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<v Speaker 1>From New York, the makers of clear Craft Clothes from Anna,

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<v Speaker 1>and ten hundred and thirty six leading retails doors from

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<v Speaker 1>Coast to Coast present the world most famous detective Sherlock Holmes.

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<v Speaker 1>Our stories are based upon the character of Sherlock Holmes,

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<v Speaker 1>created by Sir Arthur Conan Doyle. Sherlock Holmes is portrayed

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<v Speaker 1>by John Stanley, Doctor Watson by Alfred Shirley.

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<v Speaker 2>And the dramatizations are by Edith miser. Well, here we are.

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<v Speaker 1>Again doctor Watson's study. We find him seated in the

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<v Speaker 1>large armchair in front of a crackling fire. Good evening

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<v Speaker 1>to her evening.

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<v Speaker 2>Doctor Watson, Now, don't get up.

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<v Speaker 1>Feel very comfortable right where you are, and from the

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<v Speaker 1>rightness of your cheeks, i'd say you've had a good

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<v Speaker 1>day off in the country somewhere.

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<v Speaker 3>That's where you're wrong, Miss Adis. I've been doing museums

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<v Speaker 3>most of the day and it's very tad in especially

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<v Speaker 3>two small boys in town.

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<v Speaker 1>I should think so. But why did you collect the

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<v Speaker 1>kindergarten doctors?

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<v Speaker 4>Oh?

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<v Speaker 1>It was a basive nephews of mine. I was hoping

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<v Speaker 1>along with that education. You know, it's a customer in

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<v Speaker 1>my family. That the uncles must take the.

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<v Speaker 3>Nephews Museum, visiting once a year. I remember as a

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<v Speaker 3>boy being dragom miles.

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<v Speaker 2>Of our galleries.

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<v Speaker 1>But doctor, weren't you ever taken to the British Museum?

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<v Speaker 2>Oh?

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<v Speaker 3>Yes, and to Madatisell's. But the part of London was

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<v Speaker 3>my favorite.

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<v Speaker 1>The entry who took me.

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<v Speaker 3>There was quite a fancier of vicious stones. He explained

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<v Speaker 3>the history of every jewel in the Crown's collection.

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<v Speaker 1>That must have been an education in itself, they say,

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<v Speaker 1>every famous gem, he's a trail of bloodshed and higher

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<v Speaker 1>adventure across the pages of history. And by the way,

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<v Speaker 1>isn't your story tonight about the famous jewel?

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<v Speaker 2>Oh?

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<v Speaker 3>Yes, that is what the nighted is as strong my

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<v Speaker 3>boyhood visits to Theatah. The famous Mazarin stone I'm going

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<v Speaker 3>to tell you about had a history that would make

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<v Speaker 3>your hair curl?

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<v Speaker 1>Tim me a little?

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<v Speaker 3>Did I think when I assoyed as.

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<v Speaker 1>A boy, that would ever hold that great yellow beauty

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<v Speaker 1>in marrowed hands?

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<v Speaker 2>Fitchcotten? Did you?

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<v Speaker 1>Doctor? Oh? Before I tell you that, mister Hardison, suppose

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<v Speaker 1>I give.

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<v Speaker 3>You a few moments to see a few words about

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<v Speaker 3>our sponsor's most ethimable croup.

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<v Speaker 1>Thank you, doctor Watson. As you put it, sir, it

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<v Speaker 1>is indeed an estimable product sour steam. May I say that,

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<v Speaker 1>beginning in nineteen forty eight, over one thousand leading stores

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<v Speaker 1>from coast to coast are clipper craft dealers. To be exact,

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<v Speaker 1>there are ten hundred thirty six such distinguished establishments. Those

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<v Speaker 1>leading stores across the country are, of course, the key

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<v Speaker 1>to the amazing value so unique to clipper Craft clothes.

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<v Speaker 1>The ten hundred thirty six leading stores are part of

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<v Speaker 1>the famous clipper Craft Plan. In this plan, their buying

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<v Speaker 1>power is concentrated to affect tremendous savings in manufacturing and distribution,

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<v Speaker 1>conscious savings which are all boors. That's why truly fine

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<v Speaker 1>clipper Craft suits are only forty and forty five dollars,

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<v Speaker 1>Why clipper craft top coats and overcoats are only forty

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<v Speaker 1>dollars and sports jackets only twenty six fifty clipper Craft

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<v Speaker 1>values are truly out of this world.

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<v Speaker 2>Compare them with.

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<v Speaker 1>Clothes selling for many dollars more. And now, doctor Watson,

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<v Speaker 1>let's get back to the story of the Masterine Stone. Yes,

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<v Speaker 1>let me see where was I? Oh, yes, I've been

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<v Speaker 1>married some years and have resumed my practice.

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<v Speaker 3>When one snowy winter afternoon one of my calls took

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<v Speaker 3>me in the neighborhood of Baker Street, I couldn't resist

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<v Speaker 3>the temptation to drop in and find out for myself

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<v Speaker 3>what my colleagues at homes were up to. And I

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<v Speaker 3>stood there in a fall in snow, waiting for someone

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<v Speaker 3>box of the bell.

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<v Speaker 1>I danced up at the window of his study, and

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<v Speaker 1>there I saw the thin nose, saturnine.

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<v Speaker 3>Features of the Greek detective. He was apparently deeply englosed

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<v Speaker 3>to the book. Listenly, the doors opened, and there stood

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<v Speaker 3>missus Hudson.

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<v Speaker 2>Well, bless my sort of him, isn't the doctor?

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<v Speaker 1>Good day to you, sir. It's a pleasant seeing you again.

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<v Speaker 3>Why missus Hudson, you're looking as beautiful as ever you.

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<v Speaker 1>You don't change at all.

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<v Speaker 2>No you, sir, You're and your bloody And how is.

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<v Speaker 1>The good man himself?

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<v Speaker 2>Him?

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<v Speaker 5>He's in bed asleep, I think, But I just saw

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<v Speaker 5>him through the window, So that fool you too, that's

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<v Speaker 5>not him.

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<v Speaker 1>What do you mean?

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<v Speaker 5>Just you be going upstairs and find out for yourself.

