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<v Speaker 1>Welcome to teen Girl Talk, Teen Girl Talk. I'm ce

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<v Speaker 1>Zy Coota, I'm friend Coda, and we are so excited

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<v Speaker 1>to have author aj Whitney with us to talk about

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<v Speaker 1>the second book in the Sovereign series, Elysium. I hope

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<v Speaker 1>that I am pronouncing that correctly because I've only read it.

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<v Speaker 1>Welcome Aja, Thanks for having me. Absolutely so we want

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<v Speaker 1>to get right into it. Can you tell us a

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<v Speaker 1>little bit I guess, like an elevator pitch about Sovereign

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<v Speaker 1>that leads us to Elysium. And for anyone who missed

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<v Speaker 1>our interview, was that last year or the.

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<v Speaker 2>Year before that was almost exactly a year ago?

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<v Speaker 1>Oh wow? Okay, so you can go back in our

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<v Speaker 1>feed and we talked about Sovereign, but please just give

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<v Speaker 1>us the high level upolutely.

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<v Speaker 2>So Sovereign follows thirteen year old orphan number three hundred

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<v Speaker 2>and thirty two, who was raised to be sacrificed. But

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<v Speaker 2>when her village stops believing in their mysterious gods, does

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<v Speaker 2>she finally have a real life or will the Sovereign

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<v Speaker 2>take their revenge? And a little bit of a spoiler,

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<v Speaker 2>they do in fact take their revenge.

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<v Speaker 1>Yes, so you know it's I loved that one of

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<v Speaker 1>the things with series because I love a good series,

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<v Speaker 1>and in particular, I was happy that you did not

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<v Speaker 1>like retread a lot in this one, like because I

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<v Speaker 1>feel like sometimes they're like, let us go over these

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<v Speaker 1>big chunks from the previous books, and I felt like

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<v Speaker 1>you really trusted the reader. You're like, I I gets.

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<v Speaker 2>So boring in a series, Like I remember when the

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<v Speaker 2>Aragon books were coming out and I was like, oh

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<v Speaker 2>my god, just stop telling me what already happened in

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<v Speaker 2>the last year. I just read it.

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<v Speaker 1>Yes, because the other part is like who picks up

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<v Speaker 1>at the third book and is like, this is a

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<v Speaker 1>good place to start. I'll just start here.

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<v Speaker 2>That would be silly. I think you only do that

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<v Speaker 2>by mistake.

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<v Speaker 1>Probably, Yeah, And like there's a reason there's always a

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<v Speaker 1>hold in the library on the first book that's like

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<v Speaker 1>eighteen weeks long, and then you can definitely do the

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<v Speaker 1>second book, but right, And I did.

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<v Speaker 2>Try to like to kind of build that in a

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<v Speaker 2>little bit to where you know the characters in those

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<v Speaker 2>first couple of chapters they do kind of rehash some

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<v Speaker 2>of the things that you know, the events that led

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<v Speaker 2>up to where they are now. But I tried to

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<v Speaker 2>build it in in such a way that maybe you

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<v Speaker 2>didn't notice it was happening, or it wouldn't be that

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<v Speaker 2>like eye rolling side moment where you just can't stand

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<v Speaker 2>her read it anymore.

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<v Speaker 1>No, I think you did a great job because, like again,

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<v Speaker 1>and I don't know why, especially this winter, I've been

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<v Speaker 1>doing a lot of series, and I feel like, especially

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<v Speaker 1>when you're reading in succession, it is under like it.

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<v Speaker 1>It's so much clearer when that's happening. So I had

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<v Speaker 1>actually forgotten that the characters didn't have names for so long,

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<v Speaker 1>because when you pick up in Elysium, they are fully

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<v Speaker 1>formed people, and I know you know they're backstories. So

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<v Speaker 1>can without spoilers, can you give us a little bit

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<v Speaker 1>of like where we start in Elysium.

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<v Speaker 2>Yeah, So in Elysium, we have a character who wakes

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<v Speaker 2>up in an unknown place with technology she's not familiar with.

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<v Speaker 2>She doesn't know what in the world is going on

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<v Speaker 2>or how she got there, and she finds that the

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<v Speaker 2>explanation for all of this is that she's now in

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<v Speaker 2>an underground city where the scientists built this civilization hundreds

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<v Speaker 2>of years ago to escape a massive nuclear war that

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<v Speaker 2>destroyed the planet. But Unfortunately, we do still have this

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<v Speaker 2>dual storyline, the same as we did in Sovereign, and

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<v Speaker 2>unfortunately we find that the experience of the people left

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<v Speaker 2>on the surface doesn't quite match up with the story

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<v Speaker 2>that our main characters are being told below ground.

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<v Speaker 1>I really felt that in this in Elysium, because I

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<v Speaker 1>feel like in Sovereign it's so claustrophobic and like the

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<v Speaker 1>communication is so closed, and Elysium everyone's getting a lot

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<v Speaker 1>more information, but it's like, can we trust this information?

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<v Speaker 1>Who is this information coming from? And I feel like

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<v Speaker 1>both experiences, uh feel relatable to me, Like especially now

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<v Speaker 1>where I feel like I have to be so careful

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<v Speaker 1>about where I get information and fact check and et cetera.

