WEBVTT

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<v Speaker 1>So you want to go up this road here and

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<v Speaker 1>get to the roundabit. You take a left and then

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<v Speaker 1>you go past the Murphy's house, you know, to Murphy's

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<v Speaker 1>their young lad, Sean. I think you're over in London now.

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<v Speaker 1>Oh yeah.

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<v Speaker 2>FBD doesn't stand for frustratingly bad directions. FBD stands for support.

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<v Speaker 2>We support van drivers in Ireland with up to seventy

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<v Speaker 3>It's what we do.

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<v Speaker 1>will start to chase yet and once he gives up,

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<v Speaker 1>you should be there.

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<v Speaker 2>Seventy five percent off based on five years no claims discount,

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<v Speaker 2>Insurance Group Limited, trading as FBD Insurance, is regulated by

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<v Speaker 2>the Central Bank of Ireland.

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<v Speaker 4>Oh hey, we just won the twenty twenty two Webby

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<v Speaker 4>Award for Best Host, which is a weird thing to

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<v Speaker 4>say as the host of this podcast, especially since I'm

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<v Speaker 4>recording this in my sister's garage. So who says you

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<v Speaker 4>have to be professional to win things? Hi, it's Ali Ward.

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<v Speaker 4>It's your Internet dad back with a fresh episode crafted

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<v Speaker 4>for you just this week. So acoustic ecology, what the

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<v Speaker 4>heck is it? So it's what sounds in nature tell

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<v Speaker 4>us about who's living where. This whole episode is just

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<v Speaker 4>like a nature app but with much more gossip. And

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<v Speaker 4>we've got one of the world's best for this. So

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<v Speaker 4>this ologist got his PhD in marine science from the

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<v Speaker 4>University of Queensland and has worked in conservation in over

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<v Speaker 4>twenty countries, from snow leopard tracking at Mongolia to big

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<v Speaker 4>grass munchers and Kenya and tiny bugs in Borneo. And

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<v Speaker 4>he's co authored tons of research papers plus a book

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<v Speaker 4>called Conservation Planning, and is currently the lead scientist and

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<v Speaker 4>Director of Conservation for the Nature Conservancies Asia Pacific Region

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<v Speaker 4>and has been given all kinds of awards for using

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<v Speaker 4>technology and bioacoustics to help save our flaming, gasping, burning

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<v Speaker 4>acid bath planet. Today we have this episode for you.

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<v Speaker 4>So it was a recent scorching hot afternoon in La

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<v Speaker 4>We hopped on the horn and I thought, man, this

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<v Speaker 4>is going to be the easiest thing ever a remote

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<v Speaker 4>interview the mic guy no tech challenges here, but alas

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<v Speaker 4>for some reason his mic was faltering and was super quiet.

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<v Speaker 4>Can you even believe I can't, but Jarrett sprust it

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<v Speaker 4>up and post we boosted his sound, so what it's

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<v Speaker 4>worth a listen anyway? All the other episodes have better sound. Okay,

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<v Speaker 4>real quick, just to thanks to everyone who submitted questions

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<v Speaker 4>via patreon dot com slash ologies barrier to entry is

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<v Speaker 4>one dollar a month hop aboard. Thanks to everyone who

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<v Speaker 4>tells friends about ologies, who leaves a review knowing that

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<v Speaker 4>I read them all, such as one that Emily left

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<v Speaker 4>a few days ago that read, I gotta say, lady,

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<v Speaker 4>I hated science before I listened to your podcast. Now

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<v Speaker 4>I can't get enough. Emily welcomed the messy, weird world

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<v Speaker 4>of nature. Let's get gross, okay, so let's get on

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<v Speaker 4>with it. We cover everything from how noisy the ocean

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<v Speaker 4>is capturing sonic evidence of rare animals, who's the loudest

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<v Speaker 4>bird and what do they want? How fish apartment hunt,

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<v Speaker 4>ghosts and infrasound, how much logging is illegal logging, the

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<v Speaker 4>types of jobs out there for sound nerds who like science,

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<v Speaker 4>and a weird thing that I have in my backyard

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<v Speaker 4>with acoustic ecologist doctor Eddie Game. Hi, is this doctor game? Uh? Okay?

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<v Speaker 4>Doctor game sounds like a sounds like a deal. Oh,

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<v Speaker 4>and one thing I will have you do at the

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<v Speaker 4>start if you could say your first and last name

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<v Speaker 4>and your pronouns that you use.

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<v Speaker 3>Yeah, eddie, game, Yeah?

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<v Speaker 4>And where am I talking to you from? Where are

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<v Speaker 4>you beaming in from?

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<v Speaker 3>I'm talking for Brisbane, Australia.

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<v Speaker 4>Oh, I hope that it is a reasonable time there.

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<v Speaker 5>Oh yeah, it's it's quarter past nine in the morning,

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<v Speaker 5>so it's halfway through my webday pretty much.

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<v Speaker 4>Do you have to get up early early for what

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<v Speaker 4>you do?

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<v Speaker 3>Do you know what?

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<v Speaker 5>I get up early because I am so often connecting

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<v Speaker 5>with people in the US.

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<v Speaker 3>That's the bulk of our organization is in the US.

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<v Speaker 4>And now you've been working with Nature Conservancy, right, how

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<v Speaker 4>long have you been with them?

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<v Speaker 3>Oh? Goodness, fourteen and a half years. It's a long time.

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<v Speaker 4>And I have to ask acoustic ecology. I did not

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<v Speaker 4>know that this was an ology, but what areas does

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<v Speaker 4>monitoring or listening work in? Like? How do you describe

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<v Speaker 4>what acoustic ecology is to people?

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<v Speaker 6>Oh?

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<v Speaker 3>It's so cool? Do you know? And I don't think

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<v Speaker 3>many people knew it was an ology too.

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<v Speaker 5>Apparently five or six years ago and really started taking

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<v Speaker 5>sort of whiskers of it, and there's some people in California.

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<v Speaker 3>It's Goodlin Italy doing it. But now you know.

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<v Speaker 5>It's it's sort of exploding such that I think it's

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<v Speaker 5>going to be impossible to do even a basic ecology

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<v Speaker 5>degree in a few years time without learning something about

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<v Speaker 5>acoustic ecology. And so I definitely put it firmly in

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<v Speaker 5>that ecology basket. I think of it as one of

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<v Speaker 5>the great new streams of data. When we first started

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<v Speaker 5>getting satellite images of Earth, it's completely transformational in the

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<v Speaker 5>sort of science we could do and the insights we

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<v Speaker 5>could get into the planet.

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<v Speaker 4>If you're like, was that in nineteen ninety two or

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<v Speaker 4>eighteen seventy four, I gotcha. So the first images humans

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<v Speaker 4>took from space were by the US in the mid

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<v Speaker 4>nineteen forties, so see right after the Second World War.

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<v Speaker 4>And it's gotten better since those base blurs. But in

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<v Speaker 4>nineteen ninety nine the US and Japan launched a group

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<v Speaker 4>project which was public domain images via the Aster Imaging System.

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<v Speaker 4>And the point is like a rocket with an instematic

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<v Speaker 4>strap to the front of it, things move fast. Is

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<v Speaker 4>some of that rise in acoustic ecology because of just

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<v Speaker 4>technology getting faster and cheaper.

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<v Speaker 3>Yes, definitely cheaper.

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<v Speaker 2>You know.

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<v Speaker 5>I think that that has been a real game changer

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<v Speaker 5>for how the sort of questions you can ask with

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<v Speaker 5>acoustic ecology, because it used to be sort of thing

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<v Speaker 5>you need to pay thousands, thousands of dollars to get

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<v Speaker 5>a decent microphone. And people realize two things. One is

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<v Speaker 5>that you can do a lot with cheaper microphones, and

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<v Speaker 5>also good quality microphones are getting much cheaper, and companies

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<v Speaker 5>started to make good sort of field for purpose things.

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<v Speaker 5>And because people were able to put down more microphones

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<v Speaker 5>really mean second seat of start asking different questions that

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<v Speaker 5>wasn't possible in the part. So yeah, and the processing

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<v Speaker 5>I think has changed a bit too, But I don't

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<v Speaker 5>think that was ever really that limited. What really happened

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<v Speaker 5>was he started having computer scientists being willing to engage

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<v Speaker 5>on this as a topic. But once we started getting

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<v Speaker 5>the computing science engineers involved, that.

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<v Speaker 3>Really helped too.

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<v Speaker 4>Just a sad note, So that programming language you mentioned

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<v Speaker 4>is called R and I was not familiar with it

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<v Speaker 4>and I went to google it and it's just it's

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<v Speaker 4>like an app that left out all the vowels and

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<v Speaker 4>most of the consonants. It's just r but it says

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<v Speaker 4>it's an integrated suite of software facilities for data manipulation, calculation,

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<v Speaker 4>and graphical display. And it's free. That's the important part.

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<v Speaker 4>Anyone can use it to go get it, you dirty

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<v Speaker 4>little nerds. And what about you? Were you an ecollogists

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<v Speaker 4>first who learned to us acoustic equipment or did you

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<v Speaker 4>always have an ear for music and sound and kind

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<v Speaker 4>of blended them together.

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<v Speaker 3>No, definitely, definitely the ecologistry.

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<v Speaker 5>I was a marine ecologist originally marine violentist and lived

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<v Speaker 5>in fisheries and then came did all sorts of things

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<v Speaker 5>at the Nature.

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<v Speaker 3>Conserve and see and I was editor of a journal.

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<v Speaker 5>And I started seeing manuscripts and research coming out a

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<v Speaker 5>little bits of it on acoustic ecology, and I realized quietly,

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<v Speaker 5>I was like, Wow, this could help solve a problem

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<v Speaker 5>we have, particularly in Papu, New Guinea, for.

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<v Speaker 3>Surveying in these rainforests.

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<v Speaker 5>But it's really hard for people to know what's happening

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<v Speaker 5>there because it's hard to find experts to know what

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<v Speaker 5>they're talking about. Me that a lot of about traditional survey

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<v Speaker 5>emit this wouldn't work, And so that's what God interested

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<v Speaker 5>in it. But I don't have much of an affinity

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<v Speaker 5>for sound. Actually, I was a terrible musician as a child.

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<v Speaker 5>I love listening to music, but I think my passion

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<v Speaker 5>for listening to music actually damaged my hearing. I spent

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<v Speaker 5>so long, it's every university days at concerts, and I'm sure,

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<v Speaker 5>I'm sure there's no value of me buying an expensive

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<v Speaker 5>stereo anymore. It's not through any kind of musicality of

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<v Speaker 5>my own that I got involved in.

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<v Speaker 4>You mentioned that you were a marine scientist too, like

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<v Speaker 4>does acoustic ecology work obviously terrestrial and oceanic applications, But

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<v Speaker 4>how different it is the equipment.

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<v Speaker 3>Oh good Christ, really different.

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<v Speaker 5>But the marine side of things actually was where acoustic

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<v Speaker 5>ecology recided for many years. Acoustic ecology people associated for

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<v Speaker 5>me in decades, even with listening to whales and dolphins,

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<v Speaker 5>principally because that was a really good way to survey them.

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<v Speaker 3>Put down these.

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<v Speaker 4>Hydrophones, just a quick one. So a hydrophone is specifically

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<v Speaker 4>designed to pick up underwater noise because sound travels four

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<v Speaker 4>point three times faster in water than it doesn't air,

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<v Speaker 4>and the pressure of a sound wave in water is

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<v Speaker 4>sixty times that of air. What So like your fin footed,

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<v Speaker 4>gill faced ancestors, the field of acoustic ecology kind of

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<v Speaker 4>rose from these watery depths and then flopped itself onto

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<v Speaker 4>land sound also as.

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<v Speaker 5>It started to really expand in the sort of terrestrial

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<v Speaker 5>of the land space. So when there went back to

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<v Speaker 5>the freshwater and marine space into side're thinking, you know,

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<v Speaker 5>the way that people are applying sound in the forests

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<v Speaker 5>and woodlands and things like that, I wonder if we

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<v Speaker 5>could do the same in the marine space. Thinking instead

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<v Speaker 5>of about just looking for signatures of individual animals, could

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<v Speaker 5>we tell something about all the overall sound that's.

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<v Speaker 3>Happening and things are really seemed really promising.

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<v Speaker 4>And you mentioned something about the signatures of of animals.

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<v Speaker 4>What kinds of noises are you listening for? I mean,

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<v Speaker 4>I know that we're all thinking like bird calls, yeah,

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<v Speaker 4>maybe some bats high frequency, but like, what how do

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<v Speaker 4>you how do you even figure out in a sound

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<v Speaker 4>file who's singing?

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<v Speaker 3>What? Oh, that's a great question.

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<v Speaker 5>So this, first of all, there's lots of different animals

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<v Speaker 5>that vocalize the biggest group of animals that you hear

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<v Speaker 5>vocalizing when you make any recording it insects. Insects, insects

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<v Speaker 5>vocalized at all sorts of different frequencies at all kinds

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<v Speaker 5>of times of day, and that's something we can begin

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<v Speaker 5>to done. Sometimes they're really sort of characteristic. Sometimes they're

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<v Speaker 5>completely unknown. But then you also have amphibians from obviously

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<v Speaker 5>mammals birds, that's it, because that's another good thing to mention,

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<v Speaker 5>because bats were also one of those animals that people

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<v Speaker 5>had continued to use acoustic ecology to survey just because

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<v Speaker 5>I have the seabouts but actually had to hear them.

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<v Speaker 5>But if you put out these sort of ultrasonic recorders

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<v Speaker 5>that record a very high frequentlee, so you can you

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<v Speaker 5>can hear, and there's a bit of separation between a

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<v Speaker 5>lot of work on bats and a lot of the

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<v Speaker 5>other things we hear in recordings.

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<v Speaker 3>So if you have a microphone that's really good.

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<v Speaker 5>For hearing that, it's not so good for capturing differences

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<v Speaker 5>between most of the sounds that you and I hear

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<v Speaker 5>with our ears.

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<v Speaker 4>So human beings that's us can hear in the range

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<v Speaker 4>of twenty hurts to twenty killer hurts, and bats are

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<v Speaker 4>up there just cute in their little quts in the

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<v Speaker 4>range of twelve killer hurts to one hundred and sixty

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<v Speaker 4>killer hertz, that is one hundred and forty killer herds

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<v Speaker 4>above our range of hearing. Their conversations go right over

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<v Speaker 4>our heads in so many ways, which is why recordings

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<v Speaker 4>of bat noises are usually dumb, so our ape, ears

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<v Speaker 4>and brains can hear it. Do you want to hear

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<v Speaker 4>something else? Can I tell you a secret? I have

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<v Speaker 4>a bat microphone in my backyard. I was recently selected

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<v Speaker 4>two months ago to have a bat survey from the

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<v Speaker 4>natural in my yard, and fifteen minutes before this call,

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<v Speaker 4>Miguel or Nana, who runs the survey, was coming and checking.

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<v Speaker 4>We just got the survey back from last month. We

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<v Speaker 4>have like three bats in our yard, three species that

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<v Speaker 4>it's not like three individual bats who just hang out.

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<v Speaker 4>They were looking for people, and I emailed them within

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<v Speaker 4>a millisecond, please my backyard, please my guard. So they

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<v Speaker 4>installed this tiny microphone and they come once a month

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<v Speaker 4>to come and take the sound cards. And this makes

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<v Speaker 4>me feel a lot better because there are so many

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<v Speaker 4>times where I've been talking to my dog in a

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<v Speaker 4>baby voice very high frequency, or singing to plants, being

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<v Speaker 4>like can they pick this up? So they can't pick

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<v Speaker 4>that up? Is what you're saying no.

