WEBVTT

1
00:00:03.200 --> 00:00:10.759
<v Speaker 1>Caalaroga Shark Media. Hello, I'm Johnny Mack with your daily

2
00:00:10.800 --> 00:00:14.080
<v Speaker 1>comedy news. Good lineup tonight for Comics for Kamala. Mark

3
00:00:14.160 --> 00:00:16.760
<v Speaker 1>Marin Already it's a great show, right, Kevin Neilan, Lori

4
00:00:16.879 --> 00:00:20.920
<v Speaker 1>kil Martin, Danny Zucker, Mas Jabroni, Dana Gould, Cristella Alonso

5
00:00:21.000 --> 00:00:24.440
<v Speaker 1>and Tom Arnold tonight at seven thirty at the Comedy

6
00:00:24.480 --> 00:00:27.440
<v Speaker 1>Store in a, Los Angeles. Let's see general admission of

7
00:00:27.640 --> 00:00:32.240
<v Speaker 1>forty six dollars and forty cents. I'll tell you though,

8
00:00:32.240 --> 00:00:34.280
<v Speaker 1>Comics for Kamala needs a better website. I hope the

9
00:00:34.320 --> 00:00:36.560
<v Speaker 1>administration runs a little better than that. All right, another

10
00:00:36.640 --> 00:00:38.840
<v Speaker 1>show if you want to turn against all your favorite

11
00:00:38.840 --> 00:00:41.600
<v Speaker 1>comedians get mad at their politics. Gary Goleman doesn't care.

12
00:00:41.719 --> 00:00:45.439
<v Speaker 1>He's doing Comics for Kamala on Monday in New York City,

13
00:00:45.719 --> 00:00:48.439
<v Speaker 1>Gary Goleman and Friends. The friends are Zach Zimmerman and

14
00:00:48.479 --> 00:00:52.200
<v Speaker 1>Britney Carney. That's at Stand Up New York, the new

15
00:00:52.280 --> 00:00:55.079
<v Speaker 1>location at two twenty one West forty sixth Street. Oh wait,

16
00:00:55.119 --> 00:00:58.280
<v Speaker 1>there's another show on Tuesday in Miami. This one's at

17
00:00:58.320 --> 00:01:03.320
<v Speaker 1>the Miami Improv in Esther Coo Larry Dog of Freddy Stebbens,

18
00:01:03.399 --> 00:01:07.760
<v Speaker 1>Larry fish More, Christopher Sharon Pfeiffer, and Bear Clarker Webb

19
00:01:08.040 --> 00:01:12.359
<v Speaker 1>not exactly the name brands that are performing tonight. That's

20
00:01:12.400 --> 00:01:14.799
<v Speaker 1>Tuesday Night and Miami. So I want to keep things

21
00:01:14.840 --> 00:01:18.280
<v Speaker 1>fair here. I don't see any sort of Trump comedy festival.

22
00:01:18.359 --> 00:01:19.799
<v Speaker 1>If I see what I will tell you about it.

23
00:01:19.840 --> 00:01:21.920
<v Speaker 1>I try to think to myself, who would even be

24
00:01:22.000 --> 00:01:25.760
<v Speaker 1>in it? I googled comedians who support Trump. Roseanne came up,

25
00:01:26.120 --> 00:01:27.799
<v Speaker 1>and no one else came up, And I'm like, all right,

26
00:01:27.799 --> 00:01:29.840
<v Speaker 1>from memory, who could be on comedians for Trump? I

27
00:01:29.840 --> 00:01:34.640
<v Speaker 1>guess we could get Nick Depollo and Jim Brewer, Rob Schneider, Guttfeld.