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<v Speaker 5>I'm not the one who begin the secrets away least

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<v Speaker 5>of all mister Holmes's secrets.

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<v Speaker 1>So he's asleep in the middle of the afternoon. I

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<v Speaker 1>suppose that means a case.

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<v Speaker 5>Yes, sir, he's hard at it now and he's getting.

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<v Speaker 1>Sinner and sinner.

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<v Speaker 5>When will it be pleased to die? And mister Holmes said,

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<v Speaker 5>I'll ask him seven thirty the day after tomorrow.

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<v Speaker 6>He'll say.

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<v Speaker 5>You know his way when he's.

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<v Speaker 1>On a case. I seem to remember he's a hollering

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<v Speaker 1>some one. Don't say, yes, sir.

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<v Speaker 5>Yesterday he was out dressed like a workman looking.

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<v Speaker 7>For a job.

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<v Speaker 5>To day he was an old woman. Fair took me

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<v Speaker 5>and he did, and Lord knows I ought to have

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<v Speaker 5>been in his weight. By now you'll see his old

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<v Speaker 5>woman's umbrella leaning up against the sofa in his study.

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<v Speaker 1>Dear, mean, what is this case all about?

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<v Speaker 5>Well, I don't mind telling you, sir, but mind you

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<v Speaker 5>don't let it go any farther crossed my heart, missus Hudson.

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<v Speaker 5>Very well, then the case of the Crown Diamond.

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<v Speaker 1>What the hundred thousand pounds burdary, Yes, sir.

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<v Speaker 5>And mister Holmes is getting it back for him.

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<v Speaker 1>Why would you believe it?

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<v Speaker 5>Yesterday we had the Prime Minister and the whole Secretary

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<v Speaker 5>sitting on mister Holmes's sofa, both at the same time.

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<v Speaker 1>Why hope it stood up in the stream.

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<v Speaker 3>And how did the Holmes behave two such famous persons

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<v Speaker 3>on the couch him?

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<v Speaker 5>He was very nice to them and put them right

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<v Speaker 5>at their ease.

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<v Speaker 1>Indeed, yes, sir, then there was old Lord can from

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<v Speaker 1>me here. Oh you know what that means?

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<v Speaker 8>He is a stiff.

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<v Speaker 5>And if I do say so, I can get along

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<v Speaker 5>with the Prime Minister. And I'm nothing against the Home Secretary.

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<v Speaker 5>He seems an obliging sort of man with a.

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<v Speaker 1>Civil tongue in his here.

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<v Speaker 5>But I can't buy his lordship, poor fellow, Yes, sir,

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<v Speaker 5>and neither can mister Holmes.

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<v Speaker 7>You see, he don't.

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<v Speaker 5>Believe in mister Holmes, and he's against employing him.

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<v Speaker 2>He rather he failed.

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<v Speaker 1>Does Holmes know that you think?

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<v Speaker 5>Yes, Thoms knows whatever there is to know.

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<v Speaker 1>Oh, absolutely, But I say perhaps I had better not

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<v Speaker 1>wake an Why I wish you, sir.

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<v Speaker 5>He's not had a bite to eat since yesterday noon,

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<v Speaker 5>and there would be a sandwich with a glass of milk.

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<v Speaker 5>And I don't dare.

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<v Speaker 1>Speak to him about it.

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<v Speaker 5>You know what his life stir when he's busy.

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<v Speaker 7>On a case.

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<v Speaker 2>Who cried?

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<v Speaker 1>Well, suppose I grew up and beard the lion in

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<v Speaker 1>his den?

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<v Speaker 7>Heh Homes, I say, Homes, are you awake?

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<v Speaker 1>He must be asleep. Well are you going anyway?

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<v Speaker 3>Same old place and the same old litter, scientific charts, chemicals,

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<v Speaker 3>violin pipes, papers, all, there's the old boy himself losing

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<v Speaker 3>the armchair in front of the window.

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<v Speaker 1>I thought I saw him from the street. I could

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<v Speaker 1>just go over and tweaking the air. What's come away

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<v Speaker 1>from that window? Good? Gracious, Homes, you gave me a

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<v Speaker 1>start away from that window.

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<v Speaker 2>Value your life will.

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<v Speaker 1>Dave well very well. But I suppose this is all

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<v Speaker 1>very confusing here. I see you sitting in your arm chair.

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<v Speaker 3>And suddenly you pop out of me from your bedroom door.

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<v Speaker 3>Since when have you been twins? Yes, it is rather startling,

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<v Speaker 3>like missus smith likeness. Yes, it's a waxed lidge on me.

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<v Speaker 2>I'm expecting to get a bullet through it, beautiful.

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<v Speaker 1>Head at any moment if you by drawing the blinds

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<v Speaker 1>without exposing yourself.

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<v Speaker 2>All right, it's better now.

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<v Speaker 1>I can come into the room. Yes, but why all

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<v Speaker 1>this hocus pocus I'm being watched from a window across

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<v Speaker 1>the street by a gentleman with an unpleasantly efficient air gun. Yes, Watson,

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<v Speaker 1>you've come at a critical moment. Yes, sir, I gather

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<v Speaker 1>how far am I justified in allowing you to share

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<v Speaker 1>this danger with me? I wonder danger? What kind of danger?

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<v Speaker 1>Sudden death? I'm expecting something this evening, expecting what to

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<v Speaker 1>be murdered? Watson, you are joking. Even my limitedness of

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<v Speaker 1>humor could produce a better joke than that. Perhaps you

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<v Speaker 1>better go while there's still.

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<v Speaker 3>Time, My dear homes You couldn't get me out of

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<v Speaker 3>here now at the point of a revolver.

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<v Speaker 1>Good, But sit down, sit down, may as well be

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<v Speaker 1>comfortable in the meantime, how about a pipe and a

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<v Speaker 1>glass of brandy. They have to take the place of

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<v Speaker 1>food these days. That's why not eat. The faculty has

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<v Speaker 1>become refined when you starve them a rubbish? What your

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<v Speaker 1>digestion gains in the way blood supply is so much

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<v Speaker 1>lost the brain present.

