WEBVTT

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<v Speaker 1>Resenting Orson Wells as the Third Man. The lives of

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<v Speaker 1>Harry Lyon, the fabulous stories of the immortal character originally

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<v Speaker 1>created in the motion picture The Third Man with Zipper

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<v Speaker 1>music by Anton Karrah.

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<v Speaker 2>That was the shot that killed Harry Lyon. He died

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<v Speaker 2>in a sewer beneath Sienna. And those of you know

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<v Speaker 2>who saw the movie to Third Man, Yes, that was

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<v Speaker 2>the end of Harry Lyon, but it's not the beginning.

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<v Speaker 2>Harryline had many lines, and I can.

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<v Speaker 3>Recount all of them. How do I know Hessen because

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<v Speaker 3>my name is here, Aylie.

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<v Speaker 2>I've known many places and left them, made many friends

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<v Speaker 2>and lost them, won many fortunes and spent them. My

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<v Speaker 2>fate seems to be linked to a cosmic yo Yo.

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<v Speaker 2>This is a story of a low point and one

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<v Speaker 2>of the yo Yo trips down. This particular low point

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<v Speaker 2>is known on the map as the island of Haiti.

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<v Speaker 2>I arrived as a sort of political refugee. A small

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<v Speaker 2>revolution I've been promoting in a nearby Banana Republic had.

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<v Speaker 3>Fizzled out on me.

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<v Speaker 2>In the general I've been backing, backed out, and I

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<v Speaker 2>found myself holding the bag. The bag luckily just happened

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<v Speaker 2>to contain a few roles of the US Treasury's best letters.

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<v Speaker 2>So when I descended on Ady, I did it with still.

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<v Speaker 2>Then after a while I spent the style. Not let

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<v Speaker 2>anybody say you about the easy life on these tropical islands.

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<v Speaker 2>You need go in Paradise too, because I still had

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<v Speaker 2>my friends among the natives. But even they had become

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<v Speaker 2>devoted students as a rubia, that is, they took the

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<v Speaker 2>cash and let the credit go.

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<v Speaker 1>And now Orson Wells is Harry Lyon, the third man

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<v Speaker 1>in Voodoo.

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<v Speaker 3>I am sorry, misery, no more. Come on now, George,

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<v Speaker 3>You've got a clean white cuff there even for a button.

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<v Speaker 1>Please understand, my boss, you supply my cuffs.

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<v Speaker 2>I cannot bucket up an George, are you trying to

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<v Speaker 2>tell me that money makes that much difference to you?

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<v Speaker 2>Do you prefer that sort of customer to me, that

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<v Speaker 2>that ambassador they'll will over there, the babbitt who comes

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<v Speaker 2>to Haiti to find somebody new in Toledo, Or do

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<v Speaker 2>you prefer he I prepare you may see.

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<v Speaker 3>Old man on this island settled. Huh.

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<v Speaker 4>But de boss, you prepared his customer with the money.

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<v Speaker 2>I should have known somehow, George, had never occurred to

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<v Speaker 2>me that you'd sell out like the rest or commercial.

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<v Speaker 2>Well you you've been trapped to George, cornered, impaled on

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<v Speaker 2>the almighty dollar side.

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<v Speaker 3>No no money me. Well, George, it's getting late, time

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<v Speaker 3>for me to move on.

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<v Speaker 4>I guess that's your greatest fault, Harry Lyme, always moving on.

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<v Speaker 5>And it's always getting so late. Hello, Harry Darling.

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<v Speaker 3>Joing you beautiful, wonderful witch. What are you doing?

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<v Speaker 5>Uh huh, let's not be tried, Harry, I could ask

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<v Speaker 5>you the same.

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<v Speaker 3>Okay, then whom are you doing here?

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<v Speaker 5>Harry Darling? Three years haven't changed you again?

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<v Speaker 3>Is he that one?

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<v Speaker 5>No?

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<v Speaker 1>No over there for you?

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<v Speaker 3>Oh? No, don oh.

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<v Speaker 5>He's really quite charming.

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<v Speaker 3>Charming, he's an old and like the way he laughs.

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<v Speaker 1>Who's the door in?

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<v Speaker 4>Darling?

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<v Speaker 6>He pinches waitresses, collects souvenirs, collects money too.

