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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we

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are going to bring you the last circulating episode of

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the Adventures of the Falcon. But first I do want

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to encourage you, if you are enjoying the podcast, to

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please follow us using your favorite podcast software. Our listener

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Support and Appreciation campaign and can use You can become

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one of our ongoing Patreon supporters for as little as

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two dollars per month by going to Patreon dot Great

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Detectives dot net. Given the episodes that we played so far,

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I feel like I should warn you that the sound

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quality on this episode is actually pretty dacent. Usually it's

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the other way around, but this is the one that

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actually sounds pretty good. So here from May thirty first,

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nineteen fifty four is the case of the Snappy Snapshot.

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Speaker 2: Hello, Yes, this is the fucking speaking Oh Helen. I'm

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glad you called. I won't be able to make it tonight.

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Speaker 3: Angel.

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Speaker 2: Seems my client is having trouble with his competitors and

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he wants me to give him the business. The Mutual

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Broadcasting System takes pleasure in bringing you the new transcribed

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Adventures of the Falcon, starring George Petrie as Mike Wearing

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in just a Moment The Adventures of the Falcon. But first,

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now hear a mutual minute. One man's mystery may be

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another's poison, but on mutual you can find mystery throughout

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the week to please any taste. If actual police action

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drama is your pleasure, then you'll want a tune in

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every week for Under Arrest and crime Fighters. On Under Arrest,

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police Captain James T. Scott pursues a twisted path of

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criminal activity to its inevitable conclusion a Man under Arrest.

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Crime Fighters is a program that emphasizes the equal importance

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of all who wage war against the enemies of society.

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Speaker 4: For people whose taste in mystery fair.

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Speaker 2: Is for the unusual, the strange, and the eerie, there's

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nightmare here. Every week you can hear the Master of Chills,

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Peter Lourie narrate a tale of toat suspense and for

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the intrigue and delight of breathless excitement and high places

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across the world. Screen star George Sanders brings high adventure.

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Don't forget it's mutual for mystery all kinds of mystery

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throughout the week over most of these stations. And now

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we invite you to listen to the adventures of the

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Falcon as Mike Wearing solves the case of the snappy snapshots.

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There's one thing you learn working as a private detective.

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Persistence always pays off. There's a case in point. I

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give you the two gentlemen driving along the bowery. They

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are the Kemp brothers, Walter and George. They run a

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private detective agency in town. We'd have a guest to

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look at them. There are a couple of philanthropists, but

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no relief organization. Never looked harder to find a worthy

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object of their charity than the camp boys.

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Speaker 5: So down, George?

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Speaker 3: Yeah? How about that bum standing at a point?

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Speaker 6: Shot?

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Speaker 3: Kind of bold?

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Speaker 5: Any what differences to make stop the car?

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Speaker 3: Hey Pop, Hey pop, come over here? Will you want

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me muster?

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Speaker 6: Yeah?

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Speaker 3: How would you like to make yourself five bucks? Looking

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for work?

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Speaker 6: Bill?

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Speaker 3: Pull? You come with us?

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Speaker 7: Not doubling?

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Speaker 8: What will I have to do?

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Speaker 4: Nothing hard?

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Speaker 3: We'll explain it to you later. No, I'm not interested.

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You better get somebody else here. You are bump?

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Speaker 8: You hit me a car? Right? Let me go right?

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Beat it?

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Speaker 3: Fine before I pup you wonder.

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Speaker 6: All right, George, how about that character over there? What

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character sleeping in the hallways?

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Speaker 8: So yeah, I got cut your motor.

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Speaker 6: Okay, let's go. Keep your eyes peel for con Hey, buddy, buddy,

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let me go.

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Speaker 8: What did you mind?

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Speaker 3: Get up off that floor?

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Speaker 4: Don't you must.

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Speaker 3: I'm just trying to grab a little Smoothe.

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Speaker 5: Have to find some other place, Okay, Okay, I'm just

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thinking maybe my brother and I could use you. I

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would you like a nice steady job with easy hours and.

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Speaker 3: All the expenses on the house I put them many?

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Could you look like the kind of a man we went?

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What's your name? Paul?

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Speaker 5: Granted your blow? My name is Walter Kemp. This is

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my brother George. Hurry up, twell, and you've got any

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family where you're from? Any friends in town?

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Speaker 3: No? Swell? I suppose you come along with us? Uh huh,

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what's the matter? I change my mind?

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Speaker 8: Come on, water?

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Speaker 6: How much time they're gonna waste with this shmoe? You

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think you'd be right for the job? What he waited for?

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Speaker 3: Waller?

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Speaker 6: If I dropped him, you'll pick him up.

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Speaker 5: It's coming to okay, George, you better beat us what for?

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You don't think you want to play ball if he

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sees you here, especially after the way.

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Speaker 8: You sock him.

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Speaker 3: All right, I'll meet you. Don't wait up, it may

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be late. Oh how problem I feel? Oh the w

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what the camp? You remember?

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Speaker 4: You don't one who slugged me?

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Speaker 8: Nod?

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Speaker 3: That was my brother. I took it easy.

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Speaker 6: George is a little hot headed.

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Speaker 3: Well, nobody's pushing me around.

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Speaker 5: I didn't maintain. He just lost his temper. After all,

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you offer your job for sixty a weeks. Sixty weeks,

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that's right, for how long? As long as you wanted?

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Maybe after the first month through might even be a

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little raised.

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Speaker 3: Would I have to do practically nothing? You see, My

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brother and I run a.

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Speaker 5: Little detective agency. We specialize in divorce cases. What do

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you mean, Well, I suppose you were married to some

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day you didn't like. We furnished the evidence that she's

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seeing some other guy in the site on.

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Speaker 3: Water she ain't.

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Speaker 5: Then we manufacture I don't get you, but we got

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a case in the office right now. That's what we

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wanted you for. My client is married to a gown

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named kill Us Howard.

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Speaker 4: Kill us Howard.

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Speaker 5: That's right, and just because my client's got a couple

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of bucks. You won't let him go, so we're gonna

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fix it. So she's got no choice in the matter. Ah,

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But tomorrow morning, around six o'clock, we'll get you into

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her apartment through a window. Her husband will be waking

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on a fire escape with a camera. Now, all you

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gotta do is put your arms around her while he

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takes a picture.

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Speaker 3: And I get sixty bucks for the job. That's right,

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not enough. I want a hundred.

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Speaker 6: Driving an awful tough black.

