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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What's going to happen? What a right? Welcome to the

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<v Speaker 2>Occult Rejects.

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<v Speaker 3>Today's episode, we got a very special guest, somebody I

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<v Speaker 3>was very excited to come on the show to talk

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<v Speaker 3>about Taro.

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<v Speaker 2>You all know I love Taro.

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<v Speaker 3>But before we introduce Natasia Roland, let's introduce the other

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<v Speaker 3>rejects on the show.

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<v Speaker 2>And first we got the loon, Judith. What is going on? Judith?

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<v Speaker 2>How are you?

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<v Speaker 4>I am the loon?

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<v Speaker 5>You could catch me on the loan on YouTube and

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<v Speaker 5>on as a loon on X and I do the

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<v Speaker 5>weekly brunch and once a month to buddy check, and

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<v Speaker 5>I try to focus on self in our self development.

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<v Speaker 3>Awesome, thank you so much. I reallyppreciate you making it today.

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<v Speaker 3>And Jin the Ninja, what is going on?

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<v Speaker 1>Sir?

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<v Speaker 6>How will you? Well? Thank you?

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<v Speaker 7>What's up us? Mister ninety three. I'm really excited to

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<v Speaker 7>be here. I'm not a tarot guy. Just let me

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<v Speaker 7>say that everything I know is newer. Although I've been technically,

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<v Speaker 7>I've been doing it since I was fourteen, Like I've

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<v Speaker 7>had a toath deck for all that time. And you

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<v Speaker 7>know I'm grown in age now so I should know something,

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<v Speaker 7>but I don't really know anything.

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<v Speaker 6>But that's okay.

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<v Speaker 7>But if you're interested in following me, you can follow

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<v Speaker 7>me right now at the show account at Threshold Saints

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<v Speaker 7>both on ig and Twitter. Yes, my personal account is

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<v Speaker 7>just temporarily we're saving a little hiatus, but you can

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<v Speaker 7>also catch us on Threshold Saints at substack dot com

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<v Speaker 7>as well as The True Gray Lodge, of which Matt

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<v Speaker 7>mur is our webmaster and our YouTube coordinator of course,

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<v Speaker 7>so are the True Gray Lodge with a v t

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<v Speaker 7>r VE and you can look at all of our

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<v Speaker 7>episodes with each other and that we do.

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<v Speaker 6>As a group.

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<v Speaker 7>And so we just did a great episode on the

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<v Speaker 7>relatives of apocalypse, so indigenous ways of relating in an

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<v Speaker 7>apocalyptic time, so kind of cool, kind of different for us,

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<v Speaker 7>but I think it went well.

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<v Speaker 6>People said they loved it. So that was our latest

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<v Speaker 6>episode and then I had next week.

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<v Speaker 7>I have Saschke, who is a physicist, a cabalist, a

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<v Speaker 7>rock and roller. Well he says he's a rock star,

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<v Speaker 7>so I'll go with that. But he's kind of like

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<v Speaker 7>he's a magician for the New Aon so he is

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<v Speaker 7>kind of wild and you hear us in conversation for

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<v Speaker 7>like eight hours. I cut it up so it's different episodes,

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<v Speaker 7>but I thought the first part of that will be

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<v Speaker 7>coming up next week.

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<v Speaker 6>So thank you guys so much. Appreciate it.

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<v Speaker 3>Thank you very much, Jan and I wouldn't feel too bad.

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<v Speaker 3>I probably have about four tower decks and I really

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<v Speaker 3>don't know anything about it unless I attribute it to

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<v Speaker 3>the coubalistictory of life, Like that's the only.

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<v Speaker 2>Way it says anything to me. So I get it. Uh, Brandon,

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<v Speaker 2>magis in the media. What is going on? Sir?

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<v Speaker 8>Sup there? Everyone? Thank you for having me on again.

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<v Speaker 1>Nick has always loved coming on being one of the

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<v Speaker 1>rejects of the old cult.

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<v Speaker 8>It's beautiful.

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<v Speaker 1>Nice I am Brandon, right, this is Magas in the media.

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<v Speaker 8>That's where everyone should go to.

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<v Speaker 1>This is actually the ocult rejects Magas and the media

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<v Speaker 1>integrates with it. Please everyone, just go check out all

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<v Speaker 1>the things that I've been doing. It's on YouTube that's

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<v Speaker 1>the biggest channel. And then x is where I get

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<v Speaker 1>to just kind of flippantly talk shit to all the

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<v Speaker 1>non fensical people out there, as well as Instagram to

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<v Speaker 1>drop all my shorts and reels and then TikTok.

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<v Speaker 8>It's a dying app, but we use it anyway, so.

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<v Speaker 1>We as in me breaks down media of all kinds, film, anime, literature,

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<v Speaker 1>comic books, through the esoteric, mythological everything that comes.

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<v Speaker 8>Out of my brain. And I love everyone on here.

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<v Speaker 1>I'm so excited to talk to Natashia, Natsia, Natasia Roland.

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<v Speaker 1>It's going to be a great day. Tarot is amazing,

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<v Speaker 1>so of course let's see.

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<v Speaker 3>Let's do it all right, Thank you very much so

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<v Speaker 3>I appreciate it.

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<v Speaker 2>And last but not least, my man Matt Moore, what

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<v Speaker 2>is going on?

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<v Speaker 9>So sub how's it going?

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<v Speaker 8>So very glad to be here.

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<v Speaker 10>Shame you can't join the last two episodes, but always

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<v Speaker 10>nice to hear them as well, the super nice here

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<v Speaker 10>hearing them.

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<v Speaker 9>I'm Metmaura.

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<v Speaker 10>You can always find me as at Metmoora nineteen on

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<v Speaker 10>all socials. That's going to be Twitter, YouTube, TikTok, which

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<v Speaker 10>maybe some Instagram, in some other place like Telegram or whatever.

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<v Speaker 10>You can always find me there. I do enjoy terrat

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<v Speaker 10>very much. I had the seventy two weeks experiment that

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<v Speaker 10>I posted on x. It's also my website, which is

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<v Speaker 10>Kabala dot com k A A B A L A

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<v Speaker 10>h dot com.

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<v Speaker 8>So that's what I like to do.

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<v Speaker 10>I like to use kabala, not the Jewish one, not

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<v Speaker 10>a harmedic one, not against any of those, but just

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<v Speaker 10>people get that on fields out the time. But I

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<v Speaker 10>like to connect that with tark, with astrology, with neurology,

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<v Speaker 10>with other sciences, and it's just so cool. So it's

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<v Speaker 10>awesome to be here talking about it with someone who

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<v Speaker 10>just released pax or it's going to release a Tara deck.

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<v Speaker 6>In the future, so that's going to.

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<v Speaker 2>Thank you very much, so I appreciate you making it.

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<v Speaker 3>And finally, Natasia Rowland, thank you very much for making

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<v Speaker 3>it on And yes she has. She's the founder of

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<v Speaker 3>Urania Press. She's an which is an ESO terror publishing

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<v Speaker 3>studio where poetry, myth and divination come together. Natasia is

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<v Speaker 3>a writer and independent researcher with a background in book

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<v Speaker 3>arts and design, and she's been a.

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<v Speaker 2>Tower reader for decades.

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<v Speaker 3>Today we'll be talking about her Emblemata Tarot deck, and

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<v Speaker 3>we'll also touch on a little bit and promote a

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<v Speaker 3>little bit about her Taro Chaimera. That Wiser was so

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<v Speaker 3>nice enough to send me a free copy of even

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<v Speaker 3>though we weren't talking about that today. So, uh, Natasia,

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<v Speaker 3>anything that I left out that you would like to

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<v Speaker 3>promote or plug, please let everybody know where they can

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<v Speaker 3>find you when you're amazing tarot decks and anything else

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<v Speaker 3>you'd like to show people.

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<v Speaker 4>Thank you. It's great to be here and good to

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<v Speaker 4>know you all. Let's see. So, yes, I started did

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<v Speaker 4>Urania Press in twenty twenty, right during the pandemic, and

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<v Speaker 4>since then, I guess it's been what five going on

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<v Speaker 4>six years. I've created nine decks, So some of them

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<v Speaker 4>are you know, like just stayed indie decks with Urania

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<v Speaker 4>Press that I had funded through Kickstarter campaigns and got

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<v Speaker 4>to have you know, like followers that way, and so

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<v Speaker 4>that decks were being promoted, and then you know, like

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<v Speaker 4>each new campaign that I did, I had you know,

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<v Speaker 4>people from before, and so it kind of rolled. And yeah,

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<v Speaker 4>now I've got nine decks out there, and three of

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<v Speaker 4>them have been taken on by the publishers Wiser as

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<v Speaker 4>you mentioned. The first one they put out was my

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<v Speaker 4>Tarot Emblematic, which I my indie deck was called Chromata,

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<v Speaker 4>which was a colorized version of the Claude Paradin devices

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<v Speaker 4>and emblems, and then after that, actually no, I'm sorry.

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<v Speaker 4>They did star Loar ar Kana first, which is an

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<v Speaker 4>antique deck of constellations, and then they did the emblemata

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<v Speaker 4>and now February second they're releasing Taro Kaimera, which was

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<v Speaker 4>my first indie deck that I published with Urania Press,

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<v Speaker 4>and that's the noir art of the symbolist artist Odolon Raida.

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<v Speaker 4>And you can find me at Uraniapress dot com. I'm

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<v Speaker 4>on Instagram, Natasia Underscore Roland or Uranya Underscore Press. And

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<v Speaker 4>then I also have a blog, but I don't get

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<v Speaker 4>up to date, so sorry about that. But there's some

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<v Speaker 4>bits and pieces on there, and that's that's a square

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<v Speaker 4>space synthemata ensembola.

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<v Speaker 3>Well make sure if you want after the show, I

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<v Speaker 3>can send you all those links and I'll make sure

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<v Speaker 3>they're in the show.

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<v Speaker 4>Yeah, that would be great. Up with the notes in.

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<v Speaker 3>Uh, thank you very much again for coming on. Like

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<v Speaker 3>I ask, I guess every guest that comes on for

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<v Speaker 3>the Occult, which is pretty much all of them, what

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<v Speaker 3>was it?

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<v Speaker 2>I guess? So when was it?

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<v Speaker 1>Like?

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<v Speaker 3>When did you know like this is what I was

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<v Speaker 3>going to get into? You know, how did you end

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<v Speaker 3>up getting yourself into this, I guess life.

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<v Speaker 4>Yeah. I think it's kind of an interesting trajectory of

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<v Speaker 4>experience really, because I was sort of what I consider

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<v Speaker 4>heavily steeped in my early twenties and then my thirties

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<v Speaker 4>and forties, I got into motherhood and more sort of

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<v Speaker 4>arts and crafts and kind of like let a lot

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<v Speaker 4>of my earlier interests and obsessions lay low and can't

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<v Speaker 4>really explain why, except for I really did enjoy being

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<v Speaker 4>and I have two daughters. So but yeah, So in

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<v Speaker 4>my early twenties, I find that Odelan Raydon, actually that

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<v Speaker 4>artist inspires me so much because his work that I

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<v Speaker 4>saw when I was in art school in the nineties

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<v Speaker 4>made such an impression on me because it had a

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<v Speaker 4>dark flavor and because it was so spirited and it

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<v Speaker 4>seemed like it was full of the numinous experience, you know.

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<v Speaker 4>And so I found that I was really drawn as

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<v Speaker 4>far as esotericism goes, like the flavors of it came

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<v Speaker 4>out through my interest in art. So like dark art,

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<v Speaker 4>you know, and symbolist artwork in particular, and like the

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<v Speaker 4>even sort of the pre Raphaelites to some extent, just

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<v Speaker 4>because they were hearkening back to you know, myths and

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<v Speaker 4>archaic times and classical times, and so really like what

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<v Speaker 4>embodies to esoteric for me in a lot of ways

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<v Speaker 4>has to do with myth and archetypes and imagery. And

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<v Speaker 4>then obviously, you know, like when you look at say

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<v Speaker 4>symbolist or even pre Raphaelite artwork, there's a sense of

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<v Speaker 4>the magic in that, right, and so it's like, you know,

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<v Speaker 4>the combined of imagery. And then like a lot of

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<v Speaker 4>symbolist artists were also writers, and they were pretty decadent,

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<v Speaker 4>and so I got into that sort of era, the

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<v Speaker 4>symbolest era with art, which I could just you know,

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<v Speaker 4>like even when I studied them a little bit by

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<v Speaker 4>reading some of the books, you know, because I worked

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<v Speaker 4>at the library and art school, like I could tell

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<v Speaker 4>that they were, you know, they weren't like out and

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<v Speaker 4>out saying, they were like, you know, into the esoteric,

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<v Speaker 4>but they were obviously inspired by it. You know. So

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<v Speaker 4>magic and mysticism has always been a part of my life.

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<v Speaker 4>I've always been drawn to it. But as I said, so,

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<v Speaker 4>like in my early twenties, I lived in Ireland for

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<v Speaker 4>three years and I spent a lot of time reading

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<v Speaker 4>tarot and just you know, keeping journals of all my

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<v Speaker 4>taro journeys and spreads. And then I felt the need

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<v Speaker 4>and desire to get into like a master's program to

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<v Speaker 4>express myself a bit more. And I was really into

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<v Speaker 4>book arts and poetry and wanted to combine my interests

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<v Speaker 4>in art and writing. So I moved back to the

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<v Speaker 4>States and did a interdisciplinary kind of degree, and in

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<v Speaker 4>that I was able to combine, yeah, like art and poetry.

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<v Speaker 4>So I did a printmaking studio and then made artist

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<v Speaker 4>books with poetry, and I would say a lot of

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<v Speaker 4>that work had like a mystical flavor. So long story short,

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<v Speaker 4>I feel like I've always been sort of a mystic

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<v Speaker 4>person and into the metaphysical, and a lot of it

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<v Speaker 4>came from poetry and art for me. And then I

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<v Speaker 4>kind of shied away from like some of the real

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<v Speaker 4>you could say, like fan or trends of you know,

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<v Speaker 4>like witchcraft and things like that. But when the whole

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<v Speaker 4>time I was in Ireland, I was doing like hedge

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<v Speaker 4>witch stuff and you know, like little spells and things.

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<v Speaker 8>But I didn't really get.

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<v Speaker 4>Sort of steeped in magic per se until my late forties.

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<v Speaker 4>And so, like I said, in between twenties and late forties,

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<v Speaker 4>I had children, so that took up a lot of

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<v Speaker 4>my life, just kind of making their lives enchanted. And

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<v Speaker 4>I did some craft businesses just kind of make some money.

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<v Speaker 4>And how Taro came about as far as publishing goes,

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<v Speaker 4>was when COVID struck my full time job. I was

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<v Speaker 4>let go, like a lot of people were laid off,

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<v Speaker 4>and I was able to get unemployment, so I was

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<v Speaker 4>supported and I was at home. And I've told this

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<v Speaker 4>story before if anyone's heard any of my interviews. But

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<v Speaker 4>I was looking through an old book where I had

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<v Speaker 4>xerox to a bunch of artwork from my early twenties,

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<v Speaker 4>like when I was working in the library at art school,

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<v Speaker 4>and like just kind of scamping, not all kinds of imagery,

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<v Speaker 4>probably even some stolen books, I don't know, but anyway,

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<v Speaker 4>I had like cut and pasted all kinds of great

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<v Speaker 4>stuff into this journal. And I saw this Odelon Raidon

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<v Speaker 4>image that just made me think, Wow, that would make

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<v Speaker 4>the like a perfect tower card. And then funny enough,

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<v Speaker 4>a friend of mine had sent me a template for

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<v Speaker 4>a tarot for creating a tarot deck, and I was

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<v Speaker 4>thinking I didn't even know you could just do this

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<v Speaker 4>just you know, like wing it and make your own deck.

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<v Speaker 4>And so, because I don't really love to draw or

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<v Speaker 4>paint myself, I've always been obsessed with like curating images,

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<v Speaker 4>and a lot of my decks are about that. So

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<v Speaker 4>they're like finding obscure imagery out there in the public

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<v Speaker 4>domain and sometimes even antique decks. And because I have

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<v Speaker 4>like a experience in photoshop where I co taught with

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<v Speaker 4>some masters, Photoshop is something I love to work in

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<v Speaker 4>and I love to kind of like what they call

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<v Speaker 4>paint with light and so light and shadow. And so anyway,

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<v Speaker 4>I was thinking, well, I'm just going to like take

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<v Speaker 4>odelan radon artwork, and little by little I saw that

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<v Speaker 4>they were really corresponding with what would be considered the

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<v Speaker 4>traditional Rider Waight Smith style, you know. And so I

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<v Speaker 4>created that deck and found out about Kickstarter being like

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<v Speaker 4>the I don't know, the industry standard for getting you know,

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<v Speaker 4>like a funding for something like a deck, and a

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<v Speaker 4>lot of people mostly just buy their decks through Kickstarter

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<v Speaker 4>nowadays and their indie decks. So that's what I did,

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<v Speaker 4>and I put that one out and that was the

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<v Speaker 4>beginning of it all.

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<v Speaker 2>That's awesome nice, but yeah.

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<v Speaker 4>I mean, I know your question was about like esotericism

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<v Speaker 4>and magic and all of that, so like I would

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<v Speaker 4>say that, you know, it's always been embedded in my spirit,

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<v Speaker 4>but I didn't get heavily steeped into ritualizing it and

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<v Speaker 4>practicing until my late forties. And that was because I

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<v Speaker 4>had a sort of you could say, like I met

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<v Speaker 4>some influences that made it all make sense for me

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<v Speaker 4>for seeing that it was authentic and just like a fad.

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<v Speaker 11>Did you want to assoult to Jim, Yeah, I'm just

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<v Speaker 11>going to say that I identify with the curation of images

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<v Speaker 11>rather than particularly being an art producer on your own,

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<v Speaker 11>I'm also like that.

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<v Speaker 6>So I understand.

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<v Speaker 7>I wanted to ask you about Urania Press and why

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<v Speaker 7>Urania because we, as we've often discussed on the show

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<v Speaker 7>and my shows and all of the shows that we do,

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<v Speaker 7>very broadly is we've called, well at least I call

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<v Speaker 7>it an of the daughter. So I know Urania as

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<v Speaker 7>a daughter, So I just wanted to know if that, like,

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<v Speaker 7>who is that for you?

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<v Speaker 6>And why did you decide to name your press that?

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<v Speaker 4>Yeah, so, Urania as the amuse when I was looking

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<v Speaker 4>into her because I had notions that I wanted to

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<v Speaker 4>do something with astrology. But I'm not a professional astrologer.

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<v Speaker 4>I'm an enthusiast and I just kind of studied on

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<v Speaker 4>my own, and I look at my chart and I

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<v Speaker 4>just deep die. But when I was looking at the muses,

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<v Speaker 4>Urania was not only the mus of astronomy, but she's

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<v Speaker 4>also like a muse of poetry. I mean, there are

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<v Speaker 4>others of poetry, but she also that was also listed

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<v Speaker 4>for Urania. And because I'm an Aquarius and I'm you know,

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<v Speaker 4>also like Capricorn rising, I have Saturn obviously very heavy

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<v Speaker 4>in my chart, and Saturn is she's the daughter's so

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<v Speaker 4>she's the daughter of Zeus, right, and then of course

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<v Speaker 4>the great uh the granddaughter of Saturn and the great

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<v Speaker 4>granddaughter of Uranus, and Uranus is my ruling planet. So

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<v Speaker 4>Urania made sense for me, even though I'm not like

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<v Speaker 4>a professional astrologer. But I knew that I would be

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<v Speaker 4>bringing some decks out of obscurity, like the Starlar Arkana

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<v Speaker 4>deck came out, and also I did Astronomia, which was

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<v Speaker 4>another deck that had to do with like planets and asteroids,

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<v Speaker 4>and so yeah, I knew I would be publishing some

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<v Speaker 4>work in that vein, but not all the work. It

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<v Speaker 4>doesn't have to really pigeonhole me.

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<v Speaker 7>Just a quick follow up. That was great. I agree

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<v Speaker 7>with all of that. I think it's in a quote

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<v Speaker 7>unquote aquarium age, so very fitting.

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<v Speaker 6>But I also.