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<v Speaker 2>You might have known you medium to you and George,

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<v Speaker 2>you might tell your boss that Harry Lyme is on

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<v Speaker 2>the preferred list again. I spent several pleasant moments following

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<v Speaker 2>Dorna to the booth, and she sneaked away adroitly between

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<v Speaker 2>the tables.

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<v Speaker 3>It's difficult for me to focus my attention on a mark.

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<v Speaker 3>The mark in this case was fat and perspiring.

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<v Speaker 2>Of course, it was ball its contributions to the aromas

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<v Speaker 2>the cafe with generously ciguise perspiration, his money.

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<v Speaker 1>Sam or hire baby, I was just gonna send out

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<v Speaker 1>a search embody for you.

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<v Speaker 3>Sam.

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<v Speaker 1>I'd like you to meet an old friend of mine,

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<v Speaker 1>Harry Lyme.

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<v Speaker 3>Sam, I'm very happy to meet you, mister talking. Oh,

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<v Speaker 3>sit down, sit on.

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<v Speaker 1>Any friend of Donna's is a friend of mine within region.

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<v Speaker 1>Accorder you from the States to Larry.

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<v Speaker 5>Harry Sam Harry Lyme.

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<v Speaker 1>Huh oh yeah, Harry, what part of the States you're from.

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<v Speaker 1>I'm from Toledo, Toledo. Yeah, one of my plants is

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<v Speaker 1>in Toledo.

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<v Speaker 3>Or drink, have a drink, waiter, bring my friend and drink.

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<v Speaker 3>Great little time, sir.

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<v Speaker 1>Of course to me, any town's a great town as

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<v Speaker 1>long as business is good. Hey, you know, I'm this

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<v Speaker 1>is my first vacation in eighteen years.

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<v Speaker 3>Eighteen years. Can you imagine that he gambled for return?

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<v Speaker 3>It is he gambled.

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<v Speaker 2>Dorno was obviously abused by my boardom, but my patience

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<v Speaker 2>has always had a price. Talking kept gambling, so I

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<v Speaker 2>almost considered reducing that price and.

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<v Speaker 3>Then gave me my cue. Sure is hot in these parts.

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<v Speaker 1>Well, baby, come on, let's go out of this dump

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<v Speaker 1>and find some souvenirs.

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<v Speaker 2>And what sort of souvenirs you're looking for, mister talkin, No,

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<v Speaker 2>I don't know the souvenirs.

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<v Speaker 1>Well, souvenirs in me, now, come on, beautiful it. Souvenirs

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<v Speaker 1>can be more than souvenirs, mister.

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<v Speaker 3>Torkon, No, I'm what kind of talking. I'll look mister talking,

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<v Speaker 3>you're a man of taste and means Hey, sales, pitch, Hey,

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<v Speaker 3>what are you selling here, Harry? What are you selling? Well?

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<v Speaker 2>Selling, I'm selling nothing, not but plain ordinary common sense.

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<v Speaker 3>It's had a premium on this island. As to talking,

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<v Speaker 3>yes about Haiti voted this.

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<v Speaker 2>Island is steeped and said, I'm not archive, not the

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<v Speaker 2>lace trim sort of thing. Sentiment here is a wild, untamed,

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<v Speaker 2>primitive love, a sense of possession which defies the laws of.

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<v Speaker 3>Man in nature. Now listen to those drums toys. Listen,

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<v Speaker 3>they're telling you the secrets of hate. If you understand them.

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<v Speaker 3>Had as much as any civilized man is permitted to. Well,

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<v Speaker 3>that's that bootible stuff. Any one and not stuff to.

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<v Speaker 2>Those drums are calling for the voodoo gods to smile

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<v Speaker 2>upon the wedding of the Native man and his beloved.

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<v Speaker 2>The wedding nights are just beginning at Virginal dawn. It's

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<v Speaker 2>the wedding of Fantasy and Grigory who Fantasy works as

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<v Speaker 2>a waiter in a hotel in town.

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<v Speaker 3>His father got a jam once with the planet. And

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<v Speaker 3>I just happened to say his neck. That counts for something. Hey, oh,

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<v Speaker 3>that reminds me. If you'll excuse me, here where you go,

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<v Speaker 3>I'm going to the wedding. You're going to take a swip.

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<v Speaker 3>I wish I could do another Well.

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<v Speaker 1>Hey, hey, wait a minute, I'll Oh what about oldest

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<v Speaker 1>sentiment and souvenirs and all?

