920
Speaker 2: I'm just looking at Christina Ricci's filmography. Here I seen

1993
01:42:56,600 --> 01:42:59,039
what she did between those two, these two movies.

1994
01:42:59,159 --> 01:43:02,119
Speaker 3: Well now and then ninety six I believe. And then

1995
01:43:02,159 --> 01:43:05,720
opposite of sex is ninety nine, which is great. Opposite

1996
01:43:05,720 --> 01:43:08,920
of sex? Where's that freaking blu ray? Lisa krud is

1997
01:43:08,960 --> 01:43:12,039
still huge? Why is that not out? The opposite sex

1998
01:43:12,119 --> 01:43:12,640
is so good?

1999
01:43:13,399 --> 01:43:15,000
Speaker 2: Yeah, Buffalo sixty six?

2000
01:43:15,279 --> 01:43:18,239
Speaker 3: Oh yeah, yeah, we have Vincent Gallow. We don't talk

2001
01:43:18,239 --> 01:43:22,479
about it. She's great in that. But yeah, yeah, talk

2002
01:43:22,479 --> 01:43:23,159
about not aging.

2003
01:43:23,199 --> 01:43:25,079
Speaker 2: Well, sorry, I'm hung up for a bit here. Because

2004
01:43:25,159 --> 01:43:29,720
Christina Ricci was like my like awakening at like ten

2005
01:43:29,800 --> 01:43:30,159
years old.

2006
01:43:31,199 --> 01:43:32,399
Speaker 4: I completely get it.

2007
01:43:32,920 --> 01:43:35,079
Speaker 2: That's okay for me because I was ten years old,

2008
01:43:35,159 --> 01:43:37,720
so I can crush on her when I'm watching Casper as.

2009
01:43:39,279 --> 01:43:42,880
Speaker 4: We're close to the same, ain't you. I'd agree with it, not.

2010
01:43:42,800 --> 01:43:45,399
Speaker 2: Now, not now, but.

2011
01:43:47,239 --> 01:43:47,720
Speaker 3: Crazy?

2012
01:43:47,920 --> 01:43:50,359
Speaker 4: Does it help that after Casper she did that darn

2013
01:43:50,479 --> 01:43:51,520
Cat before this?

2014
01:43:52,880 --> 01:43:56,880
Speaker 3: Oh yeah, she was in that horrible remake. Yeah, that

2015
01:43:56,920 --> 01:44:00,479
girl worked consistent. Yeah yeah, I love her. I mean

2016
01:44:00,520 --> 01:44:04,479
Wednesday Adam's huge, a different kind of gay awakening. It's like,

2017
01:44:04,520 --> 01:44:09,800
oh I love goth girls with like attitude. I was like, okay,

2018
01:44:10,039 --> 01:44:12,359
I want to be friends with this chick. Yeah yeah,

2019
01:44:12,439 --> 01:44:16,439
I've always wanted a Christina reaching Yeah all right, Casey,

2020
01:44:16,520 --> 01:44:19,720
what do you got on three. Uh, okay, so this

2021
01:44:19,760 --> 01:44:22,680
is a this is an odd one, another odd one. Okay,

2022
01:44:22,720 --> 01:44:24,960
So you know how I I don't think I've talked

2023
01:44:24,960 --> 01:44:27,720
on that on our podcast about how much I adore

2024
01:44:27,760 --> 01:44:30,880
Sandy Dempsey. Yeah, I think most people know her now

2025
01:44:31,439 --> 01:44:36,880
from what is her best known performance, which is Little Misinnocence,

2026
01:44:36,920 --> 01:44:38,800
which Vinnergerson to put out, and then it's on the

2027
01:44:38,840 --> 01:44:42,199
Grindhouse Blu ray of Death Game because Death Games are

2028
01:44:42,199 --> 01:44:45,239
an unofficial remake. Sandy Dempsey went back and forth from

2029
01:44:45,239 --> 01:44:48,800
hardcore to softcore. She's an ILSA, she's in swing cheerleader,

2030
01:44:48,960 --> 01:44:51,520
She's in a bunch of other stuff. But she only

2031
01:44:51,520 --> 01:44:53,920
did really one starring Rule that was kind of a

2032
01:44:54,319 --> 01:44:58,279
more major mainstream movie but still sexploitation. And that movie

2033
01:44:58,319 --> 01:45:01,960
called to Be a Rose, and it's a serious drama

2034
01:45:02,000 --> 01:45:06,720
directed by William A. Levy who did Blakenstein and Wan Band,

2035
01:45:06,760 --> 01:45:10,479
Thank You, space Man and The Happy Hookar Goes to Hollywood.

2036
01:45:10,720 --> 01:45:13,439
So maybe not the guy you'd think would be directing

2037
01:45:13,479 --> 01:45:16,840
a movie about a prostitute and the clients that she

2038
01:45:17,000 --> 01:45:19,800
talks to and dealing with childhood trauma. It's very similar

2039
01:45:19,880 --> 01:45:23,439
to John Hayes's like Dream No Evil where it's focusing

2040
01:45:23,520 --> 01:45:27,439
on this woman who obviously has a trouble passed and

2041
01:45:27,479 --> 01:45:29,600
she has these very interesting relationships with the men in

2042
01:45:29,640 --> 01:45:32,760
her life. So when the Code Write boys were alive,

2043
01:45:32,960 --> 01:45:36,560
they were trying to get this movie, and they called

2044
01:45:36,600 --> 01:45:40,479
William Levey, Wh's crazy. Not many people have interviewed this guy.

2045
01:45:40,520 --> 01:45:43,520
He's still around. I think I don't even know if

2046
01:45:43,520 --> 01:45:45,720
he's interviewed on the Blackenstein Blu Ray. I don't remember.

2047
01:45:46,079 --> 01:45:49,680
But he told them because when they said they were

2048
01:45:49,680 --> 01:45:51,840
gonna call him, I said, Okay, I want to know

2049
01:45:51,880 --> 01:45:54,640
everything about Sandy Dempsey because I'm obsessed with her and

2050
01:45:54,680 --> 01:45:56,680
I want to know. At that time, I didn't know

2051
01:45:56,720 --> 01:45:59,319
that she had not died, So that led to me

2052
01:45:59,760 --> 01:46:02,920
then and reevaluating whether she actually died and then finding her.

2053
01:46:03,000 --> 01:46:05,159
And I still haven't contacted her, but she's still alive.

2054
01:46:05,520 --> 01:46:08,439
So William Levey said that she was so proud of

2055
01:46:08,479 --> 01:46:12,479
her work in this film that she kind of felt

2056
01:46:12,560 --> 01:46:15,680
like she had reached the apex of what she could

2057
01:46:15,680 --> 01:46:17,840
do in Hollywood. Like she was kind of like, I'm

2058
01:46:17,880 --> 01:46:19,840
not getting the kind of roles I think I should

2059
01:46:19,880 --> 01:46:22,720
be getting. I don't want to do porn anymore. I

2060
01:46:22,760 --> 01:46:24,840
want to do more mainstream stuff, but she was so

2061
01:46:24,880 --> 01:46:27,079
dedicated to this performance and loved this character so much

2062
01:46:27,119 --> 01:46:28,439
as she was like, you know what I feel like,

2063
01:46:28,520 --> 01:46:31,199
if I stop acting after this, then I feel like

2064
01:46:31,239 --> 01:46:34,039
I went out with a performance that I'm really proud of,

2065
01:46:34,079 --> 01:46:37,079
playing a character that I really love. And then she left.

2066
01:46:37,279 --> 01:46:39,680
So this is nineteen seventy four. She didn't do anything

2067
01:46:39,720 --> 01:46:42,520
after seventy four. Anything that came out after seventy four

2068
01:46:42,680 --> 01:46:47,399
was shot earlier. So it was distributed by Jerry Gross's. Yeah,

2069
01:46:48,199 --> 01:46:50,359
this was her last movie. To be a Rose is

2070
01:46:50,399 --> 01:46:52,119
her official last movie seventy four.

2071
01:46:52,600 --> 01:46:53,960
Speaker 2: Oh okay, I didn't know that.

2072
01:46:54,039 --> 01:46:56,199
Speaker 3: Yeah, so yeah, So she didn't do anything after this,

2073
01:46:56,800 --> 01:46:59,880
So Jerry Gross released it's animation distributed it. And then

2074
01:47:00,359 --> 01:47:04,119
I found a newspaper thing that says Canon reissued it

2075
01:47:04,119 --> 01:47:08,560
in nineteen eighty two, so Cannon MGM. It was released

2076
01:47:08,600 --> 01:47:13,119
on VHS by trains World also MGM, and MGM doesn't

2077
01:47:13,119 --> 01:47:15,479
seem to have this. They don't seem to have the

2078
01:47:15,560 --> 01:47:18,760
rights to this, and William Levy was no help. He

2079
01:47:19,560 --> 01:47:22,079
doesn't have the rights to it because he yeah, he

2080
01:47:22,119 --> 01:47:25,520
was not a financier. So this is kind of one

2081
01:47:25,520 --> 01:47:28,640
of those orphan things that exists, unlike an incredibly rare

2082
01:47:28,760 --> 01:47:31,680
VHS that is impossible to get ahold of. And I

2083
01:47:31,800 --> 01:47:34,800
used to argue with Joe Rubin because he says Little

2084
01:47:34,840 --> 01:47:37,840
Miss Innocence is her best performance. This is her best performance.

2085
01:47:38,560 --> 01:47:43,039
She's in the entire movie. It's a really layered, complex,

2086
01:47:43,720 --> 01:47:48,560
incredible performance that I would not expect from her even

2087
01:47:48,560 --> 01:47:52,479
having seen Little Miss Innocence like it really blew my mind.

2088
01:47:52,760 --> 01:47:55,000
And that's where I felt I really was determined to

2089
01:47:55,000 --> 01:47:58,000
find out did she die or not? Because of I

2090
01:47:58,039 --> 01:47:59,960
wanted in my heart to know that she wasn't dead

2091
01:48:00,119 --> 01:48:02,079
after doing this performance. I didn't want to believe that

2092
01:48:02,119 --> 01:48:04,079
she died a year later in the Gulf of Mexico

2093
01:48:04,239 --> 01:48:07,359
according to Candy Samples, which turns out was not true.

2094
01:48:07,439 --> 01:48:41,760
She did not die in ninety seventy five. So yeah,

2095
01:48:41,760 --> 01:48:45,119
that's when I really really desperately want somebody to even

2096
01:48:45,159 --> 01:48:48,840
acknowledge it exists, because it's I remember buying the VHS

2097
01:48:48,880 --> 01:48:51,920
dirt cheap on Amazon, and I think five people had

2098
01:48:52,359 --> 01:48:54,720
rated on IMDb way back when. I don't know what

2099
01:48:54,720 --> 01:48:57,640
the letterbox views are. I'm sure they're rock bottom low.

2100
01:48:58,119 --> 01:48:59,760
Speaker 2: It's like John Charles has seen it.

2101
01:48:59,760 --> 01:49:02,119
Speaker 3: In hardly and I don't even think I've logged it

2102
01:49:02,119 --> 01:49:03,760
because I want to rewatch it to make sure I'm

2103
01:49:03,800 --> 01:49:06,800
reading it correctly, refer back to the previous episode, or

2104
01:49:06,840 --> 01:49:08,760
I don't want to. I don't want to have old ratings.

2105
01:49:09,640 --> 01:49:14,680
So I'm probably watching that this weekend too.

2106
01:49:13,239 --> 01:49:17,520
Speaker 2: But we're dark. Yeah, this looks really dark.

2107
01:49:17,960 --> 01:49:20,640
Speaker 3: Yeah, and that's one. I'll upload the file to our

2108
01:49:21,000 --> 01:49:26,399
to our group folder because that it's Yeah, she's just

2109
01:49:26,479 --> 01:49:31,239
really it's next level good. It's like if she didn't retire,

2110
01:49:31,319 --> 01:49:33,439
then I would have left her to kept trying to

2111
01:49:33,479 --> 01:49:34,239
get more work.

2112
01:49:34,920 --> 01:49:39,920
Speaker 2: Well, I mean listeners Ryan whoever. Like you know, if

2113
01:49:39,960 --> 01:49:43,520
you've seen any like Sandy Dempsey movies, they're probably like

2114
01:49:43,720 --> 01:49:49,359
silly sex movies like or bad comedy like The Suckers

2115
01:49:49,560 --> 01:49:52,680
you know that's been put out or you know, drop

2116
01:49:52,720 --> 01:49:53,079
Out was.

2117
01:49:53,760 --> 01:49:56,880
Speaker 3: Sex Psycho, Widow Blue, that thing, or even like little

2118
01:49:56,920 --> 01:49:59,119
appearances in in Harry Novak movies.

2119
01:49:59,199 --> 01:50:01,600
Speaker 2: You know, she was in Great Mind, Young Sally, she

2120
01:50:01,720 --> 01:50:04,119
was in a Country Hooker, So.

2121
01:50:04,239 --> 01:50:06,199
Speaker 3: Yeah, she has always like brutally murdered.

2122
01:50:06,439 --> 01:50:08,560
Speaker 2: Yeah, a little walk on roles and stuff like this,

2123
01:50:08,720 --> 01:50:13,680
So yeah, I'd love to see her an extended starring drama. Yeah,

2124
01:50:14,279 --> 01:50:14,880
that's really good.

2125
01:50:14,920 --> 01:50:17,840
Speaker 3: She's it's literally she that she carries the home movie

2126
01:50:17,840 --> 01:50:21,199
on her back, and it's any I don't see that

2127
01:50:21,239 --> 01:50:23,640
many other actresses. The only actress I could see doing

2128
01:50:23,640 --> 01:50:25,239
that at that time would be like Renee Bond. I

2129
01:50:25,279 --> 01:50:27,800
could see Renee Bond doing it. But Renee Bond also

2130
01:50:27,880 --> 01:50:31,279
doesn't have the pathos that Sandy Dempsey does in this movie.

2131
01:50:31,319 --> 01:50:33,000
I don't know if I don't know if Renee could

2132
01:50:33,000 --> 01:50:33,560
have could have.

2133
01:50:33,680 --> 01:50:36,680
Speaker 2: Maybe doesn't have the face to do like yeah, like

2134
01:50:36,720 --> 01:50:39,199
you said, the pathos, No, looks like.

2135
01:50:39,439 --> 01:50:43,920
Speaker 3: She's good in dramas and comedies. But Sandy, if you've

2136
01:50:43,920 --> 01:50:45,720
seen Little Miss Innocence, you know that when she has

2137
01:50:45,720 --> 01:50:48,479
that big breakdown scene, it's like it's coming from somewhere

2138
01:50:48,479 --> 01:50:52,239
deep and like she's channeling something. And so this is

2139
01:50:52,239 --> 01:50:54,880
like a whole movie of that where it's very it's

2140
01:50:54,920 --> 01:50:58,079
strong dedication to character. And I know it's crazy that

2141
01:50:58,279 --> 01:51:00,920
I'm so focused and love that and s exploitation, but

2142
01:51:00,960 --> 01:51:03,439
it's like it elevates the stuff, you know.

2143
01:51:03,600 --> 01:51:07,000
Speaker 2: So yeah, John Charles is gonna be excited about you

2144
01:51:07,079 --> 01:51:07,720
mentioning this.

2145
01:51:08,720 --> 01:51:09,319
Speaker 3: Do you like it?

