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Speaker 1: W m n H ripped the novels. We're back from

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the Grandson. I'm a blest.

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Speaker 2: I'm not a soldier. I am no lover, no mossnary.

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Speaker 3: I see freedom, not the deliverence. I see purpose, not rationnalice.

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Speaker 4: But you don't. If I wu.

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Speaker 5: In your face, I see your tartness, in your chord,

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in the tail.

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Speaker 1: All the people, not religion, all the culture amaginal.

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Speaker 4: And I'm up. You do you dog? If I will hunt, do.

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Speaker 6: You hide in the shadows.

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Speaker 4: I stand in the streets.

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Speaker 1: But I will stand for nothing. I don't stand. Call

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it justice, call it vengeance, call it hatred.

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Speaker 4: It's all the same to me.

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Speaker 7: In the mountains, in the deesics, all my conscience, all

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my sanitude.

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Speaker 8: I d.

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Speaker 4: Yes. I you high in the shadow. Hi, streams, Bye

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till stand.

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Speaker 9: Welcome everybody.

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Speaker 10: We have entered our number three Newmarrow trace of this

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week's Matt Connorton Unleashed. It is a Saturday, June twenty eight,

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twenty twenty five. We are live from the studios of

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w m n H ninety five point three FM, Inglorious, Manchester,

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New Hampshire, and of course you can stream the show

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from anywhere, go to Matt connorton dot com slash Live.

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Jenny is here of course at the news table. And

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the song that we just heard that is called to

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the Terrorist. That is such a powerful song. I love

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that song so much. The great Lou Antonucci, who's been

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on the show with us a few times. He is

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here with us now in studio. Hello, Lou, Hey, Matt,

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how you doing good?

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Speaker 1: Good?

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Speaker 11: Me had chess Mike. I want to make sure we

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can hear you.

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Speaker 10: We've got we've got you, uh going into the board

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because you're gonna play live for us, So really looking

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forward to that. Also, I want to know more about

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when you so what what is the name of the

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show with with Harry Chapin the official name of it?

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Speaker 1: Official name You me and Harry, You me and Harry.

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Speaker 10: And I think the first time I ever heard you

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talk about that was way back the first time you

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were on the show. I think you were you were

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kind of in the early stages of developing this.

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Speaker 1: Yeah, it was it was I think it was three

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years ago.

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Speaker 11: Wow, you know, where does the time go?

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Speaker 1: Yeah? Yeah, yeah, So we were just agatting it started

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at that time. But it's been it's been going very well. Yeah,

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over the last couple of years, I don't I don't

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do a lot of shows. My other schedule of you know,

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playing restaurants and bars throughout New Hampshire keeps me pretty busy.

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But I typically try to do a couple, you know,

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one or two shows of you, me and Harry in

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a month.

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Speaker 10: Yeah, let's talk about that more. But I want to

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play this, So you send us this promo that'll kind

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of give people a little bit of a better idea

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of what this is about, and then we'll talk about it.

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Speaker 11: So let's listen to this.

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Speaker 8: Playing Friday night at the Cup and Door. Then the

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guy who messitch from Harry when one of his fans

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walked across the floor and.

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Speaker 1: Me note, And that note, of course, was a fans

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request for Harry's timeless classic taxi. Hello everyone who Antonucci here?

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You know, Harry Chapin was more than just a songwriter,

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a filmmaker, off Broadway player, and even more importantly, a philanthropist.

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He was such a masterful storyteller. His music became a

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mirror to our everyday lives, full of joy, sorrow, triumphs

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and quiet disappointments. Chapin transformed fleeting emotions into permanent memories

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through his songs, captivating audiences with melody and meaning.

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Speaker 11: You.

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Speaker 1: Me and Harry presents my interpretation of Harry's storytelling, intertwined

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with backstories and little known anecdotes. My one man stage

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performance promises to capture you, the audience from the get

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go and not loosen its grasp until the final note,

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which is usually a note everyone is singing.

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Speaker 8: Harry, will La do justice, Harry, will La make you proud?

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Not everybody is looking for your stories song.

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Speaker 1: But business one man the crown.

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Speaker 8: Could have said, I'm sorry, I haven't played that one.

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Speaker 1: And is but something told me to give it a go,

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and overcame my fee. All of the fan favorites are there,

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Cats in the Cradle, Taxi, mister Tanner, and so many more.

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And by the way, the song you're listening to, a

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Message from Harry, is one of my original tunes, inspired

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by one of Harry's more passionate fans. It's the only

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song in the show not written by Harry, and I

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can't wait to play it for you in person, along

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with Harry's many story songs. So I hope to see

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you down the road someday soon when it's just you,

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me and Harry. It's been twenty yard years since I

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sang's words, but I remember ever won.

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Speaker 10: Yeah, So, Lou, I think anyone who listens to that

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can tell. Obviously, this is a project that you're very

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passionate about, and I'm curious, so what does And we've

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talked about all this before, obviously, but for newer listeners

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who don't know, or maybe are not familiar with you,

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what is it about Harry Chapin that you love so much?

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And obviously he's a great inspiration to you musically, but

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what is it about him?

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Speaker 1: Well? You know, I I guess one of the reasons

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that I'm so passionate about it because I grew up

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on him, as I grew up on Neil Young and

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James Taylor and Croachey. But the thing about Harry was

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he was such a personable entertainer. His shows were a

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lot less about singing and a lot more about connecting

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with the audience. Yeah. And it's it's interesting because as

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I do, as I do these shows, i will after

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we get through with the sound check and everything, and

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the doors open and the people are coming in, I'll

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go around and I'll introduce myself to members of the audience. Yeah,

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and the really interesting thing is that each member of

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the audience has a Harry story. Yeah, you know, like

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I went to see Harry in nineteen seventy nine, and

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you know, it was my anniversary, and I took my

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wife and they go back and they remember all this

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and his you know, his his stories are so real,

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you know, because they're there are a lot of a

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lot of them are about real people and real things

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that have happened. And so I think that's that's the

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thing that I'm most interested in Harry and his music.

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Why I'm so interested and passionate about it because and

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I've noticed that when I write, you know, I kind

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of lean that way really much much more intimate songs

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that make have some kind of connection, there's some kind

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of personal, uh relationship going on or something like that.

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So I think that's it. That's in a nutshell, this

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is safe to assume.

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Speaker 11: I mean, you see your kind of your all time

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favorite artist in terms of influence.

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Speaker 1: And I think in terms of influence on my music, Yes,

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I think I I have a lot of all time

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favorite artists, you know, the Beatles, Crosby Stills, Nash.

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Speaker 11: Sure sure to name a few, but yeah.

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Speaker 1: But I think as far as someone that has an

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impact on what I do musically, yeah, definitely without doubt.

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Speaker 10: Yeah, we also have some audio of some audience reactions

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to the show, and we should listen to this too

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because this will kind of give it an idea too

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to people of of what to expect and uh and

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of course if you are just joining us, Lou Antonucci

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is here with us in studio and he's going to

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play for us later too, so that will also give

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you an idea obviously. But and we always enjoy that

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when Lou Lou comes in and plays this.

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Speaker 1: This by the way, the audio, we did a show

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in Pittsburgh and the videographer that was doing video of

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the show would grab people as they were leaving the show. Okay, okay,

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just say hey, what did you think?

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Speaker 10: Yeah, so these are all very spontaneous just right after

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the show. Yeah, yeah, let's give this a listen here.

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Speaker 5: This performance tonight was absolutely amazing. It was way way.

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Speaker 12: Better than what I even expected, and what I expected

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was great. Really liked it and we're definitely coming back again.

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Speaker 13: Who is totally amazing, had so much fun tonight this

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is what this is as good as it gets.

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Speaker 14: Man.

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Speaker 2: Lou's show is just great. What a tribute to Harry

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and all his great music. And it was just a wonderful,

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wonderful show.

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Speaker 13: Thank you, Lou, Lou, you were great.

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Speaker 15: It was wonderful.

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Speaker 2: We grew up listening to Harry.

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Speaker 7: Chapin and this was a.

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Speaker 8: Great Thank you Steamworks for Hoss steam Wu.

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Speaker 2: We will be back again.

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Speaker 11: Okay, Yeah, oh that's cool. By the way, So where

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was that Steamworks?