28
00:01:34.680 --> 00:01:37.599
<v Speaker 1>I'm sure Gutfeld would love to come. I mean, google

29
00:01:37.680 --> 00:01:41.079
<v Speaker 1>conservative comedians. See what comes up? Really, nothing other than

30
00:01:41.120 --> 00:01:44.439
<v Speaker 1>the headline. Rob Schneider's comedy is so bad it's even

31
00:01:44.560 --> 00:01:49.040
<v Speaker 1>offending Republicans. Somebody put together a tourist I can talk

32
00:01:49.079 --> 00:01:53.439
<v Speaker 1>about it. Paul Starr did a big giant article about

33
00:01:53.560 --> 00:01:56.640
<v Speaker 1>kill Tony Tony Hinchcliffe said, I want our audience to

34
00:01:56.680 --> 00:01:59.560
<v Speaker 1>be able to hear these different perspectives from everybody where

35
00:01:59.560 --> 00:02:01.799
<v Speaker 1>they're from, how they grew up, what they do, what

36
00:02:01.840 --> 00:02:03.920
<v Speaker 1>makes them different. It's all critical to the flow of

37
00:02:03.959 --> 00:02:06.280
<v Speaker 1>the show. I got to remember to watch those kill

38
00:02:06.359 --> 00:02:09.319
<v Speaker 1>Tony MSG shows. They're up on YouTube. We're all different,

39
00:02:09.520 --> 00:02:11.039
<v Speaker 1>but we all laugh at a lot of the same stuff,

40
00:02:11.080 --> 00:02:13.759
<v Speaker 1>and it brings us together. The show's so raw, so organic,

41
00:02:13.840 --> 00:02:15.919
<v Speaker 1>so live. There's never been anything like that before, and

42
00:02:15.960 --> 00:02:17.479
<v Speaker 1>I can't believe that I'm the one that did it.

43
00:02:17.719 --> 00:02:19.759
<v Speaker 1>A little white trash Italian kid from an all black

44
00:02:19.759 --> 00:02:22.520
<v Speaker 1>neighborhood in Youngstown, Ohio. It's just the America dream and

45
00:02:22.560 --> 00:02:25.199
<v Speaker 1>I couldn't be more ecstatic about it all. Tony told

46
00:02:25.240 --> 00:02:28.000
<v Speaker 1>Theo Vaughn on the This Past Weekend podcast about when

47
00:02:28.039 --> 00:02:31.120
<v Speaker 1>Tony made his comedy debutt for months and then blanked

48
00:02:31.159 --> 00:02:34.159
<v Speaker 1>out on stage. He was honest. He turned into his

49
00:02:34.159 --> 00:02:37.039
<v Speaker 1>own forgetfulness and turned that into a three minute improvised set.

50
00:02:37.199 --> 00:02:39.479
<v Speaker 1>He bombed in the weeks after with the jokes he'd rehearsed.

51
00:02:39.879 --> 00:02:43.000
<v Speaker 1>To this day, Tony is more comfortable off script. As

52
00:02:43.039 --> 00:02:46.080
<v Speaker 1>for his recent performance at the Tom Brady Roast, Tony

53
00:02:46.120 --> 00:02:48.680
<v Speaker 1>Hinchcliffe said, I was adapting it until the very last second.

54
00:02:48.719 --> 00:02:51.080
<v Speaker 1>Everything was changing. I was making edits, adding things, cutting

55
00:02:51.080 --> 00:02:53.719
<v Speaker 1>things out, repositioning things, I've ppared a lot of those

56
00:02:53.800 --> 00:02:55.639
<v Speaker 1>jokes for the roast, but I didn't know how and

57
00:02:55.680 --> 00:02:57.159
<v Speaker 1>when I was going to do it. I decided very

58
00:02:57.199 --> 00:02:58.479
<v Speaker 1>early on when I got there that I was going

59
00:02:58.560 --> 00:03:00.319
<v Speaker 1>to do them from left to right and be the

60
00:03:00.319 --> 00:03:02.039
<v Speaker 1>only one who moves around. I was trying to figure

61
00:03:02.080 --> 00:03:03.840
<v Speaker 1>out where the main camera was seeing so they could

62
00:03:03.840 --> 00:03:05.520
<v Speaker 1>see me and also the person I was roasting, so

63
00:03:05.639 --> 00:03:07.639
<v Speaker 1>I was directing that while performing. It was a lot

64
00:03:07.680 --> 00:03:09.400
<v Speaker 1>of work and a lot of adrenaline, a real blur,

65
00:03:09.840 --> 00:03:11.879
<v Speaker 1>but also an absolute blast in one of the highlights

66
00:03:11.919 --> 00:03:15.639
<v Speaker 1>of my life. Tony's one of those fifteen year overnight successes,

67
00:03:15.639 --> 00:03:17.919
<v Speaker 1>and said, fifteen years of writing on ROAs and performing

68
00:03:17.960 --> 00:03:19.719
<v Speaker 1>stand up led me to this position. To be able

69
00:03:19.719 --> 00:03:22.240
<v Speaker 1>to just execute up there. It wasn't a magical moment.

