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<v Speaker 1>M M all right, classic hip hop. It is fantastic voice.

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<v Speaker 2>I don't know if that song is on a list

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<v Speaker 2>I have a little bit later which is the best

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<v Speaker 2>wedding songs.

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<v Speaker 1>Of all time?

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<v Speaker 2>Oh, I saw that list. I don't think this is

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<v Speaker 2>on it. I don't think probably not. Most of the

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<v Speaker 2>ones on it makes sense, like, yeah.

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<v Speaker 1>I'll get those songs lined up for later. I hear that,

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<v Speaker 1>I hear it.

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<v Speaker 2>Uh. The endings of movies really sometimes it could be

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<v Speaker 2>a mediocre movie and at the end the final scene

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<v Speaker 2>makes it a classic, right, like Thelman Louise, Like.

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<v Speaker 1>The Sixth Sense Correct, which was kind of an okay

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<v Speaker 1>movie that it's like, whoa, I did not see that coming.

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<v Speaker 2>Right, Thelma Louise, kind of mediocre movie. But the end

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<v Speaker 2>where they decide it' that's it. It is stupid though.

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<v Speaker 2>It's just like they held they hold hands, and they run,

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<v Speaker 2>they drive off a cliff.

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<v Speaker 1>They'd run off a cliff in their teep.

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<v Speaker 2>What are you doing? Why are you killing yourself? But

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<v Speaker 2>a waste of a t bird? You're gonna get off?

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<v Speaker 2>I mean, the dude was the guy you killed was

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<v Speaker 2>an a hole? Use your guy was an a hole?

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<v Speaker 1>Defense What they should have had was a helicopter with

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<v Speaker 1>a giant net. But then I caught him and then

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<v Speaker 1>appeared back up over the cliff.

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<v Speaker 2>Thirty five years ago, right nineteen ninety one, A thirty

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<v Speaker 2>thirty three, thirty three years ago, Jeez film and Louis

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<v Speaker 2>nineteen ninety one, the iconic scene Susan Sarandon and Geena Davis. Again,

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<v Speaker 2>it was, it was, it was, It was okay, It

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<v Speaker 2>was okay movie Brad Pitt's first film, by the way,

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<v Speaker 2>was it really Yeah? He plays that little pro He

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<v Speaker 2>plays a prostitute that they meet in the hotel or motel.

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<v Speaker 2>The final shot they'd run off the Grand Canyon in

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<v Speaker 2>their t bird was actually shot in Arizona.

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<v Speaker 1>Not the great I noticed that. I've been there. I

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<v Speaker 1>saw it.

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<v Speaker 2>Director was Ridley Scott. If you believe it, I believe it.

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<v Speaker 2>Aliens guy mm hm. Another one is everyone remembers at

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<v Speaker 2>the end Indiana Jones and the Last Crusade.

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<v Speaker 1>That's my favorite one of the movies.

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<v Speaker 2>Yes, where they ride on he goes, he goes Indiana,

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<v Speaker 2>he goes.

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<v Speaker 1>The dog was Indiana.

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<v Speaker 2>And they start laughing and they ride off on their

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<v Speaker 2>horses into the sunset and Middle East it's pretty cool.

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<v Speaker 1>That was the best one. The first one was second best,

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<v Speaker 1>and the middle one Jolnes little annoying.

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<v Speaker 2>The movies because Indiana Jones. The ones that were good

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<v Speaker 2>were discounts for James Bond films too. When they go

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<v Speaker 2>to to like a lot of countries, like they went

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<v Speaker 2>to Spain, in Jordan, Germany, all different spots for the

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<v Speaker 2>Last Crusade. Bond movies are the same too, right where

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<v Speaker 2>they end up in the Orient and he gets into

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<v Speaker 2>a fight and next thing you know, he's in Egypt

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<v Speaker 2>and he's fighting in the pyramids.

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<v Speaker 1>It's like that. That's that's what makes those movies well.

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<v Speaker 1>In the first movie, Karen Black was a strong female character. Yes,

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<v Speaker 1>second movie not so much. Then they tried to add

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<v Speaker 1>comic relief. That was like when Scrappy Do came out

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<v Speaker 1>to Scooby Doo. You didn't need Scrappy they see he

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<v Speaker 1>had something good going on. Guys one and three were

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<v Speaker 1>pretty good and then really good, Yeah, really good was okay,

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<v Speaker 1>was like eh no, it was just like eating bugs

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<v Speaker 1>and all the monkey brain monkey brains. It was like

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<v Speaker 1>come on, man, Fight Club from nineteen ninety nine. Obviously,

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<v Speaker 1>the end was sort of like the sixth sense to

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<v Speaker 1>where you're like, wait a minute, Brad Pitt doesn't even exist.

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<v Speaker 2>He's not a real person. He's just an imaginary Edward Norton.

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<v Speaker 2>Edward Norton was both characters throughout the entire film. It

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<v Speaker 2>was obviously underground. I was gonna watch that this weekend.

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<v Speaker 2>There's somebody somebody told me the other day. I was

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<v Speaker 2>I've never seen fight Club. I'm like, what Dwight said that?

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<v Speaker 2>Oh it was Dwight. Yeah, it's like, how do you

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<v Speaker 2>never see fight Clube?

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<v Speaker 1>Really good?

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<v Speaker 2>Uh So at the end, basically their plan was to

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<v Speaker 2>before the Internet. This is nineteen ninety nine, so before

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<v Speaker 2>the Internet, all of your records were held. It was

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<v Speaker 2>like a Robin Hood move. So all your records were

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<v Speaker 2>held in basically three buildings in the business district in

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<v Speaker 2>San Francisco or wherever. So their job was to blow

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<v Speaker 2>up all of the buildings and wipe out all.

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<v Speaker 1>Of your debt.

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<v Speaker 2>And they're holding hands at the end, and you realize

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<v Speaker 2>Brad Pitt doesn't exist. It's just Edward Norton, the graduate.

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<v Speaker 1>You're gonna have an imaginary friend. He might as well

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<v Speaker 1>be good looking, ya. You think, oh, you picked bred pitts, Yeah, right,

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<v Speaker 1>Steve wasn't available, right.

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<v Speaker 2>The Graduate nineteen sixty seven. At the end, she runs, remember,

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<v Speaker 2>she runs out of her own wedding, joins Dustin Hoffman

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<v Speaker 2>and they jump on a bus like a just transit

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<v Speaker 2>bus on the street and they're laughing, and then the

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<v Speaker 2>end of the movie is they stop laughing and staring

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<v Speaker 2>at the distance like what have we done? Which is

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<v Speaker 2>really it's a great ending of a movie because that's how.

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<v Speaker 1>Real life is. Hey listen their hearts and then their

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<v Speaker 1>minds are like, you can't him and she runs away

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<v Speaker 1>with him, and then.

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<v Speaker 2>They realize, oh crap, we're gonna do all this stuff.

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<v Speaker 2>And that's also is the Graduate? Is that also the

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<v Speaker 2>one where the guy says plastics? He goes, that's the future.

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<v Speaker 1>Oh it's been so long, And then.

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<v Speaker 2>Dustin Hospin that's the famous line where he goes, Missus Robinson,

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<v Speaker 2>I think you're trying to seduce me.

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<v Speaker 1>Isn't that the line? It is? Yeah, it is? Okay.

