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<v Speaker 1>Now doctor White, And how about the Venerable Bead and

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<v Speaker 1>the adventure of Moultrie Abbey.

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<v Speaker 2>Well mistabell that story again in Baker Street on the

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<v Speaker 2>December afternoon, many many years ago, shortly after tea.

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<v Speaker 3>I remember when Sherlock Holmes.

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<v Speaker 2>Who'd been pacing up and down our room, from the

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<v Speaker 2>stop at the window and looked intently out at the

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<v Speaker 2>street below him. A few moments my curiosity overcame me

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<v Speaker 2>and I joined my old friend. Looking over his shoulder,

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<v Speaker 2>I saw that on the pavement opposite there stood a

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<v Speaker 2>young woman dressed in the height of Edwardian fashion.

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<v Speaker 3>She wore a third boarn and a broad.

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<v Speaker 2>Brimmed hat, from under which she peeped up in a nervous,

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<v Speaker 2>hesitating fashion at our windows, while her body oscillated backward

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<v Speaker 2>and forward, suddenly with a plunge, like the swimmer who

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<v Speaker 2>leaves the bank. She had across the road, and we

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<v Speaker 2>heard the clang of our front.

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<v Speaker 3>Door bell to growl long enough. Mind took time to

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<v Speaker 3>to make up her.

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<v Speaker 4>Mind and homes Here's Watson. I have seen those symptoms

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<v Speaker 4>before him. Women olsolation on the pavement generally means and

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<v Speaker 4>a third you care she would like advice, but is

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<v Speaker 4>not sure whether the matter is not too delicate for communication.

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<v Speaker 3>She looks a pretttle thing. Perhaps some scoundrels. Juti, oh no, Watson.

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<v Speaker 4>In such a case, the usual symptom is a broken

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<v Speaker 4>bell wire. Here, I think we may deduce the young

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<v Speaker 4>lady is not so much angry as grieved or perplexed.

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<v Speaker 4>Why not meet her the head of the stairs, old chap.

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<v Speaker 4>I know MISSU Hudson's heumatism is bothering.

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<v Speaker 3>Here, so of course I will this way, young lady

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<v Speaker 3>s all right, thank you, mister Hutson. I'm I'm Dr

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<v Speaker 3>Watson Watson coverl is.

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<v Speaker 5>Thank you, Doctor Watson.

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<v Speaker 3>This is my friend, mister Sherlock Holmes. How do you do?

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<v Speaker 5>How do you do? I'm ster Bio Carter, and I

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<v Speaker 5>need your help, mister Holmes.

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<v Speaker 4>Then please be seated, Miss Carter. I presume it is

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<v Speaker 4>miss since I see no ring on your wedding finger.

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<v Speaker 5>Yes it's miss, though that awful man Jonathan Davis would

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<v Speaker 5>like to make it missus.

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<v Speaker 3>Why quite as a stand any man of quiet? Watson,

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<v Speaker 3>please tell me your problem is Carter?

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<v Speaker 5>Well, I can tell you in two words, gentlemen, Jonathan

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<v Speaker 5>Devis wanted to marry me, and that was bad enough.

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<v Speaker 5>But even if we save the Martie fortunes, I couldn't

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<v Speaker 5>marry him. Now he wants Harold to leave the company

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<v Speaker 5>and disappear. And when we think of the abbey and

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<v Speaker 5>the tenants, what can we do. I know that my

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<v Speaker 5>brothers did set against outside interference, But tonight is when

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<v Speaker 5>we play the music, and if only you.

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<v Speaker 3>Could be there.

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<v Speaker 2>But it's considerably more than two words, this gutter.

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<v Speaker 4>I'm afraid I can't make any two of any and

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<v Speaker 4>nor can I. Supposing you begin again and talk more slowly, Oh, I.

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<v Speaker 5>Very will, mister Holmes.

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<v Speaker 4>Perhaps it will be better if I ask questions. You

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<v Speaker 4>will mention your brother's title. May I ask what that

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<v Speaker 4>title is?

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<v Speaker 5>My brother Harold Carter, the fourteenth Dale of Madri and

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<v Speaker 5>the poorest. Confidentially, we're in a dreadful way. Financially, Harold

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<v Speaker 5>invested in Canadian copper last year. The market dropped. Recently

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<v Speaker 5>we were nearly wiped out. That's when this awful Jonathan

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<v Speaker 5>Devis came on the scene.

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<v Speaker 3>And who is Jonathan Devis.

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<v Speaker 5>He's a cousin of ours from South Africa. He's a

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<v Speaker 5>dreadful bore that.

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<v Speaker 3>Extremely wealthy, and he wants to marry.

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<v Speaker 5>Yes, but even to the stake of the abbey and

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<v Speaker 5>the Mautree fortunes. I couldn't do that. Now he's off

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<v Speaker 5>at Herald fifty thousand pounds in cash if you'll go

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<v Speaker 5>abroad and pretend to disappear. You see, Jonathan Devis is

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<v Speaker 5>next to male kin in line for the inheritance.

