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<v Speaker 1>Weird.

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<v Speaker 2>We welcome back midnight viewers to Father Malone's weekly round up.

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<v Speaker 2>I'm Father Alone in here, protecting me from the more

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<v Speaker 2>f menace. It's everywhere, you know, is mister Ripley gene

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<v Speaker 2>bark at the people repleat Oh so wilful. You're lucky,

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<v Speaker 2>You're cute. How's everyone doing? I'm asking our international friends

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<v Speaker 2>because I already know how we're doing in the States.

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<v Speaker 2>Spooky season is hitting a lot harder this year. Don't worry, though,

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<v Speaker 2>I have recently acquired a copy of the Necronomicon. It's

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<v Speaker 2>the paperback edition, though the way I was giving my

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<v Speaker 2>eternal soul for an original copy with the flesh binding. Anyway,

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<v Speaker 2>even though it's pretty dense reading, I think I should

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<v Speaker 2>be able to at least conjure Yank Satav or some

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<v Speaker 2>man amphibian hybrids from the coastal waters. I'll keep you posted.

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<v Speaker 2>We got some correspondents that can mean only one thing.

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<v Speaker 1>Pals from around.

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<v Speaker 2>This is from our Patreon channel, you know, the actual fans.

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<v Speaker 2>This one's from Andy, he writes, Hi, Father Alone, you

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<v Speaker 2>asked for suggestions on one of your shows a while back.

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<v Speaker 2>What would you think of doing an episode covering Tangerine

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<v Speaker 2>Dreams film scores. Take care and let me know what

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<v Speaker 2>you think about a TD score show. You want to

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<v Speaker 2>know what I think. I think our first composer themed

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<v Speaker 2>episode is in production. We're gonna scale the Tangerine Heights

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<v Speaker 2>until we're all dreaming. Who's we HP, of course, my

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<v Speaker 2>most musically inclined compadre. If you haven't checked out his

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<v Speaker 2>show Noise Junkies, which is about music, you're doing yourself

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<v Speaker 2>a disservice. But anyway, Tangerine dream episode is happening. Thank

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<v Speaker 2>you very much, Andy. And this is from another patron,

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<v Speaker 2>this one from Jason Father Malone. Just wanted to say

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<v Speaker 2>thanks for all you do. You Mike White, Chris Daisho

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<v Speaker 2>and a couple of other folks have gotten me through

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<v Speaker 2>some rough days. Really appreciate it and I wish I

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<v Speaker 2>could do more to support you. But please know that

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<v Speaker 2>your work means a lot to people. Just hearing the

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<v Speaker 2>familiar voices of like minded, smart people can be a

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<v Speaker 2>huge comfort in shitty times. By the way, I'm currently

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<v Speaker 2>listening to your heavy metal episode from last year. Excellent choice,

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<v Speaker 2>and I'm reminded of seeing it at a midnight show

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<v Speaker 2>sometime nineteen ninety or ninety one. A couple of Bill

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<v Speaker 2>and Ted looking dudes walked in about five minutes late,

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<v Speaker 2>and one loudly goes, ah, man, it's a fucking cartoon, suckers. Anyway,

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<v Speaker 2>that is how you contact me, folks. That is correspondence.

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<v Speaker 2>Thank you so much, Jason. Also, we got a new

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<v Speaker 2>communicat from our pal, Shane Mackey, and I mean pal

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<v Speaker 2>like you're all my pals, you know, like the young

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<v Speaker 2>guns meaning of pals. You get it. Anyway, haven't heard

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<v Speaker 2>from you in some time, Shane, What say you? He writes,

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<v Speaker 2>enjoying Alien Earth. But I have a hard time with

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<v Speaker 2>the name boy Cavalier without hearing it with a John

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<v Speaker 2>Lovett style flourish. I think that's something like this, Boy Cavalier.

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<v Speaker 2>I am intrigued on your theory that the Octoi will

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<v Speaker 2>one day be the CEO of one of the Big Five.