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<v Speaker 1>And then being a fish out of water situation, it's like, well,

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<v Speaker 1>who can they fact check with? Like they're being told

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<v Speaker 1>we are the experts, We're telling you what's best for you,

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<v Speaker 1>and like, what are you gonna do?

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<v Speaker 2>But and they're the adults too, the adults telling these

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<v Speaker 2>kids this massive history. Yeah, and is it real or

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<v Speaker 2>is it not real? And it's kind of for the

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<v Speaker 2>reader to decide. Yeah, right up until the end where

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<v Speaker 2>we start to get a little more information that hasn't

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<v Speaker 2>been filtered mm hm.

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<v Speaker 1>And even the sort of the comparison of like old

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<v Speaker 1>world values versus modern values, and how there's like a

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<v Speaker 1>benefit to both and also distractions to both. How was

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<v Speaker 1>it building out this larger world versus like the smaller

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<v Speaker 1>community in Sovereign.

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<v Speaker 2>It was. It was pretty fun for me because I

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<v Speaker 2>kind of just got to run with it and I

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<v Speaker 2>had to decide.

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<v Speaker 1>So.

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<v Speaker 2>I mean, in Sovereign, the main story, it feels very

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<v Speaker 2>like pioneer times, right, there's really no modern technology and

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<v Speaker 2>it is very insular, like you've mentioned. And then when

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<v Speaker 2>I wrote Elysium. First of all, when I wrote Sovereign,

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<v Speaker 2>I had no idea where I was taking this story next.

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<v Speaker 2>I had to come up with all the ideas and

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<v Speaker 2>figure out what I actually want to do because I

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<v Speaker 2>wasn't sure if it would get picked up as a

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<v Speaker 2>series originally. But it was really fun. I got to decide,

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<v Speaker 2>you know, how advanced I want this technology to be.

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<v Speaker 2>Do I want it to be realistic like things that

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<v Speaker 2>you know we actually have here in the twenty first century,

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<v Speaker 2>or do I want it to be more advanced than that?

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<v Speaker 2>And things that I just come up with. I did

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<v Speaker 2>tons of research. I felt like the FBI agent who

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<v Speaker 2>is assigned to watch my Google history probably is getting

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<v Speaker 2>concerned because I'm having to google things about you know,

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<v Speaker 2>like C four and you know, different ways to to

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<v Speaker 2>use explosives. Oh you know there's a scene where she

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<v Speaker 2>has to remove the screws from something from the backside,

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<v Speaker 2>and I, okay, like how do we how does that happen?

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<v Speaker 2>Like I have to make them brittle and I.

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<v Speaker 1>So, yeah, I thought that was really like I would

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<v Speaker 1>never think to do that. So like the making them

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<v Speaker 1>see the forest basically like snaps the screws, very ingenuitive.

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<v Speaker 2>And I got to as I wrote Elysium and then

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<v Speaker 2>the third book is written and with the publisher already.

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<v Speaker 2>But as both of those books, you know this this

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<v Speaker 2>new society has, you know, they have like, you know,

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<v Speaker 2>their own military, and so I'm like researching military ranks,

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<v Speaker 2>so like huge documents that are like how to write

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<v Speaker 2>a military report and you know, like trying to trying

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<v Speaker 2>to keep track of all the ranks and the way

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<v Speaker 2>platoons work and the weird knowledge that is now in

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<v Speaker 2>my head.

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<v Speaker 1>Yeah, I mean even the like I cannot keep military

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<v Speaker 1>rank straight. So I was like, is a kernel more

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<v Speaker 1>than a lieutenant, So I.

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<v Speaker 2>Know, I like I honestly had to like keep going

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<v Speaker 2>back and looking again to see like which one is which,

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<v Speaker 2>and then like I'd give somebody a promotion, but I'd

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<v Speaker 2>forget that they got the promotion and I had to

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<v Speaker 2>figure it out all over again.

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<v Speaker 1>And yeah, it's I mean, it's a lot to keep.

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<v Speaker 1>And then in Elysium, when we like pop back into

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<v Speaker 1>the above ground, uh yeah, the sort of the spiraling

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<v Speaker 1>was so I guess escalation sort of the opposite of spiraling,

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<v Speaker 1>but it felt like everything was like.

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<v Speaker 2>Kind of both.

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<v Speaker 1>Yeah, I I was stressed, I was worried. I was

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<v Speaker 1>I was worried for Maggie. I I was worried, and

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<v Speaker 1>you know, but the two worlds are not so different, right,

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<v Speaker 1>Like they're dictated by these sort of like unbendable rules

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<v Speaker 1>and like this sort of top down decisions and so again,

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<v Speaker 1>not to give anything away, but I'm curious about the

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<v Speaker 1>third book, like it do things get even bigger, because

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<v Speaker 1>like I feel like this the villages of microcosm of

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<v Speaker 1>what's happened in Elysium. And then yeah.

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<v Speaker 2>So there's definitely I mean there's this both societies have

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<v Speaker 2>this very authoritarian kind of rule to them, right where

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<v Speaker 2>I make the rules. I tell you what to do,

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<v Speaker 2>I tell you what to think, what to believe, and

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<v Speaker 2>how to react, and you are going to do it

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<v Speaker 2>because I say so.

