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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Big Story.

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But first I do want to encourage you, if you

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are enjoying this podcast, to please follow us using your

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favorite podcast software. And I also want to encourage you

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to check out our other podcast and today I'm highlighting

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the Great Adventurers of Old Time Radio. Currently we've got

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a great cereal going featuring Toursan, and we also are

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featuring some high quality lux radio theater programs. And you

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can subscribe to the Great Adventurers of Old Time Radio

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wherever you get your podcasts from, and you can find

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links to all of our podcasts at Great Detectives dot net.

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But now, from mayfef nineteen forty eight, here is the

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Pillars of Society.

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Speaker 2: Well now present the Big Story.

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Speaker 3: You're ready, Mama's the store locked, just closing the back door.

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Speaker 4: You're finished store.

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Speaker 3: Busy week, good week, and the money in the valice

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ready for the plazzan first thing in the morning.

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Speaker 4: Oh customers, it's too late.

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Speaker 3: It's not too late. Maybe you need something weight Wait.

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Speaker 4: It's too customers.

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Speaker 3: All two men, who is better than one? Come in? Gentlemen,

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come in? What can I you're an old guy, Pop.

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I wouldn't want to hurt you. Have I had to?

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I would you want to the valise? Pop the valise?

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But you're not rich, Frank. Maybe he doesn't understand polite talk.

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Give me that Falice.

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Speaker 5: Frank talked to the man so he'll be sure and understand.

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Speaker 2: The big story here is America. It's sound and its fury,

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it's joy and it's sorrow, as faithfully reported by the

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men and women of the great American newspapers. Cleveland, Ohio,

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from the pages of the Cleveland, Ohio Press. The moving

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story of Justice and the guy named Joe Tonight to

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William Miller of the Cleveland, Ohio Press goes the pell

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Mell Award for the Big Story. Now the story as

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it actually happened, William Miller's story as he lived it, Cleveland, Ohio.

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Speaker 6: You sit at your desk, William Miller of the Cleveland Press,

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writing the story of a brutal holder.

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Speaker 3: A man and a woman, both.

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Speaker 6: In their sixties, owners of a small dry goods store

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on East one hundred and second Street, have been beaten

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and robbed. The sum taken, two thousand dollars, represents ten

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years savings for their kind of people. Their attackers were

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kids one nineteen one, twenty one, to whom money is

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the final goal, and to whom a storekeeper and his

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wife are just two people in the way. You write

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that bitter news story, and two months you're write with

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satisfaction that one of the robbers was sentenced to fifteen

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years in jail. The other robber was never picked up,

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but you're happy with the one they got. You enter

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his name in the back of your mind under the

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category laos Joe mantell loos that done. You forget about

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him until four months later the phone on your desk

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jogs your back into remembrance.

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Speaker 4: Mister Miller, there's an old woman out here to see you?

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Speaker 3: Or who is she? What does she want? Wouldn't say

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that's her name? I'm busy, Yes, sir.

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Speaker 4: H missus man.

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Speaker 3: Tell mister Miller and tell I don't know, oh, Joe Man.

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Tell she anything to do with him his mother? Mister Miller,

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what do you know?

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Speaker 6: Yes, send her in. I'd like to hear what she's

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got to say. Yes, send her in.

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Speaker 4: You're very kind to see me, mister Miller.

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Speaker 3: You read the stories I wrote on your son, didn't you,

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missus mantell, Yes, I did.

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Speaker 6: You know just how I feel. I'm only sorry you

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didn't get twenty five years.

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Speaker 4: I'm not a proud woman, mister Miller. If to get

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to the truth, I have to scrub floors or take

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a little insult. A mother doesn't mind that, mister Miller.

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Speaker 3: Oh, look, what do you got to say.

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Speaker 4: Joey didn't do it anymore than I did.

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Speaker 3: Jury thought otherwise.

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Speaker 4: Joey wasn't there, He wasn't near the store that night.

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Speaker 3: You said that in court. What do you want anyhow?

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Speaker 6: Man gets a trial, a fair trial, a jury of decent,

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honest people find him guilty.