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<v Speaker 3>Not usually, so I mean you could, you might.

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<v Speaker 5>The problem is that the frequency of their calls is

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<v Speaker 5>so fast you have to have a microphone that can

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<v Speaker 5>quite credibly fast to be able to capture that. And

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<v Speaker 5>that means the sort of longer, slower sound ways and

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<v Speaker 5>lower frequencies just tend.

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<v Speaker 3>To get a bit blurry in there.

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<v Speaker 5>Okay, so it's not really good for distinguishing between different

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<v Speaker 5>frequencies for the lower in the ring.

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<v Speaker 4>That makes me feel so much better. I mean, I

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<v Speaker 4>was so excited because we already had an interview on

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<v Speaker 4>the books I feel like for a while, and then

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<v Speaker 4>this came up that we got selected to have about survey.

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<v Speaker 4>So I was like, this is perfect, but can you

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<v Speaker 4>tell me a little bit about what animals occupy what frequencies?

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<v Speaker 4>I feel like it's got to just be all over

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<v Speaker 4>the map.

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<v Speaker 3>It is all lower than that, so you know, so

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<v Speaker 3>where I guess most of the frequencies that we're listening to,

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<v Speaker 3>like human hearing, can hear the best case scenario from

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<v Speaker 3>twenty hurts up to twenty killer hurts, and that's actually

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<v Speaker 3>the range that most animals vocalizing have. The very very

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<v Speaker 3>kind of low end of that range, you.

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<v Speaker 5>Do get some some amphibians down there, quite like called

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<v Speaker 5>some mammals in and there are some birds in the

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<v Speaker 5>jungles of how the new gin you have these amazing

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<v Speaker 5>birds called cassiaries.

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<v Speaker 6>Yeah, yeah, kind of big prehistoric things for a little

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<v Speaker 6>bit like dinosaurs, but they they vocalize very very low frequency,

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<v Speaker 6>so sometimes hard to pick out those calls even on

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<v Speaker 6>our microphones.

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<v Speaker 5>As you move up a little bit, you get into

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<v Speaker 5>sort of the I guess the frequencies that we hear

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<v Speaker 5>the best at in those you know, around three killer herds,

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<v Speaker 5>and that's that's really have a lot of birds in

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<v Speaker 5>that space in jungles.

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<v Speaker 3>Like those in Borneo.

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<v Speaker 5>You get primates in that kind of space too, And

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<v Speaker 5>then as you go up higher you can get birds

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<v Speaker 5>out slightly higher frequencies, but you certainly get lot of

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<v Speaker 5>insects at higher frequencies. There is even lots of insects

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<v Speaker 5>vocalizing up ten killer hurtsten killers even up.

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<v Speaker 4>To twenty Okay, but what does ten killer hurts fifteen killer?

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<v Speaker 4>They're twenty killer hurts sound like? Also if you were like, oh,

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<v Speaker 4>how embarrassing you messed up and some sound effects were missing. Congratulations,

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<v Speaker 4>you're me. As Jarret and I were editing this, I

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<v Speaker 4>kept telling him that the fifteen and the twenty killer

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<v Speaker 4>herd sound effects were missing, and that's when I read

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<v Speaker 4>his face and I learned that any sound above eleven

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<v Speaker 4>killer hurts means nothing to my ears. They're gone. So

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<v Speaker 4>thanks past me for attending warehouse parties in two thousand

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<v Speaker 4>and seven with shitty djays. Let's not do that again.

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<v Speaker 4>What are some of the questions that you're trying to

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<v Speaker 4>answer other than what is out there?

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<v Speaker 3>Yeah, so you know, one of the ways that we

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<v Speaker 3>use sound is actually.

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<v Speaker 5>Kind of not even to ask cook who's there or

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<v Speaker 5>who's making the stamp. But what is all of the

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<v Speaker 5>sound telling us about the health of the environment.

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<v Speaker 3>That we're learning is that in a really.

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<v Speaker 5>Healthy, sort of intact environment, most of the acoustic space,

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<v Speaker 5>if you like, gets filled up. And competing ideas about

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<v Speaker 5>why that might be the case, but one of the

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<v Speaker 5>key ones is this idea of something called the acoustic

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<v Speaker 5>Niche hypothesis, which is that there's sort of acoustic space partitioning.

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<v Speaker 5>So because we all want to be heard, all the

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<v Speaker 5>animals in the forest will we heard over each other.

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<v Speaker 5>They adapt their hearing to a particular frequency, and they

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<v Speaker 5>adapt their speech to a particular frequency. And as a

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<v Speaker 5>result of evolution of that intact environment means that most

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<v Speaker 5>of the frequencies get kind of filled up.

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<v Speaker 3>So you have a look you to think or recording

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<v Speaker 3>and see.

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<v Speaker 5>How many frequencies are full, how many of those spaces

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<v Speaker 5>are occupied, indication of how healthy it is, and that

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<v Speaker 5>what we are seeing really clearly in our data. And

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<v Speaker 5>this gets to how we use it is as environments

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<v Speaker 5>get degraded as we use them, we start seeing gaps

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<v Speaker 5>open up in that acoustic spe You can sort of

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<v Speaker 5>measure how many gaps there are and use that as

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<v Speaker 5>an indication of how intact the forest is and how

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<v Speaker 5>healthy it is, and that lets us ask questions like, Okay,

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<v Speaker 5>the way we're currently using this sort of say, the

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<v Speaker 5>way we're chopping trees, the way we're harvesting, how does

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<v Speaker 5>that affect this particular forest or is this area that

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<v Speaker 5>we have set aside as a protected area, a national

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<v Speaker 5>park or something like that, is that big enough? Is

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<v Speaker 5>that sustaining biodiversity or is there something else going on?

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<v Speaker 5>And that ability to associate sound, the saturation of the

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<v Speaker 5>sound with environmental health means you can apply to all

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<v Speaker 5>sorts of questions that are really useful for a conservation

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<v Speaker 5>organization like the nature conservancy.

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<v Speaker 4>So imagine Waki Taki. There has a bunch of different

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<v Speaker 4>channels and different organisms evolved to occupy those different channels,

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<v Speaker 4>and when acoustic at colleges run the data and suddenly

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<v Speaker 4>start to find in those frequency niches, that's a pretty

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<v Speaker 4>big loud alarm bell that something's missing. So that's so cool.

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<v Speaker 4>So you can look at it, say we're missing a

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<v Speaker 4>lot of noises in this area, in this area that

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<v Speaker 4>probably belongs to these type of insects or these kind

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<v Speaker 4>of migratory birds. And then where do you go from there?

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<v Speaker 3>Yeah, good questions where we started this for us?

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<v Speaker 5>The secritic generals in Papua New Guinea and U Guina

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<v Speaker 5>is a kind of fascinating place.

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<v Speaker 3>Because the land is all owned.

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<v Speaker 5>Under something called customary tenure, so the communities that live

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<v Speaker 5>there essentially have control over their land. But it also

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<v Speaker 5>means that they just they had this one area that

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<v Speaker 5>they get to work in, and it's very hard to

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<v Speaker 5>kind of combine and aggregate those so you don't have

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<v Speaker 5>these quite vast forest tracts of national parks. You go

356
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<v Speaker 5>out of forests, but it's divided into lots of different

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<v Speaker 5>people's ownership, and that puts kind of a maximum size

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<v Speaker 5>on how much area you could set aside for conservation,

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<v Speaker 5>especially as people need to have areas also and grow

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<v Speaker 5>enough food to live, harvest enough trees to build their houses,

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<v Speaker 5>and growing population as well. So what we needed to

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<v Speaker 5>know was whether if every community sets aside just a

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00:19:13.880 --> 00:19:16.759
<v Speaker 5>little piece of their forest, is that going to be

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<v Speaker 5>enough to retain all the amazing species that live in

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<v Speaker 5>these forests, these jungles of New Guinea.

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<v Speaker 3>And so what we can do is go.

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<v Speaker 5>And look at the patches of forests and record sounds,

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<v Speaker 5>and record the sounds in different kinds of forests.

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<v Speaker 3>And compare them.

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<v Speaker 4>So what did they find?

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<v Speaker 5>Actually, we don't see many things missing from forest, but

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<v Speaker 5>as soon as we start chipping into them to plant

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<v Speaker 5>a garden or remove some of the canopy, then we

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<v Speaker 5>see that loss and we can measure that and continue

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<v Speaker 5>to kind of track that.

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<v Speaker 4>What about other types of acoustic monitoring, like for poaching,

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00:19:52.880 --> 00:19:57.920
<v Speaker 4>is that used in a completely different way than speeches monitoring.

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<v Speaker 3>Yeah, that's a good question.

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<v Speaker 5>So I guess a a few things that have been

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<v Speaker 5>tried in different places. It's a little different because one

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<v Speaker 5>of the things that was explored a lot with respect

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<v Speaker 5>as poaching is whether you can hear things like gun

383
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<v Speaker 5>shots or sort of legal harvest bulldos and chainsaws, things

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<v Speaker 5>like that, and they're very distinctive sounds on recordings, partly

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<v Speaker 5>because they're also very low frequencies sound. A lot of

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00:20:22.279 --> 00:20:25.440
<v Speaker 5>sounds that people make tend to be low frequencies, which

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00:20:25.440 --> 00:20:27.559
<v Speaker 5>also means they tend to travel a long way, so

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00:20:27.640 --> 00:20:30.440
<v Speaker 5>you can hear them from a long way away. So

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00:20:30.519 --> 00:20:33.039
<v Speaker 5>microphones are quite good at picking up those kinds of things.

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<v Speaker 5>What's tricky is setting a system in place that would

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<v Speaker 5>allow you to go and respond effectively to that sort

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<v Speaker 5>of you know, be able to pick up a sound

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<v Speaker 5>to go and respond in real time.

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<v Speaker 3>That's tricky, especially so.

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<v Speaker 5>Many places where this is happening I don't have reliable

396
00:20:48.920 --> 00:20:52.400
<v Speaker 5>network connection. So sort of an ideal situation, you could

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00:20:52.400 --> 00:20:54.599
<v Speaker 5>set up a microphone that was sending a signal back

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00:20:54.640 --> 00:20:57.720
<v Speaker 5>and someone would go out immediately see how there's a gunshots,

399
00:20:58.400 --> 00:21:01.799
<v Speaker 5>And that can happen in a few exceptional circumstances, but

400
00:21:02.240 --> 00:21:05.400
<v Speaker 5>in general that's tough to do, especially also at these

401
00:21:05.480 --> 00:21:08.559
<v Speaker 5>rainforests are really tough places on gear, so you have

402
00:21:08.599 --> 00:21:12.039
<v Speaker 5>a pretty high just maintaining things and being out there

403
00:21:12.079 --> 00:21:14.559
<v Speaker 5>in that kind of presence, and in some ways, you know,

404
00:21:14.559 --> 00:21:16.640
<v Speaker 5>when you have that kind of presence in the environment,

405
00:21:16.599 --> 00:21:19.640
<v Speaker 5>if you're there that frequently anyway, that can really help,

406
00:21:19.720 --> 00:21:21.160
<v Speaker 5>That can really help the tour a lot of this

407
00:21:21.440 --> 00:21:23.279
<v Speaker 5>illegal activity.

408
00:21:23.599 --> 00:21:28.480
<v Speaker 4>How do you work with local groups to ensure that

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00:21:28.559 --> 00:21:32.160
<v Speaker 4>it's okay to do the monitoring? And I also from

410
00:21:32.160 --> 00:21:35.000
<v Speaker 4>what I understand, you know, with things like illegal poaching,

411
00:21:35.319 --> 00:21:40.440
<v Speaker 4>it's such a complicated socio political issue too on who

412
00:21:40.559 --> 00:21:43.599
<v Speaker 4>is narking on who and all of that, Like, how

413
00:21:43.960 --> 00:21:47.640
<v Speaker 4>how do you interface with some of the communities doing

414
00:21:47.680 --> 00:21:48.359
<v Speaker 4>your field work?

415
00:21:48.720 --> 00:21:50.039
<v Speaker 3>Yeah, that's that's a great question.

416
00:21:50.079 --> 00:21:52.200
<v Speaker 5>And one of the beautiful things about this sort of

417
00:21:52.200 --> 00:21:55.160
<v Speaker 5>ecology is that it really can get more people involved.

418
00:21:55.160 --> 00:21:57.880
<v Speaker 5>It's not merely as specialist as what a lot of

419
00:21:57.960 --> 00:22:02.880
<v Speaker 5>previous biodiversity surveys work. So in most of our projects,

420
00:22:02.920 --> 00:22:07.039
<v Speaker 5>it's actually local communities that go out and do the monitoring. Yeah,

421
00:22:07.079 --> 00:22:09.119
<v Speaker 5>you know, we are certainly helping a great deal in

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00:22:09.240 --> 00:22:13.319
<v Speaker 5>terms of coordinating the processing and analysis of their dagga.

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00:22:13.400 --> 00:22:16.319
<v Speaker 5>And it's really on our shoulders then to make sure

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00:22:16.319 --> 00:22:19.480
<v Speaker 5>we're working tightly with them on making sure they get

425
00:22:19.519 --> 00:22:21.680
<v Speaker 5>to see the results of them and we're thinking through

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00:22:21.720 --> 00:22:23.839
<v Speaker 5>what the implications are. But in terms of going in

427
00:22:23.920 --> 00:22:26.920
<v Speaker 5>and doing sort of placing microphats, that's something that lots

428
00:22:26.960 --> 00:22:28.640
<v Speaker 5>of people can get involved in.

429
00:22:28.960 --> 00:22:32.400
<v Speaker 4>So doctor Games says that acoustic ecologists work in really

430
00:22:32.440 --> 00:22:35.839
<v Speaker 4>tight partnership with local communities to gather and analyze data

431
00:22:35.920 --> 00:22:39.400
<v Speaker 4>so those living in the ecosystem can make these collective

432
00:22:39.440 --> 00:22:43.440
<v Speaker 4>decisions on areas to develop and the species they might hunt.

433
00:22:43.759 --> 00:22:47.440
<v Speaker 4>And studies estimate that globally, fifteen to thirty percent of

434
00:22:47.480 --> 00:22:50.960
<v Speaker 4>timber plucked without permits, and in Indonesia, for example, that

435
00:22:51.119 --> 00:22:55.319
<v Speaker 4>rate just goes up to over eighty percent. Eighty percent

436
00:22:55.359 --> 00:22:58.640
<v Speaker 4>of the deforesting there is done illegally, so you don't

437
00:22:58.640 --> 00:23:02.000
<v Speaker 4>have to live locally to be so pissed about that

438
00:23:02.079 --> 00:23:04.240
<v Speaker 4>and just want to change yourself to something green. But

439
00:23:04.480 --> 00:23:08.400
<v Speaker 4>scientists aren't necessarily in the business of enforcement, so things

440
00:23:08.400 --> 00:23:11.519
<v Speaker 4>get kind of tricky there. But ecologist can harvest this

441
00:23:12.200 --> 00:23:15.920
<v Speaker 4>useful data using everything from tree DNA to yes recording

442
00:23:15.920 --> 00:23:19.200
<v Speaker 4>all these critters. In the case of acoustic ecologists, what

443
00:23:19.279 --> 00:23:22.599
<v Speaker 4>about gear talk to me about gear. Are you using

444
00:23:22.799 --> 00:23:26.680
<v Speaker 4>old cell phones that are repurposed? Are you having to

445
00:23:27.119 --> 00:23:30.839
<v Speaker 4>get tiny tiny microphones? Is there so much like weathering

446
00:23:30.960 --> 00:23:32.839
<v Speaker 4>that has to happen? Is their Wi Fi?