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<v Speaker 4>So mister Devers is trying to bribe your brother to

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<v Speaker 4>disappear so that he may inherit the title.

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<v Speaker 3>In the States.

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<v Speaker 4>Yes, mister Holmes, in this particular matter, I fail to

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<v Speaker 4>see how I can help you all.

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<v Speaker 5>But you can, mister Holmes. You see the first Earl

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<v Speaker 5>of Moultrie. He was created by Henry bh.

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<v Speaker 6>You know.

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<v Speaker 5>They're the family motto. It's inscribed in our private catle

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<v Speaker 5>at the abbey. It says, if the more trees be

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<v Speaker 5>in need, seek the venerable.

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<v Speaker 4>Bead Beedle, some fellow who works in the parish, and

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<v Speaker 4>b Watson not Beadle, Oh, yes, spelt b.

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<v Speaker 3>E b e.

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<v Speaker 4>The venerable bad if I'm not mistaken, was an eighth

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<v Speaker 4>century monk who is revered not only as a saint

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<v Speaker 4>but a first great English historian.

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<v Speaker 5>Oh yes, mister Holmes, we have a statue of him

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<v Speaker 5>in the chapel, and then we have a pretendly custom at.

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<v Speaker 3>I know this may sound to me to you don't

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<v Speaker 3>want to, Miss Carter. I'm aware that some.

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<v Speaker 4>Of these old crusted supersticions often conceal surprising truths.

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<v Speaker 3>They continual.

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<v Speaker 5>Well, it's been passed down in the family that if

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<v Speaker 5>ever the Molitres were in trouble, they should play a

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<v Speaker 5>peculy piece of music.

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<v Speaker 3>Would he compose it music?

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<v Speaker 4>What an odd idea, extremely interesting, and you're planning to

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<v Speaker 4>play the music tonight.

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<v Speaker 3>You'll say yes, mister Holmes.

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<v Speaker 5>Heaven alone knows the Moltrees couldn't be in worse trouble

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<v Speaker 5>than they are now. And I want you to be there,

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<v Speaker 5>only Harold doesn't. So I thought, if you'd bring your violin,

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<v Speaker 5>I should pretend that you would just come to hear

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<v Speaker 5>the music.

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<v Speaker 4>An excellent idea, Miss Carter. As I remember Montree Abbeys

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<v Speaker 4>in Gloucestershire.

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<v Speaker 5>Oh yes, mister Holmes, at Chipping Martin, and especially it's

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<v Speaker 5>Paddington at five thirty. Perhaps we could travel together.

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<v Speaker 7>Certainly, so it seems like a world goost Chairs Holmes

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<v Speaker 7>eighth century.

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<v Speaker 3>The strange music. There's a lot of mumbo jump on me.

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<v Speaker 3>Where's your chival, Watson?

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<v Speaker 4>In any case, surely you recall the single affair of

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<v Speaker 4>the musgrave ritual. There's no telling what these old family

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<v Speaker 4>customs may portend, so be a good fellow in tack

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<v Speaker 4>your bag. There's no time to be lost.

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<v Speaker 8>I'll just have time to show the chapel before dinner, gentlemen,

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<v Speaker 8>thank you, Lord Gutter. And after dinner I shall be

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<v Speaker 8>happy to gratify your musical curiosity in mister home. But

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<v Speaker 8>you mustn't regard my sister's visit today too seriously. Sybil's

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<v Speaker 8>an overly emotional girl and quite sankly. I wish that

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<v Speaker 8>tree hadn't approached you. I feel that Mortree Abby is

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<v Speaker 8>my duty here. I'll find some way to save it

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<v Speaker 8>and my tenants.

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<v Speaker 3>I trust that the music will live up to its

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<v Speaker 3>magical reputation.

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<v Speaker 7>Hell, this is the travel beautiful building. Let's be very

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<v Speaker 7>old or sixteenth century. The abbey house was built nearly

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<v Speaker 7>one hundred years later. Hold your lantern a little higher,

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<v Speaker 7>doctor Watson. That's it now I want to show you

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<v Speaker 7>our prize possession there you are magnificent, quite magnificent.

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<v Speaker 4>This, I presume is the stantial of the venerable bed

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<v Speaker 4>that your sister's spoke.

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<v Speaker 2>All.

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<v Speaker 8>Yes, it's an excellent specimen of sixteenth century woodcarding. Note

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<v Speaker 8>particularly the delicate work on the beads of the rosary.

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<v Speaker 3>Odd, very odd. Indeed, what's our home? The faith of thee?

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<v Speaker 3>I have to tell you to keep away from me.

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<v Speaker 3>You do this, don't you take you with Tamasha. I'm

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<v Speaker 3>not doing nothing. And come on, come difference take that? Oh,

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<v Speaker 3>don't you lay your whip laid? Jonathan?

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<v Speaker 9>What's the matter. I didn't mind that to discharge this

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<v Speaker 9>room of yours. You can't wait me, mister devils. I'll

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<v Speaker 9>get blood finish our well. But what's he done, Jonathan?

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<v Speaker 9>He's been following me, I say.