70
00:03:22.280 --> 00:03:24.800
<v Speaker 1>It was almost two decades of continuous practice. The kid

71
00:03:24.840 --> 00:03:27.240
<v Speaker 1>that used to roast everybody in school fully grown forty

72
00:03:27.319 --> 00:03:29.120
<v Speaker 1>years old up there doing what I was built to do.

73
00:03:29.919 --> 00:03:31.840
<v Speaker 1>Tom Brady deserves all the credit in the world for

74
00:03:31.879 --> 00:03:34.000
<v Speaker 1>even letting me have that position and giving a young

75
00:03:34.039 --> 00:03:36.759
<v Speaker 1>buck a chance like that. The first episode of Kill

76
00:03:36.840 --> 00:03:39.319
<v Speaker 1>Tony was shot back in twenty thirteen in the belly

77
00:03:39.400 --> 00:03:42.159
<v Speaker 1>room of LA's Comedy Store in front of fifteen people

78
00:03:42.199 --> 00:03:45.759
<v Speaker 1>with four sign ups. Hinchcliff's manager Alex Murray. I know

79
00:03:45.840 --> 00:03:48.520
<v Speaker 1>Alex a little bit from way back in the day.

80
00:03:49.120 --> 00:03:51.800
<v Speaker 1>Alex said, the Netflix Comedy Festival made us a low offer,

81
00:03:51.919 --> 00:03:54.800
<v Speaker 1>not necessarily financially, but in terms of venue capacity. We

82
00:03:54.840 --> 00:03:58.240
<v Speaker 1>told the booker, you're really underestimating the power of this audience.

83
00:03:58.400 --> 00:04:00.639
<v Speaker 1>We just kept passing and passing, and only they made

84
00:04:00.680 --> 00:04:02.560
<v Speaker 1>us an offer for the YouTube theater, which is six

85
00:04:02.639 --> 00:04:04.719
<v Speaker 1>thousand seats. We sold out in ten minutes on the

86
00:04:04.759 --> 00:04:06.439
<v Speaker 1>pre sale. The booker called and was like, what is

87
00:04:06.479 --> 00:04:08.599
<v Speaker 1>this and we were like, I told you. The second

88
00:04:08.639 --> 00:04:10.240
<v Speaker 1>show we had it was at the Kia Forum that

89
00:04:10.319 --> 00:04:12.759
<v Speaker 1>sold out within days. We're being careful of how many

90
00:04:12.800 --> 00:04:14.599
<v Speaker 1>of these live shows we do because Tony goes out

91
00:04:14.639 --> 00:04:16.759
<v Speaker 1>of pocket for production. Sometimes we want to make them

92
00:04:16.800 --> 00:04:20.480
<v Speaker 1>special and unique. Madison Square Garden, same thing. The first

93
00:04:20.480 --> 00:04:22.279
<v Speaker 1>show sold out in a day, then we added the

94
00:04:22.279 --> 00:04:24.959
<v Speaker 1>second show, which ended up selling out. Not a single

95
00:04:25.000 --> 00:04:27.839
<v Speaker 1>dollar in advertising was used to achieve this. The Kill

96
00:04:27.920 --> 00:04:31.439
<v Speaker 1>Tony YouTube channel has one point six million subscribers. They

97
00:04:31.439 --> 00:04:33.480
<v Speaker 1>only got to a million back in April, so that'll

98
00:04:33.480 --> 00:04:36.240
<v Speaker 1>show you how fast it's growing. Alex Murray said, I

99
00:04:36.319 --> 00:04:38.600
<v Speaker 1>represent other big ax. Yes he does, and we got

100
00:04:38.600 --> 00:04:40.639
<v Speaker 1>to promote those shows. But when it comes to spending

101
00:04:40.680 --> 00:04:42.839
<v Speaker 1>money on promotion, Tony's like, nah, trust me, I got this.