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<v Speaker 2>That will make for an odd company portrait. I'm impressed

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<v Speaker 2>with your memory of media from our youth. I've got

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<v Speaker 2>maybe a year or two on you, and some of

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<v Speaker 2>those details escape me. But here's one. I'd catch this

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<v Speaker 2>maybe once or twice on HBO, always around five am

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<v Speaker 2>on Saturday. This short film about a battle between video

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<v Speaker 2>game characters. I was probably around eleven or twelve at

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<v Speaker 2>the time. That hour of the week they would show

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<v Speaker 2>some shorts that are probably now lost time, but I

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<v Speaker 2>did find this one on YouTube. Finally, I find you

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<v Speaker 2>an excellent swearer as you punctuate not pepper. Oddly that

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<v Speaker 2>that last sentence may have been improperly punctuated. Enjoy your

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<v Speaker 2>horror Convention car Show. I may be confused on the specifics.

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<v Speaker 2>All right, let me take things in reverse order. The

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<v Speaker 2>Nightmare in Vegas, horror convention and car show. You got

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<v Speaker 2>your car show in my horror convention. You got your

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<v Speaker 2>convention in my car show. Mmm, it's both and it's

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<v Speaker 2>happening October fourth and fifth at the Silverton Casino in

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<v Speaker 2>beautiful Las Vegas, Nevada. It's America's playground. And if you're

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<v Speaker 2>coming in from out of state, you picked the perfect

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<v Speaker 2>fucking time. The seasons here in Las Vegas are spring, summer, fall,

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<v Speaker 2>over and over again. Fuck you Winter. We've thrown in

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<v Speaker 2>with heat Miser. He's most benevolent. It's gonna be a

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<v Speaker 2>fucking blast. They've got crazy guests there, like Miko Hughes.

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<v Speaker 2>You know, gauge from pet Cemetery. And also Andrew Brenarski.

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<v Speaker 2>That's the one I'm stoked for. You'd know him the

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<v Speaker 2>moment you saw him. He was in Batman Returns. He's

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<v Speaker 2>Christopher Walkin's son. No Dad, save yourself. Every horror person

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<v Speaker 2>in the valley is gonna be there. There's gonna be

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<v Speaker 2>tons of vendors, tons of food, and midnight viewing motherfuckers.

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<v Speaker 2>I will be there, and HP and Chris Stashue. We're

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<v Speaker 2>gonna be raffling off some cool vintage horror shit and

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<v Speaker 2>chasing people down with microphones. I should have a phrase

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<v Speaker 2>or something. If you come up with me, I can

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<v Speaker 2>give you something cool. You know what. I'll determine the prize.

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<v Speaker 2>But if you come up to me, not HP, not Chris, me,

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<v Speaker 2>and you say we're honoring murderers, you'll get that treasure

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<v Speaker 2>and you'll get on the air.

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<v Speaker 3>All right.

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<v Speaker 2>That's that. Thank you for the motherfucking profanity compliment, Shane.

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<v Speaker 2>I've had those very close to me telling me it

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<v Speaker 2>needs to be toned down. Looking at you, Rip, She's asleep.

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<v Speaker 2>That's what I'm working with here. She's asleep. Okay. The

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<v Speaker 2>short film he mentioned is called Arcade Attack by Mike Wallington,

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<v Speaker 2>and yes, I remember it so fucking well. As he

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<v Speaker 2>mentioned back in the day, HBO would keep to a

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<v Speaker 2>strict on the hour schedule. Movies didn't begin at the

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<v Speaker 2>half hour or the quarter hour. If a film ended

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<v Speaker 2>at four eight pm, then the next movie would not

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<v Speaker 2>begin until five pm and they had better part of

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<v Speaker 2>an hour to fill and they'd show videos or electronic

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<v Speaker 2>PRESSCT type behind the scenes. And thanks to a fucking

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<v Speaker 2>flood of short films coming out of film schools in

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<v Speaker 2>the US and UK, though really out of Canada, if

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<v Speaker 2>you were a TV chunkie like myself, you were getting

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<v Speaker 2>an honest god film festival every day. I often sing

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<v Speaker 2>the praises of the USA Network series Night Flight for

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<v Speaker 2>introducing me to a cavalcade of short cinema, but if

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<v Speaker 2>I'm being honest, HBO was dominating in that arena. I

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<v Speaker 2>have linked the short that Shane mentioned in the show

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<v Speaker 2>notes and just below that will be my favorite short

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<v Speaker 2>film from the nether world of in between this on HBO.