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<v Speaker 7>I wonder if the symbologists, like from an art history perspective, yes,

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<v Speaker 7>of course it's not necessarily what you would call metaphysics

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<v Speaker 7>per se, but I would I would posit that all

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<v Speaker 7>the work of a symbologist is basically kabbala, and many

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<v Speaker 7>people on this panel would probably agree with me. And

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<v Speaker 7>so looking at Odeon's work, I just I think that

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<v Speaker 7>you're right in seeing that there are correspondences to the

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<v Speaker 7>writer Weight deck, because, as Nick said, like for someone

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<v Speaker 7>like me who's not a Tarot reader, the deck only

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<v Speaker 7>makes sense in relationship to the Kobala stick tree because

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<v Speaker 7>all the cards are supposed to represent paths or pathworkings

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<v Speaker 7>or suffer atic concepts. So that's where really the images arise.

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<v Speaker 7>So I also saw it right away just in pre

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<v Speaker 7>pre recording, because his deck is heavily laid with what

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<v Speaker 7>I would call kabalistic themes. Now I'm not expecting you

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<v Speaker 7>to call it that, But if you want to like

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<v Speaker 7>address that in any way, i'd appreciate it.

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<v Speaker 4>No, I have not actually looked at that. I haven't.

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<v Speaker 4>I mean, if anything, it would just be a kind

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<v Speaker 4>of synchronous because it all ties in mystically. But I

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<v Speaker 4>haven't spent any time with that concept. So sorry about that,

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<v Speaker 4>But i'd love I mean, if you want to, like,

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<v Speaker 4>you know, elucidate some more on it, you you know,

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<v Speaker 4>feel free.

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<v Speaker 7>Well, even his concept of the severed head is actually

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<v Speaker 7>a symbol of in like that. I'm a Tibetan Buddhist,

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<v Speaker 7>so I generally use tontric astrology or pyonic stories to

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<v Speaker 7>sort of relate metaphysical concepts, but I'm very comfortable using

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<v Speaker 7>elec tradtional Jewish cabala as well. But one of the

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<v Speaker 7>ideas of like the Aquarium age and tntra is the

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<v Speaker 7>severed head. So there's even a goddess called Chinnamastica. She's

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<v Speaker 7>she with the severed head. She severs her own head

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<v Speaker 7>in fact, but she's kind of the bearer of the

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<v Speaker 7>Aquarian or the Uranian age. So his work obviously deals

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<v Speaker 7>with this figure, the severed head image. And we obviously

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<v Speaker 7>looked at the magician card pre recording, and there is

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<v Speaker 7>the skull so very Saturnian, the ruler of bones, the

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<v Speaker 7>you know, the last density before we lose form. And

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<v Speaker 7>then there was also a head I believe in the basket.

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<v Speaker 7>So it's like both his ego, his physical body and

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<v Speaker 7>then what is looking at it. Why I would argue

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<v Speaker 7>that it's his spiritual self.

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<v Speaker 4>Yeah, I love that. I mean it makes me think

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<v Speaker 4>of that whole idea of like the disembodied head you

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<v Speaker 4>know for sure is more about for me like non

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<v Speaker 4>materialism and yeah, like that the ability to kind of

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<v Speaker 4>like take yourself away from the ego and the body

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<v Speaker 4>in that regard and do you you know, dive deeper

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<v Speaker 4>into dreams and the surreal and you know, the imagination.

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<v Speaker 4>But yeah, I know that's definitely a theme that you

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<v Speaker 4>see often with his work.

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<v Speaker 2>Yeah.

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<v Speaker 8>Nice.

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<v Speaker 1>I also want to add or like kind of bring

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<v Speaker 1>out the idea of the sumvered head in we've maybe

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<v Speaker 1>heard it from the same thing as like John the Baptist, right,

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<v Speaker 1>the Gnostics or the Templars were said to have had

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<v Speaker 1>the head of John the Baptist, which would mumble out

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<v Speaker 1>glossialalia to you and if you had the right level

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<v Speaker 1>of initiation, you would be able to hear the words

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<v Speaker 1>which may stem from and be the similar thing to

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<v Speaker 1>the Lost Keys of Freemasonry.

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<v Speaker 8>Interesting enough.

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<v Speaker 4>Yeah, and then of course there's the head of Orpheus,

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<v Speaker 4>you know, the muse exactly. It's all tied in. I mean,

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<v Speaker 4>it's certainly archetypal, and the symbolism is definitely broad and

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<v Speaker 4>it's great to hear of that Eastern tradition too.

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<v Speaker 3>With that, do you do you subscribe to like putting

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<v Speaker 3>the two on the tree of life, because that's something

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<v Speaker 3>you look at.

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<v Speaker 4>Well, you know, it's funny because I think I spread

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<v Speaker 4>myself all over the place, and so I've been actually

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<v Speaker 4>careful not to go towards Kabbala and I know and

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<v Speaker 4>the reason why is because it would just take me

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<v Speaker 4>into a deep dive that I have not wanted to do.

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<v Speaker 4>It's just like I am, I don't know, Like I

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<v Speaker 4>there's only so much that I can take on for myself.

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<v Speaker 4>That is, like you know, Hellenistic household worship, and you know,

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<v Speaker 4>the myths and mysticisms of you know, like Western esoteric magic.

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<v Speaker 4>And I know that the Kabbala is huge, but I

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<v Speaker 4>have just not I have and felt drawn to it

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<v Speaker 4>because it's going to be too much of a deep

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<v Speaker 4>dive for me that I just haven't. Yeah, it just

402
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<v Speaker 4>hasn't drawn me. I know that that's probably crazy to

403
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<v Speaker 4>all of you, because I know that I've listened to

404
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<v Speaker 4>some of your podcasts and you definitely go there, but I, yeah,

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<v Speaker 4>I haven't, And I think it's just because it's too

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<v Speaker 4>much for me to take on.

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<v Speaker 1>I just want to add a little thing is where

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<v Speaker 1>it doesn't Actually, I think you would agree that when

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<v Speaker 1>you tap in, because you're not a dabbler, right, You

410
00:22:31.640 --> 00:22:33.880
<v Speaker 1>didn't do these things to dabble. You were tapping into

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<v Speaker 1>an artistic current. And that artistic current then means that

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<v Speaker 1>you are becoming your own magician when you tap into

413
00:22:41.079 --> 00:22:44.519
<v Speaker 1>those things, thus pulling, as Carl Jungs would say, these metaphors,

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<v Speaker 1>myths and symbols from the unconscious realms, and so you

415
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<v Speaker 1>didn't need to actually study it per se, but through

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<v Speaker 1>your ritual of artistry, you were tapping into a similar

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<v Speaker 1>current as then what you're talking about with Odlan, right.

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<v Speaker 4>Yeah, And I know like you can take the taro

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<v Speaker 4>and just do any of that with it, you know,

420
00:23:03.119 --> 00:23:06.680
<v Speaker 4>like Damien Iggles has done it. With the angels, you know,

421
00:23:06.880 --> 00:23:11.400
<v Speaker 4>and you can just take taro and you can apply

422
00:23:11.559 --> 00:23:16.039
<v Speaker 4>any science and any mysticism to it. So that's just

423
00:23:16.079 --> 00:23:18.880
<v Speaker 4>one that I haven't done because, as I said, it's

424
00:23:18.960 --> 00:23:21.519
<v Speaker 4>just more of like I realized that it would be

425
00:23:21.640 --> 00:23:24.279
<v Speaker 4>too much of a deep dive for me. That hasn't

426
00:23:24.319 --> 00:23:27.519
<v Speaker 4>felt aligned. But I mean, I'm sure, like you know,

427
00:23:27.519 --> 00:23:29.880
<v Speaker 4>you're saying it is aligned, but I haven't felt that

428
00:23:29.920 --> 00:23:30.839
<v Speaker 4>it's needed for me.

429
00:23:31.119 --> 00:23:31.599
<v Speaker 6>Yeah.

430
00:23:31.960 --> 00:23:34.759
<v Speaker 1>Yeah, And only that is aligned in that you're doing

431
00:23:34.839 --> 00:23:38.839
<v Speaker 1>what great shaman's magicians mystics have done throughout all of

432
00:23:38.920 --> 00:23:41.440
<v Speaker 1>history instead of having you know, because we live in

433
00:23:41.480 --> 00:23:43.720
<v Speaker 1>a strange time where now we have the ability to

434
00:23:43.839 --> 00:23:48.160
<v Speaker 1>look up all the different significances and attributes and see

435
00:23:48.160 --> 00:23:51.319
<v Speaker 1>how they align from what the Golden Dawn did with

436
00:23:51.359 --> 00:23:53.880
<v Speaker 1>hermetic kabbala and adding it all together. But for a

437
00:23:53.920 --> 00:23:57.720
<v Speaker 1>long time, everyone was so scattered and across the globe,

438
00:23:57.720 --> 00:23:59.599
<v Speaker 1>so you didn't actually have the ability to maybe read

439
00:23:59.640 --> 00:24:01.519
<v Speaker 1>from all the great libraries as we do today.

440
00:24:01.559 --> 00:24:03.519
<v Speaker 8>So it's kind of you're taking on that current without

441
00:24:04.839 --> 00:24:05.039
<v Speaker 8>you know.

442
00:24:05.599 --> 00:24:08.039
<v Speaker 4>Yeah, And I mean in my early twenties, that was

443
00:24:08.079 --> 00:24:10.200
<v Speaker 4>the thing, like I saw the Tree of Life and

444
00:24:10.240 --> 00:24:12.759
<v Speaker 4>I wanted to dabble in it, and then I realized, like, no,

445
00:24:12.920 --> 00:24:13.920
<v Speaker 4>I don't want to just.

446
00:24:15.799 --> 00:24:18.319
<v Speaker 8>Yeah exactly that.

447
00:24:20.759 --> 00:24:22.680
<v Speaker 9>Yeah, starting I'm curious not to say it.

448
00:24:22.799 --> 00:24:26.559
<v Speaker 10>Since you like the Greek mythology and tarrot, have you

449
00:24:26.599 --> 00:24:31.400
<v Speaker 10>ever used or encountered the mystic from I have seen.

450
00:24:31.240 --> 00:24:33.440
<v Speaker 4>It online and actually, yeah, that's one that I have

451
00:24:33.519 --> 00:24:36.200
<v Speaker 4>on my list, but I haven't you know, I don't

452
00:24:36.200 --> 00:24:36.559
<v Speaker 4>own it.

453
00:24:36.720 --> 00:24:38.880
<v Speaker 9>You you should take a look at It's very nice.

454
00:24:39.279 --> 00:24:42.480
<v Speaker 4>I think that's that deck particularly, I have heard people

455
00:24:42.519 --> 00:24:46.799
<v Speaker 4>say is just like their kind of standard deck. So yeah,

456
00:24:47.000 --> 00:24:47.799
<v Speaker 4>some people yeah.

457
00:24:47.599 --> 00:24:49.480
<v Speaker 10>For reading that the one I used the most because

458
00:24:49.480 --> 00:24:52.680
<v Speaker 10>it's just so easy, especially on the West, since people

459
00:24:52.799 --> 00:24:57.000
<v Speaker 10>know the Greek stories amidst explained stuff through the just

460
00:24:57.039 --> 00:25:00.319
<v Speaker 10>like the imagery and themology, and it's nice. They all

461
00:25:00.319 --> 00:25:06.759
<v Speaker 10>connected one and all the minor arkin are also from myths,

462
00:25:06.799 --> 00:25:09.880
<v Speaker 10>so like the cup are from Aeros and Psyche, the

463
00:25:10.000 --> 00:25:14.079
<v Speaker 10>swords is from Orestes or wherever I was a live

464
00:25:14.119 --> 00:25:19.680
<v Speaker 10>English the ones are from Jason, and the pentacles are

465
00:25:19.799 --> 00:25:26.319
<v Speaker 10>from Midas. No meat us from the father of eCos

466
00:25:26.319 --> 00:25:28.680
<v Speaker 10>for us they right now. But anyways, so there's always

467
00:25:28.680 --> 00:25:31.960
<v Speaker 10>like the myth through the ace.

468
00:25:31.799 --> 00:25:34.720
<v Speaker 9>To the ten, and then all the are connected in

469
00:25:34.720 --> 00:25:34.960
<v Speaker 9>this one.

470
00:25:35.000 --> 00:25:37.599
<v Speaker 4>So did you say Jason as in the Argonaut?

471
00:25:38.240 --> 00:25:38.480
<v Speaker 8>Yes?

472
00:25:38.759 --> 00:25:40.160
<v Speaker 4>Oh yeah, okay, that sounds great.

473
00:25:40.200 --> 00:25:43.359
<v Speaker 8>I love that thanks to riff Off.

474
00:25:43.400 --> 00:25:48.119
<v Speaker 7>Matt's point is is that, yeah, the mythological narrative Nantasia

475
00:25:48.240 --> 00:25:51.400
<v Speaker 7>is is one layer of that of one layer of kabala.

476
00:25:51.559 --> 00:25:54.319
<v Speaker 7>Like him just even telling you the story, he's drawing

477
00:25:54.319 --> 00:25:57.519
<v Speaker 7>you through a kabalistic narrative, like he's drawing you through

478
00:25:57.559 --> 00:26:00.240
<v Speaker 7>the tree. And then so for me, who is is

479
00:26:00.680 --> 00:26:03.720
<v Speaker 7>driven by myth? But I would say more an experiential cabalist.

480
00:26:04.160 --> 00:26:07.400
<v Speaker 7>For me, it's colors and words. So I relate to

481
00:26:08.000 --> 00:26:13.319
<v Speaker 7>perhaps like you, to words as magic words as both

482
00:26:13.400 --> 00:26:16.480
<v Speaker 7>a container of a narrative or can contain a narrative

483
00:26:16.519 --> 00:26:20.160
<v Speaker 7>maybe as well as inherently magical in and of themselves.

484
00:26:20.640 --> 00:26:21.920
<v Speaker 6>So that's really alcabla is.

485
00:26:21.960 --> 00:26:25.200
<v Speaker 7>It's just a series of like ways that we understand

486
00:26:25.279 --> 00:26:27.240
<v Speaker 7>the correspondences.

487
00:26:26.599 --> 00:26:27.680
<v Speaker 6>Usually with words.

488
00:26:28.519 --> 00:26:33.000
<v Speaker 7>So a poet is very well positioned to also be

489
00:26:33.440 --> 00:26:36.440
<v Speaker 7>a to create magic. Now, whether that person believes themselves

490
00:26:36.680 --> 00:26:40.599
<v Speaker 7>a magician or not. Obviously every great magician, they say,

491
00:26:40.799 --> 00:26:42.519
<v Speaker 7>or all the ones I most of the ones that

492
00:26:42.519 --> 00:26:45.039
<v Speaker 7>I've ever met, or the ones that from history, like

493
00:26:45.079 --> 00:26:48.319
<v Speaker 7>Austin Osman Spare is like obviously the perennial example because

494
00:26:48.319 --> 00:26:50.640
<v Speaker 7>he was a poet, an artist, and a magician at

495
00:26:50.640 --> 00:26:51.279
<v Speaker 7>the same time.

496
00:26:52.079 --> 00:26:57.359
<v Speaker 4>An ultimate weirdo, an ultimate weirdo, an ultimate outside outside exactly.

497
00:26:57.440 --> 00:27:00.240
<v Speaker 7>So we so there's a joke that we talk about

498
00:27:00.279 --> 00:27:03.480
<v Speaker 7>on our group show is that every magician is an

499
00:27:03.480 --> 00:27:06.000
<v Speaker 7>in fact a word style, which is a very twitter

500
00:27:06.160 --> 00:27:10.839
<v Speaker 7>online kind of word. But it makes perfect sense because

501
00:27:11.880 --> 00:27:14.640
<v Speaker 7>the ways you tell stories is very magical, like how

502
00:27:14.680 --> 00:27:18.599
<v Speaker 7>you you know, like what symbols you use to relay

503
00:27:18.680 --> 00:27:22.480
<v Speaker 7>specific conceptual ideas that's going to give people. Maybe they

504
00:27:22.480 --> 00:27:25.839
<v Speaker 7>won't believe it then the wholesale sort of like components

505
00:27:25.880 --> 00:27:28.720
<v Speaker 7>of it, but even if they take one element and

506
00:27:28.720 --> 00:27:31.400
<v Speaker 7>then they say, oh, I'm going to utilize this for magic,

507
00:27:31.519 --> 00:27:33.519
<v Speaker 7>like they do with HP Lovecraft very often.

508
00:27:36.480 --> 00:27:39.359
<v Speaker 9>I'm curious also to understand how do you approach the

509
00:27:39.440 --> 00:27:42.720
<v Speaker 9>tarot readings as then there are a lot of people,

510
00:27:42.759 --> 00:27:45.000
<v Speaker 9>for example, who would get a reading done and then

511
00:27:45.160 --> 00:27:48.400
<v Speaker 9>assume that's like a sentence that's like, Okay, that's the

512
00:27:48.480 --> 00:27:50.759
<v Speaker 9>story that I'm telling you, and that's the sentence for

513
00:27:50.920 --> 00:27:53.279
<v Speaker 9>how it's going to play out. And some are.

514
00:27:53.240 --> 00:27:55.559
<v Speaker 10>People like how I prefer to do this, for example,

515
00:27:55.640 --> 00:27:58.640
<v Speaker 10>is show them like, hey, this is where your head

516
00:27:58.759 --> 00:28:01.599
<v Speaker 10>is at at the moment, and if you want to, okay,

517
00:28:01.640 --> 00:28:02.880
<v Speaker 10>live that story, good for you.

518
00:28:03.000 --> 00:28:03.480
<v Speaker 2>Go live it.

519
00:28:03.559 --> 00:28:05.119
<v Speaker 10>If you want to change this story a little bit,

520
00:28:05.240 --> 00:28:07.400
<v Speaker 10>you can go this way deck way, And it's more

521
00:28:07.519 --> 00:28:10.960
<v Speaker 10>like as a map they can navigate instead of again

522
00:28:11.000 --> 00:28:13.960
<v Speaker 10>a sentence or I don't know, maybe other creative ways

523
00:28:13.960 --> 00:28:15.039
<v Speaker 10>of the fixed stories.

524
00:28:15.039 --> 00:28:16.920
<v Speaker 2>Sometimes they give you fixed stories. I think that's what

525
00:28:17.000 --> 00:28:17.559
<v Speaker 2>you're kind of saying.

526
00:28:17.839 --> 00:28:20.640
<v Speaker 4>Yeah, I like the idea of the map. I think

527
00:28:20.640 --> 00:28:23.079
<v Speaker 4>of it as like for me, like developing a mythos,

528
00:28:23.119 --> 00:28:26.960
<v Speaker 4>a personal mythos, And so I love to use a

529
00:28:27.000 --> 00:28:29.440
<v Speaker 4>bunch of different decks. So like I only pretty much

530
00:28:29.480 --> 00:28:37.599
<v Speaker 4>clarify my questions or my spreads with my decks, just

531
00:28:37.640 --> 00:28:39.880
<v Speaker 4>because I like to use others decks and not just

532
00:28:39.920 --> 00:28:42.799
<v Speaker 4>be all about me and my things that I've created.

533
00:28:42.839 --> 00:28:45.359
<v Speaker 4>But I do really resonate with a few of my

534
00:28:45.440 --> 00:28:49.000
<v Speaker 4>decks very strongly, and I think they are potent in talismanic,

535
00:28:49.160 --> 00:28:53.559
<v Speaker 4>so I definitely use them. And so how I work

536
00:28:53.640 --> 00:28:56.640
<v Speaker 4>is I don't tend to do like any traditional spreads

537
00:28:57.200 --> 00:29:01.079
<v Speaker 4>like the Celtic Cross or anything like that, although obviously

538
00:29:01.119 --> 00:29:03.480
<v Speaker 4>I learned it originally in my early twenties, but just

539
00:29:03.519 --> 00:29:06.440
<v Speaker 4>what I do now, it's more effective for me to

540
00:29:06.559 --> 00:29:08.480
<v Speaker 4>just kind of like end up with a table full

541
00:29:08.519 --> 00:29:10.799
<v Speaker 4>of cards that are all over the place, and I

542
00:29:10.880 --> 00:29:12.720
<v Speaker 4>usually what I do is I start with like a

543
00:29:12.720 --> 00:29:15.799
<v Speaker 4>past present in future writer away smith kind of pull,

544
00:29:16.440 --> 00:29:21.640
<v Speaker 4>and then I start asking more questions and developing what

545
00:29:21.720 --> 00:29:26.079
<v Speaker 4>I call like clarifiers with other decks, my decks and things.

546
00:29:26.279 --> 00:29:29.160
<v Speaker 4>And so I feel like it's a deep dive in

547
00:29:29.200 --> 00:29:31.400
<v Speaker 4>a lot of ways because and I also get my

548
00:29:31.440 --> 00:29:34.119
<v Speaker 4>pendulum out sometimes and ask yes or no questions and

549
00:29:34.160 --> 00:29:38.920
<v Speaker 4>things like that, because my pendulum is just like freaking unbelievable.

