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Speaker 1: Jus on a summer day, trying to take my heart.

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Bake some okay in my mind, start bringing me down,

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think of my dry stick an wait for me, my dear,

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won't you take me back and we can disappear, but

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you a car back. He's breaking me down, thinking my die.

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Speaker 2: I'm saying, oh my god.

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Speaker 3: I hate boy, So now I have bad chops might

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come back here.

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Speaker 4: Oh my god, Oh my god, I hate boys, saying

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now about half bad age.

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Speaker 1: Shops might not back you. Oh my god. Jack on

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a summerday, trying to take my heart, make me insuper

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cake in my mini si bring getting me down, think.

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Speaker 5: My job, stick me out.

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Speaker 2: I'm saying, oh my god, I hate boy.

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Speaker 4: I'm singing out about half batate raine jobs might come

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back they Oh my god, me sick.

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Speaker 5: Oh my god, I hate the I'm singing out a.

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Speaker 6: Loud half faculated rain chops might come.

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Speaker 3: Back with you, Oh my.

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Speaker 1: God, he said the bank U.

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Speaker 6: Thinking about a girl on the top of the world.

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Speaker 7: She's a million miles away from me. On another day

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and another town, she was every thing to me.

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Speaker 3: Flying his foot birds, I.

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Speaker 8: Expended his foot fish fixing is more than broken.

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Speaker 5: Give me your heart and thou will bent chread.

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Speaker 9: I will make you wish you were dead, but it's

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not your baby, By promise, it's me.

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Speaker 7: I'm a lit and breathing walking decease.

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Speaker 10: But it's not you, babe.

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Speaker 6: By promise, it's me.

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Speaker 7: I'm a lifting, breathing walking A lift and breathing walking disease.

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Speaker 11: Women to my left and women to my right.

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Speaker 5: She's still on my mind.

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Speaker 7: All night, cigarettes burn while the conversations turn.

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Speaker 5: I'll be going, oh mall alone.

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Speaker 9: Flying is for birds like swimming is for fixing is

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for the broke, and.

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Speaker 2: Give me your.

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Speaker 3: Heart and the well rip in to shout.

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Speaker 5: I will make you wish you were dead, but it's

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not you.

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Speaker 7: Better a promise, it's me, IAMO let them breathing walking

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the Seine, But it's not you. Bet a promise, it's me.

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Bamo left the breathing walking live and breathing walking disease.

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Speaker 3: Lie.

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Speaker 5: As for birds, like spamming a spur firs, mixing is

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s for.

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Speaker 7: The broken, Give me your heart and a will a

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bit to shove. I will make you wish you were dead,

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but it's not your, babe.

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Speaker 5: I promise it's me.

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Speaker 7: I'm a living breathing.

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Speaker 3: Walking this scene. But it's not your babe.

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Speaker 5: My promise, it's me.

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Speaker 7: I'm a living breathing walking, lifting, breathing walking, lit them

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breathing walking Dizzy.

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Speaker 12: That is living breathing and the band is Glittertooth and

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we've got the members of Glitter Tooth here with us

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live in studio on this Saturday morning.

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Speaker 13: Welcome everybody.

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Speaker 12: This is Matt Condorton Unleashed and we are live from

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the studios of w m n H ninety five point

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three FM Inglorious, Manchester, New Hampshire. Of course, you can

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also stream the show from anywhere. If you go to

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Matt connorton dot com slash live you can find all

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your live streaming options, social media links, contact and fos,

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show archives, et cetera, et cetera. It is Saturday April nineteen,

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twenty twenty five. Jenny is here, of course at the

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news desk, news table, I should say, because the news

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desk was at the old place. Yes, no catsup man,

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Now we have a table over a year. You've got

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your bunny ears, you're ready ready for.

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Speaker 11: Lower bunny that Charyl gave me.

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Speaker 13: Yes, yes, and you've got some cool Glittertooth stuff stickers

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and nicker and a magnet and a pen on the home.

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Speaker 12: Yes, yes, so we've got the guys from Glitter Tooth here.

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We've got uh, Dan Morin and Taylor Paradise. Paradise is

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that okay, that's the americanized okay.

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Speaker 13: And of course Philip.