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<v Speaker 2>This one is called Recorded Live from nineteen seventy five.

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<v Speaker 2>It's about a recording engineer doing battle with a living

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<v Speaker 2>role of magnetic tape of that film to be as

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<v Speaker 2>formative as any horror I experienced in my young life.

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<v Speaker 2>And because I'm talking about it, I just want to

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<v Speaker 2>shout out its filmmaker SS Wilson. He's a fellow usclum.

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<v Speaker 2>After that short, he'd go on to write the Robot

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<v Speaker 2>on the Run feature short Circuit, and then Tremors. I

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<v Speaker 2>love Tremors and he was one of the writers on

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<v Speaker 2>Wild Wild West. Can't win them all, but I do

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<v Speaker 2>want to talk to him, so I'm gonna try to

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<v Speaker 2>make that happen. Check out both those short films, and

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<v Speaker 2>if you want to get in touch with me here,

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<v Speaker 2>it's all in the show notes. Okay, close up the mailbag. Now,

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<v Speaker 2>Ordinarily here would be Rip's pick with the music and

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<v Speaker 2>me talking HP, but because she's asleep, I'm just gonna

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<v Speaker 2>give you the broad strokes of her choice. I watched

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<v Speaker 2>the new Stupid Conjuring movie. I figured it was my

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<v Speaker 2>horror journalistic duty. I've seen them all, all the extended

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<v Speaker 2>Universe shit, the Controverse, and believe it or not, I

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<v Speaker 2>have some association with this film series. However, Tangential.

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<v Speaker 4>Don't touch anything.

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<v Speaker 1>Everything you're see in here is either haunted.

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<v Speaker 4>Curse we've then used in some sort of ritualistic practice.

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<v Speaker 4>Nothing's a toy, not even the toys.

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<v Speaker 1>How many cases you guys had cases?

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<v Speaker 2>My name is Ed Warren here with my way from

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<v Speaker 2>the rain.

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<v Speaker 4>Yeah, maybe a thousand. Every case is different, every family

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<v Speaker 4>is different. Once we start, there's no going back. Anything

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<v Speaker 4>can happen, and most likely anything.

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<v Speaker 3>Well y, yeah, something's changed, something's different.

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<v Speaker 2>So that's we can't.

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<v Speaker 4>Helloud, he's got to cry.

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<v Speaker 3>Why shouldn't be?

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<v Speaker 1>Oh you?

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<v Speaker 2>Here is my take on these films. First one, it's

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<v Speaker 2>James wand he knows what he's doing with the camera,

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<v Speaker 2>and he knows the right people to hire to make

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<v Speaker 2>it look as good as it does. I admire that

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<v Speaker 2>first film the way I admire Donnie Darko, in that

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<v Speaker 2>it doesn't feel like a period piece. It feels like

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<v Speaker 2>a film from that era, which is as high a

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<v Speaker 2>compliment as I can give. I'm not saying the script

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<v Speaker 2>was great. It wasn't just a hodgepodge of spook show

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<v Speaker 2>conventions reconfigured and reassembled from the strengths of superior films,

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<v Speaker 2>and the hagiography treatment of the Warrens is a bit much,

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<v Speaker 2>but it had some good fucking moments, and that cast

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<v Speaker 2>was superlative. I recommend that movie, and I happen to

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<v Speaker 2>think the second one is even better. Dispensing with any

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<v Speaker 2>ties to logic or reality, I think the family is

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<v Speaker 2>stronger as protagonists and the scares are even better. That