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Speaker 1: It's a it's a listening room north of Pittsburgh, Pennsylvania, Okay,

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in the town called Gibsonia, Pa. And the next the

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last gentleman before the two women at the end, Johnny Vento.

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He runs the place and he was kind enough to

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give his little impression of the show as well. He's

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a pretty well known musician in the Pittsburgh area, Okay,

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and and runs that great listening room. And matter of fact,

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I'm going back there in August for my third straight

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you Me and Harry show, No Kidding at his venue.

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Speaker 11: Yeah. Oh, very cool.

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Speaker 1: And you might be able to tell from a few

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of the few of the audience members it's it's one

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of those you know, you can bring your own bottle place. Okay, yeah, yeah, yeah,

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but a lot of fun.

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Speaker 11: Yeah, great place. Oh that's excellent.

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Speaker 10: By the way, So there's somebody in the chat room

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on YouTube who I'm not going to say who this

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who it is yet because this person had emailed me

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and wanted to call in and surprise you, and it

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relates to the show.

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Speaker 11: It relates to you, me and Harry.

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Speaker 10: So I'm not gonna say who it is because I

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don't want to ruin the surprise if they call in.

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So hopefully they're still listening, but they are in the

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chat room, so we'll see.

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Speaker 11: If they don't call by the end of the show,

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I'll go ahead and say who it is, but I

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don't want to wreck the surprise because I know they

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wanted to surprise you.

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Speaker 1: But it's someone you know, as long as it's not

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Harry's lawyer calling me about performance.

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Speaker 14: Right.

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Speaker 10: Although this may or may not be a hint, but

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this individual posted in the chat room hashtag.

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Speaker 11: Went in doubt do something. I don't know if that

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gives it away or not, but.

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Speaker 1: I think it might.

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Speaker 11: You think it might.

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Speaker 1: I think it might, but we'll see.

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Speaker 11: We'll see.

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Speaker 10: Yeah, we'll see if they call, now, how many of

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these performances have you done?

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Speaker 11: How many? How many of this of the show You,

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Me and Harry?

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Speaker 1: How I take over the last couple of years, just

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about eight or ten. I've got six more coming up.

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Two in August, coming up, heading back to Pennsylvania. I'm

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doing a week back there. I've got a concert at

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Outdoor Concert in Monroville, Pennsylvania at the Monroval Community Park.

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But I'm doing more than just Harry at that show.

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I'm doing Harry and James Taylor and you. And then

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that weekend I'm back at the Peter J. Daily Cultural

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Center in Brownsville, PA, doing You, Me and Harry. That's

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Friday night, okay, the fifteenth of August. And then the

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sixteenth of August, I'm back at steam Works for an

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eight pm show, So looking forward to that. And then

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as we get into September, got two more shows. I

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go up to up to Maine on September nineteenth at

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Cadenza and that's my third year in a row doing

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the show there. So something must must be working right

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because the venues keep asking me back. And then heading

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down to a new venue, well Fleet Preservation Hall. It's

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on the Cape. It's in well Fleet doing that show

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on the twentieth. So lots of good things happening, but

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you know, I don't again, my schedule now starting in

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June is pretty full. Yeah, you know, playing places like

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Homestead Tavern and Merrimack. I'll be there tonight as a

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matter of fact, oh six to nine thirty if you're

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out and about this evening.

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Speaker 11: Oh excellent. Yeah, for our live listeners. Yeah, where is

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that again?

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Speaker 1: It's in Merrimac, in Merrimack, the Homestead Tavern. Then I'll

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be at actually the Homestead Tavern up in Bristol. Yeah,

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next Saturday. And then you know, you can see my

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schedule at lou Antonucci dot com of all the other

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shows I've got going through July, August and September.

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Speaker 11: Excellent. Yeah, no, you stay very busy.

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Speaker 4: Well.

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Speaker 10: By the way, the individual I was talking about, they're

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asking the phone number. The studio line is six O

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three two five oh six oh seven, six O three

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two five oh six oh seven. So I'll keep an

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eye on the phone line if you want to uh,

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if you want to join us.

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Speaker 11: Oh, Maria vanishes in there too, by the way, I

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think she's a fan. Excellent. Excellent.

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Speaker 1: Great.

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Speaker 11: Now the has the show?

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Speaker 10: Has the show changed as you've gone about doing these performances,

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does it change like do you change the set list

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or do you have something kind of locked in or

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do you kind of feel the crowd or.

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Speaker 1: Well, that's that's a that's a good question. What I'll

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typically do when I'm I do have an overall set

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list that if I played that whole set list of

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Chapin tunes, it would probably take up about three hours. Yeah,

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but with all the backstories that I do, I really

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only use about an hour and a half worth of

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actual song music, Okay. And so what I'll do is

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before the show, I'll walk around, I'll talk to people

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in the audience. I'll find you know, what's your favorite

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chap In tune? Right, yeah, And if it's not in

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that particular set list, I'll replace something with that song.

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Oh okay, I did that one night. I know there's

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a song by song by Harry that that's called Corey's Coming,

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which is like a huge favorite of Chapin fans. Oh okay,

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And I typically do it in most of my shows,

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and I didn't have it in this particular set list.

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And as I'm talking to the to the folks. I

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talked to one gentleman and he says, are you going

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to do Corey's Coming tonight?

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Speaker 11: Yeah?

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Speaker 1: And I said, well, I didn't have it in the

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set list, but if you'd like to hear it. And

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before I could finish, she said, I named my daughter

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after as I named my daughter Cory, Oh wow, after

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Harry's songs Corey Corey's Coming. So I said, we know what,

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I've got to do it.

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Speaker 9: Yeah.

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Speaker 1: So I did it, and about a two thirds of

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the now I hadn't played it for a few days.

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Thirds of the way through the song, I forgot the

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third verse. Oh no, you know now Harry would do

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that sometimes.

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Speaker 11: Yeah.

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Speaker 1: So, but what's interesting is there's so many Chapin fans

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in the audience.

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Speaker 11: Yeah.

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Speaker 1: After trying for twenty seconds of the song, playing through

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some instrumental, I finally said, folks, I forgot the verse.

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Does anybody know this verse?

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Speaker 11: Yeah?

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Speaker 1: And finally there was someone in the audience that yelled

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out the first couple of lines of the first I

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had it, and then I went through it and everybody

307
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you know went along with it. But yeah, yeah, so

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I do I do mix it up. It generally it's

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it's the same. There's there's some songs that are always there. Yeah,

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but then there are others that I'll interchange.

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Speaker 11: Okay, okay, So we have somebody on the line, Hello,

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welcome to the show. Hello. Oh, I guess they can't

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hear me, all right, I guess they hung up. I

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know who it is, but they they called and then

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I don't know, they didn't stay on the line.

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Speaker 10: But that's interesting that so when you're going around and

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you're talking to everybody before the show, so in a sense,

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they're actually helping shape the show.

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Speaker 1: Yeah. Yeah, and they don't and they don't even know.

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Speaker 10: Because it's funny because as you're going around and you're

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introducing yourself to people and asking them questions like what's

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your favorite Harry Chapin song and things like that, it

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probably never even occurs to them that they're influencing what

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the show is going to be that night, to you know,

325
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to a small extent, But it does, and that's pretty cool.

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Speaker 1: Yeah. Yeah, well, there, like I said, there's a certain

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certain number of songs that these fans will expect. Yeah,

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if you're doing a Harry Chapin show and it's not

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you know, the typical songs always are Cats in the

330
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Cradle and Taxi. Yeah, but songs like Cory's Coming or

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Mister Tanner, you know, songs like that were kind of

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the general audience out there may not be familiar with

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unless sure they would go to Harry Chapin concerts. Yeah,

334
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but these folks, the ones that come to this show,

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they know them.

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Speaker 9: Yeah.

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Speaker 1: Yeah, So that's it. It makes it, It makes it great.

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It makes a lot of fun.

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Speaker 11: Oh, that's awesome. Oh. I was trying to answer the

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phone again, but uh, there's nobody there. God bless them

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for trying. But I don't know.

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Speaker 10: It's like they get impatient, I guess and hang up. Yeah, no,

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that's all right. We're gonna try this one more time

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because the phone's ringing. Hello, you're on the air. Hello, Hello, Matt, Yes, welcome,

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you're on the air.

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Speaker 14: Well, thank you, Hey, Lou, how you doing, Hi?

