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<v Speaker 1>You're listening to an air wave media podcast.

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<v Speaker 2>Right of allheaded.

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<v Speaker 3>A right A, thank you, off.

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<v Speaker 4>I do being off.

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<v Speaker 5>I wanned all level.

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<v Speaker 3>It's actually quite unlike anything we've ever seen before.

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<v Speaker 4>A giant hairy creature in Part eight party mat in Luckness,

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<v Speaker 4>a twenty four mile long bottomless lake in the Highlands

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<v Speaker 4>of Scotland. It's a creature known as the Luckness Monster.

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<v Speaker 3>Mornstert All, Welcome to Monster Talk, the science show about monsters.

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<v Speaker 3>I'm Blake Smith, and today with doctor Karen Stolesno and

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<v Speaker 3>Ben Radford, we'll be tackling the issue with video hoaxing. First,

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<v Speaker 3>we'll be discussing the context of Internet video hoaxes, and

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<v Speaker 3>then we'll be talking to Lou Petho, the man whose

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<v Speaker 3>video was ripped off to build.

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<v Speaker 5>The famous Mammoth hoax.

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<v Speaker 3>And after that we have a bonus interview with Alan

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<v Speaker 3>Melick Janion, better known by millions as Captain Disillusion. He'll

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<v Speaker 3>be walking us through how such hoaxes are made. This

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<v Speaker 3>episode will also have some interesting links in the show notes,

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<v Speaker 3>including my own frame by frame matchup which proves that

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<v Speaker 3>the Mammoth video did indeed derive directly from Beetho's source material,

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<v Speaker 3>and we'll also be talking about the Iceland worm and

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<v Speaker 3>how it differs from the mammoth hoax. We've got a

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<v Speaker 3>lot to cover, so let's get going with some morbster.

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<v Speaker 3>We've had a lot of really interesting video monster news

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<v Speaker 3>in the past couple of weeks. So one story that

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<v Speaker 3>we're going to be doing I guess the majority of

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<v Speaker 3>this episode on is this mammoth in Siberia. But there's

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<v Speaker 3>also another story about a mysterious ice serpent that Both

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<v Speaker 3>these stories are Internet videos that have gone viral, and

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<v Speaker 3>both of them, Ben, you've written articles on and found

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<v Speaker 3>solutions for really quickly.

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<v Speaker 5>So I think we have a lot of interesting things

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<v Speaker 5>to chat about.

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<v Speaker 6>Yeah, definitely.

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<v Speaker 2>Yeah.

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<v Speaker 1>Why has it been such a spite of these of

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<v Speaker 1>light I don't know.

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<v Speaker 5>And why are they all ice related.

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<v Speaker 2>Time of year?

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<v Speaker 6>I guess that must be I mean, actually it's interesting because,

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<v Speaker 6>as you pointed out, I mean there's a lot of similarities.

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<v Speaker 6>Both of them were you know, in icy conditions in water.

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<v Speaker 6>One was in Iceland, in eastern Iceland. I'm not even

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<v Speaker 6>going to try and pronounce the name of the lake,

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<v Speaker 6>and the other one, of course, was in Siberia. One

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<v Speaker 6>of them was much fuzzier than the other one because

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<v Speaker 6>as we as we now know, it was digitally dizzily

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<v Speaker 6>digitally fuzzified. But the other one, I don't think was

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<v Speaker 6>yes exactly, I mean, let's.

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<v Speaker 5>Not fill the whole thing up with the right exactly.

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<v Speaker 6>Yeah, exactly the insider tech jargon fuzzified. But no, it was.

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<v Speaker 6>It was interesting, I mean, just from my perspective, how

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<v Speaker 6>both of these turned out, because you know, initially I

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<v Speaker 6>had written pieces on both of them, sort of independently,

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<v Speaker 6>and to be honest, i'd kind of not ignored, but

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<v Speaker 6>I just hadn't gotten around to the whole ice the

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<v Speaker 6>Iceland lake, Monter or river, whatever the hell it was.

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<v Speaker 6>It had been around for about a week, and I

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<v Speaker 6>was just really pisical other things. I didn't get a

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<v Speaker 6>chance to do it, and then finally I was asked

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<v Speaker 6>to do it by by news organization, so I dropped

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<v Speaker 6>everything I did. But what was interesting was that what

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<v Speaker 6>with both of them. Of course, one of the first

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<v Speaker 6>things was, well, is is it real? Is it a hoax?

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<v Speaker 6>Whatever else? And of course they were. They were hoax

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<v Speaker 6>theories on all sides. But I think you know that

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<v Speaker 6>these two are a very interesting pairing when you look

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<v Speaker 6>more closely at the videos and you you know, what

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<v Speaker 6>happened and how did it happen and how did these

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<v Speaker 6>things come up? And we can talk some about that

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<v Speaker 6>now because I think it's again we've got a lot

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<v Speaker 6>of feedback, as you pointed out, from the monster Talk community, uh,

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<v Speaker 6>on Facebook and elsewhere, so it's a it was kind

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<v Speaker 6>of neat to sort of see how each of them

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<v Speaker 6>played out in their own way.

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<v Speaker 1>I was going to say, as well, as you noted

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<v Speaker 1>on the Facebook page, that it's it's really great that

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<v Speaker 1>these were tackled so quickly and that solutions and explanations

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<v Speaker 1>were found. Otherwise they would really be relegated to FOLCAL

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<v Speaker 1>very quickly and no one would ever uh be able

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<v Speaker 1>to explain them, and they just go on and on

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<v Speaker 1>and on. So it was good to really nail them

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<v Speaker 1>so quickly.

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<v Speaker 6>It's it, you know, it's a double edged sort. I mean,

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<v Speaker 6>you know, in some ways, the uh, the the internet,

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<v Speaker 6>you know, of course, it's we have a proliferation of

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<v Speaker 6>of these these videos and these you know, is it

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<v Speaker 6>a big foot, these blob squatches and here and there.

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<v Speaker 6>So on one hand, of course that the Internet has

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<v Speaker 6>has really promulgated and you know, made it much easier

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<v Speaker 6>to get these things out there and fooling people. On

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<v Speaker 6>the flip side, of course, we also have there's much

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<v Speaker 6>more there's much more capacity for immediately addressing these things

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<v Speaker 6>and bringing analysis and criticism. So which was which was?

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<v Speaker 6>Which is? Which? Is kind of good because again, a

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<v Speaker 6>lot of times, you know, in my experience, these things

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<v Speaker 6>just fade away. I mean, I can you know, I

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<v Speaker 6>can think of dozens and dozens of you know, of

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<v Speaker 6>videos of you know, the Lake Champlain monster or a

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<v Speaker 6>blob squad somewhere or whatever else that you know, makes

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<v Speaker 6>a big hubbub, and then after a week or two

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<v Speaker 6>it fades away and there's really no no final conclusion

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<v Speaker 6>or really solid analysis. And it was nice to sort

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<v Speaker 6>of be able to put a period at the end

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<v Speaker 6>of both of these.

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<v Speaker 1>If any of the Internet was around in nineteen sixty six.

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<v Speaker 6>Hey, right, exactly.

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<v Speaker 3>I think it's interesting to kind of talk about how

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<v Speaker 3>there's there's several big differences between these these two incidents.

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<v Speaker 3>I'm not sure what we should call them. Let's call

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<v Speaker 3>them incidents for now.

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<v Speaker 2>Hoxes.

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<v Speaker 3>Well, Well, that's the point, right, That's exactly the first

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<v Speaker 3>point I wanted to get to the the I really

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<v Speaker 3>wish I could pronounce the name of this thing, but

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<v Speaker 3>I'm just going to call it the ice snake.

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<v Speaker 5>So the video shows.

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<v Speaker 6>Blake, I believe you're referring to the log art flowstorm.

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<v Speaker 7>Bless you, Floats or Mrran.

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<v Speaker 1>You could just fix this in post.

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<v Speaker 6>Call it, call it the ice icelandic worm. How's that?

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<v Speaker 5>I think?

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<v Speaker 8>You know?

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<v Speaker 3>I think I think our friends, uh this was we

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<v Speaker 3>have listeners everywhere, but I think our friends in Iceland

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<v Speaker 3>are probably.

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<v Speaker 5>Laughing at us.

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<v Speaker 6>Really it's okay, Yeah.

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<v Speaker 5>So I think I also tore something in my tongue

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<v Speaker 5>just now.

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<v Speaker 6>So any Yes, you were talking the Iceland worm.

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<v Speaker 3>Right, the Iceland worm. We call the Iceland river worm.

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<v Speaker 5>Anyway.

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<v Speaker 3>The point is that the Iceland river worm video was

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<v Speaker 3>popularized after the person who saw the thing in the

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<v Speaker 3>river videoed it and then turned it over to the

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<v Speaker 3>local news as an interesting video, right, and then it

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<v Speaker 3>became sort of a monster what's the right word here.

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<v Speaker 3>It became another one of those encryptid reports that all

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<v Speaker 3>of our favorite websites picked up and carried, but it

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<v Speaker 3>was never I guess specifically claimed by the guy who

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<v Speaker 3>videoed it that he had seen the monster, he saw

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<v Speaker 3>something unusual in the water. But the mammoth video was

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<v Speaker 3>promoted as being a wooly mammoth crossing a river in Siberia,

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<v Speaker 3>that the person who videoed it actually had seen a

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<v Speaker 3>mammoth crossing the river, which is a fairly big difference.

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<v Speaker 6>Well, I think I was gonna say. One important thing

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<v Speaker 6>to understand is that, for the most part, when when

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<v Speaker 6>the public sees these videos, the immediate assumption is that that,

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<v Speaker 6>however it's being presented to them at the time, is

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<v Speaker 6>how it was presented to the journalist or to the

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<v Speaker 6>blogger or whoever it was. And so if they say,

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<v Speaker 6>you know, you know this is allegedly you know, this

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<v Speaker 6>was shot by someone who says it's bigfoot, and what what,

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<v Speaker 6>there's a lot of times there's nuances in there where

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<v Speaker 6>what you find is that is that that's not quite true,

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<v Speaker 6>and that certainly was the case with the the Iceland worm.

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<v Speaker 6>Was that uh, And as you pointed out, you know

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<v Speaker 6>the guy that that actually shot it, it's important to

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<v Speaker 6>realize that he didn't. His end of the story didn't

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<v Speaker 6>come out for several weeks when when when the first

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<v Speaker 6>when the video first hit the internet, and I think

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<v Speaker 6>it was probably, as I recall it, it probably appeared

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<v Speaker 6>in one of the British tabloids, because they just create

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<v Speaker 6>this stuff out, you know, like like sausage. But but

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<v Speaker 6>when when it first appeared there we there was no backstory.

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<v Speaker 6>It was just basically, hey, here's this, here's this, this

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<v Speaker 6>this river monster in Iceland.

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<v Speaker 9>Uh.

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<v Speaker 6>And then after I think a week or two, there

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<v Speaker 6>was some follow up and then someone actually talked to

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<v Speaker 6>the guy and got a quote, and that's when it

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<v Speaker 6>sort of came out that he himself, as you point out,

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<v Speaker 6>and never really claimed that, and other people had sort

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<v Speaker 6>of put the label on that. And I that that

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<v Speaker 6>process by which people labeled monsters has always really interested me.

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<v Speaker 6>And the first time that I really noticed that was

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<v Speaker 6>with the Champ Monster in Lake Champlain because if you

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<v Speaker 6>look at the most famous photo photo of Champ and

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<v Speaker 6>really of any lake monster in the world, the one

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<v Speaker 6>taken by Sandra Manson in nineteen seventy seven. It appears

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<v Speaker 6>in all sorts of cryptosology books and mystery books and

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<v Speaker 6>unexplained books. As you know, a photo of Champ, the

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<v Speaker 6>local lake monster. But when I interviewed missus Mancy and

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<v Speaker 6>when I did more research on it, it turns out that,

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<v Speaker 6>in fact, she never claimed it was well, she eventually

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<v Speaker 6>claimed it was Champ. But at first she just said

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<v Speaker 6>I saw something weird. She never said it must be

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<v Speaker 6>you know, the local lake monster. She never said it

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<v Speaker 6>must be Champ. She just said, hey, here's this weird thing.

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<v Speaker 6>And it wasn't until later on when cryptozoologists came in

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<v Speaker 6>and basically put a label on her experience and on

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<v Speaker 6>her photograph, and in a very real way they told

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<v Speaker 6>her what she saw. In the end, I argue, and

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<v Speaker 6>I've argued in my books that they were wrong in

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<v Speaker 6>our interpretation. But of course she in her mind, these

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<v Speaker 6>were the experts. You know, these are cryptozoologists, They've written

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<v Speaker 6>books on these things, they know these things, and so

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<v Speaker 6>she was happy to accept their explanation because she sort

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<v Speaker 6>of felt like, well, you know, these are scientists, these

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<v Speaker 6>are experts. They know more about this than I do.

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<v Speaker 6>I'm just somebody who happened to be there and see

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<v Speaker 6>it and photograph it. And anyways, it's interesting because this

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<v Speaker 6>actually happens fairly frequently in these in these lake monster sightings,

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<v Speaker 6>where again as with the Iceland worm, the first person

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<v Speaker 6>isn't necessarily the person that's labeling it. It's just sort

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<v Speaker 6>of something weird, and of course something will weird quickly

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<v Speaker 6>translates into monster.

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<v Speaker 1>And then conversely you've got with the person Gimlin footage,

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<v Speaker 1>they were actually in search of Bigfoot at the time,

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<v Speaker 1>and then that's what they find.

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<v Speaker 3>Exactly in this particular case with the with the Siberian

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<v Speaker 3>Mammoth video, it's it's really unclear what the backstory was

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<v Speaker 3>supposed to be. The guy who brought the video to us,

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<v Speaker 3>Michael Cohen has been involved in bringing all sorts of

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<v Speaker 3>videos in other hoaxes and claims to the public. So

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<v Speaker 3>he was involved in I think we you know, as

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<v Speaker 3>we talked about when we talked to low Petho, has

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<v Speaker 3>a series of hoaxes he's been involved with, or at

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<v Speaker 3>least what appears to be hoaxes too.

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<v Speaker 6>Right, we should probably qualify that not all of them

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<v Speaker 6>have been proven hoaxes, but they're certainly highly dubious.

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<v Speaker 3>Well, let's say two of them, in particular, this one

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<v Speaker 3>and then the Chicken alien from I think it was

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<v Speaker 3>April of.

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<v Speaker 5>Last year, and then what I think was pretty clearly.

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<v Speaker 3>Also a hoax is the video he did of a

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<v Speaker 3>supposed alien behind some Brazilian school kids. That looks pretty

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<v Speaker 3>phony to me. But again the question is not well,

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<v Speaker 3>I guess the question is did Cohen do these hoaxes?

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<v Speaker 3>Or is he just a promoter of hoaxes. I don't

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<v Speaker 3>know the answer to that, But what I think should

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<v Speaker 3>be clear is that if any news story comes from

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<v Speaker 3>Michael Cohen, it should be treated as extremely unlikely to

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<v Speaker 3>be true, like very suspect. I mean the whole whole

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<v Speaker 3>idea that you know, he's he's become like a pet

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<v Speaker 3>Barnum or a yeah.

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<v Speaker 2>I was going to say yeah, or.

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<v Speaker 5>Tom Biscardi.

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<v Speaker 2>Them all.

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<v Speaker 3>Yeah, he's a person who who's whose content is extremely dubious.

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<v Speaker 3>I would not trust it. I don't think our listeners

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<v Speaker 3>would trust it. And I'm surprised, well, you know, I'm

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<v Speaker 3>not surprised. We'll get to that too. It's like, I

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<v Speaker 3>want to talk about why the Sun would put this

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<v Speaker 3>onto their paper, because that's also kind of an interesting matter.

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<v Speaker 1>They're a tabloid exactly well, American listeners would be familiar

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<v Speaker 1>with the Sun as a British tabloid, but you know,

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<v Speaker 1>page three goals and the lot.

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<v Speaker 3>Well, and then those are respectable I'm talking about.

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<v Speaker 2>Comparatively.

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<v Speaker 5>Yeah, those aren't fake, you see, that's all?

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<v Speaker 2>Well they are?

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<v Speaker 3>Hey now so so right, there's the other thing. It's like,

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<v Speaker 3>what the Sun's responsibility in this manner? I mean, I

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<v Speaker 3>think they ought to, you know, be more reputable, but

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<v Speaker 3>it's not. It's not their job to be reputable, I guess, considering.

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<v Speaker 5>They've given up on that a long time ago.

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<v Speaker 3>I mean, they have a reputation as I mean, are

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<v Speaker 3>they suitable for holding fried fish? Well?

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<v Speaker 6>Yeah, I mean, look, I think that there's an element

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<v Speaker 6>to this where, you know, part it's it's a valid

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<v Speaker 6>question asked, did anybody was anybody really fooled by this?

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<v Speaker 6>I mean it's it's easy to sort of say, well, look,

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<v Speaker 6>you know it got it got five million hits on YouTube.

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<v Speaker 6>All these people believe it, not necessarily just because people

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<v Speaker 6>are watching it or forwarding it or commenting on it.

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<v Speaker 6>You know, it doesn't mean people are buying it. A

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<v Speaker 6>lot of them are skeptics and and things like that.

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<v Speaker 6>So I think I think that it's easy to sort

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<v Speaker 6>of unintentionally exaggerate the number of people that were really

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<v Speaker 6>you know, fooled or baffled by it. And and you

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<v Speaker 6>know when you when you look at and again, part

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<v Speaker 6>of that that credibility goes to word first appeared. And

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<v Speaker 6>you know when something first appears in the tabloids, just

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<v Speaker 6>like you know the National Inquirer, which I think is

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<v Speaker 6>now online, only you know ten years ago, if something

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<v Speaker 6>appeared in the Inquirer, every now and then, you know

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<v Speaker 6>something is true. I mean, the Inquiry has actually broken

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<v Speaker 6>important news stories like for example, I think they broke

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<v Speaker 6>Jimmy Swaggert being caught with a hooker and a copy

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<v Speaker 6>of Hustler, which I was I just love. But so

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<v Speaker 6>the point is that you know that even every now

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<v Speaker 6>and then, even they can come up with a real story.

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<v Speaker 6>But for the most part, people know what they're getting.

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<v Speaker 6>And the same thing with the Sun and especially when

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<v Speaker 6>you when you when you look at it from from

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<v Speaker 6>a skeptical point of view and you realize, you know,

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<v Speaker 6>this is all anonymous. This is you know, a government

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<v Speaker 6>employed engineer, really somebody, and this is all shot last summer.

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<v Speaker 6>I don't believe for a second that some Russian government

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<v Speaker 6>engineer saw a wooly mammoth last summer and didn't say

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<v Speaker 6>anything about it for six months, I just just don't

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<v Speaker 6>buy it.

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<v Speaker 1>Yeah, well, the Sun, I think they were going to

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<v Speaker 1>replace News of the World with a Sunday edition.

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<v Speaker 2>If that says anything about.

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<v Speaker 5>Them, it doesn't. What does that mean, Well.

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<v Speaker 2>They we're going to replace another tabloid.

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<v Speaker 3>Oh okay, okay. So you know, my familiar with British tabloids

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<v Speaker 3>is very limited. I do know that the Sun is

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<v Speaker 3>I think the Sun and the Daily Mail. You know,

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<v Speaker 3>they have been responsible for so many wasted hours for.

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<v Speaker 6>Me, especially the Page three girls, right, I can't get to.

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<v Speaker 5>That at work.

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<v Speaker 2>And the Tory politicians in lingerie.

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<v Speaker 5>I guess my point is the Yeah, so that's a

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<v Speaker 5>dubious thing. But here's what I found really interesting.

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<v Speaker 3>A lot of the times when photos and videos appear

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<v Speaker 3>in the Sun, people I mean, I assume other listeners

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<v Speaker 3>have the same thing. They want to figure it out themselves.

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<v Speaker 3>They want to say, well, is that a real thing

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<v Speaker 3>to be curious about or is that just crap? Or

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<v Speaker 3>is that a reflection in a window? Is that digitally enhanced?

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<v Speaker 3>Is it something you know? Is it a real thing?

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<v Speaker 3>And in this particular case, it was fascinating to me,

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<v Speaker 3>I mean absolutely fascinating to me, less the video, but

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<v Speaker 3>more how the skeptic community split up on the whole thing,

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<v Speaker 3>and like the most if there had been an Internet poll,

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<v Speaker 3>by far, the clear winner would have been this was

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<v Speaker 3>actually a bear with a fish, right? And I found

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<v Speaker 3>that really interesting because I saw that there were elements

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<v Speaker 3>that implied digital trickery. And this was before the actual

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<v Speaker 3>source video came out. And so we're gonna have inserted

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<v Speaker 3>into this episode some really good explanations for how this

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<v Speaker 3>stuff was done. But everybody was so sure it was

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<v Speaker 3>a bear with a fish because of this really interesting reason.

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<v Speaker 3>They said to themselves Occam's razor, which makes more sense?

