WEBVTT

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<v Speaker 1>I'm gonna show you a picture, but before I show

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<v Speaker 1>it to you, I want to paint a picture.

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<v Speaker 2>Okay, it better not be some part of your body

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<v Speaker 2>that's falling off.

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<v Speaker 1>I promise.

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<v Speaker 2>Better not be like a like a like a toenail.

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<v Speaker 1>This is this is not a picture of any part

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<v Speaker 1>of my body in any.

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<v Speaker 2>State, a gangrenous toenail.

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<v Speaker 1>I'm in California. Stop into a CVS, have to pick

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<v Speaker 1>up I don't know, face wash or something. Go to

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<v Speaker 1>the checkout line. And in California they can sell wine.

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<v Speaker 1>And this is the wine that is on display at

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<v Speaker 1>the CVS.

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<v Speaker 2>Okay, it's called Nashatwal and it's like the The image

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<v Speaker 2>is very evocative of like a Matisse painting, like two

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<v Speaker 2>women buzzomy ladies, missay, buzzom me ladies dancing, which is

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<v Speaker 2>weird because it's a manaja toa There should be a

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<v Speaker 2>third person.

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<v Speaker 1>Are a third person?

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<v Speaker 2>Oh that's the implication. Yeah, that's the implication. And they're

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<v Speaker 2>like sales pitches. Join us in helping women thrive in

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<v Speaker 2>work and in life because they are sponsored by Dress

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<v Speaker 2>for Success. So much is happening, so much is happening?

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<v Speaker 2>So much?

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<v Speaker 1>A screw top bottle of wine called Mona and it's.

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<v Speaker 2>A red blend. Just want everyone like, I don't know

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<v Speaker 2>much about wine.

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<v Speaker 1>I don't know if you go to CVS for your wine, y'all, but.

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<v Speaker 2>I don't know if a red blend is going to

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<v Speaker 2>be your top shelf. Hey in America?

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<v Speaker 1>And this is that aged well.

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<v Speaker 2>Yesterday's pop culture.

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<v Speaker 1>Today dance movie August.

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<v Speaker 2>I want everyone to know Paul's doing like a windmill

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<v Speaker 2>like it's I think it's vogue, but it's that windmill

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<v Speaker 2>motion expressing myself through movement. Yes, last Dance for Roman,

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<v Speaker 2>Last Chance. I actually don't know the lyrics that one.

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<v Speaker 1>You can dance if you want to. You can leave

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<v Speaker 1>your friends behind because your friends don't dance, and if

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<v Speaker 1>they don't dance, and no friends of mine.

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<v Speaker 2>Dance month, Yes, one of the best months of the year, truly, truly.

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<v Speaker 1>But before we get to dance movies Erica, we do

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<v Speaker 1>have a couple of five star Apple podcast reviews to read.

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<v Speaker 1>Shall I get to it?

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<v Speaker 2>Sure?

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<v Speaker 1>All right? This first one is from Moms to sm

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<v Speaker 1>R eight A masterclass in yes ending and a meandering

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<v Speaker 1>great time.

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<v Speaker 2>See how that sounds like a compliment?

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<v Speaker 1>It does?

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<v Speaker 2>It sure did? Sound like a compliment.

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<v Speaker 1>You're focusing on meandering and I'm focusing it on great.

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<v Speaker 2>I'm focusing on meandering.

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<v Speaker 1>Yeah, yeah, they write, thank you Paul for the instructions

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<v Speaker 1>on how to leave a review, because this gen exer

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<v Speaker 1>never would have figured it out. Well, you're welcome, and

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<v Speaker 1>thank you for following the instructions on the show notes

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<v Speaker 1>of this year podcast. Right now, If anyone's wondering, just

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<v Speaker 1>click on the link. Rate this podcast slash that age. Well,

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<v Speaker 1>all right, Moms to SMR O eight goes on. This

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<v Speaker 1>is one of my top three go to podcasts because

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<v Speaker 1>it's just so much fun. For those reviewers who mentioned

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<v Speaker 1>the tangents and the off topic convo, I suggest you, says,

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<v Speaker 1>sit back, relax, buckle up, and enjoy the ride.

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<v Speaker 2>The title of your sex tape, Moms to SMR.

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<v Speaker 1>This podcast is a masterclass in the game of yes

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<v Speaker 1>and enjoy the true chemistry and brilliance of Paul and

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<v Speaker 1>Erica's banter. And don't worry they eventually make it back

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<v Speaker 1>from their side trips.

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<v Speaker 2>What if we didn't, What if we didn't dropped a

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<v Speaker 2>movie forever?

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<v Speaker 1>Just if we didn't do it with the fifth element,

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<v Speaker 1>we will never do it and the audience is like, wait,

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<v Speaker 1>how does clue listen? Never have we wanted to drop

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<v Speaker 1>a movie as hard as we wanted to drop the

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<v Speaker 1>fifth element. Uh. They include fun info about all the

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<v Speaker 1>movies they discuss, along with their thoughts on each movie's

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<v Speaker 1>viability in today's culture, hence the title It's fair and

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<v Speaker 1>balanced reporting, No notes.

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<v Speaker 2>Ah, thanks mom, Thank you Moms.

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<v Speaker 1>To SMR eight, this is a lovely review. It's complete

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<v Speaker 1>because you know what it says. It says even the

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<v Speaker 1>parts that you think are meandering are actually a feature,

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<v Speaker 1>not a bug.

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<v Speaker 2>Yeah, it's part of the ride, man exact joy. You

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<v Speaker 2>know that on roller coasters you have to do that

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<v Speaker 2>slow bumping part up before you get to the crest

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<v Speaker 2>and then the fall. This podcast I like to think

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<v Speaker 2>of as all meandering bumping up. It's just that part

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<v Speaker 2>of the roller coaster. Our next review comes from Samantha

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<v Speaker 2>exclamation points. Do you think do you think they met

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<v Speaker 2>Samantha Samantha? Or what if it's sex in the City

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<v Speaker 2>Samantha Samantha. They write, I found this podcast in August

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<v Speaker 2>of twenty twenty four and have started at the beginning.

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<v Speaker 2>I notoriously do not like movies, the notorious not like

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<v Speaker 2>movies are Yeah, the notorious anti film Samantha. But I

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<v Speaker 2>love listening to these two dissect and discuss. It's well researched, funny, thoughtful,

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<v Speaker 2>and relatable. I truly enjoy the rapport between Erica and Paul.

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<v Speaker 2>They are funny and banter with each other without being mean.

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<v Speaker 2>Well we are to each other, but not so. Just

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<v Speaker 2>a really great podcast that I walk away from feeling

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<v Speaker 2>better about the world, not worse. Jesus, this is nice.

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<v Speaker 2>Thank you so much. It's very nicely nice.

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<v Speaker 1>Making listeners feel better about the world is why we're here.

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<v Speaker 2>Ultimately, Jenny, I got a little choked up reading that

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<v Speaker 2>last line.

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<v Speaker 1>Thank you, Thank you, Thank you, Samantha and moms to

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<v Speaker 1>SMR eight, thank you for these reviews. If you would

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<v Speaker 1>like a that edgeball tope ick, just let us know.

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<v Speaker 1>This is you. Let us know and we will send

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<v Speaker 1>it off for you. Erica, all right, where are we

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<v Speaker 1>headed this week?

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<v Speaker 2>Tonight? On that age Dwell, We are headed to the

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<v Speaker 2>White Knights of Russia.

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<v Speaker 1>The Soviet white Knights. All Right, White Knights was requested

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<v Speaker 1>by Alicia and Josephine, Janette Valo, Sarah Parker, Karen Amy

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<v Speaker 1>and Liz. And while I love all of our listeners equally,

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<v Speaker 1>I just want to do a special shout out to Liz,

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<v Speaker 1>who has been requesting this film for I am not

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<v Speaker 1>exaggerating years. Wow years.

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<v Speaker 2>Finally Liz has been heard.

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<v Speaker 1>Liz has finally had her voice heard this. This shows

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<v Speaker 1>the power perseverance. It shows when I say I hear you,

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<v Speaker 1>I really do hear you. Even if I don't hear

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<v Speaker 1>you for a while.

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<v Speaker 2>Yeah, even if we can't shoehorn it in like to another,

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<v Speaker 2>we will get to it. We could have shoehorned this

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<v Speaker 2>in into Spy month Away, but that would have been

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<v Speaker 2>rough though, But it would have been a weird left turn.

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<v Speaker 2>It would have been a weird turn.

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<v Speaker 1>Yeah, all right. So White Knights is a nineteen eighty

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<v Speaker 1>five political dance melodrama written by James Goldman, Eric Hughes

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<v Speaker 1>and Nancy Dowd. It was directed by Taylor Hackford and

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<v Speaker 1>stars Mikhail Barishnikov, Gregory Hines, Helen Mirren, Jersey Skolamowski, and

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<v Speaker 1>Isabella Rossellini in her film debut.

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<v Speaker 2>Isn't that that blew my mind? When I saw and

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<v Speaker 2>introducing Isabella ROSSLYNI I was like holy shit she had.

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<v Speaker 2>I did look her up. She had like a couple

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<v Speaker 2>of very small like like nothing.

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<v Speaker 1>Yeah.

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<v Speaker 2>So this was her first like featured role in a film.

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<v Speaker 2>White Knights was nominated for two Academy Awards, both in

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<v Speaker 2>the Best Song category. I have thoughts, well, first of all,

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<v Speaker 2>there should be a dance like. I know there aren't

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<v Speaker 2>that many dance movies in a year, but there should

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<v Speaker 2>be a choreography category.

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<v Speaker 1>They should have gotten a special, a special Oscar special

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<v Speaker 1>recognition for like.

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<v Speaker 2>The amazing dance sequences in this movie. Yeah, okay. The

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<v Speaker 2>two nominated songs were Separate Lives, sung by Phil Collins

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<v Speaker 2>and Marilyn Martin. You know that song, that song you

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<v Speaker 2>absolutely remember, Yeah, and then say You Say Me by

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<v Speaker 2>Lionel Ritchie, which is, honestly, if you'd given me five

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<v Speaker 2>hundred chances, ye guess what popular eighty song was the

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<v Speaker 2>soundtrack to this movie that I don't think it would

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<v Speaker 2>have made five hundred I would not have done it.

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<v Speaker 1>I can think of two songs at the top of

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<v Speaker 1>my head. There's a Shaka Khan song and a lou

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<v Speaker 1>Reed song in this movie that are that are better

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<v Speaker 1>than both of those other songs. Now, granted, I'm sure

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<v Speaker 1>they were not recorded for the film, so they were

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<v Speaker 1>not they were not eligible eligible, But I mean, but

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<v Speaker 1>I mean, and.

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<v Speaker 2>What's crazy is this One of them won, and it's

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<v Speaker 2>Say You Say Me by Lionel Ritchie won the Academy

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<v Speaker 2>Award for Best Original Song for a Movie that it

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<v Speaker 2>has zero to do with.

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<v Speaker 1>Correct.

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<v Speaker 2>It's it's played over the credit to the end of

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<v Speaker 2>the movie. Yep, and it just doesn't make any goddamn sense.

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<v Speaker 1>Yeah, Separate Lives doesn't really make any sense in the

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<v Speaker 1>in the movie either, because it's played over like a

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<v Speaker 1>very romantic moment between Gregory Hines and Isabella Rossellini, and

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<v Speaker 1>it's it's about a break up, like the song's about

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<v Speaker 1>a break up, and they don't break up.

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<v Speaker 2>Spoiler, they do not break up. This also, by the way,

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<v Speaker 2>beat Say You Say Me beat Power of Love from

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<v Speaker 2>Back to the Future, which feels wrong.

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<v Speaker 1>Huey Lewis, check your purse.

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<v Speaker 2>You've been robbed, Huey Lewis, check your news, Yeah, you've rob.

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<v Speaker 1>Get the news together, it's time to storm the Academy.

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<v Speaker 2>Because seriously, that like, fuck off, fuck off? How dare

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<v Speaker 2>you not give it to power?

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<v Speaker 1>The movie was criticized for its use of Finland as

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<v Speaker 1>a substitute for Siberia and the Lenin Grave, to which

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<v Speaker 1>I say.

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<v Speaker 2>Are they supposed to fucking go to? Are they forgetting

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<v Speaker 2>what was happening in names?

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<v Speaker 1>But it was criticized in nineteen eighty five, so they

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<v Speaker 1>have no excuse.

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<v Speaker 2>That made no sense to me, no sense. That's like

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<v Speaker 2>criticizing a movie now for not filming in current day Russia.

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<v Speaker 1>It's like, well, yeah, In actuality, Taylor Hackford used exterior

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<v Speaker 1>shots of the actual cure of theater and other Leningrad

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<v Speaker 1>locations that he commissioned from a finished travel company, but

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<v Speaker 1>he did not reveal this for years in order to

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<v Speaker 1>protect the team he worked with.

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<v Speaker 2>Brilliant and you can tell when you're watching the movie,

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<v Speaker 2>you can tell, like there's some shots that are like

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<v Speaker 2>legitimately like what we would now call Saint Petersburg, right,

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<v Speaker 2>But like again that that drives me and said, why

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<v Speaker 2>would why on earth would you? Why would you criticize

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<v Speaker 2>it a film for this? Again, you didn't film in

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<v Speaker 2>an actual war zone. Ew, there's other reasons to criticize

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<v Speaker 2>this movie. That's the thing too. This movie is not perfect.

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<v Speaker 1>I think I like this movie.

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<v Speaker 2>You really like this movie, but it's not per it's messy.

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<v Speaker 2>It is real.

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<v Speaker 1>It is messy. Yes, I can admit that.

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<v Speaker 2>Yeah, it makes no sense.

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<v Speaker 1>I'm I'm willing to go with it with it not

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<v Speaker 1>making sense on this one more than you or I think.

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<v Speaker 1>But we'll see.

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<v Speaker 2>Maybe convince me, maybe we'll meet each other halfway. Yeah,

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<v Speaker 2>like like Borishnikoff and high Hinds in the film, exactly, Yes,

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<v Speaker 2>I'm Borishnikoff, I Callikov. White Nights has a very low

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<v Speaker 2>forty six percent critical rating on Rotten Tomatoes, a perfectly

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<v Speaker 2>adequate seventy four percent audience score no Cherry picks five. Yeah,

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<v Speaker 2>forty six that's insanely low.

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<v Speaker 1>That's insanely low. I think this deserves a seventy five

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<v Speaker 1>to eighty percent critical rating, and it should have an

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<v Speaker 1>audience score of one hundred.

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<v Speaker 2>Audience scores should be. The only thing is it's a

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<v Speaker 2>little long. It's a little It is two hours and

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<v Speaker 2>fifteen minutes. Look, I don't know why you're watching this movie.

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<v Speaker 2>If you're not ready to watch dance scenes, yeah, if that's.

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<v Speaker 1>That's on you. If you're complaining about the dance scenes,

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<v Speaker 1>that is on you.

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<v Speaker 2>If you're like, why is there twenty minutes of dancing

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<v Speaker 2>in this movie? It's like, bitch, it's a movie starting

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<v Speaker 2>two dancers. But also like maybe and this is maybe

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<v Speaker 2>a little bit where I land. It doesn't have enough

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<v Speaker 2>dance for me. A forty six is criminally low because again,

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<v Speaker 2>you're casting these people for their ability to dance. So, like,

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<v Speaker 2>if you're complaining that Gregory Heines and Mikhail Parishnikov are

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<v Speaker 2>not the greatest dancers of the greatest actors of their generation,

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<v Speaker 2>fuck off. No actor can do what either of these

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<v Speaker 2>two dudes can do.

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<v Speaker 1>Yeah, Like, and they also are both good actors, and.

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<v Speaker 2>They're both very good. Actually was a little surprised by like,

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<v Speaker 2>Gregory Heines got me. Oh there's a monologue Gregory Heines

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<v Speaker 2>has in this movie. I was like, damn, you're really

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<v Speaker 2>fucking good.

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<v Speaker 1>Yeah, all right, Erica, when did you first see White Nights?

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<v Speaker 2>I saw this movie when I was younger. I have

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<v Speaker 2>no memory of where I was. I must have been

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<v Speaker 2>at home, might have been on TV. Maybe my parents

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<v Speaker 2>were watching it. We didn't see this in the theater,

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<v Speaker 2>I'm sure of that. But like, so I remember, because

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<v Speaker 2>there's certain just.

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<v Speaker 1>Picturing little five year Old Erica in the theater watching this.

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<v Speaker 2>And my parents are like, this is about ballet, and

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<v Speaker 2>I'm like, shit, I'm listening. No, there's moments in this movie.

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<v Speaker 2>I remember. One in particular is a climactic scene where

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<v Speaker 2>Mikhail Berrishnikoff has to do like a jump across an

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<v Speaker 2>alleyway that's like a stunt, and that really stayed in

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<v Speaker 2>my head.

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<v Speaker 1>I remembered that.

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<v Speaker 2>But ninety eight percent of this movie I'd forgotten completely about.

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<v Speaker 2>So it feels like I watched it for the first

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<v Speaker 2>time yesterday.

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<v Speaker 1>Okay, how about you. I had never seen this movie.

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<v Speaker 1>I had never heard of this movie until a few

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<v Speaker 1>years ago when Liz was like, do white Nights and

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<v Speaker 1>other voices joined in the chorus for this month, so

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<v Speaker 1>we are doing it. I went in pretty cold on this.

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<v Speaker 1>I knew Mikhail Brishnikov and Gregory Heins were in it.

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<v Speaker 1>I knew there was a lot of dancing. That's pretty

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<v Speaker 1>much all I knew about it. Yeah, I really loved it,

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<v Speaker 1>Like I really loved it. I know what you're saying.

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<v Speaker 1>You're saying it's messy. It is messy. You are not wrong.

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<v Speaker 2>It's it's shaggy because it's a movie about like real

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<v Speaker 2>world implications to what's happening to these people in the movie.

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<v Speaker 2>But the movie doesn't like treat it very It just

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<v Speaker 2>doesn't make any sense. I'll get into it. This is

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<v Speaker 2>not how the world. What is how spies work, This

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<v Speaker 2>is not how Russia works, is not how anything works.

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<v Speaker 1>Which I have no argument for it. I just don't care.

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<v Speaker 1>I think I think I'm gonna don't care, and.

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<v Speaker 2>You're absolutely right. Why am I complaining why? That's like

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<v Speaker 2>the idiots were complaining that they didn't actually film.

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<v Speaker 1>In Russia, So uh, Erica the tagline for White Nights.

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<v Speaker 2>I can already tell you I hate it.

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<v Speaker 1>I knew you would hate it as I typed it.

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<v Speaker 2>As the length of it, I can tell you I

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<v Speaker 2>fucking hate it.

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<v Speaker 1>Two men, not soldiers, not heroes, just dancers willing to

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<v Speaker 1>risk their lives for freedom and each other. No, that

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<v Speaker 1>is a gay romance.

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<v Speaker 2>The amount of times I was like kiss, kiss, which

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<v Speaker 2>is unfair to poor Isabella Russelling, who's also in this too,

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<v Speaker 2>but like the amount of time I want it. I

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<v Speaker 2>wanted those two men to kiss.

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<v Speaker 1>It is the end of the movie is a freeze

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<v Speaker 1>frame and me going kiss.

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<v Speaker 2>Kiss, because it is a. It is a non romantic

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<v Speaker 2>love story, but it really is a love story between

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<v Speaker 2>these two.

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<v Speaker 1>Men and then understanding each other's perspective and like actually

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<v Speaker 1>coming together and like meeting the middle and not really

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<v Speaker 1>coming together. But you know, yes, I agree, it's not

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<v Speaker 1>a good tagline. The tagline just be borishnakov heinz. Do

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<v Speaker 1>you like watching dancers?

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<v Speaker 2>Want to see them tap their way out of this one?

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<v Speaker 2>I don't know. There's got to be a better, like

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<v Speaker 2>Russian themed one.

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<v Speaker 1>But they're red mccormicking in Russia.

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<v Speaker 2>Yeah, done?

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<v Speaker 1>Erica. Do you want to read the iTunes synopsis?

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<v Speaker 2>Sure? This story of Nikolai Rodchenko, a Russian defector, and

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<v Speaker 2>Raymond Greenwood, an American tap dancer who defected behind the

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<v Speaker 2>Iron Curtain during the Vietnam War. Twist, twist. You don't

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<v Speaker 2>expect that. You don't expect to see an American being like,

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<v Speaker 2>I'm moving to Russia.

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<v Speaker 1>That's right.

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<v Speaker 2>That's one tiny thing I have against this movie is

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<v Speaker 2>I'm like, there are many easier countries to be like,

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<v Speaker 2>you know what, America sucks, They're racist as fuck. I'm

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<v Speaker 2>going somewhere else. Yeah, I just like, maybe think this

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<v Speaker 2>through a little bit more buddy, Yeah, look at a

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<v Speaker 2>map before you're like Russia. I'm going to Russia. Artistic

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<v Speaker 2>vision and political idealism collide as two great dancers make

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<v Speaker 2>a decision that will change their lives forever. Yeap Paul

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<v Speaker 2>Actual synopsis.

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<v Speaker 1>Okay, Erica, I'm just gonna say I've had enough. I've

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<v Speaker 1>had enough of the debates. I've had enough of the

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<v Speaker 1>of the of the questions. This is just my final

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<v Speaker 1>word on the matter. Mikail Barishnikov and Gregory Hines can dance.

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<v Speaker 1>What that's it out. I'm done. I will not be

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<v Speaker 1>taking questions. I was.

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<v Speaker 2>I was of the camp that they're terrible, They're terrible dancers.

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<v Speaker 1>This is this is the movie that will actually make

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<v Speaker 1>you believe a man can fly, because when Mikhail Barishnikov leaps,

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<v Speaker 1>it actually looks like he's defying gravity for like a

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<v Speaker 1>second every time.

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<v Speaker 2>And both these men are in their late thirties. The

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<v Speaker 2>performances Gregory Heights like was born with old man face. Yeah,

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<v Speaker 2>You're like, what is he fifty? You're like, oh no,

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<v Speaker 2>he's thirty eight. He made this movie. But the moves,

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<v Speaker 2>the dance moves, You're like, how can a fucking thirty

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<v Speaker 2>eight year old be doing this? Yeah crazy and I

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<v Speaker 2>think I I'm not sure, might even be a little older.

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<v Speaker 1>And I'm like, damn, he hasn't lost a step No, no,

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<v Speaker 1>all right, everyone. So that is your lead up to

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<v Speaker 1>White Knights. Stick around. We have some commercials to play here.

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<v Speaker 1>If you don't want to listen to commercials, you can

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<v Speaker 1>go to our Patreon. That is patreon dot com slash

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00:16:15.360 --> 00:16:17.320
<v Speaker 1>that Age Weel podcast. You can join any paid level.

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<v Speaker 1>You will get a free episodes delivered to your feet

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<v Speaker 1>every Monday. If you don't want to do that, stick around,

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<v Speaker 1>we will be right back and we are going to

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<v Speaker 1>take you through White Nights and we're back. How do

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<v Speaker 1>you say that in Russian?

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<v Speaker 2>I have no idea.

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<v Speaker 1>An Budka Borsh.

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<v Speaker 2>We open on a close up of Nikolai ko Kolia

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<v Speaker 2>is the nickname Radchenko played by Mikhail Barishnikoff, an up

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<v Speaker 2>and comer.

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<v Speaker 1>Yeah, you may have heard of him.

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<v Speaker 2>May have heard of him, Misha. He's in bed.

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<v Speaker 1>Open all movies on a shirtless Mikhail Barishnakov in bed

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<v Speaker 1>for some reason, when he smokes a cigarette, I love it.

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<v Speaker 1>I don't like it in real life, but when he's

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<v Speaker 1>I'm in the.

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<v Speaker 2>Amount This person smokes for being a professional dancer. And

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<v Speaker 2>I know professional dancers do smoke, like like that's been

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<v Speaker 2>a thing the whole the whole existence of professional dancers.

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<v Speaker 2>But he's just crazy, Like, there's my lungs hurt watching I.

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<v Speaker 1>Was like smoking and the fact the man is still

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<v Speaker 1>alive and kicking and in good shape, And I'm like,

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<v Speaker 1>did he not was this just for the movie?

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<v Speaker 2>But was he smoking because everyone smoked back then?

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<v Speaker 1>Yeah? Or is he just one of those people that

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<v Speaker 1>just like smoked his whole life and lived to one

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<v Speaker 1>hundred and six and like, yeah, it just doesn't doesn't take.

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<v Speaker 2>My great grandfather lived to be over a hundred. He

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<v Speaker 2>smoked cigars every day of his life. That's that's a

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<v Speaker 2>real thing. That's a very human thing. It's a real

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<v Speaker 2>fucking thing. So Nick is in bed, staring at the ceiling,

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<v Speaker 2>blue eyes, a blazon, cigarette, a blazon. He's just smoking

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<v Speaker 2>a cigarette, looking pensive, looking off into the distance, and

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<v Speaker 2>then we hear music begin and the camera pulls back

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<v Speaker 2>and we see that he is not actually in bed, well,

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<v Speaker 2>he in bed, but he's on a set because he

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<v Speaker 2>is on stage performing a ballet. He is performing a

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<v Speaker 2>ballet sequence called in apologies my French is frankly non

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<v Speaker 2>existent Le junoumes de la et la morte, which I

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<v Speaker 2>know that was bad. I could tell like as I

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<v Speaker 2>was saying, and I'm like, oh, if anyone who speaks

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<v Speaker 2>French is like, girl, you are hurt in my ears.

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<v Speaker 1>The young Man in Death.

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<v Speaker 2>The young Man in Death, Yes, originally choreographed by Roland

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<v Speaker 2>Petit in nineteen forty six. This is a very famous

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<v Speaker 2>ballet performed by Borishnikoff. I think in the sixties or

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<v Speaker 2>seventies he revived it and now they're putting in in

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<v Speaker 2>this movie. And it was filmed actually in the Bristol Hypodrome,

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<v Speaker 2>like because the movie starts in England. So it's all

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<v Speaker 2>very I mean for the inside baseball nerds in ballet,

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<v Speaker 2>this is all very very cool. The rest of this

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<v Speaker 2>film has unbelievable dance numbers, and this is still the

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<v Speaker 2>best one, like they say, is this is my I mean,

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<v Speaker 2>it's so good and it's Polish, And all the other

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<v Speaker 2>dance scenes in the film are generally except for like

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<v Speaker 2>a couple like with Gregory Hines are rehearsals or like

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<v Speaker 2>him like Borushnikoff, just like the character like riffing while

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<v Speaker 2>on stage, so they're not as like tightly choreographed as this. Yeah,

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<v Speaker 2>fair enough, because it would make sense story wise. This

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<v Speaker 2>it is just so good. Also bleak. It is the

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<v Speaker 2>most bleak dance sequence.

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<v Speaker 1>I took this way too much to heart, and I

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<v Speaker 1>didn't I realized he was doing a performance immediately, but

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<v Speaker 1>I didn't know what its place was in the movie,

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<v Speaker 1>and I thought it was like an artistic telling of

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<v Speaker 1>the movie that I'm about to see like a prologue

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<v Speaker 1>or something.

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<v Speaker 2>Oh no, he's going to kill himself.

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<v Speaker 1>I was literally like this, this is going to end

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<v Speaker 1>in a suicide and like and then and the woman

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<v Speaker 1>betrays him. Like I had this whole I was like, oh,

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<v Speaker 1>this is so interesting, and I was like at the

422
00:19:53.079 --> 00:19:56.759
<v Speaker 1>end of we were like, oh, that wasn't it. I've

423
00:19:56.759 --> 00:19:57.640
<v Speaker 1>thought too much.

424
00:19:57.680 --> 00:20:00.640
<v Speaker 2>As is your wants, Yes, but the the movie gives

425
00:20:00.680 --> 00:20:02.400
<v Speaker 2>you it tes tip of tand a little bit because

426
00:20:02.400 --> 00:20:05.000
<v Speaker 2>this is opening and then there's opening credits either I

427
00:20:05.039 --> 00:20:07.279
<v Speaker 2>can't remember if it's during this or just after this

428
00:20:07.599 --> 00:20:10.240
<v Speaker 2>that calls out that all the other choreography in the

429
00:20:10.240 --> 00:20:13.359
<v Speaker 2>movie is swila sarp yep. And this was particular to

430
00:20:13.440 --> 00:20:17.240
<v Speaker 2>this scene. The general plot is the man is smoking

431
00:20:17.240 --> 00:20:19.799
<v Speaker 2>a cigarette. He's joined by a woman. They dance a

432
00:20:19.880 --> 00:20:23.279
<v Speaker 2>potter Do you find out she's a faithless lover? She

433
00:20:23.519 --> 00:20:27.000
<v Speaker 2>leaves him. He decides to end his life. The walls

434
00:20:27.000 --> 00:20:29.960
<v Speaker 2>of his Garrett apartment start to rise into the rafters,

435
00:20:30.000 --> 00:20:33.319
<v Speaker 2>revealing a Paris skyline in the background, and the dance

436
00:20:33.359 --> 00:20:35.599
<v Speaker 2>partner re emerges in a white gown with a red

437
00:20:35.680 --> 00:20:38.839
<v Speaker 2>cape and a skull mask. I in my brain she

438
00:20:38.920 --> 00:20:40.599
<v Speaker 2>has a sickle too, but she doesn't actually have a

439
00:20:40.599 --> 00:20:44.440
<v Speaker 2>sickless icycle because it is death. It's the same dancer

440
00:20:44.440 --> 00:20:48.039
<v Speaker 2>from before, only now she is portraying death itself. She

441
00:20:48.160 --> 00:20:50.759
<v Speaker 2>takes off the mask and places it on him. As

442
00:20:50.799 --> 00:20:56.160
<v Speaker 2>the curtain descends, it's so dark. The dancers take their bows,

443
00:20:56.200 --> 00:20:59.279
<v Speaker 2>The audience and Erica go fucking wild.

444
00:20:59.440 --> 00:21:02.240
<v Speaker 1>She stands up from recouched. It is incredible to be

445
00:21:02.319 --> 00:21:05.759
<v Speaker 1>reminded what an actually like perfect male body looks like sons,

446
00:21:05.799 --> 00:21:09.960
<v Speaker 1>like steroids, and like the mar marvelification of like of

447
00:21:10.079 --> 00:21:12.839
<v Speaker 1>what of what a man could possibly look like with

448
00:21:12.960 --> 00:21:13.799
<v Speaker 1>these systems of drugs.

449
00:21:13.880 --> 00:21:17.119
<v Speaker 2>I feel like ballet dancers generally are more live than

450
00:21:17.160 --> 00:21:18.000
<v Speaker 2>they are muscular.

451
00:21:18.119 --> 00:21:21.079
<v Speaker 1>Oh yeah, yeah, for obvious reasons, but like, that's what

452
00:21:21.119 --> 00:21:24.680
<v Speaker 1>a body can look like through exercise and eating well,

453
00:21:24.680 --> 00:21:25.839
<v Speaker 1>and probably a lot of cigarettes for.

454
00:21:25.880 --> 00:21:28.400
<v Speaker 2>A lot of cigarettes. Well, and don't forget the twenty

455
00:21:28.440 --> 00:21:29.680
<v Speaker 2>hours a day of dance.

456
00:21:29.559 --> 00:21:32.519
<v Speaker 1>Right right, speaking of by the way, male bodies and

457
00:21:32.599 --> 00:21:34.759
<v Speaker 1>twenty hours a day of dancing, I would just it's

458
00:21:34.799 --> 00:21:37.680
<v Speaker 1>just a PSA. I don't know how the Instagram algorithm

459
00:21:37.720 --> 00:21:42.599
<v Speaker 1>has decided that what I want to see is short

460
00:21:42.720 --> 00:21:48.240
<v Speaker 1>videos of Italian ballerinos in skin tight dance skin skin

461
00:21:48.359 --> 00:21:51.720
<v Speaker 1>tone boy shorts, like stretching their legs so their taint

462
00:21:51.759 --> 00:21:54.000
<v Speaker 1>moves towards the camera. Uh huh, don't. I don't know

463
00:21:54.039 --> 00:21:54.559
<v Speaker 1>how it happens.

464
00:21:54.599 --> 00:21:55.799
<v Speaker 2>Instagram's got you girls.

465
00:21:55.920 --> 00:21:58.559
<v Speaker 1>Someone is sneaking into my room at night and playing

466
00:21:58.559 --> 00:22:02.880
<v Speaker 1>these videos and teaching this Instagram algorithm something like it's short,

467
00:22:03.000 --> 00:22:05.160
<v Speaker 1>so tight you can see the individual hairs around their

468
00:22:05.200 --> 00:22:10.000
<v Speaker 1>asshole as they stretch towards you. So we cut to

469
00:22:10.079 --> 00:22:12.720
<v Speaker 1>Nick on a plane with its agent and Wyatt played

470
00:22:12.720 --> 00:22:14.680
<v Speaker 1>by Geraldine Page. Geraldine Page is in.

471
00:22:14.640 --> 00:22:15.920
<v Speaker 2>This movie, that's right, she is.

472
00:22:15.960 --> 00:22:18.240
<v Speaker 1>They're en route to Tokyo, and the pilot announces that

473
00:22:18.279 --> 00:22:20.599
<v Speaker 1>if they look out the window, they'll see the famous

474
00:22:20.599 --> 00:22:23.640
<v Speaker 1>Soviet white nights, which is a time of year when

475
00:22:23.640 --> 00:22:25.839
<v Speaker 1>the sun never sets. Right because of the way that

476
00:22:25.960 --> 00:22:26.839
<v Speaker 1>Earth spins.

477
00:22:26.519 --> 00:22:28.640
<v Speaker 2>Blah blah blah, Arctic circle.

478
00:22:28.480 --> 00:22:32.240
<v Speaker 1>Arctic circle, angle of the Earth spinning. You know what,

479
00:22:32.359 --> 00:22:33.200
<v Speaker 1>you know what we're talking about?

480
00:22:33.200 --> 00:22:34.920
<v Speaker 2>And also, Paul, I don't know if you know this.

481
00:22:35.079 --> 00:22:38.160
<v Speaker 2>Uh uh, it's also the title of the movie. Oh yeah,

482
00:22:38.359 --> 00:22:41.319
<v Speaker 2>I know. Does that blow your mind? Also, the movie

483
00:22:41.319 --> 00:22:43.680
<v Speaker 2>we're watching is called what I Know?

484
00:22:44.000 --> 00:22:46.559
<v Speaker 1>I know they should have called it. Mikhail Berishtakov holds

485
00:22:46.559 --> 00:22:47.480
<v Speaker 1>his legs above his head.

486
00:22:49.000 --> 00:22:49.720
<v Speaker 2>Let that sinking.

487
00:22:49.880 --> 00:22:53.160
<v Speaker 1>Let that's sinking, all right. So they're over Siberia when

488
00:22:53.160 --> 00:22:55.240
<v Speaker 1>the plane suffers an electrical malfunction.

489
00:22:55.319 --> 00:22:57.200
<v Speaker 2>It's a bad place to have an electrical.

490
00:22:56.759 --> 00:22:59.720
<v Speaker 1>Truly, of all the places to have an electrical malfunction,

491
00:22:59.839 --> 00:23:02.880
<v Speaker 1>this is one of the worst. Nick leaps up. He

492
00:23:03.039 --> 00:23:05.480
<v Speaker 1>sprints to the bathroom against the olders of the flight crew.

493
00:23:05.519 --> 00:23:06.759
<v Speaker 1>They're like, what are you doing? What are you doing?

494
00:23:06.839 --> 00:23:09.839
<v Speaker 1>And he frantically starts tearing up his identification, his passport,

495
00:23:10.079 --> 00:23:12.480
<v Speaker 1>anything on him that has his name on it, putting

496
00:23:12.440 --> 00:23:14.079
<v Speaker 1>it in the toilet and trying to flush it down

497
00:23:14.119 --> 00:23:18.400
<v Speaker 1>the toilet. The plane barely manages to get clearance to

498
00:23:18.880 --> 00:23:20.799
<v Speaker 1>isn't it isn't a better idea to be like, Ann,

499
00:23:20.920 --> 00:23:23.000
<v Speaker 1>I need you to shove my passport like in your

500
00:23:23.039 --> 00:23:24.480
<v Speaker 1>unmentionables and pretend you don't know me.

501
00:23:25.720 --> 00:23:27.880
<v Speaker 2>I mean he was panicking, but you're right, that is

502
00:23:27.920 --> 00:23:30.200
<v Speaker 2>the move that or give it to, Like, well, no,

503
00:23:30.200 --> 00:23:33.119
<v Speaker 2>because they probably do search the flight attendance. Yeah, like, yeah,

504
00:23:33.240 --> 00:23:35.960
<v Speaker 2>Anne would be the person to because Geraldine Paige, although

505
00:23:36.000 --> 00:23:37.240
<v Speaker 2>I don't know, he's famous.

506
00:23:37.400 --> 00:23:38.200
<v Speaker 1>Yeah, Like I don't know.

507
00:23:38.240 --> 00:23:39.559
<v Speaker 2>I don't know how he thought he was going to

508
00:23:39.599 --> 00:23:41.759
<v Speaker 2>get away with this, because it's not like he's nobody.

509
00:23:41.759 --> 00:23:44.240
<v Speaker 2>He's like a random Russian defector. Like yeah, he's a

510
00:23:44.440 --> 00:23:46.839
<v Speaker 2>very very famous Russian defector.

511
00:23:46.960 --> 00:23:47.160
<v Speaker 1>Yeah.

512
00:23:47.200 --> 00:23:50.440
<v Speaker 2>That's like if Martina Navratulova was like it was like,

513
00:23:50.799 --> 00:23:55.000
<v Speaker 2>sh don't tell anyone who I am.

514
00:23:55.039 --> 00:23:58.400
<v Speaker 1>All right. So the plane barely madges to get clearance

515
00:23:58.400 --> 00:24:01.680
<v Speaker 1>to land at a Russian military base, but the runway

516
00:24:02.039 --> 00:24:04.880
<v Speaker 1>is too short for a truly safe landing. They have

517
00:24:04.960 --> 00:24:06.880
<v Speaker 1>no choice. They have to go. I really want to

518
00:24:06.920 --> 00:24:09.799
<v Speaker 1>just take a moment to appreciate the man playing the

519
00:24:09.839 --> 00:24:13.200
<v Speaker 1>pilot in this in this scenario, because he remains very

520
00:24:13.240 --> 00:24:15.279
<v Speaker 1>calm the entire time, and I was like, that is

521
00:24:15.319 --> 00:24:17.319
<v Speaker 1>exactly what I want my pilot to be doing.

522
00:24:17.599 --> 00:24:18.240
<v Speaker 2>That's a Sully.

523
00:24:18.400 --> 00:24:18.920
<v Speaker 1>That's a Sully.

524
00:24:19.039 --> 00:24:21.000
<v Speaker 2>That's good, that's a Sully pilot.

