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<v Speaker 1>My story, the Adventure of the Empty House.

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<v Speaker 2>Well, here we are as usual and doctor Watson's hospital

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<v Speaker 2>study already and waiting for a weekly treat.

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<v Speaker 1>What's it to be tonight, Doctor Watson? Tonight? I think

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<v Speaker 1>I'll tell you how Homes made an unexpected and I

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<v Speaker 1>may say the medic return after many years absence. And

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<v Speaker 1>I've always said it's a good thing to absent yourself

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<v Speaker 1>from time to time, makes people appreciate you when you

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<v Speaker 1>come back. That's what Holmes said the time he was

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<v Speaker 1>missing for three years. Three years, that's a pretty long

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<v Speaker 1>lapse of time. Yes, it was rather everyone thought he

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<v Speaker 1>was dead. What horrible time that was. I couldn't bear

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<v Speaker 1>to live in our own lodgings in Baker Street, associations

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<v Speaker 1>and everything. That's funny, how sentimentally all are underneath. I've

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<v Speaker 1>taken him back forth is in a more fashionable part

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<v Speaker 1>of down and reassumed my medical practice. Because after Holmes

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<v Speaker 1>had succeeded in driving Professor Moriarty out of England, we

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<v Speaker 1>all believed Homes had sacrificed his life to rid society

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<v Speaker 1>of that evil spirit. That sounds terrifically exciting.

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<v Speaker 2>Doctor Water tell us how Holmes managed to put a

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<v Speaker 2>finished morialty.

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<v Speaker 1>What cannot Professor Murray off? And before I've told you

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<v Speaker 1>the rest of our adventures with him, I should say

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<v Speaker 1>not never catch me throwing away good material. Let's get

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<v Speaker 1>down to cases fair enough, very well. It was in

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<v Speaker 1>the spring of the year eighteen ninety four when all

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<v Speaker 1>of London, the fashionable world in particular, was dismayed by

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<v Speaker 1>the death under most unusual circumstances, the Honorable Ronald Adair,

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<v Speaker 1>that lack of The young gentleman was the second son

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<v Speaker 1>of the Earl of Maynooth. He lived together with his mother,

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<v Speaker 1>the Countess of Maynooth, and his sister Hilda, at four

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<v Speaker 1>twenty seven Park Lane. The youth moved in the best society,

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<v Speaker 1>but was very fond of cards, played continually ah piling

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<v Speaker 1>up gambling that she couldn't pay well. As a matter

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<v Speaker 1>of fact, it came out in evidence that he had

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<v Speaker 1>actually run as much as four hundred and twenty pounds

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<v Speaker 1>in one sitting at his club the week previous from

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<v Speaker 1>Godwin Miller and Lord Balmorrel. I believe it was his

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<v Speaker 1>partner was a certain Colonel Morad but then he must

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<v Speaker 1>have been well. I head of the game look right.

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<v Speaker 1>And yet it was to this easy going, likable, I

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<v Speaker 1>might even say lucky, young aristocrat, that death came in

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<v Speaker 1>a most strange and unexpected form. On the night of

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<v Speaker 1>the March the thirtieth, the return from this club shortly

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<v Speaker 1>after ten, his mother and sister having gone to the opera,

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<v Speaker 1>The butler Peter swore that he heard him enter the

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<v Speaker 1>front room on the second floor, literally used as his

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<v Speaker 1>sitting room. The night being chilly, he had did a fire,

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<v Speaker 1>and as it showed a tendency to smoke, one of

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<v Speaker 1>the front windows had been opened about four inches. Nothing

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<v Speaker 1>further us had from this sitting room until eleven thirty,

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<v Speaker 1>the hour of the return of Lady Maynooth and her daughter.

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<v Speaker 1>Peter's testified that her ladyship seemed rather agitated.

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<v Speaker 3>Vicious Hilda, I den care, I'm chilled to the bone,

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<v Speaker 3>and time.

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<v Speaker 1>My oh, Peter's will you help me with my carriage boots?