102
00:04:42.920 --> 00:04:44.920
<v Speaker 1>We listened and he's right. He's been right one hundred

103
00:04:44.920 --> 00:04:47.160
<v Speaker 1>percent of the time. Tony said, in my mind, we're

104
00:04:47.160 --> 00:04:51.360
<v Speaker 1>at times absolutely eating Saturday Night Lives lunch she and

105
00:04:51.399 --> 00:04:53.920
<v Speaker 1>gillis doing. Is Donald Trump amen on that it's so

106
00:04:54.079 --> 00:04:56.560
<v Speaker 1>much fun when Chane shows up on Kill Tony, it

107
00:04:56.639 --> 00:04:59.560
<v Speaker 1>is so much fun. Adam Ray, Is, Joe Biden, doctor

108
00:04:59.560 --> 00:05:01.920
<v Speaker 1>Phil and many more they could have had. That these

109
00:05:01.959 --> 00:05:04.199
<v Speaker 1>are the new stars, the backbone of modern day comedy,

110
00:05:04.199 --> 00:05:06.240
<v Speaker 1>and having work with these guys forever and finally putting

111
00:05:06.279 --> 00:05:08.079
<v Speaker 1>them in positions to be seen in their finest light

112
00:05:08.160 --> 00:05:10.199
<v Speaker 1>doing their funnies stuff, watching on the break character because

113
00:05:10.199 --> 00:05:12.800
<v Speaker 1>they're cracking each other up. It's just priceless. It's not

114
00:05:12.839 --> 00:05:15.279
<v Speaker 1>written now, it's not rehearsed. Everything is improvised and that's

115
00:05:15.319 --> 00:05:18.360
<v Speaker 1>the secret sauce of Killed Tony. Tony moved the show

116
00:05:18.399 --> 00:05:21.759
<v Speaker 1>from la to Austin during the pandemic and says it's

117
00:05:21.759 --> 00:05:23.720
<v Speaker 1>made me a happier person. The people are nicer, the

118
00:05:23.800 --> 00:05:25.920
<v Speaker 1>artists better, the food is better. My spirit is filled,

119
00:05:25.920 --> 00:05:28.279
<v Speaker 1>which makes me a better host who makes better decisions

120
00:05:28.279 --> 00:05:30.160
<v Speaker 1>for the show. Normally go to New York or LA

121
00:05:30.560 --> 00:05:31.759
<v Speaker 1>to make it and try to take things to the

122
00:05:31.759 --> 00:05:33.560
<v Speaker 1>next level. You don't go anywhere else to thrive. But

123
00:05:33.560 --> 00:05:35.639
<v Speaker 1>that's what we did, and there's nowhere I'd rather be

124
00:05:35.680 --> 00:05:37.759
<v Speaker 1>that at home here in Austin, Texas. It fills in

125
00:05:37.759 --> 00:05:39.639
<v Speaker 1>my heart with so much joy and it's my favorite

126
00:05:39.680 --> 00:05:42.560
<v Speaker 1>place in the world. Joe Rogan said, it's a better

127
00:05:42.600 --> 00:05:44.480
<v Speaker 1>place for comedy, and you don't have the traffic. It's

128
00:05:44.480 --> 00:05:47.279
<v Speaker 1>not a grind. The club situation is amazing. There's cap City,

129
00:05:47.319 --> 00:05:49.079
<v Speaker 1>there's the Creek in the Cave, There's the Vulcan, There's

130
00:05:49.079 --> 00:05:51.839
<v Speaker 1>the Sunset Strip, the Mothership, the Black Rabbit, the Velveta Room,

131
00:05:51.920 --> 00:05:54.120
<v Speaker 1>Shakespeare's You realize you don't have to be stuck in

132
00:05:54.160 --> 00:05:57.639
<v Speaker 1>this crazy city of insane traffic and crime. Hinchcliff added

133
00:05:57.759 --> 00:05:59.800
<v Speaker 1>having Shane Gillis here as a death blow to the

134
00:05:59.800 --> 00:06:01.959
<v Speaker 1>other cities. Even the few people that we really want

135
00:06:01.959 --> 00:06:03.480
<v Speaker 1>that I haven't moved here. They're all coming here all

136
00:06:03.519 --> 00:06:06.439
<v Speaker 1>the time. It's like a Vegas residency. I apologize here

137
00:06:06.519 --> 00:06:10.199
<v Speaker 1>to mister Dorfman, who works for Outback and is quoted here.