550
00:29:39.960 --> 00:29:43.559
<v Speaker 4>So it's just aligned with me. It's got that what

551
00:29:43.559 --> 00:29:46.240
<v Speaker 4>they call like the ingez spirit you know in it,

552
00:29:47.359 --> 00:29:51.920
<v Speaker 4>so it's it's alive, and it helps me a lot

553
00:29:51.960 --> 00:29:54.000
<v Speaker 4>with like that yes or no. But you can't do

554
00:29:54.160 --> 00:29:56.279
<v Speaker 4>yes or no with like taro, so you've got to

555
00:29:56.319 --> 00:30:01.759
<v Speaker 4>really develop a storyline to follow, you know, like those

556
00:30:01.799 --> 00:30:05.440
<v Speaker 4>branches will go from there, they'll go down or they'll

557
00:30:05.440 --> 00:30:09.880
<v Speaker 4>go up. And so I decide, you know, it's pretty awesome.

558
00:30:11.559 --> 00:30:14.039
<v Speaker 1>I would like to ask then I think it's kind

559
00:30:14.039 --> 00:30:17.200
<v Speaker 1>of a good bass question is then what does the

560
00:30:17.279 --> 00:30:19.799
<v Speaker 1>taro mean to you? And how do you see it

561
00:30:19.839 --> 00:30:23.119
<v Speaker 1>play out in your world as well as the world

562
00:30:23.160 --> 00:30:23.759
<v Speaker 1>at large.

563
00:30:23.960 --> 00:30:27.960
<v Speaker 4>It's just another tool or device for me because actually

564
00:30:28.680 --> 00:30:31.480
<v Speaker 4>even before Tarot, like when I was, you know, say

565
00:30:31.559 --> 00:30:34.640
<v Speaker 4>sixteen seventeen, I was writing poetry. I was no sorry,

566
00:30:34.640 --> 00:30:36.599
<v Speaker 4>I was writing lyrics because I wanted to be in

567
00:30:36.599 --> 00:30:38.920
<v Speaker 4>a band and then I got in a little like

568
00:30:39.000 --> 00:30:45.839
<v Speaker 4>garage band playing through role in synthesizer. And yeah, so

569
00:30:45.920 --> 00:30:52.160
<v Speaker 4>I was writing lyrics early on, and then heavily got

570
00:30:52.160 --> 00:30:55.319
<v Speaker 4>into poetry, like heavily like discovered like but are not

571
00:30:55.400 --> 00:30:58.359
<v Speaker 4>through Percy Shelley the Romance. So I was really into

572
00:30:58.359 --> 00:30:59.119
<v Speaker 4>the romantics.

573
00:30:59.440 --> 00:31:01.119
<v Speaker 8>Nice I still still am.

574
00:31:02.319 --> 00:31:04.759
<v Speaker 4>And then I got into like the Decaden writers of

575
00:31:04.880 --> 00:31:08.119
<v Speaker 4>the simplest era and anyway, so Taro for me is

576
00:31:08.160 --> 00:31:13.240
<v Speaker 4>just another devnation oracular tool. And so how I feel

577
00:31:13.240 --> 00:31:15.480
<v Speaker 4>about it now that I've you know, like I'm in

578
00:31:15.519 --> 00:31:19.160
<v Speaker 4>my fifties, right, so I'm like really thinking about all

579
00:31:19.200 --> 00:31:21.359
<v Speaker 4>of these paths that I've gone down through my life

580
00:31:21.359 --> 00:31:24.519
<v Speaker 4>and different avenues I've taken, Like even like the mothering

581
00:31:24.559 --> 00:31:26.160
<v Speaker 4>thing that I talked about earlier, you know, and how

582
00:31:26.200 --> 00:31:30.200
<v Speaker 4>I kind of slipped away from you know, like magic

583
00:31:30.319 --> 00:31:34.799
<v Speaker 4>and esoteric things then and that was in a lot

584
00:31:34.799 --> 00:31:37.559
<v Speaker 4>of ways, that was for me to realize certain things

585
00:31:37.559 --> 00:31:40.200
<v Speaker 4>about myself and my path. And so Taro and the

586
00:31:40.279 --> 00:31:45.599
<v Speaker 4>a regular tradition for me goes back to like Apollo

587
00:31:46.200 --> 00:31:53.039
<v Speaker 4>and the muses and the soul's ability to connect with

588
00:31:53.160 --> 00:32:00.200
<v Speaker 4>the diamon and to divine what you know, like what

589
00:32:00.359 --> 00:32:03.680
<v Speaker 4>is important in their lives and what can enrich their

590
00:32:03.680 --> 00:32:06.960
<v Speaker 4>lives and how they can become more embodied and more sovereign.

591
00:32:07.359 --> 00:32:11.440
<v Speaker 4>So the Taro great tradition out of you know, the Renaissance.

592
00:32:12.759 --> 00:32:15.559
<v Speaker 4>But for me it's also just like just a tool,

593
00:32:15.680 --> 00:32:18.319
<v Speaker 4>so I can use other tools too. And I used

594
00:32:18.319 --> 00:32:20.319
<v Speaker 4>to do the eaching quite a bit, but I won't

595
00:32:20.319 --> 00:32:21.799
<v Speaker 4>go into it right now, but I did do that

596
00:32:21.839 --> 00:32:27.519
<v Speaker 4>for years as well. Nice and I mean, obviously I

597
00:32:27.599 --> 00:32:29.559
<v Speaker 4>love to like read different books from you know, like

598
00:32:30.119 --> 00:32:33.839
<v Speaker 4>who have you know written about Taro and you know,

599
00:32:33.880 --> 00:32:39.000
<v Speaker 4>like Yodowski and Rachel Pollock. And yeah, there are definitely

600
00:32:41.359 --> 00:32:46.519
<v Speaker 4>explorations that can take people in different directions with the

601
00:32:46.519 --> 00:32:51.799
<v Speaker 4>Taro itself, but really it's just a building block slash

602
00:32:51.920 --> 00:32:56.279
<v Speaker 4>tool for self discovery, and you know, like you could

603
00:32:56.359 --> 00:32:59.680
<v Speaker 4>call it, like you know, fortune telling. I don't really

604
00:32:59.720 --> 00:33:06.079
<v Speaker 4>like to all at that, because you know, you could

605
00:33:06.079 --> 00:33:09.160
<v Speaker 4>get a reading from it, which could be pretty inspirational,

606
00:33:09.240 --> 00:33:14.680
<v Speaker 4>but then something could turn on a dime, definitely, and

607
00:33:14.720 --> 00:33:17.400
<v Speaker 4>so you could just obsessively go back and do more terroostpreads,

608
00:33:17.480 --> 00:33:19.720
<v Speaker 4>you know, but at some point a person needs to

609
00:33:19.839 --> 00:33:21.799
<v Speaker 4>And that's what happened with me, is that I read

610
00:33:21.839 --> 00:33:23.839
<v Speaker 4>for three straight years in Ireland and then I just

611
00:33:23.960 --> 00:33:28.000
<v Speaker 4>stopped for years because I just got like inundated with

612
00:33:28.039 --> 00:33:30.160
<v Speaker 4>it and I just didn't want to. It didn't have

613
00:33:30.200 --> 00:33:33.519
<v Speaker 4>any meaning until it came back to me in my

614
00:33:33.599 --> 00:33:37.559
<v Speaker 4>late forties and then the spirit of the decks really

615
00:33:37.599 --> 00:33:40.519
<v Speaker 4>began to like show up. And not to say that

616
00:33:40.559 --> 00:33:42.359
<v Speaker 4>they weren't there in my early twenties when I was

617
00:33:42.359 --> 00:33:44.119
<v Speaker 4>in Ireland, because I'm sure they were, just so I

618
00:33:44.160 --> 00:33:47.400
<v Speaker 4>didn't connect. I didn't know it, you know, Whereas now

619
00:33:47.960 --> 00:33:51.039
<v Speaker 4>I work with gods. I know the presences of gods,

620
00:33:51.039 --> 00:33:54.160
<v Speaker 4>and like when I meditate, I know when entities are

621
00:33:54.200 --> 00:33:56.480
<v Speaker 4>speaking and when it's just my head or my psyche.

622
00:33:56.759 --> 00:33:59.559
<v Speaker 8>Yeah, oh yeah, that's a great distinction.

623
00:33:59.680 --> 00:34:03.160
<v Speaker 1>I think that a lot of dabblers in the occult

624
00:34:03.200 --> 00:34:07.519
<v Speaker 1>and magic tend to forget is that there's these realms

625
00:34:07.559 --> 00:34:10.119
<v Speaker 1>of the personal conscious where it's like, what is it,

626
00:34:10.199 --> 00:34:13.719
<v Speaker 1>What is the difference between the phantasmagoria and just pure

627
00:34:14.119 --> 00:34:15.559
<v Speaker 1>your personal imagination?

628
00:34:16.920 --> 00:34:21.679
<v Speaker 4>Yeah, yeah, absolutely, and that phantasmagoria is pretty amazing as well,

629
00:34:21.679 --> 00:34:25.920
<v Speaker 4>and you can you can construct that creatively something to

630
00:34:25.960 --> 00:34:27.440
<v Speaker 4>suit your life as well.

631
00:34:27.320 --> 00:34:31.719
<v Speaker 12>You know, yeah, definitely, that's definitely the flucks. Oh no,

632
00:34:31.760 --> 00:34:34.239
<v Speaker 12>sorry to oh no, you go ahead. I was just

633
00:34:34.280 --> 00:34:36.599
<v Speaker 12>saying that that is the phantasmic oria. I call it

634
00:34:36.599 --> 00:34:37.119
<v Speaker 12>the flux.

635
00:34:37.519 --> 00:34:40.760
<v Speaker 7>Every magician has their own vocabulary, right, like their own

636
00:34:40.800 --> 00:34:41.679
<v Speaker 7>way of speaking of it.

637
00:34:41.719 --> 00:34:43.360
<v Speaker 6>Cloquially, I call it the flux.

638
00:34:43.400 --> 00:34:46.360
<v Speaker 7>So it's like what we draw from that is in that,

639
00:34:46.599 --> 00:34:49.480
<v Speaker 7>and then what we can make of it. Obviously, every

640
00:34:49.599 --> 00:34:53.880
<v Speaker 7>artist and magician both is always, always, always wants to

641
00:34:53.920 --> 00:34:55.760
<v Speaker 7>make something of it. So that's a big part of it.

642
00:34:56.000 --> 00:34:59.400
<v Speaker 7>But I wanted to actually one comment and one sort

643
00:34:59.400 --> 00:35:02.920
<v Speaker 7>of follow up part. It's interesting that you bring up

644
00:35:02.960 --> 00:35:06.679
<v Speaker 7>the Jodoroski book because when Nick had Cherry Para on

645
00:35:06.840 --> 00:35:11.079
<v Speaker 7>who did the Left Hand Path Tarot book, she cited

646
00:35:11.119 --> 00:35:14.559
<v Speaker 7>that book as one of her two inspirations, and I

647
00:35:14.599 --> 00:35:17.199
<v Speaker 7>also find that book very like I find his work

648
00:35:17.280 --> 00:35:20.519
<v Speaker 7>like incredibly inspiring. And I talked and we discuss how

649
00:35:20.599 --> 00:35:23.119
<v Speaker 7>it like connects to his cinema work as well as

650
00:35:23.199 --> 00:35:26.039
<v Speaker 7>his like comic book work with Mobius, and it's all

651
00:35:26.119 --> 00:35:29.280
<v Speaker 7>kind of Taro and Kabbala and magic, like it's all

652
00:35:29.320 --> 00:35:33.119
<v Speaker 7>metamagical together. So that's really interesting. But then you have

653
00:35:34.039 --> 00:35:36.679
<v Speaker 7>one of your decks that you mentioned with Sublime Thresholds.

654
00:35:36.880 --> 00:35:39.559
<v Speaker 7>So my show is called Threshold Saints, so I just

655
00:35:39.639 --> 00:35:43.199
<v Speaker 7>obviously that's going to catch my attention. So Sublime Thresholds,

656
00:35:43.239 --> 00:35:45.480
<v Speaker 7>I wanted to ask about the name and if you

657
00:35:45.519 --> 00:35:47.199
<v Speaker 7>wanted to go into that deck a little bit.

658
00:35:47.679 --> 00:35:52.239
<v Speaker 4>Yeah, absolutely. So back really quickly about Yodorowski. One of

659
00:35:52.280 --> 00:35:54.159
<v Speaker 4>the things that I loved about his vision was that

660
00:35:54.280 --> 00:35:57.079
<v Speaker 4>Tara was a sacred temple. And I think a lot

661
00:35:57.159 --> 00:36:00.639
<v Speaker 4>of people, you know, like maybe you know in the

662
00:36:00.679 --> 00:36:04.639
<v Speaker 4>early days of you know, working with Tara, might not

663
00:36:05.000 --> 00:36:09.920
<v Speaker 4>necessarily see it as that or like a way, you know,

664
00:36:10.199 --> 00:36:13.360
<v Speaker 4>like a journey in a way and like a hero's

665
00:36:13.440 --> 00:36:16.840
<v Speaker 4>journey kind of thing. And that's definitely something that I see.

666
00:36:16.880 --> 00:36:20.159
<v Speaker 4>Tara's just kind of finish off that inspiration of Tara.

667
00:36:20.400 --> 00:36:23.440
<v Speaker 4>But okay, so for sublime thresholds that came about because

668
00:36:24.920 --> 00:36:29.039
<v Speaker 4>let's see, so in twenty seventeen to twenty nineteen, I

669
00:36:29.079 --> 00:36:35.079
<v Speaker 4>did a master's degree in creative writing and I had

670
00:36:35.079 --> 00:36:39.440
<v Speaker 4>to put together a thesis. And I've always, like I mentioned,

671
00:36:39.719 --> 00:36:44.840
<v Speaker 4>have been into the decadent and writers and symbolists, and

672
00:36:45.239 --> 00:36:50.119
<v Speaker 4>so I felt like what I loved about art the

673
00:36:50.239 --> 00:36:55.280
<v Speaker 4>most was its enchanted quality that made me feel a

674
00:36:55.320 --> 00:37:00.719
<v Speaker 4>sense of the sublime. And so I decided that the

675
00:37:00.760 --> 00:37:03.840
<v Speaker 4>sublime was still around because a lot of like someone

676
00:37:03.880 --> 00:37:05.400
<v Speaker 4>even wrote, I forget the name of the person that

677
00:37:05.440 --> 00:37:08.760
<v Speaker 4>the sublime was, the sublime was dead, and I'm thinking,

678
00:37:09.039 --> 00:37:11.920
<v Speaker 4>fuck no, And in fact, humans will be dead when

679
00:37:11.920 --> 00:37:13.039
<v Speaker 4>the sublime becomes dead.

680
00:37:13.159 --> 00:37:13.719
<v Speaker 8>Oh sure.

681
00:37:14.079 --> 00:37:19.880
<v Speaker 4>And so anyway, for me, these sort of heightened experiences

682
00:37:19.920 --> 00:37:24.199
<v Speaker 4>in either writing poetry or art or everything. You know,

683
00:37:24.239 --> 00:37:28.119
<v Speaker 4>it's kind of like the arrows principle arrows E ro os,

684
00:37:29.559 --> 00:37:33.400
<v Speaker 4>and so I wanted to explore and for that degree

685
00:37:33.440 --> 00:37:35.440
<v Speaker 4>it had to do with literary things. So it was

686
00:37:35.480 --> 00:37:39.760
<v Speaker 4>the endurance of the sublime in literary horror. And then

687
00:37:39.800 --> 00:37:43.960
<v Speaker 4>this whole movement called the eco sublime, and so that's

688
00:37:43.960 --> 00:37:46.760
<v Speaker 4>what I wrote my thesis on and that sat around

689
00:37:46.800 --> 00:37:50.480
<v Speaker 4>for a few years afterwards, obviously, and then when I

690
00:37:50.519 --> 00:37:53.760
<v Speaker 4>was thinking about a new project to do with Urania

691
00:37:53.760 --> 00:37:56.960
<v Speaker 4>Press to publish, I was thinking how cool it would

692
00:37:56.960 --> 00:38:01.119
<v Speaker 4>be to there's just so much beautiful artwork out there

693
00:38:01.159 --> 00:38:05.440
<v Speaker 4>in the public domain, and a lot of it could

694
00:38:05.440 --> 00:38:10.480
<v Speaker 4>easily correspond with tarot archetypes and like the hero's journey,

695
00:38:11.320 --> 00:38:15.400
<v Speaker 4>and so I wanted to portray art that I felt

696
00:38:15.440 --> 00:38:18.639
<v Speaker 4>like took you up to that threshold. And obviously, like

697
00:38:20.599 --> 00:38:25.559
<v Speaker 4>the Wander amongst the Fog of Casper David Friedrich is

698
00:38:25.679 --> 00:38:29.440
<v Speaker 4>like one of the most famous imagery of like, you know,

699
00:38:29.480 --> 00:38:33.079
<v Speaker 4>the man standing on the cliff with the rolling you know,

700
00:38:34.199 --> 00:38:37.840
<v Speaker 4>fog and clouds overlooking that. Like that's so like either

701
00:38:37.920 --> 00:38:40.679
<v Speaker 4>two or three of Wand's you know, So, I mean

702
00:38:40.920 --> 00:38:45.480
<v Speaker 4>sublime imagery corresponds pretty easily with the tarot tech in

703
00:38:45.519 --> 00:38:48.960
<v Speaker 4>that journey. So that's when I just decided to put

704
00:38:49.000 --> 00:38:51.920
<v Speaker 4>that together. And I ended up, you know, staying up

705
00:38:51.960 --> 00:38:54.360
<v Speaker 4>till like three in the morning, like just doing super

706
00:38:54.440 --> 00:38:57.039
<v Speaker 4>deep dives looking at over like four thousand images in

707
00:38:57.079 --> 00:38:59.199
<v Speaker 4>the public domain, and even though some of them are

708
00:38:59.280 --> 00:39:01.840
<v Speaker 4>quite familiar images, I put them in because I felt

709
00:39:01.840 --> 00:39:04.840
<v Speaker 4>that they worked. But so I wasn't just grabbing whatever.

710
00:39:05.320 --> 00:39:07.440
<v Speaker 4>I mean, I was really like just I spent so

711
00:39:07.599 --> 00:39:10.239
<v Speaker 4>much time curating those, like I said, over four thousand

712
00:39:10.280 --> 00:39:13.760
<v Speaker 4>images just to get the ones that I felt were right.

713
00:39:16.599 --> 00:39:18.679
<v Speaker 4>And that of course is art work. That's you know,

714
00:39:18.760 --> 00:39:28.440
<v Speaker 4>like either Gothic symbolist or Baroque.

715
00:39:25.440 --> 00:39:27.960
<v Speaker 7>And Natasha, maybe we should define symbolists just for people

716
00:39:27.960 --> 00:39:30.119
<v Speaker 7>who don't have an art history background, because I'm just

717
00:39:30.119 --> 00:39:32.559
<v Speaker 7>thinking to myself, like, what if people don't actually know

718
00:39:32.599 --> 00:39:33.480
<v Speaker 7>what that word means.

719
00:39:33.519 --> 00:39:35.239
<v Speaker 6>Not that I mean I know what that word means.

720
00:39:35.239 --> 00:39:36.360
<v Speaker 6>I mean, of course you do, but.

721
00:39:37.159 --> 00:39:39.400
<v Speaker 7>Just in case, just because I feel like it's a

722
00:39:39.480 --> 00:39:40.559
<v Speaker 7>lesser known movement.

723
00:39:41.079 --> 00:39:45.480
<v Speaker 4>Yeah, So the symbolists of pretty much like the late

724
00:39:45.519 --> 00:39:50.639
<v Speaker 4>eighteen hundreds they call it, like the Findesi Ekla. They

725
00:39:50.679 --> 00:39:54.280
<v Speaker 4>were mostly English, they's some German and French, and they

726
00:39:54.280 --> 00:40:01.840
<v Speaker 4>were French, and their art recalled back to like classical

727
00:40:01.920 --> 00:40:07.039
<v Speaker 4>times and myth and they loved you know, like Arthur

728
00:40:07.199 --> 00:40:16.079
<v Speaker 4>Otherian myths and stories, and they definitely were against rationalism

729
00:40:16.199 --> 00:40:19.199
<v Speaker 4>and realism, and so of course they also loved the

730
00:40:19.320 --> 00:40:22.000
<v Speaker 4>Romantics and so they just they kind of harkened back

731
00:40:22.079 --> 00:40:28.239
<v Speaker 4>to the magic and mystical really in art, that's my

732
00:40:28.360 --> 00:40:36.239
<v Speaker 4>quick definition of it. They also, I think spent a

733
00:40:36.239 --> 00:40:39.159
<v Speaker 4>lot of times in dream and and you know, working

734
00:40:39.239 --> 00:40:52.119
<v Speaker 4>through their imagination, fantasy and the phantasma oracle. Yeah.