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Speaker 1: Len? How are you.

348
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Speaker 4: Now?

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Speaker 14: Do you know it's me?

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Speaker 1: I know I know your voice. Plus Matt gave me

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a little hint with the hashtag when in dow do something.

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Speaker 14: Ah, yes, I didn't mean to be so obvious.

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Speaker 11: So who are your lou?

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Speaker 14: No?

355
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Speaker 11: I was asking who are you, Len, but turned down

356
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your radio please or your computer. We're getting uh, we're

357
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hearing everything twice.

358
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Speaker 14: Ah, I'm sorry about that upstairs at home, not in

359
00:22:17,119 --> 00:22:19,359
the studio, so I'm probably let me let me see

360
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what I can do about killing some sound here? Is

361
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any better?

362
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Speaker 11: Yeah? Sounds fine, sounds fine?

363
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Speaker 2: So who are you?

364
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Speaker 1: How do you?

365
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Speaker 11: How do you know Lou?

366
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Speaker 14: Well, Lou and I got acquainted because of the Harry

367
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Chapin fan based community. I was a friend of Harry's

368
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and I host a monthly uh podcast, I guess you

369
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could call it called Kick and Chat Live, which is global.

370
00:22:49,440 --> 00:22:53,359
Oh wow, joined in and lets us with his talents,

371
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and oh we've been uh, we've become great friends over time.

372
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And I think what Lou is doing with you, me

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and Harry is just not only a phenomenal show and tribute,

374
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but it's extremely unique in what goes on with respect

375
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to Harry's music, memory and his humanitarian legacy.

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Speaker 11: Oh well, that's that's quite an endorsement.

377
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Speaker 1: Check us in the mill.

378
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Speaker 14: Well, no, I really don't have to. I really don't

379
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have to promote Lou all that much. He's very good

380
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at shameless self promotion.

381
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Speaker 10: Oh my, Well, That's that's what it takes though, right,

382
00:23:42,160 --> 00:23:44,319
that's important. You know, nobody's gonna do it for you.

383
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You got to get out there and do it. So

384
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that's what it takes.

385
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Speaker 14: Absolutely. I just I just figured i'd give Lou a

386
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little bit of a surprise from down here and one

387
00:23:54,279 --> 00:23:57,839
of Ore's Argentina and Lou I am streaming this on

388
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the community page, so everybody's getting it all over the world.

389
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Speaker 11: Fantastic, right, We like that. We like that.

390
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Speaker 14: Nothing wrong with that, huh.

391
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Speaker 11: Not a thing? Not a thing? Well, very good line.

392
00:24:11,160 --> 00:24:13,960
We appreciate you anything.

393
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Speaker 16: Else, nothing really, just Lou break a leg, and we

394
00:24:19,240 --> 00:24:24,079
appreciate what you're doing for Harry, for the community, and gosh,

395
00:24:24,319 --> 00:24:28,799
you know, look, I knew Harry for several years before

396
00:24:28,839 --> 00:24:32,759
his untimely death, and I was pretty close with him.

397
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Speaker 14: One thing that Lou's show has that no other show has.

398
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Harry had this incredible ability. And Lou kind of described it,

399
00:24:44,240 --> 00:24:47,920
whether you were in an intimate setting with Harry or

400
00:24:48,079 --> 00:24:54,559
a thirty five thousand seat arena stadium amphitheater, you felt

401
00:24:54,559 --> 00:24:57,440
like you were sitting in your living room with him

402
00:24:57,559 --> 00:25:02,480
or in his living room. Yeah, and that's the uniqueness

403
00:25:02,759 --> 00:25:03,720
of Lou's show.

404
00:25:04,279 --> 00:25:04,559
Speaker 4: Wow.

405
00:25:04,599 --> 00:25:08,920
Speaker 14: He doesn't try to be Harry, but you feel it. Yeah,

406
00:25:09,119 --> 00:25:14,240
you just you're just taken back. And it's become generational

407
00:25:14,960 --> 00:25:21,640
because we now have three generations of people truly enjoying

408
00:25:22,240 --> 00:25:27,200
Harry's stories and music and Louis, you're just doing a

409
00:25:27,240 --> 00:25:27,960
great thing, man.

410
00:25:28,240 --> 00:25:30,799
Speaker 11: Yeah, absolutely, absolutely, very good.

411
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Speaker 1: Thanks Lynn, very good.

412
00:25:32,599 --> 00:25:34,559
Speaker 11: Well, Lenn, thank you, thank you so much for colling.

413
00:25:34,680 --> 00:25:37,440
Speaker 10: He's all the way from uh all the way from Argentina?

414
00:25:37,680 --> 00:25:38,400
Speaker 11: Is that is that where you.

415
00:25:38,359 --> 00:25:39,039
Speaker 2: Said you are?

416
00:25:39,200 --> 00:25:40,279
Speaker 14: Absolutely wow?

417
00:25:40,480 --> 00:25:42,880
Speaker 10: And and what's the name of your podcast one more time,

418
00:25:42,920 --> 00:25:44,559
Let's let's give that a quick plug while you're on

419
00:25:44,559 --> 00:25:44,839
the line.

420
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Speaker 14: It's called Shape and Chat Live and it's generally the

421
00:25:49,559 --> 00:25:54,119
second night, second Saturday night of every month.

422
00:25:54,839 --> 00:25:57,039
Speaker 4: And you can.

423
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Speaker 14: Find us in Facebook at Harry Shapin Long Live Harry

424
00:26:01,680 --> 00:26:06,039
Chapin Okay and join the community. We welcome folks all

425
00:26:06,079 --> 00:26:10,960
the time. And Matt, if you've got an open invitation

426
00:26:11,079 --> 00:26:14,599
to join us for any of the Japen SAD Live shows.

427
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Speaker 11: Very good, very good, All right, we will check that out,

428
00:26:17,960 --> 00:26:18,599
all right. Len.

429
00:26:18,640 --> 00:26:20,400
Speaker 10: Well, Hey, it's wonderful to meet you and thank you

430
00:26:20,440 --> 00:26:21,359
for calling us today.

431
00:26:22,519 --> 00:26:25,000
Speaker 14: My pleasure you guys have a good show, all right.

432
00:26:24,920 --> 00:26:28,279
Speaker 11: Thanks, Thanks Lynn, take care, bye bye bye bye.

433
00:26:29,079 --> 00:26:31,680
Speaker 10: Well that's pretty cool. Huh, it's quite an endorsement. He's

434
00:26:31,759 --> 00:26:33,279
very enthusiastic about what you're doing.

435
00:26:33,599 --> 00:26:36,480
Speaker 1: He's well, as he said, he was a very good

436
00:26:36,480 --> 00:26:39,160
friend of Harry's and uh, yeah, and he was a

437
00:26:39,240 --> 00:26:42,039
DJ for many years. Oh okay, and that's how he

438
00:26:42,079 --> 00:26:45,079
met Harry. Okay, when he was DJing and Harry was

439
00:26:45,559 --> 00:26:48,839
doing his DJ stops like in the old days. Yeah,

440
00:26:48,839 --> 00:26:52,640
we were promoting. Yeah, and they became friends. And he

441
00:26:52,759 --> 00:26:57,640
runs this this podcast and this group on Facebook and

442
00:26:57,680 --> 00:27:01,599
he does have a couple of thousand members all over

443
00:27:01,599 --> 00:27:02,000
the world.

444
00:27:02,079 --> 00:27:02,839
Speaker 11: Oh, fantastic.

445
00:27:02,920 --> 00:27:04,119
Speaker 1: So it's it's a lot of fun.

446
00:27:04,240 --> 00:27:06,519
Speaker 11: Yeah, that's excellent. That's excellent. Well, do you want to

447
00:27:06,519 --> 00:27:07,440
play something for us?

448
00:27:07,880 --> 00:27:11,640
Speaker 1: Sure? Sure, one of the songs I wanted to do

449
00:27:11,720 --> 00:27:14,799
from the show for you. As a matter of fact,

450
00:27:15,039 --> 00:27:17,319
I think we have a little clip on this one too.

451
00:27:18,119 --> 00:27:24,039
Let's see here, Martin Tuberty. Oh yeah, yeah, I'll set

452
00:27:24,079 --> 00:27:25,720
it up a little bit, and then that little clip

453
00:27:25,759 --> 00:27:30,960
can set it up even further. Yeah. You know, like

454
00:27:31,000 --> 00:27:33,680
we've talked about, there's a lot of interaction during the show.