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Speaker 12: Is that sarecos Okay, So I call you Philip for

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Philip because one time I call you Philip.

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Speaker 11: Okay, my born name is, you know, a little different

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than my stage name.

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Speaker 13: I gotcha, I got youa okay, that makes it easier.

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All right.

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Speaker 12: So now these guys are going to uh, we're going

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to talk a little bit, but they're also going to

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play live for us, and I just want to kind

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of make sure. Let's see, so Dan goad and play something,

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would you? We got to do this live on the

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air because you're you're the third segment. Oh yeah, that

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sounds good. I'm go ahead and say something.

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Speaker 10: Lou check one. That's that's the go to.

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Speaker 13: That's good. Yeah, yeah, yeah, yeah, no, that sounds that

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sounds good.

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Speaker 12: And uh Taylor good check check check check. And you've

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got the uh for those of you, actually, for those

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of you watching live on video or even if you're

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watching the video after the fact, you can see so, uh,

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Dan has this bass. Of course Taylor has his. Uh

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that's a cohone.

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Speaker 13: Is that the correct way to say it?

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Speaker 10: I think so.

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Speaker 13: I'm never sure. I'm never sure, which which is great

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because you also get to sit on it.

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Speaker 10: Yeah.

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Speaker 13: So that's nice.

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Speaker 10: That's nice.

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Speaker 13: And you're gonna play the harmonica at some point today.

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Speaker 10: Too, right, he's multi talented.

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Speaker 13: Very cool, very cool.

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Speaker 12: Yes, yes, and of course uh, Philip with the guitar

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and the vocals and uh, looking forward to hearing you

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guys play. Oh, go ahead and strum that. I want

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to make sure we can hear you. Yeah, that sounds

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sounds pretty good. I wouldn't say something or sing something

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if you want.

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Speaker 7: Check check check check check check.

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Speaker 11: Hello, everybody on the radio. How are we doing?

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Speaker 12: Sounds good? Sounds good. Litter tooth this year done? Hear

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you guys play you want to? You want to go

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ahead and play something and then we'll then we'll talk

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for a bit.

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Speaker 7: Do it.

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Speaker 14: This first one is an original song. It's on our

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EP that you can find on Spotify.

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Speaker 11: It's called Before I.

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Speaker 7: Go Heart Attack. I'm waking up the neighbor's green grass.

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Somewhere in my bedroom, Wake me up? The scripted morning k.

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Speaker 11: Ravelry somewhere in.

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Speaker 7: My bedroom, Wag me up, descripted good bas there's anybody

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know where the door?

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Speaker 15: There's anybody know the way? Can anybody get me some coffee.

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Speaker 11: Before I go?

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Speaker 7: Thanking back? Barely can remember anything? Was everything I wanted?

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Wake me up with a hammer to my headpost.

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Speaker 15: To grab a moment to remember heart's attacks Somewhere in

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my bedroom, Wake me up.

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Speaker 3: With a bullet room. Anybody know?

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Speaker 7: Are the lights on? Anybody here? See the light? Can

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anybody get missed? Some answer?

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Speaker 11: Look before I go?

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Speaker 7: Catch up and all the little details this and that.

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Speaker 11: We had a good laugh.

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Speaker 7: Wake me up with the good old fashion jokes and

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entertain my lazy little left brain. Cracks me up?

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Speaker 11: Tell me I'm in Oh, wake me up?

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Speaker 13: Tell me why you.

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Speaker 7: Me? Anybody have a sense of you? Can anybody take

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a joke? Can anybody put a smile on my face?

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Speaker 11: Before I go?

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Speaker 3: All right?

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Speaker 13: There was us live in studio and uh, let's see.

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Speaker 4: What do you guys?

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Speaker 13: What have you guys been up to? As far as

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you are you playing a lot of shows?

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Speaker 12: I know you're you're all very busy, right, you're all

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in like multiple projects and.

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Speaker 11: Yes, to say the least.

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Speaker 12: Yeah, what like, what have you guys been doing as Glittertooth.

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I know you've got the new You've got the new

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EP out right, that's brand new.

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Speaker 10: Yeah. We hit we our last gig a couple of

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weeks ago at Stonecutters. We played, uh Stonecutters in Milford

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and we're there May third, and then we got it.