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<v Speaker 2>I'm all brain.

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<v Speaker 1>But this danger hose his name is Sylvius. That are

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<v Speaker 1>right down, count Negretto Sylvius, one freeze, six Moorside Gardens, Northwest, Yes, good.

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<v Speaker 1>You can give it to Scotland Yard with my love

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<v Speaker 1>and a parting blessing in case the murderer is successful.

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<v Speaker 1>You care, Hose, I'm in all this. I had nothing

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<v Speaker 1>to do for a tail or.

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<v Speaker 2>Two.

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<v Speaker 1>Your models don't prove, Watson. Now you've added fipping to

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<v Speaker 1>your other vices. You wear every sign of the busy

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<v Speaker 1>medical man.

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<v Speaker 3>Oh to blaze it with them, I say, can't you

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<v Speaker 3>have this fellow arrested?

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<v Speaker 2>Yes?

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<v Speaker 1>I can. That's why he's determan to kill me. Why

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<v Speaker 1>don't you because I don't know where he's hidden the

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<v Speaker 1>confined diamond.

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<v Speaker 3>Oh yes, missus Hudson told me the missing Crown Duel.

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<v Speaker 1>I've cast my neck, Watson, and got my fish. About

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<v Speaker 1>the use of catching them? Of the jewels that pull

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<v Speaker 1>my fingers? And is this Count Sylvia's one of your

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<v Speaker 1>so called fish. It's the shark. The other is Sampurton Butter.

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<v Speaker 1>He's the Count's tool. Sam's not a shark. He's a

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<v Speaker 1>great bullheaded gudgetman. Come in, come in, ah, miss Hudson,

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<v Speaker 1>What is it.

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<v Speaker 5>A gentleman downstairs?

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<v Speaker 2>See he says, here's.

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<v Speaker 1>This card, Come negreto Sylvius. Oh, well, so the old

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<v Speaker 1>shark is grasping the metal. Eh Er, that metaphor is

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<v Speaker 1>a trifle mixed. Show him up, missus Hudson, when I

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<v Speaker 1>ring if I'm not in the room, show him up

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<v Speaker 1>all the same, that man of nerve Watson. Possibly you've

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<v Speaker 1>heard of his reputation as a big game hunter. What

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<v Speaker 1>a triumphant ending to his sporting record. If he succeeds

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<v Speaker 1>in adding me to his bag, this is proof that

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<v Speaker 1>he feels my breath uncomfortably hot on his neck, Lucia,

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<v Speaker 1>why not send for the police? Not yet, not quite

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<v Speaker 1>yet that take a glance out of the window, Watson,

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<v Speaker 1>and see if anyone's hang about it. Yes, all right,

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<v Speaker 1>there's one rough looking fellow near the bar, that fru

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<v Speaker 1>Sam They fool bit fatuous, I say, look here, Oh

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<v Speaker 1>this is serious. I insist I'm staying with you. But

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<v Speaker 1>Jophy in the way, in his way, No, in mine? Well,

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<v Speaker 1>I'm not great batch. Any Well, we'll compromise. You shall

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<v Speaker 1>stay in the bedroom within call in case I need you. Yes,

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<v Speaker 1>but holdong, it's essential that this room be empty when

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<v Speaker 1>the Count enters it. He's come for his own purpose,

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<v Speaker 1>but he may stay for mine. Hurry, I think I

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<v Speaker 1>hear his step on the stairs. Oh he's not in here, sir.

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<v Speaker 5>But plus you step in, I'm sure you'll be back

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<v Speaker 5>in alone.

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<v Speaker 1>Many thanks. So this is his damn name, his bocos

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<v Speaker 1>on his tapers, and all the rest of his hopeless purpose.

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<v Speaker 4>Softly, Sylvia, softly, there's old vulture himself asleep in his chair.

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<v Speaker 4>I'm lucky, Soniams. One tap from my gold headed cane.

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<v Speaker 1>Don't bring it, coundn't bring it? Homes you quite? I

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<v Speaker 1>trust you were expecting someone else. I see you've been

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<v Speaker 1>buying my wax figure. Pretty little thing, isn't it. Chardenie

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<v Speaker 1>made it. He's almost as good at waxworks as your

249
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<v Speaker 1>friend Straubn's as and air guns?

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<v Speaker 2>Air guns? What do you mean? First?

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<v Speaker 1>Your hat and stick on the side table?

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<v Speaker 2>Thank you?

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<v Speaker 1>Now, pray, take a seat. Dads, you'd like to put

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<v Speaker 1>your revovard on the table too, erm No, you prefer

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<v Speaker 1>to sit. Hi, pretty well, this visit is most popertune.

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<v Speaker 1>I want a few minutes chat with you.

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<v Speaker 2>Good, I too, wish to have some words with you.

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<v Speaker 1>May I ask why all these personal attendants?

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<v Speaker 2>Because you annoy me.

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<v Speaker 1>You'll put your creatures on my tracks, my creatures, I

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<v Speaker 1>assure you no nonsense.

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<v Speaker 2>I've had them followed. Two can play that game, my friend.

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<v Speaker 1>Yesterday there's a sporting old gentleman.

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<v Speaker 2>Today was an elderly woman.

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<v Speaker 1>You latter may count Old Baron Dawson said the fort

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<v Speaker 1>he was handed that in my case, what the law

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<v Speaker 1>had gained, the stage had lost.

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<v Speaker 2>And now you.

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<v Speaker 1>Praised my personations. Dear me, twas you you yourself quite there's

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<v Speaker 1>the old lady's umbrella. You were precious enough to hand

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<v Speaker 1>up to me when we collided in the minery this morning.

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<v Speaker 1>If I don'ly not, I would never have seen this

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<v Speaker 1>humble home again. Eh oh, well, we all have our

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<v Speaker 1>neglected opportunities.

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<v Speaker 2>You admit you have dubbed me why you used to

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<v Speaker 2>shoot lions in Algeria? Well, but why why a spot?