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Speaker 4: What more do you want, mister Miller. I'm a reader

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of your paper fifteen years. I like the way you write. No,

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that's not flattery, it's the truth. You remember the Sullivan

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Boy about eight years ago, mister Miller. He was found

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gilly by a jury of honest people too, But you

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wrote about it, and you helped prove that he was innocent.

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The Ginsburg girl it was about four years.

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Speaker 3: Look, look, I studied your son's case. The only thing

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that makes me saw was that they didn't catch the

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other crook, and your son only got fifteen years. Those

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people were in their sixties, Missus Mantel.

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Speaker 4: I'm sixty seven, mister Miller. At sixty seven, a woman,

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don't lie. My boy was home in the garage fixing

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the car.

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Speaker 3: Why was he fixing a car in the evening.

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Speaker 4: Because when a boy wants to make a new start,

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he don't care if it's afternoon or eveninging. What Joseph Mantel,

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My son was a bad boy, And it's a mother

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saying that, mister Miller. When he was sixteen he stole

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the car. At eighteen he robbed a candy store. So

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of course any jury would say that at nineteen he'd

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hold up another store and steal two thousand dollars.

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Speaker 3: And beat up the storekeeper and his wife. I'd say

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the same thing.

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Speaker 4: You see, the night of the robbery, he was going away.

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I got three hundred dollars together. More like it's there.

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You see, my husband is dead, and we bought Joey

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a second hand car, and he was going away. I

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was sitting on the steps that night and he was

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in the garage fixing the car.

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Speaker 3: What's California like, mae.

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Speaker 4: Oh, it's nice, Joey. A boy could well, he could

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find himself there.

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Speaker 6: You don't know me, ma'am.

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Speaker 5: I got two strikes against me.

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Speaker 4: If he tries hard, he could find himself.

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Speaker 3: Mam.

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Speaker 5: Sometimes I think when they had it out luck, I

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was out for a beer.

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Speaker 4: Now, don't make smart jokes, Joey okay.

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Speaker 5: They must have seen you coming when they sold you

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that jollobby.

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Speaker 4: It'll get you to California, and that's all I want. Look, Joey,

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people in California never heard.

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Speaker 5: It's not so easy. CoP's hurting me. Man, other kinds

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of people do. I'll get yourself, but.

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Speaker 4: You've got nothing to be ashamed of. It did your

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time for the wrong thing that you did. You'll go

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there and make a new star.

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Speaker 5: Yeah, yeah, sure, who knows, Maybe I'll be the next

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Van Johnson. Joe mantell him home on arrange playing at you?

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Speaker 4: What is it?

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Speaker 3: Joey okay?

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Speaker 4: Man, tell come on, what's the met officer? What's happened?

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Speaker 3: Didn't they tell you?

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Speaker 6: No, you'll find out.

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Speaker 3: Let's go.

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Speaker 2: The sergeant is waiting for you.

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Speaker 3: Man.

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Speaker 6: Tell now, judge and a jury and I think there'll

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be a nice, comfortable cell too.

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Speaker 4: Now come on, that's the God's truth, mister Miller. He

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was going away to turn over a new leaf too.

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Speaker 6: Okay, missus Mantel, I heard you. If you excuse me,

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I got a lot of work to do. Free witnesses

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saw him.

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Speaker 4: Maybe Joey was right. Who strikes against you? He said,

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chances are break out.

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Speaker 6: I'm sorry, take that door out, William, Missus Mantel. I'm

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not a charitable institution, but I'm not a dope either.

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And that's all you close your mind to. It happens

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every day. Every crook with a mother is innocent. You

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go back to the real world of being an honest reporter,

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and then something happens and you realize that you haven't

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shaken the Mantel case from your mind because you.

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Speaker 3: Write the story Smith. Yeah, why but the two guys

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that held up the gas station told you I did

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send them the manner? Oh no, nothing, just but did

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you see the crooks?

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Speaker 7: Sure?

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Speaker 3: I saw them? Hey, what's eating you? Just sis?

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Speaker 6: The two criminals Bud and frank Enright nineteen and twenty one,

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in addition to robbing the attendant.

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Speaker 3: Beat him cruelly as well. The injuries may prove fatal

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because the attendant was a man well in his sixties.

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So nothing. Just just reminds me of another case. Just

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wonder if three witnesses couldn't be wrong, jury couldn't be

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that wrong? Yeah, oh how could they? Smithy went jail?