2146
01:51:10,560 --> 01:51:14,119
Speaker 2: Well? What is John Charles ever like nothing.

2147
01:51:14,560 --> 01:51:16,840
Speaker 3: John Charles rates it accordingly. He said two and a half,

2148
01:51:16,920 --> 01:51:21,199
which is fair. Uh, yes, she said she he said

2149
01:51:21,239 --> 01:51:21,640
she's good.

2150
01:51:22,000 --> 01:51:24,880
Speaker 2: He said she's good. Yeah, it's interesting.

2151
01:51:25,159 --> 01:51:27,039
Speaker 3: Yeah, I like it. I like it quite a bit.

2152
01:51:27,680 --> 01:51:29,039
Speaker 2: He's got such a good picks.

2153
01:51:29,199 --> 01:51:32,159
Speaker 3: All right, Oh, you're gonna love my next one.

2154
01:51:32,359 --> 01:51:37,520
Speaker 2: But yeah, what do I have next? Let's do that

2155
01:51:38,680 --> 01:51:43,079
m Cindy and Donna. I'm not gonna tease you guys.

2156
01:51:43,199 --> 01:51:48,720
I'm just gonna tell you guys what it is. I

2157
01:51:48,800 --> 01:51:52,439
have to mention a yeah, a Debbie Osborne. So this

2158
01:51:52,439 --> 01:51:57,479
this is seen release on those drive in DVD collections

2159
01:51:57,520 --> 01:52:02,479
that you see of like thirty films from Crown International.

2160
01:52:03,279 --> 01:52:05,760
You'll see Cindy and Donna show up on those every

2161
01:52:05,800 --> 01:52:09,279
now and then. But it needs an update. It needs

2162
01:52:09,319 --> 01:52:13,760
an upgrade. It needs a Sin Syndicate commentary.

2163
01:52:14,680 --> 01:52:17,119
Speaker 3: It needs Osborne interview.

2164
01:52:18,920 --> 01:52:24,920
Speaker 2: Casey's just Casey's needling me right now. It needs Osborne interview,

2165
01:52:25,039 --> 01:52:28,199
needs a Debbie Osborne commentary. If she's gonna be willing

2166
01:52:28,239 --> 01:52:29,680
to talk about her work.

2167
01:52:30,199 --> 01:52:32,600
Speaker 3: I know that's the challenge. But she's great in this.

2168
01:52:33,079 --> 01:52:35,880
Speaker 2: Yeah, she's great in it. Nancy, how do you say

2169
01:52:35,880 --> 01:52:37,079
her name ian.

2170
01:52:37,359 --> 01:52:40,600
Speaker 3: Is san I don't know, I don't know DeBie, I

2171
01:52:40,600 --> 01:52:44,520
don't know who it's all about that whoever know who

2172
01:52:44,520 --> 01:52:45,479
else is right?

2173
01:52:46,039 --> 01:52:47,760
Speaker 2: Yeah? And you know who else is a big fan

2174
01:52:47,800 --> 01:52:49,880
of Cindy and Donna. Sean Baker.

2175
01:52:50,119 --> 01:52:50,840
Speaker 3: Sean Baker.

2176
01:52:52,239 --> 01:52:53,920
Speaker 2: So let me tell you a story.

2177
01:52:54,119 --> 01:52:55,760
Speaker 3: So we need a Sean Baker to join us on

2178
01:52:55,800 --> 01:52:57,199
this commentary to sell copies.

2179
01:52:57,279 --> 01:53:01,119
Speaker 2: Is that what you're saying, Yes, we would get Yeah,

2180
01:53:01,119 --> 01:53:03,199
we would get Sean Baker to do one of those

2181
01:53:03,199 --> 01:53:05,399
little like two minute intros you see.

2182
01:53:05,239 --> 01:53:09,560
Speaker 3: On you know, Blue Releases does them, So why wouldn't

2183
01:53:09,560 --> 01:53:10,920
Sa Maker exactly?

2184
01:53:12,159 --> 01:53:15,039
Speaker 2: But the story is that I posted like a clip

2185
01:53:15,079 --> 01:53:19,000
of this movie. It's this amazing clip of super cute

2186
01:53:19,000 --> 01:53:22,119
clip of Debbie Osborne like smoking a joint for the

2187
01:53:22,119 --> 01:53:26,000
first time. I posted that on Instagram, I don't know,

2188
01:53:26,000 --> 01:53:29,039
a year ago whatever it was, And this was our

2189
01:53:29,079 --> 01:53:32,600
first interaction with Sean Baker, and he retweeted this you

2190
01:53:32,640 --> 01:53:36,199
know whatever you call it on Instagram. He reposted to

2191
01:53:36,319 --> 01:53:38,800
his stories, he shared it to his stories, and it

2192
01:53:38,960 --> 01:53:42,560
blew the frick up and got us like tons of

2193
01:53:42,560 --> 01:53:47,279
new followers. And I was like, and then we got

2194
01:53:47,319 --> 01:53:50,039
all this weird attention and somehow we got our account

2195
01:53:50,079 --> 01:53:51,000
blocked and banned.

2196
01:53:52,560 --> 01:53:57,880
Speaker 12: I want to get high, you Siddy, it's Donna stuff.

2197
01:53:57,880 --> 01:53:58,800
Speaker 3: I found it in your room.

2198
01:54:21,279 --> 01:54:23,800
Speaker 2: But anyways, what I'm trying to say is that Shawn

2199
01:54:23,840 --> 01:54:25,840
Baker is a fan because he knows that this is

2200
01:54:25,840 --> 01:54:29,840
a great movie. It's just a very time capsuley nineteen

2201
01:54:29,960 --> 01:54:36,600
seventy teenage girl finding her way in the world, suburban

2202
01:54:36,720 --> 01:54:41,279
world kind of movie. She's got a sister who's you know,

2203
01:54:41,840 --> 01:54:45,720
it's the familiar story, a sister who is more sexually experienced,

2204
01:54:46,479 --> 01:54:49,880
and she sort of a plays the voyeur at first,

2205
01:54:50,039 --> 01:54:52,920
and you know, I'll let you watch the movie to

2206
01:54:52,960 --> 01:54:56,199
find out what else happens. It features maybe one of

2207
01:54:56,199 --> 01:55:01,399
the greatest endings in this exploitation his story. That's all

2208
01:55:01,439 --> 01:55:05,079
I'm gonna say. I think, uh, I think our friend

2209
01:55:05,279 --> 01:55:11,840
m C. Christ on Marshall Marshall Christ says that more

2210
01:55:12,319 --> 01:55:14,960
possibly all movies should end this way.

2211
01:55:16,119 --> 01:55:17,680
Speaker 3: Well, Marshall has good tastes.

2212
01:55:17,960 --> 01:55:21,439
Speaker 2: Marshall Rushall has good taste. Four stars for Marshall. By

2213
01:55:21,479 --> 01:55:23,760
the way, I gave it three in a heart, but

2214
01:55:24,640 --> 01:55:27,720
I think it would be higher if I rewatched it. Yeah,

2215
01:55:27,760 --> 01:55:32,159
but yeah, Casey do your do your Crown International spiel.

2216
01:55:32,520 --> 01:55:34,399
Speaker 3: We don't know what the hell is going on with

2217
01:55:34,439 --> 01:55:40,479
Crown International. So the main, the main, the main people

2218
01:55:40,560 --> 01:55:42,720
tapping into the Crown Library for a long time. It

2219
01:55:42,760 --> 01:55:45,279
is Vinegar Syndrome and that was not a title that

2220
01:55:45,319 --> 01:55:47,359
they were going to look into, which pissed me off

2221
01:55:47,359 --> 01:55:50,640
because it was that Police Women and French Quarter, which

2222
01:55:50,680 --> 01:55:53,119
I was desperate for them to get, and they were like, no,

2223
01:55:53,199 --> 01:55:56,840
we'll do the Hearse instead, because who everyone wants the hearse?

2224
01:55:56,960 --> 01:55:57,119
Speaker 2: Right?

2225
01:55:57,239 --> 01:56:02,199
Speaker 3: God, what terrible movie. So so all those licenses have

2226
01:56:02,399 --> 01:56:04,439
expired because they were a while ago. So all this

2227
01:56:04,600 --> 01:56:08,079
Crown International stuff is out of print. So I believe

2228
01:56:08,520 --> 01:56:11,720
that sometimes people have been trying to contact them to

2229
01:56:11,840 --> 01:56:16,960
re license stuff and somebody died or somebody's not answering

2230
01:56:16,960 --> 01:56:19,399
the phone, and then someone actually went to their physical

2231
01:56:19,439 --> 01:56:24,680
address and it's like shuddered, like that they're not around anymore.

2232
01:56:24,880 --> 01:56:26,359
And I don't know what that. I don't know where

2233
01:56:26,359 --> 01:56:28,119
those elements went then, because I don't know where they

2234
01:56:28,119 --> 01:56:31,199
were holding them. So Crown International is right now a

2235
01:56:31,239 --> 01:56:36,359
big orphaned conglomerate of like major stuff that we don't

2236
01:56:36,399 --> 01:56:38,640
know where it is at least with Novak, we know

2237
01:56:38,680 --> 01:56:42,720
where to go. Crown we don't know where to go.

2238
01:56:43,119 --> 01:56:46,279
So like, they have a lot of really good stuff,

2239
01:56:46,520 --> 01:56:50,720
including this, So I'm a little concerned about that library

2240
01:56:51,039 --> 01:56:54,159
and who has the rights to those now. The babysitter

2241
01:56:55,640 --> 01:57:01,960
Babysitter is great, love babysitter, pick up best friends. I

2242
01:57:02,000 --> 01:57:04,800
don't like chain game women, but I guess some people would.

2243
01:57:06,119 --> 01:57:08,680
Speaker 2: Just so many like drive in classics.

2244
01:57:08,760 --> 01:57:11,119
Speaker 3: It's just like you could put out with the baby,

2245
01:57:11,359 --> 01:57:14,359
weekend with the Babysitter. With Christine Murray from Georgia Jezebel.

2246
01:57:14,800 --> 01:57:16,720
Speaker 2: We talked about box sets a lot, but yeah, you

2247
01:57:16,720 --> 01:57:20,840
could do like a really good drive in. I think

2248
01:57:20,880 --> 01:57:24,039
maybe you know people in the DVD Ara remember all

2249
01:57:24,079 --> 01:57:27,279
these garbage drive in box sets where they, like I said,

2250
01:57:27,279 --> 01:57:29,920
they stacked like a million movies on a DVD of

2251
01:57:30,000 --> 01:57:33,680
ship quality, Like do a really good drive in movie.

2252
01:57:33,720 --> 01:57:37,600
Crown Internet Mill Creek ones, yeah those Mill Creek, Yeah.

2253
01:57:37,680 --> 01:57:40,439
Speaker 3: Well mill Creek is Actually they a lot of those

2254
01:57:40,479 --> 01:57:45,479
were licensed from its Crown International, so they had some

2255
01:57:45,600 --> 01:57:47,359
nice restored ones, but it was hard to tell them

2256
01:57:47,359 --> 01:57:50,800
from their garbage ones. But that Blue Money, which we've covered,

2257
01:57:50,880 --> 01:57:54,359
that's Crown International so that's that's at a print and apossible.

2258
01:57:54,399 --> 01:57:56,119
You can't get hold of it now, it's yeah.

2259
01:57:55,920 --> 01:57:58,560
Speaker 2: It's I was just at the drift store today and

2260
01:57:58,560 --> 01:58:00,560
I saw one of those drive in Milk Greeks and

2261
01:58:00,760 --> 01:58:02,600
Blue Money was on there. Yeah, it was like, yes,

2262
01:58:02,840 --> 01:58:03,439
is so funny.

2263
01:58:03,479 --> 01:58:08,079
Speaker 3: Yeah, Yeah, there's there's a lot of good stuff. Yeah,

2264
01:58:08,359 --> 01:58:11,880
that's that's a concern. That's a that's a good concern. Stanley,

2265
01:58:12,079 --> 01:58:15,880
the Stanley Horror High which is good too. I'm trying

2266
01:58:15,880 --> 01:58:17,359
to think of all the other stuff to Vinigerson to

2267
01:58:17,359 --> 01:58:19,600
put out. Yeah, we don't need the hers, but there's

2268
01:58:19,680 --> 01:58:22,319
lots of other good stuff in there. So yeah, that's

2269
01:58:22,319 --> 01:58:24,359
where Cindy and Donna is and that wasn't even on

2270
01:58:24,399 --> 01:58:26,760
the radar vinegar syndrome or they just had no interest

2271
01:58:26,760 --> 01:58:27,479
in doing it at all.

2272
01:58:28,119 --> 01:58:34,520
Speaker 2: Yeah. Debbie Osborne, Little Debbie and only her third movie,

2273
01:58:34,560 --> 01:58:36,319
and she's very good. M h.

2274
01:58:36,840 --> 01:58:39,439
Speaker 3: Concerning she was not an actress from the background that

2275
01:58:39,479 --> 01:58:41,479
we know about her, not an actress, not even in

2276
01:58:41,560 --> 01:58:44,640
high school. Didn't even do acting in ice. He's a

2277
01:58:44,720 --> 01:58:48,399
hippie hippie check who just somehow ended up being good

2278
01:58:48,479 --> 01:58:53,000
in s exploitation movies. Yeah, she's good in secret places

2279
01:58:52,920 --> 01:58:55,479
of secret things too. I mean, yeah, she again, very

2280
01:58:55,560 --> 01:58:58,199
underrated little actress, very underrated little actress.

2281
01:58:58,479 --> 01:59:00,560
Speaker 2: All right, we're on number two for Ryan.

2282
01:59:01,600 --> 01:59:04,159
Speaker 4: Well, I didn't want to point out. I think it's

2283
01:59:04,239 --> 01:59:06,319
hilarious that I've listened to the podcast so much with

2284
01:59:06,399 --> 01:59:08,319
you guys that I keep getting lost and just like

2285
01:59:08,359 --> 01:59:10,520
watching that I'm in this fun backseat, I realize that

2286
01:59:10,560 --> 01:59:12,239
I'm not talking for like six minutes a row. I'm

2287
01:59:12,239 --> 01:59:13,560
just like, oh, this is just fun to watch, my

2288
01:59:13,600 --> 01:59:20,239
guys see. So, I don't know how to start this

2289
01:59:20,319 --> 01:59:23,039
because the reality is I had hoped that Casey would

2290
01:59:23,039 --> 01:59:25,039
have started with his rant, and so hopefully it'll just

2291
01:59:25,199 --> 01:59:28,279
glide off of mine, my big thing here. I don't

2292
01:59:28,359 --> 01:59:31,479
understand how this title does not have the cachet unless

2293
01:59:31,479 --> 01:59:33,960
there's something rights wise that I am not understanding. But

2294
01:59:33,960 --> 01:59:38,399
as far as I'm aware, there's one company associated with Yelling.

2295
01:59:38,600 --> 01:59:40,840
I guess is the way to name them without naming them?

2296
01:59:40,960 --> 01:59:43,760
That should have put this out already. I don't understand

2297
01:59:43,880 --> 01:59:46,399
how Not of This Earth does not have an HD release.