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<v Speaker 3>I bumped into him in the ground not half an

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<v Speaker 3>hour ago.

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<v Speaker 10>I was taking a walk by the bottom of.

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<v Speaker 3>The carn and I found him scuffing behind me. Now

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<v Speaker 3>I done between. You have to be here. I think

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<v Speaker 3>you want to talk in hell? He was only high today.

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<v Speaker 3>I suppose you're right, Wilson.

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<v Speaker 8>You'll make a collector week's wages and leave in the morning.

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<v Speaker 3>Oh, I wasn't doing no harm, just trying to deliver

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<v Speaker 3>a telegram. That's why I came here. It's one of

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<v Speaker 3>you'll just mister Sherlock Holmes, I am here, then this

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<v Speaker 3>telegram come for you. I was only trying to find

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<v Speaker 3>you when this son of a chat Affia, I'll have

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<v Speaker 3>your blood. Just see if I don't.

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<v Speaker 8>That's enough erson A girl signs Sally Donovan. So, by

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<v Speaker 8>the way, this is mister Sherlock Holmes, and start to watch.

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<v Speaker 8>Mister Donothan Devis, how do you do, mister Devans. Sybil

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<v Speaker 8>told me that you were.

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<v Speaker 10>Having distinguished company at your musical suare tonight.

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<v Speaker 3>Oh you gentlemen, excuse me. We'll see you then, no

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<v Speaker 3>doubt simple less that per del groom was half it.

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<v Speaker 4>Says mister Devis mentioned that he was walking by the

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<v Speaker 4>Bottomless tarn half an hour ago.

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<v Speaker 3>What may I ask is the bottomless time?

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<v Speaker 8>Oh, it's a lake on the estate, just behind the

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<v Speaker 8>game gapers cut. It is a legend that it's fathoms.

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<v Speaker 8>All I know is that some years ago a prize

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<v Speaker 8>heifer of mine was seen to fall in and drown.

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<v Speaker 8>We dragged the lake, but now grappling hooks we could

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<v Speaker 8>have didn't touch the bottom interesting homes. The telegram that

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<v Speaker 8>fellow brought you highs for teograms.

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<v Speaker 4>I'll give me the lantern. Watson't thanks an extremely illuminating message.

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<v Speaker 3>Read it for yourself, Lord Carter.

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<v Speaker 4>Why says nothing but my cousin's name, Jonathan Devils? And

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<v Speaker 4>yet the message is quite eloquent. It is an answer

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<v Speaker 4>to a query I made before leaving London. Who forced

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<v Speaker 4>that market drop in Canadian copper which wiped out the

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<v Speaker 4>moll tree fortunes. Don't mean that Jonathan deliberately smashed me homes.

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<v Speaker 4>It would seem out here here's a perfect.

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<v Speaker 3>Are the Devil's come? It's the title and stop nothing

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<v Speaker 3>to get it? Holmes? What am I going to do?

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<v Speaker 3>What the devil am I going to do?

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<v Speaker 4>We must wait until after dinner and hope that the

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<v Speaker 4>musical composition may give us a solution.

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<v Speaker 3>To your unhappy problem. Ah.

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<v Speaker 10>Now the Simples played that rather dull piece of discordancy.

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<v Speaker 10>I hope you're all satisfied. Naturally, the more tree fortunes

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<v Speaker 10>will be restored.

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<v Speaker 3>Very funny, Jonathan, What do you make of it?

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<v Speaker 5>Mister Holmes?

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<v Speaker 4>It's curious, very curious. Will you repeat that principal theme again, please,

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<v Speaker 4>miss Cardam. Yes, of course, thank you, Miss Carter. I

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<v Speaker 4>think I begin to get a glimmering of the mysterious message.

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<v Speaker 3>Sounds like a jumble of meaningless note to know.

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<v Speaker 10>I'm doctor Watson. Your brilliant friend thinks that he saved

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<v Speaker 10>them Alti fortunes, and that is herold. I suppose you

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<v Speaker 10>won't need to see mister Alexander in London tomorrow. Why

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<v Speaker 10>how did you know that your sitid is is a

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<v Speaker 10>fan of Star bankruptcy proceedings at the latest tomorrow, I

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<v Speaker 10>too have my investigators, Harold, I seem a bit more

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<v Speaker 10>efficient than your great Sherlock Holmes. Good night, sall, good

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<v Speaker 10>night gentlemen.

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<v Speaker 3>There you are. What are you doing listening at a

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<v Speaker 3>dog swim? I was just a guide to the kitchen.

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<v Speaker 3>Get out the table the way you're belong. I see

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<v Speaker 3>that groom again, Harold. I'll break his neck. See where

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<v Speaker 3>he goes tonight?

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<v Speaker 5>How dare he think you like that? Harold?

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<v Speaker 8>He's not nassy here, not yet, so I can't hold

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<v Speaker 8>onto the place much longer and he knows it.

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<v Speaker 3>Sorry, unpleasant candle, you ask me.

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<v Speaker 5>Mister Holmes. You said the music gave you some clue

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<v Speaker 5>to the message.