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<v Speaker 1>You returned so early. I trusted the opera was not

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<v Speaker 1>a disappointment.

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<v Speaker 3>No, Indeed, Peter's wish heaven me. Namma can never bear

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<v Speaker 3>to stay for the death scenes at the end, so depressing.

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<v Speaker 3>I always think, Wanama, I've always thought calm and was

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<v Speaker 3>terribly gay just because he knife said her last scene

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<v Speaker 3>does know, I know, but.

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<v Speaker 1>So primitive, so brutal. And that bit in the gypsy camp.

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<v Speaker 3>Where Calmon keeps turning up the ace of.

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<v Speaker 4>Spades, the card of death, I well, I had the

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<v Speaker 4>queerest foreboding during that scene, as though Ronnie needed me.

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<v Speaker 1>Oh dear, I do wish you wouldn't play with so often.

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<v Speaker 1>It's good for him. A boy his age should have

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<v Speaker 1>other interests. I wish I could get that Ace of

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<v Speaker 1>Spades out of my mind.

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<v Speaker 4>I can't help feeling it means something.

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<v Speaker 3>Oh nonsense, mamma, you've just giving yourself another case of

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<v Speaker 3>the piget. The English climate that's depressing you.

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<v Speaker 1>That's all.

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<v Speaker 3>One day of sunshine and you'll be as gay as

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<v Speaker 3>a laugh.

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<v Speaker 4>I'm sure, I hope so, Oh dear, listen to that wind,

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<v Speaker 4>fog and rain, rain and hoog Peters.

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<v Speaker 1>Has mister Gonald come in yet? Yes, milady, over an

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<v Speaker 1>hour ago. He's upstairs in.

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<v Speaker 5>His sitting room.

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<v Speaker 1>Well, thank Heaven for that. I think I'll just go

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<v Speaker 1>up and say good night to him.

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<v Speaker 3>That's right, mamma. Make sure he isn't sitting in a

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<v Speaker 3>draft Kilda.

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<v Speaker 4>Really, I declare, I don't know what children are coming

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<v Speaker 4>to nowadays, no respect for their parents.

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<v Speaker 1>Good night, and you're not to sit up in all

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<v Speaker 1>ours mine?

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<v Speaker 3>No, Mama, really, I don't know how young girls nowadays

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<v Speaker 3>expect to keep their looks if they never go to bed.

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<v Speaker 1>Oh, dear that.

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<v Speaker 4>Wind, it's so eerie, Ronnie, Ronny, dear it's mother.

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<v Speaker 5>Why it's locked?

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<v Speaker 3>The door's locked, Ronnie? Are you all right, bunny, Ronnie?

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<v Speaker 4>He's looking tilling.

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<v Speaker 3>He doesn't answer, peteres Peter, Oh, come quickly afraid?

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<v Speaker 4>Oh Monny, why don't you answer?

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<v Speaker 1>No, don't worry me, lady.

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<v Speaker 3>He's probably fallen asleep, Robbie.

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<v Speaker 5>Oh, here's I'm fighting Peter's he just cut.

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<v Speaker 2>Them with the door down.

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<v Speaker 3>I can cry, my lady now then both together.

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<v Speaker 1>H yeah, he's lady, I've fallen asleep at the disk.

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<v Speaker 4>But he looks so strange, can't stat it everywhere And

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<v Speaker 4>look there.

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<v Speaker 3>The ace of stage, there's blood on it. Blood looking

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<v Speaker 3>onto the topet Ronnie. Oh, Peter's quick, help me, she's fainted.

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<v Speaker 4>Put it on the couch.

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<v Speaker 1>Shall I call the doctor? Miss long? Never mind, mother,

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<v Speaker 1>it's rolly.

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<v Speaker 5>We have to worry about.

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<v Speaker 3>Maybe it's not too late. Oh Ronnie, Oh his head?

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<v Speaker 5>How horrible?

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<v Speaker 1>Shot with a soft bullet? Did it not look miss?

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<v Speaker 1>It's not nice, Ronnie Darling. Why did you do it?