2298
01:59:47,039 --> 01:59:50,319
Nineteen eighty eight. Tracy Lords like the first legitimate title

2299
01:59:51,199 --> 01:59:53,479
the movie that is made because of a bet between

2300
01:59:53,600 --> 01:59:58,680
two hilarious exploitation directors Jim way Norski, Will Dotson. Being

2301
01:59:58,680 --> 02:00:01,479
my partner, I had to mention aa y Norski film,

2302
02:00:01,520 --> 02:00:04,920
and with this being such an obvious choice, how I mean,

2303
02:00:05,319 --> 02:00:09,199
if you release this tomorrow, anybody that is forty eight

2304
02:00:09,760 --> 02:00:12,520
and younger that is in this industry and has followed

2305
02:00:12,600 --> 02:00:15,560
anything related to this would buy this in a heartbeat.

2306
02:00:16,119 --> 02:00:18,560
Speaker 2: Sy Aliens, that's all you need yep.

2307
02:00:18,640 --> 02:00:25,119
Speaker 4: Right, exactly the amount of everything that this movie covers.

2308
02:00:25,119 --> 02:00:28,479
Plus it's a remake like it's nostalgic for people it is.

2309
02:00:29,000 --> 02:00:32,479
It is a quintessential late Eraic Corman sort of title,

2310
02:00:32,680 --> 02:00:35,199
and we just don't get to see a release like

2311
02:00:35,279 --> 02:00:39,199
it's just gone. Basically, it's something that very obviously should

2312
02:00:39,199 --> 02:00:43,039
be getting a marquee huge four K release, like three disc,

2313
02:00:43,239 --> 02:00:45,880
giant amount of extras. Tracy Lord sitting down for a

2314
02:00:45,880 --> 02:00:49,159
brand new retrospective two hour interview, and we can fuck

2315
02:00:49,199 --> 02:00:50,279
all like what are we doing?

2316
02:00:50,880 --> 02:00:51,119
Speaker 5: Right?

2317
02:00:51,439 --> 02:00:54,000
Speaker 3: Include the original fifty seven version because they also have

2318
02:00:54,119 --> 02:00:57,600
that and they put that out on DVD two. So yeah,

2319
02:00:57,720 --> 02:01:00,079
just I don't know that you're right. I forgot that

2320
02:01:00,079 --> 02:01:03,760
that has not graduated beyond DVD and virtually everything else.

2321
02:01:04,000 --> 02:01:06,800
Those on that first run of Roger Corman's called Classics

2322
02:01:07,039 --> 02:01:09,079
has gotten at least a BLU ray, if not a

2323
02:01:09,119 --> 02:01:11,239
four K. At this point, that's crazy.

2324
02:01:11,760 --> 02:01:15,159
Speaker 4: We have a Blu ray of the documentary about making

2325
02:01:16,119 --> 02:01:20,159
by Norsky's other film, the documentary Papadopoulos is out on

2326
02:01:20,239 --> 02:01:22,800
Blu ray from Terror Vision, and we don't have none

2327
02:01:22,840 --> 02:01:35,680
of this or that makes any sense. Paul Johnson has

2328
02:01:35,720 --> 02:01:37,159
a terrifying secret.

2329
02:01:38,920 --> 02:01:41,880
Speaker 1: Either your case is one in a treaded where you

2330
02:01:41,920 --> 02:01:43,399
are not of this plot.

2331
02:01:44,520 --> 02:01:48,319
Speaker 5: A secret that conceives an alien presence with an overwhelming

2332
02:01:48,439 --> 02:01:49,600
hunger to survive.

2333
02:01:51,520 --> 02:01:52,399
Speaker 2: I am dying.

2334
02:01:53,119 --> 02:01:58,039
Speaker 4: My blood is back, relentless, and he is pursued.

2335
02:02:00,039 --> 02:02:00,920
Speaker 8: This guy scares me.

2336
02:02:02,319 --> 02:02:04,439
Speaker 3: He told me never to allow anyone in the basement,

2337
02:02:06,600 --> 02:02:10,199
Oh Johnson, with stuff at and nothing on Duby Hicks.

2338
02:02:10,239 --> 02:02:18,319
Speaker 1: What he wants, you will terminate yourself, doctor show.

2339
02:02:19,000 --> 02:02:23,079
Speaker 2: All right? That was Ryan's number two or on Casey's

2340
02:02:23,159 --> 02:02:23,760
number two.

2341
02:02:24,159 --> 02:02:26,840
Speaker 3: My number two is another one that I would think

2342
02:02:26,880 --> 02:02:29,600
would be with MGM, but I don't believe it is.

2343
02:02:29,840 --> 02:02:31,720
And I was trying to figure this out that way,

2344
02:02:31,760 --> 02:02:35,960
and I called someone about it using your database. I called, Yes,

2345
02:02:36,000 --> 02:02:38,199
he's in my database. But I called this person who

2346
02:02:38,239 --> 02:02:40,720
produced it, and it was a It was a savage

2347
02:02:40,720 --> 02:02:42,479
situation where I was like, well, no, I did theater,

2348
02:02:42,600 --> 02:02:45,039
I didn't do film, and I'm like, you did both.

2349
02:02:45,399 --> 02:02:46,960
I'm calling about the film, but you want to you

2350
02:02:46,960 --> 02:02:48,880
don't want to talk about the film. It's The Female

2351
02:02:48,920 --> 02:02:55,399
Response nineteen seventy three, Jennifer Wells movie. Did you ever

2352
02:02:55,399 --> 02:02:56,960
think I'd have a Jennifer Wells movie on.

2353
02:02:58,239 --> 02:03:01,079
Speaker 2: Because just last last episode you say, I don't care.

2354
02:03:01,199 --> 02:03:02,399
It has Jennifer Wells.

2355
02:03:02,199 --> 02:03:07,520
Speaker 3: In Nope, Nope. But it also has Jacqueline Colton around

2356
02:03:07,520 --> 02:03:09,840
the time she was in The Bitch for Andy Milligan.

2357
02:03:10,039 --> 02:03:12,960
It has Harry Reems using his real name. It has

2358
02:03:13,039 --> 02:03:16,840
Ross Kelly before Happy Days, and it's directed by Tim

2359
02:03:16,920 --> 02:03:19,840
Kinkaid before he was Joe Gage, before he did gay porn,

2360
02:03:19,920 --> 02:03:22,359
so he was an actor at this time, and shot

2361
02:03:22,359 --> 02:03:25,840
by Arthur D. Marx Graham Place edited it and did

2362
02:03:25,880 --> 02:03:26,319
the sound.

2363
02:03:26,840 --> 02:03:27,520
Speaker 2: Oh really.

2364
02:03:27,840 --> 02:03:30,920
Speaker 3: Shot in New York. It was announced as the official

2365
02:03:31,000 --> 02:03:34,199
film version of The Sensuous Woman until the author sued

2366
02:03:34,319 --> 02:03:36,479
and then they had to change the title to The

2367
02:03:36,479 --> 02:03:40,119
Female Response. So it was directed. It was produced by

2368
02:03:40,159 --> 02:03:42,600
a guy named Richard Lipton who was it was director

2369
02:03:42,640 --> 02:03:45,920
at Leamama, so he knew Tim Kinkaid from the theater,

2370
02:03:46,039 --> 02:03:49,199
Jacqueline Coleton from the theater, Jennifer Wells probably also Jennifer

2371
02:03:49,199 --> 02:03:52,560
Well's husband, Manny Durand died the music too, So there's

2372
02:03:52,640 --> 02:03:55,319
so many interesting people involved with this and it's fairly

2373
02:03:55,479 --> 02:03:57,800
very good. It came out of the city.

2374
02:03:57,840 --> 02:04:00,960
Speaker 2: Like, why does she read like a white coader?

2375
02:04:01,319 --> 02:04:03,039
Speaker 3: I think because it's supposed to be based on The

2376
02:04:03,039 --> 02:04:05,039
Censust Woman, which is like a kind of a sex

2377
02:04:05,159 --> 02:04:09,119
education book, but it's it's like it is a case

2378
02:04:09,119 --> 02:04:11,279
studies thing, but it's not a white coder. It doesn't

2379
02:04:11,319 --> 02:04:13,520
have like, you know, a guy sitesn't have people talking

2380
02:04:13,520 --> 02:04:17,159
to the camera or whatever. It came out through trans

2381
02:04:17,159 --> 02:04:21,520
American and trans American should be with MGM, so, but

2382
02:04:21,560 --> 02:04:23,319
I think it's kind of like Spree and some of

2383
02:04:23,319 --> 02:04:26,079
the other stuff they put out Sidismo was also trans American,

2384
02:04:26,119 --> 02:04:29,920
where MGM should have those, but they don't necessarily they

2385
02:04:29,920 --> 02:04:33,079
don't actually necessarily have them. Trans American is an offshoot

2386
02:04:33,119 --> 02:04:38,760
from AIP so, yeah, like Cycle Savages is technically Transamerican

2387
02:04:38,760 --> 02:04:41,520
and they have that, but this one so Richard Lipton,

2388
02:04:41,640 --> 02:04:44,399
I called, I found him in the film book and

2389
02:04:44,840 --> 02:04:47,199
it was definitely him, not that many of Richard Lipton's

2390
02:04:47,199 --> 02:04:49,920
shockingly in the phone book, and I said, so, I'm

2391
02:04:49,920 --> 02:04:52,560
trying to find Richard Lipton, who's produced who was a

2392
02:04:52,600 --> 02:04:55,800
film producer in the seventies. So they also did this

2393
02:04:56,039 --> 02:04:59,119
very obscure, hard to find, hardcore movie called Big Thumbs,

2394
02:04:59,359 --> 02:05:02,479
which was a or No musical in nineteen seventy seven,

2395
02:05:02,960 --> 02:05:06,399
and it was a major production. Vinegar Sundram has a print.

2396
02:05:06,520 --> 02:05:08,760
I know because Joe Ruben bragged me that he watched it,

2397
02:05:08,800 --> 02:05:10,439
and He's like, yeah, that's not that good. I'm just like,

2398
02:05:10,680 --> 02:05:12,600
let me be the judge of that, scan it and

2399
02:05:12,600 --> 02:05:14,319
send me a sand it to me, Like I don't,

2400
02:05:14,359 --> 02:05:16,119
don't tell me you have something I wanted to see

2401
02:05:16,119 --> 02:05:20,720
for my entire life. So Richard Lipton was like, well, no,

2402
02:05:20,760 --> 02:05:23,520
I was involved with theater. He worked with Leah Flanagan

2403
02:05:23,520 --> 02:05:24,439
too at La Mama.

2404
02:05:24,640 --> 02:05:27,000
Speaker 2: And he said, but no, I didn't know the Milligan connections.

2405
02:05:27,399 --> 02:05:31,039
Speaker 3: Lots of Milligan connections, yes, And so I was like, well,

2406
02:05:31,720 --> 02:05:33,359
the Richard Lipton, then, I'm trying to get a hold

2407
02:05:33,439 --> 02:05:36,399
of did work in theater. But through those theater connections.

2408
02:05:36,439 --> 02:05:40,359
Also did two films like Big Thumbs was also another

2409
02:05:40,439 --> 02:05:44,000
La Mama like musical person, and the person who wrote

2410
02:05:44,000 --> 02:05:46,760
Female Response did the music for Big Thumbs, so you

2411
02:05:46,800 --> 02:05:49,479
know they were partners. He was like, yeah, I don't know,

2412
02:05:50,119 --> 02:05:51,399
tell me more. And then he was like and then

2413
02:05:51,439 --> 02:05:53,199
he actually was like, tell me more about this Richard

2414
02:05:53,199 --> 02:05:54,800
Lipton who worked in film, Like what do you know

2415
02:05:54,840 --> 02:05:58,319
about him? And I was like, here we go. I

2416
02:05:58,319 --> 02:06:00,279
was like, I this is all I know. And he

2417
02:06:00,359 --> 02:06:03,479
was like, wow, sounds like a really interesting guy. Yeah

2418
02:06:03,520 --> 02:06:06,319
that's not me, and I'm just like it was kind

2419
02:06:06,319 --> 02:06:08,199
of like Gary Graver where he's like, yeah, I never

2420
02:06:08,319 --> 02:06:10,600
use a pseudonyme on my movies. I think Three Am

2421
02:06:10,640 --> 02:06:12,720
is some HBO movie. Get Pan Greer, I don't know,

2422
02:06:12,840 --> 02:06:15,199
but good luck finding Robert McCallum, whoever that is.

2423
02:06:15,680 --> 02:06:17,439
Speaker 2: So he was like, tell me about myself.

2424
02:06:17,760 --> 02:06:20,560
Speaker 3: Basically, he wanted to know. He wanted to vet the call.

2425
02:06:21,079 --> 02:06:22,520
You know. You know, it's kind of like when you

2426
02:06:22,560 --> 02:06:25,279
get telemarketers and you're kind of trying to figure out

2427
02:06:25,279 --> 02:06:27,560
what they're calling for because it could be something legit,

2428
02:06:28,000 --> 02:06:30,000
and it's kind of like, well, like, yeah, I don't

2429
02:06:30,000 --> 02:06:31,640
know what's to call in reference to let me just

2430
02:06:31,760 --> 02:06:33,880
you know there I might be able to get you

2431
02:06:33,880 --> 02:06:36,479
in touch with this person. It was a very weird

2432
02:06:36,520 --> 02:06:38,399
phone call. I think he's gone now. I think he

2433
02:06:38,439 --> 02:06:41,840
passed away a couple of years ago. But this movie

2434
02:06:41,880 --> 02:06:43,880
is now. It came out on video in the UK,

2435
02:06:44,000 --> 02:06:46,840
and I only know that because God loved the code

2436
02:06:46,840 --> 02:06:50,079
red Boy. Since send me a DVD r VHS rip

2437
02:06:50,159 --> 02:06:53,239
of the UK version. So I have the movie and

2438
02:06:54,319 --> 02:06:57,479
it's good. It's it's quite good, and I'd love to

2439
02:06:57,520 --> 02:06:58,640
see it nice and restored.

2440
02:07:00,960 --> 02:07:05,520
Speaker 1: The sensual Revolution now a motion picture, deals frankly and

2441
02:07:05,640 --> 02:07:09,239
honestly with the one moment that makes all women sisters

2442
02:07:09,279 --> 02:07:27,439
under the skin women so many kinds, so many sizes,

2443
02:07:28,640 --> 02:07:33,800
so many shapes, But what is it like to be

2444
02:07:34,000 --> 02:07:34,399
a woman?

2445
02:07:35,760 --> 02:07:39,720
Speaker 2: Yeah? Who is this lead listed as the lead? Raina Barrett?

2446
02:07:40,000 --> 02:07:43,239
Speaker 3: Dad, I know her name from somewhere. But I'll send

2447
02:07:43,279 --> 02:07:45,039
you the trailer because I have the trailer to send

2448
02:07:45,039 --> 02:07:46,960
you for an audio drop. But Jennifer Wells is like

2449
02:07:46,960 --> 02:07:50,439
a big It was her first movie after It was

2450
02:07:50,479 --> 02:07:55,439
one of her first movies after Scorpio seventy y Scorpio. Yes,

2451
02:07:55,520 --> 02:07:58,319
so Scorpio seventy was the first Jennifer Wells and then

2452
02:07:58,319 --> 02:08:01,159
Weekend with Strangers, and then this was announced in the

2453
02:08:01,239 --> 02:08:03,840
trades before week when the Strangers came out, So I

2454
02:08:03,840 --> 02:08:06,279
think they shot this earlier than seventy three, but it

2455
02:08:06,319 --> 02:08:09,720
came out seventy three, so it's very good. I had

2456
02:08:09,720 --> 02:08:13,159
the poster. I'd love to get Joe Gage to sign it,

2457
02:08:13,359 --> 02:08:17,119
but Joe Gage's Yeah, love Joe Gage's commentary, but he's

2458
02:08:17,199 --> 02:08:20,760
also iffy about getting back with people these days, just

2459
02:08:20,800 --> 02:08:24,159
like Jacqueline Colton. But yeah, Grand places connection in Arthur

2460
02:08:24,199 --> 02:08:27,560
did Mark's connection. So yeah, it's very good. It's very good.