138
00:06:10.240 --> 00:06:12.639
<v Speaker 1>Somewhere in my collection of the notes, I lost mister

139
00:06:12.680 --> 00:06:15.680
<v Speaker 1>Dorfmann's first name, and I keep googling out Back Dorfman,

140
00:06:15.800 --> 00:06:17.360
<v Speaker 1>and all that comes up is a hat you would

141
00:06:17.360 --> 00:06:20.879
<v Speaker 1>wear in the Australian desert. But mister Dorfman said, it's

142
00:06:20.920 --> 00:06:22.839
<v Speaker 1>easy to say Austin. But the truth of Mather is

143
00:06:22.920 --> 00:06:24.800
<v Speaker 1>over the years, La or New York were the gatekeepers,

144
00:06:24.800 --> 00:06:27.160
<v Speaker 1>and now there are no gatekeepers. You're watching the best

145
00:06:27.199 --> 00:06:29.279
<v Speaker 1>at a craft just put their stuff out there and

146
00:06:29.399 --> 00:06:31.959
<v Speaker 1>let the people decide. Before, in order to get the

147
00:06:31.959 --> 00:06:33.560
<v Speaker 1>word out, there had to be somebody who tell you

148
00:06:33.600 --> 00:06:35.800
<v Speaker 1>who was good and not well, the people have decided.

149
00:06:35.839 --> 00:06:38.680
<v Speaker 1>We did twenty six thousand people in Madison Square Garden.

150
00:06:39.040 --> 00:06:41.399
<v Speaker 1>This is the greatest moment comedy's ever seen, and it's

151
00:06:41.399 --> 00:06:43.920
<v Speaker 1>because the comedians are running this. Alex Murray agrees and

152
00:06:43.920 --> 00:06:46.120
<v Speaker 1>said Comedy Central made a lot of comedy shows that

153
00:06:46.160 --> 00:06:49.720
<v Speaker 1>people watched. It launched comedy stars and created new careers.

154
00:06:49.720 --> 00:06:52.160
<v Speaker 1>It was a whole thing. But viewing habits changed during COVID.

155
00:06:52.399 --> 00:06:55.360
<v Speaker 1>People started migrating the YouTube, TikTok, Instagram, watching on their

156
00:06:55.360 --> 00:06:57.639
<v Speaker 1>phones and Tony show. It was literally the only comedy

157
00:06:57.639 --> 00:07:00.000
<v Speaker 1>show that was meaningful, original, fun and cool that exists.

158
00:07:00.120 --> 00:07:02.720
<v Speaker 1>Did The audience felt like they discovered the show organically.

159
00:07:02.720 --> 00:07:05.079
<v Speaker 1>It wasn't ever promoted or marketed to them. I can't

160
00:07:05.079 --> 00:07:07.720
<v Speaker 1>even remember how I discovered Kill Tony. And I think

161
00:07:07.959 --> 00:07:11.160
<v Speaker 1>Alex Murray brings up a good point. Comedy Central boy,

162
00:07:11.360 --> 00:07:14.519
<v Speaker 1>I mean, and I helped launch Comedy Central Radio, that

163
00:07:14.639 --> 00:07:19.079
<v Speaker 1>brand you know in the aughts, super strong. What Happened

164
00:07:19.360 --> 00:07:21.839
<v Speaker 1>The next Killed Tony live stream is at Resorts World

165
00:07:21.839 --> 00:07:24.639
<v Speaker 1>Arena in Las Vegas at September twenty fifth. They're also

166
00:07:24.639 --> 00:07:26.319
<v Speaker 1>working on a New Year's Eve show. I could see

167
00:07:26.319 --> 00:07:28.839
<v Speaker 1>a pay per view coming, can't you. Yeah, Now that

168
00:07:28.839 --> 00:07:31.959
<v Speaker 1>the show's popular, the big streamers are coming. And Tony said,

169
00:07:31.959 --> 00:07:34.360
<v Speaker 1>I'm just happy to have complete creative control and not

170
00:07:34.480 --> 00:07:36.720
<v Speaker 1>have to deal with network notes from some executive or director.

