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<v Speaker 1>Welcome back to part two of our double episode on

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<v Speaker 1>the Golden Age of piracy. If you haven't listened to

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<v Speaker 1>part one yet, then I recommend you go back and

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<v Speaker 1>listen to that first.

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<v Speaker 2>Ala Matina penal Oh, bela child, bela child, Bela Chichi

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<v Speaker 2>Chi Lamatino.

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<v Speaker 3>Before we get started, just a reminder that our podcast

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<v Speaker 3>is brought to you by our Patreon supporters.

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<v Speaker 1>Our supporters fund our work and in return, get exclusive

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<v Speaker 1>early access to podcast episodes without ads, bonus episodes, free

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<v Speaker 1>and discounted merchandise, and other content.

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<v Speaker 3>Learn more and sign up at patreon dot com slash

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<v Speaker 3>working Class history link in the show notes.

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<v Speaker 1>Last episode, we looked at the world that gave rise

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<v Speaker 1>to the Golden Age of piracy, brutal working conditions, exploitation,

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<v Speaker 1>and the same who chose to fight back by creating

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<v Speaker 1>a new social order at sea.

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<v Speaker 3>They took to the open seas, far away from authority

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<v Speaker 3>of any kind, declaring war on the world They came from.

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<v Speaker 4>Pirates depended on the great expanses of waters and seas

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<v Speaker 4>oceans because they were very hard for the navies of

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<v Speaker 4>the world to police.

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<v Speaker 1>But when the whole world is against you, where do

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<v Speaker 1>you go?

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<v Speaker 4>Because you can't stay at sea forever. You have to

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<v Speaker 4>go ashore. You have to get food, you have to

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<v Speaker 4>get the barnacle scraped off the side of the vessel.

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<v Speaker 4>You need to have a place you can go.

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<v Speaker 3>Though the imperial powers of the day had their grip

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<v Speaker 3>on much of the world, there were some places where

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<v Speaker 3>they were weak and their resources were stretched. Then.

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<v Speaker 4>For example, on some of the smaller Caribbean islands and

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<v Speaker 4>lesser ports in Cuba or Puerto Rico or Sandamang, some

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<v Speaker 4>of the bigger islands of the Caribbean, there were small ports.

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<v Speaker 4>And the reason these ports were attractive was because there

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<v Speaker 4>were usually petty merchants, you know, not the wealthy people

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<v Speaker 4>who you know, were attached to the to the British government,

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<v Speaker 4>but petty merchants who would be very glad to get

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<v Speaker 4>the pirates' prizes, and they would let them have it

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<v Speaker 4>for a very cheap price.

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<v Speaker 1>Pirates established bases all along the Atlantic, on the coast

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<v Speaker 1>of North America, parts of West Africa, and especially the

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<v Speaker 1>Indian Ocean. Madagascar in particular, was one of the more

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<v Speaker 1>notorious pirate haunts.

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<v Speaker 3>In the Bahamas, a pirate stronghold called the Republic of

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<v Speaker 3>Pirates was established from roughly seventeen oh six to seventeen eighteen.

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<v Speaker 3>It was a self governed, anarchistic pirate utopia where famous

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<v Speaker 3>pirates like Blackbeard and Anne Bonnie operated outside of imperial

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<v Speaker 3>rule and traditional hierarchies.

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<v Speaker 1>The republic was a base from where pirates could raid

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<v Speaker 1>merchant ships and disrupt trade.

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<v Speaker 3>In places like these, pirates established trading networks with merchants

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<v Speaker 3>who had no loyalty to any empire, just a willingness

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<v Speaker 3>to do business.

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<v Speaker 4>And of course, pirates also had popular followings in these

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<v Speaker 4>smaller ports because they would come ashore flush with money

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<v Speaker 4>and they were going to spend it and give it away,

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<v Speaker 4>and they would sometimes free enslaved people and free indentured servants,

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<v Speaker 4>and they would come back to the ship with them.

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<v Speaker 3>Most people love to see a pirate ship roll into town.

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<v Speaker 3>For many Amantipaida, a party or even a shot at

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<v Speaker 3>a new life.

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<v Speaker 4>I've argued these pirate ships are like floating maroon communities,

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<v Speaker 4>you know, the maroon communities made up of people who

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<v Speaker 4>escaped the plantation system and move, for example, into the

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<v Speaker 4>Blue Mountains of Jamaica or some other inaccessible place where

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<v Speaker 4>they can build These very different social worlds separate from

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<v Speaker 4>the plantation.

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<v Speaker 1>Marcus describes pirate ships as a kind of autonomous zone

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<v Speaker 1>outside the reach of kings and empires, operating on their

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<v Speaker 1>own rules.