455
00:27:34,400 --> 00:27:37,680
And when I go to introduce Harry's song mister Tanner,

456
00:27:38,519 --> 00:27:43,359
which is a song about a dry cleaner who also

457
00:27:43,519 --> 00:27:48,559
sings opera on the side. His name is Martin Turberty,

458
00:27:48,880 --> 00:27:54,240
and it's it's a Harry Chapin fan favorite. Okay, if

459
00:27:54,240 --> 00:27:56,759
you've been to Harry Chapin concerts, you know this song.

460
00:27:57,240 --> 00:28:02,200
And I was doing a show in and I typically

461
00:28:02,279 --> 00:28:06,039
will be to start this song. They'll say, anybody in

462
00:28:06,079 --> 00:28:10,400
the audience know who Martin Tuberty is, and someone will

463
00:28:10,440 --> 00:28:14,039
raise their hand, or maybe not, maybe nobody does. And

464
00:28:14,200 --> 00:28:16,640
this gentleman in the middle of the audience raises his hand.

465
00:28:16,680 --> 00:28:20,839
He's like, oh, excited, and I figure he's going to say, yeah,

466
00:28:21,279 --> 00:28:25,599
Martin Tuberty is really mister Tanner. So I call on

467
00:28:25,680 --> 00:28:31,119
him and it turns out, well, let's play the clip

468
00:28:31,119 --> 00:28:32,160
and we'll see what happens.

469
00:28:32,160 --> 00:28:34,119
Speaker 11: All right, cool, let's play the clip by the.

470
00:28:34,119 --> 00:28:37,440
Speaker 1: Name of Martin Turberty. Does that ring a bell for

471
00:28:37,480 --> 00:28:42,720
anybody on? Okay, he's our next door neighbor, really lives

472
00:28:42,759 --> 00:28:46,119
across the street from us, the real Martin Tuberty. I'll

473
00:28:46,119 --> 00:28:48,279
tell you about it at the break. But I wish

474
00:28:48,319 --> 00:28:50,400
I knew I would have him come do his part.

475
00:28:53,160 --> 00:28:56,559
So we're gonna do it without Martin. Ah, but I

476
00:28:56,599 --> 00:29:00,519
can't believe that you're serious. There's a whole story behind it.

477
00:29:00,559 --> 00:29:02,680
Speaker 6: But yeah, I figured it out. I asked him.

478
00:29:02,720 --> 00:29:03,400
Speaker 1: He confirmed it.

479
00:29:03,599 --> 00:29:07,279
Speaker 17: He did not know that it was him until I

480
00:29:07,319 --> 00:29:09,880
told him about it, and then ultimately he got in

481
00:29:09,880 --> 00:29:11,720
touch with Tom and they've actually.

482
00:29:11,559 --> 00:29:13,200
Speaker 1: They've used him in a couple of shows. He's used

483
00:29:13,240 --> 00:29:16,160
him in some shows. Can you call him? You think

484
00:29:16,160 --> 00:29:17,960
he could come over and do it with us? Be

485
00:29:17,960 --> 00:29:19,839
a three and a half hour drive for him? Oh okay,

486
00:29:19,880 --> 00:29:22,920
all right, you didn't drive three and a half hours

487
00:29:22,920 --> 00:29:24,240
to kid.

488
00:29:24,279 --> 00:29:24,680
Speaker 2: We did.

489
00:29:24,720 --> 00:29:28,759
Speaker 1: But the other day. Oh okay, thank you for being

490
00:29:28,759 --> 00:29:32,079
here so much. Okay, anyway, sorry, folks, to a little

491
00:29:32,079 --> 00:29:37,240
side conversation. So you do know Martin Tbrey. Martini, Martin

492
00:29:37,319 --> 00:29:40,359
Tberty at the time, the way I understand it, lived

493
00:29:40,359 --> 00:29:45,480
in Weston, Connecticut, and he had gone twice to New

494
00:29:45,559 --> 00:29:48,359
York City once in nineteen seventy one nineteen seventy two.

495
00:29:48,920 --> 00:29:54,519
He was a dry cleaner who on the side sang opera,

496
00:29:54,640 --> 00:29:58,440
loved opera, and so we went in for his big

497
00:29:58,480 --> 00:30:02,920
time shot in New York and both times he got

498
00:30:03,119 --> 00:30:10,680
panned rather unceremoniously by the critics. And so Harry actually

499
00:30:10,680 --> 00:30:13,119
read the story and he saw it twice in the

500
00:30:13,160 --> 00:30:18,920
New York Times. And Harry, you changed the name from

501
00:30:19,880 --> 00:30:24,119
mister Heberty to mister Tanner. He changed the city from

502
00:30:24,119 --> 00:30:30,240
western Connecticut to Dayton, Ohio, and you get probably one

503
00:30:30,279 --> 00:30:35,720
of his fans, all time favorites, this little thing called

504
00:30:35,799 --> 00:30:36,559
mister Tanner.

505
00:30:37,119 --> 00:30:40,440
Speaker 11: That's crazy, though. There was somebody there wow who just wow.

506
00:30:40,720 --> 00:30:44,680
Speaker 1: Yeah. And it was interesting because Martin lives in Connecticut,

507
00:30:44,799 --> 00:30:47,440
still does. His show was up in Vermont, and here

508
00:30:47,519 --> 00:30:52,079
this gentleman was on vacation with his wife up in

509
00:30:52,160 --> 00:30:55,799
Vermont because he lives down in Connecticut and saw the

510
00:30:55,839 --> 00:30:58,720
promotion for the show and shape and fans, so he

511
00:30:58,759 --> 00:30:59,880
had to come to the show.

512
00:31:00,440 --> 00:31:00,839
Speaker 9: Oh wow.

513
00:31:00,880 --> 00:31:04,880
Speaker 1: So it was really pretty interesting. That's cool anyway, So

514
00:31:05,519 --> 00:31:08,039
let me do a little bit mister Tanner. So when Harry,

515
00:31:08,079 --> 00:31:12,400
when Harry does mister Tanner, his bass player, Big John Wallace,

516
00:31:12,839 --> 00:31:15,839
would sing this operatic part in the background.

517
00:31:15,920 --> 00:31:17,200
Speaker 11: Oh really yeah, oh wow.

518
00:31:17,200 --> 00:31:20,400
Speaker 1: And so when I do it, obviously there's no opera

519
00:31:20,480 --> 00:31:23,160
singer to sing along with me. But yeah, so that

520
00:31:23,279 --> 00:31:25,160
part's not in here. But the rest of the song

521
00:31:25,279 --> 00:31:38,000
is there. Okay, so mister Tanner all right. Tanner was

522
00:31:38,039 --> 00:31:41,799
a cleaner from a town in the Midwest, and of

523
00:31:41,880 --> 00:31:45,640
all the clean and shops around, it made his the best.

524
00:31:46,279 --> 00:31:50,920
But he also was a baritone. Side while hanging clothes,

525
00:31:51,319 --> 00:31:56,440
he practiced scales, while pressing tales, sang at local shows.

526
00:31:57,640 --> 00:32:01,160
His friends and neighbors praise the voice going out from

527
00:32:01,160 --> 00:32:05,000
his throat, said that he should he use his gift

528
00:32:05,279 --> 00:32:15,799
instead of cleaning coats. But music was his life. It

529
00:32:16,000 --> 00:32:21,079
was not his livelihood, and it made him feel so happy,

530
00:32:21,799 --> 00:32:23,200
made him feel.

531
00:32:23,160 --> 00:32:27,279
Speaker 13: So good, and he sang from his heart, and he

532
00:32:27,519 --> 00:32:29,680
sang from his soul.

533
00:32:30,160 --> 00:32:32,799
Speaker 1: He didn't not know how well he sang.

534
00:32:33,359 --> 00:32:35,000
Speaker 15: It just made him who.