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Speaker 3: Now you heard me. You ain't dealing with some chump.

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You know I want a hundred bucks. So it's no deal. Well,

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since it's all set up for tomorrow, Okay.

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Speaker 9: I wait a minute, ten and all, I ain't going

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to this Phyllis apartment in these clothes.

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Speaker 5: I'll worry about it poor as long as I know

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we can count on. Yeah, we'll have your dressed to kill.

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What could be very than that?

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Speaker 8: Who's there?

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Speaker 4: Who's there?

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Speaker 8: It's only me, baby?

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Speaker 6: What are you doing in here?

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Speaker 3: Came up to see you. Isn't that nice to me?

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Get out?

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Speaker 8: Ah? No, you don't really mean that.

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Speaker 9: Phyllis, who told you my name? You're admirers you know something.

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I can't see why you want to get rid of

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a good looking babe like you. Look, if you walk

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my name, froll it, sweetheart, I'll get it.

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Speaker 3: Little Paully wouldn't think of trouble. You just stay right

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well you are.

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Speaker 8: What's in his box?

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Speaker 3: Here?

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Speaker 5: My jewelry?

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Speaker 8: Is it insured?

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Speaker 6: Yes?

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Speaker 8: Oh?

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Speaker 9: Then you won't mind if I help myself when you

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can't get out? Oh almost forgot there was something, And

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I'll say game for the baby. All I want is

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want kiss Old Paul.

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Speaker 4: Honey, This thin't gonna hurt it. Bit, Come on, Phillips,

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give who knows you may.

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Speaker 3: Even get to line till it gout. No.

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Speaker 8: No.

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Speaker 2: In a moment, we'll return to the adventures of the Falcon.

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But first, if you're a baseball fan, this is for

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you the whole fascinating story of the sport. The first

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professional game ever played, the team that scored one hundred

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and six runs in one game, colorful facts about Babe Ruth,

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the player who was fined fifty dollars for hitting a

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home run. All this and much much more, and The

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for just one dollar.

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Speaker 4: All you have to do is send your dollar to

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Speaker 3: New York forty six.

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Speaker 2: Here is a two hundred and fifty six page book

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Speaker 4: Your money back.

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Speaker 2: If this book is not all I say, that's Baseball

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Box one forty four, New York forty six.

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Speaker 4: Now back to the Adventures of the Falcon.

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Speaker 2: Three hours later, I was awakened from a beautiful dream

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by the doorbell.

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Speaker 3: There's a pity to break it up. I was having

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such a wonderful time. I tried to find my place again,

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but whoever was leaning on the bell that used to

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get discouraged. So I tossed on a robe and staggered

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to the door.

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Speaker 10: Well are you wearing I'm.

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Speaker 3: Never quite sure in the middle of a knight. My

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name is Phyllis Howard. I don't care. Did you say

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Phillis Howard? That's right, that'll come in how till they

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let you wander around loose? What do you mean? Aren't

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you the gal whose uncle was T. J. Howard?

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Speaker 10: Yeah?

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Speaker 2: And didn't I read in the papers when his will

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was probated last month he left you a cool ten million?

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Speaker 3: It was only one Well, whenever I read figures containing

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more than three zero as I get his stigmatisity? What's

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bothering you that a million dollars can't fit? Murder? Murder?

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Speaker 10: Yes, there's a dead man in my apartment.

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Speaker 3: How'd he get that? I think he came off the

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fire's gape and he was alive when he walked in.

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Who is he?

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Speaker 10: He called himself Paul?

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Speaker 6: Paul?

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Speaker 3: What about his last name? I don't know. Did he

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try to walk off with any of your property? My

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jewel box? Okay, then we'll claim self defense? Self defense? Yes,

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what'd you do with the gun? Well? I didn't kill him,

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and who doing? I don't know?

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Speaker 10: Luck, miss Howell, I'll tell you why didn't he try

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to kill me?

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Speaker 3: And while we were struggling. It was a shot from

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his gun, so anybody hear it? Apparently not what happened

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after that, I must have fainted. When I came to

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I decided I better call on you. What made you

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pick on me?

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Speaker 8: I heard someone mention your name.

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Speaker 3: I'm not sure. You're not sure if anything? Are you? Phyllis?

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You positive this Paul character is dead? He didn't move.

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That doesn't prove anything. Did you listen for his heartbeat?

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Speaker 8: Well?

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Speaker 2: No, I suppose we go over to your place and

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try it. I got a wonderful ear for that sort

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of thing.

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Speaker 10: Must you move him like that?

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Speaker 2: Must if I wanted to listen to his heartbeat? Well,

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you're right the first time, Phyllis, we could have saved

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ourselves a trip. This is gun, Yes, it was yours.

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I told you I don't have any Well, friend, Paul

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00:13:05,559 --> 00:13:08,720
certainly wasn't killed with this thing he was unless he

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was hit by a gum dropp.

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Speaker 3: This is a kid's toy pistol. I don't understand, Hillis.

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If you want me to work for you, you'll have

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00:13:15,720 --> 00:13:18,519
to trust me. Now. What was this man to you?

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00:13:19,039 --> 00:13:21,559
Speaker 10: I told you I never before saw him in my life.

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00:13:21,600 --> 00:13:25,080
Speaker 3: I thought he was a burglar? Where's your person jewel box?

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00:13:25,799 --> 00:13:28,039
You put them under his coat? No, they're not here.

254
00:13:28,120 --> 00:13:31,159
Now where did you generally keep them in my night table?

255
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That one?

256
00:13:35,879 --> 00:13:37,840
Speaker 10: But how did they get back in there?

257
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Speaker 3: That's what a jury I want to know. If we

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claim he tried to rob you, you've got to believe me,

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mister Waring.

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Speaker 10: I told you that.

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Speaker 3: I had no idea open that closet. What are you

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going to do? Get him out of the sight?

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Speaker 1: Can I help you?

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Speaker 6: Just a second?

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Speaker 10: I'm coming.

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Speaker 6: Who is it?

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Speaker 8: Well, we'll please slip it under the door, will you?

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00:14:05,799 --> 00:14:09,960
Speaker 3: What is it? Phyllis death?

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00:14:10,039 --> 00:14:10,320
Speaker 8: For me?

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Speaker 3: Let's see it?

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Speaker 10: Are the pictures?

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00:14:16,919 --> 00:14:21,000
Speaker 3: And what pictures? They're all of you? Angel? Not very flattering,

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00:14:21,080 --> 00:14:21,360
are they?