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<v Speaker 2>film scared me into the trailer. Bravo. Now, it might

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<v Speaker 2>sound like I really like this series, and I guess

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<v Speaker 2>if it ended there, then yeeha, you made a couple

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<v Speaker 2>of great paranormal plot boilers. But it didn't fucking end there,

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<v Speaker 2>did it? Because even before Conjuring two came out, there

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<v Speaker 2>was Annabell. Okay, I kind of like that one too,

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<v Speaker 2>all right, if that was a trilogy, But then came

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<v Speaker 2>Annabel Creation Horrible. The doll is not that scary, everybody,

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<v Speaker 2>It's not chucky. I'd be way more into it. Had

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<v Speaker 2>they kept the original raggedy ann doll that Annabel actually was,

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<v Speaker 2>that'd be fucking cool. Anyway. They followed that nightmare with

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<v Speaker 2>the nun How many scares in it? None? And then

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<v Speaker 2>Annabel comes home, which brings back the Warrens and their

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<v Speaker 2>museum and their daughter. And I really liked that one.

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<v Speaker 2>What's the tally? Now it's three to three, so there's

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<v Speaker 2>still a chance that this can be a decent series.

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<v Speaker 2>So if they would just stop, but they didn't. The

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<v Speaker 2>conjuring the devil made me do it. Oh boy, did

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<v Speaker 2>I speak ill of those Annabel movies, those Nune movies.

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<v Speaker 2>I apologize. This movie is garbage. No scares zero. The

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<v Speaker 2>characters are uninteresting. The Warrens are uninteresting. This story was

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<v Speaker 2>based on the case of Arnie Johnson. He was witnessed

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<v Speaker 2>to an exorcism performed by the Warrens. About a month later,

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<v Speaker 2>he stabbed his landlord to death and claimed demon possession

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<v Speaker 2>as his defense in court. He was convicted of manslaughter.

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<v Speaker 2>The film, on the other hand, is about a body

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<v Speaker 2>jumping demon that the Warrens are chasing all over the Northeast,

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<v Speaker 2>including a depiction of Danvers, Massachusetts, which is where I

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<v Speaker 2>went to high school. That is not my tenuous connection

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<v Speaker 2>to the series. This is I was a tour guide

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<v Speaker 2>at the Haunted Museum here in Las Vegas for about

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<v Speaker 2>two years. Let's call the owner Frodo Baggins. You know,

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<v Speaker 2>like in the books, Frodo bought the rocking chair that

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<v Speaker 2>was in David Glanzill's room during the exorcism, when the

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<v Speaker 2>demon purportedly jumped into Arnie Johnson. Andy had a whole

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<v Speaker 2>room built to showcase it in the museum. You'd hit

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<v Speaker 2>a button and a door would open, revealing the chair

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<v Speaker 2>in a room decorated to look like a child's bedroom,

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<v Speaker 2>and then a recording of the actual exorcism would play.

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<v Speaker 2>The recording admittedly is disconcerting. Hearing guttural snarls coming from

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<v Speaker 2>any human being is going to give you the willies,

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<v Speaker 2>But that was the only real effect of the room,

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<v Speaker 2>because otherwise you're just staring at a chair, which is

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<v Speaker 2>not exactly the VW microbus doctor Kervorkian used on his

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<v Speaker 2>euthanasia tour, although that is in the museum as well.

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<v Speaker 2>The only reason I bring it up, other than the

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<v Speaker 2>conjuring connection, is that if you remember back to July

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<v Speaker 2>of twenty nineteen, there were a series of earthquakes in California,

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<v Speaker 2>the Ridgecrest quakes, and some of those shakers were felt

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<v Speaker 2>as far off as Las Vegas. So one day I

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<v Speaker 2>opened the door and the recording is playing, and the

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<v Speaker 2>chair starts slowly swaying back and forth, and everyone gasps,

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<v Speaker 2>and then they lean back against the wall. But that's

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<v Speaker 2>shaking too. And then they all turned to me terrified,

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<v Speaker 2>and I say, it's an earthquake. Maybe we should go outside.