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<v Speaker 4>It's a place where the people who are essentially refugees

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<v Speaker 4>of the capitalist shipping industry can build their own world

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<v Speaker 4>in ways like maroons could do on land, in forests,

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<v Speaker 4>on mountains, and the sea is a very similar kind

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<v Speaker 4>of place.

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<v Speaker 3>Not to mention, the kinds of sailors who ended up

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<v Speaker 3>becoming pirates were often the most skilled ones.

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<v Speaker 4>And you know, once they're in control of those ships,

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<v Speaker 4>they can sail them better than anybody else. It's very

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<v Speaker 4>hard to capture them, so their skill is also related

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<v Speaker 4>to their issue of freedom. But slowly the authorities do

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<v Speaker 4>kind of cut off their contacts in different landed societies

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<v Speaker 4>and makes it easier to capture them.

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<v Speaker 1>And the reason the authorities of the day put so

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<v Speaker 1>much effort into trying to capture pirates was that in

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<v Speaker 1>building a more egalitarian society for themselves, they post a

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<v Speaker 1>legitimate threat to the status quo.

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<v Speaker 4>The pirates of the third generation seventeen teens in seventeen

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<v Speaker 4>twenties captured thousands of merchant ships. This created a massive

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<v Speaker 4>crisis in this very lucrative world of global trade.

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<v Speaker 3>Marcus says in the seventeen teens. In seventeen twenties, maritime

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<v Speaker 3>insurance rates skyrocketed.

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<v Speaker 1>In some cases, insurance rates doubled or even tripled, and.

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<v Speaker 3>In places like the Caribbean and West Africa, insurance rates

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<v Speaker 3>could be as high as fifteen to thirty percent of

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<v Speaker 3>a ship's total value.

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<v Speaker 4>And that reflected the power of pirates directly, that they

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<v Speaker 4>were capturing so many ships. It was so dangerous that

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<v Speaker 4>these insurance houses in the metropolis in London and Paris,

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<v Speaker 4>wherever they were, they were very keenly aware of it,

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<v Speaker 4>and they were very worried about all the risks. So

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<v Speaker 4>there is a major disruption of the capitalist trading system.

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<v Speaker 1>Unlike financial crises caused by capitalism's own contradiction, this was

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<v Speaker 1>something else entirely.

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<v Speaker 4>This is a human creation. In other words, this is

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<v Speaker 4>not one of those crises of overproduction or you know,

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<v Speaker 4>the things that are irrational in the way that capitalism works.

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<v Speaker 4>This is poor people banding together and fighting back and

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<v Speaker 4>creating massive problems for the architects of the world economy.

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<v Speaker 4>And as you would expect, they come down with great

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<v Speaker 4>violence on the heads of these people who are disrupting

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<v Speaker 4>their sources of income and profits.

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<v Speaker 3>Pirates not only threatened the global economy, but a way

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<v Speaker 3>of living that was the exact opposite of their formally

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<v Speaker 3>oppressive existence on navy and merchant.

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<v Speaker 1>Vessels, and they defied the social hierarchies of the day,

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<v Speaker 1>fully aware that their decision to turn pirate would come

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<v Speaker 1>with consequences.

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<v Speaker 3>But they didn't care. Freedom was more important to them.

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<v Speaker 4>These common sailors, most of whom will never know, make

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<v Speaker 4>this decision to cross the line to become pirates. They

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<v Speaker 4>live very well. For as long as they live. They

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<v Speaker 4>feast all the time, they drink, elect their own leaders.

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<v Speaker 4>They divide up everything equally. Many of them know that

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<v Speaker 4>they're going to die. And this is another thing, you know,

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<v Speaker 4>this Jolly Roger. There's a sense of humor among the pirates,

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<v Speaker 4>which is really it's gallows humor. They know they're going

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<v Speaker 4>to die as long as they stick with it, and

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<v Speaker 4>most of them stick with it till the end.

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<v Speaker 1>In Marcus's book, he talks at length about the sense

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<v Speaker 1>of humor pirates had in light of this awareness that

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<v Speaker 1>their freedom would likely be short lived.

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<v Speaker 4>A group of pirates captured a ship that was carrying

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<v Speaker 4>proclamations of the king, these big bundles of you know, broadsides,

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<v Speaker 4>and oddly enough, the broadside was offering a forgiveness of

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<v Speaker 4>crimes to pirates who would come in and accept the

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<v Speaker 4>king's pardon and then go straight join the royal navy

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<v Speaker 4>or do something like that. So the pirates have plundered

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<v Speaker 4>this ship and they say, give us, give us all

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<v Speaker 4>those proclamations, and the merchants, the merchant captain says, why

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<v Speaker 4>do you want those? And they say, we're in need

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<v Speaker 4>of toilet paper, and so they can't think of any

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<v Speaker 4>better way than to use the king's proclamation for that purpose,

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<v Speaker 4>so that there is that sense of humor. But again

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<v Speaker 4>this is an instance where ordinary working people create a

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<v Speaker 4>crisis of the world economy.