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<v Speaker 1>The excitement, the danger, and no doubt to free the

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<v Speaker 1>country from a pest protective Well, those are my reasons

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00:13:40.159 --> 00:13:43.000
<v Speaker 1>than a nutshell. You dead, I'll show your sit down,

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<v Speaker 1>sit down at once and take a hand for you,

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<v Speaker 1>hipuppet better, there's another more practical reason I want that diamond.

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<v Speaker 1>That's your reason in coming here is to find out

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<v Speaker 1>how much I know, so you may judge how far

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<v Speaker 1>my removal is necessary. Well, I shall say from your

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<v Speaker 1>point of view, it's quite essential. Absolutely. In short, there's

286
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<v Speaker 1>only one thing I do not know.

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00:14:04.399 --> 00:14:07.240
<v Speaker 2>And what is the missing fact? If I may enter,

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00:14:08.519 --> 00:14:11.720
<v Speaker 2>where is the crown diamond hidden? Dear me? So that's it?

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00:14:12.639 --> 00:14:13.639
<v Speaker 2>Suppose I don't know.

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<v Speaker 1>You can't plass me your yes, your absolutely fred class,

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00:14:16.039 --> 00:14:17.519
<v Speaker 1>I can see at the very back of your mind.

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00:14:17.639 --> 00:14:21.440
<v Speaker 1>Really well, then of course you see where the diamond is.

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00:14:21.480 --> 00:14:22.559
<v Speaker 1>You know, then you admit it.

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<v Speaker 2>I've been nothing.

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00:14:23.679 --> 00:14:29.759
<v Speaker 1>Oh, come, come, be reasonable, if not your threat, and

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00:14:29.960 --> 00:14:33.519
<v Speaker 1>you've talked to me about love to see this notebook.

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00:14:34.000 --> 00:14:36.360
<v Speaker 2>Surely you know what I keep in it. No, I

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00:14:36.559 --> 00:14:41.519
<v Speaker 2>don't pretend to be a mind reader. This book is you, Yes, you, every.

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00:14:41.399 --> 00:14:43.639
<v Speaker 1>Move of your fifty dangerous life, and no homes.

300
00:14:43.639 --> 00:14:44.759
<v Speaker 2>There are a limit to my patience.

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00:14:44.720 --> 00:14:46.440
<v Speaker 1>Ship here all of it, the real facts in the

302
00:14:46.440 --> 00:14:49.120
<v Speaker 1>depth of missus Harold left to the Plimer estate fabrication,

303
00:14:49.159 --> 00:14:51.440
<v Speaker 1>the complete life history of miss MIDI wander you can't

304
00:14:51.440 --> 00:14:54.080
<v Speaker 1>prove anything. And twenty more, it's the robbery and.

305
00:14:54.039 --> 00:14:55.480
<v Speaker 2>The trainer looks to the Riviera.

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00:14:55.600 --> 00:14:58.519
<v Speaker 1>On February the thirteenth, eighteen ninety two, the forge check

307
00:14:58.519 --> 00:15:00.480
<v Speaker 1>on the Cridillionee. No, you're on there, then I am

308
00:15:00.519 --> 00:15:02.960
<v Speaker 1>right about the others. Oh, now they come.

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00:15:03.799 --> 00:15:06.240
<v Speaker 2>You're a card player. The other fellow has all the trumps.

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00:15:07.159 --> 00:15:09.320
<v Speaker 1>Time to throw in your hand. What connection is all

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00:15:09.320 --> 00:15:11.440
<v Speaker 1>this with the theft of the crown? Your patience, my

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00:15:11.559 --> 00:15:15.039
<v Speaker 1>dear fellow, patience. I have the cabman who took you

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00:15:15.120 --> 00:15:17.960
<v Speaker 1>to white Ball, the one who drove you away. I

314
00:15:18.000 --> 00:15:19.759
<v Speaker 1>had the commissionaire who saw you near the case that

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00:15:19.879 --> 00:15:25.000
<v Speaker 1>proves nothing. I have Hikey Sanders. I yes, ike Sanders, who.

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00:15:24.840 --> 00:15:26.039
<v Speaker 2>Refuse to hand it up for you.

317
00:15:26.320 --> 00:15:31.399
<v Speaker 1>Ikey has peaced ike Oh wait till I get If

318
00:15:31.399 --> 00:15:33.840
<v Speaker 1>my back is the hand I played from only one

319
00:15:33.879 --> 00:15:39.279
<v Speaker 1>card is missing the acy time, you'll never get it. No, SI,

320
00:15:40.080 --> 00:15:41.919
<v Speaker 1>you're going to be locked up for twenty years. You

321
00:15:41.960 --> 00:15:45.000
<v Speaker 1>want Sam, perhaps longer. What good will the diamond bet?

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00:15:45.720 --> 00:15:48.360
<v Speaker 1>None of the world. Now we don't want you, and

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00:15:48.440 --> 00:15:51.960
<v Speaker 1>we don't want Sam. We want the diamond. Give it up,

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<v Speaker 1>and as far as we're concerned, you are free if

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00:15:53.720 --> 00:15:54.879
<v Speaker 1>you behave yourself in the future.

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<v Speaker 9>My commission is to.

327
00:15:56.480 --> 00:15:59.240
<v Speaker 2>Get the stone, not you, and.

328
00:15:59.200 --> 00:16:02.679
<v Speaker 1>If I refuse, then it will be you and not

329
00:16:02.879 --> 00:16:05.799
<v Speaker 1>the stone. I think it might be as well to

330
00:16:05.879 --> 00:16:08.759
<v Speaker 1>have your friend Sam at this conference. He's waiting outside

331
00:16:08.759 --> 00:16:10.759
<v Speaker 1>in the street because you tap on the window and

332
00:16:10.799 --> 00:16:11.600
<v Speaker 1>motioned him to come up.

333
00:16:11.960 --> 00:16:13.440
<v Speaker 2>Oh, missus Hudson left. Let him in.

334
00:16:13.519 --> 00:16:16.399
<v Speaker 1>She's quite used to my receiving curious characters.

335
00:16:16.480 --> 00:16:26.399
<v Speaker 2>Very well, he's coming. Now what are you going to do?

336
00:16:26.960 --> 00:16:29.320
<v Speaker 1>I have a shark and a gudgeon in my net.

