1 00:00:17,800 --> 00:00:22,280 Speaker 1: Oh man, look at my life farm a lot like 2 00:00:22,399 --> 00:00:30,039 you were. Oh man, look at my life, farm a 3 00:00:30,120 --> 00:00:47,479 lot like you were. Oh man, look at my life 4 00:00:48,320 --> 00:00:50,880 twenty four and there's so much more. 5 00:00:51,799 --> 00:00:54,359 Speaker 2: Live alone in a paradise. 6 00:00:54,600 --> 00:00:56,200 Speaker 3: It makes me think to. 7 00:00:58,640 --> 00:01:02,960 Speaker 4: Love loss, punch of cars. Give me things. 8 00:01:03,119 --> 00:01:07,959 Speaker 5: It won't get lost, like a car, it won't guitars. 9 00:01:08,159 --> 00:01:19,719 Speaker 4: Stroll and hold you, old dad. 10 00:01:19,879 --> 00:01:23,319 Speaker 2: Take a look in my life from a lot like you. 11 00:01:25,920 --> 00:01:29,719 I need someone to love me all day. 12 00:01:33,879 --> 00:01:37,439 Speaker 6: Look in my eyes and you can tell that's stroll. 13 00:01:53,120 --> 00:01:54,040 Speaker 2: Lullabies. 14 00:01:54,400 --> 00:01:57,719 Speaker 3: Look in your eyes, run around the. 15 00:01:57,760 --> 00:01:59,879 Speaker 2: Same old town. 16 00:02:00,000 --> 00:02:03,799 Speaker 4: Doesn't mean that much to me, to mean not much 17 00:02:03,879 --> 00:02:04,480 to you. 18 00:02:06,840 --> 00:02:09,120 Speaker 2: I've been the first to last. 19 00:02:10,080 --> 00:02:12,719 Speaker 4: Look at how the time goes past. 20 00:02:13,560 --> 00:02:28,800 Speaker 7: Now all love man, Ah, that's take a look at 21 00:02:28,879 --> 00:02:29,479 my life. 22 00:02:29,719 --> 00:02:31,439 Speaker 4: I'm not like you. 23 00:02:34,080 --> 00:02:38,080 Speaker 2: I someone enough the whole day. 24 00:02:41,439 --> 00:02:41,680 Speaker 4: One. 25 00:02:42,000 --> 00:02:52,800 Speaker 6: Look at my eyes and you can tell that's true. 26 00:02:56,120 --> 00:03:04,520 Speaker 1: Oh man, look at my life farm like you. 27 00:03:04,639 --> 00:03:09,400 Speaker 3: Oh man, look in my life, farm like you. 28 00:03:20,039 --> 00:03:22,159 Speaker 8: It's so good. That is Neil Young's Old Man, as 29 00:03:22,240 --> 00:03:25,400 performed by Rust Never Sleeps, And we have Rust Never 30 00:03:25,400 --> 00:03:27,719 Sleeps here with us, live in studio, and we're gonna 31 00:03:27,719 --> 00:03:29,159 talk with them in just a moment and they're gonna 32 00:03:29,159 --> 00:03:31,879 play for us. But welcome everybody, and let's get those 33 00:03:31,919 --> 00:03:37,400 mics up here as we welcome Rust Never Sleeps. Hey everybody, 34 00:03:37,520 --> 00:03:40,639 good morning, good good, all right, Rina, let's start with you. 35 00:03:40,960 --> 00:03:42,960 What I'd like you each to do is introduce yourselves. 36 00:03:42,960 --> 00:03:45,199 It also gives me a chance to check your mics 37 00:03:45,400 --> 00:03:47,080 and tell us who you are, what you do in 38 00:03:47,080 --> 00:03:49,560 the band, and many other pertinence you want us to 39 00:03:49,560 --> 00:03:53,400 know about. Oh wait a minute, I cannot hear you 40 00:03:53,479 --> 00:03:56,039 at all. He there, we go, there we go. See 41 00:03:56,439 --> 00:03:57,159 that's why I do this. 42 00:03:59,319 --> 00:04:02,680 Speaker 9: Yet. Hey everybody, I'm Rena and I've been with Rust 43 00:04:02,759 --> 00:04:06,280 Never Sleeps for going on twenty years, and I sing 44 00:04:06,400 --> 00:04:09,879 vocals in the band, started with some great background vocals 45 00:04:10,080 --> 00:04:13,520 and do some solo numbers too, But love playing with 46 00:04:13,560 --> 00:04:14,080 these guys. 47 00:04:14,439 --> 00:04:16,360 Speaker 8: Outstanding, outstanding, and you, sir. 48 00:04:16,759 --> 00:04:19,879 Speaker 10: Chuck Nemitz here. I was referred here by my kid, 49 00:04:19,920 --> 00:04:22,160 who was on a couple of times. Yes, he plays 50 00:04:22,160 --> 00:04:25,279 in a band called Sick Dude. Hell, yes, yes, yes, anyway, 51 00:04:25,480 --> 00:04:28,319 I love being here. And I've been with Kenny since 52 00:04:28,360 --> 00:04:31,560 the onset of this project some close to twenty five 53 00:04:31,639 --> 00:04:33,360 years ago. No kidding at this point. 54 00:04:33,439 --> 00:04:35,519 Speaker 8: Yeah, yeah, he has been around a while. 55 00:04:35,360 --> 00:04:35,519 Speaker 11: Ye have. 56 00:04:36,639 --> 00:04:38,759 Speaker 10: I also got them in just quick so I don't forget. 57 00:04:38,839 --> 00:04:40,879 Is that Reena is also playing with a wonderful Tom 58 00:04:40,920 --> 00:04:44,839 Petty tribute. Oh o kidding called Petty Larceny. Okay, Oh 59 00:04:44,879 --> 00:04:49,639 that's all now, I'll pass it over to the band leader, 60 00:04:49,680 --> 00:04:50,399 the ring leader. 61 00:04:50,519 --> 00:04:54,120 Speaker 12: Ah, yeah, I'm Ken. That's me. I'm the ring leader okay, 62 00:04:54,360 --> 00:04:55,120 or the cat herder. 63 00:04:56,480 --> 00:04:56,680 Speaker 11: Yeah. 64 00:04:56,720 --> 00:04:59,839 Speaker 12: We've been doing it for about you think our band 65 00:05:00,040 --> 00:05:04,199 archives says it's twenty five years. Okay, this coming up 66 00:05:04,199 --> 00:05:04,600 next year. 67 00:05:04,600 --> 00:05:05,639 Speaker 10: I think it's twenty five. 68 00:05:05,639 --> 00:05:06,600 Speaker 8: Twenty five years. 69 00:05:06,639 --> 00:05:06,920 Speaker 13: Wow. 70 00:05:07,120 --> 00:05:09,560 Speaker 8: Wow. So that's you sing an old man of course. Yeah, 71 00:05:09,600 --> 00:05:12,720 that's a track that we played. It sound amazing. 72 00:05:13,040 --> 00:05:13,360 Speaker 10: Thank you. 73 00:05:13,439 --> 00:05:16,000 Speaker 8: Absolutely, that is so so good. Actually, you should tell 74 00:05:16,079 --> 00:05:18,399 us about that, because people should if they go on 75 00:05:18,439 --> 00:05:21,120 YouTube and check the video. The video of that's really cool. 76 00:05:21,160 --> 00:05:22,800 It's it looks like you're playing in a barn. 77 00:05:23,079 --> 00:05:23,279 Speaker 12: Yeah. 78 00:05:23,920 --> 00:05:24,160 Speaker 10: Yeah. 79 00:05:24,199 --> 00:05:27,240 Speaker 12: My nephew is an independent filmmaker and he did that 80 00:05:27,319 --> 00:05:27,680 for us. 81 00:05:27,879 --> 00:05:28,480 Speaker 8: Oh no kidding. 82 00:05:28,560 --> 00:05:29,199 Speaker 12: Yeah, pretty cool. 83 00:05:29,319 --> 00:05:31,360 Speaker 8: Yeah. Yeah, I like two out because I found two 84 00:05:31,399 --> 00:05:33,360 versions of it. There's a color version in a black 85 00:05:33,399 --> 00:05:35,360 and white version. Oh okay, that's right, yea, yeah, yeah, 86 00:05:35,399 --> 00:05:39,199 so yeah, that is pretty cool. Is he You said 87 00:05:39,199 --> 00:05:40,240 he's an independent filmmaker. 88 00:05:40,319 --> 00:05:42,879 Speaker 12: Yeah, his name is Mark Battle. Okay, He's made some 89 00:05:42,920 --> 00:05:45,360 pretty cool films. He won some awards, no kidding. Yeah, 90 00:05:45,519 --> 00:05:46,600 really passionate about it. 91 00:05:46,680 --> 00:05:47,439 Speaker 8: Oh, very cool. 92 00:05:47,920 --> 00:05:49,759 Speaker 12: I'm lucky to have him around. Yeah. 93 00:05:50,120 --> 00:05:51,519 Speaker 10: Yeah, a great promo video. 94 00:05:52,199 --> 00:05:52,639 Speaker 13: Yeah. 95 00:05:52,680 --> 00:05:55,759 Speaker 8: Oh wow, that's awesome. That's awesome. So how did this start? 96 00:05:55,759 --> 00:05:58,759 How did this project begin? Oh? 97 00:05:58,800 --> 00:06:00,680 Speaker 12: Man, you want the short story, the long story? 98 00:06:00,720 --> 00:06:02,399 Speaker 8: We got time for the long I like. I like 99 00:06:02,480 --> 00:06:04,000 long stories. We got we got time. 100 00:06:05,920 --> 00:06:08,160 Speaker 12: I'll try to not make it too long. But I've 101 00:06:08,160 --> 00:06:10,480 got a good buddy that lives up in Rochester, New Hampshire, 102 00:06:10,680 --> 00:06:13,199 New York. I'm start New York, right, New York. 103 00:06:13,240 --> 00:06:13,439 Speaker 4: Yeah. 104 00:06:13,720 --> 00:06:16,160 Speaker 12: Uh. He was playing in a Dave Matthews tribute band 105 00:06:16,240 --> 00:06:19,360 way way back, you know, before tribute bands were really popular. Yeah, 106 00:06:19,399 --> 00:06:20,680 and I have to say, you know, when I was 107 00:06:20,680 --> 00:06:23,319 in high school, we didn't call them tribute bands. We 108 00:06:23,360 --> 00:06:26,040 called them clone bands. Really, we looked down on it. 109 00:06:26,079 --> 00:06:26,240 Speaker 11: We did. 110 00:06:27,199 --> 00:06:29,079 Speaker 12: It's not cool to be in a tribute band. It 111 00:06:29,120 --> 00:06:31,000 was not something I wanted to do. But I am 112 00:06:31,040 --> 00:06:33,759 a Neil Young fan. Yeah, playing his music forever. So 113 00:06:34,240 --> 00:06:36,480 he uh made me come down and see these guys, 114 00:06:36,519 --> 00:06:39,399 and I just couldn't believe it. There was people were 115 00:06:39,399 --> 00:06:42,759 going crazy for it, So that planted the seed. Uh 116 00:06:43,319 --> 00:06:46,519 interesting story. Chucky had a kind of a relationship with 117 00:06:46,639 --> 00:06:49,399 Brad Delp from the band Boston. He did some recording 118 00:06:49,439 --> 00:06:53,600 in his home studios years ago. So one late night 119 00:06:53,720 --> 00:06:56,560 I was in uh Duncan Donuts and Lawrence Mass at 120 00:06:56,560 --> 00:06:58,160 like two in the morning, and who walks in but 121 00:06:58,639 --> 00:07:01,319 Brad Delt the guitar player and he was doing the 122 00:07:01,360 --> 00:07:05,279 Beetlejuice thing. Oh no kidding, So he had true to 123 00:07:05,399 --> 00:07:08,240 his reputation. He sat and talked to me for thirty 124 00:07:08,279 --> 00:07:08,800 forty minutes. 