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<v Speaker 3>That rebellious spirit shaped everything about a life aboard a

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<v Speaker 3>pirate ship, including their infamous love of merriments. Music, dancing, sex,

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<v Speaker 3>and storytelling. Weren't just ways to pass time. They were

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<v Speaker 3>essential to morale. Reum flowed freely, and the crew lived

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<v Speaker 3>by their own.

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<v Speaker 1>Rules, and those rules extended beyond partying. Pirate ships have

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<v Speaker 1>their own systems for survival, ones that prioritize fairness and

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<v Speaker 1>collective care, as we covered in Part one. Unlike merchant

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<v Speaker 1>or navy ships, where captains held unchecked power, pirate crews

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<v Speaker 1>elected their leaders democratically. The loot capture during raids was

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<v Speaker 1>also divided equitably among the crew, regardless of their rank

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<v Speaker 1>or role on the ship.

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<v Speaker 3>A captain could be voted out at any time, and

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<v Speaker 3>the quartermaster made sure no one abused their authority, and

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<v Speaker 3>when pirates got injured, they weren't left behind.

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<v Speaker 1>There's even an argument to be made that pirates established

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<v Speaker 1>the first social security system.

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<v Speaker 3>In the popular imagination, pirates are often depicted with things

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<v Speaker 3>like eye patches, pig legs, and hooks for hands, and

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<v Speaker 3>that may not be entirely accurate, but Marcus says it

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<v Speaker 3>does get to an essential truth.

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<v Speaker 1>Being a sailor on any kind of vessel was a

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<v Speaker 1>dangerous line of work, and it often resulted in getting

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<v Speaker 1>aimed or killed.

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<v Speaker 3>Pirates accommodated for this. Many of their charters contain rules

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<v Speaker 3>that required the sailors to put a portion of all

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<v Speaker 3>plunder toward a common fund.

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<v Speaker 1>And that fund was used to provide for in or

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<v Speaker 1>disabled crewmates.

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<v Speaker 3>Even more than that, those who became disabled on the

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<v Speaker 3>job weren't discriminated against, and on a couple occasions even

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<v Speaker 3>rose to the rank of captain.

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<v Speaker 1>Maimed pirates were guaranteed food and drink, among other things

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<v Speaker 1>as part of this makeshift welfare system and a strong

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<v Speaker 1>sense of solidarity and mutual support.

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<v Speaker 3>One notable example of the determination pirates had to care

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<v Speaker 3>for one another comes in April seventeen seventeen, when Blackbeard

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<v Speaker 3>and his crew blockaded the city of Charleston until they

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<v Speaker 3>were able to buy medical supplies necessary to treat their

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<v Speaker 3>sick and wounded.

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<v Speaker 1>One South Carolinian wrote of this blockade, quote, the trade

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<v Speaker 1>of this place was totally interrupted, and added that the

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<v Speaker 1>entire province was in quote a great terror.

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<v Speaker 3>In this way, the pirate's disruption of trade and the

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<v Speaker 3>global economy went beyond their desire to buck the system

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<v Speaker 3>and declare war on the whole world.

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<v Speaker 1>Their disruption was often for the express purpose of what

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<v Speaker 1>people might now call mutual aid.

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<v Speaker 3>This culture of autonomous, democratic control over their own shipps,

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<v Speaker 3>as well as their organization of their social hierarchy, arose

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<v Speaker 3>out of a long fought battle during the sixteen forties

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<v Speaker 3>and fifties, before the so called Golden Age of piracy.

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<v Speaker 1>You may remember from our first episode that prior to

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<v Speaker 1>this era of piracy, privateers and buccaneers laid the groundwork

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<v Speaker 1>for the more proletarian crews that made up the Golden Age.

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<v Speaker 3>As these mercenaries waged war against Spain on behalf of

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<v Speaker 3>the upper classes of England, France and the Netherlands, they

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<v Speaker 3>were also building their more egalitarian tradition.

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<v Speaker 1>At the time, it was known as the Jamaica discipline

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<v Speaker 1>or the law of privateers. It was considered the antithesis

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<v Speaker 1>of discipline and law, and was rooted in what Marcus

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<v Speaker 1>calls a distinctive conception of justice and a class hostility

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<v Speaker 1>to shipmasters, owners and gentlemen adventurers.