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<v Speaker 4>It did, Misscutter, but it requires thought and a certain

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<v Speaker 4>amount of musical experimentation. I doubt if this music room

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<v Speaker 4>would welcome the consumption of an ounce of two shag tobacco.

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<v Speaker 3>I think, therefore, that Watson and I will retire to

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<v Speaker 3>our own rooms.

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<v Speaker 4>With the aid of a pipe in my violin, I

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<v Speaker 4>shall give the matter undivided attentions, and tomorrow, tomorrow own

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<v Speaker 4>Montree Abbey will go into receiverships.

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<v Speaker 3>Not while Sherlock Holmes is on the case.

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<v Speaker 4>Thank you, Watson, A man of my peculiar modesty needs

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<v Speaker 4>your constant reassurance.

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<v Speaker 3>Good listen, though, then why not go to sleep, my dear?

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<v Speaker 6>How can I keep scrapping where the wretched siddles.

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<v Speaker 3>Dad, dead, dead, dead lot of rubbish did them? Half

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<v Speaker 3>the night We'll get you. Oh, I will sleep. When

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<v Speaker 3>the more trees are in need to seek the venerable Bee,

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<v Speaker 3>this music will solve them all trees problems. You don't

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<v Speaker 3>we play, mister Dams.

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<v Speaker 4>I'll have your plot for this so well.

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<v Speaker 10>Too bad that you're the first started back up the

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<v Speaker 10>proceedings tomorrow.

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<v Speaker 3>You must help us, You must when the more trees

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<v Speaker 3>need he Oh, I've got it, spots them wake up,

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<v Speaker 3>Wake up? What's up? Homes I prop answer Watson, I've.

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<v Speaker 4>Solved the musical message before the night, just Drew. I

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<v Speaker 4>think we shall find the secret of Moultrie Abbes.

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<v Speaker 1>In just a moment, we will rejoin Sherlock Holmes and

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<v Speaker 1>discover just what that secret is. Leading hair specialists in

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<v Speaker 1>this country constantly advises to take better care of the

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<v Speaker 1>hair we've gots, and men don't forget that. If you

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<v Speaker 1>want your hair handsome and healthy looking, one of the

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00:13:43.600 --> 00:13:47.279
<v Speaker 1>first requirements is a hygienic scout. And why settle for

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00:13:47.440 --> 00:13:49.679
<v Speaker 1>just any hair dressing when you can enjoy the extra

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00:13:49.799 --> 00:13:54.080
<v Speaker 1>advantages of Kreml hair Toannic. Kreml is a highly specialized

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00:13:54.120 --> 00:13:57.159
<v Speaker 1>hair tonic which gives you your money's worth. It contains

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00:13:57.200 --> 00:14:00.000
<v Speaker 1>a unique combination of hair grooming ingredients which is fine

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00:14:00.320 --> 00:14:04.120
<v Speaker 1>no other hair preparation. It keeps hair attractively groomed at

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00:14:04.159 --> 00:14:06.639
<v Speaker 1>all times, looking so neat and orderly.

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00:14:07.240 --> 00:14:09.879
<v Speaker 3>But Crammel does lots more than keep hair looking handsome.

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00:14:10.519 --> 00:14:14.320
<v Speaker 1>A Creml massage stimulates circulation right in the surface of

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00:14:14.360 --> 00:14:17.039
<v Speaker 1>your scalp and leaves your scalp feeling so alive and

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00:14:17.120 --> 00:14:21.679
<v Speaker 1>invigorated it at the same time, Crammell removes dandriplaced and

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00:14:21.759 --> 00:14:24.600
<v Speaker 1>it's excellent to lubricate a dry scalp. And if your

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00:14:24.639 --> 00:14:26.720
<v Speaker 1>hair is so dry that it breaks off and falls

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00:14:26.759 --> 00:14:29.960
<v Speaker 1>when you comb it, Cremwell actually helps condition the hair

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00:14:30.039 --> 00:14:32.200
<v Speaker 1>in that it makes it feel softer and more pliable.

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00:14:32.919 --> 00:14:35.559
<v Speaker 3>So men, take better care of the hair.

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00:14:35.639 --> 00:14:38.399
<v Speaker 1>You've gust buy a bottle of Cremel at any drug

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00:14:38.519 --> 00:14:41.000
<v Speaker 1>conferts for an application at your barbershop.

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<v Speaker 3>Use Crammel daily for better groomed hair.

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00:14:44.080 --> 00:14:48.480
<v Speaker 1>For a more hygienic scalp, k R e mL Cremol

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<v Speaker 1>hair timing well, Doctor Watson, I'm just as confused as

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<v Speaker 1>I'm sure you must have been when Sherlock Holmes awakened you.

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<v Speaker 1>What was the musical message?

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<v Speaker 2>Supposing I tell you the story in its a actual

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00:14:59.639 --> 00:15:02.879
<v Speaker 2>sequet answers to go. I quickly dressed, and, in the

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00:15:02.960 --> 00:15:05.679
<v Speaker 2>moonlight homes and eyes still thick, crept down the corridor

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<v Speaker 2>to Lord Carter's room. A few moments later, the three

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<v Speaker 2>of us, carrying lanterns, started down.