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00:14:22,159 --> 00:14:22,200
Speaker 8: No?

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00:14:23,039 --> 00:14:25,399
Speaker 2: Well, I don't feel too badly. You couldn't expect to

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00:14:25,480 --> 00:14:27,600
look your best slumped over Paul's body?

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Speaker 3: What does it mean? Blackmail? Black Well? These aren't the

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00:14:32,799 --> 00:14:35,159
kind of snapshoot send out for publicity purposes.

279
00:14:36,240 --> 00:14:37,720
Speaker 10: Shouldn't there be a note with them?

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Speaker 3: Not necessarily? Whoever is running this record could always get

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00:14:40,519 --> 00:14:43,440
a touch. That's one way to do it.

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00:14:45,120 --> 00:14:47,639
Speaker 8: Hello, I'd like to speak to missus Phinnis Hart.

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Speaker 3: Please, who's calling? Just the second. Do you know anyone

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00:14:53,080 --> 00:14:56,919
named Carlos Dariol? No, you can't come to the phone, Dario.

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You want me to leave message a very close friend

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00:15:01,519 --> 00:15:05,960
of the family. You know the pictures. Yeah, well I'm.

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Speaker 8: Staying at do tell when right there? Tell her to

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come up and see me.

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Speaker 3: What's in it for her?

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Speaker 8: Don't worry, mister, I see missus Howard. Don't make trip

291
00:15:14,320 --> 00:15:16,519
for nothing? You know what you mean?

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Speaker 3: That killed George?

293
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Speaker 8: Sergeant Friday?

294
00:15:29,759 --> 00:15:30,600
Speaker 3: Get out of my way?

295
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Speaker 2: What's up?

296
00:15:31,440 --> 00:15:33,600
Speaker 3: I gotta call a client, do you mind? Well, you

297
00:15:33,720 --> 00:15:35,720
know he left strict instructions. She was a shadow of

298
00:15:35,759 --> 00:15:38,399
the Howard name. Well, she just left for Dario's apartlet

299
00:15:38,600 --> 00:15:40,120
so what so? She wasn't alone.

300
00:15:40,200 --> 00:15:42,279
Speaker 6: She had an escort, a fellow named Mike Wherry.

301
00:15:43,879 --> 00:15:46,679
Speaker 3: Could you can? Oh, don't be a jerk. I think

302
00:15:47,080 --> 00:15:48,879
she hired one. What does that sound like to you?

303
00:15:49,240 --> 00:15:51,440
She want to post told me a girl in her

304
00:15:51,480 --> 00:15:53,840
position and pay right off. Told me the wouldn't be

305
00:15:53,840 --> 00:15:55,480
any trump. I why died? You want to guarantees they

306
00:15:55,519 --> 00:15:56,639
got a top at George.

307
00:15:56,919 --> 00:15:59,120
Speaker 6: If you let go of my code, I will let

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00:15:59,159 --> 00:15:59,840
me get that phone.

309
00:16:00,120 --> 00:16:02,200
Speaker 3: I don't mean calling a client. We gotta get out

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00:16:02,200 --> 00:16:03,120
of when you shut up.

311
00:16:03,720 --> 00:16:05,120
Speaker 6: I didn't like the idea in the first place.

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00:16:05,200 --> 00:16:08,879
Speaker 3: Remember, let's shut up limit that phone.

313
00:16:17,759 --> 00:16:22,120
Speaker 2: Yes, you, Carlos Dario, that is right. I'm Mike wearing.

314
00:16:22,200 --> 00:16:24,399
This is MSUs Howard hearing.

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00:16:25,320 --> 00:16:27,919
Speaker 3: Why should bring you along? Don't blame her, Dario, It

316
00:16:28,039 --> 00:16:29,759
was all my idea, Well it was.

317
00:16:30,200 --> 00:16:30,399
Speaker 8: Yes.

318
00:16:30,559 --> 00:16:32,840
Speaker 3: Now suppose we get down to business that suits me?

319
00:16:33,000 --> 00:16:33,320
Speaker 7: Fine?

320
00:16:33,679 --> 00:16:37,360
Speaker 2: Then suppose we swamped the negatives for cash. I believe

321
00:16:37,399 --> 00:16:38,720
that's the customary arrangement.

322
00:16:38,919 --> 00:16:40,480
Speaker 3: Yes, but first I got a.

323
00:16:40,480 --> 00:16:41,519
Speaker 8: Little bonus for you.

324
00:16:42,200 --> 00:16:43,080
Speaker 4: You know, good?

325
00:16:46,279 --> 00:16:52,720
Speaker 3: Would you behave if you want to watch that temper?

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00:16:54,039 --> 00:16:56,360
Where were we? I got what you wanted to send

327
00:16:56,399 --> 00:16:58,919
the lord mind? If I open it, I'd like to

328
00:16:58,960 --> 00:16:59,720
see what I'm buying.

329
00:17:01,200 --> 00:17:04,039
Speaker 10: Why it's full of one thousand dollar bills.

330
00:17:06,400 --> 00:17:11,359
Speaker 3: The surprise, Uh quite a bit. What's the idea, dariol

331
00:17:12,039 --> 00:17:16,039
that's your price, isn't it? My price will help me wearying.

332
00:17:16,240 --> 00:17:18,119
If you wu disturb ever tried to hold me up again,

333
00:17:18,119 --> 00:17:20,880
I'll kill you. Now give me those nig Wait a minute,

334
00:17:21,680 --> 00:17:23,200
do I get them? Or do I have to take

335
00:17:23,240 --> 00:17:24,680
you a p pay? Say? When you shut up and

336
00:17:24,759 --> 00:17:26,920
let me get this thing straight. How much money is

337
00:17:26,960 --> 00:17:31,279
in here, twenty thousand dollars, and in exchange for it,

338
00:17:31,400 --> 00:17:34,240
you expect us to turn over some negatives to you.

339
00:17:34,640 --> 00:17:35,160
Speaker 8: That is right?

340
00:17:36,000 --> 00:17:38,519
Speaker 3: If I any chance for those pictures of you near a.

341
00:17:38,599 --> 00:17:42,759
Speaker 2: Body, Yes, I don't know how you work it wearing,

342
00:17:43,039 --> 00:17:45,359
but I never see that man before and I didn't

343
00:17:45,440 --> 00:17:45,880
kill him.

