WEBVTT

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<v Speaker 1>Oh she is bot It's showtime.

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<v Speaker 2>People say good money to see this movie.

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<v Speaker 3>When they go out to a theater, they want cold sodas,

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<v Speaker 3>pop popcorn, and no monsters in the protection booth.

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<v Speaker 1>Everyone pretend podcasting isn't boring.

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<v Speaker 2>Got it off.

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<v Speaker 4>Thank you for a great to make this documentary.

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<v Speaker 1>NAT's rucker rhymes with trucker.

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<v Speaker 2>That's my wife, Darlene. She's a real looker, ain't she.

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<v Speaker 3>What is your contribution to society? As truckers?

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<v Speaker 5>A contribution to society?

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<v Speaker 6>Twenty eight years of my life.

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<v Speaker 2>I've been working on this poetry.

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<v Speaker 5>It's lonely up there on the road. You gotta love

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<v Speaker 5>where you can.

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<v Speaker 2>I love Darling. I'm not saying you don't love your wife.

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<v Speaker 7>Yeah, it's hard to being on the road alone.

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<v Speaker 5>It looks a lot lacker, but Darling's much pretty.

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<v Speaker 7>Let it go out.

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<v Speaker 2>Your wife not doing it for you anymore?

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<v Speaker 1>Do you want to show you how I do it?

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<v Speaker 4>Do you think you're like your masterpiece?

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<v Speaker 1>When you're master piece?

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<v Speaker 6>I like the ring of that.

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<v Speaker 5>Pay attention.

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<v Speaker 4>You're not taking advantage of her, are you sure?

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<v Speaker 2>Rucker Trucker, Welcome to the projection booth. I'm your host

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<v Speaker 2>Mike woye Joni once again, is mister Chris Dashu. I'm

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<v Speaker 2>here love when you give those very pithy answers.

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<v Speaker 7>Chris, you're well.

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<v Speaker 2>Also back in the booth is Father Malone.

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<v Speaker 7>We got a big old convoy rolling through the night.

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<v Speaker 7>Convoy of one nice.

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<v Speaker 2>October continues with a Patreon request from John Redford. It

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<v Speaker 2>is a discussion of the twenty twenty two horror film

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<v Speaker 2>A Rucker That's r u c k e R. It's

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<v Speaker 2>all about Darius Rucker, the lead singer of Hoodie and

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<v Speaker 2>the Flowfish.

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<v Speaker 1>Wish it was man. He only wants to be with

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<v Speaker 1>you God. That was the other title for.

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<v Speaker 2>The movie, and they didn't go with that could have

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<v Speaker 2>been Actually. The film follows Leaf Rucker, a seemingly ordinary

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<v Speaker 2>long haul trucker who has been serially killing women resembling

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<v Speaker 2>his ex wife life for thirty years. The narrative takes

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<v Speaker 2>a turn when Maggie, a young filmmaker making a documentary

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<v Speaker 2>about truckers, becomes privy to Rutger's deadly secret and chooses

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<v Speaker 2>to document his crimes. We will be spoiling the film

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<v Speaker 2>as we go along, so if you don't want anything ruined,

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<v Speaker 2>please turn off the podcast and track down Rucker. We

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<v Speaker 2>will still be here now. I imagine this was a

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<v Speaker 2>first time watch for all of us. So, FATHERM alone,

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<v Speaker 2>what were your initial impressions of.

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<v Speaker 7>Rucker, Sir, I did not like this movie, which isn't

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<v Speaker 7>to say that it isn't competently made and acted. Actually,

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<v Speaker 7>the lead guy is really good, so I enjoyed a

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<v Speaker 7>lot of the performances. Like I said, I think it's

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<v Speaker 7>really well shot. I love the animation sequences, the sequences

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<v Speaker 7>that sort of detail letters from his daughter while he

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<v Speaker 7>was out on the road, detailing her life. I thought

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<v Speaker 7>that was all beautiful. But I think the script is boring.

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<v Speaker 7>It is the film is glacially paid and episodic, and

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<v Speaker 7>we spend too much time at karaoke.

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<v Speaker 1>You mean, not enough time at karaoke.

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<v Speaker 7>I was just about to reverse myself and then to

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<v Speaker 7>say that maybe we needed more karaoke. I don't know.

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<v Speaker 7>It's just the problem with this movie is the script.

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<v Speaker 7>It feels thirty years too late and has nothing new

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<v Speaker 7>to say about serial killing or serial killers or ultimately

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<v Speaker 7>what these characters have.

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<v Speaker 2>I don't know.

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<v Speaker 7>The pathology all works out a little bit, but anyway,

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<v Speaker 7>I didn't like the movie, Mike.

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<v Speaker 2>All right, that's fair, Chris, how about yourself?

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<v Speaker 6>Well, what was interesting is I was looking for inspired

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<v Speaker 6>by a writing credit for John McNaughton at some point

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<v Speaker 6>in all of this, and then I realized, to father

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<v Speaker 6>Malone's point that for me, as someone who spent four

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<v Speaker 6>and a half years listening to watching things about serial

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<v Speaker 6>killers and throwing myself into it with scary stories, we

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<v Speaker 6>tell this is the kind of stuff that I would

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<v Speaker 6>be into. It also has some appeal because it's a

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<v Speaker 6>little bit of a I don't think indie movie, whatever

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<v Speaker 6>the fuck that means anymore indie enough, and I think

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<v Speaker 6>it has some appeal.

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<v Speaker 1>And again, yeah, the idea is novel, but.

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<v Speaker 6>It also feels Liz is twenty twenty four, Give me

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<v Speaker 6>a fucking break, Like, I don't know, you should have

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<v Speaker 6>at least set the movie in the nineties, but this

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<v Speaker 6>is such a nineties idea. It feels so not of

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<v Speaker 6>the time that the movie is taking place. This is

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<v Speaker 6>meant to take place now, or at least in twenty

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<v Speaker 6>twenty two, I'm assuming, and it needed to take place

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<v Speaker 6>in the mid nineties for it to feel believable. To

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<v Speaker 6>go back to the John McNaughton of it all. I

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<v Speaker 6>have a hard time doing anything other than looking at

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<v Speaker 6>this and going, you really like ten Reportrait of a

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<v Speaker 6>serial Killer?

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<v Speaker 2>Huh?

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<v Speaker 6>And that's not a bad thing. Look, imitation is the

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<v Speaker 6>sincerest form of flattery. But Michael Rooker, this guy is not.

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<v Speaker 6>This script is not as well written as the Henry

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<v Speaker 6>Portrait of a.

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<v Speaker 1>Serial Killer script.

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<v Speaker 6>And to Father Malone's other point, and this, I think,

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<v Speaker 6>for me is the biggest sin of the movie is

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<v Speaker 6>it is so poorly pied. It is just beyond strangely paced.

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<v Speaker 6>The episodic nature of the movie could have worked in

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<v Speaker 6>its favor, and instead of working in its favor, it

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<v Speaker 6>feels like by it being episodic in those episodic things

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<v Speaker 6>really not having a whole lot interesting within them, it

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<v Speaker 6>kind of highlights even more for me how slow the

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<v Speaker 6>movie is.

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<v Speaker 1>I wouldn't say I liked it or it is like that.

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<v Speaker 1>I can understand it. This movie is four.

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<v Speaker 6>I just don't think it's per se for me, because

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<v Speaker 6>there are other movies like this one that I've seen

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<v Speaker 6>that do a better job. So That's where I'm coming

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<v Speaker 6>at it from initially. And yes, this was a first

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<v Speaker 6>time watch.

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<v Speaker 2>So why the mid nineties. Why do you think this

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<v Speaker 2>would have worked better have it either been set or

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<v Speaker 2>came out in the nineties, And which do you think

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<v Speaker 2>would have been better?

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<v Speaker 7>As it is now thirty years later in the fucking

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<v Speaker 7>g loot of serial killer entertainment that continues to this day,

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<v Speaker 7>just in proliferation in every direction. It's if you're coming

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<v Speaker 7>at us with a new serial killer feature, it has

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<v Speaker 7>to have an innovation, and this has no inna.

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<v Speaker 6>It is approaching the most basic of basic stories in

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<v Speaker 6>terms of convoy or highway serial killers. Right, this is

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<v Speaker 6>just a guy going around killing women. For some we

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<v Speaker 6>know his purpose, but in the reality of a world

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<v Speaker 6>we wouldn't know his purpose. But because it's a movie,

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<v Speaker 6>we understand what his purpose is. But it's like the

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<v Speaker 6>most basic of serial killer stories. Especially when we're talking

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<v Speaker 6>about if we were to sit here for five minutes

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<v Speaker 6>and brainstorm a serial killer trucker, this guy is like

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<v Speaker 6>the most basic common denominator.

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<v Speaker 1>Creepy, older white guy, balding.

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<v Speaker 6>On top, where's a trucker hat, where's plaid, has a

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<v Speaker 6>knife on his side. It's very stereotypical, which is not

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<v Speaker 6>a bad thing. I just don't think to Father Malone's point,

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<v Speaker 6>at this point, you can get away with resting your

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<v Speaker 6>laurels on just the most obvious of choices. It feels

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<v Speaker 6>like a lot of obvious choices are being made, and

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<v Speaker 6>you can make obvious choices.

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<v Speaker 1>It's like going to a restaurant that makes one thing.

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<v Speaker 6>If they make one thing and they do it really well,

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<v Speaker 6>nobody fucking cares that they only have one thing on

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<v Speaker 6>the menu. But if you're not doing it to the

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<v Speaker 6>best of your ability, it is pretty obvious that you're

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<v Speaker 6>not swinging with the most power. And I think, yeah,

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<v Speaker 6>I just it's not they're not initially on the face

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<v Speaker 6>of it, they're not doing enough with the premise, just

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<v Speaker 6>on the face of it.

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<v Speaker 1>What about you, Mike, what did you use it?

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<v Speaker 2>I think I liked it a lot more than you

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<v Speaker 2>guys did. Yeah, there's way too much karaoke, and especially

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<v Speaker 2>very poorly sung karaoke. And I understand that with Taco Tuesday,

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<v Speaker 2>that's supposed to be a joke because apparently that guy's

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<v Speaker 2>the lead singer and slip knot.

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<v Speaker 1>There is Corey Taylor slipping on.

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<v Speaker 2>You could hold a gun against my head and tell

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<v Speaker 2>me to name one slipknot song, and I would get

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<v Speaker 2>a bullet between my eyes because I have no idea.

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<v Speaker 2>They're the guys that wear masks, right yep.

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<v Speaker 6>In his case in this movie, he wears a fucking

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<v Speaker 6>hilariously bad wig.

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<v Speaker 2>And I didn't mind that, and I didn't mind his

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<v Speaker 2>whole embarrassment over throwing a fit about wanting tacos when

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<v Speaker 2>it wasn't Taco Tuesday. So it reminds me when it

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<v Speaker 2>comes to the other truckers in some of those scenes,

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<v Speaker 2>it reminds me a little bit of taxi driver, especially

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<v Speaker 2>the whole thing like one person's two persons, three persons.

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<v Speaker 2>Harry northup talking about the bathtub that allegedly belonged to

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<v Speaker 2>one of my Errol Flynn, Right, what's Aerol Finny? I

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<v Speaker 2>think was Aerol Flynn? That I thought was okay. I

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<v Speaker 2>like how the Taco Tuesdays learning how to knit and

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<v Speaker 2>that our main guy Rucker is a big knitter and

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<v Speaker 2>just always working with stuff. And I like the revelations

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<v Speaker 2>of the different information as far as we are starting

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<v Speaker 2>this movie as a documentary, but then eventually we see

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<v Speaker 2>the filmmaker and then we see him killing people, and

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<v Speaker 2>then she sees him killing people, and then it's this

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<v Speaker 2>whole Oh, not only is she not going to run

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<v Speaker 2>away in terror, but she's into.

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<v Speaker 1>It and she's his daughter, right, she's got.

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<v Speaker 2>To be his daughter. I don't know if they pretty

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<v Speaker 2>much say that, even though I think some of those

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<v Speaker 2>reviews that I was reading there was like, oh, she

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<v Speaker 2>might be his daughter. I'm like, her fucking handle is

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<v Speaker 2>daddy's girl. And all of these memories are basically, oh, Daddy,

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<v Speaker 2>you left and you were driving a truck and here

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<v Speaker 2>I am. I'm like, if this isn't your father, I would.

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<v Speaker 7>Be very surprised when he kills himself spoilers. She says, daddy, no,

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<v Speaker 7>So that's obviously that's her father. I don't know why

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<v Speaker 7>they as soon as she was cool with the killing,

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<v Speaker 7>and as soon as we started getting letters from home,

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<v Speaker 7>it was really obvious that's her.

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<v Speaker 1>Guess.

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<v Speaker 6>I was more implying, is there incest in this moviie?

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<v Speaker 7>Then I don't think so, it's I don't know, maybe not.

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<v Speaker 7>They wake up the next day and they're in bed together.

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<v Speaker 6>Yeah, it's implied the way a lot of the other

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<v Speaker 6>stuff and this movie's implied.

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<v Speaker 7>Yeah, But for a movie that has multiple throat slashings.

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<v Speaker 7>It's not real big on subtlety, so I think they

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<v Speaker 7>would have been more explicit had they done that. But

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<v Speaker 7>I did want to say one thing, which is, as

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<v Speaker 7>much as this movie reminded me of Henry, Portrait of

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<v Speaker 7>a Serial Killer also reminded me of that Belgian film

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<v Speaker 7>Man Bites Dog from the mid nineties. See that's exactly it.

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<v Speaker 7>And that film is a faux documentary where they're following

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<v Speaker 7>a serial killer and they eventually documentary through eventually starts

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<v Speaker 7>participating in the murders. And it was horrifying and I

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<v Speaker 7>found it nearly impossible to get through, and I thought

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<v Speaker 7>it was an achievement as far as a portrait of

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<v Speaker 7>serial killing and an indictment of sort of media. So

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<v Speaker 7>that only speaks again to that sort of thirty year gap,

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<v Speaker 7>the novelty of it after those two movies thirty years ago,

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<v Speaker 7>I didn't know what I was supposed to draw from

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<v Speaker 7>this movie. But I will say those animated sequences, they

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<v Speaker 7>were very effective. Something about a lonely child makes me

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<v Speaker 7>want to crawl under a rock.

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<v Speaker 2>It's so affecting.

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<v Speaker 7>And don't know if that was them or me, but

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<v Speaker 7>they certainly brought it out of me. So I want

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<v Speaker 7>to give them kudos for those sequences because they really

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<v Speaker 7>those hit home.

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<v Speaker 2>I totally agree about Man Bites Dog and it just

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<v Speaker 2>that movie gives me the hebgb's, and kind of Reporter

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<v Speaker 2>of a serial Killer definitely gives me hebgb's as well,

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<v Speaker 2>because of just the randomness of the violence sometimes, like

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<v Speaker 2>the whole thing of them pretending that their car was

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<v Speaker 2>broken down so they could murder somebody that comes to

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<v Speaker 2>help them, Like, oh, that is so terrifying to me

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<v Speaker 2>that you would try to help somebody out and they

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<v Speaker 2>just started there to murder you. And there were several

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<v Speaker 2>other things in that movie. I mean, do I laugh

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<v Speaker 2>when he talks about being dressed up in little girl

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<v Speaker 2>clothes and stuff? Yes? I laugh every single time in

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<v Speaker 2>Henry Porter of a serial Killer when that comes up.

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<v Speaker 2>But otherwise it's a really fucking creepy film. And I

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<v Speaker 2>didn't really feel that creeped out by this one. The

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<v Speaker 2>level of criminality feels very like an episode of Criminal

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<v Speaker 2>Minds or sv You or something.

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<v Speaker 7>I just never felt anything visceral as far as the

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<v Speaker 7>murder's going on. I'm as much as a horror round

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<v Speaker 7>as I am if you can create an effect where

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<v Speaker 7>it looks like real blood from a real wound, it

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<v Speaker 7>will skeeze me out to the point where I look

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<v Speaker 7>away at this point in my life. So I didn't

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<v Speaker 7>get like even in a scintilla of that here. It

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<v Speaker 7>was just like wrote and that was the point that

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<v Speaker 7>they're so desensitized, so we should be so desensitized. Then

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<v Speaker 7>I think we just needed to relate more to the

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<v Speaker 7>characters or something. I'm just looking for some emotional theft

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<v Speaker 7>from the movie, and I'm not getting it from the violence.

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<v Speaker 7>So I wanted to get it from the characters because

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<v Speaker 7>we're supposed to relate to them more, and I just

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<v Speaker 7>couldn't relate to him because he's such a fucking weirdo.

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<v Speaker 7>And then she basically says nothing.

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<v Speaker 6>That for me the framing device of the movie having

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<v Speaker 6>it started as a documentary. And then yes, she yeah,

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<v Speaker 6>she takes part in it towards the end, again reluctantly,

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<v Speaker 6>at least in the one thing that we see, the

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<v Speaker 6>one murder that we see her doing, other than the

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<v Speaker 6>kind of when we see at the end of the movie.

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<v Speaker 6>But I didn't feel like there was enough. And this

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<v Speaker 6>is gonna sound weird, but and again, I think it

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<v Speaker 6>goes to the visceral nature of what you're talking.

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<v Speaker 1>About Father Malone.

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<v Speaker 6>Like when I watch Henry Portrait of a Serial Killer

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<v Speaker 6>or even Texas Chainsaw Massacred want to take a shower

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<v Speaker 6>after him done. There's a grit and a grime to

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<v Speaker 6>the movie. The movie makes me feel gross, and there's

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<v Speaker 6>none of that here. And look, I understand that some

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<v Speaker 6>of his oh he's a very neat killer and oh

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<v Speaker 6>he like everything in a specific place, and I get it.

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<v Speaker 6>I get that they were going for that. And also

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<v Speaker 6>in at Mike, I don't know if you've ever watched Dexter,

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<v Speaker 6>I know Father Malone you have, but like in a

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<v Speaker 6>like Dexter of it all, there's a little bit of

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<v Speaker 6>Dexter here with this as well, where it's like he's

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<v Speaker 6>a very neat killer and he has he like he

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<v Speaker 6>has to stick to the plan and he has to oh,

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<v Speaker 6>he can't use this knife on this person, only this

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<v Speaker 6>that there's like these arbitrary rules that he follows.

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<v Speaker 1>In having a character with arbitrary rules.

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<v Speaker 6>That he's following, it does not hit as hard because

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<v Speaker 6>there is the lack of randomness, isn't there, Like you

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<v Speaker 6>mentioned Mike with Henry Portrait of a serial Killer. Yeah,

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<v Speaker 6>the most terrifying serial killer stories are, Oh, this family

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<v Speaker 6>was stopped at a gas station.

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<v Speaker 1>These two dudes.