125 00:07:08,879 --> 00:07:10,720 Speaker 8: For people who don't know, Beetle Juice was, of course 126 00:07:10,759 --> 00:07:13,240 the tribute to the Beatles. 127 00:07:13,600 --> 00:07:15,879 Speaker 12: The Bread did and Who's Who's the leasing or Boston 128 00:07:15,920 --> 00:07:18,560 and a tribute band. Yeah, so that kind of opened 129 00:07:18,600 --> 00:07:21,360 up my you know, my mind to say, well, you 130 00:07:21,399 --> 00:07:24,040 know it is cool because he was a huge Beatles fan, 131 00:07:24,319 --> 00:07:28,399 so we came into it that way. Yeah, and I 132 00:07:28,399 --> 00:07:30,319 had to go. I had to round up Chucky because 133 00:07:30,600 --> 00:07:33,360 we played in the band when I was eighteen and 134 00:07:33,480 --> 00:07:34,480 I hadn't seen him for years. 135 00:07:34,480 --> 00:07:35,079 Speaker 8: Oh no kidding. 136 00:07:35,079 --> 00:07:36,800 Speaker 12: I tracked him down he was doing a gig in 137 00:07:36,839 --> 00:07:39,279 Boston and oh wow, hey, would you be interested? He says, 138 00:07:39,560 --> 00:07:41,560 I would. He says, I'm not leading any more bands, 139 00:07:41,600 --> 00:07:43,160 but if you want to lead it, then we'll do it. 140 00:07:43,360 --> 00:07:43,959 Speaker 8: Oh, no kidding. 141 00:07:44,040 --> 00:07:46,360 Speaker 10: Yeah, I had taken on my first day job at 142 00:07:46,360 --> 00:07:48,800 that point, so I you know, I used to play 143 00:07:48,839 --> 00:07:51,720 full time but then had a kid. Yeah, life changes. 144 00:07:51,879 --> 00:07:52,079 Speaker 8: Yeah. 145 00:07:52,160 --> 00:07:54,160 Speaker 10: Yeah, that kid was Nat who was here in your 146 00:07:54,199 --> 00:07:55,000 studio perfect. 147 00:07:55,079 --> 00:07:55,240 Speaker 4: Yeah. 148 00:07:55,279 --> 00:07:56,399 Speaker 8: Well I'm glad you had him. 149 00:07:56,480 --> 00:07:59,959 Speaker 10: Yeah too, and I'm glad the bug bit him too. 150 00:08:00,279 --> 00:08:02,839 Speaker 8: Yeah. Absolutely, absolutely. 151 00:08:02,959 --> 00:08:04,759 Speaker 12: Kind of the story for us. You know, it's like 152 00:08:05,199 --> 00:08:07,439 because I went to Berkeley for three years and Chucky 153 00:08:07,560 --> 00:08:10,439 was out there writing original music, and you know, we 154 00:08:10,879 --> 00:08:13,240 wanted to do it, but we were also starting to 155 00:08:13,319 --> 00:08:17,240 raise families. It's not really a practical lifestyle. So I 156 00:08:17,240 --> 00:08:20,600 think we fall into that category of you know, I 157 00:08:20,600 --> 00:08:22,240 don't know if i'd even call a semi pro, but 158 00:08:22,319 --> 00:08:24,839 we just we want to do it. We still want 159 00:08:24,879 --> 00:08:27,399 to do it, yeah, even twenty five years later, So 160 00:08:27,480 --> 00:08:29,040 we just make it work the best way we can. 161 00:08:29,279 --> 00:08:29,519 Speaker 8: Yeah. 162 00:08:29,680 --> 00:08:32,080 Speaker 10: We do it because we love it, not to make 163 00:08:32,080 --> 00:08:32,759 a living doing it. 164 00:08:33,000 --> 00:08:35,080 Speaker 12: Right, yeah, Back back then it was about that. But 165 00:08:35,399 --> 00:08:37,320 then we smartened up. We had to get kicked in 166 00:08:37,360 --> 00:08:39,600 the head a few times along the way. I did anymore. 167 00:08:40,559 --> 00:08:42,360 What do you mean, just like you can't make it's 168 00:08:42,360 --> 00:08:44,519 hard to make a living? Yeah, yeah, going to make 169 00:08:44,519 --> 00:08:46,919 big sacrifice, right. 170 00:08:47,039 --> 00:08:50,159 Speaker 10: I missed a chunk of Nate's earliest years. I was 171 00:08:50,200 --> 00:08:52,600 still full time going at it, and I missed so much. 172 00:08:53,039 --> 00:08:55,519 Let's choice you gotta make. Yeah, yeah, of course I 173 00:08:55,559 --> 00:08:56,559 know I made the right one. 174 00:08:56,759 --> 00:09:00,480 Speaker 8: Yeah, yeah, yeah, absolutely. And so Rena, how did you? 175 00:09:00,799 --> 00:09:02,039 How did you come to be in the band? 176 00:09:02,279 --> 00:09:05,120 Speaker 9: Yeah, A really good friend of mine, Rob Hamilton. He's 177 00:09:05,120 --> 00:09:09,440 the pedal steel player in the band, okay, keyboardists. He's 178 00:09:09,480 --> 00:09:14,080 a multi talented instrumentalist, and we were good friends. We 179 00:09:14,080 --> 00:09:16,080 were playing in a band that was kind of starting 180 00:09:16,120 --> 00:09:19,600 to disband a little bit, and so they were looking 181 00:09:19,600 --> 00:09:21,799 for some harmonies while Chuck was on the road with 182 00:09:21,879 --> 00:09:25,519 a Bow's gig, and so I came in to start 183 00:09:25,559 --> 00:09:28,080 singing some harmonies. And I was just doing a couple 184 00:09:28,159 --> 00:09:30,759 songs a gig, hanging out, you know, showing up at 185 00:09:30,799 --> 00:09:34,039 gigs and filling in, and then these guys kind of 186 00:09:34,080 --> 00:09:37,279 adopted me in and I've been with them ever since. 187 00:09:37,480 --> 00:09:41,279 Speaker 8: Outstanding, Yeah, outstanding. Yeah, let's play this. Let's know this 188 00:09:41,360 --> 00:09:43,919 is this is really good too. Yeah. Oh and actually 189 00:09:43,960 --> 00:09:46,080 before I play it, tell us about this? How did 190 00:09:46,159 --> 00:09:48,559 how did you guys get to play it at Daryl's 191 00:09:48,600 --> 00:09:50,039 House club? That's so cool. 192 00:09:50,720 --> 00:09:53,360 Speaker 12: I don't I don't remember somebody reached out to us. 193 00:09:53,399 --> 00:09:54,559 I kind of think somebody did. 194 00:09:54,799 --> 00:09:57,000 Speaker 10: Yeah, oh yeah, it was in their early going. 195 00:09:57,080 --> 00:09:59,600 Speaker 12: Yeah, we were. We played at the Iron Horse, Northampton, 196 00:09:59,600 --> 00:10:01,399 and the the guy that used to book that room 197 00:10:02,080 --> 00:10:04,480 went over and was booking that room. Yeah, oh okay, yeah, 198 00:10:04,559 --> 00:10:05,960 and that was a big I mean, it was a 199 00:10:05,960 --> 00:10:08,120 throw for us. It was because I watched I've watched 200 00:10:08,120 --> 00:10:10,720 the show, so to be in that room was pretty cool. 201 00:10:10,840 --> 00:10:11,000 Speaker 14: Yeah. 202 00:10:11,440 --> 00:10:13,240 Speaker 8: So for people who don't know, of course, well everybody 203 00:10:13,240 --> 00:10:16,360 knows live at Darrel's House the show, but Daryl holl 204 00:10:16,399 --> 00:10:18,600 owns a club called I guess it's called Darrel's House 205 00:10:18,600 --> 00:10:21,360 Club Luby and and uh and so you guys got 206 00:10:21,360 --> 00:10:22,559 to play Yeah that's awesome. 207 00:10:22,519 --> 00:10:23,159 Speaker 9: A couple of times. 208 00:10:23,399 --> 00:10:24,240 Speaker 8: Oh really yeah, oh. 209 00:10:24,240 --> 00:10:28,399 Speaker 10: No, masterful job producing those video and audio. It was 210 00:10:28,440 --> 00:10:30,080 like top not I can imagine. 211 00:10:30,159 --> 00:10:32,519 Speaker 12: Yeah, yeah, you know what everybody asked us after that 212 00:10:32,559 --> 00:10:33,919 show was daryld here. 213 00:10:37,120 --> 00:10:39,600 Speaker 8: I know, I always wondering about that, like how often 214 00:10:39,639 --> 00:10:40,440 is he actually there? 215 00:10:40,720 --> 00:10:43,000 Speaker 9: He actually played the night after us because we played 216 00:10:43,039 --> 00:10:43,840 New Year's Weekend. 217 00:10:44,039 --> 00:10:45,639 Speaker 8: Oh no, kidding, played the night after. 218 00:10:45,679 --> 00:10:47,399 Speaker 10: And I've heard from others who have been there that 219 00:10:47,480 --> 00:10:49,440 he does pop in quite frequently. 220 00:10:49,639 --> 00:10:52,720 Speaker 8: Oh okay, okay, interesting, interesting, all right, So let's give 221 00:10:52,759 --> 00:10:55,240 this a listen. So this is See the Sky About 222 00:10:55,240 --> 00:10:59,320 to Rain. You played this at UH live at Darryl's 223 00:10:59,320 --> 00:11:01,679 House club. Yeah, we'll give this a listen and we'll 224 00:11:01,720 --> 00:11:03,879 figure out the mike situation because I'm dying here. You 225 00:11:03,879 --> 00:11:07,080 play live, but so stick with us. But yeah, Russ 226 00:11:07,120 --> 00:11:23,120 never sleeps. 227 00:11:23,120 --> 00:11:32,639 Speaker 5: See the Sky about to rain, Rogan clouds and rain. 228 00:11:36,399 --> 00:11:45,919 Speaker 15: Local modeo cool a train, miston low and through my 229 00:11:46,240 --> 00:11:54,159 brain signals cling on the. 230 00:11:56,279 --> 00:12:06,879 Speaker 16: Low down the track again, See the sky about to raise. 