535
00:32:44,680 --> 00:32:48,160
Speaker 1: His friends kept working on him to try music out

536
00:32:48,240 --> 00:32:53,079
full time, a big debut and raide reviews, great career

537
00:32:53,200 --> 00:32:58,359
to climb. Finally they got to him. He would take

538
00:32:58,440 --> 00:33:03,359
the Flame. Concert agent in New York agreed to have

539
00:33:03,559 --> 00:33:09,000
him sing, and they are a plane ticket's, phone call's

540
00:33:09,200 --> 00:33:12,759
money spent to rent the hall. It took most of

541
00:33:12,880 --> 00:33:23,200
his savings, but he gladly used them all with music

542
00:33:23,799 --> 00:33:28,079
was his life. It was not as lively ovid, and

543
00:33:28,240 --> 00:33:32,200
it made him feel so happy and made him feel

544
00:33:32,240 --> 00:33:36,759
a sucker. And he sang from his heart, and he

545
00:33:36,960 --> 00:33:41,559
sang from his sword. He did not know how well

546
00:33:41,599 --> 00:33:55,559
he sang. It just made him whole. The evening came,

547
00:33:55,839 --> 00:33:59,599
he took the stage space, set in a smile, and

548
00:34:00,079 --> 00:34:04,440
halffield hall of the critics side watching on the isle.

549
00:34:05,000 --> 00:34:09,480
But the concert was a bird of him, spatters.

550
00:34:08,880 --> 00:34:09,840
Speaker 4: Of the flaws.

551
00:34:10,480 --> 00:34:14,400
Speaker 18: He did not know how well is sad, only heard

552
00:34:14,440 --> 00:34:15,159
the flaws.

553
00:34:16,800 --> 00:34:22,360
Speaker 1: But the critics were concise. All it took four lions.

554
00:34:23,039 --> 00:34:34,480
No one could accuse them of being over kay. Mister

555
00:34:34,599 --> 00:34:39,679
Martin Tana, baritone of Dayton, Ohio, made his town hall

556
00:34:39,760 --> 00:34:45,800
debut last night. Became well prepared, but unfortunately his presentation

557
00:34:46,519 --> 00:34:51,239
was not up to contemporary professional standards. His voice lacked

558
00:34:51,280 --> 00:34:56,880
the range of tonal color necessary to make it consistently interesting.

559
00:35:00,119 --> 00:35:16,800
Time consideration of another endeavor might be in order. He

560
00:35:16,880 --> 00:35:21,039
came home to day and was questioned by his friends,

561
00:35:21,639 --> 00:35:29,440
smiled and just said nothing. Never signed a can accepted.

562
00:35:30,360 --> 00:35:35,360
Very late at night, when the shop was dark and closed,

563
00:35:40,280 --> 00:35:45,280
he signed softly to himself as he sorted.

564
00:35:45,719 --> 00:35:57,920
Speaker 19: Through the clos A music was his life.

565
00:35:58,880 --> 00:36:03,000
Speaker 1: It was not a lively hill and it made him

566
00:36:03,119 --> 00:36:08,639
feede so happy, made him feed so good.

567
00:36:08,599 --> 00:36:15,039
Speaker 8: And he sang from his heart, sang from him so.

568
00:36:16,079 --> 00:36:21,239
Speaker 1: He did not know how well he sang. It just

569
00:36:21,679 --> 00:36:23,360
made him.

570
00:36:23,360 --> 00:36:40,719
Speaker 9: Oh, oh, I love that.

571
00:36:40,719 --> 00:36:43,639
Speaker 11: That is so good. That it's so good. If you're

572
00:36:43,639 --> 00:36:44,320
just joining us.

573
00:36:44,400 --> 00:36:47,079
Speaker 10: Lou Antonucci is here with us live in studio, and

574
00:36:47,119 --> 00:36:50,000
we've been talking about his show, You Me and Harry,

575
00:36:50,480 --> 00:36:54,119
and uh, oh, that's you know, it's funny to that song.

576
00:36:54,159 --> 00:36:57,159
It's like, uh, it's funny but sad at the same time,

577
00:36:57,239 --> 00:37:00,239
you know, and does that is that? Obviously that's something

578
00:37:00,199 --> 00:37:02,079
that Harry Chapin was really pretty good at.

579
00:37:03,039 --> 00:37:04,320
Speaker 11: Yeah, you know, pulling that off.

580
00:37:04,639 --> 00:37:07,239
Speaker 1: You know, because most of Harry's songs they deal with emotion,

581
00:37:07,440 --> 00:37:12,199
they deal with people, uh in these situations, and which

582
00:37:12,239 --> 00:37:14,719
is which is why my wife will never go to

583
00:37:14,800 --> 00:37:18,039
the show because she says all she does, really she

584
00:37:18,119 --> 00:37:23,719
does his cry at Harry songs. Yeah, but that that

585
00:37:23,800 --> 00:37:26,719
was Harry. Although he's got his uh you know, he's

586
00:37:26,760 --> 00:37:30,400
got his songs like thirty thousand pounds of bananas and

587
00:37:30,559 --> 00:37:33,280
six string orchestra and so you know, during the show

588
00:37:33,320 --> 00:37:36,679
there there's the mix. Yeah, you know where we do

589
00:37:36,760 --> 00:37:39,480
the upbeat and some funny songs as well.

590
00:37:39,679 --> 00:37:44,039
Speaker 10: Yeah, well what what It probably depends on the audience, right,

591
00:37:44,199 --> 00:37:46,519
I would imagine this various from show to show, but

592
00:37:46,559 --> 00:37:49,000
maybe not. Is there is there any particular song that

593
00:37:49,079 --> 00:37:52,880
really kind of it gets gets a particularly you know,

594
00:37:53,000 --> 00:37:55,159
strong reaction from the crowd or.

595
00:37:55,079 --> 00:38:00,519
Speaker 1: Where well there's there's a couple certainly Taxi does. Yeah,

596
00:38:00,800 --> 00:38:05,440
you know that's uh, everybody just I mean Taxi typically.

597
00:38:06,000 --> 00:38:09,280
I know that last show I did in Pittsburgh, everybody

598
00:38:09,360 --> 00:38:13,119
was they were singing every word yeah, you know, of

599
00:38:13,159 --> 00:38:16,119
every verse with me for the whole song. Uh and

600
00:38:16,239 --> 00:38:18,599
uh wow. And I'll do that one in a little bit.

601
00:38:18,679 --> 00:38:22,159
One of the one of the songs that I think

602
00:38:22,320 --> 00:38:25,679
everybody really gets into because Harry used to always close

603
00:38:25,679 --> 00:38:30,000
his show with it, is a song called Circle okay

604
00:38:30,320 --> 00:38:34,559
uh And you know, I never thought about how pervasive

605
00:38:34,639 --> 00:38:37,400
this song is until he was doing a show up

606
00:38:37,440 --> 00:38:40,719
in Laconia. I just my regular plant at Fortello was

607
00:38:40,760 --> 00:38:43,239
up in Laconia one night and there was a grandmother

608
00:38:43,320 --> 00:38:45,719
there with her young granddaughter who is probably about six,

609
00:38:46,760 --> 00:38:50,119
and they came up to me during a break and

610
00:38:50,840 --> 00:38:54,360
the grandmother said, we just love your music. And I

611
00:38:54,760 --> 00:38:57,559
looked at the little girl. The little girl, and I said,

612
00:38:58,159 --> 00:39:00,559
you know, you probably don't know a lot of the songs,

613
00:39:00,639 --> 00:39:03,400
right because the songs I do are from the seventies

614
00:39:03,440 --> 00:39:06,960
and eighties and certainly Harry Chapin stuff. And the little

615
00:39:07,000 --> 00:39:09,840
girl says, oh, no, no, I know Circle. I love

616
00:39:10,800 --> 00:39:13,639
I love Circle. And I said really, and she goes, yeah.

617
00:39:13,679 --> 00:39:16,360
We sing it every Sunday at Sunday school.

618
00:39:16,519 --> 00:39:16,960
Speaker 11: Oh wow.

619
00:39:17,199 --> 00:39:19,639
Speaker 1: So it's just so you know, that's the thing about

620
00:39:20,000 --> 00:39:24,719
Harry and his music. It's still you know, multiple generations,

621
00:39:24,719 --> 00:39:27,679
it's still you know, very prevalent today. But when we

622
00:39:27,719 --> 00:39:30,079
do this song, I think I've got a clip. If

623
00:39:30,079 --> 00:39:32,199
you want to play, I can play this clip. I

624
00:39:32,239 --> 00:39:34,880
have a circle where what I do is this is

625
00:39:34,920 --> 00:39:39,360
where I get the audience engaged with singing along, and

626
00:39:39,920 --> 00:39:43,079
I'll bring up individual members and then hopefully go out

627
00:39:43,159 --> 00:39:45,800
with everybody singing. Yeah, let's take a listen.