735
00:40:52.400 --> 00:40:55.159
<v Speaker 3>One thing I did want to ask was a couple

736
00:40:55.159 --> 00:40:56.760
<v Speaker 3>of things I wanted. One thing I wanted to mention

737
00:40:56.800 --> 00:40:58.599
<v Speaker 3>that I noticed from you using I guess the e

738
00:40:58.800 --> 00:41:02.639
<v Speaker 3>ching terror and a pendulum see rather than big into divination.

739
00:41:03.559 --> 00:41:05.599
<v Speaker 3>Is that something you found yourself, I guess kind of

740
00:41:05.840 --> 00:41:07.320
<v Speaker 3>beg into when you get into this stuff.

741
00:41:08.480 --> 00:41:11.199
<v Speaker 4>Oh yeah, I mean I think I think I mentioned

742
00:41:11.239 --> 00:41:17.719
<v Speaker 4>about Apollo and being the god of the oracular that

743
00:41:17.800 --> 00:41:22.639
<v Speaker 4>there's a sense for me of if I was to say,

744
00:41:22.719 --> 00:41:27.199
<v Speaker 4>like what archetype my spirit or my person here on

745
00:41:27.239 --> 00:41:30.440
<v Speaker 4>earth now is connected to, it would be like the

746
00:41:30.559 --> 00:41:32.920
<v Speaker 4>seer prophetesque oracle.

747
00:41:34.159 --> 00:41:35.639
<v Speaker 8>And that sounds.

748
00:41:35.440 --> 00:41:37.559
<v Speaker 4>Kind of, you know, presumptuous, So I'm sorry if it

749
00:41:37.559 --> 00:41:39.559
<v Speaker 4>comes off that way. But I mean, if we all

750
00:41:39.599 --> 00:41:41.719
<v Speaker 4>had to sit down and say this is my archetype,

751
00:41:41.760 --> 00:41:44.880
<v Speaker 4>you know what I'm saying, Like, that's who I would say.

752
00:41:44.880 --> 00:41:53.159
<v Speaker 4>I was like, I'm connected to this inner exploration of

753
00:41:53.840 --> 00:41:57.760
<v Speaker 4>how to direct your life and the symbols and the

754
00:41:57.760 --> 00:42:00.920
<v Speaker 4>things that can come down into your life to guide

755
00:42:00.960 --> 00:42:04.159
<v Speaker 4>you that way, and they will come from the gods,

756
00:42:04.480 --> 00:42:06.719
<v Speaker 4>and they like I am writing a book called some

757
00:42:06.840 --> 00:42:12.559
<v Speaker 4>Femota and Simbola, and so I feel like they definitely

758
00:42:12.840 --> 00:42:16.519
<v Speaker 4>are you know, like manifestations that come into your life

759
00:42:16.559 --> 00:42:21.000
<v Speaker 4>from the gods, and so that devination is just a

760
00:42:21.000 --> 00:42:27.920
<v Speaker 4>way to express it. And I could easily go online

761
00:42:27.920 --> 00:42:30.800
<v Speaker 4>and just you know, do terror readings for people, but

762
00:42:30.880 --> 00:42:35.400
<v Speaker 4>I am more interested in art and writing, so creative writing,

763
00:42:35.440 --> 00:42:39.159
<v Speaker 4>and so I like to express my interests that way.

764
00:42:40.440 --> 00:42:42.800
<v Speaker 4>But yeah, I feel like I could, you know, like

765
00:42:42.880 --> 00:42:45.360
<v Speaker 4>I do readings for people, and I have gone to

766
00:42:45.480 --> 00:42:50.000
<v Speaker 4>shows and things, but I primarily it's just from you know,

767
00:42:50.559 --> 00:42:54.519
<v Speaker 4>helping friends or helping myself to just guide my way.

768
00:42:55.599 --> 00:42:57.960
<v Speaker 4>It's you know, my place in the world and how

769
00:42:58.000 --> 00:43:02.440
<v Speaker 4>I fit in and all. So like, yeah, why am

770
00:43:02.480 --> 00:43:02.880
<v Speaker 4>I here?

771
00:43:05.679 --> 00:43:07.519
<v Speaker 9>Re enjoy I'm sorry, And.

772
00:43:07.519 --> 00:43:08.760
<v Speaker 4>I was gonna say, what can I offer?

773
00:43:08.960 --> 00:43:12.599
<v Speaker 10>You know, Yeah, I re enjoy your way of seeing

774
00:43:12.599 --> 00:43:17.760
<v Speaker 10>this and spending my Coba Master explains as if like

775
00:43:17.840 --> 00:43:20.840
<v Speaker 10>reality is a series of frames like in a video,

776
00:43:21.320 --> 00:43:23.519
<v Speaker 10>and then each frame you could see as like a

777
00:43:23.559 --> 00:43:26.719
<v Speaker 10>tarot card. So like each I think now I'm this card,

778
00:43:26.840 --> 00:43:29.119
<v Speaker 10>and then now I'm using this one and so on,

779
00:43:29.000 --> 00:43:32.480
<v Speaker 10>so like you keep changing them. So when you are

780
00:43:32.519 --> 00:43:34.480
<v Speaker 10>giving when you make a reading, like when you take

781
00:43:34.519 --> 00:43:38.519
<v Speaker 10>them out, it's basically seeing what it's inside of you,

782
00:43:38.719 --> 00:43:42.400
<v Speaker 10>but in a like a table or whatever. That then

783
00:43:42.400 --> 00:43:45.440
<v Speaker 10>you can rearrange and then and then rewrite maybe or

784
00:43:45.960 --> 00:43:47.920
<v Speaker 10>or try to understand, like you're saying, like who am

785
00:43:48.000 --> 00:43:52.480
<v Speaker 10>I what is this archetype that keeps coming in? I

786
00:43:52.519 --> 00:43:55.360
<v Speaker 10>did an experiment like I mentioned, I did seventy two

787
00:43:55.400 --> 00:43:57.079
<v Speaker 10>weeks reading, like.

788
00:43:57.119 --> 00:43:58.920
<v Speaker 9>Making a reading per week.

789
00:43:59.159 --> 00:44:02.000
<v Speaker 10>I would take three card arts, and then after a

790
00:44:02.079 --> 00:44:04.679
<v Speaker 10>couple of weeks I started doing one per day as well.

791
00:44:05.159 --> 00:44:07.920
<v Speaker 10>So in total it was like hundreds of cards. And

792
00:44:08.199 --> 00:44:10.480
<v Speaker 10>I saw the statistics at the end, and it was

793
00:44:10.679 --> 00:44:13.719
<v Speaker 10>very funny that the top four cards had to do

794
00:44:13.800 --> 00:44:16.960
<v Speaker 10>with my astrology signs, like when you make responses. So

795
00:44:17.000 --> 00:44:19.599
<v Speaker 10>then to me there was again a sign where okay,

796
00:44:19.840 --> 00:44:24.280
<v Speaker 10>I'm usually tapping into those archetypes. That makes sense, like

797
00:44:24.320 --> 00:44:27.679
<v Speaker 10>that again that they're talking about each other like astrology

798
00:44:27.679 --> 00:44:30.239
<v Speaker 10>and the terrorit and swan. So then if I know that,

799
00:44:30.599 --> 00:44:33.719
<v Speaker 10>then I know what are my strengths, my weaknesses, my

800
00:44:33.760 --> 00:44:36.639
<v Speaker 10>shark Cummings, I'll be best at and so on. So

801
00:44:36.960 --> 00:44:39.239
<v Speaker 10>it's very pretty nice that way have seen it, like

802
00:44:39.239 --> 00:44:39.920
<v Speaker 10>we're talking about.

803
00:44:40.639 --> 00:44:42.960
<v Speaker 4>Yeah, that's beautiful. I like that connection.

804
00:44:44.000 --> 00:44:46.119
<v Speaker 3>Another thing I wanted to ask I was just I'm

805
00:44:46.159 --> 00:44:48.800
<v Speaker 3>assuming I could be wrong. I just know from my

806
00:44:48.960 --> 00:44:52.480
<v Speaker 3>experience even with I guess Tarot too. Again, I really

807
00:44:52.480 --> 00:44:56.079
<v Speaker 3>never had much of a clue, but just other stuff

808
00:44:56.079 --> 00:44:56.920
<v Speaker 3>that I practiced.

809
00:44:57.440 --> 00:44:58.639
<v Speaker 2>The way you looked at it at the.

810
00:44:58.639 --> 00:45:00.079
<v Speaker 3>Beginning and the way you look at it now, is

811
00:45:00.079 --> 00:45:02.480
<v Speaker 3>it can kind of different? Have you kind of gone

812
00:45:02.519 --> 00:45:03.079
<v Speaker 3>through Yeah?

813
00:45:03.440 --> 00:45:09.119
<v Speaker 4>Yeah, yeah, what were you going to say?

814
00:45:09.280 --> 00:45:11.000
<v Speaker 3>Is it possible, like I know, I might be putting

815
00:45:11.000 --> 00:45:12.960
<v Speaker 3>it on the spot, might be always even explained, but

816
00:45:13.039 --> 00:45:14.360
<v Speaker 3>is there is there a way maybe you can even

817
00:45:14.360 --> 00:45:17.519
<v Speaker 3>give examples, like how like I guess maybe your relationship

818
00:45:17.519 --> 00:45:19.199
<v Speaker 3>with the cards have changed over time?

819
00:45:21.079 --> 00:45:24.280
<v Speaker 4>Yeah, Well, like as I mentioned, I see the spirit

820
00:45:24.760 --> 00:45:27.440
<v Speaker 4>that's behind it, so like I wouldn't I guess I

821
00:45:27.480 --> 00:45:29.559
<v Speaker 4>call it like the spirit that presides over the deck.

822
00:45:29.599 --> 00:45:32.280
<v Speaker 4>But I feel like i'm, you know, kind of like

823
00:45:32.719 --> 00:45:36.239
<v Speaker 4>when I'm sitting down, I'm not alone, and that these

824
00:45:36.280 --> 00:45:40.320
<v Speaker 4>things are living beings, these cards are living beings, and

825
00:45:40.800 --> 00:45:43.039
<v Speaker 4>or even like, like I said, if I had my pendulum,

826
00:45:43.039 --> 00:45:44.639
<v Speaker 4>not that I do a ton of work on my bench.

827
00:45:44.760 --> 00:45:47.800
<v Speaker 4>I'm not just sitting here every day like holding my pendulum,

828
00:45:47.800 --> 00:45:49.719
<v Speaker 4>but like there are important times in my life, you know,

829
00:45:49.800 --> 00:45:53.559
<v Speaker 4>with certain questions and needs. But yeah, I think before

830
00:45:53.639 --> 00:45:57.440
<v Speaker 4>obviously when I was in my early days, uh with Taro,

831
00:45:58.280 --> 00:46:02.440
<v Speaker 4>I it's certainly enrich my life, but I didn't feel

832
00:46:02.679 --> 00:46:09.320
<v Speaker 4>it was. It was more like an an addition to,

833
00:46:10.519 --> 00:46:13.639
<v Speaker 4>you know, my world, but like it wasn't my world.

834
00:46:14.639 --> 00:46:17.559
<v Speaker 4>And so whenever I sit down with like Taro, this

835
00:46:17.719 --> 00:46:21.960
<v Speaker 4>is like my story coming out, my mythos as mentioned,

836
00:46:23.400 --> 00:46:27.280
<v Speaker 4>and so it's almost like these beings are you know,

837
00:46:27.320 --> 00:46:30.800
<v Speaker 4>whether they are like the diamond or like angelic intelligences

838
00:46:31.000 --> 00:46:36.800
<v Speaker 4>or whatever they are, you know they are They're they're

839
00:46:36.800 --> 00:46:40.159
<v Speaker 4>pushing that that story through the cards for me, and

840
00:46:40.320 --> 00:46:43.719
<v Speaker 4>it's up to me and my intellect to like connect

841
00:46:43.760 --> 00:46:45.800
<v Speaker 4>in with it and see the signs and symbols and

842
00:46:45.920 --> 00:46:49.679
<v Speaker 4>understand it and like interpret it. And so I didn't

843
00:46:49.719 --> 00:46:52.800
<v Speaker 4>have that sense in my early days reading Tara. It's

844
00:46:52.840 --> 00:46:56.639
<v Speaker 4>more just like you know, getting the booklet out and

845
00:46:56.719 --> 00:46:59.920
<v Speaker 4>you know, learning about it. But I think I did

846
00:47:00.119 --> 00:47:02.960
<v Speaker 4>spend some time like sort of a young approach. Back then,

847
00:47:03.039 --> 00:47:05.840
<v Speaker 4>I had a book that guided me that way. So

848
00:47:05.880 --> 00:47:07.840
<v Speaker 4>I think that's why the hero's journey has always been

849
00:47:07.960 --> 00:47:11.039
<v Speaker 4>kind of, you know, like the Joseph Campbell like kind

850
00:47:11.079 --> 00:47:15.119
<v Speaker 4>of obsession that some people got into. I did fall

851
00:47:15.159 --> 00:47:20.559
<v Speaker 4>into that in my early twenties. So yeah, I think

852
00:47:20.760 --> 00:47:23.559
<v Speaker 4>now there's just way more of a sense of these

853
00:47:23.559 --> 00:47:27.760
<v Speaker 4>are intelligences trying to communicate with me. How can I

854
00:47:27.800 --> 00:47:30.440
<v Speaker 4>interpret them, bring them through that liminal threshold.

855
00:47:32.719 --> 00:47:35.320
<v Speaker 1>It's beautiful, one of the beautiful. I'm one of those

856
00:47:35.440 --> 00:47:40.320
<v Speaker 1>Joseph Campbell fanatics, and it's in the beginning of A

857
00:47:40.360 --> 00:47:43.079
<v Speaker 1>Hero with a Thousand Faces, he says, the unconscious mind.

858
00:47:42.880 --> 00:47:46.239
<v Speaker 8>Is like a Laddin's cave. It's got all.

859
00:47:46.119 --> 00:47:50.519
<v Speaker 1>These beautiful things and jewels and everything nice and pretty.

860
00:47:50.559 --> 00:47:52.960
<v Speaker 1>But then when you get deep dart into it, they

861
00:47:53.000 --> 00:47:57.559
<v Speaker 1>call it the genobide. There are many then, both dark

862
00:47:57.679 --> 00:48:00.840
<v Speaker 1>and scary and things that are going to up a.

863
00:48:00.760 --> 00:48:04.239
<v Speaker 8>Lot of the shadow aspects of self.

864
00:48:04.280 --> 00:48:06.800
<v Speaker 1>And what's so beautiful about the way you've kind of

865
00:48:06.840 --> 00:48:09.960
<v Speaker 1>talked about the taro is even when you start bringing

866
00:48:10.000 --> 00:48:13.119
<v Speaker 1>it into the ideas of intelligences and archangels and these

867
00:48:13.159 --> 00:48:15.800
<v Speaker 1>different things which are just names depending upon what culture

868
00:48:15.840 --> 00:48:16.920
<v Speaker 1>your nervous system is in.

869
00:48:17.559 --> 00:48:18.480
<v Speaker 8>The beautiful thing.

870
00:48:18.360 --> 00:48:21.239
<v Speaker 1>About it is that the taro is a living intelligence,

871
00:48:21.760 --> 00:48:24.719
<v Speaker 1>and the more your nervous system and your brain and

872
00:48:24.760 --> 00:48:28.360
<v Speaker 1>your body mind sysogy interact with it, the more you

873
00:48:28.440 --> 00:48:33.199
<v Speaker 1>then can tap into the beautiful, right, the good and

874
00:48:33.239 --> 00:48:37.639
<v Speaker 1>these platonic forms that are then being expressed. And these

875
00:48:37.679 --> 00:48:41.239
<v Speaker 1>forms have this agragoric style nature that then when you,

876
00:48:41.360 --> 00:48:43.639
<v Speaker 1>through your nervous system are playing with them or doing

877
00:48:43.719 --> 00:48:47.360
<v Speaker 1>a reading, the more you've had the ability to touch

878
00:48:47.400 --> 00:48:51.519
<v Speaker 1>and feel and be sensuous and have that orphic eros

879
00:48:52.280 --> 00:48:56.000
<v Speaker 1>coming through them and you it's almost like you're becoming

880
00:48:56.440 --> 00:49:00.239
<v Speaker 1>a swords master, right. The swords are now the cards

881
00:49:00.679 --> 00:49:05.400
<v Speaker 1>and they're not separate from you, but they are integrated there.

882
00:49:05.440 --> 00:49:07.599
<v Speaker 8>They are part of the hand, and so it's.

883
00:49:07.599 --> 00:49:09.400
<v Speaker 4>Yeah, and I mean you could even say like a

884
00:49:09.480 --> 00:49:14.119
<v Speaker 4>Nuwan's master and a chalice master, you know, rail master

885
00:49:14.360 --> 00:49:17.519
<v Speaker 4>and like, uh, you know, the pinnacles can have you

886
00:49:17.559 --> 00:49:21.119
<v Speaker 4>know that symbolism as well. Yeah, but yeah, no, that's

887
00:49:21.159 --> 00:49:27.280
<v Speaker 4>really amazing. I definitely created the Odelrado deck Taro Kaimera

888
00:49:27.599 --> 00:49:30.159
<v Speaker 4>as a shadow work. I guess you could say deck

889
00:49:30.679 --> 00:49:34.679
<v Speaker 4>just because of the fact that they're all noirs. I

890
00:49:34.719 --> 00:49:39.280
<v Speaker 4>felt like that was sensible and sense it made sense

891
00:49:39.360 --> 00:49:41.559
<v Speaker 4>to make that a deck to do deep dives with

892
00:49:41.639 --> 00:49:47.000
<v Speaker 4>less subconscious and follow through that way. And I think

893
00:49:47.000 --> 00:49:50.559
<v Speaker 4>the images touch you that way anyway. They're also kind

894
00:49:50.599 --> 00:49:56.039
<v Speaker 4>of uncanny and funny and like they're just they're sublime

895
00:49:56.079 --> 00:50:01.400
<v Speaker 4>in their own right. But yeah, that that sense that

896
00:50:01.559 --> 00:50:04.280
<v Speaker 4>he must have had of connected to spirit is so

897
00:50:04.360 --> 00:50:08.039
<v Speaker 4>clear with that those images. I keep wanting to say

898
00:50:08.079 --> 00:50:09.840
<v Speaker 4>cards but obvious artwork.

899
00:50:10.159 --> 00:50:13.079
<v Speaker 1>Yeah, yeah, that are his art is fantastic and I

900
00:50:13.159 --> 00:50:14.920
<v Speaker 1>like how you express them through the cards, So I

901
00:50:15.400 --> 00:50:18.039
<v Speaker 1>like to see it. And when we talk about these things,

902
00:50:18.039 --> 00:50:21.239
<v Speaker 1>it's like how many different angles and like models are

903
00:50:21.239 --> 00:50:25.119
<v Speaker 1>we viewing reality through. But the major arcana are almost

904
00:50:25.199 --> 00:50:29.239
<v Speaker 1>just and even your then minor kona. They're just structures

905
00:50:29.280 --> 00:50:32.760
<v Speaker 1>of existence, and each structure has a certain form which

906
00:50:32.760 --> 00:50:35.480
<v Speaker 1>then follows function, you know. And so it's like once

907
00:50:35.519 --> 00:50:39.239
<v Speaker 1>you get his nervous system and the way he perceives things,

908
00:50:39.280 --> 00:50:42.360
<v Speaker 1>and then it's really it's such a fascinating thing to

909
00:50:42.440 --> 00:50:46.559
<v Speaker 1>see then how you've constructed the major arcana from because

910
00:50:46.559 --> 00:50:48.880
<v Speaker 1>it's like the major arcona is set, you know, what

911
00:50:48.880 --> 00:50:51.079
<v Speaker 1>I mean. It's like you have everything from the full

912
00:50:51.639 --> 00:50:57.199
<v Speaker 1>to the aon and you're then trying to build this

913
00:50:57.320 --> 00:50:59.719
<v Speaker 1>beautiful thing off of it, like you already have this

914
00:50:59.800 --> 00:51:01.840
<v Speaker 1>idea da set and then how do we pull out

915
00:51:01.880 --> 00:51:04.079
<v Speaker 1>through his work and you put it into that ark.