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<v Speaker 3>It was based on the democratic control of authority as

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<v Speaker 3>well as provision for the injured, and it was modeled

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<v Speaker 3>after a fictional peasant utopia called the Land of Cocaine,

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<v Speaker 3>where work had been abolished and property redistributed.

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<v Speaker 1>Jamika discipline was shaped by the harsh working conditions of

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<v Speaker 1>the time and had a few basic tenets.

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<v Speaker 3>One a sense of justice that reimagined the brutal and

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<v Speaker 3>hierarchical systems of merchant and navy ships. Pirates wanted to

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<v Speaker 3>establish a more egalitarian and democratic order of things, as

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<v Speaker 3>evidenced by the way they voted on just about everything.

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<v Speaker 1>Two class hostility. Pirates were former sailors, working people from

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<v Speaker 1>the lower classes who had been exploited and mistreated all

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<v Speaker 1>their lives. Their code was explicitly antagonistic toward the ruling classes.

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<v Speaker 3>Three, as we've discussed, provisions for the injured and a

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<v Speaker 3>common fund to take care of pirates who had become

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<v Speaker 3>disabled on the job.

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<v Speaker 1>Four democratic controls on authority. As we mentioned in episode one,

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<v Speaker 1>captains and officers were elected by the crew. Their power

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<v Speaker 1>was limited. There were methods of removing captains who abused

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<v Speaker 1>their power, and most major decisions were put to a

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<v Speaker 1>vote outside of times of battle when quick thinking was essential.

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<v Speaker 3>Marcus says, these ordinary working people came from all sorts

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<v Speaker 3>of different backgrounds.

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<v Speaker 4>Pirate ships were motley cruz. This is a phrase that

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<v Speaker 4>I've used quite a bit in my work because it

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<v Speaker 4>captures both the multi ethnic and multi national nature of

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<v Speaker 4>a lot of ships, not only pirate ships, merchant ships,

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<v Speaker 4>naval ships. I mean, the maritime labor market is international

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<v Speaker 4>from the fifteenth sixteenth century. You look at the people

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<v Speaker 4>who accompanied Columbus and Magellan, and there are Africans and

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<v Speaker 4>Italians and Greeks and all kinds of people.

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<v Speaker 1>This multinational coalition of sailors also comprised people of African descent.

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<v Speaker 4>One major reason why that would be is that pirates

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<v Speaker 4>did not have racial criteria for joining their band. In

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<v Speaker 4>other words, what they wanted to know basically two things.

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<v Speaker 4>Are you committed to the pirate enterprise? And two can

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<v Speaker 4>you fight? And if you answer yes to both of

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<v Speaker 4>those and believe me, a person who was an escape

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<v Speaker 4>ee from plantation society would be a very committed member

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<v Speaker 4>of your pirate crew given what they would have to

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<v Speaker 4>go back to.

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<v Speaker 3>Right, and many pirates of African descent played leading roles

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<v Speaker 3>aboard their ships, and.

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<v Speaker 4>That's because quite a few of them we now know,

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<v Speaker 4>had military training back in Africa. This is very important.

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<v Speaker 4>So when you know how to fight, when you know

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<v Speaker 4>how to use a gun, when you have military discipline,

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<v Speaker 4>this is a very attractive thing for allowing people to

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<v Speaker 4>come on board the ships. So that's also a leveling

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<v Speaker 4>sort of thing.

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<v Speaker 1>Pirate ships were one of the only places in the

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<v Speaker 1>Western hemisphere at the time that black men could attain

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<v Speaker 1>power and money. Many black pirates were escaped slaves, and

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<v Speaker 1>one of the most famous of these was a man

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<v Speaker 1>known as Black Caesar. Legend has it that he was

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<v Speaker 1>an African chieftain who evaded capture by slavers multiple times

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<v Speaker 1>through his strength and cunning, but was eventually kidnapped. The

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<v Speaker 1>slave ship that was transporting him to the America's encountered

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<v Speaker 1>a hurricane, and he and a friend escaped in a

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<v Speaker 1>rowboat during the chaos. Black Caesar went on to raid

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<v Speaker 1>ships in the Florida Keys for almost a decade before

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<v Speaker 1>joining Blackbeard's crew.

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<v Speaker 4>Now there are also women pirates, and this is crucial.

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<v Speaker 4>Now there aren't a lot of them, there are probably

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<v Speaker 4>quite a few more than we know, because there were

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<v Speaker 4>a lot of women in this period who dressed as

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<v Speaker 4>men and went to sea or went to war. It

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<v Speaker 4>was very common. Two women who were very famous in

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<v Speaker 4>their own day, and Bonnie and Mary Reid were as

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<v Speaker 4>tough and as good a fighter as any male sailor.