231 00:12:28,960 --> 00:12:35,720 Speaker 1: Some are bound for have been as, some. 232 00:12:35,960 --> 00:12:44,799 Speaker 2: Are bound for a blow. Some are bound to lead. 233 00:12:44,879 --> 00:12:46,679 Speaker 5: With lass. 234 00:12:48,600 --> 00:12:52,120 Speaker 3: Who can tell your story or rape? 235 00:12:55,039 --> 00:13:04,200 Speaker 16: See the sky bounce, rain, walking, clouds. 236 00:13:03,320 --> 00:13:08,600 Speaker 15: And rain, look on. 237 00:13:10,080 --> 00:13:22,679 Speaker 2: Through the train, whistle through that brain signs, curning on 238 00:13:23,039 --> 00:13:34,399 it over the rolling down the track again. See the 239 00:13:34,600 --> 00:13:36,279 sky boat. 240 00:14:12,559 --> 00:14:14,320 Speaker 17: I was down in. 241 00:14:14,519 --> 00:14:15,399 Speaker 18: Dixie, l. 242 00:14:18,879 --> 00:14:21,440 Speaker 2: Lad of seilver Face. 243 00:14:25,159 --> 00:14:28,600 Speaker 19: Waited loud and then the moth. 244 00:14:31,480 --> 00:14:33,480 Speaker 3: Rocking down on me. 245 00:14:37,679 --> 00:14:39,080 Speaker 2: See the sky. 246 00:14:40,480 --> 00:15:08,039 Speaker 8: To Oh that is so good. That is so good. 247 00:15:08,120 --> 00:15:11,159 See the sky about to rain. Russ Never Sleeps live 248 00:15:11,200 --> 00:15:13,559 at Darryl's House Club. Yeah, and I encourage everyone to 249 00:15:13,639 --> 00:15:14,840 check out the video. You know, we were kind of 250 00:15:14,840 --> 00:15:17,240 talking off here about what a professional job they do 251 00:15:17,279 --> 00:15:20,240 there and yeah, yeah, fantastic. Well we have Russ Never 252 00:15:20,279 --> 00:15:22,480 Sleeps here live in studio Downe. Hear them play live. 253 00:15:22,559 --> 00:15:24,679 So we had a little issue with the microphones, but 254 00:15:24,759 --> 00:15:28,120 I think we're good. So let's let me get that 255 00:15:28,159 --> 00:15:34,360 one up and let's see. Oh, you know what, hang on, 256 00:15:34,440 --> 00:15:38,960 I'm sorry here it is. Oh that sounds nice. 257 00:15:39,200 --> 00:15:40,639 Speaker 10: What do you think perfect? 258 00:15:40,799 --> 00:15:44,600 Speaker 8: Perfect? All right, Kenny, let's get your guitar up there. 259 00:15:46,080 --> 00:15:51,039 Oh that sounds really nice. Do you want to play 260 00:15:51,039 --> 00:15:52,559 a little bit of something just so I can get 261 00:15:52,679 --> 00:15:58,360 make sure our levels are uh are good? Here? Oh 262 00:15:58,399 --> 00:16:07,279 I know that songer. Oh that sounds good. I want 263 00:16:07,279 --> 00:16:10,440 to get a little vocals in there too. Just make sure. 264 00:16:12,200 --> 00:16:19,320 Speaker 3: You wanna leave. I wanna gill. I've been a minor 265 00:16:19,600 --> 00:16:21,799 fur a horror of gold. 266 00:16:23,720 --> 00:16:28,080 Speaker 5: It's banning my mind talk fine. 267 00:16:29,559 --> 00:16:37,039 Speaker 3: That keeps me searching for a hard and I'm kidding. 268 00:16:38,559 --> 00:16:41,279 Speaker 8: All right, I think we're How does it sound to you? 269 00:16:41,320 --> 00:16:42,679 All good? 270 00:16:43,039 --> 00:16:43,240 Speaker 13: Great? 271 00:16:43,240 --> 00:16:45,559 Speaker 8: I think we're good? All right? All right, russ Ever sleeps. 272 00:16:45,559 --> 00:16:47,960 This year, they're gonna perform live for us. What are 273 00:16:47,960 --> 00:16:49,360 you uh? What are you gonna play for us? 274 00:16:49,639 --> 00:16:51,399 Speaker 12: Arena? Sing Dylan tune? 275 00:16:51,480 --> 00:16:51,799 Speaker 8: Okay. 276 00:16:51,960 --> 00:16:53,720 Speaker 12: Now you know, we've only been doing the Dylan thing 277 00:16:53,759 --> 00:16:55,840 for about a year and a half added into the Neil, 278 00:16:55,919 --> 00:16:58,759 so we've been doing a the Music of Dylan and 279 00:16:58,840 --> 00:16:59,440 Young show. 280 00:16:59,639 --> 00:17:00,240 Speaker 8: Okay. 281 00:17:00,759 --> 00:17:03,559 Speaker 12: There's are a lot of reasons that works and it goes. 282 00:17:03,399 --> 00:17:05,279 Speaker 10: Together, which is what we're doing at the Rex by 283 00:17:05,359 --> 00:17:05,839 the way. 284 00:17:05,759 --> 00:17:06,920 Speaker 12: Right, we're gonna be at the Wreck. 285 00:17:07,000 --> 00:17:09,279 Speaker 8: Oh we gotta plug that, yeah, yeah, and we'll remind 286 00:17:09,279 --> 00:17:11,160 people later, but yeah, let's plug that right now too 287 00:17:11,160 --> 00:17:12,119 for people just tuning in. 288 00:17:12,119 --> 00:17:13,279 Speaker 12: March twenty eighth. 289 00:17:13,079 --> 00:17:14,799 Speaker 10: Okay, two weeks from today. 290 00:17:14,920 --> 00:17:16,640 Speaker 8: Oh wow at the Rex Theater. 291 00:17:16,720 --> 00:17:19,200 Speaker 12: Yeah, seven thirty excellent. We've been there a few times. 292 00:17:19,200 --> 00:17:22,720 It's a great venue. Yeah, intimate, intimate theater. 293 00:17:22,759 --> 00:17:25,279 Speaker 10: I'd go one of the coolest green rooms if you 294 00:17:25,319 --> 00:17:27,279 want to call it that. It's like this area right 295 00:17:27,319 --> 00:17:30,200 behind the curtain on the stage. Yeah, and you know, 296 00:17:30,240 --> 00:17:32,640 and then a couple of dressing rooms, but a little 297 00:17:32,720 --> 00:17:33,720 unique in that regard. 298 00:17:33,799 --> 00:17:38,880 Speaker 12: Yeah, it's good, nice, real nice stage good sounds. Yeah, okay, yeah, 299 00:17:38,920 --> 00:17:40,960 so get out and get those tickets. 300 00:17:41,000 --> 00:17:43,799 Speaker 8: Absolutely all right, the Rex Theater on the twenty eighth, 301 00:17:44,160 --> 00:17:48,000 March twentyeth March twenty eighth, outstanding, all right. Russ Never 302 00:17:48,039 --> 00:17:50,279 Sleeps is here with us, here with us live and studio, 303 00:17:50,319 --> 00:17:51,880 And what are you gonna play? 304 00:17:52,119 --> 00:17:54,400 Speaker 12: We'll do knocking on Heaven's stone. 305 00:17:54,559 --> 00:18:26,799 Speaker 8: Oh nice, knocking on Heaven's door, all right, whenever you're ready. 306 00:18:28,000 --> 00:18:36,319 Speaker 20: Mamma, take this paunch of them me. I can't use 307 00:18:36,519 --> 00:18:49,240 it anymore. Scared and dog to duck to see. Feels 308 00:18:49,359 --> 00:18:59,319 like I'm knocking on eavystore. Don't knock knock it on eavenstore. 309 00:19:03,680 --> 00:19:13,480 I'm not knocking on heaven'store. Nothing not knocking on Heaven's store. 310 00:19:17,799 --> 00:19:27,200 I'm nothing knocking on heaven'store. Mama, put these guns in 311 00:19:27,319 --> 00:19:39,920 the ground. I can't shoot them anymore. That long black 312 00:19:40,000 --> 00:19:47,119 cloud is going down now now, hell, then I'm. 313 00:19:47,000 --> 00:19:56,200 Speaker 11: Knocking on Heaven's store. I'm not knocking on Heaven's store. 314 00:20:00,519 --> 00:20:09,119 Why not knocking on Heaven's store? Why not knocking on 315 00:20:09,440 --> 00:20:50,319 even store? Not I'm knock at all Heaven store. Why 316 00:20:50,559 --> 00:20:59,759 not knocking on Heaven's store? Why not knocking on Eppings store? 317 00:21:05,000 --> 00:21:06,680 Knock on Heaven. 318 00:21:11,200 --> 00:21:13,319 Speaker 21: Not Heaven? 319 00:21:46,759 --> 00:21:53,000 Speaker 8: Good Lord? Those harmonies oh so good, absolutely fantastic. Oh, 320 00:21:53,119 --> 00:21:55,000 if you're just joining us, we have rest never sleeps 321 00:21:55,000 --> 00:21:57,480 here with us live in studio and uh oh that 322 00:21:57,519 --> 00:21:59,240 sounded so good. And Chuck, Now, I now I know 323 00:21:59,279 --> 00:22:00,960 what you met because you you know, you were saying 324 00:22:00,960 --> 00:22:02,240 when we were kind of getting set up and trying 325 00:22:02,240 --> 00:22:04,920 to figure everything out as far as Mike's you know 326 00:22:05,039 --> 00:22:07,359 that that the harmonies are the main thing. Indeed, and 327 00:22:08,279 --> 00:22:09,119 I see what you mean. 328 00:22:10,759 --> 00:22:12,640 Speaker 10: That's what we work the most on for sure. 329 00:22:12,839 --> 00:22:13,240 Speaker 13: Yeah. 330 00:22:13,319 --> 00:22:16,920 Speaker 8: Yeah, Now, the three of you sound amazing together when 331 00:22:16,920 --> 00:22:18,880 you when you play live with the full band. Is 332 00:22:18,920 --> 00:22:22,160 it always the three of you harmonizing or are there 333 00:22:22,160 --> 00:22:24,200 other band members also singing with you? 334 00:22:24,319 --> 00:22:27,160 Speaker 10: Or there are like our bass player kicks in a 335 00:22:27,240 --> 00:22:29,799 lot of times, like Kenny O vamp on a melody 336 00:22:29,839 --> 00:22:32,839 thing while we're doing a three part harmony in the background. Okay, 337 00:22:33,039 --> 00:22:38,039 so much fun. Okay, And does Rob ever sing no. 338 00:22:37,359 --> 00:22:42,519 Speaker 9: No now he's too busy, right, yeah, using both hands 339 00:22:42,559 --> 00:22:45,519 and both beat. Mikey Garren he's our bass player and 340 00:22:45,599 --> 00:22:48,400 he does he does do some vocals with us sometimes. 