Speaker 1: So we've got congregation exes here with us in the studio,
and I'm gonna turn this board up. So they've got
they've got a lot of stuff, a lot of this
is a this is a full room. But we'll we'll see.
They're gonna they're gonna do a bunch of songs for us,
gonna do four songs for us. So I'm gonna start
turning up levels on these and we'll see what we get.
Hopefully we can hear everybody. Uh, So, you've got a
mic in front of you. So what's your name?
Speaker 2: Both, Parish, Parish?
Speaker 1: What channel is that mic.
Speaker 2: On this pike? Is on channel one?
Speaker 1: Channel one, So I'm turn that up. Oh there we go. Okay,
Oh I can hear you can hear headphones? Yes, all right,
very good. So and Parish, do you want to since
you've got a mike, do you want to introduce everybody else?
Speaker 3: Yep.
Speaker 2: So I'm Parish.
Speaker 4: I am one of the lead vocalists and the keyboard
player for Congregation X. To my left in the room,
we have our amazing guitarist Nevin Brown.
Speaker 1: Hello Nevin.
Speaker 4: A little further to the left, we have our lead
lead lead singer Alexandria Bracado.
Speaker 1: Hi, Alexandria, welcome.
Speaker 4: And then on the left we have our small square
wooden drum kit player Jake Russell.
Speaker 1: Hi, Jake, welcome.
Speaker 4: And over on the far left in the room, we
have the Mandament the Legend Josh Schultz on bass.
Speaker 1: Josh welcome. This is the first time, by the way,
that we've ever had an upright bass in the studio,
so that's very cool. I'm a bass player too, so
I'm very impressed just to see up close, upright bass. Okay,
so let's uh, let's make sure we can hear everybody.
So let's have a little guitar too. Okay, yeah, sounds good,
sounds good. And Alexandria, where are you where she plugged in?
Speaker 2: She is on eight, I recall correctly on eight.
Speaker 1: Go ahead and say something, hey, everybody, Oh good, you're
definitely in the mix. Excellent, excellent, okay, and usually pretty
much any any mics in the room and picking up drum,
just just tap that thing a little bit though, just
make sure we oh yeah, yeah, oh nice. Okay, does
that have a mic in front of it?
Speaker 4: Yeah, it has My forty forty seven that should be
on channel.
Speaker 1: We're not gonna need it. Yeah, I can already. I
can already tell you we're not gonna need it.
Speaker 3: Yeah.
Speaker 1: What what channel is that on?
Speaker 2: I think it's on five on five?
Speaker 5: Yeah, if I.
Speaker 1: I'm gonna turn that one down, we're not gonna need it. Okay.
And and oh sorry, three, it's on three.
Speaker 2: Yeah, so that means bass is on five.
Speaker 1: Okay, bass is on five. Okay, let's hear a little
of that bass. Yeah, that sounds nice. That sounds really nice. Okay.
I think we're I think we're good. Play play a
little something. Yeah, and let me just see just so
I know that. Uh, let's do Yeah, this doesn't have
to count as one of the songs, just part of something.
Sounds good in the headphones. Nice, Yeah, sounds good. All right.
So Congregation Acts, if you're just joining us, Congregation Acts
is here with us live in studio and uh, paris,
what are you gonna do? You're gonna do your adjusting.
That's okay, that's all right. You're gonna do four songs
for us today.
Speaker 2: We got four songs for you.
Speaker 1: Okay. I can't hear you for some reason. What channel
are you in again?
Speaker 2: I am on channel one Channel one.
Speaker 1: There we go. Okay, gotcha? I mean I could hear you, you
just weren't very loud. But and then when I when
I put the podcast up, everything we'll get compressed anyway.
But so all right, yeah, great, So you're gonna do
four songs, yep.
Speaker 4: So this first one we've got is called twenty four hours.
All right, Alexandria, you want give us a rundown?
Speaker 2: And what that is?
Speaker 6: Oh, twenty four hours the first.
Speaker 7: Song that we ever wrote as a band. It's pretty
much about having so much love and not enough time
to you know, extend it out to everywhere you want to.
Speaker 1: Okay, all right, congregation X live in studio.
Speaker 6: I've got so much love to get love motion thinking
on who I am, where I have been so sweet,
I've fallen down again again. Also that see what it
is to finally feel so free less time in twenty
four hours?
Speaker 3: It just ain't enough.
Speaker 6: It feels like times against me. If you look close
to you will see all of these moments passing by.
Speaker 3: Give me motivation and dry mm hmmm, and all to
the patent.
Speaker 6: I want to thank you, yeah for sure for me,
the way a beautiful lesson every day life is like
the ocean riding ways.
Speaker 3: Sometimes I get so tired the end of the day.
Speaker 6: It comes to face when times seems to kids mere.
Speaker 3: Gets hard to.
Speaker 8: Live in love week by week, Yeah.
Speaker 9: Seems to gout this time.
Speaker 6: In twenty four hours, it just ain't enough. So thank
you for all the love you got me through the
time always got to Yeah we've been through. Oh, I'm
so grateful you. I'm proud of who I've become.
Speaker 3: I finally felt where I've been alone. Your love to
spite me.
Speaker 6: You want to live my life in love so free.
Speaker 3: It seems a godless time.
Speaker 10: And more.
Speaker 6: Twenty four hours, it just ain't enough, seems a good
less time, baby.
Speaker 3: For our was It just ain't love. It just ain't.
Speaker 1: Oh that was great congregation access here with us alive
in studio. That was amazing, great job, great, great job. Hey, Wit,
which channel is that guitar? And again that is.
Speaker 2: Your channel too, so that would be your microphone.
Speaker 1: Pull up a little bit. But yeah, no, it sounds great.
All right, pretty good. What are you gonna play next?
Speaker 4: So up next we have another song called show You,
which is one of the early another one of the
early originals of the band song Okay, I love song
and it's part of a trio of love songs that
end in a murder.
Speaker 7: Oh my goodness, ind okay alleged murder.
Speaker 1: Okay, all right, fair enough, all right, Congregation X live
in studio.
Speaker 6: You want you, you will you.
Speaker 3: Love it when you hold me.
Speaker 6: I really wanna show you.
Speaker 3: I want to show you what is love with that effect.
Speaker 6: I want to chieve you ride. You feel so different
from the re has not but it's so really I
want to set you free, take you there and come on,
bake but ten a head. I'll give you sweetness. Say
you've been missing, You've been spending your whole life helping
everybody fly. Come over here with abstraction wings, have some.
Speaker 3: Love to give you a baby.
Speaker 6: I want to hear you sing, see you dance, make
you smile, give me the chair.
Speaker 3: I want to show me all you. Won't you he Oh,
won't you hear?
Speaker 6: You've been spending your whole life helping ever everybody's fly.
Come over here with.
Speaker 3: A scratch of wings. I guess some bandy j.
Speaker 6: Love to give you baby ah.
Speaker 3: Hope you understand nasty, the real you.
Speaker 1: I want to show you what is.
Speaker 11: A lie to be by your brities.
Speaker 3: I give you sweet this that you been listen.
Speaker 11: I want to show you.
Speaker 3: I you want you.
Speaker 12: Oh w you.
Speaker 3: Love it when you hold me.
Speaker 6: I want to show you.
Speaker 1: Who oh fantastic, fantastic.
Speaker 2: Thank you so much, Matt.
Speaker 1: Absolutely. If you're just joining us, we have congregation acts
here with us live in studio. Is this unusual to
do this this early?
Speaker 2: Maybe a little bit shows?
Speaker 1: Yeah, yeah, no, you sound great though. You sound great,
by the way, So where before you play the next one?
Where should people go to find you online? For people
who want to keep up with everything that you're doing.
Speaker 4: So you can find us on Instagram at Congregation X
and on Facebook at Congregation X. Okay, and that's currently
where we're available. We will have a website and things
like that coming out very soon.
Speaker 1: Okay.
Speaker 2: Oh and we have a YouTube channel.
Speaker 1: Yeah, yeah, you got a lot of stuff on there actually, yeah.
Speaker 2: Yeah.
Speaker 4: We actually recently just played a great show up at
a hermit Wood's Winery in the Loft and that whole
show is actually available to uh stream and check out
up on YouTube.
Speaker 1: Nice. Nice? And you don't have any studio music? Yeah right.
Speaker 4: We actually just recorded our first our first EP, so
we're going to be mixing that and releasing it within
the next couple months.
Speaker 1: Oh, congratulations, excellent, thank you. Yeah, you can't wait to
hear that. Very good, very good. Well I got to
ask you this too. Where does the name come from?
Congregation X.
Speaker 2: So it was kind of a working title.
Speaker 1: Yeah, so the story, yeah, step up to the mic
there in Nevin.
Speaker 13: So the story goes that the original lineup, the majority
of us met at the Stone Church, New Market, So
we wanted something that represented that place because.
Speaker 14: Of special to us.
Speaker 13: Oh okay, and the X sort of represents our future
journey because we've pulled together musicians from different styles and
different backgrounds. Yeah, and it represents the potential of what
we have that we can do as a group on
a single journey.
Speaker 1: Okay, okay, that makes sense. I love it. I love
it very good. All right.
Speaker 7: That that and it's what he put. He put in
the calendar, and eventually we were just like that actually
really is us?
Speaker 2: Yeah, big X men?
Speaker 1: Oh well there all right?
Speaker 6: Oh yeah, our group chat is called X men.
Speaker 1: Okay, okay, I like it?
Speaker 5: All right?
Speaker 1: Great good? Yeah, all right, you want to play another one?
Speaker 2: Yeah, let's hit it, all right.
Speaker 1: Congregation X live in studio.
Speaker 5: Street sign give a green it turning.
Speaker 15: Silent, Southern Night's split by sirens on the weird.
Speaker 16: Fun b line glass You guys stand out in the street.
Speaker 17: All my regrets. It was nothing that I could have
sid We got down to.
Speaker 5: The river to wash ourselves clean.
Speaker 16: If the ice want to to get old and we
need hope live mind old?