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<v Speaker 1>Yeah, and ask getting questions, yeah.

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<v Speaker 2>I mean questions are like they and they tell her

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<v Speaker 2>you can ask all the questions you want, but they

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<v Speaker 2>answer them in such a way that doesn't invite more,

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<v Speaker 2>you know, and they make her think she's totally satisfied

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<v Speaker 2>with all these answers, but she doesn't have the whole story, right,

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<v Speaker 2>And and so in the first book you really have,

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<v Speaker 2>you know, the above ground village, and then of course

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<v Speaker 2>the gray Haired Woman's story that is I almost said

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<v Speaker 2>what the gray Haired Woman's story is? That will ruin

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<v Speaker 2>it for anybody who.

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<v Speaker 1>Hasn't read it.

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<v Speaker 2>Two villages, you know, and you're figuring out how those

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<v Speaker 2>are connected. And then in Elysium you find you know,

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<v Speaker 2>the underground world in the surface world, and they don't

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<v Speaker 2>really meet up much in this story, right. And then

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<v Speaker 2>in the third book is where those worlds start to

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<v Speaker 2>collide and we try to bring everything together. And I

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<v Speaker 2>really try in that third book to bring things full circle.

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<v Speaker 2>And I know, once you finished Sovereign, you had a

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<v Speaker 2>ton of questions and Elysium mind answered some of them.

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<v Speaker 1>I mean, honestly, the questions just change because I'm like, right, okay,

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<v Speaker 1>but wait, this is not the information I thought that

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<v Speaker 1>I knew. Yes, and like even like seeing sort of

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<v Speaker 1>like the collective action and the sort of quiet descent

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<v Speaker 1>of the above ground world in this book was amazing

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<v Speaker 1>because I read a lot of nonfiction and I find

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<v Speaker 1>that there are through through threads of how like change

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<v Speaker 1>is done through collective action, and like I was so

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<v Speaker 1>it felt like it was mostly the women in the

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<v Speaker 1>above ground.

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<v Speaker 2>Village, but like it might be a feminist.

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<v Speaker 1>The fact that they like mobilized so quickly and they

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<v Speaker 1>were so unwilling to just cave. I have to say,

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<v Speaker 1>like I really I was rooting for them so much.

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<v Speaker 1>I mean I would be a monster, not too right,

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<v Speaker 1>but like they were. It was very It was so inspiring.

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<v Speaker 1>Like was there a real life equivalent or like a

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<v Speaker 1>person you know that you had in mind when you

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<v Speaker 1>were modeling those characters.

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<v Speaker 2>I don't think so. Man, that's such a good question.

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<v Speaker 2>I feel like it really just came from this very

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<v Speaker 2>like I don't want to sit down and shut up

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<v Speaker 2>and just do what you tell me side of myself.

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<v Speaker 2>And in some ways it became a little bit of

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<v Speaker 2>a I oh no, sometimes I get this brain pug

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<v Speaker 2>and I can't think of words, which is a curse

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<v Speaker 2>for a writer, right, Yeah, it's it sort of mirrors

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<v Speaker 2>my personal journey of you know, exploring spirituality and religion.

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<v Speaker 2>And I was raised at a very strict religious upbringing

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<v Speaker 2>and very authoritarian religious upbringing, and I've kind of gone

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<v Speaker 2>on this journey of deconstruction as an adult and figuring

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<v Speaker 2>out what I really believe and what I only believed

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<v Speaker 2>because somebody told me to believe it. And I feel

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<v Speaker 2>like the whole series in a lot of ways sort

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<v Speaker 2>of parallels that journey. Yeah, And so it's very much

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<v Speaker 2>just sort of this journey of me coming from women

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<v Speaker 2>need to sit down and shut up to I have

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<v Speaker 2>more power and more agency than I ever thought, and

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<v Speaker 2>I'm gonna find a positive way to use it.

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<v Speaker 1>Yeah, I mean, disenfranchisement is you know, like the number

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<v Speaker 1>one authoritarian.

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<v Speaker 2>Tool, right, so, like exactly, Yes, even.

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<v Speaker 1>The fact that the wives were like, you know, quietly

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<v Speaker 1>undermining their husbands and like finding ways to send signals

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<v Speaker 1>like and you know.

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<v Speaker 2>When your wife of fifty years goes, oh my gosh,

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<v Speaker 2>he's evil. Now, yeah, something's gotta give.

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<v Speaker 1>Right, And you know, I'm trying not to say so hard. Yeah,

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<v Speaker 1>like I wanted to talk about something that happens like

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<v Speaker 1>halfway through the book, so I'm like, not gonna do that.

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<v Speaker 1>I will say too, I think with Elysium, you know

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<v Speaker 1>that obviously Elisium nights a thing like.

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<v Speaker 2>Consider the Alysians.

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<v Speaker 1>Consider themselves more modern. But even when I'm not sure

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<v Speaker 1>if it's a he was considered a nurse's aid. But

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<v Speaker 1>like says, oh, I started doing this job at like

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<v Speaker 1>fourteen or something, and of like, oh, he's an elysiums

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<v Speaker 1>there there is this thing of like, well, everyone has

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<v Speaker 1>a purpose and everyone's gonna work and.