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<v Speaker 2>Guess who was the skeptic on the tour guide staff.

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<v Speaker 2>I was the head tour guide, by the way, I

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<v Speaker 2>just want to point that out. Next up we had

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<v Speaker 2>The Nune two. I won't recycle the joke, but this

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<v Speaker 2>movie is fucking horrible as well, even though I like

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<v Speaker 2>The Fermiga Girl. And then we got this The Conjuring

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<v Speaker 2>Last Rites. Ed and Lorraine and their now grown daughter

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<v Speaker 2>have to investigate a family in Pennsylvania that have been

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<v Speaker 2>terrorized by a mirror. The movie plays almost like a

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<v Speaker 2>parody of the first Conjuring movies. Remember James Wand's camera

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<v Speaker 2>slowly gliding through the new family home, giving us geography

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<v Speaker 2>and subtle character points. Well, let's do that again, but

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<v Speaker 2>really fast and never ending, just a swooping camera untethered

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<v Speaker 2>by logic. Maybe it's the ghost point of view that

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<v Speaker 2>would make sense as much sense as this convoluted plot

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<v Speaker 2>or plots. We're supposed to give a shit that the

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<v Speaker 2>Warren's daughter is exhibiting the same gifts as her mom.

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<v Speaker 2>All set against the backdrop of her upcoming wedding to

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<v Speaker 2>a nondescript actor we're never going to see again, or

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<v Speaker 2>some priest he's doing investigating on his own. We got

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<v Speaker 2>to follow his story too. The movie does have one

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<v Speaker 2>redeeming factor spoilers for the next thirty seconds. All of

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<v Speaker 2>the characters from the previous films are in attendance at

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<v Speaker 2>the daughter's wedding. It's nice because it reminds you that

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<v Speaker 2>this franchise once had promise and held your interest. You know,

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<v Speaker 2>when they're doing reunions, it's time to hang it up.

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<v Speaker 2>But then again, the movie made four hundred million dollars

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<v Speaker 2>on a budget of fifty five. So you tell me

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<v Speaker 2>if that's the last will here of Annabelle. Although that

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<v Speaker 2>is the last film in the series, I'm going to

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<v Speaker 2>be wasting my life on. There are more noble pursuits

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<v Speaker 2>out there. Is football one of them. No, but that's

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<v Speaker 2>the subject of the latest from producer, producer. You hear that,

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<v Speaker 2>not writer, not director, producer Jordan Peel.

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<v Speaker 1>This is him.

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<v Speaker 2>Do I look at you and MC you'll just look

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<v Speaker 2>right at me. You'll just ignore the character.

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<v Speaker 4>There are a lot of people saying you could be

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<v Speaker 4>the next great quarterback.

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<v Speaker 3>I can already see it now, Cam running down a

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<v Speaker 3>tunnel with crowd him is nay.

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<v Speaker 4>I hear you've been invited to train with legend Isaiah

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<v Speaker 4>White himself here two albory.

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<v Speaker 1>I want to be the goat, Camel and kid. Great

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<v Speaker 1>means I'm a fan.

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<v Speaker 3>That's crazy.

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<v Speaker 1>I getting the worship. Keep growing up?

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<v Speaker 3>Who are you? Who are you just play a little catch?

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<v Speaker 2>Were going to the match?

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<v Speaker 1>You want to play at your highest level? You want

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<v Speaker 1>to be a legend. Let me tell you something saying

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<v Speaker 1>a game? Who are they just gonna toss the ball

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<v Speaker 1>around a little? You want at this?

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<v Speaker 3>He can't hands with I understand?

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<v Speaker 1>Oh too slow?

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<v Speaker 3>Wait what are we doing.

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<v Speaker 1>That?

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<v Speaker 4>Man?

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00:16:55.320 --> 00:16:57.919
<v Speaker 1>Smile about to be on the floor. That's how you do,

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<v Speaker 1>your teammates?