916
00:51:04.320 --> 00:51:05.239
<v Speaker 8>It's a beautiful deck.

917
00:51:06.199 --> 00:51:06.559
<v Speaker 4>Thank you.

918
00:51:06.960 --> 00:51:07.239
<v Speaker 6>Yeah.

919
00:51:08.079 --> 00:51:12.960
<v Speaker 4>Yeah. And I feel like sometimes I think to myself, like, gosh,

920
00:51:13.000 --> 00:51:15.920
<v Speaker 4>I wish there was more, like there must be more

921
00:51:16.199 --> 00:51:20.360
<v Speaker 4>than just you know, like the twenty two, because it

922
00:51:20.480 --> 00:51:23.719
<v Speaker 4>feels like you could easily like sit down and figure

923
00:51:23.719 --> 00:51:24.239
<v Speaker 4>out more.

924
00:51:24.760 --> 00:51:25.000
<v Speaker 6>Yeah.

925
00:51:25.400 --> 00:51:26.679
<v Speaker 4>R Connor that you could come up with.

926
00:51:26.800 --> 00:51:28.280
<v Speaker 8>You know, it's true.

927
00:51:28.480 --> 00:51:30.679
<v Speaker 1>But then we get into the problem of the post

928
00:51:30.760 --> 00:51:34.079
<v Speaker 1>modern chaos magicians. And then that problem is all of

929
00:51:34.119 --> 00:51:36.239
<v Speaker 1>a sudden, you get too erratic and you don't have

930
00:51:36.280 --> 00:51:38.039
<v Speaker 1>any set structure, and then all of a sudden you're

931
00:51:38.119 --> 00:51:38.800
<v Speaker 1>just fucking.

932
00:51:38.559 --> 00:51:39.239
<v Speaker 6>All over the place.

933
00:51:39.400 --> 00:51:44.679
<v Speaker 7>Now now, now, now that is completely unfair. That feels

934
00:51:44.719 --> 00:51:47.800
<v Speaker 7>like fighting words episode.

935
00:51:48.599 --> 00:51:49.719
<v Speaker 6>So that is not true.

936
00:51:49.960 --> 00:51:53.519
<v Speaker 7>I'm a cast as you know, if you pass to

937
00:51:53.679 --> 00:51:55.719
<v Speaker 7>the to the tree, and that is why there are

938
00:51:55.760 --> 00:51:57.280
<v Speaker 7>twenty two major arcons.

939
00:51:57.840 --> 00:51:59.400
<v Speaker 6>I want to say that that's true.

940
00:52:00.239 --> 00:52:03.239
<v Speaker 7>Chaos wrap on the show.

941
00:52:03.519 --> 00:52:05.519
<v Speaker 6>Just for the record, No, it's true.

942
00:52:05.519 --> 00:52:09.039
<v Speaker 1>And I have my own inner chaos magician obviously through

943
00:52:09.119 --> 00:52:12.000
<v Speaker 1>my hellenization of all the different things I do. So

944
00:52:12.239 --> 00:52:16.280
<v Speaker 1>you're right, and I need I need individuals like yourself, Jin,

945
00:52:16.360 --> 00:52:17.159
<v Speaker 1>to help pull me back.

946
00:52:17.199 --> 00:52:22.000
<v Speaker 4>So thank It feels nicely Saturnian to have those that structure.

947
00:52:22.360 --> 00:52:25.719
<v Speaker 1>Yeah, yeah, it doesn't, and that's my mercurialness nature.

948
00:52:25.760 --> 00:52:26.480
<v Speaker 8>I can't help it.

949
00:52:26.559 --> 00:52:28.159
<v Speaker 1>I want to in hot I want to put it

950
00:52:28.199 --> 00:52:31.000
<v Speaker 1>all together into this neat little package through all a

951
00:52:31.079 --> 00:52:31.960
<v Speaker 1>crazy chaos.

952
00:52:31.960 --> 00:52:35.159
<v Speaker 7>That's a really good A really good chaos magician actually

953
00:52:35.280 --> 00:52:38.920
<v Speaker 7>likes to work within boundaries because it provides a useful

954
00:52:39.039 --> 00:52:44.320
<v Speaker 7>framework for which to draw forth from the flux into

955
00:52:44.360 --> 00:52:47.719
<v Speaker 7>something material. It's a true pathworking. It's like a true

956
00:52:47.760 --> 00:52:51.039
<v Speaker 7>if you're willing into pathworking chaos magics for you, it's

957
00:52:51.079 --> 00:52:52.960
<v Speaker 7>just that you have to take it with the limitations

958
00:52:52.960 --> 00:52:54.800
<v Speaker 7>at it, you know, has that's all.

959
00:52:55.119 --> 00:52:57.519
<v Speaker 8>No, it's beautiful. Yeah, you're so elegantly.

960
00:52:57.519 --> 00:52:59.960
<v Speaker 1>I always state these things, Jin, and I appreciate you there,

961
00:53:00.280 --> 00:53:00.639
<v Speaker 1>thank you.

962
00:53:01.480 --> 00:53:01.639
<v Speaker 2>Yeah.

963
00:53:01.679 --> 00:53:05.079
<v Speaker 3>I used to integrate like chas magic into my virtual work,

964
00:53:05.119 --> 00:53:08.280
<v Speaker 3>but it was never like purely that It's hard to explain,

965
00:53:08.400 --> 00:53:11.320
<v Speaker 3>like like sigils and certain things like maybe I would

966
00:53:11.400 --> 00:53:16.239
<v Speaker 3>use do chaos magic with like you'll use that sigil

967
00:53:16.320 --> 00:53:18.159
<v Speaker 3>and charge it, but it's because I'm using that for

968
00:53:18.199 --> 00:53:19.840
<v Speaker 3>a ritual I'm going to do a few days later.

969
00:53:21.079 --> 00:53:24.039
<v Speaker 2>That was never like the type explain.

970
00:53:24.239 --> 00:53:26.440
<v Speaker 4>I mean, I don't like to call my magic chaos

971
00:53:26.480 --> 00:53:30.840
<v Speaker 4>magic per se, but it must obviously be because I

972
00:53:30.840 --> 00:53:33.800
<v Speaker 4>I take in what makes sense to me and what

973
00:53:33.960 --> 00:53:36.320
<v Speaker 4>works for me. And if it's from all different you know,

974
00:53:36.360 --> 00:53:39.280
<v Speaker 4>any different traditions, that's awesome. And like I was saying,

975
00:53:39.280 --> 00:53:42.719
<v Speaker 4>I haven't really gone down the deep dive of kabbala,

976
00:53:43.000 --> 00:53:48.559
<v Speaker 4>and but I yeah, like I find that I don't

977
00:53:48.599 --> 00:53:53.280
<v Speaker 4>want to limit myself so but but I I seek

978
00:53:53.320 --> 00:53:55.800
<v Speaker 4>that wisdom from within. It's something that comes from within.

979
00:53:55.920 --> 00:53:58.519
<v Speaker 4>It's not like, oh, that looks cool. I want to,

980
00:53:58.559 --> 00:54:01.400
<v Speaker 4>you know, explore that that's something maybe I did do

981
00:54:01.480 --> 00:54:04.559
<v Speaker 4>in my early days, but not later now I'm you know,

982
00:54:04.920 --> 00:54:08.719
<v Speaker 4>it's it's what I call like my synchronistic path. It's

983
00:54:09.480 --> 00:54:15.119
<v Speaker 4>what comes to me that is symbolic and synchronous synchronicities.

984
00:54:15.639 --> 00:54:18.360
<v Speaker 4>I can see things that start shaping up and they're

985
00:54:18.360 --> 00:54:22.760
<v Speaker 4>presenting themselves to me. Like when I discovered that a

986
00:54:22.760 --> 00:54:25.920
<v Speaker 4>couple of years ago, I discovered that Apollo and Athena

987
00:54:26.000 --> 00:54:27.679
<v Speaker 4>have been in my life since I was a teen,

988
00:54:28.079 --> 00:54:30.719
<v Speaker 4>like an early teen, or maybe even like a little kid.

989
00:54:31.039 --> 00:54:33.199
<v Speaker 4>But I didn't know that all through my twenties, thirties,

990
00:54:33.239 --> 00:54:36.840
<v Speaker 4>and forties, no joke. But when I now look at

991
00:54:37.039 --> 00:54:39.639
<v Speaker 4>all these things throughout my life that have happened to me,

992
00:54:40.400 --> 00:54:43.920
<v Speaker 4>and I can tie it all to either Apollo or Athena.

993
00:54:44.360 --> 00:54:47.239
<v Speaker 4>And it's very interesting because I never said, oh, I

994
00:54:47.320 --> 00:54:50.719
<v Speaker 4>want to, you know, be a devotional devotee of like

995
00:54:50.760 --> 00:54:55.000
<v Speaker 4>Apollo or Athena, but that they have been like speaking

996
00:54:55.039 --> 00:54:57.920
<v Speaker 4>to me all through these years in signs and symbols,

997
00:54:57.960 --> 00:54:59.519
<v Speaker 4>and it just took a while.

998
00:54:59.280 --> 00:55:03.719
<v Speaker 8>Before Dawn taught me yes.

999
00:55:05.519 --> 00:55:08.719
<v Speaker 4>And you know, it was just like I think it

1000
00:55:08.840 --> 00:55:14.599
<v Speaker 4>was because I started like magical thinking became who I am.

1001
00:55:14.719 --> 00:55:18.679
<v Speaker 4>I think I've always had like magical thinking, but I

1002
00:55:18.760 --> 00:55:21.239
<v Speaker 4>embodied it so much more in my late forties when

1003
00:55:21.239 --> 00:55:25.039
<v Speaker 4>I could kind of like step back from mothering basically,

1004
00:55:25.199 --> 00:55:29.519
<v Speaker 4>you know, get back into you know, all the sort

1005
00:55:29.559 --> 00:55:31.599
<v Speaker 4>of things that make me who I am and not

1006
00:55:31.719 --> 00:55:35.840
<v Speaker 4>just like always pleasing my little ones and making their

1007
00:55:35.880 --> 00:55:41.039
<v Speaker 4>lives enchanting, you know. And so yeah, it was like

1008
00:55:41.519 --> 00:55:46.320
<v Speaker 4>very important to discover that there were particular gods on

1009
00:55:46.360 --> 00:55:48.559
<v Speaker 4>my side that I didn't even know were there, and

1010
00:55:48.719 --> 00:55:50.679
<v Speaker 4>now I'm certain they've been there. You know.

1011
00:55:52.159 --> 00:55:54.320
<v Speaker 7>Well, there's something interesting actually when I talked to you

1012
00:55:54.360 --> 00:55:58.480
<v Speaker 7>about what you just said in reference to Kabbalah, is that, well,

1013
00:55:58.519 --> 00:56:01.079
<v Speaker 7>first fall your past age of forty, so you across

1014
00:56:01.159 --> 00:56:04.320
<v Speaker 7>the you know, the threshold you could say, into the

1015
00:56:04.440 --> 00:56:08.440
<v Speaker 7>ascetic consciousness that of Jupiter. Jupiter is also a co

1016
00:56:08.559 --> 00:56:11.679
<v Speaker 7>ruler of Uranus. You said you're an Aquarius. Well, the

1017
00:56:11.719 --> 00:56:15.599
<v Speaker 7>spirit of Aquarius is driven by the idea of justice,

1018
00:56:16.840 --> 00:56:18.280
<v Speaker 7>so that's also.

1019
00:56:18.159 --> 00:56:19.519
<v Speaker 6>Very asthetic in a way.

1020
00:56:20.000 --> 00:56:23.760
<v Speaker 7>So there's a direct one to one kind of correspondence

1021
00:56:23.760 --> 00:56:29.440
<v Speaker 7>in the higher event obviously occurs on that pillar, and

1022
00:56:29.480 --> 00:56:31.519
<v Speaker 7>that can be related to Neptune, but it can also

1023
00:56:31.960 --> 00:56:34.079
<v Speaker 7>or Hope mob but it can it can also be

1024
00:56:34.119 --> 00:56:38.159
<v Speaker 7>related Togetherra, which has a Mars which has a very

1025
00:56:38.159 --> 00:56:41.920
<v Speaker 7>strong relationship with Jupiter or Hesse. So it's kind of

1026
00:56:42.000 --> 00:56:44.920
<v Speaker 7>like the it's that priestly knowledge, that kind of thing

1027
00:56:44.960 --> 00:56:48.440
<v Speaker 7>that you're talking about self referential. You're like, your internal

1028
00:56:48.679 --> 00:56:52.719
<v Speaker 7>flame is kind of what guides you your arrow with an

1029
00:56:52.760 --> 00:56:56.719
<v Speaker 7>a so that that kind of does actually directly correlate.

1030
00:56:56.840 --> 00:57:00.599
<v Speaker 7>And then there's an idea that the coming age will

1031
00:57:00.599 --> 00:57:03.519
<v Speaker 7>be a solar one or will have a solar lunar

1032
00:57:04.800 --> 00:57:08.719
<v Speaker 7>synthetic element, so like Apollo and an Athena.

1033
00:57:08.320 --> 00:57:11.599
<v Speaker 6>A son and a daughter. So that's kind of interesting.

1034
00:57:11.719 --> 00:57:14.239
<v Speaker 7>I think just from a you know, just like a

1035
00:57:14.280 --> 00:57:19.239
<v Speaker 7>speculative like gnostic perspective, and I think you're you're right.

1036
00:57:19.280 --> 00:57:21.039
<v Speaker 7>I think I think that's what it is about, is

1037
00:57:21.239 --> 00:57:24.119
<v Speaker 7>drawing from things that are meaningful, that makes sense to you,

1038
00:57:24.199 --> 00:57:26.880
<v Speaker 7>and that are practical that work. It's not just we're

1039
00:57:26.880 --> 00:57:31.320
<v Speaker 7>not replicating Golden Down, you know, ritual texts wholesale. You're

1040
00:57:31.320 --> 00:57:35.719
<v Speaker 7>looking at them in like terms of the whole landscape.

1041
00:57:35.960 --> 00:57:37.760
<v Speaker 7>So yeah, I think that if you want to call

1042
00:57:37.800 --> 00:57:39.280
<v Speaker 7>yourself a chaot, I think that's cool.

1043
00:57:39.320 --> 00:57:40.400
<v Speaker 6>But you know that's just me.

1044
00:57:41.079 --> 00:57:44.400
<v Speaker 1>Yeah, yeah, I guess it's almost like it's hard not

1045
00:57:44.519 --> 00:57:49.440
<v Speaker 1>to be categorized in that chaos magic realm, especially since

1046
00:57:49.800 --> 00:57:53.920
<v Speaker 1>there are very few people who have been initiated through

1047
00:57:54.119 --> 00:57:57.840
<v Speaker 1>structural systems like the Golden Dawn, you know what I mean,

1048
00:57:57.880 --> 00:58:01.000
<v Speaker 1>And so we're all kind of just uh an amalgamorum

1049
00:58:01.199 --> 00:58:05.400
<v Speaker 1>of these teachings that have come down through time and

1050
00:58:05.440 --> 00:58:07.679
<v Speaker 1>then trying to put them through our own nervous systems

1051
00:58:07.719 --> 00:58:09.199
<v Speaker 1>to understand our body mind.

1052
00:58:10.000 --> 00:58:13.079
<v Speaker 4>Yeah, and I think a lot of what I'm trying

1053
00:58:13.119 --> 00:58:16.840
<v Speaker 4>to say too, is like who I have become and

1054
00:58:16.880 --> 00:58:20.840
<v Speaker 4>who I am is a lot of it's from DNA memory,

1055
00:58:20.920 --> 00:58:23.519
<v Speaker 4>is what I call it, like cellular memory, And so

1056
00:58:23.599 --> 00:58:27.280
<v Speaker 4>it's like what I must have and could have easily been,

1057
00:58:27.360 --> 00:58:30.960
<v Speaker 4>because I'm absolutely, you know, for me, certain that I've

1058
00:58:30.960 --> 00:58:35.360
<v Speaker 4>had past lives, and so I spend a lot of

1059
00:58:35.400 --> 00:58:41.880
<v Speaker 4>time thinking about and connecting in with past lives and

1060
00:58:42.039 --> 00:58:44.679
<v Speaker 4>the traditions that I may have followed then and the

1061
00:58:44.719 --> 00:58:48.840
<v Speaker 4>initiations I may have had then. And for instance, you know,

1062
00:58:48.920 --> 00:58:53.000
<v Speaker 4>like I have a desire to move to Italy but

1063
00:58:53.079 --> 00:58:59.199
<v Speaker 4>maybe potentially France to study taro more deeply from the

1064
00:58:59.239 --> 00:59:02.480
<v Speaker 4>early decks that were created in the Renaissance and really

1065
00:59:02.719 --> 00:59:08.800
<v Speaker 4>Renaissance and latent evil. And so I because I have

1066
00:59:09.360 --> 00:59:15.079
<v Speaker 4>direct correlations to certain like families from Italy and certain

1067
00:59:15.199 --> 00:59:18.159
<v Speaker 4>Tarot traditions, you know, not like Tero traditions, but Taro,

1068
00:59:18.920 --> 00:59:22.199
<v Speaker 4>like the Tarocchi, and like the creators and the families

1069
00:59:22.239 --> 00:59:24.599
<v Speaker 4>that were making those. And I've had a lot of

1070
00:59:24.800 --> 00:59:29.639
<v Speaker 4>bizarre synchronicities come into my life about all of that,

1071
00:59:29.840 --> 00:59:32.760
<v Speaker 4>and so I just know that there's the stuff that

1072
00:59:32.880 --> 00:59:35.599
<v Speaker 4>touches my life. There's no sis that touches my life

1073
00:59:35.599 --> 00:59:39.079
<v Speaker 4>from past life experiences. And I used to be really

1074
00:59:40.519 --> 00:59:42.920
<v Speaker 4>I felt funny talking about it with people, like constantly

1075
00:59:42.920 --> 00:59:47.480
<v Speaker 4>talking about past lives, until I discovered that the Greeks

1076
00:59:48.400 --> 00:59:51.599
<v Speaker 4>that was you know, they had that word for it too, and.

1077
00:59:51.760 --> 00:59:53.880
<v Speaker 8>Met psychosis or transmigration.

1078
00:59:54.199 --> 00:59:59.400
<v Speaker 4>Yeah, exactly, with metam psychosis like they were, you know,

1079
00:59:59.800 --> 01:00:04.519
<v Speaker 4>it was completely normal and not abnormal to understand you're

1080
01:00:04.800 --> 01:00:08.599
<v Speaker 4>like and if particularly like you were saying orphic initiat,

1081
01:00:10.280 --> 01:00:13.679
<v Speaker 4>which I'm certain that I had some experience of that

1082
01:00:13.760 --> 01:00:17.400
<v Speaker 4>in a past life and probably was involved in some

1083
01:00:17.559 --> 01:00:21.159
<v Speaker 4>of the mysteries, and so that nosis comes through, and

1084
01:00:21.239 --> 01:00:23.760
<v Speaker 4>you know, like I am a woman, so I suppose

1085
01:00:23.800 --> 01:00:26.440
<v Speaker 4>there's more of a sense of like that intuitive side.

1086
01:00:27.039 --> 01:00:30.000
<v Speaker 4>So it's like all of the magic that may seem

1087
01:00:30.039 --> 01:00:33.400
<v Speaker 4>like chaos, magic that comes into my life can also

1088
01:00:33.519 --> 01:00:35.719
<v Speaker 4>not just be from things that I discovered in my

1089
01:00:35.800 --> 01:00:38.360
<v Speaker 4>teens and twenties and thirties, forties, fifties, you know, but

1090
01:00:38.480 --> 01:00:42.440
<v Speaker 4>like brought through from many generations, in many lives and

1091
01:00:42.480 --> 01:00:46.360
<v Speaker 4>many weird experiences and things where I've had extreme trauma.