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<v Speaker 2>Everyone serves the mission, right yeah, and you know that

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<v Speaker 2>if you you don't test well or uh, you make

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<v Speaker 2>a mistake, that's kind of it and you're immediately demoted

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<v Speaker 2>and the stakes are so high.

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<v Speaker 1>So but I I guess, like I have to say,

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<v Speaker 1>I was surprised when you said that you didn't have

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<v Speaker 1>this planned out, because I really it felt like you did.

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<v Speaker 1>I was like, oh, it reminded me of when I

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<v Speaker 1>first watched Yellow Jackets and they said like, oh, yeah,

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<v Speaker 1>we have all the seasons planned out, and I was like,

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<v Speaker 1>that makes sense because you're like planting these things, you know.

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<v Speaker 1>Uh huh. So how like were there other ways you

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<v Speaker 1>thought you might take it before you sort of settled here?

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<v Speaker 2>There were, and there are some things that I did. Like,

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<v Speaker 2>So this book takes place over about the course of

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<v Speaker 2>a year, and I really had thought, Okay, in the

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<v Speaker 2>first book, our main character is thirteen, she turns fourteen

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<v Speaker 2>in the second book. We just sort of quietly mentioned that,

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<v Speaker 2>like it's not a big deal, but now she's fourteen. Yeah,

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<v Speaker 2>but I had kind of thought, like some of her

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<v Speaker 2>character development, I originally thought she should be older for

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<v Speaker 2>some of these things. And of course I'm sure you're

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<v Speaker 2>thinking like the person she turns into with the career

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<v Speaker 2>path they set her on, Yeah, seems like a lot

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<v Speaker 2>for a fourteen year old. Yeah, am I right? But

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<v Speaker 2>it is a young adult novel, so yeah. So originally,

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<v Speaker 2>like I had tried to do this time jump that

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<v Speaker 2>I like covered in a series of like letters and

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<v Speaker 2>journal entries, and I like it. It was great in

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<v Speaker 2>the sense that it gave you, like some of the

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<v Speaker 2>some of the deeper Elysian culture, so like some of

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<v Speaker 2>the holidays that they celebrate in ways that they're different

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<v Speaker 2>from above ground culture. But it was I didn't like

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<v Speaker 2>it at all. Okay, and so I, you know, just

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<v Speaker 2>brilliantly and just deleted all those chapters. I could have

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<v Speaker 2>saved them as hidden war or something that would.

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<v Speaker 1>Have been right.

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<v Speaker 2>I didn't do that.

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<v Speaker 1>It's gonna be like right.

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<v Speaker 2>There's also so Rome character introduced in this book. I

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<v Speaker 2>went back and forth for weeks, maybe even months, about

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<v Speaker 2>where I wanted to go with his character. Was he

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<v Speaker 2>gonna be a good guy? Was he going to be

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<v Speaker 2>a bad guy? Was he going to be a double

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<v Speaker 2>agent or a triple agent or what's like? Who is

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<v Speaker 2>this person? And my poor husband had to listen and

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<v Speaker 2>you talk about it like NonStop, trying to figure it

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<v Speaker 2>out because I have to process verbally right, And I eventually,

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<v Speaker 2>I eventually landed on what I wanted to do, but

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<v Speaker 2>it took me forever, and I had written this whole

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<v Speaker 2>outline of how I wanted Once I figured out where

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<v Speaker 2>I wanted the story to go, right, I'd written the

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<v Speaker 2>whole outline, and then I changed it for Rome's part

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<v Speaker 2>of the story. Yeah, and then there'll be more surprises

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<v Speaker 2>about his character in the next book, so be read

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<v Speaker 2>out of that.

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<v Speaker 1>I mean, yeah, because right now.

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<v Speaker 2>You still don't really know if yeah, a good guy

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<v Speaker 2>or a bad guy. But I do, like and I

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<v Speaker 2>had to know before I finished this book.

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<v Speaker 1>Yeah, So I had settled in one way of thinking,

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<v Speaker 1>and then by the end of the book, I was like, well,

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<v Speaker 1>now I'm not sure if that's.

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<v Speaker 3>True, and so like, and I like that the core

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<v Speaker 3>set of characters, like they continuing through this journey, like

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<v Speaker 3>all have their own paths but are still supporting one

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<v Speaker 3>another so much like I friends groups, especially represented in

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<v Speaker 3>books like this, like during times of strife, I think

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00:19:30.799 --> 00:19:33.559
<v Speaker 3>are so great because I think that that gets like

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<v Speaker 3>the romance and sort of the anticipation around the romance

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<v Speaker 3>I love, but also just you know, the.

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<v Speaker 1>Checking in with the friend groups. We have some new

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<v Speaker 1>friends of all and a.

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<v Speaker 2>Teen drama which is necessary, right, Like their lives feel

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<v Speaker 2>normal and settled for a good portion of this book,

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<v Speaker 2>and well, yeah, if that's going to be a thing,

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<v Speaker 2>you're gonna have some drama.

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<v Speaker 1>Right Oh yeah, Like if you have the time an

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<v Speaker 1>energy to have drama, especially around that age it's it's you.