525
00:24:21.400 --> 00:24:24.920
<v Speaker 1>Excellent, well done, sir. The plane hits the ground. Nick

526
00:24:25.000 --> 00:24:27.319
<v Speaker 1>is trying to scramble back to his seat and buckle in.

527
00:24:27.440 --> 00:24:31.359
<v Speaker 1>There's too much turbulence. He's thrown backwards and then the

528
00:24:31.400 --> 00:24:34.200
<v Speaker 1>beverage cart is knocked loose and it it rolls towards

529
00:24:34.240 --> 00:24:35.119
<v Speaker 1>him and it hits him in the head and it

530
00:24:35.200 --> 00:24:38.039
<v Speaker 1>knocks him unconscious. The plane comes to a stop after

531
00:24:38.079 --> 00:24:40.640
<v Speaker 1>it crashes through like a couple of like small buildings.

532
00:24:40.680 --> 00:24:43.720
<v Speaker 1>It appears that no one on the ground is hurt. Yeah,

533
00:24:43.759 --> 00:24:46.759
<v Speaker 1>and Ann rushes to Nick, who's bleeding extensively from a

534
00:24:46.799 --> 00:24:47.279
<v Speaker 1>head wound.

535
00:24:47.559 --> 00:24:51.960
<v Speaker 2>We cut to mustache twirling villain of the film, Colonel

536
00:24:52.160 --> 00:24:57.599
<v Speaker 2>Chaiko of the Russian Army. He's playing with a plump.

537
00:24:57.720 --> 00:25:00.480
<v Speaker 2>This guy excellent. Like, I love a villain who leans

538
00:25:00.519 --> 00:25:02.799
<v Speaker 2>in and after who leans into, playing like a fun villain.

539
00:25:03.279 --> 00:25:08.160
<v Speaker 2>Jersey Skolimowski Skolamowski, I apologize. That's a rough name for

540
00:25:08.200 --> 00:25:08.559
<v Speaker 2>me to say.

541
00:25:08.599 --> 00:25:11.200
<v Speaker 1>We apologize to the entire Skolamowski clan. For what just

542
00:25:11.240 --> 00:25:12.279
<v Speaker 1>happened on this podcast.

543
00:25:12.400 --> 00:25:14.920
<v Speaker 2>Yeah, we apologize to anyone who speaks French, anyone who

544
00:25:14.920 --> 00:25:18.759
<v Speaker 2>speaks Russian. I'm just gonna cover my tracks English. Yeah, yeah,

545
00:25:18.799 --> 00:25:20.359
<v Speaker 2>anyone who speaks any of those languages.

546
00:25:20.599 --> 00:25:21.240
<v Speaker 1>We're so sorry.

547
00:25:21.279 --> 00:25:22.680
<v Speaker 2>We're so sorry. It's not gonna be good.

548
00:25:22.759 --> 00:25:25.839
<v Speaker 1>I apologize those ballet dancers for objectifying them, But you

549
00:25:25.960 --> 00:25:27.640
<v Speaker 1>are the ones putting the videos online. You know what

550
00:25:27.640 --> 00:25:27.960
<v Speaker 1>you're doing.

551
00:25:29.160 --> 00:25:31.880
<v Speaker 2>Colonel Chico arrives at the base and is debriefed on

552
00:25:31.920 --> 00:25:36.279
<v Speaker 2>the situation. Captain Kerrigan, another Soviet official, reports that there

553
00:25:36.359 --> 00:25:40.359
<v Speaker 2>was one passenger on the plane with no passport. Huh,

554
00:25:40.759 --> 00:25:44.519
<v Speaker 2>one guy who just had zero identification on him, and

555
00:25:44.559 --> 00:25:47.400
<v Speaker 2>they did find something. We don't know quite what yet,

556
00:25:47.920 --> 00:25:51.960
<v Speaker 2>and Carrigan gives Chiko the something. Still the audience does

557
00:25:52.039 --> 00:25:53.960
<v Speaker 2>not see what it is, and he tells his superior

558
00:25:54.200 --> 00:25:57.359
<v Speaker 2>I have him isolated. Chiko walks into a hospital room

559
00:25:57.359 --> 00:26:00.440
<v Speaker 2>where Nick is in bed, bandage around his head, kind

560
00:26:00.440 --> 00:26:04.720
<v Speaker 2>of woozy still from his massive head wound. Nick is like,

561
00:26:05.160 --> 00:26:07.279
<v Speaker 2>I am a French to descend, I do not speak

562
00:26:07.319 --> 00:26:09.680
<v Speaker 2>your Russian. I do not understand what you are saying.

563
00:26:09.839 --> 00:26:12.039
<v Speaker 1>Oh, he doesn't say that in French, not in French

564
00:26:12.079 --> 00:26:12.960
<v Speaker 1>with an English accent to.

565
00:26:13.000 --> 00:26:15.319
<v Speaker 2>No, no, no, that's how that's how I heard it.

566
00:26:15.680 --> 00:26:17.880
<v Speaker 2>I don't know how you all heard it, you know.

567
00:26:17.920 --> 00:26:20.119
<v Speaker 2>He says that in French in the movie. Chico's like,

568
00:26:20.160 --> 00:26:22.319
<v Speaker 2>it's crazy how you didn't have any identification on you,

569
00:26:22.359 --> 00:26:25.200
<v Speaker 2>and He's like, I don't understand. My name is Pierre.

570
00:26:26.440 --> 00:26:30.400
<v Speaker 2>It should have been in my wallet. Perhaps I haven't

571
00:26:30.440 --> 00:26:35.799
<v Speaker 2>been a baguette go.

572
00:26:35.880 --> 00:26:38.319
<v Speaker 1>Hard for because you refuse to break.

573
00:26:38.519 --> 00:26:41.400
<v Speaker 2>Just like it was in my copy of Being and Nothingness?

574
00:26:41.400 --> 00:26:42.160
<v Speaker 2>Did you not see it?

575
00:26:42.839 --> 00:26:47.759
<v Speaker 1>Lavine Rosecombs?

576
00:26:50.720 --> 00:26:53.799
<v Speaker 2>And Nick is like, perhaps the French ambassador could help,

577
00:26:53.799 --> 00:26:56.440
<v Speaker 2>could you get me to the French embassy? And Chico's like,

578
00:26:56.599 --> 00:26:59.559
<v Speaker 2>nice tried, dick wad and he tosses the findings from

579
00:26:59.559 --> 00:27:02.640
<v Speaker 2>the crash onto the bed and it's Nick's torn up identification,

580
00:27:02.759 --> 00:27:05.240
<v Speaker 2>which I you know it would be. I imagine a

581
00:27:05.279 --> 00:27:07.000
<v Speaker 2>passport would be very difficult to get down.

582
00:27:07.039 --> 00:27:08.799
<v Speaker 1>It is way. Those are tough. You want what the

583
00:27:09.039 --> 00:27:10.720
<v Speaker 1>real move is to eat it, but you're never gonna

584
00:27:10.720 --> 00:27:13.039
<v Speaker 1>get You're never gonna choke that down during a plane crash.

585
00:27:13.160 --> 00:27:16.839
<v Speaker 2>Yeah, those leather bound is not why they make passports

586
00:27:16.839 --> 00:27:19.559
<v Speaker 2>so thick actually, so no onah can't eat it. You

587
00:27:19.680 --> 00:27:23.640
<v Speaker 2>never thought about that before. Those are indestructible. Chiko's like,

588
00:27:23.880 --> 00:27:26.039
<v Speaker 2>you can drop the act. I know you're not French.

589
00:27:26.200 --> 00:27:28.400
<v Speaker 2>I know that your real name is Nikolai because of

590
00:27:28.400 --> 00:27:31.680
<v Speaker 2>your and also, I don't know if you know this, sir,

591
00:27:31.799 --> 00:27:36.240
<v Speaker 2>but you're fucking famous. We all clocked you the minute

592
00:27:36.240 --> 00:27:39.680
<v Speaker 2>you came in here because you're famous. Nick does finally

593
00:27:39.720 --> 00:27:42.039
<v Speaker 2>drop the act and he tells Chico, listen, I'm an

594
00:27:42.039 --> 00:27:45.920
<v Speaker 2>American citizen now, and Chico's like, oh cool, fun for

595
00:27:46.000 --> 00:27:49.599
<v Speaker 2>you being an American citizen here in the Soviet fucking Union.

596
00:27:50.039 --> 00:27:53.759
<v Speaker 2>You know you are a criminal, a defector. Nick says

597
00:27:53.920 --> 00:27:56.759
<v Speaker 2>the world will demand that he be returned to the

598
00:27:56.839 --> 00:27:59.839
<v Speaker 2>United States, and Chico scoffs. He's like, no one cares,

599
00:28:00.359 --> 00:28:05.799
<v Speaker 2>to which, I say, Britney Griner, this just happened. Like

600
00:28:05.839 --> 00:28:09.119
<v Speaker 2>a ballet dancer and a basketball player. I think I'm

601
00:28:09.200 --> 00:28:11.559
<v Speaker 2>only saying this because the world sucks and is misogynistic,

602
00:28:11.599 --> 00:28:13.839
<v Speaker 2>but it was a woman basketball player. I feel like

603
00:28:13.839 --> 00:28:16.200
<v Speaker 2>they're on equal footing. Yeah, this does make a level

604
00:28:16.240 --> 00:28:18.319
<v Speaker 2>of sense. He does have an argument, like, if enough

605
00:28:18.319 --> 00:28:20.480
<v Speaker 2>people in the United States start to give a shit

606
00:28:20.559 --> 00:28:22.759
<v Speaker 2>about this. They will figure out a way to get

607
00:28:22.839 --> 00:28:26.680
<v Speaker 2>him back. Yeah, And Chiko continues the the Soviet Union

608
00:28:26.799 --> 00:28:29.920
<v Speaker 2>is having a wonderful moment of excellent pr because we

609
00:28:30.039 --> 00:28:33.759
<v Speaker 2>just saved hundreds of lives by allowing a foreign plane

610
00:28:33.839 --> 00:28:37.319
<v Speaker 2>to land where it wasn't supposed to. So shut it.

611
00:28:37.359 --> 00:28:39.400
<v Speaker 2>And he leaves Nick in the bed underguard.

612
00:28:39.599 --> 00:28:42.359
<v Speaker 1>Yep. He goes out there. He addresses the other plane

613
00:28:42.359 --> 00:28:45.000
<v Speaker 1>crash victims. He tells them that they'll all be flown

614
00:28:45.039 --> 00:28:49.319
<v Speaker 1>to Moscow, and Ann asks after Nick, and Chico says, look,

615
00:28:49.319 --> 00:28:52.440
<v Speaker 1>he was gravely injured in the crash. He cannot risk

616
00:28:52.480 --> 00:28:55.480
<v Speaker 1>being moved. He could die. Yep, and Anne kind of

617
00:28:55.519 --> 00:28:58.119
<v Speaker 1>feels like this is bullshit, but she has a no power.

618
00:28:58.200 --> 00:29:01.200
<v Speaker 2>Yeah, no recourse here, yeap to only.

619
00:29:01.039 --> 00:29:04.960
<v Speaker 1>Island in Siberia. That's only, not only, There may be

620
00:29:05.000 --> 00:29:06.039
<v Speaker 1>more islands. I don't know.

621
00:29:06.319 --> 00:29:07.279
<v Speaker 2>Is it the Lonely Island?

622
00:29:07.400 --> 00:29:09.920
<v Speaker 1>Is it the Lonely Island? Can you imagine the Lonely

623
00:29:09.960 --> 00:29:11.039
<v Speaker 1>Island in this movie?

624
00:29:11.519 --> 00:29:14.240
<v Speaker 2>Genuinely, that would be an amazing comedy. If the Lonely

625
00:29:14.279 --> 00:29:16.079
<v Speaker 2>Island did a movie where they had they were.

626
00:29:15.960 --> 00:29:18.880
<v Speaker 1>Stuck in Russia, it was if it was the sequel

627
00:29:18.920 --> 00:29:20.480
<v Speaker 1>to Pop Star, Never Stopped, Never Stopped.

628
00:29:20.799 --> 00:29:23.000
<v Speaker 2>Yeah, Yeah, that guy gets it, ends up in Russia

629
00:29:23.039 --> 00:29:25.000
<v Speaker 2>and we have to trade him for someone.

630
00:29:26.200 --> 00:29:29.480
<v Speaker 1>We meet Raymond Greenwood played by Gregory Hines, and he

631
00:29:29.559 --> 00:29:32.400
<v Speaker 1>is performing there's a boat that's leaving soon for New

632
00:29:32.480 --> 00:29:35.680
<v Speaker 1>York from Porgy and Bess. Now with a tap break

633
00:29:35.839 --> 00:29:36.640
<v Speaker 1>added into it.

634
00:29:36.680 --> 00:29:39.680
<v Speaker 2>I am very surprised there is a Russian audience that

635
00:29:39.839 --> 00:29:42.839
<v Speaker 2>like wants to see Porgy and Bess. That just seems

636
00:29:43.359 --> 00:29:44.200
<v Speaker 2>so American.

637
00:29:44.440 --> 00:29:47.119
<v Speaker 1>It does well, it is very America now, it's certainly true.

638
00:29:47.359 --> 00:29:50.000
<v Speaker 1>I was caught up in this because he's singing and

639
00:29:50.079 --> 00:29:52.799
<v Speaker 1>dancing or like greedy with enthusiastic applause, and then and

640
00:29:52.839 --> 00:29:54.720
<v Speaker 1>then they bow, and I'm like, that's not the end

641
00:29:54.720 --> 00:29:57.720
<v Speaker 1>of Porgy and Bess. There's like one more scene after that,

642
00:29:57.759 --> 00:30:00.200
<v Speaker 1>because this is when when Bess goes to New Or

643
00:30:00.400 --> 00:30:02.519
<v Speaker 1>with I can't remember this character's name, after he gets

644
00:30:02.519 --> 00:30:05.759
<v Speaker 1>her addicted to drugs, and then Porgy gets released from jail,

645
00:30:05.839 --> 00:30:07.640
<v Speaker 1>I think if I remember correctly, and then he's like

646
00:30:07.759 --> 00:30:09.319
<v Speaker 1>he has to go to New York to look for Best,

647
00:30:09.519 --> 00:30:11.200
<v Speaker 1>and that's that's the end of Porky and Best. It's

648
00:30:11.200 --> 00:30:13.000
<v Speaker 1>a whole other scene that's supposed to happen.

649
00:30:13.200 --> 00:30:16.079
<v Speaker 2>I really get the impression from this film that he

650
00:30:16.200 --> 00:30:18.519
<v Speaker 2>is a the only American and be the only person

651
00:30:18.559 --> 00:30:23.119
<v Speaker 2>of color for like like black Americans, for many miles around.

652
00:30:23.240 --> 00:30:25.319
<v Speaker 1>Oh I think that, yes, I think that is certainly clear.

653
00:30:28.319 --> 00:30:30.799
<v Speaker 1>His co star snarls that he's a show off as

654
00:30:30.799 --> 00:30:34.599
<v Speaker 1>she exits after the bows, and backstage his wife Daria

655
00:30:35.000 --> 00:30:39.079
<v Speaker 1>played by Isabella Rossellini, looking so young and beautiful and

656
00:30:39.160 --> 00:30:41.480
<v Speaker 1>yet somehow exactly the same as she does now she's

657
00:30:41.519 --> 00:30:43.960
<v Speaker 1>waiting for him. They kiss and they laugh and they

658
00:30:43.960 --> 00:30:47.400
<v Speaker 1>clearly have this loving relationship. And then who should enter

659
00:30:47.519 --> 00:30:54.240
<v Speaker 1>Erica dun dug Colonel Chico? What Colonel Chico definitely sounds

660
00:30:54.240 --> 00:30:56.559
<v Speaker 1>like a Sonic the Hedgehog villain, right A thousand percent?

661
00:30:56.720 --> 00:30:59.799
<v Speaker 2>Yeah, Colonel Chico sounds like like a villain in like

662
00:30:59.839 --> 00:31:02.400
<v Speaker 2>a the back of a Cereal box. So that's like

663
00:31:02.400 --> 00:31:03.039
<v Speaker 2>like a G I.

664
00:31:03.160 --> 00:31:06.319
<v Speaker 1>Joe Greatest Greatest animation.

665
00:31:06.440 --> 00:31:08.720
<v Speaker 2>Yeah, Like like when they were trying to indoctrinate children

666
00:31:08.759 --> 00:31:11.240
<v Speaker 2>to hate the Soviet Union when we were little, which

667
00:31:11.279 --> 00:31:16.799
<v Speaker 2>fully happened, by the way, and they were like watches

668
00:31:16.920 --> 00:31:21.640
<v Speaker 2>Captain Crunch beats the Evil Colonel Chico. Raymond and Daria

669
00:31:21.759 --> 00:31:24.799
<v Speaker 2>clearly know Chico and they're like, oh, this guy. They're

670
00:31:24.839 --> 00:31:28.359
<v Speaker 2>apprehensive about his sudden appearance in his life. Nothing good

671
00:31:28.400 --> 00:31:31.200
<v Speaker 2>ever happens when this fuckers around. He tells them, hey,

672
00:31:31.200 --> 00:31:34.680
<v Speaker 2>you should both come back to Moscow, like we have

673
00:31:34.759 --> 00:31:36.440
<v Speaker 2>some stuff for you to do in Moscow, and they

674
00:31:36.519 --> 00:31:40.240
<v Speaker 2>both are like, okay, that seems like good news. And

675
00:31:40.279 --> 00:31:42.839
<v Speaker 2>then Chico says he remembers that when Raymond first came

676
00:31:42.880 --> 00:31:46.000
<v Speaker 2>to Russia, he seems so nervous and Daria was just

677
00:31:46.039 --> 00:31:48.799
<v Speaker 2>his interpreter, and He's like, in a in a way,

678
00:31:48.960 --> 00:31:51.440
<v Speaker 2>I made you two fall in love. I brought you

679
00:31:51.440 --> 00:31:55.240
<v Speaker 2>two together. You owe me, and and Daria's like suddenly like, okay,

680
00:31:55.240 --> 00:31:57.319
<v Speaker 2>this trip to Moscow doesn't seem so great anymore.

681
00:31:57.480 --> 00:31:57.680
<v Speaker 1>Yeah.

682
00:31:57.839 --> 00:32:01.200
<v Speaker 2>Daria leaves, and Raymond is like, hey, I've been trying

683
00:32:01.200 --> 00:32:03.319
<v Speaker 2>to get in touch with you, Tchiko. Remember about my

684
00:32:03.400 --> 00:32:06.559
<v Speaker 2>situation and how I shouldn't be fucking stuck here in Siberia. Yeah,

685
00:32:06.559 --> 00:32:11.200
<v Speaker 2>and Chiko's like, girl, sorry, I have been swamped. Girl

686
00:32:11.759 --> 00:32:13.079
<v Speaker 2>has been crazy.

687
00:32:13.200 --> 00:32:15.599
<v Speaker 1>Girl. You would not believe the number of emails I

688
00:32:15.599 --> 00:32:18.559
<v Speaker 1>am getting a day, I am under seas.

689
00:32:18.400 --> 00:32:19.240
<v Speaker 2>I am underwater.

690
00:32:19.359 --> 00:32:21.240
<v Speaker 1>I'm under what I am in the weeds?

691
00:32:21.319 --> 00:32:24.400
<v Speaker 2>Girl, girl? It is so let's circle back on this later.

692
00:32:24.440 --> 00:32:26.319
<v Speaker 1>Girl, girl, can we just put a pin in this? Girl?

693
00:32:26.359 --> 00:32:29.319
<v Speaker 1>I just I have so much do my inbox. My

694
00:32:29.440 --> 00:32:31.440
<v Speaker 1>inbox is an in tower, you know what I mean.

695
00:32:31.480 --> 00:32:35.599
<v Speaker 2>He's going, sorry, my phone is ringing. I'm so sorry,

696
00:32:35.680 --> 00:32:37.480
<v Speaker 2>and Raymond's like, there's literally not a phone in the

697
00:32:37.559 --> 00:32:40.039
<v Speaker 2>room where. It's nineteen eighty five.

698
00:32:41.200 --> 00:32:44.200
<v Speaker 3>In Siberia, In Siberia, there are no phones here.

699
00:32:44.240 --> 00:32:47.720
<v Speaker 1>We are in the place that the entire world uses

700
00:32:47.920 --> 00:32:50.200
<v Speaker 1>as shorthand for the middle of fucking nowhere.

701
00:32:52.599 --> 00:32:55.200
<v Speaker 2>Chiko's like, but you know what, I'm so glad I

702
00:32:55.279 --> 00:32:59.720
<v Speaker 2>finally came out to Siberia, beautiful Siberia, to drop by

703
00:32:59.839 --> 00:33:03.319
<v Speaker 2>and see you. After all, there is actually think this

704
00:33:03.359 --> 00:33:05.319
<v Speaker 2>is crazy, there's actually something you can do for me.

705
00:33:05.839 --> 00:33:08.000
<v Speaker 2>And he's like, why don't you go wait outside, Raymond,

706
00:33:08.000 --> 00:33:09.359
<v Speaker 2>and I'll tell you what it is. And now you

707
00:33:09.400 --> 00:33:11.799
<v Speaker 2>see the look of panic on Raymond's face. What the

708
00:33:11.839 --> 00:33:12.799
<v Speaker 2>fuck do they want from me?

709
00:33:13.000 --> 00:33:16.119
<v Speaker 1>Yep? Raymond heads in to find Daria. She does not

710
00:33:16.200 --> 00:33:18.119
<v Speaker 1>want anything to do with Chico. She's like, we can

711
00:33:18.160 --> 00:33:19.799
<v Speaker 1>just stay here. We don't have to do this, and

712
00:33:19.839 --> 00:33:22.640
<v Speaker 1>he's like, well, I don't know if you've you've been

713
00:33:22.720 --> 00:33:24.640
<v Speaker 1>rushing your whole life, so I thought you would know this,

714
00:33:24.759 --> 00:33:27.759
<v Speaker 1>But we don't so much have a choice with what

715
00:33:27.839 --> 00:33:28.880
<v Speaker 1>this guy tells us to do.

716
00:33:29.039 --> 00:33:30.680
<v Speaker 2>And I think on some level too, he's like, I'm

717
00:33:30.720 --> 00:33:33.279
<v Speaker 2>so sick of Siberia. I can't live in Siberia anymore.

718
00:33:33.319 --> 00:33:35.480
<v Speaker 2>If it, whatever it is, if it gets me to Moscow.

719
00:33:35.720 --> 00:33:36.000
<v Speaker 1>Yeah.

720
00:33:36.039 --> 00:33:36.319
<v Speaker 2>Fine.

721
00:33:36.519 --> 00:33:40.680
<v Speaker 1>The movie doesn't like ever really enumerate exactly what happened

722
00:33:40.880 --> 00:33:45.559
<v Speaker 1>to Raymond, but essentially he winds up in Siberia because

723
00:33:46.000 --> 00:33:49.119
<v Speaker 1>once they're done with his pr blitz for having defected

724
00:33:49.160 --> 00:33:52.079
<v Speaker 1>to Russia, they basically, you can fuck off to Siberia.

725
00:33:52.119 --> 00:33:52.960
<v Speaker 1>We don't care anymore.

726
00:33:53.000 --> 00:33:55.680
<v Speaker 2>And like I should mention the performance he was just

727
00:33:55.759 --> 00:33:58.039
<v Speaker 2>doing was in like a theater smaller than my high

728
00:33:58.039 --> 00:34:01.720
<v Speaker 2>school auditorium. Oh yes, thy people in the audience who looks,

729
00:34:01.799 --> 00:34:03.880
<v Speaker 2>who were looking kind of dead eyed at like what

730
00:34:03.920 --> 00:34:06.519
<v Speaker 2>the because the whole show is an English porkain Bess,

731
00:34:06.519 --> 00:34:07.960
<v Speaker 2>So this most of this audience, there.

732
00:34:07.880 --> 00:34:10.440
<v Speaker 1>Is no Russian translation of porkin Bess yet.

733
00:34:10.599 --> 00:34:15.280
<v Speaker 2>Yet guess what I'm learning Russian. Give me a minute,

734
00:34:15.760 --> 00:34:18.719
<v Speaker 2>I got this I got it. But yeah, like, so

735
00:34:18.760 --> 00:34:21.360
<v Speaker 2>this this existence, even though he gets to quote unquote

736
00:34:21.400 --> 00:34:23.679
<v Speaker 2>be the star of the show here, the show is

737
00:34:23.719 --> 00:34:27.320
<v Speaker 2>the most ragtag, fucking little little dumpy theater in the

738
00:34:27.320 --> 00:34:29.679
<v Speaker 2>middle of Siberia, He's like, I gotta get the fuck

739
00:34:29.719 --> 00:34:30.079
<v Speaker 2>out of here.

740
00:34:30.360 --> 00:34:33.119
<v Speaker 1>Uh So he assures Daria, Look, it's gonna be all right.

741
00:34:33.599 --> 00:34:36.760
<v Speaker 1>We're not gonna be in fucking Siberia anymore. So they embrace,

742
00:34:36.840 --> 00:34:40.960
<v Speaker 1>but Daria still looks very unconvinced of the intelligence of

743
00:34:41.000 --> 00:34:41.480
<v Speaker 1>this plan.

744
00:34:41.719 --> 00:34:44.559
<v Speaker 2>Yeah, she remember she has been Russian her whole life. Yes,

745
00:34:44.599 --> 00:34:48.159
<v Speaker 2>she gets how shifty they are. I say, I said it, y'all.

746
00:34:48.239 --> 00:34:50.480
<v Speaker 2>Shifty shifty, yeah, shifty Russians.

747
00:34:50.559 --> 00:34:52.400
<v Speaker 1>She knows when she looks at Colonel Chico that he

748
00:34:52.440 --> 00:34:55.079
<v Speaker 1>looks like like the second to last guy that.

749
00:34:55.119 --> 00:34:57.039
<v Speaker 2>James Bond kills in the movie one hundred.

750
00:34:57.400 --> 00:34:58.679
<v Speaker 1>Yeah. Yeah, yeah, yeah yeah.

751
00:34:58.719 --> 00:35:02.039
<v Speaker 2>We cut to the American embassy in Moscow and is

752
00:35:02.039 --> 00:35:05.840
<v Speaker 2>there with the ambassador Larry Smith. Perfect yeah, like what

753
00:35:06.000 --> 00:35:09.920
<v Speaker 2>a name, the first not name. They're like done, Larry Smith,

754
00:35:09.960 --> 00:35:13.199
<v Speaker 2>we don't care, played by Shane Rimmer and god bless

755
00:35:13.239 --> 00:35:16.760
<v Speaker 2>this movie. Agent. When Scott played by the great and

756
00:35:16.840 --> 00:35:20.000
<v Speaker 2>Good John Glover. Okay, I love John Glow. He pops

757
00:35:20.039 --> 00:35:22.760
<v Speaker 2>up a lot. Now. Yeah, we're covering more eighties movies

758
00:35:22.840 --> 00:35:24.199
<v Speaker 2>and I'm so here for it.

759
00:35:24.280 --> 00:35:27.360
<v Speaker 1>He was just in Batman and Robin playing a mad scientist,

760
00:35:27.800 --> 00:35:31.079
<v Speaker 1>and his hair in Batman and Robin was four times

761
00:35:31.159 --> 00:35:33.159
<v Speaker 1>less thansane than it is in this movie. This is

762
00:35:33.239 --> 00:35:37.800
<v Speaker 1>the flattest flat top. Yeah, I have ever seen it.

763
00:35:37.840 --> 00:35:39.880
<v Speaker 1>The plane could have landed on John Glover's hair.

764
00:35:40.119 --> 00:35:42.760
<v Speaker 2>Tell me you're a spy without telling me you're a spy.

765
00:35:42.880 --> 00:35:45.960
<v Speaker 2>Tell me you're a military man working as a quote

766
00:35:46.039 --> 00:35:51.079
<v Speaker 2>unquote bureaucrat. It's genius, because he could not look more

767
00:35:51.159 --> 00:35:51.639
<v Speaker 2>like a spy.

768
00:35:51.840 --> 00:35:52.239
<v Speaker 1>Correct.

769
00:35:52.320 --> 00:35:55.400
<v Speaker 2>So they they're examining the X rays that the Russians

770
00:35:55.480 --> 00:35:58.639
<v Speaker 2>have sent over, claiming they are nicks. Right, nikolais and

771
00:35:58.719 --> 00:36:00.719
<v Speaker 2>the X rays are telling the story of a massive

772
00:36:00.719 --> 00:36:04.480
<v Speaker 2>brain injury, and Anne points out correctly, but of course

773
00:36:04.559 --> 00:36:06.440
<v Speaker 2>she can't back this up that we don't even know

774
00:36:06.440 --> 00:36:08.480
<v Speaker 2>that these are nex She is insistent that they have

775
00:36:08.559 --> 00:36:11.159
<v Speaker 2>to appeal to the UN and schedule a press conference.

776
00:36:11.159 --> 00:36:13.360
<v Speaker 2>We have to let the world know what's happening here.

777
00:36:13.920 --> 00:36:16.079
<v Speaker 2>The men advise caution, They're like, look, this is a

778
00:36:16.079 --> 00:36:19.199
<v Speaker 2>tenuous situation. Why don't you go back to New York.

779
00:36:19.360 --> 00:36:21.119
<v Speaker 2>Let us figure this out, let us work on it.

780
00:36:21.119 --> 00:36:23.320
<v Speaker 2>And she's like, fuck you, I'm not going. This is

781
00:36:23.400 --> 00:36:24.400
<v Speaker 2>the best agent.

782
00:36:24.719 --> 00:36:26.280
<v Speaker 1>Yeah, she really is.

783
00:36:26.360 --> 00:36:31.400
<v Speaker 2>Like I am staying in enemy territory in Siberia waiting

784
00:36:31.599 --> 00:36:36.920
<v Speaker 2>for my dancer, and I will not leave without my dancer. Bitch,

785
00:36:37.039 --> 00:36:39.480
<v Speaker 2>get yourself a friend as good as Anna.

786
00:36:39.920 --> 00:36:42.440
<v Speaker 1>It's true, but it also also does give the give

787
00:36:42.480 --> 00:36:44.159
<v Speaker 1>this sense like is he your only client?

788
00:36:44.519 --> 00:36:47.639
<v Speaker 2>He only client. She's definitely in love with him. Oh yeah,

789
00:36:47.679 --> 00:36:49.679
<v Speaker 2>she's one hundred percent. She was like kind of flirting

790
00:36:49.679 --> 00:36:50.800
<v Speaker 2>with him earlier, and I'm like.

791
00:36:50.920 --> 00:36:53.599
<v Speaker 1>Girl, girl, I mean, look, shoot your shot.

792
00:36:54.159 --> 00:36:55.159
<v Speaker 2>You gotta shoot your shot.

793
00:36:55.440 --> 00:36:59.480
<v Speaker 1>You're gonna sleep with zero of the Russian world famous

794
00:36:59.519 --> 00:37:01.119
<v Speaker 1>Russian batle dancers.

795
00:37:00.719 --> 00:37:02.280
<v Speaker 2>That you don't try to fuck.

796
00:37:02.400 --> 00:37:05.239
<v Speaker 1>Thank you. I got mixed up in the middle, and

797
00:37:05.239 --> 00:37:07.960
<v Speaker 1>you're right there for me like a great dance partner.

798
00:37:08.079 --> 00:37:10.679
<v Speaker 2>I'm your Anne, You're my Ann. If you get stuck

799
00:37:10.719 --> 00:37:14.639
<v Speaker 2>in Siberia, I will stay there. I will stay there

800
00:37:14.719 --> 00:37:15.840
<v Speaker 2>till you get out, my friends.

801
00:37:15.880 --> 00:37:18.320
<v Speaker 1>And if you get stuck in Siberia, I will campaign

802
00:37:18.400 --> 00:37:20.800
<v Speaker 1>for your release from the comfort of my home. Absolutely,

803
00:37:23.119 --> 00:37:24.599
<v Speaker 1>because you know what I will say, all of a sudden,

804
00:37:24.599 --> 00:37:26.800
<v Speaker 1>I told that bitch not to go to fucking Russia.

805
00:37:27.000 --> 00:37:30.719
<v Speaker 2>I was going to Tokyo. I tried to eat my passport.

806
00:37:30.800 --> 00:37:31.760
<v Speaker 2>They didn't sit well.

807
00:37:31.599 --> 00:37:35.000
<v Speaker 1>With my tom tone too much ruffige.

808
00:37:36.559 --> 00:37:38.880
<v Speaker 2>I'm onto zempic. You guys, it's really hard to eat

809
00:37:38.880 --> 00:37:40.840
<v Speaker 2>a passport when you're autosimpic.

810
00:37:40.360 --> 00:37:43.000
<v Speaker 1>Fucking drown that shit, and Caesar Dressing couldn't choke it down,

811
00:37:45.519 --> 00:37:47.519
<v Speaker 1>all right. So we cut to Neck. He's waking up

812
00:37:47.519 --> 00:37:49.760
<v Speaker 1>in a new room. He stands up, he kind of

813
00:37:49.840 --> 00:37:52.599
<v Speaker 1>he walks out from behind this kind of drawn curtain

814
00:37:52.719 --> 00:37:55.199
<v Speaker 1>that they have, and we realize he is in Raymond

815
00:37:55.199 --> 00:37:58.119
<v Speaker 1>and Daria's apartment. And Raymond's like, hi, am Raymond, and

816
00:37:58.119 --> 00:38:01.239
<v Speaker 1>he here's the American accent, and he is like, holy shit,

817
00:38:01.880 --> 00:38:03.639
<v Speaker 1>did that actually work? Did they actually give me to

818
00:38:03.679 --> 00:38:04.719
<v Speaker 1>an American? Yeah?

819
00:38:04.760 --> 00:38:06.280
<v Speaker 2>He's like, oh my god, am I in the embassy?

820
00:38:06.280 --> 00:38:06.440
<v Speaker 1>Are you?

821
00:38:06.559 --> 00:38:07.519
<v Speaker 2>Are you the ambassador?

822
00:38:07.719 --> 00:38:15.840
<v Speaker 1>And Raymond's like, na, where no? Nick asks if he's

823
00:38:15.920 --> 00:38:19.119
<v Speaker 1>under arrest. Raymond's like, no, You're as free as a bird.

824
00:38:19.519 --> 00:38:21.920
<v Speaker 1>Nick asks, are you my guard? Raymond's like I'm a

825
00:38:21.960 --> 00:38:25.159
<v Speaker 1>tap dancer. Okay. So can I take a walk? Go ahead?

826
00:38:25.400 --> 00:38:29.960
<v Speaker 1>So Nick leaves and Raymond's like fuck and and he

827
00:38:30.119 --> 00:38:34.679
<v Speaker 1>gets his jacket. Nick rushes through this sparse island settlement.

828
00:38:34.760 --> 00:38:37.679
<v Speaker 1>It's it is. He sees no people. He runs all

829
00:38:37.719 --> 00:38:39.760
<v Speaker 1>the way through this. It just looks almost looks like

830
00:38:39.760 --> 00:38:40.840
<v Speaker 1>a series of bars, like.

831
00:38:40.840 --> 00:38:42.199
<v Speaker 2>An abandoned neighborhood.

832
00:38:42.400 --> 00:38:45.960
<v Speaker 1>Yeah, Raymond follows him from a distance. Nick eventually finds

833
00:38:46.000 --> 00:38:49.079
<v Speaker 1>the theater where Raymond was performing Poor Game Bess, and

834
00:38:49.119 --> 00:38:51.440
<v Speaker 1>he finds a telephone. He tries to make a phone call.

835
00:38:51.639 --> 00:38:55.239
<v Speaker 1>Raymond appears, he disconnects the phone and Nick laughs. He's like,

836
00:38:55.360 --> 00:38:58.119
<v Speaker 1>I know what's going on. You are here to inform

837
00:38:58.239 --> 00:39:01.199
<v Speaker 1>on me. The Russians want me back. Can you imagine

838
00:39:01.239 --> 00:39:03.039
<v Speaker 1>being so good at an art.

839
00:39:02.960 --> 00:39:06.559
<v Speaker 2>Form literally anything, literally an art form, literally anything, because

840
00:39:06.559 --> 00:39:08.719
<v Speaker 2>I'm like ballet is till like there's very few people

841
00:39:08.719 --> 00:39:11.519
<v Speaker 2>who are very good at it. So that's but genuinely,

842
00:39:11.719 --> 00:39:15.000
<v Speaker 2>what would you be good enough that that a foreign country,

843
00:39:15.000 --> 00:39:17.239
<v Speaker 2>a foreign enemy would be like, you can't leave. We

844
00:39:17.280 --> 00:39:19.960
<v Speaker 2>don't have anyone who does this as well as you.

845
00:39:20.199 --> 00:39:23.159
<v Speaker 1>We refuse to allow you to leave because we want

846
00:39:23.440 --> 00:39:28.920
<v Speaker 1>the international prestige that you being from our country lends us.

847
00:39:29.039 --> 00:39:31.679
<v Speaker 2>Yeah, in my case, it would be binge watching television.

848
00:39:31.760 --> 00:39:34.599
<v Speaker 2>It's the only thing I'm genuinely good at.

849
00:39:35.599 --> 00:39:39.719
<v Speaker 1>I'm gonna go with making bitchy side remarks under my breath.

850
00:39:39.519 --> 00:39:43.679
<v Speaker 2>Falling asleep in a crowd full of people. No one

851
00:39:43.679 --> 00:39:45.519
<v Speaker 2>else can do it as well as you, ma'am. You

852
00:39:45.679 --> 00:39:47.840
<v Speaker 2>have to say, it's a skill we need.

853
00:39:48.039 --> 00:39:50.039
<v Speaker 1>How you got your genius immigration grant?

854
00:39:52.519 --> 00:39:54.119
<v Speaker 2>My MacArthur grant came from back.

855
00:39:54.199 --> 00:39:55.199
<v Speaker 1>Yeah, yeah, yeah.

856
00:39:55.239 --> 00:39:58.000
<v Speaker 2>They go back to Raymond's apartment and they have dinner

857
00:39:58.119 --> 00:39:59.920
<v Speaker 2>with Raymond and with Daria.

858
00:40:00.239 --> 00:40:03.079
<v Speaker 1>Barishnikov is going after this herring and onions like it

859
00:40:03.159 --> 00:40:03.920
<v Speaker 1>is made out of ham.

860
00:40:04.159 --> 00:40:07.280
<v Speaker 2>Yeah, honestly, I like this this bit because it made

861
00:40:07.320 --> 00:40:09.840
<v Speaker 2>a little like a He probably hasn't had this type

862
00:40:09.840 --> 00:40:11.880
<v Speaker 2>of meal since it defected, so it's and it's a

863
00:40:11.920 --> 00:40:16.519
<v Speaker 2>home cooked Russian meal. And he's like, this is really good. Yeah,

864
00:40:16.559 --> 00:40:20.159
<v Speaker 2>So yeah, he's going after his herring. Not a euphemism.