2461
02:08:27,640 --> 02:08:31,720
Speaker 2: Yeah, this looks fun. Seventy three a very diverse cast

2462
02:08:31,880 --> 02:08:35,319
of women explaining their sexuality.

2463
02:08:35,800 --> 02:08:38,279
Speaker 3: Yes, yeah, I mean you have Jacqueline Colton, who is

2464
02:08:38,319 --> 02:08:41,880
a plus sized woman and if it really it allows

2465
02:08:41,880 --> 02:08:45,479
her an opportunity. And it's not like jokey about like,

2466
02:08:45,560 --> 02:08:47,279
oh this fat woman wants to have sex too, It's

2467
02:08:47,279 --> 02:08:52,640
like it's actually handled very very gracefully and very like affectionately. Yeah,

2468
02:08:52,640 --> 02:08:55,079
and it's also like not anti there's a lesbian character.

2469
02:08:55,159 --> 02:08:57,800
It's not it's not hateful because I think it was

2470
02:08:57,800 --> 02:08:59,520
made by gay men. So I think it's a little

2471
02:08:59,520 --> 02:09:03,279
more open mind I did, then something earlier would be.

2472
02:09:03,319 --> 02:09:05,520
But that's good. Only fifteen views on letterbox.

2473
02:09:06,000 --> 02:09:07,560
Speaker 2: Yeah, this looks interesting.

2474
02:09:07,760 --> 02:09:11,920
Speaker 3: Joe Rubin has seen it. Joe Rubin says yeah, Joe

2475
02:09:11,960 --> 02:09:17,399
Rubin says it's good, and Chris Poggioli also reviewed it.

2476
02:09:17,760 --> 02:09:21,680
Speaker 2: Yeah, above average exploitation that should have been and perhaps

2477
02:09:22,000 --> 02:09:23,119
was smattier.

2478
02:09:24,279 --> 02:09:27,439
Speaker 3: Maybe I kind of doubt it it was released as

2479
02:09:27,439 --> 02:09:30,159
an R rating. I don't think it was. It wasn't trying,

2480
02:09:30,239 --> 02:09:31,920
it wasn't supposed to be like a soft X movie.

2481
02:09:31,960 --> 02:09:35,079
I don't believe it was announced as an R rated project.

2482
02:09:35,399 --> 02:09:39,840
Speaker 2: So the promotion does not scream smuttier to me. It

2483
02:09:39,920 --> 02:09:40,960
screams no.

2484
02:09:41,720 --> 02:09:44,760
Speaker 3: It screams like a New World movie. It's is it

2485
02:09:44,840 --> 02:09:48,560
haring to be like student teachers or yeah, private nurses?

2486
02:09:48,600 --> 02:09:51,560
Speaker 2: That looks like yeah, the one sheet looks exactly like that.

2487
02:09:51,680 --> 02:09:54,760
Speaker 3: Yeah, right, which I need to frame my one sheet.

2488
02:09:54,800 --> 02:09:55,399
I love that.

2489
02:09:56,199 --> 02:09:59,520
Speaker 2: Yeah, all right, that's a good one. All right. That

2490
02:09:59,600 --> 02:10:02,279
was yournumber two. I'm on my number one. All right,

2491
02:10:02,359 --> 02:10:05,840
let's do our number ones here. This my number one

2492
02:10:05,920 --> 02:10:09,119
is a film that I actually purchased a print of

2493
02:10:09,479 --> 02:10:12,760
the Italian title is I'm not you know what, I'm

2494
02:10:12,760 --> 02:10:15,239
not even going to try to pronounce it because Eugenio

2495
02:10:15,319 --> 02:10:19,560
Orclanni is gonna yell at me for my bad Italian.

2496
02:10:20,880 --> 02:10:21,439
Speaker 3: Size, isn't it?

2497
02:10:21,520 --> 02:10:26,079
Speaker 2: Yes, Yes, that's oh that's pretty good. So it it

2498
02:10:26,239 --> 02:10:29,880
translates to the End of Innocence. But here's the issue

2499
02:10:29,880 --> 02:10:31,760
with this movie. Okay, So first of all, it's an

2500
02:10:31,760 --> 02:10:35,720
anti Bell movie. This was produced by Harry on On Towers. It's,

2501
02:10:36,000 --> 02:10:39,319
you know, another one of those euro pudding productions with

2502
02:10:39,359 --> 02:10:42,880
a million hands in the pie. But so yeah, in

2503
02:10:42,880 --> 02:10:45,840
that regard, it has a million titles, so it has

2504
02:10:45,880 --> 02:10:52,000
that original Italian title it. Harry actually wrote it under

2505
02:10:52,079 --> 02:10:55,439
the English Harry's a British person, a British person, He's

2506
02:10:55,479 --> 02:10:58,359
an Englishman, so he wrote it under the title the

2507
02:10:58,439 --> 02:11:01,600
End of Innocence. That is the title in his script.

2508
02:11:02,239 --> 02:11:04,600
So in my book, you know, I have this question

2509
02:11:04,720 --> 02:11:06,359
like how do I talk about, you know, what do

2510
02:11:06,479 --> 02:11:08,439
I call these movies? Do I want to call them

2511
02:11:08,439 --> 02:11:12,920
by their original title in their country of origin? Or

2512
02:11:12,960 --> 02:11:14,920
do I want to make this like as English friendly

2513
02:11:14,960 --> 02:11:18,279
as possible. So I'm making it as English friendly as possible,

2514
02:11:18,800 --> 02:11:22,279
despite this movie never actually being really released under the

2515
02:11:22,279 --> 02:11:24,680
title The End of Innocence. I'm calling it the End

2516
02:11:24,680 --> 02:11:26,760
of Innocence, so I'm going to call it Dan of Innocence.

2517
02:11:27,319 --> 02:11:30,600
But in America this was actually called Annie the True

2518
02:11:30,640 --> 02:11:35,000
Story of Annie Bell because this was the first movie

2519
02:11:35,039 --> 02:11:37,960
that they made together. It also went by the title

2520
02:11:38,079 --> 02:11:43,079
Blue Bell and b E lll E in England. So

2521
02:11:43,199 --> 02:11:45,880
why I picked this movie is because it's such a mess.

2522
02:11:45,960 --> 02:11:48,000
So I have a print of this, but it's the

2523
02:11:48,399 --> 02:11:52,640
it's the Italian print. It doesn't have any subtitles. It's

2524
02:11:52,680 --> 02:11:55,840
in Italian. This is the version that if you look

2525
02:11:55,920 --> 02:11:58,159
for this movie, if you want to watch it, there

2526
02:11:58,239 --> 02:12:01,600
is digital files floating and most likely you're going to

2527
02:12:01,640 --> 02:12:06,760
find this Italian version. The Italian version is different, it

2528
02:12:06,800 --> 02:12:11,319
has different edits in different music than the English version

2529
02:12:11,359 --> 02:12:14,239
I have seen under the title Bluebell. There's also a

2530
02:12:14,319 --> 02:12:19,560
German version which is called Annie Born to Love is

2531
02:12:19,680 --> 02:12:23,920
kind of the translation. That version's also a little different.

2532
02:12:24,079 --> 02:12:26,680
So there's just different versions that is floating all around.

2533
02:12:27,000 --> 02:12:33,000
I'd like to see someone put together a beautiful UHD

2534
02:12:33,119 --> 02:12:36,760
of this movie and include all these versions. Somehow. It

2535
02:12:36,800 --> 02:12:40,640
would take some work. I'm here for you if you

2536
02:12:40,680 --> 02:12:41,039
need me.

2537
02:12:42,479 --> 02:12:44,119
Speaker 3: Sarah, I'd like to live like this.

2538
02:12:45,199 --> 02:12:47,000
Speaker 1: It's just simple, That's right.

2539
02:12:49,399 --> 02:12:50,279
Speaker 2: Could I stay then?

2540
02:12:50,680 --> 02:12:54,279
Speaker 3: I'm afraid not. We are leaving soon.

2541
02:12:55,079 --> 02:12:56,800
Speaker 9: Where are you going to?

2542
02:12:57,039 --> 02:12:59,520
Speaker 3: Ingia? We leave tomorrow.

2543
02:13:00,079 --> 02:13:04,479
Speaker 1: Pick me with utah. No, Annie, you would only be

2544
02:13:04,600 --> 02:13:09,159
running away from yourself. You must discover yourself and live

2545
02:13:09,199 --> 02:13:10,640
your life the way you think.

2546
02:13:15,119 --> 02:13:19,159
Speaker 2: But yeah, so a little background. This is Annie's very

2547
02:13:19,199 --> 02:13:24,079
first movie as Annie Bell under that name, which was

2548
02:13:24,199 --> 02:13:26,800
kind of a title that Harry Allan Towers gave her

2549
02:13:27,159 --> 02:13:29,920
when he was sort of launching her as this new star.

2550
02:13:31,119 --> 02:13:34,720
It's like I mentioned, you know, it's another Emmanuel clone,

2551
02:13:34,760 --> 02:13:38,239
as I said before, but it's shot in Hong Kong

2552
02:13:38,439 --> 02:13:43,600
by Massimo Dolomano, you know, a big name in Italian cinema,

2553
02:13:44,359 --> 02:13:48,640
you know, cinematographer to Sergio Leone. This, Uh, it's a

2554
02:13:48,800 --> 02:13:50,920
it's a big it's a big film, you know. I

2555
02:13:50,960 --> 02:13:54,000
was just looking at the Severn just announced the absurd

2556
02:13:54,119 --> 02:13:57,479
UHD that you know I mentioned before, And there's a

2557
02:13:57,520 --> 02:14:01,560
comment on Facebook underneath their announcement. Hey you know what

2558
02:14:01,680 --> 02:14:02,720
movie I'd love to see?

2559
02:14:03,359 --> 02:14:03,520
Speaker 1: Uh?

2560
02:14:03,600 --> 02:14:06,439
Speaker 2: The End of Innocence. It also features Annie Bell.

2561
02:14:07,239 --> 02:14:07,319
Speaker 1: So.

2562
02:14:08,880 --> 02:14:18,840
Speaker 3: RAST wasn't sure account I'm not buying it. I do

2563
02:14:18,920 --> 02:14:20,760
want to see it. They came out on DVD in Japan.

2564
02:14:20,840 --> 02:14:25,800
I remember years ago when pre pre Diobolique DVD, there

2565
02:14:25,840 --> 02:14:29,039
was a place called Exploited Cinema which Tony Simonelli ran,

2566
02:14:29,199 --> 02:14:32,319
which was the go to place for imports, and he remember,

2567
02:14:32,359 --> 02:14:34,439
I remember, he sold copies of it and I never

2568
02:14:34,439 --> 02:14:36,520
bought it because it was Italian only and if it

2569
02:14:36,600 --> 02:14:38,119
and I knew if it was Japanese, if there was

2570
02:14:38,119 --> 02:14:39,960
gonna be full frontal unity, it was gonna be blurred,

2571
02:14:40,439 --> 02:14:43,039
so I I never got it. But it was supposed

2572
02:14:43,039 --> 02:14:43,640
to be gorgeous.

2573
02:14:44,000 --> 02:14:48,279
Speaker 2: So yeah, there is lots of full frontal nudity, very

2574
02:14:48,359 --> 02:14:51,079
tasteful and yeah this is yeah, this is a Massimo

2575
02:14:51,119 --> 02:14:55,279
Dolomno movie. This isn't super sleazy or anything, but yeah,

2576
02:14:55,319 --> 02:14:59,239
it also features Felicity Devonshire, who was a big pin

2577
02:14:59,359 --> 02:15:04,239
up model and UK. She did British exploitation and stuff

2578
02:15:04,279 --> 02:15:06,640
like that. But yeah, it sounds like there might be

2579
02:15:07,520 --> 02:15:09,399
I can't remember actually if this one was the rights

2580
02:15:09,399 --> 02:15:14,039
issue or an elements issue. Yeah, I'm looking back at

2581
02:15:14,039 --> 02:15:16,319
my emails. Yeah, it's a rights issue with this.

2582
02:15:16,439 --> 02:15:18,840
Speaker 3: I think it was the same as Laura which was like,

2583
02:15:18,920 --> 02:15:19,720
who knows.

2584
02:15:19,800 --> 02:15:23,079
Speaker 2: Obviously, this is like very important to me as a

2585
02:15:23,119 --> 02:15:26,680
film that I'd like to see released. You know, I

2586
02:15:26,720 --> 02:15:30,279
just wonder if that time has passed. Severn did these

2587
02:15:30,640 --> 02:15:32,800
They did these already back in the day. They put

2588
02:15:32,840 --> 02:15:35,239
that this kind of like mini box set out with

2589
02:15:35,319 --> 02:15:41,319
Felicity and Laura and Vanessa, right Vanessa, Yes, the three

2590
02:15:41,680 --> 02:15:47,560
single female movies. So I just wonder, Yeah, if these

2591
02:15:47,680 --> 02:15:50,880
these companies just don't want to put out vertica anymore.

2592
02:15:51,079 --> 02:15:53,600
Speaker 3: They're so, I mean, he's They're still putting out erotica.

2593
02:15:53,800 --> 02:15:56,159
They just put out the Emmanual collection last year on

2594
02:15:56,279 --> 02:16:00,840
four K. What are you talking about? What are you

2595
02:16:00,920 --> 02:16:03,720
talking about? They're still selling They have a pin with

2596
02:16:03,760 --> 02:16:07,439
Annie Bell nude for Absurd instead of having her with

2597
02:16:07,479 --> 02:16:10,920
the with the face from the Oven and Absurd. Yeah,

2598
02:16:10,960 --> 02:16:16,319
thank you, So this pin Laura jemser La. So let'spproach.

2599
02:16:16,439 --> 02:16:18,680
Speaker 4: Let's approach the reality of this though, since this is

2600
02:16:18,720 --> 02:16:21,039
something I can talk about, is we are in a

2601
02:16:21,119 --> 02:16:24,680
situation where they are not they are not marketing sexploitation

2602
02:16:25,039 --> 02:16:27,800
in most of these films, and the reality is that

2603
02:16:28,000 --> 02:16:30,000
we are in a period of home video where that

2604
02:16:30,079 --> 02:16:33,040
doesn't sell. It's not something that that is what people

2605
02:16:33,079 --> 02:16:36,040
are running to purchase. And that's why again not to

2606
02:16:36,239 --> 02:16:38,159
kiss Ass. That's why this show, I think is so

2607
02:16:38,200 --> 02:16:43,159
important because it's actually bringing up the importance of this genre,

2608
02:16:43,280 --> 02:16:46,159
this era, the the things that we're about to lose

2609
02:16:46,200 --> 02:16:48,440
because we are not focusing on the right aspects of this.