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<v Speaker 3>Marcus says at one point Bonnie and Reid actually ended

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<v Speaker 3>up on the same ship, and.

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<v Speaker 4>The story of how they were captured is interesting because

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<v Speaker 4>as often happened. A lot of the pirates seize their

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<v Speaker 4>freedom to get drunk, and so when a naval vessel

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<v Speaker 4>comes near, it turns out a lot of Anne and

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<v Speaker 4>Mary's shipmates are drunk, and so they run down into

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<v Speaker 4>the hold of the vessel to hide. Is if that's

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<v Speaker 4>going to help them, And so Anne and Mary and

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<v Speaker 4>one other pirate they stay on the main deck. They're

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<v Speaker 4>firing the cannon and try to keep the naval vessel

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<v Speaker 4>away from them. They don't succeed. They're captured. They're all

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<v Speaker 4>taken into Jamaica to be hanged. Anne and Mary are

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<v Speaker 4>not hanged because they're both.

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<v Speaker 1>Pregnant, or at least they claimed to be.

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<v Speaker 4>And British law at that time did not permit the

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<v Speaker 4>hanging of pregnant women. So at the gallows, and this

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<v Speaker 4>will give you a pretty good idea of Anne Bonnie's spirit.

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<v Speaker 4>At the gallows. Jack Rackham, her lover, who was the

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<v Speaker 4>captain of the vessel and who had gone down in

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<v Speaker 4>the hole to hide, is standing there with a rope

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<v Speaker 4>around his neck, and he looks at Anne and she's

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<v Speaker 4>not giving him a sympathetic look, and Jack Calico Jack says, an,

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<v Speaker 4>don't look at me that way, and Anne was reported

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<v Speaker 4>to have said, Jack, if you had fought like a man,

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<v Speaker 4>you wouldn't now be hanged like a dog. So this

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<v Speaker 4>was Anne Bonnie's toughness. Mary Reid was every bit it's tough.

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<v Speaker 1>And though it was less common than their forward thinking

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<v Speaker 1>gender and racial attitudes, the pirate ship even allowed for

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<v Speaker 1>the kinds of sexual relationships that were prohibited amongst polite society.

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<v Speaker 4>It was just a freer place. And I find it

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<v Speaker 4>fascinating that even though in all other maritime enterprises sexual

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<v Speaker 4>contact between men is criminalized and ruthlessly punished, none of

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<v Speaker 4>the articles for pirate ships mentioned this as an issue

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<v Speaker 4>at all. So we don't have a lot of evidence

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<v Speaker 4>about what happened on pirate ships, but we do know

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<v Speaker 4>that they were freer places in that regard, as in

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<v Speaker 4>almost all others.

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<v Speaker 3>But that freedom came with the price. The authorities of

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<v Speaker 3>the day did everything they could do not only capture

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<v Speaker 3>and execute pirates, but make examples out of them.

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<v Speaker 4>The government of England has long been, as my friend

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<v Speaker 4>Peter Liinbach calls it a fanatocracy, that you rule people

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<v Speaker 4>by killing them, you rule people by public executions. So

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<v Speaker 4>in every port city. Anytime a group of pirates were captured,

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<v Speaker 4>there would be a show trial, and there would be

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<v Speaker 4>a highly public spectacle of execution, because again they wanted

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<v Speaker 4>to send a message to common sailors who were joining

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<v Speaker 4>these pirate ships.

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<v Speaker 1>Around one in ten pirates met their fate at the gallows.

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<v Speaker 1>The dead bodies of executed pirates were often left hanging

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<v Speaker 1>outside of ports, rotting in the sun, a brutal warning

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<v Speaker 1>to anyone tempted to follow their path.

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<v Speaker 3>It sends the message this is what happens if you

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<v Speaker 3>defy the existing order.

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<v Speaker 1>Or if you get in the way of the ruling

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<v Speaker 1>class accumulating more wealth.

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<v Speaker 4>But sometimes it didn't work out the way the authorities

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<v Speaker 4>wanted it to, because these pirates would seize the moment

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<v Speaker 4>of their own execution to continue their critique of the

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<v Speaker 4>way they were treated as common sailors.

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<v Speaker 3>Many pirates face the gallows without fear. Some use their

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<v Speaker 3>final moments to call out the injustice that had driven

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<v Speaker 3>them to piracy in the first place.

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<v Speaker 1>One of the most famous examples was William Fly, a

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<v Speaker 1>notorious pirate who approached his execution in seventeen twenty six

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<v Speaker 1>with complete disdain.

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<v Speaker 4>He's going to be hanged. The famous Puritan minister Cotton

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<v Speaker 4>Mather keeps talking to him, trying to get him to

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<v Speaker 4>convert right, to admit that what he had done was wrong,

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<v Speaker 4>and William Fly just completely refused. He's having none of it.