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<v Speaker 3>Is it a bear with a fish? Or is it

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<v Speaker 3>a Willie mammoth?

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<v Speaker 5>But the other option of maybe there's nothing there at all,

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<v Speaker 5>taking which.

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<v Speaker 3>Is really the null hypothesis, I mean literally, then all

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<v Speaker 3>hypothesis didn't come through. It was like, why would somebody

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<v Speaker 3>take the time to digitally insert something when they could

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<v Speaker 3>just take a natural phenomena and put it in there.

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<v Speaker 3>And I think we'll address all those questions in the

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<v Speaker 3>two interviews. But that's that's that's really an interesting thing,

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<v Speaker 3>because maybe they were asking the wrong question or maybe

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<v Speaker 3>they asked the right question to begin with, is it

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<v Speaker 3>a hoax or not? Yes, as a hoax, and then

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<v Speaker 3>they played through I don't know.

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<v Speaker 6>Right well, I was gonna say in the original piece

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<v Speaker 6>that I wrote about that I basically I gave three

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<v Speaker 6>possible possible theories on it. The first one was that

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<v Speaker 6>it was it's an outright pox, that it was you know,

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<v Speaker 6>it's a computer generated elephant or mammoth that was digitally

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<v Speaker 6>inserted into the photo and you know, and just you know,

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<v Speaker 6>end of story. And then the second hypothesis that I

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<v Speaker 6>gave was was the one that you mentioned, which is

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<v Speaker 6>the the bear with a big fish in its mouth.

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<v Speaker 6>And then the third one was sort of a combination

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<v Speaker 6>of the two, that it was it was a bear

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<v Speaker 6>with the with the a fish in his mouth, but

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<v Speaker 6>it was also faked, and that is that is it

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<v Speaker 6>wasn't It wasn't that the photographer uh didn't recognize it

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<v Speaker 6>or you know, was like, oh my god, you know

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<v Speaker 6>I did. I just sort of you see this for example,

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<v Speaker 6>and in a lot of ghost photos where someone they

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<v Speaker 6>take a photo and then days later, weeks later whenever

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<v Speaker 6>they develop it, Oh my god, I didn't see that

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<v Speaker 6>at the time, well you know, got a wooing mammoth there,

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<v Speaker 6>like the theory exactly exactly, and so so that was

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<v Speaker 6>it was interesting to me to sort of parse it

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<v Speaker 6>out and where it was, you know, it could have been.

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<v Speaker 6>It wasn't a mistake, you know, it wasn't you know,

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<v Speaker 6>it wasn't an authentic you know photo of a bear

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<v Speaker 6>and a fish, and yet it was still faked. And

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<v Speaker 6>of course, as it turned out, the first explanation was

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<v Speaker 6>was the right one, but it was. It was really

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<v Speaker 6>fascinating to sort of, as you pointed out, to sort

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<v Speaker 6>of see you know, where people came down on it,

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<v Speaker 6>and people really got pretty passionate about it. If you

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<v Speaker 6>were getting pissed off about no, no, no, if you're you're

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<v Speaker 6>an idiot looking you can see the fish like, well okay.

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<v Speaker 5>But but I was gonna say, go ahead, Kiern.

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<v Speaker 1>I was just gonna say, I think it's a good

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<v Speaker 1>lesson for skeptics to not be too hasty and to

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<v Speaker 1>stay open minded.

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<v Speaker 3>I agree, And I think one of the things that

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<v Speaker 3>I found interesting was how many biologists I saw involved

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<v Speaker 3>in this discussion on various forums and in our Facebook

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<v Speaker 3>group and just all over the place. Talking about whether

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<v Speaker 3>or not there was useful information there. Could you tell

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<v Speaker 3>if it was a bear or if it was an

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00:20:37.960 --> 00:20:42.799
<v Speaker 3>elephant or a mammoth and our mammoth model, and there's

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<v Speaker 3>this field of study called elementrics where you compare the

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00:20:47.799 --> 00:20:51.720
<v Speaker 3>ratio of body part sizes to each other and you

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00:20:51.799 --> 00:20:54.759
<v Speaker 3>get these numbers which helps you identify with the species

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<v Speaker 3>is you know.

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<v Speaker 5>And it's you know because in this case you don't

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<v Speaker 5>have the.

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<v Speaker 3>Ability to look at the skull or the bones or

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<v Speaker 3>the DNA or anything like that, and it's very blurry.

397
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<v Speaker 3>But there that can take you somewhere that can kind

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<v Speaker 3>of help you figure out to some extent if it's

399
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<v Speaker 3>really a bear or I mean, even if you can't

400
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<v Speaker 3>tell for sure if it's a real bear or a

401
00:21:16.279 --> 00:21:19.240
<v Speaker 3>digital bear, or is it a mammoth? In this case,

402
00:21:19.359 --> 00:21:23.559
<v Speaker 3>I suspect and again the I think the interviews will

403
00:21:23.559 --> 00:21:26.640
<v Speaker 3>cover this, but I suspect it's probably an elephant model,

404
00:21:28.079 --> 00:21:29.759
<v Speaker 3>but it could have been it could have been a

405
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<v Speaker 3>bear model. It really doesn't matter because it's been digitally

406
00:21:34.000 --> 00:21:37.960
<v Speaker 3>changed in shape so that it wouldn't fit with anything.

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<v Speaker 5>Really, I mean, it's not it's not it's.

408
00:21:39.720 --> 00:21:42.759
<v Speaker 3>Somebody moved it around cut off its legs and did

409
00:21:42.759 --> 00:21:45.240
<v Speaker 3>a few things to it to make it work.

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<v Speaker 5>So whether that be with live video or whether it

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<v Speaker 5>was done with a model.

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<v Speaker 6>It's kind of irrelevant, because I mean, the point is

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<v Speaker 6>it's faked, and it was intentionally faked. This is not

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<v Speaker 6>exactly this is not this is not an accidental hoax.

415
00:21:58.599 --> 00:22:00.400
<v Speaker 6>And again sort of we can sort of compare back

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00:22:00.440 --> 00:22:03.880
<v Speaker 6>to the the the Iceland worm that was, as it

417
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<v Speaker 6>turns out, I would argue, not a hoax at all.

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<v Speaker 6>It was you know, it was legitimate video. Yeah, it's

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<v Speaker 6>all interpretation. So that's that's where you have the contrast there.

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<v Speaker 6>And let me just just for a second, let me

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<v Speaker 6>touch quickly on the on on the the media aspect,

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<v Speaker 6>because I think that's one one part that really interested me.

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<v Speaker 6>Is is again because it did appear in a tabloid,

424
00:22:26.920 --> 00:22:30.400
<v Speaker 6>The Sun, I had comments, not necessarily directors of me,

425
00:22:30.480 --> 00:22:32.640
<v Speaker 6>but just I saw comments like, well, this is the Sun,

426
00:22:32.680 --> 00:22:34.720
<v Speaker 6>what do you expect? This is ridiculous? Why you bother

427
00:22:34.799 --> 00:22:38.359
<v Speaker 6>and recover it? And there's there's a certain truth to

428
00:22:38.400 --> 00:22:41.279
<v Speaker 6>that because there's a there's a sort of a laundering

429
00:22:41.279 --> 00:22:44.559
<v Speaker 6>effect in which, uh, you know, a story we picked

430
00:22:44.640 --> 00:22:49.079
<v Speaker 6>up by somewhat disreputable or or should we say, less

431
00:22:49.079 --> 00:22:52.920
<v Speaker 6>than reliable sources. But but then, but then as the

432
00:22:52.920 --> 00:22:56.440
<v Speaker 6>story gets more esteem, uh, at that point, it then

433
00:22:56.480 --> 00:22:59.640
<v Speaker 6>becomes the story in itself. And so you so reputable

434
00:22:59.640 --> 00:23:03.519
<v Speaker 6>sources like myself ended up end up sort of reporting

435
00:23:03.559 --> 00:23:05.480
<v Speaker 6>not just on the story, not not just on the

436
00:23:05.519 --> 00:23:08.440
<v Speaker 6>original video, but the story behind the story, that the

437
00:23:08.440 --> 00:23:11.480
<v Speaker 6>fact that it was becoming a story. And so, you know,

438
00:23:11.799 --> 00:23:14.599
<v Speaker 6>to to people who would say, well, you know, this

439
00:23:14.720 --> 00:23:17.519
<v Speaker 6>is also stupid. You know you can't believe anything. Uh,

440
00:23:17.559 --> 00:23:20.759
<v Speaker 6>you know that, you know, why did you bother investigating this?

441
00:23:21.440 --> 00:23:21.519
<v Speaker 8>Uh?

442
00:23:21.680 --> 00:23:23.640
<v Speaker 6>I think that's that's the wrong way to look at it,

443
00:23:23.680 --> 00:23:28.880
<v Speaker 6>because because even though I and you and probably many

444
00:23:28.920 --> 00:23:31.640
<v Speaker 6>people were not fooled in the least, I'm sure some

445
00:23:31.720 --> 00:23:35.599
<v Speaker 6>people were and and and uh and even if they weren't,

446
00:23:35.599 --> 00:23:38.319
<v Speaker 6>there's value in investigating the things, these things and trying

447
00:23:38.319 --> 00:23:40.240
<v Speaker 6>to figure out, what you know, getting to the bottom

448
00:23:40.279 --> 00:23:42.759
<v Speaker 6>of them. And it doesn't do any good to sort

449
00:23:42.799 --> 00:23:45.960
<v Speaker 6>of take the sort of high handed, dismissive approach like

450
00:23:46.000 --> 00:23:48.279
<v Speaker 6>well this is this is too stupid or this is

451
00:23:48.279 --> 00:23:52.440
<v Speaker 6>too silly. It's not necessarily and uh, and there there's

452
00:23:52.599 --> 00:23:56.240
<v Speaker 6>value in in in doing these things and doing these investigations,

453
00:23:56.240 --> 00:23:59.119
<v Speaker 6>because again a lot of times if there isn't this

454
00:23:59.200 --> 00:24:02.880
<v Speaker 6>sort of skeptical investigation, there's no there's no conclusion to it.

455
00:24:02.960 --> 00:24:05.400
<v Speaker 6>I mean you just you know age for that one,

456
00:24:05.559 --> 00:24:08.519
<v Speaker 6>you know, Bigfoot video. Yeah, no one ever, you know,

457
00:24:08.799 --> 00:24:11.359
<v Speaker 6>no one ever really proved or disproved it. It's just

458
00:24:11.359 --> 00:24:14.400
<v Speaker 6>just sort of out there lingering in the wilderness or

459
00:24:14.480 --> 00:24:18.920
<v Speaker 6>in the chrystosological wilderness, like like debris. And so that's

460
00:24:18.920 --> 00:24:22.799
<v Speaker 6>why exactly, So that's why it's good sort of be

461
00:24:22.839 --> 00:24:25.960
<v Speaker 6>able to to you know, to to you know, to

462
00:24:26.000 --> 00:24:28.039
<v Speaker 6>get get a bite on it and uh and and

463
00:24:28.119 --> 00:24:30.480
<v Speaker 6>analyze it.

464
00:24:30.720 --> 00:24:38.000
<v Speaker 10>These The simple truth is if you don't squash hoaxes

465
00:24:38.160 --> 00:24:42.319
<v Speaker 10>like a bug, I mean just completely squashed them, then

466
00:24:42.359 --> 00:24:44.799
<v Speaker 10>they will keep being reborn again and again and again.

467
00:24:45.160 --> 00:24:50.079
<v Speaker 3>In the in the in the paranormal literature, just like

468
00:24:50.240 --> 00:24:53.640
<v Speaker 3>the we there's so many of these things that that

469
00:24:53.680 --> 00:24:58.400
<v Speaker 3>they're not real, or they're misinterpreted, or there's just a

470
00:24:58.400 --> 00:25:02.319
<v Speaker 3>fake story for a real thing, and that becomes the

471
00:25:02.319 --> 00:25:04.559
<v Speaker 3>big story. And when you figure out what's really going on,

472
00:25:04.839 --> 00:25:07.640
<v Speaker 3>you can't get that story out. So I'm excited that

473
00:25:07.680 --> 00:25:11.240
<v Speaker 3>we're having the opportunity to sort of take this, analyze it,

474
00:25:11.279 --> 00:25:13.920
<v Speaker 3>and get a sort of more timely episode of Monster

475
00:25:13.960 --> 00:25:15.880
<v Speaker 3>Talk out to kind of talk about how this went down,

476
00:25:17.000 --> 00:25:20.640
<v Speaker 3>because well, well that's not an interesting show for TV. Right.

477
00:25:21.759 --> 00:25:24.759
<v Speaker 1>Well, I guess the question is has this bug been

478
00:25:24.920 --> 00:25:28.839
<v Speaker 1>squashed then, because if there was, we're arguments amongst the

479
00:25:28.960 --> 00:25:33.079
<v Speaker 1>skeptical community about this. I wonder if there'll be arguments

480
00:25:33.160 --> 00:25:36.160
<v Speaker 1>outside of the community. I mean, obviously people are still

481
00:25:36.160 --> 00:25:37.039
<v Speaker 1>going to be questioning it.

482
00:25:37.519 --> 00:25:40.119
<v Speaker 3>I think, you know, we may never know what the

483
00:25:40.160 --> 00:25:44.880
<v Speaker 3>source material was, what is that animated item that's been

484
00:25:44.920 --> 00:25:47.759
<v Speaker 3>placed onto this real video. But what we do know

485
00:25:48.160 --> 00:25:52.319
<v Speaker 3>is that the original video just showed water, and that

486
00:25:52.400 --> 00:25:55.559
<v Speaker 3>whatever was placed on there was deliberately blurred and motion

487
00:25:55.720 --> 00:25:57.319
<v Speaker 3>was added to the video to make it seem like

488
00:25:57.400 --> 00:26:01.440
<v Speaker 3>it was a live encounter versus just a static shot.

489
00:26:02.839 --> 00:26:04.440
<v Speaker 3>So all that can I mean, all that tells us

490
00:26:04.480 --> 00:26:09.160
<v Speaker 3>that whatever they're showing there wasn't really there. I mean,

491
00:26:09.200 --> 00:26:12.599
<v Speaker 3>that's that's I think extremely well demonstrated.

492
00:26:13.480 --> 00:26:16.559
<v Speaker 2>But the affix general probably.

493
00:26:16.200 --> 00:26:18.480
<v Speaker 3>Hard to say, right. I Mean, there may people like,

494
00:26:18.680 --> 00:26:21.960
<v Speaker 3>let's take the the thing in the river, the the

495
00:26:22.000 --> 00:26:29.480
<v Speaker 3>Iceland worm, It's it's not a real animal. It's it's something.

496
00:26:29.680 --> 00:26:31.359
<v Speaker 3>It's not even moving. I mean, it's not even making

497
00:26:31.359 --> 00:26:34.400
<v Speaker 3>any forward or reverse motion in the water. It's really

498
00:26:34.440 --> 00:26:36.799
<v Speaker 3>waving back and forth. But because the way the guys

499
00:26:36.799 --> 00:26:40.359
<v Speaker 3>shot the video, it appears to be moving. Uh, and

500
00:26:40.559 --> 00:26:42.559
<v Speaker 3>it appears to be making progress, I should say.

501
00:26:43.440 --> 00:26:47.640
<v Speaker 5>And so there's people still arguing that that's a.

502
00:26:47.599 --> 00:26:52.079
<v Speaker 3>Real animal out there, but it's uh, yeah, I don't know.

503
00:26:52.119 --> 00:26:53.720
<v Speaker 3>That's a good question, Karen, I. I don't know.

504
00:26:53.799 --> 00:26:54.839
<v Speaker 2>It's a long term thing.

505
00:26:57.000 --> 00:27:00.279
<v Speaker 3>Mean one thing, you know, our our project to make

506
00:27:00.559 --> 00:27:05.119
<v Speaker 3>Monster Talk transcripts. At least the hope is out there

507
00:27:05.160 --> 00:27:08.160
<v Speaker 3>that when we can sort of drive up the ability

508
00:27:08.160 --> 00:27:10.359
<v Speaker 3>for people to find the answers to questions like this

509
00:27:11.480 --> 00:27:14.759
<v Speaker 3>when they search, because right now, when you search, most

510
00:27:14.759 --> 00:27:16.640
<v Speaker 3>of your searches are going to hit on there's this

511
00:27:16.680 --> 00:27:18.839
<v Speaker 3>mysterious story before exactly the.

512
00:27:18.680 --> 00:27:21.799
<v Speaker 5>Hoax explanation is just kind of mixed in there.

513
00:27:21.799 --> 00:27:23.839
<v Speaker 3>This a salt and pepper and what you really want,

514
00:27:23.920 --> 00:27:25.920
<v Speaker 3>I think is more of a snow with a few

515
00:27:26.000 --> 00:27:27.559
<v Speaker 3>flecks of dirt, right.

516
00:27:28.480 --> 00:27:32.960
<v Speaker 6>We want to song the well. Actually, let's talk a

517
00:27:32.960 --> 00:27:36.000
<v Speaker 6>little bit more about the Iceland word because that was

518
00:27:36.039 --> 00:27:39.559
<v Speaker 6>an interesting case in that that was partly solved by

519
00:27:40.000 --> 00:27:44.119
<v Speaker 6>a Monster Talk listener, so, which was kind of kind

520
00:27:44.119 --> 00:27:46.839
<v Speaker 6>of neat. I mean, the backstory to that. Again, I'd

521
00:27:46.839 --> 00:27:49.559
<v Speaker 6>written a piece on that and it was bounced around,

522
00:27:49.799 --> 00:27:51.359
<v Speaker 6>and again I had sort of offered a couple of

523
00:27:51.359 --> 00:27:54.160
<v Speaker 6>different a couple of different figures, but what it might be,

524
00:27:54.200 --> 00:27:55.880
<v Speaker 6>and I pointed out a couple of things about the

525
00:27:56.200 --> 00:27:58.039
<v Speaker 6>poor quality of the video and that was actually shot

526
00:27:58.039 --> 00:28:00.480
<v Speaker 6>from two different angles and things like that, and I

527
00:28:00.519 --> 00:28:02.720
<v Speaker 6>pointed out, I said, look, you know, I said further, Amore,

528
00:28:02.759 --> 00:28:05.119
<v Speaker 6>we don't even know if it's it's making any for progress.

529
00:28:05.319 --> 00:28:07.680
<v Speaker 6>I'm not, I'm not certainly, I certainly wasn't the first

530
00:28:07.680 --> 00:28:10.440
<v Speaker 6>person to question that by any means, but I sort

531
00:28:10.480 --> 00:28:13.359
<v Speaker 6>of put that out there, and and one of our

532
00:28:13.400 --> 00:28:19.000
<v Speaker 6>Monster Talk listeners UK, her name was Misa. She you know,

533
00:28:19.440 --> 00:28:22.839
<v Speaker 6>she posted on on the Monster Talk facebook page that

534
00:28:22.920 --> 00:28:25.960
<v Speaker 6>she had done some screen captures and had basically proven

535
00:28:26.000 --> 00:28:28.720
<v Speaker 6>that in fact, she used different points of reference and

536
00:28:28.759 --> 00:28:30.799
<v Speaker 6>had shown that it was not in fact moving forward,

537
00:28:31.039 --> 00:28:33.160
<v Speaker 6>that the tale was moving with the current. And so

538
00:28:33.759 --> 00:28:36.759
<v Speaker 6>at that point I'm like, hey, that's pretty good. I

539
00:28:36.799 --> 00:28:38.119
<v Speaker 6>think you got it. And so I sort of combined

540
00:28:38.160 --> 00:28:39.640
<v Speaker 6>it with something else and I did a follow up

541
00:28:39.640 --> 00:28:42.160
<v Speaker 6>story and that was sort of when it when it

542
00:28:42.200 --> 00:28:44.599
<v Speaker 6>all sort of you know, blew up and then died down.

543
00:28:44.680 --> 00:28:46.599
<v Speaker 6>But it was it was neat to me to to

544
00:28:46.640 --> 00:28:52.079
<v Speaker 6>sort of see how amateur you know, investigators, uh, just

545
00:28:52.160 --> 00:28:54.839
<v Speaker 6>sort of you know, well informed skeptical people with some

546
00:28:55.039 --> 00:28:57.599
<v Speaker 6>knowledge and some you know, some critical thinking can can

547
00:28:57.640 --> 00:28:58.599
<v Speaker 6>really contribute to this.

548
00:28:59.160 --> 00:29:00.680
<v Speaker 3>It was good worm analytics.

549
00:29:04.079 --> 00:29:06.119
<v Speaker 2>Oh, you've reached your quota of tonight.

550
00:29:08.319 --> 00:29:09.240
<v Speaker 3>No, I did that.

551
00:29:09.240 --> 00:29:11.359
<v Speaker 5>That was fantastic. I wanted to do the same thing.