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<v Speaker 2>Well, all right, look, Haiti is crawling with prices, relics,

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<v Speaker 2>anthropological prizes, historical symbols.

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<v Speaker 3>They bring fantastic prices from any museum in the States.

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<v Speaker 3>Oh well, they're selling them. They're not selling them. Talk,

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<v Speaker 3>They've got another island. There's another people to find them.

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<v Speaker 2>How come they were so much sandal and old Man

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<v Speaker 2>Santum and the voodoo brands.

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<v Speaker 3>The natives protect their sacred symbols with their lives, and

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<v Speaker 3>of course that the raw materials, hospittle.

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<v Speaker 2>Sentimental trinkets, diamonds, rubies, sapphires, missus.

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<v Speaker 3>Laney's baubles, the kind of centerment we understand.

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<v Speaker 5>Oh, I love souvenirs like.

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<v Speaker 1>Well, okay, Lime, I guess you can get me one

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<v Speaker 1>of them bobbles.

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<v Speaker 3>Yes, it's possible. Now what's your deal?

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<v Speaker 2>Well, first, let me find a suitable trinket china up

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<v Speaker 2>in the bargain for now, mister talking, the small retainer

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<v Speaker 2>will do.

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<v Speaker 3>Huh oh yeah, well how much poor ways you wish?

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<v Speaker 2>Which But as those dramas would tell you, Sanderland comes

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<v Speaker 2>high Haiti. I had a feeling a donor would keep saying,

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<v Speaker 2>talking well occupied for the present, the future. Of course,

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<v Speaker 2>I was handling my own way, and in the meantime

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<v Speaker 2>something to worry about except keeping a date was two

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<v Speaker 2>old friends.

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<v Speaker 3>I found my friends in the floor.

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<v Speaker 2>I see of the seven we find in the place

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<v Speaker 2>of honor, that's the fit of them.

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<v Speaker 3>Ah, monsieur Albi, we don't think you ever come ire

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<v Speaker 3>in the message fancy you on, Gregor are my favorite people.

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<v Speaker 5>But thank you you are time you say that's.

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<v Speaker 3>So often Grigier I must do it serious. I wish

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<v Speaker 3>you both much happen mass We.

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<v Speaker 5>Will be happy always when we have friends like Ouri Line.

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<v Speaker 5>You have done so much about us, our families. We

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<v Speaker 5>cannot forgive you.

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<v Speaker 2>I say, a man, you'll go far with a wife

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<v Speaker 2>like this, She says all the right things.

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<v Speaker 1>It is the time.

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<v Speaker 3>Oh no, no, we are married already.

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<v Speaker 4>It is the moment to pledge yourselves to the authority. Sorry,

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<v Speaker 4>it is a tribal custom, the suns.

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<v Speaker 5>These these are tribal secrets.

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<v Speaker 3>Oh, you don't trust your old friends of secrets. Thank,

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<v Speaker 3>see what's happening? What's that?

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<v Speaker 5>It is the authority this chapter the state great Chepto Star.

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<v Speaker 2>The sceptor of early christof well, it was the supernir

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<v Speaker 2>for talking.

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<v Speaker 3>All right, I'm all right, all right, who is this?

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<v Speaker 3>Only Christo was talking? You mean to say you never

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<v Speaker 3>heard of it?

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<v Speaker 2>Christoph was well, only was the the George Washington of Heji.

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<v Speaker 1>Every too big, country's got its own Washington. Get me Washington,

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<v Speaker 1>Sceptor and my mis Listen listen.

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<v Speaker 3>No man.

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<v Speaker 2>Christoff started like as a lady, became Haji's most powerful ruler.

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<v Speaker 2>At one point, was regime talking. He stood off the

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<v Speaker 2>combined armies of France and England with two thousand men

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<v Speaker 2>on the north side of his island.

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<v Speaker 3>Old man up near the car. Huh the cop got

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<v Speaker 3>back in friend his fortress high on the hill. About

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<v Speaker 3>the jungle, you've seen it, don't Oh, how could I

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<v Speaker 3>miss it? Big enough, one of the biggest Washington didn't

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<v Speaker 3>build that turken priest talks him.