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<v Speaker 2>Did you ever see two thousand and sevens There will

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<v Speaker 2>be Blood?

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<v Speaker 1>I did not. That is Daniel Day. Lewis Daniel Day.

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<v Speaker 1>He only made movie.

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<v Speaker 2>He makes movies like one every three years, and he

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<v Speaker 2>really immerses himself in the characters, which is something very

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<v Speaker 2>very dangerous to do. Like when he did Lincoln, he

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<v Speaker 2>was Lincoln for like a year.

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<v Speaker 1>He did my left Foot. He walked in circles all

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<v Speaker 1>the time.

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<v Speaker 2>No, I swear to God that you're making fun. But

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<v Speaker 2>he did that stuff like he would immerse himself in

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<v Speaker 2>the role so much he became these people at the end.

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<v Speaker 2>It's unexpected. But Daniel, he's been battling this preacher for

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<v Speaker 2>decades and he has a bowling alley in his own house,

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<v Speaker 2>and he takes the bowling pin and beats him to

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<v Speaker 2>death in this violent, this violent scene where he crushes

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<v Speaker 2>his skull with this bowling pin, and it's really violent,

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<v Speaker 2>and the movie ends with him sitting there as the

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<v Speaker 2>blood is pouring out of this preacher's head all over

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<v Speaker 2>the wooden floor of the bowling alley.

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<v Speaker 1>I think I'll skip that one. It's very intense.

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<v Speaker 2>It's unsettling, but a great ending really if you're looking

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<v Speaker 2>to get maybe the greatest ending of all time for movies.

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<v Speaker 2>Planet of the Apes nineteen sixty eight.

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<v Speaker 1>Oh man, Yes, he rolls.

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<v Speaker 2>Up on the beach on his horse and he gets off,

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<v Speaker 2>but the shot is of him and the horse and

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<v Speaker 2>the waves crashing behind him on the beach. This entire time,

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<v Speaker 2>you think they're on a different planet because it's the

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<v Speaker 2>planet of the Apes. But when the camera pans back

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<v Speaker 2>towards what he's looking at, it's the top half of

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<v Speaker 2>the Statue of Liberty on the beach.

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<v Speaker 1>It was well into the future of this planet.

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<v Speaker 2>Yes, it may if you don't know the ending or

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<v Speaker 2>what is the series. The movies about that ending is

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<v Speaker 2>dramatic as hell.

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<v Speaker 1>Get your hands off me, you filthy? What is it? Ape? Dit?

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<v Speaker 2>Your dirty darn dirty ape something ape Psycho from nineteen sixty.

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<v Speaker 2>First time I watched this film, I was in film

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<v Speaker 2>study at Trinity High School and we broke this movie.

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<v Speaker 1>You went to Trinity.

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<v Speaker 2>Actually part of the Hall of Fame. I didn't know

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<v Speaker 2>if you knew that. Yeah, I heard, Yeah, Norman J.

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<v Speaker 2>T Shirt, You're welcome.

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<v Speaker 1>Norman Bates.

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<v Speaker 2>He was the master, he was the guy. Stop it,

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<v Speaker 2>damn it. Take a dollar out. I don't know if

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<v Speaker 2>is it fifty cents or a dollar. You tell me,

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<v Speaker 2>you tell me it's fifty cents. I'll take a couple

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<v Speaker 2>of quarters, Okay, Hitchcock obviously, and he was a transvestite.

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<v Speaker 2>I guess he was dressing up like his mom, right,

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<v Speaker 2>so he was trans the first trans killer.

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<v Speaker 1>The show Baits Motel was good. It was like a

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<v Speaker 1>prequel to that. Really he's a kid. Yeah yeah, but

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<v Speaker 1>it is good, pretty good.

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<v Speaker 2>Yeah yeah yeah, And and again they up until nineteen

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<v Speaker 2>sixty in this movie there were no murders on film, Like,

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<v Speaker 2>they didn't show the knife and the blood and all that.

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<v Speaker 1>That didn't happen. That was okay.

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<v Speaker 2>That was the first first time, and it scared the

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<v Speaker 2>crap everybody and spawned a trend in people's bathrooms. Do

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<v Speaker 2>you know what that was? Clear shower curtains. Clear shower curtains.

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<v Speaker 2>Shower curtains were not clear until Psycho came out and

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<v Speaker 2>people were like, I want to kind of see who's

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<v Speaker 2>coming through the damn door.

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<v Speaker 1>How about locking the door.

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<v Speaker 2>Well that's the thing too. This very very good. Butch

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<v Speaker 2>Cassidy and a Sundance Kid. Yes, yes, one of my

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<v Speaker 2>favorite films of all time.

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<v Speaker 1>Not unlike Thelma and Louise. He's exactly right.

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<v Speaker 2>They decide, Robert Redford and Paul Newman, they're surrounded by

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<v Speaker 2>the the Bolivian.

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<v Speaker 1>I'm sorry the Bolivian Army. I'm going to fade into Bolivia,

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<v Speaker 1>and they.

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<v Speaker 2>Both are sitting there loading their guns and they're like,

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<v Speaker 2>what the hell heck, and they just run out.

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<v Speaker 1>Shooting in and then stop motion. And they stopped motion.

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<v Speaker 2>They obviously were all shot up and killed, but they

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<v Speaker 2>decided to go out in a blaze of glory. Butch

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<v Speaker 2>casting a Sundance Kid in nineteen sixty nine, great ending inception.

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<v Speaker 2>Did you ever see that?

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<v Speaker 1>I think I did? Was that that one where the

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<v Speaker 1>timeline was all over the place.

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<v Speaker 2>Yeah, it's just weird. I didn't see that one, so

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<v Speaker 2>I can. I don't remember those parts of it. It's

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<v Speaker 2>all parts of it, and that's it. I don't want

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<v Speaker 2>to have to think that much. No, there's no doubt.

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<v Speaker 2>I'm Dais nineteen eighty four. I watched this movie the

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<v Speaker 2>other day. Sometimes I will sit down and start making

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<v Speaker 2>notes for today's or tomorrow's show, right, and I'll just

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<v Speaker 2>put a movie on in the background. I just need

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<v Speaker 2>something in the background. I put Amadeis on nineteen eighty four.

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<v Speaker 2>It is good today as.

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<v Speaker 1>It was then.

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<v Speaker 2>It is just an almost perfect film. It's long, but

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<v Speaker 2>it's almost a perfect film. You find out at the

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<v Speaker 2>end he's in an insane asylum, right, because Mozart made

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<v Speaker 2>him crazy. You think he's in an old folks all right,

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<v Speaker 2>He's in insane asylum and they're pushing him away. It

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<v Speaker 2>is one of the best performances of all time. I

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<v Speaker 2>think I forgot that actor's name.

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<v Speaker 1>He plays Saliary. His name is damn it, Oh, damn it. Oh,

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<v Speaker 1>Oh what.

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<v Speaker 2>Is his name? Oh? Now it's gonna kill me. He

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<v Speaker 2>also played he's had a pretty good career. What this

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<v Speaker 2>song came out after the movie?

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<v Speaker 1>Correct? I am not sure. Tom Holtz h u l ce.

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<v Speaker 2>No, it's not Tom Holts. No, Tom Holts played Mozart.