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We got a big show coming up on June twenty second,

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which is the Summer Auburn Summer Kickoff in Auburn at

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the Auburn Pits and Auburn Aurbur, New Hampshire. Okay, it's

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a faith and band and there's a couple it's like

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four Dog Dog Yeah oh yeah, it's like four bands

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playing that day, the June twenty second at the Auburn

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Pits in Auburn. That's going to be a pretty cool show.

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Speaker 12: Yeah yeah, excellent, excellent. Now tell me about the new EP,

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because this is this is brand new, right, I mean

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this just came out, uh.

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Speaker 11: Exact release date, but it came Valentine's Day. Yeah that's right.

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Speaker 13: Yeah, yeah, that's right.

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Speaker 12: Because we talked about that before when you were on

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right Yeah, yeah, yeah, so so it's not like brand

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brand new, but still pretty new, but.

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Speaker 11: Yeah, we're still pushing it.

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Speaker 13: Yeah.

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Speaker 14: Where where did you guys record that with Pete Peloquin?

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At Board's House Productions?

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Speaker 12: Okay is that where VAL's End recorded to? Or okay

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right right, you've got your Veils End shirt by the way, yes, yes.

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Speaker 11: Scot this last night?

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Speaker 13: Yeah? What was what show was that?

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Speaker 11: So they were playing a It was basically a single

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release party Riley's Place.

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Speaker 12: Oh very cool, okay, okay, oh that's right. Milford is

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like the center of the musical universe.

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Speaker 11: For you, right, I know, it's wild, right, It's like, yeah,

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we're playing Milford.

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Speaker 13: It is true. Yeah, yeah, it's pretty funny.

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Speaker 12: It's pretty funny. But no, that's cool though. And then

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so so this just came out And why why an EP?

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Because I'm always curious. There's so many different ways to

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release music.

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Speaker 16: Now.

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Speaker 13: Some artists will do.

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Speaker 12: A full album, some just release singles, and they kind

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of do the inverse of you know, because the old

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school model is you release an album and then you

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have a series of singles. And now that's kind of

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been inverted for some people. Some people just put out

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singles that eventually become an album. Like what went into

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the choice to do an EP?

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Speaker 11: Is there a theme to the songs or were fashioned?

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Speaker 6: Yeah?

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Speaker 16: I don't know if.

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Speaker 17: I don't know if there's purposely a theme to the songs,

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but I think if you listen to it, they all

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kind of go together, like it all kind of makes sense, Like, yeah,

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there is kind of inadvertently a theme.

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Speaker 18: Yeah.

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Speaker 10: Yeah, Yeah. There was lots of discussion on how to

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release it because, oh, you know, some of us we

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were talking about doing a CD, but we don't know

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how many people still listen to CDs, you know, and

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you know, we can't afford to do a vinyl record.

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Speaker 13: Yeah, that's expensive.

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Speaker 10: And like we had six songs that were pretty cohesive

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and we stuck them all together and we're pretty happy

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with how it came out. Yeah, And like people like

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Phil was saying, with Board's House, we've a lot of

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other bands they've been on here, Foxing and Flamingos Veils

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and the record there and Peats. Pete's really great over

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there at Board's House.

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Speaker 13: Okay, and Brookline, Yeah, so he records the fox on

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the stuff too. Okay, yeah, yeah, oh I love them.

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Speaker 10: I love them.

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Speaker 12: Yeah, we should mention too, just uh, just briefly. Of course,

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you brought us well you did bring us a Fox

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on the Flamingos sticker, which we love. And you also

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brought these cool glitter tooth stickers and a glitter tooth

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magnet and a glitter tooth b.

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Speaker 16: Merch crazy with it, just started putting our logo and everything.

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Speaker 12: No, that's cool. Well Dan got the stickers, but yeah, no,

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I love it. Where does the logo come from? By

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the way, I've always liked the logo? I know, I

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know we talked about this last time you were on

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the show.

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Speaker 10: But yeah, my son Tyler, who plays and Fox and

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the Flamingos, we came up with a name glitter Tooth,

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and I called him and say, hey, can you make

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me your logo? And he sent that. That was the

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first one he sent us. And I sent that to

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these guys and they all loved it. Yeah, yeah, and

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he did. He does all the Fox in the Flamingos

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logos and artwork. Oh okay, yeah, he's it's good to

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have him. And yeah, the relative that can produce stuff

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and say, hey, make me a logo. Yeah that is,

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that is he did. He did the logos for the

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Pop Farmers too, so oh he did.