628
00:39:45,559 --> 00:39:47,039
Speaker 11: To let's check this out.

629
00:39:48,760 --> 00:39:52,519
Speaker 6: All right, Okay, Now, Johnny, I want you to show

630
00:39:52,559 --> 00:39:53,320
him how it's done.

631
00:39:53,360 --> 00:39:55,840
Speaker 1: I've never done this song in my life. You're gonna

632
00:39:55,880 --> 00:39:56,239
do it.

633
00:39:56,159 --> 00:40:02,280
Speaker 18: Now Here we go one, two, two, three, go ahead, All.

634
00:40:02,239 --> 00:40:10,400
Speaker 20: My lives a circle, Sunrise and sundown, Who rules through

635
00:40:10,559 --> 00:40:15,000
the night time till the tea break comes around?

636
00:40:16,719 --> 00:40:19,400
Speaker 6: All my lives a circle.

637
00:40:20,079 --> 00:40:22,519
Speaker 1: But I can't tell you are.

638
00:40:24,000 --> 00:40:26,599
Speaker 6: Season spinning round again?

639
00:40:27,559 --> 00:40:31,239
Speaker 20: These need ruling by Okay?

640
00:40:31,679 --> 00:40:37,719
Speaker 6: Got it? Okay, one more time, folks.

641
00:40:37,760 --> 00:40:39,960
Speaker 1: I want you to build it out now and then

642
00:40:39,960 --> 00:40:40,960
we'll have a big finish.

643
00:40:41,039 --> 00:40:43,440
Speaker 21: Here we go two.

644
00:40:43,800 --> 00:40:46,599
Speaker 6: Oh wait, she want to sing it. Oh wait, she's

645
00:40:46,639 --> 00:40:52,800
gonna sing it right. End the mic down there you go? Ready, ready,

646
00:40:53,199 --> 00:40:59,000
Oh my life circle sunrise and sundown.

647
00:40:59,199 --> 00:40:59,960
Speaker 1: Don't fall asleep.

648
00:41:00,559 --> 00:41:02,960
Speaker 4: The moon rolls through the night time.

649
00:41:03,760 --> 00:41:09,320
Speaker 6: Jesus, the all break comes around moon. All my life's

650
00:41:09,400 --> 00:41:10,719
a circle.

651
00:41:11,079 --> 00:41:13,079
Speaker 4: But I can't tell you what.

652
00:41:14,880 --> 00:41:18,199
Speaker 19: Jesus spinning around again?

653
00:41:18,760 --> 00:41:20,039
Speaker 11: Us keep rolling?

654
00:41:27,119 --> 00:41:27,440
Speaker 4: All right?

655
00:41:27,519 --> 00:41:29,239
Speaker 6: Does anybody else want to come up?

656
00:41:29,239 --> 00:41:29,960
Speaker 1: And all right?

657
00:41:30,039 --> 00:41:36,440
Speaker 6: Joe gets your butt up here, Joe.

658
00:41:36,679 --> 00:41:40,719
Speaker 1: Joe happens to be a personal acquaintance of Harriet O

659
00:41:40,880 --> 00:41:44,360
three one soon one two three?

660
00:41:44,599 --> 00:41:50,800
Speaker 20: Far Oh my life a circle, sunrise, it's a down.

661
00:41:52,320 --> 00:41:56,920
Speaker 3: The moon rolls thooth in night time till the daybreak

662
00:41:57,079 --> 00:41:58,159
comes around.

663
00:42:00,119 --> 00:42:02,679
Speaker 2: All my life a circle.

664
00:42:03,400 --> 00:42:09,800
Speaker 17: And I can't tell you why season round again?

665
00:42:10,840 --> 00:42:12,880
Speaker 1: The years heap ruling.

666
00:42:12,840 --> 00:42:21,280
Speaker 6: By God, Okay, coax, this is it? Everybody now I

667
00:42:21,320 --> 00:42:23,360
want to hear you as loud as you can.

668
00:42:23,239 --> 00:42:25,440
Speaker 1: Do you We want Harry to hear you upstairs.

669
00:42:25,840 --> 00:42:31,719
Speaker 21: Here we go one two, one two. All my life

670
00:42:32,079 --> 00:42:39,480
circne some rise, send some down, moon rolls through the

671
00:42:39,679 --> 00:42:43,760
night time till the day comes around.

672
00:42:45,440 --> 00:42:47,679
Speaker 2: All my life a circle.

673
00:42:49,119 --> 00:42:51,079
Speaker 1: I can't tell you why.

674
00:42:52,880 --> 00:42:57,719
Speaker 21: Season spinning round again and the year's heap.

675
00:42:57,679 --> 00:43:13,920
Speaker 12: Rolling by Harry, go big finish.

676
00:43:13,960 --> 00:43:16,920
Speaker 6: Thank you so much everybody, It's been so much fun.

677
00:43:17,440 --> 00:43:25,679
Speaker 11: Thank you, you know it. Uh, that's cool.

678
00:43:25,719 --> 00:43:25,880
Speaker 4: You know.

679
00:43:25,880 --> 00:43:27,119
Speaker 11: What strikes me about that too as.

680
00:43:27,000 --> 00:43:28,639
Speaker 10: We're listening to that is, even if you're not a

681
00:43:28,679 --> 00:43:32,199
Harry Chapin fan, even if you just happen to buy

682
00:43:32,199 --> 00:43:33,960
a ticket to the show because you're you're looking for

683
00:43:33,960 --> 00:43:35,599
something to do that night, and you're like, I'll check

684
00:43:35,639 --> 00:43:37,400
this out, see what it is. That sounds fun, you

685
00:43:37,440 --> 00:43:37,880
know what I mean?

686
00:43:38,480 --> 00:43:41,360
Speaker 1: You know, and that uh, and that's how we finished

687
00:43:41,360 --> 00:43:41,760
the show.

688
00:43:41,920 --> 00:43:44,159
Speaker 11: Yeah, yeah, that's a that's a great Yeah, that's a

689
00:43:44,159 --> 00:43:44,880
great way to do it.

690
00:43:44,960 --> 00:43:47,079
Speaker 1: I've had people come up to me, I know, the

691
00:43:47,079 --> 00:43:52,719
the there's when I play in in Brownsville, PA at

692
00:43:52,760 --> 00:43:58,239
the Cultural Center. They are the CEO of the Mont

693
00:43:58,320 --> 00:44:03,199
Valley Academy for the Arts which runs that event. Came

694
00:44:03,280 --> 00:44:05,639
up to me, and he's a musician. He and I

695
00:44:05,719 --> 00:44:07,880
know each other from years ago because I lived in

696
00:44:07,880 --> 00:44:10,719
that area. He came up to me after when I'd

697
00:44:10,719 --> 00:44:13,840
done the show there and he said, I was never

698
00:44:13,880 --> 00:44:17,480
really a Harry Chapin fan, but I am now, no kidding.

699
00:44:17,719 --> 00:44:19,679
That's cool, so that makes it all worthwhile.

700
00:44:19,800 --> 00:44:23,280
Speaker 11: Absolutely, absolutely, you want to do you want to do taxi?

701
00:44:23,480 --> 00:44:24,719
Speaker 1: Yeah, sure, I want to.

702
00:44:24,760 --> 00:44:26,079
Speaker 11: I want to make sure we don't run out of

703
00:44:26,119 --> 00:44:28,000
time because this is because you've played this far as

704
00:44:28,039 --> 00:44:30,920
before and it's really good. All right.

705
00:44:31,119 --> 00:44:33,000
Speaker 1: Just a little note on this one. A lot of

706
00:44:33,000 --> 00:44:35,320
people we tell the story in the show, a lot

707
00:44:35,320 --> 00:44:39,039
of people wonder is that a true story? And at

708
00:44:39,039 --> 00:44:40,719
the end of the day, it's really not. Harry never

709
00:44:40,840 --> 00:44:46,480
drove a taxi. I never picked up a fair name, sue. Okay. However,

710
00:44:46,800 --> 00:44:51,360
he did have a college girlfriend named Kate McIntyre or

711
00:44:51,400 --> 00:44:55,480
Claire McIntyre, excuse me, and she left New York and

712
00:44:56,159 --> 00:44:59,639
moved to San Francisco to study and they kind of

713
00:44:59,639 --> 00:45:02,599
fell up. Part they were dating, you know, quite quite

714
00:45:02,639 --> 00:45:06,280
a bit. And really this was his song about what

715
00:45:06,360 --> 00:45:08,800
would happen if the two of them would meet up. Okay,

716
00:45:08,840 --> 00:45:10,719
so that's really the evolution of this song.