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<v Speaker 2>We're talking about who played Salary, which is basically the

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<v Speaker 2>whole he.

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<v Speaker 1>Makes F Murray Abraham, F Murray Abraham. Correct.

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<v Speaker 2>Correct, he makes the film. It's it's one of the

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<v Speaker 2>best film performances I've ever seen.

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<v Speaker 1>All Right.

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<v Speaker 2>The ending of Casa Blanca nineteen forty two. This so

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<v Speaker 2>obviously was during the war, and when they screened the movie,

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<v Speaker 2>they were like, look, we can't have these guys doing

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<v Speaker 2>their own thing. We have to go back and shoot

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<v Speaker 2>this ending. So the ending where they're both walking in

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<v Speaker 2>the fog and airport in Morocco, Nice, Morocco, in Casa Blanca,

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<v Speaker 2>the city of Costa Blanca, the country of Casa Blanca.

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<v Speaker 1>They're in Africa, where he says, hey, it's.

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<v Speaker 2>I think it's the beginning of a beautiful friendship because

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<v Speaker 2>they're going to get back into the war effort, right,

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<v Speaker 2>these two. And if we got these two in the

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<v Speaker 2>war efforts, right, we're certainly to win, right.

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<v Speaker 1>Absolutely.

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<v Speaker 2>Humphrey Bogart thought he had ruined his career by doing

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<v Speaker 2>this movie and ended up being his most famous movie

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<v Speaker 2>of all time.

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<v Speaker 1>Isn't that weird? How that always happens? Alec Guinness was like,

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<v Speaker 1>what am I doing? Obi wan Kenobi? What the heck?

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<v Speaker 1>It's a paycheck?

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<v Speaker 2>I know, immortalized.

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<v Speaker 1>Like you would not believe.

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<v Speaker 2>People still don't understand the two thousand and one Space

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<v Speaker 2>Out to See nineteen sixty eight. The final shot of

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<v Speaker 2>a baby floating what appears to be a sack surrounded

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<v Speaker 2>by light left audiences wondered what they watched?

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<v Speaker 1>What does that all mean? Man, it took a long

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<v Speaker 1>time to get there. Yeah, Kubrick, drug this thing out.

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<v Speaker 1>My god, Oh, I've tried to get through it. I

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<v Speaker 1>just can't. What movie of his can you get through?

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<v Speaker 1>I just can't.

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<v Speaker 2>No, I can't either. Every eyes wide shut. I'm like,

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<v Speaker 2>I watched a half hour of it. I was like,

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<v Speaker 2>I'm done with this. This is driving me crazy already.

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<v Speaker 1>I can't trying to be edgy, but you're boring, right, boring.

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<v Speaker 1>That's it. That's my list. We haven't done this for

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<v Speaker 1>a little while, so let me pull out some music

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<v Speaker 1>for you. A dear Squatchy letter. It's a dear squatchy

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<v Speaker 1>it is. I'm ready for a dear squatch This might

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<v Speaker 1>sound familiar to a lot of folks our age, thinking

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<v Speaker 1>back to their drinking days. Dave says back, like they

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<v Speaker 1>still don't exist. And this is George writing in. George says,

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<v Speaker 1>dear Squatchy, you're gonna say hi to George. Oh hi, George,

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<v Speaker 1>thanks for listening. Leave him hanging man. I'm sorry.

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<v Speaker 2>Fox News is on and they keep going back and

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<v Speaker 2>forth from the Michelle Obama thing and then Trump did

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<v Speaker 2>his thing in New York and I'm just so sick

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<v Speaker 2>of it. I just want to turn it off. Yeah,

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<v Speaker 2>turn it around, distracted, I'm turning it off now.

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<v Speaker 1>Okay, George needs your full attention. Hey George, uh, thanks

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<v Speaker 1>for listening. Go ahead, having a real problem with one

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<v Speaker 1>of my girlfriend's best friends from college. When she's sober,

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<v Speaker 1>Amy is awesome, fun, pleasant, and a joy to be around. However,

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<v Speaker 1>when drunk amy shows up, it's an entirely different story. Yeah,

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<v Speaker 1>She's loud, annoying, constantly complaining about issues and mistakes from

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<v Speaker 1>her past, and can sometimes be downright scary and concerning.

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<v Speaker 1>She'll also talk about drunk amy in the third person

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<v Speaker 1>and ask why no one likes drunk amy. I legit

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<v Speaker 1>can't stand to be around her when she's drinking even

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<v Speaker 1>a little bit. My girlfriend thinks I'm being mean, unfair,

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<v Speaker 1>and unsympathetic to what she's been through. I really don't

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<v Speaker 1>care fair enough to put that much thought into it.

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<v Speaker 1>I just don't want drunk amy ruining yet another weekend.

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<v Speaker 1>Other than excluding myself from the situation, is there anything

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<v Speaker 1>I can do? She calls her, why isn't anybody like

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<v Speaker 1>drunk amy? The third you got me with it herself

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<v Speaker 1>and the third person like drunk amy. He's like, why

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<v Speaker 1>couldn't you stop being angry and being slutty? Be slutty,

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<v Speaker 1>be slutty Amy when you're drunk. Uh, So what's he

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<v Speaker 1>asking in general? Well, he's either going to exclude himself

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<v Speaker 1>from going out when drunk Amy's around, or is there

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<v Speaker 1>something else he can do because he doesn't want to

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<v Speaker 1>not be with his girlfriend, but she wants to be

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<v Speaker 1>with drunk Amy.

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<v Speaker 2>In your twenties, you put up with it, and you

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<v Speaker 2>hang out and you watch after him, right, make sure

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<v Speaker 2>they don't get in trouble. Once you hit twenty nine

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<v Speaker 2>or thirty, really in your early thirties, you start to go,

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<v Speaker 2>I just I'm not dealing with Amy anymore. Now.

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<v Speaker 1>You cut people out at her name.

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<v Speaker 2>And in your forties, that's the last thing you're doing,

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<v Speaker 2>is hanging out with people that can't control themselves when

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<v Speaker 2>they're drinking. They get you in trouble. There's always drama.

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<v Speaker 2>And in your fifties you're so far from it. You're

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<v Speaker 2>just like, you know, I don't even know anybody like

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<v Speaker 2>that anymore.

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<v Speaker 1>So again, in.

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<v Speaker 2>Your this is a decade thing, this is the age thing.

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<v Speaker 2>In your twenties. If you're in your twenties, George, just

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<v Speaker 2>put up with it. Watch after she needs you to

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<v Speaker 2>watch after it till she matures or gets sober. Obviously

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<v Speaker 2>she needs to get sober. If she is, if she

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<v Speaker 2>is a different person every time she drinks, and when

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<v Speaker 2>she drinks she has to get drunk like that, Yep,

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<v Speaker 2>then she's in alcoholics and she needs help. Not everybody

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<v Speaker 2>will get help, but maybe you should suggest that and

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<v Speaker 2>then cut her off friendship wise if you want to

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<v Speaker 2>do that. But if you're in your twenties, make sure

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<v Speaker 2>she's okay when you hit thirty trust me, like it'll

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<v Speaker 2>sort itself up. Whatever happened, you'll do this at thirty five.

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<v Speaker 2>Whatever happened to Amy? Which one Amy?

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<v Speaker 1>Drunk? Amy? Oh? Why is it anybody like drunk Amy?