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<v Speaker 1>He didn't, miss, but Peters, he must have.

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<v Speaker 5>The door was locked on the inside. It's not suicide,

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<v Speaker 5>Miss Hilda, it's murder.

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<v Speaker 1>Mister Ronnick couldn't have done it.

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<v Speaker 6>There's no weapon anywhere in the room.

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<v Speaker 1>But look here, doctor Watson.

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<v Speaker 2>Ronald Adare was in the second story sitting room with

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<v Speaker 2>the door locked on the inside.

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<v Speaker 1>Exactly, mister Hallis. Furthermore, he was in the room alone, yes,

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<v Speaker 1>but if someone else shot him, how is that possible?

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<v Speaker 1>That's what puzzled the authorities. No one could have climbed

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<v Speaker 1>up to the open window without leaving traces of some sort.

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<v Speaker 1>The outside wall was perfectly smooth, no ivy, no water paths. Furthermore,

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<v Speaker 1>there was a drop of over twenty feet from the

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<v Speaker 1>window to the ground.

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<v Speaker 2>Well, then the murderer couldn't have been in the room

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<v Speaker 2>with younger there. He must have shot at him from

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<v Speaker 2>the streak.

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<v Speaker 1>The law nem that the window was open only four

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<v Speaker 1>inches and the glass was not shattered. That would be

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<v Speaker 1>a pretty remarkable shut down. Furthermore, Park Lane is not

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<v Speaker 1>an unfrequented thoroughfare, and there is a cab stand within

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<v Speaker 1>fifty yards of the house, and yet no one heard

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<v Speaker 1>a shot. Nicetycle problem exactly. Scott and Yard was at

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<v Speaker 1>its wits end. Our old friend inspected a straw, even

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<v Speaker 1>when Sir follows to consult me in the matter, knowing

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<v Speaker 1>how familiar I was with Holme's method of deduction, and

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<v Speaker 1>so I promised to have a look at the facade

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<v Speaker 1>of Lady Maylwood's house in Park Lane to see if

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<v Speaker 1>anything suggested itself to me. And did it now, mister,

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<v Speaker 1>it's you're anticipating again, all right. Well so it was

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<v Speaker 1>but around six o'clock that evening I found myself at

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<v Speaker 1>the Oxford Street end of Park Lane. The heterogeneous connection

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<v Speaker 1>of loafers on the pavement, all standing up at the

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<v Speaker 1>particular window directed me to the house I had come

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<v Speaker 1>to see it. Well, good evening, Constable, good Dr Watson, Sir,

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<v Speaker 1>I've told you i'd be dropping around. We'll look at

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<v Speaker 1>single crime. Yes, nice little crowd you've connected here. Happened

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<v Speaker 1>like a good.

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<v Speaker 7>Murder to bring him out of their out and look

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<v Speaker 7>at that old cutty up there with the white whiskers,

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<v Speaker 7>pushed his way up to the fire. He ain't been

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<v Speaker 7>out of doors for much the speed.

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<v Speaker 1>Dusty does in the bibli file to watch the book.

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<v Speaker 1>Lever noticed the titles of the volumes under his arm

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<v Speaker 1>and say, let's have a look in tree worship, same

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<v Speaker 1>language of the druids life in early crete evidence that

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<v Speaker 1>collects obscure volumes, either as a trade or a hobby,

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<v Speaker 1>will and they would have noticed.

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<v Speaker 7>I'll added to you, doctor Watson, you're almost as good

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<v Speaker 7>with your deductions as mister Sherlock Holmes himself.

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<v Speaker 1>Elementary, My dear constable elementary a bad cough luncondition. Probably, well,

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<v Speaker 1>that doesn't seem to be anything much to discover. No

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<v Speaker 1>possible way of scanning the front of the building from below.

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<v Speaker 1>How about the roof could have come across from another building?

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<v Speaker 1>Now spects five.

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<v Speaker 7>That first thing, groops all divided off with iron bars

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<v Speaker 7>spikes on them, was easy to break into the Bank

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<v Speaker 7>of England.