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Of those two crooks in Sergeant? Can I see this

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butt hand? Right? Sure? It's a free country. What's the

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point Miller? But I just just that I want to

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make sure I didn't insult an old lady.

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Speaker 8: H I don't know what you're talking about, But go ahead,

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go as far as you like.

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Speaker 3: I want to leave me in the cola. Will you?

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You look like him? You know that? Don't you like

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Joe Joe Mantel? Is he a boy who was set

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up for beating and robbing a couple who ran a

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dry goods store on East one hundred and second Street

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six months ago? So what I looked like him? Did

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you do that job? Don't be stupid? I look but

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you're in a bad way. You may get life, you

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know that. Don't you get out of here. I got

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a right to be alone. You and your brother stuck

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up that couple, didn't you.

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Speaker 1: Yeah?

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Speaker 4: Yeah, we stuck him up and tipped the cops to

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pick up this man.

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Speaker 3: Tell what do you got to lose? Tell the truth.

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Maybe an innocent kid is up for fifteen years for

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what you did. My heart's bleeding.

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Speaker 9: I got out of here, and leave me alone.

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Speaker 3: What kind of jalus anyhow? Anybody can come and here

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see anything he wants. Leave me alone. Mister Jenkins, you

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identified this man as the robber of the dry goods store.

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Speaker 9: Ooh, young man, I testified to that effecting court.

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Speaker 3: This is the man, isn't it. This is his picture,

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that's right now.

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Speaker 9: If you don't mind that this is.

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Speaker 6: Not Joe Mantel, that's right. This is butt End, right,

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not Joe Mantel. But then you're not sure it was

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Mantell who held up that store. I might have been

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this man. Yes, thanks, that's all I wanted to know.

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Is this the man, missus smothers?

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Speaker 4: It certainly is. I'd know his faith anywhere he came

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in our store as well.

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Speaker 6: This is not the man your testimony convicted, Missus Smothers.

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Speaker 3: This is another man.

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Speaker 4: Oh my goodness, Oh my goodness, that's terrible.

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Speaker 3: You're sure I told you I didn't do it.

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Speaker 1: We are you gonna leave me alone?

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Speaker 3: And right, I've got affidavids from three witnesses saying you

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were the man, not mantel from the storekeepers too. I

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why don't you stop it? You're gonna get life anyhow, playball,

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Maybe something can be done.

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Speaker 9: I don't want any part of it.

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Speaker 3: Maybe it's a stupid thing to say about a little

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thing like your conscience.

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Speaker 6: About a little thing like that fact that this kid's

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mother is sick to death. Because right, I swear I'm

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gonna haunt you to you tell me the truth.

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Speaker 4: I'm gonna rise right, shut up.

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Speaker 3: I got a statement right here. I read it and

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read it carefully. Okay, let me see it.

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Speaker 6: Hell there it is Commission of the works, signed confession

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by and right Affidavit's an error by the witnesses. And

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now all you have to do is see the governor.

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Speaker 3: Suppose we go slow, melone, What do you mean slow?

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Everything's right here in front of your commission. Sure? Sure?

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Speaker 9: What is the confession of a life termal word? What

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did you are from the sign of sympathetic treatment in

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your paper? No, Peter, little sentiment. The most crooks they'll

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oblige you. What have they got to lose. That confession

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isn't worth the papers written on? What about the affidavits

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of the witnesses. What about missus smothers who owned the store?

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What that they made a mistake that they said Enright

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was Mantell? I could get them to say man Tell

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was enright, or maybe somebody else. Maybe instead of making

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one mistake, they're making two mistakes.

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Speaker 3: What proof have.

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Speaker 9: You got, real proof, absolute proof that would warrant our

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reversing the jury?

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Speaker 3: What this man is innocent?

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Speaker 9: I know, I know an innocent man is in prison

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makes a great story. But how does this one strike you?

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A guilty man is a pardon? How do you like

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that stime?

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Speaker 3: Mantell didn't do it. He was fixing his car that night,

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he was going to California. A jury thought otherwise.