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<v Speaker 4>He gets on the gallows and he makes a speech

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<v Speaker 4>in which he says to all the ship captains out

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<v Speaker 4>there in the audience, treat your sailors well, or this

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00:20:11.000 --> 00:20:14.559
<v Speaker 4>is going to happen, right. And this guy Fly had

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<v Speaker 4>so much confidence in himself and his message. When he

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<v Speaker 4>got up on the gallows and the hangman put the

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<v Speaker 4>note the noose around his neck, William Fly took it

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<v Speaker 4>off and said, you don't even know how to tie

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<v Speaker 4>a proper noose, do you. And of course sailors who

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<v Speaker 4>worked with rope all the time at sea were experts

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<v Speaker 4>in tying knots. So his Fly actually retied the knot

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<v Speaker 4>that would go around his neck, just to show them

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<v Speaker 4>that he wasn't afraid. He was going to die game,

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<v Speaker 4>and he was going to die cursing the powers that be.

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<v Speaker 3>The pirates who pulled these kinds of stunts at the

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<v Speaker 3>gallows did so knowing full well that a large number

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<v Speaker 3>of people in the crowd were actually on their side.

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<v Speaker 4>That's why the authorities didn't just stage these public executions.

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<v Speaker 4>They had large numbers of armed soldiers to prevent the

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<v Speaker 4>crowd from rescuing people from the gallows, and that did

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<v Speaker 4>happen a couple of times. It happened once for sure

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<v Speaker 4>in Jamaica, where a rowdy mob went and rescued the

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<v Speaker 4>pirate before he was hanged.

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<v Speaker 3>The pirates responded to the terror of the ruling class

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<v Speaker 3>in kind.

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<v Speaker 1>In the last episode, Marcus talked about how pirates used

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<v Speaker 1>the Jolly Roger to strike fear into the hearts of

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<v Speaker 1>their enemies.

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<v Speaker 3>But he also says many pirates use their senses of humor, absurdity,

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<v Speaker 3>and their flair for the dramatic to turn that fear

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<v Speaker 3>back on the ruling class.

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<v Speaker 4>Pirates understood the drama of social life, and one who

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<v Speaker 4>understood it very well was a man named Edward Teach,

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<v Speaker 4>also known as Blackbeard. He was a huge man, six

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<v Speaker 4>foot eight or six foot nine in the average in

387
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<v Speaker 4>the time when most people were about five foot six,

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<v Speaker 4>and he would do things like when he went into battle,

389
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<v Speaker 4>he had this big long black Beard He would take

390
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<v Speaker 4>sparklers and put them in his beard and his hair

391
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<v Speaker 4>and then set them on fire so that he had

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<v Speaker 4>this satanic halo around his head, which was absolutely terrifying

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<v Speaker 4>to everybody, because you know, his idea was, you're afraid

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<v Speaker 4>of satanic imagery. Okay, I'm that I am your greatest nightmare. Right.

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<v Speaker 4>So he's he's playing this part right, and it's a

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<v Speaker 4>part meant to terrify, if not terrorize, your enemies.

397
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<v Speaker 1>Marcus says, this dynamic of terror, this back and forth,

398
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<v Speaker 1>is essential to understanding the Golden Age of piracy.

399
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<v Speaker 4>But we do have to add one more terror to

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<v Speaker 4>this story, which is the terror that ship captains used

401
00:22:58.640 --> 00:23:02.079
<v Speaker 4>as they tried to control common sailors in their workplaces.

402
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<v Speaker 4>That in some ways is the original terror, right, That's

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<v Speaker 4>the terror against which piracy grew up. So there is

404
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<v Speaker 4>this It's a dialectic, or almost a trialectic of terror

405
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<v Speaker 4>at three different levels. And the pirates were they understood

406
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<v Speaker 4>their role, and they wanted to be remembered as heroes,

407
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<v Speaker 4>as people who in that moment of execution, had the

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<v Speaker 4>courage to stand up to the authorities.

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<v Speaker 3>This struggle between what Marcus calls the two terrors would

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<v Speaker 3>eventually bring the Golden Age of piracy to an end.

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<v Speaker 4>But then the British government passed a new law in

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<v Speaker 4>seventeen twenty one that said, anyone who cooperates with pirates,

413
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<v Speaker 4>and they're targeting these petty merchants who would bind, sell

414
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<v Speaker 4>and trade with them. Anyone who cooperates with pirates is

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00:23:58.319 --> 00:24:02.559
<v Speaker 4>subject to the same punished schmuts as pirates themselves, meaning

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00:24:02.920 --> 00:24:04.319
<v Speaker 4>we will hang you too.