2610
02:16:48,799 --> 02:16:50,920
And so the only way that we got an Anti

2611
02:16:50,959 --> 02:16:53,920
Bell pin is because it's a pure exploitation film and

2612
02:16:53,959 --> 02:16:56,520
it's not even her in that movie. Like that's why

2613
02:16:56,559 --> 02:17:00,959
this is so sort of weird in this industry because yes,

2614
02:17:01,000 --> 02:17:03,120
we do have to like, these companies have to profit.

2615
02:17:03,200 --> 02:17:05,040
If they can't profit, it's not going to be able

2616
02:17:05,040 --> 02:17:08,079
to keep working. And so yeah, Anti Bell is beloved

2617
02:17:08,079 --> 02:17:11,079
by some people, Uh not enough and not enough have

2618
02:17:11,120 --> 02:17:13,920
been educated about that. But we're at a position where

2619
02:17:13,920 --> 02:17:15,840
if they want to sell these box sets or just

2620
02:17:15,879 --> 02:17:18,920
these individual visual titles, they have to they gotta put

2621
02:17:18,920 --> 02:17:21,360
out the horror because the horror sells, and that or

2622
02:17:21,399 --> 02:17:23,200
we got to find a way to come full circle

2623
02:17:23,239 --> 02:17:25,440
and not have our consumers be prude.

2624
02:17:25,600 --> 02:17:28,040
Speaker 3: So right, well called Epics is still putting out tentto

2625
02:17:28,159 --> 02:17:34,440
Brass on four K, right, I mean, well, there's as well,

2626
02:17:34,440 --> 02:17:38,079
they're they're not running out. I mean there they on

2627
02:17:38,159 --> 02:17:41,639
DVD on Blu Ray, but they're upgrading and they might

2628
02:17:41,719 --> 02:17:43,200
be the key.

2629
02:17:43,000 --> 02:17:45,440
Speaker 4: They may stop choosing to do that if they continue

2630
02:17:45,440 --> 02:17:47,680
selling at a rate that the first If they if

2631
02:17:47,680 --> 02:17:50,360
they keep selling like the last two did, which is

2632
02:17:50,360 --> 02:17:52,719
a lot less than the first two did, it might

2633
02:17:52,760 --> 02:17:53,360
be a problem.

2634
02:17:54,000 --> 02:17:54,559
Speaker 3: It's too bad.

2635
02:17:54,639 --> 02:17:57,040
Speaker 2: Yeah, well, the thing, yeah, I mean, we could go

2636
02:17:57,079 --> 02:17:59,559
on a branch about tinto Brass, like the tentto Brass

2637
02:17:59,559 --> 02:18:02,600
I don't think is really it's never really broken into

2638
02:18:02,760 --> 02:18:06,440
America and markets. I feel like, yeah, they're just very

2639
02:18:07,479 --> 02:18:11,719
he's very Italian. Yeah, on that topic too. Yeah, the

2640
02:18:12,319 --> 02:18:15,760
eighty eight films, you know, heard through the grape vine

2641
02:18:15,799 --> 02:18:19,639
as well that some of their sexier titles didn't do

2642
02:18:19,840 --> 02:18:22,879
super well, so you know whatever, oh.

2643
02:18:22,799 --> 02:18:25,600
Speaker 3: Like eleven Days, eleven nights, that kind of thing. Yeah, Yeah,

2644
02:18:25,719 --> 02:18:27,520
that was a four K, which I was shocked by.

2645
02:18:27,680 --> 02:18:30,639
I don't four K. Four k's a bridge too far

2646
02:18:30,680 --> 02:18:33,760
for certain titles. It's just an astra added expense, you really,

2647
02:18:33,760 --> 02:18:36,879
it's Yeah, I would personally be a little more cheesy

2648
02:18:36,920 --> 02:18:38,360
with the four k's, but that's.

2649
02:18:38,239 --> 02:18:41,239
Speaker 2: Just yeah, Ryan, what's your opinion on four K like,

2650
02:18:41,319 --> 02:18:43,840
when do you think it's worth putting something out on

2651
02:18:43,920 --> 02:18:44,319
four K?

2652
02:18:44,559 --> 02:18:46,360
Speaker 4: This is one of the hardest questions to answer. And

2653
02:18:46,399 --> 02:18:49,799
the reality is, because you know elements wise, it's got

2654
02:18:49,840 --> 02:18:52,319
to be a good enough element to get more of

2655
02:18:52,360 --> 02:18:54,040
the grain and more of the pixels out of it,

2656
02:18:54,079 --> 02:18:58,120
make make the increase in quality makes sense. I'm not

2657
02:18:58,159 --> 02:19:00,200
a fan of these things that were finished in two

2658
02:19:00,280 --> 02:19:03,280
K or below getting four K upgrades. And everybody's saying, ooh,

2659
02:19:03,280 --> 02:19:08,280
but the colors, Like, while I understand they when they

2660
02:19:08,319 --> 02:19:10,719
made that movie, it was not meant to be mind

2661
02:19:10,799 --> 02:19:13,879
blowingly bright when it's the yellow scenes and such, So

2662
02:19:14,239 --> 02:19:16,159
I don't know that we need to put Dolby vision

2663
02:19:16,319 --> 02:19:19,639
on a two K finished film. On the other hand, like,

2664
02:19:20,280 --> 02:19:22,760
there's a lot of these movies that are not selling

2665
02:19:23,000 --> 02:19:24,920
on Blu Ray when they get announced. And the hard

2666
02:19:25,000 --> 02:19:28,280
part is so many consumers right now are literally I'll

2667
02:19:28,319 --> 02:19:30,440
just wait for a four K and no matter how

2668
02:19:30,479 --> 02:19:32,639
many times you bang them over the head and say listen,

2669
02:19:33,159 --> 02:19:35,360
it's never going to get four K, they just say, oh, well,

2670
02:19:35,399 --> 02:19:37,520
then I don't need it, and that sort of thing.

2671
02:19:37,680 --> 02:19:39,680
It's literally going to kill this industry.

2672
02:19:39,920 --> 02:19:43,120
Speaker 2: So you're fighting people that are waiting for a four K,

2673
02:19:43,840 --> 02:19:47,600
and also people that maybe can't afford four ks. Is

2674
02:19:47,639 --> 02:19:48,920
that what I'm hearing.

2675
02:19:48,840 --> 02:19:51,639
Speaker 3: In quality is that much of an upgrade that they'll

2676
02:19:51,680 --> 02:19:52,479
just buy the Blu Ray.

2677
02:19:52,799 --> 02:19:55,959
Speaker 4: That's another option. I mean that does happen, yes, But

2678
02:19:56,000 --> 02:19:57,479
the reality is there are a lot of these people,

2679
02:19:57,520 --> 02:19:59,719
first off, that are loud and they're saying things in

2680
02:19:59,760 --> 02:20:03,120
the comments that are turning other people off, not even themselves,

2681
02:20:03,200 --> 02:20:05,239
or making a choice that they were never going to

2682
02:20:05,280 --> 02:20:06,760
make to begin with, but they are going to say

2683
02:20:06,760 --> 02:20:08,799
something and now somebody else will say, oh wait, there

2684
02:20:08,879 --> 02:20:10,399
might be a four K coming. Now I won't pre

2685
02:20:10,520 --> 02:20:14,079
order this, and that is going to tank this. And

2686
02:20:14,120 --> 02:20:16,200
if you say that about enough titles, and even if

2687
02:20:16,200 --> 02:20:18,600
you're not influencing other people, but if you're genuinely not

2688
02:20:18,680 --> 02:20:20,680
purchasing titles because you think it's going to come to

2689
02:20:20,719 --> 02:20:23,600
four K, most movies will never ever be on four

2690
02:20:23,639 --> 02:20:27,159
k UHD. And you have to understand that it is

2691
02:20:27,319 --> 02:20:31,159
an industry that is literally I mean, we've talked about

2692
02:20:31,159 --> 02:20:33,040
it for decades and I Lamento on my show about

2693
02:20:33,040 --> 02:20:35,680
it all the time. We've been told since two thousand

2694
02:20:35,680 --> 02:20:39,000
and five that physical media is dying. Literally today I

2695
02:20:39,079 --> 02:20:43,319
posted an announcement about a five disc four K exclusive

2696
02:20:43,360 --> 02:20:48,159
worldwide restoration of Sallo, one of the most banned censored

2697
02:20:48,200 --> 02:20:50,840
films of all time, being released in Germany in a

2698
02:20:50,920 --> 02:20:54,440
luscious box that the restoration looks incredible. We are in

2699
02:20:54,520 --> 02:20:59,159
a golden age of releases, but also in a very

2700
02:20:59,280 --> 02:21:01,239
like teetering on the edge of a cliff where if

2701
02:21:01,559 --> 02:21:04,520
one release doesn't do well, some of these companies will

2702
02:21:04,559 --> 02:21:09,360
go bankrupt, like very quickly, and that is terrifying to

2703
02:21:09,479 --> 02:21:11,920
literally be living and dying based on the swing of

2704
02:21:11,920 --> 02:21:15,399
the economy, to be living and dying based on one

2705
02:21:15,440 --> 02:21:20,200
bad review could literally tank a release. Yes, it's awful.

2706
02:21:20,520 --> 02:21:23,159
It's so volatile that no matter what you choose, and

2707
02:21:23,479 --> 02:21:24,879
I mean, I'm going to be flat out you know,

2708
02:21:24,920 --> 02:21:27,639
when Antenna's starting to release physical media later this year,

2709
02:21:28,200 --> 02:21:32,000
I have literally almost two full years of releases planned.

2710
02:21:32,280 --> 02:21:35,520
Out of that entire two year schedule, one title is

2711
02:21:35,559 --> 02:21:38,600
currently maybe going to be UHD that is it.

2712
02:21:39,239 --> 02:21:43,360
Speaker 2: I almost feel like maybe it's advantageous just to not

2713
02:21:43,440 --> 02:21:46,000
even be a four K li like like say, that's

2714
02:21:46,079 --> 02:21:48,479
not even on our plate, like everything is blu ray,

2715
02:21:48,639 --> 02:21:51,200
because then you won't have those people saying well, I'm not.

2716
02:21:51,319 --> 02:21:53,079
I don't don't don't know if I'm gonna buy this

2717
02:21:53,120 --> 02:21:54,840
because it might be coming on four K in a

2718
02:21:54,840 --> 02:21:57,920
couple of years. Like it's not we're not doing four

2719
02:21:58,000 --> 02:22:00,639
k's and that's you kind of.

2720
02:22:00,600 --> 02:22:02,200
Speaker 3: Have to be that way. Yeah, you have to be

2721
02:22:02,239 --> 02:22:04,040
forthcoming or announced at the same time.

2722
02:22:04,520 --> 02:22:07,239
Speaker 4: Yeah, I'm the one title that I'm considering four K

2723
02:22:07,399 --> 02:22:10,680
on is a not modern like in the last three years,

2724
02:22:10,680 --> 02:22:13,040
but it's a fairly contemporary title that was shot on

2725
02:22:13,120 --> 02:22:15,920
film and that was one of the main selling points

2726
02:22:15,920 --> 02:22:18,559
when they originally marketed the film. And if we don't

2727
02:22:18,600 --> 02:22:20,639
do that on four K, I'm going to get shot

2728
02:22:20,719 --> 02:22:23,639
in every single comment section and people are going to

2729
02:22:23,719 --> 02:22:25,520
take me out on the hill and beat me with

2730
02:22:25,559 --> 02:22:30,399
a stick and nothing about that exactly. And the amount

2731
02:22:30,440 --> 02:22:32,799
of times I have to answer that question on disconnected

2732
02:22:32,840 --> 02:22:37,680
posts every single day is so tiring. It is ridiculous.

2733
02:22:37,920 --> 02:22:40,399
Speaker 2: I know we hate AI, but maybe we could create

2734
02:22:40,440 --> 02:22:42,920
an AI bot to answer those questions for you.

2735
02:22:42,959 --> 02:22:48,120
Speaker 4: No, I prefer drinking water, but that's.

2736
02:22:48,000 --> 02:22:50,319
Speaker 2: Okay, Yeah, let me do it.

2737
02:22:50,399 --> 02:22:52,879
Speaker 3: No, I would tank your reputation because I would be

2738
02:22:52,959 --> 02:22:57,040
already way my comments where I replies back, but.

2739
02:22:58,280 --> 02:22:59,959
Speaker 4: Why no four K? Why no brain cells?

2740
02:23:01,840 --> 02:23:04,840
Speaker 3: Well that kind of reminds me of like I was

2741
02:23:04,879 --> 02:23:08,040
shocked that I f C Films put out Tornado through

2742
02:23:08,159 --> 02:23:11,520
their partner label with OCN. But then I was like, well,

2743
02:23:11,520 --> 02:23:14,239
it was shot on film. So that's a marketing thing

2744
02:23:14,239 --> 02:23:15,959
where it's like, well it's shot on film, it's going

2745
02:23:16,000 --> 02:23:18,559
to look gorgeous on four K video. If something's not

2746
02:23:18,639 --> 02:23:19,719
digitally and I don't.

2747
02:23:19,520 --> 02:23:22,000
Speaker 4: Know, it's different and even worse, a Tornado was already

2748
02:23:22,040 --> 02:23:25,200
released on four K in the UK, and so if

2749
02:23:25,239 --> 02:23:28,319
they only released on Blu Ray here, people would pay them.

2750
02:23:28,399 --> 02:23:32,399
Yeah literally, yes, that is very true.

2751
02:23:32,639 --> 02:23:34,760
Speaker 3: Yes, Look something's on four K somewhere else and it

2752
02:23:34,760 --> 02:23:36,600
comes out Blu Ray only here. It's just like, well

2753
02:23:37,120 --> 02:23:40,760
I will just get the import. Yeah yeah, I don't know.

2754
02:23:40,920 --> 02:23:43,239
Speaker 2: I don't know how other people's mindsets work, but for me,

2755
02:23:43,280 --> 02:23:45,639
it's just like, look, if I'm do I want American

2756
02:23:45,719 --> 02:23:46,760
jiggle on four K?

2757
02:23:47,040 --> 02:23:47,280
Speaker 4: Yes?

2758
02:23:47,760 --> 02:23:50,719
Speaker 2: Do I want ilsa Harem Keeper of the oil Sheets

2759
02:23:50,760 --> 02:23:52,799
on four K? I don't need that on four K?

2760
02:23:53,239 --> 02:23:55,000
Speaker 4: Yes I do, I do?

2761
02:23:55,399 --> 02:23:59,840
Speaker 2: Okay, Yes, that's that's Blu Ray.

2762
02:24:01,159 --> 02:24:03,719
Speaker 3: Listen. My thing is this, if it's a movie that

2763
02:24:03,799 --> 02:24:07,559
I want. I am buying it on the best version available.

2764
02:24:07,639 --> 02:24:11,360
If it's Bluery only great, if it's four K, great.

2765
02:24:11,920 --> 02:24:14,040
I just want to have the best looking version of

2766
02:24:14,120 --> 02:24:16,719
the movie. Yeah, because it's important to build my library

2767
02:24:16,760 --> 02:24:19,239
of movies that I like. So if it's going to

2768
02:24:19,280 --> 02:24:21,280
be and that Severn is actually very smart and that

2769
02:24:21,280 --> 02:24:24,639
they're doing this UHD upgrade thing on their sales, so

2770
02:24:24,680 --> 02:24:26,840
it is stuff that's been on Blu Ray before. But

2771
02:24:26,879 --> 02:24:31,280
they're also I'm sure people complain about this. I personally don't.