171
00:07:36.720 --> 00:07:39.040
<v Speaker 1>Everybody's listening to me, and that's why I think it works.

172
00:07:39.040 --> 00:07:40.800
<v Speaker 1>It's not watered down by a bunch of other people's

173
00:07:40.839 --> 00:07:42.759
<v Speaker 1>opinions or any old school stuff that's going to drag

174
00:07:42.800 --> 00:07:44.399
<v Speaker 1>it down, make it to safe, or make it resemble

175
00:07:44.439 --> 00:07:48.079
<v Speaker 1>anything else. It's brutally original, even though it's technically a

176
00:07:48.079 --> 00:07:50.759
<v Speaker 1>talent show slash open mic. It's so raw because truly

177
00:07:50.800 --> 00:07:54.519
<v Speaker 1>anything can happen, and everything is improvised. It maintains its loose, dangerous,

178
00:07:54.519 --> 00:07:56.879
<v Speaker 1>live feel, and it's too late for anybody to catch up.

179
00:07:57.240 --> 00:07:59.120
<v Speaker 1>Nobody can even do a rip off of the show

180
00:07:59.120 --> 00:08:00.680
<v Speaker 1>because they have to play. It's safe. If you look

181
00:08:00.680 --> 00:08:03.480
<v Speaker 1>at your American idols, and your America got talent, and

182
00:08:03.519 --> 00:08:05.680
<v Speaker 1>it's made for grandmas and grandpa's. It's meant to be

183
00:08:05.720 --> 00:08:08.000
<v Speaker 1>on the TV at nursing homes. No cool eighteen year

184
00:08:08.000 --> 00:08:10.279
<v Speaker 1>olds want to watch that. Meanwhile, you got eighteen year

185
00:08:10.279 --> 00:08:13.639
<v Speaker 1>olds watching kill Tony with their parents, watching with their grandparents,

186
00:08:13.639 --> 00:08:17.240
<v Speaker 1>and everybody's entertained. Man, that kill Tony article is longer

187
00:08:17.279 --> 00:08:19.480
<v Speaker 1>than I thought. All right, let's bounce a whole bunch

188
00:08:19.560 --> 00:08:21.680
<v Speaker 1>of things. How about this from the Express News from

189
00:08:21.720 --> 00:08:24.879
<v Speaker 1>Maria Bamford. Whenever Maria Bamford wants to try out new material,

190
00:08:24.959 --> 00:08:27.120
<v Speaker 1>she asks her fans for help, She'll put out a

191
00:08:27.120 --> 00:08:29.360
<v Speaker 1>call on Twitter offering a T shirt to anybody who's

192
00:08:29.399 --> 00:08:31.319
<v Speaker 1>time to meet for a cup of coffee or over

193
00:08:31.439 --> 00:08:33.840
<v Speaker 1>zoom and listen to her to go through her act.

194
00:08:34.360 --> 00:08:36.399
<v Speaker 1>Bamford said, the great thing about human beings is that

195
00:08:36.399 --> 00:08:38.759
<v Speaker 1>if you give people an opportunity to be delightful, they

196
00:08:38.799 --> 00:08:41.279
<v Speaker 1>often are delightful. So anytime I've met with somebody, it's

197
00:08:41.279 --> 00:08:44.440
<v Speaker 1>been really fun. Also, it's a public form, so they've

198
00:08:44.480 --> 00:08:45.960
<v Speaker 1>said in some way, I'd like to do this, and

199
00:08:46.000 --> 00:08:48.039
<v Speaker 1>I'm a fan. It's not like it's pushed upon them,

200
00:08:48.039 --> 00:08:50.039
<v Speaker 1>which is my least favorite kind of comedy, which is

201
00:08:50.120 --> 00:08:53.159
<v Speaker 1>ambush comedy. She notes that some might be misled by

202
00:08:53.200 --> 00:08:55.720
<v Speaker 1>her looks. She says, I'm a white cis heater, a