341 00:22:48,519 --> 00:22:53,039 Speaker 8: Okay, okay, very cool, Kenny. So you had said earlier that, 342 00:22:53,720 --> 00:22:57,759 you know, incorporating Dylan into the Neil Young material, that 343 00:22:57,759 --> 00:23:00,000 that works really well for several reasons. So I'm curious 344 00:23:00,039 --> 00:23:01,000 if you can expand on that. 345 00:23:01,400 --> 00:23:03,920 Speaker 12: You know, I think mainly the singer songwriter thing. Those 346 00:23:03,960 --> 00:23:08,319 two artists really respect each other, I think, and you know, 347 00:23:08,400 --> 00:23:11,799 Neil has kind of not hidden the fact that he's 348 00:23:11,880 --> 00:23:15,079 kind of based his career in many ways off of Dylan, sure, 349 00:23:15,119 --> 00:23:17,119 and in his work ethic and you know, kind of 350 00:23:17,119 --> 00:23:20,039 his approach that these guys kind of approach it like 351 00:23:20,279 --> 00:23:22,920 a painter. They put out a lot of material and 352 00:23:22,960 --> 00:23:24,599 they don't expect it all to be good, but you 353 00:23:24,640 --> 00:23:26,480 know they're going to hit gold with a lot of it. So, 354 00:23:26,599 --> 00:23:28,599 oh yeah, when you think of some artists that have three, 355 00:23:28,680 --> 00:23:32,079 four or five albums, and these guys have like thirty 356 00:23:32,119 --> 00:23:34,839 some odd albums and they're just putting it out and 357 00:23:34,839 --> 00:23:37,839 they're they're they're following the muse man, they're looking to 358 00:23:37,880 --> 00:23:40,799 the inspiration, and I mean that's and in a lot 359 00:23:40,839 --> 00:23:42,839 of ways, I think for us as a live band, 360 00:23:42,880 --> 00:23:44,880 that's that's why we I wouldn't be able to do 361 00:23:44,960 --> 00:23:46,880 it for twenty five years if we were trying to 362 00:23:46,920 --> 00:23:50,480 do exact renditions of the songs. Sometimes it kind of 363 00:23:50,480 --> 00:23:52,279 pans out that way a little bit, or people think 364 00:23:52,319 --> 00:23:55,079 it does, but more often than not, we do what 365 00:23:55,119 --> 00:23:58,039 they do. They play their own songs in very different ways, 366 00:23:58,640 --> 00:24:02,039 so well, you know, we're still musicians that are expressing 367 00:24:02,039 --> 00:24:06,359 ourselves through that music like a bunch of people sitting playing. 368 00:24:06,119 --> 00:24:10,279 Speaker 10: In the you know, symphony orchestra right right, or a 369 00:24:10,319 --> 00:24:12,640 bunch of people sitting in a living room somewhere. It 370 00:24:12,839 --> 00:24:14,759 is often how it feels to me when we're playing 371 00:24:14,759 --> 00:24:17,160 in a theater, even just like we could just as 372 00:24:17,200 --> 00:24:19,720 well be gamming in someone's living room. And that's I 373 00:24:19,720 --> 00:24:22,920 think what our audience appreciates as well. It's a very 374 00:24:22,960 --> 00:24:23,799 intimate thing for you. 375 00:24:23,920 --> 00:24:26,039 Speaker 9: You can always tell that we're that we're loving it, 376 00:24:26,400 --> 00:24:28,480 so it really brings them in with us. We've always 377 00:24:28,480 --> 00:24:31,039 had that vibe with the with the audience. 378 00:24:31,240 --> 00:24:35,039 Speaker 8: Yeah, yeah, excellent, excellent in terms of you know, because 379 00:24:35,079 --> 00:24:38,759 you mentioned Kenny that you know, they're they're still active. 380 00:24:39,480 --> 00:24:42,160 When when you're choosing, when you're figuring out what to 381 00:24:42,240 --> 00:24:44,680 cover of these artists like Bob Dylan and Neil Young, 382 00:24:44,960 --> 00:24:49,400 do you ever I mean, do you kind of say, Okay, 383 00:24:49,400 --> 00:24:51,359 we're just going to do the classic stuff or are 384 00:24:51,400 --> 00:24:53,839 you ever? Is it ever a question of Kenny's a 385 00:24:53,920 --> 00:24:54,440 vault man. 386 00:24:55,279 --> 00:24:59,039 Speaker 10: Yeah, he's also the king of audibles. We never know 387 00:24:59,079 --> 00:24:59,880 what we're gonna. 388 00:24:59,640 --> 00:25:02,480 Speaker 8: Play, no kidding. 389 00:25:02,759 --> 00:25:07,279 Speaker 12: Yeah, you know, I kind of I go by this 390 00:25:07,400 --> 00:25:10,079 rule because I kind of because I have to. Yeah, 391 00:25:10,200 --> 00:25:12,319 I have to be inspired to want to play those 392 00:25:12,359 --> 00:25:15,519 particular songs. So if we have a show coming up, 393 00:25:15,519 --> 00:25:17,640 I'm starting to think about it, I might sketch out 394 00:25:17,640 --> 00:25:20,359 a set list and I'm thinking listening to different things 395 00:25:20,720 --> 00:25:23,279 and and that's how I come to it. And I'm 396 00:25:23,920 --> 00:25:26,119 really if I ever going to do a song because 397 00:25:26,319 --> 00:25:29,440 we should? Okay, now I've taken some heat for that really, 398 00:25:30,279 --> 00:25:31,920 and you know, and I get it. I get there 399 00:25:31,920 --> 00:25:34,599 are certain songs that people like to hear. But for 400 00:25:34,640 --> 00:25:38,400 the most part, I mean, that's been us, that's that's 401 00:25:38,480 --> 00:25:40,559 that's that's just who we are, you know, And and 402 00:25:40,640 --> 00:25:43,000 that way, for me, it can be authentic every time 403 00:25:43,039 --> 00:25:44,680 we play it still. 404 00:25:44,640 --> 00:25:47,240 Speaker 9: Never played the very rarely have we ever played like 405 00:25:47,319 --> 00:25:49,920 the same show twice. I've no seat tribute bands and 406 00:25:49,960 --> 00:25:54,240 you can almost tell and I know what's next. Yeah, 407 00:25:54,920 --> 00:25:57,559 and this one's very different. This one you always and 408 00:25:57,599 --> 00:26:01,359 then you've got some classics in there, people that people love, 409 00:26:01,839 --> 00:26:03,960 so they always get a chance to hear something that 410 00:26:04,000 --> 00:26:04,400 they love. 411 00:26:04,720 --> 00:26:07,480 Speaker 10: They also get to hear obscurities that you don't often 412 00:26:07,559 --> 00:26:09,920 hear on the radio or on you know. 413 00:26:11,039 --> 00:26:13,039 Speaker 12: I say, you have tell a funny story about that. 414 00:26:13,359 --> 00:26:13,599 Speaker 10: Uh. 415 00:26:13,680 --> 00:26:17,319 Speaker 12: There's a a Neil tune that we like to play 416 00:26:17,359 --> 00:26:20,920 called big Time and it's it's influenced by the kind 417 00:26:20,920 --> 00:26:25,079 of surf guitar guys, especially link Ray and link Ray 418 00:26:25,160 --> 00:26:27,720 was famous for a song called Rumble Yes Yes, Okay, 419 00:26:27,839 --> 00:26:30,119 So and I kept hearing it. I'm going that man, 420 00:26:30,480 --> 00:26:33,240 Rumble is in big Time. So we started doing shows. 421 00:26:33,319 --> 00:26:35,359 We would open with Rumble and we go right into 422 00:26:35,400 --> 00:26:38,000 big Time. So one of our biggest fans, who's a 423 00:26:38,000 --> 00:26:40,160 big Neil young fan, has seen Neil a hundred times. 424 00:26:40,319 --> 00:26:41,960 Speaker 8: Yeah, he calls me up one night and. 425 00:26:41,880 --> 00:26:44,519 Speaker 12: He goes, hey, I saw that Neil tune on a 426 00:26:44,559 --> 00:26:47,480 commercial on the radio, and that's not even possible. Neil 427 00:26:47,480 --> 00:26:49,680 doesn't And it turned out it was rumble on a 428 00:26:49,839 --> 00:26:53,680 on a lawn seed commercial. But we tricked him. We 429 00:26:53,720 --> 00:26:55,519 tricked the guy that knows Neil really well. 430 00:26:55,559 --> 00:27:00,799 Speaker 8: You know, yeah, Oh that's wild, that's wild, do you 431 00:27:01,160 --> 00:27:03,319 I mean for the most part, Well, let me ask 432 00:27:03,359 --> 00:27:05,160 it this way. Are there any songs Neil Young songs 433 00:27:05,240 --> 00:27:08,160 or Dylan songs that you've done where they become very different? 434 00:27:08,440 --> 00:27:09,880 I mean you obviously you kind of do them in 435 00:27:09,880 --> 00:27:11,279 your own way, but I mean, are there any of that? 436 00:27:11,720 --> 00:27:14,599 Like I guess what I'm getting to is, has anyone 437 00:27:14,640 --> 00:27:17,240 ever had a problem with like coming up to you 438 00:27:17,279 --> 00:27:19,440 at a show and saying, hey, you really you know 439 00:27:19,559 --> 00:27:20,519 you shouldn't mess with that? 440 00:27:20,640 --> 00:27:22,960 Speaker 12: You should but never heard it? Well, no, because I 441 00:27:23,039 --> 00:27:25,759 think I think anybody that comes to most people to 442 00:27:25,759 --> 00:27:28,119 come to a show to see either of Neil or 443 00:27:28,599 --> 00:27:32,359 Dylan yeah music, they know that the original artist is 444 00:27:32,519 --> 00:27:34,319 famous for doing just the exact. 