2772
02:24:31,920 --> 02:24:33,399
That they're putting out a lot of stuff that they

2773
02:24:33,440 --> 02:24:36,520
put soundtrack CDs on of the of the Blu rays,

2774
02:24:36,520 --> 02:24:39,159
and now the four K upgrades don't have the soundtrack CD,

2775
02:24:39,639 --> 02:24:42,079
so now you have to hold Now you have to

2776
02:24:42,120 --> 02:24:44,840
hold on to those Blu rays. And I'm like, y'all

2777
02:24:44,879 --> 02:24:49,719
new here, you're a cult. You own multiple editions of movies.

2778
02:24:49,799 --> 02:24:53,000
That is just the way it is. So like, yeah,

2779
02:24:53,040 --> 02:24:55,440
that does not bother me. But I think they're smart

2780
02:24:55,440 --> 02:24:57,479
and that they're marketing and it's like this is a

2781
02:24:57,639 --> 02:25:00,000
UHD upgrade and it's a special day that we're announce

2782
02:25:00,040 --> 02:25:01,959
sing it and that's kind of what you have to

2783
02:25:01,959 --> 02:25:04,760
do because I think that way they're leaning into it, like, yeah,

2784
02:25:04,760 --> 02:25:06,399
this is coming out on four K, but like now

2785
02:25:06,440 --> 02:25:08,399
it's an upgrade, so like if you want to upgrade,

2786
02:25:08,399 --> 02:25:09,120
you can upgrade.

2787
02:25:09,280 --> 02:25:11,760
Speaker 2: But yeah, just just pull the CD, you know, just

2788
02:25:11,840 --> 02:25:14,520
pull the soundtrack CD out of your Blu ray case,

2789
02:25:15,200 --> 02:25:17,319
put that in a separate area of your house in

2790
02:25:17,399 --> 02:25:20,639
another case. Go and sell the Blue ray, Sell the

2791
02:25:20,639 --> 02:25:23,639
Blu Ray at a thrift store, get five bucks, and

2792
02:25:23,680 --> 02:25:25,920
then upgrade to the UHD. That's what you do.

2793
02:25:26,079 --> 02:25:28,799
Speaker 3: No, because of wait a minute, no, then you need

2794
02:25:28,840 --> 02:25:30,799
a separate case because then it's going to have an

2795
02:25:30,840 --> 02:25:32,920
extra space with no disc in it. And if you

2796
02:25:33,000 --> 02:25:35,719
sell it at the thrift store, gentry, are you a

2797
02:25:35,760 --> 02:25:39,559
physical media are you a physical media collector? That does

2798
02:25:39,600 --> 02:25:42,520
not work? And also keeping your your CDs are supposed

2799
02:25:42,520 --> 02:25:45,280
to be in jewel cases. There's no jewel case for this,

2800
02:25:45,520 --> 02:25:48,239
so you can't just put it somewhere and you don't

2801
02:25:48,239 --> 02:25:49,040
have extra.

2802
02:25:49,479 --> 02:25:51,360
Speaker 2: You put it in a CD binder.

2803
02:25:53,200 --> 02:25:53,600
Speaker 4: Anymore?

2804
02:25:53,799 --> 02:25:58,360
Speaker 3: No, No, no, I do with r duel case with

2805
02:25:58,479 --> 02:26:03,479
artwork and trackless saying and all of that. Yeah, that

2806
02:26:03,600 --> 02:26:07,200
is what you do. You guys, This is very upsetting.

2807
02:26:08,120 --> 02:26:11,079
This is crazy, This is crazy. No, you don't do that.

2808
02:26:11,239 --> 02:26:11,799
You don't do that.

2809
02:26:12,040 --> 02:26:12,239
Speaker 4: Now.

2810
02:26:12,319 --> 02:26:15,239
Speaker 3: The only blastmost thing I've ever done is I have

2811
02:26:15,760 --> 02:26:18,159
when there were Blu Ray dv Blue Ray DVD combos

2812
02:26:18,200 --> 02:26:20,719
of stuff, I tossed the DVDs. Those are gone and

2813
02:26:20,760 --> 02:26:23,000
then I rehouse those and just Blu Ray only.

2814
02:26:23,639 --> 02:26:23,719
Speaker 2: Uh.

2815
02:26:24,440 --> 02:26:27,120
Speaker 3: Yeah, That's the only thing I've done. But other than that, no,

2816
02:26:27,200 --> 02:26:30,680
I would never separate those CDs. I would rather just

2817
02:26:30,719 --> 02:26:33,680
buy the CD itself from like and you know, from

2818
02:26:33,760 --> 02:26:36,680
Beat Records or whatever like Bag in your Horror it's

2819
02:26:36,760 --> 02:26:39,479
a good example of that. I'll be on the darkness.

2820
02:26:39,600 --> 02:26:41,840
Speaker 2: But like, okay, I'm talking about the Absurd, you know,

2821
02:26:41,879 --> 02:26:44,200
the Absurd from Severn that has a scene.

2822
02:26:44,280 --> 02:26:47,200
Speaker 3: I'm okay without that soundtrack. That soundtrack is mostly stolen

2823
02:26:47,200 --> 02:26:48,639
from the movies, is it not?

2824
02:26:48,760 --> 02:26:50,879
Speaker 4: Or you just rip the Blu Ray version before you

2825
02:26:50,879 --> 02:26:52,079
you house it somewhere else.

2826
02:26:52,479 --> 02:26:58,639
Speaker 3: That's true to well, Blue Underground. Same thing. I have

2827
02:26:58,719 --> 02:27:02,000
to hold on to these friggin Blue and Justine because

2828
02:27:02,120 --> 02:27:05,959
the soundtracks are there. But I'm gonna get the four k's,

2829
02:27:06,520 --> 02:27:07,040
so I have.

2830
02:27:07,040 --> 02:27:08,000
Speaker 2: To I have to have both.

2831
02:27:08,239 --> 02:27:11,360
Speaker 3: They're not gonna have don't have the soundtracks, Yeah, no,

2832
02:27:11,399 --> 02:27:14,479
they don't. They four k's don't have the soundtrack? Do

2833
02:27:14,520 --> 02:27:16,559
you do you not? Do you not? Live by DVD?

2834
02:27:16,600 --> 02:27:21,840
Compare dot net? I do not spread a beginning of

2835
02:27:21,879 --> 02:27:24,760
the episode that I have a a Google doc where

2836
02:27:24,799 --> 02:27:29,399
I compare releases, for example, all the all the all

2837
02:27:29,479 --> 02:27:34,440
the Golden Princess stuff arrow only not shout, I compare.

2838
02:27:34,479 --> 02:27:37,719
I'm comparing, you know, So, yeah, I have to compare

2839
02:27:37,760 --> 02:27:40,799
and contrast, Like, for example, come back to the five

2840
02:27:40,840 --> 02:27:42,760
and nine Jimmy Dean, and Jimmy Dean has the extra

2841
02:27:42,840 --> 02:27:45,520
from the Eureka Blu Ray, So that goes off my

2842
02:27:45,600 --> 02:27:50,079
Eureka list of stuff to buy on another spreadsheet because

2843
02:27:50,120 --> 02:27:51,760
I don't need that Blue Ray now because it's on

2844
02:27:53,079 --> 02:27:58,200
this I am a buddy, I am. I am compulsive

2845
02:27:58,239 --> 02:28:00,239
about this stuff. Yeah. I need to know the best,

2846
02:28:00,280 --> 02:28:02,440
what the best version is, and m I need multiple versions.

2847
02:28:02,520 --> 02:28:04,200
Speaker 4: So I think I'm that.

2848
02:28:04,360 --> 02:28:07,200
Speaker 2: I think I'm fairly anal about some of that stuff.

2849
02:28:07,239 --> 02:28:08,200
Speaker 3: But I'm worse.

2850
02:28:08,280 --> 02:28:09,719
Speaker 2: You're definitely another level.

2851
02:28:09,879 --> 02:28:12,399
Speaker 3: Yeah, I'm way worse. Oh, I just found out something.

2852
02:28:12,600 --> 02:28:15,479
Oh the Blood rose Monta Micawber just put out the

2853
02:28:15,600 --> 02:28:20,280
Lushaki Foon. Blue four K has a three minute thing

2854
02:28:20,440 --> 02:28:24,079
of behind the scenes footage from the shoot. I don't care.

2855
02:28:24,239 --> 02:28:26,719
It's not on that release. So I need the Shaky

2856
02:28:26,760 --> 02:28:30,079
Film release because I need the behind the scenes footage

2857
02:28:30,120 --> 02:28:32,440
from the shoot of the film. Why was that not

2858
02:28:32,479 --> 02:28:35,440
on there? So yeah, I'm gonna have to now import

2859
02:28:35,479 --> 02:28:38,360
that because I need footage from when the movie was shot.

2860
02:28:38,680 --> 02:28:39,040
Speaker 2: Do you know.

2861
02:28:41,239 --> 02:28:43,920
Speaker 3: A three minute thing? I will pay an import fee.

2862
02:28:44,079 --> 02:28:50,280
Yeah that's sound insane, I am yeah, yeah, anyway, yes,

2863
02:28:50,479 --> 02:28:52,440
so sorry, major.

2864
02:28:53,000 --> 02:28:55,879
Speaker 2: Work Ryan number one.

2865
02:28:56,319 --> 02:28:59,040
Speaker 4: All Right, So this is this is gonna sound like

2866
02:28:59,079 --> 02:29:03,159
an Edgelord pick, but the reality is I would see

2867
02:29:03,360 --> 02:29:07,319
this happening as more of a bastion of an end

2868
02:29:07,399 --> 02:29:09,959
to censorship in a few different ways. So obviously, you know,

2869
02:29:10,040 --> 02:29:13,639
I just brought up Sallow for another thing, and that

2870
02:29:13,680 --> 02:29:15,719
has been literally one of the most band titles of

2871
02:29:15,760 --> 02:29:18,399
all time. Germany has been fighting for years to be

2872
02:29:18,399 --> 02:29:20,440
able to get that off the list, and it was

2873
02:29:20,559 --> 02:29:23,520
done semi recently, and now they have literally the best

2874
02:29:23,559 --> 02:29:28,840
release that that film will likely ever get. In the

2875
02:29:28,879 --> 02:29:31,280
only most tangential of ways that you could look at

2876
02:29:31,319 --> 02:29:34,879
this as a sexploitation film, In the reality, it's mostly

2877
02:29:35,120 --> 02:29:37,680
like the most fucked up kid film ever or fucked

2878
02:29:37,719 --> 02:29:40,280
up teen film. If we ever see a release of

2879
02:29:40,360 --> 02:29:42,920
Ken Park, I feel like it is the end of things.

2880
02:29:43,159 --> 02:29:47,479
And with Larry Clark being who he is and with

2881
02:29:47,559 --> 02:29:51,000
everything that has been reappraised over the last couple of years,

2882
02:29:51,000 --> 02:29:56,280
with Gummo and Harmony, Krinn being Harmony and everything from

2883
02:29:56,280 --> 02:30:00,280
that era being just weird, and everybody kind of coming

2884
02:30:00,280 --> 02:30:03,600
to terms with like, listen, kids are just little adults,

2885
02:30:03,639 --> 02:30:06,159
and a lot of that is just kind of fucking

2886
02:30:07,159 --> 02:30:10,559
and playing around, and a lot of that means a

2887
02:30:10,559 --> 02:30:12,639
lot of these fucked up teen movies are kind of

2888
02:30:12,639 --> 02:30:14,799
fucked up, and this is one of them. And it's

2889
02:30:14,840 --> 02:30:17,639
one that you know, if you've been in this industry

2890
02:30:17,639 --> 02:30:20,520
long enough, most people have a few shitty bootlegs of

2891
02:30:20,559 --> 02:30:23,159
this that they've owned or have watched, or have told

2892
02:30:23,200 --> 02:30:25,520
somebody where to purchase one or what have you. It's

2893
02:30:25,559 --> 02:30:30,159
on the old you know, Iceberg of horrific films or

2894
02:30:30,159 --> 02:30:32,680
whatever the people call it. But at the same time,

2895
02:30:33,079 --> 02:30:37,559
it's also just a movie, Like there's so much worse

2896
02:30:37,600 --> 02:30:39,159
depending on the kind of person that you are, that

2897
02:30:39,200 --> 02:30:42,360
you've seen in other films, and this really only based

2898
02:30:42,399 --> 02:30:46,719
on the subject of this is sexploitation adjacent, but God,

2899
02:30:46,760 --> 02:30:50,799
this movie's wild. I still can't believe we have actual

2900
02:30:50,840 --> 02:30:54,360
releases of kids finally, but now that we have approached

2901
02:30:54,399 --> 02:30:57,600
all those other you know, crossed lines, Ken Park is

2902
02:30:57,680 --> 02:31:00,559
kind of the one remaining. And even if you don't

2903
02:31:00,639 --> 02:31:04,040
view this as exploitation, which makes the perfect sense situation here,

2904
02:31:04,639 --> 02:31:07,159
I'm so anti censorship that I would feel that that

2905
02:31:07,239 --> 02:31:10,079
could be like one of the biggest wins of all time,

2906
02:31:10,520 --> 02:31:13,000
not just for this industry, but for the idea of

2907
02:31:13,040 --> 02:31:15,399
being anti art and in a world where we're fighting

2908
02:31:15,440 --> 02:31:19,360
AI literally every waking moment of our life. Please, that

2909
02:31:19,399 --> 02:31:21,959
would be like the biggest middle finger.

2910
02:31:27,840 --> 02:31:32,159
Speaker 5: Whish Claude Peaches Mike tape and that's me and the end.

2911
02:31:33,879 --> 02:31:36,239
Speaker 3: We all live in a little Tanan, California called by Celia.

2912
02:31:55,440 --> 02:31:58,959
Speaker 5: I don't know why your mother married man, why I

2913
02:31:58,959 --> 02:32:05,440
got muscles? Look at pants, didn't even walk around in

2914
02:32:05,479 --> 02:32:06,000
those things?

2915
02:32:06,520 --> 02:32:10,239
Speaker 3: Look at you like that might feel sick? Who ows that?

2916
02:32:10,680 --> 02:32:11,159
Do we know?

2917
02:32:12,079 --> 02:32:13,959
Speaker 4: I don't. I mean, I don't think it's a studio

2918
02:32:14,040 --> 02:32:17,280
or anything. I literally think it's just people being It's

2919
02:32:17,319 --> 02:32:20,200
just people being terrified of the film. Yeah, And as

2920
02:32:20,200 --> 02:32:22,040
far as I know, like it's still banned in Australia.

2921
02:32:22,079 --> 02:32:24,079
You can't even import it if you had, if you've

2922
02:32:24,079 --> 02:32:26,639
got to any sort of release of that, you can't

2923
02:32:26,680 --> 02:32:27,200
import it.

2924
02:32:28,000 --> 02:32:31,840
Speaker 3: Interesting when you said ads, yeah, go ahead, Gentry so well,

2925
02:32:31,840 --> 02:32:33,479
I was just gonna say so as like, you know,

2926
02:32:33,600 --> 02:32:36,879
someone that grew up in the nineties with you know,

2927
02:32:37,079 --> 02:32:41,000
gumbo harmony was it's just weird how people look at

2928
02:32:41,040 --> 02:32:42,280
them nowadays, because we don't.