337
00:16:29.720 --> 00:16:33.720
<v Speaker 1>Now I'm drawing it, and up they come together. You

338
00:16:33.799 --> 00:16:36.480
<v Speaker 1>will never die in your bed homes?

339
00:16:36.840 --> 00:16:38.039
<v Speaker 2>Does it matter? Very much?

340
00:16:38.720 --> 00:16:40.559
<v Speaker 1>So now you're fingering your fistal, my friend, you wouldn't

341
00:16:40.600 --> 00:16:42.000
<v Speaker 1>dare to use it even if I get behind to

342
00:16:42.039 --> 00:16:46.519
<v Speaker 1>draw mighty than revolvers. Let us stick to air guns.

343
00:16:47.519 --> 00:16:50.480
<v Speaker 1>Listen and that the fairy footstep of your friends to Murton.

344
00:16:51.679 --> 00:16:52.679
<v Speaker 2>Come in, Sam, come in.

345
00:16:54.279 --> 00:16:56.000
<v Speaker 1>Rather dull waiting in the street, isn't it?

346
00:16:57.240 --> 00:16:58.320
<v Speaker 2>It's all up, Sam?

347
00:16:58.759 --> 00:17:01.039
<v Speaker 1>Put it in the nutshell. But sis code trying to

348
00:17:01.120 --> 00:17:04.160
<v Speaker 1>do be funny. I'm not in a funny mode myself, No,

349
00:17:04.480 --> 00:17:07.319
<v Speaker 1>I expect not. I can promise you that you're to

350
00:17:07.359 --> 00:17:09.119
<v Speaker 1>eat less tumorous in the evening progresses.

351
00:17:09.680 --> 00:17:10.319
<v Speaker 2>I have a kiss self.

352
00:17:10.400 --> 00:17:11.279
<v Speaker 1>Yes, I can't waste time.

353
00:17:12.119 --> 00:17:13.279
<v Speaker 2>I'm going to that bedroom.

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<v Speaker 1>I shall play on my violin for five minutes. At

355
00:17:16.519 --> 00:17:18.839
<v Speaker 1>the end of that time, I shall return to your decision.

356
00:17:19.680 --> 00:17:23.920
<v Speaker 1>We think you whether we get the stone? Now what

357
00:17:24.039 --> 00:17:24.920
<v Speaker 1>ab I put my violin?

358
00:17:26.519 --> 00:17:29.480
<v Speaker 2>I have said this five minutles.

359
00:17:29.519 --> 00:18:01.839
<v Speaker 1>Remember blipper Craft as a great reputation for fine quality.

360
00:18:02.279 --> 00:18:04.359
<v Speaker 1>That's what you go by when you choose your first

361
00:18:04.440 --> 00:18:08.400
<v Speaker 1>Flippercraft suit. And once you've warn clipper Craft, you learn

362
00:18:08.480 --> 00:18:12.079
<v Speaker 1>how marvelously it stands up to hardware, very comfortable you

363
00:18:12.200 --> 00:18:15.759
<v Speaker 1>feel in it. The long wear comes from fine materials

364
00:18:15.799 --> 00:18:20.240
<v Speaker 1>and precision workmanship. Your comfort comes from excellent fit resulting

365
00:18:20.279 --> 00:18:23.759
<v Speaker 1>from skilled designing. What will amaze you is how so

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00:18:23.920 --> 00:18:27.599
<v Speaker 1>much is possible for so very little. Remember, clipper Craft

367
00:18:27.680 --> 00:18:31.039
<v Speaker 1>suits are only forty and forty five dollars, clipper Craft

368
00:18:31.119 --> 00:18:34.160
<v Speaker 1>top coats and overcoats are only forty dollars, and sport

369
00:18:34.279 --> 00:18:38.559
<v Speaker 1>jackets only twenty six fifty. These are modest prices, indeed,

370
00:18:38.720 --> 00:18:42.759
<v Speaker 1>for clothes obviously worth much more. The Great flipper Craft Plan,

371
00:18:43.160 --> 00:18:46.960
<v Speaker 1>concentrating the buying power of ten hundred thirty six leading

372
00:18:47.039 --> 00:18:50.960
<v Speaker 1>stores across the nation, makes these remarkable leues possible in

373
00:18:51.079 --> 00:18:54.720
<v Speaker 1>your own local independent store, the store you can trust.

374
00:18:55.599 --> 00:18:59.559
<v Speaker 1>Setting expensive codes at inexpensive low bass at the nation's

375
00:18:59.640 --> 00:19:03.599
<v Speaker 1>finest independent stores is the great, big idea behind the

376
00:19:03.640 --> 00:19:07.240
<v Speaker 1>clipper Craft plan. That's why men who know insist on

377
00:19:07.400 --> 00:19:10.359
<v Speaker 1>clipper Craft clothes. So be sure to visit the clipper

378
00:19:10.440 --> 00:19:11.640
<v Speaker 1>Craft store in York City.

379
00:19:12.920 --> 00:19:16.160
<v Speaker 6>These leading stores in the metropolitan area are proud to

380
00:19:16.240 --> 00:19:19.039
<v Speaker 6>add their names to Clippercraft in your suit, top coat,

381
00:19:19.079 --> 00:19:23.200
<v Speaker 6>and overcoat. In Manhattan, John Wannamaker Men's Stores Broadway at

382
00:19:23.279 --> 00:19:27.000
<v Speaker 6>eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway

383
00:19:27.000 --> 00:19:27.640
<v Speaker 6>at thirty fourth.

384
00:19:28.039 --> 00:19:30.960
<v Speaker 1>In Brooklyn, Abraham and Strauss Intwart.

385
00:19:30.559 --> 00:19:34.359
<v Speaker 6>New Jersey Boulevard Men's Shop Cresgyure, and in Jamaica the

386
00:19:34.480 --> 00:19:37.119
<v Speaker 6>B and B Clothes Shop, one sixty four oh eight

387
00:19:37.240 --> 00:19:38.079
<v Speaker 6>Jamaica Avenue.