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<v Speaker 6>Followed them home and killed all of them in their house. Yeah,

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<v Speaker 6>that's pretty horrifying. Like you drew the shittiest card on

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<v Speaker 6>the shittiest day of your life and it fucking really

299
00:15:19.039 --> 00:15:22.639
<v Speaker 6>did not pay off for you. And when you have

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<v Speaker 6>a serial killer who we effectively understand is not going

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<v Speaker 6>to just go murder anybody and everybody, it just sucks

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<v Speaker 6>the stakes out of the movie. I'm not saying, oh,

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<v Speaker 6>it's just women that he's murdering, but like, in this

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<v Speaker 6>movie's kind of twisted and warped sense, it is just

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00:15:38.360 --> 00:15:40.720
<v Speaker 6>women that he's murdering. That's the way the movie kind

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<v Speaker 6>of wants us to internalize it. And I wanted more

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<v Speaker 6>of what makes movies like Chainsaw, Massacre and Henry's such

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<v Speaker 6>visceral experiences, which is, like you said, Mike, the randomness

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<v Speaker 6>of it all being a factor, not this, Oh he's

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<v Speaker 6>so meticulous, I don't care. We've seen this a million

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<v Speaker 6>times before too. Now, better things in better ways. And

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<v Speaker 6>maybe if it had been like Texas Chainsaw Massacre. We

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00:16:03.840 --> 00:16:06.279
<v Speaker 6>would have been like, this is so similar to other things.

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<v Speaker 6>But there aren't enough things like those things out there.

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<v Speaker 6>There should be more kind of things that give you

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00:16:13.200 --> 00:16:15.759
<v Speaker 6>the big ick when you watch it. And that's hard

317
00:16:15.759 --> 00:16:18.080
<v Speaker 6>in this day and age to do that. It really is,

318
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<v Speaker 6>especially in twenty twenty four, when any asshole can go

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<v Speaker 6>pick up a camera and put it through some post

320
00:16:23.759 --> 00:16:26.519
<v Speaker 6>pro effects to make shit looks scuzzy and gross. Anybody

321
00:16:26.559 --> 00:16:28.879
<v Speaker 6>can do that now, but when you actually do it,

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00:16:28.879 --> 00:16:30.639
<v Speaker 6>it can make an impact. This is a movie that

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<v Speaker 6>was made that was released that as real people in it.

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<v Speaker 6>It needs a little layer of something, some nastiness. They'll

325
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<v Speaker 6>make it look so nice, looks too well shot.

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<v Speaker 7>Come on, it is very clean, and the whole dexterness

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<v Speaker 7>of it all. I hadn't even thought about that, Chris.

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<v Speaker 7>The fact that we got nine season of Dexter and

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<v Speaker 7>then a reboot and now a new series is on

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<v Speaker 7>the way.

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<v Speaker 2>Just once again.

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<v Speaker 7>I know I'm echoing my own self here about the

333
00:16:52.440 --> 00:16:55.200
<v Speaker 7>overload of serial killers we've had in the last quarter century,

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00:16:55.240 --> 00:16:57.879
<v Speaker 7>but it certainly feels that way, and I don't see

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<v Speaker 7>the point of the movie in that regard. Think about

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00:17:00.480 --> 00:17:03.399
<v Speaker 7>that visceral kind of thing that you're talking about, Chris,

337
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<v Speaker 7>like the ick factor, Like, if they're going to not

338
00:17:06.039 --> 00:17:08.799
<v Speaker 7>do the ick factor, then could they maybe have transferred

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00:17:08.880 --> 00:17:11.359
<v Speaker 7>some of the sadness of the lonely child onto the

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00:17:11.480 --> 00:17:14.079
<v Speaker 7>character we're seeing. Maybe Perr and her father could have

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<v Speaker 7>had a conversation about that that if I'm just going

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00:17:17.200 --> 00:17:19.359
<v Speaker 7>to follow them and I'm not gonna I'm gonna ignore

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<v Speaker 7>violence whatsoever, give me some sort of emotional violence going

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<v Speaker 7>on between them.

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<v Speaker 2>When you brought up the nineties, Chris, I was wondering

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00:17:27.000 --> 00:17:30.119
<v Speaker 2>if you were talking about that what I consider golden

347
00:17:30.160 --> 00:17:34.839
<v Speaker 2>age of serial killer films, where it was Natural Born

348
00:17:34.920 --> 00:17:41.240
<v Speaker 2>Killers and seven and Silia which one Silence of the Lambs,

349
00:17:41.519 --> 00:17:45.440
<v Speaker 2>Silence and Lambs. Yeah, Millennium with Frank Black, not the singer,

350
00:17:45.559 --> 00:17:49.880
<v Speaker 2>but the other person Aliance Hendrickson. Yeah, that was a

351
00:17:49.920 --> 00:17:53.799
<v Speaker 2>time where it was almost like zombie films in the

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<v Speaker 2>early two thousands, where we were just getting a new

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00:17:56.279 --> 00:17:58.559
<v Speaker 2>serial killer movie, you felt like all the time. And

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<v Speaker 2>then there were also like, Hey, let's do the Dahmer film,

355
00:18:01.960 --> 00:18:05.279
<v Speaker 2>and let's do the John Wayne Gacy film, and just

356
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<v Speaker 2>all of these things that we're coming out to like

357
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<v Speaker 2>straight to video where it's like, all right, yeah, more

358
00:18:10.279 --> 00:18:12.440
<v Speaker 2>of this stuff. That was even back when was it

359
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<v Speaker 2>Jeremy Renner being.

360
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<v Speaker 7>Yeah, maybe Alex Cross movie yea, and yeah you Kiss

361
00:18:19.359 --> 00:18:20.319
<v Speaker 7>the Girls or.

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<v Speaker 2>Copy cat Yeah, hey, I'll tell you one that's close

363
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<v Speaker 2>to this as well. And this was earlier though, was

364
00:18:29.039 --> 00:18:33.799
<v Speaker 2>the Hitcher, the Rudger Hower film apples and arnor to the.

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<v Speaker 6>Extreme, look the idea of what would happen if we

366
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<v Speaker 6>had a camera crew with a serial killer? Even that

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<v Speaker 6>idea this point, I feel like behind the mask the

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<v Speaker 6>Leslie Vernon story has come out already that for me

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<v Speaker 6>is a pretty high barred across. That's a pretty good

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<v Speaker 6>one in terms of this kind of thing. And I

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<v Speaker 6>guess the other thing and again to go back to

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<v Speaker 6>the framing device of it all, because this is something

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<v Speaker 6>I don't understand and I'm trying to figure out maybe

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<v Speaker 6>if y'all have a better sense of this. Why is

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<v Speaker 6>he having the women that he's going to kill in

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<v Speaker 6>these interview portions before? I didn't understand what is that

377
00:19:07.359 --> 00:19:09.640
<v Speaker 6>getting out? Did he know these women ahead of time?

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<v Speaker 6>Has even dating these women? I didn't understand that because

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<v Speaker 6>some of the women seem to know him, and some

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<v Speaker 6>of the women don't.

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<v Speaker 7>Yeah, they seem to be mainly from truck stops, which,

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<v Speaker 7>as a serial killer, is a fucking insane thing to

383
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<v Speaker 7>be doing.

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<v Speaker 1>Yeah, Oh, let's murder the people where we go all

385
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<v Speaker 1>the time.

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<v Speaker 7>I think the rest of the trucker nation would figure

387
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<v Speaker 7>your shit out almost immediately.

388
00:19:30.599 --> 00:19:34.640
<v Speaker 2>Yeah, with your it'sious portrait. Yeah, when he goes into

389
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<v Speaker 2>the one truck stop breastroom and there's all the missing posters,

390
00:19:38.200 --> 00:19:40.799
<v Speaker 2>it's okay, I'm guessing we're supposed to feel very chilled,

391
00:19:41.119 --> 00:19:43.400
<v Speaker 2>But it's more what are you doing? Why are you

392
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<v Speaker 2>taking all these people? And why are they if you're

393
00:19:45.680 --> 00:19:50.400
<v Speaker 2>taking them from anonymous locations, they wouldn't necessarily all be

394
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<v Speaker 2>here at the truck stop.

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<v Speaker 7>You don't shit where you eat. No, no, No.

396
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<v Speaker 1>That's the whole thing with serial killers.

397
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<v Speaker 6>Rights Like, he's a white male, he only kills within

398
00:19:58.920 --> 00:20:02.000
<v Speaker 6>his like genetic group. He's only killing white people. Yeah,

399
00:20:02.279 --> 00:20:04.000
<v Speaker 6>and he's only killing him at truck stops too. Who

400
00:20:04.039 --> 00:20:07.319
<v Speaker 6>could this guy be a white mid fifties trucker.

401
00:20:07.359 --> 00:20:09.880
<v Speaker 7>Oh No, I would have liked one scene at a

402
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<v Speaker 7>Polluvivi station where a character is drawing on the map

403
00:20:13.079 --> 00:20:15.640
<v Speaker 7>and he've drawn us the portrait. He goes, hey, sorry,

404
00:20:15.640 --> 00:20:17.319
<v Speaker 7>so look at this. He goes get the get at

405
00:20:17.359 --> 00:20:19.599
<v Speaker 7>it and rips it up.

406
00:20:20.400 --> 00:20:21.119
<v Speaker 1>I do like that.

407
00:20:21.160 --> 00:20:24.400
<v Speaker 6>We get again, like to traffic in some things that

408
00:20:24.480 --> 00:20:27.559
<v Speaker 6>feel very like eighties and nineties, like the satanic panic

409
00:20:27.599 --> 00:20:29.200
<v Speaker 6>of it. All right, if you look at the way

410
00:20:29.240 --> 00:20:31.319
<v Speaker 6>these murders make it, it could.

411
00:20:31.160 --> 00:20:34.119
<v Speaker 1>Triangle on the thing. It's anotherwise it's a pentagram. Oh

412
00:20:34.160 --> 00:20:34.599
<v Speaker 1>my god.

413
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<v Speaker 6>I will say this is the first time in a

414
00:20:37.200 --> 00:20:40.319
<v Speaker 6>while I've seen a movie do that thing where it's like, oh,

415
00:20:40.319 --> 00:20:43.000
<v Speaker 6>we're going to make a portrait with all of the kills.

416
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<v Speaker 6>And that is the one kind of takeaway here that

417
00:20:46.160 --> 00:20:49.920
<v Speaker 6>I was like, oh, okay, that's cute again, like when

418
00:20:49.920 --> 00:20:51.559
<v Speaker 6>you look at what it is, though it is over

419
00:20:51.599 --> 00:20:54.839
<v Speaker 6>the state of Washington, which definitely doesn't have mountains or anything.

420
00:20:55.720 --> 00:20:58.640
<v Speaker 1>The state of Washington is a huge place, but.

421
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<v Speaker 2>Hey, Washington and has tons of mountains. If I don't

422
00:21:01.880 --> 00:21:03.200
<v Speaker 2>know if you're being serious or that.

423
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<v Speaker 6>No I am, But it's like it's funny because there

424
00:21:05.240 --> 00:21:07.319
<v Speaker 6>are places where I don't think you could go there.

425
00:21:07.640 --> 00:21:08.240
<v Speaker 2>Yeah I don't.

426
00:21:08.599 --> 00:21:11.920
<v Speaker 6>I think you're right, but not Yeah, they're like you're

427
00:21:12.000 --> 00:21:13.119
<v Speaker 6>like on top of a mountain.

428
00:21:13.160 --> 00:21:15.880
<v Speaker 1>Here is my point. It's a little hokey and again

429
00:21:16.599 --> 00:21:17.359
<v Speaker 1>meth forest.

430
00:21:17.559 --> 00:21:19.880
<v Speaker 7>And I know they shot this movie in like Bremerton

431
00:21:19.960 --> 00:21:22.319
<v Speaker 7>and Oregon, which I spent a ton of time in

432
00:21:22.359 --> 00:21:25.440
<v Speaker 7>the Pacific Northwest, so I actually recognized quite a few

433
00:21:25.440 --> 00:21:29.799
<v Speaker 7>of the locations here. But yeah, like Washington State is

434
00:21:30.000 --> 00:21:34.480
<v Speaker 7>the unofficial serial killer capital of America, those forests are

435
00:21:34.559 --> 00:21:39.240
<v Speaker 7>filled with bodies. But yeah, topographically, geographically speaking, I don't

436
00:21:39.240 --> 00:21:41.480
<v Speaker 7>think you could reach some of those places. Those mountains

437
00:21:41.519 --> 00:21:45.160
<v Speaker 7>are fucking enormous. That whole pass you gotta drive through

438
00:21:45.160 --> 00:21:47.640
<v Speaker 7>any way to Spokane, no waste, no quality and all that.

439
00:21:47.839 --> 00:21:50.000
<v Speaker 1>No fucking yeah, no function way.

440
00:21:50.079 --> 00:21:50.279
<v Speaker 2>Yeah.

441
00:21:50.359 --> 00:21:53.119
<v Speaker 6>Oh that's what I was like looking at it. It

442
00:21:53.200 --> 00:21:55.440
<v Speaker 6>was like, this is Washington State. You're not going to

443
00:21:55.440 --> 00:21:57.720
<v Speaker 6>this is some of these fucking areas. Give me a break.

444
00:21:57.880 --> 00:22:00.279
<v Speaker 6>But I again, I will say though, ultimately, if you

445
00:22:00.359 --> 00:22:03.200
<v Speaker 6>have this kind of premise and this kind of movie,

446
00:22:03.279 --> 00:22:05.880
<v Speaker 6>you do need an actor to carry the movie. And

447
00:22:06.319 --> 00:22:10.359
<v Speaker 6>to Father Malone's point, the main actor is pretty good.

448
00:22:11.200 --> 00:22:15.279
<v Speaker 6>I think if you're having someone who hasn't isn't imminently

449
00:22:15.839 --> 00:22:20.000
<v Speaker 6>recognizable to everybody, even us who's been in he's been

450
00:22:20.119 --> 00:22:22.480
<v Speaker 6>in stuff, but he's not jumping out in any one

451
00:22:22.519 --> 00:22:25.240
<v Speaker 6>of us. I think immediately, I think that kind of

452
00:22:25.240 --> 00:22:27.119
<v Speaker 6>works in the movie's favor. Give him a little bit

453
00:22:27.160 --> 00:22:29.839
<v Speaker 6>of anonymity, because he does it again, it's oh, this

454
00:22:29.880 --> 00:22:31.880
<v Speaker 6>is a Ted Bundy effect, right, like, oh, he's such

455
00:22:31.880 --> 00:22:32.680
<v Speaker 6>a good looking guy.

456
00:22:33.400 --> 00:22:34.759
<v Speaker 1>Now you just need a dude.

457
00:22:35.240 --> 00:22:39.039
<v Speaker 6>And Bobby C. King is just a dude. And when

458
00:22:39.039 --> 00:22:40.680
<v Speaker 6>he puts a hat on, he looks more like just

459
00:22:40.720 --> 00:22:45.480
<v Speaker 6>a dude. I thought he was great even today.

460
00:22:45.480 --> 00:22:47.559
<v Speaker 2>I saw the cast list for the next season of

461
00:22:47.559 --> 00:22:50.119
<v Speaker 2>Black Mirror, and I was like, these are all well

462
00:22:50.200 --> 00:22:54.559
<v Speaker 2>known named celebrities, So unless we're playing with their public persona,

463
00:22:55.000 --> 00:22:58.200
<v Speaker 2>why are you casting really well known people inside of

464
00:22:58.240 --> 00:23:03.279
<v Speaker 2>this story should be more. I can't say he's anonymous,

465
00:23:03.559 --> 00:23:05.559
<v Speaker 2>like you said. He has been in a bunch of stuff.

466
00:23:06.160 --> 00:23:09.759
<v Speaker 2>Same thing with the main female character, but I don't

467
00:23:09.799 --> 00:23:11.839
<v Speaker 2>know them by sight, and I thought that they both

468
00:23:11.960 --> 00:23:13.440
<v Speaker 2>really turn into good performance.

469
00:23:14.160 --> 00:23:17.119
<v Speaker 7>Yeah, there is a power to the anonymity of somebody

470
00:23:17.200 --> 00:23:19.599
<v Speaker 7>like to detegrate anything they've done before. But this is

471
00:23:19.599 --> 00:23:21.640
<v Speaker 7>certainly the first time I've seen any of them, and

472
00:23:22.079 --> 00:23:24.720
<v Speaker 7>I was knocked out by his performance as bored as

473
00:23:24.759 --> 00:23:27.799
<v Speaker 7>I was through stretches of this movie. It was never

474
00:23:27.920 --> 00:23:30.839
<v Speaker 7>because of him. I found him to be fascinating. I

475
00:23:30.880 --> 00:23:32.039
<v Speaker 7>thought he brought more.

476
00:23:31.839 --> 00:23:32.640
<v Speaker 2>To the role than.

477
00:23:34.119 --> 00:23:39.599
<v Speaker 7>Those little all those little moments of the fastidiousness. Sometimes

478
00:23:39.599 --> 00:23:42.200
<v Speaker 7>you can see it click in his head where he's

479
00:23:42.240 --> 00:23:44.359
<v Speaker 7>going a little bit off. I really love when you

480
00:23:44.400 --> 00:23:45.599
<v Speaker 7>can see an actor do that.

481
00:23:46.400 --> 00:23:49.559
<v Speaker 6>No, I completely agree, he's he is the him and

482
00:23:49.839 --> 00:23:51.880
<v Speaker 6>the other actress, the one that plays his daughter. They're

483
00:23:51.920 --> 00:23:55.000
<v Speaker 6>the best parts of the movie one hundred percent, and

484
00:23:55.160 --> 00:23:57.119
<v Speaker 6>the back and forth between them. I wish that there

485
00:23:57.200 --> 00:23:59.359
<v Speaker 6>was more. I understand why there's not, because half of

486
00:23:59.359 --> 00:24:00.839
<v Speaker 6>the movie it has to get to the point where

487
00:24:00.880 --> 00:24:02.200
<v Speaker 6>we realize what's going on.

488
00:24:03.000 --> 00:24:05.480
<v Speaker 1>But the two of them are fantastic. That's that's the thing.

489
00:24:05.480 --> 00:24:07.240
<v Speaker 1>It's in a lot of ways.

490
00:24:08.200 --> 00:24:10.240
<v Speaker 6>I think where I'm coming at this movie from is

491
00:24:10.359 --> 00:24:13.559
<v Speaker 6>actually not that I wanted to like this movie, but

492
00:24:13.680 --> 00:24:16.920
<v Speaker 6>I was really intrigued by the idea of this movie.

493
00:24:16.920 --> 00:24:18.680
<v Speaker 1>It's just it didn't.