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<v Speaker 1>We'll never be getting on home. Yes, I see, even

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<v Speaker 1>homes couldn't solve this.

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<v Speaker 5>Here.

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<v Speaker 2>Here's look where you're going, you clumsy fool, I say,

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<v Speaker 2>And I'm terribly sorry.

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<v Speaker 1>I hope you're not her who cares about me? It's

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<v Speaker 1>my books that matter. Struck them right down in my hand.

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<v Speaker 1>Everything you are lying all over the road, my dom

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<v Speaker 1>nick covers. Oh please let me pick them up. You don't.

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<v Speaker 1>Don't you touch them?

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<v Speaker 5>You've done enough.

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<v Speaker 1>Damn it already messy gives such a miss. Nobody appreciates

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<v Speaker 1>good books. Start at least let me apologize.

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<v Speaker 5>I go way, don't bother me.

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<v Speaker 1>Can't you see I'm busy? Whom can't you? You're sure

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<v Speaker 1>knew you're standing around here? Well maybe it's right, uh,

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<v Speaker 1>good night? Possible? But not doctor stars let a pad

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<v Speaker 1>me case he wants me all while I was out rosy,

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<v Speaker 1>Oh good, maybe my luck is in tonight. At that

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<v Speaker 1>time I had a peaceful evening at home. I spoke

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<v Speaker 1>too soon? See what it is this time? Rosy? Coupon

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<v Speaker 1>measles no more ribs is an a simese twin doctor

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<v Speaker 1>con call is so old? And that's whatever? Who is it?

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<v Speaker 1>And what does he think he has?

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<v Speaker 3>Patient?

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<v Speaker 5>Sir? No?

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<v Speaker 3>What then, sir, he's a white whiskers said to tell

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<v Speaker 3>you it was your biblopool calling?

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<v Speaker 1>What? Oh the BLI you're surprised to see me so soon?

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<v Speaker 1>What hell are you do? Come in? Come me that?

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<v Speaker 1>Thank you, thank you, that's all it, yes, sir, Oh,

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<v Speaker 1>please it down. I hope you recovered from the bump

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<v Speaker 1>I gave you.

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<v Speaker 2>That's what I came to see you about, doctor once

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<v Speaker 2>tonight is I've got a conscience, sir.

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<v Speaker 5>And when I chanced to.

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<v Speaker 2>See you come into this house, I came hobbling after

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<v Speaker 2>you because I said to myself, I'll just step in

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<v Speaker 2>and see that kind gentlemen and telling min I'm sorry

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<v Speaker 2>I was a bit crap a while back and at

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<v Speaker 2>New Harmed and I'm much obliged for offering.

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<v Speaker 1>To pick up my book, not at all. And maybe

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<v Speaker 1>you connect books yourself. Well, no, I can't say that.

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<v Speaker 1>I don't and I'm never too late to learn. Now

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<v Speaker 1>here's a copy of British Birds and.

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<v Speaker 2>And here's a very fine or perhaps this this Holy

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<v Speaker 2>War would be more in your life. Well, I don't

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<v Speaker 2>work in every one of them with five volume, which

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<v Speaker 2>you could just fill.

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<v Speaker 1>That gap on the second shelf. So I'm tiny, Maria Watson,

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<v Speaker 1>quite unlike your own self. Wolves. Obviously, I wondered how

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<v Speaker 1>long it it take you to penetrate.

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<v Speaker 2>By the sky. And you're not you're you're you're not

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<v Speaker 2>you're reasoning, my dear Watson.

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<v Speaker 1>As usual, it's follows. I'm the hem to think that easy?

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<v Speaker 1>What easy? Easy?

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<v Speaker 2>In my by, I think I sit down, it's a

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<v Speaker 2>very good idea. I'd better have a nip with this branded.