344
00:17:46,480 --> 00:17:51,759
Speaker 3: Yeah, shake, sucker, we're on your side, my sne Yeah,

345
00:17:52,240 --> 00:17:56,960
fella swears your art collection for those prints look familiar

346
00:17:57,000 --> 00:18:01,559
to you, Dariel, Sure goictures of me taken last week.

347
00:18:01,599 --> 00:18:03,839
Speaker 2: I don't let those slacks for you. It's miss Howard.

348
00:18:05,039 --> 00:18:07,079
You two are victims of the same racket.

349
00:18:07,480 --> 00:18:10,039
Speaker 3: Don't talk like it. Food the only way it makes sense.

350
00:18:10,720 --> 00:18:13,640
Didn't have come. Miss Horard called me yesterday and said

351
00:18:13,680 --> 00:18:16,799
to have twenty USand dollars ready. I didn't the lady

352
00:18:16,880 --> 00:18:19,599
on telephone give your name. She was live. Don't you see, Darlia,

353
00:18:19,640 --> 00:18:21,839
whoever called you was working for the blackmailer.

354
00:18:22,759 --> 00:18:24,960
Speaker 2: It don't add up so good to me. Look, it's

355
00:18:25,039 --> 00:18:28,359
not difficult. What the killer is doing here is dividing

356
00:18:28,440 --> 00:18:30,839
the risk. He wants money from you and miss Howard.

357
00:18:30,880 --> 00:18:33,240
All right, there's less chance of his being caught and

358
00:18:33,279 --> 00:18:35,039
collecting from one person than from two.

359
00:18:35,519 --> 00:18:39,000
Speaker 3: Who's this he you talk about? Whoever is behind this

360
00:18:39,119 --> 00:18:41,759
little stunt? You'll probably get in touch with my client

361
00:18:42,119 --> 00:18:44,640
next and ask her the matter your twenty grand another word,

362
00:18:44,640 --> 00:18:47,279
it's time to be the collection. He touched it. I

363
00:18:47,319 --> 00:18:52,160
don't know why wearing, but I believe you. Fine, you

364
00:18:52,319 --> 00:18:54,480
keep my money and do what you think best.

365
00:18:54,559 --> 00:18:59,160
Speaker 2: Fair enough, but remember I can't afford nor mistakes these

366
00:18:59,200 --> 00:19:01,160
pictures can make, No, they can't.

367
00:19:01,839 --> 00:19:03,599
Speaker 3: What do you mean? Take a good look at this

368
00:19:03,680 --> 00:19:07,200
one of miss Howard slumped over the body. You can

369
00:19:07,240 --> 00:19:09,319
recognize Miss Howard, all right, but you can't make out

370
00:19:09,359 --> 00:19:12,559
the face on the crooks. So instead of a body,

371
00:19:13,559 --> 00:19:15,839
it could have been a wax gummy. But it was not.

372
00:19:16,720 --> 00:19:18,759
We know that, but we don't have to admit it.

373
00:19:19,160 --> 00:19:21,200
The only way the blackmailer can prove us liars is

374
00:19:21,240 --> 00:19:25,880
to produce the body. What do you mean you're going

375
00:19:26,000 --> 00:19:28,880
to get rid of me? That's right? But how even

376
00:19:28,920 --> 00:19:30,960
to me? Phyllis? I think I know the boy to

377
00:19:31,039 --> 00:19:51,839
handle it. Let's keep our fingers closed. Deaf eno a drinks? Thanks?

378
00:19:53,400 --> 00:19:53,799
All right?

379
00:19:54,079 --> 00:19:54,799
Speaker 4: Now, what do you want?

380
00:19:55,559 --> 00:19:57,480
Speaker 3: A slight favorite?

381
00:19:57,559 --> 00:19:58,880
Speaker 6: And what do you call slight?

382
00:19:59,519 --> 00:20:02,039
Speaker 2: I Remember, sergeants, this is off the record. Go on,

383
00:20:03,599 --> 00:20:05,680
there's a body in miss Howard's apartment.

384
00:20:06,200 --> 00:20:08,799
Speaker 3: There's you heard me? I look, Mike, I don't like

385
00:20:08,880 --> 00:20:09,640
these kind of jokes.

386
00:20:10,440 --> 00:20:11,200
Speaker 8: How did it get there?

387
00:20:11,319 --> 00:20:12,599
Speaker 3: I haven't time to go into that now.

388
00:20:12,680 --> 00:20:15,160
Speaker 11: Oh, I beg your pardon, mister Warring. I wouldn't want

389
00:20:15,160 --> 00:20:16,880
to do anything to interfere with your schedule.

390
00:20:16,880 --> 00:20:18,599
Speaker 2: I never mind the sadcast. And could you have the

391
00:20:18,640 --> 00:20:20,799
body removed and kept out of sight for a little while?

392
00:20:20,880 --> 00:20:22,559
Speaker 4: Yeah, maybe I could do the same for Miss Howard.

393
00:20:22,599 --> 00:20:23,839
Speaker 3: Listen, EI, if she killed him?

394
00:20:23,839 --> 00:20:25,640
Speaker 11: When I call you, how do I know what a

395
00:20:25,799 --> 00:20:28,079
screwball like you might do? I can see this is

396
00:20:28,079 --> 00:20:31,079
a big mistake, and you're not kidding. Now let's see

397
00:20:31,079 --> 00:20:31,599
that body.

398
00:20:43,400 --> 00:20:46,200
Speaker 10: You've got to believe me for I didn't care.

399
00:20:46,079 --> 00:20:47,440
Speaker 8: About the DA decided that.

400
00:20:48,160 --> 00:20:49,359
Speaker 6: Come on, I'll open up that door.

401
00:20:51,880 --> 00:20:54,240
Speaker 3: Oh where is he in the bedroom closet?

402
00:20:54,319 --> 00:20:55,240
Speaker 6: All right, Miss Howard?

403
00:20:55,480 --> 00:20:58,759
Speaker 3: Either way, for the last time I'm asking you, sling

404
00:20:58,880 --> 00:21:08,000
Twitter is still he's in here? You want some help

405
00:21:08,039 --> 00:21:11,960
coverd No, you've done more than your share off. Okay, Mike,

406
00:21:12,039 --> 00:21:14,440
what's the idea? What's the matter?

407
00:21:14,559 --> 00:21:17,279
Speaker 11: Well, you're a great little clown, aren't you? How would

408
00:21:17,279 --> 00:21:18,519
you like a punch in the nose?