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Speaker 9: Twelve honest men and women as honest as you or

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I they thought otherwise. You think you've got enough to

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throw that decision away In the Sullivan case and the

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King's walla, sure you bet at a thousand there, only

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this time you might be betting zero. Nothing you've shown

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me would make the government give man Tell a pardon. Nothing.

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Speaker 3: I want proof, Meller proof. Maybe this will sound high

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handed to you.

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Speaker 9: But it happens to be my philosophy, the philosophy of

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the course of this country. A jury has the last word.

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Trial by jury is the pillar of decency and law.

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You don't throw that over for a whim or an idea,

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even because a smart reporter comes in and presents you

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with something that indicates, maybe, just maybe something is wrong.

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Think that over, Miller. Any time you want to speak

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to me again, come right in. I'm honest, but I'm

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hard headed. You'll be the same.

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Speaker 2: We'll be back in just a moment with tonight's big story.

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Speaker 6: Now back to your narrator, Bob Sloan, and the big

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story of William Miller as he lived it and wrote it.

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You walk out of the commission this office slowly weigh

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his words because you're just a reporter, Bill Miller, a

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reporter for the Cleveland Press. You think over what he

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said that courts and trial by jury are the pillars

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of our society. And you know he has a point,

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a big point. And so as you move ahead now

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you look for proof, proof that'll be important enough to

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reverse the decision by a jury of twelve men and

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women tried and true. Your first step is taken with

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a specialist, doctor Thompson, an expert for the light detector.

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You too, sit down with Joe Mantel, and as the

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doctor gives him a test for truth, you can hear

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his heartbeat.

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Speaker 8: No, just relax, mister Mantel, if you please and answer

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the questions.

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Speaker 3: I'll ask you yes, yes, sir. Are you innocent?

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Speaker 5: Yes, sir, doctor I am.

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Speaker 3: Where were you on the night of the robbery fixing

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my car? What kind of car? Was it?

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Speaker 9: A Chevy invertible?

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Speaker 3: How many times were you convicted before? Twice, both times

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for robbery, But this time you're innocent, Yes, sir, I'm innocent.

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I never everywhere, missus smothers. The storekeeper said you hit

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her husband on the head. That's a lie. I never did.

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Speaker 9: I wouldn't hit a man old enough to be my father.

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Speaker 10: All right, mister man Tel, that'll do. That'll do very nice.

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Just sit still in right. This is a lie, Detective.

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Speaker 3: I signed your statement, didn't I.

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Speaker 9: We gotta boto me with all.

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Speaker 3: This four Just answer the questions.

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Speaker 6: Nothing's going to happen to you, all right, mister Miller.

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Speaker 3: I'm ready.

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Speaker 8: Now, mister Enwright, describe what happened when you went into

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the store.

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Speaker 3: I walked in here, my brother.

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Speaker 5: It wouldn't add over the money, so I took it.

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Speaker 3: They had it in the little police and then you

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hit him. Frank hit him. We wanted to be sure

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they wouldn't call the cops.

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Speaker 9: Then you walked out and we put out the lights

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and then walked out.

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Speaker 3: How much money was in the police two thousand bucks.

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Speaker 4: Ain't got enough.

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Speaker 6: Your brother says you hit him, and he's a liar,

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a dirty liar.

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Speaker 3: All right, mister enlright, fine, thank you.

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Speaker 9: I'll do me a favor, Miller, get that man, tell

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Punk out of jail and leave me alone.

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Speaker 3: I'll try, buddy, I'll try.

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Speaker 8: The tests Commissioner established in my judgment the Innocence of

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Joseph Mantel, and demonstrate that bud Enwright was telling the

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truth when he admitted the robbery.

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Speaker 3: I see or what do you say, Commissioner, my detectors

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of funny things?

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Speaker 9: Tell me, doctor, how do you explain this chart for

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wild beatings and vibrations during Mantell's testimony that he was

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telling the truth. Well, he's young and excitable. Anyone would

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have such reaction. Then they're not conclusive. He might have

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had the same reactions if he were lying.

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Speaker 6: Well, Commissioner, and writes, Chard shows that he wasn't lying,

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not to me.

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Speaker 3: It doesn't well, why doesn't it?