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<v Speaker 1>My dear once in a thousand apologies. I had no

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<v Speaker 1>idea you'd be so affected. But I am not made

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<v Speaker 1>of chills the steel like you that we were. Oh,

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<v Speaker 1>where's my branding? Here you are, that's sus it's really

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<v Speaker 1>you standing here in my study. Well then, Heaven why

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<v Speaker 1>you you?

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<v Speaker 5>You?

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<v Speaker 1>You old red from How in Heaven's name did you

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<v Speaker 1>ever come back alive out of that deadpool castle where

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<v Speaker 1>who had Professor Murriarky met his death? It's quite simple.

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<v Speaker 1>I was never there, yes, but good Heaven's homes. It's

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<v Speaker 1>been three years. You you you let us believe you

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<v Speaker 1>were dead all that time out I was that nice.

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<v Speaker 2>I am not not nice, Watson, but necessary you see,

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<v Speaker 2>Marie Artists gang was still to.

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<v Speaker 1>Be dealt with.

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<v Speaker 2>I was much safer if they believed I'd met my

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<v Speaker 2>death at the same time as there his leader, the

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<v Speaker 2>three years I've been living in disguise, cracking the members

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<v Speaker 2>of that foul brotherhood at the ends of the earth.

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<v Speaker 2>Now I'm happy to say there's only one left to

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<v Speaker 2>be dealt with.

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<v Speaker 1>But a little look here is rid in't you? Why

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<v Speaker 1>didn't you let me know who you were? And I

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<v Speaker 1>but I'd dumped into and parplay just now.

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<v Speaker 2>Because my dear Watson, you are being watched by the

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<v Speaker 2>man I'm after, the last of Mariotti's gang.

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<v Speaker 1>Good heavens, who is he?

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<v Speaker 2>Someone you doubtless know, Watson. You may have even played

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<v Speaker 2>whist with him on numerous occasions and lost. Most people

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<v Speaker 2>lose when they play with the Tiger, as Mariotti used

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<v Speaker 2>to call him, the clever man, Watson, very clever. He

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<v Speaker 2>not only suspects that I'm alive, he even guesses I've

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<v Speaker 2>returned to London.

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<v Speaker 1>Good Lord, Yes, but I mean to take advantage.

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<v Speaker 2>Of this cleverness. I've set a trap for him. I

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<v Speaker 2>expect to catch my tiger to night to night exactly.

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<v Speaker 2>I don't suppose you'd care to come along, you you.

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<v Speaker 1>You just try to prevent me, That's all I have

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<v Speaker 1>to say. If they wait till I get my hat

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<v Speaker 1>and stay.

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<v Speaker 2>I think you'll find your old army revolver a little

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<v Speaker 2>more appropriate.

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<v Speaker 5>Watson.

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<v Speaker 1>Mm hmmm, I said, Holmes. Do we have to do

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<v Speaker 1>all this pussy footing down dark mus and through smelly stables? Absolutely, mydea.

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<v Speaker 2>Watson's essential that we should not be followed at this

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<v Speaker 2>stage of the game. Yes, we pasted Manchester Street and

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<v Speaker 2>Blandford Street.

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<v Speaker 1>Yeah.

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<v Speaker 2>Down this narrow passage, good lord, it's as dark as

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<v Speaker 2>the black hole of calc Cutter.

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<v Speaker 1>Yeah. Scale this fence. Scale the fence. Now, don't kill me.

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<v Speaker 1>You let yourself get out of condition during my hands

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<v Speaker 1>and certainly not only do you think it's quite dignified?

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<v Speaker 1>And probably not? But who'll ever know? Will you?

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<v Speaker 5>All right?

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<v Speaker 1>Uh uh? I r in the knees of my trouds.

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<v Speaker 1>Will stop doubling, Watson and come along. We've got to

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<v Speaker 1>get into this house. Yes, but look here, it's a

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<v Speaker 1>it's an empty house. Might might wires elected it? Now,

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<v Speaker 1>where did I put that key? And tell me you're

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<v Speaker 1>not going to pick the lock homes. You're losing your grip. Quiet,

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<v Speaker 1>Come in easy? Does it shut down on you? Gentle,

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<v Speaker 1>my dear Watson. Well, I'm doing my best. There was

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<v Speaker 1>a draft were now bought.