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<v Speaker 1>The authorities thought that if they could separate pirates from

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<v Speaker 1>their basis of support, they wouldn't have the resources to

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<v Speaker 1>continue disrupting trade.

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<v Speaker 4>Hundreds and hundreds of pirates were hanged, and essentially the

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<v Speaker 4>struggle was forced back down below decks. In other words,

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<v Speaker 4>you couldn't really capture pirate ships anymore. You didn't have

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<v Speaker 4>a place where you could take them to refit. The

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00:24:32.160 --> 00:24:35.799
<v Speaker 4>smaller merchants or the allies that you had were terrified

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<v Speaker 4>now of the government that they too were going to

426
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<v Speaker 4>be hanged. So what happened was that piracy was I

427
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<v Speaker 4>won't say eliminated, but reduced to a very large extent.

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<v Speaker 1>But stamping out piracy didn't mean stamping out rebellion. The

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<v Speaker 1>fight against exploitation just found new battlegrounds.

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<v Speaker 4>The defeat, you might say, of this generation of pirates

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00:24:57.640 --> 00:25:01.279
<v Speaker 4>forced people into other forms of resists. One of the

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<v Speaker 4>things that I noticed, which was quite fascinating and doing

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<v Speaker 4>my research, is that in the period after piracy declines,

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<v Speaker 4>the murder rate between captains and common sailors skyrockets. So

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<v Speaker 4>this is kind of displaced into another kind of more

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00:25:20.839 --> 00:25:22.440
<v Speaker 4>individual violence.

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00:25:22.839 --> 00:25:27.000
<v Speaker 3>In addition to individual acts of rebellion, collective resistance also

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00:25:27.039 --> 00:25:30.680
<v Speaker 3>took shape. A few decades later. In seventeen sixty eight,

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00:25:30.839 --> 00:25:34.480
<v Speaker 3>the word strike was first used to describe work protests,

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00:25:34.559 --> 00:25:37.599
<v Speaker 3>when sailors struck down the sales of their ships in

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00:25:37.680 --> 00:25:39.640
<v Speaker 3>order to create a work stoppage.

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<v Speaker 4>Sailors are natural born storytellers. Storytelling is a maritime art

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00:25:46.240 --> 00:25:50.079
<v Speaker 4>because you know, when you're at sea and you're separated

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00:25:50.079 --> 00:25:53.319
<v Speaker 4>from loved ones and your ship is under sail, there's

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00:25:53.359 --> 00:25:57.319
<v Speaker 4>not that much to do, so people tell stories. So

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00:25:57.880 --> 00:26:05.119
<v Speaker 4>these pirates became an endless source of stories. Stories of courage,

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00:26:05.400 --> 00:26:09.400
<v Speaker 4>stories of resistance, stories of standing up to the authorities,

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00:26:09.839 --> 00:26:14.160
<v Speaker 4>stories of thumbing your nose at them when you're on

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<v Speaker 4>the gallows.

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<v Speaker 1>By the seventeen thirties, the golden age of piracy was over.

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<v Speaker 1>Naval patrols, intensified punishments, grew harsher, and colonial powers worked

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00:26:23.640 --> 00:26:27.000
<v Speaker 1>together to stamp out piracy. The world had changed and

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<v Speaker 1>there was no longer room for pirates.

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<v Speaker 3>In fact, some of the pirates we talked about in

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<v Speaker 3>Part one didn't make it out of the Golden Age alive.

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00:26:34.160 --> 00:26:37.359
<v Speaker 1>Blackbeard was hunted down and killed in battle in seventeen eighteen.

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<v Speaker 1>Black Caesar was a bored Blackbeard ship at the time,

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<v Speaker 1>and was hanged in Virginia in seventeen eighteen.

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<v Speaker 3>Bartholemew Roberts, one of the most successful pirates of all time,

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00:26:47.079 --> 00:26:49.200
<v Speaker 3>was shot and killed. In seventeen twenty.

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00:26:48.960 --> 00:26:52.400
<v Speaker 1>Two, William Kidd was hanged in London, his body left

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00:26:52.440 --> 00:26:54.160
<v Speaker 1>to rot over the Thames as a warning.

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00:26:54.640 --> 00:26:58.279
<v Speaker 3>Anne Bonnie and Mary Reid avoided execution by claiming to

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<v Speaker 3>be pregnant. As Marcus said.

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<v Speaker 1>Earlier, Read died in prison, and Bonding's fate remains unknown.

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<v Speaker 3>But the legends of these pirates didn't die with them.

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<v Speaker 3>They reappeared elsewhere, on stage and paintings and in the

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00:27:10.079 --> 00:27:11.799
<v Speaker 3>pages of books and perpetuity.