1092
01:00:46.920 --> 01:00:50.559
<v Speaker 4>In fact, I've talked about this on other podcasts, but

1093
01:00:52.119 --> 01:00:56.840
<v Speaker 4>I think that my road towards motherhood in this life

1094
01:00:57.239 --> 01:01:01.599
<v Speaker 4>was to blanket some of the traumas of past lives

1095
01:01:01.679 --> 01:01:06.639
<v Speaker 4>and to kind of keep that bay my magic, and

1096
01:01:06.679 --> 01:01:09.159
<v Speaker 4>once my kids were old enough, I was allowed to

1097
01:01:09.239 --> 01:01:11.239
<v Speaker 4>let it through. I was allowed to sort of step

1098
01:01:11.280 --> 01:01:15.360
<v Speaker 4>away and like let that like deep magic come out

1099
01:01:15.960 --> 01:01:20.920
<v Speaker 4>and not be so afraid of it because of you know,

1100
01:01:21.199 --> 01:01:24.880
<v Speaker 4>experiences and past lives. Worse probably for me it was

1101
01:01:25.039 --> 01:01:27.400
<v Speaker 4>strangled and drowned rather than burnt.

1102
01:01:27.840 --> 01:01:28.400
<v Speaker 2>But yet.

1103
01:01:29.719 --> 01:01:32.280
<v Speaker 4>Those experiences I think are in our you know, bones

1104
01:01:32.320 --> 01:01:35.320
<v Speaker 4>and our like DNA history and like cellular stuff.

1105
01:01:35.400 --> 01:01:43.239
<v Speaker 2>So yeah, nice, Uh, Judith, is this something you wanted

1106
01:01:43.280 --> 01:01:44.559
<v Speaker 2>to ask you?

1107
01:01:45.840 --> 01:01:49.559
<v Speaker 5>I did have a question because of your approach towards

1108
01:01:50.159 --> 01:01:51.400
<v Speaker 5>the way you developed these cards.

1109
01:01:51.400 --> 01:01:53.880
<v Speaker 8>I'm unfamiliar with it, and I could.

1110
01:01:53.639 --> 01:01:57.480
<v Speaker 5>See the artistry work within the cards, but you also

1111
01:01:57.719 --> 01:02:01.800
<v Speaker 5>added literature. So I was wondering to help those who

1112
01:02:01.840 --> 01:02:06.519
<v Speaker 5>are new to your approach in this your dex. Do

1113
01:02:06.599 --> 01:02:12.039
<v Speaker 5>you how can I say, connect like a specific work

1114
01:02:12.039 --> 01:02:14.719
<v Speaker 5>of art, like a specific poem to each card, to

1115
01:02:14.880 --> 01:02:19.199
<v Speaker 5>help like someone who gets your card connect with the

1116
01:02:19.320 --> 01:02:23.039
<v Speaker 5>vibe and the the emotion and the feeling you're trying

1117
01:02:23.079 --> 01:02:24.480
<v Speaker 5>to invoke with it.

1118
01:02:25.239 --> 01:02:28.159
<v Speaker 4>Yeah, so that was kind of why I got into

1119
01:02:28.280 --> 01:02:32.480
<v Speaker 4>creating tarot, because I've always loved poetry and I've always

1120
01:02:32.519 --> 01:02:35.920
<v Speaker 4>loved art, and I've always wondered how to combine the two.

1121
01:02:36.039 --> 01:02:37.760
<v Speaker 4>So I did book arts for a little while, but

1122
01:02:37.800 --> 01:02:42.519
<v Speaker 4>it never really it just didn't sustain me and I

1123
01:02:42.599 --> 01:02:44.360
<v Speaker 4>it just wasn't like I didn't want to keep just

1124
01:02:44.440 --> 01:02:50.280
<v Speaker 4>creating like standalone art books or whatever. So but yeah,

1125
01:02:50.320 --> 01:02:52.039
<v Speaker 4>so I wanted to do more writing. That's when I

1126
01:02:52.079 --> 01:02:54.719
<v Speaker 4>went back to school for creative writing, and I wanted

1127
01:02:54.719 --> 01:02:58.679
<v Speaker 4>to then express the two together somehow, And Taro made

1128
01:02:58.719 --> 01:03:03.039
<v Speaker 4>sense because you know, you've got the interpretations alongside the

1129
01:03:03.280 --> 01:03:06.800
<v Speaker 4>card itself. And so I wanted mine to be definitely

1130
01:03:06.880 --> 01:03:11.199
<v Speaker 4>like poetic inspired. So whenever I write, it is a

1131
01:03:11.199 --> 01:03:18.119
<v Speaker 4>bit of like what someone might say channeling, and you know,

1132
01:03:18.519 --> 01:03:21.840
<v Speaker 4>I will I will do it from like the hero's

1133
01:03:21.920 --> 01:03:28.280
<v Speaker 4>journey kind of perspective. It's mythic, it's poetic and it's

1134
01:03:28.400 --> 01:03:34.519
<v Speaker 4>magical minded, you know. And I don't have a specific

1135
01:03:34.760 --> 01:03:37.719
<v Speaker 4>you know, like poem, but I have put poems together

1136
01:03:37.760 --> 01:03:41.280
<v Speaker 4>with Tara, like my Sublime Threshold steck for each interpretation

1137
01:03:41.440 --> 01:03:45.039
<v Speaker 4>does have a poem from some other famous you know,

1138
01:03:45.159 --> 01:03:50.559
<v Speaker 4>like writer. But yeah, does that answer your question or

1139
01:03:50.719 --> 01:03:52.320
<v Speaker 4>was there more you wanted me to explain?

1140
01:03:52.960 --> 01:03:58.000
<v Speaker 5>Actually it did because because I was trying to understand

1141
01:03:58.079 --> 01:04:00.239
<v Speaker 5>since you don't use the kabala and a it's not

1142
01:04:00.280 --> 01:04:03.280
<v Speaker 5>the ruined system and you say you don't necessarily follow

1143
01:04:04.039 --> 01:04:07.440
<v Speaker 5>astrology too much. I was trying to put that together

1144
01:04:08.320 --> 01:04:11.599
<v Speaker 5>and see how to move forward when it comes to

1145
01:04:11.719 --> 01:04:12.440
<v Speaker 5>using your deck.

1146
01:04:13.360 --> 01:04:15.800
<v Speaker 4>Oh yeah, yeah, well, I mean all the all the

1147
01:04:15.800 --> 01:04:18.599
<v Speaker 4>decks I've created all have guide books that are extended,

1148
01:04:18.639 --> 01:04:20.440
<v Speaker 4>so not just the little white book that goes in

1149
01:04:20.519 --> 01:04:23.800
<v Speaker 4>the deck, but like creative interpretations that I've written that

1150
01:04:23.840 --> 01:04:26.920
<v Speaker 4>go with them, and that usually for my indie decks,

1151
01:04:26.960 --> 01:04:30.320
<v Speaker 4>there are separate books that I've published, and with the

1152
01:04:30.360 --> 01:04:33.320
<v Speaker 4>wiser decks, they have them right in there with the

1153
01:04:33.639 --> 01:04:34.440
<v Speaker 4>like a box set.

1154
01:04:35.119 --> 01:04:38.840
<v Speaker 3>Yep, that's all was the one they sent me, very nice,

1155
01:04:41.199 --> 01:04:43.760
<v Speaker 3>cythe I wanted to ask you, what's what is different

1156
01:04:43.760 --> 01:04:45.880
<v Speaker 3>about emblem emblemata?

1157
01:04:46.119 --> 01:04:47.559
<v Speaker 2>Sorry is how do you say that one again?

1158
01:04:48.440 --> 01:04:49.079
<v Speaker 4>Emblemata?

1159
01:04:49.199 --> 01:04:50.440
<v Speaker 2>Yeah? Okay, it was right.

1160
01:04:50.559 --> 01:04:53.920
<v Speaker 3>What's like what's different about that deck, like the reason

1161
01:04:54.039 --> 01:04:56.079
<v Speaker 3>Like normally when I ask people who write a book,

1162
01:04:56.119 --> 01:04:59.039
<v Speaker 3>like what will you bring to the public that's different

1163
01:04:59.320 --> 01:05:01.000
<v Speaker 3>than everybody else you wrote on this topic?

1164
01:05:01.519 --> 01:05:02.639
<v Speaker 2>So you know what I'm saying, I kind of like

1165
01:05:02.679 --> 01:05:03.800
<v Speaker 2>the same thing with your taro.

1166
01:05:04.679 --> 01:05:07.000
<v Speaker 4>Yeah, for sure. I mean I think for me, they

1167
01:05:07.239 --> 01:05:10.039
<v Speaker 4>well first and foremost when I had seen a lot

1168
01:05:10.039 --> 01:05:12.320
<v Speaker 4>of the emblemsloading around, like when I would go to

1169
01:05:12.360 --> 01:05:15.800
<v Speaker 4>Pinterest and just on the internet, and I'd always been

1170
01:05:15.880 --> 01:05:19.360
<v Speaker 4>drawn to them because they have that like iconic. They're

1171
01:05:19.400 --> 01:05:24.119
<v Speaker 4>black and white, they're iconic, and they are archaic, which

1172
01:05:24.119 --> 01:05:26.559
<v Speaker 4>has always interested me because there's a sense of the

1173
01:05:26.599 --> 01:05:32.840
<v Speaker 4>mystical and the metaphysical behind them and obviously archetypal and symbolic,

1174
01:05:33.880 --> 01:05:36.320
<v Speaker 4>but it's for what I love about them is they

1175
01:05:36.360 --> 01:05:39.440
<v Speaker 4>are from the Renaissance, and there's a sense of Renaissance

1176
01:05:39.480 --> 01:05:43.480
<v Speaker 4>wisdom there, so there's like it's like they are microcosms

1177
01:05:43.519 --> 01:05:48.079
<v Speaker 4>of something bigger and they're emblematic, you know, and they

1178
01:05:48.119 --> 01:05:54.239
<v Speaker 4>are they represent different things for the culture at the time,

1179
01:05:54.559 --> 01:05:57.840
<v Speaker 4>and they were for people who were both literate and illiterate,

1180
01:05:57.880 --> 01:06:00.360
<v Speaker 4>because people who could read could read them, mom, but

1181
01:06:00.400 --> 01:06:02.360
<v Speaker 4>people who couldn't really could look at the symbols and

1182
01:06:02.400 --> 01:06:04.039
<v Speaker 4>they could kind of guess and figure.

1183
01:06:03.840 --> 01:06:04.440
<v Speaker 8>It out, you know.

1184
01:06:06.440 --> 01:06:10.639
<v Speaker 4>But yeah, I think that with Renaissance wisdom, there's a

1185
01:06:10.719 --> 01:06:17.320
<v Speaker 4>sense of no separation of you know, like spirituality and

1186
01:06:17.320 --> 01:06:20.559
<v Speaker 4>philosophy and science and theology. It was all kind of

1187
01:06:20.599 --> 01:06:24.320
<v Speaker 4>like together as one. At least that's how I interpret it,

1188
01:06:26.119 --> 01:06:30.159
<v Speaker 4>and so early science obviously, but you know, so things

1189
01:06:30.199 --> 01:06:35.039
<v Speaker 4>like astronomy and like music and you know, painting and

1190
01:06:35.079 --> 01:06:38.760
<v Speaker 4>everything was kind of like combined into a philosophy. And

1191
01:06:38.800 --> 01:06:41.960
<v Speaker 4>so that's what I love about these emblems, and they're

1192
01:06:42.039 --> 01:06:46.000
<v Speaker 4>also they tre they're transcendent for me because you know,

1193
01:06:46.039 --> 01:06:48.880
<v Speaker 4>you can you can decode them of their clues, but

1194
01:06:49.079 --> 01:06:51.320
<v Speaker 4>I think that they speak for themselves just by looking

1195
01:06:51.360 --> 01:06:55.239
<v Speaker 4>at them, and they can be contemporary even though they're ancient.

1196
01:06:57.039 --> 01:07:00.440
<v Speaker 4>So uh yeah, I think that's what makes some special.

1197
01:07:01.079 --> 01:07:05.679
<v Speaker 4>They were created in fifteen fifty one. If you need

1198
01:07:05.719 --> 01:07:08.320
<v Speaker 4>to know the name of the these particular, the person

1199
01:07:08.320 --> 01:07:11.960
<v Speaker 4>who curated these, it's Claude Paradine and his book device

1200
01:07:12.079 --> 01:07:18.199
<v Speaker 4>is aerow Week And there were many emblematic books of

1201
01:07:18.320 --> 01:07:22.239
<v Speaker 4>the time, and I think there's something like six thousand,

1202
01:07:23.800 --> 01:07:27.079
<v Speaker 4>So yeah, it was pretty big back then, and they

1203
01:07:27.239 --> 01:07:32.960
<v Speaker 4>I think have transcendent appeal. They people do like to

1204
01:07:33.159 --> 01:07:37.599
<v Speaker 4>you know, Like obviously when I saw these images, when

1205
01:07:37.599 --> 01:07:40.280
<v Speaker 4>I started looking at the whole book and seeing all

1206
01:07:40.280 --> 01:07:43.320
<v Speaker 4>these emblems, it was obvious that there were so many

1207
01:07:43.360 --> 01:07:45.639
<v Speaker 4>that related to the taro and the traditional sort of

1208
01:07:45.679 --> 01:07:49.639
<v Speaker 4>rightaway smith or even some of them might say, you know,

1209
01:07:49.800 --> 01:07:53.079
<v Speaker 4>like so there's like the key, the cross key that

1210
01:07:53.159 --> 01:07:56.360
<v Speaker 4>made sense for the heerophont, you know, there was a

1211
01:07:56.440 --> 01:07:58.639
<v Speaker 4>line with a sword that was obviously like perfect for

1212
01:07:58.719 --> 01:08:03.320
<v Speaker 4>the string card. But more than obvious was there was

1213
01:08:03.840 --> 01:08:08.440
<v Speaker 4>so many that that typical right away smith like arm

1214
01:08:08.920 --> 01:08:12.079
<v Speaker 4>holding a sword, or a wand or a chalice, or

1215
01:08:12.119 --> 01:08:14.639
<v Speaker 4>even a pentacle coming out of a cloud that is

1216
01:08:14.679 --> 01:08:18.000
<v Speaker 4>the ace of swords, wands, pentacles, and cups. You know.

1217
01:08:18.880 --> 01:08:23.880
<v Speaker 4>So it just it made sense to bring these and

1218
01:08:24.039 --> 01:08:26.840
<v Speaker 4>kind of revivify them and bring them out into the

1219
01:08:26.840 --> 01:08:29.279
<v Speaker 4>world in a unique and different way and have them

1220
01:08:29.840 --> 01:08:32.000
<v Speaker 4>be attached to not only their mottos that are on

1221
01:08:32.079 --> 01:08:36.920
<v Speaker 4>the cards, but also write interpretations of them based on

1222
01:08:37.000 --> 01:08:41.039
<v Speaker 4>their like the inscriptio and the subscriptio of the what

1223
01:08:41.199 --> 01:08:45.439
<v Speaker 4>was called the pictora the emblem. And yeah, I think

1224
01:08:45.439 --> 01:08:46.319
<v Speaker 4>they're pretty magical.

1225
01:08:52.159 --> 01:08:52.760
<v Speaker 2>Is it all right?

1226
01:08:53.560 --> 01:08:57.000
<v Speaker 3>Unfortunately, because they did send me your other deck, was

1227
01:08:57.000 --> 01:08:58.640
<v Speaker 3>it all right? Maybe I showed some of the images

1228
01:08:58.680 --> 01:09:02.439
<v Speaker 3>of the Tarot camera just sure, yeah, because I think

1229
01:09:02.600 --> 01:09:07.720
<v Speaker 3>some of this stuff is amazing. We have the full

1230
01:09:07.760 --> 01:09:09.319
<v Speaker 3>card and the Magician car and the Horrofin.

1231
01:09:13.800 --> 01:09:20.560
<v Speaker 2>So I like changes m one thing I did want

1232
01:09:20.560 --> 01:09:21.159
<v Speaker 2>to ask you.

1233
01:09:22.000 --> 01:09:23.760
<v Speaker 3>I guess since I'm looking at it now, it reminded

1234
01:09:23.800 --> 01:09:26.159
<v Speaker 3>me what was it that made you want to add

1235
01:09:26.199 --> 01:09:27.039
<v Speaker 3>those extra cards?

1236
01:09:28.600 --> 01:09:31.199
<v Speaker 4>Because there were so many great images and I didn't

1237
01:09:31.199 --> 01:09:35.119
<v Speaker 4>want to stop, and also because me, yeah, because I'm

1238
01:09:35.159 --> 01:09:38.600
<v Speaker 4>not much. I guess I'm getting a little more into

1239
01:09:38.640 --> 01:09:41.960
<v Speaker 4>it now. But I haven't always been really like big

1240
01:09:42.000 --> 01:09:45.439
<v Speaker 4>on Oracle decks. But it was fun to I think

1241
01:09:45.479 --> 01:09:47.840
<v Speaker 4>i'd gotten like the Pig in Other Worlds years ago,

1242
01:09:47.920 --> 01:09:50.039
<v Speaker 4>and I was like, they had that extra card and

1243
01:09:50.600 --> 01:09:52.439
<v Speaker 4>at the end, and I was like, oh, I'll do one.

1244
01:09:52.479 --> 01:09:54.119
<v Speaker 4>And so I did that one, the visionary one that

1245
01:09:54.159 --> 01:09:58.720
<v Speaker 4>you just showed as like a Irania Press last card

1246
01:09:59.079 --> 01:10:01.720
<v Speaker 4>for my indie deck. It actually has information on it

1247
01:10:01.760 --> 01:10:04.479
<v Speaker 4>written on it for you know, like you're on your press.

1248
01:10:04.680 --> 01:10:10.119
<v Speaker 4>But anyway, so yeah, I just like want to keep

1249
01:10:10.159 --> 01:10:13.840
<v Speaker 4>doing more, but also it's fun to have a few

1250
01:10:13.880 --> 01:10:18.000
<v Speaker 4>oracle cards in there and they make statements on their own.

1251
01:10:20.279 --> 01:10:21.159
<v Speaker 2>This is pretty cool.

1252
01:10:23.520 --> 01:10:26.279
<v Speaker 4>In fact, I could have done an entire oracle deck

1253
01:10:26.359 --> 01:10:30.039
<v Speaker 4>for more of Raydon's work, but someone has already done that.

1254
01:10:36.479 --> 01:10:38.159
<v Speaker 2>Always give people that idea what it looks like.

1255
01:10:38.199 --> 01:10:43.399
<v Speaker 1>In Yeah, it's got such like a haunting, beautiful aesthetic

1256
01:10:43.520 --> 01:10:47.039
<v Speaker 1>to it that is like with the light in the dark,

1257
01:10:47.079 --> 01:10:50.359
<v Speaker 1>it's got such like a phenomenological experience of how it

1258
01:10:50.439 --> 01:10:51.399
<v Speaker 1>makes you feel.

1259
01:10:53.680 --> 01:10:55.920
<v Speaker 3>Not that I know the way I explained it probably

1260
01:10:55.960 --> 01:10:58.840
<v Speaker 3>like I wasn't knocking it, but I think yesterday when

1261
01:10:58.880 --> 01:11:00.520
<v Speaker 3>I mentioned that we're going to where we're going to

1262
01:11:00.560 --> 01:11:04.359
<v Speaker 3>go live, which is no big deal, I was promoting

1263
01:11:04.359 --> 01:11:05.880
<v Speaker 3>the show already and I said, he know, this art

1264
01:11:05.920 --> 01:11:07.920
<v Speaker 3>is pretty sick. I said, it reminded me of that

1265
01:11:08.039 --> 01:11:11.319
<v Speaker 3>book if people remember more scary stories to tell in

1266
01:11:11.399 --> 01:11:15.520
<v Speaker 3>the dark scary that show was always creepy to me,

1267
01:11:16.000 --> 01:11:17.840
<v Speaker 3>and I was like, Yo, this art is sick.

1268
01:11:18.800 --> 01:11:22.640
<v Speaker 1>Yeah, because it's the sublime and the surreal extend outside

1269
01:11:22.800 --> 01:11:25.279
<v Speaker 1>of our normal rational mind state. And so it's like

1270
01:11:25.319 --> 01:11:27.920
<v Speaker 1>when the shadows start to creep with the lights, you

1271
01:11:28.039 --> 01:11:33.319
<v Speaker 1>see all kinds of different ghosts like apparatuses, you know.