865
00:40:20.840 --> 00:40:21.880
<v Speaker 1>Raymond's so sadly.

866
00:40:22.079 --> 00:40:27.000
<v Speaker 2>Sadly, Raymond is just drinking vodka, just slowly staring at

867
00:40:27.000 --> 00:40:31.159
<v Speaker 2>this man and drinking vodka, and he gets angrier and drunker,

868
00:40:31.440 --> 00:40:35.159
<v Speaker 2>and he starts to mock Nick for being americanized. Yeah,

869
00:40:35.559 --> 00:40:38.800
<v Speaker 2>Nick says, it's a wonderful country, America he means, and

870
00:40:38.880 --> 00:40:43.639
<v Speaker 2>Raymond's like, psh, wonderful to you maybe, And then they

871
00:40:43.760 --> 00:40:45.880
<v Speaker 2>really like give Gregory Hines a lot to work with

872
00:40:45.920 --> 00:40:48.639
<v Speaker 2>in this movie, and he I think he's really good, right,

873
00:40:48.679 --> 00:40:51.840
<v Speaker 2>Like he has this monologue about like, man, you don't

874
00:40:51.840 --> 00:40:54.519
<v Speaker 2>know shit about America and how fucked up and terrible

875
00:40:54.559 --> 00:40:56.639
<v Speaker 2>and racist it is. And Nick is like, why did

876
00:40:56.639 --> 00:41:01.079
<v Speaker 2>you defect to Russia of all places? Of all places?

877
00:41:00.599 --> 00:41:04.920
<v Speaker 2>All again? I like that is so important? Why why

878
00:41:05.000 --> 00:41:08.679
<v Speaker 2>like famously like Josephine Baker was like Paris, And I'm like, yes,

879
00:41:10.519 --> 00:41:13.719
<v Speaker 2>that makes fucking sense to me, Like why would you

880
00:41:13.800 --> 00:41:14.599
<v Speaker 2>pick Russia?

881
00:41:14.880 --> 00:41:16.679
<v Speaker 1>I guess you. And look, the movie does not make

882
00:41:16.719 --> 00:41:18.440
<v Speaker 1>this argument at all, so I'm not trying to say

883
00:41:18.440 --> 00:41:21.039
<v Speaker 1>it does, but like you could think that that would

884
00:41:21.079 --> 00:41:22.800
<v Speaker 1>be the if you want to stick it to the

885
00:41:22.920 --> 00:41:23.599
<v Speaker 1>US government.

886
00:41:23.840 --> 00:41:24.719
<v Speaker 2>I think that's what it is.

887
00:41:24.719 --> 00:41:27.159
<v Speaker 1>That's the that's the one that hurts.

888
00:41:27.320 --> 00:41:29.960
<v Speaker 2>Yeah, he wanted to be splashy about it. Yeah, exactly.

889
00:41:30.000 --> 00:41:32.920
<v Speaker 2>Anyone can move to fucking England, Yeah, I mean that

890
00:41:33.000 --> 00:41:36.199
<v Speaker 2>is what Edward's Noden did, right, Yeah, Like potentially had

891
00:41:36.199 --> 00:41:38.119
<v Speaker 2>other countries he could have gone to, but he's like,

892
00:41:38.360 --> 00:41:40.719
<v Speaker 2>this is gonna hurt. Yeah, so he went to Russia.

893
00:41:40.880 --> 00:41:43.840
<v Speaker 2>But he's not a black man. So Raymond continues the monologue,

894
00:41:43.880 --> 00:41:46.800
<v Speaker 2>and the movie blessedly has him tap dance while he's

895
00:41:46.800 --> 00:41:47.159
<v Speaker 2>doing it.

896
00:41:47.199 --> 00:41:48.840
<v Speaker 1>Did you notice the credit at the end of the movie,

897
00:41:49.039 --> 00:41:53.199
<v Speaker 1>No tap improvography by Gregory Hines.

898
00:41:53.280 --> 00:41:55.000
<v Speaker 2>Im proography?

899
00:41:55.159 --> 00:41:56.239
<v Speaker 1>Improvography?

900
00:41:56.480 --> 00:41:57.039
<v Speaker 2>Is that a word?

901
00:41:57.320 --> 00:42:00.800
<v Speaker 1>I think it's choreography that's been improvd pvography.

902
00:42:01.320 --> 00:42:04.679
<v Speaker 2>Cool, Yeah, can't you just say choreography whatever? Moving on, I.

903
00:42:04.920 --> 00:42:06.159
<v Speaker 1>Didn't want to make the point that he did. He

904
00:42:06.159 --> 00:42:08.039
<v Speaker 1>didn't work it out in advance. He was just doing it.

905
00:42:08.079 --> 00:42:12.440
<v Speaker 2>He's just Riffin. So Raymond tells Nick the story of

906
00:42:12.480 --> 00:42:15.400
<v Speaker 2>his disillusionment with America. First of all, starting when he

907
00:42:15.440 --> 00:42:17.559
<v Speaker 2>was a child, he got work as a tap dancer,

908
00:42:18.079 --> 00:42:20.239
<v Speaker 2>and then you know, aged out of it because no

909
00:42:20.280 --> 00:42:22.239
<v Speaker 2>one wants to see an adult tap dancer, is what

910
00:42:22.280 --> 00:42:24.679
<v Speaker 2>he actually says in the movie. And I'm like, counterpoint,

911
00:42:25.519 --> 00:42:27.840
<v Speaker 2>I'd pay a lot of money to watch you tap dance, buddy.

912
00:42:28.440 --> 00:42:30.079
<v Speaker 2>He then he grew up and he wound up in

913
00:42:30.119 --> 00:42:32.400
<v Speaker 2>the army, and he was excited. He believed in America.

914
00:42:32.440 --> 00:42:35.000
<v Speaker 2>He was a patriot. He wanted to fight for his country.

915
00:42:35.360 --> 00:42:39.000
<v Speaker 2>Then they sent him to war and perhaps not our

916
00:42:39.119 --> 00:42:43.039
<v Speaker 2>finest hour, the Vietnam War, and they made him a murderer,

917
00:42:43.440 --> 00:42:45.119
<v Speaker 2>and they made him a rapist, he says, And they

918
00:42:45.119 --> 00:42:46.920
<v Speaker 2>made him, they made him, they made him someone who

919
00:42:46.960 --> 00:42:50.719
<v Speaker 2>burns villages. And he and you can see like the

920
00:42:50.800 --> 00:42:53.239
<v Speaker 2>light go out of Gregory Hines's eyes as he's talking

921
00:42:53.280 --> 00:42:55.760
<v Speaker 2>about it. And he realized that the government was using him.

922
00:42:56.119 --> 00:42:58.039
<v Speaker 2>And he says, they didn't even see me as a

923
00:42:58.119 --> 00:43:01.239
<v Speaker 2>human being. They saw me as is like a killing machine,

924
00:43:01.239 --> 00:43:03.800
<v Speaker 2>and they wanted him to die so that they could

925
00:43:03.840 --> 00:43:06.239
<v Speaker 2>get more money and more power, and he starts to

926
00:43:06.239 --> 00:43:09.559
<v Speaker 2>break down and cry and Daria comforts him. This is beautiful.

927
00:43:09.559 --> 00:43:12.400
<v Speaker 2>This scene is incredible, yep. Nick says that he actually

928
00:43:12.440 --> 00:43:15.480
<v Speaker 2>does remember Raymond's defection in the news, and Raymond says

929
00:43:15.480 --> 00:43:18.440
<v Speaker 2>bitterly that he was big news while the Russians needed him,

930
00:43:19.519 --> 00:43:22.079
<v Speaker 2>but now not so much. And Nick repeats himself that

931
00:43:22.159 --> 00:43:25.840
<v Speaker 2>America is still better than the Soviet Union, still a

932
00:43:25.880 --> 00:43:28.519
<v Speaker 2>better place to live, and Raymond says that Nick wasn't

933
00:43:28.519 --> 00:43:30.280
<v Speaker 2>a hero. He just wanted to be where the pay

934
00:43:30.320 --> 00:43:32.199
<v Speaker 2>is better. He's like stop trying to paint yourself as

935
00:43:32.280 --> 00:43:37.760
<v Speaker 2>like an idealist, Like you have no ideology, as neither

936
00:43:37.800 --> 00:43:40.760
<v Speaker 2>do I. Neither of these men are like I'm a

937
00:43:40.840 --> 00:43:43.639
<v Speaker 2>you know, I'm a capitalist, I'm a communist. No, they

938
00:43:43.639 --> 00:43:45.880
<v Speaker 2>don't give a shit about that. They just wanted to

939
00:43:45.880 --> 00:43:48.679
<v Speaker 2>go where they could, like one where he could succeed

940
00:43:49.320 --> 00:43:51.599
<v Speaker 2>and the other where he could like hide it in

941
00:43:51.639 --> 00:43:54.960
<v Speaker 2>a way and like become become a part of something

942
00:43:54.960 --> 00:43:56.599
<v Speaker 2>that was anything but the United States.

943
00:43:56.719 --> 00:44:00.079
<v Speaker 1>Yep. We cut to the next day. Raymond is in

944
00:44:00.159 --> 00:44:03.079
<v Speaker 1>a car with Colonel Chaiko, who looks like he's about

945
00:44:03.079 --> 00:44:07.599
<v Speaker 1>to go give a report to m Bison. Chiko asks

946
00:44:07.639 --> 00:44:10.519
<v Speaker 1>if Raymond has pitched Nick on the idea that he

947
00:44:10.559 --> 00:44:13.000
<v Speaker 1>could live the life that he used to live, right,

948
00:44:13.079 --> 00:44:14.760
<v Speaker 1>So this is this is what we're hearing for the

949
00:44:14.760 --> 00:44:18.039
<v Speaker 1>first time, Chiko. The job that Chiko gave to Raymond

950
00:44:18.199 --> 00:44:20.840
<v Speaker 1>was you were going to convince Nick to come back

951
00:44:20.880 --> 00:44:23.400
<v Speaker 1>to Russia and dance for us. That's what he wants.

952
00:44:23.960 --> 00:44:25.840
<v Speaker 1>Raymond's like, I haven't even brought it up yet. It's

953
00:44:25.880 --> 00:44:28.559
<v Speaker 1>the first day. Like, if if I go too hard,

954
00:44:28.599 --> 00:44:31.480
<v Speaker 1>if I John Malkovich in Dangerous Liaisons, this he's just

955
00:44:31.519 --> 00:44:34.199
<v Speaker 1>going to tell me to fuck off. It's not gonna work.

956
00:44:35.000 --> 00:44:37.760
<v Speaker 1>Chiko tells the car to stop, and he asks Raymond

957
00:44:37.760 --> 00:44:39.840
<v Speaker 1>to get out, and that the edge of this enormous

958
00:44:39.880 --> 00:44:44.280
<v Speaker 1>like stone quarry slash labor camp slash mine something whatever.

959
00:44:44.440 --> 00:44:45.400
<v Speaker 2>Yeah.

960
00:44:45.519 --> 00:44:48.400
<v Speaker 1>Chiko asks him, what do you mean last night when

961
00:44:48.440 --> 00:44:51.360
<v Speaker 1>you said you were big news while we needed you,

962
00:44:51.800 --> 00:44:54.320
<v Speaker 1>which means that he's listening to all these conversations, and

963
00:44:54.440 --> 00:44:56.760
<v Speaker 1>Raymond says, oh, I was drunk. Nick's a pain in

964
00:44:56.800 --> 00:44:59.159
<v Speaker 1>the ass. I can't just come out and tell him

965
00:44:59.199 --> 00:45:01.079
<v Speaker 1>he has to dance in in Russia. He's a diva.

966
00:45:01.199 --> 00:45:03.360
<v Speaker 1>He's like, it won't work. I have to convince him,

967
00:45:03.760 --> 00:45:05.800
<v Speaker 1>and Chiko looks out at the quarry and notes, you know,

968
00:45:05.840 --> 00:45:08.519
<v Speaker 1>a man gets old before his time in a place

969
00:45:08.639 --> 00:45:11.440
<v Speaker 1>like this. It's better to work in a theater than

970
00:45:11.440 --> 00:45:14.599
<v Speaker 1>at a mine. So basically, being like, step on it,

971
00:45:14.800 --> 00:45:16.679
<v Speaker 1>get him to agree to dance, or you're winding up

972
00:45:16.679 --> 00:45:20.000
<v Speaker 1>in a labor camp. Cool, cool, love this country.

973
00:45:19.719 --> 00:45:21.440
<v Speaker 2>You know what? Us is starting to look a little

974
00:45:21.440 --> 00:45:25.000
<v Speaker 2>bit better now, isn't it. Buddy. Back at the apartment,

975
00:45:25.199 --> 00:45:29.679
<v Speaker 2>Daria is anxiety cleaning house. She's terrified. She's deeply relieved

976
00:45:29.679 --> 00:45:32.840
<v Speaker 2>when Raymond walks back in. Raymond apologizes to Nick for

977
00:45:32.880 --> 00:45:36.000
<v Speaker 2>his behavior of the night before. Raymond tells Nick, look,

978
00:45:36.079 --> 00:45:39.199
<v Speaker 2>everyone's really glad you're here. We're glad you're back. We're

979
00:45:39.239 --> 00:45:42.639
<v Speaker 2>all very excited for you this, for this reunion of

980
00:45:42.679 --> 00:45:43.559
<v Speaker 2>you and your homeland.

981
00:45:43.679 --> 00:45:44.280
<v Speaker 1>Uh huh.

982
00:45:44.320 --> 00:45:46.800
<v Speaker 2>And I think people, many.

983
00:45:46.599 --> 00:45:48.679
<v Speaker 1>Many people, so many people.

984
00:45:48.519 --> 00:45:52.360
<v Speaker 2>Would absolutely love it if you danced again, if you

985
00:45:52.480 --> 00:45:55.400
<v Speaker 2>danced here for a minute. I mean, think about the

986
00:45:55.480 --> 00:45:59.719
<v Speaker 2>comfort you would bring to your former and fellow countrymen, yes,

987
00:46:00.079 --> 00:46:02.119
<v Speaker 2>and women like, wouldn't that be something that would warm

988
00:46:02.119 --> 00:46:02.480
<v Speaker 2>your heart?

989
00:46:02.480 --> 00:46:10.599
<v Speaker 1>And Nick's like, it's a very roxy heart response.

990
00:46:10.760 --> 00:46:13.360
<v Speaker 2>I feel like Maria Kallis would have given the same response.

991
00:46:15.559 --> 00:46:20.079
<v Speaker 2>Don't try to fuck with me. Raymond keeps pressing. It's like,

992
00:46:20.119 --> 00:46:22.800
<v Speaker 2>I think your situation, and by your situation, I mean

993
00:46:22.840 --> 00:46:26.079
<v Speaker 2>my situation would greatly improve if you played a little

994
00:46:26.079 --> 00:46:29.440
<v Speaker 2>fucking ball, ye, Nick, I think from the jump, Nick

995
00:46:29.519 --> 00:46:31.960
<v Speaker 2>is very smart. He kind of cottons to what's going on,

996
00:46:32.000 --> 00:46:34.880
<v Speaker 2>and he's like, okay, sure, but you know what, Ugh,

997
00:46:34.960 --> 00:46:37.360
<v Speaker 2>I can't really play ball here. This is not the

998
00:46:37.400 --> 00:46:38.920
<v Speaker 2>place to play ball. And why don't we go to

999
00:46:39.000 --> 00:46:41.000
<v Speaker 2>Leningrad to see what my status is?

1000
00:46:41.400 --> 00:46:44.800
<v Speaker 1>So we cut to the trio arriving in Leningrad in

1001
00:46:44.840 --> 00:46:47.199
<v Speaker 1>a car with Chico. Chico is up front. They're being

1002
00:46:47.280 --> 00:46:51.719
<v Speaker 1>driven by Kerrigan, and Chico gives Kolia his luggage, all

1003
00:46:51.719 --> 00:46:54.320
<v Speaker 1>the luggage they recovered from the plane. And he's still

1004
00:46:54.320 --> 00:46:57.400
<v Speaker 1>playing very nice but like this with a crocodile grin

1005
00:46:57.440 --> 00:46:58.159
<v Speaker 1>on the whole time.

1006
00:46:58.320 --> 00:47:01.320
<v Speaker 2>Remember this is Colonel chaik Go. He is the villain

1007
00:47:01.480 --> 00:47:05.440
<v Speaker 2>in a very very very janky offshoot of the X Men.

1008
00:47:05.559 --> 00:47:09.079
<v Speaker 1>That's right. So they drive past the Kirev Ballet where

1009
00:47:09.360 --> 00:47:13.280
<v Speaker 1>Nick was trained, where all of these famous ballet dancers danced,

1010
00:47:13.440 --> 00:47:16.960
<v Speaker 1>gorgeous theater. It's a gorgeous, beautiful building. He tells Nick

1011
00:47:17.000 --> 00:47:20.840
<v Speaker 1>that the season opens in ten days. Nick's appearance there

1012
00:47:21.119 --> 00:47:24.039
<v Speaker 1>will be a great moment. No one's gonna hold your

1013
00:47:24.039 --> 00:47:27.199
<v Speaker 1>past mistakes against you. Look, you're not even in jail,

1014
00:47:27.519 --> 00:47:28.880
<v Speaker 1>and you're a convicted criminal.

1015
00:47:29.400 --> 00:47:30.039
<v Speaker 2>How cool is that?

1016
00:47:30.599 --> 00:47:33.639
<v Speaker 1>Aren't we just the cat's pajamas?

1017
00:47:33.679 --> 00:47:36.280
<v Speaker 2>Honestly, like Russia, I see your point. Yeah, get you

1018
00:47:36.360 --> 00:47:39.280
<v Speaker 2>let a convicted criminal just roam the streets and dance

1019
00:47:39.320 --> 00:47:41.519
<v Speaker 2>the ballet. But here in America we make them president.

1020
00:47:41.599 --> 00:47:42.599
<v Speaker 2>That's right, that's what we do.

1021
00:47:42.760 --> 00:47:43.239
<v Speaker 1>That's what we do.

1022
00:47:43.400 --> 00:47:45.599
<v Speaker 2>That's how we honor our convicted criminals.

1023
00:47:45.599 --> 00:47:47.639
<v Speaker 1>Come on, now, come on, now, one off that.

1024
00:47:47.599 --> 00:47:50.440
<v Speaker 2>Are many many times convicted criminals.

1025
00:47:50.760 --> 00:47:53.239
<v Speaker 1>They arrive at an apartment building and we find out

1026
00:47:53.280 --> 00:47:55.679
<v Speaker 1>it's the same one where Nick used to live. Even

1027
00:47:55.719 --> 00:47:58.079
<v Speaker 1>the landlady Pasha is the same land lady.

1028
00:47:58.360 --> 00:48:00.519
<v Speaker 2>Boy, that old lady she's just she could not be

1029
00:48:00.599 --> 00:48:03.519
<v Speaker 2>less impressed. She's like, well she genuinely she's like, oh,

1030
00:48:03.559 --> 00:48:04.719
<v Speaker 2>you're back. That's nice.

1031
00:48:04.840 --> 00:48:09.239
<v Speaker 1>Anyway, moving on, moving on, They bring him to his

1032
00:48:09.320 --> 00:48:12.800
<v Speaker 1>old apartment, which has been kept, he says, just as

1033
00:48:12.880 --> 00:48:13.519
<v Speaker 1>he left it.

1034
00:48:13.679 --> 00:48:16.679
<v Speaker 2>Creepy, creepy as fun. What do you think did they

1035
00:48:16.679 --> 00:48:18.800
<v Speaker 2>really actually keep it the way he's like, like in

1036
00:48:18.840 --> 00:48:21.519
<v Speaker 2>case he came back, or did they just quickly like

1037
00:48:21.639 --> 00:48:24.199
<v Speaker 2>read they kicked the family out that's living there now.

1038
00:48:25.280 --> 00:48:27.719
<v Speaker 1>No, they kept it because the way he walks around,

1039
00:48:27.719 --> 00:48:29.480
<v Speaker 1>like his pictures are in the same spot.

1040
00:48:30.239 --> 00:48:32.280
<v Speaker 2>Yeah, like the archivist would have had to be so

1041
00:48:32.880 --> 00:48:34.719
<v Speaker 2>they would have had to take photos of it just

1042
00:48:34.800 --> 00:48:37.159
<v Speaker 2>in case, and like Mark like, okay, this is a

1043
00:48:37.199 --> 00:48:38.480
<v Speaker 2>blue post.

1044
00:48:38.519 --> 00:48:40.800
<v Speaker 1>It just goes over here where the blue post it goes.

1045
00:48:41.199 --> 00:48:43.039
<v Speaker 1>They just kept it. Wow, they didn't give it to

1046
00:48:43.039 --> 00:48:44.440
<v Speaker 1>any of the fucking proletariat.

1047
00:48:44.679 --> 00:48:46.480
<v Speaker 2>Yeah, there's some vintage porn in that.

1048
00:48:47.760 --> 00:48:51.960
<v Speaker 1>Excellent, just just bush and tan lines in that porn.

1049
00:48:51.880 --> 00:48:54.519
<v Speaker 2>Ladies with pick and potatoes. I don't know what Russian

1050
00:48:54.559 --> 00:48:56.480
<v Speaker 2>porn looks like. Jet skiing.

1051
00:48:56.599 --> 00:49:01.119
<v Speaker 1>I'm guessing absolutely old Russian lady naked on a jet skate.

1052
00:49:01.360 --> 00:49:02.000
<v Speaker 1>What a picture?

1053
00:49:02.159 --> 00:49:05.639
<v Speaker 2>What if that's their port old like like like just

1054
00:49:05.800 --> 00:49:10.159
<v Speaker 2>granny an old babushka got on and that's it, and

1055
00:49:10.199 --> 00:49:12.280
<v Speaker 2>that just wearing a babushka and a and a at

1056
00:49:12.280 --> 00:49:14.800
<v Speaker 2>a bottle of vodka.

1057
00:49:16.159 --> 00:49:19.960
<v Speaker 1>Chiko reiterates that the Soviet offer is sincere. Nick will

1058
00:49:19.960 --> 00:49:23.039
<v Speaker 1>have his old life back. Everything will be at his disposal.

1059
00:49:23.079 --> 00:49:25.400
<v Speaker 1>He will have a car, food will be cooked for him.

1060
00:49:25.440 --> 00:49:28.039
<v Speaker 1>He will have to worry about nothing. All he has

1061
00:49:28.119 --> 00:49:30.960
<v Speaker 1>to do is dance. So Nick kind of like wanders

1062
00:49:31.000 --> 00:49:33.880
<v Speaker 1>through the apartment. He finds a framed photograph of him

1063
00:49:34.320 --> 00:49:38.760
<v Speaker 1>with a ballerina with a with a photoshopped version of

1064
00:49:39.400 --> 00:49:43.679
<v Speaker 1>Elimeirn's face on upper body. It definitely looks one real

1065
00:49:43.760 --> 00:49:44.280
<v Speaker 1>you guys.

1066
00:49:44.719 --> 00:49:48.719
<v Speaker 2>Yeah, this is not weird, bad photoshop, don't worry about it.

1067
00:49:49.159 --> 00:49:51.519
<v Speaker 1>Chico goes over to Raymond and he says, you need

1068
00:49:51.599 --> 00:49:54.400
<v Speaker 1>to get Nick into shape starting tomorrow in the studio,

1069
00:49:54.840 --> 00:49:57.360
<v Speaker 1>and Raymond's like, I'm a tap dancer, and Chiko's like,

1070
00:49:57.679 --> 00:50:00.880
<v Speaker 1>that's your fucking problem. My fucking problem is getting this

1071
00:50:01.000 --> 00:50:03.440
<v Speaker 1>damsel tied to the train tracks in the next fifteen minutes.

1072
00:50:03.480 --> 00:50:05.719
<v Speaker 2>Yeah, my fucking problem is trying to steal the uranium.

1073
00:50:05.920 --> 00:50:08.840
<v Speaker 2>Excuse me, excuse me, you do this, I'm gonna go

1074
00:50:08.920 --> 00:50:12.039
<v Speaker 2>bond villain. Okay, this is This is the point of

1075
00:50:12.079 --> 00:50:13.400
<v Speaker 2>the movie where Eric is like, I'm.

1076
00:50:13.239 --> 00:50:14.800
<v Speaker 1>Sorry, what okay, yeah, this.

1077
00:50:14.840 --> 00:50:17.320
<v Speaker 2>I'm sorry, excuse me, excueeze me.

1078
00:50:17.519 --> 00:50:21.079
<v Speaker 1>I can't I can't defend it because I don't. I

1079
00:50:21.119 --> 00:50:25.679
<v Speaker 1>can't tell if Chico is just fucking like trolling Raymond,

1080
00:50:26.320 --> 00:50:27.960
<v Speaker 1>Like why is this his job?

1081
00:50:28.119 --> 00:50:30.679
<v Speaker 2>This should not be his job. No, you know who's

1082
00:50:30.679 --> 00:50:33.239
<v Speaker 2>gonna convince Raymond to go back to the United States,

1083
00:50:33.360 --> 00:50:35.880
<v Speaker 2>This other guy who loves the United States and is

1084
00:50:35.920 --> 00:50:38.519
<v Speaker 2>also a dancer that he looks up to, Like, this

1085
00:50:38.679 --> 00:50:40.239
<v Speaker 2>is all a very big mistake.

1086
00:50:40.400 --> 00:50:42.880
<v Speaker 1>The only thing that makes any sense about it is

1087
00:50:42.920 --> 00:50:46.639
<v Speaker 1>that he he doesn't actually care about Nick getting back

1088
00:50:46.679 --> 00:50:48.880
<v Speaker 1>into shape or whatever. Nick is in shape, Like, yes,

1089
00:50:48.920 --> 00:50:49.760
<v Speaker 1>he had.

1090
00:50:49.639 --> 00:50:51.199
<v Speaker 2>This dancing two days ago.

1091
00:50:51.199 --> 00:50:54.480
<v Speaker 1>He was dancing. Yeah, exactly, so like he's just literally

1092
00:50:54.519 --> 00:50:58.679
<v Speaker 1>trolling Raymond, Like he's just psychologically torturing Raymond for funzies.

1093
00:50:58.679 --> 00:51:02.199
<v Speaker 2>Which does like the performance, yes, yeah, does support that.

1094
00:51:02.280 --> 00:51:05.119
<v Speaker 2>But it's just like the Russian government can't be this

1095
00:51:05.239 --> 00:51:08.039
<v Speaker 2>bad things, right, Like they would give him a handler

1096
00:51:08.199 --> 00:51:12.599
<v Speaker 2>who's an actual, like like Soviet military handler to watch

1097
00:51:12.639 --> 00:51:13.000
<v Speaker 2>this guy.

1098
00:51:13.079 --> 00:51:14.599
<v Speaker 1>This is the one part of the movie where I

1099
00:51:14.639 --> 00:51:17.280
<v Speaker 1>really can't defend anything, Like, you are one hundred percent right.

1100
00:51:17.880 --> 00:51:20.400
<v Speaker 1>The only thing that makes any sense because we will

1101
00:51:20.400 --> 00:51:24.039
<v Speaker 1>find out in a reveal later spoiler alert, you guys,

1102
00:51:24.159 --> 00:51:26.360
<v Speaker 1>Chiko is a big old racist. I bet you didn't

1103
00:51:26.400 --> 00:51:30.079
<v Speaker 1>know that. But and like the only thing that makes

1104
00:51:30.119 --> 00:51:33.280
<v Speaker 1>sense is he's fucking with him. He's fucking with him,

1105
00:51:33.320 --> 00:51:35.119
<v Speaker 1>but but like just fuck with him a different way.

1106
00:51:35.239 --> 00:51:37.599
<v Speaker 2>Nick, it's too important of an asset him to be

1107
00:51:37.679 --> 00:51:41.000
<v Speaker 2>like this random amateur can totally handle it. I'm sure, yeah,

1108
00:51:41.039 --> 00:51:44.719
<v Speaker 2>it just is like and and like there's just no

1109
00:51:45.039 --> 00:51:47.480
<v Speaker 2>like I know that things can get a lot worse

1110
00:51:47.639 --> 00:51:51.039
<v Speaker 2>for Raymond, and they do spoiler they fucking do. But

1111
00:51:51.159 --> 00:51:53.880
<v Speaker 2>like there's just not enough the stakes are not high

1112
00:51:53.960 --> 00:51:55.280
<v Speaker 2>enough at this point in the movie for me to

1113
00:51:55.280 --> 00:51:57.760
<v Speaker 2>believe Raymond isn't like, come on, man, just let me

1114
00:51:57.800 --> 00:52:00.920
<v Speaker 2>go back to Siberia if anything else. Yeah, So Chico

1115
00:52:01.000 --> 00:52:03.400
<v Speaker 2>leaves and Nick immediately checks all the windows to see

1116
00:52:03.400 --> 00:52:05.960
<v Speaker 2>where the guards are, Like he finds them all stationed,

1117
00:52:06.119 --> 00:52:08.840
<v Speaker 2>Like where they're all stationed And to the Russian government's

1118
00:52:08.840 --> 00:52:10.679
<v Speaker 2>credit is a sentence, I.

1119
00:52:10.639 --> 00:52:12.840
<v Speaker 1>Say so much, I know. Yeah, if I had a nickel,

1120
00:52:12.880 --> 00:52:14.519
<v Speaker 1>if I had a nickel, if I had a shekel

1121
00:52:14.840 --> 00:52:17.000
<v Speaker 1>for every time I heard that, like the.

1122
00:52:17.360 --> 00:52:19.880
<v Speaker 2>They did put a lot of guards on them, at least,

1123
00:52:19.880 --> 00:52:22.440
<v Speaker 2>like they put these fucking people together in an apartment

1124
00:52:22.480 --> 00:52:25.039
<v Speaker 2>together just to like let them simmer, and then they

1125
00:52:25.079 --> 00:52:27.679
<v Speaker 2>put like ten guards on the outside. I would pose

1126
00:52:27.719 --> 00:52:29.519
<v Speaker 2>it you should put one guard on the inside.

1127
00:52:29.559 --> 00:52:32.159
<v Speaker 1>Yeah, just saying, what if there was a lot more

1128
00:52:32.239 --> 00:52:35.840
<v Speaker 1>Challengers infused into this movie? What if what if Daria

1129
00:52:35.960 --> 00:52:37.440
<v Speaker 1>was like playing the two of them against each other

1130
00:52:37.480 --> 00:52:38.199
<v Speaker 1>and they would well like.

1131
00:52:38.480 --> 00:52:41.360
<v Speaker 2>The movie Challengers to the Tennis movie. Yeah, what if

1132
00:52:41.360 --> 00:52:43.440
<v Speaker 2>there was like a real psychological like what if this

1133
00:52:43.559 --> 00:52:45.800
<v Speaker 2>was the Dreamers? Yeah, and they all decide to form

1134
00:52:45.800 --> 00:52:47.679
<v Speaker 2>a thrupple together and then two of them find out

1135
00:52:47.679 --> 00:52:50.639
<v Speaker 2>their siblings. Yeah, what a fun movie, What a fun

1136
00:52:50.639 --> 00:52:53.880
<v Speaker 2>with the Dreamers is a crazy movie, you guys. Meanwhile,

1137
00:52:53.920 --> 00:52:56.920
<v Speaker 2>while like Nick is actually being smart and like figuring

1138
00:52:56.960 --> 00:52:58.559
<v Speaker 2>out where all the bugs are and where all the

1139
00:52:58.559 --> 00:53:01.880
<v Speaker 2>microphones are and shit around the apartment, Raymond and Daria

1140
00:53:01.960 --> 00:53:04.360
<v Speaker 2>geeze out the window, and Daria's like, I wish we

1141
00:53:04.400 --> 00:53:07.760
<v Speaker 2>could lose ourselves somewhere and not be under like the

1142
00:53:07.800 --> 00:53:10.159
<v Speaker 2>watchful eye of Chaiko. I want to go to a

1143
00:53:10.199 --> 00:53:12.960
<v Speaker 2>place where no one is watching us ever again, like

1144
00:53:13.199 --> 00:53:15.840
<v Speaker 2>she's really seeding some shit that's gonna come to Ruth later.

1145
00:53:16.280 --> 00:53:18.639
<v Speaker 2>She wishes they could just disappear, and Raymond says, don't worry.

1146
00:53:18.719 --> 00:53:20.679
<v Speaker 2>Things will be much better now that we're in Leningrad,

1147
00:53:20.760 --> 00:53:23.199
<v Speaker 2>like far better than they were in Siberia, which is

1148
00:53:23.239 --> 00:53:24.239
<v Speaker 2>such a low bar to clear.

1149
00:53:24.400 --> 00:53:27.000
<v Speaker 1>Yeah, we cut to the next day, Raymond and Nick

1150
00:53:27.119 --> 00:53:29.719
<v Speaker 1>go to the dance studio. Raymond is like, come on,

1151
00:53:29.800 --> 00:53:31.760
<v Speaker 1>work out, you have to get in shape for opening night.

1152
00:53:31.760 --> 00:53:34.480
<v Speaker 1>He's really not putting a lot of effort into this

1153
00:53:34.519 --> 00:53:37.719
<v Speaker 1>whole thing, and Nick says, I only dance when I

1154
00:53:37.760 --> 00:53:41.480
<v Speaker 1>feel like it. You only dance when you're drunk, and

1155
00:53:41.519 --> 00:53:43.840
<v Speaker 1>he takes out his boombox that he got back from

1156
00:53:44.360 --> 00:53:46.360
<v Speaker 1>his luggage. I guess it's boombox and his luggage.

1157
00:53:46.639 --> 00:53:49.480
<v Speaker 2>This is the most insane. This boombox must have seemed

1158
00:53:49.559 --> 00:53:52.960
<v Speaker 2>so fucking high tech, uh huh cool in nineteen eighty five.

1159
00:53:53.360 --> 00:53:57.519
<v Speaker 2>Can we describe it real quick release? So it's obviously enormous.

1160
00:53:57.760 --> 00:54:00.679
<v Speaker 2>Is a fucking boombox, right, But it's not just boombox.

1161
00:54:00.719 --> 00:54:03.800
<v Speaker 2>The case that it comes in like opens up like

1162
00:54:03.800 --> 00:54:06.119
<v Speaker 2>like from the from the bottom up, like a like

1163
00:54:06.199 --> 00:54:10.039
<v Speaker 2>the door of a Dolorean, And there's like a case

1164
00:54:10.119 --> 00:54:13.159
<v Speaker 2>for all of his tapes. So it's got like dozens

1165
00:54:13.199 --> 00:54:16.039
<v Speaker 2>and dozens of tapes in there from the United States

1166
00:54:16.039 --> 00:54:18.719
<v Speaker 2>of music that you can't get in Russia. Yeah, So

1167
00:54:18.760 --> 00:54:21.079
<v Speaker 2>it's like that will come back over and over again

1168
00:54:21.079 --> 00:54:23.199
<v Speaker 2>because it makes it also makes a lot of sense

1169
00:54:23.239 --> 00:54:24.920
<v Speaker 2>why the movie and how the movie has all this

1170
00:54:25.079 --> 00:54:27.519
<v Speaker 2>music that's American, Like how are they dancing to a

1171
00:54:27.559 --> 00:54:30.599
<v Speaker 2>song that doesn't exist in Russia? That's how it's brought in.

1172
00:54:30.960 --> 00:54:32.800
<v Speaker 2>It's crazy to me that the Russians let him keep

1173
00:54:32.800 --> 00:54:35.519
<v Speaker 2>it because the amount he could have recorded of like

1174
00:54:35.960 --> 00:54:41.400
<v Speaker 2>private conversations, yes with high Russian officials and hidden behind

1175
00:54:41.400 --> 00:54:44.440
<v Speaker 2>a Linel Ritchie record collection is shocking.

1176
00:54:44.639 --> 00:54:47.559
<v Speaker 1>I also think that I think he has it because

1177
00:54:47.920 --> 00:54:50.039
<v Speaker 1>they are trying to they're trying to sweet talk him,

1178
00:54:50.239 --> 00:54:53.079
<v Speaker 1>They're trying to lull him into a false sense of security. Yeah,

1179
00:54:53.119 --> 00:54:56.800
<v Speaker 1>and he is so rightfully paranoid, as we will find

1180
00:54:56.800 --> 00:54:59.599
<v Speaker 1>out that he's not buying anything that Chiko is selling.

1181
00:55:00.039 --> 00:55:03.239
<v Speaker 1>He's just he's trying to string Chiko along. He's trying

1182
00:55:03.280 --> 00:55:06.679
<v Speaker 1>to buy enough that Chico does not bite. Basically, Yeah,

1183
00:55:07.239 --> 00:55:09.880
<v Speaker 1>Nick puts on My Love is Chemical by Lou Reed,

1184
00:55:10.000 --> 00:55:12.440
<v Speaker 1>which this song is queer as hell because there's no

1185
00:55:12.760 --> 00:55:15.800
<v Speaker 1>there is no pronouns in it. Yeah, and it's just

1186
00:55:15.840 --> 00:55:18.039
<v Speaker 1>talking like and lou Read also did Walk on the wild.

1187
00:55:17.880 --> 00:55:22.119
<v Speaker 2>Side, Got a little Yeah, I love that this song.

1188
00:55:22.000 --> 00:55:24.719
<v Speaker 1>Is sexy and queer and I really like it. Yeah.

1189
00:55:24.760 --> 00:55:26.320
<v Speaker 1>And he's like, oh, you want me to dance ballet?

1190
00:55:26.320 --> 00:55:28.760
<v Speaker 1>I'm not gonna attempt to do Michail Gooberchov's accent, you guys,

1191
00:55:28.760 --> 00:55:31.719
<v Speaker 1>because I'm not even gonna try. He's like, you want

1192
00:55:31.760 --> 00:55:34.960
<v Speaker 1>me to dance ballet? He starts to jokingly dance fake ballet,

1193
00:55:35.519 --> 00:55:38.159
<v Speaker 1>and Raymond is like, Wow, I like this song, and

1194
00:55:38.159 --> 00:55:40.679
<v Speaker 1>it's like whoa, whoa, whoa plug your ears? This this

1195
00:55:40.800 --> 00:55:43.079
<v Speaker 1>music is dangerous. People might be watching if they see

1196
00:55:43.079 --> 00:55:45.679
<v Speaker 1>you enjoying this, that's going to be a problem. And

1197
00:55:45.719 --> 00:55:48.360
<v Speaker 1>he gestures above the mirror and we see we see

1198
00:55:48.360 --> 00:55:51.840
<v Speaker 1>a camera filming the two of them, but it's so prominent.

1199
00:55:51.599 --> 00:55:55.480
<v Speaker 2>It's like they move.

1200
00:55:55.559 --> 00:55:57.880
<v Speaker 1>It moves so like you can you can almost see

1201
00:55:57.920 --> 00:56:00.559
<v Speaker 1>like the intern behind it trying to like smoothly move

1202
00:56:00.599 --> 00:56:02.760
<v Speaker 1>it with like just by pulling on a fishing line.