447
00:23:34.200 --> 00:23:34.920
<v Speaker 3>All good questions?

448
00:23:35.119 --> 00:23:35.359
<v Speaker 4>Do you know?

449
00:23:35.440 --> 00:23:37.039
<v Speaker 3>There was a bit of a movement for a while

450
00:23:37.079 --> 00:23:38.480
<v Speaker 3>on those old cell phones.

451
00:23:38.680 --> 00:23:40.720
<v Speaker 5>Everyone pretty much walked away from that in the m

452
00:23:40.759 --> 00:23:43.519
<v Speaker 5>just because the reliability is such an issu unit where

453
00:23:43.519 --> 00:23:46.079
<v Speaker 5>you put the sort of emvironments they wanted is stampling.

454
00:23:46.079 --> 00:23:48.839
<v Speaker 5>It's tough on gear, and it's certainly tough on cell phones.

455
00:23:49.279 --> 00:23:52.599
<v Speaker 5>So nicely for Argua. Now we're using kind of purpose

456
00:23:52.640 --> 00:23:57.720
<v Speaker 5>built gear that's pretty rug and it's fairly basic in essence,

457
00:23:57.880 --> 00:24:01.279
<v Speaker 5>you know, mentioned kind of a little cases. The rugged

458
00:24:01.319 --> 00:24:03.359
<v Speaker 5>box could be anything. We like, you know, aget to

459
00:24:03.400 --> 00:24:06.279
<v Speaker 5>have the microphones on the bottom. Some people have their

460
00:24:06.279 --> 00:24:08.640
<v Speaker 5>microphones sort of sticking out the side, but we found

461
00:24:08.680 --> 00:24:11.599
<v Speaker 5>the birds tend to sit on them things things for so,

462
00:24:11.759 --> 00:24:15.160
<v Speaker 5>I like my microphones at the bottom of the box.

463
00:24:15.240 --> 00:24:18.480
<v Speaker 5>But funny stuff happens in the field all the time,

464
00:24:18.519 --> 00:24:20.960
<v Speaker 5>and it's always a lot of troubleshoo. We were doing

465
00:24:21.000 --> 00:24:24.359
<v Speaker 5>this recordings in Borneo where we had microphones out for

466
00:24:24.400 --> 00:24:26.000
<v Speaker 5>a few were putting out for a few months at

467
00:24:26.039 --> 00:24:29.359
<v Speaker 5>a time and taking regular recordings, often for full days,

468
00:24:29.359 --> 00:24:31.920
<v Speaker 5>and they're coming back and collecting them. The first time

469
00:24:31.920 --> 00:24:35.240
<v Speaker 5>we did it, heaps of the microphones had failed and

470
00:24:35.319 --> 00:24:36.720
<v Speaker 5>had kind of water in them.

471
00:24:36.599 --> 00:24:39.319
<v Speaker 3>Which was unusual because you know that these are pretty

472
00:24:39.400 --> 00:24:42.119
<v Speaker 3>rugged things. And what we realized had happened in the

473
00:24:42.240 --> 00:24:46.000
<v Speaker 3>end is we strapped the microphones and they're housing so

474
00:24:46.160 --> 00:24:49.440
<v Speaker 3>tightly to the trees, and because it's the rainforest, these

475
00:24:49.440 --> 00:24:53.000
<v Speaker 3>trees were growing so fast that they had grown over

476
00:24:53.000 --> 00:24:56.279
<v Speaker 3>those three months enough to just bend the metal backplate

477
00:24:56.400 --> 00:25:02.319
<v Speaker 3>ever so slightly and crack the cel open, and so yeah,

478
00:25:02.559 --> 00:25:04.440
<v Speaker 3>so we we realize you've got it.

479
00:25:04.480 --> 00:25:06.759
<v Speaker 5>Even though we were touching them with kind of cloth

480
00:25:06.839 --> 00:25:10.039
<v Speaker 5>straps that we put them on. Really, you know, there's

481
00:25:10.079 --> 00:25:12.160
<v Speaker 5>not sort of advantageous to put them on too type

482
00:25:12.160 --> 00:25:13.799
<v Speaker 5>because you need to law enough room for the.

483
00:25:13.759 --> 00:25:14.400
<v Speaker 3>Tree to grow.

484
00:25:14.799 --> 00:25:17.119
<v Speaker 4>Have you ever had any of your gear stolen? Like

485
00:25:17.200 --> 00:25:19.640
<v Speaker 4>someone's like, oh that rules and just kind of slips

486
00:25:19.640 --> 00:25:20.119
<v Speaker 4>in behind you.

487
00:25:20.640 --> 00:25:23.480
<v Speaker 5>Ah, you know what we have not Maybe they're sort

488
00:25:23.480 --> 00:25:26.839
<v Speaker 5>of places where working in we've had trees fall on

489
00:25:26.880 --> 00:25:28.359
<v Speaker 5>them and get broken.

490
00:25:29.119 --> 00:25:31.720
<v Speaker 3>We've had often you have forests rats and things like that.

491
00:25:33.079 --> 00:25:35.720
<v Speaker 5>You know, the phone, the phone, I'm dampening around the

492
00:25:35.759 --> 00:25:36.799
<v Speaker 5>outside of the microphone.

493
00:25:36.799 --> 00:25:37.400
<v Speaker 3>They're like that.

494
00:25:37.799 --> 00:25:39.279
<v Speaker 5>So often you come back and all you just see

495
00:25:39.400 --> 00:25:43.079
<v Speaker 5>is the kind of bare steel on the microphone.

496
00:25:43.720 --> 00:25:46.200
<v Speaker 3>It's okay, you still get you still still with these

497
00:25:46.279 --> 00:25:49.400
<v Speaker 3>data out of it. But most of our the work

498
00:25:49.440 --> 00:25:51.519
<v Speaker 3>that I've been involved in, it's been fairly.

499
00:25:52.640 --> 00:25:57.400
<v Speaker 5>Remote areas and on lands managed by communities or forestry companies,

500
00:25:57.400 --> 00:26:00.000
<v Speaker 5>and there with the blessing of the community of the company.

501
00:26:00.279 --> 00:26:03.279
<v Speaker 4>What about just noise pollution in general, speaking of humans,

502
00:26:03.680 --> 00:26:07.519
<v Speaker 4>how much louder is Earth getting or is it getting

503
00:26:07.599 --> 00:26:09.279
<v Speaker 4>higher because we're losing species?

504
00:26:09.920 --> 00:26:10.640
<v Speaker 3>Oh? Good question.

505
00:26:10.839 --> 00:26:15.119
<v Speaker 5>I think it's overall it's getting quiet. So really yeah, yeah,

506
00:26:15.559 --> 00:26:16.839
<v Speaker 5>in quite a meaningful way.

507
00:26:16.839 --> 00:26:20.759
<v Speaker 3>It's one of the kind of shocking and most consistent

508
00:26:20.839 --> 00:26:23.599
<v Speaker 3>things we see in our sampling, especially across the areas

509
00:26:23.599 --> 00:26:26.640
<v Speaker 3>that I work in the Asia Pacific, is that usually

510
00:26:27.319 --> 00:26:28.200
<v Speaker 3>environments have.

511
00:26:28.200 --> 00:26:32.319
<v Speaker 5>These two big peaks of acoustic activity. We call them

512
00:26:32.359 --> 00:26:34.880
<v Speaker 5>the dawn chorus. You also have the dust course at

513
00:26:34.880 --> 00:26:37.400
<v Speaker 5>the end of the day, and they really are massive

514
00:26:37.440 --> 00:26:41.119
<v Speaker 5>peaks of acoustic energy because you've got lots of species

515
00:26:41.359 --> 00:26:44.359
<v Speaker 5>vocalizing around that time. Sometimes that's just actually where a

516
00:26:44.359 --> 00:26:46.599
<v Speaker 5>lot of species have their peak of activity in these

517
00:26:46.799 --> 00:26:50.200
<v Speaker 5>crepuscular moments, say the end of the day with Geno,

518
00:26:50.359 --> 00:26:54.160
<v Speaker 5>it's a moment of changeover between the nighttime species, noctil species,

519
00:26:54.200 --> 00:26:57.920
<v Speaker 5>and daytime species. So you just have these Usually when

520
00:26:57.960 --> 00:27:01.559
<v Speaker 5>you look at a spectrogram of sound energy, just see

521
00:27:01.559 --> 00:27:05.480
<v Speaker 5>a huge peak in those morning and evening sessions. And

522
00:27:05.559 --> 00:27:08.319
<v Speaker 5>what we see is that's the environments are getting degraded.

523
00:27:08.400 --> 00:27:12.440
<v Speaker 5>Just it's so consistently you see those peaks diminishing. The

524
00:27:12.440 --> 00:27:15.640
<v Speaker 5>more damage you do, the more heavily we use, environments

525
00:27:15.680 --> 00:27:18.039
<v Speaker 5>that just sort of flattens them out, dampens them down,

526
00:27:18.079 --> 00:27:20.319
<v Speaker 5>And so we often talk about kind of the great

527
00:27:20.480 --> 00:27:24.640
<v Speaker 5>Silent Dawn in a way that's sort of covering these environments.

528
00:27:24.720 --> 00:27:28.759
<v Speaker 5>So you're right there to concern amongst many people about

529
00:27:28.799 --> 00:27:33.640
<v Speaker 5>acoustic pollution, about the increasing amount of anthropogenic noise you

530
00:27:33.720 --> 00:27:36.880
<v Speaker 5>see in these environments, and no doubts and there's probably

531
00:27:36.920 --> 00:27:40.160
<v Speaker 5>some issues there, but overall, I think that becoming a

532
00:27:40.279 --> 00:27:41.000
<v Speaker 5>quieter place.

533
00:27:41.640 --> 00:27:43.400
<v Speaker 4>Wow, I never ever would have thought that. I would

534
00:27:43.400 --> 00:27:45.559
<v Speaker 4>have thought that it's just getting more and more cacophonous

535
00:27:45.559 --> 00:27:51.519
<v Speaker 4>with cars and bepep and that's scarier and sadder than

536
00:27:51.559 --> 00:27:51.960
<v Speaker 4>I thought.

537
00:27:52.759 --> 00:27:55.519
<v Speaker 5>Yeah, it is sad. Yeah, and we think it was

538
00:27:55.559 --> 00:27:59.799
<v Speaker 5>a sad realization. We s don't see that too. Just

539
00:27:59.799 --> 00:28:03.119
<v Speaker 5>just how consistent that is and just how striking that is,

540
00:28:03.160 --> 00:28:05.240
<v Speaker 5>and it's how different it is to and you write

541
00:28:05.240 --> 00:28:07.039
<v Speaker 5>the day to day experience that you and I have

542
00:28:07.160 --> 00:28:10.319
<v Speaker 5>in kind of noisy environments where there is a lot

543
00:28:10.359 --> 00:28:10.799
<v Speaker 5>of sound.

544
00:28:11.519 --> 00:28:15.359
<v Speaker 3>But one of the things that blow those people away,

545
00:28:15.440 --> 00:28:16.319
<v Speaker 3>if they ever get.

546
00:28:16.160 --> 00:28:18.160
<v Speaker 5>The chance to experience it, is the amount of sound

547
00:28:18.200 --> 00:28:21.559
<v Speaker 5>that you hear in really healthy forests, and especially if

548
00:28:21.559 --> 00:28:23.200
<v Speaker 5>you have a chance to go to a rainforest, and

549
00:28:23.640 --> 00:28:25.279
<v Speaker 5>even more so actually if you get to go to

550
00:28:25.319 --> 00:28:27.240
<v Speaker 5>a rainforest or get to take a recording in a

551
00:28:27.319 --> 00:28:30.759
<v Speaker 5>rainforest and put headphones on, my goodness, the amount.

552
00:28:30.440 --> 00:28:33.480
<v Speaker 3>You can hear. I mean, it's just staggering. That's what

553
00:28:33.519 --> 00:28:34.680
<v Speaker 3>we're That's what we're losing.

554
00:28:35.039 --> 00:28:38.640
<v Speaker 4>What are the decibel levels like in a rainforest.

555
00:28:39.839 --> 00:28:40.160
<v Speaker 3>Question?

556
00:28:41.000 --> 00:28:43.680
<v Speaker 5>You know, microphones, we have a decibelt cutoff, just so

557
00:28:43.839 --> 00:28:47.039
<v Speaker 5>we are not getting over We have an idea of

558
00:28:47.400 --> 00:28:50.279
<v Speaker 5>how far away things are calling. Whether it's really loud

559
00:28:50.359 --> 00:28:52.160
<v Speaker 5>or not often depends on whether you have a couple

560
00:28:52.240 --> 00:28:57.039
<v Speaker 5>of characteristic animals close by cicadas or really loud and

561
00:28:57.200 --> 00:29:00.839
<v Speaker 5>some some really loud burds. They can be genuinely noisy.

562
00:29:01.440 --> 00:29:04.880
<v Speaker 4>So if you listen to cicadology, you may remember that

563
00:29:04.960 --> 00:29:08.079
<v Speaker 4>in North America there's just a bunch of horny male

564
00:29:08.200 --> 00:29:12.559
<v Speaker 4>cicadas that just scream their sexual intentions at nearly one

565
00:29:12.640 --> 00:29:15.920
<v Speaker 4>hundred decibels, which is about the volume of an ambulance

566
00:29:15.960 --> 00:29:21.000
<v Speaker 4>siren or twenty decibels louder than a Slayer concert. Is

567
00:29:21.039 --> 00:29:23.680
<v Speaker 4>there anything more metal than that? There is and it's

568
00:29:23.720 --> 00:29:30.039
<v Speaker 4>a bird called the screaming pih which has been recorded

569
00:29:30.079 --> 00:29:33.079
<v Speaker 4>at one hundred and sixteen decibels. But boy, howdy, hot,

570
00:29:33.160 --> 00:29:36.079
<v Speaker 4>damn hold the phone. Something is louder than a South

571
00:29:36.119 --> 00:29:40.519
<v Speaker 4>American screaming piha than Northeast Amazonian white bell bird just

572
00:29:40.720 --> 00:29:43.880
<v Speaker 4>busts into the tree party and announces its presence at

573
00:29:43.920 --> 00:29:52.839
<v Speaker 4>one hundred and twenty decibels White bell bird? How about

574
00:29:52.960 --> 00:29:55.720
<v Speaker 4>white loud as hell bird? And as someone who's been

575
00:29:55.759 --> 00:29:57.839
<v Speaker 4>in the mosh pit at a ministry show but never

576
00:29:57.960 --> 00:30:00.200
<v Speaker 4>stood in the middle of a rainforest, I now know

577
00:30:00.319 --> 00:30:01.559
<v Speaker 4>which one is more hardcore.

578
00:30:02.359 --> 00:30:06.079
<v Speaker 5>It's not so much the overall desert beels it's just

579
00:30:06.240 --> 00:30:09.519
<v Speaker 5>that I guess you'd say almost like the acoustic complexity,

580
00:30:10.000 --> 00:30:13.960
<v Speaker 5>like the amount of sound that's coming at different frequencies,

581
00:30:14.039 --> 00:30:17.039
<v Speaker 5>even if each of those is not particularly loud itself.