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<v Speaker 2>Come along upstairs, we should get a good view from

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<v Speaker 2>the windows of the upper front room in our homes.

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<v Speaker 1>Is something spooky about an empty house? A strange noise

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00:16:40.120 --> 00:16:51.960
<v Speaker 1>is board squeaking easy kurnd a corner. Here be with me, absolutely, ah,

305
00:16:52.080 --> 00:16:54.759
<v Speaker 1>this is the room excellent.

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<v Speaker 5>The light from the steet length all the illumination we

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<v Speaker 5>shall need.

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<v Speaker 1>Look here, homes. There's something familiar about this street out there.

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<v Speaker 2>Well, of course it's it's Maker Street exactly. We're in

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<v Speaker 2>Camden House, which stands opposite our old quarters, and.

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<v Speaker 1>You have no wonder it would look familiar. But why

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<v Speaker 1>stationed ourselves here?

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<v Speaker 2>Because it commands an excellent view of our historic dwelling.

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<v Speaker 2>Might I puble you, my dear Watson, to flow a

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<v Speaker 2>little nearer to at the window, taking every precaution not

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<v Speaker 2>to show yourself right, and then look up at our

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00:17:23.359 --> 00:17:23.960
<v Speaker 2>old rooms.

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<v Speaker 5>We can see if three years of absence have entirely

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<v Speaker 5>taken away my power to surprise you.

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<v Speaker 1>Well, the winners of our sitting room are added. I

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<v Speaker 1>see there's a man sitting in front of the one. Well,

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<v Speaker 1>if here it's you, the letter that is Aditi's your silhouette.

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<v Speaker 5>If the bus stop made it be exact. Anything else

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00:17:42.079 --> 00:17:43.039
<v Speaker 5>of interest in Baker Street.

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<v Speaker 1>Let's see, there's two directive looking fellows leaning against a

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<v Speaker 1>lamp of excellent Watson, and I effected them. Whome's good,

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00:17:50.799 --> 00:17:53.559
<v Speaker 1>heavens your head. I mean the dummy It moved.

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<v Speaker 5>Of course, our old friend, missu Hudson has orders to

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<v Speaker 5>move it from below.

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<v Speaker 1>From time to time. This knocks that standing at the door.

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<v Speaker 2>Yes, I felt a draft. By all that's holy, he's

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<v Speaker 2>going to operate from inside this building. I expected to

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00:18:08.519 --> 00:18:11.279
<v Speaker 2>get work from the street as he did before. Quick Watson,

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<v Speaker 2>we've got to get out of here. You probably want

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00:18:12.920 --> 00:18:13.319
<v Speaker 2>this window.

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<v Speaker 1>You mean, whoever we're offering, he's coming in here, and

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00:18:16.160 --> 00:18:22.240
<v Speaker 1>of course, quick wats may have coming from. Yeah.

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<v Speaker 5>Stand in the shadow where we can watch him without

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00:18:25.039 --> 00:18:25.519
<v Speaker 5>being seen.

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00:18:28.880 --> 00:18:30.079
<v Speaker 1>I hear footsteps.

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00:18:31.160 --> 00:18:33.160
<v Speaker 5>He's coming quiet a few value your life.

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00:18:36.680 --> 00:18:39.440
<v Speaker 1>Standing in the doorway, and his face is in the

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00:18:39.480 --> 00:18:40.319
<v Speaker 1>shadow of his hat.

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00:18:41.240 --> 00:18:44.119
<v Speaker 5>But he's got his eyes blazed in the dark like

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00:18:44.240 --> 00:18:51.920
<v Speaker 5>a cat's, like a tiger's Watson. He's crossing to the window.

346
00:18:58.720 --> 00:19:00.200
<v Speaker 1>He's raising the window not.

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00:19:00.359 --> 00:19:02.039
<v Speaker 5>Very far, Watson, that won't be necessary.