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Speaker 13: Okay, okay, Yeah he's definitely got a skull.

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Speaker 10: Yeah. We tap into it occasionally.

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Speaker 13: Yeah, yeah, outstanding, outstanding. You guys want to play another one?

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You sound great? Oh?

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Speaker 11: Thanks, sure, let's do what I may be right?

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Speaker 13: Sure if you're just joining us Glitter Tooth live in studio, play.

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Speaker 16: Drums on this one.

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Speaker 7: Maybe right, maybe wrong. I guess I'm sorry it took

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this long. Run away when it gets too deep, Light

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the match and let it put you back to sleep. Now,

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it's all right. If you can't say no, this run

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won't die until we say so.

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Speaker 19: Don't let them tell you to stay in the light,

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because this pavement is break in.

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Speaker 7: One crack out of time, one crack out a time.

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I told you once, and I told you twice the

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third time, charm at the time. I'll let go go

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run away when it gets too deep. Light the match

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and let it put you back to sleep. Now, it's

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all right. If we can't say no, this run won't

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die until.

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Speaker 9: I say so.

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Speaker 7: Don't let them tell you to stay in the line.

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This pavement is break in one crack out Its time,

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one crack out It time.

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Speaker 19: Don't let them tell you to say. This payment is break.

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Speaker 7: In one crack at It time, one crack at It time,

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one crack at It Time, one crack got It time.

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Speaker 13: Oh that was awesome. I love that one. That's got

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a nice groove to it.

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Speaker 10: Yeah, yeah, yeah, we haven't recorded that one yet. You haven't.

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Oh you still wrote that one?

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Speaker 13: And oh okay, okay, no, I love that.

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Speaker 11: That's got a nice glitter Tooth song. It feels good

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with these guys.

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Speaker 13: Yeah, yeah, there you go, There you go, there you go.

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Speaker 12: If you are just joining us, Glittertooth is here with us,

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alive in studio. And uh, where's the name come from?

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By the way, And I'm sure we've talked about this before,

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but I don't. I don't remember the story of newer listeners.

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Speaker 10: It's kind of a cool, cool origin story. These guys.

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I've first met them, obviously, they're they're way younger than

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me and way cooler than me. But we met a uh,

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they've played it a couple of the mics, and so

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we played together at an open mic and it's like,

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00:26:36,480 --> 00:26:38,759
that's pretty cool. Let's so we should form a band,

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and we got together and practiced, ran through some things

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and then uh, in the night before we were scheduled

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to practice, I had some dental surgery and I had

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a tooth pulled and I went to bed and it

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was all popped up on oxy codone and it's like

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a hydro codone and it's like, oh, and so I

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had this fever dream that I was in a band

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called Glitter Tooth. Yeah, totally La Blue and I, and.

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Speaker 11: Which also explains the name of the album dream.

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Speaker 10: Fever Dream that is what we called the EP. Yeah,

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And so at next day of practice, I thought they

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would hate the name because it's like one of those yeah,

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and I said, hey, I had this dream, and they

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both liked the name. So oh wow, thanks to hydro codon. Yeah,

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00:27:25,960 --> 00:27:28,880
don't do drugs and stay on school. But that's right, Yeah,

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it was. It was it was a fever dream that

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just came to us.

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Speaker 12: So yeah, yeah, oh, very cool, very cool. We should

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play another track from the from the EP. Let's do

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what do you want to play? So we've got we

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played Live and Breathing.

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Speaker 11: So we've played paranoia. Taylor, do you want to talk

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about that one?

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Speaker 7: Yeah?

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Speaker 16: Sure, I mean, what am I talking about?

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Speaker 10: Paranoid?

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Speaker 17: I mean we talked about forty yeah, yeah, yeah, yeah.

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I wrote this song a long time ago. So most

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of these songs, like five of them, Phil wrote, and

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he had written most of them a.

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Speaker 16: While ago, like years ago.

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Speaker 11: They're all old song.