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<v Speaker 1>Three hundred years later, we're still thinking, talking, and daydreaming

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<v Speaker 1>about them.

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00:27:16.920 --> 00:27:22.240
<v Speaker 4>We remember the pirates, we remember their names. People love

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00:27:22.440 --> 00:27:26.839
<v Speaker 4>pirates today. We don't remember the people who killed them.

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<v Speaker 4>So in a very real sense, the pirates have kind

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00:27:30.160 --> 00:27:32.799
<v Speaker 4>of won that. They sort of lost the battle, but

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00:27:32.880 --> 00:27:36.359
<v Speaker 4>won the war. And if the war is for a

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00:27:36.440 --> 00:27:40.880
<v Speaker 4>sense of justice, then then pirates have been the long

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00:27:40.960 --> 00:27:44.799
<v Speaker 4>term winners. And all this because people love them as

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00:27:44.960 --> 00:27:48.240
<v Speaker 4>folk heroes. They still do. I mean, I've been working

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00:27:48.240 --> 00:27:51.839
<v Speaker 4>on pirates off and on for decades, and everywhere I

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00:27:51.880 --> 00:27:54.720
<v Speaker 4>go around the world it's the same. People are just

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00:27:54.839 --> 00:27:59.480
<v Speaker 4>fascinated by them, and they're especially inspired by their courage.

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<v Speaker 4>So that's a way in which they weren't defeated.

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<v Speaker 2>Ala Martina Penala oh bela Chile, Bela Chile, Bela chi

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00:28:18.559 --> 00:28:21.359
<v Speaker 2>Cho chow Alamatino.

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<v Speaker 1>That brings us to the end of our double episode.

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<v Speaker 1>Thanks to Marcus Reddicker for taking the time to talk

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<v Speaker 1>to us.

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<v Speaker 3>We definitely recommend you get a copy of Marcus's book

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00:28:33.000 --> 00:28:36.039
<v Speaker 3>Villains of All Nations, Atlantic Pirates in the Golden Age,

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00:28:36.480 --> 00:28:39.240
<v Speaker 3>as well as his graphic novel under the banner of

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00:28:39.319 --> 00:28:42.680
<v Speaker 3>King Death Pirates of the Atlantic, a graphic novel with

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00:28:42.799 --> 00:28:46.519
<v Speaker 3>David Lester, both available on the links in the show notes.

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<v Speaker 1>It's only support from you, our listeners, which allows us

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00:28:49.720 --> 00:28:52.359
<v Speaker 1>to make these podcasts, So if you appreciate our work,

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00:28:52.440 --> 00:28:54.960
<v Speaker 1>please do think about joining us at patreon dot com

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00:28:55.000 --> 00:28:57.680
<v Speaker 1>slash working class History link in the show notes.

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00:28:58.119 --> 00:29:00.960
<v Speaker 3>In return for your support, you get early access to content,

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00:29:01.039 --> 00:29:05.000
<v Speaker 3>as well as ad free episodes, exclusive bonus content, discounted

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00:29:05.079 --> 00:29:08.519
<v Speaker 3>merch and more. If you can't spare the cash, absolutely

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00:29:08.519 --> 00:29:11.359
<v Speaker 3>no problem. Please just tell your friends about this podcast

501
00:29:11.400 --> 00:29:13.519
<v Speaker 3>and give us a five star review on your favorite

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00:29:13.519 --> 00:29:14.319
<v Speaker 3>podcast app.

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00:29:14.720 --> 00:29:17.839
<v Speaker 1>Thanks also to our Patreon supporters for making this podcast

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00:29:17.880 --> 00:29:22.559
<v Speaker 1>possible special thanks to Jazz Hands, Fernando Lopez, Ohita, Jeremy Cusamano,

505
00:29:22.759 --> 00:29:24.720
<v Speaker 1>Nick Williams, and Old Norm.

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00:29:24.799 --> 00:29:28.160
<v Speaker 3>Our theme tune is Bella Chow. Thanks for permission to

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00:29:28.279 --> 00:29:30.920
<v Speaker 3>use it from Disky del Sole. You can buy it

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00:29:31.000 --> 00:29:32.640
<v Speaker 3>or stream it on the links in the show notes.

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00:29:33.039 --> 00:29:35.599
<v Speaker 3>This episode was written by me Audrey Kamp.

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00:29:35.640 --> 00:29:39.599
<v Speaker 1>And me Tyler Hill, produced by Me Tyler Hill. Anyway,

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<v Speaker 1>that's it for today. I hope you enjoyed the episode

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<v Speaker 1>and thanks so much for listening.

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<v Speaker 2>By luck Chou by luck Out, by luck Out John

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<v Speaker 2>no matamba can be said Tony