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Speaker 9: Because check me on this doctor. The lie detector breaks

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down when it comes to hardened criminals. I mean a

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man with a record who over a period of years

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has built himself up to lie evenly. Such a man

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could fool a lie detector. Right well, there would be

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some difficulty in such a case, read and writes record

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Miller seven major crimes in six years, everything from smuggling

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to assault to Washington robbery. Such a man is constitutionally

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unable to distinguish between right and wrong.

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Speaker 6: But for Heaven's sake, commission I still see a jury

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of twelve people deliberating in a closed room settling fate

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of a man.

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Speaker 9: I don't see this kind of half evidence changing what

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went on.

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Speaker 3: In that room? Or what do you want?

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Speaker 9: I want a reason, a better reason than you've given me,

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for reversing a jury.

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Speaker 6: You write articles in your paper bill alone, articles pointing

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out the validity of your case. You call upon outstanding

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citizens to rally around the innocence of Joe Mantel. You

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bring support to your case in the person of the

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most respectable citizens of Cleveland, and then you go to

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see the commissioner once more.

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Speaker 3: No, I won't change my mind. Oh look, this has

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gone beyond the stage of reasonable doubt. Here are the

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names of two hundred of the most prominent citizens of Cleveland.

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Speaker 9: I was just as impressed with the names of the

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witnesses and the storekeeper's wife. Size doesn't change this. The

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importance of the people who signed doesn't change it. They

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didn't sit on that jury. They didn't hear all the evidence.

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Speaker 6: Well, suppose I got the juris themselves.

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Speaker 3: Would that change your mind? How could you do that?

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Speaker 9: The jury was empaneled over a year ago. A lot

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of those people are who knows, all over the state,

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maybe some out of the state.

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Speaker 3: How could you get them? I suppose I did? What

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would you say? Then? You really believe in this, don't you?

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Just as much as you believe in the sanctity of

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the courts.

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Speaker 9: If you will get the jury, Miller, I'll get you

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some action from the governor.

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Speaker 3: Now you've said something, Bill Miller, You're going to.

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Speaker 6: Get the jury to reverse themselves. And in saying it,

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you've set a mouthful, because, just as the commissioner thought,

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half the jurors can't.

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Speaker 3: Be located easily.

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Speaker 6: Some have moved out the cities, some other states that

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you go after them.

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Speaker 3: You reach them.

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Speaker 6: Wherever they are and present the testimony of the ways,

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you show them the photos, you bring them the lie detective.

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Speaker 9: Tests, and finally, after.

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Speaker 3: A year of hard work, you've.

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Speaker 6: Got eleven jurors agreeing that Joe Mantel should be pardoned.

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But eleven isn't twelve, and the twelfth dura, Missus Anna Ryder,

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can't be found anywhere. And then your phone names.

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Speaker 4: Miller speaking mister Miller, this is Missus Mantel.

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Speaker 3: Hello, Missus Mantel.

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Speaker 4: Oh, I'm fine, I'm tined. I haven't had a tendency

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yet to tell you how much I appreciate all that

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you've done.

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Speaker 3: I wish it, you know, I haven't been able to

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finish when I started.

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Speaker 4: Yes, I know, Missus Ryder, the twelfth juris.

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Speaker 3: Yeah, we can't find her anywhere.

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Speaker 4: But that's why why I called you.

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Speaker 3: I found that we've done your father.

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Speaker 4: Where mister Miller, she's very sick and she's in the hospital.

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Speaker 3: Could we stay her?

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Speaker 6: Well?

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Speaker 4: I don't know that the doctor says her condition is

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very serious.

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Speaker 3: Give me the name of the hospital. Maybe we can

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do it, Missus Mantell. Maybe we can. And that's the story,

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Missus Ryder.

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Speaker 4: Thank you for coming.

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Speaker 7: You see I'm dying, mister Miller. Oh yes I know,

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but I thank you for coming. Always, since I saw

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your first articles in the paper months ago, always there

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was a little cloud of doubt in my mind. And

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if I died with such a thing on my conscious No, no,

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you see his mother, this innocent boy's mother, she might

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have been me. No, no, mister Miller, I thank you

415
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for coming. You have a paper for me to sign,

416
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Give me the paper, and bless you, blessed you for coming.

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Speaker 4: I'm so glad you came, mister Miller. Joey is so

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happy since he was pardoned by the governor.