Speaker 5: You got the trouble you see? Won't you be very going?
Won't you be even him line?
Speaker 17: Oh see he's crest you man.
Speaker 5: Fine the claris in the alley passed through starting when
you father.
Speaker 18: Road laying on the ground last week bur in time treating.
Speaker 17: We go to the river to wash yourself screen if
he has weren't you deems to get.
Speaker 19: All lef me?
Speaker 3: Oh Heaven my hold you for the trouble you see?
Speaker 5: Won't you be ever?
Speaker 3: Won't you be ever.
Speaker 20: To the very.
Speaker 15: Down to the river to wash yourselves clean? And fee
ies weren't too deep to get all? Do he need hope?
Speaker 2: Heaven might hold you for the trouble you so? Won't
you be ve you?
Speaker 20: Won't you be We got into the river to watch.
Speaker 6: Yourself screen every yes, were you dam secret all that?
Speaker 3: Oh hell, won't you the trouble you see. Won't you
be at the day, won't you be at the.
Speaker 1: Mm hmm fantastic, fantastic, Thank you absolutely. Congregation Acts here
with us live in studio, sounding great. And then so
you want to do more? You said you want to
do four?
Speaker 21: You want?
Speaker 2: Yeah, we got one more for you if.
Speaker 1: You got absolutely absolutely we do. Yes, Congregation Acts is
with us live in studio and uh yeah, if you
have a chance to see them live, you definitely want to.
This is great, This is great, Thank you so much
having us absolutely glad to do it.
Speaker 3: All right?
Speaker 1: What have you got?
Speaker 21: Oh?
Speaker 1: Oh oh?
Speaker 6: This song is called have you ever?
Speaker 1: Have you ever? Congregation X?
Speaker 3: Have you love? Standing?
Speaker 6: Something about you? You carry yourself and that I'm still
drawn too. I see you, my poinschen, my cheeks kid,
I am my keet thinking. I bet you could give
me the right kind of scratch.
Speaker 3: Have the thought?
Speaker 6: Can you see what I see?
Speaker 3: Is your visual clear?
Speaker 6: Can you feel the electriss city?
Speaker 22: Do you have a name, because I've just been calling
you my future.
Speaker 6: Every time I see your face. So I catch myself
holding in my bread hoping that you come on over
to me. Something deliciouss come in your way, baby, if
you like it, I know that you see the way
I move. Now I'm next to you. Now there, I
have got your retention. I put your heart in my attention.
I would like to spend some time with you long.
Speaker 3: Not very first babe.
Speaker 6: Litting in the kitchen at two am, the first time
kissing says, I figures into love.
Speaker 3: Don't bad that you come on over to me? Babe.
I could teach you.
Speaker 6: So many things, show your other radways to love me
one here here and apple one o there and bab
people fly away? You bill walking through my mind? Under it?
If you're the one? Oh, we're brave enough to thunder?
Do you think of me like this too? Because we
just don't know you.
Speaker 8: You're picking up on the barbe I'm picking up bad.
We're never run, We're never I'm around you.
Speaker 3: If you're all in you? If you could read my mom, well,
whatt you do? Have you ever bad? Some delicious sis?
Speaker 19: Come?
Speaker 21: Man?
Speaker 8: You're way baby, if you let it, I would like
a spence.
Speaker 3: With you. Have gotcha attention?
Speaker 8: Listen, We'll just spensup time with you.
Speaker 20: Have you have?
Speaker 3: Have you live?
Speaker 1: Oh? Incredible incredible congregation acts everybody great job, great job.
Tell us again, where should people go to keep up
with everything you're doing?
Speaker 4: So if you want to keep up with us, you
want to find us on YouTube, Instagram, or Facebook. Our
future show announcements first drop on our Instagram, So that's
a pleace to find us.
Speaker 1: Really nice. Do you have do you have anything tonight
for people listening live on Saturday? You got anything tonight
you want to plug or this week?
Speaker 4: Well, if you are hanging out at home tonight you
want to be in a concert sitting at home, We
have a live show from hermit Wood's Winery right up
in the loft that you can tune into on our
YouTube at congregation x oh very and available on the
hermit Woods Winery YouTube.
Speaker 2: So if you want to be.
Speaker 4: Able to hang out with a little thing of popcorn
and you know, not have to go anywhere.
Speaker 2: Pay for tickets, go ahead and check it out.
Speaker 4: Yeah, we're gonna have some new shows coming up coming
into September October.
Speaker 1: Okay, excellent, excellent? What time does that start? The live
stream tonight?
Speaker 4: The live stream is already done. So the live stream
it was a live recorded stream, oh say, it was
a live recorded show.
Speaker 2: We did like a month or so ago. Oh I
got you already available?
Speaker 1: Yeah, oh okay.
Speaker 6: In other words, we're taking this month to write some
new songs to add to.
Speaker 1: Oh okay list, gotcha, gotcha? Good good, there you go. Yeah.
Speaker 23: Yeah.
Speaker 2: Think of it as like congregation acts on demand.
Speaker 1: That's right, that's right, very cool. Well, I want to
thank you all for coming in. This has been amazing.
You just sound incredible.
Speaker 2: Thank you so much.
Speaker 1: Anything absolutely anything we didn't talk about. You want to
make sure our listeners know they know where to find you,
they know new album and a couple uh.
Speaker 4: Yes, right, yes, yes, So we are actually playing a
summer series show. Let's see, we're gonna be playing one
in September at the Amp in Barrington. If you follow
us on Facebook, we'll have information coming out about that.
And then, oh yeah, there is one sooner we're gonna
you follow us on Facebook. We're going to have a
little house show coming up next this month, actually on
the nineteenth.
Speaker 2: If you want to come out and see that.
Speaker 6: Feel free writing songs.
Speaker 4: In between writing new songs, feel free to follow us
on Facebook and we can get you some information on
that and it's going to be a great show. And
then We will actually be performing at the press room
this new this November, so we'll be uh if you
want to come down to Portsmouth and hang out with us,
we'll have information come out about that very soon.
Speaker 1: Outstanding, outstanding, all right, congregation X, thank you all five
of you for being here today. This has been amazing.
Speaker 2: Thank you, Thank you for.
Speaker 14: Luigi's Pizza Bar and Grill Breed one.
Speaker 24: Let's phrase, slyes hide with top and top the ground
itis a pizza bar.
Speaker 20: You mine.
Speaker 25: Luigi's Pizza Bar and Grill, seven twelve Valley Street, Manchester.
Come on in or call six two two one zero
two one. Luigi keeping the tradition alive since nineteen seventy five.
Speaker 10: Pizza for e breed one. Come join a feast tonight.
With each sly sense of it, everything.
Speaker 3: Feels so right.
Speaker 26: In times of crisis, you need a law firm that
stands by your side. With over forty years of experience,
Craigan Getzula is dedicated to fighting for your rights. As
former state prosecutors, our attorneys have the knowledge and trial
experience to provide an aggressive defense against any charge, from
duys to homicides. If you've been injured, our compassionate team
will assess your case and fight for the compensation you deserve.
Serving all of New Hampshire. Craigan Getzulis is here when
you need us most. Visit craigatzulis dot com for a
free consultation. Craigan getzulus, your advocates, your.
Speaker 25: Allies, bring your kitchen to life with Queen Citycabinetry, located
at eighty seven Elm Street in the historic Sunbeam Wall
in Manchester, open Monday through Friday nine am to five
thirty pm, in Saturdays ten am to two pm.
Speaker 14: They can be reached at.
Speaker 25: Six h three two two two to zero zero seven
or on the web at Queen Citycabinatry NH dot com.
Speaker 14: Come see the possibilities.
Speaker 25: Queen Citycabinatry another crowd sponsor of BILLH.
Speaker 27: Hey everyone, there's Rob Azevedo host a Granite State of
Mind and I want to tell you about Pembrook City
Limits and the historic Suncook Village. PCL is an award
winning bar, restaurant and music venue where there's live music
five days a week and twice on Saturdays. Everything from blues, country, folk,
funk and a.
Speaker 3: Whole lot of jazz.
Speaker 27: We have twelve craft beers on Tap, dedicated to the
local brewers in the area and some of the friendliest
bartenders around. Please come visit Pembrook City Limits at one
thirty four Main Street, the historic sunk Cook Village, only
six miles outside of Manchester. Open Tuesdays to Wednesdays four
to ten Thursday's Sunday eleven to ten.
Speaker 14: Pembrook City Limits.
Speaker 1: Where it's all about the music.
Speaker 25: Disney's Cafe is the place to put a smile on
your face. Judy and the crew will take care of you,
bring your appetite and treat your taste bys fry. Disneys
Cafe is always a winning choice breakfast, lunch, or supper.
Disney's Cafe at eight sixty Elm Street in downtown Manchester.
Dine in, take out or make a reservation Call six
three six oh six two five three two, Eat, drink
and be happy Dizzine's Cafe.
Speaker 28: When it comes to keeping WMNH on the air and
your own personal or business computer needs, trust growl In
Computers located on Elm Street in Manchester. Grolin handles computer repair,
virus removal and custom built systems. Are you looking for
budget friendly options, check out our selection of fully inspected
used computers. We offer tailored on site solutions no unnecessary
expenses here. Visit Grolind dot com or call grolling Computers
at six zero three six four five zero.
Speaker 29: One zero one.
Speaker 30: Your Tech, your Way, Trust groll In Computers.
Speaker 21: Seven times out of ten. We listen to our music
at night don titled book Business Program.
Speaker 25: Late Night to Light with DJ Bidas right here on
wm Manchester because Savurdays and Sunday nights midnight to four am.
Speaker 29: This hour on WMNH is sponsored by CGI Business Solutions,
located at five Dartmouth Drive in Auburn. They serve all
your business needs including employee benefits, planning, corporate design and
business administration, investments and wealth management and customized business insurance solutions.
Their phone number is eight sixty six eight four to
one forty six hundred, or on the web at CGI
Business Solutions dot com.