582
00:30:18.240 --> 00:30:21.200
<v Speaker 3>And that's also one of the great things about analyzing sound.

583
00:30:21.519 --> 00:30:24.440
<v Speaker 5>Do you know, if we just listen to our hearing

584
00:30:24.599 --> 00:30:28.039
<v Speaker 5>tends to get blown away by those loud animals, but.

585
00:30:28.200 --> 00:30:30.839
<v Speaker 3>The microphone and the data in the computer doesn't.

586
00:30:30.920 --> 00:30:34.960
<v Speaker 5>So if you have a really loud animal calling, it's

587
00:30:35.000 --> 00:30:37.759
<v Speaker 5>still calling had a discrete set of frequencies.

588
00:30:38.359 --> 00:30:42.359
<v Speaker 4>So it's the distinct species calls and the bigger trends

589
00:30:42.599 --> 00:30:45.240
<v Speaker 4>that they're looking for. And by looking, I mean lessening,

590
00:30:45.519 --> 00:30:46.599
<v Speaker 4>but also looking.

591
00:30:46.680 --> 00:30:48.319
<v Speaker 5>So not not just listen, but also look at them

592
00:30:48.359 --> 00:30:51.240
<v Speaker 5>on the screen on the spectrogram and try and separate

593
00:30:51.240 --> 00:30:53.119
<v Speaker 5>our individual course. And even if we don't know what

594
00:30:53.240 --> 00:30:56.240
<v Speaker 5>species it is, we can still identify, oh, hang about

595
00:30:56.279 --> 00:30:58.720
<v Speaker 5>something else calling. There's a really good relationship between a

596
00:30:58.799 --> 00:31:02.400
<v Speaker 5>number of animals calling and the overall saturation. And what

597
00:31:02.559 --> 00:31:05.920
<v Speaker 5>that means is that you kind of no longer need

598
00:31:06.160 --> 00:31:07.319
<v Speaker 5>to count.

599
00:31:07.119 --> 00:31:09.799
<v Speaker 3>The animals every time. You can just look at this

600
00:31:09.920 --> 00:31:11.920
<v Speaker 3>overall saturation, which is quite quick to count.

601
00:31:12.079 --> 00:31:14.880
<v Speaker 5>However, there is a you know, it's a really interesting

602
00:31:14.960 --> 00:31:18.599
<v Speaker 5>emerging bit of research that I'm sure we'll get more

603
00:31:18.640 --> 00:31:21.359
<v Speaker 5>and more sophisticated, which is using algorithms to try and

604
00:31:21.440 --> 00:31:24.000
<v Speaker 5>count the animals that are calling, to actually use some

605
00:31:24.200 --> 00:31:27.599
<v Speaker 5>sort of machine learning tools to separate out all of

606
00:31:27.720 --> 00:31:30.480
<v Speaker 5>the vocalizations into separate calls and saying, oh, yeah, you know,

607
00:31:30.799 --> 00:31:33.680
<v Speaker 5>there's two hundred different animals calling in this half an

608
00:31:33.720 --> 00:31:34.799
<v Speaker 5>hour or whatever it might be.

609
00:31:35.119 --> 00:31:36.839
<v Speaker 3>That's a great and that's kind of a fun emerging

610
00:31:36.920 --> 00:31:37.799
<v Speaker 3>area of research.

611
00:31:38.119 --> 00:31:41.279
<v Speaker 4>So is AI starting to step in and be able

612
00:31:41.319 --> 00:31:43.880
<v Speaker 4>to really do that analysis? Does that mean that there's

613
00:31:43.920 --> 00:31:48.319
<v Speaker 4>a bunch of data analysts and computer programmers that can

614
00:31:48.400 --> 00:31:50.160
<v Speaker 4>get into this field too totally?

615
00:31:50.480 --> 00:31:53.000
<v Speaker 5>And actually, when I first started getting into this and

616
00:31:53.079 --> 00:31:55.079
<v Speaker 5>I give talks to people, that's one of the things

617
00:31:55.119 --> 00:31:57.799
<v Speaker 5>I was emphasizing, you know, like this, you don't have

618
00:31:57.960 --> 00:32:01.119
<v Speaker 5>to be a kind of khaki wearing ecologist who just

619
00:32:01.319 --> 00:32:03.720
<v Speaker 5>loves trumping around the rain for us to make a

620
00:32:03.839 --> 00:32:06.640
<v Speaker 5>really meaningful contribution here. In fact, we need all the

621
00:32:06.720 --> 00:32:10.440
<v Speaker 5>people that are programmers and computer scientists and sound engineers,

622
00:32:10.640 --> 00:32:12.680
<v Speaker 5>the sort of people that could get involved and could

623
00:32:12.720 --> 00:32:16.319
<v Speaker 5>make contributions that are hopefully intellectually stimulating for them, and

624
00:32:16.440 --> 00:32:20.119
<v Speaker 5>we are seeing AI and machine learning tools being used

625
00:32:20.720 --> 00:32:23.440
<v Speaker 5>more and more, and especially as we build up bigger

626
00:32:23.440 --> 00:32:26.240
<v Speaker 5>and bigger data sets, there's a chance to analyze them.

627
00:32:26.319 --> 00:32:28.680
<v Speaker 3>It's more thoroughly. Still at the beginning of these early

628
00:32:28.720 --> 00:32:31.400
<v Speaker 3>stages takes a fair bit of human validation. You've got

629
00:32:31.440 --> 00:32:34.279
<v Speaker 3>to provide some training to even the best algorithms.

630
00:32:34.440 --> 00:32:36.759
<v Speaker 5>But it won't be long until we have some really

631
00:32:36.960 --> 00:32:39.799
<v Speaker 5>well working automated algorithms that can.

632
00:32:39.720 --> 00:32:40.359
<v Speaker 3>Help a lot of this.

633
00:32:40.920 --> 00:32:43.160
<v Speaker 4>Where do people go if they want this type of job,

634
00:32:43.200 --> 00:32:45.839
<v Speaker 4>If they're like, oh, I'm a sound engineer, I'm a

635
00:32:45.880 --> 00:32:48.279
<v Speaker 4>computer programmer, I still want to work on this, Like

636
00:32:48.319 --> 00:32:49.119
<v Speaker 4>where are the jobs?

637
00:32:49.240 --> 00:32:49.400
<v Speaker 7>Oh?

638
00:32:49.519 --> 00:32:52.039
<v Speaker 5>Good, good question. So you know, there's a bunch of

639
00:32:52.160 --> 00:32:55.559
<v Speaker 5>different university groups. I guess now research is picking up

640
00:32:55.559 --> 00:32:57.880
<v Speaker 5>this space, and that's one of the things that they

641
00:32:58.240 --> 00:33:01.000
<v Speaker 5>have realized they need to recruit people with these kind

642
00:33:01.000 --> 00:33:04.559
<v Speaker 5>of skills to do this work, and so some research

643
00:33:04.599 --> 00:33:06.799
<v Speaker 5>groups have made that especially.

644
00:33:06.400 --> 00:33:08.319
<v Speaker 3>We've been really lucky. We work a lot with a

645
00:33:08.440 --> 00:33:08.880
<v Speaker 3>group at.

646
00:33:08.799 --> 00:33:11.960
<v Speaker 5>The Queensland University of Technology who are really computer scientists

647
00:33:12.000 --> 00:33:13.920
<v Speaker 5>and sound engineers. That's the thing.

648
00:33:14.039 --> 00:33:16.160
<v Speaker 3>They've been wonderful partners for us.

649
00:33:16.640 --> 00:33:20.039
<v Speaker 4>Yeah, we had a listener. Alex Ertmann wrote in and said,

650
00:33:20.079 --> 00:33:22.519
<v Speaker 4>this sounds like my dream job. I've been studying auditory

651
00:33:22.599 --> 00:33:24.559
<v Speaker 4>neuroscience for a few years, but I've been thinking of

652
00:33:24.680 --> 00:33:28.519
<v Speaker 4>pivoting into conservation. So yeah, there are people who are like, oh,

653
00:33:28.759 --> 00:33:30.119
<v Speaker 4>this is a job you can have.

654
00:33:31.319 --> 00:33:35.720
<v Speaker 5>Yeah, yeah, it is about and I just I really

655
00:33:35.720 --> 00:33:37.279
<v Speaker 5>think there's going to be so many more of these.

656
00:33:37.440 --> 00:33:40.200
<v Speaker 5>It's already one of those things that I'm seeing the

657
00:33:40.400 --> 00:33:44.480
<v Speaker 5>kind of for profit environments basically into too. So those

658
00:33:44.519 --> 00:33:49.400
<v Speaker 5>people that are responsible for doing environmental impact assessments or

659
00:33:49.559 --> 00:33:53.599
<v Speaker 5>environmental monitoring, and that might be associated with natural resource

660
00:33:53.960 --> 00:33:56.400
<v Speaker 5>extraction industries. So if you run a mining company or

661
00:33:56.440 --> 00:33:59.440
<v Speaker 5>a forestry company or something like that, you usually need

662
00:33:59.480 --> 00:34:01.200
<v Speaker 5>to pay some want to help do some of this

663
00:34:01.400 --> 00:34:05.599
<v Speaker 5>environmental monitoring. Almost all of those ferns doing that are

664
00:34:05.640 --> 00:34:08.159
<v Speaker 5>now like, oh wow, I got to have a sort

665
00:34:08.199 --> 00:34:11.199
<v Speaker 5>of acoustic ecology side of things because it's such an

666
00:34:11.280 --> 00:34:13.800
<v Speaker 5>useful tool for us. And so take the number of

667
00:34:14.239 --> 00:34:17.159
<v Speaker 5>jobs in this space going to really grow to and

668
00:34:17.280 --> 00:34:19.679
<v Speaker 5>not just be in that research spacing, a lot of

669
00:34:19.840 --> 00:34:22.559
<v Speaker 5>sort of net for profit environmental monitoring.

670
00:34:22.280 --> 00:34:26.320
<v Speaker 4>Space as well, and ethically, does that help the mining

671
00:34:26.360 --> 00:34:29.840
<v Speaker 4>company make less of an impact or are there ever

672
00:34:29.960 --> 00:34:32.400
<v Speaker 4>any ethical concerns like I'm taking money from a mining

673
00:34:32.440 --> 00:34:33.800
<v Speaker 4>company in the rainforest?

674
00:34:34.800 --> 00:34:35.440
<v Speaker 3>Yeah, good question.

675
00:34:35.800 --> 00:34:40.159
<v Speaker 5>I mean hopefully that's the point of doing this ongoing monitoring.

676
00:34:40.280 --> 00:34:43.880
<v Speaker 5>What I mean challenges with lots of environmental monitoring in

677
00:34:44.000 --> 00:34:46.079
<v Speaker 5>the past is that it really relies on who's doing

678
00:34:46.199 --> 00:34:49.320
<v Speaker 5>accounting right, and you and I would count differently, even

679
00:34:49.360 --> 00:34:52.159
<v Speaker 5>if we're sort of trained almost identically, we would still

680
00:34:52.199 --> 00:34:54.679
<v Speaker 5>probably count slightly differently. And now that would be the

681
00:34:54.719 --> 00:34:56.159
<v Speaker 5>same when we went to the forest, so we hear

682
00:34:56.199 --> 00:34:56.880
<v Speaker 5>different things.

683
00:34:56.679 --> 00:34:57.480
<v Speaker 3>And see different things.

684
00:34:57.559 --> 00:35:00.480
<v Speaker 5>But microphones, if they calibrate the same here, same thing,

685
00:35:00.559 --> 00:35:02.920
<v Speaker 5>no matter if you put it out or put it out,

686
00:35:03.440 --> 00:35:08.079
<v Speaker 5>there's actually a chance to get something kind of more

687
00:35:08.559 --> 00:35:12.159
<v Speaker 5>more robust, more pure data in this way. That should

688
00:35:12.239 --> 00:35:15.199
<v Speaker 5>alleviate some of those ethical concerns. What you know, what

689
00:35:15.320 --> 00:35:17.519
<v Speaker 5>a mining company does from that information and what their

690
00:35:17.559 --> 00:35:19.840
<v Speaker 5>government does. What does it a permit people we showing

691
00:35:19.880 --> 00:35:23.320
<v Speaker 5>permits do with that information could be another question. But

692
00:35:23.400 --> 00:35:26.320
<v Speaker 5>I wouldn't have any sort of fundamental concerns about using

693
00:35:26.400 --> 00:35:29.320
<v Speaker 5>tools like this in service of understanding the impacts of

694
00:35:29.400 --> 00:35:30.320
<v Speaker 5>extractive industries.

695
00:35:30.639 --> 00:35:34.800
<v Speaker 4>Can I ask you some questions from listeners? Okay, and

696
00:35:34.920 --> 00:35:36.719
<v Speaker 4>we'll just lightning around. We'll go through as many as

697
00:35:36.760 --> 00:35:38.719
<v Speaker 4>we can. How does it sound for it? You know what,

698
00:35:39.039 --> 00:35:41.760
<v Speaker 4>Let's go for it. But first let's make it rainforest

699
00:35:41.960 --> 00:35:44.679
<v Speaker 4>on a worthy charity this week. So doctor Eddie Game said,

700
00:35:44.679 --> 00:35:46.880
<v Speaker 4>descend it to the Nature Conservancy. They are a global

701
00:35:47.000 --> 00:35:49.840
<v Speaker 4>environmental nonprofit which is doing tons of good shit. The

702
00:35:49.920 --> 00:35:52.400
<v Speaker 4>Nature Conservancy has a diverse staff. They work with over

703
00:35:52.480 --> 00:35:56.239
<v Speaker 4>four hundred scientists to impact conservation in seventy six countries

704
00:35:56.400 --> 00:36:00.119
<v Speaker 4>and territories, working also with local partners to tackle the

705
00:36:00.239 --> 00:36:03.199
<v Speaker 4>dual threats of climate change and biodiversity loss. So more

706
00:36:03.239 --> 00:36:05.440
<v Speaker 4>info is up at nature dot org. And we'll be

707
00:36:05.480 --> 00:36:10.159
<v Speaker 4>making a donation in Eddie's name thanks to sponsors. Oologies, Mom,

708
00:36:10.639 --> 00:36:14.000
<v Speaker 4>why did they call it Scottish cheese? It's cottage cheese, honey,

709
00:36:14.199 --> 00:36:15.519
<v Speaker 4>And I'm not sure.

710
00:36:15.400 --> 00:36:18.719
<v Speaker 1>Did dogs in other countries speak different languages?

711
00:36:18.960 --> 00:36:19.159
<v Speaker 5>Yeah?

712
00:36:19.519 --> 00:36:20.000
<v Speaker 2>I think so.

713
00:36:20.400 --> 00:36:22.400
<v Speaker 4>When when we get there, well, we've got to fix

714
00:36:22.480 --> 00:36:24.679
<v Speaker 4>the car first. But there's someone coming to help us.

715
00:36:24.920 --> 00:36:28.360
<v Speaker 4>Is it the man from Geneva? Not Geneva, he's from

716
00:36:28.480 --> 00:36:31.960
<v Speaker 4>a Viva. Oh there's the van. Now for car insurance

717
00:36:32.000 --> 00:36:35.199
<v Speaker 4>with breakdown rescue. It takes a Viva visit Aviva Dota

718
00:36:35.280 --> 00:36:36.880
<v Speaker 4>E to say fifteen percent.