494
00:24:18.839 --> 00:24:22.039
<v Speaker 6>Again, it's not doing enough with these performances to really

495
00:24:22.240 --> 00:24:25.640
<v Speaker 6>give any other movie that's done something similar a reason

496
00:24:25.680 --> 00:24:28.039
<v Speaker 6>to not just watch those And that's the thing. This

497
00:24:28.119 --> 00:24:30.519
<v Speaker 6>is gonna This is for a very specific group of

498
00:24:30.559 --> 00:24:34.200
<v Speaker 6>people now this kind of movie, and like those people

499
00:24:34.240 --> 00:24:35.920
<v Speaker 6>are watching these other things already.

500
00:24:36.279 --> 00:24:36.839
<v Speaker 1>And that's the thing.

501
00:24:36.960 --> 00:24:40.640
<v Speaker 6>It's unfortunate because the performances are so good. He really

502
00:24:40.680 --> 00:24:43.400
<v Speaker 6>is great. He isn't pretty understated again, like it's not.

503
00:24:43.480 --> 00:24:45.799
<v Speaker 6>It's about as understated as Michael Rooker is. Frankly, it's

504
00:24:45.799 --> 00:24:48.440
<v Speaker 6>probably even more understated than Michael Rooker. Michael Rooker goes

505
00:24:48.480 --> 00:24:50.759
<v Speaker 6>off and Henry Portrait of a serial killer more than he.

506
00:24:50.680 --> 00:24:51.559
<v Speaker 1>Ever really gets to.

507
00:24:52.039 --> 00:24:54.759
<v Speaker 6>But that's okay, Like it's again, you get the sense

508
00:24:54.799 --> 00:24:57.519
<v Speaker 6>that there is more going on, we just don't get

509
00:24:57.519 --> 00:25:00.799
<v Speaker 6>to see it. We're forty eight people in who were

510
00:25:00.799 --> 00:25:03.160
<v Speaker 6>one receive five or six people killed as a book

511
00:25:03.200 --> 00:25:05.720
<v Speaker 6>of forty eight or whatever the numbers at eventually towards

512
00:25:05.720 --> 00:25:06.599
<v Speaker 6>at the beginning of the movies.

513
00:25:06.680 --> 00:25:08.720
<v Speaker 2>Yeah, and he's been doing this, what'd they say, thirty

514
00:25:08.799 --> 00:25:11.920
<v Speaker 2>years or something. But yeah, I like this as an

515
00:25:11.960 --> 00:25:16.200
<v Speaker 2>examination of trauma and the familial trauma, and especially like

516
00:25:16.279 --> 00:25:18.079
<v Speaker 2>you were saying, find them alone. The whole idea of

517
00:25:18.119 --> 00:25:22.720
<v Speaker 2>the kid, the lonely kid and who doesn't understand anything.

518
00:25:22.880 --> 00:25:26.839
<v Speaker 2>The first letter that he reads, she loses a tooth

519
00:25:26.880 --> 00:25:28.880
<v Speaker 2>and she thinks she's going to bleed to death or

520
00:25:28.920 --> 00:25:32.720
<v Speaker 2>lose them all immediately, and has nobody there to explain

521
00:25:32.880 --> 00:25:36.759
<v Speaker 2>stuff to her, and just feels like she's completely alone

522
00:25:36.799 --> 00:25:39.240
<v Speaker 2>in the world. And then her mom's no help whatsoever.

523
00:25:39.839 --> 00:25:43.799
<v Speaker 2>And then we see the little girl in the story part,

524
00:25:43.880 --> 00:25:46.640
<v Speaker 2>in the animated part, murdering her mother, and then we

525
00:25:46.720 --> 00:25:49.880
<v Speaker 2>get that again later when we see her actually smother

526
00:25:49.960 --> 00:25:50.359
<v Speaker 2>her mother.

527
00:25:51.160 --> 00:25:52.960
<v Speaker 7>Just your description of it right then, Mike was fucking

528
00:25:53.000 --> 00:25:53.680
<v Speaker 7>breaking my heart.

529
00:25:53.720 --> 00:25:58.720
<v Speaker 2>Honestly. Yeah, all of those little flashbacks that we have

530
00:25:58.920 --> 00:26:02.160
<v Speaker 2>just really do it for me. And I didn't think

531
00:26:02.160 --> 00:26:04.559
<v Speaker 2>it was going to work at first when I was like, oh,

532
00:26:04.640 --> 00:26:09.480
<v Speaker 2>we're doing animation now, and it's really crude and computer animated,

533
00:26:10.079 --> 00:26:13.319
<v Speaker 2>but every single sequence works and it just gives us

534
00:26:13.319 --> 00:26:15.880
<v Speaker 2>a little bit more story as we go along. I

535
00:26:16.000 --> 00:26:18.400
<v Speaker 2>like these little flashbacks that we get throughout here. I

536
00:26:18.480 --> 00:26:21.880
<v Speaker 2>mentioned Taco Tuesday with his flashback. But then we get

537
00:26:22.000 --> 00:26:25.279
<v Speaker 2>the redheaded woman that we see at the beginning of

538
00:26:25.319 --> 00:26:28.400
<v Speaker 2>the film, and there's a moment in here around probably

539
00:26:28.400 --> 00:26:30.759
<v Speaker 2>about half an hour in where it might be her,

540
00:26:31.119 --> 00:26:35.400
<v Speaker 2>the redheaded woman, trying to denegrate him and then him

541
00:26:35.519 --> 00:26:39.680
<v Speaker 2>murdering her. And then also that's right after some animated stuff,

542
00:26:39.720 --> 00:26:42.240
<v Speaker 2>so I'm like, oh, okay, that's interesting. That's probably the

543
00:26:42.279 --> 00:26:45.079
<v Speaker 2>only real effective murder for me is where he actually

544
00:26:45.119 --> 00:26:47.839
<v Speaker 2>gets mad at her. Be the animation.

545
00:26:47.880 --> 00:26:50.839
<v Speaker 7>I just want to say once again it's probably my

546
00:26:50.880 --> 00:26:53.480
<v Speaker 7>favorite part of the movie. But in particular, I have

547
00:26:53.559 --> 00:26:55.480
<v Speaker 7>a real big pet peeve, and of course I lived

548
00:26:55.519 --> 00:26:58.200
<v Speaker 7>with an artist for many years and this was her

549
00:26:58.240 --> 00:27:01.839
<v Speaker 7>pet peeve as well. When you have a child's drawing

550
00:27:01.880 --> 00:27:03.680
<v Speaker 7>in a movie and it's clearly an adult drawing and

551
00:27:03.680 --> 00:27:06.720
<v Speaker 7>a child style, you can always tell here looked like

552
00:27:06.720 --> 00:27:09.000
<v Speaker 7>a kid drew it, So big props to whoever did

553
00:27:09.000 --> 00:27:09.519
<v Speaker 7>the animation.

554
00:27:10.400 --> 00:27:10.480
<v Speaker 2>What.

555
00:27:10.640 --> 00:27:13.519
<v Speaker 6>I also really like the child actor that they had

556
00:27:13.559 --> 00:27:16.160
<v Speaker 6>to do the voice in those segments, because that's also,

557
00:27:16.200 --> 00:27:18.519
<v Speaker 6>I mean, look as effective as the animation style, as

558
00:27:18.599 --> 00:27:22.480
<v Speaker 6>the child actress to carry most of the emotion, because

559
00:27:22.519 --> 00:27:24.640
<v Speaker 6>again it is animated, and I think that they got

560
00:27:24.720 --> 00:27:26.799
<v Speaker 6>it because it could have come off as pretty maudlin.

561
00:27:26.920 --> 00:27:30.400
<v Speaker 6>And I think it strikes the right tone between being

562
00:27:30.480 --> 00:27:36.559
<v Speaker 6>sad but also not being like again, saccharin or like again,

563
00:27:36.559 --> 00:27:38.319
<v Speaker 6>because like, we get it, like it's sad enough as

564
00:27:38.359 --> 00:27:40.079
<v Speaker 6>it is, we don't have to like. And then my

565
00:27:40.160 --> 00:27:42.039
<v Speaker 6>dog died and then my Mom died is like, you

566
00:27:42.079 --> 00:27:44.759
<v Speaker 6>don't need to hammer it home, and the movie doesn't.

567
00:27:44.759 --> 00:27:48.680
<v Speaker 6>It's a little restrained, thankfully. Yeah, those segments caught me

568
00:27:48.680 --> 00:27:50.839
<v Speaker 6>off guard as well. It's weird to watch a movie

569
00:27:50.920 --> 00:27:54.559
<v Speaker 6>kind of change mediums and it's just a complete out

570
00:27:54.599 --> 00:27:58.519
<v Speaker 6>like Left Turn. So it's I appreciate it. There aren't

571
00:27:58.519 --> 00:28:01.039
<v Speaker 6>a lot of directors doing that. It's an interesting choice.

572
00:28:01.079 --> 00:28:02.799
<v Speaker 6>It's a bold choice, let's put it that way.

573
00:28:03.519 --> 00:28:06.119
<v Speaker 2>And I can't remember when Dinner for Schmucks came out,

574
00:28:06.119 --> 00:28:08.119
<v Speaker 2>but that might have beaten them to the punch with

575
00:28:08.160 --> 00:28:12.359
<v Speaker 2>all of the mice stuffed and dressed up and clothes

576
00:28:12.400 --> 00:28:14.920
<v Speaker 2>that are on his truck dashboard there too.

577
00:28:15.000 --> 00:28:16.200
<v Speaker 1>Now this was post that.

578
00:28:16.759 --> 00:28:19.680
<v Speaker 2>Okay, so they took from Dinner for Schmucks.

579
00:28:19.240 --> 00:28:21.880
<v Speaker 1>And okay, yeah that was I'm glad you pointed that out.

580
00:28:21.960 --> 00:28:24.920
<v Speaker 7>Might be Yeah, I'm like every other piece of entertainment

581
00:28:24.960 --> 00:28:26.279
<v Speaker 7>since Dinner for Schmucks.

582
00:28:27.279 --> 00:28:30.480
<v Speaker 2>Get it to that film. Let's face it exactly. It's

583
00:28:30.519 --> 00:28:32.960
<v Speaker 2>a Dinner for Schmucks world. We just live in it.

584
00:28:33.039 --> 00:28:36.079
<v Speaker 6>Steve Carell and Paul Rudd, everybody there are true gods.

585
00:28:36.160 --> 00:28:38.839
<v Speaker 6>Is like there are wild stallions, sees pray at the

586
00:28:38.839 --> 00:28:43.799
<v Speaker 6>feet of Dinner for Schmucks Afi cinema classic, damn straight.

587
00:28:44.440 --> 00:28:46.640
<v Speaker 6>I will say it actually for me, as you guys

588
00:28:46.680 --> 00:28:50.160
<v Speaker 6>have already talked about Taco Tuesday, I will say, it's

589
00:28:50.319 --> 00:28:52.680
<v Speaker 6>very distracting to have Corey Taylor in your movie.

590
00:28:52.799 --> 00:28:53.400
<v Speaker 1>I'm sorry.

591
00:28:53.640 --> 00:28:56.759
<v Speaker 6>Like, for me, it was I know that's the thing,

592
00:28:56.920 --> 00:28:59.680
<v Speaker 6>I get it, But for me, it was distracting because

593
00:28:59.680 --> 00:29:03.039
<v Speaker 6>I'm like, oh, it's Corey Taylor, lead singer from Slipknot,

594
00:29:03.119 --> 00:29:05.599
<v Speaker 6>and I guarantee you they're gonna have him singing poorly

595
00:29:05.680 --> 00:29:07.599
<v Speaker 6>at some point in the movie, and then they did.

596
00:29:07.799 --> 00:29:08.160
<v Speaker 1>I don't know.

597
00:29:08.279 --> 00:29:11.039
<v Speaker 6>For me, it took me out of the movie because

598
00:29:11.519 --> 00:29:14.119
<v Speaker 6>it's clearly Corey Taylor in a wig and they have

599
00:29:14.319 --> 00:29:17.359
<v Speaker 6>him in a scene where it's like, again, real truckers

600
00:29:17.359 --> 00:29:21.680
<v Speaker 6>are not those other truckers are more believable truckers than

601
00:29:21.759 --> 00:29:25.880
<v Speaker 6>Corey Taylor is. And he looks so silly if you

602
00:29:26.000 --> 00:29:27.880
<v Speaker 6>know what he looks like for real, then is always

603
00:29:27.880 --> 00:29:30.240
<v Speaker 6>wearing a fucking wig. And I know that those people

604
00:29:30.400 --> 00:29:32.559
<v Speaker 6>in that scene are actors, they're not real truckers, but

605
00:29:32.599 --> 00:29:34.880
<v Speaker 6>they seem more like truckers than he does. And for

606
00:29:35.000 --> 00:29:36.559
<v Speaker 6>someone who knows who he was, it's the man. This

607
00:29:36.720 --> 00:29:39.079
<v Speaker 6>is a little distracting. As good of a performance as

608
00:29:39.119 --> 00:29:41.480
<v Speaker 6>he gives, it is distracting. And he being in that

609
00:29:41.599 --> 00:29:43.519
<v Speaker 6>karaoke scene. Every time they come back to him, I'm

610
00:29:43.559 --> 00:29:46.039
<v Speaker 6>like Corey Taylor in a bar doing karaoke.

611
00:29:46.200 --> 00:29:47.279
<v Speaker 1>It's a little on the nows.

612
00:29:47.319 --> 00:29:47.599
<v Speaker 2>Okay.

613
00:29:48.759 --> 00:29:51.880
<v Speaker 7>I liked his performance, and I was not distracted so much.

614
00:29:52.079 --> 00:29:53.960
<v Speaker 7>When he first came on screen. I was like, oh fuck,

615
00:29:54.000 --> 00:29:56.119
<v Speaker 7>that's Corey Taylor, and then I just got into it.

616
00:29:56.279 --> 00:29:58.759
<v Speaker 7>But I can see what you're saying. If David Bowie

617
00:29:58.799 --> 00:30:00.680
<v Speaker 7>had suddenly wandered onto screen, and I'd be like, what

618
00:30:00.759 --> 00:30:01.599
<v Speaker 7>the fuck David?

619
00:30:01.920 --> 00:30:04.119
<v Speaker 1>Everybody, what do you do? And then they're gonna make

620
00:30:04.200 --> 00:30:06.160
<v Speaker 1>him sing too, and he's gonna sing poorly.

621
00:30:06.000 --> 00:30:09.880
<v Speaker 2>Of course, Funny Little Man, Early Little Fat Man.

622
00:30:10.559 --> 00:30:11.880
<v Speaker 6>The only thing that would have been better is that

623
00:30:11.920 --> 00:30:14.680
<v Speaker 6>they would have had Corey Taylor singing slip, not poorly.

624
00:30:14.960 --> 00:30:18.640
<v Speaker 6>Then it would have been like, oh, okay, then it's really.

625
00:30:18.440 --> 00:30:19.079
<v Speaker 2>On the nose.

626
00:30:19.839 --> 00:30:20.039
<v Speaker 1>Yeah.

627
00:30:20.079 --> 00:30:23.119
<v Speaker 2>The Seasons in the Sun goes on for way too long,

628
00:30:23.359 --> 00:30:26.319
<v Speaker 2>and it is just so off key that it really

629
00:30:26.799 --> 00:30:29.079
<v Speaker 2>hurts to watch that part of it.

630
00:30:29.559 --> 00:30:32.720
<v Speaker 7>About that, I'm sorry this movie echoed so many previous

631
00:30:32.799 --> 00:30:36.039
<v Speaker 7>forms of entertainment, but Millennium. The TV series Millennium had

632
00:30:36.039 --> 00:30:38.920
<v Speaker 7>a series where a serial killer, a doctor Kravorkian time

633
00:30:39.319 --> 00:30:42.200
<v Speaker 7>would send everyone off to their death while singing Seasons

634
00:30:42.240 --> 00:30:43.039
<v Speaker 7>of the Sun to them.

635
00:30:43.200 --> 00:30:47.839
<v Speaker 2>Really, yeah, wow, I probably should go back and try

636
00:30:47.880 --> 00:30:50.200
<v Speaker 2>to watch that because I've never watched that one. I

637
00:30:50.319 --> 00:30:53.920
<v Speaker 2>just remember the Frank Black episodes of X Files nex Files. Yeah.

638
00:30:54.119 --> 00:30:56.519
<v Speaker 7>Yeah, I'm actually due for a rewatch myself.

639
00:30:56.960 --> 00:30:57.519
<v Speaker 2>The Milaium.

640
00:30:58.200 --> 00:31:00.440
<v Speaker 1>That's a one season show, know it is it?

641
00:31:01.119 --> 00:31:03.680
<v Speaker 7>No, it's a three season show, but you really only

642
00:31:03.720 --> 00:31:06.200
<v Speaker 7>need the first two and really only need the second one.

643
00:31:06.759 --> 00:31:10.000
<v Speaker 6>Good to know there's always spare time in somebody's back pocket.

644
00:31:10.039 --> 00:31:12.920
<v Speaker 6>I'm sure for a Millennium me, not you, not Mike,

645
00:31:13.000 --> 00:31:15.839
<v Speaker 6>but somebody, somebody. I didn't volunteer any one of us

646
00:31:15.920 --> 00:31:19.720
<v Speaker 6>for that shit. Someone else can do that for once.

647
00:31:19.880 --> 00:31:21.759
<v Speaker 6>We can just listen to there you go.

648
00:31:22.519 --> 00:31:24.599
<v Speaker 7>Oh the croshetying. I just wanted to say, Mike, because

649
00:31:24.640 --> 00:31:26.640
<v Speaker 7>you mentioned it earlier, the Creuschang. Nice touch.

650
00:31:27.119 --> 00:31:28.759
<v Speaker 2>Yeah, that was a good portion of screenplay.

651
00:31:28.839 --> 00:31:31.799
<v Speaker 7>That's a nice bit of observed behavior, because yes, people

652
00:31:31.839 --> 00:31:34.759
<v Speaker 7>out on the road need fucking shit to distract them.

653
00:31:35.000 --> 00:31:37.480
<v Speaker 2>That rung true for me. But I also liked that

654
00:31:37.559 --> 00:31:40.640
<v Speaker 2>he's an artist. He's creating his art through both the

655
00:31:40.720 --> 00:31:44.240
<v Speaker 2>killings as well as the crochet. And I was surprised

656
00:31:44.279 --> 00:31:47.240
<v Speaker 2>when Taco Tuesdays, Oh yeah, I'm learning from the master,

657
00:31:47.400 --> 00:31:48.920
<v Speaker 2>and I'd like that it gives them a little wink

658
00:31:49.000 --> 00:31:52.079
<v Speaker 2>at that point, I'm learning from the master. You better

659
00:31:52.119 --> 00:31:54.240
<v Speaker 2>watch out. And I was like, oh, man, he's going

660
00:31:54.319 --> 00:31:57.359
<v Speaker 2>to murder this guy because he's getting too good at knittings.