Speaker 31: Behold the harmony of airwaves as you immerse yourself in
the captivating frequencies of w m NHLP, the sonic cart
beats of Manchester transcending through the ether at ninety five
point three megahertz frequency modulation. Our transmissions M and E
from the Z f one thousand elm streets for Insuran
through the hearts of our creative realm at one nineteen
Canal Stree, where innovation and sound collide. They're the impro
moder of Manchester Public Television Service in the venerable city
of Manchester, New Hampshire, USA.
Speaker 14: Enrich your auditory journey.
Speaker 31: With the depth of our license to Wes's spent your missives.
Do w m n H ninety five three at gmail
dot com or to reverse the virtual corridors of w
mnhradio dot org. Engage with our sonic vibrations by communing
with us through the digital channel or radio becads eager
to enthrall you with its mesmerizing kittence and develop you
with symmony of foundless auditores wonderde.
Speaker 9: W MNH rip the domos.
Speaker 12: Out f sir is the broken promise, the morning signs.
Speaker 20: The roll around us. We sell ourselves the lights that
there is time to change, sign to save, but we
would rather leave in madness.
Speaker 12: The light of Rogerston like wackness and finds you want
it chakes.
Speaker 1: To fall us from.
Speaker 32: From we love rust time quest chap will we remember.
Speaker 3: Or will we be?
Speaker 1: The stair and subob.
Speaker 20: The hardest dom time tider come down their pennies. Some
capt a whirling here and watching them.
Speaker 12: They killing of arrangecient borders. We're soaking chaos, sirs, this
order unable to find strengthen enough to pray the way,
pray to here, reducing a coup. The shots promoting constant
cot Rich had shots then any Chanshley mine have had.
Speaker 20: Chilver in the way.
Speaker 32: Away another resent that time quest shot but went from coming.
Speaker 9: And here we got the.
Speaker 3: Or and in this kind of.
Speaker 32: Shot despite the mother cat shots there and we can
do but watch to burn.
Speaker 20: When we would want to leave in madness the line.
Speaker 1: Of love the song I like that.
Speaker 33: I'm trying to want to.
Speaker 32: Change the fall of fly.
Speaker 20: What some other reasons.
Speaker 32: Shot shot but we've forgot and you got then it's
kind of bay shot.
Speaker 20: That by the odam my black shots.
Speaker 32: There's nothing we can do but watch can burn.
Speaker 23: Let's escape the weather may run away for the winter,
prolong the surfer and and delay the existential by says
falling in Sapara bel from that old story itself, What
will remain of us when there's nothing but.
Speaker 3: Get all fad.
Speaker 34: Way when it rains sorrow, there's nothing lave ye to
Fia when fell so much, to fall on last, love
this grace when.
Speaker 5: That's nothing, the far to Fia when it's.
Speaker 23: Since running away enough, Where do we finally say shelter?
Speaker 3: Your comedy at.
Speaker 23: Ends to save won't save us this time.
Speaker 19: The way the chats just got me. Still that's it, vehicles,
I'll say, Oh it's you. This is your best scale.
Speaker 20: St all say why web face to bow.
Speaker 34: That's not fair laugh for you to feel wedding fails,
the fall?
Speaker 35: Why's last?
Speaker 5: Why best place where.
Speaker 20: To bow?
Speaker 21: That's not their la part you.
Speaker 36: To feel websxact made dans ws to.
Speaker 5: May, sens to thes ws to.
Speaker 25: Good all fall we it is.
Speaker 9: Just good.
Speaker 37: Say West, that's nothing that far sis wes that sofas
last this last week, that's nothing.
Speaker 20: That far year serteen.
Speaker 21: So so.
Speaker 1: You are listening to w M n H ninety five.
Speaker 14: Point world premiere.
Speaker 25: Rocking, Rocking.
Speaker 38: Am I the image I portrayed, the face you see
every day, the voices inside my brain, the comfort that
has the page. I'm not my regrets, my wrath on
my raise, the mask that shaves the pain. I'm not
only the worst that I say the antics that I displayed.
Speaker 5: There's more than my DNA.
Speaker 38: I'm the smiles, the tears. I'm not the fears that
honey as I lay awake. I'm not my mistakes. I
am the steps I must take, the frustrate. I am
the faith to help me trust faith.
Speaker 25: I was once a.
Speaker 38: Bothered clay that what frolic can play, But the.
Speaker 21: Years have slipped away.
Speaker 1: I am the light keeps the even in bay.
Speaker 5: I am the greater high nose.
Speaker 1: Low vibes to scare you away.
Speaker 5: I am infinity.
Speaker 31: I am nothing.
Speaker 5: I'm the gnomin lees you can't explain. I'm every thought
you create. I am not the splash that the sin
of grace.
Speaker 38: I am every refutake, every moment that escapes.
Speaker 14: I am contemplation.
Speaker 38: I'm ever your answer question. I am any possibility. I'm
at for expanding space. I am a warm embrace. Well
I vanished with that. A trace is the simulation provided,
an explanation, or merely your charade?
Speaker 5: Just the way?
Speaker 38: Is there new discovery, read over yonder or just a ky?
Speaker 5: What do I worship?
Speaker 1: How do I pray?
Speaker 14: Can you hear me speaking through the solace? What's in
our way?
Speaker 39: Basking the glorious Now will it ever stay?
Speaker 3: What is the meaning?
Speaker 1: Will we ever know?
Speaker 5: Are we all one or only alone?
Speaker 1: Will this ever be our home?
Speaker 5: Will we witness completion? Will forever be undone? Dad to
see with south side? Can you predict what's to come?
Speaker 3: Is it all in vain? If flow away?
Speaker 38: The alphathe omega everything in between?
Speaker 20: Do you believe I can't truly.
Speaker 25: Say I know one thing?
Speaker 14: Luigi's Pizza Barron Grill twenty six.
Speaker 24: Let's phrases lies on line with topping all the ground
pizza Pizza Baro.
Speaker 25: Mine Luigi's Pizza Barren Grille, seven twelve Valley Street, Manchester.
Come on in or call six two two one zero
two one. Luigi keeping the tradition alive since nineteen seventy five.
Speaker 10: Pias up for every one, come join a past two
nights with these slye sets of it, everything feels so right.
Speaker 14: In times of crisis. You need a law firm that
stands by your side.
Speaker 26: With over forty years of experience, Craigan Getsulus is dedicated
to fighting for your rights. As former state prosecutors, our
attorneys have the knowledge and trial experience to provide an
aggressive defense against any charge from DUIs to homicides. If
you've been injured, our compassionate team will assess your case
and fight for the compensation you deserve. Serving all of
New Hampshire. Craigan Getzulis is here when you need us most.
Visit craigatzulis dot com for a free consultation. Craigan getsulus,
your advocates, your allies'll bring your.
Speaker 25: Kitchen to life with Queen City Cabinetry located at eighties
Elm Street in the historic Sunbeam Law in Manchester, open
Monday through Friday nine am to.
Speaker 14: Five thirty pm, in Saturdays ten am to two pm.
They can be reached at.
Speaker 25: Six oh three two two two to zero zero seven.
We're on the web at Queen Citycabinatree NH dot com.
Come see the possibility is Queen City Cabinet Tree.
Speaker 14: Another crowd sponsor of w MNH.
Speaker 27: Hey everyone, there's Rob Azevedo, host of Granite State of Mind,
and I want to tell you about Pembrooke City Limits
and the historic Suncook Village. PCL is an award winning bar,
restaurant and music venue where there's live music five days
a week and twice on Saturdays everything from blues, country, folk, funk,
and a whole lot of jazz. We have twelve craft
beers on tap dedicated to the local brewers in the
area and some of the friendliest bartenders around. Please come
visit Pembrooke City Limits at one thirty four Main Street,
the historic Suncook Village, only six miles outside of Manchester.
Open Tuesdays to Wednesdays four to ten. Thursday's is Sunday
eleven to ten. Pembrook City Limits where it's all about
the music.
Speaker 25: Business Cafe is the place to put a smile on
your face. Judy and the crew will take care of you,
bring your appetite and treat your taste. Bus Right Business
Cafe is always a winning choice. Breakfast, lunch or supper
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.
Dine in, take out or make a reservation call six
oh three, six oh six two five three two, Eat,
drink and be happy Dizzey's Cafe.
Speaker 28: When it comes to keeping WMNH on the air and
your own personal or business computer needs, trust Groland Computers,
located on Elm Street in Manchester. Groland handles computer repair,
virus removal and custom built systems. Are you looking for
budget friendly options, check out our selection of fully inspected
used computers. We offer tailored on site solutions, no unnecessary
expenses here. Visit Groland dot com or call Grolling Computers
at six zero three six four five zero one zero one,
Your Tech, Your way, trust roll in Computers.
Speaker 5: Midnight.
Speaker 21: Seven times out of ten we listened to our music
at night that's gone titled Businesses Program.
Speaker 12: Late Night to Light with DJ Midas right here on
WMNH Manchester.
Speaker 14: Because Saturdays and Sunday nights midnight.
Speaker 23: To four am.
Speaker 29: This hour on WMNH is sponsored by CGI Business Solutions,
located at five Dartmouth Drive in Auburn. They serve all
your business needs including employee benefits, planning, corporate design and
business administration, investments and wealth management and customized business insurance solutions.
Their phone number is eight six six eighty four to
one forty six hundred, or on the web ATZGI Business
Solutions dot com.
Speaker 31: Behold the harmony of airwaves as you immerse yourself in
the captivating frequencies of w m NHLP the sonic heart
beats of Manchester transcending through the ether at ninety five
point three megahertz frequency modulation or transmissions emanate from the
zedith of one thousand elm streets, ensure into the hearts
of our creative realm at one nineteen Canal Street, where
innovation and sound collobe. They're the impromter of Manchester Public
Television Service in the venerable city of Manchester, New Hampshire, USA.
Enrich your auditory journey with the depth of our license
to wesdens WESPT. Your missives do WMNH ninety five three
at gmail dot com or traverse the virtual corridors of
wmnhradio dot org. Engage with our sonic vibrations by communing
with us through the digital channels or radio beckons, eager
to enthrall you with its mesmerizing cadence and develop you
with a symphony of found mornings.