719
00:36:36.800 --> 00:36:39.800
<v Speaker 7>Acceptance criteria, terms and conditions apply. Minimum premium of three

720
00:36:39.880 --> 00:36:41.960
<v Speaker 7>hundred and ten year old. Fifteen percent discant applies to

721
00:36:42.039 --> 00:36:44.800
<v Speaker 7>new policies bought online. See Aviva Dota E for details.

722
00:36:44.920 --> 00:36:47.760
<v Speaker 7>Car insurance is underwritten by Aviva Insurance Ireland dak Aviva

723
00:36:47.840 --> 00:36:50.559
<v Speaker 7>Direct Arland Limited is regulated by the Central Bank of Ireland.

724
00:36:51.360 --> 00:36:54.800
<v Speaker 4>Okay, you hollered questions via Patreon and we listened, So

725
00:36:54.880 --> 00:36:56.880
<v Speaker 4>I gotta say. Eddie says that you all have really

726
00:36:56.920 --> 00:36:59.840
<v Speaker 4>good questions. So every time he seems impressed with a question,

727
00:37:00.159 --> 00:37:03.360
<v Speaker 4>feel free to maybe do a very very tiny, imperceptible

728
00:37:03.360 --> 00:37:06.599
<v Speaker 4>but dance that only you know about. Here we go. Okay,

729
00:37:06.960 --> 00:37:11.639
<v Speaker 4>so Jesse and just one, we're both interested in Jesse's words.

730
00:37:11.800 --> 00:37:15.519
<v Speaker 4>Is there a standard way to describe sounds scientifically?

731
00:37:15.679 --> 00:37:15.719
<v Speaker 3>Like?

732
00:37:15.840 --> 00:37:18.519
<v Speaker 4>Are there words that everyone agrees on to describe what

733
00:37:18.679 --> 00:37:19.360
<v Speaker 4>something sounds like?

734
00:37:20.320 --> 00:37:21.480
<v Speaker 3>What's such a good question?

735
00:37:22.960 --> 00:37:23.119
<v Speaker 5>You know?

736
00:37:23.280 --> 00:37:24.320
<v Speaker 3>I don't think there is that.

737
00:37:24.599 --> 00:37:26.719
<v Speaker 5>There's been a little there was a little bit of

738
00:37:26.760 --> 00:37:29.840
<v Speaker 5>a push to do some standardization in the way we

739
00:37:29.960 --> 00:37:31.880
<v Speaker 5>talked about sounds and the way we ana life stance.

740
00:37:31.920 --> 00:37:35.280
<v Speaker 5>And that's at a meeting four or five years ago

741
00:37:35.360 --> 00:37:37.599
<v Speaker 5>where there was sort of a big community of acoustic

742
00:37:37.679 --> 00:37:40.039
<v Speaker 5>at colleges around the world, and that was all anyone

743
00:37:40.159 --> 00:37:42.599
<v Speaker 5>talked about, was do we need a standarized way that

744
00:37:42.679 --> 00:37:44.800
<v Speaker 5>we can all be talking about the same thing and

745
00:37:44.880 --> 00:37:47.159
<v Speaker 5>doing the same thing. My sense at the time was

746
00:37:47.239 --> 00:37:49.000
<v Speaker 5>it was just just kind of too early for that.

747
00:37:49.079 --> 00:37:51.079
<v Speaker 5>That would be cutting off a lot of creativity and

748
00:37:51.119 --> 00:37:53.880
<v Speaker 5>mot The people are still just figuring out interesting stuff

749
00:37:53.920 --> 00:37:54.800
<v Speaker 5>to do, and it was kind of.

750
00:37:54.800 --> 00:37:57.559
<v Speaker 3>Growling every day. So I guess is we'll get to

751
00:37:57.679 --> 00:37:59.920
<v Speaker 3>a point where there is some more standard language, but.

752
00:38:00.159 --> 00:38:04.360
<v Speaker 4>Not there yet, still emerging. We're listening for more details

753
00:38:04.400 --> 00:38:04.599
<v Speaker 4>on that.

754
00:38:04.719 --> 00:38:06.360
<v Speaker 3>I think that's one of the cool things about acoustic.

755
00:38:06.400 --> 00:38:08.320
<v Speaker 3>It's still a field that people say, oh, I've got

756
00:38:08.320 --> 00:38:09.199
<v Speaker 3>a good idea about.

757
00:38:08.960 --> 00:38:11.599
<v Speaker 5>How we should talk about saying you said them, and

758
00:38:11.760 --> 00:38:13.320
<v Speaker 5>people are really receptive at the moment.

759
00:38:14.480 --> 00:38:17.800
<v Speaker 4>Yeah, that's so. There were several patrons. Kelly the Nature

760
00:38:17.880 --> 00:38:19.880
<v Speaker 4>Nerd also wrote in and asked, do you feel like

761
00:38:19.920 --> 00:38:22.679
<v Speaker 4>there's a lot of opportunities out there in this field?

762
00:38:22.800 --> 00:38:29.320
<v Speaker 4>So yes, conservation conservation nerds get on it, Okay, great question.

763
00:38:29.519 --> 00:38:33.239
<v Speaker 4>Miranda Panda and Mike Manakowski both asked, are there animals

764
00:38:33.840 --> 00:38:37.119
<v Speaker 4>that people have heard but not seen before?

765
00:38:37.920 --> 00:38:41.000
<v Speaker 3>Oh? Good question, There probably is.

766
00:38:41.719 --> 00:38:44.360
<v Speaker 5>The ones I really come to mind are ones that

767
00:38:44.480 --> 00:38:48.280
<v Speaker 5>we've heard for a long time and took a long

768
00:38:48.360 --> 00:38:50.960
<v Speaker 5>time to find. And as a great example here in

769
00:38:51.039 --> 00:38:53.239
<v Speaker 5>the desks of a stranger, something called the night parrot.

770
00:38:53.639 --> 00:38:57.079
<v Speaker 5>It's almost like a mythical bird that had been only

771
00:38:57.159 --> 00:39:00.679
<v Speaker 5>seen a couple of times by sort of reliable descriptions

772
00:39:00.679 --> 00:39:00.800
<v Speaker 5>of it.

773
00:39:00.920 --> 00:39:06.119
<v Speaker 3>We knew was that and we started hearing it, hear.

774
00:39:06.079 --> 00:39:11.519
<v Speaker 4>That bell that is the sound or the night patt if.

775
00:39:11.440 --> 00:39:13.719
<v Speaker 5>People started putting a microphones and recording it. Still, it

776
00:39:13.760 --> 00:39:16.239
<v Speaker 5>took a long time to find it, but we knew

777
00:39:16.280 --> 00:39:18.480
<v Speaker 5>it was there in some of these remote desert areas

778
00:39:18.519 --> 00:39:20.280
<v Speaker 5>in Australia because we're hearing it.

779
00:39:20.360 --> 00:39:20.599
<v Speaker 3>I did.

780
00:39:20.599 --> 00:39:22.519
<v Speaker 5>There's quite a few cases like that where we're using

781
00:39:22.599 --> 00:39:26.679
<v Speaker 5>sam to find the presence of animals that dan are

782
00:39:26.840 --> 00:39:28.480
<v Speaker 5>very very difficult to actually see.

783
00:39:29.199 --> 00:39:31.760
<v Speaker 4>Okay, so remind me to do an entire episode on

784
00:39:31.920 --> 00:39:35.360
<v Speaker 4>this bush dwelling night parrot of Australia because there is

785
00:39:35.800 --> 00:39:39.639
<v Speaker 4>gossip and it is hot. So first off, this bird

786
00:39:39.760 --> 00:39:44.440
<v Speaker 4>has absolutely baller aliases, including the porcupine parrot and the

787
00:39:44.559 --> 00:39:47.639
<v Speaker 4>midnight cockatoo, which will be my code names if I'm

788
00:39:47.719 --> 00:39:50.719
<v Speaker 4>ever a spy. And people thought it was extinct. They

789
00:39:50.760 --> 00:39:53.320
<v Speaker 4>were like, it's so dead. And then a guy saw

790
00:39:53.400 --> 00:39:57.559
<v Speaker 4>one in twenty thirteen and photographed it. One ornithological enthusiast

791
00:39:57.760 --> 00:40:01.239
<v Speaker 4>named Sean Dooley called this sighting quote the bird watching

792
00:40:01.360 --> 00:40:05.519
<v Speaker 4>equivalent of finding Elvis flipping burgers in an outback roadhouse.

793
00:40:05.960 --> 00:40:09.239
<v Speaker 4>But people started to debunk that evidence and the whole

794
00:40:09.320 --> 00:40:13.480
<v Speaker 4>thing was shady, and then acoustic ecology confirmed some calls,

795
00:40:13.880 --> 00:40:17.199
<v Speaker 4>and using leads from Aboriginal knowledge, the bird was confirmed

796
00:40:17.199 --> 00:40:20.159
<v Speaker 4>to exist. Everyone's like, it's alive. It's not well, but

797
00:40:20.239 --> 00:40:22.480
<v Speaker 4>it's alive. Are you a burder on the side, by

798
00:40:22.519 --> 00:40:24.880
<v Speaker 4>the way, I'm not at all any fact.

799
00:40:25.199 --> 00:40:27.719
<v Speaker 5>I do my graduate study in a lab that was

800
00:40:27.760 --> 00:40:30.880
<v Speaker 5>completely full of birders, so I think I actually probably

801
00:40:31.239 --> 00:40:34.960
<v Speaker 5>urged my brain of birding knowledge so that I wouldn't

802
00:40:34.960 --> 00:40:36.280
<v Speaker 5>have to compete with them anymore.

803
00:40:37.480 --> 00:40:40.320
<v Speaker 4>That's so funny, because I've I have heard that birders

804
00:40:41.000 --> 00:40:44.559
<v Speaker 4>there are different, like lifer lists. If you hear an

805
00:40:44.760 --> 00:40:47.360
<v Speaker 4>l hoot but you don't see it. Some people count that.

806
00:40:47.519 --> 00:40:50.000
<v Speaker 4>Some people don't, but if you're an a cologist, you count.

807
00:40:49.840 --> 00:40:51.119
<v Speaker 3>That right totally.

808
00:40:51.159 --> 00:40:53.800
<v Speaker 5>And now you know, I work with a great mini

809
00:40:53.840 --> 00:40:57.239
<v Speaker 5>birds and many of my close acoustic collaborators they are

810
00:40:57.400 --> 00:41:00.360
<v Speaker 5>very keen burdens. So there's a lot of entsiasm amongst

811
00:41:00.400 --> 00:41:03.000
<v Speaker 5>the birding community for acoustic ecology.

812
00:41:03.320 --> 00:41:06.199
<v Speaker 4>Oh for sure, I'm sure. It's also like, is that cheating?

813
00:41:07.760 --> 00:41:10.599
<v Speaker 5>Well yeah, I mean that you could. You could do

814
00:41:10.719 --> 00:41:14.079
<v Speaker 5>many podcasts, so the ethics of different birding. You know,

815
00:41:14.119 --> 00:41:16.880
<v Speaker 5>whether you're able to play back sounds of a bird

816
00:41:17.360 --> 00:41:19.000
<v Speaker 5>to get it to come out and things like that.

817
00:41:20.119 --> 00:41:22.599
<v Speaker 4>Oh, we had actually a ton of questions on that.

818
00:41:22.920 --> 00:41:29.079
<v Speaker 4>And let's see from listeners Elijah and specs OWL. A

819
00:41:29.119 --> 00:41:32.039
<v Speaker 4>few people wanted to know, is calling back to animals

820
00:41:32.079 --> 00:41:37.400
<v Speaker 4>a terrible thing? Is it ethical? Do the animals know

821
00:41:37.679 --> 00:41:42.559
<v Speaker 4>that we're having inner species conversations? Elijah wants to know. So, yeah,

822
00:41:42.800 --> 00:41:45.239
<v Speaker 4>have you heard anything in acoustic ecology about whether or

823
00:41:45.280 --> 00:41:47.559
<v Speaker 4>not calling to an animal to get a to call back?

824
00:41:47.679 --> 00:41:48.719
<v Speaker 1>Is is?

825
00:41:48.800 --> 00:41:49.079
<v Speaker 4>Okay?

826
00:41:50.079 --> 00:41:52.480
<v Speaker 3>Yeah, that's goodcause, I mean it's something that's worth considering

827
00:41:52.519 --> 00:41:52.920
<v Speaker 3>the ethics.

828
00:41:52.920 --> 00:41:55.119
<v Speaker 5>And I think whenever you do research or do a

829
00:41:55.159 --> 00:41:58.320
<v Speaker 5>study that would involve a playback that is a good

830
00:41:58.480 --> 00:42:01.280
<v Speaker 5>thing that that goes through some sort of ethics consideration

831
00:42:02.400 --> 00:42:04.280
<v Speaker 5>at that stage. Now I said, I think there's a

832
00:42:04.280 --> 00:42:06.559
<v Speaker 5>lot of utilities. It really can be very useful to

833
00:42:06.639 --> 00:42:09.760
<v Speaker 5>do that. I'm thinking particularly in cases of like there's

834
00:42:09.800 --> 00:42:11.920
<v Speaker 5>a really rare frogs. For instance, there's a really rare

835
00:42:11.960 --> 00:42:14.079
<v Speaker 5>frog and an amazing thing for your listeners.

836
00:42:14.199 --> 00:42:15.000
<v Speaker 6>Get just to google.

837
00:42:15.159 --> 00:42:18.119
<v Speaker 5>Lets you google the corrobberie frog in Australia, and it's

838
00:42:18.400 --> 00:42:20.920
<v Speaker 5>really difficult to see a small corobbery frog, but they

839
00:42:21.000 --> 00:42:23.320
<v Speaker 5>happen to have this feature of liking to call back.

840
00:42:23.960 --> 00:42:25.800
<v Speaker 5>So it's a really useful way to work out how

841
00:42:25.880 --> 00:42:27.559
<v Speaker 5>many are there if you go and do a call

842
00:42:27.920 --> 00:42:30.119
<v Speaker 5>and then record the sound in it.

843
00:42:30.320 --> 00:42:39.199
<v Speaker 3>When you hear these callbacks, hey wrong, Hey wrong.

844
00:42:41.960 --> 00:42:44.519
<v Speaker 5>So I think I think there can be some really

845
00:42:44.599 --> 00:42:48.400
<v Speaker 5>good reasons to do those callbacks. But yeah, it's worth

846
00:42:48.440 --> 00:42:50.360
<v Speaker 5>considering whether there is kind of any like real to

847
00:42:50.400 --> 00:42:53.039
<v Speaker 5>be any kind of behavioral implications to the animals of

848
00:42:53.159 --> 00:42:56.280
<v Speaker 5>doing that. And it's funny we're trying to understand how

849
00:42:56.400 --> 00:43:00.159
<v Speaker 5>sound moved through the environment in Borneo because one of

850
00:43:00.199 --> 00:43:02.960
<v Speaker 5>the things that we came to realize is that microphones

851
00:43:03.000 --> 00:43:07.679
<v Speaker 5>here different different distances from them, depending on how dense

852
00:43:07.760 --> 00:43:10.039
<v Speaker 5>the environment is, kind of whether you're on the hilltop

853
00:43:10.159 --> 00:43:10.280
<v Speaker 5>or a.

854
00:43:10.320 --> 00:43:11.119
<v Speaker 3>Valley, things like that.