409
00:21:18,920 --> 00:21:20,079
Speaker 3: What are you talking about?

410
00:21:20,200 --> 00:21:20,240
Speaker 6: That?

411
00:21:20,279 --> 00:21:22,279
Speaker 4: Ain't no stiff, It's a wax dummy.

412
00:21:22,440 --> 00:21:24,440
Speaker 3: What all right? Kidd oh?

413
00:21:25,160 --> 00:21:25,720
Speaker 4: I give up?

414
00:21:26,680 --> 00:21:27,400
Speaker 3: What's the joke?

415
00:21:47,079 --> 00:21:50,079
Speaker 4: In a moment, we'll return to the adventures of the Falcon.

416
00:21:50,200 --> 00:21:52,000
Speaker 3: But first, do you.

417
00:21:52,079 --> 00:21:55,599
Speaker 7: Remember the old nursery rhyme thirty days have September, April, June,

418
00:21:55,640 --> 00:21:58,839
and November. Well, thirty days have something else too. They

419
00:21:58,960 --> 00:22:02,240
have the answer to the question why are Camels America's

420
00:22:02,279 --> 00:22:05,359
most popular cigarette? It's easy to find out for yourself

421
00:22:05,440 --> 00:22:08,559
why Camels lead by a record fifty and eight tenths percent.

422
00:22:09,079 --> 00:22:12,559
Smoke only Camels for thirty days. Make this pleasant test,

423
00:22:12,880 --> 00:22:16,079
and then judge them carefully for mildness, for flavor, for

424
00:22:16,279 --> 00:22:19,839
more pure pleasure. Then you'll know why Camels lead the

425
00:22:19,880 --> 00:22:24,119
second place brand by fifty and eight tenths percent. These

426
00:22:24,240 --> 00:22:26,920
latest figures, published in nineteen fifty four by Harry M.

427
00:22:26,960 --> 00:22:28,720
Speaker 4: Wooton, leading tobacco industry.

428
00:22:28,359 --> 00:22:32,359
Speaker 7: Authority, show Camel's lead is bigger than ever before. There

429
00:22:32,480 --> 00:22:35,039
must be a reason for such popularity, and there is.

430
00:22:35,599 --> 00:22:39,160
The reason is Camil's blend of costly tobaccos unmatched in

431
00:22:39,319 --> 00:22:43,440
any other cigarette that gives smokers real mildness, richer flavor,

432
00:22:43,759 --> 00:22:47,960
more pure pleasures. Try camel see for yourself. Why for mildness,

433
00:22:48,039 --> 00:22:51,200
for flavor, for more pure pleasure, Camels agree with more

434
00:22:51,240 --> 00:22:53,000
smokers than any other cigarette.

435
00:22:56,480 --> 00:22:58,880
Speaker 4: Now back too The Adventures of the Falcons.

436
00:23:14,200 --> 00:23:27,480
Speaker 2: A young fella named Israeli Ones wrote, what we anticipate

437
00:23:27,640 --> 00:23:32,599
seldom occurs, what we least expect generally happily, and that.

438
00:23:32,799 --> 00:23:35,920
Speaker 3: Best describes my feeling on seeing the Sergeant Corbett Hall

439
00:23:35,960 --> 00:23:39,160
a wax dummy out of Phillis Howard closet. And then

440
00:23:39,200 --> 00:23:41,400
it took me twenty five minutes of fast ad living

441
00:23:41,440 --> 00:23:45,359
to get the sergeant out of the apartment. Yes, but

442
00:23:45,440 --> 00:23:47,599
his feelings were awfully heard. I don't think he likes

443
00:23:47,640 --> 00:23:48,920
me anymore. What am I going to do?

444
00:23:49,200 --> 00:23:49,640
Speaker 8: Not a thing.

445
00:23:49,720 --> 00:23:52,599
Speaker 2: I'm perfectly happy the way things are. The next move

446
00:23:52,680 --> 00:23:55,200
is up to the killer. He's got to get in touch.

447
00:23:55,079 --> 00:23:56,640
Speaker 3: With you if he wants to collect, but it may

448
00:23:56,640 --> 00:24:00,720
be days before night. You better let me Hello.

449
00:24:01,519 --> 00:24:04,119
Speaker 8: Hello is mister Waring.

450
00:24:05,519 --> 00:24:07,359
Speaker 3: Who wants to know the.

451
00:24:07,480 --> 00:24:11,880
Speaker 8: Name is unimportant, sir. I'll answer to anything you choose, Okay.

452
00:24:11,559 --> 00:24:13,519
Speaker 3: I supposed to call your prince. I once had a

453
00:24:13,599 --> 00:24:14,480
dog by that name.

454
00:24:15,279 --> 00:24:16,680
Speaker 8: I think you're annoyed with me.

455
00:24:16,920 --> 00:24:19,279
Speaker 3: You'll blame me. I was the idea of putting a

456
00:24:19,359 --> 00:24:20,200
dummy for the stiff.

457
00:24:20,920 --> 00:24:23,000
Speaker 8: You didn't approve of my little joke.

458
00:24:23,400 --> 00:24:24,319
Speaker 3: I don't see the point.

459
00:24:25,240 --> 00:24:28,559
Speaker 8: I was just anticipating your move on behalf of miss Howard.

460
00:24:28,640 --> 00:24:30,359
I put myself in her place.

461
00:24:31,039 --> 00:24:31,799
Speaker 3: Did you like him?

462
00:24:32,480 --> 00:24:35,319
Speaker 8: Not particularly? She's a pretty awkward spot.

463
00:24:36,480 --> 00:24:38,160
Speaker 3: How much will it cost her to get out?

464
00:24:39,200 --> 00:24:43,759
Speaker 8: I'm asking twenty thousand for the negatives? What did you take?

465
00:24:44,680 --> 00:24:48,119
I don't believe in haggling, Sarah, you hurt my price.

466
00:24:48,920 --> 00:24:50,519
Speaker 3: Okay, Prince, what's the deal?

467
00:24:50,880 --> 00:24:52,960
Speaker 8: Look, I send a boy around for the money. Oh,

468
00:24:53,039 --> 00:24:56,519
I wouldn't have him followed, mister Wearing. The consequences would

469
00:24:56,519 --> 00:24:59,079
be unpleasant. You'll have the.

470
00:24:59,400 --> 00:25:02,920
Speaker 3: Forty thousand ready, forty thousand.