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Speaker 3: Well, I'm glad too, Missus Mantel. It's a very nice party.

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Speaker 4: Yes, it's a coming home party and going away party too.

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00:24:33,119 --> 00:24:34,799
Did you have some turkey.

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Speaker 3: Just like I did? What do you mean going away?

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Speaker 4: You haven't seen Joey, have you?

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Speaker 3: No? I was beginning to wonder work.

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Speaker 4: Well, he's out in the back in the garage, fixing

426
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up the car. He said, he don't want a party,

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he just wants to go away. He's changed, mister Miller,

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00:24:53,480 --> 00:24:57,960
thanks to you. No chip on his shoulder now no

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two strikes against.

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Speaker 5: Go out, mister Miller.

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Speaker 4: Shake his hand and wish him luck. Joey had liked

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00:25:07,559 --> 00:25:09,960
that better than anything in the world.

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Speaker 2: In just a moment, we'll read you a telegram from

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William Miller the Cleveland Press with the final outcome of

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tonight's big story. Now we read you that telegram from

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William Miller of the Cleveland, Ohio. Pretz couldn't write story

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of my meeting that day with Mantell a little too personal,

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little too private, but could tell that by way he said, Hi, useful,

439
00:25:52,119 --> 00:25:55,599
life had been reclaimed. Feeling was justified when two years

440
00:25:55,680 --> 00:25:59,559
later received postcard from Mantell in California. He was happy,

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00:26:00,000 --> 00:26:03,319
had a good job, doing well. Many thanks for tonight's

442
00:26:03,319 --> 00:26:06,559
Pellmell Award. Thank you, mister Miller. The makers of Pell

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00:26:06,640 --> 00:26:08,519
Mell proud to have named you the winner of the

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00:26:08,519 --> 00:26:11,680
Pell Mell five hundred dollars Award for notable service in

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00:26:11,720 --> 00:26:12,759
the field of journalism.

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Speaker 6: Listen again next week, same time, same station, when Pell

447
00:26:16,799 --> 00:26:20,759
Melts will present Another Big Story. A Big Story from

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00:26:20,799 --> 00:26:25,079
the front pages of the Indianapolis Star Byeline Robert Early.

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00:26:25,759 --> 00:26:33,039
A Big Story about racing cards, reckless men and the

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00:26:33,119 --> 00:26:41,160
driver who gambled and lost.

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00:26:51,319 --> 00:26:54,000
Speaker 2: A Big Story is produced by Bernard J. Potter with

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00:26:54,200 --> 00:26:58,480
music by Voda Mistelinski's Tonight's Program was written by Arnold Pearl.

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00:26:59,279 --> 00:27:02,079
Your narrator will Bob Sloan and Arnold Moss played the

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00:27:02,079 --> 00:27:05,279
part of William Miller. In order to protect the names

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00:27:05,279 --> 00:27:09,400
of people actually involved in Tonight's authentic Big Story, the

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00:27:09,519 --> 00:27:12,759
names of all characters in the dramatization were changed, with

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00:27:12,880 --> 00:27:25,920
the exception of the reporter, mister Miller. This is Ernest

458
00:27:25,960 --> 00:27:29,000
Chappel speaking for the makers of Palnel Famous Cigarettes.

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00:27:32,640 --> 00:27:45,440
Speaker 11: This is NBC, the National Broadcasting Company, Welcome Back.

460
00:27:45,599 --> 00:27:49,279
Speaker 1: The cast of this episode, in addition to mister Moss,

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00:27:49,319 --> 00:27:55,880
included Barbara Weeks, Addie Klein, Santos Ortega, Mickey O'Day, Edgerome's

462
00:27:56,359 --> 00:28:01,119
Jack Rohymes, and narrator Bob Sloan, who took on a character.