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00:19:02.839 --> 00:19:06.319
<v Speaker 1>Speak. He's walking, Steak, where's he going to get out

349
00:19:06.319 --> 00:19:06.720
<v Speaker 1>of the window.

350
00:19:07.000 --> 00:19:10.079
<v Speaker 2>It's a gun, Watson, devolition invention doesn't make a sound.

351
00:19:10.559 --> 00:19:13.119
<v Speaker 2>He's going to make a shot at my silhouette. When

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00:19:13.200 --> 00:19:15.759
<v Speaker 2>we hear the window across the street crash, we know

353
00:19:15.920 --> 00:19:16.400
<v Speaker 2>he's fired.

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00:19:18.039 --> 00:19:18.720
<v Speaker 1>He's aiming.

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00:19:21.720 --> 00:19:28.359
<v Speaker 2>Kidding Watson, moren't put your happy I squeeze and.

356
00:19:30.400 --> 00:19:30.920
<v Speaker 5>You don't.

357
00:19:31.480 --> 00:19:37.720
<v Speaker 1>Ah, Watson, what's me all right? I knock him out here? Absolute?

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00:19:39.759 --> 00:19:40.319
<v Speaker 1>What's that for?

359
00:19:40.599 --> 00:19:42.599
<v Speaker 2>Those two men from Scotland Yard down to the street

360
00:19:42.640 --> 00:19:45.519
<v Speaker 2>leaning against the lamp post. I must say I thought

361
00:19:45.559 --> 00:19:47.720
<v Speaker 2>our friend here would do his dirty work outside so

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00:19:47.839 --> 00:19:51.920
<v Speaker 2>they could deal with him firsthand. Ah, here come the regulars.

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00:19:54.599 --> 00:19:57.359
<v Speaker 1>Well, well, if it isn't the star human, it is

364
00:19:57.759 --> 00:20:00.480
<v Speaker 1>to dumb myself. And maybe we weren't glad to get

365
00:20:00.480 --> 00:20:03.359
<v Speaker 1>your message. It's struttled your half an hour ago. Although

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00:20:03.440 --> 00:20:06.079
<v Speaker 1>I must say we've done pretty well down there in your.

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00:20:06.039 --> 00:20:10.839
<v Speaker 2>Absence, really solved Ronald adair mystery. Yet oh well, that

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00:20:11.039 --> 00:20:13.400
<v Speaker 2>is all sleeping beauties.

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<v Speaker 5>He's becoming true.

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<v Speaker 2>Gentlemen, allow me to present Colonel Sebastian Moran later her

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00:20:18.720 --> 00:20:22.720
<v Speaker 2>Majesty's Indian Army. I believe I'm correct, Colonel in saying

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<v Speaker 2>that your bag of tigers still remains unrivaled.

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<v Speaker 1>You'll go to blazers. Yes, a remarkable shot.

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00:20:28.400 --> 00:20:30.279
<v Speaker 2>You and your air gun were invaluable to the late

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00:20:30.279 --> 00:20:31.119
<v Speaker 2>Professor Moriarty.

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00:20:31.519 --> 00:20:33.480
<v Speaker 1>I might have known that, wasn't you in the window?

377
00:20:33.640 --> 00:20:37.640
<v Speaker 2>Quite I'm surprised that such a simple spatigemen could deceive

378
00:20:37.799 --> 00:20:38.680
<v Speaker 2>so old a shaikha.

379
00:20:39.160 --> 00:20:39.960
<v Speaker 1>What do you mean by that?

380
00:20:40.799 --> 00:20:42.960
<v Speaker 2>How often, colonel, have you covered a goat to a

381
00:20:43.079 --> 00:20:45.960
<v Speaker 2>tree lain above it with your rifle and waited for

382
00:20:46.039 --> 00:20:49.960
<v Speaker 2>the bait to attract your tiger? This empty house is

383
00:20:50.079 --> 00:20:54.079
<v Speaker 2>my tree. You are my tiger, the only difference being

384
00:20:54.160 --> 00:20:56.039
<v Speaker 2>that I did not care to be the goat myself.