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<v Speaker 2>So what he didn't just order it, Bill, He planned it,

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<v Speaker 2>designed to supervised the work. Dug rocks out of the

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<v Speaker 2>mountains with his bare hands. Your self made man talk,

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<v Speaker 2>and that ought to appeal to What about the sceptor line? Look, o, man,

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<v Speaker 2>Harry Christoff is a landlocked saint. To these people are

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<v Speaker 2>all powerful earth God.

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<v Speaker 3>While he lives.

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<v Speaker 2>His scepter was his symbol of strength and well being.

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<v Speaker 2>King in those days was a profitable business overment. Priest

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<v Speaker 2>Off had more jewels in that scepter than.

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<v Speaker 3>Dorna has curves.

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<v Speaker 2>And there's a revoltsy and hazy increased stuff was found

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<v Speaker 2>dead that the sceptor was gone for over a hundred years,

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<v Speaker 2>and s whereabouts.

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<v Speaker 3>Have been kept secrets. I know the secret talking, I

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<v Speaker 3>can get it for you.

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<v Speaker 2>Yeah, that's my business.

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<v Speaker 3>Your business is to make it worth my while.

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<v Speaker 1>Okay, I'm how much this time?

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<v Speaker 3>Or plenty? Old man? Fancy fancy riots? Oh are oh you.

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<v Speaker 4>Are welcome in the House of Sun, saying greatly my friend.

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<v Speaker 2>Ay, I'm been looking for I've got.

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<v Speaker 3>To talk to you. Oh, we are always eager to listen.

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<v Speaker 3>Fancy it is that cpter ecept. That's the matter? Are

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<v Speaker 3>you please?

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<v Speaker 4>You must not ask.

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<v Speaker 5>These are secrets about people, and.

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<v Speaker 3>I've always considered myself one of your people.

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<v Speaker 4>Great, my friend, Ari, I have told you too much already.

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<v Speaker 4>Please do not think any more of the SPT. It

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<v Speaker 4>is forbidden to speak.

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<v Speaker 3>Of it, forbidden among friends.

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<v Speaker 4>Haney with this different It is the authority it is.

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<v Speaker 5>It is the scepter of Ally Christal.

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<v Speaker 3>It is passed on from high priest to high priest.

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<v Speaker 5>It is never off of their hands. It is the authority.

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<v Speaker 3>Or that is enough to know.

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<v Speaker 2>Please ask no more, greggling, Would I ask if it's

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<v Speaker 2>one important?

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<v Speaker 3>No? Are you I got to know more about it?

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<v Speaker 3>Gre fancy you understand? Don't show you don't make them

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<v Speaker 3>stay more? Are you?

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<v Speaker 2>Please?

237
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<v Speaker 5>Don't make them say more? Please?

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<v Speaker 4>Please?

239
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<v Speaker 7>Please?

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<v Speaker 3>Yeah, come in, fancy, come.

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<v Speaker 4>In man, Are you do not mind that I come here.

242
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<v Speaker 3>Of course, not anytime. That's the trouble.

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<v Speaker 5>I do not know. It is not mic.

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<v Speaker 4>When you are at my house today, I see you

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<v Speaker 4>have great trouble. I try to tell greekly, but you

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<v Speaker 4>don't unders trouble. And wait a minute, I am telling

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<v Speaker 4>her you. I must have great trouble, or you would

248
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<v Speaker 4>not ask for tribal think.

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<v Speaker 3>Well, it is all right, daddy. You are my friend.

250
00:14:07.320 --> 00:14:09.080
<v Speaker 4>When you are in trouble, I help you.

251
00:14:09.200 --> 00:14:12.039
<v Speaker 3>Oh wow, God, that's the stero man.

252
00:14:12.120 --> 00:14:14.039
<v Speaker 4>You have done much for me and Greek Greek.

253
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<v Speaker 3>This is for you.

254
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<v Speaker 5>It is theceptor of.

255
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<v Speaker 3>All christophis Fancy it is yours. I could do no less.

256
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<v Speaker 3>Fancy it. No, it's you.

257
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<v Speaker 5>Will have no more trouble.

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<v Speaker 2>A well, now wait a minute, what about you? How

259
00:14:32.080 --> 00:14:32.799
<v Speaker 2>did you get this thing?

260
00:14:32.840 --> 00:14:35.360
<v Speaker 3>Anyway? It is no master my story from the high priest.