445 00:27:34,079 --> 00:27:36,839 Speaker 10: Same that like the record. Yeah. 446 00:27:36,920 --> 00:27:40,960 Speaker 12: Yeah. Well, there's a very famous story about Neil toured 447 00:27:41,039 --> 00:27:45,559 on Time Fades Away album and seventy three seventy four. Yeah, 448 00:27:45,640 --> 00:27:47,319 he was, he went out and he toured and he 449 00:27:47,359 --> 00:27:49,680 hadn't released the album yet. Okay, so he's out there 450 00:27:49,720 --> 00:27:52,799 and he's playing an album's worth of songs. Yeah, oh 451 00:27:52,839 --> 00:27:57,680 can you hear me? Okay? Uh so somebody, uh, somebody 452 00:27:57,720 --> 00:28:00,720 fissed off and they yell from the front audience, play 453 00:28:00,759 --> 00:28:03,920 something we know. So he stops for a minute and 454 00:28:03,920 --> 00:28:06,119 he huddles with the band, comes back to the mike. 455 00:28:06,599 --> 00:28:08,839 We're gonna play something you've heard before, and they launched 456 00:28:08,839 --> 00:28:09,720 to the song they just played. 457 00:28:09,759 --> 00:28:15,000 Speaker 8: A minute's wild. 458 00:28:15,079 --> 00:28:17,119 Speaker 12: Now we're not we're not looking to do anything like that. 459 00:28:17,160 --> 00:28:20,000 Speaker 10: Not looking to spite anyone, but we haven't. 460 00:28:19,759 --> 00:28:21,759 Speaker 12: Gotten I've never heard anybody. 461 00:28:21,920 --> 00:28:24,000 Speaker 10: They seem to enjoy that. We're just running with it. 462 00:28:24,200 --> 00:28:27,920 This is tonight's version. And I think that's part of 463 00:28:27,960 --> 00:28:29,880 why we got some folks like Nat and a few 464 00:28:29,880 --> 00:28:32,759 others that come to near every show. They don't get 465 00:28:32,799 --> 00:28:34,680 bored because they're not hearing the same thing over and 466 00:28:34,720 --> 00:28:35,119 over again. 467 00:28:35,160 --> 00:28:37,480 Speaker 9: We do have people that come and come back and 468 00:28:37,519 --> 00:28:40,279 it's just awesome. Yeah, and they've come they've become part 469 00:28:40,319 --> 00:28:43,160 of like our family too, like some really good friends. 470 00:28:43,160 --> 00:28:44,240 Out of some of the fans that. 471 00:28:44,200 --> 00:28:49,279 Speaker 10: Have come shut yeah goodness, Yeah, well we Mark and 472 00:28:49,319 --> 00:28:50,200 Eileen said. 473 00:28:50,200 --> 00:28:53,559 Speaker 12: Yeah, we don't. We mentioned we mentioned Rob I want 474 00:28:53,599 --> 00:28:54,079 to shout out. 475 00:28:54,000 --> 00:28:56,279 Speaker 8: The rest of the guys of the Yeah yeah absolutely. 476 00:28:56,759 --> 00:29:00,000 Speaker 12: Steel and piano, and we mentioned Mike Garren, yeah on bass. 477 00:29:00,119 --> 00:29:03,400 But we have a new drummer this past year, Matt Smalley. 478 00:29:03,480 --> 00:29:05,680 And he's a young guy. Yeah, and he's kicking us 479 00:29:05,720 --> 00:29:08,079 right down the highway. It's good to have young energy 480 00:29:08,079 --> 00:29:08,480 in the dance. 481 00:29:09,160 --> 00:29:10,920 Speaker 9: I used to be the youngest. Now I've been. 482 00:29:10,759 --> 00:29:13,440 Speaker 12: Really But the cool thing about him is he is 483 00:29:13,680 --> 00:29:16,480 really deep into this type of music. He knows, he's 484 00:29:16,599 --> 00:29:17,119 a real. 485 00:29:17,000 --> 00:29:20,319 Speaker 10: Student of it. He's shedding too. You can tell he's 486 00:29:20,359 --> 00:29:24,319 listening to, you know, all the different people that like 487 00:29:24,400 --> 00:29:28,119 crazy horse versions whatever, like he wants to really know 488 00:29:28,200 --> 00:29:30,160 this stuff. You can tell when he comes to rehearsal 489 00:29:30,160 --> 00:29:30,960 that he's been shedding. 490 00:29:31,240 --> 00:29:35,720 Speaker 8: Yeah. Oh wow, Now what what happened to the previous drummer? 491 00:29:35,720 --> 00:29:37,599 Because I know that it seems like it's become a 492 00:29:37,680 --> 00:29:39,480 running theme on the show. Every drummer is in like 493 00:29:39,480 --> 00:29:41,440 ten different bands. I'm wondering. 494 00:29:42,319 --> 00:29:45,480 Speaker 10: Spinal Tap Yeah yeah, yeah. 495 00:29:45,480 --> 00:29:49,000 Speaker 12: Our longtime drummer Jeremy was, you know, amazing drummer and 496 00:29:49,039 --> 00:29:52,640 it's a great guy. All around out Western Massa. 497 00:29:53,119 --> 00:29:54,160 Speaker 10: He plays with Danny Klein. 498 00:29:54,240 --> 00:30:00,559 Speaker 22: Yeah, he plays with the bass player founder w Okay, 499 00:30:00,720 --> 00:30:04,039 so it's I think the travel got to be a lot. Yeah, 500 00:30:04,119 --> 00:30:06,839 so you know it's I wouldn't be surprised we play 501 00:30:06,880 --> 00:30:08,319 with him again in the future by Hope. 502 00:30:08,400 --> 00:30:11,519 Speaker 10: So but yeah, it's no offense to Matt Small just 503 00:30:11,519 --> 00:30:12,319 the way it is now. 504 00:30:12,440 --> 00:30:14,799 Speaker 8: Yeah. Yeah, yeah, he put it. 505 00:30:14,920 --> 00:30:16,359 Speaker 12: He put in twenty years so oh. 506 00:30:16,279 --> 00:30:18,759 Speaker 8: Okay, he put in some time. Then, yeah, put in 507 00:30:18,799 --> 00:30:22,319 some time. Wow. Wow was it well? So after twenty years, 508 00:30:22,400 --> 00:30:24,200 was it scary having to find a new drummer. 509 00:30:24,400 --> 00:30:29,000 Speaker 10: Yeah, yeah, to know because it worked so seamlessly. Yea, 510 00:30:29,319 --> 00:30:32,640 it might have been scary thinking about it to do it. 511 00:30:32,839 --> 00:30:35,079 Speaker 9: There are just certain fills and stuff that you get 512 00:30:35,160 --> 00:30:38,160 used to, you know, in certain drives and now, but 513 00:30:38,279 --> 00:30:40,880 it kind of brings this new energy, you know, playing 514 00:30:40,920 --> 00:30:43,640 with Matt and kind of feeling a new way of 515 00:30:43,640 --> 00:30:47,720 of doing interpretating the songs. He definitely Matt has this 516 00:30:47,799 --> 00:30:49,640 like classic feel, like you said, you can tell he's 517 00:30:49,640 --> 00:30:53,400 been studying this stuff. So but definitely, like over time 518 00:30:53,440 --> 00:30:56,440 you start to kind of expect certain fills and things 519 00:30:56,480 --> 00:30:59,799 like that, right, So that's changed. But Matt's holding it 520 00:30:59,799 --> 00:31:01,079 down really well for us. 521 00:31:01,160 --> 00:31:04,359 Speaker 12: And you know, it's a huge part of being in 522 00:31:04,400 --> 00:31:08,400 this band is not just your musicianship. It's like, are 523 00:31:08,400 --> 00:31:09,640 you a good hang right? 524 00:31:09,839 --> 00:31:10,000 Speaker 8: Right? 525 00:31:10,039 --> 00:31:12,200 Speaker 12: You shit with us? Like the vibe is it just 526 00:31:12,279 --> 00:31:15,680 uh whatever our vibe is. I could, I could describe it, 527 00:31:15,720 --> 00:31:17,160 but I mean, it just has to kind of fit. 528 00:31:17,400 --> 00:31:18,519 Speaker 8: Yeah, of course. Yeah. 529 00:31:18,559 --> 00:31:21,039 Speaker 12: That's probably as important as a musicianship. 530 00:31:21,160 --> 00:31:24,079 Speaker 8: Oh not more, but equal. Yeah, yeah, no doubt. 531 00:31:24,200 --> 00:31:25,160 Speaker 12: We've been lucky that way. 532 00:31:25,319 --> 00:31:27,839 Speaker 8: Yeah. Oh, that's really good. That's really good. If you 533 00:31:27,880 --> 00:31:29,759 are just joining us. Russ Never Sleeps is with us? 534 00:31:29,799 --> 00:31:31,200 You want to play another one? I'm dying to hear. 535 00:31:31,720 --> 00:31:33,599 I'm dying to hear more of those harmonies are just 536 00:31:33,680 --> 00:31:34,519 incredible to me. 537 00:31:36,440 --> 00:31:40,279 Speaker 12: Okay, we'll do a little uh long may you Run? 538 00:31:41,559 --> 00:32:19,119 Speaker 19: All right, we've been through some things together. 539 00:32:19,720 --> 00:32:22,359 Speaker 3: With trunks of memories. 540 00:32:22,680 --> 00:32:23,680 Speaker 12: Still beclm. 541 00:32:27,160 --> 00:32:35,200 Speaker 5: We found things to do in stormy weather, Long Maid, 542 00:32:40,599 --> 00:32:46,599 Long Mad Run, Long may you Run. 543 00:32:47,640 --> 00:32:51,000 Speaker 3: Although these changes have come. 544 00:32:54,519 --> 00:32:59,960 Speaker 5: If you chrome hardshine and in the sun. 545 00:33:01,960 --> 00:33:17,519 Speaker 2: Long bid back in Blind River. 546 00:33:18,839 --> 00:33:24,480 Speaker 5: Nineteen sixty two when I last saw you. 547 00:33:25,039 --> 00:33:30,720 Speaker 2: Line, well, we missed that ship. 548 00:33:32,240 --> 00:33:50,160 Speaker 21: Long decline, Long by Run, long may run, Long, mad run. 549 00:33:50,039 --> 00:33:53,039 Speaker 3: Although these changes have come? 550 00:33:56,880 --> 00:34:02,359 Speaker 5: Did you chrome, hard shine in the sun. 551 00:34:04,400 --> 00:34:05,440 Speaker 4: Long name. 552 00:34:45,519 --> 00:34:48,119 Speaker 19: Maybe the beach boys have. 553 00:34:48,920 --> 00:34:50,679 Speaker 3: Got you now. 554 00:34:52,440 --> 00:35:00,320 Speaker 5: With all those waves singing Caroline in. 555 00:35:01,960 --> 00:35:05,320 Speaker 3: Those empty ocean roads. 