1272
01:11:34.319 --> 01:11:37.560
<v Speaker 4>Yeah, Like on the back of the this deck from Wiser,

1273
01:11:38.000 --> 01:11:40.079
<v Speaker 4>I give a quote from right down which was like

1274
01:11:40.239 --> 01:11:45.239
<v Speaker 4>that his imagery places quote the logic of the visible

1275
01:11:45.319 --> 01:11:48.000
<v Speaker 4>at the service of the invisible, and that I think

1276
01:11:48.119 --> 01:11:51.119
<v Speaker 4>is a really good one for his work, because the invisible,

1277
01:11:51.319 --> 01:11:58.640
<v Speaker 4>the noetic, the phenomenal, you know, it comes out in

1278
01:11:58.720 --> 01:12:02.159
<v Speaker 4>that work. It's clear to me then he was connected to.

1279
01:12:02.159 --> 01:12:08.960
<v Speaker 8>Spirits, oh for sure. Yeah, yeah, because it veers.

1280
01:12:09.119 --> 01:12:12.079
<v Speaker 1>What's interesting is how the aesthetic can still be sublime

1281
01:12:12.079 --> 01:12:15.800
<v Speaker 1>and beautiful and veer towards the grotesque. And I think

1282
01:12:15.840 --> 01:12:19.119
<v Speaker 1>a lot of people forget how the grotesque is something

1283
01:12:19.439 --> 01:12:23.079
<v Speaker 1>that is kind of mind bending and also interacts with

1284
01:12:23.119 --> 01:12:28.079
<v Speaker 1>your gut when you have certain experiences, and it's most

1285
01:12:28.159 --> 01:12:31.680
<v Speaker 1>of those experiences that are most paradigmatic or paradigm shifting

1286
01:12:31.720 --> 01:12:32.680
<v Speaker 1>for our consciousness.

1287
01:12:32.920 --> 01:12:35.600
<v Speaker 4>Yeah, and I think that the chimera and the hybrid

1288
01:12:35.640 --> 01:12:39.520
<v Speaker 4>creature I think is important as a symbolic image to

1289
01:12:40.039 --> 01:12:44.600
<v Speaker 4>not forget because we have, you know, with too much

1290
01:12:44.640 --> 01:12:47.439
<v Speaker 4>New Age stuff, just go too much into the light,

1291
01:12:47.640 --> 01:12:52.319
<v Speaker 4>you know, and we've got to continue to be haunted

1292
01:12:52.399 --> 01:12:55.359
<v Speaker 4>by weird and uncanny, ununcanny you.

1293
01:12:55.319 --> 01:12:56.920
<v Speaker 8>Know, Yeah, that's great.

1294
01:12:57.199 --> 01:13:02.079
<v Speaker 4>It helps us to think deeper about ourselves and relation

1295
01:13:02.199 --> 01:13:04.079
<v Speaker 4>to others, you know, and relationship spirit.

1296
01:13:04.560 --> 01:13:07.600
<v Speaker 1>Yeah, and totally understand the monster aspect of the human

1297
01:13:08.199 --> 01:13:11.399
<v Speaker 1>consciousness of person, of our personhood. It's it's it's fat,

1298
01:13:11.479 --> 01:13:14.199
<v Speaker 1>it's like we Yeah, exam, I completely agree on how

1299
01:13:14.199 --> 01:13:16.960
<v Speaker 1>the New Age thing wants to be like love and

1300
01:13:17.039 --> 01:13:20.680
<v Speaker 1>light and it's all angels and what it's like. Actually,

1301
01:13:20.680 --> 01:13:24.199
<v Speaker 1>most of our mind is always taken up with the

1302
01:13:24.279 --> 01:13:26.119
<v Speaker 1>haunting and the emotional.

1303
01:13:27.279 --> 01:13:30.560
<v Speaker 4>Yeah, and I mean it pisses me off in a

1304
01:13:30.600 --> 01:13:34.239
<v Speaker 4>lot of ways, that whole kind of angels as you know,

1305
01:13:34.399 --> 01:13:38.960
<v Speaker 4>something derogatory because angels originally even were like considered so

1306
01:13:39.119 --> 01:13:41.800
<v Speaker 4>frightening and so scary, you know, like and they were

1307
01:13:41.840 --> 01:13:45.119
<v Speaker 4>depicted as wheels with hundreds of eyes and you know,

1308
01:13:45.159 --> 01:13:49.920
<v Speaker 4>it's just bizarre. So yeah, I mean, the angelic everything

1309
01:13:49.960 --> 01:13:51.840
<v Speaker 4>to me when it comes to all of this work,

1310
01:13:52.000 --> 01:13:57.039
<v Speaker 4>and also just my spiritual path is about entity, deity, spirit,

1311
01:13:57.520 --> 01:14:02.199
<v Speaker 4>diamond and that connection and that guidance. So whether it

1312
01:14:02.239 --> 01:14:03.600
<v Speaker 4>be angel or whatever.

1313
01:14:05.680 --> 01:14:06.479
<v Speaker 8>Yeah, that's beautiful.

1314
01:14:06.520 --> 01:14:09.119
<v Speaker 1>Yeah, people forget kind of exactly what you just said

1315
01:14:09.199 --> 01:14:11.479
<v Speaker 1>is people forget that if you were to witness a

1316
01:14:11.520 --> 01:14:14.239
<v Speaker 1>god's true form or an angel's true form, it would

1317
01:14:14.279 --> 01:14:15.159
<v Speaker 1>destroy you.

1318
01:14:15.600 --> 01:14:18.880
<v Speaker 4>Yeah, and I mean that, you know, Gustav Moreau painting

1319
01:14:19.239 --> 01:14:22.560
<v Speaker 4>of Zeus with is it Somale, you know, like she

1320
01:14:22.760 --> 01:14:26.720
<v Speaker 4>just like disintegrated because he had to show her his

1321
01:14:26.840 --> 01:14:30.319
<v Speaker 4>true form because she was tricked by Harah. But yeah,

1322
01:14:30.359 --> 01:14:35.359
<v Speaker 4>so that's an amazing painting and a great story. But yeah,

1323
01:14:35.720 --> 01:14:38.439
<v Speaker 4>I think that I think that we could probably yeah,

1324
01:14:38.600 --> 01:14:41.760
<v Speaker 4>never truly see them. But that's why we have symbols

1325
01:14:41.800 --> 01:14:43.520
<v Speaker 4>and all of this art, you know, And that's what

1326
01:14:43.640 --> 01:14:46.479
<v Speaker 4>really pisses me off about, like the Reformation and all

1327
01:14:46.520 --> 01:14:49.600
<v Speaker 4>of that was you know, iconoclasm and like you know,

1328
01:14:49.760 --> 01:14:53.840
<v Speaker 4>smashing the icons and everything, because to me, it's what

1329
01:14:54.000 --> 01:14:57.359
<v Speaker 4>art is all about, is you know, we're as human beings,

1330
01:14:57.560 --> 01:15:00.479
<v Speaker 4>you know, we were I think taught by the angels

1331
01:15:00.479 --> 01:15:02.760
<v Speaker 4>this stuff, you know, and I think it's important, even

1332
01:15:02.760 --> 01:15:05.800
<v Speaker 4>if it's a fallen thing, it's a really creative and

1333
01:15:05.840 --> 01:15:06.239
<v Speaker 4>good thing.

1334
01:15:06.960 --> 01:15:10.119
<v Speaker 1>Yeah. Nice leads back into like what we were talking

1335
01:15:10.159 --> 01:15:13.760
<v Speaker 1>about for about Scarlet imprint and what Peter Greve was

1336
01:15:13.760 --> 01:15:17.000
<v Speaker 1>trying to get at with is Lucifer Praxis is so good,

1337
01:15:17.279 --> 01:15:19.640
<v Speaker 1>which is a brilliant Yeah, they're brilliant. And it's the

1338
01:15:19.680 --> 01:15:22.760
<v Speaker 1>idea of like the magic and the mysticism was taught

1339
01:15:22.760 --> 01:15:26.560
<v Speaker 1>to us by those fallen angels and how that has

1340
01:15:26.640 --> 01:15:29.279
<v Speaker 1>moved through it And if you are a magician or

1341
01:15:29.680 --> 01:15:32.760
<v Speaker 1>a mystic or somebody you know, we are the rebels

1342
01:15:33.359 --> 01:15:37.479
<v Speaker 1>exploring the unconscious realms of not only the world, but

1343
01:15:37.600 --> 01:15:41.000
<v Speaker 1>the world that is the fantasmical. We like going outside

1344
01:15:41.079 --> 01:15:44.960
<v Speaker 1>into the dark with little flashlights and look, and the

1345
01:15:45.000 --> 01:15:48.279
<v Speaker 1>flashlight is what creates then kind of like images that

1346
01:15:48.800 --> 01:15:49.960
<v Speaker 1>you're putting into that deck.

1347
01:15:51.039 --> 01:15:53.439
<v Speaker 4>Yeah, that's why I'm really into Prometheus because of the

1348
01:15:53.560 --> 01:15:56.119
<v Speaker 4>idea of like, you know, like in ways like what

1349
01:15:56.159 --> 01:15:58.479
<v Speaker 4>the angels did, he fell, you know what I mean

1350
01:15:58.560 --> 01:16:01.600
<v Speaker 4>and brought the lights you know.

1351
01:16:01.640 --> 01:16:03.239
<v Speaker 6>Oh yeah, I love for me this too.

1352
01:16:03.520 --> 01:16:05.680
<v Speaker 7>And I just want to challenge Brandon and say that

1353
01:16:05.760 --> 01:16:09.039
<v Speaker 7>you're not you're you're you're not against the you're pro

1354
01:16:09.199 --> 01:16:12.439
<v Speaker 7>ARCon If you are not a little.

1355
01:16:12.159 --> 01:16:14.399
<v Speaker 6>Bit of chaos, No, for sure.

1356
01:16:14.840 --> 01:16:16.800
<v Speaker 7>So you have to That's why we have to have

1357
01:16:16.880 --> 01:16:20.279
<v Speaker 7>those like uh, you know, wild and weird syncretic elements

1358
01:16:20.800 --> 01:16:22.880
<v Speaker 7>to sort of like you know, rock and roll. We

1359
01:16:22.920 --> 01:16:24.920
<v Speaker 7>don't want to keep the heavens the same we want

1360
01:16:24.920 --> 01:16:26.359
<v Speaker 7>to like bring the light down here.

1361
01:16:26.960 --> 01:16:30.720
<v Speaker 1>Yeah, said no, I completely agree, and I'm definitely pro ARCon.

1362
01:16:30.800 --> 01:16:32.199
<v Speaker 8>It's such a fascinating world.

1363
01:16:32.279 --> 01:16:36.399
<v Speaker 1>What's happened in the taking of the gnostic or understandings

1364
01:16:36.399 --> 01:16:39.399
<v Speaker 1>of even what an ARCon is and how we like

1365
01:16:39.880 --> 01:16:42.479
<v Speaker 1>epitomize it up and then we want to always destroy them.

1366
01:16:42.560 --> 01:16:44.079
<v Speaker 8>But I actually said it really nicely.

1367
01:16:44.159 --> 01:16:46.359
<v Speaker 1>I think it was in your guys' conversation with him

1368
01:16:46.359 --> 01:16:50.479
<v Speaker 1>and Jamie Paul Lamb and talking about how these arcons

1369
01:16:50.520 --> 01:16:54.199
<v Speaker 1>are actually gatekeepers or guardians of certain levels of consciousness

1370
01:16:54.279 --> 01:16:57.800
<v Speaker 1>as we reach paradigmatic movements in our own like ascent

1371
01:16:58.000 --> 01:16:58.960
<v Speaker 1>towards the stars.

1372
01:16:59.520 --> 01:17:02.720
<v Speaker 7>That's an interesting Hellenic way that I strongly disagree, And

1373
01:17:02.720 --> 01:17:05.479
<v Speaker 7>I told that I disagree with that. That's not that's

1374
01:17:05.520 --> 01:17:07.600
<v Speaker 7>not a tontric way. That's not a good way to

1375
01:17:07.640 --> 01:17:10.720
<v Speaker 7>describe it, right, of course, you know, it's it's one way.

1376
01:17:10.760 --> 01:17:13.520
<v Speaker 7>It's an interesting way that I've heard people from that

1377
01:17:13.640 --> 01:17:17.000
<v Speaker 7>system describe it. And you know, I'm more about like,

1378
01:17:17.079 --> 01:17:20.640
<v Speaker 7>I think the arcons are sort of our fears and projections,

1379
01:17:20.640 --> 01:17:25.199
<v Speaker 7>our klipas, our aggregations. I think that's what more it's about.

1380
01:17:25.239 --> 01:17:26.960
<v Speaker 7>So I think if we want to behead them. I

1381
01:17:26.960 --> 01:17:28.199
<v Speaker 7>think that that's totally okay.

1382
01:17:28.640 --> 01:17:32.199
<v Speaker 1>Yeah, I think that's important as well, which is why

1383
01:17:32.399 --> 01:17:34.520
<v Speaker 1>the rebel nature kind of comes out and probably why

1384
01:17:34.520 --> 01:17:38.680
<v Speaker 1>we agree on such so much is that they're important

1385
01:17:38.760 --> 01:17:42.880
<v Speaker 1>to stand. It's like, what are we but representations of

1386
01:17:42.960 --> 01:17:45.399
<v Speaker 1>exactly the fears that we project outward?

1387
01:17:45.520 --> 01:17:45.720
<v Speaker 2>You know?

1388
01:17:48.680 --> 01:17:49.640
<v Speaker 8>Yeah, it's beautiful.

1389
01:17:49.920 --> 01:17:52.560
<v Speaker 4>Yeah, I would like to. I've been putting on the

1390
01:17:52.600 --> 01:17:56.840
<v Speaker 4>back burner a book that would explore further about my

1391
01:17:57.039 --> 01:18:00.520
<v Speaker 4>conceptions of arkans, which so I'm not going to get

1392
01:18:00.520 --> 01:18:02.960
<v Speaker 4>into that right now because that's like for the back burner,

1393
01:18:03.399 --> 01:18:09.079
<v Speaker 4>but for kind of like me trying to understand why

1394
01:18:09.119 --> 01:18:12.319
<v Speaker 4>the world is so fucked up and why there's so

1395
01:18:12.399 --> 01:18:16.960
<v Speaker 4>much evil and how like. So this research would include

1396
01:18:17.439 --> 01:18:22.640
<v Speaker 4>everything and anything to do with fallen angels, arcons, Sophia, wisdom,

1397
01:18:22.840 --> 01:18:28.640
<v Speaker 4>primordial man, and then how you know, like like before

1398
01:18:28.720 --> 01:18:35.560
<v Speaker 4>the flood, and to understand if there was a golden age,

1399
01:18:35.840 --> 01:18:39.359
<v Speaker 4>how that golden age could come back into play, and

1400
01:18:39.520 --> 01:18:42.960
<v Speaker 4>what we could do now to kind of like take

1401
01:18:43.000 --> 01:18:43.840
<v Speaker 4>steps towards it.

1402
01:18:45.560 --> 01:18:47.920
<v Speaker 8>Long you know, they your.

1403
01:18:47.800 --> 01:18:50.680
<v Speaker 6>Own mind number and that's the number, and that's we're

1404
01:18:50.720 --> 01:18:53.520
<v Speaker 6>in a silver age. Natassia that's how I've positive day.

1405
01:18:53.720 --> 01:18:55.239
<v Speaker 7>So we're in a silver age, So this is a

1406
01:18:55.279 --> 01:18:57.960
<v Speaker 7>time to cultivate your own mind, cultivate your psychic powers,

1407
01:18:57.960 --> 01:19:00.399
<v Speaker 7>if you want to call it that. Yeah, that's how

1408
01:19:00.399 --> 01:19:02.520
<v Speaker 7>you move the age forward. The age moves forward whether

1409
01:19:02.560 --> 01:19:05.000
<v Speaker 7>we know it or not, whether we're reception or not,

1410
01:19:05.119 --> 01:19:08.960
<v Speaker 7>the AONs continue the wheel moves, so we have to

1411
01:19:08.960 --> 01:19:11.640
<v Speaker 7>be in perception of it and then also enact those

1412
01:19:11.680 --> 01:19:15.199
<v Speaker 7>things that are aonic, those things that those archetypal things

1413
01:19:15.199 --> 01:19:16.399
<v Speaker 7>that will help us move through.

1414
01:19:17.079 --> 01:19:19.279
<v Speaker 6>That's kind of a neo gnostic way to think of it.

1415
01:19:19.600 --> 01:19:21.199
<v Speaker 8>Yeah, I love that. I love that.

1416
01:19:21.199 --> 01:19:24.920
<v Speaker 1>That's the self mythologizing understand how embodiment and practice and

1417
01:19:25.119 --> 01:19:28.000
<v Speaker 1>interact in the world. It's not so much going out

1418
01:19:28.039 --> 01:19:30.319
<v Speaker 1>in the world and trying to do things, but it's

1419
01:19:30.319 --> 01:19:34.840
<v Speaker 1>like sitting down with your own reflections and contemplations and

1420
01:19:34.880 --> 01:19:37.520
<v Speaker 1>at the same time try to like like harmonize with

1421
01:19:37.600 --> 01:19:41.439
<v Speaker 1>the inner like king, queen, lover, warrior, magician, poet, type

1422
01:19:41.439 --> 01:19:45.039
<v Speaker 1>of personas that are continually interacting through the cards themselves,

1423
01:19:45.039 --> 01:19:45.640
<v Speaker 1>it seems like.

1424
01:19:46.319 --> 01:19:48.600
<v Speaker 4>But also like you know, that's why I'm writing that

1425
01:19:48.640 --> 01:19:52.079
<v Speaker 4>book on synthemonton Symbola, because I feel like we are

1426
01:19:52.119 --> 01:19:54.479
<v Speaker 4>not alone. We have the gods trying to tell us

1427
01:19:54.479 --> 01:19:57.239
<v Speaker 4>this stuff day and night, and they maybe even like

1428
01:19:57.279 --> 01:20:02.520
<v Speaker 4>you could say, angelic intelligences in the diamond day and night,

1429
01:20:03.039 --> 01:20:07.680
<v Speaker 4>every day of the week, every hour, you know, and

1430
01:20:07.960 --> 01:20:13.319
<v Speaker 4>they're just there and ancestors and we're not alone and

1431
01:20:13.359 --> 01:20:16.399
<v Speaker 4>trying to figure out this stuff. And so yeah, you

1432
01:20:16.479 --> 01:20:20.239
<v Speaker 4>need quietude, you need self reflection in order to hear

1433
01:20:20.680 --> 01:20:24.960
<v Speaker 4>what they're trying to say and interpret it or you know,

1434
01:20:25.359 --> 01:20:27.920
<v Speaker 4>if not hear it. Because I'm a Claire audience. That's

1435
01:20:27.960 --> 01:20:31.439
<v Speaker 4>the only Claire Well. I mean, I think I'm quite intuitive,

1436
01:20:31.479 --> 01:20:34.159
<v Speaker 4>but I'm definitely Claire audience. So I actually do when

1437
01:20:34.199 --> 01:20:37.840
<v Speaker 4>I sit and meditate, have voices come through, but not

1438
01:20:38.000 --> 01:20:41.359
<v Speaker 4>very often. But when they do, it's like, oh my god.

1439
01:20:42.640 --> 01:20:46.399
<v Speaker 4>You know, sometimes there's one that literally screams like it's

1440
01:20:46.399 --> 01:20:52.039
<v Speaker 4>like this thunderous voice, and that might, you know, suddenly

1441
01:20:52.079 --> 01:20:55.760
<v Speaker 4>make me sound kind of crazy, but no, it's nothing

1442
01:20:55.800 --> 01:20:59.880
<v Speaker 4>like that for crazy.

1443
01:21:00.399 --> 01:21:02.359
<v Speaker 2>Totally safe.

1444
01:21:02.479 --> 01:21:03.640
<v Speaker 8>This is a safe space.

1445
01:21:05.760 --> 01:21:12.399
<v Speaker 4>Definitely. You guys are the others finding the others. So yeah,

1446
01:21:11.960 --> 01:21:14.640
<v Speaker 4>I think that we're not alone in trying to figure

1447
01:21:14.680 --> 01:21:18.439
<v Speaker 4>out all this stuff, and so there you know, there

1448
01:21:18.439 --> 01:21:22.359
<v Speaker 4>are ways to interpret it through just connection to spirit.