261
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<v Speaker 3>But if they find out you took it, they won't

262
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<v Speaker 3>go to the police. No, I won't put you in jail.

263
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<v Speaker 3>Off No, or what will I do?

264
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<v Speaker 4>They will not put me in jail. They will not

265
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<v Speaker 4>go to the police. The priest will be my judge.

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<v Speaker 4>Fancy what will they do? They will punish me.

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<v Speaker 6>I will die for some and Wells returns in just

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<v Speaker 6>a moment as the third man.

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<v Speaker 1>In next, oh orson Welles as the third man continues

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<v Speaker 1>with voodoo.

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<v Speaker 2>Had I known a man like Fancy earlier in my life,

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<v Speaker 2>my ideas about all men might just possibly be a

273
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<v Speaker 2>little different today. Here was the truest kind of friend,

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<v Speaker 2>true in the real sense of the word true. He

275
00:16:33.919 --> 00:16:37.000
<v Speaker 2>was staking his life, literally, staking his life on his

276
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<v Speaker 2>faith in every line. If I rejected his author of

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00:16:42.080 --> 00:16:44.559
<v Speaker 2>the Sacred scept drive to shattered his faith in me,

278
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<v Speaker 2>Fancy lived by his faith in his friends. And I

279
00:16:49.039 --> 00:16:54.320
<v Speaker 2>did need the scepter as for friends, M and many

280
00:16:54.440 --> 00:17:02.799
<v Speaker 2>kinds of friendship. He mm tell the truth? Mm oh sure,

281
00:17:04.079 --> 00:17:05.880
<v Speaker 2>darn and I love your rabbits.

282
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<v Speaker 5>No, no, not that about the scepter.

283
00:17:09.839 --> 00:17:14.200
<v Speaker 3>No nice sigut that here?

284
00:17:16.359 --> 00:17:20.480
<v Speaker 5>Ks, is it really the sceptor of only crystal? And

285
00:17:22.079 --> 00:17:23.119
<v Speaker 5>think simile by it?

286
00:17:23.279 --> 00:17:23.480
<v Speaker 3>Why?

287
00:17:25.079 --> 00:17:26.440
<v Speaker 5>Why is it too very sorry?

288
00:17:26.839 --> 00:17:30.400
<v Speaker 3>Veras cluster real these big fat scipphire.

289
00:17:29.960 --> 00:17:35.079
<v Speaker 5>In the middle, Harry M, what's it really worse?

290
00:17:35.720 --> 00:17:39.799
<v Speaker 3>Mm? Twenty thousand, maybe twenty five most of the ash trail.

291
00:17:39.640 --> 00:17:45.400
<v Speaker 5>And that talking would give me thirty five thousand for it. Thanks.

292
00:17:45.440 --> 00:17:49.480
<v Speaker 5>So I'm pretty as the new m h.

293
00:17:51.119 --> 00:17:53.839
<v Speaker 3>Right, but I have preached up sept.

294
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<v Speaker 5>Darling, if you let me have a link to darn.

295
00:17:59.279 --> 00:18:01.960
<v Speaker 2>Nice sweet I watched you three years ago in Madagascar,

296
00:18:03.279 --> 00:18:06.839
<v Speaker 2>excepting might be a temptation if you leave me again, no.

297
00:18:09.319 --> 00:18:10.279
<v Speaker 3>Stars never, I.

298
00:18:12.240 --> 00:18:15.400
<v Speaker 5>Wouldn't thirty five thousand be nicer than twenty five?

299
00:18:17.359 --> 00:18:20.160
<v Speaker 3>Don't you let me no acts. I don't have a

300
00:18:20.240 --> 00:18:25.200
<v Speaker 3>sept talking bought it this morning. Fifty thousand dollars.

301
00:18:33.119 --> 00:18:39.680
<v Speaker 5>That's why you lost me Madagascar. Uh huh, I guess

302
00:18:39.720 --> 00:18:41.240
<v Speaker 5>I got to work. I'm talking again.

303
00:18:43.319 --> 00:19:01.440
<v Speaker 3>Good old same, good old sad. Somehow good old Sam

304
00:19:01.799 --> 00:19:05.200
<v Speaker 3>ran a bad second. Dorna was no fool. She wasn't greedy.

305
00:19:05.240 --> 00:19:07.359
<v Speaker 3>I was available. I had money, not as much as talking,

306
00:19:07.440 --> 00:19:08.759
<v Speaker 3>of course, but I don't.