717
00:45:10,920 --> 00:45:11,320
Speaker 9: All right.

718
00:45:17,079 --> 00:45:22,440
Speaker 1: It was raining hard, infscibable. Needed one more fair to

719
00:45:22,559 --> 00:45:26,719
make my name Lady up the head will wave to

720
00:45:26,840 --> 00:45:34,719
flag me down. She god hid the live Now where

721
00:45:34,719 --> 00:45:39,920
you're going to? My lady Blue? It's shame you ruin

722
00:45:40,119 --> 00:45:46,559
your gown in the rain. She just looked out the window,

723
00:45:47,840 --> 00:46:01,800
said sixteen pox side man something a bow. Who was familiar.

724
00:46:02,920 --> 00:46:06,800
I could see her. I'd seen her face before. But

725
00:46:06,920 --> 00:46:11,800
she said, I'm sure you're mistaken. And she didn't say

726
00:46:12,199 --> 00:46:19,079
anything more. Took a while, but she looked in the mirror.

727
00:46:20,159 --> 00:46:24,840
Then she glanced at the license for my name. Smile

728
00:46:24,960 --> 00:46:29,599
seemed to come to her slowly. It was a sad smile,

729
00:46:30,000 --> 00:46:37,280
just the same, and she said, how are you, Harry?

730
00:46:37,800 --> 00:46:43,559
I said, how are you soon? Throughly too many miles,

731
00:46:44,119 --> 00:47:05,400
two little smiles. I still remember you, h Yes, it

732
00:47:05,599 --> 00:47:10,480
was somewhere in a faery tale. I used to take

733
00:47:10,559 --> 00:47:15,360
her home in my car. We learned about love in

734
00:47:15,440 --> 00:47:19,920
the back of a Dodge. The lesson hadn't gone too far.

735
00:47:23,239 --> 00:47:28,679
She was gonna be an actress. I was gonna learn

736
00:47:28,840 --> 00:47:35,360
to fly. She took off to find the footlights. I

737
00:47:35,559 --> 00:47:41,000
took off to find the guy.

738
00:47:44,800 --> 00:47:51,519
Speaker 13: Who life got something insired me to drive a princess blind.

739
00:47:52,519 --> 00:47:58,760
Speaker 1: There's a wild man who isn't hiding in me, illuminating

740
00:47:59,400 --> 00:48:00,599
my mine.

741
00:48:04,000 --> 00:48:09,559
Speaker 13: I have got something inside me, now what my life's about?

742
00:48:10,960 --> 00:48:21,800
Speaker 1: Becauseide let my outside tied me over to my time. Wrong.

743
00:48:34,599 --> 00:48:43,000
Baby is so high that she's skying. Yes, she's flying

744
00:48:45,119 --> 00:48:57,920
free to fall. I'll tell you why. Babies crying because

745
00:48:57,960 --> 00:48:59,079
she's died.

746
00:49:02,079 --> 00:49:03,880
Speaker 15: Hard we all.

747
00:49:16,119 --> 00:49:16,159
Speaker 14: For.

748
00:49:16,320 --> 00:49:19,280
Speaker 1: There was not much more for us to talk about.

749
00:49:20,360 --> 00:49:25,280
Whatever we had once was gone. So I turned my

750
00:49:25,480 --> 00:49:30,320
cab into the driveway, past the gate and the fine

751
00:49:30,360 --> 00:49:38,599
trim logs, and she's said we must get together. But

752
00:49:38,719 --> 00:49:43,280
I knew we'd never be arranged, and she'd have me

753
00:49:43,400 --> 00:49:48,679
twenty dollars for two fifty fair. She said, Harry, keep

754
00:49:48,760 --> 00:49:51,880
the change.

755
00:49:52,760 --> 00:49:58,440
Speaker 18: Well, another man might have been angry, another man might.

756
00:49:58,280 --> 00:50:03,840
Speaker 1: Have been hurt. Another man never would let her go.

757
00:50:05,280 --> 00:50:09,000
I stashed the bill in my shirt.

758
00:50:10,639 --> 00:50:17,119
Speaker 18: And she walked away in silence. It's strange how you

759
00:50:17,280 --> 00:50:23,920
never know we both gotten what we'd asked for such

760
00:50:23,960 --> 00:50:34,360
a long long time ago. She was gonna be an actress.

761
00:50:35,920 --> 00:50:37,880
I was gonna learn to fly.

762
00:50:40,559 --> 00:50:45,159
Speaker 1: She took off to find her footlights. I took off

763
00:50:45,440 --> 00:50:55,800
to find the sky. And here she's acting happy inside

764
00:50:55,920 --> 00:51:03,880
her handsome home. Me, I'm flying in the taxi, taking

765
00:51:04,000 --> 00:51:11,440
chips and getting still I'll go fly.

766
00:51:14,599 --> 00:51:34,199
Speaker 15: So when I'm stone, Oh.

767
00:51:34,039 --> 00:51:38,760
Speaker 11: My god, that is beautiful, well done, well done. Absolutely.

768
00:51:39,199 --> 00:51:41,639
Speaker 10: If you are just joining us, Lou Antonucci is here

769
00:51:41,679 --> 00:51:44,800
with us live in studio, and we've been talking about you,

770
00:51:45,000 --> 00:51:48,159
me and Harry. What's the full it's you, me and Harry.

771
00:51:48,519 --> 00:51:52,239
Speaker 1: Oh you mean har Harry, geez you Me and Harry

772
00:51:52,760 --> 00:51:55,079
celebrating the music of Harry Chapin.

773
00:51:54,840 --> 00:51:56,800
Speaker 10: Celebrating the music of Harry Chapin. Okay, I want to

774
00:51:56,800 --> 00:51:59,199
make sure we got the full title in there. And

775
00:51:59,440 --> 00:52:01,239
now what is an one again that you're doing?

776
00:52:01,800 --> 00:52:06,719
Speaker 1: The next one is outside of Pittsburgh August the fifteenth, okay,

777
00:52:07,199 --> 00:52:12,480
oh yeah, in Brownsville, pay and then August sixteenth in Gibsonia, PA.

778
00:52:12,599 --> 00:52:18,360
And then September is Maine, okay, up in Freeport Cadenza,

779
00:52:19,079 --> 00:52:22,559
and that's the nineteenth. And then the twentieth of September

780
00:52:22,800 --> 00:52:26,440
is well Fleet Preservation Hall on the Cape.

781
00:52:26,559 --> 00:52:30,880
Speaker 10: Okay, okay, very good, very good. Now where should people

782
00:52:30,880 --> 00:52:31,880
go online?

783
00:52:32,039 --> 00:52:34,280
Speaker 11: To learn more about the show, if they want to,

784
00:52:34,320 --> 00:52:35,559
or if they just want to make sure they get

785
00:52:35,599 --> 00:52:37,519
to one, put it on their calendar, Like where's the

786
00:52:37,519 --> 00:52:38,239
best place to go?

787
00:52:38,440 --> 00:52:41,960
Speaker 1: Best place to go is you me and Harry. It's

788
00:52:42,000 --> 00:52:44,840
all just written out the way it sounds. No spaces. Okay,

789
00:52:44,920 --> 00:52:46,360
you mean Harry dot com?

790
00:52:46,400 --> 00:52:47,559
Speaker 11: Okay, okay.

791
00:52:47,599 --> 00:52:50,639
Speaker 1: They could also go to Leu Antonucci dot com. Yeah,

792
00:52:50,639 --> 00:52:53,639
but that's more about me than than the show.

793
00:52:53,840 --> 00:52:55,480
Speaker 11: Sure, sure, but you mean.

794
00:52:55,320 --> 00:52:57,760
Speaker 1: Harry dot com. They can they can see the schedule.