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<v Speaker 1>I think she's why. I was gonna make up some

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<v Speaker 1>jobs she had. What was Amy doing?

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<v Speaker 2>Now?

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<v Speaker 1>I just ended up?

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<v Speaker 2>But I didn't want to be little anybody that actually

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<v Speaker 2>does those jobs.

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<v Speaker 1>Maybe she's in real estate. No oh, you mean Eland

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<v Speaker 1>and Eland? Is that what you're saying? No, no, no oh.

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<v Speaker 1>I was just thinking of Miss South Carolina. That's what

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<v Speaker 1>she ended up doing. She got into real estate really

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<v Speaker 1>like Iraq and such.

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<v Speaker 2>Like my buddy Phil that oh that runs Eland Eland,

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<v Speaker 2>He's done this entire life. He was a little lawmaker.

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<v Speaker 2>For a while, but he does, He's done. This is

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<v Speaker 2>his whole life. But I always make fun because people

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<v Speaker 2>that you know, their career hasn't worked out, so what

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<v Speaker 2>do they do.

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<v Speaker 1>I'm a real estate agent, who, of course you are.

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<v Speaker 1>I think at one point we had more agents in

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<v Speaker 1>Louisville than houses for sale. No, we did, we did.

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<v Speaker 2>But with these new rules, they're saying that that that's

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<v Speaker 2>going to eliminate about eighty five percent of the people

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<v Speaker 2>that were sort of just dabbling in it.

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<v Speaker 1>It's not their career. So I don't know.

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<v Speaker 2>Uh, should I talk about Eland and England one percent

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<v Speaker 2>commission rate?

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<v Speaker 1>You can. We can talk about lots of pasta.

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<v Speaker 2>Too, lots of posta, lots apasta Louisville dot com.

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<v Speaker 1>If you are moving, moved to the seven what's up?

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<v Speaker 2>It means it'll be easier to get the lots of

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<v Speaker 2>posita because they're at thirty seven seventeen lexing in the

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<v Speaker 2>heart of Saint Matthew's.

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<v Speaker 1>We were there yesterday and did a stock up. We

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<v Speaker 1>got the pumpkin ravioli, a couple of New Marinara sauces.

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<v Speaker 1>They're always changing things up there. Got some pasta, of course,

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<v Speaker 1>I got a pound of rosemary ham, juicy ham with

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<v Speaker 1>the rosemary seasonings on the outside. Got a couple of pizzas,

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<v Speaker 1>of course, the muzzarella to make homemade pizzas and the sauce.

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<v Speaker 1>You can get everything at lots of pasta. A couple

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<v Speaker 1>of baked Zd's too. You will love the baked zd

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<v Speaker 1>Air in the freezer.

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<v Speaker 2>I cooked up I think it was we were watching

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<v Speaker 2>football Saturday and I just made up the goat cheese ravioli.

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<v Speaker 1>You want to put on it?

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<v Speaker 2>What?

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<v Speaker 1>Nothing?

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<v Speaker 2>Oh, we just put it on a plate and we

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<v Speaker 2>were literally grabbing each piece with our hand like it

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<v Speaker 2>was candy, and we just popped in our mouth whole

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<v Speaker 2>pieces and we just ate it because that was lunch.

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<v Speaker 1>It was lunch.

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<v Speaker 2>We didn't need anything else. I didn't need olive oil

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<v Speaker 2>on into parmesan. I just ate it just right off

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<v Speaker 2>the steaming, four minutes, four minutes it took.

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<v Speaker 1>Let them float and then enjoy. Yes, Yes, October Fest.

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<v Speaker 1>Quentin's put together a really good holiday beer list there. Yeah.

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<v Speaker 1>Got some back in the corner cold and some warm

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<v Speaker 1>right when you walk in the door.

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<v Speaker 2>Lots of positive, lots of pasta. Louis dot Com back

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<v Speaker 2>after this on news radio eight forty whs.

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<v Speaker 1>It comes to bride down? Is it she lovely?

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<v Speaker 2>It is an industry in America for sure, not so

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<v Speaker 2>much in Europe. The average price of a wedding in

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<v Speaker 2>Europe is about six thousand dollars. The average price in

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<v Speaker 2>America for a wedding is thirty thousand dollars.

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<v Speaker 1>Jeez.

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<v Speaker 2>And every single step of the way, including the DJ.

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<v Speaker 2>I believe the average price for a DJ, not a band,

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<v Speaker 2>not a band, a DJ is thirty five hundred. No.

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<v Speaker 1>Yeah, when I did it in college, I DJed weddings,

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<v Speaker 1>it was four hundred. No. Look we get fired tomorrow.

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<v Speaker 1>You and I we're doing the doing the wedding. Yeah,

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00:19:01.440 --> 00:19:05.359
<v Speaker 1>crashers thing, yeah, So leave the bridesmaids alone this time.

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<v Speaker 1>We are full service, David. Just you want to make

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<v Speaker 1>money or not?

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<v Speaker 2>You want to make money, you're not. It's right, we're

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<v Speaker 2>full service here. Hell for charging four grand apiece a piece,

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00:19:17.279 --> 00:19:18.559
<v Speaker 2>I mean a wedding.

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<v Speaker 1>They're talking about the bridesmaids.

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<v Speaker 2>So there was a study recently done by breeze it,

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<v Speaker 2>an online wending a wedding vendor, to search tool for

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<v Speaker 2>brides to be oh by the number one song is

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<v Speaker 2>their top wedding songs, Right, you want to go from

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<v Speaker 2>ten down or no? No?

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<v Speaker 1>We start at number ten. Oh okay, all right, I

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<v Speaker 1>got you.

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<v Speaker 2>These are, according to this website, the top songs played

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<v Speaker 2>for people to dance to.

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<v Speaker 1>I guess you're getting this for free, not four thousand dollars.

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<v Speaker 1>We'll get a comedy show. This is flow rider low

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<v Speaker 1>low yeah, yeah, see the flow.

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<v Speaker 2>I can't listen to this song without thinking of tropic thunder,

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<v Speaker 2>tropical thunder? Is it tropic thunder? A tropical thunder? Tom

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<v Speaker 2>Cruise plays the the agent and he loves hitting his

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<v Speaker 2>little remote and the music hits and he starts doing

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<v Speaker 2>his little dance, and I'm just like, I can't the

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<v Speaker 2>fact that Tom Cruise did that character. It's pretty cool, unbelievable.

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<v Speaker 1>All right, I did it?

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<v Speaker 2>Yeah, Apple bottom Gene. All right, So that's one of

423
00:20:45.079 --> 00:20:49.359
<v Speaker 2>the that's good website breeze it says that's the top

424
00:20:49.519 --> 00:20:51.839
<v Speaker 2>that's one of the top wedding songs.

425
00:20:52.559 --> 00:20:55.759
<v Speaker 1>Number nine, yeah, number nine. Yeah.

426
00:20:55.839 --> 00:20:59.319
<v Speaker 2>The bridesmaids are going, oh, come come back, come out,

427
00:20:59.279 --> 00:21:00.480
<v Speaker 2>and they're grabbing each other's hands.

428
00:21:00.720 --> 00:21:02.160
<v Speaker 1>Courtney, come on, get to get out there, Come on,

429
00:21:02.200 --> 00:21:04.680
<v Speaker 1>come on drunk Amy.