203
00:08:55.720 --> 00:08:58.039
<v Speaker 1>woman in my fifties. They might think they might be

204
00:08:58.039 --> 00:09:00.600
<v Speaker 1>able to relate to her point of view. She said,

205
00:09:00.600 --> 00:09:02.519
<v Speaker 1>maybe not. You might want to google it. I'm the

206
00:09:02.600 --> 00:09:05.039
<v Speaker 1>used bookstore of comedy. I probably won't have what you want,

207
00:09:05.080 --> 00:09:06.960
<v Speaker 1>but I'm pleasant and I try to find you who

208
00:09:07.039 --> 00:09:09.320
<v Speaker 1>you might want, and I bet it's someone else, and

209
00:09:09.360 --> 00:09:11.320
<v Speaker 1>I've been sitting on this one from the av Club,

210
00:09:11.759 --> 00:09:15.519
<v Speaker 1>Rosalind Chow talked about her time on Mash and After Mash.

211
00:09:15.639 --> 00:09:18.399
<v Speaker 1>Remember she was on the last few seasons of Mash

212
00:09:18.399 --> 00:09:20.600
<v Speaker 1>and then both seasons of After Mash, and then later

213
00:09:20.639 --> 00:09:24.559
<v Speaker 1>she was on Star Trek the Next Generation. Rosalind said, Mash,

214
00:09:24.799 --> 00:09:26.759
<v Speaker 1>that's kind of one of my first real things, And

215
00:09:26.799 --> 00:09:28.720
<v Speaker 1>I think that's one of the reasons people on the internet.

216
00:09:28.720 --> 00:09:30.519
<v Speaker 1>I think I'm like eighty years old because I got

217
00:09:30.559 --> 00:09:32.480
<v Speaker 1>hired and then I got fired. Unbeknownst to me. When

218
00:09:32.519 --> 00:09:35.000
<v Speaker 1>my paperwork came in, they basically said I needed to

219
00:09:35.000 --> 00:09:36.919
<v Speaker 1>be ten years older than I actually was to be

220
00:09:36.919 --> 00:09:39.480
<v Speaker 1>able to keep the part, and I obviously wanted a job,

221
00:09:39.519 --> 00:09:41.120
<v Speaker 1>so I said whatever they needed me to say to

222
00:09:41.200 --> 00:09:42.799
<v Speaker 1>be able to regain the role. So that's why I'm

223
00:09:42.840 --> 00:09:45.840
<v Speaker 1>eighty or wherever old people think I am. My lawyer

224
00:09:45.840 --> 00:09:47.080
<v Speaker 1>just asked if I want to have a change. I

225
00:09:47.120 --> 00:09:48.799
<v Speaker 1>was like, you know, well, they have considered me for

226
00:09:48.840 --> 00:09:50.440
<v Speaker 1>three body problem if they knew I'm not really an

227
00:09:50.480 --> 00:09:53.200
<v Speaker 1>old lady, so I don't want to jinx it. You know,

228
00:09:53.279 --> 00:09:55.639
<v Speaker 1>how old is she? Actually? I didn't think she was eighty.

229
00:09:55.919 --> 00:09:57.720
<v Speaker 1>Let's see, let me do loose math before I look

230
00:09:57.720 --> 00:09:59.960
<v Speaker 1>it up. All right, Mash ended in nineteen eighty two,

231
00:10:00.840 --> 00:10:02.559
<v Speaker 1>So if I make her, I'm doing lazy math here

232
00:10:02.600 --> 00:10:05.399
<v Speaker 1>from I make her twenty in nineteen eighty two, she's sixty.

233
00:10:05.480 --> 00:10:09.799
<v Speaker 1>If I make her twenty five, she's like sixty seven.

234
00:10:10.240 --> 00:10:14.480
<v Speaker 1>I'm gonna guess she's like sixty seven. Is seventy sixty six?

235
00:10:14.799 --> 00:10:18.840
<v Speaker 1>Not bad? Johnny Mack born September twenty third, nineteen fifty seven,

236
00:10:19.120 --> 00:10:22.559
<v Speaker 1>about to be sixty seven. Johnny Mack nailed that one

237
00:10:22.759 --> 00:10:24.919
<v Speaker 1>high five everyone. So if you want to be like,

238
00:10:25.000 --> 00:10:27.840
<v Speaker 1>she's only sixty six, you listen to this podcast tomorrow.