552
00:29:11.400 --> 00:29:14.440
<v Speaker 3>And as you guys know, my PC rig where I

553
00:29:14.440 --> 00:29:17.519
<v Speaker 3>do all my analysis died, so I've actually just bought

554
00:29:17.519 --> 00:29:20.000
<v Speaker 3>a new system board for it today. I'm excited to

555
00:29:20.000 --> 00:29:21.519
<v Speaker 3>get back in the game. But that was great. I

556
00:29:21.559 --> 00:29:23.440
<v Speaker 3>love it when our listeners actually participate.

557
00:29:23.519 --> 00:29:24.119
<v Speaker 5>That's fun.

558
00:29:24.519 --> 00:29:27.039
<v Speaker 3>Oh yeah, it isn't. I love this too. I love

559
00:29:27.160 --> 00:29:32.359
<v Speaker 3>how collaborative skeptics can be with this sort of research

560
00:29:33.000 --> 00:29:35.400
<v Speaker 3>versus And this may be a misperception of my part,

561
00:29:35.400 --> 00:29:38.519
<v Speaker 3>but it seems like the cryptozoology and community in general,

562
00:29:38.599 --> 00:29:40.039
<v Speaker 3>and I think this is actually born.

563
00:29:39.960 --> 00:29:41.799
<v Speaker 5>By the the evidence.

564
00:29:42.079 --> 00:29:45.599
<v Speaker 3>Like in Brian Reegel's book when he talks about how

565
00:29:45.960 --> 00:29:49.039
<v Speaker 3>everybody wants to hoard their knowledge. Nobody wants to share information,

566
00:29:49.640 --> 00:29:51.839
<v Speaker 3>and that's that's I think a.

567
00:29:51.799 --> 00:29:54.680
<v Speaker 5>Pretty big difference between the two communities. So that's kind

568
00:29:54.680 --> 00:29:54.880
<v Speaker 5>of fun.

569
00:29:55.039 --> 00:29:57.279
<v Speaker 1>Yeah, I think a lot of those people are after fame,

570
00:29:57.279 --> 00:30:01.200
<v Speaker 1>aren't they, well than anything else, and not so much

571
00:30:01.240 --> 00:30:02.039
<v Speaker 1>within our community.

572
00:30:02.039 --> 00:30:03.799
<v Speaker 2>We're just wanting to solve mysteries.

573
00:30:04.400 --> 00:30:06.759
<v Speaker 5>That's right. They do it for the chicks.

574
00:30:09.079 --> 00:30:13.960
<v Speaker 6>Well, you know, it was interesting on on on Doubtful News.

575
00:30:14.039 --> 00:30:17.680
<v Speaker 6>On on Sharon Hill's uh blog, she pointed out that

576
00:30:19.640 --> 00:30:22.640
<v Speaker 6>what's that yes from friend of the show Sharon No. Uh.

577
00:30:22.799 --> 00:30:25.680
<v Speaker 6>She pointed out that that it was interesting that in

578
00:30:25.720 --> 00:30:27.960
<v Speaker 6>both these cases, of course, it was the skeptics that

579
00:30:27.960 --> 00:30:32.599
<v Speaker 6>that solved it. Uh, it wasn't the the professional cryptozoologists.

580
00:30:32.599 --> 00:30:34.519
<v Speaker 6>And I won't name names, but we all know who

581
00:30:34.519 --> 00:30:37.839
<v Speaker 6>many of them are. And that's not to discredit them, yes,

582
00:30:38.920 --> 00:30:41.079
<v Speaker 6>but but I mean, but there's you know, as we

583
00:30:41.119 --> 00:30:43.079
<v Speaker 6>all know, there's sort of top tier. You know, we

584
00:30:43.119 --> 00:30:45.559
<v Speaker 6>have the Discardes and and things like that. But by

585
00:30:45.559 --> 00:30:48.200
<v Speaker 6>the way, people who who were going out there, and

586
00:30:48.240 --> 00:30:51.559
<v Speaker 6>what what Sharon pointed out was that that as is

587
00:30:51.559 --> 00:30:55.039
<v Speaker 6>often the case, uh, it's the skeptics who have to

588
00:30:55.079 --> 00:30:57.519
<v Speaker 6>go in there. And and and solve the mysteries, and

589
00:30:57.519 --> 00:30:59.480
<v Speaker 6>and you would think that, you know, if this is

590
00:30:59.480 --> 00:31:02.359
<v Speaker 6>a legitimate science, and if some of the main individuals

591
00:31:02.400 --> 00:31:04.799
<v Speaker 6>who are in the field are really doing this sort

592
00:31:04.799 --> 00:31:07.880
<v Speaker 6>of investigation and really on top of things, you would

593
00:31:07.880 --> 00:31:09.279
<v Speaker 6>think that they would be the ones who are out

594
00:31:09.279 --> 00:31:12.200
<v Speaker 6>there exposing hoaxes and getting to the bottom of this.

595
00:31:12.359 --> 00:31:15.720
<v Speaker 6>But oddly enough, it often it often seems to fall

596
00:31:15.759 --> 00:31:17.680
<v Speaker 6>to the skeptics to do that. And and that's the

597
00:31:17.759 --> 00:31:19.359
<v Speaker 6>case over and over again. I mean, whether you're looking

598
00:31:19.359 --> 00:31:22.839
<v Speaker 6>at the Lake Champlain, Mancy photo, or you know, any

599
00:31:22.920 --> 00:31:26.400
<v Speaker 6>number of other things that Chupicaba for example, there's lots

600
00:31:26.440 --> 00:31:29.319
<v Speaker 6>and lots of subjects that you would think that that,

601
00:31:29.640 --> 00:31:33.039
<v Speaker 6>you know, the more believer kind, the more believer breed,

602
00:31:33.079 --> 00:31:35.720
<v Speaker 6>I guess you would say, if they're really on the ball,

603
00:31:35.759 --> 00:31:37.839
<v Speaker 6>and if they're as scientific as they claim to be,

604
00:31:38.440 --> 00:31:40.160
<v Speaker 6>they should be out there doing this instead of us.

605
00:31:41.240 --> 00:31:42.039
<v Speaker 2>A really good point.

606
00:31:43.240 --> 00:31:44.839
<v Speaker 3>Although I don't want to pat myself on the back

607
00:31:44.880 --> 00:31:49.079
<v Speaker 3>too much, I'll go ahead, no, no, I mean, you know,

608
00:31:49.160 --> 00:31:52.720
<v Speaker 3>we we like solving mysteries, and we have a lot

609
00:31:52.720 --> 00:31:55.559
<v Speaker 3>of the same interests that they do. But I think

610
00:31:55.599 --> 00:31:58.160
<v Speaker 3>we have in this case, we had a few advantages

611
00:31:58.200 --> 00:32:04.200
<v Speaker 3>over them. So when being that it's way more important

612
00:32:04.200 --> 00:32:06.640
<v Speaker 3>to us that we get to the bottom of the truth,

613
00:32:07.079 --> 00:32:10.440
<v Speaker 3>then we generate more page views for our site.

614
00:32:11.279 --> 00:32:12.240
<v Speaker 6>I don't know, good point.

615
00:32:12.319 --> 00:32:15.920
<v Speaker 3>Yeah, that sounds harsh, but I think it is kind

616
00:32:15.920 --> 00:32:16.640
<v Speaker 3>of true.

617
00:32:16.680 --> 00:32:17.319
<v Speaker 6>It is true.

618
00:32:17.240 --> 00:32:17.880
<v Speaker 3>Yea, it is true.

619
00:32:17.920 --> 00:32:19.680
<v Speaker 6>I mean that that's I mean, that's that's that's what

620
00:32:19.720 --> 00:32:21.599
<v Speaker 6>the three of us do. I mean, we're we're interested

621
00:32:21.640 --> 00:32:24.160
<v Speaker 6>in the truth, and we're interested in solving mysteries. And

622
00:32:24.559 --> 00:32:26.519
<v Speaker 6>you know, if if it gets hits and if it

623
00:32:26.559 --> 00:32:29.319
<v Speaker 6>gets publicity, then that's all well and good. But at

624
00:32:29.319 --> 00:32:31.640
<v Speaker 6>the end of the day, Miami interest is solving the

625
00:32:31.720 --> 00:32:36.079
<v Speaker 6>damn mystery. Fragrant, what the hell is it? Yeah?

626
00:32:36.200 --> 00:32:37.240
<v Speaker 5>Well, and that's the other thing.

627
00:32:37.279 --> 00:32:40.720
<v Speaker 3>I mean, you have to learn where you have to

628
00:32:40.759 --> 00:32:44.559
<v Speaker 3>stop when how far can you take this questioning and

629
00:32:44.599 --> 00:32:48.240
<v Speaker 3>how far can you go with digging, Like we know

630
00:32:48.880 --> 00:32:54.039
<v Speaker 3>this thing in the Siberian River was not a real

631
00:32:54.680 --> 00:32:57.319
<v Speaker 3>live animal that was on site. I mean, do you

632
00:32:57.480 --> 00:32:59.279
<v Speaker 3>keep going trying to find out if it was really

633
00:32:59.279 --> 00:33:01.759
<v Speaker 3>an elephant or or a bear or a mammoth or

634
00:33:01.839 --> 00:33:02.079
<v Speaker 3>you just.

635
00:33:02.079 --> 00:33:04.880
<v Speaker 5>Step back and say, Okay, I don't know specifically what

636
00:33:04.960 --> 00:33:06.440
<v Speaker 5>it was, but I know it was a hoax and

637
00:33:06.480 --> 00:33:07.640
<v Speaker 5>here's how it was done.

638
00:33:07.759 --> 00:33:09.200
<v Speaker 3>And I think that's where you have to kind of

639
00:33:09.200 --> 00:33:12.559
<v Speaker 3>cut off, because this kind of research can become a

640
00:33:12.640 --> 00:33:17.640
<v Speaker 3>rabbit hole that is bottomless, and it can be very frustrating.

641
00:33:17.960 --> 00:33:19.960
<v Speaker 3>But I do want to say that while we were

642
00:33:20.000 --> 00:33:23.640
<v Speaker 3>talking about Sharon and her site, that you listeners should

643
00:33:23.759 --> 00:33:26.920
<v Speaker 3>check out doubtful News doubtfulnews dot com I believe. Let

644
00:33:27.000 --> 00:33:31.799
<v Speaker 3>me verify that very quick, because it's a website that

645
00:33:31.839 --> 00:33:36.480
<v Speaker 3>she's put together that aggregates this sort of news, but

646
00:33:36.559 --> 00:33:38.720
<v Speaker 3>it does so in a very skeptical way.

647
00:33:38.839 --> 00:33:39.839
<v Speaker 5>So it's a great way to.

648
00:33:39.799 --> 00:33:42.319
<v Speaker 1>Get that's a great current news.

649
00:33:42.599 --> 00:33:44.680
<v Speaker 3>Yeah, and you can also get it. You can follow

650
00:33:44.720 --> 00:33:48.799
<v Speaker 3>them on Twitter and just kind of get very current news.

651
00:33:49.440 --> 00:33:52.599
<v Speaker 5>It's a great way to get news about.

652
00:33:52.160 --> 00:33:58.960
<v Speaker 3>The paranormal without having to weed through tons of crazy

653
00:33:59.000 --> 00:34:02.000
<v Speaker 3>ads about how you goin. Go to doubtful news dot com,

654
00:34:02.200 --> 00:34:04.960
<v Speaker 3>follow them on Twitter. It's a great way to get

655
00:34:05.000 --> 00:34:11.280
<v Speaker 3>your news of the unusual with a nice skeptical flavoring.

656
00:34:12.119 --> 00:34:14.760
<v Speaker 6>There you skeptical sprinkles if it were as it were.

657
00:34:14.920 --> 00:34:17.039
<v Speaker 5>I don't want to be too hard on those other guys.

658
00:34:17.679 --> 00:34:19.639
<v Speaker 6>Well, let me just pick up quickly on something you

659
00:34:19.639 --> 00:34:21.519
<v Speaker 6>were talking about, because I think you make a really

660
00:34:21.559 --> 00:34:24.039
<v Speaker 6>important point about how far do you take this? Because

661
00:34:25.199 --> 00:34:27.880
<v Speaker 6>you know there will be people who will I mean

662
00:34:28.079 --> 00:34:31.239
<v Speaker 6>probably not in the mammoth case, because it's so obviously faked,

663
00:34:31.559 --> 00:34:35.000
<v Speaker 6>but there are people who will say, well, you know, well,

664
00:34:35.039 --> 00:34:37.480
<v Speaker 6>where exactly you know which model are you talking about?

665
00:34:37.519 --> 00:34:40.119
<v Speaker 6>You know, can you identify the exact program that created that?

666
00:34:40.840 --> 00:34:43.280
<v Speaker 6>And and that you also you see this a lot

667
00:34:43.280 --> 00:34:44.960
<v Speaker 6>of times. For example that the main example that I

668
00:34:45.039 --> 00:34:48.280
<v Speaker 6>think of is the Patterson Gimlin film, where you know,

669
00:34:48.320 --> 00:34:50.960
<v Speaker 6>the question is okay, well, okay, where exactly is the costume?

670
00:34:51.840 --> 00:34:54.519
<v Speaker 6>Do you have the costume? Let me see the exact costume?

671
00:34:54.559 --> 00:34:56.639
<v Speaker 3>And why can't you make an exact copy of the video?

672
00:34:57.079 --> 00:34:57.239
<v Speaker 6>Right?

673
00:34:57.400 --> 00:34:58.199
<v Speaker 3>Why the film?

674
00:34:58.320 --> 00:35:01.599
<v Speaker 6>Why can't you duplicate every single last right? And if

675
00:35:01.639 --> 00:35:04.239
<v Speaker 6>you and and to too many people, you know, especially

676
00:35:04.320 --> 00:35:07.360
<v Speaker 6>on the believer side, if you can't or you don't

677
00:35:07.360 --> 00:35:09.360
<v Speaker 6>want to put in the time and effort, and something

678
00:35:09.440 --> 00:35:13.800
<v Speaker 6>could be incredibly time consuming to exactly duplicate and in

679
00:35:13.840 --> 00:35:15.800
<v Speaker 6>many cases just practically impossible to do.

680
00:35:16.440 --> 00:35:16.679
<v Speaker 8>Uh.

681
00:35:16.719 --> 00:35:19.360
<v Speaker 6>But but you often see this in the in the

682
00:35:19.440 --> 00:35:22.440
<v Speaker 6>video analysis where the believers will say, well, if you well,

683
00:35:22.519 --> 00:35:24.840
<v Speaker 6>you know, okay, maybe maybe you proved that it was

684
00:35:24.880 --> 00:35:27.880
<v Speaker 6>probably a hoax. But unless you can identify the exact person,

685
00:35:27.920 --> 00:35:29.800
<v Speaker 6>the exact time, and you know, you have names and

686
00:35:29.880 --> 00:35:32.440
<v Speaker 6>dates and and you know and and toilet paper receipts

687
00:35:32.440 --> 00:35:34.519
<v Speaker 6>and you know exactly what they were doing, then then

688
00:35:34.559 --> 00:35:35.199
<v Speaker 6>it's not true.

689
00:35:35.320 --> 00:35:38.920
<v Speaker 3>It isn't that That basically becomes Zeno's skeptical paradox. I mean,

690
00:35:39.159 --> 00:35:42.079
<v Speaker 3>it's the whole thing about well, you have to get

691
00:35:42.119 --> 00:35:44.559
<v Speaker 3>there's a more and more burden of proof, right that

692
00:35:44.639 --> 00:35:46.960
<v Speaker 3>it's not really there, but like you can never reach

693
00:35:46.960 --> 00:35:49.480
<v Speaker 3>a full conclusion because you can't make it match exactly.

694
00:35:50.360 --> 00:35:52.400
<v Speaker 5>I think, yeah, that's interesting.

695
00:35:52.800 --> 00:35:56.679
<v Speaker 1>But even if you're duplicating a video or a walking

696
00:35:56.719 --> 00:35:58.440
<v Speaker 1>style or something like that, it's not to say that

697
00:35:58.480 --> 00:36:00.360
<v Speaker 1>you're duplicating before.

698
00:36:00.440 --> 00:36:02.679
<v Speaker 3>Well, well, and this is actually the same sort of

699
00:36:02.679 --> 00:36:06.960
<v Speaker 3>thing Randy has gone through with his history, the Amazing Randy.

700
00:36:07.800 --> 00:36:11.800
<v Speaker 3>He doesn't necessarily show you, well, even going back to

701
00:36:11.840 --> 00:36:13.880
<v Speaker 3>who did he say? Thing, they don't necessarily show you

702
00:36:14.840 --> 00:36:21.559
<v Speaker 3>proof that psychics and mediums are tricksters, but they show

703
00:36:21.599 --> 00:36:25.639
<v Speaker 3>you ways that can be You can mundanely reproduce the

704
00:36:25.679 --> 00:36:29.840
<v Speaker 3>same effects, which should be enough to make you realize

705
00:36:29.880 --> 00:36:33.079
<v Speaker 3>that it can be done without supernatural powers. Therefore, if

706
00:36:33.119 --> 00:36:36.320
<v Speaker 3>they're not demonstrating supernatural powers, there's a really good chance

707
00:36:36.360 --> 00:36:37.079
<v Speaker 3>that they're faking it.

708
00:36:37.639 --> 00:36:40.920
<v Speaker 1>And now Brian and Baxter did that with the alien

709
00:36:41.000 --> 00:36:42.000
<v Speaker 1>in the window footage.

710
00:36:42.360 --> 00:36:46.679
<v Speaker 6>Oh that's right, that's right. Yeah, yeah, I forgot about that, which.

711
00:36:46.480 --> 00:36:49.559
<v Speaker 2>They've been doing again and again of late, peaking.

712
00:36:49.239 --> 00:36:53.119
<v Speaker 5>In people's windows. That doesn't surprise me.

713
00:36:55.000 --> 00:37:03.280
<v Speaker 3>Just Brian, we're talking now with Alan Melik Janean Is

714
00:37:03.280 --> 00:37:03.639
<v Speaker 3>that right?

715
00:37:04.280 --> 00:37:07.159
<v Speaker 9>That's right. Wow, I'm surprised. You know, that's a test

716
00:37:07.679 --> 00:37:09.679
<v Speaker 9>I have with people. You know, if you can, if

717
00:37:09.679 --> 00:37:12.599
<v Speaker 9>you can same my name without stumbling, then I know

718
00:37:12.639 --> 00:37:13.599
<v Speaker 9>you're going to be a good friend.

719
00:37:13.880 --> 00:37:15.840
<v Speaker 5>Good The two hours before him were well spent.

720
00:37:15.880 --> 00:37:20.920
<v Speaker 3>Then all right, Oh, so we've talked a little bit

721
00:37:20.960 --> 00:37:21.599
<v Speaker 3>on Facebook.

722
00:37:22.119 --> 00:37:23.679
<v Speaker 5>Have you had a chance to look at this so

723
00:37:23.719 --> 00:37:24.639
<v Speaker 5>called mammoth video?

724
00:37:25.440 --> 00:37:28.639
<v Speaker 9>Yeah, I'm glad you showed it to me, And I

725
00:37:28.679 --> 00:37:33.079
<v Speaker 9>mean we kind of spoke in comments on there, but yeah,

726
00:37:33.119 --> 00:37:35.440
<v Speaker 9>I wasn't one hundred percent sure what was going on,

727
00:37:35.480 --> 00:37:37.880
<v Speaker 9>but I was kind of suspicious as far as the

728
00:37:38.559 --> 00:37:43.320
<v Speaker 9>whole bear with fish theory. But it's interesting that it

729
00:37:43.440 --> 00:37:46.639
<v Speaker 9>got revealed kind of while it's still hot, while it's

730
00:37:46.639 --> 00:37:49.920
<v Speaker 9>still a topic of discussion, like the truth behind it

731
00:37:49.960 --> 00:37:50.519
<v Speaker 9>got revealed.

732
00:37:50.639 --> 00:37:51.599
<v Speaker 5>Yeah, yeah, I like that.

733
00:37:51.719 --> 00:37:54.920
<v Speaker 3>So now most people know you as Captain Disillusion, and

734
00:37:55.239 --> 00:37:58.639
<v Speaker 3>you have some really great videos and a DVD which

735
00:37:58.679 --> 00:37:59.960
<v Speaker 3>will be available in the show notes.

736
00:38:00.679 --> 00:38:01.960
<v Speaker 5>Thanks, no problem.

737
00:38:02.599 --> 00:38:04.599
<v Speaker 3>I really like the way you do your reveals because

738
00:38:04.639 --> 00:38:07.760
<v Speaker 3>you make them entertaining at the same time as exposing

739
00:38:07.800 --> 00:38:12.159
<v Speaker 3>the techniques. So how could somebody be sure that this

740
00:38:12.280 --> 00:38:16.000
<v Speaker 3>video was actually faked and that the what they're calling

741
00:38:16.039 --> 00:38:19.519
<v Speaker 3>the original video isn't just a if you'll pardon the pun,

742
00:38:20.400 --> 00:38:23.400
<v Speaker 3>a truncated version that stops right before an elephant actually

743
00:38:23.400 --> 00:38:25.639
<v Speaker 3>does walk out, or a bear with a fish.