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<v Speaker 3>The staircase leading to the main hall home. If we waited,

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<v Speaker 3>Lord Carter's room. I'm sure it is certain that I

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00:15:21.120 --> 00:15:24.399
<v Speaker 3>saw another door down the corridor half open and then closed.

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<v Speaker 3>Which door wanted? The last one on the right, that's

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00:15:26.879 --> 00:15:29.399
<v Speaker 3>Jonathan's Ever's room. Well, I suppose he knows that we're

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<v Speaker 3>up to, which I must confess is more than I do. Well,

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00:15:32.120 --> 00:15:34.000
<v Speaker 3>if I'm right, not eating devils can stop it.

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<v Speaker 4>Now you're being confined to mysterious homes. Will you tell

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00:15:37.240 --> 00:15:39.000
<v Speaker 4>me why we're heading to the chapel at two in

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<v Speaker 4>the morning. In a few moments, I shall make the

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<v Speaker 4>reason extremely clear to you, I hope. Well, I here's

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00:15:45.120 --> 00:15:45.399
<v Speaker 4>the door.

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00:15:50.759 --> 00:15:53.799
<v Speaker 3>Look, look, look, Look whose stained glass.

294
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<v Speaker 4>Windows are there? I swear that someone with a lantern

295
00:15:56.759 --> 00:15:59.960
<v Speaker 4>in the grounds outside. Our immediate problem is here inside.

296
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<v Speaker 4>Focus your lantern on the statue of the venerable Bead,

297
00:16:03.080 --> 00:16:05.879
<v Speaker 4>Wasn't That's where the answer to the mortary legend lies.

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<v Speaker 4>I think, for Heaven's sake, Holmes, I wish would be

299
00:16:07.960 --> 00:16:10.519
<v Speaker 4>more explicit. Very well, let me see if I can

300
00:16:10.559 --> 00:16:19.080
<v Speaker 4>whistle those notes written in the musical scene. The notes

301
00:16:19.200 --> 00:16:24.639
<v Speaker 4>are B E D E B E A D. These

302
00:16:24.720 --> 00:16:27.440
<v Speaker 4>notes were followed by a rhythmically repeated series of the

303
00:16:27.519 --> 00:16:31.240
<v Speaker 4>note D four times. Surely now the pattern becomes clear.

304
00:16:31.440 --> 00:16:35.000
<v Speaker 3>Well, note the E D e obviosist and for b

305
00:16:35.480 --> 00:16:37.919
<v Speaker 3>a velnerable bad. And we're standing in front of a

306
00:16:37.960 --> 00:16:40.519
<v Speaker 3>statue here now. But the second four notes A, B,

307
00:16:40.799 --> 00:16:41.559
<v Speaker 3>E A D.

308
00:16:42.080 --> 00:16:44.600
<v Speaker 4>You yourself pointed out the rosary on the Venerable Beads

309
00:16:44.639 --> 00:16:48.679
<v Speaker 4>statue Old Kata. The notes B, E, A, D must

310
00:16:48.759 --> 00:16:51.320
<v Speaker 4>refer to the beads of the rosary. That's why I

311
00:16:51.399 --> 00:16:54.759
<v Speaker 4>became suspicious on first seeing the statue. The rosary did

312
00:16:54.840 --> 00:16:57.480
<v Speaker 4>not come into use till almost five centuries after the

313
00:16:57.559 --> 00:17:00.559
<v Speaker 4>Venerable bead, yet his statue had one.

314
00:17:01.639 --> 00:17:04.480
<v Speaker 3>What does a repetition in the note D four times

315
00:17:04.559 --> 00:17:05.759
<v Speaker 3>mean after the melody, I.

316
00:17:05.880 --> 00:17:08.680
<v Speaker 4>Think it gives us the vital clue. D is the

317
00:17:08.720 --> 00:17:11.640
<v Speaker 4>fourth letter in the alphabet, and it's repeated four times.

318
00:17:12.400 --> 00:17:14.839
<v Speaker 4>Let's see what happens when we press the fourth bead

319
00:17:15.480 --> 00:17:18.799
<v Speaker 4>on the Venerable bead's rosary. So, by George, I think

320
00:17:18.839 --> 00:17:19.599
<v Speaker 4>you're on the right track.

321
00:17:20.759 --> 00:17:22.720
<v Speaker 3>You are. Look at that section of all behind the

322
00:17:22.759 --> 00:17:25.480
<v Speaker 3>pont It's said back, come on, let's see what it

323
00:17:25.559 --> 00:17:30.480
<v Speaker 3>takes us to. There's a narrow stone staircase leading below.

324
00:17:30.839 --> 00:17:33.960
<v Speaker 4>But I'll go first homes. Perhaps you have saved the

325
00:17:34.039 --> 00:17:36.799
<v Speaker 4>Mortreine fortunes after all. I hope so, Lord Carter, I

326
00:17:36.880 --> 00:17:39.920
<v Speaker 4>hope so. I watch your head watching on the built

327
00:17:39.960 --> 00:17:41.559
<v Speaker 4>the steps of pigments.