855
00:43:11.280 --> 00:43:14.599
<v Speaker 5>And we wanted to build some statistical models that would

856
00:43:14.599 --> 00:43:18.320
<v Speaker 5>allow us to correct for how far a microphone were here,

857
00:43:18.480 --> 00:43:20.719
<v Speaker 5>so that we were comparing each microphone the same. So

858
00:43:21.199 --> 00:43:23.400
<v Speaker 5>we climbed to the top of a tree and we

859
00:43:23.480 --> 00:43:27.360
<v Speaker 5>were pretending to be Givens. So strapped a big speaker

860
00:43:27.440 --> 00:43:29.639
<v Speaker 5>to the top of a tree and play these given sounds,

861
00:43:29.639 --> 00:43:32.000
<v Speaker 5>and we had microphones at different distances, and we were

862
00:43:32.000 --> 00:43:35.880
<v Speaker 5>seeing how strong the given signal was there because we

863
00:43:35.960 --> 00:43:38.360
<v Speaker 5>wanted to use it to survey Givens. And Gibbons are

864
00:43:38.400 --> 00:43:41.239
<v Speaker 5>an amazing creature. That's sort of the most iconic sound

865
00:43:41.320 --> 00:43:44.440
<v Speaker 5>of the center of the Borne and rain forest. But

866
00:43:44.840 --> 00:43:47.320
<v Speaker 5>we were just doing this to record that the artificial

867
00:43:47.360 --> 00:43:49.519
<v Speaker 5>Givens out of the play that consent. But of course

868
00:43:49.559 --> 00:43:52.119
<v Speaker 5>all the Givens in the neighborhoods like, who's this new set.

869
00:43:51.920 --> 00:43:54.239
<v Speaker 3>Of Givens here? What are you doing here? And I

870
00:43:54.480 --> 00:43:57.400
<v Speaker 3>came over and started calling and say, hey, this is

871
00:43:57.480 --> 00:43:58.800
<v Speaker 3>our path. You should get out of here.

872
00:44:00.119 --> 00:44:04.480
<v Speaker 5>Wow. But yeah, the Gibbons probably didn't appreciate suddenly hearing

873
00:44:04.519 --> 00:44:07.880
<v Speaker 5>a bunch of new givens in they're like.

874
00:44:08.199 --> 00:44:11.760
<v Speaker 4>Do you buy Yeah, okay, just a heads up. So

875
00:44:12.079 --> 00:44:16.320
<v Speaker 4>mimicking calls or playing recorded animal noises, it's kind of

876
00:44:16.400 --> 00:44:19.719
<v Speaker 4>a dick move. Now. Do some people play owl hooting

877
00:44:19.880 --> 00:44:22.360
<v Speaker 4>from a bluetooth speaker to try to get a glimpse

878
00:44:22.480 --> 00:44:26.519
<v Speaker 4>of an owl on their deck? Absolutely, and bird scientists

879
00:44:26.880 --> 00:44:30.360
<v Speaker 4>hate those people because the owls show up, they're so

880
00:44:30.559 --> 00:44:32.440
<v Speaker 4>ready to get it on. They're either there for a

881
00:44:32.519 --> 00:44:36.119
<v Speaker 4>mate or they think they gotta throw wings at a rival,

882
00:44:36.280 --> 00:44:39.239
<v Speaker 4>and it's just you there, smelly in a bathrobe on

883
00:44:39.360 --> 00:44:42.159
<v Speaker 4>your porch taking pictures of them. So don't make a

884
00:44:42.199 --> 00:44:44.559
<v Speaker 4>bird hate you. Birds are so much cooler than us.

885
00:44:45.000 --> 00:44:48.800
<v Speaker 4>We had a ton of listeners, Carrie Caximo Garve's, Carly V.

886
00:44:49.000 --> 00:44:52.960
<v Speaker 4>Shelby Rearden, Ewen Menroe, Kelly the Nature Nerd, and Beth

887
00:44:53.000 --> 00:44:55.760
<v Speaker 4>Balouz for some question asker, in Beth's words, what's the

888
00:44:55.840 --> 00:44:59.280
<v Speaker 4>biggest surprise you've experienced when listening back to a recording

889
00:44:59.639 --> 00:45:02.639
<v Speaker 4>or what just some of the weirdest, serious sounds that

890
00:45:02.760 --> 00:45:03.199
<v Speaker 4>you've heard?

891
00:45:04.639 --> 00:45:08.000
<v Speaker 3>A good questions do you know this is gonna saynd funny,

892
00:45:08.039 --> 00:45:09.039
<v Speaker 3>but that one of those things.

893
00:45:09.079 --> 00:45:12.920
<v Speaker 5>That's quite eerie when you're listening back is when insects

894
00:45:13.000 --> 00:45:15.639
<v Speaker 5>come really close to the microphone. I'm thinking mosquito, just

895
00:45:15.679 --> 00:45:18.159
<v Speaker 5>even like a common mosquito. So most of the time

896
00:45:18.159 --> 00:45:19.920
<v Speaker 5>you're hearing all these one of them, and occasionally hear

897
00:45:19.960 --> 00:45:22.239
<v Speaker 5>this kind of like it's like a science fiction soundtrack

898
00:45:22.280 --> 00:45:24.880
<v Speaker 5>of the mosquito sound just getting a little bit closer.

899
00:45:25.320 --> 00:45:27.239
<v Speaker 5>And when you hear it when you've got headphones on

900
00:45:27.239 --> 00:45:30.719
<v Speaker 5>any listening, instead of a very kind of it's a

901
00:45:30.880 --> 00:45:34.760
<v Speaker 5>very kind of cute sound here coming and landing on

902
00:45:34.840 --> 00:45:38.440
<v Speaker 5>the microphone and then going off again that that sort

903
00:45:38.440 --> 00:45:39.239
<v Speaker 5>of never sees.

904
00:45:39.079 --> 00:45:40.119
<v Speaker 3>Just to be a little bit eerie.

905
00:45:40.559 --> 00:45:43.519
<v Speaker 4>Are you ever tempted to sample and make some tracks

906
00:45:43.639 --> 00:45:46.039
<v Speaker 4>like specs Owl asked if you're interested in the work

907
00:45:46.079 --> 00:45:49.679
<v Speaker 4>of Chris Watson, who makes nature sounds intom garden music.

908
00:45:49.880 --> 00:45:52.440
<v Speaker 4>Are you ever Yes, this would make a pretty good beat.

909
00:45:52.519 --> 00:45:53.880
<v Speaker 5>And you know what, and it is in Some of

910
00:45:53.960 --> 00:45:56.760
<v Speaker 5>our sounds have been in lots of different ways too.

911
00:45:56.880 --> 00:46:01.159
<v Speaker 5>So some of our recordings from how he got turned

912
00:46:01.199 --> 00:46:05.599
<v Speaker 5>into a piece of orchestral music actually for a present

913
00:46:05.639 --> 00:46:08.960
<v Speaker 5>concerts at one point. And a close colleague of mine

914
00:46:09.239 --> 00:46:13.119
<v Speaker 5>has a pretty avant garde group that involves electronic music

915
00:46:13.159 --> 00:46:16.119
<v Speaker 5>and a double bass and fish sounds that recordings that

916
00:46:16.119 --> 00:46:17.079
<v Speaker 5>they've taken in the rivers.

917
00:46:17.159 --> 00:46:19.840
<v Speaker 3>It fits very cool. We even did a live performance once.

918
00:46:19.960 --> 00:46:21.079
<v Speaker 3>It was pretty good.

919
00:46:23.039 --> 00:46:23.800
<v Speaker 1>What is it called?

920
00:46:24.280 --> 00:46:27.239
<v Speaker 5>Ohya, Simon Linky is the person is the guy who's

921
00:46:27.239 --> 00:46:30.599
<v Speaker 5>setting up. He's a Griffith University in Australia, so you

922
00:46:30.639 --> 00:46:32.280
<v Speaker 5>could look up here. I don't think the group actually

923
00:46:32.320 --> 00:46:35.519
<v Speaker 5>had a name, but they performed at a festival a

924
00:46:35.679 --> 00:46:39.400
<v Speaker 5>wonderful sort of live mixing of fish sound recordings taken

925
00:46:39.480 --> 00:46:43.800
<v Speaker 5>from their acoustic ecology work and electronics and double based.

926
00:46:49.400 --> 00:46:53.559
<v Speaker 4>Fish sounds. And we had some questions about COVID and Wales.

927
00:46:53.679 --> 00:46:55.880
<v Speaker 4>Meryl Stark wanted to know tell me more about what

928
00:46:56.000 --> 00:46:58.280
<v Speaker 4>happened when shipping was shut down in the North Atlantic

929
00:46:58.360 --> 00:47:01.760
<v Speaker 4>during COVID and everything went quiet, and a lot of

930
00:47:01.760 --> 00:47:03.760
<v Speaker 4>wood wanted to know how much does noise pollution mess

931
00:47:03.920 --> 00:47:07.480
<v Speaker 4>with whale and dolphin calls and antonia Clerk and Ale

932
00:47:07.639 --> 00:47:10.880
<v Speaker 4>Holmes also asked about underwater noise because you mentioned that

933
00:47:10.960 --> 00:47:13.280
<v Speaker 4>it's getting quieter on land, but are things different in

934
00:47:13.360 --> 00:47:13.840
<v Speaker 4>the ocean.

935
00:47:14.519 --> 00:47:17.440
<v Speaker 5>Oh, lots of good questions there, and you know I'm

936
00:47:17.480 --> 00:47:20.000
<v Speaker 5>probably not the best place to say to speak a

937
00:47:20.039 --> 00:47:22.239
<v Speaker 5>lot to what happened in that kind of COVID shutdown

938
00:47:22.360 --> 00:47:24.800
<v Speaker 5>and then the response he saw in the North Atlantic.

939
00:47:24.920 --> 00:47:29.519
<v Speaker 5>But certainly we know that the sort of acoustic interference

940
00:47:29.880 --> 00:47:32.880
<v Speaker 5>of cetaceans, whales and dolphins is a pretty big issue,

941
00:47:33.280 --> 00:47:36.159
<v Speaker 5>and that it is harder for them to communicate and

942
00:47:36.360 --> 00:47:39.599
<v Speaker 5>navigate well in places that are really busy with a

943
00:47:39.639 --> 00:47:40.639
<v Speaker 5>lot of acoustic SAMs.

944
00:47:40.719 --> 00:47:42.400
<v Speaker 3>And I think I said.

945
00:47:42.239 --> 00:47:45.239
<v Speaker 5>Earlier that you know, these low frequency sounds travel so far,

946
00:47:45.440 --> 00:47:48.320
<v Speaker 5>and especially true and water, and the diesel engine of

947
00:47:48.440 --> 00:47:50.840
<v Speaker 5>a ship is one of the lowest frequency sounds in here,

948
00:47:50.880 --> 00:47:51.559
<v Speaker 5>and so the.

949
00:47:51.760 --> 00:47:55.360
<v Speaker 3>Extent of that pollution is extraordinary. One of the most

950
00:47:55.960 --> 00:48:01.480
<v Speaker 3>amazing sonic experiences I've ever listened to a woman here

951
00:48:01.559 --> 00:48:03.880
<v Speaker 3>in Australia called Leah Barclay, and what she had done

952
00:48:04.000 --> 00:48:07.639
<v Speaker 3>was had microphones that drift down the coast and she

953
00:48:08.039 --> 00:48:11.119
<v Speaker 3>had them floating and recording down the eastern coast of

954
00:48:11.159 --> 00:48:15.440
<v Speaker 3>Australia and we listened to these in a dark room

955
00:48:15.519 --> 00:48:17.639
<v Speaker 3>with sort of speakers all the way around us, and

956
00:48:17.719 --> 00:48:20.440
<v Speaker 3>it was like this sonic journey as you come down

957
00:48:20.559 --> 00:48:23.960
<v Speaker 3>from the Gray Berrier reef, and as you get closer

958
00:48:24.039 --> 00:48:26.639
<v Speaker 3>to the cities that have been pought Sydney and things

959
00:48:26.719 --> 00:48:30.960
<v Speaker 3>like that, just the sam even when you're tens hundreds

960
00:48:30.960 --> 00:48:32.000
<v Speaker 3>of klometers aware, you just hear this.

961
00:48:32.119 --> 00:48:44.440
<v Speaker 5>Sort of grumbling sound, like a growing growing into It

962
00:48:44.639 --> 00:48:48.599
<v Speaker 5>sort of takes over the entire soundscape and then fades

963
00:48:48.639 --> 00:48:52.159
<v Speaker 5>away again as the drifting microphones went past these cities.

964
00:48:52.679 --> 00:48:54.039
<v Speaker 3>Extraordinary experience.

965
00:48:54.079 --> 00:48:57.360
<v Speaker 5>It gave me such an insight that just how altered

966
00:48:57.440 --> 00:48:59.599
<v Speaker 5>that sonic environment is in the marine space.

967
00:49:00.320 --> 00:49:04.159
<v Speaker 4>Does that interfere with echolocation? Maria Manser wanted to know

968
00:49:04.280 --> 00:49:06.559
<v Speaker 4>are mammals, you know, like dolphins and whales and bats,

969
00:49:06.639 --> 00:49:10.519
<v Speaker 4>are they using acoustic ecology and do those human made

970
00:49:10.559 --> 00:49:12.079
<v Speaker 4>acoustics really mess with them?

971
00:49:13.119 --> 00:49:15.480
<v Speaker 5>Yeah, because I mean that I think there is quite

972
00:49:15.480 --> 00:49:18.280
<v Speaker 5>a lot of evidence supporting the idea that those human

973
00:49:18.840 --> 00:49:22.559
<v Speaker 5>anthropogenic sounds and say that they do interfere with the

974
00:49:22.639 --> 00:49:25.800
<v Speaker 5>ability of whales and dolphins to communicate them. And what's

975
00:49:25.840 --> 00:49:28.880
<v Speaker 5>probably less clear is how that manifests in terms of

976
00:49:29.400 --> 00:49:32.599
<v Speaker 5>behavioral changes, but I think there's definitely an impact. One

977
00:49:32.599 --> 00:49:35.320
<v Speaker 5>of the things with learnyone has said about underwater sounds

978
00:49:35.440 --> 00:49:38.239
<v Speaker 5>is that there's a lot of things other than whales

979
00:49:38.280 --> 00:49:41.159
<v Speaker 5>and dolphins that are using sound cues. So there's a

980
00:49:41.360 --> 00:49:45.280
<v Speaker 5>hypothesis even that fish on the Great Barrier reef, for instance,

981
00:49:45.800 --> 00:49:50.159
<v Speaker 5>use the sound of reefs as a queue to find

982
00:49:50.199 --> 00:49:52.440
<v Speaker 5>them in the drifting around in the plankton in this

983
00:49:52.559 --> 00:49:55.599
<v Speaker 5>sort of vast ocean, and the reefs are actually very

984
00:49:55.679 --> 00:49:57.760
<v Speaker 5>small in comparison to the vast ocean, and.

985
00:49:57.840 --> 00:50:01.280
<v Speaker 4>These tiny bebe fish liarvae are drifting around the ocean

986
00:50:01.480 --> 00:50:04.159
<v Speaker 4>just looking for some slicer reef to call home, and

987
00:50:04.519 --> 00:50:08.159
<v Speaker 4>acoustic ecologists think that they're using sound to find them,

988
00:50:08.719 --> 00:50:12.840
<v Speaker 4>like the tiniest, most critical game of Marco Polo with

989
00:50:13.000 --> 00:50:14.000
<v Speaker 4>like a New Landlord.