2929
02:32:42,719 --> 02:32:44,799
Speaker 2: We didn't really look at them like that. We just

2930
02:32:44,840 --> 02:32:47,360
saw them as like crazy teen movies.

2931
02:32:47,040 --> 02:32:49,639
Speaker 4: Like it was. It was like Life plus one. It

2932
02:32:49,680 --> 02:32:52,879
wasn't that crazy. So much of this was just like

2933
02:32:53,399 --> 02:32:56,879
fairly elevated from reality for so many people. Yes, and honestly,

2934
02:32:56,920 --> 02:32:58,920
I think the way that people in this industry look

2935
02:32:59,040 --> 02:33:01,959
down on those films was just from such a privileged

2936
02:33:02,000 --> 02:33:05,000
place because they've never been marginalized. They've never been in

2937
02:33:05,040 --> 02:33:07,799
a situation where they've had to leave their kids at

2938
02:33:07,799 --> 02:33:10,799
home while they worked for a full shift or something like.

2939
02:33:10,840 --> 02:33:12,719
So many of these things were just a part of

2940
02:33:12,760 --> 02:33:14,760
everyday in normal life for people living in New York

2941
02:33:14,760 --> 02:33:17,920
City or suburbs or got small towns in the middle

2942
02:33:17,959 --> 02:33:21,760
of Mississippi because they don't have anybody right exactly, people

2943
02:33:21,840 --> 02:33:24,280
can't just have people there to watch their kids. In

2944
02:33:24,319 --> 02:33:26,719
the nineties, if you were nine, you were staying home

2945
02:33:26,760 --> 02:33:29,559
by yourself, like so much of this And it wasn't

2946
02:33:29,639 --> 02:33:32,639
just times were different either, it was people are forced

2947
02:33:32,639 --> 02:33:36,520
into situations. And that's like kids in ken Park and Gummo,

2948
02:33:36,680 --> 02:33:40,600
where people forced into situations and telling that story. I

2949
02:33:40,600 --> 02:33:44,440
don't know, weird, Randy h No.

2950
02:33:44,719 --> 02:33:47,200
Speaker 3: I thought I thought when you said an Ed'slord pick,

2951
02:33:47,319 --> 02:33:50,200
I thought you were going to do Mala del Vicenzo.

2952
02:33:50,559 --> 02:33:51,200
Have you heard of that?

2953
02:33:51,920 --> 02:33:53,040
Speaker 4: I've heard of it. Yeah.

2954
02:33:53,120 --> 02:33:56,040
Speaker 3: It came out briefly through X rayed cult video as

2955
02:33:56,239 --> 02:34:00,559
import in Germany and it was sold briefly on Exploited

2956
02:34:00,600 --> 02:34:05,200
Cinema before they shut it down, and I have a copy.

2957
02:34:06,159 --> 02:34:10,440
It is. It's quite something. Uh, it's a lot of

2958
02:34:10,639 --> 02:34:14,799
underage nudity and like a coming of age story with

2959
02:34:14,879 --> 02:34:17,200
a girl who with a young girl who has now

2960
02:34:17,239 --> 02:34:19,360
gone on record as an adult that she was exploited

2961
02:34:19,399 --> 02:34:22,920
and sold like trafficked by her mother. So that makes

2962
02:34:23,200 --> 02:34:28,959
that even worse that I definitely no one would touch that.

2963
02:34:28,959 --> 02:34:32,600
That's really it's like that's a different level of repulsive.

2964
02:34:32,799 --> 02:34:36,319
That is something I could I could see being champion

2965
02:34:36,360 --> 02:34:37,239
by ed Forth.

2966
02:34:37,760 --> 02:34:40,200
Speaker 2: Kids is easy to put I think easier to put

2967
02:34:40,239 --> 02:34:43,760
out because of all the actors and actresses that went

2968
02:34:43,799 --> 02:34:47,559
on to bigger things. I'm trying to remember who is

2969
02:34:47,600 --> 02:34:51,000
in ken Park if there's any names on that level,

2970
02:34:51,440 --> 02:34:54,719
and I don't think there are no. There are amateurs,

2971
02:34:55,479 --> 02:35:00,520
mostly amateurs, Oh James R James. Yeah, but the rest.

2972
02:35:00,440 --> 02:35:03,959
Speaker 3: Of the Kids also seems like The Kids is also

2973
02:35:04,000 --> 02:35:05,879
I think viewed now as kind of like a starting

2974
02:35:05,879 --> 02:35:08,559
point for a lot of success stories. Yes, if it's

2975
02:35:08,559 --> 02:35:10,920
something where it's done with amateurs and then those kids

2976
02:35:11,000 --> 02:35:13,239
ended up like I don't know, O Ding five years

2977
02:35:13,280 --> 02:35:17,600
later or which or you know, God knows, then that

2978
02:35:17,799 --> 02:35:20,479
is also not a great reputation to attach to that film.

2979
02:35:20,639 --> 02:35:21,719
And so it'd be like, well, I don't want to

2980
02:35:21,719 --> 02:35:28,440
watch this. Uh maybe yes, right, So that might I

2981
02:35:28,440 --> 02:35:30,360
don't know if that's part of it. I don't know.

2982
02:35:31,239 --> 02:35:33,319
There's definitely That is one of those movies that I've

2983
02:35:33,360 --> 02:35:35,879
never seen and I was never really driven to see it.

2984
02:35:36,040 --> 02:35:38,479
But there are enough companies that I think would want

2985
02:35:38,479 --> 02:35:40,680
to like push the envelope, that would want to try

2986
02:35:40,680 --> 02:35:43,239
to do that. You know, it's not like we're talking

2987
02:35:43,239 --> 02:35:46,159
about bo deal Jensen's Animal Lover, Like, it's not something

2988
02:35:46,200 --> 02:35:48,440
that's actually technically illegal, is it?

2989
02:35:49,360 --> 02:35:51,959
Speaker 4: I don't think anything, And there's no yeah, right.

2990
02:35:52,159 --> 02:35:56,600
Speaker 3: Right, it really is not melodyle Agenzo, which is like, yeah,

2991
02:35:56,959 --> 02:35:58,639
that's that's not great.

2992
02:35:59,000 --> 02:36:01,639
Speaker 4: But there's all kinds of random bs that's associated with it.

2993
02:36:01,680 --> 02:36:05,079
So somebody if I remember, right, and again I've not

2994
02:36:05,159 --> 02:36:07,399
researched this in a long time. I believe Larry Clark

2995
02:36:08,200 --> 02:36:10,600
like assaulted somebody in the UK that was supposed to

2996
02:36:10,639 --> 02:36:13,159
distribute it or something like that, because there was god

2997
02:36:13,280 --> 02:36:16,000
statements about like nine to eleven was the best thing

2998
02:36:16,000 --> 02:36:19,600
that happened to America or something like that. Larry Clark said,

2999
02:36:20,120 --> 02:36:25,239
no the UK distributor and Larry Clark, wow that one

3000
02:36:25,319 --> 02:36:27,120
or something that.

3001
02:36:27,159 --> 02:36:29,360
Speaker 3: Was actually well, that sounds like a story that Larry

3002
02:36:29,399 --> 02:36:31,239
Clark would make up to sound like a hero.

3003
02:36:32,000 --> 02:36:32,239
Speaker 4: YEP.

3004
02:36:32,520 --> 02:36:35,040
Speaker 3: I don't know if I buy it. Larry Clark, I

3005
02:36:35,079 --> 02:36:38,079
don't know about you, sir. Yeah, I don't know, but

3006
02:36:38,760 --> 02:36:39,680
that's crazy story.

3007
02:36:39,719 --> 02:36:42,879
Speaker 2: But here's the question, Ryan, like, at what point does

3008
02:36:43,440 --> 02:36:48,440
the behind the scenes of a film affect your decision

3009
02:36:48,680 --> 02:36:52,319
to possibly be involved with distributing it?

3010
02:36:52,600 --> 02:36:55,719
Speaker 4: Oh yeah, so you're gonna open up a folcan of worms,

3011
02:36:55,760 --> 02:36:57,879
because this is gonna be wild for a company that's

3012
02:36:57,959 --> 02:37:00,879
only been around for five five and a half months publicly,

3013
02:37:01,319 --> 02:37:05,239
we've already had to sign, start working on, and fully

3014
02:37:05,319 --> 02:37:07,680
cancel a title that we've never announced that we had

3015
02:37:08,079 --> 02:37:11,520
because of some things that I was told and based

3016
02:37:11,559 --> 02:37:14,760
on that, Like, there was a lot of moments internally

3017
02:37:14,799 --> 02:37:16,840
where it was like, man, we had a really good

3018
02:37:16,879 --> 02:37:19,000
movie that we both enjoyed and that this is great,

3019
02:37:19,440 --> 02:37:22,200
And immediately when we found out what was being said,

3020
02:37:22,319 --> 02:37:25,360
there was no question. We shut it down and got

3021
02:37:25,399 --> 02:37:27,319
the director on the phone literally thin ten minutes and

3022
02:37:27,639 --> 02:37:30,079
canceled our contract. We just said, we can't do this.

3023
02:37:30,159 --> 02:37:32,920
We want nothing to do with this good luck and

3024
02:37:33,479 --> 02:37:35,559
that sort of thing. Like if you want to operate

3025
02:37:35,559 --> 02:37:38,520
with integrity, and that's literally what you're basing your entire

3026
02:37:38,520 --> 02:37:40,440
company around, there's no waivering, there's no way that you

3027
02:37:40,520 --> 02:37:44,239
can waffle on that. And the reality is that, yeah,

3028
02:37:44,319 --> 02:37:46,319
you know the Ken Park thing. Would I want to

3029
02:37:46,360 --> 02:37:47,559
be associated with all these stories?

3030
02:37:47,639 --> 02:37:47,799
Speaker 1: Note?

3031
02:37:47,799 --> 02:37:51,440
Speaker 4: Would I want the controversy and clicks of selling that? Fuck? Yeah, Like,

3032
02:37:51,440 --> 02:37:53,760
I gotta be honest, the pr behind that would be incredible.

3033
02:37:54,000 --> 02:37:55,879
The hard part is if I remember I too. One

3034
02:37:55,879 --> 02:37:59,079
of the big hurdles for this is music licensing. They

3035
02:37:59,120 --> 02:38:01,399
got a license, a lot of stuff's license just for

3036
02:38:01,600 --> 02:38:04,120
I think they played Tribeca or Tell You Ride or something,

3037
02:38:04,440 --> 02:38:06,840
and it premiered there, and that's the only place that's

3038
02:38:06,879 --> 02:38:10,079
played in the US because of music clearances. And if

3039
02:38:10,159 --> 02:38:12,239
that is one of the big things holding it back,

3040
02:38:12,280 --> 02:38:14,360
and they're not willing to change anything about it, I mean,

3041
02:38:14,879 --> 02:38:18,319
you can't really do anything. So one of the big

3042
02:38:18,319 --> 02:38:21,360
things that we're talking about internally, there's a I mean,

3043
02:38:21,399 --> 02:38:23,639
I'll just flat out not say the title, but I'm

3044
02:38:23,639 --> 02:38:26,200
sure people can narrow it down. There's a school shooting

3045
02:38:26,239 --> 02:38:29,840
movie that we're looking at and being somebody that is,

3046
02:38:30,600 --> 02:38:33,520
you know, a kid of the eighties, I will never

3047
02:38:33,559 --> 02:38:36,000
forget the day Columbine happened. I will never forget the

3048
02:38:36,079 --> 02:38:38,600
day that Aurora happened. I will never forget the day

3049
02:38:39,040 --> 02:38:41,719
that Sandy Hook happened. I'll never forget, you know, fifteen

3050
02:38:41,719 --> 02:38:46,079
of these shootings. And based on that, I have sort

3051
02:38:46,120 --> 02:38:47,879
of a deep desire to put out a couple of

3052
02:38:47,879 --> 02:38:51,840
films that show the graphic intensity not just of school shootings,

3053
02:38:51,840 --> 02:38:55,399
but of like suicides of people that are stuck in

3054
02:38:55,440 --> 02:38:58,559
a loop of not giving a flying fuck about gun control,

3055
02:38:58,920 --> 02:39:02,639
and then pouring my heart into as many contextual extras

3056
02:39:02,719 --> 02:39:05,680
and interviews with people that have been involved in shootings

3057
02:39:05,719 --> 02:39:07,840
and people that are, you know, lobbying to get these

3058
02:39:07,840 --> 02:39:10,440
things shut down because I'm tired of my kids having

3059
02:39:10,440 --> 02:39:13,239
to do lockdown drills. I'm tired of feeling like I

3060
02:39:13,280 --> 02:39:16,600
don't like going in public. I live in Kansas City

3061
02:39:16,639 --> 02:39:18,280
and a few years ago the Chiefs won the Super

3062
02:39:18,280 --> 02:39:20,200
Bowl and there was a shooting at the super Bowl

3063
02:39:20,200 --> 02:39:22,719
parade that morning. My child asked if we could go

3064
02:39:22,719 --> 02:39:25,639
to the parade, and I said, we just we can't go.

3065
02:39:25,680 --> 02:39:27,440
I got to do some work and if I'd chose

3066
02:39:27,479 --> 02:39:29,920
the other option and went, who knows.

3067
02:39:31,280 --> 02:39:31,639
Speaker 3: Wow.

3068
02:39:31,760 --> 02:39:34,920
Speaker 2: Yeah, so yeah, you're thinking, like, you know, maybe I

3069
02:39:34,920 --> 02:39:39,920
can actually move the needle with something. Yeah, it's possible.

3070
02:39:40,479 --> 02:39:45,520
Speaker 3: Yeah, that's a possibility. Yes, Yeah, I think there is

3071
02:39:45,559 --> 02:39:48,000
a sense of I like that sense of responsibility if

3072
02:39:48,040 --> 02:39:50,680
you're going to be distributing something, Yeah, there is that.

3073
02:39:50,879 --> 02:39:53,040
I think there is an obligation if you're now part

3074
02:39:53,040 --> 02:39:55,120
of that film's history and part of that film presenting

3075
02:39:55,120 --> 02:39:58,719
that film story to people that it depends on how

3076
02:39:58,719 --> 02:40:01,399
you're presenting that story, how you're presenting that film and

3077
02:40:01,479 --> 02:40:04,360
its history in the context. I think that's really important.

3078
02:40:04,799 --> 02:40:08,559
Speaker 4: Yeah, if you don't acknowledge, it's good lying biomission.

3079
02:40:08,639 --> 02:40:11,959
Speaker 3: Very much so, very much so. And uh yeah, no,

3080
02:40:12,319 --> 02:40:12,920
I agree.

3081
02:40:13,520 --> 02:40:18,120
Speaker 2: Oh that's a strong number one there for me, Ryan Casey,

3082
02:40:18,959 --> 02:40:21,399
What can you do for your number one?