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<v Speaker 2>Can't be like safe and in school and have access

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<v Speaker 2>to a swimming pool and never have any drama come on.

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<v Speaker 1>All the technology, but.

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<v Speaker 4>The teen drama chapters like this feels safe, this feels good.

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<v Speaker 5>In Nobody's after anybody right now, and then you switch

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<v Speaker 5>to the village right where everything goes terribly wrong because

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<v Speaker 5>now they think the religion they abandoned is real after all.

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<v Speaker 1>So yeah, and and seeing like what they're being told

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<v Speaker 1>in Elysium versus the reality is chilling.

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<v Speaker 2>Right, But the question is is it really reality?

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<v Speaker 1>Oh gosh, yeah, your head.

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<v Speaker 6>Sorry, yeah, because like the chapters from Maggie's point of view,

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<v Speaker 6>like the whole time, I'm like.

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<v Speaker 2>So, I'm really curious what you thought about Maggie's character

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<v Speaker 2>arc in this story, because she goes from this very

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<v Speaker 2>powerful woman, you know, she's strong, and she's in charge,

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<v Speaker 2>and she's like the big bad leader, you know, she's

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<v Speaker 2>the boss lady, and she becomes convinced that everything she

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<v Speaker 2>knew was wrong, that she is the cause of all

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<v Speaker 2>this terrible suffering. And of course, I mean you can

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<v Speaker 2>imagine in a society like that, like it was gonna

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<v Speaker 2>go wrong, yes, but just the way that she handled

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<v Speaker 2>all of that. What were your thoughts on that?

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<v Speaker 1>I mean, I really felt for her because you know,

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<v Speaker 1>I can't blame her for feeling a little bit cursed

347
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<v Speaker 1>after everything went so sideways, because her saying orphans are

348
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<v Speaker 1>children and they are people and we should treat them

349
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<v Speaker 1>thus does not seem like a hot take, right, so

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<v Speaker 1>you think so when she first conveyed that and convinced

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<v Speaker 1>everyone else, I was like, yes, the pendulum is correcting itself.

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<v Speaker 1>And then in this book where everyone's like, look what

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<v Speaker 1>you did, what a mess you made, I was like,

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<v Speaker 1>that's not really fair.

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<v Speaker 2>And for anybody who's considering reading this book, yes it

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00:22:24.799 --> 00:22:28.279
<v Speaker 2>gets violent, so be ready for that. I did have

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<v Speaker 2>some beta readers, just close friends who work with teenagers

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<v Speaker 2>and and so it helps to have another set of eyes.

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<v Speaker 2>And one of them read it early and she was like,

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<v Speaker 2>these chapters are so hard to read. It it hurts

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<v Speaker 2>my heart. What are they doing to the children?

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<v Speaker 1>Yes, and you know, even sort of like as a reader,

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<v Speaker 1>when I became cognizant of the techniques that they the

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<v Speaker 1>Council was using to kind of push their agenda forward,

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<v Speaker 1>Like all of the behaviors felt sinister but that felt

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<v Speaker 1>especially sinister because it was, you know, in the service

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<v Speaker 1>of tearing families apart, and it was like wow, and

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<v Speaker 1>while simultaneously trying to convince people this was in their

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<v Speaker 1>best interests, like like convinced the citizens it was in

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<v Speaker 1>their best address, and it was like, oh my goodness.

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<v Speaker 2>They might have pushed too hard, too fast, you know.

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<v Speaker 1>Yes, I think like the one line I remember in

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<v Speaker 1>particular is when they were talking about the food shortage

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<v Speaker 1>and it was like, but the member council, the council

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<v Speaker 1>members just keep getting better. And I was like, because

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<v Speaker 1>I mean, that feels like sort of a throw back

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<v Speaker 1>to sovereign where there's like so much suspicion around food

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<v Speaker 1>and food insecurity, and I was like, yeah, you can't

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<v Speaker 1>be that brazen. People are not going to lay down

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<v Speaker 1>for it.

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<v Speaker 2>So and they shouldn't. They shouldn't have to.

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<v Speaker 1>Yes, yes, absolute, So Okay, I feel like we I like,

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<v Speaker 1>I want to keep talking, but I also want people

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<v Speaker 1>to read books and not be schoiled. So I feel

385
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<v Speaker 1>like if we keep going, I'm gonna be like, Okay,

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<v Speaker 1>we want to talk about this. Yeah, Frank, did you

387
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<v Speaker 1>have any questions? Followed up et cetera.

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<v Speaker 4>No, not really. I'm just we don't like, I think

389
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<v Speaker 4>you're the first author we've had back for their second book.

390
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<v Speaker 1>It's very exciting for us.