307
00:19:08.599 --> 00:19:11.559
<v Speaker 2>Have to keep her satisfied temporarily. We decided on a

308
00:19:11.640 --> 00:19:14.960
<v Speaker 2>small celebration of sort that requires noisy public demonstrations with

309
00:19:15.200 --> 00:19:17.640
<v Speaker 2>champagne bottles. We went to a little cafe, and I

310
00:19:18.160 --> 00:19:21.559
<v Speaker 2>rather enjoyed the oppression I was making, particularly on George.

311
00:19:21.680 --> 00:19:23.240
<v Speaker 3>Would you like me to put this on your bill?

312
00:19:23.279 --> 00:19:26.680
<v Speaker 3>Miss certainly? Not George, certainly. I wouldn't want to cause

313
00:19:26.680 --> 00:19:30.279
<v Speaker 3>any undue strain of suffering. For your employer. But monsieur,

314
00:19:30.480 --> 00:19:33.720
<v Speaker 3>never mind, George Roman. Here they should cover the situation

315
00:19:34.279 --> 00:19:37.279
<v Speaker 3>on here. Here's a little something for you. Thank you, Messieri,

316
00:19:37.519 --> 00:19:41.000
<v Speaker 3>you were what's the matter?

317
00:19:41.279 --> 00:19:42.359
<v Speaker 5>You will exclude the military.

318
00:19:42.599 --> 00:19:45.160
<v Speaker 3>I must go, huh, I'm sorry. I must close the back,

319
00:19:45.200 --> 00:19:47.559
<v Speaker 3>close the bar at this time of time, just a minute.

320
00:19:47.599 --> 00:19:53.640
<v Speaker 3>The drums, you understand, the drums. The drums, my George,

321
00:19:55.400 --> 00:19:58.160
<v Speaker 3>the death drums. I didn't want to tell you, monsieur,

322
00:19:58.480 --> 00:20:01.440
<v Speaker 3>why before. I don't know.

323
00:20:02.319 --> 00:20:08.839
<v Speaker 2>Excuse me, Harry, I don't know. Those are the dress drums.

324
00:20:09.920 --> 00:20:11.039
<v Speaker 2>I mean someone's dead.

325
00:20:11.079 --> 00:20:17.279
<v Speaker 3>They're dying. I'm going to die, going to die. I

326
00:20:17.359 --> 00:20:24.640
<v Speaker 3>don't know. I have a punch. I hope I'm wrong, Harry.

327
00:20:25.440 --> 00:20:28.119
<v Speaker 5>Wait where are you going? Hurry?

328
00:20:41.839 --> 00:20:44.519
<v Speaker 2>When I got to the ceremonial grounds, I saw a

329
00:20:44.599 --> 00:20:48.400
<v Speaker 2>frenzied side, hundreds and eightes still dressed in the tablet jungarrees,

330
00:20:48.480 --> 00:20:55.119
<v Speaker 2>the cane fields, dancing, shrieking, half hypnotized. The drums. The

331
00:20:55.480 --> 00:20:59.359
<v Speaker 2>drums are death all right? Mistaken. Because I crashed through

332
00:20:59.400 --> 00:21:01.920
<v Speaker 2>the brush so the clearing, I saw that they had

333
00:21:01.920 --> 00:21:06.400
<v Speaker 2>already already taken a life. There was a body of

334
00:21:06.400 --> 00:21:08.559
<v Speaker 2>a dead body strapped to a post in the center

335
00:21:08.640 --> 00:21:13.960
<v Speaker 2>of the circle, Sam talking. The voodoo priests danced up

336
00:21:14.000 --> 00:21:16.079
<v Speaker 2>and back in front of it, waving curses over it

337
00:21:16.200 --> 00:21:19.400
<v Speaker 2>and screaming through the slaves and a hideous mask. And

338
00:21:19.519 --> 00:21:22.319
<v Speaker 2>in his hand he held a sceptive where he cristal

339
00:21:23.599 --> 00:21:24.839
<v Speaker 2>sceptor that had costed.

340
00:21:24.599 --> 00:21:30.279
<v Speaker 3>Talking more than he'd bother him for. I'd had enough.