744
00:38:25.719 --> 00:38:27.880
<v Speaker 5>How how can we really know it's a fake?

745
00:38:28.840 --> 00:38:32.000
<v Speaker 9>Well, I was actually thinking about this because if you've

746
00:38:32.039 --> 00:38:35.519
<v Speaker 9>seen the original, well what there's claimed to be the

747
00:38:35.599 --> 00:38:39.960
<v Speaker 9>original video by that filmmaker, it's actually a wider shot

748
00:38:40.079 --> 00:38:44.480
<v Speaker 9>that's completely still, and the mammoth video looks like a

749
00:38:44.519 --> 00:38:47.679
<v Speaker 9>handheld camera and kind of pushes in further into the shot.

750
00:38:47.920 --> 00:38:50.559
<v Speaker 9>So what I was actually thinking of doing. I haven't

751
00:38:50.559 --> 00:38:53.159
<v Speaker 9>tried this yet, but you could basically take the whole

752
00:38:53.199 --> 00:38:55.960
<v Speaker 9>original shot. You know, it's a long it's it lasts

753
00:38:56.000 --> 00:38:58.719
<v Speaker 9>like several several minutes, and you can take the mammoth shot,

754
00:38:59.119 --> 00:39:01.639
<v Speaker 9>yeah if I meanutes. So you could take the mammoth

755
00:39:01.639 --> 00:39:05.159
<v Speaker 9>shot and kind of reverse engineer the motion out of it,

756
00:39:05.760 --> 00:39:08.159
<v Speaker 9>you know, track it and stabilize it, kind of like

757
00:39:08.199 --> 00:39:11.920
<v Speaker 9>they did with the the Bigfoot video, you know, the

758
00:39:11.960 --> 00:39:15.519
<v Speaker 9>famous one and the that's right that one, and also

759
00:39:15.559 --> 00:39:18.440
<v Speaker 9>like things like I don't know, the Kennedy assassination, Like

760
00:39:18.719 --> 00:39:21.719
<v Speaker 9>all those videos that were captured kind of haphazardly and

761
00:39:21.800 --> 00:39:24.559
<v Speaker 9>have been studied for years. They've stabilized them so that,

762
00:39:24.840 --> 00:39:26.960
<v Speaker 9>you know, they took out the camera shake and whatever

763
00:39:27.039 --> 00:39:29.559
<v Speaker 9>zooming might be going on. You could do the same

764
00:39:29.559 --> 00:39:31.920
<v Speaker 9>thing with this Mammoth one, even though it's kind of

765
00:39:31.960 --> 00:39:36.000
<v Speaker 9>like really low quality and low resolution, but you can

766
00:39:36.079 --> 00:39:38.800
<v Speaker 9>still do it to some extent and then take that

767
00:39:39.920 --> 00:39:43.519
<v Speaker 9>line up the features of the you know, the the

768
00:39:43.760 --> 00:39:46.239
<v Speaker 9>landscape and everything, lay it on top of the original

769
00:39:46.320 --> 00:39:49.960
<v Speaker 9>video and just kind of scroll around, scrub around to

770
00:39:50.039 --> 00:39:53.400
<v Speaker 9>find maybe there's a point where all the water and

771
00:39:53.480 --> 00:39:56.280
<v Speaker 9>splashes and things kind of line up, like find that

772
00:39:56.360 --> 00:40:00.320
<v Speaker 9>same synchronization point between them, and then you can.

773
00:39:59.800 --> 00:40:01.639
<v Speaker 3>See make me feel really good because I've been trying

774
00:40:01.639 --> 00:40:03.159
<v Speaker 3>to do that. That's exactly what I've been trying to

775
00:40:03.159 --> 00:40:07.920
<v Speaker 3>do my mac so great, Okay, exactly keep going interrupt.

776
00:40:07.760 --> 00:40:10.400
<v Speaker 9>Oh no, and so yeah. I mean I literally that.

777
00:40:10.400 --> 00:40:11.800
<v Speaker 9>That was kind of the first thing that came to

778
00:40:11.880 --> 00:40:15.239
<v Speaker 9>my mind when I saw the video by the documentary

779
00:40:15.280 --> 00:40:17.719
<v Speaker 9>guy that's kind of like pissed off right now about

780
00:40:17.719 --> 00:40:21.159
<v Speaker 9>the fact that his video was used. Well, I guess

781
00:40:21.199 --> 00:40:24.119
<v Speaker 9>it's in his interest to prove very definitively that the

782
00:40:24.199 --> 00:40:25.880
<v Speaker 9>video is his, and that would be one way to

783
00:40:25.920 --> 00:40:28.119
<v Speaker 9>do it, to kind of just you know, do a

784
00:40:28.159 --> 00:40:30.440
<v Speaker 9>perfect side by side where you can sort of point

785
00:40:30.440 --> 00:40:33.719
<v Speaker 9>to multiple water splashes and things and show that they're

786
00:40:34.199 --> 00:40:35.880
<v Speaker 9>going together. I think if you did that, it would

787
00:40:35.880 --> 00:40:38.760
<v Speaker 9>be pretty apparent, like if you did find that matching point.

788
00:40:39.239 --> 00:40:41.119
<v Speaker 5>I'm going to I'm gonna keep working on that. That's

789
00:40:41.119 --> 00:40:43.280
<v Speaker 5>a yeah, I mean I would.

790
00:40:43.519 --> 00:40:45.400
<v Speaker 9>I would do that as soon as I have some time,

791
00:40:45.480 --> 00:40:47.639
<v Speaker 9>but probably somebody will beat me to it, you know,

792
00:40:48.039 --> 00:40:50.679
<v Speaker 9>at the pace that I work. I mean, you suggested

793
00:40:50.679 --> 00:40:52.199
<v Speaker 9>this video to me, and I thought it would be

794
00:40:52.280 --> 00:40:54.519
<v Speaker 9>cool to do an episode, but I didn't even have

795
00:40:54.559 --> 00:40:57.639
<v Speaker 9>time to even like start thinking about it already the

796
00:40:57.719 --> 00:40:58.599
<v Speaker 9>story progressed.

797
00:40:59.400 --> 00:41:01.480
<v Speaker 5>It's fun, though, I mean I thought it might be

798
00:41:01.519 --> 00:41:02.840
<v Speaker 5>also fun. I found a.

799
00:41:04.320 --> 00:41:07.760
<v Speaker 3>Three D model for an elephant that looks very close

800
00:41:08.519 --> 00:41:12.079
<v Speaker 3>to what's in the video, and but the truck moves

801
00:41:12.079 --> 00:41:15.039
<v Speaker 3>a little different. How does that different? Like, if you

802
00:41:15.079 --> 00:41:17.360
<v Speaker 3>want to composite, M say composite, What can you tell

803
00:41:17.400 --> 00:41:18.559
<v Speaker 3>us what a composite shot is?

804
00:41:19.480 --> 00:41:19.679
<v Speaker 8>Yeah?

805
00:41:19.719 --> 00:41:22.840
<v Speaker 9>I mean, well, in visual effects, I guess you have

806
00:41:22.920 --> 00:41:26.679
<v Speaker 9>different fields. You have like animators and CG artists that

807
00:41:26.840 --> 00:41:29.920
<v Speaker 9>just make you know, stuff out of nothing, you know, renderings,

808
00:41:30.159 --> 00:41:35.599
<v Speaker 9>and you have I guess compositors who are like who

809
00:41:35.639 --> 00:41:38.039
<v Speaker 9>take different elements and put it all together. Pretty much

810
00:41:38.039 --> 00:41:42.159
<v Speaker 9>any kind of visual effects or animation work has to

811
00:41:42.440 --> 00:41:45.679
<v Speaker 9>go through a final stage. It's not really the final stage,

812
00:41:45.920 --> 00:41:48.280
<v Speaker 9>but one of the final stages is compositing, putting all

813
00:41:48.280 --> 00:41:51.280
<v Speaker 9>the elements together and making sure that they kind of

814
00:41:51.800 --> 00:41:54.639
<v Speaker 9>work together. Everything looks seamless if you're trying to make

815
00:41:54.679 --> 00:42:01.280
<v Speaker 9>something photo realistic. So that's that's actually an actual feel compositing.

816
00:42:01.280 --> 00:42:03.679
<v Speaker 9>And you use the term correctly, so you're good.

817
00:42:03.719 --> 00:42:08.000
<v Speaker 3>Super and so you have I have very lazily used

818
00:42:08.000 --> 00:42:11.800
<v Speaker 3>the term CGI to talk about digital effects and I

819
00:42:11.840 --> 00:42:14.599
<v Speaker 3>think from what I gather there, there's a difference now

820
00:42:14.920 --> 00:42:20.079
<v Speaker 3>that CGI is now being used specifically for this sort

821
00:42:20.079 --> 00:42:23.719
<v Speaker 3>of computer generated modeling and not just for your computer

822
00:42:23.920 --> 00:42:24.880
<v Speaker 3>created effects.

823
00:42:24.960 --> 00:42:28.719
<v Speaker 9>Right, yeah, I guess CGI normally you would just refer

824
00:42:28.920 --> 00:42:32.840
<v Speaker 9>to like, yeah, three D models, the animation of those models,

825
00:42:32.880 --> 00:42:36.760
<v Speaker 9>and the rendering of the final product. And it doesn't actually,

826
00:42:36.760 --> 00:42:39.000
<v Speaker 9>it doesn't even have to be three D basically anything

827
00:42:39.000 --> 00:42:44.000
<v Speaker 9>that was made from scratch in a computer LIGHTSABERGI yeah,

828
00:42:44.039 --> 00:42:44.400
<v Speaker 9>there you.

829
00:42:44.360 --> 00:42:45.360
<v Speaker 5>Go, lightsaber effects.

830
00:42:45.440 --> 00:42:47.800
<v Speaker 3>Right, So in this case, I mean, I don't know

831
00:42:47.800 --> 00:42:49.840
<v Speaker 3>if you can tell from looking that's that's one of

832
00:42:49.880 --> 00:42:52.960
<v Speaker 3>the real questions I have. Well, and actually it's probably

833
00:42:53.039 --> 00:42:56.519
<v Speaker 3>the number one question on the internet is was whatever

834
00:42:56.599 --> 00:42:59.360
<v Speaker 3>really is there? I mean, assuming I think, I think

835
00:42:59.400 --> 00:43:01.559
<v Speaker 3>we're gonna be able to demonstrate maybe within the next

836
00:43:01.559 --> 00:43:06.159
<v Speaker 3>week or so, that whatever took place didn't exist on

837
00:43:06.199 --> 00:43:09.440
<v Speaker 3>the original video, that the original video was the you know,

838
00:43:09.800 --> 00:43:12.440
<v Speaker 3>in part of that four or five minute segment of

839
00:43:12.519 --> 00:43:15.480
<v Speaker 3>water that's just going by. And if that's the case,

840
00:43:16.880 --> 00:43:19.119
<v Speaker 3>can you tell from looking at the video whether it's

841
00:43:19.199 --> 00:43:23.559
<v Speaker 3>a real animal video that's been inserted like a like

842
00:43:23.599 --> 00:43:26.079
<v Speaker 3>an excerpt from another video, or if.

843
00:43:26.000 --> 00:43:29.559
<v Speaker 5>It's a three D model. It seems like it's so digitally.

844
00:43:29.159 --> 00:43:32.239
<v Speaker 3>Distorted it's hard to be sure, But I was wondering

845
00:43:32.280 --> 00:43:35.039
<v Speaker 3>if there were any signs we could look for that

846
00:43:35.159 --> 00:43:36.760
<v Speaker 3>might be giving us a clue there.

847
00:43:37.800 --> 00:43:41.119
<v Speaker 9>Yeah, well, first of all, regarding the quality, that's sort

848
00:43:41.119 --> 00:43:45.920
<v Speaker 9>of like a lazy compositor's best friend is to basically,

849
00:43:46.480 --> 00:43:48.599
<v Speaker 9>you know, make a composite, put put things together and

850
00:43:48.639 --> 00:43:50.800
<v Speaker 9>make it look as realistic as you can. But then

851
00:43:50.920 --> 00:43:52.880
<v Speaker 9>if you can't go any further and it still doesn't

852
00:43:52.920 --> 00:43:55.039
<v Speaker 9>look right, that's when you kind of take the whole

853
00:43:55.079 --> 00:43:58.840
<v Speaker 9>thing and you know, reduce its resolution, add some camera movement,

854
00:43:59.039 --> 00:44:02.440
<v Speaker 9>you know, fake camera movement and shaking or things going

855
00:44:02.440 --> 00:44:05.159
<v Speaker 9>out of focus to kind of fudge it up and

856
00:44:04.960 --> 00:44:07.000
<v Speaker 9>and and that's like when you look at this video,

857
00:44:07.480 --> 00:44:09.920
<v Speaker 9>it has that look of a video that has just

858
00:44:10.079 --> 00:44:12.760
<v Speaker 9>low enough quality for you to just not be able

859
00:44:12.800 --> 00:44:15.360
<v Speaker 9>to make out what the thing is. In a way,

860
00:44:15.440 --> 00:44:17.440
<v Speaker 9>that's kind of a giveaway. Of course, it's not a

861
00:44:17.480 --> 00:44:20.920
<v Speaker 9>guarantee that you know that it's fake just based on that,

862
00:44:21.000 --> 00:44:24.000
<v Speaker 9>but it's it's kind of you get that feeling like

863
00:44:24.400 --> 00:44:26.199
<v Speaker 9>just the thing that I want to see the details,

864
00:44:26.199 --> 00:44:28.800
<v Speaker 9>that I want to examine are just out of reach,

865
00:44:29.039 --> 00:44:32.760
<v Speaker 9>you know, in terms of resolution. That's one thing, like

866
00:44:32.800 --> 00:44:35.880
<v Speaker 9>I said, like the matching up now that the real

867
00:44:35.880 --> 00:44:39.639
<v Speaker 9>shot is available, matching that up would definitely immediately prove

868
00:44:39.679 --> 00:44:43.400
<v Speaker 9>the fact that like that, during that moment, that creature

869
00:44:43.480 --> 00:44:46.840
<v Speaker 9>wasn't there, and you know, when people were talking about

870
00:44:46.960 --> 00:44:49.760
<v Speaker 9>the you know, whether it's maybe a bear with a fish,

871
00:44:50.280 --> 00:44:53.199
<v Speaker 9>which kind of I find kind of an interesting example

872
00:44:53.239 --> 00:44:58.400
<v Speaker 9>of paradolia where it wasn't it was paradolia that's resulted

873
00:44:58.440 --> 00:45:00.360
<v Speaker 9>from the fact that we were trying to find a

874
00:45:00.440 --> 00:45:04.719
<v Speaker 9>more like legitimate explanation and more realistic.

875
00:45:05.000 --> 00:45:06.039
<v Speaker 5>Yeah, no, you're dead on.

876
00:45:06.360 --> 00:45:08.800
<v Speaker 3>We're going to talk about that in the discussion with

877
00:45:08.880 --> 00:45:11.119
<v Speaker 3>Ben and Karen, but we can't say it here too.

878
00:45:12.639 --> 00:45:16.119
<v Speaker 3>Okham's razor rightat people want to use Om's racier. What's

879
00:45:16.159 --> 00:45:20.280
<v Speaker 3>the what's the most simple explanation that it's a mammoth

880
00:45:20.800 --> 00:45:22.599
<v Speaker 3>or that it's a bear walking across the river. Well,

881
00:45:22.840 --> 00:45:25.880
<v Speaker 3>but the the other option that it was a digital

882
00:45:26.000 --> 00:45:30.519
<v Speaker 3>insert to many people seems like an unlikely explanation, like

883
00:45:30.519 --> 00:45:32.280
<v Speaker 3>why would you may go to the trouble.

884
00:45:32.639 --> 00:45:36.639
<v Speaker 9>Especially because yeah, because because it does look kind of

885
00:45:36.639 --> 00:45:39.079
<v Speaker 9>like a bear with a fish. In its mouth. You know,

886
00:45:39.440 --> 00:45:42.760
<v Speaker 9>you feel like that's yeah, that's that's so much easier

887
00:45:42.800 --> 00:45:45.840
<v Speaker 9>explanation than somebody going into the trouble of putting something

888
00:45:45.840 --> 00:45:49.119
<v Speaker 9>in there that could be mistaken for a bear, you know, exactly,

889
00:45:49.159 --> 00:45:51.760
<v Speaker 9>Like if you're gonna make a CG elephant you I mean,

890
00:45:52.159 --> 00:45:54.199
<v Speaker 9>a mammoth, you might as well do it like in

891
00:45:54.239 --> 00:45:56.480
<v Speaker 9>a way that can't be mistaken for something else.

892
00:45:57.159 --> 00:45:59.079
<v Speaker 5>Yeah, it would make worse sense, I guess.

893
00:45:59.199 --> 00:46:04.320
<v Speaker 3>But then again, that eeriness of it, uh, you know,

894
00:46:04.400 --> 00:46:06.760
<v Speaker 3>or the unusualness of it may have been a factor.

895
00:46:06.840 --> 00:46:08.719
<v Speaker 5>I don't know. Yeah, I tell you this though.

896
00:46:09.199 --> 00:46:10.719
<v Speaker 3>Here here's I want to talk about some of the

897
00:46:10.719 --> 00:46:13.840
<v Speaker 3>things that I saw as a non expert. I mean,

898
00:46:13.840 --> 00:46:15.599
<v Speaker 3>this is really not my feel, but I do a

899
00:46:15.679 --> 00:46:18.320
<v Speaker 3>lot of photo analysis and uh and I do a

900
00:46:18.320 --> 00:46:20.519
<v Speaker 3>lot of video analysis too, But it's not like you.

901
00:46:20.639 --> 00:46:21.639
<v Speaker 5>I mean, you're you're much better.

902
00:46:22.760 --> 00:46:24.880
<v Speaker 3>You do a much better job of showing how it's done,

903
00:46:25.119 --> 00:46:27.119
<v Speaker 3>and I just try to like spot the clues that

904
00:46:27.199 --> 00:46:30.920
<v Speaker 3>maybe it's fake. So the the first thing that stuck

905
00:46:30.960 --> 00:46:35.920
<v Speaker 3>out was that the whole video had a uniform blurriness

906
00:46:35.960 --> 00:46:39.119
<v Speaker 3>to it, and and to me, I found that problematic

907
00:46:39.159 --> 00:46:42.920
<v Speaker 3>because most modern cameras have some level of auto focus,

908
00:46:43.719 --> 00:46:46.280
<v Speaker 3>and and it just seemed unusual to me that even

909
00:46:46.360 --> 00:46:50.280
<v Speaker 3>zooming and zooming out, the blurriness never changed at all.

910
00:46:50.480 --> 00:46:53.480
<v Speaker 9>Right, Yeah, I mean it was more like a blurriness

911
00:46:53.719 --> 00:46:56.800
<v Speaker 9>caused by just low resolution. Like if you if you

912
00:46:56.880 --> 00:47:00.800
<v Speaker 9>took a video of something and kind of formatted it

913
00:47:00.880 --> 00:47:04.280
<v Speaker 9>to be like an old standard def you know, very

914
00:47:04.280 --> 00:47:08.000
<v Speaker 9>small even like something like three twenty by two forty

915
00:47:08.159 --> 00:47:12.280
<v Speaker 9>kind of resolution, you know, a tiny postage stamp sized video,

916
00:47:12.480 --> 00:47:14.360
<v Speaker 9>and then you blow it back up to like a

917
00:47:14.400 --> 00:47:16.480
<v Speaker 9>normal resolution of you know, I don't know, h D

918
00:47:16.760 --> 00:47:19.840
<v Speaker 9>seven to twenty pixels. That's what you get. You basically

919
00:47:19.840 --> 00:47:22.800
<v Speaker 9>get a blurreness just because pixels are kind of just

920
00:47:22.840 --> 00:47:26.519
<v Speaker 9>repeated and smooth, doubt to look to not look choppy.

921
00:47:27.320 --> 00:47:31.679
<v Speaker 9>That's what they did. But I mean by putting the

922
00:47:32.440 --> 00:47:35.800
<v Speaker 9>whatever the object is whatever, that's whether it's a CG

923
00:47:35.920 --> 00:47:39.320
<v Speaker 9>elephant or what a CG mammoth or what I think

924
00:47:39.400 --> 00:47:42.480
<v Speaker 9>is a piece of stock footage of an elephant, which

925
00:47:42.519 --> 00:47:44.880
<v Speaker 9>I kind of we can we can do that in

926
00:47:44.920 --> 00:47:46.719
<v Speaker 9>a few seconds. I can we can kind of do

927
00:47:46.760 --> 00:47:49.000
<v Speaker 9>ann interactive thing where I can show you where you

928
00:47:49.000 --> 00:47:53.159
<v Speaker 9>could find a piece of footage like that, but you know,

929
00:47:53.199 --> 00:47:55.159
<v Speaker 9>you put it there in the still shot, and then

930
00:47:55.199 --> 00:47:58.360
<v Speaker 9>you take that whole rendering, that whole composite, and you

931
00:47:58.480 --> 00:48:01.000
<v Speaker 9>push into it, and just by virtue of doing that,

932
00:48:01.079 --> 00:48:04.480
<v Speaker 9>it's already it already has a severely reduced resolution, and

933
00:48:04.519 --> 00:48:07.239
<v Speaker 9>that's where the blurringness comes from. So it's really just

934
00:48:07.639 --> 00:48:10.679
<v Speaker 9>it's not the camera. It's not something optical that happened

935
00:48:10.679 --> 00:48:14.519
<v Speaker 9>when it was filmed. It's something that's that's an artifact

936
00:48:14.519 --> 00:48:19.360
<v Speaker 9>of the post production, the way that they messed with

937
00:48:19.400 --> 00:48:20.639
<v Speaker 9>the video gotcha.