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<v Speaker 4>Yeah, so it just like like when I just want

392
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<v Speaker 4>to bring in my opinion about the Maggie chapters, and

393
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<v Speaker 4>like when I got like when you got to the

394
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<v Speaker 4>whole thing of just like oh, like they had like

395
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<v Speaker 4>they've done these terrible things and like we're starting to

396
00:24:49.799 --> 00:24:53.839
<v Speaker 4>recognize these orphans as children. Reminds me of my favorite book,

397
00:24:53.920 --> 00:24:56.799
<v Speaker 4>Cold Mountain, about a Civil War soldier trying to walk

398
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<v Speaker 4>home and he was fighting on the wrong side. At

399
00:24:59.400 --> 00:25:04.799
<v Speaker 4>certain point, he stops with this group of traveling performers

400
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<v Speaker 4>and he's there's you know, all different races there, and

401
00:25:09.240 --> 00:25:12.440
<v Speaker 4>like one person says, like in his own foot, like

402
00:25:12.480 --> 00:25:14.680
<v Speaker 4>a strange thing that one day the term slave will

403
00:25:14.720 --> 00:25:19.920
<v Speaker 4>be strictly metaphorical. He's like, huh, he can't quite wrap

404
00:25:19.960 --> 00:25:22.680
<v Speaker 4>his head around it. And that's that's what the village

405
00:25:22.720 --> 00:25:27.720
<v Speaker 4>felt to me, except much more desperate.

406
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<v Speaker 2>Yeah, Like it's like.

407
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<v Speaker 4>You know, because it's like we they they were living

408
00:25:35.640 --> 00:25:40.240
<v Speaker 4>under such terror for so long that you know, it's

409
00:25:40.240 --> 00:25:43.640
<v Speaker 4>like we're on the knife sedge and when somebody's like,

410
00:25:43.680 --> 00:25:47.359
<v Speaker 4>oh yeah, when you know, Maggie's like, oh, orphans are people?

411
00:25:47.599 --> 00:25:50.200
<v Speaker 4>Like this was all true. It's like it's so easy

412
00:25:50.279 --> 00:25:53.160
<v Speaker 4>just to tip over. And like watching that happen in

413
00:25:53.200 --> 00:25:57.359
<v Speaker 4>real time was so rough because I think I said

414
00:25:57.400 --> 00:25:59.839
<v Speaker 4>on the last episode, I can't get over like that,

415
00:26:01.640 --> 00:26:04.440
<v Speaker 4>you know, orphan three, like three three.

416
00:26:04.359 --> 00:26:07.640
<v Speaker 2>Two, just like so many orphans.

417
00:26:07.880 --> 00:26:08.880
<v Speaker 3>Yeah, just.

418
00:26:10.960 --> 00:26:14.680
<v Speaker 4>You know, like sitting back and saying that happened to

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00:26:14.720 --> 00:26:18.000
<v Speaker 4>so many people and we just let it happen, and

420
00:26:18.039 --> 00:26:19.720
<v Speaker 4>now that it's like we're going to start it all

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<v Speaker 4>over again.

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00:26:21.400 --> 00:26:24.880
<v Speaker 1>Yeah. I did appreciate the past orphan Laura though, like

423
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<v Speaker 1>getting some of the like a look into their predecessors.

424
00:26:31.119 --> 00:26:35.759
<v Speaker 2>I guess, oh yes, the other Alysians that came, Yes,

425
00:26:38.200 --> 00:26:38.559
<v Speaker 2>But I do.

426
00:26:38.680 --> 00:26:41.519
<v Speaker 4>I do also think that like you mentioned Harper's age

427
00:26:41.519 --> 00:26:46.960
<v Speaker 4>for her current job, and that once again just adds

428
00:26:47.079 --> 00:26:51.559
<v Speaker 4>to more tragedy of the of these you know, two

429
00:26:51.599 --> 00:26:58.319
<v Speaker 4>civilizations we were in, like and it's difficult once again

430
00:26:58.480 --> 00:27:03.000
<v Speaker 4>to talk about her job out spoiling the book, right.

431
00:27:04.519 --> 00:27:07.160
<v Speaker 1>You know, I would say it's an intense job for

432
00:27:07.240 --> 00:27:12.799
<v Speaker 1>anyone of any age, never mind someone news you know four.

433
00:27:14.640 --> 00:27:18.920
<v Speaker 2>Right, right, And it's it's in my mind it was

434
00:27:19.000 --> 00:27:27.000
<v Speaker 2>a very concentrated effort at brainwashing this person and garnering

435
00:27:27.720 --> 00:27:33.279
<v Speaker 2>unquestioning loyalty from her to make her so important so quickly,

436
00:27:34.880 --> 00:27:37.680
<v Speaker 2>and it's going to backfire spectacularly.

437
00:27:38.160 --> 00:27:42.480
<v Speaker 1>Yeah, because it's not like she's not talented. Like every

438
00:27:42.640 --> 00:27:47.759
<v Speaker 1>character has, you know, commented on it. It has been illustrated,

439
00:27:47.920 --> 00:27:54.839
<v Speaker 1>but it's like made the perfect.

440
00:27:53.680 --> 00:27:55.599
<v Speaker 2>Yeah, and it's like, if we can if we can

441
00:27:55.640 --> 00:27:59.720
<v Speaker 2>build this loyalty and make her never ask any more questions,

442
00:28:00.359 --> 00:28:06.839
<v Speaker 2>think of all the additional power we now hold because

443
00:28:06.880 --> 00:28:09.680
<v Speaker 2>she is too dangerous to ask questions, right, Like, you

444
00:28:09.720 --> 00:28:14.599
<v Speaker 2>want to wipe that out of her as quickly as possible. Yeah,

445
00:28:15.039 --> 00:28:16.039
<v Speaker 2>it's gonna backfire.