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00:28:02,200 --> 00:28:06,160
As usual. These episodes are fascinating time capsules. Well, the

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00:28:06,160 --> 00:28:10,920
commissioner ended up wrong. Miller was right that he had

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a point. Letting jury verdicts get overturned because of pressure

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00:28:14,720 --> 00:28:18,039
from the press really could set a bad precedent. And

467
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I appreciated that the commissioner didn't just change his mind

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00:28:22,720 --> 00:28:26,160
because important people thought that the results should be changed,

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but their stubbornness, and then there's just being obstinate, and

470
00:28:33,799 --> 00:28:37,400
the sort of level to a proof that Miller had

471
00:28:37,400 --> 00:28:42,559
to go through and getting all jurors to agree is

472
00:28:42,759 --> 00:28:47,680
really just ridiculous, because he provided a lot of evidence

473
00:28:47,759 --> 00:28:51,799
to cast doubt on the results of the case, even

474
00:28:51,880 --> 00:28:57,079
though for the time the commissioner's view of the jury

475
00:28:57,200 --> 00:29:02,119
verdict was exalted beyond beyond reason. Now, I did dig

476
00:29:02,200 --> 00:29:06,920
up the original story as to what happened. It all

477
00:29:07,079 --> 00:29:11,640
culminated in the January seventeenth, nineteen thirty seven issue of

478
00:29:11,680 --> 00:29:15,759
the Cleveland News. It involved a young man named Frank

479
00:29:15,880 --> 00:29:20,240
Basey who was convicted in nineteen thirty four and pardoned

480
00:29:20,240 --> 00:29:25,519
by Governor Martin Davy in nineteen thirty seven. Now, the

481
00:29:25,559 --> 00:29:29,039
actual story is very similar to what we heard on

482
00:29:29,079 --> 00:29:33,200
the radio, even getting all twelve yeurors degree and the

483
00:29:33,319 --> 00:29:36,720
last year being on their deathbed, but there were some

484
00:29:36,880 --> 00:29:41,279
things that were different. The lie detector was arranged not

485
00:29:41,400 --> 00:29:46,079
by Miller, but by the Cleveland Association for Criminal Justice,

486
00:29:46,519 --> 00:29:51,279
who actually issued a full report to the governor in

487
00:29:51,359 --> 00:29:54,960
the spring of nineteen thirty six. They talked about the

488
00:29:55,039 --> 00:29:59,000
lie detective results, they talked about the confessions and the

489
00:29:59,200 --> 00:30:03,559
evidence that they had gathered, and this made its way

490
00:30:03,599 --> 00:30:10,319
to the governor's executive secretary, who recommended clemency be given.

491
00:30:10,799 --> 00:30:16,279
But apparently the whole thing got lost as not a

492
00:30:16,359 --> 00:30:22,240
thing happened with it for nine months. Sorry for leaving

493
00:30:22,279 --> 00:30:27,359
you in prison all that time. That is an unpardonable

494
00:30:27,799 --> 00:30:32,599
clerical error. Miller had reported on the story and really

495
00:30:32,680 --> 00:30:36,759
started to beat the drum, particularly on New Year's Eve

496
00:30:36,920 --> 00:30:41,839
nineteen thirty six, covering the fact that the family have

497
00:30:42,759 --> 00:30:47,680
mister Basie back and that there had been no response

498
00:30:47,799 --> 00:30:52,279
from the governor's office. One key emission from the radio

499
00:30:52,359 --> 00:30:57,799
episode was that Basie had a brother. In fact, Basie's brother, Max,

500
00:30:58,519 --> 00:31:02,880
was actually put on trial at the same time as Basie,

501
00:31:02,920 --> 00:31:06,880
but he was acquitted and he was a key part

502
00:31:07,200 --> 00:31:12,880
of finding the last juror. It was him, not the mother,

503
00:31:13,000 --> 00:31:17,319
who found the juror. And then Max Bazie went to

504
00:31:17,440 --> 00:31:24,759
Columbus and sat outside the Governor's office for eleven straight

505
00:31:24,880 --> 00:31:29,240
days until the governor issued a pardon. It's unlikely that

506
00:31:29,400 --> 00:31:35,680
the commissioner represented a single person, and really, if you're

507
00:31:35,720 --> 00:31:41,079
a newspaper, do you really need the police commissioner's support

508
00:31:41,200 --> 00:31:45,799
to get someone out of prison. He may have represented

509
00:31:46,039 --> 00:31:52,599
a composite of different people who had objections at different

510
00:31:52,640 --> 00:31:57,799
stages of the efforts to free Frank Bazie. And the