556 00:35:06,280 --> 00:35:17,039 Speaker 14: Get into the surf fun time, Long made run, Long 557 00:35:17,280 --> 00:35:20,199 made you run. 558 00:35:20,119 --> 00:35:23,400 Speaker 3: Although these changes have come. 559 00:35:27,159 --> 00:35:32,440 Speaker 5: You chrome heart shine and in the sun. 560 00:35:34,400 --> 00:35:45,719 Speaker 17: Long may run, Long made run, Long made. 561 00:35:45,440 --> 00:35:55,280 Speaker 3: You run, Although these changes have come with your chrome 562 00:35:55,440 --> 00:35:57,280 heart shine and. 563 00:35:58,079 --> 00:36:00,000 Speaker 2: In the sun. 564 00:36:02,000 --> 00:36:12,320 Speaker 13: Long, Oh my god, so good. 565 00:36:13,880 --> 00:36:18,159 Speaker 8: Russ never sleeps alive in studio here, and that's amazing. 566 00:36:18,239 --> 00:36:20,840 By the way, you got a compliment from Peter White, 567 00:36:21,159 --> 00:36:23,480 who just texted me. Peter is of course host of 568 00:36:23,480 --> 00:36:25,480 the Morning Show with Peter White, which you can hear 569 00:36:25,519 --> 00:36:27,719 weekday mornings from seven to nine am here at WM 570 00:36:27,760 --> 00:36:30,159 and H, but he also is a program director here 571 00:36:30,440 --> 00:36:32,199 and yeah, he just texted me and said, you guys 572 00:36:32,239 --> 00:36:36,599 sound really good. So Peter than you absolutely absolutely if 573 00:36:36,599 --> 00:36:38,159 you are just joining us, of course we have rest 574 00:36:38,320 --> 00:36:41,960 never sleeps here with us alive in studio. And is 575 00:36:42,000 --> 00:36:44,320 there a favorite like within or maybe you each have 576 00:36:44,400 --> 00:36:47,239 your own. I'm curious if if you have favorites that 577 00:36:47,280 --> 00:36:48,760 you play live that you're. 578 00:36:48,840 --> 00:36:51,960 Speaker 12: Get that's a common question. It changes for me a lot. 579 00:36:52,079 --> 00:36:55,199 But I guess the tune I mentioned before Big Time 580 00:36:55,280 --> 00:36:57,199 is kind of really just because of the message of it. 581 00:36:57,159 --> 00:37:00,320 Speaker 10: You know. Yeah, it's like asking what's your favorite color. 582 00:37:00,840 --> 00:37:04,599 It's it's really hard to pin it down. Like you 583 00:37:05,480 --> 00:37:07,119 it changes from moment to moment. 584 00:37:07,800 --> 00:37:10,079 Speaker 9: Yeah, and it depends like what we're playing at the time. 585 00:37:10,639 --> 00:37:13,400 If something news coming up and we've really meshed on 586 00:37:13,440 --> 00:37:15,239 it and stuff, we get excited to play it. 587 00:37:16,039 --> 00:37:16,320 Speaker 10: For me. 588 00:37:17,039 --> 00:37:21,519 Speaker 9: Yeah, yeah, this is our new favorite. For my classic favorite, 589 00:37:21,599 --> 00:37:23,440 I would say comes the time, just because it's the 590 00:37:23,440 --> 00:37:26,280 first one I did with the band, and it's just 591 00:37:26,440 --> 00:37:29,800 kind of, you know, always stuck with me and my 592 00:37:29,920 --> 00:37:32,639 kids too. So my kids were like babies when I 593 00:37:32,719 --> 00:37:35,239 joined this band, and so they grew up with it, 594 00:37:35,400 --> 00:37:38,480 so they you know, it's just it just became like 595 00:37:38,480 --> 00:37:41,800 this family song, but because of me being a rust 596 00:37:41,880 --> 00:37:42,880 So it's pretty cool. 597 00:37:42,960 --> 00:37:47,039 Speaker 8: Oh, very cool. Is there anything that's been particularly challenging 598 00:37:47,119 --> 00:37:49,679 to learn? 599 00:37:50,159 --> 00:37:52,239 Speaker 9: How many sometimes you know. 600 00:37:52,880 --> 00:37:55,280 Speaker 12: Yeah, I'm going to say, actually with the Dylan stuff, 601 00:37:55,519 --> 00:37:59,320 really well not playing it, but it's ten verses and. 602 00:38:00,440 --> 00:38:02,920 Speaker 8: Okay, you know what's funny about that because this came 603 00:38:03,039 --> 00:38:06,360 up on you know, in the second hour when when 604 00:38:06,360 --> 00:38:08,559 we had the Pop Farmers on and you know, they 605 00:38:08,800 --> 00:38:12,039 do all these Irish songs for for Saint Patrick's Day, 606 00:38:12,199 --> 00:38:15,519 and they were talking about how some of those, some 607 00:38:15,559 --> 00:38:18,480 of those classic Irish songs are very wordy because they've 608 00:38:18,519 --> 00:38:20,400 got like, you know, there's one I think they do, 609 00:38:20,440 --> 00:38:22,800 it's got like seven or eight verses to it, and 610 00:38:22,800 --> 00:38:25,880 and and how that can be challenging. So so that's 611 00:38:25,960 --> 00:38:26,920 trying not. 612 00:38:26,880 --> 00:38:29,320 Speaker 10: To do it karaoke style, you know, right. 613 00:38:29,119 --> 00:38:30,320 Speaker 19: Right, that is good. 614 00:38:31,400 --> 00:38:34,199 Speaker 9: We do have some verses long my god. 615 00:38:34,400 --> 00:38:34,760 Speaker 8: Yeah. 616 00:38:34,840 --> 00:38:38,440 Speaker 10: Yeah, Fortunately they are stories, which makes them easier to remember. 617 00:38:38,480 --> 00:38:40,800 And you know most cases, you know, you know I 618 00:38:40,880 --> 00:38:42,920 Tangled Up and Blues a great example. Yeah, yeah, a 619 00:38:42,920 --> 00:38:46,239 lot of verses, but it's a story. Yeah, you've heard 620 00:38:46,280 --> 00:38:49,239 it and you know the story. Yeah, tend to stick 621 00:38:49,280 --> 00:38:50,000 a little easier. 622 00:38:50,159 --> 00:38:54,199 Speaker 8: Yeah, like like what's the one like the wordiest Dylan's 623 00:38:56,559 --> 00:39:01,199 and hard Rain Yeah, yeah, definitely crazy you ever you 624 00:39:01,239 --> 00:39:02,800 ever play them live and forget the words? 625 00:39:02,960 --> 00:39:06,800 Speaker 12: Oh you know, I'm gonna get little aids. Yeah, and 626 00:39:06,840 --> 00:39:09,239 I you know, years ago I saw Elvis Costello doing 627 00:39:09,280 --> 00:39:12,599 a show, yeah, and it was yeah, two big music 628 00:39:12,639 --> 00:39:14,880 stands with books on him. You know, it was his 629 00:39:14,920 --> 00:39:17,880 own music. Yeah, so he had some aids. I said, 630 00:39:17,920 --> 00:39:19,400 that's not such a bad thing if you need it, 631 00:39:19,400 --> 00:39:19,599 you know. 632 00:39:19,679 --> 00:39:23,840 Speaker 8: Oh yeah, yeah, of course of course. And then like, 633 00:39:24,159 --> 00:39:27,360 what's uh so the songs that you started, because again 634 00:39:27,400 --> 00:39:33,079 you've been is twenty five years thereabouts, the way that 635 00:39:33,159 --> 00:39:36,119 you play some of those, because I assume the songs 636 00:39:36,119 --> 00:39:38,480 that you played in the beginning you're still playing, right, Yeah, 637 00:39:38,599 --> 00:39:40,840 sure a lot of them. Have those kind of evolved 638 00:39:40,840 --> 00:39:42,440 in terms of how you approach. 639 00:39:42,119 --> 00:39:45,159 Speaker 10: Them, sure, sometimes a little bit, not in huge ways. 640 00:39:45,400 --> 00:39:47,440 Speaker 12: Yeah, but I mean we're testing went off for the 641 00:39:47,480 --> 00:39:49,920 next show that we haven't played in a long time. Really, yeah, 642 00:39:49,960 --> 00:39:51,440 so that'll be surprised. 643 00:39:51,920 --> 00:39:56,719 Speaker 10: Giving okay, okay, yeah, but by that, I mean they 644 00:39:56,719 --> 00:39:59,880 don't change drastically. But tonight I felt different than I 645 00:40:00,159 --> 00:40:02,320 the last time we played it. So my little part 646 00:40:02,440 --> 00:40:05,760 is going to be different. And that's everybody in the 647 00:40:05,800 --> 00:40:09,679 bands playing off of each other, right, Their nuances the change, 648 00:40:09,719 --> 00:40:12,960 but not major ways. Sometimes we've come up with a 649 00:40:12,960 --> 00:40:15,079 different groove trying to differently. 650 00:40:15,280 --> 00:40:18,320 Speaker 9: H will change. We'll play around with the rhythm sometimes. 651 00:40:18,079 --> 00:40:20,599 Speaker 12: And sometimes we have a slow version. 652 00:40:20,599 --> 00:40:22,800 Speaker 8: We have a fast version yeah, yeah. 653 00:40:23,280 --> 00:40:26,599 Speaker 10: And sometimes that's not on you know, that's not planned, right. 654 00:40:28,320 --> 00:40:30,440 Speaker 8: I'm also curious if any of the Neil Young stuff 655 00:40:30,519 --> 00:40:34,840 is hard to play from a guitar perspective, because I 656 00:40:34,880 --> 00:40:37,280 don't know, like the solos. Some of his solos are 657 00:40:37,480 --> 00:40:38,880 so weird. 658 00:40:39,400 --> 00:40:39,840 Speaker 10: I love it. 659 00:40:40,480 --> 00:40:40,760 Speaker 8: Kenny. 660 00:40:41,039 --> 00:40:43,239 Speaker 10: Kenny does a lot more shotting on how Neil would 661 00:40:43,360 --> 00:40:46,320 approach that, and then he lets me do what I do. 662 00:40:46,440 --> 00:40:48,480 Oh really, I don't feel like a crazy horse guy 663 00:40:48,519 --> 00:40:50,960 when I get to a solo. I just play what 664 00:40:51,239 --> 00:40:53,639 you know, I don't read, I don't you know. I 665 00:40:53,679 --> 00:40:55,440 have to just wing it because I've been doing that 666 00:40:55,480 --> 00:40:58,559 since I was a kid. And uh, it's nice to 667 00:40:58,639 --> 00:41:00,679 have that kind of you do the same. 668 00:41:01,199 --> 00:41:02,840 Speaker 12: Yeah, but I tend to. I tend to in the 669 00:41:02,920 --> 00:41:06,360 rock tunes anyway. I have that sound you hit kind 670 00:41:06,360 --> 00:41:07,559 of an amplifier. 