388
00:19:44.759 --> 00:19:47.240
<v Speaker 1>Now let's return to two twenty one B. Baker Street,

389
00:19:47.480 --> 00:19:50.680
<v Speaker 1>where Count Sylvia's and his henchman Sam are discussing their

390
00:19:50.759 --> 00:19:54.240
<v Speaker 1>dilemma while Sherlock Holmes Violin can still be heard in.

391
00:19:54.240 --> 00:19:54.839
<v Speaker 2>The next room.

392
00:20:03.920 --> 00:20:07.559
<v Speaker 1>He played pretty down, all shut up, Sam. Hey, this

393
00:20:07.839 --> 00:20:09.200
<v Speaker 1>mean that he knows about a stone?

394
00:20:09.640 --> 00:20:12.359
<v Speaker 2>He knows too much about it. I'm not sure he

395
00:20:12.400 --> 00:20:16.240
<v Speaker 2>doesn't know everything. Good Lord, Heike sounds a split.

396
00:20:16.359 --> 00:20:19.000
<v Speaker 10>Oh yes, has he do my take?

397
00:20:19.119 --> 00:20:22.279
<v Speaker 1>But that's say I won't help us now to make

398
00:20:22.359 --> 00:20:24.480
<v Speaker 1>up my mind. The half a mouth. He's a leary

399
00:20:24.599 --> 00:20:25.960
<v Speaker 1>co what if he's listening?

400
00:20:26.039 --> 00:20:28.079
<v Speaker 2>How can it be with that violin squeaking my hand?

401
00:20:28.640 --> 00:20:31.160
<v Speaker 3>There he is sitting right in that chair rock.

402
00:20:31.240 --> 00:20:37.240
<v Speaker 1>It's only a dummy, say strike me, madam? Is so

403
00:20:37.440 --> 00:20:39.200
<v Speaker 1>etainly if what's a living spirit.

404
00:20:38.960 --> 00:20:39.799
<v Speaker 9>Of dressing down?

405
00:20:39.839 --> 00:20:41.519
<v Speaker 2>And know? Oh shut up? You're wasting our time and

406
00:20:41.519 --> 00:20:42.359
<v Speaker 2>there is none too much.

407
00:20:43.480 --> 00:20:45.720
<v Speaker 1>He can jail us over the stone, that do she can.

408
00:20:46.759 --> 00:20:48.559
<v Speaker 1>But if you'll let us go, if we tell him

409
00:20:48.599 --> 00:20:52.240
<v Speaker 1>where the stone is? What give our midred thousand quick?

410
00:20:52.440 --> 00:20:53.160
<v Speaker 2>It's one or the other.

411
00:20:54.279 --> 00:20:55.799
<v Speaker 1>He's in there a low lest doing it.

412
00:20:55.960 --> 00:20:58.200
<v Speaker 2>He's armed and ready too noisy.

413
00:20:58.640 --> 00:21:02.680
<v Speaker 1>I'll never get away sis likely the police have whatever evidence.

414
00:21:02.319 --> 00:21:05.599
<v Speaker 2>He is collected? What was that?

415
00:21:07.039 --> 00:21:09.799
<v Speaker 8>I just sworn I heard something over there in the window.

416
00:21:09.680 --> 00:21:11.640
<v Speaker 9>And saddened the street how slightly.

417
00:21:12.160 --> 00:21:14.759
<v Speaker 1>I'll look you company. You've cut the braes. If slugging

418
00:21:14.799 --> 00:21:15.759
<v Speaker 1>snow good is up to you?

419
00:21:16.519 --> 00:21:19.000
<v Speaker 2>Yes, I fool better men than he.

420
00:21:20.200 --> 00:21:23.000
<v Speaker 10>The stone here in my secret pocket, I can get

421
00:21:23.000 --> 00:21:24.559
<v Speaker 10>out of England to night aunt it in the four

422
00:21:24.599 --> 00:21:28.240
<v Speaker 10>pieces of Amsterdam before somebody he knows nothing about. Man said,

423
00:21:28.480 --> 00:21:30.640
<v Speaker 10>but that false part of night. For he must chance it,

424
00:21:30.720 --> 00:21:31.200
<v Speaker 10>as it is.

425
00:21:31.960 --> 00:21:32.799
<v Speaker 2>Not a moment to lose.

426
00:21:34.160 --> 00:21:37.359
<v Speaker 8>As for Holmes, fool water restless. If you get the storm,

427
00:21:37.920 --> 00:21:41.079
<v Speaker 8>we'll bring on the wrong track, and before he discovers

428
00:21:41.119 --> 00:21:45.799
<v Speaker 8>it is wrong, it'll be in hollow and we'll be

429
00:21:45.920 --> 00:21:46.680
<v Speaker 8>out of the country.

430
00:21:47.359 --> 00:21:50.519
<v Speaker 1>Sounds good to me. For want here day carry.

431
00:21:50.200 --> 00:21:51.079
<v Speaker 2>It will be silver.

432
00:21:51.519 --> 00:21:54.880
<v Speaker 1>Let's have look. I see why, Sam, manny, I think

433
00:21:54.920 --> 00:21:57.000
<v Speaker 1>I'm gonna snatch it off here. Now look here, mister,

434
00:21:57.039 --> 00:21:58.880
<v Speaker 1>I'm getting fed off with you, Sam.

435
00:21:59.400 --> 00:22:02.480
<v Speaker 2>We can't afford the quarrel. Are here? Hell over here

436
00:22:02.519 --> 00:22:04.640
<v Speaker 2>to the window, out of the line of that keyhole,

437
00:22:05.440 --> 00:22:09.920
<v Speaker 2>are there? Hold it to the light. It is a beauty. Uh,

438
00:22:10.759 --> 00:22:12.000
<v Speaker 2>thank you, gentlemen, get home.

439
00:22:12.279 --> 00:22:14.680
<v Speaker 1>I thought you said he was at jammy dear gain

440
00:22:14.720 --> 00:22:17.200
<v Speaker 1>a very flattering of you. Can't you score you you

441
00:22:17.440 --> 00:22:21.400
<v Speaker 1>feet temper, temper, no violent gentlemen. Please consider the furniture

442
00:22:21.960 --> 00:22:26.359
<v Speaker 1>police are waking below. But how the deuce there is

443
00:22:26.400 --> 00:22:28.680
<v Speaker 1>a second door to my bedroom behind that window curtain.