661
00:31:59.079 --> 00:32:01.680
<v Speaker 7>I was hoping he'd be that kind of serial killer, really,

662
00:32:01.839 --> 00:32:04.200
<v Speaker 7>the cruicheting killer that hook.

663
00:32:04.880 --> 00:32:08.279
<v Speaker 2>Oh there you go to the eye and then he

664
00:32:08.400 --> 00:32:09.480
<v Speaker 2>uses the N trail.

665
00:32:10.200 --> 00:32:12.279
<v Speaker 1>Yeah, n one.

666
00:32:13.480 --> 00:32:16.559
<v Speaker 2>He's knitting a huge quilt made out of intestines.

667
00:32:16.880 --> 00:32:17.960
<v Speaker 1>Oh my god, what do you see?

668
00:32:18.039 --> 00:32:19.599
<v Speaker 2>Will I go watch that movie.

669
00:32:19.880 --> 00:32:22.160
<v Speaker 1>I would just imagine that from Hannibal. That's just from

670
00:32:22.200 --> 00:32:23.079
<v Speaker 1>that NBC Handibal.

671
00:32:23.119 --> 00:32:23.559
<v Speaker 4>What do you see?

672
00:32:23.759 --> 00:32:23.880
<v Speaker 6>Right?

673
00:32:24.000 --> 00:32:24.160
<v Speaker 4>Yeah?

674
00:32:24.240 --> 00:32:29.519
<v Speaker 6>Yeah, that's what they would have done these Yeah. Can

675
00:32:29.599 --> 00:32:32.279
<v Speaker 6>we say though, and this is something that I will say.

676
00:32:32.359 --> 00:32:34.279
<v Speaker 6>I don't know if I stand alone in this, but

677
00:32:34.880 --> 00:32:35.839
<v Speaker 6>the title of the.

678
00:32:35.920 --> 00:32:41.599
<v Speaker 7>Movie, oof, whoa Wolf? Indeed, what a terrible fucking title.

679
00:32:41.640 --> 00:32:42.119
<v Speaker 2>I'm sorry.

680
00:32:42.880 --> 00:32:45.400
<v Speaker 7>Maybe if it had been the hant thing with the

681
00:32:45.559 --> 00:32:48.400
<v Speaker 7>T and the parentheses Trucker rucker Maybe.

682
00:32:48.680 --> 00:32:50.559
<v Speaker 2>I don't know. When I saw the.

683
00:32:50.559 --> 00:32:52.400
<v Speaker 7>Trailer for this movie, it was called Rucker of the Trucker.

684
00:32:53.000 --> 00:32:54.720
<v Speaker 7>But is it called rucker? Is it just Rocker of

685
00:32:54.720 --> 00:32:55.000
<v Speaker 7>the Truck?

686
00:32:55.039 --> 00:32:55.400
<v Speaker 6>I don't know.

687
00:32:55.599 --> 00:32:57.839
<v Speaker 2>I think it's the way. Yeah.

688
00:32:58.480 --> 00:33:01.039
<v Speaker 1>Yeah, the title for the movies, it's off Pudding.

689
00:33:01.400 --> 00:33:03.519
<v Speaker 6>I like that they had to try to incorporate it

690
00:33:03.640 --> 00:33:06.119
<v Speaker 6>into the movie, but it's just not a great title.

691
00:33:06.200 --> 00:33:09.440
<v Speaker 6>Unfortunlley doesn't get the point of the movie across, that's

692
00:33:09.480 --> 00:33:09.839
<v Speaker 6>for sure.

693
00:33:10.519 --> 00:33:14.000
<v Speaker 7>Henry ordered The Serial Killer. I wonder what that's about.

694
00:33:14.720 --> 00:33:17.599
<v Speaker 2>Every time I see the poster for it. It doesn't

695
00:33:17.640 --> 00:33:20.079
<v Speaker 2>necessarily look like Bobby King to me. I always think

696
00:33:20.119 --> 00:33:23.119
<v Speaker 2>that it's like Tyler the bean with the knife and

697
00:33:23.240 --> 00:33:26.000
<v Speaker 2>the thing. I don't know, he just looks like what

698
00:33:26.440 --> 00:33:30.200
<v Speaker 2>Tucker from. Maybe that's what I'm getting Daleen Tucker versus Evil.

699
00:33:30.599 --> 00:33:33.400
<v Speaker 1>Maybe he looks like a little older Sean Patrick Flannery.

700
00:33:34.160 --> 00:33:34.720
<v Speaker 2>I could see that.

701
00:33:35.119 --> 00:33:37.640
<v Speaker 1>Yeah, Bobby C. King looks like Sean Patrick Flannery too.

702
00:33:37.720 --> 00:33:38.400
<v Speaker 6>In the right light.

703
00:33:38.559 --> 00:33:40.920
<v Speaker 7>Oh right, he can play his dad real easily.

704
00:33:41.319 --> 00:33:45.000
<v Speaker 1>Yeah. Or what's that other actor, the one from Tokyo Drift.

705
00:33:45.839 --> 00:33:49.119
<v Speaker 2>Oh, oh that rube. Oh yeah, the Rube.

706
00:33:49.680 --> 00:33:51.519
<v Speaker 6>I forget what that actor's name is. He like the

707
00:33:51.559 --> 00:33:53.880
<v Speaker 6>young child in X Files, Bite the Future. They have

708
00:33:54.000 --> 00:33:57.440
<v Speaker 6>very similar facial features. But yeah, that the poster with

709
00:33:57.599 --> 00:34:00.920
<v Speaker 6>him with the knife like the on there. I don't

710
00:34:01.000 --> 00:34:03.400
<v Speaker 6>understand they have the thing in the hat in the movie.

711
00:34:03.440 --> 00:34:04.519
<v Speaker 6>It's like obvious choice.

712
00:34:04.599 --> 00:34:05.319
<v Speaker 1>Does that take it?

713
00:34:06.000 --> 00:34:06.799
<v Speaker 2>I wouldn't think so.

714
00:34:07.720 --> 00:34:10.119
<v Speaker 7>All that's left was rucker. Evidently, I guess so.

715
00:34:11.079 --> 00:34:13.559
<v Speaker 2>I didn't realize that the guy that played the rube

716
00:34:13.679 --> 00:34:17.159
<v Speaker 2>was also the young kid in sling Plate. Speaking of

717
00:34:17.320 --> 00:34:21.639
<v Speaker 2>serial killer films from the nineties, right, yeah, the rube

718
00:34:23.039 --> 00:34:26.360
<v Speaker 2>looking at me? What you look like with you? Good bag?

719
00:34:26.519 --> 00:34:29.639
<v Speaker 2>And yeah, everywhere we look.

720
00:34:30.360 --> 00:34:33.039
<v Speaker 6>That actor's name, by the way, is Lucas Black, who

721
00:34:33.119 --> 00:34:36.039
<v Speaker 6>definitely whisposed to play a teenager in Tokyo Drift but

722
00:34:36.159 --> 00:34:37.360
<v Speaker 6>definitely wasn't an adult.

723
00:34:37.760 --> 00:34:39.800
<v Speaker 1>Yeah, but yeah, he looks like Bobby C. King and

724
00:34:39.880 --> 00:34:40.760
<v Speaker 1>also Sean.

725
00:34:40.599 --> 00:34:42.480
<v Speaker 7>Patrick Flanner future didn't he he did?

726
00:34:42.559 --> 00:34:43.679
<v Speaker 1>He turned into an alien.

727
00:34:44.119 --> 00:34:46.960
<v Speaker 2>He fought it. Yeah, all right, we're gonna take a

728
00:34:47.000 --> 00:34:49.000
<v Speaker 2>break and play an interview with the director of Rutger

729
00:34:49.079 --> 00:34:51.760
<v Speaker 2>Amy Hesketh. Right after these brief mestiges.

730
00:34:56.960 --> 00:34:59.400
<v Speaker 8>You obviously love podcasts, but are you also a fan

731
00:34:59.480 --> 00:35:01.880
<v Speaker 8>of movies and into television. Do you want to listen

732
00:35:01.920 --> 00:35:05.320
<v Speaker 8>to a show that reviews entertainment honestly and cast pretentiousness

733
00:35:05.360 --> 00:35:08.280
<v Speaker 8>to the wind, that debates both film and TV topics

734
00:35:08.320 --> 00:35:10.679
<v Speaker 8>in a fun, good spirited way while still getting to

735
00:35:10.760 --> 00:35:12.440
<v Speaker 8>the heart of why we all love them so much.

736
00:35:13.199 --> 00:35:16.400
<v Speaker 8>Then don't miss the award winning weekly podcast, The Hollywood Outsider,

737
00:35:16.679 --> 00:35:19.280
<v Speaker 8>now available on your favorite podcast app or at the

738
00:35:19.440 --> 00:35:21.000
<v Speaker 8>Hollywood Outsider dot com.

739
00:35:23.440 --> 00:35:25.079
<v Speaker 2>Tell me a little bit about your story and how

740
00:35:25.119 --> 00:35:26.119
<v Speaker 2>you got into filmmaking.

741
00:35:26.880 --> 00:35:31.920
<v Speaker 4>I got into film originally. I was when I was

742
00:35:32.000 --> 00:35:36.039
<v Speaker 4>living in France. My marginally got into film. And then

743
00:35:36.079 --> 00:35:38.559
<v Speaker 4>I was working as a PA when I was in Boston,

744
00:35:38.800 --> 00:35:43.800
<v Speaker 4>briefly running film down to Douart in New York.

745
00:35:44.440 --> 00:35:45.480
<v Speaker 1>That was a job.

746
00:35:45.559 --> 00:35:48.719
<v Speaker 4>It was awesome and Duart was so nice to pas

747
00:35:48.719 --> 00:35:51.159
<v Speaker 4>who did this kind of thing, and they would let

748
00:35:51.199 --> 00:35:54.199
<v Speaker 4>you sleep on the sofas and give you food and say, oh, hey,

749
00:35:54.280 --> 00:35:57.559
<v Speaker 4>there's this famous directors like looking at dailies. You want

750
00:35:57.599 --> 00:35:59.960
<v Speaker 4>to go sneak into the back of the screening room

751
00:36:00.159 --> 00:36:01.360
<v Speaker 4>and take a look at it. It was just a

752
00:36:01.679 --> 00:36:05.519
<v Speaker 4>very wonderful kind of introduction to film. And then I

753
00:36:05.719 --> 00:36:10.320
<v Speaker 4>moved to Bolivia in two thousand and five and I

754
00:36:10.400 --> 00:36:13.960
<v Speaker 4>lived there for ten years. I made a large body

755
00:36:14.000 --> 00:36:16.760
<v Speaker 4>of work there, both as a director and producer. I

756
00:36:16.920 --> 00:36:20.320
<v Speaker 4>acted in a lot of films and it was my

757
00:36:20.519 --> 00:36:23.960
<v Speaker 4>first film. Ten years later, the government gave me an

758
00:36:23.960 --> 00:36:29.000
<v Speaker 4>award for starting the Bolivian New Wave, particularly with my

759
00:36:29.039 --> 00:36:32.760
<v Speaker 4>film Sir Whin Yaku, because it was just a breakthrough

760
00:36:32.840 --> 00:36:37.280
<v Speaker 4>indie film that pioneered. It kind of enabled other young

761
00:36:37.320 --> 00:36:39.559
<v Speaker 4>filmmakers at the time to really think that, oh, I

762
00:36:39.599 --> 00:36:41.559
<v Speaker 4>can make films, I can make genre films, I can

763
00:36:41.880 --> 00:36:43.280
<v Speaker 4>make the film that I want to make. I don't

764
00:36:43.320 --> 00:36:46.760
<v Speaker 4>have to make the idiosyncratic Bolivian film that was privileged

765
00:36:46.760 --> 00:36:50.440
<v Speaker 4>at that time. And it ran in theaters for six

766
00:36:50.599 --> 00:36:54.039
<v Speaker 4>months I think, and it was really popular, very polemic.

767
00:36:54.239 --> 00:36:56.480
<v Speaker 4>I got a lot of really amazing press and really

768
00:36:56.639 --> 00:37:00.280
<v Speaker 4>scathing press when it was like really always those it

769
00:37:00.360 --> 00:37:04.000
<v Speaker 4>was either a five or zero, it's never anything in between.

770
00:37:04.119 --> 00:37:07.679
<v Speaker 4>It was like rough was my first film, and then

771
00:37:07.719 --> 00:37:09.519
<v Speaker 4>I went on to make a bunch of other films,

772
00:37:09.960 --> 00:37:15.559
<v Speaker 4>and in two thousand and sixteen I moved back to

773
00:37:15.679 --> 00:37:21.000
<v Speaker 4>the States, and I had met my now spouse, Aaron Drayne,

774
00:37:21.320 --> 00:37:24.480
<v Speaker 4>at a film festival in Mexico City where we each

775
00:37:24.559 --> 00:37:27.480
<v Speaker 4>had a film. I had my film Olalia there. It's

776
00:37:27.519 --> 00:37:32.480
<v Speaker 4>called Ferretum in Telbahaua, Mexico, is a wonderful festival, and

777
00:37:32.800 --> 00:37:35.599
<v Speaker 4>he had fear clinic there and we met and fell

778
00:37:35.639 --> 00:37:37.519
<v Speaker 4>in love and had to figure it out because I

779
00:37:37.559 --> 00:37:41.280
<v Speaker 4>was living in Bolivia and he was living in Los Angeles,

780
00:37:41.360 --> 00:37:43.199
<v Speaker 4>and I didn't really like Los Angeles, and so we

781
00:37:43.280 --> 00:37:46.599
<v Speaker 4>figured it out. At the same time, we're contacted by

782
00:37:47.440 --> 00:37:51.719
<v Speaker 4>the college up here, Olympic College, and Tim Hagan said, Hey,

783
00:37:51.800 --> 00:37:55.440
<v Speaker 4>do you want to start before your program here in film?

784
00:37:55.840 --> 00:37:57.280
<v Speaker 1>And we did.

785
00:37:57.880 --> 00:38:01.239
<v Speaker 4>We went for it and moved to Bremerton and Atport

786
00:38:01.280 --> 00:38:05.880
<v Speaker 4>Townsend and created a film school and it's the lowest

787
00:38:05.920 --> 00:38:09.159
<v Speaker 4>costing film school in the nation and we're really happy

788
00:38:09.199 --> 00:38:12.039
<v Speaker 4>to be serving students through that now and I'm the

789
00:38:12.079 --> 00:38:16.119
<v Speaker 4>coordinator of the program at present. That's been a crazy ride.

790
00:38:16.960 --> 00:38:17.800
<v Speaker 2>Why Bolivia.

791
00:38:18.599 --> 00:38:22.679
<v Speaker 4>Oh So I went there to visit a friend who

792
00:38:22.840 --> 00:38:26.599
<v Speaker 4>was working down there and doing like worked for a

793
00:38:26.679 --> 00:38:29.840
<v Speaker 4>not for profit down there, and I liked it. I

794
00:38:29.920 --> 00:38:32.760
<v Speaker 4>saw a flyer in this Cassee and it was a

795
00:38:32.840 --> 00:38:36.800
<v Speaker 4>casting flyer asking for pas things like that for a

796
00:38:36.920 --> 00:38:40.880
<v Speaker 4>Docky drama called Outbreak for National Geographic. I called him

797
00:38:40.920 --> 00:38:45.360
<v Speaker 4>up and met my producing partner there, Jack Avila, and

798
00:38:45.440 --> 00:38:48.920
<v Speaker 4>I was cast and did this Docky drama, and then

799
00:38:48.960 --> 00:38:52.760
<v Speaker 4>I went to a film festival where his film Martyr

800
00:38:52.960 --> 00:38:55.440
<v Speaker 4>or the Death of Santaleli was playing in a rurrow

801
00:38:56.320 --> 00:38:58.559
<v Speaker 4>and met a bunch of people who really wanted to

802
00:38:58.559 --> 00:39:00.960
<v Speaker 4>make solms, but we're not really able at that time.

803
00:39:01.320 --> 00:39:03.239
<v Speaker 4>And Jack had been living in New York for a

804
00:39:03.320 --> 00:39:07.800
<v Speaker 4>really long time but was Bolivian, and so I said, hey, like,

805
00:39:07.840 --> 00:39:09.840
<v Speaker 4>why don't we just partner up and we make tons

806
00:39:09.880 --> 00:39:12.079
<v Speaker 4>of films and we teach other people how to make

807
00:39:12.119 --> 00:39:14.840
<v Speaker 4>films and make it possible for all these people who

808
00:39:15.280 --> 00:39:18.119
<v Speaker 4>want to make films like to do it, and so

809
00:39:19.440 --> 00:39:19.800
<v Speaker 4>we did it.

810
00:39:20.400 --> 00:39:23.360
<v Speaker 2>How is it balancing the teaching work with the filmmaking work,

811
00:39:23.519 --> 00:39:24.559
<v Speaker 2>with the program that you do.

812
00:39:25.239 --> 00:39:28.239
<v Speaker 4>I think that teaching really fills the well.

813
00:39:28.320 --> 00:39:28.519
<v Speaker 6>For me.

814
00:39:28.599 --> 00:39:33.519
<v Speaker 4>I made films exclusively for a long time, and it's wonderful,

815
00:39:33.719 --> 00:39:35.400
<v Speaker 4>but you get into a little bit of like a

816
00:39:35.719 --> 00:39:40.079
<v Speaker 4>bubble and fall into I think what some people might

817
00:39:40.159 --> 00:39:43.360
<v Speaker 4>call o tour theory, but I tend to think that

818
00:39:43.480 --> 00:39:45.800
<v Speaker 4>it's almost like you're pandering to yourself at a certain

819
00:39:45.880 --> 00:39:48.800
<v Speaker 4>point when you're just doing that and you're not really

820
00:39:48.840 --> 00:39:52.760
<v Speaker 4>getting all this outside feedback or expanding your horizons or

821
00:39:52.840 --> 00:39:54.960
<v Speaker 4>learning new things. And I think the best way to

822
00:39:55.039 --> 00:39:58.440
<v Speaker 4>learn more is to teach. And I started teaching, and

823
00:39:58.639 --> 00:40:01.199
<v Speaker 4>it really for me fills the well creatively. I love

824
00:40:01.239 --> 00:40:01.840
<v Speaker 4>the conversation.

825
00:40:01.960 --> 00:40:03.440
<v Speaker 7>So we have a love love.