1203
00:56:05.039 --> 00:56:08.119
<v Speaker 2>Nick offers to get serious and do some real ballet,

1204
00:56:08.239 --> 00:56:10.960
<v Speaker 2>and he tells Raymond, I'll bet you seven rubles that

1205
00:56:11.079 --> 00:56:13.639
<v Speaker 2>I can do seven pirouettes in a row. And of course,

1206
00:56:13.639 --> 00:56:16.639
<v Speaker 2>the movie's like, we know he can do it. He's Barishnikoff,

1207
00:56:17.360 --> 00:56:20.519
<v Speaker 2>and if he fails, Raymond can have his boombox and

1208
00:56:20.599 --> 00:56:21.239
<v Speaker 2>all the tapes.

1209
00:56:21.400 --> 00:56:21.639
<v Speaker 1>Yep.

1210
00:56:22.239 --> 00:56:26.079
<v Speaker 2>That is even though Raymond is dirt fucking broke. He's like, okay,

1211
00:56:26.199 --> 00:56:27.519
<v Speaker 2>that's a really good price.

1212
00:56:27.679 --> 00:56:27.920
<v Speaker 1>Yeah.

1213
00:56:28.159 --> 00:56:29.880
<v Speaker 2>He starts to take money out and he's like, I'll

1214
00:56:29.880 --> 00:56:33.239
<v Speaker 2>tell you what. I have eleven rubles in my pocket.

1215
00:56:33.599 --> 00:56:36.960
<v Speaker 2>I want you to do eleven pirouettes. Nick's like, okay,

1216
00:56:37.480 --> 00:56:40.400
<v Speaker 2>don't get fucking serious. This is not an ice skating arena.

1217
00:56:40.440 --> 00:56:44.199
<v Speaker 2>I cannot do eleven piroetes on this floor. And raymond'sh,

1218
00:56:44.880 --> 00:56:48.519
<v Speaker 2>you're the great Nikolai like Rube ta Chenko, I think

1219
00:56:48.559 --> 00:56:51.559
<v Speaker 2>you can do eleven pirouettes. But Nick's like fine, and

1220
00:56:51.639 --> 00:56:54.840
<v Speaker 2>he agrees to the bet he sells. He sets himself up,

1221
00:56:54.880 --> 00:56:59.119
<v Speaker 2>and Erica fucking counts eleven piroettes easy as pied with

1222
00:56:59.239 --> 00:57:01.639
<v Speaker 2>you counting along with absolutely everyone was.

1223
00:57:01.880 --> 00:57:04.679
<v Speaker 1>And it's incredible because that the tenth pirouet he starts

1224
00:57:04.679 --> 00:57:07.400
<v Speaker 1>to slow down, and I mean talk about giving someone

1225
00:57:07.400 --> 00:57:09.760
<v Speaker 1>a middle finger through dance. He slows down, and the

1226
00:57:09.960 --> 00:57:12.000
<v Speaker 1>eleventh pirouet is slow, and then he just puts his

1227
00:57:12.000 --> 00:57:15.039
<v Speaker 1>foot down. Easiest pie. He does this easier than I

1228
00:57:15.079 --> 00:57:16.239
<v Speaker 1>get out of bed in the morning.

1229
00:57:16.400 --> 00:57:18.239
<v Speaker 2>He does this easier than I get out of this

1230
00:57:18.360 --> 00:57:20.400
<v Speaker 2>chair I'm sitting in right now. Every time I get

1231
00:57:20.400 --> 00:57:22.480
<v Speaker 2>out of this chair at my knees buckle.

1232
00:57:22.239 --> 00:57:27.119
<v Speaker 1>And like, oh, I'm trying to think of the thing

1233
00:57:27.199 --> 00:57:30.239
<v Speaker 1>I do as easily as he does these eleven piroetes.

1234
00:57:30.320 --> 00:57:31.079
<v Speaker 2>Mine is belching.

1235
00:57:35.159 --> 00:57:36.880
<v Speaker 1>Should I put a little super cut at the end

1236
00:57:36.920 --> 00:57:40.159
<v Speaker 1>of this episode, because I usually cut them out, But

1237
00:57:40.199 --> 00:57:43.000
<v Speaker 1>in case anyone's wondering, we had Shawarma and I for

1238
00:57:43.039 --> 00:57:44.079
<v Speaker 1>dinner before recording.

1239
00:57:44.199 --> 00:57:47.239
<v Speaker 2>Here's Sharman and I'm still drinking my soda. So there's

1240
00:57:47.280 --> 00:57:54.079
<v Speaker 2>been some purping this evening in the studio. Raymond's jaw drops. Yes,

1241
00:57:54.199 --> 00:57:57.159
<v Speaker 2>as says most people watching the movie, because like this

1242
00:57:57.239 --> 00:57:59.000
<v Speaker 2>is really well written, because they must have gone to

1243
00:57:59.239 --> 00:58:01.840
<v Speaker 2>like bers Off and be like, what's the like high number,

1244
00:58:02.000 --> 00:58:04.000
<v Speaker 2>like top level here what you can do? And he

1245
00:58:04.039 --> 00:58:06.280
<v Speaker 2>probably has like a number like thirteen or fourteen, but

1246
00:58:06.320 --> 00:58:08.840
<v Speaker 2>he's like, let's try eleven, just to make it easy. Yeah,

1247
00:58:08.880 --> 00:58:10.199
<v Speaker 2>And so we're gonna start at seven.

1248
00:58:10.440 --> 00:58:10.840
<v Speaker 1>Yeah.

1249
00:58:10.920 --> 00:58:16.400
<v Speaker 2>Nick gloatingly collects his winnings. He's like, mm, eleven, hole ruples,

1250
00:58:16.480 --> 00:58:18.960
<v Speaker 2>I gonna buye so many things with my new money.

1251
00:58:19.639 --> 00:58:23.239
<v Speaker 2>I finally have money here, and he dances mockingly at him.

1252
00:58:23.320 --> 00:58:25.559
<v Speaker 1>If you don't know how to dance mockingly, allow Mikail

1253
00:58:25.599 --> 00:58:28.119
<v Speaker 1>Barishnikov to show you. The man truly can dance anything.

1254
00:58:28.239 --> 00:58:28.840
<v Speaker 2>He really can.

1255
00:58:29.039 --> 00:58:29.239
<v Speaker 1>Yeah.

1256
00:58:29.360 --> 00:58:31.199
<v Speaker 2>Yeah, he's such a dick in the scene is really good.

1257
00:58:31.320 --> 00:58:32.079
<v Speaker 1>I love it.

1258
00:58:32.079 --> 00:58:32.559
<v Speaker 2>It's so good.

1259
00:58:32.679 --> 00:58:37.159
<v Speaker 1>It's so good. The door opens and Galina Ivanova played

1260
00:58:37.159 --> 00:58:40.239
<v Speaker 1>by Helen Mirren, the ballerina from the photo and Nick's apartment,

1261
00:58:40.320 --> 00:58:42.239
<v Speaker 1>or at least the face of the ballerina in the

1262
00:58:42.239 --> 00:58:46.199
<v Speaker 1>photo from Nick's apartment enters, She claps her hands at

1263
00:58:46.239 --> 00:58:48.400
<v Speaker 1>the mocking dancing and says, very impressive.

1264
00:58:48.519 --> 00:58:51.360
<v Speaker 2>Nick is embarrassed. That's excellent, excellent to have this moment

1265
00:58:51.440 --> 00:58:52.920
<v Speaker 2>happened right before she walks in.

1266
00:58:53.079 --> 00:58:56.800
<v Speaker 1>Absolutely. Nick is shocked. He's embarrassed. He's like, stop the music.

1267
00:58:57.280 --> 00:58:59.719
<v Speaker 1>He even says please to Raymond, please stop the music.

1268
00:59:00.039 --> 00:59:02.960
<v Speaker 1>Galina asks Raymond to please wait outside, and he does.

1269
00:59:03.000 --> 00:59:04.960
<v Speaker 1>He just gets up and leaves. He's not not super

1270
00:59:05.000 --> 00:59:08.639
<v Speaker 1>interested the two of them. Okay, So Helen Mirren is

1271
00:59:09.280 --> 00:59:12.159
<v Speaker 1>the sully that lands the plane of this movie. I think,

1272
00:59:12.360 --> 00:59:18.159
<v Speaker 1>like like she is able to bring the Russian tragedy

1273
00:59:18.320 --> 00:59:23.440
<v Speaker 1>mellow drama and like ground it very shockingly easily. She

1274
00:59:23.519 --> 00:59:24.519
<v Speaker 1>makes it effortless, aren't you.

1275
00:59:24.559 --> 00:59:25.079
<v Speaker 2>Yeah?

1276
00:59:25.159 --> 00:59:27.559
<v Speaker 1>There are two scenes been her and Mikhail Brushnikov that

1277
00:59:27.599 --> 00:59:31.239
<v Speaker 1>are heartbreaking. Yeah, And I truly do not mean to

1278
00:59:31.239 --> 00:59:33.079
<v Speaker 1>take anything away from him when I say this. It's

1279
00:59:33.119 --> 00:59:34.519
<v Speaker 1>just she's so good.

1280
00:59:35.239 --> 00:59:37.559
<v Speaker 2>Yeah, No, no, I'm taking things away. You can't be

1281
00:59:37.719 --> 00:59:39.679
<v Speaker 2>that good of a dancer and a good actor.

1282
00:59:39.719 --> 00:59:41.480
<v Speaker 1>It's not fair and that hot.

1283
00:59:41.880 --> 00:59:46.480
<v Speaker 2>No, unfair. No, you get one, you get one, Misha.

1284
00:59:47.800 --> 00:59:52.599
<v Speaker 1>So Nick approaches Galina, he embraces her. They break apart

1285
00:59:52.639 --> 00:59:55.639
<v Speaker 1>and they make small talk for a moment in Russian,

1286
00:59:55.840 --> 00:59:57.920
<v Speaker 1>and then Galina says, well, why are we speaking in Russian?

1287
00:59:57.960 --> 01:00:00.880
<v Speaker 1>You're American now, aren't you. Nick says, I thought I

1288
01:00:00.880 --> 01:00:04.079
<v Speaker 1>would never see you again, and she calls him a bastard,

1289
01:00:04.119 --> 01:00:05.840
<v Speaker 1>and she explains what she had to go through in

1290
01:00:05.920 --> 01:00:09.239
<v Speaker 1>Russia when he defected to the West. So essentially they

1291
01:00:09.320 --> 01:00:12.239
<v Speaker 1>went on a trip to dance together and he did

1292
01:00:12.320 --> 01:00:15.639
<v Speaker 1>not go back yep. So when she got back to Russia,

1293
01:00:15.679 --> 01:00:19.320
<v Speaker 1>the KGB was extremely interested in what she knew and

1294
01:00:19.400 --> 01:00:22.480
<v Speaker 1>what she knew about him leaving. She was interrogated by

1295
01:00:22.519 --> 01:00:25.079
<v Speaker 1>them every week for three years and had no passport

1296
01:00:25.119 --> 01:00:28.679
<v Speaker 1>for four so she underwent a lot of shit because

1297
01:00:28.719 --> 01:00:31.320
<v Speaker 1>of Nick's defection. And he points out, well, you must

1298
01:00:31.360 --> 01:00:33.760
<v Speaker 1>have answered the questions well, because now you run the

1299
01:00:33.840 --> 01:00:36.559
<v Speaker 1>Kire of Ballet. That's the beautiful ballet theater that we

1300
01:00:36.599 --> 01:00:39.920
<v Speaker 1>saw before she takes a deep breath, she calms herself.

1301
01:00:40.360 --> 01:00:42.800
<v Speaker 1>She offers him a place at the care of She says,

1302
01:00:43.079 --> 01:00:45.840
<v Speaker 1>it's a generous offer and you would be intelligent to

1303
01:00:45.920 --> 01:00:50.320
<v Speaker 1>take it, And at this point she believes it's an

1304
01:00:50.360 --> 01:00:51.079
<v Speaker 1>actual offer.

1305
01:00:51.639 --> 01:00:54.679
<v Speaker 2>She's done. Well there, yeah, just do I mean my

1306
01:00:54.719 --> 01:00:57.199
<v Speaker 2>life is not bad. Yeah, like just do what you're

1307
01:00:57.199 --> 01:00:59.920
<v Speaker 2>told and it's fine. And it's the doing what you're

1308
01:01:00.119 --> 01:01:03.079
<v Speaker 2>told part that's the that's actually the sticking point. He's

1309
01:01:03.079 --> 01:01:05.480
<v Speaker 2>not concerned that he's gonna live better in Russia, then

1310
01:01:05.480 --> 01:01:07.440
<v Speaker 2>he'll live anywhere else. It's just like I want to

1311
01:01:07.440 --> 01:01:08.840
<v Speaker 2>be able to do what I fucking want to do

1312
01:01:08.880 --> 01:01:09.360
<v Speaker 2>with my life.

1313
01:01:09.480 --> 01:01:11.679
<v Speaker 1>Yep. He says he can't take it, and he goes

1314
01:01:11.719 --> 01:01:13.440
<v Speaker 1>over to her because remember there's still a camera in

1315
01:01:13.480 --> 01:01:15.119
<v Speaker 1>the room and they're kind of standing at the bar

1316
01:01:15.599 --> 01:01:17.039
<v Speaker 1>in front of the mirror and they're kind of facing

1317
01:01:17.079 --> 01:01:19.280
<v Speaker 1>away from the camera, and he whispers to her, get

1318
01:01:19.320 --> 01:01:21.519
<v Speaker 1>word to someone in the west, tell them that I

1319
01:01:21.559 --> 01:01:23.800
<v Speaker 1>am well and I am being held captive. Please, and

1320
01:01:24.280 --> 01:01:26.599
<v Speaker 1>she scoffs that she would do anything to help him,

1321
01:01:27.119 --> 01:01:29.079
<v Speaker 1>and he promises that he didn't want to leave or

1322
01:01:29.159 --> 01:01:31.280
<v Speaker 1>he says, I was in love with you, and she

1323
01:01:31.800 --> 01:01:34.199
<v Speaker 1>just oh, she walks out.

1324
01:01:34.400 --> 01:01:37.840
<v Speaker 2>Yeah, well she seems really hurt. Yeah, like, the first

1325
01:01:37.920 --> 01:01:40.679
<v Speaker 2>chance you get to talk to me after breaking up

1326
01:01:40.719 --> 01:01:42.599
<v Speaker 2>with me and breaking my heart eight years ago, and

1327
01:01:42.639 --> 01:01:45.119
<v Speaker 2>you're asking for something, you're asking for a favor, like

1328
01:01:45.800 --> 01:01:49.559
<v Speaker 2>like you're not even trying to apologize, like sincerely for

1329
01:01:49.639 --> 01:01:52.000
<v Speaker 2>what he did to my life, Like this is a lot.

1330
01:01:52.079 --> 01:01:54.199
<v Speaker 2>I actually feel really bad for this woman, Like I

1331
01:01:54.480 --> 01:01:58.000
<v Speaker 2>get it. This sucks. I mean, who hasn't been left

1332
01:01:58.000 --> 01:02:00.599
<v Speaker 2>by their lover after they defect a country and then

1333
01:02:00.639 --> 01:02:04.199
<v Speaker 2>your country, Yeah, interrogates you relentlessly and hounds you and

1334
01:02:04.280 --> 01:02:06.599
<v Speaker 2>makes you feel like a like a second class citizen

1335
01:02:06.639 --> 01:02:09.159
<v Speaker 2>in your own Like, girl, if I had a nickel, if.

1336
01:02:08.960 --> 01:02:10.360
<v Speaker 1>I had a ruble for everyone.

1337
01:02:10.679 --> 01:02:15.039
<v Speaker 2>Yeah. Galina gets into a car with Chiko and he's like, well,

1338
01:02:15.199 --> 01:02:17.239
<v Speaker 2>did Nick agree to dance at the care off? And

1339
01:02:17.280 --> 01:02:20.119
<v Speaker 2>she's like, what position would he be given at the

1340
01:02:20.119 --> 01:02:22.840
<v Speaker 2>ballet if he danced at the opening? I'm curious, like

1341
01:02:22.840 --> 01:02:24.800
<v Speaker 2>how much am I gonna actually have to keep working

1342
01:02:24.800 --> 01:02:27.679
<v Speaker 2>with this guy who continues to break my heart over

1343
01:02:27.719 --> 01:02:28.320
<v Speaker 2>and over again?

1344
01:02:28.400 --> 01:02:29.679
<v Speaker 1>Oh? Do you think that's why she's asking?

1345
01:02:29.960 --> 01:02:31.920
<v Speaker 2>I think she's asking two reasons. I think part of

1346
01:02:31.920 --> 01:02:33.559
<v Speaker 2>it is, Yeah, part of it is like she's like

1347
01:02:33.599 --> 01:02:37.199
<v Speaker 2>this guy, imagine this is still her ex, so there

1348
01:02:37.280 --> 01:02:39.719
<v Speaker 2>is like a deeply personal thing here, and she's like

1349
01:02:39.719 --> 01:02:41.320
<v Speaker 2>how closely am I gonna have to keep working with

1350
01:02:41.360 --> 01:02:44.280
<v Speaker 2>this person? And also I think she is now curious

1351
01:02:44.360 --> 01:02:45.800
<v Speaker 2>as to like what the plot is.

1352
01:02:46.360 --> 01:02:48.960
<v Speaker 1>Yeah, I think she's asking because she wants to be

1353
01:02:49.039 --> 01:02:50.639
<v Speaker 1>sure that he's not going to be hurt.

1354
01:02:50.840 --> 01:02:53.719
<v Speaker 2>Yeah, yeah, a little bit. I think it's this performance

1355
01:02:53.719 --> 01:02:56.039
<v Speaker 2>to me leads me to think it's both things happening at.

1356
01:02:55.920 --> 01:02:56.760
<v Speaker 1>The same Absolutely.

1357
01:02:56.840 --> 01:02:59.800
<v Speaker 2>Yeah, Chiko says, well, I don't think Nick would be

1358
01:02:59.800 --> 01:03:03.159
<v Speaker 2>a available after opening night. He's gonna have to take

1359
01:03:03.199 --> 01:03:07.719
<v Speaker 2>some time off after opening night for a very long debriefing.

1360
01:03:08.360 --> 01:03:10.519
<v Speaker 1>I know this is meant to sound threatening, but Misha

1361
01:03:10.519 --> 01:03:12.360
<v Speaker 1>Barishnikov getting a long debriefing.

1362
01:03:13.480 --> 01:03:15.840
<v Speaker 2>I I'm sorry, I don't see the problem start.

1363
01:03:15.960 --> 01:03:18.880
<v Speaker 1>And while we're on the topic, these Instagram videos that

1364
01:03:18.920 --> 01:03:21.880
<v Speaker 1>are being served to me of these men pulling off

1365
01:03:21.880 --> 01:03:25.519
<v Speaker 1>their underwear to have another pair of underwear underneath. Who

1366
01:03:26.360 --> 01:03:27.960
<v Speaker 1>thinks that that's what I want to see?

1367
01:03:28.039 --> 01:03:36.360
<v Speaker 2>That's tachi, it's gross, it's ghosts. What a counter these? Okay,

1368
01:03:36.360 --> 01:03:38.239
<v Speaker 2>thank you, I'm just getting cat videos. I'm getting the

1369
01:03:38.280 --> 01:03:38.840
<v Speaker 2>internet wrong.

1370
01:03:38.960 --> 01:03:41.719
<v Speaker 1>I'm literally they figured it out. It's it is just

1371
01:03:41.880 --> 01:03:45.280
<v Speaker 1>men like in spandex stretching their legs over their heads

1372
01:03:45.280 --> 01:03:47.960
<v Speaker 1>and then looking at the camera and everything short of

1373
01:03:48.000 --> 01:03:53.039
<v Speaker 1>full genital So Nick tells Raymond that he's going to

1374
01:03:53.039 --> 01:03:56.480
<v Speaker 1>take a shower. They're still in the studio. Raymond heads

1375
01:03:56.519 --> 01:03:59.519
<v Speaker 1>back into the studio while Nick climbs out of a

1376
01:03:59.559 --> 01:04:02.760
<v Speaker 1>window in the shower. In the shower room, Raymond puts

1377
01:04:02.800 --> 01:04:05.480
<v Speaker 1>on music on the jukebox and he starts to tap dance.

1378
01:04:05.480 --> 01:04:09.760
<v Speaker 1>He starts more tap improvography. He starts dancing harder and harder,

1379
01:04:09.880 --> 01:04:12.679
<v Speaker 1>and harder and harder. He is Wren mccormicking to the

1380
01:04:12.800 --> 01:04:13.400
<v Speaker 1>end degree.

1381
01:04:13.559 --> 01:04:15.559
<v Speaker 2>He's letting all his feelings out.

1382
01:04:15.400 --> 01:04:20.239
<v Speaker 1>Dancing out his feelings. Meanwhile, Nick sneaks through the kira

1383
01:04:20.280 --> 01:04:23.039
<v Speaker 1>of ballet. He gets up out onto the roof. He's

1384
01:04:23.079 --> 01:04:24.320
<v Speaker 1>trying to find.

1385
01:04:24.199 --> 01:04:27.199
<v Speaker 2>Some contact that he can he knows.

1386
01:04:27.039 --> 01:04:29.960
<v Speaker 1>Someone he knows. Yeah. So while Raymond is finally dancing

1387
01:04:30.000 --> 01:04:32.639
<v Speaker 1>because he feels like it, Nick winds up in a

1388
01:04:32.679 --> 01:04:38.239
<v Speaker 1>ballet class with all girls and one little comrade Helen.

1389
01:04:38.599 --> 01:04:41.800
<v Speaker 2>Fucking mean little bitch. That is my hero.

1390
01:04:42.239 --> 01:04:46.880
<v Speaker 1>Because we know, we know that Nick is not a pervert.

1391
01:04:47.480 --> 01:04:49.800
<v Speaker 2>However, that girl is like, get out of here. You

1392
01:04:49.920 --> 01:04:50.840
<v Speaker 2>discussed because.

1393
01:04:50.639 --> 01:04:53.440
<v Speaker 1>He comes in through the fucking wind the windows, like, oh,

1394
01:04:53.519 --> 01:04:56.079
<v Speaker 1>who's your ballet teacher? And some one of the girls

1395
01:04:56.079 --> 01:04:58.119
<v Speaker 1>says that Semyonov or something like that, and he's like, oh,

1396
01:04:58.159 --> 01:05:00.639
<v Speaker 1>I know him, I know him, and he keeps towards them,

1397
01:05:00.639 --> 01:05:01.719
<v Speaker 1>and this girl is like.

1398
01:05:02.239 --> 01:05:08.480
<v Speaker 2>Fuck off, brilliant little Regina George head, bitch in charge. Yeah,

1399
01:05:08.519 --> 01:05:10.760
<v Speaker 2>this kid is my favorite person in a whole movie.

1400
01:05:10.840 --> 01:05:12.440
<v Speaker 1>She's great, she's she's.

1401
01:05:12.360 --> 01:05:16.239
<v Speaker 2>Such a ballbuster. She's like, get out. She's nine, you guys,

1402
01:05:16.480 --> 01:05:18.599
<v Speaker 2>this is not a fifteen or eighteen year old. She

1403
01:05:18.719 --> 01:05:21.199
<v Speaker 2>is nine. And she's wearing a le a dancing guitar

1404
01:05:21.320 --> 01:05:25.639
<v Speaker 2>and she's like, get out, you pervert, so we will

1405
01:05:25.679 --> 01:05:26.239
<v Speaker 2>report you.

1406
01:05:26.599 --> 01:05:30.440
<v Speaker 1>He says, I'm Nikolai Radchenko. I danced here and they

1407
01:05:30.440 --> 01:05:33.920
<v Speaker 1>have never heard of him. Yeah, crucially, and that that

1408
01:05:33.960 --> 01:05:36.199
<v Speaker 1>pulls him up short, right, that is like, what do

1409
01:05:36.239 --> 01:05:38.320
<v Speaker 1>you what do you mean? I'm I was one of

1410
01:05:38.320 --> 01:05:40.199
<v Speaker 1>the greatest dancers in Russia? What do you mean You've

1411
01:05:40.199 --> 01:05:43.840
<v Speaker 1>never heard of me? And she's like excuse me, and

1412
01:05:43.880 --> 01:05:45.920
<v Speaker 1>she goes and she grabs a curtain rod and she's

1413
01:05:46.000 --> 01:05:50.559
<v Speaker 1>like get out, and he's like, I'm going. At that point,

1414
01:05:50.559 --> 01:05:52.360
<v Speaker 1>he really is already walking back to the window, and

1415
01:05:52.400 --> 01:05:56.840
<v Speaker 1>she's like, keep going, bitch, and he's like, Jesus an asshole, this.

1416
01:05:56.679 --> 01:06:00.320
<v Speaker 2>Is my hero. I aspire to live every day like

1417
01:06:00.360 --> 01:06:06.039
<v Speaker 2>this bitchy Russian girl. Be this girl. Be the bitchy

1418
01:06:06.159 --> 01:06:09.960
<v Speaker 2>Russian ballerina in your life, Like, be that person for yourself,

1419
01:06:10.440 --> 01:06:13.039
<v Speaker 2>advocate for yourself and your friends. None of the other

1420
01:06:13.079 --> 01:06:16.280
<v Speaker 2>ballerina's just saying shit. No, they don't have to. No,

1421
01:06:16.320 --> 01:06:19.280
<v Speaker 2>they have a fucking hell cat at the helm who's

1422
01:06:19.320 --> 01:06:20.360
<v Speaker 2>gonna take charge.

1423
01:06:20.440 --> 01:06:23.039
<v Speaker 1>They know Olga's gonna take care of shit. Olga's the

1424
01:06:23.079 --> 01:06:23.639
<v Speaker 1>Queen Bee.

1425
01:06:23.760 --> 01:06:24.599
<v Speaker 2>I love this kiss.

1426
01:06:24.679 --> 01:06:26.960
<v Speaker 1>If you just do what Olga tells you to do,

1427
01:06:27.079 --> 01:06:28.079
<v Speaker 1>everything is fine.

1428
01:06:28.159 --> 01:06:31.480
<v Speaker 2>Everything's fine. I wish Olga was in the United States

1429
01:06:31.519 --> 01:06:33.280
<v Speaker 2>just so she could be on our side. Yeah, because

1430
01:06:33.320 --> 01:06:35.800
<v Speaker 2>we need more. We need more Olga than the world.

1431
01:06:36.800 --> 01:06:38.440
<v Speaker 1>Be the Olga you want to see.

1432
01:06:38.559 --> 01:06:38.920
<v Speaker 2>Haha.

1433
01:06:40.000 --> 01:06:43.320
<v Speaker 1>All right, Erica, it's halfway through the movie Raymond. Raymond

1434
01:06:43.400 --> 01:06:47.239
<v Speaker 1>is coming alive. Nick is is that loose ends? Oh

1435
01:06:47.280 --> 01:06:49.440
<v Speaker 1>my god, he's been stunned by this revelation. Has been

1436
01:06:49.440 --> 01:06:52.000
<v Speaker 1>a race from history. Is it time for commercials?

1437
01:06:52.119 --> 01:06:52.440
<v Speaker 2>Sure?

1438
01:06:52.719 --> 01:06:54.719
<v Speaker 1>All right, stick around, We'll be right back to take

1439
01:06:54.760 --> 01:06:56.519
<v Speaker 1>you through the end of White Knights.

1440
01:06:57.000 --> 01:07:01.639
<v Speaker 2>Enjoy these commercials for Russian vodka that was just like

1441
01:07:01.760 --> 01:07:04.000
<v Speaker 2>the count from Sesame Street. That was bad.

1442
01:07:13.159 --> 01:07:19.320
<v Speaker 1>And we're back white liness connected to Mama. Do you

1443
01:07:19.320 --> 01:07:21.880
<v Speaker 1>think they approached Grandmaster Flash to ask him to do

1444
01:07:22.000 --> 01:07:23.320
<v Speaker 1>like a remake of White Lines.

1445
01:07:23.559 --> 01:07:27.239
<v Speaker 2>It's called white knights, called white knights, white nights.

1446
01:07:28.079 --> 01:07:36.119
<v Speaker 3>Not so what they end at nine pm a night,

1447
01:07:36.199 --> 01:07:37.840
<v Speaker 3>so white they don't season their potato salad.

1448
01:07:38.039 --> 01:07:42.159
<v Speaker 2>Yeah, now are you thinking k I N I T HG.

1449
01:07:42.239 --> 01:07:42.840
<v Speaker 2>I misspelled that.

1450
01:07:42.880 --> 01:07:43.360
<v Speaker 1>It doesn't matter.

1451
01:07:43.360 --> 01:07:45.400
<v Speaker 2>You get what I'm saying. Like a man in a

1452
01:07:45.480 --> 01:07:48.400
<v Speaker 2>in a full suit of armor making potato salad. Absolutely,

1453
01:07:48.480 --> 01:07:51.800
<v Speaker 2>but he's bad at it. He season it correctly. That's

1454
01:07:51.840 --> 01:07:53.719
<v Speaker 2>a white knight making some potato.

1455
01:07:53.360 --> 01:08:00.639
<v Speaker 1>Salad, all right, Erica. When when we last left Raymond,

1456
01:08:00.719 --> 01:08:03.159
<v Speaker 1>he was dancing his heart out in the studio. When

1457
01:08:03.159 --> 01:08:05.320
<v Speaker 1>we last left Nick, he was being chased out of

1458
01:08:05.320 --> 01:08:07.639
<v Speaker 1>the ballet dance room by comrade Helean.

1459
01:08:07.800 --> 01:08:11.159
<v Speaker 2>Bye, Olga, the Great, Olga the Great. Oh God, that kid,

1460
01:08:11.519 --> 01:08:15.400
<v Speaker 2>that's the best kid Nomina. I know she's a small

1461
01:08:15.440 --> 01:08:17.199
<v Speaker 2>part in a movie, and she's technically one of the

1462
01:08:17.239 --> 01:08:19.000
<v Speaker 2>bad guys, but I don't care. I fucking love this.

1463
01:08:19.319 --> 01:08:22.279
<v Speaker 1>She's great. She's a little too dictatorial. I love where

1464
01:08:22.279 --> 01:08:24.720
<v Speaker 1>she's going. I need some of the edges shaved off hah.

1465
01:08:25.920 --> 01:08:28.560
<v Speaker 1>All right, So Nick returns to the studio. Raymond is

1466
01:08:28.600 --> 01:08:31.920
<v Speaker 1>none the wiser about his little adventure with Comrade Olga.

1467
01:08:32.039 --> 01:08:34.479
<v Speaker 1>Raymond is listening to his music. He's like, don't you

1468
01:08:34.520 --> 01:08:37.039
<v Speaker 1>miss this music? Come on, and Raymond admits that he does.

1469
01:08:37.159 --> 01:08:40.119
<v Speaker 1>He says there's nothing left in America for me, and

1470
01:08:40.199 --> 01:08:43.640
<v Speaker 1>Nick is like, that's bullshit, and Raymond says no, actually,

1471
01:08:43.680 --> 01:08:46.039
<v Speaker 1>like I'd be arrested if I went back. And also,

1472
01:08:46.119 --> 01:08:48.159
<v Speaker 1>my father won't speak to me, and my brother is

1473
01:08:48.199 --> 01:08:50.279
<v Speaker 1>ashamed of me. And my mother got sick a few

1474
01:08:50.359 --> 01:08:52.159
<v Speaker 1>years ago and I tried to call to speak to

1475
01:08:52.159 --> 01:08:53.920
<v Speaker 1>her and no one would even take the call. They

1476
01:08:53.960 --> 01:08:56.239
<v Speaker 1>all blame me for her dying. They think meat affecting

1477
01:08:56.279 --> 01:08:57.800
<v Speaker 1>to Russia killed my mother.

1478
01:08:58.079 --> 01:09:01.600
<v Speaker 2>And then Nick's like, oh, really, hard to think of

1479
01:09:01.640 --> 01:09:02.800
<v Speaker 2>a counterpoint, buddy.

1480
01:09:02.560 --> 01:09:03.760
<v Speaker 1>Well, I guess you do have a point.

1481
01:09:03.840 --> 01:09:09.640
<v Speaker 2>However, Big Max, how about that? How about Big Max? Buddy?

1482
01:09:09.680 --> 01:09:12.399
<v Speaker 1>We got Big Max the pop music of nineteen eighty five.

1483
01:09:13.399 --> 01:09:17.720
<v Speaker 2>Genuinely almost, yeah, almost. I feel like England would give

1484
01:09:17.720 --> 01:09:18.640
<v Speaker 2>you just as much of a.

1485
01:09:18.760 --> 01:09:20.840
<v Speaker 1>Yeah, you get to England like you go to England.

1486
01:09:20.560 --> 01:09:22.960
<v Speaker 2>It's just as good. Yeah, but yeah, no, that's the

1487
01:09:23.039 --> 01:09:26.239
<v Speaker 2>scenes where Gregory Hines gets to drop in and like

1488
01:09:26.600 --> 01:09:28.159
<v Speaker 2>he's so good and so effective.

1489
01:09:28.399 --> 01:09:28.600
<v Speaker 1>Yeah.

1490
01:09:28.800 --> 01:09:30.880
<v Speaker 2>The next day at the apartment, a large feast is

1491
01:09:30.880 --> 01:09:33.039
<v Speaker 2>brought in for Nick, Raymond and Daria. Do they know

1492
01:09:33.079 --> 01:09:35.359
<v Speaker 2>where it comes from? Like, I don't really recall it

1493
01:09:35.960 --> 01:09:36.359
<v Speaker 2>brought in?

1494
01:09:36.840 --> 01:09:40.119
<v Speaker 1>Yeah, I think Nick seems to think that he's being

1495
01:09:40.560 --> 01:09:41.800
<v Speaker 1>awarded for something.

1496
01:09:41.880 --> 01:09:45.159
<v Speaker 2>So they're trying to like seduce exactly. They're like, how

1497
01:09:45.159 --> 01:09:48.119
<v Speaker 2>about instead of Big Max? Yeah, how about Borsch?

1498
01:09:48.479 --> 01:09:49.800
<v Speaker 1>Have you considered aspect?

1499
01:09:51.680 --> 01:09:54.000
<v Speaker 2>And Nick suggests to them that they all enjoy it

1500
01:09:54.239 --> 01:09:56.760
<v Speaker 2>because that's what life for the elite is like in

1501
01:09:56.800 --> 01:09:59.760
<v Speaker 2>the Soviet Union, because they are just as decadent as

1502
01:09:59.800 --> 01:10:02.800
<v Speaker 2>every everywhere else in the world. And Daria says, well,

1503
01:10:02.840 --> 01:10:05.479
<v Speaker 2>just for tonight, I just really want to be decadent, guys.

1504
01:10:05.520 --> 01:10:08.000
<v Speaker 2>This is caviar. Like the food they brought it is beautiful.

1505
01:10:08.039 --> 01:10:10.000
<v Speaker 2>And she's like, I just really want to try this

1506
01:10:10.039 --> 01:10:11.000
<v Speaker 2>caviar because it looks like.

1507
01:10:11.079 --> 01:10:12.880
<v Speaker 1>I've been in Siberia for five years.

1508
01:10:13.039 --> 01:10:17.520
<v Speaker 2>Yeah, I've eaten so much herring. So her excitement is infectious.

1509
01:10:17.520 --> 01:10:20.119
<v Speaker 2>She's adorable, right, And Nick's like, you know what, You're right,

1510
01:10:20.159 --> 01:10:22.600
<v Speaker 2>Let's enjoy it. So he toasts them with a welcome

1511
01:10:22.720 --> 01:10:27.039
<v Speaker 2>to my house, to my apartment, and just then, fucking hell,

1512
01:10:27.159 --> 01:10:31.000
<v Speaker 2>the door slams open and Chico appears, fresh from killing

1513
01:10:31.000 --> 01:10:34.239
<v Speaker 2>the rainforest. Colonel Chico's here and he.

1514
01:10:34.399 --> 01:10:37.399
<v Speaker 1>Is determined to catch Carmen san Diego. This time. She

1515
01:10:37.560 --> 01:10:39.960
<v Speaker 1>is not going to slip through his fingers one more time.

1516
01:10:40.520 --> 01:10:43.840
<v Speaker 2>Chico is furious at Raymond and for Nick's little detour

1517
01:10:43.880 --> 01:10:45.800
<v Speaker 2>in the ballet studio the day before, and of course

1518
01:10:45.880 --> 01:10:47.720
<v Speaker 2>Raymond still doesn't know what happened. He's like, well, I

1519
01:10:47.720 --> 01:10:49.319
<v Speaker 2>don't literally don't know what you're talking about.

1520
01:10:49.439 --> 01:10:49.920
<v Speaker 1>Yeah.

1521
01:10:49.960 --> 01:10:52.239
<v Speaker 2>This is when he finds out that while he's supposed

1522
01:10:52.239 --> 01:10:54.359
<v Speaker 2>to be was supposedly taking a shower, Nick went on

1523
01:10:54.439 --> 01:10:56.119
<v Speaker 2>a little a little escapade.

1524
01:10:55.800 --> 01:10:57.359
<v Speaker 1>A little side quest, if you will.

1525
01:10:57.680 --> 01:11:00.960
<v Speaker 2>Chico is pissed, and he tells Raymond, well, you'll see

1526
01:11:01.000 --> 01:11:03.399
<v Speaker 2>now what happens when you cross me and the men

1527
01:11:03.520 --> 01:11:07.399
<v Speaker 2>take Daria away, as she's like pleading with Raymond, don't

1528
01:11:07.479 --> 01:11:09.479
<v Speaker 2>argue with them, don't fight, like I'll be okay, I'll

1529
01:11:09.520 --> 01:11:12.880
<v Speaker 2>be okay, I'll be okay. And Raymond is genuinely terrified

1530
01:11:12.880 --> 01:11:15.079
<v Speaker 2>and furious, so like, what are you doing with my wife?

1531
01:11:15.199 --> 01:11:17.199
<v Speaker 2>Where are you taking her. Oh my god, Oh my god.

1532
01:11:17.520 --> 01:11:21.600
<v Speaker 1>So Daria is gone now, and Nick admits to Raymond

1533
01:11:21.600 --> 01:11:23.560
<v Speaker 1>what he did. Raymond kicks him in the gut and

1534
01:11:23.600 --> 01:11:25.920
<v Speaker 1>he I mean go. He slams him up against the

1535
01:11:25.920 --> 01:11:28.000
<v Speaker 1>bureau and he's screaming at him, I will kill you

1536
01:11:28.159 --> 01:11:30.720
<v Speaker 1>if they hurt if they hurt Daria, I will kill you.

1537
01:11:31.479 --> 01:11:34.439
<v Speaker 1>I'm just now remembering realizing that Daria because it's spelled

1538
01:11:34.479 --> 01:11:37.000
<v Speaker 1>d a r y a. But it also just sounds

1539
01:11:37.039 --> 01:11:41.079
<v Speaker 1>like Daria, like our Daria.