938
00:48:21.119 --> 00:48:23.239
<v Speaker 3>And so the other thing, the second thing I noticed,

939
00:48:23.440 --> 00:48:27.880
<v Speaker 3>or that I think I noticed, was that the so

940
00:48:28.000 --> 00:48:31.840
<v Speaker 3>called handheld motion seemed mechanical to me, like it didn't

941
00:48:31.880 --> 00:48:35.679
<v Speaker 3>seem like a natural random handheld. It seemed like it

942
00:48:35.719 --> 00:48:38.920
<v Speaker 3>was almost on a track or that it was. It

943
00:48:38.960 --> 00:48:40.760
<v Speaker 3>was very mechanical. I don't know how it's described it

944
00:48:40.800 --> 00:48:44.039
<v Speaker 3>and it's very subjective, but is it possible to visually

945
00:48:44.119 --> 00:48:51.599
<v Speaker 3>tell the difference between computer generated hand motion and and.

946
00:48:50.159 --> 00:48:55.599
<v Speaker 9>Well, I guess not kind of just by looking at it,

947
00:48:55.679 --> 00:48:58.480
<v Speaker 9>because you'd have to know, you know, what kind of

948
00:48:58.519 --> 00:49:01.360
<v Speaker 9>lens it was, how far the stuff was, and to

949
00:49:01.400 --> 00:49:04.199
<v Speaker 9>what extent it's zoomed in. I wouldn't say that that

950
00:49:04.199 --> 00:49:07.800
<v Speaker 9>that that fake camera motion, if it is fake, is

951
00:49:07.840 --> 00:49:11.760
<v Speaker 9>done badly because it has kind of this non uniform

952
00:49:11.880 --> 00:49:15.480
<v Speaker 9>kind of shaking that you would get from It actually

953
00:49:15.559 --> 00:49:20.320
<v Speaker 9>has this like it imitates this effect that some consumer

954
00:49:20.360 --> 00:49:23.320
<v Speaker 9>cameras have where they have like a built in stabilizing

955
00:49:23.360 --> 00:49:26.679
<v Speaker 9>sort of mechanism to try to keep your shot from

956
00:49:26.920 --> 00:49:30.199
<v Speaker 9>from wobbling. But sometimes as you move your hand too

957
00:49:30.280 --> 00:49:34.159
<v Speaker 9>much or you know, your your shot, actually you actually

958
00:49:34.159 --> 00:49:36.119
<v Speaker 9>try to change your shot, you know, by moving the camera,

959
00:49:36.360 --> 00:49:38.880
<v Speaker 9>it sort of it latches onto something and then it

960
00:49:38.960 --> 00:49:41.000
<v Speaker 9>kind of has to let go and latch onto something else.

961
00:49:41.000 --> 00:49:44.440
<v Speaker 9>So it has this smoothness broken up by sudden little,

962
00:49:44.679 --> 00:49:47.360
<v Speaker 9>you know, twitches, and that kind of looks real. So,

963
00:49:47.440 --> 00:49:50.039
<v Speaker 9>if anything, I would say it's a pretty decent job

964
00:49:50.079 --> 00:49:51.960
<v Speaker 9>on a fake camera motion.

965
00:49:52.320 --> 00:49:54.440
<v Speaker 5>Yeah. So then maybe in my imagination, I'll have to

966
00:49:54.480 --> 00:49:55.280
<v Speaker 5>test that at some point.

967
00:49:55.320 --> 00:50:00.599
<v Speaker 9>Yeah. But what what is kind of vicious is the

968
00:50:00.639 --> 00:50:03.199
<v Speaker 9>fact if you look at the way the camera moves,

969
00:50:03.639 --> 00:50:07.280
<v Speaker 9>it has this shaking reminiscent of a handheld camera. But

970
00:50:07.920 --> 00:50:09.920
<v Speaker 9>in a in a real handheld camera, there would be

971
00:50:09.960 --> 00:50:13.800
<v Speaker 9>this rotation that's kind of like, you know, turning your

972
00:50:13.800 --> 00:50:16.119
<v Speaker 9>head to the side, a little bit like a banking rotation,

973
00:50:17.599 --> 00:50:19.760
<v Speaker 9>you know, in the on the around the z axis,

974
00:50:20.039 --> 00:50:22.079
<v Speaker 9>you know, if you know what I mean. In other words,

975
00:50:22.280 --> 00:50:24.800
<v Speaker 9>it would be like a ship, you know, rocking side

976
00:50:24.800 --> 00:50:29.480
<v Speaker 9>to side. There isn't really that kind of rotation in

977
00:50:29.519 --> 00:50:32.559
<v Speaker 9>the image. It's as if someone was using like a

978
00:50:32.599 --> 00:50:36.360
<v Speaker 9>really shaky tripod, you know, like the camera keeps level,

979
00:50:36.599 --> 00:50:38.840
<v Speaker 9>but it just moves up and down and left and right.

980
00:50:39.519 --> 00:50:41.280
<v Speaker 9>So that's a little bit of you know, that's a

981
00:50:41.280 --> 00:50:44.559
<v Speaker 9>potential giveaway that the motion was just added as a

982
00:50:45.760 --> 00:50:49.639
<v Speaker 9>as just basically like a little panning and tilt, you know,

983
00:50:49.760 --> 00:50:55.000
<v Speaker 9>just just jogging around inside of a cropped image, kind

984
00:50:55.000 --> 00:50:56.239
<v Speaker 9>of going up and down, left.

985
00:50:56.079 --> 00:50:59.800
<v Speaker 3>And right, right, and and that's consistent when I did

986
00:50:59.840 --> 00:51:02.079
<v Speaker 3>my I did like a little tempted stabilization.

987
00:51:02.400 --> 00:51:03.239
<v Speaker 5>It's not perfect.

988
00:51:04.039 --> 00:51:05.639
<v Speaker 3>It would be really cool if the software I have

989
00:51:05.760 --> 00:51:08.519
<v Speaker 3>I'm just using an iMovie, but it won't let me

990
00:51:08.599 --> 00:51:10.480
<v Speaker 3>lock you in. There's some rocks on the front right

991
00:51:10.519 --> 00:51:11.960
<v Speaker 3>hand side. I really like to lock you in and

992
00:51:12.000 --> 00:51:15.519
<v Speaker 3>make those stable and then and then that would be

993
00:51:15.519 --> 00:51:15.719
<v Speaker 3>what you.

994
00:51:15.719 --> 00:51:17.840
<v Speaker 9>Want to do. Is I don't know how the iMovie

995
00:51:19.119 --> 00:51:22.960
<v Speaker 9>stabilizing interface. Thing works if you are given an option

996
00:51:23.039 --> 00:51:25.840
<v Speaker 9>of using more than one point you want to try

997
00:51:25.880 --> 00:51:28.960
<v Speaker 9>to find, like the rocks and then maybe the tree

998
00:51:29.000 --> 00:51:32.280
<v Speaker 9>tops when it's like really wide the shot the tree tops.

999
00:51:32.360 --> 00:51:34.840
<v Speaker 3>Yeah, that would be great, but I don't think it

1000
00:51:34.840 --> 00:51:36.800
<v Speaker 3>does that unless maybe it's an advanced tool.

1001
00:51:37.320 --> 00:51:39.840
<v Speaker 5>You know, do you have what do you use Final

1002
00:51:40.039 --> 00:51:41.119
<v Speaker 5>cut pro or something?

1003
00:51:41.719 --> 00:51:45.480
<v Speaker 9>Well, I mean I use an Avid media composer for editing,

1004
00:51:45.480 --> 00:51:47.760
<v Speaker 9>but for things like this, for compositing stuff, I use

1005
00:51:47.920 --> 00:51:51.679
<v Speaker 9>Adobe After Effects, which is a very very popular program

1006
00:51:52.199 --> 00:51:55.239
<v Speaker 9>with everyone for this exact task. But I was going

1007
00:51:55.280 --> 00:51:58.280
<v Speaker 9>to add because you mentioned the rocks in the foreground,

1008
00:51:58.599 --> 00:52:00.760
<v Speaker 9>and that reminds me of another thing. When I was

1009
00:52:01.159 --> 00:52:04.679
<v Speaker 9>first seeing this video, one of the first things I

1010
00:52:04.760 --> 00:52:11.840
<v Speaker 9>kind of subjectively was perplexed by was the scale of everything,

1011
00:52:11.880 --> 00:52:14.320
<v Speaker 9>because those rocks, they're basically like pebbles on the beach,

1012
00:52:15.039 --> 00:52:17.800
<v Speaker 9>these rocks in the foreground, and kind of extrapolating from

1013
00:52:17.840 --> 00:52:20.639
<v Speaker 9>that looking at the water and then how far the

1014
00:52:20.679 --> 00:52:23.079
<v Speaker 9>other shore is, I think that this is a pretty

1015
00:52:23.119 --> 00:52:27.840
<v Speaker 9>small like it's not a very wide river. And I

1016
00:52:27.880 --> 00:52:30.119
<v Speaker 9>think that if this is an actual if you know,

1017
00:52:30.199 --> 00:52:31.760
<v Speaker 9>this is supposed to be a mammoth. It's kind of

1018
00:52:31.760 --> 00:52:34.960
<v Speaker 9>a baby mammoth because it doesn't look like a full

1019
00:52:35.000 --> 00:52:37.559
<v Speaker 9>grown you know, something that's larger than an elephant to me.

1020
00:52:38.599 --> 00:52:39.360
<v Speaker 6>Yeah, that's again.

1021
00:52:39.440 --> 00:52:40.239
<v Speaker 5>But yeah, it.

1022
00:52:40.159 --> 00:52:42.199
<v Speaker 3>Would be really cool to know exactly where that was

1023
00:52:42.320 --> 00:52:43.920
<v Speaker 3>because we could go to Google Earth and then get

1024
00:52:43.920 --> 00:52:45.679
<v Speaker 3>a kind of better idea of how wide the river

1025
00:52:45.800 --> 00:52:47.960
<v Speaker 3>is there. So how did you get involved with the

1026
00:52:48.199 --> 00:52:50.599
<v Speaker 3>video editing in video effects?

1027
00:52:51.519 --> 00:52:54.679
<v Speaker 9>Well, that's just something I mean from childhood, I wanted

1028
00:52:54.760 --> 00:52:59.039
<v Speaker 9>I was always interested in animation in particular, but I

1029
00:52:59.079 --> 00:53:01.920
<v Speaker 9>basically just wanted to a filmmaker and tell stories and

1030
00:53:02.440 --> 00:53:06.440
<v Speaker 9>was always fascinated by the whole you know, film production, technology,

1031
00:53:06.440 --> 00:53:09.559
<v Speaker 9>anything that's involved in making movies. So I kind of

1032
00:53:09.679 --> 00:53:12.760
<v Speaker 9>just aimed for that from a young age, and I

1033
00:53:12.800 --> 00:53:15.719
<v Speaker 9>went to school to study that made little shorts, you know,

1034
00:53:15.840 --> 00:53:20.400
<v Speaker 9>even as a high schooler. And yeah, I'm still like,

1035
00:53:20.480 --> 00:53:22.800
<v Speaker 9>I work in the field, but I'm still kind of

1036
00:53:23.840 --> 00:53:26.800
<v Speaker 9>you know, ended up being so unfocused that I do everything.

1037
00:53:26.840 --> 00:53:31.239
<v Speaker 9>I basically you know, freelance as in production and in

1038
00:53:31.320 --> 00:53:34.920
<v Speaker 9>post production, depending on what's needed. And I'm kind of

1039
00:53:35.239 --> 00:53:39.119
<v Speaker 9>sort of good at all things and maybe not completely

1040
00:53:39.159 --> 00:53:41.079
<v Speaker 9>genius and amazing at anyone thing.

1041
00:53:42.039 --> 00:53:44.159
<v Speaker 3>You're general it's not it's not a bad way to go.

1042
00:53:44.559 --> 00:53:46.159
<v Speaker 3>You can always specialize, right if you.

1043
00:53:46.320 --> 00:53:48.519
<v Speaker 9>Yeah, and it's I guess I have the kind of

1044
00:53:48.559 --> 00:53:51.519
<v Speaker 9>personality where it's hard to just keep doing the same

1045
00:53:51.519 --> 00:53:53.679
<v Speaker 9>thing all the time. And this is such a rich field,

1046
00:53:53.719 --> 00:53:58.719
<v Speaker 9>you know. I mean, cinematography is nothing like sitting, you know,

1047
00:53:58.800 --> 00:54:01.719
<v Speaker 9>doing visual effects or the editing process. So if you

1048
00:54:01.840 --> 00:54:04.480
<v Speaker 9>kind of do a little bit of everything depending on

1049
00:54:04.559 --> 00:54:08.320
<v Speaker 9>what part of a project you're involved in, it's kind

1050
00:54:08.360 --> 00:54:10.639
<v Speaker 9>of fun. It's refreshing because you can always switch gears

1051
00:54:11.719 --> 00:54:13.519
<v Speaker 9>and hone some other skill.

1052
00:54:14.079 --> 00:54:16.199
<v Speaker 5>Well, how long would you have to go to school

1053
00:54:16.239 --> 00:54:20.840
<v Speaker 5>to learn how to make a mammoth video like this?

1054
00:54:22.320 --> 00:54:23.840
<v Speaker 9>Well, these days, I don't think you have to go

1055
00:54:23.880 --> 00:54:25.599
<v Speaker 9>to school. I actually I was going to go to

1056
00:54:25.599 --> 00:54:28.159
<v Speaker 9>school for things like this, for animation and compositing, but

1057
00:54:28.199 --> 00:54:30.480
<v Speaker 9>then I decided this is stuff you can really learn

1058
00:54:30.519 --> 00:54:33.840
<v Speaker 9>from books. There are so many books and nowadays tutorials

1059
00:54:33.880 --> 00:54:36.400
<v Speaker 9>and stuff on YouTube that you could basically get a

1060
00:54:36.400 --> 00:54:39.039
<v Speaker 9>free education and all of this stuff if you were

1061
00:54:39.039 --> 00:54:41.280
<v Speaker 9>really obsessed with it and got your hands on all

1062
00:54:41.320 --> 00:54:44.800
<v Speaker 9>the software and just kind of looked around and studied

1063
00:54:44.840 --> 00:54:47.599
<v Speaker 9>from the many many tutorials and stuff you can find.

1064
00:54:48.320 --> 00:54:50.639
<v Speaker 9>You can learn every skill that's involved in doing a

1065
00:54:50.719 --> 00:54:53.960
<v Speaker 9>video like this, for sure, especially since I mean, I

1066
00:54:54.039 --> 00:54:58.039
<v Speaker 9>really don't think that the mammoth, the actual object that

1067
00:54:58.119 --> 00:55:00.800
<v Speaker 9>they put in was like a siege g rendering.

1068
00:55:00.800 --> 00:55:01.400
<v Speaker 6>At best.

1069
00:55:01.559 --> 00:55:05.440
<v Speaker 9>What they might have done is taken some sort of

1070
00:55:05.440 --> 00:55:09.800
<v Speaker 9>illustration of a mammoth and just kind of made itmatable

1071
00:55:09.920 --> 00:55:12.400
<v Speaker 9>enough to do what it's doing in this video, just

1072
00:55:12.480 --> 00:55:15.679
<v Speaker 9>kind of a sideshot that they you know, kind of

1073
00:55:15.719 --> 00:55:18.440
<v Speaker 9>split up into pieces and made it almost like a

1074
00:55:18.480 --> 00:55:22.039
<v Speaker 9>cutout kind of animation. Because it's so blurry and so

1075
00:55:22.760 --> 00:55:28.280
<v Speaker 9>bland that and half obscured by water that you really

1076
00:55:28.320 --> 00:55:32.039
<v Speaker 9>don't have to do much. But when I was digging around, actually,

1077
00:55:32.119 --> 00:55:33.280
<v Speaker 9>if you want to see, if you want to do

1078
00:55:33.320 --> 00:55:36.719
<v Speaker 9>this little experiment, if you go to iStockphoto dot com

1079
00:55:37.119 --> 00:55:39.119
<v Speaker 9>and viewers can do this too if they're not driving

1080
00:55:39.199 --> 00:55:42.000
<v Speaker 9>or something. Icetock Photo is a place where you can buy,

1081
00:55:42.039 --> 00:55:45.880
<v Speaker 9>you know, pictures and graphics and videos for any kind

1082
00:55:45.920 --> 00:55:49.559
<v Speaker 9>of multimedia stuff you're working on. If you go in

1083
00:55:49.559 --> 00:55:52.880
<v Speaker 9>the menu tou video, just the video section, and once

1084
00:55:52.920 --> 00:55:56.880
<v Speaker 9>you're in video, use the search bar to just type elephant.

1085
00:55:59.039 --> 00:56:00.320
<v Speaker 6>You'll see you'll end up.

1086
00:56:00.360 --> 00:56:02.239
<v Speaker 9>Once you're there, you'll see that you get a bunch

1087
00:56:02.239 --> 00:56:04.920
<v Speaker 9>of results of a bunch of clips of elephants, you know,

1088
00:56:04.960 --> 00:56:08.280
<v Speaker 9>in the wild and everything. But one of the first clips,

1089
00:56:08.320 --> 00:56:10.800
<v Speaker 9>a couple of the first clips, should be this elephant

1090
00:56:10.840 --> 00:56:13.159
<v Speaker 9>in front of a green screen. It looks like a screen,

1091
00:56:13.199 --> 00:56:16.239
<v Speaker 9>but yeah, it's actually somebody took some footage and actually

1092
00:56:16.280 --> 00:56:19.199
<v Speaker 9>rotoscoped the elephant out for your convenience, so you can

1093
00:56:19.199 --> 00:56:21.280
<v Speaker 9>put him wherever you want. And if you hover over

1094
00:56:21.320 --> 00:56:24.119
<v Speaker 9>the very first one of those two green screens, you'll

1095
00:56:24.119 --> 00:56:26.840
<v Speaker 9>see a little preview of the clip playing right, and

1096
00:56:26.880 --> 00:56:29.519
<v Speaker 9>the elephant is looking at the camera, and then he

1097
00:56:29.679 --> 00:56:33.440
<v Speaker 9>kind of starts walking to the side, and he eventually

1098
00:56:33.440 --> 00:56:35.320
<v Speaker 9>takes on a pose that's kind of like what we

1099
00:56:35.320 --> 00:56:38.960
<v Speaker 9>were seeing in the in the video, you know, he

1100
00:56:39.000 --> 00:56:41.280
<v Speaker 9>takes a few steps in the same way. Now, of course,

1101
00:56:41.280 --> 00:56:43.679
<v Speaker 9>I don't know if they used this exact thing, but

1102
00:56:43.800 --> 00:56:46.679
<v Speaker 9>if I had to recreate this video, this is what

1103
00:56:46.719 --> 00:56:48.599
<v Speaker 9>I would do to not waste time. I would take

1104
00:56:48.639 --> 00:56:50.880
<v Speaker 9>this clip. Somebody already mated it. It has a green

1105
00:56:50.920 --> 00:56:53.800
<v Speaker 9>screen and everything. I would just take the elephant, take

1106
00:56:53.840 --> 00:56:57.440
<v Speaker 9>those last few seconds of him walking sideways, make a

1107
00:56:57.440 --> 00:56:59.760
<v Speaker 9>little kind of seamless loop so that I have this

1108
00:57:00.199 --> 00:57:03.920
<v Speaker 9>and just taking these steps stabilize him so that it

1109
00:57:03.920 --> 00:57:05.920
<v Speaker 9>would just you know, he'd be exactly where I want

1110
00:57:05.960 --> 00:57:09.280
<v Speaker 9>him to be the whole time, and maybe like warp

1111
00:57:09.360 --> 00:57:12.280
<v Speaker 9>him a little, like make his career much lower and

1112
00:57:12.320 --> 00:57:16.000
<v Speaker 9>smaller so that he takes on that mammoth type of profile.