990
00:50:14.840 --> 00:50:17.400
<v Speaker 5>We're certainly seeing evidence that when you see things like

991
00:50:17.480 --> 00:50:23.199
<v Speaker 5>coral reese get degraded, either through coral bleaching, climate driven events,

992
00:50:23.280 --> 00:50:26.719
<v Speaker 5>or through other forms of degradation, pollution, sediment, things like that,

993
00:50:26.840 --> 00:50:29.159
<v Speaker 5>they are getting quieter because the same thing you're seeing

994
00:50:29.199 --> 00:50:31.920
<v Speaker 5>having on land. You're just losing some of the vocalizing

995
00:50:32.039 --> 00:50:35.079
<v Speaker 5>diversity from those environments, and that is probably having a

996
00:50:35.199 --> 00:50:39.440
<v Speaker 5>bigger impact than we realize on the overall ecology of system.

997
00:50:39.679 --> 00:50:43.000
<v Speaker 5>How animals sort of navigate their way around those environments

998
00:50:43.519 --> 00:50:44.559
<v Speaker 5>and are all of.

999
00:50:44.599 --> 00:50:48.280
<v Speaker 4>These animals actually hearing or are they sensing the vibrations

1000
00:50:48.480 --> 00:50:51.880
<v Speaker 4>like batman flight, who's a chiropterologist. I'm asked if any

1001
00:50:51.920 --> 00:50:57.079
<v Speaker 4>animals use infrasound to send messages. Further, like, how much

1002
00:50:57.119 --> 00:50:59.880
<v Speaker 4>of this is so so low that it's in kind

1003
00:50:59.880 --> 00:51:00.960
<v Speaker 4>of another realm for us?

1004
00:51:01.280 --> 00:51:06.199
<v Speaker 5>Yeah, good question. I mean possibly lots this. I guess

1005
00:51:06.199 --> 00:51:08.840
<v Speaker 5>if you go back to the very early ideas of

1006
00:51:09.719 --> 00:51:13.880
<v Speaker 5>how sound and involved as communication, probably the earlier passions

1007
00:51:13.960 --> 00:51:17.039
<v Speaker 5>were just things that vibrations that we felt, vibrations that

1008
00:51:17.079 --> 00:51:20.159
<v Speaker 5>we made and we felt this vibration. It's actually as

1009
00:51:20.199 --> 00:51:24.480
<v Speaker 5>a book recently out American author David Haskill, I think

1010
00:51:24.519 --> 00:51:26.559
<v Speaker 5>it's called Sounds Wild and Broken, and he talks a

1011
00:51:26.599 --> 00:51:29.079
<v Speaker 5>lot about the origins of sound.

1012
00:51:29.199 --> 00:51:31.639
<v Speaker 3>And there are still lots of animals that are.

1013
00:51:32.559 --> 00:51:36.000
<v Speaker 5>Communicating through the vibration that they're not hearing it, certainly

1014
00:51:36.079 --> 00:51:38.119
<v Speaker 5>not in the way that we hear sounds.

1015
00:51:38.320 --> 00:51:40.239
<v Speaker 3>You know, we're fairly unique having this.

1016
00:51:41.159 --> 00:51:43.159
<v Speaker 5>I guess hearing through the air and the way we do,

1017
00:51:43.320 --> 00:51:46.559
<v Speaker 5>but hearing through things like water is a way of

1018
00:51:46.800 --> 00:51:51.880
<v Speaker 5>really feeling, and that lots of animals essentially hearing vibrations

1019
00:51:51.920 --> 00:51:53.239
<v Speaker 5>in the water have you.

1020
00:51:53.239 --> 00:51:57.719
<v Speaker 4>Ever heard the thoughts about infrasound and the roar of

1021
00:51:57.800 --> 00:52:01.559
<v Speaker 4>a lion and why that's so terrifying to some mammals.

1022
00:52:01.679 --> 00:52:03.400
<v Speaker 4>Does that ever come up in your No, I don't

1023
00:52:03.440 --> 00:52:06.719
<v Speaker 4>know that. It's like, apparently it's some some really low

1024
00:52:06.920 --> 00:52:10.840
<v Speaker 4>frequency that just like hackles go up, and some ghost

1025
00:52:10.880 --> 00:52:15.760
<v Speaker 4>hunters or people who are looking into ghosts have found

1026
00:52:15.800 --> 00:52:19.639
<v Speaker 4>that just a low, low rumble from a fan will

1027
00:52:19.800 --> 00:52:22.519
<v Speaker 4>give us the same eerie feeling. That's so something that

1028
00:52:22.599 --> 00:52:25.159
<v Speaker 4>we can't hear, but we're like, I got really spooked

1029
00:52:25.199 --> 00:52:26.880
<v Speaker 4>when I went in that basement. It's just because there's

1030
00:52:26.920 --> 00:52:28.840
<v Speaker 4>like a fan that's going too low for them to hear,

1031
00:52:28.960 --> 00:52:30.119
<v Speaker 4>but they can kind of sense it.

1032
00:52:30.320 --> 00:52:31.559
<v Speaker 3>Oh, it's fascinating.

1033
00:52:31.639 --> 00:52:33.199
<v Speaker 5>Yeah, do you know that's interesting because one of the

1034
00:52:33.199 --> 00:52:35.960
<v Speaker 5>things I had read in David's book, he was describing

1035
00:52:36.079 --> 00:52:39.360
<v Speaker 5>how the way that we often hear sounds of dinosaurs

1036
00:52:39.400 --> 00:52:41.960
<v Speaker 5>in films and nothing like what their anatomy would suggest

1037
00:52:42.000 --> 00:52:44.519
<v Speaker 5>they made, and in fact, the sounds that they give

1038
00:52:44.599 --> 00:52:47.639
<v Speaker 5>to that they use the terannosaurs, things like Jurassic Park

1039
00:52:51.239 --> 00:52:54.960
<v Speaker 5>our a combination of really like slowed down baby elephant

1040
00:52:55.119 --> 00:52:56.639
<v Speaker 5>trumpets and lion rules.

1041
00:52:56.679 --> 00:52:58.760
<v Speaker 3>Because it induces the response that they want.

1042
00:52:58.800 --> 00:53:03.880
<v Speaker 4>The terrannosaurs, I wonder what they actually sounded.

1043
00:53:03.639 --> 00:53:06.920
<v Speaker 3>Like, but they were like, huh, well, yeah, I mean

1044
00:53:07.519 --> 00:53:12.480
<v Speaker 3>the reptiles hear differently, and so you know, they certainly

1045
00:53:12.599 --> 00:53:15.199
<v Speaker 3>were able to make stamp probably quite different. The sounds

1046
00:53:15.239 --> 00:53:18.679
<v Speaker 3>that we think are a sort of characteristic to our

1047
00:53:19.199 --> 00:53:20.559
<v Speaker 3>current hearing in the way and.

1048
00:53:20.599 --> 00:53:23.039
<v Speaker 4>We hear yeah, I mean, just based on how a

1049
00:53:23.159 --> 00:53:29.559
<v Speaker 4>chicken sounds not too scared exactly. Last listener question one

1050
00:53:29.719 --> 00:53:31.960
<v Speaker 4>sent in from Celaste, who said, have you ever listened

1051
00:53:32.000 --> 00:53:34.159
<v Speaker 4>to or studied the sound of a creature who's on

1052
00:53:34.199 --> 00:53:36.599
<v Speaker 4>the brink of extinction or who has since become extinct?

1053
00:53:36.960 --> 00:53:39.760
<v Speaker 4>I find this notion to be incredibly depressing, and yet

1054
00:53:39.840 --> 00:53:42.519
<v Speaker 4>it is the question I have. And Timothy Wang said,

1055
00:53:43.079 --> 00:53:46.079
<v Speaker 4>how to feel less shitty about the world losing rainforests?

1056
00:53:46.239 --> 00:53:51.679
<v Speaker 4>Cry face emoji, any hope, any any way that you

1057
00:53:51.840 --> 00:53:53.159
<v Speaker 4>deal with things emotionally.

1058
00:53:54.119 --> 00:53:58.079
<v Speaker 3>Yeah, you know, it's a good question, and it's something

1059
00:53:58.119 --> 00:54:00.639
<v Speaker 3>that I have to deal with. Really. You know what

1060
00:54:01.079 --> 00:54:05.280
<v Speaker 3>gives me hope is what how thriving I see even

1061
00:54:05.440 --> 00:54:08.559
<v Speaker 3>small patches of brain price. You know, we've given a

1062
00:54:08.599 --> 00:54:11.280
<v Speaker 3>lot of abuse to this planet. But if we can

1063
00:54:11.719 --> 00:54:17.920
<v Speaker 3>even just save some small pieces. It's just astounding how

1064
00:54:18.000 --> 00:54:21.320
<v Speaker 3>much biodversity can be protected in them. And one of

1065
00:54:21.400 --> 00:54:24.599
<v Speaker 3>the places I've been lucky to work enough is in

1066
00:54:24.719 --> 00:54:28.280
<v Speaker 3>Borneo and there's this one patch of forests is not

1067
00:54:28.360 --> 00:54:31.880
<v Speaker 3>particularly big. I mean, I guess it's certainly decent sized

1068
00:54:32.400 --> 00:54:35.280
<v Speaker 3>by a sort of built upstands, So fifty thousand acres

1069
00:54:35.400 --> 00:54:37.119
<v Speaker 3>or so. When you look at it a map, it

1070
00:54:37.159 --> 00:54:39.559
<v Speaker 3>seems tiny, but when it's dense rainforests, it's hard to

1071
00:54:39.639 --> 00:54:40.239
<v Speaker 3>walk across.

1072
00:54:40.440 --> 00:54:44.280
<v Speaker 5>And it wasn't that long ago that we rediscovered a

1073
00:54:44.760 --> 00:54:48.159
<v Speaker 5>species of prime made even a langer, a monkey that

1074
00:54:48.519 --> 00:54:51.280
<v Speaker 5>was thought to be extinct, that has a troop of

1075
00:54:51.360 --> 00:54:54.440
<v Speaker 5>them in this area. And I think, you know, if

1076
00:54:54.480 --> 00:54:56.679
<v Speaker 5>you go places of this and you see what has

1077
00:54:56.760 --> 00:55:00.880
<v Speaker 5>been left in tact, there's hope that we're we're not going.

1078
00:55:00.760 --> 00:55:02.840
<v Speaker 3>To record all and if we could just find a

1079
00:55:02.960 --> 00:55:06.559
<v Speaker 3>way to kind of sort of stop the hemorrhaging of

1080
00:55:06.679 --> 00:55:08.920
<v Speaker 3>these virus, which I really do think is going to happen,

1081
00:55:08.960 --> 00:55:11.039
<v Speaker 3>and I just think that's going to be untenable. And

1082
00:55:11.079 --> 00:55:12.719
<v Speaker 3>then a lot of people are starting to realize that

1083
00:55:13.239 --> 00:55:15.719
<v Speaker 3>on lots of levels. Then you know that nature will

1084
00:55:15.760 --> 00:55:16.159
<v Speaker 3>come back.

1085
00:55:16.920 --> 00:55:20.159
<v Speaker 4>Also, if you listen closely, you can hear morning birds

1086
00:55:20.239 --> 00:55:23.000
<v Speaker 4>just Triberty cheap and right behind him. So what this

1087
00:55:23.199 --> 00:55:27.559
<v Speaker 4>episode lacks in microphone quality makes up for with bird cameos.

1088
00:55:28.159 --> 00:55:30.639
<v Speaker 4>We did it do movies and TV? Do they get

1089
00:55:30.719 --> 00:55:33.519
<v Speaker 4>rainforest sounds right? If you go to the Rainforest Cafe

1090
00:55:33.679 --> 00:55:35.519
<v Speaker 4>ever in like Las Vegas. Are you like this is

1091
00:55:35.760 --> 00:55:36.639
<v Speaker 4>so wrong? No?

1092
00:55:36.920 --> 00:55:39.360
<v Speaker 3>Sometimes they do. Actually again, sometimes it's pretty good. I

1093
00:55:39.440 --> 00:55:41.480
<v Speaker 3>mean that they're the sort of people often that the

1094
00:55:41.559 --> 00:55:43.639
<v Speaker 3>people that are collecting the atmos.

1095
00:55:43.840 --> 00:55:46.880
<v Speaker 5>For these recordings. There are often people that go into

1096
00:55:46.920 --> 00:55:49.320
<v Speaker 5>this kind of sound recording and sound in college that

1097
00:55:49.400 --> 00:55:51.199
<v Speaker 5>we've been lucky in sort of the equality space to

1098
00:55:51.280 --> 00:55:55.000
<v Speaker 5>recruit people who are already interested in rainforest sound recordings.

1099
00:55:55.559 --> 00:55:57.559
<v Speaker 5>What we often don't have is the way to play

1100
00:55:57.599 --> 00:56:01.719
<v Speaker 5>it back to ourselves that like an actual rainforest environment,

1101
00:56:01.760 --> 00:56:04.639
<v Speaker 5>because you need to have a whole part of different speakers.

1102
00:56:04.679 --> 00:56:07.880
<v Speaker 5>There's sort of almost three sixty degrees immersion, and they

1103
00:56:08.000 --> 00:56:11.360
<v Speaker 5>believe that speakers that can really reflect those different frequencies.

1104
00:56:11.400 --> 00:56:13.639
<v Speaker 5>So it's probably less about the actually what the recording

1105
00:56:13.719 --> 00:56:14.880
<v Speaker 5>is than how we get to listen to it.

1106
00:56:14.960 --> 00:56:18.880
<v Speaker 4>Again, I have never thought about that like that kind

1107
00:56:18.920 --> 00:56:22.719
<v Speaker 4>of surround sound plus smells and humidity and snakes and

1108
00:56:22.840 --> 00:56:26.320
<v Speaker 4>books and birds. What about those apps that have gentle

1109
00:56:26.440 --> 00:56:29.199
<v Speaker 4>rainfall or birds sounds? I always want to know.

1110
00:56:31.000 --> 00:56:34.360
<v Speaker 5>You know, that's so funny. I guess you hear a

1111
00:56:34.400 --> 00:56:38.239
<v Speaker 5>lot of rain when you're in the rainforest. There's one

1112
00:56:38.239 --> 00:56:40.480
<v Speaker 5>of the sort of bane of our recordings is filtering

1113
00:56:40.519 --> 00:56:44.280
<v Speaker 5>out rain. But you know, I do not find rain

1114
00:56:44.480 --> 00:56:45.599
<v Speaker 5>like healthy rain forest is.

1115
00:56:45.679 --> 00:56:48.960
<v Speaker 3>Not relaxing to listen to. Like when you're listening to

1116
00:56:49.079 --> 00:56:51.039
<v Speaker 3>that like gentle rainforest, that's.

1117
00:56:51.000 --> 00:56:53.039
<v Speaker 5>Like either like the middle of the day when things

1118
00:56:53.079 --> 00:56:55.360
<v Speaker 5>are at the quietest and just hearing a little bit

1119
00:56:55.400 --> 00:56:57.639
<v Speaker 5>of sort of gentle sound every now and again. If

1120
00:56:57.639 --> 00:57:01.000
<v Speaker 5>you're actually listening to a rainforest, that's it's p activity.