1540
01:11:40.199 --> 01:11:44.239
<v Speaker 2>The cartoon character. Yeah, the laconic teenage girl.

1541
01:11:44.079 --> 01:11:47.079
<v Speaker 1>And and picturing like that Daria in this situation is

1542
01:11:47.079 --> 01:11:47.680
<v Speaker 1>pretty funny.

1543
01:11:47.720 --> 01:11:49.319
<v Speaker 2>I don't think she would have eaten the caviar.

1544
01:11:49.439 --> 01:11:49.880
<v Speaker 1>I don't think so.

1545
01:11:49.960 --> 01:11:50.479
<v Speaker 2>I don't think so.

1546
01:11:50.479 --> 01:11:52.079
<v Speaker 1>I think she would have been deeply unimpressed.

1547
01:11:52.199 --> 01:11:54.159
<v Speaker 2>Yeah, she would have been like, it's just fish. Yeah,

1548
01:11:55.159 --> 01:11:56.319
<v Speaker 2>it's not even that impressive.

1549
01:11:56.640 --> 01:12:00.159
<v Speaker 1>So Nick spits back that this is life in Russia.

1550
01:12:00.399 --> 01:12:02.840
<v Speaker 1>The implication here they didn't quite say, is that Daria

1551
01:12:03.000 --> 01:12:05.039
<v Speaker 1>is in this situation because she's married to Nick. She

1552
01:12:05.079 --> 01:12:09.479
<v Speaker 1>could have married someone on a better upward trajectory and also.

1553
01:12:09.319 --> 01:12:12.279
<v Speaker 2>Under the radar, like Nick's on the Ray is on

1554
01:12:12.319 --> 01:12:13.079
<v Speaker 2>the radar, whether he.

1555
01:12:13.119 --> 01:12:16.520
<v Speaker 1>Likes it or not exactly, And so Raymond starts to

1556
01:12:16.560 --> 01:12:18.600
<v Speaker 1>break down. Nick sits him down. He's like, look, it's

1557
01:12:18.600 --> 01:12:20.680
<v Speaker 1>gonna be all right. He goes over to the boom box.

1558
01:12:20.720 --> 01:12:23.119
<v Speaker 1>He turns on some loud music and he's like, okay,

1559
01:12:23.800 --> 01:12:26.279
<v Speaker 1>now I will trust you. Yeah, And then we cut

1560
01:12:26.279 --> 01:12:28.159
<v Speaker 1>away and we don't know what. We don't know what.

1561
01:12:28.000 --> 01:12:29.760
<v Speaker 2>Transpires next, what they're cooking up.

1562
01:12:29.840 --> 01:12:30.880
<v Speaker 1>Do you think they make out?

1563
01:12:31.720 --> 01:12:34.079
<v Speaker 2>God, I wish. I feel like that's a bad time.

1564
01:12:34.119 --> 01:12:35.960
<v Speaker 2>That's a bad time for Nick to approach that subject.

1565
01:12:35.960 --> 01:12:36.199
<v Speaker 1>It is.

1566
01:12:36.520 --> 01:12:41.000
<v Speaker 2>It's like, I look like, look, this might be too soon. However,

1567
01:12:42.560 --> 01:12:44.079
<v Speaker 2>do you want that we've got rid of doi?

1568
01:12:45.920 --> 01:12:47.479
<v Speaker 1>Just we're just two men alone.

1569
01:12:47.680 --> 01:12:50.960
<v Speaker 2>We're just two men alone in this giant apartment, all

1570
01:12:51.000 --> 01:12:54.239
<v Speaker 2>this eighties music, syncopated eighties music.

1571
01:12:54.720 --> 01:12:56.600
<v Speaker 1>And I basically don't have hamstrings.

1572
01:12:56.680 --> 01:13:01.720
<v Speaker 2>So this my favorite trope, by the way, in any

1573
01:13:01.720 --> 01:13:04.479
<v Speaker 2>of these movies where someone just plays music really loudly

1574
01:13:04.960 --> 01:13:07.640
<v Speaker 2>and like the bugs in the room can't hear them anymore.

1575
01:13:08.399 --> 01:13:11.079
<v Speaker 2>It happens so much of this movie where they get

1576
01:13:11.119 --> 01:13:13.399
<v Speaker 2>away with so much, just like turning the volume up

1577
01:13:13.439 --> 01:13:15.279
<v Speaker 2>to seven on the boom.

1578
01:13:14.920 --> 01:13:18.159
<v Speaker 1>Box, it's like universal movie language for all surveillance has

1579
01:13:18.199 --> 01:13:18.880
<v Speaker 1>been canceled.

1580
01:13:19.119 --> 01:13:21.520
<v Speaker 2>Like if I were surveilling them, and they're like, the

1581
01:13:21.520 --> 01:13:23.319
<v Speaker 2>thing is, it's not like the guys like, it's not

1582
01:13:23.359 --> 01:13:25.720
<v Speaker 2>like they're not supposed to know they're under surveillance. They

1583
01:13:25.800 --> 01:13:27.840
<v Speaker 2>know they're under surveillance. So if I was the guy

1584
01:13:27.960 --> 01:13:30.199
<v Speaker 2>surveiling them, I'd just walk in the room and be like, guys,

1585
01:13:30.479 --> 01:13:33.319
<v Speaker 2>turn it down. Turn down, guys, no higher than a three.

1586
01:13:33.359 --> 01:13:34.880
<v Speaker 2>We have to be able to hear what you're saying

1587
01:13:34.880 --> 01:13:38.239
<v Speaker 2>at all times. Remember, we're surveilling you. Yeah, come on now, hey, everyone,

1588
01:13:38.319 --> 01:13:41.720
<v Speaker 2>just keep me cool, otherwise we're taking the boom box away. Yeah, yeah,

1589
01:13:41.760 --> 01:13:45.640
<v Speaker 2>come on next time. My neighbors have like the music

1590
01:13:45.720 --> 01:13:49.079
<v Speaker 2>playing at top volume, and the apartment above me is

1591
01:13:49.119 --> 01:13:52.840
<v Speaker 2>literally thumping the amount of people dancing and moving up there.

1592
01:13:53.239 --> 01:13:54.880
<v Speaker 2>I'm not going to be mad at them for having

1593
01:13:54.920 --> 01:13:56.680
<v Speaker 2>a party late at night and keeping me up. I'm

1594
01:13:56.680 --> 01:13:58.520
<v Speaker 2>going to be mad at them for being Russian spies,

1595
01:13:58.920 --> 01:14:02.159
<v Speaker 2>because they are obviously Russian spies. Clearly, the only reason

1596
01:14:02.199 --> 01:14:05.000
<v Speaker 2>to have your music on that high you're you're evading

1597
01:14:05.000 --> 01:14:06.760
<v Speaker 2>the US government, sir, and.

1598
01:14:06.720 --> 01:14:09.119
<v Speaker 1>I can't hear you through the bug anymore that I

1599
01:14:09.119 --> 01:14:09.920
<v Speaker 1>placed in your apartment.

1600
01:14:10.039 --> 01:14:12.000
<v Speaker 2>Yes, how dare you? How dare you?

1601
01:14:12.079 --> 01:14:12.920
<v Speaker 1>How dare you?

1602
01:14:13.000 --> 01:14:13.119
<v Speaker 3>Am?

1603
01:14:13.159 --> 01:14:18.840
<v Speaker 2>I unofficially an American agent? Maybe Aberative? Perhaps is my

1604
01:14:18.960 --> 01:14:22.880
<v Speaker 2>code name spinster Lady? Yeah, yeah it is. I'm on

1605
01:14:22.920 --> 01:14:25.600
<v Speaker 2>the knock list. We cut to Nick as he visits

1606
01:14:25.600 --> 01:14:26.800
<v Speaker 2>Galina at the ballet.

1607
01:14:26.840 --> 01:14:29.640
<v Speaker 1>Can I interrupt you for one moment here? Sure? May? Okay,

1608
01:14:30.039 --> 01:14:32.239
<v Speaker 1>So we're at wet We cut to the care of Ballet.

1609
01:14:32.960 --> 01:14:36.560
<v Speaker 1>Galina is there. She's on the stage like like most

1610
01:14:36.600 --> 01:14:39.600
<v Speaker 1>executives are when they do their work. She's looking at drawings.

1611
01:14:39.840 --> 01:14:42.720
<v Speaker 1>She is in It's not a pencil skirt, but it's

1612
01:14:42.720 --> 01:14:44.560
<v Speaker 1>like a Maxie skirt of it and like.

1613
01:14:44.560 --> 01:14:46.560
<v Speaker 2>A blouse, not a Maxi skirt. It's more of a

1614
01:14:46.560 --> 01:14:47.840
<v Speaker 2>pencil skirt because it's fitted.

1615
01:14:47.960 --> 01:14:48.439
<v Speaker 1>It's fitted.

1616
01:14:48.439 --> 01:14:50.680
<v Speaker 2>It like tapers down to her knees.

1617
01:14:50.840 --> 01:14:54.079
<v Speaker 1>Yes, and a pair pumps. But she's sitting on the

1618
01:14:54.119 --> 01:14:59.880
<v Speaker 1>floor of the stage, just posed in the most seductive way.

1619
01:15:00.199 --> 01:15:03.079
<v Speaker 1>She goes over drawings. This is a this is a

1620
01:15:03.159 --> 01:15:07.039
<v Speaker 1>romance novel. No, yeah, people did my back. Hurt's even

1621
01:15:07.079 --> 01:15:09.680
<v Speaker 1>looking at Helen Mirren sitting in that she was a ballerina.

1622
01:15:09.760 --> 01:15:10.479
<v Speaker 2>She could do anything.

1623
01:15:10.600 --> 01:15:12.840
<v Speaker 1>Sure. She also like she doesn't feel pain.

1624
01:15:12.840 --> 01:15:14.239
<v Speaker 2>I don't know if we mentioned this, but her she

1625
01:15:14.359 --> 01:15:16.359
<v Speaker 2>married the director of this movie. This is how they are,

1626
01:15:16.600 --> 01:15:19.359
<v Speaker 2>Tylor Hackford. Yeah, and so I feel like Taylor Hackford

1627
01:15:19.359 --> 01:15:21.800
<v Speaker 2>maybe was falling in love with Helen Maren during this

1628
01:15:21.840 --> 01:15:24.640
<v Speaker 2>project and kept putting her in like poses he wanted

1629
01:15:24.680 --> 01:15:27.840
<v Speaker 2>to see her. He's like, for this scene where you're

1630
01:15:27.880 --> 01:15:30.920
<v Speaker 2>having a conference call with fifteen executives, yeah, I need

1631
01:15:30.960 --> 01:15:32.319
<v Speaker 2>you to unbutton a few more buttons.

1632
01:15:33.279 --> 01:15:37.319
<v Speaker 1>No reason, I need some decoltage.

1633
01:15:39.520 --> 01:15:41.840
<v Speaker 2>Nick points out that the music she's listening to, which

1634
01:15:41.840 --> 01:15:45.319
<v Speaker 2>is a Russian artist, is forbidden music because I guess

1635
01:15:45.319 --> 01:15:49.319
<v Speaker 2>it's abversive Russian artists like another defector, and she's like, listen,

1636
01:15:49.399 --> 01:15:51.600
<v Speaker 2>we've made progress. I know what you think, I know

1637
01:15:51.640 --> 01:15:54.000
<v Speaker 2>how you think, how backwards this all is, but I've

1638
01:15:54.039 --> 01:15:55.319
<v Speaker 2>managed to push the needle forward.

1639
01:15:55.399 --> 01:15:55.520
<v Speaker 3>Here.

1640
01:15:55.560 --> 01:15:59.199
<v Speaker 2>Look at these drawings. Therefore, an evening of work of Balanchine.

1641
01:15:59.199 --> 01:16:00.680
<v Speaker 2>That's what I've been trying to get them to do

1642
01:16:00.800 --> 01:16:05.119
<v Speaker 2>for years. For anyone who does know the backstory, George Balanchine,

1643
01:16:05.680 --> 01:16:11.479
<v Speaker 2>famous Russian choreographer who defected very loudly and famously and

1644
01:16:11.560 --> 01:16:13.199
<v Speaker 2>moved to the United States, and then became head of

1645
01:16:13.199 --> 01:16:17.199
<v Speaker 2>the New York City Ballet, so like they're gonna finally

1646
01:16:17.279 --> 01:16:22.039
<v Speaker 2>let me do his work and like here and Nick's like, girl, girl,

1647
01:16:22.279 --> 01:16:25.560
<v Speaker 2>that's never going to happen. It's just it's a dream

1648
01:16:25.640 --> 01:16:27.960
<v Speaker 2>you have. And they keep hold hey, dangling this carrot

1649
01:16:27.960 --> 01:16:30.960
<v Speaker 2>in front of your nose basically, and she's like, well,

1650
01:16:31.399 --> 01:16:34.680
<v Speaker 2>when it happens, because it's definitely gonna happen, I hope

1651
01:16:34.720 --> 01:16:37.000
<v Speaker 2>you'll dance in it. And Nick asks her have you

1652
01:16:37.079 --> 01:16:39.560
<v Speaker 2>ever danced balancine in your career? And she goes, no,

1653
01:16:39.680 --> 01:16:41.079
<v Speaker 2>of course not, and he goes, well I have.

1654
01:16:41.720 --> 01:16:44.720
<v Speaker 1>Galina asks him if any other theater or audience in

1655
01:16:44.760 --> 01:16:48.000
<v Speaker 1>the world has compared to the care of He says,

1656
01:16:48.039 --> 01:16:49.600
<v Speaker 1>of course. It will always be a part of me.

1657
01:16:49.720 --> 01:16:54.159
<v Speaker 1>But I have been free for eight years, really free.

1658
01:16:54.239 --> 01:16:56.720
<v Speaker 1>And he says, I won't go back to these restrictions

1659
01:16:56.720 --> 01:16:59.079
<v Speaker 1>that they're here in the Soviet Union, and Galina starts

1660
01:16:59.119 --> 01:17:02.640
<v Speaker 1>to cry, and he turns on the forbidden music and

1661
01:17:02.680 --> 01:17:06.960
<v Speaker 1>he says, God, I'm a dancer. There a dancer dances

1662
01:17:08.000 --> 01:17:12.600
<v Speaker 1>and he starts to dance around the stage defiantly.

1663
01:17:12.960 --> 01:17:16.560
<v Speaker 2>Yeah, he's read mccormicking, he's read mccormicking again, dancing it out.

1664
01:17:16.600 --> 01:17:18.439
<v Speaker 2>He's getting all those emotions out through dance.

1665
01:17:18.640 --> 01:17:21.159
<v Speaker 1>The music ends and he asks her, he doesn't really

1666
01:17:21.199 --> 01:17:26.600
<v Speaker 1>ask her. He says, you're working for Chico and he

1667
01:17:26.720 --> 01:17:29.439
<v Speaker 1>thinks that Judge Doom and Roger Rabbit had a point.

1668
01:17:33.640 --> 01:17:37.000
<v Speaker 1>And she's weeping. She admits that she is. She says

1669
01:17:37.039 --> 01:17:40.119
<v Speaker 1>that look he forced me. I had no choice. She says,

1670
01:17:40.319 --> 01:17:42.560
<v Speaker 1>you ran away. I had to face the government. I

1671
01:17:42.560 --> 01:17:45.800
<v Speaker 1>had to live here. And Nick says he's just a dancer,

1672
01:17:46.079 --> 01:17:48.600
<v Speaker 1>and he knows the government won't let him dance for himself,

1673
01:17:48.680 --> 01:17:52.039
<v Speaker 1>no matter what they promise. Galina says she can't risk

1674
01:17:52.079 --> 01:17:54.680
<v Speaker 1>helping him, and he says, I understand, and he sits

1675
01:17:54.680 --> 01:17:57.039
<v Speaker 1>down on the stage and she crawls to him and

1676
01:17:57.079 --> 01:18:00.600
<v Speaker 1>she's sobbing. It's Helen Mirren, just sobbing. He says she's

1677
01:18:00.640 --> 01:18:02.920
<v Speaker 1>too frightened, and he says it's all right, and she

1678
01:18:03.119 --> 01:18:06.000
<v Speaker 1>lays her head on his shoulder and she says, I

1679
01:18:06.039 --> 01:18:09.000
<v Speaker 1>won't let them destroy you. How can I? And he

1680
01:18:09.079 --> 01:18:10.239
<v Speaker 1>kisses her hand.

1681
01:18:11.359 --> 01:18:15.239
<v Speaker 2>The scene works so well, I yeah, I buy them instantly.

1682
01:18:15.319 --> 01:18:18.840
<v Speaker 2>Instantly we cut to a gala, some event for the

1683
01:18:19.279 --> 01:18:22.520
<v Speaker 2>theater Chico enters with Galina on his arm, and he

1684
01:18:22.560 --> 01:18:26.359
<v Speaker 2>introduces her to Win Scott, the flat topped John Glover,

1685
01:18:26.399 --> 01:18:30.720
<v Speaker 2>who's super definitely not an ex military spy. The funny thing, too,

1686
01:18:30.800 --> 01:18:32.600
<v Speaker 2>is like his whole cover is that he's this like

1687
01:18:32.640 --> 01:18:35.960
<v Speaker 2>golly g gosh darted an American. So he's playing it

1688
01:18:36.000 --> 01:18:38.279
<v Speaker 2>up so high. It's like, well, hi, so nice to

1689
01:18:38.319 --> 01:18:41.159
<v Speaker 2>meet you. Is Clark Kent ing so hard?

1690
01:18:41.399 --> 01:18:43.560
<v Speaker 1>I think the flat Earth movement started when they saw

1691
01:18:43.600 --> 01:18:44.840
<v Speaker 1>John Glover's haircut.

1692
01:18:44.520 --> 01:18:45.840
<v Speaker 2>In this movie and they were like, you know what,

1693
01:18:45.920 --> 01:18:47.800
<v Speaker 2>this feels right? This feels right, This feels like the

1694
01:18:47.800 --> 01:18:51.439
<v Speaker 2>planet I'm living on. Absolutely, Yeah, it's just so funny.

1695
01:18:51.319 --> 01:18:53.960
<v Speaker 2>The performance is so Clark Kent it's over the top.

1696
01:18:54.600 --> 01:18:58.439
<v Speaker 2>Chico steps away for two seconds, big mistake. Why would

1697
01:18:58.439 --> 01:18:59.880
<v Speaker 2>you leave Galina with a fucking spy?

1698
01:19:00.319 --> 01:19:00.840
<v Speaker 1>I don't know.

1699
01:19:01.079 --> 01:19:03.319
<v Speaker 2>I don't like. He must really trust her, like she's

1700
01:19:03.359 --> 01:19:07.479
<v Speaker 2>doing a really good job to like hide her allegiances

1701
01:19:07.560 --> 01:19:09.439
<v Speaker 2>enough that he like will leave her alone with this dude,

1702
01:19:09.479 --> 01:19:11.800
<v Speaker 2>even for seconds. And guess what, it bites him in the.

1703
01:19:11.800 --> 01:19:15.159
<v Speaker 1>Asshole, because it's hard to get bit in the asshole.

1704
01:19:15.199 --> 01:19:19.119
<v Speaker 2>No, right right up the asshole. Spread the cheeks I'm

1705
01:19:19.119 --> 01:19:20.039
<v Speaker 2>biting your asshole.

1706
01:19:22.880 --> 01:19:26.239
<v Speaker 1>I'm picturing a snout to.

1707
01:19:24.439 --> 01:19:27.920
<v Speaker 2>Get It's one of those dogs with a really long snout.

1708
01:19:28.039 --> 01:19:32.359
<v Speaker 2>It's like pincher. Yeah, that can also spread cheeks gnawing

1709
01:19:32.399 --> 01:19:37.399
<v Speaker 2>on his assholes. Chiico walks away for two seconds. Galina

1710
01:19:37.479 --> 01:19:40.279
<v Speaker 2>gets really close to win, big fake smile on her face,

1711
01:19:40.319 --> 01:19:42.439
<v Speaker 2>and she's like, Nick is healthy and he's in Leningrad.

1712
01:19:43.319 --> 01:19:45.439
<v Speaker 2>Wynn absorbs us quickly. He has a moment of shock

1713
01:19:45.479 --> 01:19:47.680
<v Speaker 2>on his face, which immediately goes away because he's a spy.

1714
01:19:47.800 --> 01:19:49.800
<v Speaker 2>He's very good at his job. And he's like, well,

1715
01:19:50.000 --> 01:19:52.880
<v Speaker 2>you know, I have friends at the Minneapolis Opera House.

1716
01:19:52.960 --> 01:19:56.800
<v Speaker 2>They would love to have some Russian ballet maybe there

1717
01:19:56.840 --> 01:19:58.680
<v Speaker 2>at some point, Like maybe we can we can offer

1718
01:19:58.760 --> 01:20:00.880
<v Speaker 2>some kind of exchange program. How can I get in

1719
01:20:00.920 --> 01:20:03.359
<v Speaker 2>contact with you? Should? I just call your office to

1720
01:20:03.439 --> 01:20:06.039
<v Speaker 2>set that up? And she gives him a meeting time.

1721
01:20:06.119 --> 01:20:09.560
<v Speaker 2>She whispers, Friday at this bizarre, this open air like

1722
01:20:09.880 --> 01:20:12.840
<v Speaker 2>flea market. And then Chico returns just as the man

1723
01:20:12.920 --> 01:20:16.800
<v Speaker 2>is still blathering on about the Minneapolis ballet and she's like,

1724
01:20:16.840 --> 01:20:18.560
<v Speaker 2>God that I can't believe that Hick wants me to

1725
01:20:18.560 --> 01:20:19.880
<v Speaker 2>go all the way to Minneapolis.

1726
01:20:20.000 --> 01:20:24.279
<v Speaker 1>Win brings the information directly to the embassy and is there.

1727
01:20:24.439 --> 01:20:27.079
<v Speaker 1>The ambassador is there, and it's like, fantastic, we have

1728
01:20:27.119 --> 01:20:29.760
<v Speaker 1>to go public, and the men are still skeptical. They say, look,

1729
01:20:29.800 --> 01:20:32.640
<v Speaker 1>all we have are the words of Nick's jilted ex

1730
01:20:32.720 --> 01:20:35.800
<v Speaker 1>girlfriend that he's even still alive. Win points out, look,

1731
01:20:35.840 --> 01:20:38.119
<v Speaker 1>if we push too hard, the Russians could just if

1732
01:20:38.159 --> 01:20:40.840
<v Speaker 1>he's alive, the Russians could just assassinate him and tell

1733
01:20:40.880 --> 01:20:42.880
<v Speaker 1>the world he died of his injuries from the plane crash.

1734
01:20:42.920 --> 01:20:45.279
<v Speaker 1>So we have to play this carefully.

1735
01:20:45.640 --> 01:20:48.279
<v Speaker 2>We cut back to the Leningrad dance studio for the

1736
01:20:48.359 --> 01:20:52.119
<v Speaker 2>whole reason to watch this film. Nick puts on some

1737
01:20:52.279 --> 01:20:55.119
<v Speaker 2>Cheka Khan and he tells Raymond come downce with me.

1738
01:20:55.520 --> 01:20:59.279
<v Speaker 2>Raymond's like, I'm freaked out about my wife who's been kidnapped.

1739
01:20:59.279 --> 01:21:02.880
<v Speaker 2>I'm really not in mood right now, and Nick is this.

1740
01:21:03.079 --> 01:21:07.079
<v Speaker 1>Is this the point where Nick is stretching the stretching

1741
01:21:07.119 --> 01:21:10.000
<v Speaker 1>seductively and you know, while we're on this topic, Erica,

1742
01:21:10.119 --> 01:21:13.000
<v Speaker 1>uh huh, I know I've already brought this up, but Instagram, how.

1743
01:21:12.920 --> 01:21:13.560
<v Speaker 2>Dare you how?

1744
01:21:13.800 --> 01:21:16.640
<v Speaker 1>I don't know why you think you should be serving

1745
01:21:16.680 --> 01:21:20.840
<v Speaker 1>me videos of men in jockstraps and mess shorts, pointing

1746
01:21:21.000 --> 01:21:24.159
<v Speaker 1>their grundles at the camera and stretching for you think

1747
01:21:24.199 --> 01:21:25.800
<v Speaker 1>I'm not gonna grumble at a grundle, I.

1748
01:21:25.720 --> 01:21:26.640
<v Speaker 2>Will grundle grumble.

1749
01:21:26.880 --> 01:21:29.560
<v Speaker 1>I will. That is obscene. I don't want I'm not

1750
01:21:29.600 --> 01:21:30.800
<v Speaker 1>going to be peering at the peranaeum.

1751
01:21:30.920 --> 01:21:31.640
<v Speaker 2>It's perverse.

1752
01:21:31.800 --> 01:21:32.560
<v Speaker 1>It's perverse.

1753
01:21:32.680 --> 01:21:34.119
<v Speaker 2>It's stop it, perverse.

1754
01:21:34.359 --> 01:21:34.840
<v Speaker 1>Stop it.

1755
01:21:34.920 --> 01:21:37.319
<v Speaker 2>Paul sent me three of those videos this morning to

1756
01:21:37.319 --> 01:21:42.359
<v Speaker 2>look at, and I co sign thank you. I also

1757
01:21:42.479 --> 01:21:46.920
<v Speaker 2>would not like that on my algorithm. So even though

1758
01:21:46.960 --> 01:21:50.119
<v Speaker 2>I liked all those videos, yes, do you not start

1759
01:21:50.159 --> 01:21:56.600
<v Speaker 2>sending me seductive videos of foreign dancers pointing their dicks

1760
01:21:56.640 --> 01:21:59.199
<v Speaker 2>at the camera and stretching on a bar. I don't

1761
01:21:59.199 --> 01:22:00.000
<v Speaker 2>want it. I don't want to.

1762
01:22:00.199 --> 01:22:00.680
<v Speaker 1>I don't want it.

1763
01:22:00.720 --> 01:22:04.039
<v Speaker 2>I don't want those apple bottoms in my face. Stop it, Internet,

1764
01:22:05.560 --> 01:22:09.119
<v Speaker 2>I just want more tradwife content. Yeah, this is the

1765
01:22:09.119 --> 01:22:11.520
<v Speaker 2>scene where Nick is like stretching on the bar, and like,

1766
01:22:12.079 --> 01:22:15.560
<v Speaker 2>I personally have never really been into borish. I think

1767
01:22:15.600 --> 01:22:18.199
<v Speaker 2>he's an attractive man, but I don't get it. Yeah,

1768
01:22:18.359 --> 01:22:20.319
<v Speaker 2>now I get it. Yeah, I get from watching that

1769
01:22:20.439 --> 01:22:22.880
<v Speaker 2>just him like stretching on the bar, Like, oh my god,

1770
01:22:22.920 --> 01:22:24.079
<v Speaker 2>I actually really get it.

1771
01:22:24.279 --> 01:22:27.960
<v Speaker 1>Yeah, I've always gotten it, and I got it, dare

1772
01:22:27.960 --> 01:22:29.159
<v Speaker 1>I say real hard?

1773
01:22:29.560 --> 01:22:30.520
<v Speaker 2>And you know who can get it?

1774
01:22:30.760 --> 01:22:33.960
<v Speaker 1>Misha, Misha, Misha can get it. Yeah, anything you say, Misha.

1775
01:22:34.199 --> 01:22:35.800
<v Speaker 2>So he's trying to get Raymond to dance with him.

1776
01:22:35.880 --> 01:22:38.600
<v Speaker 2>Raymond's like, look, man, not now, I'm too I'm pissed

1777
01:22:38.640 --> 01:22:40.760
<v Speaker 2>at you for putting me in this situation. And I'm

1778
01:22:40.800 --> 01:22:43.760
<v Speaker 2>pissed at the world right now. And Nick points out

1779
01:22:43.760 --> 01:22:46.000
<v Speaker 2>all the cameras that are watching them. Of course, every

1780
01:22:46.000 --> 01:22:47.960
<v Speaker 2>time they cut to the camera, it's like zooms in on.

1781
01:22:47.920 --> 01:22:53.439
<v Speaker 1>Them, so it's like, yeah, yeesh, it's like the robot

1782
01:22:53.479 --> 01:22:56.960
<v Speaker 1>from Short Circuit, it's so clunky.

1783
01:22:57.039 --> 01:23:00.319
<v Speaker 2>Johnny five, Yes, Johnny five is in the room with them,

1784
01:23:00.880 --> 01:23:03.119
<v Speaker 2>along with a girl from Small Wonder, and she's like,

1785
01:23:03.199 --> 01:23:07.039
<v Speaker 2>I'm not watching you, don't worry. So he's like, look,

1786
01:23:07.119 --> 01:23:09.479
<v Speaker 2>you you have to at least pretend to be teaching

1787
01:23:09.520 --> 01:23:12.319
<v Speaker 2>me tap dance or something so that we can like

1788
01:23:12.560 --> 01:23:15.199
<v Speaker 2>get out of this and stay together, right, So keep moving,

1789
01:23:15.279 --> 01:23:17.640
<v Speaker 2>keep moving. So the two of them start to dance

1790
01:23:17.680 --> 01:23:22.439
<v Speaker 2>this routine together and it is probably five minutes long. Yeah,

1791
01:23:22.479 --> 01:23:26.479
<v Speaker 2>it's riveting, it's so good. It's a mix of ballet moves.

1792
01:23:26.479 --> 01:23:29.000
<v Speaker 2>It's a mix of and tap moves and jazz moves

1793
01:23:29.039 --> 01:23:31.079
<v Speaker 2>and like a little bit of everything. Everything these two

1794
01:23:31.119 --> 01:23:35.119
<v Speaker 2>men can do. There's flips, there's jumps. It's so good

1795
01:23:35.239 --> 01:23:35.680
<v Speaker 2>and it's.

1796
01:23:35.520 --> 01:23:38.039
<v Speaker 1>So wonderful to see the two different styles as they

1797
01:23:38.039 --> 01:23:40.560
<v Speaker 1>do the same steps next to each other, but they

1798
01:23:40.600 --> 01:23:43.520
<v Speaker 1>look so different doing them. They both look fantastic.

1799
01:23:43.600 --> 01:23:46.439
<v Speaker 2>Athletic in very different ways. Well, because like tap is

1800
01:23:46.479 --> 01:23:48.600
<v Speaker 2>like a very like like the.

1801
01:23:48.640 --> 01:23:49.920
<v Speaker 1>Energy goes down. Yeah.

1802
01:23:50.000 --> 01:23:52.119
<v Speaker 2>Gregory Hines is so tall. I wonder if this is

1803
01:23:52.119 --> 01:23:53.880
<v Speaker 2>part of it too, But he has it's like naturally

1804
01:23:53.880 --> 01:23:57.640
<v Speaker 2>like hunched over, like shoulders hunched like yeah, Like he's

1805
01:23:57.680 --> 01:24:00.239
<v Speaker 2>like like, yeah, the movements are going into the round

1806
01:24:00.239 --> 01:24:02.000
<v Speaker 2>as supposed to out into the sky the way with

1807
01:24:02.079 --> 01:24:05.800
<v Speaker 2>ballet is and but also like it's like internalized and

1808
01:24:05.920 --> 01:24:08.039
<v Speaker 2>it's it's like it's like it's so good. It's just

1809
01:24:08.159 --> 01:24:10.439
<v Speaker 2>genius watching them, the two of them dance together.

1810
01:24:10.560 --> 01:24:13.479
<v Speaker 1>Yeah, okay, so we cut from that from that incredible

1811
01:24:13.560 --> 01:24:16.760
<v Speaker 1>high every dance. Earlier you had said that first dance

1812
01:24:16.840 --> 01:24:18.039
<v Speaker 1>was your favorite. This dance is my.

1813
01:24:18.239 --> 01:24:20.239
<v Speaker 2>Yeah, this is my second favorite because it has the

1814
01:24:20.239 --> 01:24:22.359
<v Speaker 2>two of them. Yeah too, and it's but it's so

1815
01:24:22.520 --> 01:24:23.119
<v Speaker 2>fucking good.

1816
01:24:23.680 --> 01:24:27.119
<v Speaker 1>We cut to Galina at the bazaar. She's contacted by

1817
01:24:27.119 --> 01:24:30.359
<v Speaker 1>a spy disguised as an Estonian potato farmer who.

1818
01:24:30.199 --> 01:24:33.640
<v Speaker 2>Excellent fucking grags. I genuinely was surprised this man is

1819
01:24:33.680 --> 01:24:35.720
<v Speaker 2>trying to sell her potatoes, and she's like, leave me alone,

1820
01:24:35.720 --> 01:24:38.600
<v Speaker 2>and he's like, I'm an American. He cuts her, speaking

1821
01:24:39.119 --> 01:24:42.359
<v Speaker 2>Russian to me and speaking at a clearly well enough

1822
01:24:42.560 --> 01:24:46.399
<v Speaker 2>with an Estonian Ish accent that she was convinced she

1823
01:24:46.479 --> 01:24:48.399
<v Speaker 2>did not know she was talking to an American. And

1824
01:24:48.399 --> 01:24:50.000
<v Speaker 2>then he drops out and he's like, I'm with the

1825
01:24:50.039 --> 01:24:52.199
<v Speaker 2>American embassy, blah blah blah, and he gives her like

1826
01:24:52.239 --> 01:24:55.279
<v Speaker 2>information about like help us find.

1827
01:24:55.119 --> 01:24:57.720
<v Speaker 1>Nick, tell us where he is. Right then we cut

1828
01:24:57.760 --> 01:25:00.640
<v Speaker 1>back to the studio. Raymond and Nick are with the dance,

1829
01:25:00.720 --> 01:25:03.520
<v Speaker 1>and now they start to argue over what happened with Daria.

1830
01:25:03.760 --> 01:25:07.640
<v Speaker 1>Raymond accuses Nick of being romantically interested in her. Nick's like,

1831
01:25:07.680 --> 01:25:11.279
<v Speaker 1>you're fucking crazy, You're a loser. They can't stand each other.

1832
01:25:11.359 --> 01:25:13.920
<v Speaker 1>All they feel for each other is disdain. In this moment,

1833
01:25:14.840 --> 01:25:20.119
<v Speaker 1>door opens, Chiko, fresh from fresh from giving giving Boris

1834
01:25:20.119 --> 01:25:22.800
<v Speaker 1>and Natasha a new assignment to try to take down

1835
01:25:22.800 --> 01:25:27.560
<v Speaker 1>that goddamn scirrel. And Moose comes in and he hears

1836
01:25:27.600 --> 01:25:30.119
<v Speaker 1>the talent of the argument, and he sends Raymond to

1837
01:25:30.159 --> 01:25:30.760
<v Speaker 1>the showers.

1838
01:25:31.119 --> 01:25:34.439
<v Speaker 2>Chiko just coming back from the Jolly Roger where he's

1839
01:25:34.479 --> 01:25:39.520
<v Speaker 2>finally gonna get that. Peter Pan asks Nick, Hey, what's

1840
01:25:39.560 --> 01:25:42.840
<v Speaker 2>happening here? I thought you two would be bessies. What's happening?

1841
01:25:42.840 --> 01:25:46.359
<v Speaker 2>And Nick, in my opinion, lays it on a little

1842
01:25:46.359 --> 01:25:48.680
<v Speaker 2>too thick. I think they do it on purpose so

1843
01:25:48.760 --> 01:25:50.720
<v Speaker 2>that the audience knows it's fake.

1844
01:25:50.960 --> 01:25:51.319
<v Speaker 1>Yeah.

1845
01:25:51.399 --> 01:25:55.039
<v Speaker 2>Basically, Nick pretends I can't take this guy anymore. I

1846
01:25:55.119 --> 01:25:58.239
<v Speaker 2>find it repulsive that that beautiful white woman would be

1847
01:25:58.279 --> 01:26:01.199
<v Speaker 2>married to that guy. M Chiico's like, well, you know,

1848
01:26:01.319 --> 01:26:04.239
<v Speaker 2>some women like shock value. They want to shock their families.

1849
01:26:04.479 --> 01:26:08.000
<v Speaker 2>And then Chiko says, and I shit you not. He goes,

1850
01:26:08.119 --> 01:26:11.880
<v Speaker 2>you know what they say about black studs.

1851
01:26:11.840 --> 01:26:14.520
<v Speaker 1>A black man have huge Dick's joke.

1852
01:26:14.600 --> 01:26:18.920
<v Speaker 2>In this economy in Russian, I guess that. I guess

1853
01:26:18.920 --> 01:26:20.640
<v Speaker 2>that stereotype is worldwide.

1854
01:26:22.600 --> 01:26:25.439
<v Speaker 1>Chiko tried, like keeps trying to explain it in the

1855
01:26:25.520 --> 01:26:29.239
<v Speaker 1>Russian accent. He's like, you know, they have the the pendulous,

1856
01:26:29.520 --> 01:26:32.560
<v Speaker 1>the giant dog is a black. You know what they say,

1857
01:26:32.640 --> 01:26:35.159
<v Speaker 1>Once you go black, you never go back. You know

1858
01:26:35.359 --> 01:26:38.960
<v Speaker 1>you'll get it. You'll get it, Nick, you get it.

1859
01:26:38.960 --> 01:26:40.960
<v Speaker 2>It's as big as a bottle of Smirnoff.

1860
01:26:41.079 --> 01:26:42.800
<v Speaker 1>I'm telling you, you got to see this guy in

1861
01:26:42.840 --> 01:26:44.960
<v Speaker 1>a pair of gray sweatpants. Nick. I don't know what

1862
01:26:45.039 --> 01:26:46.119
<v Speaker 1>accent I'm doing anymore.

1863
01:26:46.159 --> 01:26:49.439
<v Speaker 2>It looks it looks like moose an ble. You know

1864
01:26:49.479 --> 01:26:50.039
<v Speaker 2>what I'm saying.

1865
01:26:50.119 --> 01:26:51.640
<v Speaker 1>You know what I'm saying that You're gonna look at

1866
01:26:51.680 --> 01:26:53.439
<v Speaker 1>it and your jaw is going to drop. Nick.

1867
01:26:53.560 --> 01:26:55.920
<v Speaker 2>It's as large as a blugo whale.

1868
01:26:56.119 --> 01:26:58.560
<v Speaker 1>Have you seen one of those really big pepper grinders

1869
01:26:58.560 --> 01:27:01.560
<v Speaker 1>that they had take you to the table. It's like that, Nick,

1870
01:27:02.840 --> 01:27:06.199
<v Speaker 1>a pepper grinder, Nick, or one of that swinging pendulum

1871
01:27:06.199 --> 01:27:08.359
<v Speaker 1>things on a grandfather clock. Nick. You wouldn't believe it.

1872
01:27:08.439 --> 01:27:12.079
<v Speaker 2>I think I'm trying to think of Russia things. It's

1873
01:27:12.760 --> 01:27:15.319
<v Speaker 2>so big. Even Catherine the Great would have been.