826
00:40:03.360 --> 00:40:07.119
<v Speaker 4>Love it when my students start getting that bug for

827
00:40:07.280 --> 00:40:10.679
<v Speaker 4>filmmaking and they really understand that they can actually tell

828
00:40:10.719 --> 00:40:15.199
<v Speaker 4>their own stories and make these films together and form

829
00:40:15.280 --> 00:40:19.119
<v Speaker 4>this kind of really amazing community together, and I don't know,

830
00:40:19.159 --> 00:40:20.960
<v Speaker 4>it makes me feel really good. And then when I

831
00:40:21.039 --> 00:40:24.039
<v Speaker 4>make films, I often hire and now my own students,

832
00:40:24.039 --> 00:40:26.119
<v Speaker 4>which we did with Rucker. We had a lot of

833
00:40:26.159 --> 00:40:29.880
<v Speaker 4>students working with us on that film. So that's when

834
00:40:29.920 --> 00:40:34.079
<v Speaker 4>you teach. You technically speaking, have summers off it's emails

835
00:40:34.119 --> 00:40:36.360
<v Speaker 4>and they do the thing. So we often make films

836
00:40:36.440 --> 00:40:38.800
<v Speaker 4>in the summer. We just wraps on one called a

837
00:40:38.880 --> 00:40:41.480
<v Speaker 4>short film that we made in conjunction with the Portowndan

838
00:40:41.519 --> 00:40:43.079
<v Speaker 4>Film Festival called Glampire.

839
00:40:44.679 --> 00:40:46.800
<v Speaker 2>That's a great title. What's it about?

840
00:40:47.360 --> 00:40:51.880
<v Speaker 4>Oh, it's about a social media influencer who hunts down

841
00:40:51.920 --> 00:40:54.800
<v Speaker 4>an ancient vampire and gives them a brand makeover.

842
00:40:56.519 --> 00:40:59.960
<v Speaker 2>That sounds fantastic. Tell me how did Rucker come up?

843
00:41:00.320 --> 00:41:02.519
<v Speaker 2>How did the story idea even come to you?

844
00:41:03.239 --> 00:41:03.400
<v Speaker 6>Oh?

845
00:41:03.760 --> 00:41:07.480
<v Speaker 4>So it was originally my spouse's idea. There was a

846
00:41:07.559 --> 00:41:10.440
<v Speaker 4>snowstorm in Bremerton. We were living there at the time,

847
00:41:10.599 --> 00:41:14.199
<v Speaker 4>and snow doesn't really happen very often up here in

848
00:41:14.280 --> 00:41:18.480
<v Speaker 4>the PMW, but when it does, it paralyzes everything because

849
00:41:18.559 --> 00:41:22.079
<v Speaker 4>I think there's one snowplow for the county, and so

850
00:41:22.239 --> 00:41:25.199
<v Speaker 4>they're like, yeah, you're on the list to get flowed eventually,

851
00:41:25.800 --> 00:41:29.880
<v Speaker 4>just hang tight for a week or two movements.

852
00:41:30.159 --> 00:41:30.400
<v Speaker 2>Wow.

853
00:41:31.199 --> 00:41:33.920
<v Speaker 4>Yeah, And we're snowed in and we had walked down

854
00:41:34.039 --> 00:41:35.840
<v Speaker 4>to this local pizza place.

855
00:41:35.920 --> 00:41:36.480
<v Speaker 7>It was open.

856
00:41:37.039 --> 00:41:40.800
<v Speaker 4>Didn't go have dinner slogging through the snow or gear.

857
00:41:41.679 --> 00:41:43.719
<v Speaker 4>And he was like, I had this like idea, It

858
00:41:43.840 --> 00:41:45.800
<v Speaker 4>came to me in a stream, and I've been thinking

859
00:41:45.840 --> 00:41:47.360
<v Speaker 4>about it. Can I pitch it to you? And I

860
00:41:47.440 --> 00:41:49.400
<v Speaker 4>was like, yeah, sure, man, full of beer and pizza

861
00:41:49.400 --> 00:41:51.360
<v Speaker 4>and I'm like, this is a great time to pitch.

862
00:41:51.559 --> 00:41:54.400
<v Speaker 4>And so we started having this conversation and formed the

863
00:41:54.519 --> 00:41:56.800
<v Speaker 4>idea of it, and it spoke to me really deeply

864
00:41:56.960 --> 00:42:02.519
<v Speaker 4>because of the themes of generational trauma. It's just really

865
00:42:02.800 --> 00:42:05.480
<v Speaker 4>big for me and a lot of my films deal

866
00:42:05.559 --> 00:42:08.519
<v Speaker 4>with that, and so I figured, Okay, this is my thing.

867
00:42:08.679 --> 00:42:10.320
<v Speaker 4>I would love to direct this, and so we co

868
00:42:10.440 --> 00:42:13.480
<v Speaker 4>wrote the screenplay and then jumped right in and made

869
00:42:13.519 --> 00:42:13.840
<v Speaker 4>the film.

870
00:42:14.320 --> 00:42:17.119
<v Speaker 2>That's fantastic. When was this? Was this twenty twenty one

871
00:42:17.280 --> 00:42:18.480
<v Speaker 2>going into twenty twenty two.

872
00:42:18.920 --> 00:42:21.440
<v Speaker 4>No, it took a little while to come out, okay, Yeah,

873
00:42:21.559 --> 00:42:24.280
<v Speaker 4>and so I think it was twenty eighteen or nineteen

874
00:42:24.440 --> 00:42:27.280
<v Speaker 4>something like that. Yeah, And so it was in post

875
00:42:27.360 --> 00:42:30.559
<v Speaker 4>for a while, and then we didn't release it for

876
00:42:30.639 --> 00:42:32.880
<v Speaker 4>a little bit, just because it was not the right

877
00:42:32.960 --> 00:42:37.159
<v Speaker 4>time and people weren't really doing much, so we waited

878
00:42:37.199 --> 00:42:38.280
<v Speaker 4>a little bit for that.

879
00:42:38.519 --> 00:42:38.719
<v Speaker 6>Yeah.

880
00:42:39.480 --> 00:42:42.280
<v Speaker 2>I love the way that the story changes throughout, but

881
00:42:42.480 --> 00:42:45.440
<v Speaker 2>especially that it starts off almost man bytes dog type

882
00:42:45.480 --> 00:42:50.519
<v Speaker 2>of first person interviewing Leaf Rocker and just his whole story,

883
00:42:50.960 --> 00:42:53.960
<v Speaker 2>and then the moment when it changes you don't really

884
00:42:54.039 --> 00:42:56.760
<v Speaker 2>expect it. So I really mend you on the storytelling

885
00:42:56.840 --> 00:42:57.880
<v Speaker 2>ways that you go about it.

886
00:42:58.639 --> 00:43:02.199
<v Speaker 4>Oh, thank you. Yeah, it took a lot of work

887
00:43:02.320 --> 00:43:05.880
<v Speaker 4>to try to get an understanding of Okay, I don't

888
00:43:05.920 --> 00:43:09.400
<v Speaker 4>want to show the protagonist for a while. I want

889
00:43:09.480 --> 00:43:11.400
<v Speaker 4>us to think that this is more of some kind

890
00:43:11.440 --> 00:43:16.880
<v Speaker 4>of weird documentary and then to show no, like we're

891
00:43:17.000 --> 00:43:19.559
<v Speaker 4>entering into the story now. Most of my films are

892
00:43:19.679 --> 00:43:22.559
<v Speaker 4>like that. They're very meta, and I have these kind

893
00:43:22.599 --> 00:43:25.440
<v Speaker 4>of concentric circles of stories and I like to reveal

894
00:43:25.519 --> 00:43:27.159
<v Speaker 4>one at a time, and then maybe we go back

895
00:43:27.199 --> 00:43:30.119
<v Speaker 4>to one and then those stories together until you have

896
00:43:30.280 --> 00:43:33.840
<v Speaker 4>this holistic picture because you can't tell wait, is that

897
00:43:33.920 --> 00:43:35.920
<v Speaker 4>an interview too? It's like what camera are we looking

898
00:43:36.000 --> 00:43:36.599
<v Speaker 4>through right now?

899
00:43:37.519 --> 00:43:39.599
<v Speaker 2>Where did the idea? When the animation come from? And

900
00:43:39.639 --> 00:43:40.519
<v Speaker 2>who did the animation?

901
00:43:41.400 --> 00:43:41.559
<v Speaker 1>Oh?

902
00:43:41.679 --> 00:43:45.079
<v Speaker 4>Yeah, and so Dorian Clevenger did the animation. He's out

903
00:43:45.119 --> 00:43:48.920
<v Speaker 4>of Pennsylvania. And I love working with Dorian. He always

904
00:43:49.000 --> 00:43:52.079
<v Speaker 4>like really gets it, and he really understood the generational

905
00:43:52.159 --> 00:43:55.800
<v Speaker 4>trauma theme in this. He totally dug it and some

906
00:43:55.960 --> 00:43:59.280
<v Speaker 4>of his own animation work speaks to that. And so

907
00:43:59.480 --> 00:44:04.079
<v Speaker 4>it was just a wonderful fit. And so I started

908
00:44:04.280 --> 00:44:08.159
<v Speaker 4>sketching these parts of I wanted to have flashbacks, but

909
00:44:08.239 --> 00:44:12.159
<v Speaker 4>I didn't want to shoot them. And because I figured,

910
00:44:12.320 --> 00:44:15.679
<v Speaker 4>if this is we have like essentially three cameras almost

911
00:44:15.960 --> 00:44:17.679
<v Speaker 4>like maybe two, but like one of them is in

912
00:44:17.760 --> 00:44:21.920
<v Speaker 4>the past with the mother, and what camera would that be?

913
00:44:22.199 --> 00:44:22.840
<v Speaker 7>It doesn't fit.

914
00:44:23.079 --> 00:44:26.480
<v Speaker 4>And so I figured, okay, what about these childhood drawings.

915
00:44:27.159 --> 00:44:29.480
<v Speaker 4>What if we could bring these childhood drawings to lights

916
00:44:29.679 --> 00:44:35.000
<v Speaker 4>and show this backstory for Maggie through animation, but we

917
00:44:35.079 --> 00:44:37.599
<v Speaker 4>could also see her, see the style change, and see

918
00:44:37.639 --> 00:44:41.760
<v Speaker 4>her growing up because she becomes essentially a better artist.

919
00:44:42.599 --> 00:44:46.000
<v Speaker 2>Tell me about your casting process, because your leads are fantastic.

920
00:44:46.719 --> 00:44:51.400
<v Speaker 4>Shyanna is a graduate of our program, and she has

921
00:44:51.599 --> 00:44:56.239
<v Speaker 4>this sense of internalized turmoil that she's really good with

922
00:44:56.800 --> 00:44:59.320
<v Speaker 4>and I liked working with her. I thought that she

923
00:44:59.400 --> 00:45:03.719
<v Speaker 4>could do that very well. And Bobby King worked with

924
00:45:04.119 --> 00:45:08.199
<v Speaker 4>Aaron on his film Fear Clinic, and when we were casting,

925
00:45:08.239 --> 00:45:10.800
<v Speaker 4>Aaron said, listen, you got to talk to Bobby because

926
00:45:10.840 --> 00:45:13.119
<v Speaker 4>I really think he would be perfect for this. Andy

927
00:45:13.199 --> 00:45:18.400
<v Speaker 4>knows how to drive a truck and granted it had

928
00:45:18.519 --> 00:45:20.719
<v Speaker 4>been a while, so there was some gear grinding.

929
00:45:21.840 --> 00:45:22.320
<v Speaker 1>But yeah.

930
00:45:22.559 --> 00:45:25.199
<v Speaker 4>I talked to him on the phone and we talked

931
00:45:25.239 --> 00:45:29.320
<v Speaker 4>about that and he really got the themes of generational

932
00:45:29.400 --> 00:45:33.920
<v Speaker 4>trauma and he was like, oh, I can completely understand

933
00:45:34.000 --> 00:45:36.639
<v Speaker 4>this and some interviews that we shot during and after

934
00:45:36.719 --> 00:45:41.159
<v Speaker 4>we wrapped, he revealed that he had an estrange daughter

935
00:45:41.239 --> 00:45:44.079
<v Speaker 4>who he had met pretty recently and he had never

936
00:45:44.199 --> 00:45:46.400
<v Speaker 4>known about Wow, and so he was trying to create

937
00:45:46.440 --> 00:45:49.760
<v Speaker 4>this relationship with her, and so it was at perfect subtext.

938
00:45:50.719 --> 00:45:53.239
<v Speaker 4>I really like that my actors when they're working out

939
00:45:53.760 --> 00:45:57.360
<v Speaker 4>very deep kinds of issues, because I feel like it

940
00:45:57.440 --> 00:46:00.639
<v Speaker 4>makes for a stronger film and it makes their nice

941
00:46:00.719 --> 00:46:04.119
<v Speaker 4>experience for everybody to really get into something very weird

942
00:46:04.199 --> 00:46:06.400
<v Speaker 4>and strange that doesn't happen in real life, Like we

943
00:46:06.440 --> 00:46:11.280
<v Speaker 4>don't often get this almost theater to explode our feelings

944
00:46:11.519 --> 00:46:13.760
<v Speaker 4>and shape them into something else and then give it

945
00:46:13.800 --> 00:46:17.079
<v Speaker 4>away to other people. And so that was really lovely

946
00:46:17.480 --> 00:46:19.800
<v Speaker 4>to do with the two of them, and Bobby later

947
00:46:20.440 --> 00:46:23.280
<v Speaker 4>also in an interview, said that it was like working

948
00:46:23.480 --> 00:46:27.159
<v Speaker 4>with a psychologist working with me, and I was like,

949
00:46:27.440 --> 00:46:28.840
<v Speaker 4>I think that's a compliment.

950
00:46:31.440 --> 00:46:33.320
<v Speaker 2>In the truck, where'd you get the truck run? Do

951
00:46:33.360 --> 00:46:34.039
<v Speaker 2>you have to rent that?

952
00:46:34.280 --> 00:46:35.519
<v Speaker 1>Or yeah?

953
00:46:35.599 --> 00:46:38.400
<v Speaker 4>We did, and it was like partially sponsored by a

954
00:46:38.480 --> 00:46:43.000
<v Speaker 4>local company who had a moving trucks, and so it

955
00:46:43.119 --> 00:46:47.760
<v Speaker 4>wasn't that traditional container like there is removing furniture and

956
00:46:47.880 --> 00:46:49.840
<v Speaker 4>things like that. And so I had these really nice

957
00:46:49.880 --> 00:46:52.199
<v Speaker 4>floors and everything, and a little bit of this stage

958
00:46:52.760 --> 00:46:54.800
<v Speaker 4>at the back, which I thought was like perfect for

959
00:46:55.079 --> 00:46:58.679
<v Speaker 4>if you're gonna murder, you murder on a little platform state.

960
00:46:58.800 --> 00:47:03.559
<v Speaker 2>Right, I'm saying, how is it working with your husband

961
00:47:03.599 --> 00:47:06.880
<v Speaker 2>as your screenwriter, to have two filmmakers coming together? That

962
00:47:07.000 --> 00:47:09.440
<v Speaker 2>could be potentially a little bit of a challenge.

963
00:47:10.079 --> 00:47:12.960
<v Speaker 4>This was not our first screenplay that we co wrote.

964
00:47:12.960 --> 00:47:14.679
<v Speaker 4>We've co written a few of them, but this was

965
00:47:14.719 --> 00:47:17.599
<v Speaker 4>the first that we produced together. And there was a

966
00:47:17.679 --> 00:47:21.400
<v Speaker 4>learning curve, believe me, when you're co writing and it's

967
00:47:21.480 --> 00:47:24.280
<v Speaker 4>like we have two very passionate individuals who are learning

968
00:47:24.320 --> 00:47:28.000
<v Speaker 4>to write together. And so sometimes the cockberry heated when

969
00:47:28.000 --> 00:47:30.559
<v Speaker 4>we're first learning how to do this, and it was like,

970
00:47:30.639 --> 00:47:33.159
<v Speaker 4>you take it personally sometimes when somebody doesn't want to

971
00:47:33.159 --> 00:47:35.840
<v Speaker 4>take your notes, and it's so different than working with

972
00:47:36.199 --> 00:47:39.280
<v Speaker 4>a producer in development or something like that. It's you

973
00:47:39.400 --> 00:47:42.039
<v Speaker 4>learn not to take the notes personally. But when you're

974
00:47:42.079 --> 00:47:44.920
<v Speaker 4>writing right next to somebody and it's you start, there's

975
00:47:45.000 --> 00:47:48.039
<v Speaker 4>this point like where it's no, it's like it needs

976
00:47:48.079 --> 00:47:50.320
<v Speaker 4>to do that sort of. I think by the time

977
00:47:50.360 --> 00:47:53.679
<v Speaker 4>we did Rucker, we worked out how to do this together,

978
00:47:53.840 --> 00:47:54.679
<v Speaker 4>how to write together.

979
00:47:55.360 --> 00:47:57.000
<v Speaker 2>And then of course he's barred from the set.

980
00:47:57.119 --> 00:47:59.920
<v Speaker 4>Correct he was a producer, so it wasn't barred for

981
00:48:00.199 --> 00:48:03.480
<v Speaker 4>the set, but he was like helping to make it

982
00:48:03.559 --> 00:48:06.000
<v Speaker 4>happen all the time. Yeah, yeah, I know, he's a

983
00:48:06.039 --> 00:48:06.840
<v Speaker 4>wonderful producer.

984
00:48:07.679 --> 00:48:10.719
<v Speaker 2>I'm glad that the doesn't get too precious about the

985
00:48:10.800 --> 00:48:12.719
<v Speaker 2>words once the cameras start rolling.

986
00:48:13.519 --> 00:48:15.599
<v Speaker 4>Yeah. I think at first he did. As a writer,

987
00:48:15.719 --> 00:48:17.119
<v Speaker 4>it's like, you write the words and you're like, no,

988
00:48:17.360 --> 00:48:20.239
<v Speaker 4>the actors need to speak them exactly the way they

989
00:48:20.280 --> 00:48:24.440
<v Speaker 4>are on the page because they're perfect. And I'm like, okay,

990
00:48:24.519 --> 00:48:26.719
<v Speaker 4>but sometimes that doesn't want to come out of people's

991
00:48:26.800 --> 00:48:30.039
<v Speaker 4>mouths exactly the same for everyone. Sometimes people don't speak

992
00:48:30.079 --> 00:48:32.320
<v Speaker 4>those kinds of words. It's about the meaning. I think

993
00:48:32.440 --> 00:48:35.639
<v Speaker 4>producing films, he's come to this point where it's oh, yeah, okay, yeah,

994
00:48:36.719 --> 00:48:37.880
<v Speaker 4>that's what needs to happen.

995
00:48:38.719 --> 00:48:40.960
<v Speaker 2>What were some of the biggest challenges of making Rucker

996
00:48:41.079 --> 00:48:43.280
<v Speaker 2>for you and what were some of the biggest rewards.

997
00:48:44.119 --> 00:48:49.920
<v Speaker 4>The biggest challenge is came together pretty nicely, I'm to say.

998
00:48:50.239 --> 00:48:52.920
<v Speaker 4>Just we decided to shoot where we live in Bremerton.