1113
00:57:16.719 --> 00:57:19.440
<v Speaker 9>And uh, yeah, once you did that, you just stick

1114
00:57:19.480 --> 00:57:21.960
<v Speaker 9>him into where you want in the in the shot,

1115
00:57:22.760 --> 00:57:26.519
<v Speaker 9>like you knows, as we know, the original shot is stable,

1116
00:57:26.639 --> 00:57:28.119
<v Speaker 9>so you don't even have to do any tracking. It's

1117
00:57:28.119 --> 00:57:30.920
<v Speaker 9>already like actually, if you see the original shot, it's

1118
00:57:30.920 --> 00:57:33.760
<v Speaker 9>basically begging to be messed with because it's this perfect

1119
00:57:34.079 --> 00:57:37.079
<v Speaker 9>sort of almost like a still, except the water as

1120
00:57:37.119 --> 00:57:37.599
<v Speaker 9>it's running.

1121
00:57:37.800 --> 00:57:39.719
<v Speaker 5>It's yeah, that's actually something I was going to say.

1122
00:57:40.320 --> 00:57:43.400
<v Speaker 3>It looked to me like whatever they did, they didn't

1123
00:57:43.840 --> 00:57:46.719
<v Speaker 3>get very much of an animation sequence. The animal appears

1124
00:57:46.719 --> 00:57:50.039
<v Speaker 3>to be making the exact same physical moves over and

1125
00:57:50.039 --> 00:57:51.800
<v Speaker 3>over again, almost like an animated GIF.

1126
00:57:52.639 --> 00:57:57.239
<v Speaker 9>Yeah, that's what made me suspicious about the bear with

1127
00:57:57.320 --> 00:58:00.480
<v Speaker 9>fish thing, because yeah, maybe it's that, and scale wise,

1128
00:58:00.519 --> 00:58:03.360
<v Speaker 9>it looked like that, but it was so yeah, like

1129
00:58:03.440 --> 00:58:06.920
<v Speaker 9>so uniform and kind of very limited in the way

1130
00:58:06.920 --> 00:58:08.800
<v Speaker 9>that it was moving, Like, no, I don't think any

1131
00:58:08.800 --> 00:58:13.039
<v Speaker 9>animal would just basically march in this very timed way,

1132
00:58:14.519 --> 00:58:14.719
<v Speaker 9>you know.

1133
00:58:15.159 --> 00:58:19.079
<v Speaker 3>Well, but again I've been saying it was digital from

1134
00:58:19.320 --> 00:58:21.400
<v Speaker 3>the get go, just because of my suspicions we talked

1135
00:58:21.400 --> 00:58:24.239
<v Speaker 3>about and I don't want to gloat or anything, because

1136
00:58:24.360 --> 00:58:26.960
<v Speaker 3>I really would like to know this specifically if it

1137
00:58:26.960 --> 00:58:28.599
<v Speaker 3>was an elephant or a bear they used, But it

1138
00:58:28.639 --> 00:58:31.800
<v Speaker 3>really doesn't matter in one sense. But let me say this,

1139
00:58:31.880 --> 00:58:33.440
<v Speaker 3>for all those people who thought it was a bear

1140
00:58:33.480 --> 00:58:36.920
<v Speaker 3>with a fish, I would challenge them to go find

1141
00:58:36.960 --> 00:58:41.320
<v Speaker 3>a video of a bear who catches a fish that

1142
00:58:41.440 --> 00:58:44.119
<v Speaker 3>big and then, instead of pulling it back to the

1143
00:58:44.159 --> 00:58:44.920
<v Speaker 3>bank where.

1144
00:58:44.679 --> 00:58:49.960
<v Speaker 5>He's at, calmly and slowly walks across a river. Right,

1145
00:58:50.400 --> 00:58:52.679
<v Speaker 5>it seems that's very unnatural behavior to me.

1146
00:58:53.920 --> 00:58:57.159
<v Speaker 9>Yeah, no, no, you're totally right. And especially yeah, I

1147
00:58:57.199 --> 00:59:01.239
<v Speaker 9>would expect, especially a bear with a fish, with a

1148
00:59:01.280 --> 00:59:03.599
<v Speaker 9>fish that he just caught that's probably still alive to

1149
00:59:03.599 --> 00:59:06.960
<v Speaker 9>some extent in his snout, I don't think he would

1150
00:59:07.039 --> 00:59:10.760
<v Speaker 9>be so docile and the fish wouldn't move in any

1151
00:59:10.800 --> 00:59:13.480
<v Speaker 9>way you know, basically it does very.

1152
00:59:13.320 --> 00:59:16.079
<v Speaker 3>Yeah, there's there's a lot wrong with that, but this,

1153
00:59:16.079 --> 00:59:18.960
<v Speaker 3>this makes much more sense to me. And again, you know,

1154
00:59:19.000 --> 00:59:21.360
<v Speaker 3>I had several biologists talking to me about, you know,

1155
00:59:21.400 --> 00:59:24.039
<v Speaker 3>whether it was a bear or an elephant, and most

1156
00:59:24.039 --> 00:59:26.480
<v Speaker 3>of them seem to think and again none of them

1157
00:59:26.519 --> 00:59:29.559
<v Speaker 3>were saying mammoth. But this makes more sense. So it's

1158
00:59:29.599 --> 00:59:33.360
<v Speaker 3>something you could take this video and digitally just sort

1159
00:59:33.400 --> 00:59:35.239
<v Speaker 3>of warp the elephant a little bit to make him

1160
00:59:35.239 --> 00:59:36.239
<v Speaker 3>look more mammoth like.

1161
00:59:37.239 --> 00:59:39.639
<v Speaker 9>Yeah, and I was, I mean, you might not even

1162
00:59:39.679 --> 00:59:43.079
<v Speaker 9>have to warp him because really, in the final video,

1163
00:59:43.280 --> 00:59:47.639
<v Speaker 9>what makes him more mammoth like is the fact that

1164
00:59:47.760 --> 00:59:50.400
<v Speaker 9>like his you know, he's got like supposedly like a

1165
00:59:50.719 --> 00:59:53.840
<v Speaker 9>kind of fur that that extends down to the legs,

1166
00:59:53.880 --> 00:59:56.280
<v Speaker 9>you know, unlike on an elephant, so it's kind of

1167
00:59:56.800 --> 01:00:01.760
<v Speaker 9>you know, you don't really start seeing the legs as high.

1168
01:00:01.840 --> 01:00:04.639
<v Speaker 9>And the fact that the rear side of his body

1169
01:00:04.719 --> 01:00:07.119
<v Speaker 9>is kind of lower or the front of him is larger,

1170
01:00:07.119 --> 01:00:11.159
<v Speaker 9>whichever way you want to call that. But really, because

1171
01:00:11.199 --> 01:00:13.920
<v Speaker 9>half of him is obscured by the water in this way,

1172
01:00:13.960 --> 01:00:16.679
<v Speaker 9>you could basically just rotate that elephant shot a little bit,

1173
01:00:17.239 --> 01:00:21.039
<v Speaker 9>like counterclockwise to kind of end up with that kind

1174
01:00:21.079 --> 01:00:24.239
<v Speaker 9>of profile. You know, he probably wasn't that lazy whoever

1175
01:00:24.440 --> 01:00:27.000
<v Speaker 9>made this, But I mean, that would be like, if

1176
01:00:27.000 --> 01:00:29.239
<v Speaker 9>I had to do it in half an hour, that

1177
01:00:29.280 --> 01:00:30.679
<v Speaker 9>would be the first thing I would do. I would

1178
01:00:30.679 --> 01:00:32.519
<v Speaker 9>see if I can just kind of rotate the elephant

1179
01:00:32.559 --> 01:00:36.519
<v Speaker 9>a little bit to make him resemble that shape more right.

1180
01:00:36.559 --> 01:00:39.440
<v Speaker 3>I'm pretty sure from watching this video they spent at

1181
01:00:39.519 --> 01:00:44.599
<v Speaker 3>least an hour doing it.

1182
01:00:44.599 --> 01:00:45.199
<v Speaker 5>It'll be interesting.

1183
01:00:45.199 --> 01:00:46.559
<v Speaker 3>I'm going to try to find out what the actual

1184
01:00:46.599 --> 01:00:51.880
<v Speaker 3>monetary value was for that cell, because the Sun pays.

1185
01:00:52.320 --> 01:00:54.559
<v Speaker 3>They pay for these things, and not only did they

1186
01:00:54.599 --> 01:00:57.239
<v Speaker 3>rip off somebody who shot a real video, but they also.

1187
01:00:59.000 --> 01:01:00.440
<v Speaker 5>You know, made money doing it.

1188
01:01:00.480 --> 01:01:03.800
<v Speaker 9>So I feel sometimes I feel like I'm in the

1189
01:01:03.840 --> 01:01:06.159
<v Speaker 9>wrong line of work. People are suggesting that I do

1190
01:01:06.239 --> 01:01:08.400
<v Speaker 9>a fake real video all the time.

1191
01:01:09.239 --> 01:01:10.679
<v Speaker 5>Yeah, it's tempting.

1192
01:01:11.440 --> 01:01:13.599
<v Speaker 9>No, Yeah, I really have no desire to do that,

1193
01:01:13.679 --> 01:01:15.519
<v Speaker 9>but I could see how it's lucrative. I mean, just

1194
01:01:15.559 --> 01:01:19.480
<v Speaker 9>based on the fact that that that news organizations quote

1195
01:01:19.559 --> 01:01:21.679
<v Speaker 9>unquote news organizations pay for this kind of stuff.

1196
01:01:24.119 --> 01:01:26.880
<v Speaker 3>Yeah, it's it's it's it's it's it's a funny thing

1197
01:01:26.920 --> 01:01:29.000
<v Speaker 3>to have ethics.

1198
01:01:30.440 --> 01:01:30.760
<v Speaker 6>It is.

1199
01:01:30.800 --> 01:01:32.119
<v Speaker 9>It's very limiting, isn't it.

1200
01:01:32.639 --> 01:01:33.280
<v Speaker 5>Yeah, a little bit.

1201
01:01:33.320 --> 01:01:36.079
<v Speaker 3>I would say, a step down morally is always a

1202
01:01:36.119 --> 01:01:41.159
<v Speaker 3>step up financially. Right there, anything else you want to

1203
01:01:41.159 --> 01:01:42.559
<v Speaker 3>tell our listeners about this, But.

1204
01:01:42.599 --> 01:01:45.880
<v Speaker 9>What I find funny is that in this situation, the

1205
01:01:45.920 --> 01:01:48.880
<v Speaker 9>original filmmaker, at least based on the video that he

1206
01:01:48.960 --> 01:01:52.199
<v Speaker 9>made talking about this stuff, he seems pretty pissed off

1207
01:01:52.199 --> 01:01:56.239
<v Speaker 9>and kind of poised to potentially, you know, sue this

1208
01:01:56.280 --> 01:01:58.599
<v Speaker 9>guy or pursue some kind of legal action because he's

1209
01:01:58.599 --> 01:02:00.880
<v Speaker 9>literally saying, you know, he's interest didn't finding out what

1210
01:02:00.920 --> 01:02:04.079
<v Speaker 9>his options are, and as the guy who provided the

1211
01:02:04.079 --> 01:02:07.840
<v Speaker 9>cryptied video, I would be like in the mode of

1212
01:02:07.960 --> 01:02:10.239
<v Speaker 9>total self defense right now, because you know, no one

1213
01:02:10.320 --> 01:02:13.360
<v Speaker 9>likes to get sued, So the best thing for him

1214
01:02:13.400 --> 01:02:15.400
<v Speaker 9>to do would be to come clean, because that, you know,

1215
01:02:15.559 --> 01:02:18.360
<v Speaker 9>the least of his problems should be, you know, whether

1216
01:02:18.440 --> 01:02:20.280
<v Speaker 9>or not people believe it's a real video. I would

1217
01:02:20.320 --> 01:02:22.840
<v Speaker 9>come clean and I would explain, you know, anything could

1218
01:02:22.840 --> 01:02:25.199
<v Speaker 9>have happened, like if you make a hoax like this,

1219
01:02:25.480 --> 01:02:27.559
<v Speaker 9>you don't know if it's going to go viral and

1220
01:02:27.599 --> 01:02:30.199
<v Speaker 9>become huge, but it did, so you know, I would

1221
01:02:30.199 --> 01:02:32.119
<v Speaker 9>come clean with the guy and just say here's what happened,

1222
01:02:32.159 --> 01:02:34.239
<v Speaker 9>and yes, these guys bought it. You know, I had

1223
01:02:34.239 --> 01:02:36.559
<v Speaker 9>to get compensated. But now that we it's sort of

1224
01:02:36.880 --> 01:02:39.679
<v Speaker 9>it's your footage. I did the effect, So maybe we

1225
01:02:39.719 --> 01:02:42.079
<v Speaker 9>can work something out wherever. You know that nobody needs

1226
01:02:42.079 --> 01:02:45.920
<v Speaker 9>to sue anybody. Unfortunately, this guy is not in this

1227
01:02:46.000 --> 01:02:48.639
<v Speaker 9>position at all, because, as I understand, this is someone

1228
01:02:48.719 --> 01:02:53.039
<v Speaker 9>who's provided these kind of paranormal or crypted videos on

1229
01:02:53.079 --> 01:02:55.639
<v Speaker 9>a regular basis. Doesn't doesn't he Yes.

1230
01:02:55.559 --> 01:02:57.559
<v Speaker 5>Yes, I'm aware of two. Right off the top of

1231
01:02:57.559 --> 01:02:57.960
<v Speaker 5>my head.

1232
01:02:58.039 --> 01:02:58.760
<v Speaker 3>He went.

1233
01:02:59.079 --> 01:03:02.280
<v Speaker 5>He did the I think it was last October. He

1234
01:03:02.320 --> 01:03:04.559
<v Speaker 5>did the.

1235
01:03:03.599 --> 01:03:06.599
<v Speaker 3>There was some Brazilian kids and there was a weird

1236
01:03:06.639 --> 01:03:09.079
<v Speaker 3>alien kind of popped up in a light in the background,

1237
01:03:09.079 --> 01:03:11.559
<v Speaker 3>and it all looked very phony, but it became kind

1238
01:03:11.559 --> 01:03:13.480
<v Speaker 3>of a hot video. And then before that he was

1239
01:03:13.519 --> 01:03:17.760
<v Speaker 3>evolved in the I think it was back in April

1240
01:03:17.880 --> 01:03:21.079
<v Speaker 3>or something, he was involved with the chicken alien, where

1241
01:03:21.159 --> 01:03:24.920
<v Speaker 3>the alien appeared to be laying in the snow and

1242
01:03:25.000 --> 01:03:28.199
<v Speaker 3>it was actually somebody had taken like a roasted chicken

1243
01:03:28.239 --> 01:03:29.440
<v Speaker 3>and made it to look like an alien.

1244
01:03:29.519 --> 01:03:32.519
<v Speaker 5>It was brilliant. He's got he's got a long string

1245
01:03:32.599 --> 01:03:33.519
<v Speaker 5>of these sort of things.

1246
01:03:33.639 --> 01:03:35.599
<v Speaker 3>And the question is, you know, I don't know if

1247
01:03:35.639 --> 01:03:40.039
<v Speaker 3>he's the hoaxer, or if he's just extremely gullible person

1248
01:03:40.039 --> 01:03:44.079
<v Speaker 3>who promotes them, but at the point that he's taking cash,

1249
01:03:44.559 --> 01:03:47.480
<v Speaker 3>his curiosity and skepticism is probably.

1250
01:03:48.719 --> 01:03:50.679
<v Speaker 5>Not in his best interest, right.

1251
01:03:51.280 --> 01:03:53.880
<v Speaker 9>Yeah, absolutely, But yeah, it's it's sort of it's funny

1252
01:03:53.880 --> 01:03:56.920
<v Speaker 9>because he's someone like that has painted themselves into a

1253
01:03:56.960 --> 01:03:59.719
<v Speaker 9>corner because they can't even if, yeah, if he knows

1254
01:03:59.719 --> 01:04:02.239
<v Speaker 9>anything about the origins of this video or whether or

1255
01:04:02.280 --> 01:04:06.360
<v Speaker 9>not that other guy's footage was used, he can't come

1256
01:04:06.440 --> 01:04:09.079
<v Speaker 9>clean because that would undermine all his other claims, and

1257
01:04:09.119 --> 01:04:11.199
<v Speaker 9>it's the whole you know, it's the whole chain reaction.

1258
01:04:11.360 --> 01:04:13.920
<v Speaker 9>So it's kind of a lesson. I guess for anyone

1259
01:04:13.960 --> 01:04:18.440
<v Speaker 9>that does this kind of thing and you know, a

1260
01:04:18.440 --> 01:04:21.159
<v Speaker 9>purposeful hoax and tries to make money off of it,

1261
01:04:21.199 --> 01:04:25.000
<v Speaker 9>is that you know, it only takes one video, you know,

1262
01:04:25.039 --> 01:04:27.800
<v Speaker 9>it only takes one problem, and then all of your

1263
01:04:27.920 --> 01:04:30.119
<v Speaker 9>entire reputation with all of this stuff will unravel.

1264
01:04:30.280 --> 01:04:35.199
<v Speaker 5>So yeah, you'll maybe it is right. But then there's

1265
01:04:35.199 --> 01:04:37.920
<v Speaker 5>things like Tom Biscardi, who has been.

1266
01:04:37.800 --> 01:04:42.440
<v Speaker 3>Involved in multiple hoaxes and still sells bigfoot videos and

1267
01:04:42.559 --> 01:04:46.679
<v Speaker 3>has a podcast, has efficiently fans who believe in him.

1268
01:04:46.679 --> 01:04:51.000
<v Speaker 9>I don't know why, Yeah, because I guess it's just

1269
01:04:51.079 --> 01:04:53.159
<v Speaker 9>that's how the mind works. You can you can discount

1270
01:04:53.239 --> 01:04:57.800
<v Speaker 9>the ones that got revealed as hoaxes and still believe that,

1271
01:04:57.920 --> 01:05:00.000
<v Speaker 9>you know, but this other stuff is real. I mean,

1272
01:05:00.000 --> 01:05:01.000
<v Speaker 9>and I know that's fake.

1273
01:05:01.079 --> 01:05:05.800
<v Speaker 3>But that's the same mentality with people who hoax fake

1274
01:05:05.880 --> 01:05:09.480
<v Speaker 3>archaeology from the Middle East, you know, right, that's the

1275
01:05:09.519 --> 01:05:12.039
<v Speaker 3>same you know, well, yeah, he had a few bad items, but.

1276
01:05:12.079 --> 01:05:13.039
<v Speaker 5>Most of them are really good.

1277
01:05:13.079 --> 01:05:16.960
<v Speaker 3>Well wait a minute, they're all suspects right after you've

1278
01:05:17.400 --> 01:05:18.760
<v Speaker 3>the reputation counts for something.

1279
01:05:18.760 --> 01:05:19.679
<v Speaker 5>I guess that's what I'm saying.

1280
01:05:20.119 --> 01:05:22.920
<v Speaker 9>Yeah, And in my in comments on my videos whenever

1281
01:05:23.119 --> 01:05:26.559
<v Speaker 9>you know, sort of defenders of whatever video I'm discussing

1282
01:05:26.679 --> 01:05:30.320
<v Speaker 9>or dissecting when they comment, that's a lot of comments

1283
01:05:30.320 --> 01:05:33.400
<v Speaker 9>that I see is basically, you know, accusing me of

1284
01:05:34.719 --> 01:05:38.079
<v Speaker 9>picking up something that's an obvious hoax and somehow that

1285
01:05:38.400 --> 01:05:42.679
<v Speaker 9>you know, that tarnishes the notion that these similar things

1286
01:05:42.679 --> 01:05:45.599
<v Speaker 9>are real. You know, other UFOs are real. Just because

1287
01:05:45.599 --> 01:05:48.719
<v Speaker 9>this one is fake doesn't mean that you know, all

1288
01:05:48.760 --> 01:05:49.400
<v Speaker 9>of them are fake.

1289
01:05:49.639 --> 01:05:51.400
<v Speaker 3>So I don't know if there's a chance that any

1290
01:05:51.480 --> 01:05:54.320
<v Speaker 3>of our listeners have not been through your YouTube channel,

1291
01:05:54.320 --> 01:05:55.840
<v Speaker 3>but we'll have a link to that in the show notes,

1292
01:05:56.159 --> 01:05:58.480
<v Speaker 3>a link to your DVD which is a really great

1293
01:05:58.559 --> 01:06:02.239
<v Speaker 3>collection of your and some bonus materials on there too.

1294
01:06:02.280 --> 01:06:02.960
<v Speaker 5>They're very nice.