471
00:25:03,559 --> 00:25:06,759
Speaker 8: The other twenty I referred to is mister Dario's contribution.

472
00:25:07,359 --> 00:25:09,400
Who Carlos Dario?

473
00:25:09,839 --> 00:25:10,559
Speaker 3: Never heard of him?

474
00:25:11,960 --> 00:25:15,960
Speaker 8: There must be some mistake. I was informed mister Dario.

475
00:25:15,759 --> 00:25:18,359
Speaker 3: Gave the money to you when your inform and gave

476
00:25:18,400 --> 00:25:19,279
you a bum steer.

477
00:25:22,359 --> 00:25:24,400
Speaker 8: I always insist on what's coming to me.

478
00:25:25,680 --> 00:25:27,039
Speaker 3: And I'd like to see you get it.

479
00:25:28,359 --> 00:25:35,039
Speaker 8: I warned you, sir, he said, childish, attempted fraud. You gritted.

480
00:25:38,400 --> 00:25:42,359
Speaker 3: Well, fellas, that was Prince. But you told him you

481
00:25:42,440 --> 00:25:45,960
didn't receive any money from Dariel. What did you up to?

482
00:25:46,079 --> 00:25:48,359
Speaker 2: It's perfectly simple, anti any dollar I give that man

483
00:25:48,480 --> 00:25:50,960
his money thrown down, monsieur, Well, twenty grand is an

484
00:25:50,960 --> 00:25:51,720
awful big hunter.

485
00:25:51,680 --> 00:25:53,839
Speaker 3: Change he talks away like that. That money doesn't belong

486
00:25:53,880 --> 00:25:54,039
to you.

487
00:25:54,559 --> 00:25:56,920
Speaker 2: You're at it the wrong way, Phyllis. It's bound because

488
00:25:57,000 --> 00:25:59,960
Dario twenty grand anyway. Now, I'm sure he'd rather want

489
00:26:00,039 --> 00:26:01,559
und up in my pocket and in Prince's.

490
00:26:01,799 --> 00:26:03,279
Speaker 3: You don't real life what you're saying.

491
00:26:03,680 --> 00:26:05,920
Speaker 10: It did mister Prince thinks that Dario is holding out

492
00:26:05,960 --> 00:26:07,440
on him. There, I'm telling what he might do.

493
00:26:08,000 --> 00:26:12,440
Speaker 3: You might even kill him. You know something, Phyllis, I

494
00:26:12,559 --> 00:26:15,480
never thought of that. What do you say? We just

495
00:26:15,720 --> 00:26:29,119
put it out of our minds. Hello, missus, Howard, mister

496
00:26:30,599 --> 00:26:34,799
Oh hi Dario, everything okay, just what you're trying to pull?

497
00:26:34,880 --> 00:26:37,039
Oh calm down, fella, there's nothing you get excited about.

498
00:26:37,200 --> 00:26:39,720
Here is my money? You mean that? Twenty grand? Yes? Oh,

499
00:26:39,759 --> 00:26:41,839
I'm sorry, friend. I haven't got it. I've already paid

500
00:26:41,880 --> 00:26:44,640
off the blackmailer. You're lying. How do you know that

501
00:26:44,920 --> 00:26:47,319
I get to call from Prince? He told me you

502
00:26:47,400 --> 00:26:48,680
denied getting any door from me.

503
00:26:49,839 --> 00:26:52,880
Speaker 2: You boys are pretty pally, aren't you. He calls you,

504
00:26:53,160 --> 00:26:57,039
you call him, or maybe it's a lot simpler than that.

505
00:26:57,400 --> 00:27:00,440
Speaker 3: What do you mean, you're Prince?

506
00:27:00,759 --> 00:27:01,680
Speaker 10: You know what you're saying.

507
00:27:02,160 --> 00:27:04,200
Speaker 3: Ye're craigy. What the Dario?

508
00:27:04,319 --> 00:27:06,839
Speaker 2: You dropped your accent, the man's hat to his money

509
00:27:06,960 --> 00:27:09,279
and off pad You look better without it. Listen, Mary,

510
00:27:09,359 --> 00:27:11,680
you're I'll listen if you explain how you knew the

511
00:27:11,759 --> 00:27:14,480
name I hung on our callar was Prince. You made

512
00:27:14,480 --> 00:27:16,640
a mistake there, Dario, But then I can't blame you.

513
00:27:17,079 --> 00:27:19,559
Anyone who's as slick as you are as bound as slip.

514
00:27:19,640 --> 00:27:22,000
Speaker 6: Now, man, I suppose we call.

515
00:27:21,960 --> 00:27:34,240
Speaker 3: It to Mike.

516
00:27:35,000 --> 00:27:35,119
Speaker 8: Uh.

517
00:27:35,640 --> 00:27:37,240
Speaker 10: I wish you'd explained something to me.

518
00:27:37,839 --> 00:27:39,079
Speaker 3: When did you first mistake?

519
00:27:39,240 --> 00:27:39,599
Speaker 8: Dario?

520
00:27:40,519 --> 00:27:43,160
Speaker 2: Well, when we found the body of Paul gone and

521
00:27:43,240 --> 00:27:46,319
that dummy in his place, he should never have moved it.

522
00:27:47,200 --> 00:27:49,079
The only ones who knew what I intended to do

523
00:27:49,160 --> 00:27:51,480
with the body were you and Dario. And I know

524
00:27:51,599 --> 00:27:52,279
you didn't lie.

525
00:27:52,839 --> 00:27:55,119
Speaker 3: Why did you give you the money, then, oh, that

526
00:27:55,200 --> 00:27:57,920
was a beautiful piece of work. Angel. You see, Dario

527
00:27:58,079 --> 00:28:00,720
doped out this blackmail's tone by pretending to be a

528
00:28:00,799 --> 00:28:03,720
victim himself. No one was supposed to suspect him.

529
00:28:04,359 --> 00:28:06,559
Speaker 2: When he gave me that twenty thousand dollars, he knew

530
00:28:06,640 --> 00:28:09,079
he was bound to get it back plus another twenty

531
00:28:09,160 --> 00:28:09,559
of yards.

532
00:28:09,640 --> 00:28:12,079
Speaker 3: And it's Paul. He said to my partner. That was

533
00:28:12,160 --> 00:28:15,279
some schnook that Dario's confederate finned up to the occasion.

534
00:28:15,559 --> 00:28:17,880
And Dallio wasn't alone in the plot. O.