999
00:48:53.039 --> 00:48:57.519
<v Speaker 4>Everything was Shaw and Bremerton The permits were a little

1000
00:48:57.719 --> 00:49:00.079
<v Speaker 4>bit iffy at first because I don't think Bremerton and

1001
00:49:00.159 --> 00:49:02.880
<v Speaker 4>it had very many films come to shoot there, and

1002
00:49:03.000 --> 00:49:06.360
<v Speaker 4>so we helped to create a permitting process which was

1003
00:49:06.440 --> 00:49:08.519
<v Speaker 4>really nice. And now there have been other films who

1004
00:49:08.599 --> 00:49:11.599
<v Speaker 4>we've helped to bring to shoot there and helped to

1005
00:49:11.599 --> 00:49:15.000
<v Speaker 4>pave the way for that. And shooting in a cemetery,

1006
00:49:15.679 --> 00:49:18.320
<v Speaker 4>this very old cemetery. It's working with that was it

1007
00:49:18.400 --> 00:49:21.280
<v Speaker 4>wasn't difficult or anything. It was more like and they

1008
00:49:21.320 --> 00:49:23.239
<v Speaker 4>were so nice. They even put this pile of dirt

1009
00:49:23.480 --> 00:49:24.920
<v Speaker 4>for it. They were like, oh, we made a pile

1010
00:49:24.960 --> 00:49:25.599
<v Speaker 4>of dirt for you.

1011
00:49:26.199 --> 00:49:26.639
<v Speaker 7>Thanks.

1012
00:49:26.920 --> 00:49:28.599
<v Speaker 4>You know, that was so nice. I don't have to

1013
00:49:28.639 --> 00:49:32.599
<v Speaker 4>have a pa and do this with a shovel, and yeah,

1014
00:49:32.800 --> 00:49:35.239
<v Speaker 4>it all came together. We rented the race truck near

1015
00:49:35.320 --> 00:49:37.440
<v Speaker 4>there so that we could have a closed track to

1016
00:49:37.559 --> 00:49:42.639
<v Speaker 4>run the truck on and the truck. Local businesses were

1017
00:49:42.719 --> 00:49:47.480
<v Speaker 4>just absolutely really happy to have us. And one of

1018
00:49:47.559 --> 00:49:51.920
<v Speaker 4>them at the time, the manager of McCloud's, his son,

1019
00:49:52.079 --> 00:49:55.239
<v Speaker 4>was a big fan of my work, and he was like, really, oh, yeah,

1020
00:49:55.280 --> 00:49:57.519
<v Speaker 4>we'd love for you to shoot here. That'd be great,

1021
00:49:57.719 --> 00:49:59.639
<v Speaker 4>and let's just it was just really nice. Everybody was

1022
00:49:59.679 --> 00:50:02.639
<v Speaker 4>so right. The community really came out to support us,

1023
00:50:03.480 --> 00:50:07.880
<v Speaker 4>and so I don't there weren't that many problems or

1024
00:50:08.039 --> 00:50:11.719
<v Speaker 4>challenges and now rewards were really creating community. That's what

1025
00:50:11.840 --> 00:50:14.519
<v Speaker 4>I love about making a film every single time, is

1026
00:50:15.199 --> 00:50:17.440
<v Speaker 4>just getting to know new people in the community and

1027
00:50:17.559 --> 00:50:21.079
<v Speaker 4>getting them all to come together and with this common

1028
00:50:21.159 --> 00:50:23.840
<v Speaker 4>goal of making this piece of art essentially. So that

1029
00:50:24.000 --> 00:50:26.639
<v Speaker 4>was my favorite part, always my favorite part.

1030
00:50:27.239 --> 00:50:30.039
<v Speaker 2>Did anybody have any qualms about the subject matter?

1031
00:50:30.639 --> 00:50:32.480
<v Speaker 4>No, they thought it was pretty cool. They were like, oh,

1032
00:50:32.800 --> 00:50:34.800
<v Speaker 4>they wanted the script and everything, and we gave them

1033
00:50:34.840 --> 00:50:37.559
<v Speaker 4>the script and we were like, we're very upfront when

1034
00:50:37.840 --> 00:50:40.760
<v Speaker 4>we're like, yeah, it's about a serial killer, but it's

1035
00:50:40.800 --> 00:50:45.000
<v Speaker 4>really more of a family drama with throat cuttings. And

1036
00:50:45.039 --> 00:50:47.039
<v Speaker 4>they were like oh okay, and they were like wow,

1037
00:50:47.119 --> 00:50:50.800
<v Speaker 4>that's yeah, Like everybody could get on board with generational drama.

1038
00:50:50.880 --> 00:50:52.440
<v Speaker 1>They were like, oh, yeah, I get it.

1039
00:50:52.639 --> 00:50:54.400
<v Speaker 4>Okay, this is good.

1040
00:50:55.800 --> 00:50:58.239
<v Speaker 2>We talked about that long post process. What was going

1041
00:50:58.320 --> 00:51:00.760
<v Speaker 2>on during that time other than the pandemic.

1042
00:51:01.599 --> 00:51:05.239
<v Speaker 4>Yeah, so we had a bit of a hiccup with

1043
00:51:05.360 --> 00:51:08.320
<v Speaker 4>getting some of the elements in place, and then we

1044
00:51:08.440 --> 00:51:11.920
<v Speaker 4>had this really weird kind of issue with Da Vinci

1045
00:51:12.000 --> 00:51:15.199
<v Speaker 4>resolved at the time that every time we started exporting

1046
00:51:15.280 --> 00:51:18.000
<v Speaker 4>for sound, it would make everything go out of sync.

1047
00:51:18.199 --> 00:51:22.320
<v Speaker 4>And so we saw this like very odd, little technical

1048
00:51:22.440 --> 00:51:26.679
<v Speaker 4>problem and it took a horribly long amount of time

1049
00:51:26.760 --> 00:51:28.239
<v Speaker 4>to do this. It was just not as we thought

1050
00:51:28.239 --> 00:51:31.000
<v Speaker 4>about moving it out. There was all of this kind

1051
00:51:31.039 --> 00:51:32.119
<v Speaker 4>of like stress.

1052
00:51:31.760 --> 00:51:34.480
<v Speaker 2>About that and is it just you and your husband

1053
00:51:34.559 --> 00:51:36.800
<v Speaker 2>working on this or did you have another crew helping

1054
00:51:36.840 --> 00:51:37.800
<v Speaker 2>out with the sound?

1055
00:51:37.920 --> 00:51:41.360
<v Speaker 4>Yeah, we totally had so. Sherwood Jones was our post

1056
00:51:41.400 --> 00:51:44.559
<v Speaker 4>production supervisor and editor. He's wonderful. He's like a really

1057
00:51:44.760 --> 00:51:49.079
<v Speaker 4>like just top tier professional working in la and I

1058
00:51:49.199 --> 00:51:51.440
<v Speaker 4>love working with him. But it was the first time

1059
00:51:52.000 --> 00:51:54.719
<v Speaker 4>he was working and resolved and there was just this

1060
00:51:54.880 --> 00:51:56.920
<v Speaker 4>really weird bud but it was nothing to do with him.

1061
00:51:57.000 --> 00:51:59.480
<v Speaker 4>Learned it super fast, and then we were even on

1062
00:51:59.559 --> 00:52:02.280
<v Speaker 4>the phone with black Magic like every day, Okay, have

1063
00:52:02.360 --> 00:52:04.800
<v Speaker 4>your developers found a solution, and is like what's going on?

1064
00:52:05.760 --> 00:52:08.599
<v Speaker 4>And yeah, he handled it really nicely. And then our

1065
00:52:08.800 --> 00:52:13.159
<v Speaker 4>sound designer, Angelo is out of a New Jersey and

1066
00:52:13.360 --> 00:52:15.519
<v Speaker 4>we're just like doing everything via Zoom and.

1067
00:52:16.079 --> 00:52:16.679
<v Speaker 1>Stuff like that.

1068
00:52:17.960 --> 00:52:20.320
<v Speaker 2>So it's almost like the pandemic didn't affect that part

1069
00:52:20.360 --> 00:52:20.519
<v Speaker 2>of it.

1070
00:52:20.599 --> 00:52:23.159
<v Speaker 4>Then it was a really nice learning curve to learn

1071
00:52:23.239 --> 00:52:26.559
<v Speaker 4>how to work remotely with other people, which is great.

1072
00:52:26.599 --> 00:52:28.400
<v Speaker 4>And I think a lot of people have just carried

1073
00:52:28.440 --> 00:52:31.679
<v Speaker 4>that over into the real world, the post pandemic world,

1074
00:52:31.679 --> 00:52:32.320
<v Speaker 4>I should say not.

1075
00:52:32.360 --> 00:52:37.480
<v Speaker 2>Real world, so feel real a lot of times, though

1076
00:52:37.599 --> 00:52:38.719
<v Speaker 2>I know where you're coming from.

1077
00:52:39.079 --> 00:52:39.239
<v Speaker 6>Yeah.

1078
00:52:40.119 --> 00:52:44.519
<v Speaker 4>Yeah, and let's see. Trip Holland was our composer and

1079
00:52:45.039 --> 00:52:48.480
<v Speaker 4>he made our music. It was really nice working with him.

1080
00:52:49.320 --> 00:52:51.199
<v Speaker 4>So yeah, we just had a really good crew of

1081
00:52:51.280 --> 00:52:52.440
<v Speaker 4>people doing all this.

1082
00:52:52.800 --> 00:52:55.760
<v Speaker 2>Even during the production. The movie looks great. Can you

1083
00:52:55.840 --> 00:52:56.639
<v Speaker 2>tell me about your DP?

1084
00:52:57.000 --> 00:52:57.159
<v Speaker 1>Oh?

1085
00:52:57.320 --> 00:53:00.760
<v Speaker 4>Yeah, Eric Liberaki and so we met him in Chicago.

1086
00:53:01.000 --> 00:53:04.440
<v Speaker 4>Aaron and I had gone to gosh, I can't remember

1087
00:53:04.519 --> 00:53:06.519
<v Speaker 4>the name of it. It's over on the lots there.

1088
00:53:06.599 --> 00:53:09.280
<v Speaker 4>It's like this where you can learn camera stuff. And

1089
00:53:09.400 --> 00:53:13.960
<v Speaker 4>so we're getting certified on the red cameras for as professors.

1090
00:53:14.760 --> 00:53:17.639
<v Speaker 4>And one of our teachers was Eric Liberaki, and we're

1091
00:53:17.719 --> 00:53:20.880
<v Speaker 4>talking and during lunch one time, and he had made

1092
00:53:21.079 --> 00:53:23.519
<v Speaker 4>horror film and he's dped a lot, and we were

1093
00:53:23.559 --> 00:53:26.039
<v Speaker 4>talking about the film and I figured I looked at

1094
00:53:26.039 --> 00:53:27.519
<v Speaker 4>his work and I was like, oh, this is really good.

1095
00:53:27.599 --> 00:53:29.400
<v Speaker 4>He's totally down to work on a film like this

1096
00:53:29.519 --> 00:53:31.880
<v Speaker 4>because I wanted to do it's a really confined space.

1097
00:53:32.400 --> 00:53:34.599
<v Speaker 4>There isn't like a lot of lighting setups you can

1098
00:53:34.679 --> 00:53:35.000
<v Speaker 4>do with it.

1099
00:53:35.119 --> 00:53:36.119
<v Speaker 7>I wanted it to look.

1100
00:53:36.159 --> 00:53:40.639
<v Speaker 4>Very real, very quite realistic, and like somebodypas don't want

1101
00:53:40.679 --> 00:53:43.800
<v Speaker 4>to do that. They're like, no, we need five thousand

1102
00:53:43.880 --> 00:53:46.639
<v Speaker 4>lights like all the line. And that's great. It's just

1103
00:53:46.719 --> 00:53:48.119
<v Speaker 4>like with a film like this with a kind of

1104
00:53:48.599 --> 00:53:53.159
<v Speaker 4>confined budget and shooting schedule, I needed somebody who could

1105
00:53:53.199 --> 00:53:55.519
<v Speaker 4>just be like, Okay, let's do this. Let's just hammer

1106
00:53:55.599 --> 00:53:59.559
<v Speaker 4>it out and do things with crazy stuff. And yeah,

1107
00:53:59.599 --> 00:54:03.639
<v Speaker 4>it was one working with him, and we used two

1108
00:54:04.199 --> 00:54:08.159
<v Speaker 4>read ak heliums at the time, and it was interesting

1109
00:54:08.280 --> 00:54:11.039
<v Speaker 4>working with a super thirty five censor instead of a

1110
00:54:11.079 --> 00:54:13.760
<v Speaker 4>small confined space. It was a little limiting, and that's

1111
00:54:13.880 --> 00:54:16.639
<v Speaker 4>why we worked with two cameras. Sometimes we could shoot

1112
00:54:16.639 --> 00:54:20.559
<v Speaker 4>a little bit faster, but it was like, it's really

1113
00:54:20.639 --> 00:54:21.519
<v Speaker 4>tricky to track.

1114
00:54:21.400 --> 00:54:22.760
<v Speaker 1>The line when you're doing that.

1115
00:54:23.840 --> 00:54:26.519
<v Speaker 2>Oh, I can't even imagine. Yeah, but that's really a

1116
00:54:26.599 --> 00:54:29.039
<v Speaker 2>good way to conquer that limitation that you had. Though

1117
00:54:29.119 --> 00:54:31.840
<v Speaker 2>I know so much of filmmaking it's just about solving problems.

1118
00:54:32.599 --> 00:54:32.800
<v Speaker 1>Yeah.

1119
00:54:33.159 --> 00:54:34.760
<v Speaker 4>The other reason that I really wanted to work with

1120
00:54:34.960 --> 00:54:36.119
<v Speaker 4>Eric is that I want to have a lot of

1121
00:54:36.159 --> 00:54:38.679
<v Speaker 4>students on set, and so I wanted all my department

1122
00:54:38.760 --> 00:54:41.679
<v Speaker 4>heads to be people who were really open to teaching.

1123
00:54:42.559 --> 00:54:44.599
<v Speaker 4>And he's a teacher as well. At the time, he

1124
00:54:44.679 --> 00:54:47.719
<v Speaker 4>was teaching over at De paul And in Chicago, and

1125
00:54:47.840 --> 00:54:49.719
<v Speaker 4>so I was like, Okay, this is just what we

1126
00:54:49.800 --> 00:54:50.320
<v Speaker 4>need to work with.

1127
00:54:51.079 --> 00:54:53.559
<v Speaker 2>I forget ultimately what happened with the sound issue. How

1128
00:54:53.599 --> 00:54:54.400
<v Speaker 2>did that get solve?

1129
00:54:55.239 --> 00:54:58.199
<v Speaker 4>Black Magic finally got back to us, And it's a

1130
00:54:58.280 --> 00:55:03.840
<v Speaker 4>really weird bug with their multi camera editing. It still exists.

1131
00:55:04.039 --> 00:55:07.880
<v Speaker 4>You can't export with compound clips. You can create compound

1132
00:55:07.920 --> 00:55:09.920
<v Speaker 4>clips and then just have a drop down in the timeline,

1133
00:55:09.960 --> 00:55:11.400
<v Speaker 4>which is super cool because you can be like this

1134
00:55:11.480 --> 00:55:14.039
<v Speaker 4>and oh this other shot, except that you actually have

1135
00:55:14.199 --> 00:55:17.039
<v Speaker 4>to get rid of the other ones before you export it,

1136
00:55:17.360 --> 00:55:20.199
<v Speaker 4>because otherwise at that point it will cause everything else

1137
00:55:20.280 --> 00:55:22.519
<v Speaker 4>thereafter to go out of sync. And it still happens.

1138
00:55:23.320 --> 00:55:25.559
<v Speaker 2>And you were the guinea pig for that. We were yeah,

1139
00:55:25.840 --> 00:55:29.480
<v Speaker 2>oh boy, So I know you said that the Pandemic's over,

1140
00:55:29.599 --> 00:55:31.679
<v Speaker 2>but you wait a little while before the movie comes out.

1141
00:55:31.719 --> 00:55:33.119
<v Speaker 2>Can you tell me about the release of it.

1142
00:55:33.800 --> 00:55:37.719
<v Speaker 4>Yeah, so we went with Giant, and we went with

1143
00:55:37.800 --> 00:55:40.920
<v Speaker 4>a PR firm out of let's say, out of Los Angeles,

1144
00:55:41.400 --> 00:55:43.280
<v Speaker 4>and it was interesting. I think they went to a

1145
00:55:43.320 --> 00:55:46.039
<v Speaker 4>bunch of places where I've never had any press, And

1146
00:55:47.239 --> 00:55:49.320
<v Speaker 4>I guess we'd like to do a re release just

1147
00:55:49.400 --> 00:55:52.039
<v Speaker 4>because there's a lot of interest now and I'm like,

1148
00:55:52.119 --> 00:55:54.440
<v Speaker 4>how are people finding our film now? Suddenly there's been

1149
00:55:54.519 --> 00:55:56.719
<v Speaker 4>this kind of surge, and so we'd like to do

1150
00:55:57.079 --> 00:55:59.800
<v Speaker 4>a re release. I think it was released as a

1151
00:55:59.880 --> 00:56:02.639
<v Speaker 4>horror film because I think that they thought, oh, it's

1152
00:56:02.679 --> 00:56:06.000
<v Speaker 4>easier to do it that way, but it's not really

1153
00:56:06.320 --> 00:56:08.480
<v Speaker 4>a horror film, and so like horror fans work, this

1154
00:56:08.559 --> 00:56:09.599
<v Speaker 4>isn't a horror film.

1155
00:56:10.119 --> 00:56:10.679
<v Speaker 1>I don't like it.

1156
00:56:10.800 --> 00:56:14.199
<v Speaker 4>So I'm like, okay, yeah, it's not. It's a family

1157
00:56:14.320 --> 00:56:18.480
<v Speaker 4>drama with throacadding this weird like cross genre films tend

1158
00:56:18.559 --> 00:56:20.559
<v Speaker 4>to suffer a lot, and it's like they find their

1159
00:56:20.599 --> 00:56:23.519
<v Speaker 4>way and sometimes it takes a while, and so I

1160
00:56:23.599 --> 00:56:27.039
<v Speaker 4>think it's just like finding it's suddenly coming into its time. Now.

1161
00:56:27.960 --> 00:56:30.719
<v Speaker 2>I know that you've done a few films since Anny

1162
00:56:30.760 --> 00:56:33.920
<v Speaker 2>talked about Gleampire, but then also in between there was Pygmalion.