341
00:21:30.359 --> 00:21:32.920
<v Speaker 3>I turned to leave, and then at the far end

342
00:21:32.960 --> 00:21:37.160
<v Speaker 3>of the clearing, I saw something else. Two more bodies

343
00:21:37.200 --> 00:21:38.480
<v Speaker 3>and tied together, back.

344
00:21:38.319 --> 00:21:42.160
<v Speaker 2>To back, hanging by their wrists from a long crossboard

345
00:21:42.279 --> 00:21:43.519
<v Speaker 2>strung between two trees.

346
00:21:45.119 --> 00:21:49.000
<v Speaker 3>The two of them together, the Fancy and Griegory, ready

347
00:21:49.039 --> 00:21:52.839
<v Speaker 3>to be sacrificed. No, no, wait, stop stopping.

348
00:21:52.920 --> 00:21:53.279
<v Speaker 1>I tell you.

349
00:21:55.400 --> 00:21:56.960
<v Speaker 5>Left on all of your exten Look at me.

350
00:21:57.799 --> 00:22:00.519
<v Speaker 3>You're making a mistake. You're torturing your torture doing.

351
00:22:00.400 --> 00:22:00.880
<v Speaker 4>It some people.

352
00:22:00.920 --> 00:22:01.480
<v Speaker 1>You can't do it.

353
00:22:01.559 --> 00:22:04.039
<v Speaker 3>Hey, I'm long forbidden.

354
00:22:04.400 --> 00:22:04.880
<v Speaker 4>They must be.

355
00:22:05.599 --> 00:22:08.759
<v Speaker 3>No, he will die and they can't die. You're punishing

356
00:22:08.839 --> 00:22:11.759
<v Speaker 3>him for something they didn't do. You think they sold

357
00:22:11.799 --> 00:22:13.359
<v Speaker 3>recept to this man, but they didn't die.

358
00:22:13.440 --> 00:22:13.799
<v Speaker 5>I did.

359
00:22:14.440 --> 00:22:16.160
<v Speaker 3>I made Fancy. Tell me about it. I'm the one

360
00:22:16.240 --> 00:22:18.680
<v Speaker 3>you want pleasant to me. You've got to believe me.

361
00:22:18.880 --> 00:22:20.440
<v Speaker 8>I lie would not go there.

362
00:22:20.920 --> 00:22:23.680
<v Speaker 3>I lie need yet, but I tell you an idea,

363
00:22:24.319 --> 00:22:25.319
<v Speaker 3>and I'm the guy you want.

364
00:22:25.519 --> 00:22:27.640
<v Speaker 2>So Untie, these ropes come on more over, there'll be

365
00:22:27.720 --> 00:22:30.160
<v Speaker 2>a new voodoo breeze holding forward at your funeral.

366
00:22:30.799 --> 00:22:34.119
<v Speaker 5>No use, I lie, you can the others would take

367
00:22:34.200 --> 00:22:34.640
<v Speaker 5>the event.

368
00:22:35.079 --> 00:22:36.519
<v Speaker 3>No use to kill these to either.

369
00:22:37.160 --> 00:22:44.240
<v Speaker 2>Okay, Greegree, you're loose. Help Untie Fancy, Okay, I'll do

370
00:22:44.319 --> 00:22:47.599
<v Speaker 2>it myself. I'll still fancy theres.

371
00:22:48.279 --> 00:22:50.920
<v Speaker 3>I come on, come on, I'll get you two out

372
00:22:50.920 --> 00:22:51.039
<v Speaker 3>of this.

373
00:22:52.519 --> 00:22:54.279
<v Speaker 5>It is too late. You must go.

374
00:22:54.920 --> 00:22:57.519
<v Speaker 3>Come on, I'll help. You'll run for us. Stay back

375
00:22:57.559 --> 00:22:59.559
<v Speaker 3>you want to take her, I'll start knocking off voodoo.

376
00:23:01.359 --> 00:23:02.319
<v Speaker 8>I want it out there.

377
00:23:06.319 --> 00:23:24.799
<v Speaker 2>Regale, you're going m m, well now it goes, Haiti donner.

378
00:23:25.759 --> 00:23:27.799
<v Speaker 2>Another corner of the world's chipped off.

379
00:23:28.440 --> 00:23:29.319
<v Speaker 5>You'll be back here.

380
00:23:29.519 --> 00:23:34.799
<v Speaker 2>No Fancy and Greegrey are gone to Cuban time. People

381
00:23:34.960 --> 00:23:40.720
<v Speaker 2>learn the truth about me. Haiti's throw with Harry Lyon.