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<v Speaker 4>What is this?

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<v Speaker 1>S In this game, violence is rewarded, so learn to

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<v Speaker 1>enjoy it. Don't shit together?

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<v Speaker 3>Cam?

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00:17:18.799 --> 00:17:19.359
<v Speaker 2>Are you okay?

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<v Speaker 1>I think something's all?

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<v Speaker 3>You want to know what you're getting yourself into? Some football?

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<v Speaker 2>Don't have to do this.

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<v Speaker 1>I've never been more certain of anything in my life.

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<v Speaker 3>Ok.

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<v Speaker 1>How bad that's Camra and kaid Wad don't see I'm

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<v Speaker 1>not just gonna give it to you. You got to

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<v Speaker 1>take it for what? Don't you see? What? If I

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<v Speaker 1>say no, think of it as a gift from the God.

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<v Speaker 2>Reply surprise. The guy twitching in the dark pointing out

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<v Speaker 2>discrepancies in horror anthology TV series from fifty years ago,

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<v Speaker 2>isn't the biggest sports fan like at all. I played

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<v Speaker 2>baseball and basketball as a kid. I understand the camaraderie

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00:18:22.400 --> 00:18:25.839
<v Speaker 2>and teamwork and the training and putting something above yourself,

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00:18:26.200 --> 00:18:28.359
<v Speaker 2>all the shit you're supposed to get from the children's game.

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00:18:28.640 --> 00:18:31.519
<v Speaker 2>I got it, and then my interest drifted. If sport

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<v Speaker 2>had ever had it at all, honestly, and through the years,

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00:18:33.920 --> 00:18:36.480
<v Speaker 2>I've attempted to become a spectator. I once chose a

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<v Speaker 2>football team to follow for a season to try and

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00:18:38.559 --> 00:18:41.680
<v Speaker 2>drum up my enthusiasm. It was the Cleveland Browns. By

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00:18:41.720 --> 00:18:44.240
<v Speaker 2>the way, they did not stoke the fires of sports

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<v Speaker 2>fanaticism within me. So I'm not the guy to talk

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<v Speaker 2>to on Monday about the game if it's played on Sunday.

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<v Speaker 2>I'm just assuming. But if you were to make a

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<v Speaker 2>movie out of a sport, well that's a whole different ballgame.

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<v Speaker 2>Am I using that correctly? I love sports movies. I

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<v Speaker 2>love sports documentaries, some the entire thing up for me,

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00:19:03.759 --> 00:19:07.599
<v Speaker 2>contextualize it. I'm all in, I love Slapshot, I love

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00:19:07.680 --> 00:19:11.079
<v Speaker 2>Fast Break, The Fish That Save Pittsburgh, Eight Men Out?

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<v Speaker 2>Are you kidding me? How about The Longest Yard or

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00:19:14.000 --> 00:19:16.839
<v Speaker 2>North Dallas forty or all of those NFL films that

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00:19:16.920 --> 00:19:18.880
<v Speaker 2>George Romero directed in the seventies.

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<v Speaker 3>Yes, please.

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<v Speaker 2>And there have been so many sports movies, every underdog, tail,

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<v Speaker 2>every ragtag group of misfits coming together to overcome their ugh,

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<v Speaker 2>which makes it weird that we have so few horror

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<v Speaker 2>sports movies. Teenwolf does not count, none of the goofy Ones, Gutterballs,

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00:19:37.119 --> 00:19:39.799
<v Speaker 2>Monster Brawl. When you think about it, there really hasn't

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<v Speaker 2>been a serious sports horror movie. Here comes Him, originally

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<v Speaker 2>titled Goat. Wish it had remained that, not only for

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<v Speaker 2>the Greatest of All Time association, but it's rather ominous

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00:19:51.240 --> 00:19:54.400
<v Speaker 2>shadings of Satan. Him is the story of Cameron Cade,

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<v Speaker 2>played by Tyreek Withers, who's already been in the remakes

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<v Speaker 2>of I Know What You Did Last Summer and Don't

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<v Speaker 2>Tell Mom, Babysitters Dead. But don't hold that against him.