3083
02:40:21,719 --> 02:40:27,440
Speaker 3: Mine is much more lighthearted than that. Mine is one

3084
02:40:27,479 --> 02:40:30,399
that I've ranted about for a long time online, and

3085
02:40:30,440 --> 02:40:34,760
I'm sure that Shaft Factory hates me for it. As

3086
02:40:34,799 --> 02:40:37,120
we were talking about their acquisition of the Roger Corman

3087
02:40:37,200 --> 02:40:40,959
New World Library, there is one title that was the

3088
02:40:41,000 --> 02:40:44,840
first movie that they ever released, and it was a massive,

3089
02:40:45,239 --> 02:40:49,200
massive hit, written into a co written interactions by a

3090
02:40:49,239 --> 02:40:56,639
woman very shockingly still prescient in its progressive politics. In

3091
02:40:56,680 --> 02:41:01,040
this movie advertises a sexy second movie with four girls

3092
02:41:01,040 --> 02:41:03,319
in it, the student nurses.

3093
02:41:03,319 --> 02:41:04,959
Speaker 2: And screened at the new BEV.

3094
02:41:05,760 --> 02:41:10,120
Speaker 3: Yes, and this is a masterpiece. This is it is

3095
02:41:10,239 --> 02:41:15,200
aged so beautifully. But we are saddled with a really gross,

3096
02:41:15,760 --> 02:41:19,719
disgusting DVD transfer of this from literally two thousand and one,

3097
02:41:20,040 --> 02:41:23,760
twenty five years ago, and we have all the other

3098
02:41:23,840 --> 02:41:27,200
Nurses movies came out in a collection all the sequels

3099
02:41:27,360 --> 02:41:30,040
which are not as good as this. I mean, Nikall

3100
02:41:30,159 --> 02:41:33,440
Nurses is great, Young Nurses is good, Candy Stripe Nurses

3101
02:41:33,520 --> 02:41:37,639
is good. Private Juty Nurses is hot garbage. This is

3102
02:41:37,680 --> 02:41:41,680
a masterpiece. Like it's important for New World, it's important

3103
02:41:41,680 --> 02:41:46,280
for independent cinema in the seventies. It's important for politics

3104
02:41:46,280 --> 02:41:50,399
in American cinema. It's important for women in representation in cinema.

3105
02:41:50,719 --> 02:41:54,840
It's very a cab it's very pro Medicare for all.

3106
02:41:54,959 --> 02:41:59,360
It's very pro choice. Yeah, like one of the nurses

3107
02:41:59,440 --> 02:42:05,399
ends up abandoning school to go give free healthcare to

3108
02:42:05,840 --> 02:42:09,479
like low income families in downtowns Los Angeles, because she's like,

3109
02:42:09,479 --> 02:42:10,799
you know what, I'm just part of the system and

3110
02:42:10,840 --> 02:42:13,000
this system sucks. I'm out of here. I'm gonna go

3111
02:42:13,120 --> 02:42:16,120
give free healthcare to people like this is this is

3112
02:42:16,159 --> 02:42:20,760
still crazy. This is still very very of its time.

3113
02:42:25,680 --> 02:42:26,000
Speaker 7: Changed.

3114
02:42:44,840 --> 02:42:46,600
Speaker 3: I remember when it came out, I reviewed for DVD

3115
02:42:46,719 --> 02:42:48,440
drive in and I was like, everyone needs to buy

3116
02:42:48,440 --> 02:42:53,120
this is don't The poster is nothing like the movie

3117
02:42:53,520 --> 02:42:56,399
it has. It stars Aline Giftos as one of the nurses.

3118
02:42:56,440 --> 02:42:58,120
She was on a good show called The Interns at

3119
02:42:58,159 --> 02:42:59,799
the same at the time. She was in this where

3120
02:42:59,840 --> 02:43:02,600
she played a nurse and she her husband was Mike

3121
02:43:02,639 --> 02:43:06,399
Ferrell before mash and Christopher Stone was on that show.

3122
02:43:06,879 --> 02:43:11,200
And eLink Giftos is a great Barbara Lee, who was

3123
02:43:11,239 --> 02:43:14,360
supposed to be en Parella is good in it. Years ago.

3124
02:43:14,479 --> 02:43:16,680
I was so obsessed with this movie. I bought First

3125
02:43:16,719 --> 02:43:19,000
of all, I own every piece of press material that

3126
02:43:19,079 --> 02:43:20,719
ever came out for this movie. I had the poster

3127
02:43:20,799 --> 02:43:22,959
of the press book. I have a full stills package.

3128
02:43:23,120 --> 02:43:25,639
I literally was obsessed with this movie when I saw

3129
02:43:25,680 --> 02:43:27,959
it for the first time and I was trying to

3130
02:43:27,959 --> 02:43:29,959
do It's a Nurse's Reunion. I wanted to do an

3131
02:43:30,040 --> 02:43:32,479
article where I interviewed all four of them. So I

3132
02:43:32,520 --> 02:43:35,280
talked to Barbara Lee a Ton and she was very helpful,

3133
02:43:35,719 --> 02:43:40,000
and then Elaine Giftos was evasive, and then I couldn't

3134
02:43:40,040 --> 02:43:42,200
get a hold of Camp Carlton, and Bringonna Farrell was

3135
02:43:42,239 --> 02:43:44,200
also tough to get and she just died in twenty eighteen,

3136
02:43:44,319 --> 02:43:46,799
so then now we'll never get a Nurse's Reunion. The

3137
02:43:46,879 --> 02:43:51,000
soundtrack is great, It's yeah, I just love everything about this.

3138
02:43:51,079 --> 02:43:53,639
It was on the Criterion Channel last year. It still

3139
02:43:53,680 --> 02:43:56,319
pops up on the Criterion channel every once in a while,

3140
02:43:56,360 --> 02:43:59,200
because it's like, it's an important movie, but it's such

3141
02:43:59,200 --> 02:44:04,040
a garbage train. It's just like, I don't know why

3142
02:44:04,120 --> 02:44:06,000
you would not release this. It doesn't need to be

3143
02:44:06,000 --> 02:44:07,680
a tricked out edition. Put it out as a Bear

3144
02:44:07,760 --> 02:44:12,200
Bones Blu ray. It's a majorly important time. I mean, yeah,

3145
02:44:12,280 --> 02:44:15,639
she turns ninety this year. Do you not want to

3146
02:44:15,639 --> 02:44:16,600
commentary for her?

3147
02:44:16,920 --> 02:44:19,719
Speaker 2: Yeah, she's available, She's she is.

3148
02:44:19,760 --> 02:44:22,000
Speaker 3: She was on the Terminal Wild Blu Rayyah, which is

3149
02:44:22,040 --> 02:44:27,239
crazy because and that's also Barbara Lee from this movie. Yeah.

3150
02:44:27,280 --> 02:44:29,479
I just think it's very short sighted, and that is

3151
02:44:29,520 --> 02:44:33,559
actually that's why I will I will have personal beef

3152
02:44:33,639 --> 02:44:36,600
with Cliffate Mullen. You can leave this in. I will

3153
02:44:36,600 --> 02:44:39,840
have personal beef with Cliffate Mullen on this because I

3154
02:44:39,920 --> 02:44:43,200
know the movies he prioritized for Shot Factory to put out,

3155
02:44:43,520 --> 02:44:46,799
like Dead Space and Twice Dead, because he liked the actress.

3156
02:44:46,840 --> 02:44:48,920
Because the Code Red boys told me everything they knew

3157
02:44:48,920 --> 02:44:51,479
all about this deal. They knew the movies Cliff wanted

3158
02:44:51,479 --> 02:44:55,559
and Cliff prioritized. This was never discussed and has never

3159
02:44:55,600 --> 02:44:59,520
been discussed at Shot Factory to reissue, and I have

3160
02:45:00,399 --> 02:45:02,719
that is personal beef I have over this title. This

3161
02:45:02,840 --> 02:45:06,559
is like, this is a major, major, major, important, historically

3162
02:45:06,639 --> 02:45:10,920
important movie now outside of the genre. So it's crazy,

3163
02:45:11,799 --> 02:45:12,000
is it?

3164
02:45:12,040 --> 02:45:15,319
Speaker 2: Because the four girls aren't like household names, none of

3165
02:45:15,319 --> 02:45:15,680
them are.

3166
02:45:15,840 --> 02:45:18,639
Speaker 3: Shouldn't matter. Wanda came out this year. People don't know

3167
02:45:18,639 --> 02:45:21,319
who Barbara lodon Is. Criterion put out Wanda.

3168
02:45:21,799 --> 02:45:25,639
Speaker 4: Shout more obscure people in it like that that, Yes,

3169
02:45:27,399 --> 02:45:28,040
the Lady in.

3170
02:45:28,040 --> 02:45:30,920
Speaker 3: Red, for God's sake, that's a great movie. But yeah,

3171
02:45:30,959 --> 02:45:33,440
that's not that's not a household thingg Like, yeah, they're

3172
02:45:33,479 --> 02:45:36,200
they're very it's very It's just crazy to me unless

3173
02:45:36,239 --> 02:45:39,399
the negative is gone and say that, say we don't

3174
02:45:39,399 --> 02:45:42,239
have the elements for it. Instead, it's radio silence over this.

3175
02:45:42,559 --> 02:45:45,000
The very first movie The New World ever released is

3176
02:45:45,040 --> 02:45:50,719
not restored and available, the very first movie. Yes, thank you?

3177
02:45:50,879 --> 02:45:51,040
Speaker 1: Yes?

3178
02:45:51,200 --> 02:45:53,319
Speaker 2: Did you look at reviews when this is? When this

3179
02:45:53,440 --> 02:45:56,680
screened at NEWBEV? Did you check out any No?

3180
02:45:56,760 --> 02:45:58,719
Speaker 3: I'm always nervous to do that because I don't think

3181
02:45:58,760 --> 02:46:02,159
anybody will. I I don't know if people will respond

3182
02:46:02,200 --> 02:46:04,319
to this as strongly as I did and still do,

3183
02:46:04,799 --> 02:46:07,479
because I'm I mean, I'm nuts for this movie. I

3184
02:46:07,520 --> 02:46:11,079
really am like, I'm yeah, this is this is one

3185
02:46:11,079 --> 02:46:14,479
that I don't argue about. If people don't like it,

3186
02:46:14,520 --> 02:46:17,200
I'm like, okay, we don't have anything to discuss.

3187
02:46:17,440 --> 02:46:20,639
Speaker 2: Okay, So if I watched this so important, if you

3188
02:46:20,799 --> 02:46:25,920
have stars, this podcast is over. I was gonna ask, but.

3189
02:46:25,920 --> 02:46:29,079
Speaker 3: You would not because I think you would understand. Yeah,

3190
02:46:30,280 --> 02:46:32,639
there's just there's so much good stuff in here, like

3191
02:46:32,760 --> 02:46:36,000
Barbara Lee is really good in there, and an abortion

3192
02:46:36,159 --> 02:46:41,120
and it's handled really really sensitively and effectively. It's so

3193
02:46:41,200 --> 02:46:43,200
it's yeah, it's it's it's it's brilliant.

3194
02:46:43,360 --> 02:46:46,280
Speaker 2: It's read about it in Corman in a couple of

3195
02:46:46,280 --> 02:46:49,120
Corman like biography books. But yeah, I've never seen it.

3196
02:46:50,040 --> 02:46:52,079
Speaker 3: Have they covered it a new Real Pictures podcast?

3197
02:46:52,440 --> 02:46:52,799
Speaker 4: I think?

3198
02:46:52,840 --> 02:46:56,079
Speaker 3: So I was gonna say, guys, if you haven't covered it,

3199
02:46:56,559 --> 02:46:59,479
I will come on and yaw and mute. I'll just

3200
02:47:00,040 --> 02:47:02,200
I can say on you and take a break. I will,

3201
02:47:02,680 --> 02:47:05,840
I will just I will monologue about this thing. Yeah,

3202
02:47:05,920 --> 02:47:09,600
this is yeah, this is a Yeah. I rave about

3203
02:47:09,600 --> 02:47:10,440
this one every chance.

3204
02:47:10,479 --> 02:47:44,079
Speaker 1: I guess day.

3205
02:47:45,200 --> 02:47:50,040
Speaker 13: You always give me waiting waiting, enter dating, hey day,

3206
02:47:54,799 --> 02:48:02,959
you do my coming hey day.

3207
02:48:06,319 --> 02:48:11,680
Speaker 8: So its gott flst you treat me this great man,

3208
02:48:12,200 --> 02:48:15,879
so it's God's pretty knock go.

3209
02:48:16,040 --> 02:48:29,840
Speaker 12: We know, Ray, what could.

3210
02:48:29,639 --> 02:48:30,200
Speaker 10: You be like this?

3211
02:48:30,280 --> 02:48:32,920
Speaker 12: What cat you be like that? How is the will?

3212
02:48:32,959 --> 02:48:34,399
Are you will?

3213
02:48:40,879 --> 02:48:41,200
Speaker 3: I said?

3214
02:48:41,239 --> 02:48:41,280
Speaker 1: No?

3215
02:48:41,440 --> 02:48:44,879
Speaker 12: You can lead up? You will be woping.

3216
02:48:45,079 --> 02:48:55,799
Speaker 9: We know we woke the house. Broday so got fine

3217
02:48:55,959 --> 02:48:57,200
last year, treat.

3218
02:48:57,040 --> 02:49:00,840
Speaker 12: Me in this great man? So let's got.

3219
02:49:01,079 --> 02:49:06,520
Speaker 9: That's pretio. No, No, we don't wait, let's go.

3220
02:49:06,920 --> 02:49:07,920
Speaker 1: Let's go. We are.

3221
02:49:12,040 --> 02:49:15,399
Speaker 12: Let's go, don't go good way.

3222
02:49:30,559 --> 02:49:40,360
Speaker 13: You will say, well wait, wellday, I knowing what's about?

3223
02:49:41,040 --> 02:49:55,920
Speaker 8: Say so let's gun last your great wee this week

3224
02:49:57,000 --> 02:49:58,799
until let's got.

3225
02:49:59,000 --> 02:50:14,920
Speaker 14: That's rady on.

3226
02:50:31,360 --> 02:50:34,159
Speaker 1: Thank you for listening to you hear more shows from

3227
02:50:34,159 --> 02:50:36,600
the Someone's Favorite Productions podcast network.

3228
02:50:36,959 --> 02:50:38,680
Speaker 4: Please select the link in the description.

3229
02:50:43,760 --> 02:50:46,600
Speaker 15: Hey everybody, this is Ryan from the New World Pictures podcast.

3230
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We're on a mission to watch every movie ever made

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by New World Pictures with me as always as Mark

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every movie, every movie, every movie from the Roger Kormancole

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classics like That'll Be on the Stars.

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Speaker 3: And the super weird stuff you never even heard of,

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like Eat and Run.

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Speaker 9: Thanks you Ton, you want to say, hey, it's nice.

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Speaker 15: Yes, Mark every movie and Erica every movie. Yes, Erica

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every movie.

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Speaker 9: Every movie.

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Speaker 15: So we're still talking about night Zo and all the

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bonus stuff too.

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Speaker 3: We're talking things we love, things we hate, and favorite scenes,

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inside jokes, and I know we're not a final questions,

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but are.

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Speaker 9: We still talking about Ryan's research?

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Speaker 15: I know I am, so check out our website, New

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02:51:32,200 --> 02:51:34,920
World Pictures podcast dot com, or subscribe to the New

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02:51:34,920 --> 02:51:37,920
World Pictures Podcast wherever you listen to your podcasts, follow

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02:51:37,959 --> 02:51:40,000
us on the socials, and we'll see you next time

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at the New World Pictures Podcast. Proud to be a

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part of someone's favorite productions podcast network,