1121
00:57:01.119 --> 00:57:03.519
<v Speaker 5>Like Yeah, I don't think anyone would describe it, but it's.

1122
00:57:03.480 --> 00:57:03.960
<v Speaker 3>Kind of calm.

1123
00:57:06.760 --> 00:57:08.840
<v Speaker 4>Well, you know you mentioned that you're an early raiser.

1124
00:57:09.199 --> 00:57:09.559
<v Speaker 5>Do you.

1125
00:57:11.159 --> 00:57:15.119
<v Speaker 4>Enjoy the sound of bird song as you know it

1126
00:57:15.239 --> 00:57:17.320
<v Speaker 4>becomes done as the sun comes out?

1127
00:57:17.840 --> 00:57:18.000
<v Speaker 3>Yeah?

1128
00:57:18.039 --> 00:57:21.159
<v Speaker 5>I think you enjoy being in nature that space it is.

1129
00:57:21.559 --> 00:57:24.320
<v Speaker 5>It's a time when when nature is really alive, and

1130
00:57:24.599 --> 00:57:26.920
<v Speaker 5>it is also often a time before people get up

1131
00:57:27.039 --> 00:57:28.960
<v Speaker 5>and start moving around, So I think there's something specially

1132
00:57:28.960 --> 00:57:30.920
<v Speaker 5>about being out and about.

1133
00:57:30.719 --> 00:57:31.599
<v Speaker 3>In nature at that time.

1134
00:57:32.920 --> 00:57:35.000
<v Speaker 4>What about the hardest thing about your job? What is

1135
00:57:35.360 --> 00:57:36.199
<v Speaker 4>so frustrating?

1136
00:57:37.599 --> 00:57:42.920
<v Speaker 5>Oh, you know, without question, and I'm going to totally

1137
00:57:43.280 --> 00:57:46.760
<v Speaker 5>watch this this quote, but I remember I said, once

1138
00:57:47.719 --> 00:57:50.239
<v Speaker 5>I've been here Wilson, look as if you live and

1139
00:57:50.719 --> 00:57:52.719
<v Speaker 5>when you have a sort of price of an ecological

1140
00:57:52.880 --> 00:57:54.840
<v Speaker 5>education is that you live in a world of wounds.

1141
00:57:55.440 --> 00:57:58.880
<v Speaker 3>And that's definitely that's definitely a bit true. Like you

1142
00:57:59.000 --> 00:57:59.480
<v Speaker 3>often see.

1143
00:58:00.159 --> 00:58:04.159
<v Speaker 5>Wow, you know we've given that up hiding and that's

1144
00:58:04.239 --> 00:58:06.199
<v Speaker 5>probably the toughest part. I mean, I'm I think because

1145
00:58:06.239 --> 00:58:08.599
<v Speaker 5>you get to get up each morning and try and

1146
00:58:08.639 --> 00:58:13.079
<v Speaker 5>do something at better, it's tough. Also saying that I mentioned,

1147
00:58:13.119 --> 00:58:16.639
<v Speaker 5>that's true for many many different professions that work in

1148
00:58:16.719 --> 00:58:19.320
<v Speaker 5>that crossis response type situation.

1149
00:58:20.199 --> 00:58:23.960
<v Speaker 4>Also, the late EO. Wilson was a biologist and a naturalist,

1150
00:58:24.119 --> 00:58:27.679
<v Speaker 4>and I debated leaving that quote in because EO. Wilson

1151
00:58:27.719 --> 00:58:30.559
<v Speaker 4>has been criticized for being a little racist. From what

1152
00:58:30.679 --> 00:58:33.679
<v Speaker 4>I gather, and I am elated to inform us all

1153
00:58:34.079 --> 00:58:37.400
<v Speaker 4>that that was actually a quote from Aldo Leopold, who

1154
00:58:37.519 --> 00:58:40.599
<v Speaker 4>was an ecologist and the granddaddy of wildlife management. And

1155
00:58:40.760 --> 00:58:43.519
<v Speaker 4>the full quote is one of the penalties of an

1156
00:58:43.559 --> 00:58:47.159
<v Speaker 4>ecological education is that one lives alone in a world

1157
00:58:47.239 --> 00:58:50.119
<v Speaker 4>of wounds. So that was an Aldo Leopold quote. And

1158
00:58:50.480 --> 00:58:52.320
<v Speaker 4>I looked up his history and he was born in

1159
00:58:52.400 --> 00:58:56.280
<v Speaker 4>the late eighteen hundreds and whoops, yep. Also probably not

1160
00:58:56.559 --> 00:58:59.599
<v Speaker 4>the least racist person ever. So all right, so that's

1161
00:58:59.639 --> 00:59:02.400
<v Speaker 4>the worst thing. Now on many levels, let's look on

1162
00:59:02.519 --> 00:59:05.360
<v Speaker 4>the bright sides. What about the best thing about it?

1163
00:59:05.440 --> 00:59:07.599
<v Speaker 4>What about the thing that you just love and could

1164
00:59:07.679 --> 00:59:08.480
<v Speaker 4>keep doing forever?

1165
00:59:10.000 --> 00:59:12.760
<v Speaker 5>Oh well, I mean, I just love the fact that

1166
00:59:13.119 --> 00:59:16.119
<v Speaker 5>all of this is working towards a legacy of something

1167
00:59:16.159 --> 00:59:19.320
<v Speaker 5>that I have enjoyed and really appreciated, interaction with the

1168
00:59:19.400 --> 00:59:21.840
<v Speaker 5>natural world, and hoping we can continue that for other people.

1169
00:59:21.960 --> 00:59:24.039
<v Speaker 5>But sort of on a day to day basis. I

1170
00:59:24.159 --> 00:59:27.519
<v Speaker 5>just also love the people that are involved in the

1171
00:59:27.639 --> 00:59:30.880
<v Speaker 5>conservation space and the world in all sorts of aspects

1172
00:59:30.920 --> 00:59:35.840
<v Speaker 5>of it. It's just a really very collegiate and interesting,

1173
00:59:36.760 --> 00:59:39.440
<v Speaker 5>enjoyable group of people to be on this mission with.

1174
00:59:39.960 --> 00:59:42.199
<v Speaker 4>Now, I'm sure that you have so many different people

1175
00:59:42.199 --> 00:59:44.159
<v Speaker 4>who do so many different things as well. It's got

1176
00:59:44.239 --> 00:59:46.320
<v Speaker 4>to be cool to see all these ideas come together.

1177
00:59:47.079 --> 00:59:48.079
<v Speaker 3>It is it Isn't you know?

1178
00:59:48.679 --> 00:59:52.039
<v Speaker 5>Acoustics a great idea because that's opened up a whole

1179
00:59:52.199 --> 00:59:54.920
<v Speaker 5>new part of people because we discussed are now getting

1180
00:59:54.960 --> 00:59:56.679
<v Speaker 5>involved in new people who are interested in us. I've

1181
00:59:57.119 --> 00:59:59.119
<v Speaker 5>got to talk to a lot of people that I

1182
00:59:59.159 --> 01:00:03.719
<v Speaker 5>wouldn't have so yeah, tracks a great cast of people.

1183
01:00:04.159 --> 01:00:07.239
<v Speaker 4>Oh that's awesome. Thank you so much for talking to me.

1184
01:00:07.360 --> 01:00:11.440
<v Speaker 4>This has been so illuminating, illuminating and music to my ears.

1185
01:00:11.480 --> 01:00:13.960
<v Speaker 3>Heay pleasure, Eli. Thanks thanks for having the conversation.

1186
01:00:15.760 --> 01:00:20.639
<v Speaker 4>So ask quiet ecologists, loud, brazen questions, but actually would

1187
01:00:20.679 --> 01:00:23.119
<v Speaker 4>do it politely because you know there's a whole world

1188
01:00:23.280 --> 01:00:26.119
<v Speaker 4>that you can learn about when you listen, So ask questions,

1189
01:00:26.599 --> 01:00:29.400
<v Speaker 4>take a risk. You're good. Also, thank you to everyone

1190
01:00:29.440 --> 01:00:31.400
<v Speaker 4>who's just been listening to my secrets at the end

1191
01:00:31.400 --> 01:00:32.920
<v Speaker 4>of the shows the last couple of weeks and wishing

1192
01:00:32.960 --> 01:00:34.719
<v Speaker 4>me and my family all the best. I'm really grateful

1193
01:00:34.800 --> 01:00:37.679
<v Speaker 4>for you and for science as we just keep on

1194
01:00:37.840 --> 01:00:41.159
<v Speaker 4>keeping on cancer be damned. Thank you to doctor Eddie

1195
01:00:41.199 --> 01:00:43.440
<v Speaker 4>Game and the Nature Conservancy, which you can find at

1196
01:00:43.519 --> 01:00:45.840
<v Speaker 4>nature dot org. A ton of links are up on

1197
01:00:45.920 --> 01:00:49.480
<v Speaker 4>my website at aliwar dot com, slash Ologies, slash Acoustic ecology,

1198
01:00:49.519 --> 01:00:50.960
<v Speaker 4>which is linked in the show notes too, you don't

1199
01:00:50.960 --> 01:00:53.320
<v Speaker 4>have to write it down. Thank you to Aaron Talbert

1200
01:00:53.360 --> 01:00:56.400
<v Speaker 4>for admitting the ologies podcast Facebook group. Thanks Shannon Felts

1201
01:00:56.400 --> 01:00:58.519
<v Speaker 4>and Bonnie Dutch who help out too. Thank you to

1202
01:00:58.599 --> 01:01:01.440
<v Speaker 4>every patron at page You're on dot com slash ologies

1203
01:01:01.519 --> 01:01:04.159
<v Speaker 4>who supports the show and sends in questions. It's a

1204
01:01:04.239 --> 01:01:07.119
<v Speaker 4>buck a month to join. Susan Hale does so much

1205
01:01:07.159 --> 01:01:10.079
<v Speaker 4>behind the scenes, including handling merch at ologiesmerch dot com

1206
01:01:10.159 --> 01:01:12.119
<v Speaker 4>if you want it. Thank you Noel Dilworth for all

1207
01:01:12.119 --> 01:01:15.400
<v Speaker 4>the scheduling and amazingness. Emily White of the Word remakes

1208
01:01:15.440 --> 01:01:18.840
<v Speaker 4>our professional transcripts. Caleb Patton Bleeps episodes, and those are

1209
01:01:19.000 --> 01:01:20.920
<v Speaker 4>both up for free on our website at Aliward dot

1210
01:01:20.920 --> 01:01:23.880
<v Speaker 4>com slash ologies dash extras. Every few weeks we release

1211
01:01:23.920 --> 01:01:26.960
<v Speaker 4>a new Somologies episode which has been trimmed of sex

1212
01:01:27.079 --> 01:01:30.199
<v Speaker 4>and filth and my swears and made bite size for

1213
01:01:30.360 --> 01:01:33.559
<v Speaker 4>all ages. Secred Riggus Thomas of Mindgem Media makes those

1214
01:01:33.599 --> 01:01:36.639
<v Speaker 4>happen with assists from Stephen Ray Morris. Kelly Dwyer is

1215
01:01:36.679 --> 01:01:39.440
<v Speaker 4>the website wrangler. She could make yours do. Nick Thorburn

1216
01:01:39.519 --> 01:01:41.599
<v Speaker 4>of the band Islands made the theme music and each

1217
01:01:41.679 --> 01:01:44.880
<v Speaker 4>week the bird Song of My Dawn. Jared Sleeper of

1218
01:01:44.920 --> 01:01:48.159
<v Speaker 4>Mindgem Media puts these all together and boosts sounds where

1219
01:01:48.199 --> 01:01:50.880
<v Speaker 4>it's quiet, and is also helping me and my family

1220
01:01:50.920 --> 01:01:52.960
<v Speaker 4>out so much. I just want to throw him a

1221
01:01:53.079 --> 01:01:55.639
<v Speaker 4>parade every day. So just in case anyone's around the

1222
01:01:55.679 --> 01:01:59.519
<v Speaker 4>fence about marrying their longtime crush who's also a sound engineer,

1223
01:01:59.599 --> 01:02:02.239
<v Speaker 4>I've just personally it's worked out great for me. So

1224
01:02:02.400 --> 01:02:05.159
<v Speaker 4>five stars on y'all, And if you stick around until

1225
01:02:05.199 --> 01:02:07.079
<v Speaker 4>the end of the episode, I tell you secret. This

1226
01:02:07.199 --> 01:02:11.119
<v Speaker 4>week's secret is that today's highlight was pointing out some

1227
01:02:11.280 --> 01:02:14.360
<v Speaker 4>deer out of the back window for my dad, who

1228
01:02:14.639 --> 01:02:16.840
<v Speaker 4>loved spotting them from under a blanket in his cozy

1229
01:02:16.960 --> 01:02:20.920
<v Speaker 4>chair and taking pictures on his iPad. Also another secret

1230
01:02:21.000 --> 01:02:23.000
<v Speaker 4>is sometimes I'm really afraid to read the reviews at

1231
01:02:23.000 --> 01:02:25.519
<v Speaker 4>the top of the show. I'm like, oh, hope these

1232
01:02:25.559 --> 01:02:27.360
<v Speaker 4>are nice. So thank you to everyone who always leaves

1233
01:02:27.480 --> 01:02:31.039
<v Speaker 4>nice ones for real, it makes my day. Okay, thanks

1234
01:02:31.079 --> 01:02:32.840
<v Speaker 4>for sticking around. Bye, my.

1235
01:02:55.360 --> 01:02:56.000
<v Speaker 3>You're the birds.

1236
01:03:00.079 --> 01:03:01.639
<v Speaker 1>Want to go up this road here and get to

1237
01:03:01.679 --> 01:03:03.280
<v Speaker 1>the roundabout and you take a left and then you

1238
01:03:03.320 --> 01:03:05.320
<v Speaker 1>go past the Murphy's house. You know the Murphy's. Their

1239
01:03:05.400 --> 01:03:07.400
<v Speaker 1>young lad Sean. I think he's oup for in London now,

1240
01:03:07.559 --> 01:03:07.920
<v Speaker 1>oh yeah.

1241
01:03:09.000 --> 01:03:15.119
<v Speaker 2>FBD doesn't stand for frustratingly bad directions. FBD stands for support.

1242
01:03:15.559 --> 01:03:18.239
<v Speaker 2>We support van drivers in Ireland with up to seventy

1243
01:03:18.280 --> 01:03:20.119
<v Speaker 2>five percent off new van policies.

1244
01:03:20.480 --> 01:03:22.559
<v Speaker 1>FBD Insurance Support it's.

1245
01:03:22.519 --> 01:03:22.920
<v Speaker 5>What we do.

1246
01:03:23.159 --> 01:03:25.599
<v Speaker 1>Can't miss it. Once you pass there, a little terrier

1247
01:03:25.719 --> 01:03:27.760
<v Speaker 1>was starting to chase yet and once he gives up,

1248
01:03:27.880 --> 01:03:28.639
<v Speaker 1>you should be there.

1249
01:03:29.119 --> 01:03:31.360
<v Speaker 2>Seventy five percent off based on five years. No claims

1250
01:03:31.400 --> 01:03:34.519
<v Speaker 2>discount in terms of conditions apply. Underwritten by FBD Insurance Plc.

1251
01:03:34.840 --> 01:03:37.800
<v Speaker 2>FBD Insurance Group Limited, trading as FBD Insurance, is regulated

1252
01:03:37.840 --> 01:03:38.920
<v Speaker 2>by the Central Bank of Ireland,