239
00:10:28.039 --> 00:10:31.559
<v Speaker 1>She's like sixty seven, is what I said. She's sixty

240
00:10:31.559 --> 00:10:36.559
<v Speaker 1>six and three sixty four, three sixty fifths close enough. Oh,

241
00:10:36.600 --> 00:10:38.200
<v Speaker 1>I'm glad I slipped that in today. I see that

242
00:10:38.240 --> 00:10:42.440
<v Speaker 1>was fun, accidental whatever the Evy Club said. Hey with

243
00:10:42.519 --> 00:10:44.120
<v Speaker 1>After Mash, I heard it was being pitched as a

244
00:10:44.159 --> 00:10:46.320
<v Speaker 1>series with a tone resentling the film of the best

245
00:10:46.399 --> 00:10:48.200
<v Speaker 1>years of our lives. See, I thought it was pitched

246
00:10:48.240 --> 00:10:50.639
<v Speaker 1>as boy. I wish Allan Aaldo would have kept doing Mash.

247
00:10:50.679 --> 00:10:52.039
<v Speaker 1>What do we do now? That's what I think the

248
00:10:52.080 --> 00:10:54.440
<v Speaker 1>pitch was. Roslind said, oh yeah, I didn't know what

249
00:10:54.440 --> 00:10:56.120
<v Speaker 1>that meant then, but yeah it was. Look. I had

250
00:10:56.120 --> 00:10:58.080
<v Speaker 1>fun on it. I learned how to drive while we're

251
00:10:58.080 --> 00:10:59.840
<v Speaker 1>doing it. And my biggest memory was that nobody wanted

252
00:10:59.840 --> 00:11:02.000
<v Speaker 1>the parking spot next to me on the twentieth century

253
00:11:02.000 --> 00:11:04.200
<v Speaker 1>Fox a lot, so they kept moving me. First, I

254
00:11:04.240 --> 00:11:06.759
<v Speaker 1>was parked next to Harry Morgan. Remember his face when

255
00:11:06.759 --> 00:11:08.639
<v Speaker 1>I got there and said, Oh, I'm parking next to you,

256
00:11:08.679 --> 00:11:10.240
<v Speaker 1>and look I did a really good parking job. His

257
00:11:10.320 --> 00:11:12.559
<v Speaker 1>face was just like horror. Lee day, I got a

258
00:11:12.600 --> 00:11:14.840
<v Speaker 1>note saying you're parking next to Jeanie for tomorrow and

259
00:11:14.879 --> 00:11:16.879
<v Speaker 1>Jamie last like a week and the next thing I knew,

260
00:11:17.080 --> 00:11:18.960
<v Speaker 1>I was parked next to somebody I didn't know at all.

261
00:11:19.159 --> 00:11:23.159
<v Speaker 1>That is your comedy news today. Happy birthday, Rosalind Show

262
00:11:23.639 --> 00:11:27.080
<v Speaker 1>also tomorrow. Happy birthday, Bruce Springsteen. That's your comedy news

263
00:11:27.080 --> 00:11:28.399
<v Speaker 1>for today. If you would like this thing with ask

264
00:11:28.399 --> 00:11:30.279
<v Speaker 1>commercial interruption, there's a link of the show notes that

265
00:11:30.279 --> 00:11:32.919
<v Speaker 1>it'll tell you how that works. Daily Comedy News does

266
00:11:32.960 --> 00:11:35.679
<v Speaker 1>support podcasting two point zero if you're like a modern

267
00:11:35.799 --> 00:11:37.360
<v Speaker 1>podcast app. There's a link of the show notes and

268
00:11:37.360 --> 00:11:38.879
<v Speaker 1>then you can do the whole value for value things.

269
00:11:38.919 --> 00:11:40.480
<v Speaker 1>Treat me some SATs. If you have no idea what

270
00:11:40.480 --> 00:11:42.480
<v Speaker 1>I'm talking about, don't worry about it. If you're in

271
00:11:42.519 --> 00:11:44.559
<v Speaker 1>the know, you're in the know. See you tomorrow.