430
00:21:04.720 --> 00:21:12.680
<v Speaker 2>Come on, we apologize to everybody listening to the podcast,

431
00:21:13.039 --> 00:21:15.599
<v Speaker 2>including myself, because I'll be at the gym tomorrow listening

432
00:21:15.640 --> 00:21:18.599
<v Speaker 2>to this and you know, lots of pauses critiquing our show.

433
00:21:19.160 --> 00:21:24.559
<v Speaker 2>In my own head, it's just such a fun song.

434
00:21:24.839 --> 00:21:25.200
<v Speaker 1>It is.

435
00:21:25.960 --> 00:21:30.559
<v Speaker 2>M m m uh. Could you name the guy the

436
00:21:30.640 --> 00:21:32.319
<v Speaker 2>band that does this? If you didn't have it sitting

437
00:21:32.319 --> 00:21:32.720
<v Speaker 2>in front of.

438
00:21:32.759 --> 00:21:33.759
<v Speaker 1>Him, I would not have no.

439
00:21:33.880 --> 00:21:36.440
<v Speaker 2>I'm with you to walk the moon Walk the moon

440
00:21:36.599 --> 00:21:39.920
<v Speaker 2>is the band. If you told me that was a band,

441
00:21:39.960 --> 00:21:41.319
<v Speaker 2>I'd go I don't think so.

442
00:21:44.960 --> 00:21:48.119
<v Speaker 1>They're dancing and they're pointing at each other's eyes. You mean,

443
00:21:48.319 --> 00:21:50.039
<v Speaker 1>I look at you? Will you do eyes on me?

444
00:21:50.079 --> 00:21:53.680
<v Speaker 1>Come on? Will you just shut up and dance with me? Yeah? Okay?

445
00:21:56.119 --> 00:22:00.559
<v Speaker 1>Mmm uh? What's what else you got? That was number nine?

446
00:22:00.559 --> 00:22:07.960
<v Speaker 1>That was number nine, Number eight Beyonce Crazy in Love

447
00:22:08.000 --> 00:22:16.240
<v Speaker 1>feature in jay Z. Yeah. I can see this being wedding,

448
00:22:16.559 --> 00:22:17.960
<v Speaker 1>crazy wedding.

449
00:22:19.119 --> 00:22:20.759
<v Speaker 2>Because even people in the back are like, all right,

450
00:22:20.839 --> 00:22:24.400
<v Speaker 2>damn it, that's it, that's it, damn it. I'm dancing, Charles,

451
00:22:24.440 --> 00:22:27.559
<v Speaker 2>you're with me? Come on, mister dance floor, I don't dance.

452
00:22:27.559 --> 00:22:30.559
<v Speaker 2>Get out here. The uncle the balding. Uncle's like, you

453
00:22:30.680 --> 00:22:32.599
<v Speaker 2>got me, damn it. I'm on, I'm on the floor.

454
00:22:52.079 --> 00:22:56.119
<v Speaker 2>Who's she married to? Oh boy, this is he's famous?

455
00:22:56.279 --> 00:23:00.920
<v Speaker 1>Is it usher jay Z? Who is? So it's not

456
00:23:01.000 --> 00:23:07.920
<v Speaker 1>doctor Dre. He's cool. He owned Beats headphones. I thought

457
00:23:08.240 --> 00:23:11.799
<v Speaker 1>jay Z? Yeah? Is it jay Z? Yeah?

458
00:23:12.039 --> 00:23:16.960
<v Speaker 2>He just looks like a angry dude. I think he's

459
00:23:17.039 --> 00:23:20.079
<v Speaker 2>lucky he's got Beyonce. That's what I'm saying. I know

460
00:23:20.119 --> 00:23:22.400
<v Speaker 2>he's a mogul and has three billion dollars, but I'm

461
00:23:22.440 --> 00:23:24.279
<v Speaker 2>just saying, how do you get to be a mogul?

462
00:23:25.160 --> 00:23:26.119
<v Speaker 1>I don't know.

463
00:23:26.279 --> 00:23:28.799
<v Speaker 2>Well, you rip people off with your expensive headphones that

464
00:23:28.799 --> 00:23:29.400
<v Speaker 2>aren't worth it.

465
00:23:29.599 --> 00:23:32.079
<v Speaker 1>That was Oh is that Dre? Yeah? I'm sorry.

466
00:23:32.119 --> 00:23:39.759
<v Speaker 2>Well, Beats by Dre beat Bruno Mars, marry you ironically.

467
00:23:39.279 --> 00:23:48.400
<v Speaker 1>Obviously we're doing the top songs for weddings. Yeah. If

468
00:23:48.440 --> 00:23:52.359
<v Speaker 1>you notice the beats are probably they're all the same here,

469
00:23:54.039 --> 00:23:56.039
<v Speaker 1>not too different. Boone boom boom.

470
00:23:56.039 --> 00:24:01.200
<v Speaker 2>You got to have a certain beat. I think beats

471
00:24:01.200 --> 00:24:03.359
<v Speaker 2>per minute like dancing juice.

472
00:24:10.039 --> 00:24:10.279
<v Speaker 1>Yeah.

473
00:24:10.319 --> 00:24:12.519
<v Speaker 2>Man, when we were young, we went crazy on the

474
00:24:12.599 --> 00:24:14.680
<v Speaker 2>dance floor. Every year we got older, it was like,

475
00:24:14.720 --> 00:24:17.039
<v Speaker 2>I'm not getting out there no, I'm not. Do you

476
00:24:17.079 --> 00:24:19.359
<v Speaker 2>have fun so I was gonna steal my drink.

477
00:24:19.400 --> 00:24:20.720
<v Speaker 1>I'm not doing that fun.

478
00:24:21.160 --> 00:24:26.519
<v Speaker 2>Fine kids, you know with the cover ben Off, somebody's

479
00:24:26.519 --> 00:24:27.480
<v Speaker 2>got it on their forehead.

480
00:24:27.559 --> 00:24:33.759
<v Speaker 1>Yeah, that is number seven. Okay. This next band, they

481
00:24:33.759 --> 00:24:36.359
<v Speaker 1>were big. They did the super Bowl and then they

482
00:24:36.759 --> 00:24:41.920
<v Speaker 1>just disappeared. Black Eyed Peas, Oh I hate this song.

483
00:24:41.920 --> 00:24:45.240
<v Speaker 1>I got a feeling. Oh I hate this song. Let

484
00:24:45.279 --> 00:24:45.799
<v Speaker 1>it roll.

485
00:24:45.920 --> 00:24:49.279
<v Speaker 2>They did the Pittsburgh and Green Bay Packers super Bowl

486
00:24:49.880 --> 00:24:51.960
<v Speaker 2>remember m M, yeah, I know you remember.

487
00:24:52.359 --> 00:24:55.799
<v Speaker 1>Yeah, I think we won that one? Is this was awful?

488
00:24:56.400 --> 00:24:58.119
<v Speaker 2>Wasn't it the Green Bay Packer ones or was it

489
00:24:58.160 --> 00:25:01.119
<v Speaker 2>one I'm not sure when Pittsburgh played Seattle?

490
00:25:01.720 --> 00:25:05.039
<v Speaker 1>I am not sure. I hate this song. It takes

491
00:25:05.039 --> 00:25:07.400
<v Speaker 1>forever to get going, and that's all the song is.