444
00:22:29.240 --> 00:22:30.680
<v Speaker 1>I thought the game is up when you heard me

445
00:22:30.759 --> 00:22:31.519
<v Speaker 1>displaced the man.

446
00:22:31.680 --> 00:22:34.359
<v Speaker 2>You'll I believe you're the devil himself.

447
00:22:34.440 --> 00:22:37.480
<v Speaker 1>You flatter me, Ah, but here are friends from scott

448
00:22:37.559 --> 00:22:37.880
<v Speaker 1>and Yard.

449
00:22:39.200 --> 00:22:41.319
<v Speaker 9>Take him away? Boys, sir, when I say.

450
00:22:41.200 --> 00:22:43.839
<v Speaker 1>I'm a blooming feddle, is still play it quite right?

451
00:22:43.960 --> 00:22:44.200
<v Speaker 2>Sam?

452
00:22:44.640 --> 00:22:46.519
<v Speaker 1>Remarkable invention the gramophone?

453
00:22:47.079 --> 00:22:50.480
<v Speaker 2>Let me play Hell, let's.

454
00:22:58.119 --> 00:23:03.480
<v Speaker 1>All right? Wantsn't even stop that machine? Hi, I stay homes.

455
00:23:04.279 --> 00:23:06.839
<v Speaker 1>I've lost at least five pounds in the last half hour.

456
00:23:07.079 --> 00:23:10.160
<v Speaker 1>That it beneficial to your waistline becoming disgustingly plump.

457
00:23:11.079 --> 00:23:16.519
<v Speaker 2>Look at this waste the crown. Gam Hello, what's up? Now?

458
00:23:16.960 --> 00:23:17.200
<v Speaker 1>Come in?

459
00:23:17.279 --> 00:23:19.839
<v Speaker 2>Come in, oh missus Hudson.

460
00:23:22.440 --> 00:23:22.640
<v Speaker 9>Gang.

461
00:23:23.119 --> 00:23:24.200
<v Speaker 1>Now do you ever let us alone?

462
00:23:25.000 --> 00:23:25.759
<v Speaker 2>Well? Show him up?

463
00:23:27.839 --> 00:23:30.079
<v Speaker 1>Well, I must say, home, you have most many people

464
00:23:30.119 --> 00:23:32.480
<v Speaker 1>in your household. I ran into a group of raffiends

465
00:23:32.519 --> 00:23:34.599
<v Speaker 1>as I was coming to the door. Oh, that must

466
00:23:34.599 --> 00:23:37.680
<v Speaker 1>have been the fellows from Scotland Yard. It's a rather

467
00:23:37.799 --> 00:23:39.359
<v Speaker 1>warm in here. May I take your old coat?

468
00:23:40.680 --> 00:23:41.200
<v Speaker 2>Fit? Count?

469
00:23:41.880 --> 00:23:44.640
<v Speaker 1>Oh? The more I have known tens, stay, Doctor Watson

470
00:23:44.680 --> 00:23:47.039
<v Speaker 1>will assure you that these sudden changes of temperature are

471
00:23:47.119 --> 00:23:50.000
<v Speaker 1>most insidio to sho your hands off my coat and tend.

472
00:23:49.960 --> 00:23:51.759
<v Speaker 9>To keep it on very well.

473
00:23:52.759 --> 00:23:56.680
<v Speaker 1>I came to see how your self appoints of task

474
00:23:56.880 --> 00:23:57.359
<v Speaker 1>is getting on.

475
00:23:57.799 --> 00:24:01.400
<v Speaker 2>It's difficult, very difficult. Yes, I suspect if you would

476
00:24:01.440 --> 00:24:01.880
<v Speaker 2>find it so.

477
00:24:02.839 --> 00:24:06.440
<v Speaker 1>Every man has a limitation. Yes, I've been greatly perplexed now,

478
00:24:06.599 --> 00:24:08.200
<v Speaker 1>doubt especially on one point.

479
00:24:08.799 --> 00:24:09.880
<v Speaker 9>But perhaps you can help me.

480
00:24:10.200 --> 00:24:12.200
<v Speaker 2>You apply for my advice rather late in the day.

481
00:24:12.640 --> 00:24:14.079
<v Speaker 9>Still, I'm ready to give.

482
00:24:14.000 --> 00:24:15.960
<v Speaker 1>You the belements of my opinions.

483
00:24:16.279 --> 00:24:19.119
<v Speaker 2>You understand, we can doubtless frame a case against.

484
00:24:18.839 --> 00:24:22.000
<v Speaker 1>The actual thief, eh, once you have caught quite But

485
00:24:22.119 --> 00:24:24.799
<v Speaker 1>the real question is how shall we proceed against the receiver?

486
00:24:25.400 --> 00:24:27.880
<v Speaker 1>What would you regard as the final evidence against the receiver?

487
00:24:28.119 --> 00:24:30.680
<v Speaker 1>The actual possession of the stone, of course, would arrest

488
00:24:30.759 --> 00:24:33.480
<v Speaker 1>him on that bit. Certain In that case, my dear

489
00:24:33.519 --> 00:24:36.440
<v Speaker 1>lord Cantelber, I shall be under the painful necessity of

490
00:24:36.519 --> 00:24:41.000
<v Speaker 1>apprising your arrest. You forget yourself, mister Holmes, I have

491
00:24:41.119 --> 00:24:43.720
<v Speaker 1>no time as its childish jokes, I may take you,

492
00:24:43.799 --> 00:24:46.000
<v Speaker 1>thank desir, that I have never had any believe in

493
00:24:46.079 --> 00:24:49.240
<v Speaker 1>your powers, good evening one moment actually to make up

494
00:24:49.279 --> 00:24:51.400
<v Speaker 1>for the Bazarin's Stone would be even more serious to

495
00:24:51.480 --> 00:24:54.359
<v Speaker 1>be found in temperative possession of it, and it is intolerable.