671 00:41:07,199 --> 00:41:09,280 Speaker 10: On your black lest Paul, You're hitting that Bigsby and 672 00:41:09,320 --> 00:41:12,159 I'd swear sometimes and I'm listening to Neil you play. 673 00:41:12,280 --> 00:41:14,800 Speaker 9: Yeah. It's one of my favorite parts of this of 674 00:41:14,880 --> 00:41:19,519 when we play out listening to them play yeah, yeah, yeah, 675 00:41:19,559 --> 00:41:24,079 it's definitely a tree yeah yeah. But Kenny gets that sound, 676 00:41:24,199 --> 00:41:28,039 that raw, you know, dirty Neil Young tune and it's 677 00:41:28,079 --> 00:41:28,760 just really good. 678 00:41:29,119 --> 00:41:31,840 Speaker 10: A lot of folks just compare it to the Stills 679 00:41:32,000 --> 00:41:35,039 Young okay interaction from back in the day. Really, but 680 00:41:35,079 --> 00:41:37,800 when we listen to it back, you know, recordings or whatever, 681 00:41:38,119 --> 00:41:40,679 I get the similarities, but it's so different. It's us. 682 00:41:40,760 --> 00:41:40,960 Speaker 8: Yeah. 683 00:41:41,360 --> 00:41:44,119 Speaker 10: Yeah, we're not trying to be them, Yeah, of course. 684 00:41:44,159 --> 00:41:46,159 Speaker 12: And I think that's the testament to that we we 685 00:41:46,199 --> 00:41:49,760 get we captured the vibe. Yeah, because you know, like 686 00:41:49,800 --> 00:41:51,480 I don't sound like Neil Young, but a lot of 687 00:41:51,480 --> 00:41:53,360 people think it's dead on, but no, if you listen 688 00:41:53,400 --> 00:41:55,360 to it side by side, it isn't. But there's something 689 00:41:55,400 --> 00:41:56,400 about it that I get. 690 00:41:56,519 --> 00:41:58,119 Speaker 8: Well that's what I was curious about, because I mean, 691 00:41:58,119 --> 00:41:59,960 it's one thing to get the tone, but there's another 692 00:42:00,039 --> 00:42:03,239 thing to actually play like him, right, because I don't know, 693 00:42:03,880 --> 00:42:06,039 I can't think of anybody else who plays like him, 694 00:42:06,199 --> 00:42:08,119 you know what I mean? And I don't even know 695 00:42:08,159 --> 00:42:10,199 how to maybe you know you probably do. I don't 696 00:42:10,199 --> 00:42:12,400 even know how to describe. Like if somebody were ask me, well, 697 00:42:12,400 --> 00:42:14,639 how does Neil Young play a guitar solo? I wouldn't 698 00:42:14,639 --> 00:42:15,639 know how to even describe it. 699 00:42:17,639 --> 00:42:20,400 Speaker 12: There was a Rolling Stone interview or No. It was 700 00:42:20,440 --> 00:42:22,280 a review of one of his albums back in the day, 701 00:42:22,480 --> 00:42:24,039 you know. It was one of his rock tunes. I 702 00:42:24,039 --> 00:42:29,599 think it was like a hurricane, and the person writing 703 00:42:29,639 --> 00:42:33,239 the article said, it sounds like a down power line 704 00:42:33,760 --> 00:42:36,840 snapping off the ground, you know, like that, that sounds 705 00:42:36,840 --> 00:42:38,960 pretty good. And I found out later that he had 706 00:42:38,960 --> 00:42:41,119 been listening to a lot of John Coltrane, Okay, and 707 00:42:41,159 --> 00:42:44,480 it's very kind of anastic. Oh that that got into 708 00:42:44,480 --> 00:42:45,519 his head and got into his. 709 00:42:45,480 --> 00:42:46,440 Speaker 10: Play you can hear that. 710 00:42:47,800 --> 00:42:51,760 Speaker 12: Yeah, sure, absolutely, And I think his musical beings were 711 00:42:51,760 --> 00:42:54,039 all like that. We kind of absorbed different things and 712 00:42:54,079 --> 00:42:56,079 it comes out in our own little way, you know. 713 00:42:56,239 --> 00:43:00,280 Speaker 8: Yeah, yeah, absolutely. Is there a crowd favorite? Is there? 714 00:43:00,320 --> 00:43:02,880 Is there anything particular that you all play that you notice? 715 00:43:03,239 --> 00:43:06,519 Speaker 10: Harvest Moon? They love Harvest Moon. 716 00:43:06,599 --> 00:43:09,920 Speaker 9: No, they always ask for it, for sure. 717 00:43:10,039 --> 00:43:11,760 Speaker 8: We don't always play that one now. 718 00:43:11,800 --> 00:43:14,760 Speaker 9: But one one crowd favorite too is Cowgirl in the Sand. 719 00:43:15,159 --> 00:43:16,280 Speaker 10: Yeah, because of the jam. 720 00:43:16,400 --> 00:43:17,719 Speaker 9: Yeah, because of that jam, se. 721 00:43:19,360 --> 00:43:23,119 Speaker 8: Man, we do play this okay, okay, Yeah. 722 00:43:22,880 --> 00:43:24,519 Speaker 9: And then once in a while they'll get a treat. 723 00:43:24,559 --> 00:43:26,840 We'll do rocking in the Free World, and oh, everyone 724 00:43:26,880 --> 00:43:27,360 digs that. 725 00:43:28,440 --> 00:43:31,199 Speaker 10: We've done that. Acoustic handle liqu that's right, really, yeah, 726 00:43:31,199 --> 00:43:32,920 and I love both of them. But yeah, that can 727 00:43:32,960 --> 00:43:33,760 go twenty minutes. 728 00:43:34,079 --> 00:43:35,199 Speaker 8: Yeah really yeah. 729 00:43:35,360 --> 00:43:39,239 Speaker 12: Yeah, there's the first thing about Neil because he's got 730 00:43:39,280 --> 00:43:43,079 those two versions out there, they're different from everybody knows. 731 00:43:43,119 --> 00:43:44,079 Speaker 8: That's nowhere too. 732 00:43:44,400 --> 00:43:45,679 Speaker 9: That's a popular one that we do. 733 00:43:45,960 --> 00:43:50,079 Speaker 8: Yeah, oh, very cool, excellent, excellent, So we should remind 734 00:43:50,079 --> 00:43:52,280 people too as we get close to the top of 735 00:43:52,320 --> 00:43:54,679 the hour. So the show at the Rex, it's on 736 00:43:54,719 --> 00:43:58,320 the twenty eighth, March twenty eighth, yes, yeah, okay, And 737 00:43:58,320 --> 00:44:00,280 and it's just you, right, it's just Russ and never Care. 738 00:44:00,719 --> 00:44:03,960 Speaker 10: No opener that we're aware of, because that has happened, 739 00:44:04,320 --> 00:44:06,280 so you know you've got an opener tonight. 740 00:44:06,480 --> 00:44:06,719 Speaker 8: Yeah. 741 00:44:06,760 --> 00:44:08,760 Speaker 12: And they can go to their website or they can 742 00:44:08,840 --> 00:44:10,920 go to our website and link over to it. Were 743 00:44:11,400 --> 00:44:12,599 never sleeps dot net? 744 00:44:12,760 --> 00:44:13,079 Speaker 8: Okay? 745 00:44:13,360 --> 00:44:15,519 Speaker 10: You know we're on Facebook? Are we on Instagram? I'm 746 00:44:15,559 --> 00:44:17,119 not just social media at all. 747 00:44:17,760 --> 00:44:19,360 Speaker 8: It's a nice website by the way, too. And that 748 00:44:19,440 --> 00:44:21,639 might sound like a random compliment, but I'm a I'm 749 00:44:21,639 --> 00:44:24,719 a web designer, and so I noticed websites and my 750 00:44:25,239 --> 00:44:28,599 filmmaker or oh yeah, no, he did, he did a 751 00:44:28,599 --> 00:44:30,480 great job because a lot of a lot of musicians 752 00:44:30,480 --> 00:44:33,719 have terrible websites. So I commend you for good pro. 753 00:44:34,199 --> 00:44:36,400 Speaker 10: You're a lack of a lot of trades. I've seen 754 00:44:36,480 --> 00:44:39,639 your bio on the radio site and elsewhere. You're up 755 00:44:39,639 --> 00:44:40,840 to a lot of cool stuff. 756 00:44:40,920 --> 00:44:41,239 Speaker 9: Yeah. 757 00:44:42,039 --> 00:44:50,360 Speaker 8: Yeah, I never sleep either. I I do have to 758 00:44:50,360 --> 00:44:51,840 ask you this because you mentioned it, because I love 759 00:44:51,880 --> 00:44:54,920 stories like this, he said. The thing about you, You 760 00:44:55,039 --> 00:44:56,760 were presented with an opener that you didn't know you 761 00:44:56,760 --> 00:44:57,880 were going to have at a show. 762 00:44:57,760 --> 00:45:01,320 Speaker 10: That was recently thanks very for example. Really that wonderful 763 00:45:01,360 --> 00:45:04,280 room and Maynard Mass the Sectuary And. 764 00:45:05,760 --> 00:45:08,360 Speaker 12: I'll apologize later, but it wasn't the end of the world. 765 00:45:08,440 --> 00:45:10,000 But no, you'd like to know about that one. 766 00:45:10,360 --> 00:45:14,280 Speaker 10: Well yeah, yeah, and so would our patrons. Well yeah, 767 00:45:14,559 --> 00:45:16,320 I like to know, but. 768 00:45:16,320 --> 00:45:17,400 Speaker 8: We do every now and then. 769 00:45:17,440 --> 00:45:19,119 Speaker 12: We throw a curveball in there. I mean, we had 770 00:45:19,840 --> 00:45:24,320 Arena's daughters open. Yes, that was a lot of fun, 771 00:45:24,440 --> 00:45:24,679 you know. 772 00:45:24,880 --> 00:45:27,639 Speaker 9: Yeah, please, she'll get to do She's actually sat in 773 00:45:27,679 --> 00:45:28,880 with the band before for me to. 774 00:45:29,360 --> 00:45:30,920 Speaker 10: Carena one night and killed it. 775 00:45:31,000 --> 00:45:34,320 Speaker 12: Yeah, great musicians. She's going to be graduating from Berkeley 776 00:45:34,400 --> 00:45:34,760 this year. 777 00:45:34,840 --> 00:45:38,039 Speaker 9: Oh actually, yeah, she graduates in May from from Berkeley. 