492
00:25:07.480 --> 00:25:14.240
<v Speaker 1>I got a feeling that this is the whole song

493
00:25:14.319 --> 00:25:14.640
<v Speaker 1>right here.

494
00:25:14.880 --> 00:25:17.319
<v Speaker 2>Tonight's gonna be a good night and they're all dancing

495
00:25:17.319 --> 00:25:19.559
<v Speaker 2>around with these weird outfits on and you're just like

496
00:25:19.799 --> 00:25:23.440
<v Speaker 2>what and then you're right. Black Eyed Peas disappeared after

497
00:25:23.519 --> 00:25:27.279
<v Speaker 2>the super Bowl because people realize, damn, this band sucks.

498
00:25:29.400 --> 00:25:36.799
<v Speaker 1>Okay, well, now it's gonna be a good night. What's

499
00:25:36.799 --> 00:25:37.519
<v Speaker 1>it gonna be I.

500
00:25:37.440 --> 00:25:41.079
<v Speaker 2>Think it's gonna be a good night, Dave. I got

501
00:25:41.119 --> 00:25:43.920
<v Speaker 2>a feeling tonight it's gonna be a good night. Yes,

502
00:25:44.039 --> 00:25:48.720
<v Speaker 2>this was a very disappointing choice for halftime in the Super.

503
00:25:48.480 --> 00:25:53.119
<v Speaker 1>Bowl, as most of them are. For sure. Okay, done

504
00:25:53.160 --> 00:25:55.400
<v Speaker 1>with that one. Please, let's get to classic, Let's get

505
00:25:55.440 --> 00:25:59.759
<v Speaker 1>on the let's get the old folks out. How about

506
00:25:59.799 --> 00:26:05.240
<v Speaker 1>this we just left this month behind? Duh dude. Yeah,

507
00:26:05.720 --> 00:26:08.839
<v Speaker 1>everyone loves the song. No one. I've never met one

508
00:26:08.839 --> 00:26:14.720
<v Speaker 1>person that said I hate that song earth Wind and Fire.

509
00:26:15.759 --> 00:26:22.559
<v Speaker 1>Do you remember spend u uh?

510
00:26:22.640 --> 00:26:25.599
<v Speaker 2>The only way this song has become irritating is because

511
00:26:25.640 --> 00:26:30.160
<v Speaker 2>on Facebook on September twenty first, everyone posts this, Oh yeah,

512
00:26:30.279 --> 00:26:33.160
<v Speaker 2>like come on man, it's just like the first day

513
00:26:33.200 --> 00:26:36.039
<v Speaker 2>that there's zero degrees. People take pictures of their car

514
00:26:36.440 --> 00:26:39.599
<v Speaker 2>temperature thing and they posted, ooh it's cold this morning.

515
00:26:39.680 --> 00:26:42.359
<v Speaker 1>Thanks. And if you're someone that has to put music

516
00:26:42.400 --> 00:26:45.319
<v Speaker 1>behind your little videos, yeah, back it down a little bit.

517
00:26:45.359 --> 00:26:46.960
<v Speaker 1>I want to hear the people talk.

518
00:26:47.000 --> 00:26:54.480
<v Speaker 2>You know, Earth Wind and Fire, those are the bands

519
00:26:54.480 --> 00:26:56.640
<v Speaker 2>that had twenty seven members to the exactly.

520
00:26:56.720 --> 00:26:58.119
<v Speaker 1>It's like, what the hell, how do you make any

521
00:26:58.200 --> 00:27:01.000
<v Speaker 1>fifty bucks a show? Right? This next one. I'm not

522
00:27:01.039 --> 00:27:03.000
<v Speaker 1>sure why it would be a wedding song. It's not

523
00:27:03.079 --> 00:27:06.160
<v Speaker 1>a bad song. It's the killers. Mister Bright's aid, you'll

524
00:27:06.200 --> 00:27:11.599
<v Speaker 1>recognize it. Call this being a big wedding tune.

525
00:27:11.640 --> 00:27:16.279
<v Speaker 2>I can see this, dude, You notice it.

526
00:27:16.279 --> 00:27:18.720
<v Speaker 1>It's the same beats. It's the same.

527
00:27:19.599 --> 00:27:22.000
<v Speaker 2>Sort of tempo on every single where these shows, because

528
00:27:22.000 --> 00:27:24.519
<v Speaker 2>it has to be danceable, like even the worst dancers

529
00:27:24.559 --> 00:27:25.559
<v Speaker 2>should be able to be able to do.

530
00:27:25.599 --> 00:27:27.359
<v Speaker 1>The people are jumping up and down on this one.

531
00:27:27.400 --> 00:27:30.720
<v Speaker 1>I can see the rock guys for me.

532
00:27:34.279 --> 00:27:37.079
<v Speaker 2>Yeah, but it's about a girl sleeping with somebody but

533
00:27:37.200 --> 00:27:37.640
<v Speaker 2>not him.

534
00:27:38.759 --> 00:27:47.039
<v Speaker 1>That's appropriate for some weddings. I guess take control. What

535
00:27:47.119 --> 00:27:49.599
<v Speaker 1>year is that? Can you tell me? Ninety four? I

536
00:27:49.880 --> 00:27:52.119
<v Speaker 1>don't know, early nineties.

537
00:27:55.200 --> 00:27:58.319
<v Speaker 2>It is a good song, though, dude. See the beat,

538
00:27:58.559 --> 00:28:05.240
<v Speaker 2>huh you can see on camera dancing. Yeah, see the beat.

539
00:28:05.799 --> 00:28:08.079
<v Speaker 1>It's the same it is, I'm sure featuring a little

540
00:28:08.160 --> 00:28:14.440
<v Speaker 1>John and Ludacris live version. Don't yeah, don't damn? Yeah?

541
00:28:15.279 --> 00:28:21.400
<v Speaker 1>What would call this song? Yeah? Yeah, got a Nokia phone?

542
00:28:21.480 --> 00:28:22.240
<v Speaker 1>Is that what he's saying?

543
00:28:26.480 --> 00:28:30.680
<v Speaker 2>The thing is this song came out twenty years ago? No, yeah,

544
00:28:30.720 --> 00:28:34.559
<v Speaker 2>I to guarantee it. I guarantee this is two thousand

545
00:28:34.559 --> 00:28:43.720
<v Speaker 2>and five, right, little John. Isn't that the guy that

546
00:28:43.759 --> 00:28:44.680
<v Speaker 2>owns the pawnshop here?

547
00:28:44.839 --> 00:28:48.359
<v Speaker 1>I think he does? Yeah?

548
00:28:48.799 --> 00:28:51.960
<v Speaker 2>What a wacka wha Okay, okay, let me I gotta

549
00:28:52.000 --> 00:28:53.440
<v Speaker 2>look it up now because I gotta find.

550
00:28:53.240 --> 00:28:55.880
<v Speaker 1>Out and look up mister Bright's side too.

551
00:28:56.880 --> 00:28:57.119
<v Speaker 2>Yeah.

552
00:28:57.200 --> 00:29:03.640
<v Speaker 1>Oh sure, mister Brightside was two thousand and three, two

553
00:29:03.680 --> 00:29:08.759
<v Speaker 1>thousand and three. Yeah, okay, two thousand and four. Told

554
00:29:08.799 --> 00:29:12.759
<v Speaker 1>you we said ninety early nineties. No, no, no, I said no.