382
00:23:41.160 --> 00:23:43.279
<v Speaker 5>You're really taking a serious dance.

383
00:23:43.160 --> 00:23:47.160
<v Speaker 3>M after my fashion sasion. They say, messed up your meals.

384
00:23:47.200 --> 00:23:51.200
<v Speaker 5>Take a two tonty Santi, who's sa.

385
00:23:53.440 --> 00:23:53.480
<v Speaker 2>H.

386
00:23:54.599 --> 00:23:57.200
<v Speaker 5>Don't worry, Harry, you will take care.

387
00:23:57.079 --> 00:23:59.440
<v Speaker 3>Of me until the fifty thousand is gone.

388
00:24:00.160 --> 00:24:03.359
<v Speaker 5>Well that's what I thought.

389
00:24:06.000 --> 00:24:06.359
<v Speaker 3>A drink.

390
00:24:30.880 --> 00:25:27.000
<v Speaker 7>Harry Lime returns in just a moment. And now, Harry Lyon,

391
00:25:35.799 --> 00:25:38.480
<v Speaker 7>I know what you're saying. You're saying that wasn't Harry

392
00:25:38.559 --> 00:25:41.960
<v Speaker 7>Lion at all. You're saying the noble hero that pulled

393
00:25:41.960 --> 00:25:44.200
<v Speaker 7>off that fancy rescue part, he wasn't the same man.

394
00:25:44.279 --> 00:25:46.400
<v Speaker 7>He was a couple of other guys. Just goes to

395
00:25:46.480 --> 00:25:47.599
<v Speaker 7>show how I misjudge.

396
00:25:48.240 --> 00:25:51.559
<v Speaker 2>We'll ask Fancy and Grigory, now happily keeping house in

397
00:25:51.640 --> 00:25:52.680
<v Speaker 2>the suburb of Havanna.

398
00:25:53.200 --> 00:25:55.160
<v Speaker 3>That's how it really was Harry Lion that got them

399
00:25:55.200 --> 00:25:57.119
<v Speaker 3>out of that whole voodoo mess. Of course, they'll also

400
00:25:57.160 --> 00:25:59.160
<v Speaker 3>remind you that I got them into it. And then

401
00:25:59.200 --> 00:26:01.519
<v Speaker 3>I possibly mentioned that as the three of us dashed

402
00:26:01.559 --> 00:26:04.440
<v Speaker 3>off into the jungle, I paused just long enough to borrow.

403
00:26:04.200 --> 00:26:07.240
<v Speaker 2>That scepter back from the high Priest. Got a nice

404
00:26:07.279 --> 00:26:09.559
<v Speaker 2>price for a tree from Collector and Brussels. But that's

405
00:26:09.559 --> 00:26:10.160
<v Speaker 2>another story.

406
00:26:10.400 --> 00:26:10.839
<v Speaker 3>So long now.

407
00:26:10.839 --> 00:26:14.440
<v Speaker 2>And if anybody should run into Dorana anywhere in Timbuctoo,

408
00:26:14.519 --> 00:26:18.559
<v Speaker 2>for example, at the store club, give her my love reminder.

409
00:26:18.720 --> 00:26:22.119
<v Speaker 2>She owes me about fifteen thousand hyder in American bucks,

410
00:26:22.279 --> 00:26:24.359
<v Speaker 2>which seem to have slipped out of a hole in

411
00:26:24.480 --> 00:26:27.759
<v Speaker 2>my pocket or something. No hard feelings, of course, but

412
00:26:27.839 --> 00:26:31.400
<v Speaker 2>if you get a choice between voodoo, voodoo and little Dorana,

413
00:26:31.440 --> 00:26:34.000
<v Speaker 2>I hope you'll know what to do about it. Take

414
00:26:34.039 --> 00:26:35.240
<v Speaker 2>the voodoo, every time.

415
00:27:02.319 --> 00:27:05.160
<v Speaker 3>Of it.

416
00:27:08.000 --> 00:28:38.319
<v Speaker 8>In spats, said.

417
00:28:02.359 --> 00:28:06.640
<v Speaker 3>Blast, complete.

418
00:28:10.440 --> 00:28:41.759
<v Speaker 8>In compass its insists against