778 00:45:38,119 --> 00:45:40,239 And but yeah, she sits in for me from time 779 00:45:40,280 --> 00:45:42,079 to time. And oh yeah, well who is she? 780 00:45:42,159 --> 00:45:42,920 Speaker 8: Let's give her a plug? 781 00:45:43,000 --> 00:45:46,880 Speaker 9: Yeah, Elizabeth Valley, call her best and uh yeah, she 782 00:45:46,960 --> 00:45:50,360 does an excellent job. She plays around locally right now 783 00:45:50,400 --> 00:45:53,239 though it's she's real busy finishing up at Berkeley. She's 784 00:45:53,280 --> 00:45:56,760 got her first album release coming out in April called Sounder, 785 00:45:57,440 --> 00:46:00,360 and uh yeah, she's beautiful too. 786 00:46:00,440 --> 00:46:01,800 Speaker 10: We just did something with the VPC. 787 00:46:02,119 --> 00:46:04,800 Speaker 9: Yeah, she just played the Pink showcase at the VPC 788 00:46:05,840 --> 00:46:08,880 and she was one of the chosen soloists there. And 789 00:46:08,960 --> 00:46:13,079 she's got another showcase at Berkeley for George Martin and 790 00:46:13,239 --> 00:46:17,239 she's doing Linda Vonstadt's Moon so our Mistress, so wow, 791 00:46:17,320 --> 00:46:18,440 yeah it'll be a treat. 792 00:46:18,639 --> 00:46:20,559 Speaker 8: So well, we'll have to get her on the show. 793 00:46:20,599 --> 00:46:24,239 We've had Chuck's son on the show. We need best daughter. 794 00:46:24,679 --> 00:46:26,280 Speaker 10: Yeah, family guy, I love it. 795 00:46:27,280 --> 00:46:31,880 Speaker 8: Yeah, yeah, absolutely. Uh do you have any any children 796 00:46:32,239 --> 00:46:33,199 who are musicians? 797 00:46:33,199 --> 00:46:34,039 Speaker 12: They're not musicians? 798 00:46:34,079 --> 00:46:37,679 Speaker 8: Okay, no, well, although actually I would like to get 799 00:46:37,679 --> 00:46:41,039 your filmmakers son on the show too, because that sounds interesting. Okay, yeah, yeah, 800 00:46:41,079 --> 00:46:42,400 we don't. We don't just do music. I mean we 801 00:46:42,440 --> 00:46:44,599 do mostly music, but but you know, I just love 802 00:46:44,679 --> 00:46:46,239 talking to creative people in general. You know. 803 00:46:46,400 --> 00:46:48,559 Speaker 10: Just I have three kids, and only one of them 804 00:46:48,559 --> 00:46:50,719 got the bug the music, Pug. The other two are 805 00:46:50,719 --> 00:46:53,519 hockey players, probably not interviewing hockey. 806 00:46:53,800 --> 00:46:53,960 Speaker 7: Yeah. 807 00:46:53,960 --> 00:46:55,440 Speaker 8: I don't know anything about sports ball. 808 00:46:57,320 --> 00:46:59,480 Speaker 9: My son doesn't play, but he loves it and he's 809 00:46:59,519 --> 00:47:03,519 listening to us today too, So. 810 00:47:02,400 --> 00:47:05,239 Speaker 8: Good, very good. Hello, guess, Hello guests. All right, so 811 00:47:05,639 --> 00:47:07,519 we are about out of time. I do want to 812 00:47:07,519 --> 00:47:10,880 play one more thing from your YouTube though. 813 00:47:10,840 --> 00:47:12,679 Speaker 10: Real quick. Before you do, I got to guest shout 814 00:47:12,719 --> 00:47:15,039 out to Sick Dude. Hell yeah, my son, Yes, and 815 00:47:17,480 --> 00:47:20,360 love both of your interviews here, and thanks for pointing 816 00:47:20,400 --> 00:47:21,159 us in this direction. 817 00:47:21,400 --> 00:47:24,639 Speaker 8: Oh yeah, we love Sick Dude. Hell yeah, absolutely. 818 00:47:24,239 --> 00:47:29,719 Speaker 10: It's the name death metal duo. They're nuts. They recorded 819 00:47:29,719 --> 00:47:31,840 in my basement and I had a blast doing it anyway. 820 00:47:31,960 --> 00:47:36,519 Speaker 8: Sorry, Oh yeah, you were the engineer on that, right, correct? Yeah? Yeah, 821 00:47:36,679 --> 00:47:39,320 what was that? Have you ever done anything like that before, 822 00:47:39,679 --> 00:47:41,320 recorded anything like that before? 823 00:47:42,239 --> 00:47:43,119 Speaker 10: Power du like that? 824 00:47:43,239 --> 00:47:43,320 Speaker 4: No? 825 00:47:43,480 --> 00:47:45,519 Speaker 10: No, no, it was the coolest thing too. I mean 826 00:47:45,559 --> 00:47:48,079 I have a home studio. Yeah, and we had to 827 00:47:48,079 --> 00:47:52,159 put both of Why am I blanking on the bass 828 00:47:52,199 --> 00:47:57,639 guitar player's name, I can't remember. See I'm old. I'm 829 00:47:57,639 --> 00:47:58,360 getting old. 830 00:47:59,079 --> 00:48:01,079 Speaker 8: Anyway, if you meet so any musicians. 831 00:48:00,679 --> 00:48:04,559 Speaker 10: He plays a four string bass through a guitar amp 832 00:48:04,679 --> 00:48:07,159 and a bass ampe by way of a little splitter 833 00:48:07,199 --> 00:48:09,800 that octaves it, so you'd swear you were hearing two 834 00:48:09,840 --> 00:48:10,960 guys that are just locked in. 835 00:48:11,039 --> 00:48:12,159 Speaker 8: Oh yeah, yeah, right. 836 00:48:12,199 --> 00:48:15,239 Speaker 10: You know what I'm talking about. And in order to 837 00:48:15,280 --> 00:48:18,559 pull that off and not just kill the overheads on 838 00:48:18,599 --> 00:48:21,840 the drum kit in my meager little space, we used 839 00:48:21,840 --> 00:48:25,920 this little cedar storage closet behind my studio, stuck them 840 00:48:25,920 --> 00:48:27,639 in there and ran a bunch of cables from there, 841 00:48:27,800 --> 00:48:29,360 and it worked like a charm. So I got to 842 00:48:29,440 --> 00:48:31,800 learn by way of their project that I have a 843 00:48:31,840 --> 00:48:35,360 lot more capability in that mega a little space than Yeah. Yeah, 844 00:48:35,440 --> 00:48:38,159 I loved my listening space. It's mostly like I got. 845 00:48:38,320 --> 00:48:40,280 I did some acoustic treatment and all that, so I 846 00:48:40,320 --> 00:48:43,679 can sort of believe what I'm hearing. Yeah, before we 847 00:48:43,719 --> 00:48:47,159 put it out there, and that was just such a 848 00:48:47,159 --> 00:48:48,440 fun project. It really was. 849 00:48:48,519 --> 00:48:49,400 Speaker 8: Oh that's really cool. 850 00:48:49,519 --> 00:48:52,880 Speaker 10: Yeah, they were very well prepared. Yeah to give them that. 851 00:48:53,599 --> 00:48:56,559 Speaker 8: No, that's awesome, that's awesome. What should I play? From 852 00:48:56,559 --> 00:48:58,360 your YouTube. You got so much good stuff. Do you 853 00:48:58,360 --> 00:49:02,519 have any any suggestion you had a lot of good Uh? 854 00:49:02,760 --> 00:49:05,039 We played there, we looked on, we played the Darrel's 855 00:49:05,039 --> 00:49:09,480 House video. Uh, Rust Never Sleeps performs Motorcycle Mama. 856 00:49:09,800 --> 00:49:10,360 Speaker 12: Do that one? 857 00:49:10,400 --> 00:49:13,719 Speaker 8: That's that's also and that's also from uh live at 858 00:49:13,760 --> 00:49:14,320 Darryl's House. 859 00:49:14,800 --> 00:49:17,480 Speaker 10: Yeah, another one featuring Rena on vocal. 860 00:49:17,719 --> 00:49:21,800 Speaker 8: Yeah, very cool, very cool. I don't know that song. 861 00:49:21,840 --> 00:49:22,519 Whose song is that? 862 00:49:22,639 --> 00:49:23,199 Speaker 12: Is that a Neil? 863 00:49:23,599 --> 00:49:25,679 Speaker 8: That is a Neil song? I'll probably recognize it as 864 00:49:25,679 --> 00:49:26,559 soon as time. 865 00:49:26,599 --> 00:49:29,760 Speaker 12: Album Okay, okay, originally sung by nicol Let Larson. 866 00:49:30,280 --> 00:49:33,280 Speaker 8: Oh gotcha, gotcha? Russ Never Sleeps. Thank you all three 867 00:49:33,280 --> 00:49:35,719 of you very much, thanks for having so much. Absolutely 868 00:49:35,800 --> 00:49:38,159 this has been wonderful and we'll close out with this. 869 00:49:38,159 --> 00:49:40,840 This is their rendition of Motorcycle Mama Live at Darrel's 870 00:49:40,880 --> 00:49:43,039 House Club Russ Never Sleeps. 871 00:50:00,960 --> 00:50:02,039 Speaker 2: The cycle Mama. 872 00:50:02,239 --> 00:50:10,480 Speaker 18: Won't you lay your bits fip down a cycle mother? 873 00:50:10,719 --> 00:50:22,920 Won't you play your gate spike downs. 874 00:50:18,119 --> 00:50:23,119 Speaker 16: Get trouble while I'm laying around or a cycle mama? 875 00:50:23,280 --> 00:50:55,239 Speaker 2: Won't you lay it down that keep the food? I'm 876 00:50:55,320 --> 00:50:56,719 waiting a place. 877 00:50:56,559 --> 00:50:57,480 Speaker 19: To say. 878 00:51:07,880 --> 00:51:12,320 Speaker 18: All the cycle Mama want you lay your face spike down. 879 00:51:16,440 --> 00:51:20,480 Speaker 2: Or the cycle mom, what you lay your face fid down? 880 00:51:24,719 --> 00:51:28,000 Speaker 18: Always get your trouble when you break out a round. 881 00:51:28,840 --> 00:51:31,599 Speaker 21: All the cycle mom, what you lay it down? 882 00:51:41,400 --> 00:51:43,880 Speaker 16: Sat My mother to. 883 00:51:49,400 --> 00:51:50,360 Speaker 7: This game out. 884 00:51:57,440 --> 00:51:59,599 Speaker 2: Seeing your bosses already. 885 00:52:00,119 --> 00:52:04,559 Speaker 7: That is that this is just the time a. 886 00:52:14,960 --> 00:52:18,960 Speaker 2: Cycle funnel to lay off thanks, five down. 887 00:52:20,599 --> 00:52:24,639 Speaker 6: Down, a cycle model. 888 00:52:24,639 --> 00:52:36,960 Speaker 2: To lay on bas five down, oh cycle donne to 889 00:52:37,119 --> 00:52:37,960 play it down.