555
00:29:12.839 --> 00:29:16.079
<v Speaker 1>I said Usher was uh usher years. Mister Brightside was

556
00:29:16.079 --> 00:29:19.160
<v Speaker 1>two thousand and three to the year David, But not

557
00:29:19.200 --> 00:29:21.400
<v Speaker 1>the last one, antoine. Okay, maybe I didn't, but I

558
00:29:21.440 --> 00:29:25.880
<v Speaker 1>got the one with Usher. True that this song has

559
00:29:25.960 --> 00:29:30.640
<v Speaker 1>dancing in the title, but it's not real upbeat. Ope,

560
00:29:30.640 --> 00:29:32.000
<v Speaker 1>I gotta get rid of one of the songs. How

561
00:29:32.000 --> 00:29:36.039
<v Speaker 1>about what you're doing here? My brain is exploding. We

562
00:29:36.079 --> 00:29:38.720
<v Speaker 1>don't want my Oh I lost I lost my song man?

563
00:29:39.720 --> 00:29:44.519
<v Speaker 1>Too many things up here? Uh? Is this the this

564
00:29:44.680 --> 00:29:47.400
<v Speaker 1>is number two? I think I know what this is. Yeah,

565
00:29:47.680 --> 00:29:48.559
<v Speaker 1>it's too bad.

566
00:29:48.640 --> 00:29:51.480
<v Speaker 2>It's a song about dancing and the song is there

567
00:29:51.480 --> 00:29:53.440
<v Speaker 2>a redhead, and there's a redhead and a blonde.

568
00:29:53.440 --> 00:29:58.119
<v Speaker 1>There's a couple of dudes, a couple of there. It is, yes,

569
00:29:59.039 --> 00:30:02.039
<v Speaker 1>but it's not really Uh, it's kind of a sway

570
00:30:02.079 --> 00:30:09.119
<v Speaker 1>and dance song a little slower. Yeah, that's the one.

571
00:30:09.160 --> 00:30:12.319
<v Speaker 2>You can dance with the with the niece, right so

572
00:30:12.359 --> 00:30:14.759
<v Speaker 2>she's twelve or whatever. You can go out there and

573
00:30:14.759 --> 00:30:17.279
<v Speaker 2>be the fun uncle and dance and you know, or

574
00:30:17.319 --> 00:30:20.160
<v Speaker 2>the daddy, yeah, dancing with his twelve year old daughter. Right,

575
00:30:20.279 --> 00:30:22.799
<v Speaker 2>So it's more of a fun dancing queen's kind of thing.

576
00:30:23.079 --> 00:30:25.400
<v Speaker 1>And the kids like, I don't know this song, daddy, Oh,

577
00:30:25.440 --> 00:30:26.599
<v Speaker 1>they don't. They know it, bro.

578
00:30:27.880 --> 00:30:30.200
<v Speaker 2>They know it, bro, they know they know it, bro,

579
00:30:31.160 --> 00:30:34.440
<v Speaker 2>because the damn play came out, the musical the Oh

580
00:30:34.480 --> 00:30:37.400
<v Speaker 2>that's right, Yeah, Mama Mia, Mama Mine came out.

581
00:30:37.400 --> 00:30:38.119
<v Speaker 1>They know all this.

582
00:30:41.559 --> 00:30:46.480
<v Speaker 2>Do what could possibly be the most popular wedding song

583
00:30:46.559 --> 00:30:48.920
<v Speaker 2>of all time according to I'm not sure about this

584
00:30:49.400 --> 00:30:50.720
<v Speaker 2>online wedding vendor.

585
00:30:51.039 --> 00:30:55.920
<v Speaker 1>Kid you not. Though, Dwight multiple days has been walking

586
00:30:56.000 --> 00:30:59.519
<v Speaker 1>back and forth to the bathroom singing this song. Whitney

587
00:30:59.680 --> 00:31:03.359
<v Speaker 1>used to, Oh, Dwight sings this all he does all

588
00:31:03.400 --> 00:31:11.920
<v Speaker 1>the time. I'll say it again. The world would be

589
00:31:11.960 --> 00:31:15.000
<v Speaker 1>a better place. Yes, if Whitney Houston hooked up with

590
00:31:15.039 --> 00:31:18.000
<v Speaker 1>Will Smith. Yes, it would be Jada Pinkin hooked up

591
00:31:18.000 --> 00:31:18.599
<v Speaker 1>with Bobby Brown.

592
00:31:18.640 --> 00:31:21.599
<v Speaker 2>And if they would have switched, if they just switched up,

593
00:31:21.599 --> 00:31:22.279
<v Speaker 2>it had been fine.

594
00:31:22.359 --> 00:31:23.319
<v Speaker 1>Bobby Brown.

595
00:31:23.599 --> 00:31:26.920
<v Speaker 2>I hate you know, I really don't like using the

596
00:31:26.920 --> 00:31:30.559
<v Speaker 2>word hate because you took Whitney Houston from is Bobby Brown.

597
00:31:30.839 --> 00:31:33.240
<v Speaker 1>Before Taylor Swift, she was America's sweetheart. That's it.

598
00:31:33.319 --> 00:31:38.920
<v Speaker 2>There's no question. There's no question. She's songbird sweet. She

599
00:31:39.000 --> 00:31:41.880
<v Speaker 2>even Danty Kevin Costro in a movie, that's right, because

600
00:31:41.920 --> 00:31:44.079
<v Speaker 2>he protected her.

601
00:31:44.759 --> 00:31:49.440
<v Speaker 1>And then Bobby Brown, the bad boy gutter. It's a

602
00:31:49.480 --> 00:31:50.720
<v Speaker 1>preacher's daughter syndrome.

603
00:31:52.720 --> 00:31:54.799
<v Speaker 2>That's when the eighties were fun, right there, Baby m

604
00:31:55.000 --> 00:31:59.200
<v Speaker 2>h Whitney Houston, which is the niece of Sissy.

605
00:31:59.720 --> 00:32:07.240
<v Speaker 1>No Cissy Houston, No Cicely Tyson, No Mike Tyson. Oh

606
00:32:07.759 --> 00:32:13.759
<v Speaker 1>you know who the niece is. I've apparently bought Whitney

607
00:32:13.799 --> 00:32:18.319
<v Speaker 1>Houston's aunt. Well, damn it, it's Cissy Houston. But who

608
00:32:18.400 --> 00:32:20.039
<v Speaker 1>else is? Thank you?

609
00:32:20.039 --> 00:32:20.160
<v Speaker 2>No?

610
00:32:20.319 --> 00:32:23.240
<v Speaker 1>How did you know that? Stuff? It? I know things?

611
00:32:23.519 --> 00:32:24.039
<v Speaker 1>Stop it?

612
00:32:25.240 --> 00:32:29.519
<v Speaker 2>No is somebody famous Cissy Houston. Cissy Houston is not famous.