535
00:28:18,640 --> 00:28:21,359
Speaker 2: This took an organization. He had a couple of boys

536
00:28:21,440 --> 00:28:24,559
working for him named Walter and George Kemp. They got

537
00:28:24,599 --> 00:28:25,279
Paul for him.

538
00:28:25,599 --> 00:28:29,160
Speaker 3: When Paul climbed into your room last night, Dario is

539
00:28:29,200 --> 00:28:31,880
I'm a firest day while the two of us were battling,

540
00:28:32,000 --> 00:28:34,640
he shot him. And then when you keeled over in

541
00:28:34,680 --> 00:28:37,599
a fence, we went to work with the camp. Now

542
00:28:38,000 --> 00:28:38,480
you've got it.

543
00:28:40,079 --> 00:28:42,319
Speaker 10: Now that I have what am I supposed to do

544
00:28:42,400 --> 00:28:42,599
with it?

545
00:28:43,240 --> 00:28:43,359
Speaker 8: Right?

546
00:28:43,440 --> 00:28:45,839
Speaker 3: You can always tell your children about it some rainy day.

547
00:28:46,440 --> 00:28:49,200
Speaker 10: But to have children, now, this has to be that.

548
00:28:50,720 --> 00:28:52,119
Speaker 3: It's customary. Bet.

549
00:28:52,160 --> 00:28:55,599
Speaker 2: If you decide against it, promise me one thing. Let

550
00:28:55,720 --> 00:29:05,519
me handle the adoption papers, didn't have any do in

551
00:29:05,599 --> 00:29:08,279
a moment, We'll tell you about next week's adventure of

552
00:29:08,359 --> 00:29:12,279
the pulp. But first, now hear a Mutual minute. The

553
00:29:12,400 --> 00:29:16,039
advent of supersonic flight, atomic energy, or even the most

554
00:29:16,119 --> 00:29:18,960
recent discovery of a battery powered directly by the Sun

555
00:29:19,400 --> 00:29:22,200
has not changed some aspects of our lives. At least,

556
00:29:22,920 --> 00:29:26,079
Evening hours are still leisure hours for most, and for

557
00:29:26,200 --> 00:29:28,599
most people it means time to enjoy their favorite kind

558
00:29:28,640 --> 00:29:29,319
of entertainment.

559
00:29:30,039 --> 00:29:31,799
Speaker 3: For millions, the programs.

560
00:29:31,319 --> 00:29:34,440
Speaker 2: They hear regularly on Mutual every evening provide just the

561
00:29:34,559 --> 00:29:38,240
kind of relaxing, informative, or challenging listening they like best.

562
00:29:39,039 --> 00:29:41,000
Speaker 4: There are top tales of mystery for the who.

563
00:29:40,880 --> 00:29:44,960
Speaker 2: Done It fans, ranging from fantasy to documentary, and some

564
00:29:45,119 --> 00:29:47,359
of the most famous private eyes in the business stop

565
00:29:47,559 --> 00:29:51,799
Mutuals their waves regularly. News, too, is yours for the tuning.

566
00:29:51,839 --> 00:29:54,839
Whether you prefer a fast five minute news digest or

567
00:29:55,039 --> 00:29:58,960
thoughtful and penetrating commentary, Mutual's core a base correspondence is

568
00:29:59,000 --> 00:30:02,880
at your service. You suit yourself when you hear Mutual's

569
00:30:03,000 --> 00:30:06,599
evening lineup of programs, all heard over most of these stations.

570
00:30:15,920 --> 00:30:19,440
The Case of the handby Helpmate that's the title of

571
00:30:19,519 --> 00:30:22,559
next week's Adventure of the Falcon, and Mike Waring learns

572
00:30:22,599 --> 00:30:26,440
that what some Wilves'll do for their husbands is murder.

573
00:30:27,759 --> 00:30:30,200
The Adventures of the Falcon was presented by the makers

574
00:30:30,240 --> 00:30:34,920
of Mild Flavorful Camels, America's most popular cigarette, in cooperation

575
00:30:35,039 --> 00:30:37,960
with a Mutual Network. The Adventures of the Falcon is

576
00:30:38,039 --> 00:30:41,000
based on the famous character created by Drexel Drake, Produced

577
00:30:41,000 --> 00:30:44,480
and transcribed by Bernard al Schubert, written by Eugene Wang.

578
00:30:45,039 --> 00:30:48,160
George Petrie was starred as the Falcon Chuck Webster his

579
00:30:48,359 --> 00:30:51,559
argent Corbett. This program is fictional and I resemblance to

580
00:30:51,640 --> 00:30:56,039
actual persons living or dead is coincidental. Russ Dunbar speaking,

581
00:31:17,559 --> 00:31:19,720
this is the Muti World broadcasting system.

582
00:31:26,039 --> 00:31:29,240
Speaker 1: Welcome back. A really good episode and I'm so glad

583
00:31:29,359 --> 00:31:33,039
it exists. It's nice to have one episode where you

584
00:31:33,119 --> 00:31:37,000
can hear everything, including the closing credit. And it's a

585
00:31:37,119 --> 00:31:40,799
great twisty falcon case with a bad guy who's elaborate

586
00:31:41,000 --> 00:31:45,559
scheme in bowls murder and playing another victim of the scheme,

587
00:31:45,880 --> 00:31:50,039
all in hopes of collecting a cool twenty grand. We

588
00:31:50,160 --> 00:31:54,799
also got confirmation that Chuck Webster continued on as Sergeant Corbett.

589
00:31:55,119 --> 00:31:59,039
I thought he might have done, but the audio on

590
00:31:59,079 --> 00:32:02,440
the other episode didn't seem good enough for me to

591
00:32:02,559 --> 00:32:05,960
commit to that. Also, we got a Joe Friday reference,

592
00:32:06,000 --> 00:32:10,599
which was cute. The mutual crime series of the nineteen fifties.