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<v Speaker 2>He's electric In this flick. Cam is an up and

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<v Speaker 2>coming college quarterback whose pattern his entire life and potential

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<v Speaker 2>career around Isaiah White, the quarterback for the San Antonio Saviors.

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<v Speaker 2>Of course, all the team names and leagues are made

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<v Speaker 2>up for the film. There's no way the NFL was

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<v Speaker 2>going to sanction this. Hell, the XFL wouldn't sanction it.

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<v Speaker 2>What I know about sports even if I don't care,

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<v Speaker 2>Isaiah or Zay is nearing the end of his contract,

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00:20:27.839 --> 00:20:31.279
<v Speaker 2>having overcome some crippling injuries over the length of his career,

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00:20:31.960 --> 00:20:35.279
<v Speaker 2>crippling and the film is a week long trial as

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<v Speaker 2>Cameron is put through his paces by Jay at a remote,

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<v Speaker 2>poured concrete, brutalless training facility somewhere in the middle of

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<v Speaker 2>the desert. If I had to guess, I'd say it

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00:20:44.559 --> 00:20:47.720
<v Speaker 2>was New Mexico. I know deserts people. The film has

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<v Speaker 2>some interesting things to say about the sports phenomenon, from

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00:20:50.720 --> 00:20:53.319
<v Speaker 2>the fanatics that worship the players like gods, to the

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00:20:53.440 --> 00:20:57.039
<v Speaker 2>willingness of sacrificing one's own body at the temple of winning,

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<v Speaker 2>to the blind surrender to sports medicine that keeps it going,

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00:21:01.599 --> 00:21:03.960
<v Speaker 2>and of course, the cabal of rich white men that

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00:21:04.119 --> 00:21:07.599
<v Speaker 2>lurk in the shadows, pulling all the strings, and thanks

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<v Speaker 2>to an early attack by either a mass arter or

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<v Speaker 2>just a lunatic, Cam has a swelling brain that may

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<v Speaker 2>be causing him to hallucinate the demons and suck you by.

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<v Speaker 2>He seems to keep seeing with increasing regularity. Then again,

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<v Speaker 2>maybe not Zay. The current goat and the film's obi

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<v Speaker 2>Wan Darth Vader rulled into one, is played by Marlon Wayns.

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<v Speaker 2>He is the only Wayns I will venture to the

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<v Speaker 2>theater and put money down to see. He is clearly

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00:21:32.480 --> 00:21:35.400
<v Speaker 2>the most talented actor in the family. Not stand up

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00:21:35.480 --> 00:21:38.920
<v Speaker 2>that's Damon. Not comedic filmmaker, that's Keenan, though his stand

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<v Speaker 2>up isn't bad and his films have been at least

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<v Speaker 2>on par with some of Keenan's work. I just think

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<v Speaker 2>he's great. Fucking Requiem for a Dream and White Chicks,

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<v Speaker 2>He's good in both. Get out of Here, He's awesome here.

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<v Speaker 2>The film is wal to wall Wayans, and I still

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00:21:52.359 --> 00:21:55.680
<v Speaker 2>wanted more. Also, the soundtrack tends to lean into classical,

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00:21:55.880 --> 00:21:58.599
<v Speaker 2>which is never a bad thing. There's plenty of cool

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00:21:58.640 --> 00:22:02.240
<v Speaker 2>and interesting stuff by compos Bobby Kurlick. Fans of Drone

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<v Speaker 2>Metal will know him as the Hacks and Cloak, but

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<v Speaker 2>overall it feels like a yen toward Kubrick with all

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<v Speaker 2>of the classical music, and I really admired that. Overall,

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00:22:11.119 --> 00:22:14.319
<v Speaker 2>though the film is a mess. For all the interesting

375
00:22:14.400 --> 00:22:18.039
<v Speaker 2>avenues the film proposes we go strolling down, it ultimately