613
00:32:29.599 --> 00:32:34.119
<v Speaker 2>Gospel singer Man Broh Dion Warwick, thank you John oh

614
00:32:34.160 --> 00:32:40.720
<v Speaker 2>okay Dion Warwick. Johnny from the News comes through again,

615
00:32:40.839 --> 00:32:43.000
<v Speaker 2>by the way. Johnny from the News on the chili

616
00:32:43.039 --> 00:32:48.119
<v Speaker 2>contest Chili cook contest last week on Friday and Marty

617
00:32:48.160 --> 00:32:51.000
<v Speaker 2>Brook's Earl Books Carriage Ford. He had the most first

618
00:32:51.000 --> 00:32:53.960
<v Speaker 2>place votes, but didn't come in first, second, or third.

619
00:32:55.240 --> 00:32:59.279
<v Speaker 1>That's like having a top twenty five poll where Ohio

620
00:32:59.359 --> 00:33:01.519
<v Speaker 1>state gets seven first place votes and no one else

621
00:33:01.559 --> 00:33:03.359
<v Speaker 1>has them in the top twenty five. Got the most

622
00:33:03.359 --> 00:33:06.400
<v Speaker 1>first place votes, Yeah, but didn't rack up enough point understand.

623
00:33:06.400 --> 00:33:09.279
<v Speaker 2>It sounds like sabotage to me. He was by far

624
00:33:09.440 --> 00:33:12.400
<v Speaker 2>sorry everybody else. Johnny for the News is chili was

625
00:33:12.480 --> 00:33:14.200
<v Speaker 2>so far better than anybody else's.

626
00:33:14.279 --> 00:33:17.519
<v Speaker 1>It wasn't even close. And they had cookies and cupcakes

627
00:33:18.160 --> 00:33:22.200
<v Speaker 1>oh so delicious. We got fat on Friday? What ah

628
00:33:22.440 --> 00:33:24.440
<v Speaker 1>fed on Friday? That is the top songs.

629
00:33:24.480 --> 00:33:29.400
<v Speaker 2>They analyzed two thousand wedding theme playlists on Spotify. In

630
00:33:29.480 --> 00:33:32.440
<v Speaker 2>the total forty nine thousand songs, and these were the

631
00:33:32.480 --> 00:33:34.240
<v Speaker 2>top ten. I think this is a pretty good list.

632
00:33:34.720 --> 00:33:36.640
<v Speaker 1>I'm not sure this one's number one, but.

633
00:33:37.039 --> 00:33:39.319
<v Speaker 2>Yeah, well you got somebody's got to be number one.

634
00:33:39.359 --> 00:33:41.880
<v Speaker 2>I sure I probably would have put Dancing Queen's for

635
00:33:42.000 --> 00:33:47.519
<v Speaker 2>nostalgia only for abba, but rust of them are pretty good.

636
00:33:47.880 --> 00:33:50.680
<v Speaker 1>Mister Brightside is a kind of a head scratcher.

637
00:33:50.400 --> 00:33:56.319
<v Speaker 2>Yeah a little bit, Yeah, okay. Christian Brothers Christianbroroofing dot Com.

638
00:33:56.480 --> 00:33:59.200
<v Speaker 2>I'm going to see them this week in their new place.

639
00:33:59.359 --> 00:34:03.079
<v Speaker 2>They have a new warehouse, bigger and better for Christian

640
00:34:03.079 --> 00:34:06.759
<v Speaker 2>bro roofers. They have great roofers. They have a great

641
00:34:06.799 --> 00:34:09.960
<v Speaker 2>relationship with their vendors. They can get the materials ready

642
00:34:10.320 --> 00:34:13.000
<v Speaker 2>too sweet, so if you need it quick, they can

643
00:34:13.039 --> 00:34:16.599
<v Speaker 2>get it done. Windows, sighting, gutters, they do it all

644
00:34:16.880 --> 00:34:19.880
<v Speaker 2>and of course commercial or residential doesn't matter. Christian Brothers

645
00:34:20.000 --> 00:34:24.239
<v Speaker 2>Roofing been around since nineteen ninety seven. Christianbroroofing dot com

646
00:34:24.280 --> 00:34:27.559
<v Speaker 2>Free estimate put them in rotation back after this on

647
00:34:27.639 --> 00:34:30.519
<v Speaker 2>news radio eight forty wh An's.

648
00:34:31.519 --> 00:34:35.480
<v Speaker 1>Now the birthday boy birthday is Charlie Daniels would have

649
00:34:35.480 --> 00:34:39.840
<v Speaker 1>been eighty eight today. I love Charlie Daniels.

650
00:34:40.400 --> 00:34:42.880
<v Speaker 2>He was very popular in country music, but blew up

651
00:34:42.920 --> 00:34:47.239
<v Speaker 2>after Urban Cowboy came out because he was the house

652
00:34:47.320 --> 00:34:50.440
<v Speaker 2>band for that Oh that's right, Pillie's or whatever that

653
00:34:50.639 --> 00:34:53.000
<v Speaker 2>bar was where the two things came out of that.

654
00:34:53.280 --> 00:34:59.440
<v Speaker 2>Charlie Daniels band went mainstream and the The Mechanical Bowl

655
00:35:00.039 --> 00:35:02.719
<v Speaker 2>Naicle Bull became a thing after that movie came out.

656
00:35:03.719 --> 00:35:06.719
<v Speaker 2>All right, do I to be back tomorrow? A week

657
00:35:06.800 --> 00:35:10.840
<v Speaker 2>from tomorrow the election happens. I cannot wait finally for

658
00:35:10.920 --> 00:35:14.679
<v Speaker 2>this thing to be over. At some point, we're all

659
00:35:14.760 --> 00:35:17.800
<v Speaker 2>dreaming if it's over when we wake up on the

660
00:35:17.840 --> 00:35:19.440
<v Speaker 2>sixth thing. You know, in the old days, we woke

661
00:35:19.519 --> 00:35:22.559
<v Speaker 2>up on the sixth and we had a president. Now

662
00:35:23.000 --> 00:35:26.079
<v Speaker 2>now Pennsylvania and Arizona gotta take their time. Now, it's

663
00:35:26.119 --> 00:35:28.280
<v Speaker 2>just like, when is this gonna be over? Oh God,

664
00:35:28.280 --> 00:35:30.079
<v Speaker 2>we're still counting.

665
00:35:30.159 --> 00:35:33.280
<v Speaker 1>Why How can eighty percent of the states get it done?

666
00:35:33.440 --> 00:35:37.599
<v Speaker 2>Do not get sucked into these people's lives. Do not

667
00:35:37.880 --> 00:35:40.760
<v Speaker 2>get an emotional attachment to somebody to stay in power.

668
00:35:40.840 --> 00:35:43.599
<v Speaker 2>Either side they're telling you what you want to hear.

669
00:35:43.719 --> 00:35:48.639
<v Speaker 2>To stay in power. Do not get emotionally connected to

670
00:35:48.719 --> 00:35:51.159
<v Speaker 2>these people, because they wouldn't pick you up on the

671
00:35:51.199 --> 00:35:52.679
<v Speaker 2>side of the road if you were a hitchhik. And

672
00:35:52.719 --> 00:35:55.480
<v Speaker 2>I promise all right for Dave Jennings, I'm Tony Vanneddi.

673
00:35:55.519 --> 00:35:57.719
<v Speaker 2>I'll see you tomorrow on News RADIOA forty W, A chance,

674
00:35:59.039 --> 00:36:01.159
<v Speaker 2>Dwight love you, Mom. No,