511
00:31:57,839 --> 00:32:02,000
adding of such a composite character and kind of taking

512
00:32:02,160 --> 00:32:06,480
some of the things that Max Bazy did and attributing

513
00:32:06,519 --> 00:32:11,319
them to the mother is completely understandable because of some

514
00:32:11,400 --> 00:32:17,480
of the challenges that come into producing radio drama. Every

515
00:32:17,920 --> 00:32:22,559
single actor in this episode was doubling up another part,

516
00:32:22,839 --> 00:32:26,440
and you even had the narrator acting. Oh, you have

517
00:32:27,119 --> 00:32:32,119
limits time, the budget as well as the cast size,

518
00:32:32,319 --> 00:32:37,319
and you just had to keep things manageable while trying

519
00:32:37,400 --> 00:32:41,119
to reflect what happened as best you can within the

520
00:32:41,200 --> 00:32:45,160
limits that you have in producing a radio drama. Well,

521
00:32:45,200 --> 00:32:48,279
now it's time to thank our Patreon supporter of the day,

522
00:32:48,279 --> 00:32:51,319
and I want to thank Joey, Patreon supporter since June

523
00:32:51,359 --> 00:32:55,160
twenty nineteen, currently supporting the podcast at the rookie level

524
00:32:55,160 --> 00:32:57,359
of two dollars or more per month. Thanks so much

525
00:32:57,400 --> 00:33:00,200
for your support, Joey. That will do it for today.

526
00:33:00,240 --> 00:33:03,680
If you're enjoying the podcast, please follow us using your

527
00:33:03,720 --> 00:33:07,279
favorite podcast software, and be sure to rate and review

528
00:33:07,319 --> 00:33:10,799
the podcast wherever you download it from. We'll be back

529
00:33:10,880 --> 00:33:14,160
next Tuesday with another episode of the Big Story, but

530
00:33:14,279 --> 00:33:16,920
join us back here tomorrow for Broadways My Beat.

531
00:33:17,000 --> 00:33:20,119
Speaker 12: Where the man who was with you last night he

532
00:33:20,160 --> 00:33:21,359
said you wanted to talk to me.

533
00:33:21,640 --> 00:33:24,039
Speaker 13: It could have waited, Miss Carroll, until you felt better,

534
00:33:24,079 --> 00:33:25,119
and until you it will.

535
00:33:25,000 --> 00:33:28,200
Speaker 12: Not be forgotten that easily, mister Clover, That's what you mean.

536
00:33:30,200 --> 00:33:33,200
If you have something to ask, ask only don't prolong it,

537
00:33:33,200 --> 00:33:36,839
don't make me wait and wonder. SoRs enough by itself, don't.

538
00:33:36,680 --> 00:33:40,759
Speaker 13: You think, yes, yes it is, and you try to

539
00:33:40,839 --> 00:33:42,240
understand us scale A.

540
00:33:42,319 --> 00:33:46,359
Speaker 12: Man I loved, who loved me is dead by his

541
00:33:46,400 --> 00:33:50,880
own hand, by his own will. He could have lifted

542
00:33:50,880 --> 00:33:54,720
his burden onto me, whatever it was, but he didn't,

543
00:33:56,519 --> 00:33:57,359
and now he's dead.

544
00:33:57,720 --> 00:34:01,200
Speaker 13: You want more than that, maybe because this is my job,

545
00:34:01,759 --> 00:34:04,480
because I can't rule out the possibility that David Blaine

546
00:34:04,559 --> 00:34:05,079
was murdered.

547
00:34:07,039 --> 00:34:12,119
Speaker 12: Awful, how ugly of you to think a thing like that,

548
00:34:12,119 --> 00:34:17,000
that anyone could have wanted my David dead. It's ugly.

549
00:34:17,480 --> 00:34:19,800
Speaker 1: I hope you'll be with us then. In the meantime,

550
00:34:20,079 --> 00:34:24,480
send your comments to Box thirteen at Great Detectives dot nat,

551
00:34:24,559 --> 00:34:27,920
follow us on Twitter, Radio Detectives, and check us out

552
00:34:27,960 --> 00:34:34,400
on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.

553
00:34:34,639 --> 00:34:37,360
This is your host, Adam Graham signing off.