328
00:17:42.720 --> 00:17:46.559
<v Speaker 3>Homes. Do you suppose we'll find any hidden treasure down here?

329
00:17:46.839 --> 00:17:49.839
<v Speaker 4>I shall suppose nothing buttson. In a few moments, there

330
00:17:49.880 --> 00:17:52.759
<v Speaker 4>will be no need for conjecture. Oh, I'm afraid we've

331
00:17:52.839 --> 00:17:55.880
<v Speaker 4>drawn a black what's wrong, Lord Carter? Look for yourself.

332
00:17:57.160 --> 00:18:01.640
<v Speaker 3>Hmm. Deserted crypt with a few cobwebill relics.

333
00:18:01.759 --> 00:18:05.599
<v Speaker 8>Yes, a crucifix, a bible, a gutted candlestick on the

334
00:18:05.640 --> 00:18:08.480
<v Speaker 8>table here, or they may have some small intrinsic value,

335
00:18:08.519 --> 00:18:09.440
<v Speaker 8>but nothing else.

336
00:18:10.359 --> 00:18:12.519
<v Speaker 3>Oh, I was a fool to have any hopes. I

337
00:18:12.680 --> 00:18:14.480
<v Speaker 3>was expecting to find buried treasure.

338
00:18:14.839 --> 00:18:19.680
<v Speaker 4>Wait a moment, something, possibly the treasurer has recently been

339
00:18:19.720 --> 00:18:20.319
<v Speaker 4>removed from here.

340
00:18:20.480 --> 00:18:21.599
<v Speaker 3>What makes you say that? Homes?

341
00:18:21.920 --> 00:18:24.400
<v Speaker 4>The room is thick with dust, and yet there's a

342
00:18:24.519 --> 00:18:27.599
<v Speaker 4>large rectangular space free from dust on the table, as

343
00:18:27.640 --> 00:18:31.200
<v Speaker 4>though a heavy folio volume had recently been lying there by. Georgia, Right, homes,

344
00:18:31.480 --> 00:18:35.319
<v Speaker 4>and look here on the floor, fresh footprints. Yes, someone

345
00:18:35.359 --> 00:18:37.039
<v Speaker 4>has recently anticipated our discovery.

346
00:18:37.079 --> 00:18:38.720
<v Speaker 3>It's a very hard to guess who that someone was.

347
00:18:39.200 --> 00:18:41.079
<v Speaker 3>Jonathan Devils Ah.

348
00:18:41.759 --> 00:18:44.279
<v Speaker 4>Observed these curious marks on the floor by the table,

349
00:18:45.000 --> 00:18:48.799
<v Speaker 4>four round dusts, rectangularly spaced. I should say that the

350
00:18:48.880 --> 00:18:51.480
<v Speaker 4>Glanston bag has been placed here, a bag that was

351
00:18:51.559 --> 00:18:53.160
<v Speaker 4>undoubtedly used to remove the treasure.

352
00:18:53.279 --> 00:18:55.680
<v Speaker 3>Why homes? Why carry off a heavy book in a bag?

353
00:18:56.359 --> 00:18:59.799
<v Speaker 4>Supposing that book will priceless Vanue Watson? Suppose it with

354
00:18:59.880 --> 00:19:02.559
<v Speaker 4>the air room with the Mautar's family, and its discovery

355
00:19:02.640 --> 00:19:06.279
<v Speaker 4>by the rightful owner might stay the estate. Yes, and

356
00:19:06.480 --> 00:19:08.680
<v Speaker 4>I'm sure that Devils is quite capable of stealing it.

357
00:19:09.160 --> 00:19:11.559
<v Speaker 4>The question is, though, what would he do with it?

358
00:19:11.720 --> 00:19:12.240
<v Speaker 3>Precisely?

359
00:19:12.880 --> 00:19:15.759
<v Speaker 4>And to answer that question, I shall try and imagine

360
00:19:15.759 --> 00:19:19.200
<v Speaker 4>myself in the shoes and mister Devils, I am a millionaire,

361
00:19:19.599 --> 00:19:22.079
<v Speaker 4>and therefore I don't need the treasure to risk it

362
00:19:22.160 --> 00:19:24.480
<v Speaker 4>to tell it anyway, All I want to do is

363
00:19:24.519 --> 00:19:25.759
<v Speaker 4>to keep it from the moor trees.

364
00:19:26.279 --> 00:19:30.000
<v Speaker 3>So I'll destroy it. But how I have the time

365
00:19:30.160 --> 00:19:31.440
<v Speaker 3>or the opportunity to burn it?

366
00:19:32.000 --> 00:19:34.359
<v Speaker 4>Difficult to put a heavy book in any case, So

367
00:19:34.440 --> 00:19:36.519
<v Speaker 4>I'm looking for some place to dispose of it where

368
00:19:36.559 --> 00:19:40.240
<v Speaker 4>it may never be recovered. Does fathomless lag on this estate.