Speaker 14: Wonder WMNH rip the.
Speaker 9: Was it easy being greedy?
Speaker 40: Did it ever cross your mind to think I want?
Speaker 9: Might be pacing.
Speaker 40: Waiting on the phone, the ring and you kiss me
so you miss me. But I can tell you that
something has changed. There's sadness, calous pain that's driving you away.
Speaker 41: You breathing now you're leaving it's the last time you
walked down my door and now was crying in my bedroom?
Speaker 9: Was it all just something I fell for?
Speaker 3: Afraid that awake up and just like that, it's all.
Speaker 9: The man breathing.
Speaker 3: Fo used to be.
Speaker 21: This.
Speaker 22: We're over getting blow, sure, but I still hope you
think about all the good times in the late nights
walking through that old beach town got up under. If
your murther ever asks about how I'm doing now?
Speaker 3: Is she happy?
Speaker 20: Are you happy?
Speaker 9: You're feeling like the big man.
Speaker 20: Now pleading my feelings.
Speaker 11: Because the last time you walked down my norse was
crying in my bedroom.
Speaker 3: Put it up just something of belt for braying singing,
just sign that I never be.
Speaker 20: What easy great across your heart?
Speaker 21: Lea.
Speaker 3: Was it easy to love me?
Speaker 9: Was it easy to touch me? Was it easy to leave.
Speaker 19: Me?
Speaker 1: That is catchy as hell, That is greedy. That's the
name of the track. That is Cammy next, and we're
going to talk with Cammy in just a moment. Welcome everybody.
This is Matt Connorton Unleashed. We have entered our number
three New Marrow Trace on this Saturday, July five, twenty
twenty five. Thank you all for joining us, and Jenny
is here, of course, is at the news table, presentent
accounted for. I think I almost at news Desko seeing
old school. It's a table and uh let's see Campy here.
Bring Cammy on here, Cammy, are you there?
Speaker 3: Hi?
Speaker 1: Yes, I'm here, Welcome to the program. We just started
using Google teams recently, so it's still a little bit
of an adventure.
Speaker 5: Okay.
Speaker 1: So I'm always relieved when the guest is connected and
everything's good. Welcome to the show. I love that song, Greedy,
It's very very catchy.
Speaker 9: Thank you so much, and thank you for having me.
Speaker 1: Absolutely absolutely. Uh So, where are you from?
Speaker 9: Columbus, Ohio? But I live in Nashville?
Speaker 1: Now, okay, okay, what's it like living in Nashville? Because
you know, we've had we've had a lot of guests
on the show who have traveled there, but you know,
maybe to spend a weekend or a week there. But
I don't think we've had anybody on the show who
lives there currently. And obviously Nashville known for being for music.
I mean, is is it a lot of pressure there
living there and being a part of the scene there
or what's that like?
Speaker 9: It is definitely interesting. There's a lot of pressure, but
more so I just say, it's very saturated, so it's
really really difficult to get your foot in the door.
But at the same time, because it's so saturated, there's
so many people to work with and so many people
to network with. Yeah, and it's such a good community
of people, but it is very tricky to kind of
get going and get a name for yourself.
Speaker 1: Yeah, I would imagine. I would imagine it is. But
that's that's a great place to be for what you're doing,
and it's it might cut against some of the ideas
some of the preconceptions too, that people have about Nashville,
because you know, a lot of people when they hear Nashville,
especially people not in the industry, they think of country music.
But it's more than just country music. And obviously, you know,
what you're doing is in country. I don't know if
you have any country songs, but but really, I mean
there's all kinds of music happening there, and there's all
kinds of connections you can make and people to work with, right.
Speaker 9: Yeah, definitely, I think it has the stigma that it's
country music because that's what it started as. But it's
really any and every genre. And it is more so
just the music city, as people call it, and this
is where everyone comes to record, even non country people.
They all record in the studios here or work with
people here, or have session players from Nashville because these
people are very talented and they can play any genre.
They can do anything. So yeah, it's it's any genre really.
Speaker 1: Absolutely. How long have you lived there?
Speaker 9: This is my sixth year living here.
Speaker 1: Oh leave, Oh you've been there a long time? Okay, great? Great?
Speaker 9: Yeah, I went to college here, So I moved when
I was seventeen.
Speaker 1: Oh outstanding? Okay? Was greedy? Was that recorded there?
Speaker 28: It was?
Speaker 15: Yeah?
Speaker 1: Okay, okay, very cool. Now what about so you started
pretty young? I would imagine you're from Ohio. Originally you said, right, yes,
Were you involved in music before moving to Nashville? I assume,
I mean, I know you moved there for school, but
growing up you said, was a Columbus Ohio?
Speaker 9: You said, yeah, Columbus, Ohio. I grew up there and
was definitely involved in music and specifically musical theater. I
did a lot of that as a kid, in like
growing up and in all throughout my life. In high school, everything.
I was known as like the musical kid in my town,
and I ran all the music programs. I was the
president of all these different choirs and small ensembles, and
I did all the community theater shows and this, that
and the other. So I was definitely musically inclined from
a very young age and that just kind of became
my thing. And I didn't really do sports. It was
always just music, and so I made the decision to
Originally I was going to go to college for musical
theater because I thought that I liked that, But I
then quickly realized I just liked the singing part of it.
I didn't care about the acting or the dancing. I
just wanted some like someplace to sing in front of people. Sure,
so then I pivoted and moved to Nashville to do music.
Speaker 1: No, that makes sense, but yeah, I mean doing music
that was clearly inevitable, you know, given your background and
everything that you did growing up. So so's that's great?
Speaker 40: Now?
Speaker 1: How many? So you have several singles out? I know,
have you have you recorded an album or an EP
yet or is that on your radar?
Speaker 9: It's not currently on my radar. I have four singles
out right now, and I'm kind of just writing the
singles because I think as a smaller, independent artist, it's
pretty difficult to put out an EP or an album
and expect people to listen to the whole thing. Yeah,
because that's a lot easier when you have a big
following and people want to sit down and listen to it.
But I would rather create singles and put them out
one at a time and give them a bunch of
attention or as much as I can, and that way
they get kind of the spotlight for a second, rather
than putting out like a forty five minute long album
and hoping that people will listen to it.
Speaker 1: Yeah, I think that makes sense. It's a lot of
artists it's very important to them to do albums. But
there's I don't remember who it was we were talking
to about this, but we had a guest on the
show recently talking about how when you put out an album,
it's like, you know, in terms of algorithms, like on Spotify,
for example, you get that initial boost of okay, here's
something new. You know, it might show up in your suggestions,
here's something you like, whether it be Spotify or even
on YouTube or wherever. But but you get that big bump,
that little not even a big bump, but you get
that little extra push once with the album and then
that's it. Whereas if you just release a series of singles,
with every single, you get that little push algorithmically speaking,
and and so that ends up being a little bit
of a more sustainable strategy. Although some of the guests
too that we've had on the show recently, they've kind
of inverted, you know, because the old approach, you know,
sort of pre internet, was you release an album and
then a series of singles to radio. And some artists
now they release a series of singles that eventually coalesce
into an album or any exactly. Yeah, but what you're doing,
I think that's.
Speaker 9: More than norm I think now as people putting out
singles and then they release like an EP, but it's
just all of the singles they've already put out.
Speaker 1: Yeah, yeah, absolutely. Now in terms of you, uh, in
terms of your songs, the songs that you've put out,
are these written by you or do you have I'm
really curious about this, especially given where you are geographically,
because you have so many you know, you're just surrounded
by all kinds of talent. So I'm curious about your
process and who you collaborate with, or maybe you do
it all your own. I don't know, but I'm really
interested in that.
Speaker 9: Yeah, I write all of my own songs that are
currently out. I've some of them have co writers on them,
so people that I worked with, but a few of
them were fully just written by me. Start to finish,
and then I have a recording studio in town. There's
two producers there that I work with, and I bring
them my songs, play it for them and see what
they think, and then they help me bring it to
life and make it what it ends up being. And
we do everything in house. It's all real instruments, like
we play. It's the two guys and then myself. I
play a few instruments, and so we between the three
of us can play every instrument that we need for
the track. We record it live and have real instruments,
real players, everything, and then they mix and master it
for me. And that's kind of been our process for
a while. However, I have a single coming out in August,
and it's the first time I'm releasing a song that
I had no part in writing. I took a cut
from some friends that I have that are professional songwriters,
and I kind of started to explore this idea of
I don't have to do everything myself. I can just
be the artist or just be the performer. And there
are many talented songwriters here, obviously, and that's what people
in the real industry do. These huge famous people are
not writing their songs themselves. They have ten fifteen people
helping them write songs, or they don't even write them
at all, and they get these cuts from very talented songwriters.
So I tried that out and I really liked how
the song turned out. So my next single is fully
just written by other people.
Speaker 1: Okay, interesting? Was it hard to take that step? I mean,
was that something did you? Did you go into that
saying no, maybe I will try this and see what happens.
Or was it more like, like, did you have to
be kind of coaxed into it? Because that's got to
be because that's a big shift, right because, like you said,
you were used to doing everything yourself, which gives you
a lot of autonomy and control over your material, and
to take that step and do something that someone else wrote,
was that difficult? Or did it? Did it come naturally
or what was that like?
Speaker 9: I think it really came naturally. It was my idea.
I kind of put feelers out and let people in
the industry know, hey, I'm open to cuts. If you
have songs that you aren't going to cut or you
don't have anybody to cut them, send them not my way,
and I'll listen to them and if they fit my vibe,
my overall kind of genre that I'm building for my
and I took them to my producers too, and we
kind of listened to them together because they know my style,
and we decided which ones fit me, which ones didn't
fit me, and then narrowed it down to the song
that's gonna come out. And I honestly think it wasn't
that difficult because I grew up my whole life obviously
doing theater, and I was in lots of cover bands
and things like that, so I grew up singing other
people's songs my whole life. It really wasn't that different.