385
00:20:57.039 --> 00:20:58.079
<v Speaker 2>Take him away, Let drat.

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<v Speaker 1>Just a moment. You can't arrest me.

387
00:20:59.759 --> 00:21:01.720
<v Speaker 7>But a shot at the dummy, not even if it's

388
00:21:01.720 --> 00:21:02.640
<v Speaker 7>a dummy or shello.

389
00:21:02.480 --> 00:21:05.480
<v Speaker 2>Comes just quite quite, I rescue for the murder of

390
00:21:05.559 --> 00:21:08.640
<v Speaker 2>the Honorable Ronald Adare because you are the only man

391
00:21:08.720 --> 00:21:11.359
<v Speaker 2>alive capable of shooting a man through the slightly opened

392
00:21:11.359 --> 00:21:14.680
<v Speaker 2>window from the steak below without being heard. A truly

393
00:21:14.759 --> 00:21:18.680
<v Speaker 2>remarkable shot, Colonel, A poor remarkable That's how I.

394
00:21:18.720 --> 00:21:19.559
<v Speaker 1>Knew you were the murderer.

395
00:21:21.119 --> 00:21:23.960
<v Speaker 2>And I'll come along you Rank bring that stick. Are

396
00:21:24.519 --> 00:21:30.480
<v Speaker 2>you needed this evidence? Well, Watson, what do you say?

397
00:21:30.519 --> 00:21:32.920
<v Speaker 2>Shall we step across the street bar Old Cooper Sriter.

398
00:21:33.559 --> 00:21:36.039
<v Speaker 2>I think you'll find everything just as it used to be,

399
00:21:36.440 --> 00:21:39.519
<v Speaker 2>and I'm sure missus Hudson is anxiously awaiting us.

400
00:21:39.640 --> 00:21:42.119
<v Speaker 1>With sandwiches and a steaming part of coffee.

401
00:21:42.200 --> 00:21:42.400
<v Speaker 5>Ah.

402
00:21:42.680 --> 00:21:45.200
<v Speaker 1>You see, I remember your weakness, smilingness.

403
00:21:45.359 --> 00:21:46.039
<v Speaker 5>I like that.

404
00:21:58.960 --> 00:22:01.319
<v Speaker 1>And that, mister Harris, is the story of how I

405
00:22:01.440 --> 00:22:04.640
<v Speaker 1>went to live in Baker Street again and started another

406
00:22:04.799 --> 00:22:08.000
<v Speaker 1>series of incredible and amazing adventures, which I should tell

407
00:22:08.000 --> 00:22:10.720
<v Speaker 1>you about if it won't boil you. What do you think,

408
00:22:10.799 --> 00:22:13.119
<v Speaker 1>doctor Watson? You know there's just one thing I don't

409
00:22:13.160 --> 00:22:16.319
<v Speaker 1>understand about tonight's story though. Why did Colonel Moran kill

410
00:22:16.440 --> 00:22:19.079
<v Speaker 1>Ronald A. Dare Because the Dare had discovered Morane was

411
00:22:19.160 --> 00:22:22.839
<v Speaker 1>cheating at cards and threatened to expose him. You remember

412
00:22:22.880 --> 00:22:25.000
<v Speaker 1>that I said that there had won four hundred pounds

413
00:22:25.039 --> 00:22:28.119
<v Speaker 1>at whist the week before with Moran as if partner, Yes,

414
00:22:28.640 --> 00:22:32.160
<v Speaker 1>that made that amount made Adare suspicious. He discovered the

415
00:22:32.240 --> 00:22:34.960
<v Speaker 1>cards were marked the very cause by the way, which

416
00:22:35.000 --> 00:22:38.519
<v Speaker 1>were found besides the day the exam to be sure

417
00:22:38.559 --> 00:22:41.240
<v Speaker 1>it made no mistake that's why the door was locked

418
00:22:41.279 --> 00:22:44.160
<v Speaker 1>on the inside. Didn't want anyone to interrupt me.