369
00:19:40.519 --> 00:19:42.720
<v Speaker 4>That'd be the face the bottomless time to.

370
00:19:42.720 --> 00:19:44.759
<v Speaker 3>Remember the devil tell us earlier that he'd been walking

371
00:19:44.799 --> 00:19:45.440
<v Speaker 3>back this evening.

372
00:19:45.559 --> 00:19:47.279
<v Speaker 4>Then let's go there as sash as we can. I

373
00:19:47.319 --> 00:19:59.759
<v Speaker 4>can only pray that we're not too late, doctorK.

374
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<v Speaker 6>Look here in the moonlight, he's sound of the devis.

375
00:20:02.279 --> 00:20:04.160
<v Speaker 6>He's running towards edge in the lake. Yes, and he's

376
00:20:04.160 --> 00:20:06.359
<v Speaker 6>getting a gladstone bag, which means that we can run

377
00:20:06.400 --> 00:20:08.880
<v Speaker 6>faster than he can. You have your revolval, what's masters

378
00:20:08.920 --> 00:20:11.400
<v Speaker 6>I have? Don't hesitate youth it This devil's work must

379
00:20:11.440 --> 00:20:11.799
<v Speaker 6>be stopped.

380
00:20:12.000 --> 00:20:14.799
<v Speaker 3>Come on faster, passed out. Oh we'll we'll never catch

381
00:20:14.880 --> 00:20:16.079
<v Speaker 3>it is at the end of.

382
00:20:16.079 --> 00:20:18.519
<v Speaker 6>The top that day, mister devils, you're killing me like

383
00:20:18.920 --> 00:20:20.160
<v Speaker 6>Robin or I'll shoot.

384
00:20:20.160 --> 00:20:26.200
<v Speaker 4>High from it and the bottom us town there, good.

385
00:20:26.119 --> 00:20:30.359
<v Speaker 3>Tryer the tighter the mothas you, devil, you'll ruin me.

386
00:20:31.039 --> 00:20:33.039
<v Speaker 3>I'll have the law on you for this. You're a

387
00:20:33.160 --> 00:20:35.200
<v Speaker 3>common seat hid and how you'll prove it?

388
00:20:35.319 --> 00:20:35.599
<v Speaker 4>Herald.

389
00:20:35.920 --> 00:20:37.799
<v Speaker 3>I was my own judson bag and I dropped in

390
00:20:37.880 --> 00:20:40.480
<v Speaker 3>a turn. You don't even know what was inside it.

391
00:20:40.759 --> 00:20:42.880
<v Speaker 3>But here comes the man who can tell us. No,

392
00:20:43.000 --> 00:20:45.519
<v Speaker 3>it's Wilson, the groom fellow. You discharged, Lord Kada. What

393
00:20:45.599 --> 00:20:46.400
<v Speaker 3>are you doing here with?

394
00:20:46.920 --> 00:20:49.160
<v Speaker 9>What's that book you're carry I just don't what mister

395
00:20:49.200 --> 00:20:50.400
<v Speaker 9>Shellerfurms told me to Sir.

396
00:20:50.839 --> 00:20:52.200
<v Speaker 3>I was following mister Devis.

397
00:20:52.319 --> 00:20:53.799
<v Speaker 9>When he put down the bagger went off to get

398
00:20:53.839 --> 00:20:56.119
<v Speaker 9>his Coatopho coming out here, I thought there might be

399
00:20:56.240 --> 00:20:57.160
<v Speaker 9>something valuable in this.

400
00:20:57.599 --> 00:20:59.599
<v Speaker 3>Took out this book and I'll fill the bag with

401
00:20:59.640 --> 00:21:03.079
<v Speaker 3>a fool. Oh you weren't dabs where you end up

402
00:21:03.119 --> 00:21:05.000
<v Speaker 3>in the town. Why are you're along? Let me see

403
00:21:05.039 --> 00:21:05.319
<v Speaker 3>the book.

404
00:21:05.319 --> 00:21:08.200
<v Speaker 4>Wilson, here, your governor, thank you, hold the lantern a

405
00:21:08.240 --> 00:21:09.000
<v Speaker 4>little high Watson.

406
00:21:09.720 --> 00:21:11.240
<v Speaker 3>That's it, Ah.

407
00:21:12.200 --> 00:21:14.799
<v Speaker 4>These faded pages are written in Monkish Latin of the

408
00:21:14.839 --> 00:21:18.160
<v Speaker 4>eighth century and the hands of the same period. Unless

409
00:21:18.359 --> 00:21:21.000
<v Speaker 4>all my researches on the datings of documents of valueabus

410
00:21:21.440 --> 00:21:24.880
<v Speaker 4>these may be. They must be the original manuscripts of

411
00:21:24.920 --> 00:21:26.480
<v Speaker 4>the venerable Bede himself.

412
00:21:26.599 --> 00:21:30.200
<v Speaker 3>Good lord, and there absolutely priceless and that means that

413
00:21:30.279 --> 00:21:33.240
<v Speaker 3>the more trees are saved, and you, mister Devers, will

414
00:21:33.279 --> 00:21:35.559
<v Speaker 3>have the privilege of inspecting.