496
00:24:54.440 --> 00:24:56.480
<v Speaker 1>Let me pass immediately. Just put your hand on the

497
00:24:56.559 --> 00:24:59.079
<v Speaker 1>right hand pocket of your overcoat. What do you mean

498
00:24:59.160 --> 00:25:04.000
<v Speaker 1>do as I asked? Well, I, however, see what's this

499
00:25:05.000 --> 00:25:06.519
<v Speaker 1>seems to be the Mazarin.

500
00:25:06.200 --> 00:25:11.519
<v Speaker 11>Spood for shame, sir, for shame. Well, bless my soul,

501
00:25:11.920 --> 00:25:15.640
<v Speaker 11>harmon Thander. Well, I'll be I guardedly. However, I really

502
00:25:15.720 --> 00:25:16.519
<v Speaker 11>must apologize.

503
00:25:16.880 --> 00:25:20.079
<v Speaker 1>I never could resist dramatic tituition I took for the

504
00:25:20.119 --> 00:25:22.039
<v Speaker 1>pity of striking the stone at your pocket and beginning

505
00:25:22.079 --> 00:25:25.119
<v Speaker 1>of our interview, Well d will to say, and the

506
00:25:25.200 --> 00:25:28.000
<v Speaker 1>will that is putting it mightly we are greatly in

507
00:25:28.079 --> 00:25:31.400
<v Speaker 1>it to you, sir, in spite of your somewhat pervertive

508
00:25:31.480 --> 00:25:35.160
<v Speaker 1>sense of humor, and I certainly withdraw any reflection I

509
00:25:35.319 --> 00:25:38.680
<v Speaker 1>may have made in your amazing professional part. How pit

510
00:25:39.039 --> 00:25:42.519
<v Speaker 1>the details can wait. I trust your pleasure in relaying

511
00:25:42.599 --> 00:25:45.440
<v Speaker 1>you of our success will be some small atonement from

512
00:25:45.480 --> 00:25:48.480
<v Speaker 1>my practical heath. Oh yes, it will, sir, it will. Indeed,

513
00:25:48.880 --> 00:25:51.640
<v Speaker 1>I can hardly wait to where get the good word

514
00:25:51.720 --> 00:25:54.039
<v Speaker 1>around and good day mister Holmes, Good.

515
00:25:53.960 --> 00:25:55.759
<v Speaker 2>Day, Lord cantilbea Watson.

516
00:25:55.799 --> 00:25:59.240
<v Speaker 1>Will you show his launch about with pleasure and tell

517
00:25:59.319 --> 00:26:01.559
<v Speaker 1>missus Hudson and I should be obliged if you'd send

518
00:26:01.680 --> 00:26:16.519
<v Speaker 1>up dinner for two as soon as possible. What an

519
00:26:16.519 --> 00:26:20.000
<v Speaker 1>extraordinary story, doctor Watson, and what a perfect climax.

520
00:26:20.079 --> 00:26:20.759
<v Speaker 2>Mister Henderson.

521
00:26:21.039 --> 00:26:24.319
<v Speaker 3>Room's always had an eye with a dramatic which reminds

522
00:26:24.359 --> 00:26:25.400
<v Speaker 3>me next week's story.

523
00:26:25.440 --> 00:26:27.519
<v Speaker 1>Did you say that next week's story is going to

524
00:26:27.559 --> 00:26:31.160
<v Speaker 1>be particularly dramatic? Doctor I didn't say, mister Harris, because

525
00:26:31.200 --> 00:26:34.880
<v Speaker 1>you interrupted me, but I was going to yes. Next week,

526
00:26:34.920 --> 00:26:36.880
<v Speaker 1>I'm going to tell you how the five.

527
00:26:36.759 --> 00:26:41.000
<v Speaker 3>Year old racehorse Blazing Star suddenly dropped dead of old age,

528
00:26:41.519 --> 00:26:44.400
<v Speaker 3>and how my my youth for passed in the game

529
00:26:44.480 --> 00:26:48.160
<v Speaker 3>of rugby, saved hums and myself from a diabolical.

530
00:26:47.640 --> 00:26:58.880
<v Speaker 1>Plot of our arch enemy, Professor Marioti. The makers of

531
00:26:58.920 --> 00:27:02.839
<v Speaker 1>Clippery Craft, Flow and ten hundred thirty six leading stores

532
00:27:02.920 --> 00:27:05.079
<v Speaker 1>from coast to coast, and brought to you another in

533
00:27:05.119 --> 00:27:08.720
<v Speaker 1>the new series of broadcasts featuring the world's most famous detective,

534
00:27:09.200 --> 00:27:18.279
<v Speaker 1>Sherlock Holmes. Sherlock Holmes is produced and directed by Basilachren,

535
00:27:18.680 --> 00:27:28.920
<v Speaker 1>with special music by Albert Berman. If you don't know

536
00:27:29.039 --> 00:27:32.960
<v Speaker 1>your Clippercraft dealer, write Clippercraft, two hundred.

537
00:27:32.680 --> 00:27:34.599
<v Speaker 2>Fifth Avenue, New York City.

538
00:27:38.480 --> 00:27:42.039
<v Speaker 1>Before to listen next week to Sherlock Holmes in the

539
00:27:42.200 --> 00:27:43.759
<v Speaker 1>case of Sudden civility.

540
00:27:52.319 --> 00:27:54.279
<v Speaker 2>If you'd like to attend the Sherlock Holmes.

541
00:27:54.119 --> 00:27:58.240
<v Speaker 1>Broadcasts in New York, see your local clippercraft dealer and

542
00:27:58.400 --> 00:27:59.240
<v Speaker 1>he'll tell you how.

543
00:27:59.160 --> 00:28:15.440
<v Speaker 9>To obtain your tickets.

544
00:28:15.599 --> 00:28:16.160
<v Speaker 1>K HARRIH.

545
00:28:16.200 --> 00:28:19.720
<v Speaker 2>Streeting for Clifford Clack Cloak. Those are the world's bargest networks.

546
00:28:19.799 --> 00:28:21.920
<v Speaker 2>Donty Ballant walk with the radio fleab.

547
00:28:22.119 --> 00:28:23.359
<v Speaker 1>Here's for a broadcast teach