1295
01:06:03.000 --> 01:06:04.880
<v Speaker 9>So yeah, yeah, I worked really hard. It's not one

1296
01:06:04.920 --> 01:06:06.800
<v Speaker 9>of those DVDs where you know, I just threw together

1297
01:06:07.119 --> 01:06:09.400
<v Speaker 9>whatever was on the web to just put it together

1298
01:06:09.519 --> 01:06:12.679
<v Speaker 9>just to sell it. I try to kind of, first

1299
01:06:12.719 --> 01:06:15.880
<v Speaker 9>of all, remaster a bunch of those older videos which

1300
01:06:15.920 --> 01:06:19.280
<v Speaker 9>were posted back when YouTube had like a ridiculous quality,

1301
01:06:19.360 --> 01:06:21.559
<v Speaker 9>you know, right, and I put them all, you know,

1302
01:06:21.639 --> 01:06:24.519
<v Speaker 9>made them as new and good looking as possible. And yeah,

1303
01:06:24.760 --> 01:06:28.000
<v Speaker 9>I have like commentary and stuff on there, and some

1304
01:06:28.079 --> 01:06:30.920
<v Speaker 9>funny kind of behind the scenes stuff, you know, just

1305
01:06:30.920 --> 01:06:35.000
<v Speaker 9>trying to support this habit because I mean, I'm one

1306
01:06:35.039 --> 01:06:37.639
<v Speaker 9>of those people I'm really bad at you know, this

1307
01:06:37.760 --> 01:06:40.280
<v Speaker 9>stuff doesn't get updated. I don't come up with new

1308
01:06:40.360 --> 01:06:43.000
<v Speaker 9>videos as often as I would like. But I'm working on,

1309
01:06:43.159 --> 01:06:46.119
<v Speaker 9>you know, figuring out a system where I can simply

1310
01:06:46.159 --> 01:06:48.840
<v Speaker 9>because this stuff is the same as my day job.

1311
01:06:48.880 --> 01:06:50.920
<v Speaker 9>And sometimes if I'm you know, getting off of a

1312
01:06:50.960 --> 01:06:54.320
<v Speaker 9>big project, it's like, oh, now I can do the

1313
01:06:54.360 --> 01:06:58.039
<v Speaker 9>same thing for fun. So yeah, so yeah, I mean

1314
01:06:58.079 --> 01:07:01.760
<v Speaker 9>it's it's doable, and uh, you know, I'm still working,

1315
01:07:01.760 --> 01:07:04.719
<v Speaker 9>but but basically this, you know, people buying this DVD

1316
01:07:06.199 --> 01:07:08.559
<v Speaker 9>goes a long way to help me kind of carve

1317
01:07:08.599 --> 01:07:11.400
<v Speaker 9>out some time and ability to make new videos. And

1318
01:07:11.480 --> 01:07:13.679
<v Speaker 9>I do have a lot of cool plans for future

1319
01:07:13.719 --> 01:07:16.880
<v Speaker 9>episodes and maybe more characters and stuff like that. So

1320
01:07:17.480 --> 01:07:19.760
<v Speaker 9>it should be fun. And with every video it's just

1321
01:07:19.800 --> 01:07:22.039
<v Speaker 9>going to get better because I just try not to

1322
01:07:22.079 --> 01:07:24.519
<v Speaker 9>go over the same territory all the time. All the time.

1323
01:07:24.679 --> 01:07:27.239
<v Speaker 9>I just want to make something crazier and crazier each

1324
01:07:27.400 --> 01:07:28.639
<v Speaker 9>with each episode.

1325
01:07:28.760 --> 01:07:30.800
<v Speaker 3>That's great. I don't know if you remember meeting me

1326
01:07:30.840 --> 01:07:33.880
<v Speaker 3>at TAM but well we got to go see Bill

1327
01:07:33.880 --> 01:07:35.079
<v Speaker 3>and I the science guy together.

1328
01:07:35.159 --> 01:07:38.639
<v Speaker 9>That's right, that's right. That was awesome and expected. I yeah,

1329
01:07:38.679 --> 01:07:39.760
<v Speaker 9>I found out at the last moment.

1330
01:07:39.840 --> 01:07:41.199
<v Speaker 5>It was well, me too, me too, but I was

1331
01:07:41.239 --> 01:07:42.199
<v Speaker 5>excited to be a part of it.

1332
01:07:44.000 --> 01:07:44.320
<v Speaker 8>All right.

1333
01:07:44.320 --> 01:07:45.519
<v Speaker 3>Well, I don't want to keep you all night, but

1334
01:07:45.599 --> 01:07:48.119
<v Speaker 3>I really appreciate you taking some time to talk to you.

1335
01:07:48.199 --> 01:07:51.159
<v Speaker 9>Thanks, thanks for asking me. It's it's fun more instant.

1336
01:07:53.039 --> 01:07:57.360
<v Speaker 3>Today we're talking with lou Petho, is that right, Yeah,

1337
01:07:57.639 --> 01:07:59.280
<v Speaker 3>that's right. We'll make sure I got it right because

1338
01:07:59.360 --> 01:08:01.760
<v Speaker 3>I saw your full names. Is it Ludovic, which is

1339
01:08:03.000 --> 01:08:06.599
<v Speaker 3>a very cool name? All right, it's our friends.

1340
01:08:07.000 --> 01:08:08.639
<v Speaker 5>Who is lou pethol?

1341
01:08:09.960 --> 01:08:15.159
<v Speaker 8>Well, I'm one of these independent documentary filmmakers that you know,

1342
01:08:15.199 --> 01:08:16.960
<v Speaker 8>we spend you know, there's a lot of us. We

1343
01:08:17.000 --> 01:08:20.560
<v Speaker 8>spend a lot of time and money just to get projects.

1344
01:08:21.119 --> 01:08:23.520
<v Speaker 8>And I looked at broadcasters and hopefully you get a

1345
01:08:23.520 --> 01:08:27.840
<v Speaker 8>guernsey after many months and sometimes years of you know,

1346
01:08:27.880 --> 01:08:32.479
<v Speaker 8>pushing these projects. That's basically what I do. And the

1347
01:08:32.800 --> 01:08:36.039
<v Speaker 8>footage was from one of these projects that I'm working on.

1348
01:08:37.239 --> 01:08:40.199
<v Speaker 1>So Blue, how did you find out about this mammoth video?

1349
01:08:40.279 --> 01:08:42.720
<v Speaker 1>And how quickly did you recognize your own footage?

1350
01:08:43.840 --> 01:08:47.880
<v Speaker 8>Okay, well look what happened. Was a guy called Moderate Martin,

1351
01:08:47.960 --> 01:08:52.760
<v Speaker 8>I think from YouTube send me an email saying, mate,

1352
01:08:52.800 --> 01:08:54.800
<v Speaker 8>you should have a look at this footage because it

1353
01:08:54.840 --> 01:08:57.199
<v Speaker 8>looks a bit like yours. When I looked at it,

1354
01:08:57.720 --> 01:09:01.000
<v Speaker 8>you know, fair enough, I instinctly thought it was my footage.

1355
01:09:01.000 --> 01:09:03.720
<v Speaker 8>And then I checked, you know, every pebble, every rock,

1356
01:09:03.800 --> 01:09:07.079
<v Speaker 8>every cloud was in the same space. And I asked him,

1357
01:09:07.079 --> 01:09:10.359
<v Speaker 8>you know, how did you work this out? And he

1358
01:09:10.439 --> 01:09:14.319
<v Speaker 8>actually knows of Michael Cohen's work and he thought I looked,

1359
01:09:14.399 --> 01:09:17.800
<v Speaker 8>something's a bit fishy here. So what he did? I

1360
01:09:17.880 --> 01:09:22.399
<v Speaker 8>just did a search through YouTube for Rivers and Siberia

1361
01:09:22.479 --> 01:09:23.880
<v Speaker 8>and came across my footage.

1362
01:09:23.960 --> 01:09:26.720
<v Speaker 6>Either this has been you actually emailed me. It's interesting

1363
01:09:26.720 --> 01:09:28.359
<v Speaker 6>how the whole of this thing came up, as I had,

1364
01:09:28.399 --> 01:09:31.359
<v Speaker 6>of course written on it, and then I guess you

1365
01:09:31.399 --> 01:09:33.319
<v Speaker 6>had seen my piece or how did you end up

1366
01:09:33.319 --> 01:09:33.960
<v Speaker 6>contacting me?

1367
01:09:35.079 --> 01:09:35.319
<v Speaker 11>Yeah?

1368
01:09:35.399 --> 01:09:38.680
<v Speaker 8>Yeah, Look, what I did straight away was to go

1369
01:09:38.800 --> 01:09:42.399
<v Speaker 8>to people like yourselves who were talking about this story

1370
01:09:42.560 --> 01:09:44.560
<v Speaker 8>and just wanted to set it straight. I mean, what

1371
01:09:45.000 --> 01:09:49.800
<v Speaker 8>really upset me was the fact that somebody took my footage,

1372
01:09:50.039 --> 01:09:53.439
<v Speaker 8>slapped their own copyright on it, and proceeded to make

1373
01:09:53.720 --> 01:09:56.079
<v Speaker 8>some money out of it. And as I pointed out

1374
01:09:56.079 --> 01:09:58.239
<v Speaker 8>in my video, if it was you know, if it

1375
01:09:58.359 --> 01:10:00.359
<v Speaker 8>was a couple of kids in the bedroom think a

1376
01:10:00.359 --> 01:10:03.159
<v Speaker 8>bit of fun, I'd laugh along with them. I think

1377
01:10:03.159 --> 01:10:03.720
<v Speaker 8>it'd be great.

1378
01:10:03.800 --> 01:10:07.239
<v Speaker 6>But you know, this is different, right, This is this,

1379
01:10:07.399 --> 01:10:09.880
<v Speaker 6>This is a whole whole different set of things. When

1380
01:10:09.880 --> 01:10:12.560
<v Speaker 6>you're again you're not just talking kids, You're talking a

1381
01:10:12.600 --> 01:10:15.640
<v Speaker 6>production company that should know better, right, Yeah.

1382
01:10:15.479 --> 01:10:18.279
<v Speaker 8>Yeah, correctly, Well, the production company I have got in

1383
01:10:18.319 --> 01:10:22.960
<v Speaker 8>touch with them. They they acknowledge that the footage is

1384
01:10:23.079 --> 01:10:26.000
<v Speaker 8>mine and we're coming to some you know, some agreement there.

1385
01:10:27.560 --> 01:10:30.840
<v Speaker 8>But you know, we we do. People like us put

1386
01:10:30.920 --> 01:10:33.199
<v Speaker 8>a lot of effort to try and get these projects up.

1387
01:10:33.239 --> 01:10:36.680
<v Speaker 8>So it's disheartening when you see somebody taking your footage,

1388
01:10:36.680 --> 01:10:39.560
<v Speaker 8>which you know I put up there, show a bit

1389
01:10:39.600 --> 01:10:41.840
<v Speaker 8>of the scene, read the beauty of the place, and

1390
01:10:41.880 --> 01:10:44.159
<v Speaker 8>also to talk about my project.

1391
01:10:45.039 --> 01:10:47.239
<v Speaker 5>Yeah, so we do want to talk about your project.

1392
01:10:47.279 --> 01:10:49.399
<v Speaker 3>But I have a couple more questions about this whole

1393
01:10:49.520 --> 01:10:50.159
<v Speaker 3>hoax matter.

1394
01:10:51.920 --> 01:10:53.199
<v Speaker 5>I've been really curious.

1395
01:10:52.840 --> 01:10:56.520
<v Speaker 3>About this, Like how much do you think was paid

1396
01:10:56.560 --> 01:10:58.680
<v Speaker 3>for this this hoax video?

1397
01:10:59.680 --> 01:11:00.680
<v Speaker 5>Or do you the idea yet?

1398
01:11:01.479 --> 01:11:04.520
<v Speaker 8>I don't have any clear idea yet, but you.

1399
01:11:04.479 --> 01:11:07.840
<v Speaker 3>Are pursuing trying to get some kind of compensation for

1400
01:11:07.920 --> 01:11:09.560
<v Speaker 3>it or misused.

1401
01:11:09.600 --> 01:11:14.199
<v Speaker 8>Yeah, we'll basically yeah, yeah, they're going to compensate me

1402
01:11:14.840 --> 01:11:20.199
<v Speaker 8>where where Cohen would have been compensated, you know, originally

1403
01:11:20.359 --> 01:11:22.319
<v Speaker 8>start something a bit big about it, but but it's

1404
01:11:22.439 --> 01:11:24.359
<v Speaker 8>just something that was still kind of functionalizing.

1405
01:11:25.600 --> 01:11:26.720
<v Speaker 9>And I am looking, I am.

1406
01:11:26.680 --> 01:11:29.600
<v Speaker 8>Persisting with Michael, I am in touch with Michael, and

1407
01:11:31.439 --> 01:11:35.600
<v Speaker 8>I'm kind of I'm seeing where how far I can

1408
01:11:35.720 --> 01:11:40.520
<v Speaker 8>push that, because I think he's done this before a

1409
01:11:40.600 --> 01:11:43.319
<v Speaker 8>lot of other people have got back to me and said, said,

1410
01:11:43.680 --> 01:11:45.439
<v Speaker 8>you know, good on you. This guy is just a

1411
01:11:45.600 --> 01:11:48.640
<v Speaker 8>serial hoax. You know a lot of people are caught

1412
01:11:48.720 --> 01:11:52.119
<v Speaker 8>upset with Michael for doing a lot of these these hoaxes,

1413
01:11:52.359 --> 01:11:55.960
<v Speaker 8>or or the one that's the conduct for these hoaxes.

1414
01:11:56.039 --> 01:11:59.319
<v Speaker 8>I mean, whether he's doing and actually himself, you know,

1415
01:11:59.399 --> 01:12:02.760
<v Speaker 8>I'm not sure, but he certainly is the platform for it.

1416
01:12:03.880 --> 01:12:06.880
<v Speaker 1>And is he claiming to have been the videographer or

1417
01:12:07.079 --> 01:12:08.680
<v Speaker 1>is he just the promoter of the video?

1418
01:12:09.399 --> 01:12:11.960
<v Speaker 8>Oh no, no, no, he's just saying that somebody sent

1419
01:12:12.039 --> 01:12:14.479
<v Speaker 8>it to him, which is a bit unusual when you

1420
01:12:14.640 --> 01:12:16.720
<v Speaker 8>slap your own copywriter and this stuff as well.

1421
01:12:17.279 --> 01:12:19.000
<v Speaker 5>Yeah, that's really odd.

1422
01:12:19.199 --> 01:12:20.680
<v Speaker 4>Yeah, and I did.

1423
01:12:21.640 --> 01:12:23.239
<v Speaker 8>And then I think I ce CD you on that.

1424
01:12:23.279 --> 01:12:24.680
<v Speaker 8>I'm not sure if I see you on it, but

1425
01:12:24.720 --> 01:12:28.720
<v Speaker 8>I sent an email to to Michael saying, isn't this

1426
01:12:28.920 --> 01:12:32.760
<v Speaker 8>terrible that this person has has tricked you? And is

1427
01:12:32.800 --> 01:12:36.520
<v Speaker 8>basically let's let's join together, let's band together and get

1428
01:12:36.560 --> 01:12:37.840
<v Speaker 8>this guy. You know, we need to.

1429
01:12:42.880 --> 01:12:44.640
<v Speaker 6>Wow, we all got scammed out.

1430
01:12:44.880 --> 01:12:45.640
<v Speaker 3>Isn't that amazing?

1431
01:12:45.720 --> 01:12:46.079
<v Speaker 6>Michael?

1432
01:12:46.279 --> 01:12:46.520
<v Speaker 9>Wow?

1433
01:12:46.840 --> 01:12:49.880
<v Speaker 6>And and look your name happens to be another very

1434
01:12:49.960 --> 01:12:51.560
<v Speaker 6>dubious videos. Isn't that weird?

1435
01:12:52.760 --> 01:12:56.159
<v Speaker 8>Let's get this is terrible, you know, justice needs to

1436
01:12:56.199 --> 01:12:57.479
<v Speaker 8>be well.

1437
01:12:57.520 --> 01:12:59.640
<v Speaker 3>He's also said that, you know, well, how do we

1438
01:12:59.800 --> 01:13:02.319
<v Speaker 3>know that this wasn't just shot at the same location.

1439
01:13:02.560 --> 01:13:06.199
<v Speaker 3>But I think it's really hard to get your camera

1440
01:13:06.279 --> 01:13:08.920
<v Speaker 3>set up exactly the same and.

1441
01:13:09.000 --> 01:13:13.720
<v Speaker 8>Make sure that the same pebbles if the same. And look,

1442
01:13:13.760 --> 01:13:16.039
<v Speaker 8>the really funny is it. Some of the funny comments

1443
01:13:16.079 --> 01:13:19.880
<v Speaker 8>that I've been getting on the just at that footage

1444
01:13:20.239 --> 01:13:24.039
<v Speaker 8>is that people are angry that it's actually me that

1445
01:13:24.239 --> 01:13:27.680
<v Speaker 8>took Michael's footage and I took out the mammoth and

1446
01:13:27.800 --> 01:13:31.520
<v Speaker 8>I've put it up there as as this is a hoax.

1447
01:13:32.159 --> 01:13:36.119
<v Speaker 8>Other people have said that it's it's me that created

1448
01:13:36.159 --> 01:13:39.520
<v Speaker 8>the hopes, and I've come Michael into believing that it's real,

1449
01:13:39.880 --> 01:13:40.920
<v Speaker 8>just to get the publicity.

1450
01:13:41.800 --> 01:13:44.960
<v Speaker 6>I'm just curious more about your your dealings with mister Cohen.

1451
01:13:44.960 --> 01:13:47.680
<v Speaker 6>I mean, how how what were your initial I don't

1452
01:13:47.680 --> 01:13:49.359
<v Speaker 6>know if you're at liberty to go into details, but

1453
01:13:49.439 --> 01:13:51.640
<v Speaker 6>what was your initial contact with them? And was he

1454
01:13:51.960 --> 01:13:54.680
<v Speaker 6>very defensive or did he just sort of plead listened

1455
01:13:54.800 --> 01:13:55.840
<v Speaker 6>or how did all that come about?

1456
01:13:56.640 --> 01:13:59.960
<v Speaker 8>Oh look, I didn't. I didn't go to end direct.

1457
01:14:00.439 --> 01:14:04.520
<v Speaker 8>I basically look, I just saw it as, Hey, this

1458
01:14:04.680 --> 01:14:05.600
<v Speaker 8>is a YouTube event.

1459
01:14:05.880 --> 01:14:07.880
<v Speaker 6>Let's let's keep it at that.

1460
01:14:09.920 --> 01:14:10.079
<v Speaker 7>Now.

1461
01:14:10.279 --> 01:14:14.159
<v Speaker 8>My my contact with Michael has only been been recent

1462
01:14:14.199 --> 01:14:16.600
<v Speaker 8>when I found out found his email. He's saying that

1463
01:14:16.720 --> 01:14:18.680
<v Speaker 8>he's not He's not the bad guy in all this.

1464
01:14:18.840 --> 01:14:22.640
<v Speaker 8>I'm not a bad guy, and that that he that

1465
01:14:22.760 --> 01:14:25.199
<v Speaker 8>I should appreciate all the publicity that I'm getting and

1466
01:14:25.279 --> 01:14:26.560
<v Speaker 8>that I should be thanking him for it.

1467
01:14:27.119 --> 01:14:34.439
<v Speaker 6>Oh wow, Yeah, what's the There has to be a

1468
01:14:34.520 --> 01:14:37.319
<v Speaker 6>really beautiful, concise Australian term for that. What would that be?

1469
01:14:38.640 --> 01:14:46.079
<v Speaker 3>There are lots of terms, maybe he's taking them, but

1470
01:14:46.119 --> 01:14:47.439
<v Speaker 3>I think he was actually an American.

1471
01:14:47.479 --> 01:14:49.319
<v Speaker 8>It was funny I found out he was an Australian

1472
01:14:49.399 --> 01:14:51.840
<v Speaker 8>and the Sidy Morning Herald and the Age in Australia,

1473
01:14:52.199 --> 01:14:55.199
<v Speaker 8>and I think the headlines was two Australians lockehorns.

1474
01:14:56.880 --> 01:15:03.000
<v Speaker 3>That's coincidence over a moment. Yeah, how has YouTube handled

1475
01:15:03.000 --> 01:15:04.920
<v Speaker 3>all this? Have you been cooperative with your inquiry?

1476
01:15:05.279 --> 01:15:08.199
<v Speaker 8>I did look early on. I did point out that

1477
01:15:08.439 --> 01:15:12.520
<v Speaker 8>the member thing was actually you know, wrong claim of copyright.

1478
01:15:12.640 --> 01:15:15.119
<v Speaker 8>And I haven't heard back from them, but one interesting

1479
01:15:15.199 --> 01:15:20.600
<v Speaker 8>thing is that Ben Ben, yourself and Lee Spiedler from

1480
01:15:20.720 --> 01:15:23.680
<v Speaker 8>Huffington Post were really the only too. They came back

1481
01:15:23.760 --> 01:15:26.960
<v Speaker 8>and wanted to debunk the story. You know, I know

1482
01:15:27.279 --> 01:15:31.720
<v Speaker 8>it's I clarify that I was the ABC Brothers show

1483
01:15:31.800 --> 01:15:36.479
<v Speaker 8>News in America, but the Sun, you know, I put

1484
01:15:36.560 --> 01:15:39.760
<v Speaker 8>in a I put a comment on their blog. I

1485
01:15:39.880 --> 01:15:41.960
<v Speaker 8>haven't seen that a comment appear on the blog on

1486
01:15:42.079 --> 01:15:45.800
<v Speaker 8>that that article, and they haven't responded to me. So

1487
01:15:46.319 --> 01:15:49.199
<v Speaker 8>it's kind of interesting that they just wanted to ignore

1488
01:15:49.359 --> 01:15:52.159
<v Speaker 8>the But I guess that's the Sun, isn't it.