415
00:21:35.160 --> 00:21:38.480
<v Speaker 4>The interior of an English prison. Rubbish, What charge could

416
00:21:38.519 --> 00:21:40.599
<v Speaker 4>you make? Common sat burglary?

417
00:21:40.920 --> 00:21:42.599
<v Speaker 3>The proof would depend on the word of a softy

418
00:21:42.720 --> 00:21:43.200
<v Speaker 3>room there.

419
00:21:43.559 --> 00:21:45.319
<v Speaker 9>And who's going to believe the oath of a certain

420
00:21:45.359 --> 00:21:47.920
<v Speaker 9>with a grudge over the word of a fanth Africa millionaire.

421
00:21:48.240 --> 00:21:51.640
<v Speaker 4>I think it's high time that this uh filthy groom

422
00:21:51.799 --> 00:21:55.519
<v Speaker 4>disclosed his true identity. All right, mister Holmes, the gentlemen,

423
00:21:55.599 --> 00:21:58.039
<v Speaker 4>I'm Inspector eth Le Jones of Scotland, girl, and.

424
00:21:58.160 --> 00:21:59.799
<v Speaker 3>A great credit to the force you've been, my dear,

425
00:22:00.279 --> 00:22:00.839
<v Speaker 3>as the dud.

426
00:22:00.720 --> 00:22:03.240
<v Speaker 4>You certainly heard or impersonation of a contry groom was

427
00:22:03.359 --> 00:22:07.000
<v Speaker 4>martially quite masterie. And now let's return to the house,

428
00:22:07.000 --> 00:22:09.039
<v Speaker 4>shall we. And it's nearly three in the morning, and

429
00:22:09.160 --> 00:22:25.759
<v Speaker 4>I think we've had enough excitement for one night. Very

430
00:22:25.880 --> 00:22:29.240
<v Speaker 4>satisfactory case, wasn't going to think? As we head back

431
00:22:29.279 --> 00:22:32.240
<v Speaker 4>for London. I must contest to a certain glow satisfax.

432
00:22:32.960 --> 00:22:35.079
<v Speaker 4>The fortunes of the mall trees are restored to the

433
00:22:35.440 --> 00:22:39.279
<v Speaker 4>villain foiled and in custody and Scotland we will get

434
00:22:39.319 --> 00:22:41.000
<v Speaker 4>the credit. You know that it calls home, so they

435
00:22:41.039 --> 00:22:45.000
<v Speaker 4>deserve it. Asana Jones is a very enterprising fellow. Yes,

436
00:22:45.079 --> 00:22:49.400
<v Speaker 4>what's an an immensely interesting case. You see, mont Abbey

437
00:22:49.640 --> 00:22:53.359
<v Speaker 4>was from its name, one of the properties expropriated from

438
00:22:53.400 --> 00:22:56.160
<v Speaker 4>the monks by Henry the Eighth, who created the Feldom

439
00:22:56.799 --> 00:22:59.759
<v Speaker 4>undoubted the Abbots had hidden the monastery's most valuable To

440
00:22:59.799 --> 00:23:01.759
<v Speaker 4>say the bead management.

441
00:23:01.480 --> 00:23:02.039
<v Speaker 3>That I've post.

442
00:23:02.079 --> 00:23:04.160
<v Speaker 2>The first girl discovered the hiding place and left the

443
00:23:04.200 --> 00:23:05.759
<v Speaker 2>book there as a future.

444
00:23:05.519 --> 00:23:09.079
<v Speaker 4>Security for the more Tree family, exactly leaving the cryptic

445
00:23:09.200 --> 00:23:10.799
<v Speaker 4>verse as a clue if the more.

446
00:23:10.759 --> 00:23:15.799
<v Speaker 3>Trees being need seek venerable bead. Yes, sir, I see

447
00:23:15.799 --> 00:23:18.279
<v Speaker 3>it all now, you know how to me the whole

448
00:23:18.400 --> 00:23:21.240
<v Speaker 3>case was worth it. When I saw that girl's face

449
00:23:21.400 --> 00:23:24.160
<v Speaker 3>light up as we told them the good news, I

450
00:23:24.640 --> 00:23:26.599
<v Speaker 3>fear that I'm less impressionable old chapter.

451
00:23:27.000 --> 00:23:30.519
<v Speaker 4>For me, my retrospective pleasure in this case lies in

452
00:23:30.599 --> 00:23:33.480
<v Speaker 4>the fact that an irreplaceable treasure has been saved, and

453
00:23:34.279 --> 00:23:37.200
<v Speaker 4>that a monk who died twelve centuries ago will have

454
00:23:37.319 --> 00:23:41.920
<v Speaker 4>been responsible for restoring the fortunes of a final family. Yes, Watson,

455
00:23:42.680 --> 00:23:44.839
<v Speaker 4>I think that in many ways you might refer to

456
00:23:44.920 --> 00:23:48.039
<v Speaker 4>this as an arm of successful case.