1874
01:27:15.239 --> 01:27:19.840
<v Speaker 1>Like, no, thank you, it's so big. Catherine the Great said,

1875
01:27:19.840 --> 01:27:22.000
<v Speaker 1>one horse cocket is enough for me in my life.

1876
01:27:22.039 --> 01:27:23.079
<v Speaker 1>Thank you know what I mean?

1877
01:27:23.199 --> 01:27:23.880
<v Speaker 2>You know what I mean?

1878
01:27:23.960 --> 01:27:26.199
<v Speaker 1>Because she was a slut who fucked the horse, Nick.

1879
01:27:28.000 --> 01:27:31.520
<v Speaker 2>And Nick plays right into Chaco's racism, and he's like,

1880
01:27:31.960 --> 01:27:36.359
<v Speaker 2>I'm sure Daria regrets marrying that loser. That man, he's

1881
01:27:36.359 --> 01:27:38.479
<v Speaker 2>so over the top that I, as a viewer of

1882
01:27:38.520 --> 01:27:42.079
<v Speaker 2>the movie, am worried that he's giving himself away. But

1883
01:27:42.199 --> 01:27:45.199
<v Speaker 2>thank god it works. Chicho buys it, hook line and sinker,

1884
01:27:45.600 --> 01:27:48.680
<v Speaker 2>so much so that the scene ends with Chicho dropping

1885
01:27:48.680 --> 01:27:51.520
<v Speaker 2>an end bomb well you know, and bombs and then

1886
01:27:51.560 --> 01:27:56.520
<v Speaker 2>walks away. To his credit, Nick is like, Jesus, that

1887
01:27:56.600 --> 01:27:57.039
<v Speaker 2>was a lot.

1888
01:27:57.359 --> 01:27:59.960
<v Speaker 1>It's funny. I had a different reaction because he is overplaying,

1889
01:28:00.159 --> 01:28:03.600
<v Speaker 1>I agree, but overlaying. But to me, it's it's nineteen

1890
01:28:03.600 --> 01:28:07.600
<v Speaker 1>eighty five, like it's it's forty years ago, Like was

1891
01:28:07.640 --> 01:28:10.479
<v Speaker 1>this really overplaying? At forty like this was? It was

1892
01:28:10.520 --> 01:28:14.399
<v Speaker 1>more acceptable. And and he knows, like he knows Chiico's

1893
01:28:14.399 --> 01:28:17.760
<v Speaker 1>a racist, Yeah, And Raymond is trying to act as

1894
01:28:17.800 --> 01:28:21.960
<v Speaker 1>if Russia isn't racist. Yes, he knows that if Chiko's

1895
01:28:21.960 --> 01:28:24.439
<v Speaker 1>being friendly to Raymond, or friendly enough that Raymond believes

1896
01:28:24.479 --> 01:28:26.640
<v Speaker 1>that he knows he can get them. And he knows

1897
01:28:26.680 --> 01:28:29.520
<v Speaker 1>that Chico believes that he's that Nick's a racist too,

1898
01:28:29.600 --> 01:28:32.880
<v Speaker 1>because they all everyone is, because who wouldn't be who

1899
01:28:32.880 --> 01:28:33.520
<v Speaker 1>wouldn't be right.

1900
01:28:33.600 --> 01:28:35.920
<v Speaker 2>Yes, the world, Yeah, I get no, No, I fully

1901
01:28:35.960 --> 01:28:38.800
<v Speaker 2>get it. But genuinely it was like the scene is

1902
01:28:38.840 --> 01:28:42.159
<v Speaker 2>so over the top from Nick's perspective that I was like,

1903
01:28:42.680 --> 01:28:45.760
<v Speaker 2>I was like, oh my god, don't if you overplay

1904
01:28:45.800 --> 01:28:48.760
<v Speaker 2>this hand, they're gonna know. They're like, well, he thinks

1905
01:28:48.840 --> 01:28:50.880
<v Speaker 2>I'm he thinks he can get me with this racist

1906
01:28:51.239 --> 01:28:54.680
<v Speaker 2>this fake racism that he clearly doesn't actually feel.

1907
01:28:54.800 --> 01:28:57.279
<v Speaker 1>We cut back to the apartment in Leningrad as Nick

1908
01:28:57.319 --> 01:29:00.439
<v Speaker 1>and Raymond arrive home and Daria is all ready there.

1909
01:29:00.760 --> 01:29:03.119
<v Speaker 1>She and Raymond fall into each other's arms they head

1910
01:29:03.119 --> 01:29:04.880
<v Speaker 1>into their room. I really wasn't sure if we were

1911
01:29:04.880 --> 01:29:06.319
<v Speaker 1>going to see her again in this movie, so I'm

1912
01:29:06.319 --> 01:29:09.319
<v Speaker 1>glad we did. Yeah, this is where Separate Lives starts

1913
01:29:09.319 --> 01:29:12.079
<v Speaker 1>to play. It could not make less sense as a

1914
01:29:12.119 --> 01:29:15.319
<v Speaker 1>song in this movie. This is about the couple like

1915
01:29:15.439 --> 01:29:19.199
<v Speaker 1>returning to each other after a scare, and the song

1916
01:29:19.319 --> 01:29:23.079
<v Speaker 1>is about a couple splitting up. Doesn't make any say

1917
01:29:23.159 --> 01:29:23.640
<v Speaker 1>because from.

1918
01:29:23.520 --> 01:29:26.159
<v Speaker 2>The Russian perspective, she's splitting up with Raymond to get

1919
01:29:26.159 --> 01:29:28.520
<v Speaker 2>with Nick. That's the reason she's back. To be clear,

1920
01:29:28.560 --> 01:29:30.840
<v Speaker 2>is Chico's like, ooh, I'm a messy bitch that lives

1921
01:29:30.880 --> 01:29:33.600
<v Speaker 2>for drama under I am dropping the lady back in

1922
01:29:33.640 --> 01:29:35.439
<v Speaker 2>the apartment with the two men to see them fight

1923
01:29:35.479 --> 01:29:36.119
<v Speaker 2>it out over her.

1924
01:29:36.239 --> 01:29:38.680
<v Speaker 1>He is the original reality TV show producer who's like,

1925
01:29:38.840 --> 01:29:41.239
<v Speaker 1>let's bring in a bombshell on Love Island. That's an

1926
01:29:41.279 --> 01:29:43.399
<v Speaker 1>ex of someone who's already on it's already coupled up.

1927
01:29:43.560 --> 01:29:46.720
<v Speaker 2>Yeah, exactly, Let's put more vodka and more caviar and

1928
01:29:46.760 --> 01:29:48.479
<v Speaker 2>more oysters in that apartment for them.

1929
01:29:48.680 --> 01:29:49.159
<v Speaker 1>Exactly.

1930
01:29:49.279 --> 01:29:50.159
<v Speaker 2>Let them fight it out.

1931
01:29:50.359 --> 01:29:53.840
<v Speaker 1>So Raymond laments to Daria that they're living like rats

1932
01:29:53.880 --> 01:29:56.199
<v Speaker 1>in a cage, and he blames himself for her living

1933
01:29:56.239 --> 01:29:58.600
<v Speaker 1>under scrutiny like this, and she says, look, if it

1934
01:29:58.600 --> 01:30:00.239
<v Speaker 1>wasn't you would be someone else. I could not be

1935
01:30:00.279 --> 01:30:03.159
<v Speaker 1>happier with someone else. And I am with you. And

1936
01:30:03.159 --> 01:30:05.800
<v Speaker 1>then she says I'm pregnant and they embrace again. They're

1937
01:30:05.880 --> 01:30:08.960
<v Speaker 1>they're both thrilled at this, at this forthcoming blessing.

1938
01:30:09.119 --> 01:30:11.560
<v Speaker 2>Yes, So the two of them were banging went out

1939
01:30:11.680 --> 01:30:14.439
<v Speaker 2>in the Raymond and Daria our bangan went out in

1940
01:30:14.479 --> 01:30:15.079
<v Speaker 2>the bedroom.

1941
01:30:15.239 --> 01:30:15.560
<v Speaker 1>Yeah.

1942
01:30:15.600 --> 01:30:18.079
<v Speaker 2>Meanwhile, Nick is like in the living room with loud

1943
01:30:18.159 --> 01:30:21.560
<v Speaker 2>music playing, probably because his roommates are banging, went out

1944
01:30:21.600 --> 01:30:24.439
<v Speaker 2>next to him. He is fashioning a rope from an

1945
01:30:24.439 --> 01:30:26.760
<v Speaker 2>area rug. He's taken an area rug apart, and it's

1946
01:30:26.800 --> 01:30:31.239
<v Speaker 2>like creating a Rapunzel situation out of it. Raymond emerges

1947
01:30:31.279 --> 01:30:33.720
<v Speaker 2>from the bedroom and he quietly thanks Nick for helping

1948
01:30:33.760 --> 01:30:37.119
<v Speaker 2>him get Daria back. So there's definitely a truce now

1949
01:30:37.119 --> 01:30:39.880
<v Speaker 2>between these two. These two are in it together. Nick

1950
01:30:40.239 --> 01:30:42.960
<v Speaker 2>is like, look, I'm leaving, whether you two help me

1951
01:30:43.079 --> 01:30:45.159
<v Speaker 2>or not, just so you know. And then Raymond's like,

1952
01:30:45.199 --> 01:30:47.239
<v Speaker 2>can you trust Galina? Like I know, she's like the

1953
01:30:47.319 --> 01:30:49.359
<v Speaker 2>lynchpin of this plan, and I'm not sure she can

1954
01:30:49.399 --> 01:30:51.560
<v Speaker 2>be trusted. And Nick is like, yes, I can. I

1955
01:30:51.600 --> 01:30:54.239
<v Speaker 2>can trust her. I loved her once, I still love her.

1956
01:30:54.520 --> 01:30:56.079
<v Speaker 2>I believe her. She can be trusted.

1957
01:30:56.279 --> 01:30:56.520
<v Speaker 1>Yep.

1958
01:30:57.239 --> 01:30:59.359
<v Speaker 2>And then Raymond makes a decision because he sees how

1959
01:30:59.399 --> 01:31:01.760
<v Speaker 2>like confident Nick is in his ability to escape, and

1960
01:31:01.760 --> 01:31:03.199
<v Speaker 2>he's like, you know what, Daria and I are going

1961
01:31:03.239 --> 01:31:05.640
<v Speaker 2>to come with you, And Nick's like no, no, no, no,

1962
01:31:05.640 --> 01:31:07.560
<v Speaker 2>no no. I'm willing to risk my own life, but

1963
01:31:07.560 --> 01:31:09.439
<v Speaker 2>I'm not willing to risk your and your wife's lives.

1964
01:31:09.479 --> 01:31:12.439
<v Speaker 2>Like I don't have that much of confidence in this plan, buddy. Yeah.

1965
01:31:12.479 --> 01:31:16.520
<v Speaker 2>And then Raymond's like, listen, Darya is pregnant, and for

1966
01:31:16.560 --> 01:31:18.680
<v Speaker 2>the first time in my life, and for the first

1967
01:31:18.680 --> 01:31:21.079
<v Speaker 2>time in a long time, I feel hope. Yeah, and

1968
01:31:21.199 --> 01:31:24.079
<v Speaker 2>Nick is like Okay. He realizes how important it would

1969
01:31:24.119 --> 01:31:25.279
<v Speaker 2>be for these two to get away.

1970
01:31:25.359 --> 01:31:27.600
<v Speaker 1>We cut back to the dance studio. The two men

1971
01:31:27.640 --> 01:31:30.600
<v Speaker 1>continue to stage more arguments for the camera, but even

1972
01:31:30.600 --> 01:31:34.119
<v Speaker 1>though they're arguing they're dancing together in Unison. Oh, we

1973
01:31:34.119 --> 01:31:36.720
<v Speaker 1>we were wrong before that first dance, they're not in Unison.

1974
01:31:36.760 --> 01:31:37.720
<v Speaker 1>This is the Unison dance.

1975
01:31:37.840 --> 01:31:39.600
<v Speaker 2>Oh, is this the really riveting dance?

1976
01:31:39.800 --> 01:31:41.560
<v Speaker 1>Yes, this is the really Sorry. That other dance is

1977
01:31:41.600 --> 01:31:44.279
<v Speaker 1>also good, but they're like they're dancing around each other

1978
01:31:44.319 --> 01:31:46.239
<v Speaker 1>and not dancing with each other. This is the dance

1979
01:31:46.239 --> 01:31:48.119
<v Speaker 1>that they dance with each other. This is the great dance.

1980
01:31:48.399 --> 01:31:51.119
<v Speaker 1>Our apologies. We can't be right one hundred percent of

1981
01:31:51.119 --> 01:31:51.439
<v Speaker 1>the time.

1982
01:31:51.560 --> 01:31:54.039
<v Speaker 2>We can only be right thirty five percent of the time.

1983
01:31:54.479 --> 01:31:57.159
<v Speaker 1>We aim for thirty six, but we guarantee thirty five.

1984
01:31:58.439 --> 01:32:01.079
<v Speaker 1>At the end of the dance, Nick just walks past

1985
01:32:01.680 --> 01:32:03.079
<v Speaker 1>Raymond and says, tonight.

1986
01:32:03.760 --> 01:32:08.359
<v Speaker 2>We cut back to the apartment and Raymond finally tells Daria,

1987
01:32:08.880 --> 01:32:11.840
<v Speaker 2>girl who has not been read into the plan because

1988
01:32:12.319 --> 01:32:15.680
<v Speaker 2>he rightfully assumed that she would have resistance to it,

1989
01:32:15.720 --> 01:32:18.960
<v Speaker 2>and like, and he's like, listen, Nick is escaping tonight.

1990
01:32:18.960 --> 01:32:20.640
<v Speaker 2>We're gonna go with him. And she's like, uh, the

1991
01:32:20.680 --> 01:32:23.479
<v Speaker 2>fuck we are. I'm Russian, I'm from here as only

1992
01:32:24.119 --> 01:32:26.680
<v Speaker 2>place I've ever known. I'm not gonna risk my life

1993
01:32:26.680 --> 01:32:29.640
<v Speaker 2>and my baby's life to go into another unknown I

1994
01:32:29.680 --> 01:32:31.239
<v Speaker 2>don't know. I don't even know what the rest of

1995
01:32:31.239 --> 01:32:33.640
<v Speaker 2>the world is like. And he snaps that he's not

1996
01:32:33.680 --> 01:32:35.399
<v Speaker 2>gonna be able to do any good to his kid

1997
01:32:35.439 --> 01:32:38.239
<v Speaker 2>while he's working in a labor camp, and she smacks

1998
01:32:38.279 --> 01:32:38.880
<v Speaker 2>him in the face.

1999
01:32:39.159 --> 01:32:39.680
<v Speaker 1>Yeah.

2000
01:32:39.800 --> 01:32:41.039
<v Speaker 2>She immediately apologizes.

2001
01:32:41.079 --> 01:32:41.439
<v Speaker 1>She shocked.

2002
01:32:41.439 --> 01:32:43.119
<v Speaker 2>She's like, I can't believe I just did that. He

2003
01:32:43.159 --> 01:32:45.800
<v Speaker 2>embraces her. He's like, listen, we just have to get

2004
01:32:45.840 --> 01:32:49.000
<v Speaker 2>to the American Embassy tonight. Once we're in the American Embassy,

2005
01:32:49.000 --> 01:32:52.479
<v Speaker 2>we're home free. Nick is very famous, and once he

2006
01:32:52.560 --> 01:32:54.640
<v Speaker 2>is like on his way out, we can like hitch

2007
01:32:54.680 --> 01:32:57.840
<v Speaker 2>our coattails to his hitch our stars, hitch our wagons

2008
01:32:57.960 --> 01:33:00.800
<v Speaker 2>his coatails. Yeah, the thirty five percent really kicking.

2009
01:33:00.600 --> 01:33:04.479
<v Speaker 1>It right now. We're gonna get there. We're gonna get here.

2010
01:33:04.720 --> 01:33:08.119
<v Speaker 2>Hitch my coattail to his wagon. Start that's it, that's it,

2011
01:33:08.239 --> 01:33:12.800
<v Speaker 2>got it? Yeah, He's like, if I'm finally going to

2012
01:33:12.840 --> 01:33:15.560
<v Speaker 2>do something right, and then Daria kisses him and tells

2013
01:33:15.600 --> 01:33:17.800
<v Speaker 2>him that she loves him. She's like, Okay. In the

2014
01:33:17.840 --> 01:33:21.079
<v Speaker 2>course of two minutes, this woman has just gone from

2015
01:33:21.119 --> 01:33:23.319
<v Speaker 2>absolutely I will not leave my home country to.

2016
01:33:23.319 --> 01:33:26.800
<v Speaker 1>Okay, okay, sure, it's the power of Gregory Hines. Nick

2017
01:33:26.840 --> 01:33:30.319
<v Speaker 1>goes to see Galina at her office and they immediately

2018
01:33:30.359 --> 01:33:32.560
<v Speaker 1>start to stage an argument the same way he's been

2019
01:33:32.600 --> 01:33:35.039
<v Speaker 1>doing with Raymond this whole time, where he says, I,

2020
01:33:35.239 --> 01:33:37.000
<v Speaker 1>if I am going to dance, I will be in

2021
01:33:37.119 --> 01:33:38.960
<v Speaker 1>charge of what I dance. I will dance when and

2022
01:33:39.000 --> 01:33:41.960
<v Speaker 1>where and what I choose, and she tells him, your

2023
01:33:42.000 --> 01:33:44.399
<v Speaker 1>ego is out of control. You're gonna dance whether you

2024
01:33:44.640 --> 01:33:46.880
<v Speaker 1>like it or not, and if you're smart, you're gonna

2025
01:33:46.880 --> 01:33:49.119
<v Speaker 1>alienate me because I'm in charge, bitch.

2026
01:33:49.359 --> 01:33:52.000
<v Speaker 2>Yeah, I'm olga. Well one day take my place, but

2027
01:33:52.119 --> 01:33:55.359
<v Speaker 2>until that, until that happens, I'm the head, bitch in charge.

2028
01:33:55.560 --> 01:33:57.319
<v Speaker 1>She puts on a tape of him dancing as a

2029
01:33:57.359 --> 01:33:59.920
<v Speaker 1>young man and says, now your backer, you belong And

2030
01:34:00.039 --> 01:34:03.279
<v Speaker 1>this is an actual tape of Mikhail Brishnikov dancing as

2031
01:34:03.279 --> 01:34:05.720
<v Speaker 1>a young man, probably at the Girl of Ballet. Right. Yeah,

2032
01:34:05.760 --> 01:34:08.479
<v Speaker 1>she turns up the volume universal movie language. From now

2033
01:34:08.520 --> 01:34:10.399
<v Speaker 1>no one can hear anything else that's going on.

2034
01:34:10.680 --> 01:34:13.239
<v Speaker 2>Again, these her valance guys have to be able to

2035
01:34:13.279 --> 01:34:16.800
<v Speaker 2>just be like, excuse me, knock knock, knock. Hi everyone, Hi, Hi,

2036
01:34:17.159 --> 01:34:18.960
<v Speaker 2>We're gonna need you to turn it down. We're trying

2037
01:34:18.960 --> 01:34:19.279
<v Speaker 2>to listen.

2038
01:34:19.399 --> 01:34:21.079
<v Speaker 1>We're we're trying to hear what you're saying.

2039
01:34:21.319 --> 01:34:23.920
<v Speaker 2>Or here's a counter offer. Understand, if you need the

2040
01:34:24.000 --> 01:34:26.479
<v Speaker 2>music for choreography purposes, why don't we just put a

2041
01:34:26.479 --> 01:34:28.800
<v Speaker 2>stenographer in the corner of the room. Yeah, so that

2042
01:34:28.920 --> 01:34:31.199
<v Speaker 2>they can just write down everything you're saying for us,

2043
01:34:31.199 --> 01:34:33.319
<v Speaker 2>and then you can listen to your music or whatever

2044
01:34:33.399 --> 01:34:34.039
<v Speaker 2>volume you like.

2045
01:34:34.159 --> 01:34:36.479
<v Speaker 1>It's up to you. Well, it's airba. We are indifferent.

2046
01:34:36.560 --> 01:34:39.359
<v Speaker 2>The amount of times this happens in movies is like

2047
01:34:39.520 --> 01:34:42.720
<v Speaker 2>any time volume is played above of five in any

2048
01:34:43.000 --> 01:34:46.760
<v Speaker 2>of the Russian territory, the Communist Tarra Block territories. I

2049
01:34:46.800 --> 01:34:49.239
<v Speaker 2>am shocked. There isn't immediately a knock on the door.

2050
01:34:49.119 --> 01:34:51.600
<v Speaker 1>Knock, knock, knock, So the volume is up. They sit

2051
01:34:51.680 --> 01:34:54.600
<v Speaker 1>together on the couch and she whispers instructions of where

2052
01:34:54.640 --> 01:34:56.920
<v Speaker 1>he should meet her American contact. You're gonna meet him

2053
01:34:56.920 --> 01:34:59.279
<v Speaker 1>at the Lion Bridge. His name is Scott. You have

2054
01:34:59.319 --> 01:35:02.520
<v Speaker 1>to be here at this time. Blah blah blah. Nick says,

2055
01:35:02.560 --> 01:35:05.119
<v Speaker 1>thank you. He calls her my love, and he asks

2056
01:35:05.319 --> 01:35:06.960
<v Speaker 1>if I had asked you to come with me eight

2057
01:35:07.039 --> 01:35:10.640
<v Speaker 1>years ago, would you have come And she says probably not.

2058
01:35:11.520 --> 01:35:14.439
<v Speaker 1>And I can't come now my place is here, and

2059
01:35:14.479 --> 01:35:16.800
<v Speaker 1>he says, I'm never going to see you again, and

2060
01:35:16.840 --> 01:35:20.039
<v Speaker 1>she says, don't forget me, and they kiss and he

2061
01:35:20.079 --> 01:35:22.159
<v Speaker 1>says that he'll always love her, and she tells him

2062
01:35:22.159 --> 01:35:24.600
<v Speaker 1>go go now, go, and he leaves.

2063
01:35:24.920 --> 01:35:27.600
<v Speaker 2>I mean, we know now that like seven years later,

2064
01:35:27.640 --> 01:35:29.039
<v Speaker 2>I'm going to be able to teach other.

2065
01:35:33.520 --> 01:35:35.000
<v Speaker 1>Don't ruin the moment.

2066
01:35:34.880 --> 01:35:39.439
<v Speaker 2>Erica Toiler for history. It's nineteen eighty five. Currently around

2067
01:35:39.520 --> 01:35:41.640
<v Speaker 2>nineteen ninety three, you'll be able to see each other again,

2068
01:35:41.800 --> 01:35:44.840
<v Speaker 2>just saying. Nick goes to the stage at the Kire

2069
01:35:44.840 --> 01:35:47.600
<v Speaker 2>of Ballet one last time to you know, get say

2070
01:35:47.600 --> 01:35:50.159
<v Speaker 2>goodbye to his beloved theater. It must be kind of

2071
01:35:50.159 --> 01:35:52.520
<v Speaker 2>incredible too. They do have moments in the movie where

2072
01:35:52.560 --> 01:35:54.840
<v Speaker 2>like he takes in the fact that he's home and

2073
01:35:54.880 --> 01:35:57.840
<v Speaker 2>he's he has missed it. It was his home. It

2074
01:35:57.880 --> 01:36:00.359
<v Speaker 2>was the food is what he loves. Yeah, like this

2075
01:36:00.760 --> 01:36:02.720
<v Speaker 2>is his theater where he became a star, and like

2076
01:36:02.760 --> 01:36:03.920
<v Speaker 2>it's it means.

2077
01:36:03.640 --> 01:36:05.239
<v Speaker 1>Something to him, right where he trained.

2078
01:36:05.399 --> 01:36:08.840
<v Speaker 2>There's one ghost light on the stage. It's very cool effect.

2079
01:36:09.119 --> 01:36:12.359
<v Speaker 2>It's stark. There's like a white backdrop with a stark

2080
01:36:12.399 --> 01:36:15.760
<v Speaker 2>spotlight in the middle. He gazes out at the empty audience.

2081
01:36:15.800 --> 01:36:18.920
<v Speaker 2>He does a leap, he does some spins, He stops

2082
01:36:18.960 --> 01:36:21.239
<v Speaker 2>and leans on the side of the stage, tears rolling

2083
01:36:21.279 --> 01:36:23.600
<v Speaker 2>down his face. Yeah, it's very sweet.

2084
01:36:23.439 --> 01:36:26.880
<v Speaker 1>Very dramatic, Yeah, dramatique. He returns home to the apartment

2085
01:36:26.920 --> 01:36:28.680
<v Speaker 1>and there's this moment where he walks in and one

2086
01:36:28.720 --> 01:36:30.880
<v Speaker 1>of the guards whispers to him in Russian, we're getting

2087
01:36:30.960 --> 01:36:35.640
<v Speaker 1>rid of your friends tomorrow. Like what this goes nowhere?

2088
01:36:35.640 --> 01:36:37.239
<v Speaker 1>It doesn't. It's just funny like.

2089
01:36:37.479 --> 01:36:41.760
<v Speaker 2>Oh, I heard friend uh I I both of them.

2090
01:36:42.520 --> 01:36:44.479
<v Speaker 1>It was a it was a subtitle, I think, and

2091
01:36:44.520 --> 01:36:46.039
<v Speaker 1>subtitle said friends bank.

2092
01:36:47.479 --> 01:36:49.479
<v Speaker 2>I heard it wrong because in my I thought this

2093
01:36:49.600 --> 01:36:51.520
<v Speaker 2>meant we're getting rid of Raymond so you can be

2094
01:36:51.600 --> 01:36:52.079
<v Speaker 2>with Daria.

2095
01:36:53.239 --> 01:36:54.319
<v Speaker 1>Don't worry.

2096
01:36:54.319 --> 01:36:56.239
<v Speaker 2>We're taking We're taking the obstacle out of your way.

2097
01:36:56.359 --> 01:36:59.840
<v Speaker 1>Yeah. Uh. Nick walks in and Raymond in a very

2098
01:37:00.000 --> 01:37:03.000
<v Speaker 1>anxious Daria already. They put on music and they start

2099
01:37:03.000 --> 01:37:05.279
<v Speaker 1>doing another one of their fake arguments while putting their

2100
01:37:05.279 --> 01:37:07.880
<v Speaker 1>plan into action, the argument, really, they should be better

2101
01:37:07.920 --> 01:37:09.560
<v Speaker 1>at this, They should have written down some lines.

2102
01:37:10.399 --> 01:37:12.439
<v Speaker 2>Oh, this is actually very funny because the two men

2103
01:37:12.479 --> 01:37:14.800
<v Speaker 2>are better at it because they've been doing it. And

2104
01:37:15.039 --> 01:37:17.800
<v Speaker 2>also there was like some natural antagonism to begin with.

2105
01:37:18.159 --> 01:37:22.439
<v Speaker 2>Daria's trying and she's the sweetest, kindest person, so she

2106
01:37:22.479 --> 01:37:24.960
<v Speaker 2>doesn't It's like they she doesn't know how to yell

2107
01:37:25.000 --> 01:37:28.680
<v Speaker 2>at someone, right, and so she like I found this

2108
01:37:28.840 --> 01:37:31.560
<v Speaker 2>really amusing, Like when she like tries to fight back

2109
01:37:31.600 --> 01:37:33.720
<v Speaker 2>and then she looks immediately at them like was that good?

2110
01:37:33.920 --> 01:37:36.640
<v Speaker 1>I have had enough of your vulgarity? Is that good?

2111
01:37:36.680 --> 01:37:37.199
<v Speaker 1>Did I do it?

2112
01:37:39.119 --> 01:37:41.159
<v Speaker 2>She puts on her loudest red sweater.

2113
01:37:41.279 --> 01:37:42.800
<v Speaker 1>Okay, this sweater is not fair.

2114
01:37:43.039 --> 01:37:46.159
<v Speaker 2>She puts on her loudest red sweater to go undercover

2115
01:37:46.359 --> 01:37:48.479
<v Speaker 2>in Like, now, I know it's after midnight, but you

2116
01:37:48.520 --> 01:37:52.479
<v Speaker 2>remember it's the white Nights. White n It's a night

2117
01:37:52.880 --> 01:37:54.600
<v Speaker 2>so white it drives the Volkswagon.

2118
01:37:54.800 --> 01:37:58.279
<v Speaker 1>Exactly. It's a night so white that all all a

2119
01:37:58.319 --> 01:38:00.600
<v Speaker 1>dog wants to do is piss into the into it

2120
01:38:00.640 --> 01:38:01.319
<v Speaker 1>and make it yellow.

2121
01:38:03.079 --> 01:38:05.720
<v Speaker 2>You're going with snow, with snow, what you did?

2122
01:38:05.840 --> 01:38:07.920
<v Speaker 1>You're like, look, sometimes the brain just goes where it goes,

2123
01:38:07.960 --> 01:38:10.640
<v Speaker 1>and the words start parting out of your mouth and

2124
01:38:10.720 --> 01:38:11.840
<v Speaker 1>it makes sense in your head.

2125
01:38:12.119 --> 01:38:14.960
<v Speaker 2>It's a night so white. It pronounces it chopotle.

2126
01:38:18.159 --> 01:38:23.560
<v Speaker 1>It's a night so white. It only wants lobster rolls.

2127
01:38:23.880 --> 01:38:26.640
<v Speaker 2>It's a night so white. It's listening to Crosby Stills

2128
01:38:26.640 --> 01:38:28.840
<v Speaker 2>a Nash.

2129
01:38:28.960 --> 01:38:30.720
<v Speaker 1>It's a night so white. It's listening to the Anne

2130
01:38:30.760 --> 01:38:35.000
<v Speaker 1>Murray Christmas album.

2131
01:38:35.319 --> 01:38:38.880
<v Speaker 2>So as I said, it's daylight. It's full fucking daylight still,

2132
01:38:38.920 --> 01:38:40.760
<v Speaker 2>even though it's one am. When they're trying to escape,

2133
01:38:40.760 --> 01:38:44.720
<v Speaker 2>and this bitch puts on her loudest red sweater, I'm like, girl,

2134
01:38:44.800 --> 01:38:46.159
<v Speaker 2>you're gonna get caught.

2135
01:38:46.119 --> 01:38:48.800
<v Speaker 1>All right. So they they gather the woven rope while

2136
01:38:48.880 --> 01:38:51.560
<v Speaker 1>Nick fashions a hook from I think a fireplace poker.

2137
01:38:51.600 --> 01:38:56.039
<v Speaker 1>I think it's how he makes this. I'm not entirely sure. Yeah. Unfortunately,

2138
01:38:56.359 --> 01:39:00.439
<v Speaker 1>despite their preparations, Chiko is listening. He has he has

2139
01:39:00.479 --> 01:39:03.720
<v Speaker 1>fulfilled the latest ACME order that's been sent off to

2140
01:39:03.760 --> 01:39:07.880
<v Speaker 1>Wiley coyote and now he's just killing time listening to

2141
01:39:07.960 --> 01:39:10.640
<v Speaker 1>them in the car, and his Spidey sense starts tingling

2142
01:39:11.159 --> 01:39:14.079
<v Speaker 1>and he tells the car to turn around. K again.

2143
01:39:14.079 --> 01:39:16.079
<v Speaker 1>Remember Kirigan, he's the aide we met in the beginning

2144
01:39:16.079 --> 01:39:17.600
<v Speaker 1>of the movie. He's the one who gave him the

2145
01:39:17.600 --> 01:39:20.479
<v Speaker 1>stuff from the plane crash. Kiragan is like why, he says,

2146
01:39:20.560 --> 01:39:21.319
<v Speaker 1>just do what you're told.

2147
01:39:21.560 --> 01:39:23.359
<v Speaker 2>This will bite him back in the ass.

2148
01:39:23.359 --> 01:39:25.439
<v Speaker 1>And this is the ass the asshole this time.

2149
01:39:25.520 --> 01:39:27.640
<v Speaker 2>This no, I take it back. I'm sorry. I realized

2150
01:39:27.680 --> 01:39:30.600
<v Speaker 2>my mistake. This will actually take a giant chunk out

2151
01:39:30.600 --> 01:39:34.840
<v Speaker 2>of his asshole, out of his perfectly round asshole, out

2152
01:39:34.880 --> 01:39:36.880
<v Speaker 2>of his red puckered asshole.

2153
01:39:36.960 --> 01:39:38.560
<v Speaker 1>Dog nod on, asshole.

2154
01:39:40.920 --> 01:39:44.960
<v Speaker 2>Be kind to your underlings. Yeah, will risk going to

2155
01:39:45.000 --> 01:39:46.680
<v Speaker 2>the gulag just to get back at you.

2156
01:39:46.720 --> 01:39:47.560
<v Speaker 1>Later agreed.

2157
01:39:48.000 --> 01:39:50.159
<v Speaker 2>This is the scene I remember vividly from watching this

2158
01:39:50.159 --> 01:39:52.039
<v Speaker 2>movie when I was a kid with my parents. Like

2159
01:39:52.479 --> 01:39:54.680
<v Speaker 2>they're on like the fifth floor of an apartment building,

2160
01:39:54.760 --> 01:39:58.079
<v Speaker 2>sixth floor maybe high high up. They secure the woven

2161
01:39:58.159 --> 01:40:01.279
<v Speaker 2>rope around Nick's waist and he does this like daredevil

2162
01:40:01.279 --> 01:40:04.399
<v Speaker 2>thing where like he goes out the window onto some

2163
01:40:04.520 --> 01:40:08.760
<v Speaker 2>like exposed beams on the side of the building, like

2164
01:40:08.800 --> 01:40:11.399
<v Speaker 2>the building was in mid construction when they just stopped.

2165
01:40:11.840 --> 01:40:14.640
<v Speaker 2>He leaps to the fire escape ladder using that beam.

2166
01:40:14.680 --> 01:40:17.239
<v Speaker 2>So he uses that beam to like propel himself onto

2167
01:40:17.279 --> 01:40:20.000
<v Speaker 2>like a fire escape ladder. He climbs down a bit.

2168
01:40:20.119 --> 01:40:23.680
<v Speaker 2>He secures the rope to the ladder, and then Daria

2169
01:40:24.560 --> 01:40:26.920
<v Speaker 2>uses that makeshift hook because I was, I was, I was, like,

2170
01:40:26.920 --> 01:40:30.439
<v Speaker 2>what's that hook for? As a like zipline, and they

2171
01:40:30.600 --> 01:40:35.479
<v Speaker 2>zipline her from the like apartment above to Nick down

2172
01:40:35.560 --> 01:40:37.239
<v Speaker 2>slightly down below on the ladder.

2173
01:40:37.560 --> 01:40:40.039
<v Speaker 1>Before they do that, she does change the tape in

2174
01:40:40.119 --> 01:40:44.279
<v Speaker 1>the tape recorder to a pre recorded argument. Crucially, yes, yeah,

2175
01:40:44.319 --> 01:40:46.359
<v Speaker 1>she almost gets stuck in the mill. There ever been ziplining?

2176
01:40:47.199 --> 01:40:53.079
<v Speaker 2>Paul, have you met me? You're but not that kind

2177
01:40:53.119 --> 01:40:54.119
<v Speaker 2>of adventures.

2178
01:40:53.760 --> 01:40:55.600
<v Speaker 1>Because I've been ziplining and I'm not adventures.

2179
01:40:55.640 --> 01:40:57.520
<v Speaker 2>Oh really, I don't like to I don't like my

2180
01:40:57.560 --> 01:40:58.640
<v Speaker 2>feet dangling in the air.

2181
01:40:58.760 --> 01:41:01.000
<v Speaker 1>I usually assume anything I've done you've already gotten.

2182
01:41:01.239 --> 01:41:04.119
<v Speaker 2>No, that's you're good. That's the one thing I have

2183
01:41:04.159 --> 01:41:05.880
<v Speaker 2>not done that. I will not be drungee jumping. I

2184
01:41:05.920 --> 01:41:06.920
<v Speaker 2>will not be ziplining.

2185
01:41:07.079 --> 01:41:10.279
<v Speaker 1>Ziplining bungee jumping. Absolutely not. But I went ziplining and

2186
01:41:10.279 --> 01:41:12.359
<v Speaker 1>it didn't didn't. I was not afraid at all, but

2187
01:41:12.399 --> 01:41:14.640
<v Speaker 1>they do tell you like you have to kind of go,

2188
01:41:14.760 --> 01:41:17.520
<v Speaker 1>and like because she gets stuck in the middle, they

2189
01:41:17.560 --> 01:41:18.840
<v Speaker 1>have to kind of like scoocherr them.

2190
01:41:19.600 --> 01:41:22.159
<v Speaker 2>Yeah, Gregory Hinds at one point like grabs the top

2191
01:41:22.199 --> 01:41:24.800
<v Speaker 2>of the rope and it's like changing. I'm like, oh my.

2192
01:41:24.680 --> 01:41:28.199
<v Speaker 1>God, it looks like she did this stunt, doesn't it.

2193
01:41:28.560 --> 01:41:31.520
<v Speaker 2>It looks like all of them, like, well, Gregory Heines

2194
01:41:31.520 --> 01:41:33.960
<v Speaker 2>will not have to work, see, but like it looks

2195
01:41:34.119 --> 01:41:38.119
<v Speaker 2>genuinely like Borishnakoff did that stunt. Yeah, Like it couldn't

2196
01:41:38.159 --> 01:41:40.640
<v Speaker 2>have been right because it's so dangerous, but like it's

2197
01:41:40.720 --> 01:41:41.600
<v Speaker 2>so realistic.

2198
01:41:41.760 --> 01:41:42.000
<v Speaker 1>Yeah.

2199
01:41:42.039 --> 01:41:45.840
<v Speaker 2>Yeah. So eventually she does make it down to Nick. Meanwhile,

2200
01:41:46.000 --> 01:41:48.680
<v Speaker 2>the clock is racing because we as the audience, know

2201
01:41:48.840 --> 01:41:52.600
<v Speaker 2>that Chico, fresh from menacing the teenage mutant Ninja Turtles,

2202
01:41:54.039 --> 01:41:57.119
<v Speaker 2>is now on his way and will it will catch them, right,

2203
01:41:57.840 --> 01:42:01.319
<v Speaker 2>So she makes it to Nick, Raymond starts to crawl

2204
01:42:01.319 --> 01:42:04.079
<v Speaker 2>his way down the rope, and just as that's happening

2205
01:42:04.439 --> 01:42:07.319
<v Speaker 2>right below them, Chico and his men pull up and

2206
01:42:07.399 --> 01:42:09.800
<v Speaker 2>get out of the car. Luckily none of them look

2207
01:42:09.880 --> 01:42:12.800
<v Speaker 2>up to see this weird fucking tablow ahead of them,

2208
01:42:13.279 --> 01:42:16.920
<v Speaker 2>and they go into the building. Raymond, realizing that they're

2209
01:42:16.920 --> 01:42:19.159
<v Speaker 2>gonna have he's gonna have to distract Chico in order

2210
01:42:19.239 --> 01:42:21.279
<v Speaker 2>for the other two to get away, gestures at them

2211
01:42:21.319 --> 01:42:23.880
<v Speaker 2>to go without him. He says I love you to Daria,

2212
01:42:24.279 --> 01:42:26.119
<v Speaker 2>and he gets back in the apartment by himself, and

2213
01:42:26.199 --> 01:42:27.920
<v Speaker 2>Daria is like, no, no, no no. She tries to

2214
01:42:27.960 --> 01:42:29.439
<v Speaker 2>get back on the rope. She's like, I can't leave

2215
01:42:29.439 --> 01:42:31.880
<v Speaker 2>without him. I can't leave without him, and Nick convinces her,

2216
01:42:31.920 --> 01:42:32.520
<v Speaker 2>you have to go.