1489
01:15:52.840 --> 01:15:55.560
<v Speaker 6>Yeah, right, I think that's probably a part of the

1490
01:15:55.640 --> 01:15:58.239
<v Speaker 6>course with them. So yeah, it was interesting because you know,

1491
01:15:58.439 --> 01:16:01.239
<v Speaker 6>when I first, you know, you know, saw it, and

1492
01:16:01.279 --> 01:16:03.159
<v Speaker 6>now I you know, well you saw the piece, and

1493
01:16:03.199 --> 01:16:04.680
<v Speaker 6>I was sort of critiquing all the things that I

1494
01:16:04.760 --> 01:16:07.760
<v Speaker 6>thought were really do be some suspicious about it, And

1495
01:16:08.000 --> 01:16:10.159
<v Speaker 6>to be honest, I I sort of assumed that it

1496
01:16:10.239 --> 01:16:11.960
<v Speaker 6>was just going to sort of fade away, as many

1497
01:16:11.960 --> 01:16:15.199
<v Speaker 6>of these sort of hoaxed you know, bigfoot videos, you know,

1498
01:16:16.119 --> 01:16:19.039
<v Speaker 6>mysterious creature videos go, and so I just thought it

1499
01:16:19.159 --> 01:16:21.159
<v Speaker 6>was sort of fade away and nothing. And then and

1500
01:16:21.239 --> 01:16:23.079
<v Speaker 6>then I think a few days later, I woke up

1501
01:16:23.119 --> 01:16:25.640
<v Speaker 6>one morning and there's an email from you, and you're like, hey,

1502
01:16:25.720 --> 01:16:28.920
<v Speaker 6>look at this. I'm like interesting, all right, So I did.

1503
01:16:28.960 --> 01:16:31.119
<v Speaker 6>I did more digging, and I'll be honest with you,

1504
01:16:31.239 --> 01:16:34.079
<v Speaker 6>I actually did a little investigating on you because I

1505
01:16:34.279 --> 01:16:37.680
<v Speaker 6>was a little concerned of a sort of a reverse

1506
01:16:37.720 --> 01:16:40.640
<v Speaker 6>hoax that somebody was gonna, you know, try and pull something.

1507
01:16:40.680 --> 01:16:43.199
<v Speaker 6>So I did a little poking around and I verified

1508
01:16:43.279 --> 01:16:44.800
<v Speaker 6>that you were more or less who you said you were.

1509
01:16:45.199 --> 01:16:46.960
<v Speaker 6>And then I said, all right, I think there's a

1510
01:16:47.000 --> 01:16:49.000
<v Speaker 6>story here. So I'm glad that I could help sort

1511
01:16:49.039 --> 01:16:51.520
<v Speaker 6>of expose this because it was just it's just youah,

1512
01:16:51.560 --> 01:16:52.279
<v Speaker 6>so egregious.

1513
01:16:52.319 --> 01:16:55.159
<v Speaker 8>I mean, I mean it is. It is funny. I

1514
01:16:55.199 --> 01:16:57.119
<v Speaker 8>mean it's it's it is a bit of a joke.

1515
01:16:57.159 --> 01:17:00.640
<v Speaker 8>But where it does get serious is the the idea

1516
01:17:00.720 --> 01:17:04.680
<v Speaker 8>that people can take your footage, plane copyright on it,

1517
01:17:05.479 --> 01:17:10.079
<v Speaker 8>make money out of it. Yeah. I think that's becomes

1518
01:17:10.119 --> 01:17:10.800
<v Speaker 8>a different story.

1519
01:17:11.159 --> 01:17:14.000
<v Speaker 1>And so what is the backstory to the project? Why

1520
01:17:14.079 --> 01:17:16.640
<v Speaker 1>did you shoot four minutes of video of a river?

1521
01:17:17.920 --> 01:17:22.359
<v Speaker 8>Well? The projects I'm following story of my grainfather, who

1522
01:17:22.720 --> 01:17:26.560
<v Speaker 8>staided from a pow camp in Siberia in nineteen fifteen

1523
01:17:27.239 --> 01:17:30.920
<v Speaker 8>and then spent three years walking back home. Now what

1524
01:17:31.039 --> 01:17:34.359
<v Speaker 8>I'm planning to do is to retrace that as a documentary,

1525
01:17:34.479 --> 01:17:38.199
<v Speaker 8>which we're still looking for funding. It is a hard

1526
01:17:38.279 --> 01:17:41.840
<v Speaker 8>slot to get these big projects up. And part of

1527
01:17:41.880 --> 01:17:44.920
<v Speaker 8>it was a research trip to Kutz where.

1528
01:17:44.680 --> 01:17:45.399
<v Speaker 4>I met a lot of.

1529
01:17:46.960 --> 01:17:50.760
<v Speaker 8>Academics and they're showing me through the archival material from

1530
01:17:50.800 --> 01:17:53.439
<v Speaker 8>that period. But I also wanted to go through the

1531
01:17:53.520 --> 01:17:56.600
<v Speaker 8>mountains to see if it was possible that my grandfather

1532
01:17:56.840 --> 01:18:02.479
<v Speaker 8>actually tried to cross these mountains, and so I did

1533
01:18:02.520 --> 01:18:04.840
<v Speaker 8>a ten day hike and at the end that.

1534
01:18:05.000 --> 01:18:06.479
<v Speaker 6>Was the river shot that.

1535
01:18:08.000 --> 01:18:11.239
<v Speaker 8>That's become the month shot was about five days in,

1536
01:18:11.520 --> 01:18:14.359
<v Speaker 8>was at the ten around point, and it was just

1537
01:18:14.439 --> 01:18:17.199
<v Speaker 8>such a beautiful area and I thought it wouldn't be

1538
01:18:17.279 --> 01:18:21.159
<v Speaker 8>nice just to have a static shot of just this beautiful,

1539
01:18:21.239 --> 01:18:24.159
<v Speaker 8>peaceful you know, flowing the river and you know that

1540
01:18:24.399 --> 01:18:27.920
<v Speaker 8>that was the only motivation, you know, behind her. So

1541
01:18:28.000 --> 01:18:29.960
<v Speaker 8>I put it up there and really looked. I had

1542
01:18:30.039 --> 01:18:32.000
<v Speaker 8>lots of a lot of the comments, you know, before

1543
01:18:32.039 --> 01:18:34.479
<v Speaker 8>all this happened, people saying how beautiful piece for it

1544
01:18:34.680 --> 01:18:36.479
<v Speaker 8>was and wonderful, and I know it's kind of happy

1545
01:18:36.560 --> 01:18:38.319
<v Speaker 8>to get, you know, one hundred and fifty hits and

1546
01:18:38.439 --> 01:18:41.000
<v Speaker 8>then you know, once this thing happened, it's like a

1547
01:18:41.079 --> 01:18:41.840
<v Speaker 8>quarter of a million.

1548
01:18:41.880 --> 01:18:42.479
<v Speaker 9>Now, I think.

1549
01:18:44.520 --> 01:18:47.279
<v Speaker 8>It's kind of like we imagine if I panned and

1550
01:18:47.439 --> 01:18:48.359
<v Speaker 8>put some music to it.

1551
01:18:48.439 --> 01:18:52.159
<v Speaker 3>I want to well, I think you can actually add

1552
01:18:52.239 --> 01:18:54.560
<v Speaker 3>some stock music to the YouTube interface, so you get

1553
01:18:54.600 --> 01:18:58.560
<v Speaker 3>that one. I don't know if this will end up

1554
01:18:58.680 --> 01:19:01.960
<v Speaker 3>helping your you know, get funding for your project or not,

1555
01:19:02.119 --> 01:19:04.800
<v Speaker 3>but uh uh, you know, how how can people find

1556
01:19:04.840 --> 01:19:06.680
<v Speaker 3>out more about your project or is there anything we

1557
01:19:06.760 --> 01:19:09.000
<v Speaker 3>can do to you know, help it move along?

1558
01:19:09.239 --> 01:19:11.520
<v Speaker 8>Yeah, well, look what what I look, I am taking,

1559
01:19:12.159 --> 01:19:14.720
<v Speaker 8>you know, why not take the opportunity of this publicity.

1560
01:19:14.840 --> 01:19:18.560
<v Speaker 8>And I've spoken to my producers over in Europe, and

1561
01:19:19.359 --> 01:19:22.319
<v Speaker 8>you know, we're getting interest through German French television. But

1562
01:19:22.680 --> 01:19:25.319
<v Speaker 8>it is a big project and we still need to

1563
01:19:25.439 --> 01:19:28.560
<v Speaker 8>raise quite a bit of money. What what I'm going

1564
01:19:28.680 --> 01:19:30.880
<v Speaker 8>to do in the next week or so is create

1565
01:19:31.199 --> 01:19:34.239
<v Speaker 8>a crowd funding site where we're hoping to raise enough

1566
01:19:34.319 --> 01:19:38.960
<v Speaker 8>money just for the science section. And you know, we'll

1567
01:19:38.960 --> 01:19:42.000
<v Speaker 8>obviously have rewards. We'll we'll try and you know, reward

1568
01:19:42.079 --> 01:19:45.800
<v Speaker 8>people who join in. And I don't know, maybe maybe

1569
01:19:46.159 --> 01:19:48.119
<v Speaker 8>have a closer look this time, and you never know,

1570
01:19:48.239 --> 01:19:49.720
<v Speaker 8>one might see a mammoth along the way.

1571
01:19:51.680 --> 01:19:54.159
<v Speaker 6>Well, I have to ask, just just for the record,

1572
01:19:54.760 --> 01:19:58.479
<v Speaker 6>just to be crystal crystal clear, are you absolutely sure

1573
01:19:58.520 --> 01:20:00.000
<v Speaker 6>that you didn't see William ammoth at the.

1574
01:20:02.159 --> 01:20:05.720
<v Speaker 8>I've looked through the footage, and I looked through all

1575
01:20:05.800 --> 01:20:09.479
<v Speaker 8>my footage and I'm sorry to say, but no, there

1576
01:20:09.560 --> 01:20:10.039
<v Speaker 8>was just no.

1577
01:20:12.000 --> 01:20:13.560
<v Speaker 10>Sorry.

1578
01:20:17.039 --> 01:20:20.720
<v Speaker 8>I mean, after ten days, I'm sure I probably smelled

1579
01:20:20.760 --> 01:20:21.560
<v Speaker 8>like a wooly mammoth.

1580
01:20:24.359 --> 01:20:25.960
<v Speaker 6>Wow, fair enough, then, fair enough?

1581
01:20:27.800 --> 01:20:31.239
<v Speaker 8>But but yeah, look, I'll if you guys in mind,

1582
01:20:31.279 --> 01:20:34.119
<v Speaker 8>I'll set up I'll speak to producers and we'll set

1583
01:20:34.159 --> 01:20:39.399
<v Speaker 8>up a link. Certainly, we'll have it on on my website,

1584
01:20:39.399 --> 01:20:42.000
<v Speaker 8>which is Russian Promenade. I'll put something up there where

1585
01:20:42.439 --> 01:20:45.840
<v Speaker 8>we can link to the crowd something and if that's

1586
01:20:46.039 --> 01:20:48.600
<v Speaker 8>if that's a little possible, that that would be greast.

1587
01:20:48.800 --> 01:20:50.359
<v Speaker 5>We'd be glad to put the link in the show notes.

1588
01:20:50.399 --> 01:20:51.079
<v Speaker 5>That's not a problem.

1589
01:20:51.920 --> 01:20:52.800
<v Speaker 6>Yeah, yeah, thanks.

1590
01:20:53.560 --> 01:20:55.439
<v Speaker 5>We typically, no matter who the guest is, we try

1591
01:20:55.520 --> 01:20:57.479
<v Speaker 5>to ask them what's your favorite monster?

1592
01:20:59.279 --> 01:20:59.600
<v Speaker 6>Monster?

1593
01:21:00.359 --> 01:21:04.520
<v Speaker 8>God, I don't know, probably the yetti because I reckon,

1594
01:21:04.680 --> 01:21:06.960
<v Speaker 8>you know, if anything's going to happen, I reckon, it's

1595
01:21:07.000 --> 01:21:07.800
<v Speaker 8>it's going to be a yet.

1596
01:21:08.600 --> 01:21:10.439
<v Speaker 5>Did you see any of those while you're over there?

1597
01:21:11.199 --> 01:21:13.279
<v Speaker 8>No? No, But I look, I know that in Russia

1598
01:21:13.479 --> 01:21:17.000
<v Speaker 8>there is a university in Siberia that is at tacking

1599
01:21:17.039 --> 01:21:20.800
<v Speaker 8>this a little more seriously and they're actually trying to

1600
01:21:20.880 --> 01:21:23.840
<v Speaker 8>find the truth of what what these these things are.

1601
01:21:24.239 --> 01:21:29.039
<v Speaker 3>And you never know that's true if because if you

1602
01:21:29.119 --> 01:21:31.119
<v Speaker 3>ever did know, then we would never show anymore.

1603
01:21:31.399 --> 01:21:35.760
<v Speaker 1>So unless it has something to do with Michael Collin,

1604
01:21:35.880 --> 01:21:36.359
<v Speaker 1>well that's.

1605
01:21:36.239 --> 01:21:40.039
<v Speaker 3>True, right, yeah, I am. I'm going to doubt his.

1606
01:21:40.119 --> 01:21:44.880
<v Speaker 8>Work after all. This had to thank Michael, I guess

1607
01:21:44.960 --> 01:21:45.720
<v Speaker 8>for for some of this.

1608
01:21:45.920 --> 01:21:48.439
<v Speaker 3>But yeah, it'll probably at least a year now before

1609
01:21:48.479 --> 01:21:49.600
<v Speaker 3>we'll hear his next project.

1610
01:21:49.760 --> 01:21:55.800
<v Speaker 6>So your show is no.

1611
01:21:55.920 --> 01:21:58.720
<v Speaker 3>But he is a staple on the web. I mean

1612
01:21:59.239 --> 01:22:01.159
<v Speaker 3>we haven't talked a lot about him, but he puts

1613
01:22:01.199 --> 01:22:04.800
<v Speaker 3>out a lot of content. He was involved in the

1614
01:22:06.279 --> 01:22:09.640
<v Speaker 3>Chicken Alien from a last April and then.

1615
01:22:09.600 --> 01:22:11.680
<v Speaker 6>He was that's right, also also in Saber Area. I

1616
01:22:11.760 --> 01:22:13.199
<v Speaker 6>wrote about that and none of them.

1617
01:22:13.279 --> 01:22:16.960
<v Speaker 3>He's involved in the the Brazil Alien that pops up

1618
01:22:17.000 --> 01:22:21.159
<v Speaker 3>behind the children. Uh yeah, he's uh yeah, he gets around.

1619
01:22:21.800 --> 01:22:25.600
<v Speaker 8>So I speaking of the producers and we were kind

1620
01:22:25.640 --> 01:22:28.319
<v Speaker 8>of you know, checking maybe maybe there's a good documentary

1621
01:22:28.439 --> 01:22:34.760
<v Speaker 8>in the serials, you know, see what they actually do

1622
01:22:34.960 --> 01:22:37.279
<v Speaker 8>and did they damage people trying to you know, to

1623
01:22:37.399 --> 01:22:38.680
<v Speaker 8>really find out what's going on.

1624
01:22:38.920 --> 01:22:42.239
<v Speaker 3>Oh, for sure, there is absolutely my favorite, I mean

1625
01:22:42.319 --> 01:22:44.680
<v Speaker 3>my favorite irony of all this. You know, we look

1626
01:22:44.680 --> 01:22:47.640
<v Speaker 3>at a lot of cryptos weology cases, and my favorite

1627
01:22:47.640 --> 01:22:51.159
<v Speaker 3>irony is that the Patterson Gimblin film is shot at

1628
01:22:51.159 --> 01:22:56.640
<v Speaker 3>a place called Bluff Creek. I mean, how what a

1629
01:22:56.720 --> 01:22:58.840
<v Speaker 3>great title for a documentary, Bluff Creek.

1630
01:23:00.199 --> 01:23:02.640
<v Speaker 5>All right, Well, thank you so much for talking to us, Lou.

1631
01:23:02.720 --> 01:23:03.520
<v Speaker 3>We really appreciate it.

1632
01:23:03.960 --> 01:23:09.039
<v Speaker 6>Thank you, pleasure, Take care Monster.

1633
01:23:10.560 --> 01:23:13.640
<v Speaker 3>Thanks for listening to another episode of Monster Talk. I'm

1634
01:23:13.680 --> 01:23:16.439
<v Speaker 3>Blake Smith, and you've been listening to me. Ben Radford

1635
01:23:16.560 --> 01:23:19.520
<v Speaker 3>and doctor Karen Stoles know as we talked about Internet

1636
01:23:19.680 --> 01:23:24.239
<v Speaker 3>hoax videos and interview documentary filmmaker Lou Petho and video

1637
01:23:24.279 --> 01:23:29.279
<v Speaker 3>analysis expert Allen Captain dissillusion Melick Janion. Links to Petho

1638
01:23:29.479 --> 01:23:32.520
<v Speaker 3>and Captain d sites are in the show notes. Monster

1639
01:23:32.640 --> 01:23:36.399
<v Speaker 3>Talk is an official podcast of Skeptic Magazine. The views

1640
01:23:36.479 --> 01:23:40.720
<v Speaker 3>expressed on Monster Talk, while completely awesome, do not necessarily

1641
01:23:40.800 --> 01:23:43.319
<v Speaker 3>reflect the views or opinions of Skeptic Magazine or the

1642
01:23:43.319 --> 01:23:47.000
<v Speaker 3>Skeptic Society. Thanks again for all who participated in our

1643
01:23:47.039 --> 01:23:50.319
<v Speaker 3>experiment last week to get iTunes reviews. I learned later

1644
01:23:50.399 --> 01:23:52.840
<v Speaker 3>that if you're using an iPhone, you could do a

1645
01:23:52.960 --> 01:23:56.560
<v Speaker 3>review just by clicking on iTunes, searching for Monster Talk,

1646
01:23:56.680 --> 01:23:59.640
<v Speaker 3>and then selecting reviews. I really loved reading all your

1647
01:23:59.640 --> 01:24:01.960
<v Speaker 3>feedback and would love to hear more, and we'll let

1648
01:24:02.000 --> 01:24:05.039
<v Speaker 3>you know what it does to our iTunes ratings. You

1649
01:24:05.399 --> 01:24:08.800
<v Speaker 3>are a fantastic audience and you're the reason we do

1650
01:24:08.920 --> 01:24:10.720
<v Speaker 3>the show, so thanks again for all that you do,

1651
01:24:11.000 --> 01:24:13.399
<v Speaker 3>even if it's just listening, and be sure and join

1652
01:24:13.439 --> 01:24:16.239
<v Speaker 3>our Facebook group. You'll meet lots of other listeners and

1653
01:24:16.359 --> 01:24:19.039
<v Speaker 3>be able to participate in fun activities like the continuing

1654
01:24:19.119 --> 01:24:22.319
<v Speaker 3>Internet game Is It a Bear or Is It a Mammoth?

1655
01:24:23.399 --> 01:24:26.279
<v Speaker 3>Theme music for Monster Talk is by Peach Stealing Monkeys.

1656
01:24:26.720 --> 01:24:29.760
<v Speaker 3>The intro excerpt was from a sample of Willie Bully.

1657
01:24:30.119 --> 01:24:32.079
<v Speaker 3>A link to that track and all the other stuff

1658
01:24:32.119 --> 01:24:33.800
<v Speaker 3>I promised is in the show notes.

1659
01:24:34.000 --> 01:24:34.960
<v Speaker 5>Thanks again for listening.

1660
01:25:11.600 --> 01:25:14.640
<v Speaker 11>Want to stay abreast of the latest from Skeptic Magazine

1661
01:25:14.800 --> 01:25:19.199
<v Speaker 11>and the Skeptic Society. Want cutting edge skeptical articles delivered

1662
01:25:19.239 --> 01:25:24.199
<v Speaker 11>straight to your inbox every week. Then subscribe to E Skeptic,

1663
01:25:24.680 --> 01:25:28.920
<v Speaker 11>the free electronic newsletter of the Skeptic Society. Visit skeptic

1664
01:25:29.079 --> 01:25:30.560
<v Speaker 11>dot com to sign up.

1665
01:25:31.359 --> 01:25:37.000
<v Speaker 6>Oh well, I'm a big burden. Who are you?

1666
01:25:38.920 --> 01:25:46.960
<v Speaker 8>That's easy. Oh yes, yes, I am a snuffle up.

1667
01:25:47.199 --> 01:25:49.880
<v Speaker 3>I guess a snuffle up.

1668
01:25:49.960 --> 01:25:50.159
<v Speaker 8>Aga