1163
00:56:34.000 --> 00:56:37.920
<v Speaker 4>Correct, we shot Pygmalion in Bolivia and we're going to

1164
00:56:38.199 --> 00:56:40.800
<v Speaker 4>I think we're releasing that this year. And that one

1165
00:56:40.880 --> 00:56:42.760
<v Speaker 4>we sat on for a while. It was like taking

1166
00:56:42.840 --> 00:56:45.039
<v Speaker 4>a long time in post as well, and really only

1167
00:56:45.119 --> 00:56:49.119
<v Speaker 4>because that is a meta film. It kind of we're

1168
00:56:49.239 --> 00:56:51.960
<v Speaker 4>slogging through the post production through the editor, trying to

1169
00:56:52.039 --> 00:56:55.800
<v Speaker 4>make make all of the stories interconnect in a way

1170
00:56:55.840 --> 00:56:58.360
<v Speaker 4>where it would flow better for the audience.

1171
00:56:59.280 --> 00:57:00.920
<v Speaker 2>Is there a good place for people to keep up

1172
00:57:00.920 --> 00:57:03.280
<v Speaker 2>with you and your work and where to buy these things?

1173
00:57:03.480 --> 00:57:06.760
<v Speaker 4>I don't really do social media, and yeah, people can

1174
00:57:06.880 --> 00:57:07.320
<v Speaker 4>email me.

1175
00:57:07.679 --> 00:57:09.559
<v Speaker 2>So a new semester is going to be starting up

1176
00:57:09.599 --> 00:57:12.119
<v Speaker 2>pretty soon if it hasn't already, because I lose track

1177
00:57:12.159 --> 00:57:14.719
<v Speaker 2>of time. Do you already have like your project for

1178
00:57:14.880 --> 00:57:17.599
<v Speaker 2>next summer in mind or how does that work? Like

1179
00:57:17.679 --> 00:57:20.239
<v Speaker 2>how do you have a constant cycle where you're always creating?

1180
00:57:21.000 --> 00:57:24.440
<v Speaker 4>Yeah, so I think the Portons and Film Festival as

1181
00:57:24.519 --> 00:57:27.320
<v Speaker 4>were Actually we're in production with the short film that

1182
00:57:27.400 --> 00:57:29.360
<v Speaker 4>we just wrapped on and they want us to do

1183
00:57:29.440 --> 00:57:32.400
<v Speaker 4>another one, and so I think they've already chose the

1184
00:57:32.440 --> 00:57:34.239
<v Speaker 4>screenplay for them. So I think we're going to make

1185
00:57:34.320 --> 00:57:39.599
<v Speaker 4>that next But I'm working on making a version of

1186
00:57:39.679 --> 00:57:43.519
<v Speaker 4>Venus and Furs and so I'm really into that. And

1187
00:57:43.599 --> 00:57:47.719
<v Speaker 4>then we have another screenplay that we're really keen to

1188
00:57:47.840 --> 00:57:52.559
<v Speaker 4>make as well, called Pinata on Grata. It's a really weird, offbeat,

1189
00:57:52.960 --> 00:57:57.119
<v Speaker 4>dark comedy about this group of broken hearted people who

1190
00:57:57.360 --> 00:58:01.440
<v Speaker 4>gather together to have therapy and make pinnatas they represent.

1191
00:58:01.199 --> 00:58:03.760
<v Speaker 2>Their pain and that smash them.

1192
00:58:04.519 --> 00:58:06.440
<v Speaker 4>Yeah, eventually they get to smash them. They get to

1193
00:58:06.480 --> 00:58:08.679
<v Speaker 4>whack them every time they make a breakthrough and eventually

1194
00:58:08.719 --> 00:58:13.320
<v Speaker 4>get the goodies inside. But there's a faction of them

1195
00:58:13.360 --> 00:58:16.079
<v Speaker 4>that kind of goes rogue and tries to speed up

1196
00:58:16.119 --> 00:58:21.000
<v Speaker 4>the process. I'm taking those emotional breakthrough So it's a

1197
00:58:21.119 --> 00:58:24.239
<v Speaker 4>fun kind of weird, edgy comedy. So I'd like to

1198
00:58:24.280 --> 00:58:25.000
<v Speaker 4>make that one as well.

1199
00:58:25.800 --> 00:58:28.960
<v Speaker 2>I look forward to your next project, especially a big

1200
00:58:29.039 --> 00:58:31.920
<v Speaker 2>fan of Sasha mass Sok, so seeing another version of

1201
00:58:32.000 --> 00:58:34.239
<v Speaker 2>Venus and Furs and what you bring to it, I'm

1202
00:58:34.320 --> 00:58:36.920
<v Speaker 2>really excited about because I loved Rucker and I'm so

1203
00:58:37.079 --> 00:58:38.440
<v Speaker 2>curious to see the rest of you work.

1204
00:58:39.000 --> 00:58:41.159
<v Speaker 7>Oh thanks, thank you so much.

1205
00:58:41.239 --> 00:58:42.000
<v Speaker 2>This was wonderful.

1206
00:58:42.440 --> 00:58:42.920
<v Speaker 1>Well, thank you.

1207
00:58:43.159 --> 00:58:45.119
<v Speaker 4>I really had a great time, and you have wonderful

1208
00:58:45.199 --> 00:58:46.840
<v Speaker 4>questions and this was a really great.

1209
00:58:49.480 --> 00:58:53.440
<v Speaker 2>That's right. We were back and talking about Rucker and yeah,

1210
00:58:53.480 --> 00:58:56.519
<v Speaker 2>I'm surprised that there haven't been more serial killer Trucker

1211
00:58:56.599 --> 00:59:01.000
<v Speaker 2>movies because Trucker movies talked about serial killer films, talk

1212
00:59:01.039 --> 00:59:03.920
<v Speaker 2>about zombie films, but Trucker movies. They were a mainstay

1213
00:59:03.960 --> 00:59:06.519
<v Speaker 2>in the nineteen seventies. I know you guys have seen

1214
00:59:06.679 --> 00:59:09.639
<v Speaker 2>many Trucker films because I would consider the Smoking the

1215
00:59:09.679 --> 00:59:12.239
<v Speaker 2>Bandit series to be a Trucker series as well.

1216
00:59:13.039 --> 00:59:16.199
<v Speaker 7>Yeah, that's shocking, right, It's like when they made Backdraft,

1217
00:59:16.320 --> 00:59:18.559
<v Speaker 7>like they hadn't made a firefighter movie.

1218
00:59:18.920 --> 00:59:21.960
<v Speaker 1>What is road games in this list of things to consider?

1219
00:59:22.360 --> 00:59:23.679
<v Speaker 2>I definitely think so.

1220
00:59:23.840 --> 00:59:24.000
<v Speaker 4>Yeah.

1221
00:59:24.119 --> 00:59:27.239
<v Speaker 2>I would say even duel because that's like the serial

1222
00:59:27.400 --> 00:59:31.960
<v Speaker 2>killing truck itself. We never see the driver. But yeah,

1223
00:59:32.000 --> 00:59:34.480
<v Speaker 2>I think dual and definitely road games.

1224
00:59:34.639 --> 00:59:38.079
<v Speaker 1>Do ay ride, Yeah, because there's always don.

1225
00:59:38.480 --> 00:59:41.119
<v Speaker 2>Killer on the road thing. Yeah, like I mentioned with

1226
00:59:41.280 --> 00:59:45.480
<v Speaker 2>Chick Kurkuncole movie, Oh, I would switch back. No, Switchback

1227
00:59:45.599 --> 00:59:48.760
<v Speaker 2>was the train movie? But then was it black Dog?

1228
00:59:48.960 --> 00:59:50.400
<v Speaker 2>That was another one?

1229
00:59:50.880 --> 00:59:54.440
<v Speaker 7>It was rest Stop, No, it was something like that.

1230
00:59:55.039 --> 00:59:59.880
<v Speaker 7>It was shit Marker zero, Give Me Back My Wife

1231
01:00:00.159 --> 01:00:00.920
<v Speaker 7>with Kurt Russell.

1232
01:00:01.559 --> 01:00:07.719
<v Speaker 2>Yeah, a lot of those movies around. It was Breakdown, Breakdown,

1233
01:00:07.960 --> 01:00:10.360
<v Speaker 2>and the Switchback movie. I'm thinking of as the one

1234
01:00:10.400 --> 01:00:13.280
<v Speaker 2>with name Danny Gliver, isn't it? Yeah?

1235
01:00:13.800 --> 01:00:14.000
<v Speaker 3>Yeah?

1236
01:00:14.400 --> 01:00:16.119
<v Speaker 2>And I didn't think that was a train movie? Was

1237
01:00:16.199 --> 01:00:18.360
<v Speaker 2>it a train movie? Pretty sure? It's the train movie?

1238
01:00:18.559 --> 01:00:18.679
<v Speaker 3>Oh?

1239
01:00:18.719 --> 01:00:20.559
<v Speaker 2>Okay, I thought there were. I think it's a serial

1240
01:00:20.639 --> 01:00:24.280
<v Speaker 2>killer on a train movie? Okay, Oh, serial killer on

1241
01:00:24.360 --> 01:00:24.719
<v Speaker 2>the train.

1242
01:00:24.840 --> 01:00:29.480
<v Speaker 1>Look out, careful now? Am I being Eric Bogosian? Oh?

1243
01:00:29.920 --> 01:00:33.039
<v Speaker 2>Even as Brent Hinckley in there, that's Bill Pembrey.

1244
01:00:34.119 --> 01:00:39.000
<v Speaker 1>That's real tembre. Dammit, Tom, that's about you.

1245
01:00:39.039 --> 01:00:41.679
<v Speaker 6>Look, why are we watching that? Can we watch that instead?

1246
01:00:42.039 --> 01:00:44.079
<v Speaker 6>We just talk about that for another hour? How many

1247
01:00:44.199 --> 01:00:46.320
<v Speaker 6>hours of talking about that movie can we get.

1248
01:00:46.159 --> 01:00:46.840
<v Speaker 2>Out of that movie?

1249
01:00:47.000 --> 01:00:47.760
<v Speaker 1>Is the real quest?

1250
01:00:47.840 --> 01:00:48.239
<v Speaker 2>A lot?

1251
01:00:48.880 --> 01:00:55.840
<v Speaker 6>I know? Yeah, I will say, I'm waiting for someone

1252
01:00:55.920 --> 01:00:59.880
<v Speaker 6>to do. Has there been like a quintessential serial killer

1253
01:01:00.079 --> 01:01:01.960
<v Speaker 6>trucking movie aor we still waiting for it?

1254
01:01:02.639 --> 01:01:03.719
<v Speaker 2>I guess we're waiting for it.

1255
01:01:04.119 --> 01:01:05.320
<v Speaker 1>I guess we're still waiting for it.

1256
01:01:05.400 --> 01:01:06.880
<v Speaker 2>He just phrased it really funny to me.

1257
01:01:06.960 --> 01:01:09.920
<v Speaker 7>I don't I know the look you just really haven't

1258
01:01:09.960 --> 01:01:12.320
<v Speaker 7>gotten the seminal serial killer truck.

1259
01:01:12.400 --> 01:01:14.679
<v Speaker 6>I guess we haven't. I don't know if we ever

1260
01:01:14.840 --> 01:01:17.519
<v Speaker 6>have to be fair, have we? That's what I was

1261
01:01:17.559 --> 01:01:19.360
<v Speaker 6>trying to get out with this movie. This movie wants

1262
01:01:19.440 --> 01:01:21.639
<v Speaker 6>to be that. It's trafficking, and I'm surprised. I don't

1263
01:01:21.639 --> 01:01:23.880
<v Speaker 6>say lot lizards at one point. It traffics and a

1264
01:01:23.920 --> 01:01:26.400
<v Speaker 6>lot of the things you would expect. It just it

1265
01:01:26.480 --> 01:01:28.960
<v Speaker 6>doesn't nail it enough. But it has all of the

1266
01:01:29.159 --> 01:01:32.719
<v Speaker 6>very obvious things. He's like, Oh, there's a he's doing

1267
01:01:32.800 --> 01:01:35.320
<v Speaker 6>a map and it's random women and it's only a thing,

1268
01:01:35.440 --> 01:01:37.800
<v Speaker 6>and it's oh, you're checking all of the dub boxes.

1269
01:01:38.400 --> 01:01:40.480
<v Speaker 6>But then you stop short, So I don't know. There

1270
01:01:40.519 --> 01:01:41.519
<v Speaker 6>might not be one yet.

1271
01:01:41.920 --> 01:01:42.360
<v Speaker 1>Still wait.

1272
01:01:42.960 --> 01:01:45.079
<v Speaker 2>It's funny though, because I just did a search for

1273
01:01:45.440 --> 01:01:49.440
<v Speaker 2>trucker serial killer and one of the YouTube headlines that

1274
01:01:49.519 --> 01:01:53.480
<v Speaker 2>comes up hundreds of murder victims linked to long haul truckers.

1275
01:01:54.480 --> 01:01:56.599
<v Speaker 1>Yeah, that's the thing, the story.

1276
01:01:56.400 --> 01:01:59.519
<v Speaker 2>Of Robert Ben Rhodes, who was the truck stop killer.

1277
01:02:00.320 --> 01:02:00.800
<v Speaker 1>That's the thing.

1278
01:02:00.880 --> 01:02:05.039
<v Speaker 6>Like the truckers are like in terms of a community

1279
01:02:05.159 --> 01:02:09.360
<v Speaker 6>to mine for serial killing, Like their profession alone is

1280
01:02:09.440 --> 01:02:11.639
<v Speaker 6>what it's all about, right, Like just the traveling in

1281
01:02:11.719 --> 01:02:14.920
<v Speaker 6>between states. It has nothing to do with the personalities

1282
01:02:14.920 --> 01:02:17.000
<v Speaker 6>and the people behind it. It's just the profession alone

1283
01:02:17.119 --> 01:02:20.320
<v Speaker 6>is what sets them in that area of Oh, wouldn't

1284
01:02:20.320 --> 01:02:22.400
<v Speaker 6>it be scary because they are never in one spot

1285
01:02:22.480 --> 01:02:25.639
<v Speaker 6>for two longs? Yeah, it is just we haven't I

1286
01:02:25.679 --> 01:02:27.559
<v Speaker 6>don't know, we haven't had a Henry portrait of a

1287
01:02:27.639 --> 01:02:30.480
<v Speaker 6>serial killer for the trucking world yet.

1288
01:02:30.880 --> 01:02:35.199
<v Speaker 2>Be prepared because there's a film called Midnight in the

1289
01:02:35.280 --> 01:02:40.360
<v Speaker 2>Switchgrass from twenty twenty one starring Megan Fox, Bruce Willis,

1290
01:02:40.880 --> 01:02:46.079
<v Speaker 2>Emil Hirsch Lucas has distributed by Lionsgate, based on the

1291
01:02:46.199 --> 01:02:51.000
<v Speaker 2>true story of Texas's most dangerous serial killer. It is

1292
01:02:51.159 --> 01:02:56.039
<v Speaker 2>all about the infamous truck stop killer. There's too much

1293
01:02:56.519 --> 01:03:01.519
<v Speaker 2>entertainment down there these days. Movie, well, this is one

1294
01:03:01.559 --> 01:03:05.960
<v Speaker 2>of those. This was a twenty twenty one Bruce Willis film.

1295
01:03:06.039 --> 01:03:08.480
<v Speaker 2>So this is when he was just cranking them out

1296
01:03:08.760 --> 01:03:09.840
<v Speaker 2>like nobody's business.

1297
01:03:10.880 --> 01:03:14.079
<v Speaker 1>He stopped a serial killer who can't stop himself. That's

1298
01:03:14.119 --> 01:03:15.280
<v Speaker 1>the tagline for they.

1299
01:03:16.920 --> 01:03:18.159
<v Speaker 2>I'm probably watched that.

1300
01:03:21.480 --> 01:03:22.239
<v Speaker 1>Oh my god.

1301
01:03:22.800 --> 01:03:26.639
<v Speaker 6>Oh yeah, it's but it's not told from the point

1302
01:03:26.679 --> 01:03:29.280
<v Speaker 6>of view of the trucker. Clearly, it's told from the point.

1303
01:03:29.039 --> 01:03:30.519
<v Speaker 2>Of view of That's fine.

1304
01:03:31.239 --> 01:03:33.639
<v Speaker 7>Yeah, I don't want to spend that much time inside

1305
01:03:33.679 --> 01:03:36.239
<v Speaker 7>the head of a serial killer anymore, honestly, Like, I'm

1306
01:03:36.280 --> 01:03:38.679
<v Speaker 7>with you on that, I've done it, And like I

1307
01:03:38.800 --> 01:03:40.360
<v Speaker 7>spent how many years with Dexter?

1308
01:03:42.119 --> 01:03:47.440
<v Speaker 6>Yeah, hey, he's coming back though, no, no more. He

1309
01:03:47.599 --> 01:03:51.719
<v Speaker 6>died already, but he's coming back. I'm waiting for ghosts now.

1310
01:03:52.400 --> 01:03:54.719
<v Speaker 6>If Dexter can come back, Rutger can come back. That's

1311
01:03:54.760 --> 01:03:58.719
<v Speaker 6>all I'm saying. Seems reasonable to me at this point.

1312
01:03:59.000 --> 01:04:01.639
<v Speaker 6>Rutger two will be the equal to Rucker. It will

1313
01:04:01.679 --> 01:04:04.119
<v Speaker 6>be all of the killing of the people leading up

1314
01:04:04.159 --> 01:04:05.280
<v Speaker 6>to the beginning of the first movie.

1315
01:04:05.360 --> 01:04:08.639
<v Speaker 2>Oh, and it's this idea of creating the portrait.

1316
01:04:09.159 --> 01:04:11.599
<v Speaker 6>Yeah, it'll end with him opening the door being like, hello,

1317
01:04:11.880 --> 01:04:16.320
<v Speaker 6>oh you're a documentary film crew, Rucker. Oh that's how it, yeah,

1318
01:04:16.639 --> 01:04:19.199
<v Speaker 6>ends right, it feeds right into the beginning of the

1319
01:04:19.239 --> 01:04:19.719
<v Speaker 6>first movie.

1320
01:04:19.800 --> 01:04:21.280
<v Speaker 2>You want to make a movie about me?

1321
01:04:23.159 --> 01:04:23.519
<v Speaker 4>There you go.

1322
01:04:23.679 --> 01:04:28.360
<v Speaker 7>Folks, citing your own throat seems like a difficult proposition. Yeah,

1323
01:04:29.119 --> 01:04:33.719
<v Speaker 7>that your knife must have been real, real sharp. Yeah,

1324
01:04:33.719 --> 01:04:34.840
<v Speaker 7>I can't even imagine.