2217
01:42:32.720 --> 01:42:35.359
<v Speaker 1>Yep, he says, Raymond's only hope is for us to

2218
01:42:35.359 --> 01:42:37.960
<v Speaker 1>get to the American Embassy. So he gets her down

2219
01:42:38.000 --> 01:42:40.279
<v Speaker 1>onto the ground. They can't sneak out the back as

2220
01:42:40.319 --> 01:42:42.279
<v Speaker 1>they as they had planned, because now there are guards there,

2221
01:42:42.279 --> 01:42:45.720
<v Speaker 1>because now Chico has returned, right he has He has

2222
01:42:45.760 --> 01:42:51.159
<v Speaker 1>successfully a given skeletor the power of Gray Skull, and

2223
01:42:51.159 --> 01:42:53.399
<v Speaker 1>he is back. They have to go through the lobby.

2224
01:42:53.399 --> 01:42:56.680
<v Speaker 1>But meanwhile Raymond goes back into the apartment and he

2225
01:42:56.800 --> 01:42:59.600
<v Speaker 1>turns the tape with the recorded argument onto side B

2226
01:43:00.359 --> 01:43:03.000
<v Speaker 1>and then he starts playing that. So it's just music again,

2227
01:43:03.319 --> 01:43:05.840
<v Speaker 1>and then he bursts out into the hall before Chiko

2228
01:43:05.920 --> 01:43:09.000
<v Speaker 1>can actually come into the apartment. He starts yelling that

2229
01:43:09.039 --> 01:43:11.560
<v Speaker 1>he can't take it anymore, and the guard tries to

2230
01:43:11.560 --> 01:43:13.359
<v Speaker 1>stop him, but he starts to push through the guard

2231
01:43:13.399 --> 01:43:16.359
<v Speaker 1>and make his way downstairs. Chiko buys it. He's like,

2232
01:43:16.359 --> 01:43:18.399
<v Speaker 1>all right, come on, come on, let him go, let

2233
01:43:18.439 --> 01:43:19.680
<v Speaker 1>him go, let him come downstairs.

2234
01:43:20.079 --> 01:43:23.640
<v Speaker 2>So out in the hallway, Raymond loudly complains to Chicho, Look,

2235
01:43:23.880 --> 01:43:26.560
<v Speaker 2>you have got to get that man away from my

2236
01:43:26.760 --> 01:43:29.359
<v Speaker 2>wife and out of my life. I do not want

2237
01:43:29.439 --> 01:43:31.199
<v Speaker 2>him here. He is trying to steal. He's trying to

2238
01:43:31.279 --> 01:43:35.479
<v Speaker 2>ruin my marriage. Now, fuck this guy forever. Chiko buys it,

2239
01:43:35.640 --> 01:43:38.399
<v Speaker 2>hook line and sinker. Raymond is very convincing. He brings

2240
01:43:38.439 --> 01:43:40.479
<v Speaker 2>him into the office for a drink. Babe. I think

2241
01:43:40.520 --> 01:43:43.159
<v Speaker 2>he is hoping that the two of them shag upstairs,

2242
01:43:43.239 --> 01:43:45.479
<v Speaker 2>because otherwise it doesn't make any sense. So I'm trying

2243
01:43:45.479 --> 01:43:47.000
<v Speaker 2>to like in my head, I'm like, why would he

2244
01:43:47.079 --> 01:43:48.960
<v Speaker 2>do that? And that's the only thing I could think

2245
01:43:49.000 --> 01:43:51.000
<v Speaker 2>of is he is like such a messy bitch.

2246
01:43:51.159 --> 01:43:54.399
<v Speaker 1>They've also like established earlier that in Raushaw wants you

2247
01:43:54.399 --> 01:43:56.720
<v Speaker 1>to open bottle of vodka. You must finish bottle of vodka,

2248
01:43:56.760 --> 01:43:59.479
<v Speaker 1>which just PSA for this episode. Kids, you don't have

2249
01:43:59.560 --> 01:44:00.880
<v Speaker 1>to do that. That does agree.

2250
01:44:01.479 --> 01:44:04.680
<v Speaker 2>Hey, when in Russia do as Russians do. Kids, don't

2251
01:44:04.680 --> 01:44:06.720
<v Speaker 2>go to their country and tell them how to drink.

2252
01:44:07.720 --> 01:44:11.159
<v Speaker 2>Chiko brings Raymond into like an office in the surveillance

2253
01:44:11.239 --> 01:44:14.359
<v Speaker 2>room they have set up in this apartment building specifically

2254
01:44:14.399 --> 01:44:17.239
<v Speaker 2>for their So he's basically showing him behind the scenes

2255
01:44:17.239 --> 01:44:19.439
<v Speaker 2>and the death Star. He's like, so, that's the guy

2256
01:44:19.439 --> 01:44:21.640
<v Speaker 2>that's been listening to you from eleven to twelve. Yep,

2257
01:44:21.720 --> 01:44:23.479
<v Speaker 2>that's the guy that's been listening to you from twelve

2258
01:44:23.520 --> 01:44:27.239
<v Speaker 2>to one. Yep, like they like in shifts. Unfortunately, while

2259
01:44:27.279 --> 01:44:30.439
<v Speaker 2>this is happening, we cut to upstairs and the boom

2260
01:44:30.479 --> 01:44:34.880
<v Speaker 2>box like stops. The tape ends and it's set to

2261
01:44:34.920 --> 01:44:38.199
<v Speaker 2>continue his play and it has auto reverse capabilities.

2262
01:44:38.279 --> 01:44:39.520
<v Speaker 1>Goddamn it. Goddamn it.

2263
01:44:39.560 --> 01:44:43.039
<v Speaker 2>Technology goes from side A to side B, and what's

2264
01:44:43.079 --> 01:44:46.119
<v Speaker 2>on side B the music with that fake argument that

2265
01:44:46.159 --> 01:44:47.640
<v Speaker 2>they've already been listening to.

2266
01:44:47.840 --> 01:44:48.039
<v Speaker 1>Yep.

2267
01:44:48.439 --> 01:44:50.920
<v Speaker 2>So the men downstairs like start to hear the same

2268
01:44:51.000 --> 01:44:54.720
<v Speaker 2>exact words over and over again. Meanwhile, Nick and Daria

2269
01:44:54.800 --> 01:44:56.520
<v Speaker 2>take a chance to sneak out the front door. They're

2270
01:44:56.560 --> 01:45:00.439
<v Speaker 2>spotted by the landlady. Remember that old grizzled landlady who's like, yep,

2271
01:45:00.640 --> 01:45:03.600
<v Speaker 2>still here, Yep. She does nothing, She doesn't raise the alarm,

2272
01:45:03.920 --> 01:45:05.960
<v Speaker 2>and she she kind of looks at the men like

2273
01:45:06.000 --> 01:45:07.960
<v Speaker 2>in the surveillance room, and then she looks back at

2274
01:45:07.960 --> 01:45:09.279
<v Speaker 2>them and says, go now.

2275
01:45:09.239 --> 01:45:12.880
<v Speaker 1>Kerragin that underling, that that that Chico decided to be

2276
01:45:12.960 --> 01:45:16.199
<v Speaker 1>a dick to. Here's the conversation with Raymond's voice. He

2277
01:45:16.239 --> 01:45:19.279
<v Speaker 1>realizes it must be a recording. He goes right in

2278
01:45:19.319 --> 01:45:23.079
<v Speaker 1>to tell Chico. Chiko dismisses him. He says, I'm busy.

2279
01:45:23.119 --> 01:45:26.199
<v Speaker 1>I'm drinking a bottle of vodka with Raymond h Kerrigan's

2280
01:45:26.199 --> 01:45:28.840
<v Speaker 1>hatred for his boss and ambition for his own advancement

2281
01:45:28.880 --> 01:45:32.600
<v Speaker 1>overrides his Communist ideals, and he just says, as you wish.

2282
01:45:32.920 --> 01:45:36.720
<v Speaker 2>Truly, like this man hates his boss so much he's

2283
01:45:36.760 --> 01:45:38.960
<v Speaker 2>willing to risk going to like a work camp. Yep,

2284
01:45:39.000 --> 01:45:41.199
<v Speaker 2>because this is some deep shit he's about to pull.

2285
01:45:41.600 --> 01:45:45.039
<v Speaker 2>Nick and Daria sneak out the front door. They meet

2286
01:45:45.119 --> 01:45:47.000
<v Speaker 2>up at the spot on Lion's Bridge. At first, they

2287
01:45:47.000 --> 01:45:49.319
<v Speaker 2>don't see anyone, but as soon as and and Daria

2288
01:45:49.359 --> 01:45:50.600
<v Speaker 2>starts to go we have to go back. We have

2289
01:45:50.640 --> 01:45:52.359
<v Speaker 2>to go back. No one's here. This is a trap

2290
01:45:52.680 --> 01:45:54.359
<v Speaker 2>and Nick is like, no, wait, give it a moment.

2291
01:45:54.439 --> 01:45:57.720
<v Speaker 2>They start to cross, and when Scott appears, he's like,

2292
01:45:57.760 --> 01:45:59.880
<v Speaker 2>come on, come on, I'm Scott, I'm your contact. They

2293
01:46:00.079 --> 01:46:01.880
<v Speaker 2>run across to him and he's like, whoa. This was

2294
01:46:01.920 --> 01:46:03.640
<v Speaker 2>for Nick only. I don't know who this lady is.

2295
01:46:04.199 --> 01:46:06.239
<v Speaker 2>And Nick is like, I'm not coming if she doesn't come,

2296
01:46:06.319 --> 01:46:08.279
<v Speaker 2>and like they've like fine, fine, fine, and they get

2297
01:46:08.359 --> 01:46:10.439
<v Speaker 2>Daria in the car, so they start to head for

2298
01:46:10.479 --> 01:46:10.960
<v Speaker 2>the consulate.

2299
01:46:11.439 --> 01:46:16.279
<v Speaker 1>Meanwhile, Raymond and Chico finish the vodka bottle. Chiko is

2300
01:46:16.600 --> 01:46:18.399
<v Speaker 1>he's very busy. He has to get out. He has

2301
01:46:18.960 --> 01:46:21.119
<v Speaker 1>to he has to foil those damn ThunderCats once and

2302
01:46:21.159 --> 01:46:24.399
<v Speaker 1>for all. Raymond's like, let's open another bottle. Chiico's like, no,

2303
01:46:24.479 --> 01:46:27.119
<v Speaker 1>the ThunderCats. I gotta go. He tells kerragin he can

2304
01:46:27.159 --> 01:46:30.359
<v Speaker 1>deal with whatever Kerrigan was talking about now, so Kerrigan's like, okay,

2305
01:46:30.600 --> 01:46:32.960
<v Speaker 1>come on, come on this way goes to the command center.

2306
01:46:33.920 --> 01:46:36.119
<v Speaker 1>Chiko listens to the recording for about four seconds. He

2307
01:46:36.159 --> 01:46:38.920
<v Speaker 1>obviously hears Raymond's voice on it when Raymond is standing

2308
01:46:38.960 --> 01:46:41.800
<v Speaker 1>right in front of him. Raymond tries to tackle Chiko.

2309
01:46:42.880 --> 01:46:45.039
<v Speaker 1>This is you know, all systems go Now he knows

2310
01:46:45.079 --> 01:46:47.720
<v Speaker 1>he's caught. Just delay for as long as you possibly can.

2311
01:46:48.199 --> 01:46:51.479
<v Speaker 1>He gets tackled by agents as Chiko shouts commands to

2312
01:46:51.520 --> 01:46:55.800
<v Speaker 1>cover all Western consulates, and Kerrigan takes a moment to say, I.

2313
01:46:55.960 --> 01:46:59.520
<v Speaker 2>Tried to tell you, but you were being a cunt.

2314
01:46:59.680 --> 01:47:02.119
<v Speaker 1>Yeah, so yeah.

2315
01:47:01.840 --> 01:47:05.359
<v Speaker 2>Super on you. We followed Nick and Daria in the

2316
01:47:05.399 --> 01:47:08.880
<v Speaker 2>lime green sedan. As they drive towards the consulate, Wind

2317
01:47:08.920 --> 01:47:11.279
<v Speaker 2>tells them there's a lot of Third World diplomats at

2318
01:47:11.279 --> 01:47:13.479
<v Speaker 2>the consulate. They did that on purpose. They like, look,

2319
01:47:13.520 --> 01:47:16.880
<v Speaker 2>we invited everyone from other countries to over for dinner,

2320
01:47:17.199 --> 01:47:20.960
<v Speaker 2>so that when you arrive there's so many non aligned,

2321
01:47:21.119 --> 01:47:25.119
<v Speaker 2>unbiased witnesses from many countries that you have arrived. They're

2322
01:47:25.159 --> 01:47:28.640
<v Speaker 2>within eyesight of the embassy. They can see it. Two

2323
01:47:28.680 --> 01:47:31.479
<v Speaker 2>police cars who I don't think this has anything to

2324
01:47:31.520 --> 01:47:33.319
<v Speaker 2>do with the drama. There just happened to be two

2325
01:47:33.319 --> 01:47:35.520
<v Speaker 2>police cars. They pull out in front of them, drivers

2326
01:47:35.520 --> 01:47:38.640
<v Speaker 2>not paying attention because there's some tension in the car,

2327
01:47:38.760 --> 01:47:40.600
<v Speaker 2>and he accidentally crashes into one of them.

2328
01:47:40.880 --> 01:47:44.439
<v Speaker 1>I thought the police were arriving on the with the

2329
01:47:44.520 --> 01:47:48.239
<v Speaker 1>orders to cover the Western consulates. Oh thought, I.

2330
01:47:48.239 --> 01:47:50.840
<v Speaker 2>Thought this was actually like two policemen that they get

2331
01:47:50.840 --> 01:47:52.920
<v Speaker 2>into their speeding and they get in the way and

2332
01:47:53.000 --> 01:47:55.359
<v Speaker 2>like it could be either way, and the guy's not.

2333
01:47:55.479 --> 01:47:57.279
<v Speaker 2>The guy fucks up and he accidentally hits a cop car.

2334
01:47:57.439 --> 01:48:00.439
<v Speaker 1>Yeah, but both work. Wind tells Nick and Arya get

2335
01:48:00.439 --> 01:48:02.520
<v Speaker 1>out of the car, try to be seen. Your best

2336
01:48:02.560 --> 01:48:05.319
<v Speaker 1>hope is that all of those non aligned diplomats that

2337
01:48:05.359 --> 01:48:07.520
<v Speaker 1>have started pouring out of the American consulate because for

2338
01:48:07.560 --> 01:48:09.119
<v Speaker 1>some reason they know now is the time we have

2339
01:48:09.199 --> 01:48:12.279
<v Speaker 1>to pour out of the American consulate. Chico arrives and

2340
01:48:12.319 --> 01:48:16.760
<v Speaker 1>their driver tells Nick and Daria start walking towards the crowd.

2341
01:48:16.800 --> 01:48:18.960
<v Speaker 1>Don't worry about like me and when we're fine, we

2342
01:48:19.000 --> 01:48:20.960
<v Speaker 1>have like diplomatic they're not going to hurt us. Yeah,

2343
01:48:21.000 --> 01:48:23.760
<v Speaker 1>so they grasp pants and they start walking towards the consulate.

2344
01:48:24.039 --> 01:48:26.880
<v Speaker 1>Wind shouts at Chico. There are dozens of witnesses. Should

2345
01:48:26.880 --> 01:48:28.840
<v Speaker 1>anything happened to Nick and Daria, like this is now

2346
01:48:28.920 --> 01:48:31.199
<v Speaker 1>in that we can just hear him telling Chico. Chico

2347
01:48:31.479 --> 01:48:33.760
<v Speaker 1>leaves Wyn and he loops his other arm through Nicks

2348
01:48:33.800 --> 01:48:36.399
<v Speaker 1>and he hisses, I will have you shot, and Nick

2349
01:48:36.439 --> 01:48:39.199
<v Speaker 1>tells Daria keep walking, and Win shouts that Moscow will

2350
01:48:39.239 --> 01:48:42.279
<v Speaker 1>hold Chico responsible should an international incident be set off.

2351
01:48:42.479 --> 01:48:44.840
<v Speaker 1>He tells the police to arrest Daria and she is

2352
01:48:44.920 --> 01:48:47.079
<v Speaker 1>tackled to the ground as she tries to flee. There's

2353
01:48:47.119 --> 01:48:50.319
<v Speaker 1>like four men tackling this. One Isabella Rossalini. And normally

2354
01:48:50.359 --> 01:48:52.399
<v Speaker 1>I would put my money in Isabella in that case, but.

2355
01:48:52.399 --> 01:48:55.199
<v Speaker 2>She's playing Daria here. Yes, Zaria is a meek and

2356
01:48:55.279 --> 01:48:59.039
<v Speaker 2>gentle woman exactly, and shouts, there he is.

2357
01:48:59.079 --> 01:49:01.800
<v Speaker 1>From the gates. We're moving. He's close enough now there

2358
01:49:01.840 --> 01:49:05.439
<v Speaker 1>can be a positive identification that is Nikolai Rodchenko.

2359
01:49:05.800 --> 01:49:09.359
<v Speaker 2>There's cameras, there's like there's strong lenses that can capture

2360
01:49:09.600 --> 01:49:11.720
<v Speaker 2>a positive idea of Nick. So he had to walk

2361
01:49:11.760 --> 01:49:13.800
<v Speaker 2>close enough to get within the camera range.

2362
01:49:13.880 --> 01:49:17.319
<v Speaker 1>Yeah, Nick tells Chiko, look, if you let Daria go,

2363
01:49:17.399 --> 01:49:19.279
<v Speaker 1>I'll keep my mouth shut about what happened that you

2364
01:49:19.359 --> 01:49:21.359
<v Speaker 1>kept me, that I was being held here against my will.

2365
01:49:21.359 --> 01:49:23.079
<v Speaker 1>I won't tell anyone. I won't talk about it. Yeah.

2366
01:49:23.239 --> 01:49:25.680
<v Speaker 1>Chaiko pauses for a moment, and then he tells them.

2367
01:49:25.720 --> 01:49:27.640
<v Speaker 1>He starts yelling at police release, sir, really sir, what

2368
01:49:27.640 --> 01:49:29.800
<v Speaker 1>are you doing? What are you doing? And he walks

2369
01:49:30.039 --> 01:49:32.520
<v Speaker 1>them both the American Embassy. He puts his arms around them.

2370
01:49:32.640 --> 01:49:35.840
<v Speaker 1>Daria looks like she's about to burst into flames. She's like,

2371
01:49:35.880 --> 01:49:36.600
<v Speaker 1>what is happening?

2372
01:49:36.720 --> 01:49:37.640
<v Speaker 2>She's so afraid.

2373
01:49:37.880 --> 01:49:40.000
<v Speaker 1>He hisses to them under his breath, don't forget we

2374
01:49:40.039 --> 01:49:42.279
<v Speaker 1>still have Raymond, and then he announces that he's sure

2375
01:49:42.319 --> 01:49:45.760
<v Speaker 1>the return of a convicted Soviet criminal to America would

2376
01:49:45.800 --> 01:49:49.159
<v Speaker 1>count as proof of the Soviet Union's commitment towards peace,

2377
01:49:49.760 --> 01:49:53.079
<v Speaker 1>and the two of them shuffle inside the embassy.

2378
01:49:53.119 --> 01:49:55.319
<v Speaker 2>We cut to the end of the White Nights.

2379
01:49:55.600 --> 01:49:56.520
<v Speaker 1>They found the salt.

2380
01:50:00.840 --> 01:50:04.720
<v Speaker 2>They've had their camamil tea, their sleepy time tea. They've

2381
01:50:04.760 --> 01:50:06.600
<v Speaker 2>watched the Daily Show. They're ready for bed.

2382
01:50:06.760 --> 01:50:11.880
<v Speaker 1>They've listened to NPR. They've they've they've they've taken their

2383
01:50:11.880 --> 01:50:13.760
<v Speaker 1>pajamas out of their PBS tote.

2384
01:50:13.800 --> 01:50:16.560
<v Speaker 2>There. Yeah, they're they're having their melatonin. They're ready to

2385
01:50:16.600 --> 01:50:17.119
<v Speaker 2>take a nap.

2386
01:50:17.359 --> 01:50:20.159
<v Speaker 1>They've ordered the lands End sheets that they need.

2387
01:50:22.439 --> 01:50:25.960
<v Speaker 2>The sun goes down as Chico drives through the dark

2388
01:50:26.039 --> 01:50:28.119
<v Speaker 2>with a terrified Raymond in the back of the car.

2389
01:50:28.479 --> 01:50:30.960
<v Speaker 2>So at this point I would I would say it's

2390
01:50:31.000 --> 01:50:32.920
<v Speaker 2>been about a few months, if not a year, like

2391
01:50:32.960 --> 01:50:38.319
<v Speaker 2>six months. Raymond looks bad. He looks thin, he looks pale. Ye,

2392
01:50:38.600 --> 01:50:39.800
<v Speaker 2>he's not he's not well.

2393
01:50:39.960 --> 01:50:40.680
<v Speaker 1>He looks twitchy.

2394
01:50:40.760 --> 01:50:43.920
<v Speaker 2>He looks twitchy. Yeah, so he it's clear that he's

2395
01:50:43.960 --> 01:50:46.359
<v Speaker 2>been in like some kind of either work camp or

2396
01:50:46.359 --> 01:50:48.840
<v Speaker 2>prison this whole time. He's freaked out. He thinks he's

2397
01:50:48.840 --> 01:50:51.439
<v Speaker 2>about to get assassinated. I actually was worried that that's

2398
01:50:51.479 --> 01:50:53.880
<v Speaker 2>where this movie was going. He was gonna get a

2399
01:50:54.199 --> 01:50:56.199
<v Speaker 2>I didn't think so, because honestly, I was like, there's

2400
01:50:56.199 --> 01:50:58.199
<v Speaker 2>no way this has a bad ending. This movie is

2401
01:50:58.239 --> 01:51:02.960
<v Speaker 2>American propaganda. There's just no way, Like I get it

2402
01:51:03.039 --> 01:51:06.039
<v Speaker 2>like that, Like that would be very strong propaganda. Like look,

2403
01:51:06.079 --> 01:51:09.000
<v Speaker 2>they assassinated him anyway. But I'm like, that's just such

2404
01:51:09.039 --> 01:51:11.279
<v Speaker 2>a goddamn bummer, Like it can't be. It must be.

2405
01:51:11.760 --> 01:51:13.920
<v Speaker 2>American propaganda always has a happy ending.

2406
01:51:14.079 --> 01:51:17.159
<v Speaker 1>Yeah, that's just our way, that's how we roll.

2407
01:51:18.640 --> 01:51:20.880
<v Speaker 2>So Raymond, who's been kept in the dark about all

2408
01:51:20.880 --> 01:51:22.840
<v Speaker 2>of this, doesn't know what happened to Nick, doesn't know

2409
01:51:22.840 --> 01:51:25.199
<v Speaker 2>what happened Daria. He starts to ask questions did they

2410
01:51:25.239 --> 01:51:28.560
<v Speaker 2>get out? Is she safe? And Chico just cryptically says,

2411
01:51:28.840 --> 01:51:31.720
<v Speaker 2>we'll send your things to your wife. The car stops

2412
01:51:31.760 --> 01:51:35.199
<v Speaker 2>and Chico tells Raymond to get out. Raymond's terrified. He's

2413
01:51:35.399 --> 01:51:38.560
<v Speaker 2>positive he's about to get assassinated. In the woods, a

2414
01:51:38.600 --> 01:51:41.199
<v Speaker 2>group of soldiers appear. There's a spotlight. Lights go up

2415
01:51:41.239 --> 01:51:43.600
<v Speaker 2>in the middle of the night. This this screams firing

2416
01:51:43.640 --> 01:51:47.239
<v Speaker 2>squad about to happen. He's terrified, he's shaking. He refuses.

2417
01:51:47.239 --> 01:51:48.920
<v Speaker 2>He's like, no, I'm not going. I'm not going. I'm

2418
01:51:48.920 --> 01:51:51.119
<v Speaker 2>not going. And they push him. They're like, go walk

2419
01:51:51.119 --> 01:51:53.119
<v Speaker 2>into the woods. He's like, don't shoot me in the back.

2420
01:51:53.159 --> 01:51:56.039
<v Speaker 2>Don't shoot me in the back, please, And Chico goes

2421
01:51:56.359 --> 01:51:57.039
<v Speaker 2>just walk.

2422
01:51:57.279 --> 01:52:00.600
<v Speaker 1>Another spotlight turns on from a distance and Gear walks

2423
01:52:00.600 --> 01:52:04.439
<v Speaker 1>forward right to Chico, who welcomes him as a comrade.

2424
01:52:04.840 --> 01:52:08.319
<v Speaker 1>And Raymond walks forward and four silhouettes appear and we

2425
01:52:08.399 --> 01:52:13.439
<v Speaker 1>hear Daria call his name, Raymond, Raymond, Raymond. Raymond runs

2426
01:52:13.479 --> 01:52:16.880
<v Speaker 1>to her. She tells him he's across the border. He's free,

2427
01:52:16.920 --> 01:52:19.600
<v Speaker 1>and Nick is also there, and Nick says, you've been traded.

2428
01:52:19.960 --> 01:52:21.960
<v Speaker 2>Yes, so this is a prisoner exchange.

2429
01:52:22.039 --> 01:52:22.279
<v Speaker 1>Yeah.

2430
01:52:22.319 --> 01:52:25.159
<v Speaker 2>The guy who goes up to Chico is speaking in Spanish,

2431
01:52:25.159 --> 01:52:26.840
<v Speaker 2>and I think he's supposed to be a Cuban, so

2432
01:52:27.079 --> 01:52:31.000
<v Speaker 2>they've traded him for a Cuban communist dissident. And again,

2433
01:52:31.039 --> 01:52:32.520
<v Speaker 2>I hate to bring it into the real world, but

2434
01:52:32.520 --> 01:52:35.239
<v Speaker 2>it does remind me of the Britney Griner exchange. We

2435
01:52:35.399 --> 01:52:40.079
<v Speaker 2>exchanged a harmless WNBA player with a fucking arms dealer.

2436
01:52:42.920 --> 01:52:45.600
<v Speaker 2>So this shit does happen. In case anyone's watching this

2437
01:52:45.680 --> 01:52:48.399
<v Speaker 2>movie and they're like, that's so unrealistic. They wouldn't they

2438
01:52:48.439 --> 01:52:51.239
<v Speaker 2>wouldn't bother to give Raymond back. Yeah, they would, because

2439
01:52:51.279 --> 01:52:54.399
<v Speaker 2>I guarantee you they got someone way worse in return.

2440
01:52:54.560 --> 01:52:57.119
<v Speaker 1>In fact, Chico, who would have gotten away with it

2441
01:52:57.159 --> 01:53:01.239
<v Speaker 1>was one for those damn kids sneer that they exchanged

2442
01:53:01.399 --> 01:53:04.399
<v Speaker 1>scum for a hero of the people. And Nick is like, look,

2443
01:53:04.479 --> 01:53:07.600
<v Speaker 1>pretend anything you want you lost, and you know it.

2444
01:53:08.359 --> 01:53:11.520
<v Speaker 1>Raymond and Daria embrace and he says, I'm going home.

2445
01:53:11.680 --> 01:53:14.920
<v Speaker 1>For better or for worse. I'm going home. He is

2446
01:53:15.600 --> 01:53:17.600
<v Speaker 1>absolutely frank and furder at the end.

2447
01:53:18.479 --> 01:53:22.760
<v Speaker 2>Hah. He takes off his overcoat and you see him

2448
01:53:22.800 --> 01:53:24.239
<v Speaker 2>just wearing black panties.

2449
01:53:25.520 --> 01:53:30.199
<v Speaker 1>He's about to ascend. He goes to Nick, he hugs him,

2450
01:53:30.199 --> 01:53:33.199
<v Speaker 1>and he says thank you, and the movie freeze frames

2451
01:53:33.239 --> 01:53:35.039
<v Speaker 1>and that is the end of the movie.

2452
01:53:35.119 --> 01:53:37.319
<v Speaker 2>If movie freeze frames not with him and Daria and

2453
01:53:37.399 --> 01:53:40.279
<v Speaker 2>Nick together, just him and Nick facing each other. It

2454
01:53:40.399 --> 01:53:43.600
<v Speaker 2>is so the ending of Casablanca. They've sole in the

2455
01:53:43.640 --> 01:53:46.560
<v Speaker 2>ending of Casablanca. It's these two men and like there's

2456
01:53:46.640 --> 01:53:49.800
<v Speaker 2>there's smoke around them. Nick's wearing like a trench coat,

2457
01:53:50.079 --> 01:53:52.439
<v Speaker 2>just like ye, just like Bogee in that movie. Like

2458
01:53:52.479 --> 01:53:54.279
<v Speaker 2>it could not look more like that. And I'm like,

2459
01:53:54.520 --> 01:53:57.039
<v Speaker 2>this is a love story between these two men. I mean,

2460
01:53:57.079 --> 01:53:59.840
<v Speaker 2>I get it. There Daria's there, and she's there, she

2461
01:54:00.079 --> 01:54:04.119
<v Speaker 2>and Peggy, but like, this is these two men story.

2462
01:54:04.359 --> 01:54:07.039
<v Speaker 1>All right, everyone stick around. We will be right back

2463
01:54:07.119 --> 01:54:11.359
<v Speaker 1>with our random observations and final rankings for White Nights.

2464
01:54:20.039 --> 01:54:24.000
<v Speaker 1>And we're back alright, Erica, any last fates, any less

2465
01:54:24.000 --> 01:54:26.960
<v Speaker 1>pirouettes to to sprinkle upon us about white Knights.

2466
01:54:27.039 --> 01:54:29.840
<v Speaker 2>Well, we open this bottle of capol. We gotta finish it.

2467
01:54:29.960 --> 01:54:32.880
<v Speaker 1>Yeah, we do them rules. Those are the rules. I

2468
01:54:32.880 --> 01:54:33.479
<v Speaker 1>didn't make them.

2469
01:54:33.880 --> 01:54:36.000
<v Speaker 2>I have a couple of fun like dance ones. So

2470
01:54:36.239 --> 01:54:38.760
<v Speaker 2>in the middle of the scene when the two men

2471
01:54:38.840 --> 01:54:40.520
<v Speaker 2>are in the in the workroom and they're kind of

2472
01:54:40.560 --> 01:54:43.439
<v Speaker 2>dancing around each other while they're arguing. There's a lot

2473
01:54:43.479 --> 01:54:45.720
<v Speaker 2>of karate Kid reminiscent moves.

2474
01:54:45.840 --> 01:54:46.920
<v Speaker 1>There is a lot of kicking.

2475
01:54:47.039 --> 01:54:50.119
<v Speaker 2>There's a lot, Yeah, there's a lot of It feels

2476
01:54:50.119 --> 01:54:52.439
<v Speaker 2>like Karate Kid came out right before this movie and

2477
01:54:52.479 --> 01:54:54.159
<v Speaker 2>they're like, you know what's hot right now?

2478
01:54:54.880 --> 01:54:57.680
<v Speaker 1>Karate karate is so hot right now.

2479
01:54:57.880 --> 01:55:00.520
<v Speaker 2>Genuinely, And I think Borshnakov's like, yeah, I do that.

2480
01:55:00.880 --> 01:55:02.920
<v Speaker 1>There's one point where like one of them they actually

2481
01:55:02.960 --> 01:55:05.279
<v Speaker 1>do like a little choreographed almost fight choreography, or one

2482
01:55:05.319 --> 01:55:07.880
<v Speaker 1>of them like ducks under a punch, the other one kicks.

2483
01:55:07.880 --> 01:55:08.880
<v Speaker 1>And that's what I'm.

2484
01:55:08.720 --> 01:55:11.560
<v Speaker 2>Talking about, is that it is straight out of Karate Kid.

2485
01:55:11.840 --> 01:55:14.680
<v Speaker 2>It's very funny because they're like clearly like karate is

2486
01:55:14.720 --> 01:55:17.680
<v Speaker 2>in the zeitgeist and they were in Twila Tharp's like,

2487
01:55:18.079 --> 01:55:21.279
<v Speaker 2>Karate Karate. I'm seeing karate.

2488
01:55:23.239 --> 01:55:26.399
<v Speaker 1>I already I already sang the praises of the pilot.

2489
01:55:27.079 --> 01:55:29.560
<v Speaker 1>The pilot of the plane in this episode, he remained

2490
01:55:29.640 --> 01:55:32.039
<v Speaker 1>very calm during the plane crash. I appreciated that. I

2491
01:55:32.079 --> 01:55:34.520
<v Speaker 1>just want to call out one really excellent line that

2492
01:55:34.560 --> 01:55:37.279
<v Speaker 1>he has during it. Because they're they're getting closer to

2493
01:55:37.319 --> 01:55:39.359
<v Speaker 1>the ground, it's it's clear there's not enough space in

2494
01:55:39.399 --> 01:55:41.880
<v Speaker 1>the runway. His co pilot's like, we're gonna hit them,

2495
01:55:42.000 --> 01:55:44.520
<v Speaker 1>We're gonna hit them, and the pilot just goes, you're

2496
01:55:44.520 --> 01:55:45.239
<v Speaker 1>not wrong.

2497
01:55:47.079 --> 01:55:50.199
<v Speaker 2>Genuinely, like the best pilot I've ever seen on film.

2498
01:55:50.199 --> 01:55:52.920
<v Speaker 2>You're right. He crashed that plane and is like, we

2499
01:55:53.039 --> 01:55:53.680
<v Speaker 2>are going.

2500
01:55:53.479 --> 01:55:54.680
<v Speaker 1>To We're gonna be fine.

2501
01:55:54.960 --> 01:56:00.239
<v Speaker 2>Another bit of excellent Barishnikoff dance moves. This truly is incredible. Well,

2502
01:56:00.319 --> 01:56:02.640
<v Speaker 2>they do a close up in the scene when he's

2503
01:56:02.640 --> 01:56:04.800
<v Speaker 2>in the theater and Galina's on the floor looking at

2504
01:56:05.039 --> 01:56:08.119
<v Speaker 2>the drawings and he's kind of dancing around her. They

2505
01:56:08.239 --> 01:56:10.560
<v Speaker 2>do a close up of his feet and he goes

2506
01:56:10.600 --> 01:56:13.840
<v Speaker 2>on point. He's in like he's either I can't remember

2507
01:56:13.880 --> 01:56:17.920
<v Speaker 2>barefoot in the scene, or he's wearing like like dance shoes.

2508
01:56:17.960 --> 01:56:19.399
<v Speaker 1>He's wearing like white sneakers, like.

2509
01:56:19.399 --> 01:56:22.199
<v Speaker 2>Or white sneakers something like that. Yeah, he's not wearing

2510
01:56:22.199 --> 01:56:24.760
<v Speaker 2>point shoes, is my point. He goes on point. He

2511
01:56:24.840 --> 01:56:28.479
<v Speaker 2>managed to do that, and then he bends his toes

2512
01:56:28.600 --> 01:56:31.680
<v Speaker 2>forward like back and he's on the front of his

2513
01:56:31.800 --> 01:56:35.159
<v Speaker 2>toes and he's dancing on the front of his toes.

2514
01:56:35.279 --> 01:56:35.960
<v Speaker 1>Yeah.

2515
01:56:36.000 --> 01:56:38.880
<v Speaker 2>Ouch, And like the camera does a close up of it,

2516
01:56:38.920 --> 01:56:43.039
<v Speaker 2>so it's clearly like a Misha Barishnikov special. Yeah, I

2517
01:56:43.079 --> 01:56:46.079
<v Speaker 2>can do this, and it's really it looks really impressive

2518
01:56:46.119 --> 01:56:48.159
<v Speaker 2>when you when you see it, and it does because

2519
01:56:48.199 --> 01:56:51.880
<v Speaker 2>it's like, God, that looks so painful. But he's bouncing

2520
01:56:52.079 --> 01:56:56.279
<v Speaker 2>around on the fronts of his toes. Yeah, agreed, incredible, incredible.

2521
01:56:56.840 --> 01:56:59.600
<v Speaker 2>I just have one more and it's a line I

2522
01:56:59.640 --> 01:57:01.840
<v Speaker 2>really like in the movie. And I look, I hate

2523
01:57:01.880 --> 01:57:03.840
<v Speaker 2>to bring this into real world and everything, but I

2524
01:57:03.840 --> 01:57:06.039
<v Speaker 2>think it's important to like point this stuff out. Okay,

2525
01:57:06.119 --> 01:57:08.520
<v Speaker 2>So at the very beginning of the movie, when Raymond

2526
01:57:08.600 --> 01:57:11.359
<v Speaker 2>is arguing that the Soviet Union is better than the

2527
01:57:11.439 --> 01:57:15.640
<v Speaker 2>United States, and He's arguing back and he's like, well,

2528
01:57:16.359 --> 01:57:19.199
<v Speaker 2>you're a Soviet, Like, what are you talking about. He goes, no, no, no,

2529
01:57:20.079 --> 01:57:23.199
<v Speaker 2>Nick says, I am a Russian. I am not a Soviet. Yeah,

2530
01:57:23.439 --> 01:57:25.800
<v Speaker 2>there's a difference. I'm proud of the culture I come from.

2531
01:57:25.840 --> 01:57:27.920
<v Speaker 2>I am not proud of what it has become. And

2532
01:57:28.000 --> 01:57:30.760
<v Speaker 2>I think just keeping that in the back of our

2533
01:57:30.800 --> 01:57:34.479
<v Speaker 2>heads currently no reason, no reason. But I am an

2534
01:57:34.520 --> 01:57:39.279
<v Speaker 2>American and I'm proud of the ideals that we purport.

2535
01:57:39.439 --> 01:57:41.479
<v Speaker 2>At the very least, I have to say, and so

2536
01:57:41.680 --> 01:57:44.399
<v Speaker 2>like the moments like that are like kind of beautiful

2537
01:57:44.399 --> 01:57:45.000
<v Speaker 2>and important to me.