446
00:28:16.559 --> 00:28:19.759
<v Speaker 1>And everyone who sort of interacted with her in the

447
00:28:19.799 --> 00:28:22.519
<v Speaker 1>first I would say, like quarter of the book was like, well,

448
00:28:22.599 --> 00:28:26.160
<v Speaker 1>aren't you just so curious? Don't you ask such good questions?

449
00:28:26.160 --> 00:28:28.799
<v Speaker 1>And I was like, initially I was really taken by that.

450
00:28:28.839 --> 00:28:32.519
<v Speaker 1>I was like, oh, curiosity is so important, it's so good.

451
00:28:32.599 --> 00:28:36.319
<v Speaker 1>And I was like, you don't actually care about curiosity?

452
00:28:38.920 --> 00:28:43.039
<v Speaker 4>Well, just like towards the end, what I'm like, there

453
00:28:43.079 --> 00:28:44.640
<v Speaker 4>was a part of me it's like, oh, she still

454
00:28:44.640 --> 00:28:49.680
<v Speaker 4>has her humanity. That's going to change things.

455
00:28:51.119 --> 00:28:52.359
<v Speaker 1>I mean, yes and no.

456
00:28:54.000 --> 00:28:57.279
<v Speaker 2>There's like one point where I was like, whoa, You're like,

457
00:28:57.319 --> 00:29:00.720
<v Speaker 2>who has this person become right toward the middle of

458
00:29:00.759 --> 00:29:01.480
<v Speaker 2>the book.

459
00:29:02.480 --> 00:29:05.079
<v Speaker 1>And like someone kind of like checks her on it,

460
00:29:05.119 --> 00:29:07.640
<v Speaker 1>and she's like, I'm doing what i gotta do.

461
00:29:07.759 --> 00:29:09.559
<v Speaker 2>Come on, And I was like, yeah, you gotta do

462
00:29:09.559 --> 00:29:11.599
<v Speaker 2>what you gotta do. What you gotta do to survive. Man,

463
00:29:11.759 --> 00:29:17.720
<v Speaker 2>Like it's you or me, and that's yeah, yeah, and

464
00:29:17.720 --> 00:29:20.880
<v Speaker 2>that's her. Her journey across the three books is really

465
00:29:22.079 --> 00:29:25.880
<v Speaker 2>kind of fun for me, just because in the first book,

466
00:29:25.920 --> 00:29:27.519
<v Speaker 2>you know, she starts she doesn't even have a name,

467
00:29:27.640 --> 00:29:30.920
<v Speaker 2>she has no identity. She was raised to never grow up.

468
00:29:31.000 --> 00:29:33.599
<v Speaker 2>She doesn't know who she is or who she's supposed

469
00:29:33.599 --> 00:29:38.079
<v Speaker 2>to be. And in the second book, she starts she

470
00:29:38.119 --> 00:29:42.440
<v Speaker 2>has this opportunity to actually have an identity, to be somebody,

471
00:29:42.559 --> 00:29:45.759
<v Speaker 2>and she gets to decide who that is, but she

472
00:29:45.799 --> 00:29:51.039
<v Speaker 2>doesn't realize she's being manipulated into a very specific identity. Yeah,

473
00:29:51.079 --> 00:29:53.960
<v Speaker 2>and then in the last book, we're gonna see her

474
00:29:54.519 --> 00:29:59.319
<v Speaker 2>kind of come around from figuring out who she wants

475
00:29:59.359 --> 00:30:04.599
<v Speaker 2>to be to knowing who she is, and you'll see

476
00:30:04.640 --> 00:30:06.759
<v Speaker 2>a little bit of a there's gonna be a combination

477
00:30:07.079 --> 00:30:11.759
<v Speaker 2>of sovereign Harper and Elysium Harper, Okay, that come together

478
00:30:12.039 --> 00:30:14.920
<v Speaker 2>to make that fully formed human that she decides she

479
00:30:15.240 --> 00:30:16.279
<v Speaker 2>actually wants to be.

480
00:30:17.640 --> 00:30:22.599
<v Speaker 1>Yeah, And I feel like even if you're preteen team

481
00:30:23.319 --> 00:30:26.440
<v Speaker 1>not in total peril with a huge life change.

482
00:30:28.920 --> 00:30:31.200
<v Speaker 2>That is what being a teenager is is trying to

483
00:30:31.240 --> 00:30:34.279
<v Speaker 2>figure out who who you actually are, who you want

484
00:30:34.279 --> 00:30:38.680
<v Speaker 2>to be, and whether it's the person people are trying

485
00:30:38.680 --> 00:30:40.839
<v Speaker 2>to make you be or not. You know, do I

486
00:30:40.880 --> 00:30:42.799
<v Speaker 2>want to be this person you're telling me to be,

487
00:30:43.079 --> 00:30:45.839
<v Speaker 2>or do I want something different for myself? Yeah, that's

488
00:30:45.920 --> 00:30:49.880
<v Speaker 2>like the whole the whole teen experience, I feel.

489
00:30:49.559 --> 00:30:54.000
<v Speaker 1>Like, and trying on different personalities, like maybe not to

490
00:30:54.079 --> 00:30:55.880
<v Speaker 1>that extreme, but like you know, like a.