795
00:52:57,960 --> 00:53:00,440
If you go to lou Antonucci dot com, they can

796
00:53:00,480 --> 00:53:03,800
see my full schedule, which includes those shows as well

797
00:53:03,840 --> 00:53:06,079
as the local things around here.

798
00:53:06,239 --> 00:53:10,599
Speaker 10: Yeah, excellent, when's your next show? That's not for you

799
00:53:10,679 --> 00:53:13,119
me and Harry. But we're just doing some of your

800
00:53:13,159 --> 00:53:13,960
original material.

801
00:53:16,320 --> 00:53:18,760
Speaker 1: Well. I always do a little bit of my original

802
00:53:18,760 --> 00:53:20,719
material when I play out, like at oh sure, at

803
00:53:20,760 --> 00:53:22,480
the restaurant. So my next show is tonight?

804
00:53:22,639 --> 00:53:25,000
Speaker 11: Oh you're planning? Oh yeah for our live listeners. Where

805
00:53:25,000 --> 00:53:26,119
are you gonna be tonight.

806
00:53:27,239 --> 00:53:29,400
Speaker 1: In Merrimac at Homestead Tavern?

807
00:53:29,599 --> 00:53:31,079
Speaker 11: Excellent? Excellent, very good?

808
00:53:31,519 --> 00:53:32,519
Speaker 1: Six to nine thirty.

809
00:53:32,559 --> 00:53:35,239
Speaker 11: Oh you do the full I mean, obviously you take breaks,

810
00:53:35,239 --> 00:53:36,719
but you do the full three and a half hours.

811
00:53:36,920 --> 00:53:39,239
Speaker 1: Yeah, I usually I usually go about an hour and

812
00:53:39,440 --> 00:53:41,480
twenty minutes, take a ten minute break, and then do

813
00:53:41,559 --> 00:53:42,840
another hour and twenty minutes.

814
00:53:42,960 --> 00:53:45,880
Speaker 11: Nice, Yeah, yeah, excellent, excellent.

815
00:53:45,920 --> 00:53:48,840
Speaker 1: But those are my I call those shows my background

816
00:53:48,880 --> 00:53:49,480
music show.

817
00:53:49,639 --> 00:53:51,079
Speaker 11: Yeah right right.

818
00:53:51,400 --> 00:53:54,920
Speaker 1: People don't always always pay attention, you know, but that's fine.

819
00:53:54,960 --> 00:53:58,199
That's what it is. I will tell you this. Typically

820
00:53:58,239 --> 00:54:03,719
if usually i'll do tax about halfway through my first set. Yeah,

821
00:54:03,760 --> 00:54:07,039
and if people haven't been listening, they're listening and applauding

822
00:54:07,119 --> 00:54:07,639
after that one.

823
00:54:07,760 --> 00:54:10,039
Speaker 11: Oh that's really cool. Yeah that's awesome.

824
00:54:10,159 --> 00:54:12,320
Speaker 1: It gets their attention, So that's awesome.

825
00:54:12,679 --> 00:54:15,000
Speaker 11: Well, very very good, Lou, Thank you so much. This

826
00:54:15,079 --> 00:54:16,400
is always wonderful to have you here.

827
00:54:16,800 --> 00:54:19,000
Speaker 1: Oh I love doing It's a lot of fun. Oh

828
00:54:19,039 --> 00:54:19,800
you guys are great.

829
00:54:19,920 --> 00:54:22,880
Speaker 11: Oh, thank you, thank you. We try. We're gonna I'm

830
00:54:22,880 --> 00:54:24,519
thinking in a moment, we've got to.

831
00:54:24,480 --> 00:54:25,920
Speaker 10: Start to wrap up. I was singeing on my play

832
00:54:26,639 --> 00:54:29,519
one of your studio tracks. I saw their g oh yeah,

833
00:54:29,519 --> 00:54:31,719
I saw their guns have the right title. Yeah, that's

834
00:54:31,719 --> 00:54:32,599
a we played that.

835
00:54:32,559 --> 00:54:33,960
Speaker 11: On the show before. I remember, I really liked that

836
00:54:34,000 --> 00:54:35,360
song a lot. Yeah.

837
00:54:35,400 --> 00:54:39,000
Speaker 1: Yeah, great sacks by Richard Gardzena on that. Oh okay,

838
00:54:39,360 --> 00:54:41,880
he used to play with He lives in New Hampshire,

839
00:54:41,880 --> 00:54:44,079
but used to play with Tower of Power and some

840
00:54:44,119 --> 00:54:46,800
other big bands. Oh excellent, plays all kind of horns,

841
00:54:46,840 --> 00:54:48,360
but does some great socks on here.

842
00:54:48,480 --> 00:54:51,440
Speaker 10: Yeah, yeah, great, great track. And uh, I want to

843
00:54:51,440 --> 00:54:53,079
thank everybody who was on the show today. Of course,

844
00:54:53,159 --> 00:54:57,320
Jersey Calling was amazing, and uh, parietal, I almost for

845
00:54:57,360 --> 00:54:59,320
out how to say parietal, pariedal eye. They were a

846
00:54:59,360 --> 00:55:01,199
lot of fun in the first Sarah and Jennie. Of course,

847
00:55:01,239 --> 00:55:01,920
you got a lot going on.

848
00:55:01,920 --> 00:55:03,000
Speaker 11: You want to plug your website.

849
00:55:03,159 --> 00:55:04,599
Speaker 13: I got a lot of catching up to do on

850
00:55:04,639 --> 00:55:06,639
the website, but quite a bit on there, all right,

851
00:55:06,920 --> 00:55:09,159
go check out Chin Coffee dot com, j E N

852
00:55:09,239 --> 00:55:11,599
N c O f f uy dot com.

853
00:55:11,639 --> 00:55:13,039
Speaker 10: And if you want to know more about me and

854
00:55:13,079 --> 00:55:15,840
everything that I've got going on, Matt Connorton dot com.

855
00:55:15,880 --> 00:55:19,239
And uh, we will close out today's show with this.

856
00:55:19,920 --> 00:55:21,840
Uh this is I saw their guns. This is the

857
00:55:21,840 --> 00:55:25,000
great Lou Antonucci and Lou once again, thank you so much.

858
00:55:59,320 --> 00:56:01,440
Speaker 1: Coold Rainy Night.

859
00:56:03,519 --> 00:56:06,960
Speaker 2: The Street reflects the way thing.

860
00:56:08,360 --> 00:56:24,280
Speaker 1: A te apnessing my unaware of how his life is,

861
00:56:24,360 --> 00:56:24,800
but a.

862
00:56:24,800 --> 00:56:32,079
Speaker 22: Question now I see him standing in the course.

863
00:56:39,920 --> 00:56:42,119
Speaker 2: Good lights fierce to night.

864
00:56:45,039 --> 00:56:48,239
Speaker 4: Beyond the light, I.

865
00:56:48,639 --> 00:56:51,360
Speaker 2: See the tailor in his.

866
00:56:56,239 --> 00:56:57,320
Speaker 4: I saw that.

867
00:56:57,599 --> 00:57:07,599
Speaker 22: God, I saw them, Gunny.

868
00:57:09,000 --> 00:57:10,559
Speaker 4: I saw them run.

869
00:57:13,280 --> 00:57:15,519
Speaker 2: I saw them running.

870
00:57:16,679 --> 00:57:17,840
Speaker 4: From sid.

871
00:57:26,000 --> 00:57:27,639
Speaker 1: In the sirens right.

872
00:57:30,840 --> 00:57:44,599
Speaker 17: I watched them jery he and.

873
00:57:39,360 --> 00:57:42,320
Speaker 2: The smell of sulfur hung up.

874
00:57:43,800 --> 00:57:50,159
Speaker 1: Midnight, the full of blood, and neath.

875
00:57:50,760 --> 00:57:52,519
Speaker 2: My hafeet.

876
00:57:57,920 --> 00:58:01,559
Speaker 1: The dowds and run. Nowhere to hide.

877
00:58:01,639 --> 00:58:06,440
Speaker 3: No place to go tonights, no.

878
00:58:06,599 --> 00:58:07,679
Speaker 8: Stories to tell.

879
00:58:08,480 --> 00:58:09,519
Speaker 1: I'm living the

880
00:58:09,559 --> 00:58:18,079
Speaker 17: Hell I'm going ride, Oh right,