1325
01:04:35.079 --> 01:04:37.280
<v Speaker 2>I can't say, oh, it looks so fake when the

1326
01:04:37.559 --> 01:04:40.599
<v Speaker 2>people have their throat slit. Because I've never actually seen

1327
01:04:40.639 --> 01:04:42.880
<v Speaker 2>it in real life. I don't know how it looks,

1328
01:04:43.400 --> 01:04:46.639
<v Speaker 2>the arterial spray you mean, yeah, just it looked like

1329
01:04:46.719 --> 01:04:49.559
<v Speaker 2>a waterfall coming out of the one woman's head, right,

1330
01:04:49.599 --> 01:04:52.000
<v Speaker 2>because they augmented a lot of it with CG. If

1331
01:04:52.039 --> 01:04:54.559
<v Speaker 2>you were looking closely, like this pouring of blood. But

1332
01:04:55.159 --> 01:04:59.400
<v Speaker 2>evidently the effects were overseen by Steve Johnson, who was

1333
01:04:59.440 --> 01:05:02.480
<v Speaker 2>a major fucking effects guy. Man or is rather elm

1334
01:05:02.519 --> 01:05:05.519
<v Speaker 2>Street four and Men in Black and just like online.

1335
01:05:05.639 --> 01:05:08.559
<v Speaker 7>So I was actually surprised that they added a little

1336
01:05:08.559 --> 01:05:13.039
<v Speaker 7>bit of CG there, considering they all seem pretty fucking solid.

1337
01:05:13.400 --> 01:05:16.079
<v Speaker 7>I guess if you want the blood fucking geysering, then

1338
01:05:17.000 --> 01:05:18.639
<v Speaker 7>just do that on the set.

1339
01:05:19.559 --> 01:05:22.360
<v Speaker 6>Yeah, don't do the Adobe post effects stuff, because you

1340
01:05:22.440 --> 01:05:25.719
<v Speaker 6>can tell looks like a Steven Seagal movie sometimes with

1341
01:05:25.840 --> 01:05:28.320
<v Speaker 6>those blood effects, because that's what they would use for

1342
01:05:28.320 --> 01:05:30.119
<v Speaker 6>the bullet effects in those movies. And it's like the

1343
01:05:30.239 --> 01:05:33.800
<v Speaker 6>same one every time flipped or turned upside down.

1344
01:05:34.360 --> 01:05:36.559
<v Speaker 2>The rest of the movie just looks shot on video.

1345
01:05:36.960 --> 01:05:39.000
<v Speaker 7>I'm guessing this is one of those early generations of

1346
01:05:39.039 --> 01:05:42.239
<v Speaker 7>the red digital cameras that they used here, and so

1347
01:05:42.920 --> 01:05:47.719
<v Speaker 7>they're already at a disadvantage because it looks a little

1348
01:05:47.840 --> 01:05:50.559
<v Speaker 7>shabbier than a regular sort of Hollywood film. So when

1349
01:05:50.599 --> 01:05:53.400
<v Speaker 7>you add fucking CG to that, don't do that, it

1350
01:05:53.559 --> 01:05:54.280
<v Speaker 7>just sticks out.

1351
01:05:55.000 --> 01:05:56.440
<v Speaker 6>I kind of wish the whole movie had been in

1352
01:05:56.519 --> 01:05:58.920
<v Speaker 6>that like animation style that the end credits are in,

1353
01:05:59.559 --> 01:06:06.280
<v Speaker 6>that like weirdo story book Rucker as like a drawing. Again, Like,

1354
01:06:06.360 --> 01:06:08.599
<v Speaker 6>there's some weird choices that are made in this movie

1355
01:06:08.639 --> 01:06:12.039
<v Speaker 6>that I wish can followed through. It's clear that they

1356
01:06:12.079 --> 01:06:14.360
<v Speaker 6>could make weird choices, so they should have made more

1357
01:06:14.440 --> 01:06:17.400
<v Speaker 6>of them, is my point, because in a lot of ways,

1358
01:06:17.440 --> 01:06:21.880
<v Speaker 6>like this movie is shockingly safe when you're producing, writing,

1359
01:06:22.519 --> 01:06:25.239
<v Speaker 6>and directing your own movie, and some of this is

1360
01:06:25.320 --> 01:06:29.119
<v Speaker 6>shockingly safe, but then you have weird animated segments and

1361
01:06:29.360 --> 01:06:32.400
<v Speaker 6>like these weird like animated segments, but then also this

1362
01:06:32.519 --> 01:06:36.119
<v Speaker 6>other stuff where it's like pictures that have been turned

1363
01:06:36.159 --> 01:06:36.960
<v Speaker 6>into drawings.

1364
01:06:37.079 --> 01:06:39.440
<v Speaker 1>It's like, you can make weird choices. I'm here for it.

1365
01:06:39.559 --> 01:06:42.159
<v Speaker 6>Please give us more of that, because I found that

1366
01:06:42.599 --> 01:06:45.840
<v Speaker 6>eminently more interesting than just a movie about a serial killer.

1367
01:06:46.039 --> 01:06:49.039
<v Speaker 6>Like we've already alluded to the fact that those interstitials

1368
01:06:49.079 --> 01:06:50.719
<v Speaker 6>are some of the best things in the movie. Just

1369
01:06:50.840 --> 01:06:53.480
<v Speaker 6>do more of that, not enough Corey Taylor singing, that's

1370
01:06:53.519 --> 01:06:55.519
<v Speaker 6>what we needed. Just put that over the credits.

1371
01:06:56.239 --> 01:06:56.440
<v Speaker 5>Yeah.

1372
01:06:56.599 --> 01:06:59.360
<v Speaker 2>I applaud those bold choices, and I agree with you.

1373
01:06:59.440 --> 01:07:00.719
<v Speaker 2>I wish it would made some more.

1374
01:07:01.400 --> 01:07:03.519
<v Speaker 6>When you're making movies, that's what this is about, especially

1375
01:07:03.559 --> 01:07:05.480
<v Speaker 6>when you're making indie movies, especially when you're making your

1376
01:07:05.519 --> 01:07:08.559
<v Speaker 6>own stuff, like take the fucking chance, you're already making

1377
01:07:08.599 --> 01:07:08.960
<v Speaker 6>the movie?

1378
01:07:09.079 --> 01:07:09.360
<v Speaker 2>Why not?

1379
01:07:10.079 --> 01:07:13.840
<v Speaker 7>They definitely should have because those are the innovative parts

1380
01:07:13.840 --> 01:07:15.800
<v Speaker 7>of this movie. Those are the parts that I absolutely

1381
01:07:15.880 --> 01:07:19.119
<v Speaker 7>responded to. If you ask me what that movie was about,

1382
01:07:19.559 --> 01:07:22.119
<v Speaker 7>in five years, I'll tell you, Oh, that's that animated movie.

1383
01:07:22.199 --> 01:07:22.320
<v Speaker 2>Right.

1384
01:07:22.920 --> 01:07:23.079
<v Speaker 4>Hey.

1385
01:07:23.159 --> 01:07:25.159
<v Speaker 6>It's good to see that movies are still being made,

1386
01:07:25.280 --> 01:07:27.920
<v Speaker 6>independent movies are still coming out, that people can still

1387
01:07:28.039 --> 01:07:30.880
<v Speaker 6>get things made in this day and age, that people

1388
01:07:31.000 --> 01:07:33.280
<v Speaker 6>resonate with it to pick it as a Patreon pick

1389
01:07:33.360 --> 01:07:36.079
<v Speaker 6>for your podcast, These are all positives. Just because it

1390
01:07:36.079 --> 01:07:38.559
<v Speaker 6>didn't resonate with us doesn't mean much of anything, frankly,

1391
01:07:39.039 --> 01:07:40.920
<v Speaker 6>and the fact that you're covering it on your show

1392
01:07:41.800 --> 01:07:43.679
<v Speaker 6>is a big plus for this movie and a big

1393
01:07:43.760 --> 01:07:47.599
<v Speaker 6>positive for more people seeing this movie. Ultimately, success is

1394
01:07:47.639 --> 01:07:49.519
<v Speaker 6>had by all. Even if we didn't resonate with it

1395
01:07:49.559 --> 01:07:50.679
<v Speaker 6>as much as other people might have.

1396
01:07:51.320 --> 01:07:53.519
<v Speaker 7>Yeah, I thought it was well made, I thought it

1397
01:07:53.599 --> 01:07:56.440
<v Speaker 7>was well acted. I just didn't like that script. Give

1398
01:07:56.519 --> 01:07:58.320
<v Speaker 7>this filmmaker a better script the end.

1399
01:07:58.920 --> 01:08:00.800
<v Speaker 2>All right, let's go ahead and take another break and

1400
01:08:00.880 --> 01:08:03.239
<v Speaker 2>play a preview for next week's show. Right after these

1401
01:08:03.280 --> 01:08:04.519
<v Speaker 2>brief messages.

1402
01:08:04.239 --> 01:08:06.880
<v Speaker 7>We are letting you out for a kind of probation,

1403
01:08:09.239 --> 01:08:11.920
<v Speaker 7>her aunt and I hope that you can conduct yourself normally.

1404
01:08:14.159 --> 01:08:16.079
<v Speaker 5>What did they do live in the clinic those three years?

1405
01:08:17.279 --> 01:08:17.920
<v Speaker 5>Did it cheer you?

1406
01:08:18.880 --> 01:08:19.119
<v Speaker 6>Yes?

1407
01:08:21.640 --> 01:08:25.000
<v Speaker 2>Now I'm completely mad and I'm the anything I can

1408
01:08:25.560 --> 01:08:27.640
<v Speaker 2>not to have you squalled my sister's money.

1409
01:08:30.359 --> 01:08:31.359
<v Speaker 5>Please leave it alone.

1410
01:08:31.680 --> 01:08:33.920
<v Speaker 7>That still used to ray sein Esther for you.

1411
01:08:36.920 --> 01:08:44.640
<v Speaker 5>Leave your cousins alone, all three of them these. This

1412
01:08:44.840 --> 01:08:45.439
<v Speaker 5>is a new game.

1413
01:08:48.920 --> 01:08:49.680
<v Speaker 2>I don't trust you.

1414
01:09:05.680 --> 01:09:14.600
<v Speaker 1>You get me here, Joy.

1415
01:09:17.840 --> 01:09:19.920
<v Speaker 2>That's right. We'll be back next week with a look

1416
01:09:19.960 --> 01:09:23.399
<v Speaker 2>at Bell from Hell. Until then, I want to thank

1417
01:09:23.479 --> 01:09:26.239
<v Speaker 2>my co host Chris and father alone, Father Malone, What

1418
01:09:26.439 --> 01:09:27.640
<v Speaker 2>is the latest with you? Sir?

1419
01:09:28.279 --> 01:09:31.960
<v Speaker 7>Check out my show midnight viewing over at Weirdingwaymedia dot com.

1420
01:09:32.600 --> 01:09:35.039
<v Speaker 7>Twice a month you'll hear a show with these two fellows,

1421
01:09:35.079 --> 01:09:37.239
<v Speaker 7>mister Mike White and Chris Stashio. We do the Horror

1422
01:09:37.279 --> 01:09:39.960
<v Speaker 7>Anthology podcast, where we are currently looking at Talales from

1423
01:09:40.000 --> 01:09:42.640
<v Speaker 7>the Dark Side. The other six episodes of the show

1424
01:09:42.680 --> 01:09:46.399
<v Speaker 7>per month are roundups of streaming stuff and looks at

1425
01:09:46.520 --> 01:09:50.600
<v Speaker 7>other anthology movies of every kind of variety. So midnight viewing,

1426
01:09:50.720 --> 01:09:51.399
<v Speaker 7>go check that out.

1427
01:09:52.000 --> 01:09:54.359
<v Speaker 2>And Chris, what is going on at the Culture Cast, sir?

1428
01:09:55.199 --> 01:09:58.359
<v Speaker 6>Just talking about horror movies in October. It's been ten

1429
01:09:58.479 --> 01:10:02.039
<v Speaker 6>years doing the podcast, to be ten more. It's horror

1430
01:10:02.159 --> 01:10:04.600
<v Speaker 6>Tober like you're doing sh October. It to Horritober over

1431
01:10:04.680 --> 01:10:07.399
<v Speaker 6>the podcast that I do all about movies. Culture Cast,

1432
01:10:07.439 --> 01:10:08.199
<v Speaker 6>weirding Way Media.

1433
01:10:08.279 --> 01:10:08.640
<v Speaker 4>There you go.

1434
01:10:09.439 --> 01:10:11.479
<v Speaker 2>Love it. Thank you so much guys for being on

1435
01:10:11.560 --> 01:10:13.600
<v Speaker 2>the show. Thanks to everybody for listening. If you want

1436
01:10:13.600 --> 01:10:15.119
<v Speaker 2>to hear more of me shooting off my mouth, check

1437
01:10:15.159 --> 01:10:16.560
<v Speaker 2>out some of the other shows that I work on.

1438
01:10:17.039 --> 01:10:20.039
<v Speaker 2>As we have said, they are all available at Weirdingwaymedia

1439
01:10:20.119 --> 01:10:23.119
<v Speaker 2>dot com. Thanks especially to our Patreon community. If you

1440
01:10:23.199 --> 01:10:26.560
<v Speaker 2>want to join the community, visit patreon dot com slash

1441
01:10:26.640 --> 01:10:29.920
<v Speaker 2>Projection booth. This month, over at our Patreon and over

1442
01:10:30.000 --> 01:10:33.920
<v Speaker 2>at Chris's Patreon, we have Live and Let Die, the

1443
01:10:34.720 --> 01:10:38.079
<v Speaker 2>new episode of Ranking on Bond where we are joined

1444
01:10:38.119 --> 01:10:41.600
<v Speaker 2>by father alone, so great time to be have by all.

1445
01:10:42.119 --> 01:10:44.399
<v Speaker 2>Every donation we get over here at the projection booth

1446
01:10:44.520 --> 01:10:46.640
<v Speaker 2>helps us take over the world.

1447
01:10:54.920 --> 01:10:56.640
<v Speaker 1>Bye you, my trusted friend.

1448
01:10:58.760 --> 01:11:03.760
<v Speaker 3>We've known each other's We were nine ten together weak

1449
01:11:03.800 --> 01:11:09.479
<v Speaker 3>climb hills and trees, learned of love and ABC's skinning

1450
01:11:09.520 --> 01:11:10.760
<v Speaker 3>our hearts and skinning our.

1451
01:11:10.680 --> 01:11:13.000
<v Speaker 1>Knees could be buy a meal. It's hard to die.

1452
01:11:15.000 --> 01:11:16.760
<v Speaker 5>Quit all the burgers.

1453
01:11:16.319 --> 01:11:21.079
<v Speaker 3>Singing in the sky that the spring is in the air.

1454
01:11:23.439 --> 01:11:25.239
<v Speaker 3>Pretty girls are everywhere.

1455
01:11:25.520 --> 01:11:27.239
<v Speaker 2>How wish we could both be there?

1456
01:11:27.600 --> 01:11:31.039
<v Speaker 3>We had we had by we had seen and then

1457
01:11:31.640 --> 01:11:34.920
<v Speaker 3>put the hills we could climb were two seasons at

1458
01:11:35.079 --> 01:11:35.479
<v Speaker 3>a time.

1459
01:11:41.840 --> 01:11:43.399
<v Speaker 1>By put poppy pray for me.

1460
01:11:45.640 --> 01:11:48.199
<v Speaker 3>That was the BlackSheep of the damn.

1461
01:11:49.760 --> 01:11:51.800
<v Speaker 6>You try to show me right from wrong.

1462
01:11:54.000 --> 01:11:57.399
<v Speaker 1>Too much wine and too much song, wonder, oh my god,

1463
01:11:58.079 --> 01:11:59.840
<v Speaker 1>by the pot it's hard to tie.

1464
01:12:02.079 --> 01:12:07.039
<v Speaker 3>And all the burner singing this guys got the spring

1465
01:12:07.239 --> 01:12:07.680
<v Speaker 3>is in the.

1466
01:12:10.479 --> 01:12:12.119
<v Speaker 5>Little kids are everywhere.

1467
01:12:12.399 --> 01:12:14.319
<v Speaker 2>Think of me and I'll be there.

1468
01:12:16.680 --> 01:12:16.920
<v Speaker 6>Yet.

1469
01:12:17.039 --> 01:12:22.279
<v Speaker 1>Seasons and then the door the song the seasons, Oh.

1470
01:12:24.840 --> 01:12:26.079
<v Speaker 2>Had season, and that.

1471
01:12:26.960 --> 01:12:29.800
<v Speaker 1>The cold word the seasons.

1472
01:12:29.840 --> 01:12:49.239
<v Speaker 5>At the time, my friends, was my trusted on and

1473
01:12:49.359 --> 01:12:53.960
<v Speaker 5>out you might have had a like you cheated lots

1474
01:12:54.000 --> 01:12:58.600
<v Speaker 5>of times with them for gave you as the.

1475
01:13:01.279 --> 01:13:02.079
<v Speaker 6>F fun.

1476
01:13:02.159 --> 01:13:02.640
<v Speaker 1>It's hard.

1477
01:13:05.199 --> 01:13:06.760
<v Speaker 6>We had all the bird sing.

1478
01:13:07.439 --> 01:13:09.960
<v Speaker 4>This guy Nash.

1479
01:13:10.079 --> 01:13:16.560
<v Speaker 3>Brings mister lows everywhere to be careful.

1480
01:13:17.680 --> 01:13:19.560
<v Speaker 7>We had wild, We had fun.

1481
01:13:19.800 --> 01:13:22.880
<v Speaker 6>We had seasons and the sun with the stars we

1482
01:13:23.039 --> 01:13:23.520
<v Speaker 6>could ring.

1483
01:13:23.800 --> 01:13:25.680
<v Speaker 7>Were the star show on the bags.

1484
01:13:25.880 --> 01:13:27.680
<v Speaker 5>All our lives we had fun.

1485
01:13:28.000 --> 01:13:31.800
<v Speaker 1>We had seasons and that's put the wine in the song.

1486
01:13:32.319 --> 01:13:34.840
<v Speaker 1>The seasons hovel we had try.

1487
01:13:35.119 --> 01:13:35.880
<v Speaker 6>We had fun.

1488
01:13:36.079 --> 01:13:40.039
<v Speaker 1>We had seasons in the sun, the hills we could climb.

1489
01:13:40.159 --> 01:13:41.960
<v Speaker 5>We're just seasons at a time.

1490
01:13:42.239 --> 01:13:44.039
<v Speaker 1>All our lives we had fun.

1491
01:13:44.279 --> 01:13:46.000
<v Speaker 5>We had seasons in the sun.

1492
01:13:46.279 --> 01:13:48.520
<v Speaker 1>Put the line and the song like.

1493
01:13:48.640 --> 01:13:52.159
<v Speaker 6>The seasons t We had fun.

1494
01:13:52.399 --> 01:13:55.520
<v Speaker 7>We had seasons sun start.

1495
01:13:56.760 --> 01:13:57.439
<v Speaker 4>The starting.

1496
01:13:58.479 --> 01:14:01.880
<v Speaker 1>All our lives we had on the assists is the

1497
01:14:02.079 --> 01:14:06.159
<v Speaker 1>sun or the season character