1449
01:21:23.039 --> 01:21:24.960
<v Speaker 1>What's fascinating is I was just thinking about it because

1450
01:21:25.039 --> 01:21:27.239
<v Speaker 1>right now, I'm an anime nerd. I don't know if

1451
01:21:27.279 --> 01:21:29.439
<v Speaker 1>you know that, but I'm an anime nerd, and I

1452
01:21:29.840 --> 01:21:33.439
<v Speaker 1>there's an anime out there called JJK, and there's these

1453
01:21:33.520 --> 01:21:36.279
<v Speaker 1>cursed spirits in JJK. But what some of the and

1454
01:21:36.319 --> 01:21:37.479
<v Speaker 1>it made me think of it because of what Jin

1455
01:21:37.600 --> 01:21:41.840
<v Speaker 1>said is that we're trying to cultivate our own internal

1456
01:21:42.000 --> 01:21:44.880
<v Speaker 1>power to be able to move through the world. That

1457
01:21:44.960 --> 01:21:47.520
<v Speaker 1>kind of thing, and those some of those images that

1458
01:21:47.560 --> 01:21:50.640
<v Speaker 1>you've put into that last tarot deck we were looking

1459
01:21:50.680 --> 01:21:53.439
<v Speaker 1>at to actually look like something like they call shikagami,

1460
01:21:53.800 --> 01:21:55.680
<v Speaker 1>and it's some of those characters have the ability to

1461
01:21:55.760 --> 01:22:01.159
<v Speaker 1>take in these like cursed spirits that have a negative

1462
01:22:01.159 --> 01:22:07.439
<v Speaker 1>connotation but use them for positive light air like positivity

1463
01:22:07.520 --> 01:22:09.600
<v Speaker 1>in battle. And so in a lot of anime, it's

1464
01:22:09.640 --> 01:22:12.920
<v Speaker 1>like you're always battling the evil doers. But if you

1465
01:22:13.039 --> 01:22:16.279
<v Speaker 1>take that and you like like personalize that, it's like,

1466
01:22:16.319 --> 01:22:19.880
<v Speaker 1>how can I use these cursed spirits right? And I

1467
01:22:19.920 --> 01:22:22.680
<v Speaker 1>don't want to like interact and like make it seem

1468
01:22:22.680 --> 01:22:24.720
<v Speaker 1>like I'm talking about like the gatia or something like that.

1469
01:22:25.239 --> 01:22:27.119
<v Speaker 4>I was just going to say, it sounds me memoric,

1470
01:22:27.199 --> 01:22:33.640
<v Speaker 4>but with the binding, you know, the demon and the only.

1471
01:22:33.439 --> 01:22:35.560
<v Speaker 1>Reason I wasn't wanting to link it to that was

1472
01:22:35.600 --> 01:22:38.800
<v Speaker 1>just because it's got such awful connotations at times in

1473
01:22:38.920 --> 01:22:39.359
<v Speaker 1>different things.

1474
01:22:39.399 --> 01:22:40.479
<v Speaker 8>But that's exactly what it is.

1475
01:22:40.479 --> 01:22:43.680
<v Speaker 1>You're binding these spirits, and certain families and lineages have

1476
01:22:43.720 --> 01:22:47.640
<v Speaker 1>the ability to use these cursed techniques to be able

1477
01:22:47.680 --> 01:22:50.720
<v Speaker 1>to bind them and then use them at their will.

1478
01:22:51.000 --> 01:22:53.720
<v Speaker 1>And then interesting enough, if they're destroyed in battle, they're

1479
01:22:53.760 --> 01:22:55.720
<v Speaker 1>actually like completely destroyed in that.

1480
01:22:55.880 --> 01:22:57.399
<v Speaker 8>But it's uh, it's an.

1481
01:22:57.279 --> 01:23:03.840
<v Speaker 1>Interesting how to you is like modern myths, like I

1482
01:23:03.880 --> 01:23:06.119
<v Speaker 1>would call a lot of these like things that are

1483
01:23:06.119 --> 01:23:08.840
<v Speaker 1>coming out in the anime world, comic book world and

1484
01:23:08.960 --> 01:23:15.520
<v Speaker 1>those different things for positive reinforcement of understanding your interfeers,

1485
01:23:17.359 --> 01:23:19.560
<v Speaker 1>you know. And I think what's cool about the decks

1486
01:23:19.560 --> 01:23:23.159
<v Speaker 1>that you're producing is that then you are able to

1487
01:23:23.319 --> 01:23:26.720
<v Speaker 1>put them illustrating something that most people will never see,

1488
01:23:26.800 --> 01:23:30.800
<v Speaker 1>like you know, like the rodin work and these different things,

1489
01:23:30.800 --> 01:23:34.199
<v Speaker 1>and now they are out in the social cultural area

1490
01:23:34.199 --> 01:23:36.720
<v Speaker 1>where you can just buy them and then play with

1491
01:23:36.760 --> 01:23:39.920
<v Speaker 1>them and then have a conversation with them.

1492
01:23:40.199 --> 01:23:42.239
<v Speaker 4>Yeah, I love that this ended up being a mass

1493
01:23:42.279 --> 01:23:46.399
<v Speaker 4>market deck just because you know, it's it's wonderful to like,

1494
01:23:46.439 --> 01:23:50.199
<v Speaker 4>because I loved it as a more indie esoteric feel

1495
01:23:50.239 --> 01:23:52.439
<v Speaker 4>when I created it. But to think that they wanted

1496
01:23:53.159 --> 01:23:56.840
<v Speaker 4>to put that out there mass market was exceptionally cool

1497
01:23:56.880 --> 01:24:01.199
<v Speaker 4>because they're dark and I love dark stuff. You know,

1498
01:24:02.039 --> 01:24:05.600
<v Speaker 4>it's uh, it's gonna be it's dark but in lightning

1499
01:24:05.640 --> 01:24:07.880
<v Speaker 4>at the same time it let's that like that change,

1500
01:24:07.960 --> 01:24:10.680
<v Speaker 4>you know, that's that's a little chink that lights. Let's

1501
01:24:10.720 --> 01:24:13.000
<v Speaker 4>the light in you know. That's what these images are

1502
01:24:13.039 --> 01:24:16.800
<v Speaker 4>for me. Yeah, in a lot of ways.

1503
01:24:17.880 --> 01:24:18.800
<v Speaker 8>Yeah, that's beautiful.

1504
01:24:21.039 --> 01:24:24.239
<v Speaker 3>Uh, Gin or Matt, did you guys have any else

1505
01:24:24.279 --> 01:24:29.000
<v Speaker 3>that you wanted to ask to talk about? All Right,

1506
01:24:29.039 --> 01:24:30.880
<v Speaker 3>we're almost at an hour and a half. I think

1507
01:24:30.920 --> 01:24:33.039
<v Speaker 3>maybe we could wrap it up here. Is there anything

1508
01:24:33.239 --> 01:24:36.199
<v Speaker 3>Antashia that you wanted to add or say before you

1509
01:24:36.239 --> 01:24:40.159
<v Speaker 3>know about your deck or anything before Let's see.

1510
01:24:40.319 --> 01:24:46.039
<v Speaker 4>Well, right now, the Sublime Thresholds Tarot is just in

1511
01:24:46.119 --> 01:24:50.479
<v Speaker 4>its second printing and so that's still like available as

1512
01:24:50.520 --> 01:24:55.880
<v Speaker 4>a late pledge on Kickstarter or for Etsy pre order,

1513
01:24:57.800 --> 01:25:00.800
<v Speaker 4>But otherwise I think we've kind of gone into like

1514
01:25:00.880 --> 01:25:04.279
<v Speaker 4>what I've put out there a few of them anyway,

1515
01:25:04.800 --> 01:25:07.119
<v Speaker 4>and I would love it if people wanted to check

1516
01:25:07.159 --> 01:25:09.239
<v Speaker 4>me out on Instagram and see more of what I do.

1517
01:25:10.000 --> 01:25:14.359
<v Speaker 4>I will put that in the show notes, right And

1518
01:25:15.520 --> 01:25:18.239
<v Speaker 4>I think all of you it's been really fun exploration

1519
01:25:18.439 --> 01:25:22.159
<v Speaker 4>and it's great to see you. And yeah, I hope

1520
01:25:22.159 --> 01:25:24.319
<v Speaker 4>we can go further down the road sometime. I'm going

1521
01:25:24.359 --> 01:25:26.800
<v Speaker 4>to be putting that some Fematon sim Bola book out

1522
01:25:27.159 --> 01:25:31.399
<v Speaker 4>at some point, so yeah, maybe we can get together again.

1523
01:25:31.560 --> 01:25:33.399
<v Speaker 3>Oh no, definitely, I would like to definitely have another

1524
01:25:33.399 --> 01:25:35.640
<v Speaker 3>conversation with you in the future, even I mean, I

1525
01:25:35.640 --> 01:25:37.000
<v Speaker 3>know we kind of talked about it a little bit now,

1526
01:25:37.039 --> 01:25:38.359
<v Speaker 3>but even in the future, if you wanted to come

1527
01:25:38.359 --> 01:25:40.439
<v Speaker 3>back for the deck that they did some me, we

1528
01:25:40.439 --> 01:25:43.760
<v Speaker 3>could go a little bit more into that actually, so

1529
01:25:44.119 --> 01:25:47.199
<v Speaker 3>that's always a possibility. But yeah, sure, definitely, will definitely

1530
01:25:47.239 --> 01:25:49.399
<v Speaker 3>keep in touch. Thank you very much for coming on.

1531
01:25:49.520 --> 01:25:51.079
<v Speaker 3>That really was an awesome chat. I really had a

1532
01:25:51.159 --> 01:25:53.680
<v Speaker 3>lot of fun. It was very interesting. Again, I'm not

1533
01:25:53.680 --> 01:25:55.439
<v Speaker 3>too much into taro, so it was nice like hearing

1534
01:25:55.479 --> 01:25:56.960
<v Speaker 3>your take on it and stuff.

1535
01:25:57.199 --> 01:25:58.279
<v Speaker 4>Appreciate it so much.

1536
01:25:58.479 --> 01:26:01.000
<v Speaker 3>Yes, And before we wrap it up, I guess we'll

1537
01:26:01.000 --> 01:26:04.079
<v Speaker 3>have everybody real quick. Just plug this stuff again. Judith,

1538
01:26:04.239 --> 01:26:07.560
<v Speaker 3>if you're there, would you like to plug your show.

1539
01:26:08.800 --> 01:26:09.760
<v Speaker 8>I'm sorry about that.

1540
01:26:10.359 --> 01:26:13.239
<v Speaker 5>Patasha, it was very nice meeting you and hearing your

1541
01:26:13.279 --> 01:26:17.039
<v Speaker 5>perspective on the Taro. It was very enlightening for me.

1542
01:26:18.399 --> 01:26:21.359
<v Speaker 5>You could catch me on the Loon on YouTube and

1543
01:26:21.479 --> 01:26:25.840
<v Speaker 5>on x as the Loon. Thank you very much again

1544
01:26:25.880 --> 01:26:26.439
<v Speaker 5>for having me.

1545
01:26:26.720 --> 01:26:28.399
<v Speaker 2>Of course it is no thank you for coming on

1546
01:26:29.319 --> 01:26:31.920
<v Speaker 2>and we got Gin the Ninja Friday. Gin.

1547
01:26:33.520 --> 01:26:36.359
<v Speaker 6>Thank you so much. Boss. Well, I'll just say thank

1548
01:26:36.359 --> 01:26:37.319
<v Speaker 6>you so much. To Talkia.

1549
01:26:37.399 --> 01:26:40.000
<v Speaker 7>It was awesome, was I You know, it's cool to

1550
01:26:40.359 --> 01:26:42.880
<v Speaker 7>because even though I said I wasn't into taro and

1551
01:26:42.920 --> 01:26:45.560
<v Speaker 7>I'm not really, it does. Actually it's good for me

1552
01:26:45.600 --> 01:26:48.000
<v Speaker 7>to hear people like you who aren't so fixed to

1553
01:26:48.000 --> 01:26:50.159
<v Speaker 7>the traditional systems, is what I also think what Nick

1554
01:26:50.239 --> 01:26:53.199
<v Speaker 7>was saying, So they can actually you can think expansively

1555
01:26:53.199 --> 01:26:54.960
<v Speaker 7>about it and you can be like, yeah, okay, maybe

1556
01:26:55.000 --> 01:26:56.840
<v Speaker 7>I'm not that great at it, maybe I don't know

1557
01:26:56.880 --> 01:26:59.520
<v Speaker 7>that much about it, but there's nothing wrong with playing

1558
01:26:59.520 --> 01:27:02.600
<v Speaker 7>with the dak. There is nothing wrong with seeing how

1559
01:27:02.640 --> 01:27:05.720
<v Speaker 7>the archetypes fit or what you sort of attribute to

1560
01:27:05.960 --> 01:27:07.960
<v Speaker 7>the traditional depictions.

1561
01:27:08.039 --> 01:27:10.520
<v Speaker 4>So yeah, I think that's super important. Thank you.

1562
01:27:10.560 --> 01:27:13.479
<v Speaker 7>No, so that definitely that definitely shook me up. So

1563
01:27:13.560 --> 01:27:16.479
<v Speaker 7>thank you so much, appreciate that. And then of course.

1564
01:27:17.680 --> 01:27:19.680
<v Speaker 6>I what do I do?

1565
01:27:19.680 --> 01:27:21.359
<v Speaker 7>Okay, So I have Threshold Saints. You can check that

1566
01:27:21.399 --> 01:27:25.239
<v Speaker 7>out Spotify and Apple. Two episodes with Satschke, who is

1567
01:27:25.720 --> 01:27:29.920
<v Speaker 7>he developed a quantum crystal computer based on nineties technology,

1568
01:27:30.079 --> 01:27:33.359
<v Speaker 7>so it's very exciting, uh time. And he's a cabalist

1569
01:27:33.439 --> 01:27:38.399
<v Speaker 7>and a musician and artist and a true anime nerd.

1570
01:27:38.640 --> 01:27:42.039
<v Speaker 7>And we talked about everything from like guns to gunplot

1571
01:27:42.119 --> 01:27:46.439
<v Speaker 7>to everything. So basically you can check those out. That'll

1572
01:27:46.479 --> 01:27:49.279
<v Speaker 7>be dropping next week and then we'll have a we'll

1573
01:27:49.279 --> 01:27:51.560
<v Speaker 7>probably have a grey Lodge again. We just had one,

1574
01:27:51.680 --> 01:27:54.279
<v Speaker 7>but we'll probably have one this coming Friday as well.

1575
01:27:55.079 --> 01:27:57.720
<v Speaker 7>Even if it's just me or just me and Matt

1576
01:27:57.840 --> 01:28:00.760
<v Speaker 7>or just me and Joshua or whomever, it'll be cool.

1577
01:28:00.840 --> 01:28:03.520
<v Speaker 7>And so thank you, Thank you guys. And I always

1578
01:28:03.560 --> 01:28:07.560
<v Speaker 7>appreciate doing these roundtables. I think it's really fun and expansive.

1579
01:28:08.239 --> 01:28:12.359
<v Speaker 3>Yeah, definitely definitely had a good time. And Matt, real quick,

1580
01:28:12.359 --> 01:28:13.760
<v Speaker 3>I know you got a bounce. I just realized that

1581
01:28:13.800 --> 01:28:15.279
<v Speaker 3>now because it's perfect time up.

1582
01:28:17.119 --> 01:28:21.119
<v Speaker 10>Yes, so Natasia, very nice to meet you, very nice

1583
01:28:21.119 --> 01:28:24.560
<v Speaker 10>to hear from your perspectives and as always I love

1584
01:28:24.800 --> 01:28:27.880
<v Speaker 10>talking about carrot, so it was really fun. And yeah,

1585
01:28:27.920 --> 01:28:30.920
<v Speaker 10>you can always find me as at Medmore nineteen on

1586
01:28:31.079 --> 01:28:36.520
<v Speaker 10>all socials. That's going to be x, Twitter, YouTube, Instagram, TikTok, Telegram,

1587
01:28:36.640 --> 01:28:39.840
<v Speaker 10>which maybe some other place. There's also my website that's

1588
01:28:39.880 --> 01:28:42.239
<v Speaker 10>going to be Cabala dot com k A A B

1589
01:28:42.439 --> 01:28:45.119
<v Speaker 10>A L A h dot com. You can find out

1590
01:28:45.119 --> 01:28:49.239
<v Speaker 10>what I do, their services, apps, anything else. Also, you

1591
01:28:49.279 --> 01:28:52.239
<v Speaker 10>can just chat with me through the website. Now there's

1592
01:28:52.279 --> 01:28:54.640
<v Speaker 10>a little pop up thing. It reaches my DM so

1593
01:28:54.680 --> 01:28:58.000
<v Speaker 10>I can answer pretty quickly actually, so anythink just let

1594
01:28:58.079 --> 01:29:00.520
<v Speaker 10>me know through there or through the other websites.

1595
01:29:02.319 --> 01:29:03.239
<v Speaker 2>Thank you very much, Matt.

1596
01:29:03.239 --> 01:29:05.760
<v Speaker 3>I always appreciate you jumping on the show and let's

1597
01:29:05.800 --> 01:29:08.079
<v Speaker 3>been not at least Brandon, please let everyone know what's up.

1598
01:29:08.800 --> 01:29:10.880
<v Speaker 1>Thank you, Nick, thank you for always having me on. Nick,

1599
01:29:10.960 --> 01:29:14.479
<v Speaker 1>I truly appreciate it. To this place is amazing, a

1600
01:29:14.560 --> 01:29:19.319
<v Speaker 1>round table of like minds and also minds that are different,

1601
01:29:19.439 --> 01:29:21.960
<v Speaker 1>which is then how you actually can move the needle

1602
01:29:21.960 --> 01:29:25.039
<v Speaker 1>a little bit in this strange world. And Tashia it

1603
01:29:25.119 --> 01:29:29.119
<v Speaker 1>was amazing to meet you. Yeah, I'm your work and

1604
01:29:29.279 --> 01:29:32.239
<v Speaker 1>putting these things out here. I think it's a net

1605
01:29:32.279 --> 01:29:35.119
<v Speaker 1>positive for the community as well as the world.

1606
01:29:35.800 --> 01:29:37.399
<v Speaker 4>So much appreciated. Thanks Brandon.

1607
01:29:37.520 --> 01:29:41.199
<v Speaker 1>Yeah, of course it's fantastic and good luck continuing that

1608
01:29:41.720 --> 01:29:44.159
<v Speaker 1>and everyone out there. When you listen to this, make

1609
01:29:44.159 --> 01:29:47.399
<v Speaker 1>sure you after this, after looking through all the beautiful

1610
01:29:47.520 --> 01:29:51.479
<v Speaker 1>things that Nick has produced in Occult Rejects, make sure

1611
01:29:51.520 --> 01:29:53.720
<v Speaker 1>to head on over to magas in the media where

1612
01:29:53.720 --> 01:29:56.560
<v Speaker 1>we break down all of the things that need to

1613
01:29:56.600 --> 01:29:59.640
<v Speaker 1>be broken down in such a beautiful way of the

1614
01:29:59.760 --> 01:30:02.279
<v Speaker 1>so tek mythological and philosophical.

1615
01:30:02.319 --> 01:30:04.119
<v Speaker 8>I've got all the stuff, So go.

1616
01:30:04.119 --> 01:30:07.279
<v Speaker 1>To your tiktoks and your ex's and your eg or

1617
01:30:07.319 --> 01:30:11.399
<v Speaker 1>ig or Instagram's or whatever it is, and we're trying

1618
01:30:11.520 --> 01:30:15.079
<v Speaker 1>to do the thing. Thank you so much for this

1619
01:30:15.560 --> 01:30:16.439
<v Speaker 1>beautiful moment.

1620
01:30:17.000 --> 01:30:18.920
<v Speaker 2>Of course, thank you, man. I gotta I gotta definitely

1621
01:30:18.960 --> 01:30:20.960
<v Speaker 2>leave you for the last guy. Now, well, that was amazing.

1622
01:30:21.279 --> 01:30:22.199
<v Speaker 6>Thank you.

1623
01:30:22.199 --> 01:30:26.920
<v Speaker 3>You promoted my stuff more than I do. Thanks Natasha,

1624
01:30:26.960 --> 01:30:28.520
<v Speaker 3>Thank you so much for coming on again. Like I

1625
01:30:28.520 --> 01:30:30.319
<v Speaker 3>really had a good time. It was awesome talk and

1626
01:30:30.359 --> 01:30:31.600
<v Speaker 3>I really hopefully we.

1627
01:30:31.600 --> 01:30:32.439
<v Speaker 2>Have more in the future.

1628
01:30:33.039 --> 01:30:35.079
<v Speaker 3>And uh, I guess that is the end of another

1629
01:30:35.119 --> 01:30:38.439
<v Speaker 3>recall reject and until the next one, everybody be well later,

1630
01:30:38.560 --> 01:30:39.399
<v Speaker 3>thank you.