593
00:32:10,640 --> 00:32:13,880
When you have those programs and then you get references

594
00:32:13,920 --> 00:32:17,640
to other programs, I feel a little sad because it

595
00:32:17,880 --> 00:32:20,680
really is a shame we don't have more episodes of

596
00:32:20,799 --> 00:32:25,160
those series. And when I do hear those mutual crime

597
00:32:25,279 --> 00:32:29,279
series of the mid to late nineteen fifties, it seems

598
00:32:29,440 --> 00:32:32,839
like they matured, not so much like ooh, they got

599
00:32:32,920 --> 00:32:36,160
so much more edgier in their content, although you know

600
00:32:36,319 --> 00:32:40,000
there are a couple examples of that, but I think

601
00:32:40,079 --> 00:32:44,559
there was a greater respect for the audience in telling

602
00:32:45,119 --> 00:32:49,160
serious stories. It was in contrast, I think, to some

603
00:32:49,319 --> 00:32:53,799
of the more goofy stories that came out of New

604
00:32:53,920 --> 00:32:58,119
York in the forties and even into the early fifties. Now,

605
00:32:58,240 --> 00:33:00,920
what I have heard is that there was a move

606
00:33:01,160 --> 00:33:07,000
to tape, which often would get recorded over, which is

607
00:33:07,640 --> 00:33:12,799
why we have so few of those programs and so

608
00:33:12,960 --> 00:33:17,240
much of what we do have are from AFRs disc

609
00:33:18,799 --> 00:33:22,079
because you still had to use transcription disc for that.

610
00:33:22,839 --> 00:33:26,359
But again, this does bring us to the end of

611
00:33:26,680 --> 00:33:30,880
the era. This is the last circulating episode with George Petrie,

612
00:33:31,079 --> 00:33:35,839
who appeared as the Falcon in more than ninety episodes,

613
00:33:36,000 --> 00:33:42,559
which puts him a little bit behind his three predecessors

614
00:33:42,599 --> 00:33:47,359
in the role, who each were the Falcon for more

615
00:33:47,440 --> 00:33:52,119
than one hundred episodes. Although less Damon is probably who

616
00:33:52,200 --> 00:33:54,039
most people are going to think of, and I'll be

617
00:33:54,160 --> 00:33:58,279
honest that I think of it as well, because he

618
00:33:58,640 --> 00:34:02,079
had the bulk of circulating episodes, but he was also

619
00:34:02,480 --> 00:34:05,480
so good in that role. Not to slide any of

620
00:34:05,559 --> 00:34:10,480
the other gentlemen, but he definitely did leave an impression. Well,

621
00:34:10,599 --> 00:34:14,519
now it's time to thank our Patreon supporter of the day,

622
00:34:14,679 --> 00:34:17,039
and I want to go ahead and think Tony, Patreon

623
00:34:17,119 --> 00:34:21,719
supporter since March twenty twenty three, currently supporting the podcast

624
00:34:21,800 --> 00:34:24,440
at the shawmus level of four dollars or more per month.

625
00:34:24,639 --> 00:34:27,159
Thanks so much for your support, Tony, and that will

626
00:34:27,239 --> 00:34:30,280
do it for today. If you're enjoying the podcast, please

627
00:34:30,360 --> 00:34:34,840
follow us using your favorite podcast software And if you're

628
00:34:34,920 --> 00:34:38,239
enjoying the podcast on YouTube. Be sure to lock the video,

629
00:34:38,400 --> 00:34:42,159
subscribe to the channel, and mark the notification bell. We

630
00:34:42,400 --> 00:34:48,519
will be back next Monday with danger with Granger. But

631
00:34:48,760 --> 00:34:52,320
join us back here tomorrow for Charlie Chan.

632
00:34:52,440 --> 00:34:56,239
Speaker 12: Where attention please, Father has completed.

633
00:34:56,360 --> 00:34:59,320
Speaker 10: Hurried investigations, go ahead, Pop, I shoulding to tell you

634
00:34:59,679 --> 00:35:00,480
I got my clue.

635
00:35:00,840 --> 00:35:01,239
Speaker 3: Very good.

636
00:35:02,440 --> 00:35:05,239
Speaker 12: Dead man before us was one of two men who

637
00:35:05,400 --> 00:35:10,480
robbed house, bought with companions an injured same not broken

638
00:35:10,559 --> 00:35:14,039
knuckles and wrench in hand. Oo who was stabbed with

639
00:35:14,159 --> 00:35:18,480
knife and left for dead, crawled to telephone and called police.

640
00:35:18,800 --> 00:35:23,000
Speaker 10: Anything else, pap hm extremely odd clue.

641
00:35:24,079 --> 00:35:27,079
Speaker 12: Roses on neck of dead men are moist with chemical

642
00:35:27,840 --> 00:35:32,599
most probably night throw glizerin. Same used to open safe

643
00:35:33,559 --> 00:35:37,400
escaped thief and murderer had night throw glzerin on hands.

644
00:35:37,280 --> 00:35:40,760
Speaker 10: Right lawly did he leave micro glissoving behind. Pop, But

645
00:35:40,920 --> 00:35:44,000
one of his tools I fell of the piano. Look

646
00:35:44,280 --> 00:35:45,119
it's my clue.

647
00:35:45,280 --> 00:35:51,719
Speaker 12: Ah, excellent, but this not burglar equipment. Son his tuning

648
00:35:51,840 --> 00:35:56,199
hammer for piano used by piano tunas tuning hammers.

649
00:35:57,599 --> 00:36:01,719
Speaker 10: Gee, I'd better study carrols one girl. Do you remember her?

650
00:36:01,840 --> 00:36:02,079
Speaker 3: Pop?

651
00:36:02,800 --> 00:36:05,480
Speaker 10: What a funny coincidence if this is a piano.

652
00:36:05,639 --> 00:36:06,280
Speaker 3: She tune us.

653
00:36:06,239 --> 00:36:08,159
Speaker 12: Afternoon silence, Got my idea?

654
00:36:08,199 --> 00:36:08,400
Speaker 3: Pop?

655
00:36:09,039 --> 00:36:15,840
Speaker 12: This bankrupt brain entertains odd thought. During investigation of recent

656
00:36:16,000 --> 00:36:19,000
vigor is, one interesting fact noted.

657
00:36:19,480 --> 00:36:23,360
Speaker 10: What puts that prior to each piano in house?

658
00:36:23,519 --> 00:36:24,760
Speaker 12: First tune Hope.

659
00:36:24,559 --> 00:36:27,239
Speaker 1: You'll be with us then in the meantime. Send your

660
00:36:27,320 --> 00:36:32,039
comments to Box thirteen at Greatdetectives dot net, follow us

661
00:36:32,119 --> 00:36:37,480
on Twitter at Radio Detectives, and check us out on Instagram, Instagram,

662
00:36:37,679 --> 00:36:42,920
dot com slash Great Detectives From Boise, Idaho. This is

663
00:36:43,000 --> 00:36:45,119
your host, Adam graham Son and Off