2538
01:57:45.039 --> 01:57:48.199
<v Speaker 1>I agree, yeahah, very well said, I have a very

2539
01:57:48.199 --> 01:57:49.760
<v Speaker 1>stupid one to bring us back down.

2540
01:57:49.880 --> 01:57:51.600
<v Speaker 2>Love that love after everyone.

2541
01:57:51.960 --> 01:57:54.880
<v Speaker 1>So in the Last Big Dance, when they're dancing in

2542
01:57:54.960 --> 01:57:57.640
<v Speaker 1>Unison in the studio, we watch and it cuts away

2543
01:57:57.640 --> 01:58:00.319
<v Speaker 1>from the dance briefly and it cuts to Chiko watching them,

2544
01:58:00.720 --> 01:58:05.039
<v Speaker 1>but he is like kind of dancing along with them

2545
01:58:05.079 --> 01:58:06.279
<v Speaker 1>as he watches them on TV.

2546
01:58:06.399 --> 01:58:09.520
<v Speaker 2>And he's wearing his exercise outfits.

2547
01:58:09.159 --> 01:58:11.720
<v Speaker 1>An exercise outfit that makes him look like a Miami

2548
01:58:11.800 --> 01:58:14.520
<v Speaker 1>area senior citizen going on a run walk like it

2549
01:58:14.640 --> 01:58:16.880
<v Speaker 1>is so funny and weird.

2550
01:58:17.279 --> 01:58:19.399
<v Speaker 2>Yeah, it's like a running suit that you would wear

2551
01:58:19.439 --> 01:58:21.239
<v Speaker 2>in the eighties that in the eighties would not have

2552
01:58:21.239 --> 01:58:24.960
<v Speaker 2>seemed dumb and all. It just seems it seems so dumb.

2553
01:58:25.039 --> 01:58:26.039
<v Speaker 2>It's a windbreaker.

2554
01:58:26.600 --> 01:58:27.680
<v Speaker 1>It's so much windbreaker.

2555
01:58:27.800 --> 01:58:31.680
<v Speaker 2>It's a wind breakers as he walks like plastic pants,

2556
01:58:31.800 --> 01:58:36.560
<v Speaker 2>tearaway pants, but they're all like neon yellow. Oh man,

2557
01:58:36.680 --> 01:58:37.720
<v Speaker 2>the eighties.

2558
01:58:37.640 --> 01:58:40.319
<v Speaker 1>So so delicious, and the fact that they bothered to

2559
01:58:40.319 --> 01:58:44.039
<v Speaker 1>put that, like we know he's watching, so why why

2560
01:58:44.119 --> 01:58:44.720
<v Speaker 1>is this here?

2561
01:58:44.960 --> 01:58:48.920
<v Speaker 2>What is this accomplishing show that they are his entertainment like,

2562
01:58:49.079 --> 01:58:50.560
<v Speaker 2>oh yeah, favorite.

2563
01:58:50.159 --> 01:58:53.000
<v Speaker 1>This is like workout video, they are his Richard Simmons.

2564
01:58:53.680 --> 01:58:57.479
<v Speaker 2>Yeah, okay, Paul, how shall we rank white nights?

2565
01:58:58.079 --> 01:59:02.119
<v Speaker 1>How about one to ten? Instagram that I absolutely do

2566
01:59:02.319 --> 01:59:03.880
<v Speaker 1>not want on my feed.

2567
01:59:04.199 --> 01:59:08.800
<v Speaker 2>Listen algorithm, don't send me any more videos of tanned,

2568
01:59:09.039 --> 01:59:13.800
<v Speaker 2>shirtless men baking vanilla cupcakes and then eating them slowly

2569
01:59:13.880 --> 01:59:16.039
<v Speaker 2>into the camera. I don't want it. I don't have

2570
01:59:16.159 --> 01:59:18.439
<v Speaker 2>to be fair. I haven't gotten any of those yet. Yeah,

2571
01:59:18.439 --> 01:59:20.560
<v Speaker 2>but I don't want them. I'm putting that out there

2572
01:59:20.640 --> 01:59:22.119
<v Speaker 2>right now. I don't want it.

2573
01:59:22.279 --> 01:59:26.439
<v Speaker 1>I don't want to see a thick, hot ass man

2574
01:59:25.760 --> 01:59:28.359
<v Speaker 1>making a thong and then modeling it.

2575
01:59:28.439 --> 01:59:33.039
<v Speaker 2>Disgusting, gross, gross, indecent. Yes, do not send me hot

2576
01:59:33.079 --> 01:59:35.840
<v Speaker 2>women in their forties wearing nothing but underwear in a

2577
01:59:35.920 --> 01:59:37.399
<v Speaker 2>trench coat. I don't want it.

2578
01:59:37.560 --> 01:59:40.920
<v Speaker 1>Don't send me naked yogis whose bits and bobs are

2579
01:59:40.920 --> 01:59:43.800
<v Speaker 1>only covered by their thighs being extended in a certain way.

2580
01:59:44.039 --> 01:59:48.760
<v Speaker 2>Gross and absolutely no more videos of Pedro Pascal destroying

2581
01:59:48.800 --> 01:59:49.520
<v Speaker 2>my ovaries.

2582
01:59:49.720 --> 01:59:50.039
<v Speaker 1>Done.

2583
01:59:50.159 --> 01:59:52.680
<v Speaker 2>I don't want it. No more, no more, no more

2584
01:59:52.720 --> 01:59:54.800
<v Speaker 2>with that man. I've had it. I've hit my I've

2585
01:59:54.840 --> 02:00:01.119
<v Speaker 2>hit pak Pascal. How about one to ten Colonel Chico's resume.

2586
02:00:01.439 --> 02:00:03.920
<v Speaker 2>Oh items on Colonel Chico's resume, like.

2587
02:00:03.880 --> 02:00:05.640
<v Speaker 1>He was Megatron's aide de camp.

2588
02:00:08.239 --> 02:00:10.319
<v Speaker 2>How one of his hobbies is getting foiled by.

2589
02:00:10.199 --> 02:00:12.720
<v Speaker 1>The A team, Oh yes? Or how how he he

2590
02:00:12.800 --> 02:00:15.319
<v Speaker 1>once studied magic at the feet of Magic at the spel.

2591
02:00:16.000 --> 02:00:20.079
<v Speaker 2>Wow, good, deep good. How he's too busy staging a

2592
02:00:20.159 --> 02:00:22.560
<v Speaker 2>coup at the Rhythm Nation to be doing anything else.

2593
02:00:22.720 --> 02:00:28.279
<v Speaker 1>He is actually Gargamel's cousin. How about one to ten

2594
02:00:28.399 --> 02:00:30.039
<v Speaker 1>Knights that are so white.

2595
02:00:30.239 --> 02:00:33.520
<v Speaker 2>So white that they have a closet full of patagony.

2596
02:00:33.079 --> 02:00:36.079
<v Speaker 1>Vests, so so white that they give interviews after Shen

2597
02:00:36.159 --> 02:00:37.880
<v Speaker 1>Yung shows about how magical it is.

2598
02:00:38.359 --> 02:00:41.760
<v Speaker 2>So white that they need to speak to the manager.

2599
02:00:41.960 --> 02:00:43.520
<v Speaker 1>So white that they will sue at the drop of

2600
02:00:43.520 --> 02:00:44.880
<v Speaker 1>the hat. They will just suit.

2601
02:00:45.000 --> 02:00:48.279
<v Speaker 2>They will sue you right away, right away, blanket suing everyone.

2602
02:00:48.479 --> 02:00:50.359
<v Speaker 2>So white, Paul, they don't see.

2603
02:00:50.199 --> 02:00:53.119
<v Speaker 1>Colors, so white, they brag about having a black friend.

2604
02:00:56.039 --> 02:00:56.840
<v Speaker 1>Should you do this one?

2605
02:00:56.920 --> 02:00:57.159
<v Speaker 2>Okay?

2606
02:00:57.239 --> 02:00:57.439
<v Speaker 1>Yeah?

2607
02:00:58.000 --> 02:00:58.399
<v Speaker 2>So white?

2608
02:00:58.399 --> 02:00:59.640
<v Speaker 1>All right? Do you want to go first or should

2609
02:00:59.680 --> 02:01:03.680
<v Speaker 1>I go first in this one? All right? Spoiler alert?

2610
02:01:03.680 --> 02:01:06.199
<v Speaker 1>I think this age does really well. It doesn't have

2611
02:01:06.239 --> 02:01:10.039
<v Speaker 1>everything that we talk about. It spectacularly fails the Bechdel test.

2612
02:01:10.159 --> 02:01:11.880
<v Speaker 2>I think the only time two women talk to each

2613
02:01:11.880 --> 02:01:14.039
<v Speaker 2>other are when the actress from Porgy and Bess comes

2614
02:01:14.079 --> 02:01:17.119
<v Speaker 2>off stage and like grumbles to someone about Raymond being

2615
02:01:17.119 --> 02:01:19.840
<v Speaker 2>a show off. Yeah, and the other someone is a woman.

2616
02:01:19.880 --> 02:01:21.560
<v Speaker 2>But neither of those two are named.

2617
02:01:21.640 --> 02:01:24.439
<v Speaker 1>Correct, that's very possible. Pasha is named, but Pasha does

2618
02:01:24.439 --> 02:01:27.600
<v Speaker 1>not speak to anyone except Nick. So yeah, AND's obviously

2619
02:01:27.640 --> 02:01:29.840
<v Speaker 1>a much more supporting character. But the two main female

2620
02:01:29.880 --> 02:01:33.199
<v Speaker 1>roles in this are excellently drawn characters, I think, even

2621
02:01:33.199 --> 02:01:35.319
<v Speaker 1>though they don't interact with each other, played by two

2622
02:01:35.359 --> 02:01:38.760
<v Speaker 1>Oscar winners and an Oscar nominee. So like the juice

2623
02:01:38.800 --> 02:01:41.520
<v Speaker 1>is there. Yeah, there's no gay content. That is fine.

2624
02:01:41.640 --> 02:01:44.079
<v Speaker 1>This movie has enough on its mind. We're good.

2625
02:01:44.399 --> 02:01:46.560
<v Speaker 2>I mean, there's no gay context of what's happening in

2626
02:01:46.560 --> 02:01:48.560
<v Speaker 2>my brain. Yeah, when I'm watching the movie, except I'm

2627
02:01:48.560 --> 02:01:49.279
<v Speaker 2>watching those two.

2628
02:01:49.239 --> 02:01:52.760
<v Speaker 1>Dance, Except that mikaal Barishnikov dancing is fundamentally gay content.

2629
02:01:53.039 --> 02:01:54.479
<v Speaker 1>I know he's straight as an arrow.

2630
02:01:54.520 --> 02:01:56.840
<v Speaker 2>I don't care, except for the end of the movie

2631
02:01:56.880 --> 02:01:58.039
<v Speaker 2>when I'm like, kiss.

2632
02:01:57.880 --> 02:02:01.199
<v Speaker 1>Kiss, Kiss. But the movie it has like race with

2633
02:02:01.319 --> 02:02:04.119
<v Speaker 1>a capital R on its mind, I would say, and

2634
02:02:05.159 --> 02:02:09.000
<v Speaker 1>the sins of America and the sins of governments at large,

2635
02:02:09.000 --> 02:02:10.600
<v Speaker 1>and the sins of Russia. And it has a lot

2636
02:02:10.600 --> 02:02:12.760
<v Speaker 1>of big ideas that it's packaging in this kind of

2637
02:02:13.239 --> 02:02:15.800
<v Speaker 1>little bit of a silly way, right with these two dancers,

2638
02:02:15.840 --> 02:02:18.920
<v Speaker 1>and like, you know, but I appreciate that. I like

2639
02:02:19.039 --> 02:02:21.640
<v Speaker 1>that about it because it makes it makes the very

2640
02:02:21.680 --> 02:02:23.800
<v Speaker 1>serious stuff go down a little bit easier and you

2641
02:02:23.840 --> 02:02:26.960
<v Speaker 1>can be entertained by it as opposed to simply horrified

2642
02:02:26.960 --> 02:02:29.439
<v Speaker 1>by it. And it's still horrifying, to be clear, It

2643
02:02:29.560 --> 02:02:32.319
<v Speaker 1>just it. It's spoonful of sugar with the medicine. I

2644
02:02:32.439 --> 02:02:34.560
<v Speaker 1>liked that they talked a little bit when I was

2645
02:02:34.600 --> 02:02:36.760
<v Speaker 1>doing research on this. They talked a little bit about

2646
02:02:36.760 --> 02:02:39.199
<v Speaker 1>how they wanted to make a movie where like Russia

2647
02:02:39.359 --> 02:02:42.039
<v Speaker 1>was not portrayed as like just full of horrible people,

2648
02:02:42.319 --> 02:02:44.720
<v Speaker 1>and try to be like fair minded about the Russian

2649
02:02:44.720 --> 02:02:47.720
<v Speaker 1>and American governments. Look in nineteen eighty five, maybe that's

2650
02:02:47.720 --> 02:02:50.399
<v Speaker 1>what they did, because very clearly Raymond calls out the

2651
02:02:50.439 --> 02:02:54.079
<v Speaker 1>American government for the Shenanigans in Vietnam and the racism

2652
02:02:54.199 --> 02:02:57.800
<v Speaker 1>inherent in the American society. It is still absolutely the

2653
02:02:57.880 --> 02:03:00.960
<v Speaker 1>utopia that we are driving charts. In the movie, they

2654
02:03:01.039 --> 02:03:04.600
<v Speaker 1>make it very clear that the citizens of Russia are

2655
02:03:04.640 --> 02:03:07.439
<v Speaker 1>not the Soviets, to use the movie's parlance.

2656
02:03:07.600 --> 02:03:10.199
<v Speaker 2>Yeah, right, that there are good people working within this

2657
02:03:10.319 --> 02:03:12.079
<v Speaker 2>extremely bad system.

2658
02:03:12.319 --> 02:03:15.119
<v Speaker 1>Yes, And I do think they accomplish that. They don't

2659
02:03:15.359 --> 02:03:17.479
<v Speaker 1>make any apologies for the Russian government, but they don't

2660
02:03:17.479 --> 02:03:20.800
<v Speaker 1>implicate all of the citizens in it, which is pretty good.

2661
02:03:21.319 --> 02:03:24.000
<v Speaker 1>So yeah. Like I for the fact that it actually

2662
02:03:24.039 --> 02:03:25.920
<v Speaker 1>is a kind of complex movie, I don't think there's

2663
02:03:25.960 --> 02:03:28.000
<v Speaker 1>much to say about it because I think it I

2664
02:03:28.039 --> 02:03:30.640
<v Speaker 1>think it accomplishes what it sets out to accomplish fairly well.

2665
02:03:31.359 --> 02:03:33.520
<v Speaker 1>Like Gregory Hines is the only person of color in

2666
02:03:33.560 --> 02:03:35.479
<v Speaker 1>the movie, but he is the lead of the movie,

2667
02:03:35.520 --> 02:03:37.119
<v Speaker 1>and the fact that he is the only person of

2668
02:03:37.119 --> 02:03:40.000
<v Speaker 1>color in the movie is part of it. Yes, so

2669
02:03:40.199 --> 02:03:43.119
<v Speaker 1>it's not just we have our token black person here.

2670
02:03:43.119 --> 02:03:45.800
<v Speaker 1>It's like, no, there would only be one black person

2671
02:03:45.800 --> 02:03:47.880
<v Speaker 1>in Siberia.

2672
02:03:48.239 --> 02:03:50.119
<v Speaker 2>I'm curious now what the numbers are.

2673
02:03:51.960 --> 02:03:55.640
<v Speaker 1>So I loved this movie. I loved watching them dance.

2674
02:03:55.800 --> 02:03:57.560
<v Speaker 1>I loved watching them dance even more than I love

2675
02:03:57.600 --> 02:03:59.439
<v Speaker 1>the movie. Like the movie by itself is an eight.

2676
02:04:00.119 --> 02:04:03.119
<v Speaker 1>Them dancing is at seventeen, Like you were saying, it

2677
02:04:03.199 --> 02:04:05.560
<v Speaker 1>kind of resonates today and it maybe it kind of

2678
02:04:05.640 --> 02:04:08.560
<v Speaker 1>aged into something that we would have thought was very retrograde.

2679
02:04:09.439 --> 02:04:11.760
<v Speaker 1>I don't know, let's pull a number out of thin

2680
02:04:11.800 --> 02:04:15.640
<v Speaker 1>air eight years ago and now it feels much more

2681
02:04:15.800 --> 02:04:18.039
<v Speaker 1>of the moment. I'm gonna give it a nine out

2682
02:04:18.079 --> 02:04:21.760
<v Speaker 1>of ten nights that are that are so so white

2683
02:04:22.319 --> 02:04:24.840
<v Speaker 1>that they clap on the one in the three these

2684
02:04:24.920 --> 02:04:27.239
<v Speaker 1>nights they're so white.

2685
02:04:27.079 --> 02:04:27.560
<v Speaker 2>So white?

2686
02:04:27.720 --> 02:04:29.279
<v Speaker 1>Yeah, how about you it?

2687
02:04:29.399 --> 02:04:31.560
<v Speaker 2>So it does not pass the Bechdel test. As you said,

2688
02:04:31.720 --> 02:04:35.039
<v Speaker 2>there's like there's a damsel in distressedness to Daria's character

2689
02:04:35.600 --> 02:04:38.479
<v Speaker 2>that I don't love. Thank god that Galina is in

2690
02:04:38.520 --> 02:04:41.880
<v Speaker 2>the movie. Yeah, and Anne is in the movie, and

2691
02:04:42.119 --> 02:04:44.800
<v Speaker 2>Anne really does get relegated to like the background, but

2692
02:04:44.920 --> 02:04:47.680
<v Speaker 2>like at least they're there, because if the movie only

2693
02:04:47.680 --> 02:04:50.760
<v Speaker 2>had Daria is your female representation would have been real

2694
02:04:50.840 --> 02:04:54.399
<v Speaker 2>fucking annoyed, because it's wonderful as Isabella Rousselini is, like,

2695
02:04:54.520 --> 02:04:57.640
<v Speaker 2>there's just a there's a doe eyed innocence to that

2696
02:04:57.720 --> 02:05:00.319
<v Speaker 2>character that would drive me insane if that's the only woman.

2697
02:05:01.039 --> 02:05:03.880
<v Speaker 2>You're right, like, they do a good enough job of

2698
02:05:03.960 --> 02:05:08.520
<v Speaker 2>not being like yay America, boo Russia. But it is

2699
02:05:08.560 --> 02:05:12.680
<v Speaker 2>so American propaganda in this movie, and there is you

2700
02:05:12.680 --> 02:05:14.359
<v Speaker 2>know what I also I thought was interesting is that

2701
02:05:14.399 --> 02:05:16.760
<v Speaker 2>there is also a conversation in the movie, although it's

2702
02:05:16.760 --> 02:05:20.840
<v Speaker 2>not explicit about elitism across the political spectrum, of like

2703
02:05:21.359 --> 02:05:24.880
<v Speaker 2>ballet is an elite form of dance and tap is not.

2704
02:05:25.079 --> 02:05:28.560
<v Speaker 2>Because there's a line when Gregory Hines is first talking

2705
02:05:28.600 --> 02:05:31.520
<v Speaker 2>about like his life is a tap dancer, He's like,

2706
02:05:31.880 --> 02:05:34.520
<v Speaker 2>white people don't want to pay for tap. They don't

2707
02:05:34.600 --> 02:05:38.079
<v Speaker 2>pay one hundred dollars ticket prices to go see tap dancers,

2708
02:05:38.159 --> 02:05:41.840
<v Speaker 2>Like it's not an art form that makes money, which

2709
02:05:41.880 --> 02:05:44.399
<v Speaker 2>is why he had to get a second job, which

2710
02:05:44.399 --> 02:05:46.159
<v Speaker 2>is why he had to go into the military, because

2711
02:05:46.159 --> 02:05:48.119
<v Speaker 2>he didn't have the He couldn't make it as a

2712
02:05:48.119 --> 02:05:54.119
<v Speaker 2>tap dancer, whereas ballet is rarefied and ballet dancers tend

2713
02:05:54.199 --> 02:05:56.880
<v Speaker 2>to be white and tap dancers tend to be black.

2714
02:05:56.880 --> 02:05:59.600
<v Speaker 2>And I thought that was really interesting. It doesn't seem correct.

2715
02:05:59.600 --> 02:06:01.399
<v Speaker 2>But then I think about it, I'm like, yeah, I

2716
02:06:01.399 --> 02:06:04.039
<v Speaker 2>guess I don't really ever go see just tap dance

2717
02:06:04.520 --> 02:06:05.840
<v Speaker 2>much ever, Right.

2718
02:06:05.760 --> 02:06:07.840
<v Speaker 1>Like that's when bringing the noise, bringing to funk was

2719
02:06:07.880 --> 02:06:09.159
<v Speaker 1>such a thing, right.

2720
02:06:09.079 --> 02:06:12.520
<v Speaker 2>Yeah, Like there are tap numbers in Broadway shows. Obviously

2721
02:06:12.520 --> 02:06:15.000
<v Speaker 2>there's you know, anything goes and uh, you know you

2722
02:06:15.039 --> 02:06:16.760
<v Speaker 2>were saying earlier, I haven't seen it yet. The Boop

2723
02:06:16.840 --> 02:06:19.720
<v Speaker 2>musical is all it's like a big tap showy tap

2724
02:06:19.840 --> 02:06:23.039
<v Speaker 2>dance thing they integrate it into. But I never I

2725
02:06:23.039 --> 02:06:25.079
<v Speaker 2>would go see a ballet. But I don't think i'd

2726
02:06:25.119 --> 02:06:28.119
<v Speaker 2>ever I've ever gone seat to see a tap show. Like,

2727
02:06:28.239 --> 02:06:30.720
<v Speaker 2>I'm not sure that's even an option. I don't think

2728
02:06:30.840 --> 02:06:33.520
<v Speaker 2>so yeah much very often. But I think there is

2729
02:06:33.520 --> 02:06:37.560
<v Speaker 2>something inherently racist and the elitist about that. Like they're like,

2730
02:06:37.680 --> 02:06:42.640
<v Speaker 2>why is a tap not commonly shown to white, wealthy

2731
02:06:42.680 --> 02:06:46.199
<v Speaker 2>audiences ever? So they're like, the movie is smart, like

2732
02:06:46.239 --> 02:06:48.880
<v Speaker 2>it really like it even uses the language of dance

2733
02:06:48.960 --> 02:06:52.800
<v Speaker 2>to explain what's happening in the like in larger context.

2734
02:06:53.319 --> 02:06:56.039
<v Speaker 2>So I actually I do. I do think it ages

2735
02:06:56.079 --> 02:07:00.319
<v Speaker 2>pretty well. I don't know if it's at nine for me, Okay,

2736
02:07:00.920 --> 02:07:04.279
<v Speaker 2>Also because like in order to get these like really

2737
02:07:04.319 --> 02:07:09.199
<v Speaker 2>beautiful salient points across the movie, so Rinky Dinky in

2738
02:07:09.279 --> 02:07:12.079
<v Speaker 2>terms of its plot, and it's Chiko is the only

2739
02:07:12.159 --> 02:07:16.359
<v Speaker 2>person we meet of the like Russian like government in

2740
02:07:16.439 --> 02:07:19.119
<v Speaker 2>the film really real, like we like he has his underlings,

2741
02:07:19.119 --> 02:07:20.840
<v Speaker 2>he has like that guy who like turns on him

2742
02:07:20.840 --> 02:07:22.960
<v Speaker 2>at the end a little bit. But like there's no

2743
02:07:23.199 --> 02:07:26.159
<v Speaker 2>like they don't talk about the Russian president at the time,

2744
02:07:27.079 --> 02:07:29.920
<v Speaker 2>you know, there's no like, Yeah, it's just this like

2745
02:07:30.039 --> 02:07:33.439
<v Speaker 2>one guy's vendetta against this one ballet dancer. It feels

2746
02:07:33.479 --> 02:07:36.159
<v Speaker 2>like and it just is so rinky dink. And in

2747
02:07:36.239 --> 02:07:39.199
<v Speaker 2>terms of it being like American propaganda, sure it every

2748
02:07:39.199 --> 02:07:42.239
<v Speaker 2>Hollywood movie is. In a way, I'm almost fine with

2749
02:07:42.279 --> 02:07:44.920
<v Speaker 2>it because I'm like, yeah, what did I expect? But also,

2750
02:07:46.000 --> 02:07:47.960
<v Speaker 2>you know, the movie gets some shit right about the

2751
02:07:48.039 --> 02:07:50.159
<v Speaker 2>Soviet Union, and it gets some shit right about even

2752
02:07:50.199 --> 02:07:53.479
<v Speaker 2>current day Russia, and and.

2753
02:07:53.079 --> 02:07:54.800
<v Speaker 1>And it does get some shit right about America, and

2754
02:07:54.800 --> 02:07:57.000
<v Speaker 1>it gets some shit right about America. And I think

2755
02:07:57.279 --> 02:07:59.880
<v Speaker 1>when I'm watching it, I'm taking a lot of what

2756
02:08:00.119 --> 02:08:03.640
<v Speaker 1>saying about the Soviet government and seeing it reflected in

2757
02:08:04.319 --> 02:08:09.159
<v Speaker 1>certain policies of our current government, and like it's echoing

2758
02:08:09.279 --> 02:08:09.960
<v Speaker 1>in that way.

2759
02:08:10.119 --> 02:08:13.399
<v Speaker 2>In that way, yeah, it's not fair and balanced, but again,

2760
02:08:13.479 --> 02:08:15.720
<v Speaker 2>it is an American movie, so like you have to

2761
02:08:15.880 --> 02:08:17.479
<v Speaker 2>sort of go into it with your eyes open a

2762
02:08:17.520 --> 02:08:19.840
<v Speaker 2>little bit. Yeah, that's a tough one. You gave it

2763
02:08:19.840 --> 02:08:24.119
<v Speaker 2>a nine. Huh, I'm gonna give it. Yeah. I mean

2764
02:08:24.239 --> 02:08:27.960
<v Speaker 2>like pretty diverse, not pretty diverse, not diverse, but like

2765
02:08:28.039 --> 02:08:30.960
<v Speaker 2>a main character is a person of color. I do

2766
02:08:31.079 --> 02:08:33.359
<v Speaker 2>love movies about dance, so I'm just naturally gonna like

2767
02:08:33.760 --> 02:08:35.920
<v Speaker 2>inclined to give it more. The dancing is so good,

2768
02:08:35.920 --> 02:08:37.800
<v Speaker 2>by the way, Yeah, we really didn't talk about it.

2769
02:08:37.800 --> 02:08:42.119
<v Speaker 2>The dancing is so good. Like if this movie gave

2770
02:08:42.199 --> 02:08:45.279
<v Speaker 2>me fifteen more minutes of dance, I'd be thrilled, or

2771
02:08:45.399 --> 02:08:48.000
<v Speaker 2>an hour more of dance, I would still I would

2772
02:08:48.000 --> 02:08:49.800
<v Speaker 2>watch it happily, watch a three hour cut.

2773
02:08:49.880 --> 02:08:52.880
<v Speaker 1>If this movie was just a dance piece of ballet

2774
02:08:53.000 --> 02:08:55.800
<v Speaker 1>being men being melded with tap and they told the

2775
02:08:55.920 --> 02:08:57.960
<v Speaker 1>entire story through that, yes, with.

2776
02:08:57.920 --> 02:09:00.399
<v Speaker 2>No words, I would say, be a way better movie. Yeah,

2777
02:09:00.560 --> 02:09:01.840
<v Speaker 2>like way better movies.

2778
02:09:02.560 --> 02:09:05.079
<v Speaker 1>They should, they should. They should do that at at

2779
02:09:05.199 --> 02:09:07.520
<v Speaker 1>at the at the met next year or something like that.

2780
02:09:07.600 --> 02:09:08.399
<v Speaker 1>Yeah that would work.

2781
02:09:08.439 --> 02:09:10.119
<v Speaker 2>New York Theater Workshop, get on it.

2782
02:09:10.239 --> 02:09:11.800
<v Speaker 1>Yeah, are you listening.

2783
02:09:11.840 --> 02:09:13.560
<v Speaker 2>We have an idea and it's gold.

2784
02:09:13.760 --> 02:09:14.000
<v Speaker 1>Yep.

2785
02:09:14.279 --> 02:09:16.920
<v Speaker 2>So yeah, I'm going to give it an eight. Okay,

2786
02:09:17.279 --> 02:09:19.520
<v Speaker 2>eight out of ten. Knights that are so White. All

2787
02:09:19.520 --> 02:09:22.920
<v Speaker 2>his furniture comes from West elm Okay, I'm struggling with

2788
02:09:23.000 --> 02:09:25.840
<v Speaker 2>my like conflicted feelings about the propaganda of it all.

2789
02:09:25.880 --> 02:09:28.560
<v Speaker 2>But honestly, I think the movie is pretty fair and

2790
02:09:28.800 --> 02:09:32.560
<v Speaker 2>it's wonderful. Yeah, it's stupid, don't get me wrong. It's

2791
02:09:32.600 --> 02:09:34.439
<v Speaker 2>well a stupid, but it's wonderful.

2792
02:09:34.880 --> 02:09:37.520
<v Speaker 1>I feel like dance movies, the stupid is built in.

2793
02:09:38.079 --> 02:09:40.279
<v Speaker 1>You almost have to have us at least a sousson

2794
02:09:40.600 --> 02:09:43.119
<v Speaker 1>more than a sous a ladle of stupid. Yeah, on

2795
02:09:43.199 --> 02:09:46.680
<v Speaker 1>top of it, right, because I love dance. I love dance,

2796
02:09:46.720 --> 02:09:47.720
<v Speaker 1>but it's not serious.

2797
02:09:47.960 --> 02:09:50.000
<v Speaker 2>That's the thing that this movie actually succeeds in is

2798
02:09:50.000 --> 02:09:52.760
<v Speaker 2>that it doesn't treat dance that seriously. There's no sense

2799
02:09:52.800 --> 02:09:55.000
<v Speaker 2>that like he's going to dance his way into teaching

2800
02:09:55.039 --> 02:09:56.159
<v Speaker 2>these people about love.

2801
02:09:56.359 --> 02:09:58.159
<v Speaker 1>Right, you know what I mean? It doesn't go that far.

2802
02:09:59.359 --> 02:10:02.399
<v Speaker 2>Most dance we do or like we're gonna work out

2803
02:10:02.399 --> 02:10:04.880
<v Speaker 2>this beef on the dance floor, We're.

2804
02:10:04.720 --> 02:10:08.560
<v Speaker 1>Gonna stomp the yard. Do you want to offer a

2805
02:10:08.640 --> 02:10:12.640
<v Speaker 1>palate cleanser? No, me neither. Watch it. Watch this movie, heye.

2806
02:10:12.640 --> 02:10:14.600
<v Speaker 2>If you don't have the time to kill maybe there's

2807
02:10:14.600 --> 02:10:16.680
<v Speaker 2>a super cut on YouTube. Of all the dance movies.

2808
02:10:16.720 --> 02:10:18.960
<v Speaker 2>Oh yeah, scenes, I would watch that. I would watch

2809
02:10:19.000 --> 02:10:19.680
<v Speaker 2>this out.

2810
02:10:19.520 --> 02:10:22.560
<v Speaker 1>Of that absolutely. I'll probably watch it tonight. Yeah yeah,

2811
02:10:22.880 --> 02:10:25.399
<v Speaker 1>all right, Erica. That is the end of this year show.

2812
02:10:25.920 --> 02:10:28.079
<v Speaker 1>Everyone listening can follow us on social media. We're on

2813
02:10:28.119 --> 02:10:30.279
<v Speaker 1>Blue Sky, We're on Threads, We're on Instagram if you'd

2814
02:10:30.319 --> 02:10:32.159
<v Speaker 1>like to send in your requests and want to know

2815
02:10:32.239 --> 02:10:34.680
<v Speaker 1>our monthly themes in advanced Instagram, it's the one and

2816
02:10:34.800 --> 02:10:38.359
<v Speaker 1>only social media platform where we manage that. We have

2817
02:10:38.439 --> 02:10:40.720
<v Speaker 1>a tea public shop where you can pick up podcast swag,

2818
02:10:40.800 --> 02:10:42.199
<v Speaker 1>and we would love it if you'd leave a five

2819
02:10:42.239 --> 02:10:45.239
<v Speaker 1>star review on Apple Podcasts or on any podcasting platform

2820
02:10:45.239 --> 02:10:47.720
<v Speaker 1>that you use. If you do that, just like Mom's

2821
02:10:47.800 --> 02:10:51.039
<v Speaker 1>two s Mro eight and Samantha from the top of

2822
02:10:51.079 --> 02:10:53.720
<v Speaker 1>this episode, let us know you did it. We'll send

2823
02:10:53.760 --> 02:10:55.479
<v Speaker 1>you at that edge Well tote bag. And if you've

2824
02:10:55.520 --> 02:10:57.720
<v Speaker 1>always thought I don't know how to do that well,

2825
02:10:58.199 --> 02:10:59.680
<v Speaker 1>you can go to the show notes of this year

2826
02:10:59.680 --> 02:11:01.439
<v Speaker 1>episode and I have put a link for rate this

2827
02:11:01.560 --> 02:11:03.840
<v Speaker 1>podcast dot com slash that age well. You can click

2828
02:11:03.880 --> 02:11:05.600
<v Speaker 1>on that and you can follow the instructions there.

2829
02:11:06.479 --> 02:11:13.119
<v Speaker 2>That age Well is produced and edited by Paul Kayola, comrade,

2830
02:11:13.680 --> 02:11:16.600
<v Speaker 2>we would officially like to thank that is not Russian.

2831
02:11:16.680 --> 02:11:20.239
<v Speaker 2>I cannot do a Russian accent straight up. Literally, my

2832
02:11:20.279 --> 02:11:21.800
<v Speaker 2>brain doesn't know how to do one.

2833
02:11:22.079 --> 02:11:24.319
<v Speaker 1>I did learn in college. We did have it because

2834
02:11:24.399 --> 02:11:26.000
<v Speaker 1>you know, doing like you know, check off plays and

2835
02:11:26.000 --> 02:11:27.760
<v Speaker 1>stuff like jo do this in a Russian accent, even

2836
02:11:27.760 --> 02:11:28.520
<v Speaker 1>though that makes no sense.

2837
02:11:28.600 --> 02:11:30.319
<v Speaker 2>We made no checkof jokes.

2838
02:11:30.439 --> 02:11:30.880
<v Speaker 1>Yeah, I know.

2839
02:11:31.239 --> 02:11:33.319
<v Speaker 2>Holy shit, we should have made one at the beginning

2840
02:11:33.359 --> 02:11:36.960
<v Speaker 2>of the episode and not followed through. That would have

2841
02:11:37.000 --> 02:11:39.840
<v Speaker 2>been the ultimate checkof joke. Motherfucker. You know what.

2842
02:11:39.880 --> 02:11:41.479
<v Speaker 1>We're recording this again, start again.

2843
02:11:43.680 --> 02:11:46.920
<v Speaker 2>We would like check off. Would like to thank Alicia

2844
02:11:47.079 --> 02:11:52.720
<v Speaker 2>and Josephine, Jeannette Vallo, Sarah Parker, Karen Amy, and Liz

2845
02:11:52.800 --> 02:11:55.159
<v Speaker 2>for reaching out and letting us know what you want

2846
02:11:55.159 --> 02:11:58.520
<v Speaker 2>to hear. If you, yes, you, I'm talking to you.

2847
02:11:58.880 --> 02:12:00.399
<v Speaker 2>If you want to have a say in the topics

2848
02:12:00.439 --> 02:12:03.439
<v Speaker 2>we discussed in the films we talk about. Join our Patreon.

2849
02:12:03.960 --> 02:12:08.279
<v Speaker 2>Every patron gets to vote in an exclusive. It's so exclusive, y'all.

2850
02:12:08.359 --> 02:12:09.359
<v Speaker 1>It's so exclusively.

2851
02:12:09.479 --> 02:12:12.239
<v Speaker 2>There's a there is a red carpet, there is a

2852
02:12:12.439 --> 02:12:15.279
<v Speaker 2>there's a velvet rope. That's how exclusive exclusive it is.

2853
02:12:15.640 --> 02:12:18.840
<v Speaker 2>In a monthly poll to determine one of our subjects.

2854
02:12:19.039 --> 02:12:22.079
<v Speaker 2>So head on over to patreon dot com slashed that

2855
02:12:22.279 --> 02:12:25.359
<v Speaker 2>aged well podcast to find out more So.

2856
02:12:25.479 --> 02:12:27.520
<v Speaker 1>Now is when we would normally have a thank you

2857
02:12:27.520 --> 02:12:29.159
<v Speaker 1>for one of our patrons. We don't have one of

2858
02:12:29.159 --> 02:12:31.359
<v Speaker 1>those today. But if you want to get on that list,

2859
02:12:31.439 --> 02:12:32.600
<v Speaker 1>you want to get in that thank you list. You

2860
02:12:32.680 --> 02:12:34.079
<v Speaker 1>want to you wanna get in the list, and ask

2861
02:12:34.159 --> 02:12:37.520
<v Speaker 1>us to absolutely rage, scream at someone that you can't

2862
02:12:37.520 --> 02:12:40.840
<v Speaker 1>stand in character or as ourselves join the Patreon ask us.

2863
02:12:41.239 --> 02:12:42.359
<v Speaker 2>One of Paul's recipes.

2864
02:12:42.520 --> 02:12:45.159
<v Speaker 1>Oh yeah, he'll do that. Yeah, I have nothing.

2865
02:12:45.199 --> 02:12:47.720
<v Speaker 2>I have nothing to offer, but if you want something

2866
02:12:47.720 --> 02:12:49.760
<v Speaker 2>from me, just ask I'll probably.

2867
02:12:49.359 --> 02:12:54.520
<v Speaker 1>Do it, all right, Erica, any final thoughts on white Nights.

2868
02:12:54.159 --> 02:12:56.359
<v Speaker 2>Well, Paul, all I know is I'm gonna go smoke

2869
02:12:56.399 --> 02:13:00.000
<v Speaker 2>a pack of cigarettes and then do a thousand Valet moves.

2870
02:12:59.800 --> 02:13:00.880
<v Speaker 1>That's the plan.

2871
02:13:01.079 --> 02:13:10.319
<v Speaker 2>That's the plan, he says, this is I.

2872
02:13:10.239 --> 02:13:12.199
<v Speaker 1>Think this is where the Shaka Khan. I think this

2873
02:13:12.239 --> 02:13:14.560
<v Speaker 1>is where the Chaka Khan. Why am I saying Chaka Khan?

2874
02:13:15.039 --> 02:13:17.199
<v Speaker 2>Because you're so New York I like everyone's while in

2875
02:13:17.199 --> 02:13:19.720
<v Speaker 2>a New York A since slips through keep it.

2876
02:13:21.159 --> 02:13:29.479
<v Speaker 1>He asks, Wow. Wow, I think it's mama.