And if it's a good song at the end of
the day, I think that's all that matters. And yeah,
it wasn't. It really wasn't a hard process.
Speaker 21: It was.
Speaker 9: It kind of made it more enjoyable because I wasn't
scrutinizing it as much as if it were my own songwriting.
I'm much more like, oh does this sound stupid? I
wrote this, these words are probably dumb, But since somebody
else wrote it and I very much enjoyed their songwriting already,
I just sang it and liked it from the start.
Speaker 1: That makes sense. So it sounds like it was kind
of liberating in a way. Yeah, yeah, well that's very cool.
You mentioned too, So I noticed you went out of
your way to put extra emphasis on talking about how
everything that you do it's played by real people, real musicians.
And it makes me curious because one of the things
that we talk about on the show a lot, because
we have a lot of sort of industry centric shall
we say, uh, conversations on the show, is we talk
a lot about AI, the use of AI and music
and whatnot. And I'm curious. I suspect based on what
you've said that this might be something that you're concerned about,
So I'd like to get your thoughts on that, or
maybe there's another dimension to it. But I'm really interested because,
like I said, you went out of your way to
tell us you know, this is all real, so obviously
there's no none of these parts were created by AI
and any of your songs. So I'm curious if you
have if you have further thoughts on that that you
like to share.
Speaker 9: Yeah, it's because my kind of stance on that started
even before AI kind of joined the picture. I was
always looking for what my niche was in the industry,
Like I think everybody has their thing that makes them
unique and their genre or it's their sound or this,
that and the other. And I realized that I think
what makes me unique is that our music is very commercial.
It's very commercially successful, but it's all real. And in
today's day, most music is not real. It's all done digitally,
or it can be done digitally. And I went to
college here and there were so many people at my
school who made full songs in their dorm rooms on
their laptop and you would never know that they, you know,
did it by themselves at midnight, just on their computer.
And I wanted something that made us stand out. And
I realized, like, hey, we play all of this for real,
and I don't think a lot of people do that,
and I think that's something we should emphasize and tell
people is like this is real. Like this there's someone
sitting there actually playing the drums. Every single beat that
you hear. He played it, and that's impressive. And I
went to school with so many talented musicians, and I
was starting to realize these people like won't be needed
if we continue down this path. And I think there's
something special about someone actually playing it, and especially live.
You can't have a live show if someone's not actually
playing the instrument, you know. And now it's turned to
AI and it is insane what they can do and make,
you know, a whole song or parts of a song.
So yeah, that's kind of become my shtick and my
Niche is saying like, hey, this is real, so just
keep that and consideration when you're listening to it, Like
some guy sat down and played every note on that
guitar that you're hearing. So I think that deserves some
it deserves to be shouted out and you know, yeah,
get the credit.
Speaker 1: And so even the drums are live.
Speaker 9: The drums are live, the bass, the guitar, everything. We
usually stack it from the bottom, so he'll will record
the drums first and he does that fully with no
other instruments, like he sits down and will play the
entire song from start to finish, just on the drums
and with a really crappy demo that we made, and
he can pull out an entire song on the drums
and then we build it from the bottom up. So
bass guitar.
Speaker 1: Yeah, no, that's great, and that's you know, that's how
it used to always be done. Although the reason I
asked Sid about the drums specifically is because I've been
surprised at various points when you know, even even stuff
that was recorded in the eighties that I assumed, you know,
just you know, hard rock songs that you know, a
little research and I learned that, you know, this was
pre AI, but obviously this was you know, we're talking
about eighties even early nineties rock where it's like, oh no,
they actually did that with a with a drum machine.
Those weren't real drums, and it's like, wow, that's uh,
you know, it's kind of impressive in a way that
they were able to create something so real. But at
the same time, it's like sometimes it's sometimes if you
do a little digging, you'll be really surprised at how
much was was not real drums. Yeah, and of course
now you can do that with everything. Yeah, yeah, it is.
Speaker 9: I think it is insane. You know, you would assume
those things were all real, But yeah, drum machines were
huge in the eighties. So a lot of those songs
are just programmed and we play everything live maybe here
and there they'll get he well, actually, I mean we
use samples, but they're samples that they'll make themselves. So yeah,
if a tom that he hit during the track wasn't
strong enough, he'll go hit the tom one time, take
that recording and put it right over the one that
maybe he flubbed a little bit, so it's still him
playing it. But oh yeah, yeah, that's how you like
have to really fix stuff if it's real, you know.
Speaker 1: Oh yeah, yeah, you gotta do overdubs. I mean there's
no get there's no getting it. Yeah, absolutely, but that's
just that's just part of the process. Has it been
so has it been done that way with every all
of the singles that you've released, it's all been done
done that same way.
Speaker 9: Yes, everything I have out is real.
Speaker 1: That's great.
Speaker 9: Yeah, that's kind of we It kind of started that
way on accident, and then I started telling people, Hey,
this song is real, and then we were like, well,
if we're going to keep putting out songs, maybe we
should do them all like that and that way they
kind of have a cohesive sound. But then also we
can continue to tell people and showcase like this is real,
Like these are real people that are have years of
training and talent that they can showcase.
Speaker 1: Yeah. Absolutely, no, I think that's great. And then what's
the live situation? Like are you playing these songs out?
Do you play out a lot? Obviously there's a lot
of I know, there's a lot of places to play
in Nashville, but it's also probably pretty crowded in some ways.
But what's that like as far as the live scene
and do you get out and tour or how are
you doing with that?
Speaker 9: I this is my third summer that I am playing.
I primarily play in the summers just because winter kind
of slows down a little bit and I use that
time more so for recording and writing and getting stuff
ready to release and Whatnotah. And like I said, I'm
from Columbus, Ohio. All of my family still lives there,
Like every single family member lives there. All of my
old friends from high school and before all still live there,
so I visit there very frequently. I've built a good
community of people and kind of a following back there,
and so I go back there very very frequently and
play festivals and fairs in the surrounding area. Just because
I've created a good community and I have lots of
good contacts back there, that it's easier or it's gotten
easier for me to get my foot in the door
there rather than here. So yes, I play all my
songs there and it's so much fun. I have a
band that lives in Columbus, so I just go there
and they're ready for me. They practice on their own
and we kind of just show up and rip it,
and then I head back to Nashville and work on
stuff and then go back there. I definitely love to
expand get out of just playing in Ohio. I've played
in Nashville a handful of times, but it's really not
that fun because it's so saturated. It's just not the
same energy as going to Columbus, and the people there
are like, oh my gosh, this is incredible music, like
thank you so much for playing for us, or this
is people actually stand up and are singing along and
these people have no idea who I am, but they'll
really get into it. So trying to expand, but it's
one step at a time.
Speaker 1: Yeah no, that's really cool. That's really cool. Have you
done any videos for these songs?
Speaker 9: I have one video out? Actually, I have a couple out.
I love making videos. I love every once in a while,
I vlog like our shows that we go to. So
when we play at festivals and whatnot, I'll bring a
camera or a guy that will come in video kind
of the whole process because it's just fun to have
for memories. But then it also turns into like a
fun little video for people to see what we do
and what it's like to go play. And honestly, I
started reaching out to radio stations because it seemed like
a good way for me to kind of talk to
people that weren't in Tennessee or Ohio. It is a
way for me to kind of get myself started in
new places.
Speaker 1: Oh yeah, absolutely absolutely so. Now what's the uh so
the single Greedy Now that's been out a couple months.
Speaker 9: Yeah, it came out in April.
Speaker 1: Okay, now you're working on the next one already? Or
are you are you focusing on uh more on other
things or what's like, what what's the current uh trajectory?
Because you did mention that other one.
Speaker 9: That Yes, yeah, I have a song. It's called su
Venirs and it comes out August first, and that's the
one that was not written by me. We're just kind
of trying something new out.
Speaker 1: Okay, is that that one's all all recorded and ready
coming out?
Speaker 9: It's done. Yeah, it's up, it's uploaded, so it's kind
of just sitting there waiting to come out. So yeah,
that'll be the next one, and we're starting. Actually, funny enough,
we took a pause on making my music and we
really want to do like a fun Christmas song in
obviously like November December, but you have to start them
so early, so we're starting a Christmas song next week.
So we kind of took a pause. This other song
will come out, and while that one is being processed
and coming out, we're working on a Christmas song to
do later and then we'll get back to the normal stuff.
Speaker 1: Oh, very cool, very cool, But Souvenirs August first, you said.
Speaker 42: Right, August first, Yes, very cool, excellent, excellent, Yeah, be
sure to be sure to sound that to us too,
you know, we'll spin it here. Absolutely definitely, I will
absolutely absolutely Now, where should people go online to keep
up with everything that you're doing.
Speaker 1: Where's the best place to go?
Speaker 9: Yeah, I I would say probably Instagram, Facebook, TikTok, all
those places I post every day. Yeah, my name's the
Cammi Knicks T A G, C, A, M I N
y X. And then I also have a website, the
Kammiinex dot com. Yes, and yeah, I post everything kind
of all over those places, just what I'm doing and
where I'm playing and what's coming out and yeah, very good,
very good.
Speaker 1: Yeah. I encourage everyone to follow you, keep track of
what you're doing as you're releasing new music. And I
was thinking, so we'll let you go in a moment, Cammy,
But I was thinking about ending the segment. You know,
we played ready to Open Up. I was thinking about
ending with this track good Things, which is also very catchy.
I really like this a lot. Thank you. Yeah, absolutely so,
I was thinking, well, we'll close out the segment with this,
but yeah, thank you so much for joining us today.
Are you in Nashville right now? Is that where you're
joining us from?
Speaker 9: Yes, I'm calling in from Nashville. I'll be here for
I think two more weeks and then I have a
show the third week of July back in Ohio, so
I'll be heading out there, yeah, and then back back
to it.
Speaker 1: Oh, very cool, very cool. All right, well, Cammy, I
appreciate you joining us today. We'll let you go. I'm
gonna hit this track, good Things, but Cammy Knicks, thank
you so much, Thank you so much. You got it.