376
00:22:18.079 --> 00:22:21.319
<v Speaker 2>settles on the weakest and most obvious one. In fact,

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00:22:21.440 --> 00:22:23.799
<v Speaker 2>they go for Catharsis at the end, and that's how

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00:22:23.839 --> 00:22:26.599
<v Speaker 2>you know. Jordan Peel was producer and not creative because

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00:22:26.640 --> 00:22:29.920
<v Speaker 2>he understands that horror movies need to end terribly for everyone,

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00:22:30.480 --> 00:22:33.000
<v Speaker 2>even if the good guys win. But I do think

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<v Speaker 2>him is worth a look. Performances are top notch, including

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00:22:36.839 --> 00:22:40.039
<v Speaker 2>Australian stand up Jim Jeffries as the team's physician. He's

383
00:22:40.319 --> 00:22:43.920
<v Speaker 2>really good. The production design is killer, the editing is great,

384
00:22:44.240 --> 00:22:47.039
<v Speaker 2>all the flights of fancy are so cool, and there's

385
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<v Speaker 2>some really great stuff they're doing with team mascots here.

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<v Speaker 2>There's so much to recommend it except the ending. You know,

387
00:22:53.480 --> 00:22:56.720
<v Speaker 2>people tend to crave satisfying endings. I know I do,

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<v Speaker 2>and that's going to be the end of this week's around.

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<v Speaker 2>I do sincerely want to thank you all again for listening.

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<v Speaker 2>This show had doubled in listenership about six months ago,

391
00:23:07.400 --> 00:23:09.960
<v Speaker 2>and it's kind of done that again. I can't explain

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00:23:10.039 --> 00:23:13.119
<v Speaker 2>it other than the endless recording and advertising that I do.

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00:23:13.480 --> 00:23:16.000
<v Speaker 2>Thank you for listening overall. Tune in Friday. We've got

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<v Speaker 2>a brand spanking new yahoucha fest. It's Predators Danny Trejo

395
00:23:21.039 --> 00:23:23.640
<v Speaker 2>and Tofer Grace and Alice Braga versus a Planet full

396
00:23:23.640 --> 00:23:27.400
<v Speaker 2>of Predators. Well three anyway, that's Friday. If you want

397
00:23:27.400 --> 00:23:30.079
<v Speaker 2>to hear it now or the next installment, that's Shane

398
00:23:30.119 --> 00:23:33.480
<v Speaker 2>blacksfilm The Predator, go over to patreon dot com slash

399
00:23:33.559 --> 00:23:36.839
<v Speaker 2>fatherm alone. Those patrons have been listening for weeks and

400
00:23:37.000 --> 00:23:39.400
<v Speaker 2>you can hear the latest episode of HP Hates Me

401
00:23:39.519 --> 00:23:41.720
<v Speaker 2>where HP made me watch the rock and roll comedy

402
00:23:42.079 --> 00:23:46.200
<v Speaker 2>FM from nineteen seventy eight. I hated it, even with

403
00:23:46.440 --> 00:23:50.000
<v Speaker 2>an appearance by the Goddess Linda Ronstadt. Until then, I'm

404
00:23:50.000 --> 00:23:51.960
<v Speaker 2>gonna be buckling down and trying to make this convention

405
00:23:52.079 --> 00:23:55.480
<v Speaker 2>appearance happen. Wish me luck everyone for ripley Gen. I'm

406
00:23:55.519 --> 00:23:57.599
<v Speaker 2>Father Malone. Here's a bit from him.

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00:23:57.920 --> 00:24:05.599
<v Speaker 1>You're good, dude, can do me a favor. Find your

408
00:24:05.640 --> 00:24:16.480
<v Speaker 1>own way to greatness. Don't be me, be better. What

409
00:24:16.559 --> 00:24:24.880
<v Speaker 1>do you mean, You're starving to death in the prison.

410
00:24:27.400 --> 00:24:34.400
<v Speaker 1>Somebody ask you food freedom. Do you really have a choice.

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<v Speaker 3>M fang sh