491
00:30:55.880 --> 00:30:58.559
<v Speaker 2>Little bit yeah, I mean that's a teenager zoo, right,

492
00:30:58.599 --> 00:31:00.240
<v Speaker 2>You try on a little bit of this, a little

493
00:31:00.240 --> 00:31:02.440
<v Speaker 2>bit of that, and you're experimenting to see what works

494
00:31:02.440 --> 00:31:04.720
<v Speaker 2>in it feels right who you really are inside. And

495
00:31:05.160 --> 00:31:07.359
<v Speaker 2>we see a lot of that in Harber and her friends.

496
00:31:07.839 --> 00:31:14.119
<v Speaker 1>Absolutely, and even just the like wearing hair up or

497
00:31:15.400 --> 00:31:18.039
<v Speaker 1>I don't know if the corsets were mentioned in the

498
00:31:18.079 --> 00:31:20.599
<v Speaker 1>first book, but I was like that sounds truly dreadful,

499
00:31:20.640 --> 00:31:21.759
<v Speaker 1>and I would also she.

500
00:31:22.440 --> 00:31:27.319
<v Speaker 2>She wears her first corset for the barn dance. Yes, okay, yes,

501
00:31:27.559 --> 00:31:29.200
<v Speaker 2>and now she's like cool, I can breathe.

502
00:31:29.400 --> 00:31:35.720
<v Speaker 1>Yes, he had a T shirt. Yes, please, a huge

503
00:31:35.839 --> 00:31:43.720
<v Speaker 1>sort of upswing versus like being so corseted. But right, well,

504
00:31:43.960 --> 00:31:47.799
<v Speaker 1>thank you so much for joining us. Can you let

505
00:31:47.839 --> 00:31:51.720
<v Speaker 1>everyone know where to find you, where to find the book? Yes?

506
00:31:51.960 --> 00:31:55.000
<v Speaker 2>So the best place to find all the information you

507
00:31:55.000 --> 00:31:57.480
<v Speaker 2>could ever hope for about me is my website, aj

508
00:31:57.599 --> 00:32:02.279
<v Speaker 2>Whitney books dot com. I have a great newsletter on there.

509
00:32:02.319 --> 00:32:06.759
<v Speaker 2>I send out emails once a week on Wednesdays, exclusive lore,

510
00:32:07.240 --> 00:32:09.359
<v Speaker 2>things you're not gonna see written down anywhere else. So

511
00:32:09.400 --> 00:32:14.759
<v Speaker 2>I send out like hidden chapters. I send out well,

512
00:32:14.799 --> 00:32:17.440
<v Speaker 2>let's see last month, I sent out like a lost

513
00:32:17.559 --> 00:32:22.200
<v Speaker 2>audio transcript. And good luck figuring out where all of

514
00:32:22.200 --> 00:32:25.119
<v Speaker 2>these fit. By the way, before you before you get

515
00:32:25.119 --> 00:32:27.480
<v Speaker 2>to read the entire series, because I really mix it up.

516
00:32:29.319 --> 00:32:32.880
<v Speaker 2>The secret Lore coming out next week on Wednesday is

517
00:32:32.960 --> 00:32:34.599
<v Speaker 2>the first two chapters of Elysium, so you get a

518
00:32:34.640 --> 00:32:37.799
<v Speaker 2>little sneak peek. If you haven't read Sovereign, don't do it.

519
00:32:38.319 --> 00:32:41.200
<v Speaker 2>Don't don't, don't read Sovereign. Don't read the first two

520
00:32:41.279 --> 00:32:45.559
<v Speaker 2>chapters of Alysia. It'll mess you up. You won't understand.

521
00:32:47.200 --> 00:32:49.079
<v Speaker 2>But I send out lots of fun things there, so

522
00:32:49.119 --> 00:32:52.319
<v Speaker 2>that's always fun. And then I'm on You have two tiktoks.

523
00:32:52.799 --> 00:32:56.680
<v Speaker 2>The main one is AJ Underscore the Writer. I'm on Instagram,

524
00:32:56.759 --> 00:33:00.119
<v Speaker 2>I'm on threads, Facebook, but all those links are on

525
00:33:00.160 --> 00:33:03.799
<v Speaker 2>the website, which is hopefully easy to remember. Ajwhitney books

526
00:33:03.799 --> 00:33:04.559
<v Speaker 2>dot com.

527
00:33:04.599 --> 00:33:07.119
<v Speaker 1>Okay, perfect, We will put it in the show notes.

528
00:33:07.599 --> 00:33:11.599
<v Speaker 1>Thank you again so much for coming and speaking Elysium

529
00:33:11.680 --> 00:33:13.119
<v Speaker 1>and more Sovereign with us.

530
00:33:14.200 --> 00:33:15.599
<v Speaker 2>Thank you for having me back.

531
00:33:15.799 --> 00:33:19.200
<v Speaker 1>Absolutely and we are looking forward to the third one.

532
00:33:19.599 --> 00:33:22.799
<v Speaker 1>Like I said, I love a series, so uh until

533
00:33:22.920 --> 00:33:31.279
<v Speaker 1>next week, I am Suzie Coda, my friend Team Code