We'll talk to you soon. Bye bye bye. All right,
very good. That was Cammy Knicks. And if you're wondering
how to spell her last name, it's n y X.
And let's give this a spin. This is called good Things,
another great track from Cammy Knicks.
Speaker 43: How do I put it? Tried but I couldn't once
was the answer. Oh he's a stranger, lef with a.
Speaker 5: Thatt go.
Speaker 9: Loved with my eyes closed, kiss like aod.
Speaker 40: Devil, heard temperamental.
Speaker 41: I knew he'd break my heart. Should have loved him
from the start.
Speaker 25: Is it true?
Speaker 3: All good things for love?
Speaker 20: Pard? Is it good?
Speaker 3: Or is it bad?
Speaker 20: House?
Speaker 41: Never gave inside rama heart made him look easy that.
Speaker 11: You never thought that happy smile and driving turn fine
Ryan never.
Speaker 3: A crossed my mind.
Speaker 41: Always said that I loved blue, but jealous looks good
on you.
Speaker 9: That's face is funny. Fools would have judged me.
Speaker 23: Art.
Speaker 9: He was honest, the boy was I'm modest.
Speaker 5: Art.
Speaker 3: It was true love.
Speaker 9: What the hell's true?
Speaker 3: A boy full of secrets?
Speaker 9: EPI said I would keep them.
Speaker 11: I knew it's pregnant. Should have funded from the start.
Now I know that's good. Next, is that good that
I must snap in? How far they look?
Speaker 14: Easy?
Speaker 5: That jo but.
Speaker 20: It's silence trying to do it cross not fine.
Speaker 11: Always said that on a blue jasay, let's get on you.
Speaker 3: Go, don't stuck the shot back And now seems so.
Speaker 20: Calm and Cris.
Speaker 3: Never even blinks.
Speaker 32: Is it good?
Speaker 3: Or is it that you I ever had? Don't know
who I even know?
Speaker 43: Only go so don man, I'm kidding?
Speaker 32: Is that good?
Speaker 11: Is it that I must not bury inside? Don't mam
on b busy that's not because hatim driving to him,
lie across a line, always standing.
Speaker 21: On of you.
Speaker 20: Just let go on you.
Speaker 1: I like that bass note at the end there That
is Cammy Nicks. That track is called good Things. And
earlier we played Greedy, her newest single, and then we
talked with Cammy joining us from Nashville. That was very cool.
So look forward to keeping up with everything that she's doing.
Souvenirs coming out August first, and we might get to
give that a world radio premiere. You know, we like
those absolutely, I do absolutely, so welcome everybody, of course
if you are joining us alive on Saturday morning. It
is July fifth, twenty twenty five. Matt Connorton Unleashed and
I think we should talk about this an interesting story
that took me by surprise. So there's Lord who's she's
been around for a while, I think, right, yes, she's
got a new CD. And this is from the Verge
dot com. So you know, sometimes when releasing physical media,
people like to come up with cool gimmicks, you know,
like back in the days of when Vinyl was was well.
Of course vinyl has had such a resurgence over the
past decade, but you know, sometimes with Vinyl people tried
to do cool stuff, release limited edition Vinyl. I remember
I still recall when Dan of Dan Randall and the Randlettes,
some people will know when he showed me he had
bought the the Kiss single for Unholy that came out
in ninety two and it was they put it out
on limited edition white vinyl. It was so cool.
Speaker 44: Anyway, My favorite was a Stix album that I think
it was Paradise Theater that actually had the theater in
the album like the visual. Yeah, you had to hold
the album a certain way to see the yeah, to
see it. But yeah, I mean I was stuff like that.
Speaker 1: Yeah. Pick picture discs they call them, yeah, and those
are cool. And you know, some artists have tried to
do things unique and innovative with CDs as well, not
just vinyl. And Lord's new CD is transparent. You can
see through it. And if you don't know what I'm
talking about, you know, you can always go go find
a picture of it online. It's interesting. It's it's completely clear.
You can see right through it. What a cool idea, right, Yeah. Actually,
well there's only one problem, and this is from the
Verge dot com. Lord's new CD is so transparent that
stereos can't even read it.
Speaker 35: Oh god, that's so terrible.
Speaker 1: And there's only one version and it doesn't work on
most players. So this is from the Verge. It says
Lord fans are clearly struggling to play the CD version
of her new album. Consumers who purchase the special edition
of Virgin released on a transparent plastic disc or reporting
Reddit and TikTok that many CD players car serios and
other sound systems they've tried to play it on are
unable to play it. The transparent CD promoted it as
being fully recyclable, is currently sold out on Lord's web store,
and was the only disc variant available for the Virgin album. So,
in other words, if you don't want the clear CD,
if you want something you can actually play, you can't
even get it. Nope. So that may have come as
a that may have been a welcome compromise for fans,
given the singer opted to forego a CD release entirely
for her twenty twenty one album, Solar Power over waste
and environmental concerns, but little comfort to customers who can't
purchase alternative options. One Reddit user said, quote very cool
looking and I'm not going to return it, but doesn't
work in three of my top players. PC was able
to rip, but the files are not great. There's distortion
and clipping. User unquote. User report it's indicate that older
hardware is less likely to work with the CDD than
devices with newer sensors. So you know, we should just
stress that so people know. It's not that it doesn't
play at all. You just have to have a new,
a very new CD player apparently that is able to
actually read the data on it, because as one person
pointed out, and this isn't from the article I saw
this on. Uh, I saw this on another post. Somebody said, Hey,
you know it's completely clearer. There's no silver coding, but
isn't the silver where the data is stored.
Speaker 35: God, that's true.
Speaker 1: Yeah, yeah, that's true. So apparently it's so so if
you have a newer CD player you can play it,
but older ones car serios won't play it. Uh, it's
it's you're just sol it says here. One TikTok user
demonstrated that her car CD player was an unable to
recognize the disc and said that for seeing the CD
inside resulted in automatic ejection, mirroring similar reports made in
Reddit comments. Uh this redditor said, quote, whoever decided to
design this as an idiot? Cars can't read the CD.
Walkman's can't read the CD. You need to create CDs
that are fit for purpose of for the medium in
which they are played on, which is older technology. Unquote, no, you.
Speaker 44: Should update your technology. But that's your it's your fault.
You didn't update your technology. You're the greatness of the desk.
Speaker 1: If you're a true Lord fan, you know this reminds
me of a there's a podcaster or who we know
who always complains about people not listening to his podcast
on good quality equipment and expects everyone to upgrade their
equipment when they listened to his amazing yes yes, how
he how he knows how people are consuming his content.
I have no idea.
Speaker 44: But what I don't get is, like, didn't they test
it out on They must have, like only played it
on the very best.
Speaker 1: That must That must be what happened.
Speaker 35: Yeah, nobody bothered to go, hey, let me go see
if this will work in my car.
Speaker 1: That that's probably what happened, it says here. Lord has
yet to address any of the issues raised about the
transparent Virgin CD. The official came uh. The official cause
of the playability issues also has not been confirmed. It's
certainly striking. It's certainly a striking disc. CDs with even
partially clear designs are uncommon UH and can be a
hit with collectors. But the lack of functionality in this
example has been a bitter experience for some Lord fans.
Speaker 35: Yeah, I can imagine I got a pretty disc.
Speaker 3: Yeah, I can't play it.
Speaker 1: One TikTok user said, quote, seems like they didn't account
for this pretty disappointing. I know it was for an aesthetic,
but at least press it on normal CDs too. Unquote. Yeah,
that's the other weird thing. It's like, why wouldn't you
also put out out a non clear.
Speaker 35: Edition because they thought that it was going to play
and everything.
Speaker 1: Well, I also wonder if they thought that people might
this is Wow. There's a picture here in this article
two of the disc of someone holding up the disc
and yeah, it's very clear. Yeah, I'd be pretty skeptical,
Like if someone handed that to me and said, here,
play this, I'd be like, uh, what is this? Is
this actually a CD? What are you giving me here? Yeah?
Speaker 44: It looks kind of it doesn't You're right, it doesn't
look like any disc that you've seen before. Yeah, but
it's cute and it's quirky, and if it had played
on everything, it would have been great, And that's probably
why they didn't print regular ones. But then maybe they
should go back and do that now and like offer people,
you know, hey, you bought this disc it's great, but
here's one you can actually listen to, right.
Speaker 35: Like that would be great to do for fans. Yeah,
that would make it better.
Speaker 44: Yeah, but to spend the money to buy the thing
and you can't play the music that it's not just
about aesthetics.
Speaker 35: I mean, you want to hear U's on it.
Speaker 1: Unless they also made the calculation, it's possible that someone
made the calculation that people weren't going to buy this
discs to play it, but people are going to buy
this disc just to have it.
Speaker 35: I think that's silly.
Speaker 1: Well, here's the thing. The only reason I think someone
might have thought that is because, you know my theory
about vinyl. I've said it all the time that when
artists release new vinyl, you know, because some of the
guests that we've had on the show, for example, they'll
they'll do vinyl, And I always say that. My theory
is most people who buy new vinyl don't even have
a record player. They just buy it because they want
to have it, Like, they never even necessarily open it.
They just want to really support that artist, so they'll
buy it just to you know, maybe put the artwork
on the wall or something, or just just to have
it because they want to support that artist, not because
they actually have a record player at home that they're
going to play it on. You know what I mean.
Speaker 35: I do know what you mean, But I honestly think
in this instance, it's just not the equivalency.
Speaker 1: Yeah, I know, I'm just I'm just wondering if someone
maybe had that theory though, Like, maybe somebody had a
theory to my theory about Vioylin they thought it would
have Even if.
Speaker 35: That was the theory, why would you print only discs
that you can't listen to? Yeah, that doesn't make any sense.
Speaker 1: Yeah. Yeah, So it's pretty strange, and apparently it's not
being addressed. I guess it just came out because this
story just broke a couple of days ago.
Speaker 35: I'm sure that she anticipated that the disc was going
to work.
Speaker 44: You know, I highly doubt that it was sold to
her as Hey, we want to print millions of your desk,
but we don't want them to be able to necessarily.
Speaker 35: Play unless you got expensive equipment.
Speaker 45: Yeah yeah, unless you have new equipment, it done work.
That's right, That's right, and that done not good. So well,
hopefully everyone learns something from this.
Speaker 44: Yes, do not make the clear unless they find a
better material to use to make them on that can
actually be read.
Speaker 35: They kind of need the silver part.
Speaker 1: Yeah like that one, the person wrote, absolutely. So another
thing that happened recently. Oh and this this will probably
be a surprise to you because we didn't discuss this,
but this popped into my head. I wanted to say
something about this. So long time listeners of the show,
and of course people who know me personally know that
uh Kiss is my favorite band of all time. You
knew that, right, I think Kiss is my ald time.
Speaker 44: Why there's kiss all over your office? That might be
yes kiss ornament hanging off your light?
Speaker 1: Kiss is my favorite band, uh Kiss. Paul Stanley said
something recently though, that I found rather shocking, really, and
I just I just wanted to address it for the
for the you know a lot of guests that we've
had on the show too or like Kiss, so you know,
this subject comes up. But as Paul Stanley said something
that really surprised me, I was quite taken aback. He
said in an interview, because he's doing a lot of
interviews these days, he and Jine Someone's both are now
that Kisses. You know, they're not touring anymore. They did
their the End of the Road tour.
Speaker 35: They're doing the Hologram tour.
Speaker 1: They're still doing some stuff that's coming later. They are
doing a thing and they're doing a big event in
Las Vegas where they're going to play. So they're you know,
they're still active, but they're not going to play. They're
going to have No, that's something that's something else that's
coming later. No, Kiss actually is playing there. Yeah, so
they're they're still going to do some things here and there,
but but just not like a full tour. That was
the last actual getting on the road, going on tour.
They're in their seventies now. Oh yeah. Paul Stanley said
in a recent interview that he feels, in hindsight, because
he's doing all these interviews talking about, you know, looking
back on Kiss, he feels that, in hindsight, it was
a mistake in nineteen eighty three when they took the
makeup off, because those those four characters that they had
created are so iconic and and uh and and you know,
he didn't think that he didn't think that anything that
they did, could could ever live up to that? And
so on hindsight he feels that that that might have
been a mistake. What do you think, Well, I was
shocked that he said that, because because it was a
complete one eighty from everything he's ever said on the subject,
because everything else any other time, in any interview or
even in his book. He talks about it. In his book,
he talks about it a lot. The decision to do that,
the reason they did it at the time was because,
you know, the makeup on a business level had run
its course. It had seemed Kiss had gone from being
one of the biggest bands in the world to having
a couple of tough years where in the United States,
you know, they had really kind of fallen down and
they needed to change. It was time for a drastic
change in the band. And so it's like Paul the
way Paul talks about it in his book. For example,
in his autobiography, he talks about the conversations he had
about it with Gene because he had to talk Gene
into it. It was Paul's idea, oh, and he had
to know that, and he had to talk Gene into it.
And he said to Gene, he said, we have nowhere
else to go. We have to do this. Because both
when they took the makeup off in eighty three and
when they put it back on in ninety six for
the reunion tour with the original lineup, in both instances,
Paul had to talk Gene into it in both In
both to put the makeup back on. To put the
makeup back on, he had to talk Gene into it too.
Both times he had to talk Gene into it. It
was it was Paul who really wanted to do it,
and you know, and obviously he did talk Gene into it.
And the thing is, so Paul felt they couldn't continue
on at that point in eighty three with the makeup.
They had to make this change. And Paul was like,
you know, not only will not only will it kind
of refresh the band, it's sort of you know, it'll
also proved to everybody, you know, the haters, the doubters,
the critics, you know, that were more than just the
makeup and the flash and all that, and that were
there were real band of course, of course, so they
took the biggest scambal of their career. They actually they
because they were rolling the dice. It was a scary
time for the band, and and Paul talked about that
a lot in his book. Two was a scary time
because this was a big risk, a big gamble, you know,
and they did the unmasking on MTV and whatnot. Turn
turned out. And this is part of why it's so
shocking to me that Paul said this recently turned out
it was the right call because it did it. It
brought them back. You know, they they'd had a couple
of tough years, but they they take the makeup off
and that first single, no Makeup, Lick it up ended
up being a big hit, and they're back. You know,
they're on MTV now and the songs on the radio
and Lick It Up goes platinum, and you know, so
it really brought them back. Now. Granted, during that non
makeup era of the band, they were never as big
as they were during that original makeup era where they
were one of the biggest bands in the world. Yeah,
but they were still doing really well. That was a
successful period that all those albums went platinum. You know,
they were still able to do the arena tours, the
big arena tours. They they didn't have to scale down
and play club or anything like that. So this is
a pretty successful period and so but they had to
do it, like they had to take that risk.
Speaker 35: Did he qualify his statement as to why he thinks
it's a mistake.
Speaker 1: Now, he just said he said that, you know, looking
back on it, he thinks that, you know, they should
have maybe it would have been smarter to stick with
that iconic image that they had created and not tamper
with that. But he's never said that before, and I
was just so shocked because he's always maintained up until
recently that it was the right decision because that's what
they had to do to save the band, and it worked,
It did save the band, and so it's so I
was so shocked when I saw that when he says,
you know, in hindsight, I think it was a mistake.
It was like really interesting, very shocked.
Speaker 44: Did you get older you change your perspectives on how
you see things. I mean, yeah, I can look back
on my youth and go, oh god, you are so ignorant, but.
Speaker 1: There's no window.
Speaker 44: But yeah, we all make decisions. But it's you know,
it is interesting because I mean, like you said, it
kept them, it kept them viable. It kept them making money. Yeah,
it gave them the whole new downsize already, like.
Speaker 1: Yeah, it gave them a whole new you know, I
gave them a big boost, you know.
Speaker 35: Yeah, so that is interesting.
Speaker 31: Yeah.
Speaker 14: Yeah.
Speaker 1: And then and also too, if they had if they
had never taken the makeup off the reunion in ninety six,
when they put the original lineup back together and put
the makeup back on, that wouldn't have meant nearly as much,
you know, Yes.
Speaker 35: I agree, So I agree.
Speaker 44: It would have been like, yeah, whatever, okay, well no,
I mean, it would have been the original lineup, so
there's definitely something to say there. It still would have
been a little bit It wouldn't have been as dramatic
putting the makeup back on, right, right, except for what
a decade?
Speaker 1: Yeah, thirteen years? Yeah, yeah, the non makeup era lasted
thirteen years.
Speaker 35: Did you like the music better during that era or
what's your favorite era of Kiss?
Speaker 1: I love every era of Kiss, but my favorite era
is late makeup era, like, you know, the first half
of the nineties when they were still out of makeup.
That was my favorite era of Kiss. But see, I
mean part of my perspective is when I became a
Kiss fan. They were already out of the makeup for
a couple of years. It was actually Tears Are Falling?
Speaker 44: Well, you were after the makeup? Yeah, yeah, I guess
I kind of assumed you were in it from the beginning. No, no, no,
I was you were a late bloomer.
Speaker 1: Well, yeah, when I really got into Kiss, it was
the video for Tears Are Falling was on MTV. It
was on in heavy rotation actually, and I was I
still remember I was watching MTV one day after school
and the video for Teers Are Falling is on, and
my dad comes home from work and he kind of
pokes his head into the living room and says, Maddie,
who is that is that Kiss? And I said yeah.
He said I really liked this song and I said, oh, yeah,
me too. It's like my favorite song right now. And
I guess he kind of made a mental note of that,
because then he got me that album for Christmas. He
got me a Kiss Asylum was the album, and I
think Kiss fan was born and yeah, and that was,
you know, and I listened to that over and over
and that was when Kiss became my favorite band. But yeah,
so they were already out of the makeup anyway. So
but yeah, and then and then Paul had to talk
Gene into it in ninety six when uh, because they
did the MTV Unplugged where they were able to, you know,
the two guys, the two original guys who were not
in the band at that point, Peter Chris and Ace Raeley,
they were able to join in for a few songs.
So that that kind of that kind of got the
ball rolling. You know, well, maybe we should put the
original lineup back together and do a reunion in full makeup.
Speaker 14: That makes sense.
Speaker 1: But again Paul had to talk Gene into it because
Gene wanted to. He was skeptical and he was like, like,
I like the path we're on now, we should just
keep going with this. And Paul said, now that the
fans want this, and you know, and he was right
because that ended up being that reunion tour that summer
in ninety six, Kiss and Metallica, those were the two
top selling tours of the summer. That's how huge that was.
I mean, it was, it was massively successful.
Speaker 35: So true they did the right thing in the end.
Speaker 1: Yes, yes, So one other quick thing here, and I
think I'd sent this one to you. This is because
we talk about it even came up in our conversation
with Cammy Nicks. We talked on the show a lot
about AI and AI and music, and so this relates
very directly to that. This is from the BBC, AI
claims and a hoax spokesman. Viral band confuses the world
of music. So there's this viral band. This is this
band is AI generated? Check this out. So a band
called The Velvet Sundown has had its tracks played hundreds
of thousands of times on Spotify since appearing several weeks ago,
without anyone knowing for sure what it is. The band
has a verified page on the music streaming platform with
more than eight hundred and fifty thousand monthly listeners. That's
a hit. However, none of the four named musicians in
the band have given any interviews or appear to have
individual social media accounts, and there are no records of
any live performances. It is prompted accusations that they and
their music are AI generated something the band, something the
band denies on social media, not on camera, and the
band did not respond to the BBC's request for an interview.
This is kind of funny, I mean it's scary, but
it's kind of funny at the same time. Further confusing
the story, Rolling Stone reported that the bands spokesman had
admitted The Velvet Sundown's music had been generated using an
AI tool called care to Guess Studio, the one the
one we've used, only for the magazine to UH to
report shortly afterwards that the spokesman was himself a hoax.
Speaker 35: The spokesman was Ai yes oh, I missed that part.
Speaker 1: The man who goes by the name of Andrew Frehlan
UH said it was a deliberate plot to hoax the media.
A statement on the band Spotify page said that the
group has quote no affiliation with this individual nor any
evidence confirming their identity or existence unquote. An account on
x which claims to be the band's official channel is
also fake, it added. Professor Gina Neff from the Mindero
or Mindaru Center for Technology and Democracy. Let's go with
MINDERU because that's fun to say at the University of
Cambridge says it points to a problem which affects much
more than just one band. She said, quote whether this
is an AI band may not seem important, but increasingly
our collective grip on reality seems shaky. The Velvet Sundown
story plays into the fears we have of losing control
of AI and shows how important protecting online information is. Unquote.
The Velvet sundowns indie ballads with guitar music and male
vocals is fairly easy. If bland on the ear with
lyrics such as eyes like film in faded light dreams,
walk barefoot into the night, ash and velvet smoke, and
flame calling out in Freedom's name, it could all feasibly
be either AI generated or appenned by humans.
Speaker 44: Uh yeah, do you remember that happened with me recently?
Yai band an.
Speaker 1: AI band contacted you.
Speaker 35: Well, I contected them.
Speaker 44: The name is Interfury, Yes, and I really liked the
music and thought, oh, these guys are great.
Speaker 1: I'd love to have them on.
Speaker 44: And then I come to find out they are the
creation of one human who created these other humans that.
Speaker 3: Are not human.
Speaker 44: They are AI, and the whole band is is Yeah,
his his musical creation. But in this instance is a
big difference because he said every single lyric has been
written by him.
Speaker 35: Yeah, for this particular band, Interfury.
Speaker 44: So I don't know about the other person, but I
know that all The lyrics to this particular music is
claimed to have been written by the artist.
Speaker 1: Let's see so they have us. I just looked up
on YouTube. I want to I want to check out
the music of the Velvet Sundown. They have a Velvet
Sundown song called dust on the Wind. Not dust in
the Wind, that's that's Kansas. This is dust on the Wind.
Let's uh. I want to hear this and just see
what it's like. Uh, here we go. Oh, it's got
to get through these commercials. It is uh, it is
monetized content. Let's see dust on the Wind.
Speaker 35: I say that's pretty smart.
Speaker 25: Dust on the wind, boots on the ground, smoking the sky.
Speaker 33: No peace, faun rivers run raid the drums are also.
Speaker 3: Tell me brother, where do we go? Raise your hand
all away, sing how loud?
Speaker 5: Hey coma pay.
Speaker 3: Much hoopy note fau pride, Let.
Speaker 1: That fly turn with the child. M hm, well it
sounds very pro war.
Speaker 3: Let's fly.
Speaker 33: You think it's pro Mama praise, while Young Manda.
Speaker 1: Sounds like it. Yeah, it's it sounds like it's we
we still got time to make a stand. God time
made It's a it's a lyric video that I'm playing
it from that's why the lyrics.
Speaker 33: Look away, sing down loud, may compay.
Speaker 3: Much happy note f pride.
Speaker 1: I gotta say I love this AI generated voice. It's voice.
Speaker 35: Yeah, that's kind of an issue.
Speaker 44: Because all the ones I've heard so far, but actually
really good. So that's that's kind of boo. Oh yeah, yeah,
I want to I just want to know what is
AI and what is human?
Speaker 1: That's what I want to know.
Speaker 44: Yeah, I think there should be a little disclaimer or something. Yeah,
like this is my creation, but the band is Magic,
the Velvet Sundown. I'm curious if I can find anything else.
Speaker 1: Of there here.
Speaker 44: Uh so you should check out that Interfury one. Yeah no,
you showed me that, Yeah yeah, yeah, oh yeah I
did show it too.
Speaker 1: Oh. They've got a whole album called Dust and Silence,
Dust and Silence. Yeah, let's see.
Speaker 35: This was the song though, wasn't it dust, Dust on
the Wind, on the Wind.
Speaker 1: This one's called let It Bird.
Speaker 33: Flicker, lights on silver sad, marching ghosts with no commands,
velvet boots on mirrored ground, drums of thunder distance.
Speaker 5: Promises, e static blue.
Speaker 1: Yeah. I mean it is a little bland, but all
right there it is the world Radio premiere of The
Velvet Sundown.
Speaker 3: No, we don't close your eyes and smoke these.
Speaker 1: I'm looking at these song titles. I do too. I'm
looking at these song titles and this titles like Driftwood,
Soul Jurors, where War Remains. Oh yeah, this is all.
There seems to be a theme war debt yeh Crimson Parade.
Speaker 3: Oh isn't that a pretty image?
Speaker 1: Mm hmm.
Speaker 13: Yeah.
Speaker 1: There's a lot of stuff in the lyrics about waving
flags and maybe the person making people pay, the person.
Speaker 35: Created maybe be a veteran. Maybe you like, do we
know anything about the creator?
Speaker 1: No, we don't know anything about just that they're not
real and there.
Speaker 35: And their contact isn't real either, right, spokesperson.
Speaker 1: The spokesperson was not real. There's an AI generated picture
of them, of the band.
Speaker 35: They saw that when I was looking at it.
Speaker 1: They look like uh, but the one.
Speaker 35: Yes, but you can tell like at least the one
on the right hand side.
Speaker 1: Looked like he was AI.
Speaker 19: Yeah.
Speaker 1: They kind he doesn't look like he's They kind of
look fake. Yeah. Yeah, Well yeah, that's where we are.
Speaker 21: Now.
Speaker 1: There you go, there you go, all right, Well we'll
begin to wrap up. We're almost out of time.
Speaker 35: Oh my goodness.
Speaker 1: Yes, I hope everyone had a safe Fourth of July.
Speaker 35: Absolutely, I hope you're stuff with hamburgers.
Speaker 3: And hot dogs.
Speaker 1: Oh, and there is a new Tough Bumps up, Eric
and I did it yesterday. Tough Bumps Episode ten is up.
You can find that online. And Jenny, you want to
You're always up to a lot of stuff. You want
to mention your website.
Speaker 44: Hi, you can always check me out at Jencoffee dot com.
J E n n c O f f ui dot com.
And I was told yesterday I have some things coming up,
so stay tuned.
Speaker 1: Very good, very good. And if you want to know
more about me and everything, I'm up to Matt Connerton
dot com. And thank you again of course everyone who
joined us today, Cammy Nix And in the second hour
we had a congregation x they sounded amazing. And in
the first hour we had Shanna Trehan, author of The
Anxiety Fix. That was a very interesting conversation. And if
you miss any part of today's show, it will be
up in just a little bit at wmnhradio dot org
and at my website Matt Connerton dot com. And I
also want to mention before I play the show's outro music.
That all the new music that you hear on the show,
the bumper music, the new theme music. Everything that is
our friend Dylan Reynolds from Adam Bomb. Wait. I want
to make sure I get this right because I think
I said the name of his service wrong the other day.
I want to look at the logo because I want
to give you the website too, for anyone who's interested. Oh, yeah,
Dylan does great work. Yeah, so Adam Bomb is great,
Adam Bomb Artwork and audio, and the website is adambom
artwork dot com. Adam as an a t O m
Adam Bomb, and yeah, Dylan's amazing. We love our friend
Dylan Reynolds. So with that we shall bid you ado
and and we'll talk at you all next week. Thanks everybody,
Bye bye.
Speaker 31: You are listening to WMNHLP ninety five point three FM,
broadcasting from the top of one thousand Elm Street. Our
studios are located at one nineteen Canal Street and licensed
to Manchester Public Television Service in Manchester, New Hampshire.
Speaker 39: Contact us by email at wm n H nine five
three at gmail dot com, or through our website at
wm Nhradio dot Org.
Speaker 14: It's Luigi's Pizza Barren Grill.
Speaker 46: Yea around the table, beasting on some dreams past. Let's
not call thems eyes with true Then it sings baking
cheesy fries, wild high jass draws us near specialty pieces
in the air.
Speaker 25: Romans Fields Here Luigi's Pizza Barren Grill, seven to twelve
Valley Street, Manchester, opened seven days a week. Come on
in or call six two two one zero two one.
Luigi keeping the tradition alive since nineteen seventy five.
Speaker 26: In times of crisis, you need a law firm that
stands by your side. With over forty years of experience,
Craig and Gatzulis is dedicated to fighting for your rights.
As former state prosecutors are at two Jarneys have the
knowledge and trial experience to provide an aggressive defense against
any charge, from DUIs to homicides. If you've been injured,
our compassionate team will assess your case and fight for
the compensation you deserve. Serving all of New Hampshire, Craigan
Getzulis is here when you need us most. Craigan Getszulus,
your advocates, your.
Speaker 25: Allies, bring your kitchen to life with Queen City Cabinetry,
located at eighty seven Elm Street in the historic Sunbeam
Mall in Manchester.
Speaker 14: Open Monday through Friday nine.
Speaker 25: Am to five thirty pm, in Saturdays ten am to
two pm. They can be reached at six h three
two two two to zero zero seven or on the
web at Queen citycabinetree NH dot com. Come see the
possibilities Queen City Cabinatry, another proud sponsor of WMNH. Disneys
Cafe is a place to put a smile on your face.
Judy and the crew will take care of your appetite,
intrigueer taste bus Ruy Disneys Cafe is always a winning
choice breakfast, lunch or supper. Dizney's Cafe at eight sixty
Elm Street in downtown Manchester. Dine in, takeout or make
a reservation call six oh three, six oh six two
five three to two each, drink and be happy Dizze's Cafe.
Speaker 2: You are listening to.
Speaker 39: Wm NHLP Manchester's radio.
Speaker 31: Broadcasting from the top of one thousand Elms Street Eights.
Our studios are located at one nineteen Canal Streets. I'm
like It's to Manchester public television service in Manchester, New Hampshire.
Speaker 39: Contact us by email at wm NH nine by three
at gmail dot com, or through our website at wmnhradio
dot org.