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Speaker 17: And then this one is one that I wrote, I

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don't know how many years ago, many different A long

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time ago. I was, you know, going through some stuff,

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break up, whatever, and I just wrote it in a

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couple of minutes when I was like, it was one

341
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of those things where I'm going through anxiety, crazy stuff,

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and the only thing that I felt like could get

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me through anything was playing music, going to open white mics.

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Speaker 16: And then I that's.

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Speaker 17: Literally when I started to go to open mics play

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music out and then I've been doing it for ten

347
00:28:36,400 --> 00:28:39,720
years or longer. Yeah, it's really not a lot of

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00:28:39,720 --> 00:28:41,920
words of the song, but it's really just about the

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feeling of that and then sure music.

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Speaker 13: And the funny thing about it, I guess is.

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Speaker 14: His songs will literally change overnight, right, Yeah, Like one

352
00:28:54,119 --> 00:28:55,759
day he's like, I want to play it like this,

353
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and the next day it's like a slow, sad song.

354
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Speaker 11: The next day it's a happy I've always have the

355
00:29:00,720 --> 00:29:01,920
same song, He'll change.

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Speaker 17: I've had this feeling for ten years that i wanted

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to release like like the same song but like six

358
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different ways genres, and I'm gonna do it some day.

359
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Speaker 16: I just don't know it. But anyways, yeah, yeah.

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Speaker 10: This song is Taylor singing and playing guitar on it. Yeah, okay, okay,

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both play play drums.

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Speaker 13: Oh okay, okay, oh.

363
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Speaker 12: Cool, cool, all right, excellent, Uh check it out. This

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is called Paranoia and the band is Litter Tooth.

365
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Speaker 20: Alone sitting way, father, shut off, father, listener wants you.

366
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Speaker 5: Share as friends. Funny sometimes so said at.

367
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Speaker 21: Sun is shot in all this snow day, say I

368
00:30:59,319 --> 00:31:03,839
feel that I've got cans yet always.

369
00:31:04,799 --> 00:31:10,799
Speaker 20: Bos love of the snider, walking, aims, holding, fails.

370
00:31:11,359 --> 00:31:14,839
Speaker 9: Skimming foul or strongs can.

371
00:31:14,799 --> 00:31:17,319
Speaker 7: Go out to play with the ball.

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Speaker 2: Sisssss.

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Speaker 12: That is called Paranoia and the band is Glitter Tooth

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And we have Glitter Tooth here with us, alive in

375
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studio and very.

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Speaker 13: Very cool track.

377
00:33:06,319 --> 00:33:09,680
Speaker 12: By the way, Jennifer Hilda Hartwell is in the Facebook

378
00:33:09,720 --> 00:33:13,160
live chat you when we were playing rain Drops by

379
00:33:13,240 --> 00:33:16,039
veils End earlier. She said, rain Drops by veils and

380
00:33:16,559 --> 00:33:20,680
so proud of them with multiple exclamation points.

381
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Speaker 13: And she also says, hi guys, Hi, So she comes.

382
00:33:24,440 --> 00:33:26,440
Speaker 10: So she got to a lot of our shows. Oh cool,

383
00:33:28,480 --> 00:33:29,720
she was there last night, right.

384
00:33:29,839 --> 00:33:32,640
Speaker 14: Yeap, yeah, No, Jen's the best. She comes to all

385
00:33:32,720 --> 00:33:34,880
the two shows. She's come to a lot of Glitter

386
00:33:34,960 --> 00:33:36,559
Tooth shows and veils end.

387
00:33:36,759 --> 00:33:40,119
Speaker 11: She's just cool. And Pop Farmers too, yeah, and Pop Farmers.

388
00:33:40,240 --> 00:33:42,559
She just supports all the live music.

389
00:33:42,880 --> 00:33:44,440
Speaker 13: Excellent, She's great, excellent.

390
00:33:45,079 --> 00:33:48,559
Speaker 12: Also on the YouTube chat bags, Ballin joins us and says,

391
00:33:48,680 --> 00:33:54,480
nice job, sounded great you. Also, Cameron Robertson says, love

392
00:33:54,559 --> 00:33:59,400
Glitter Tooth, thanks for having them play rain Drops. I

393
00:33:59,480 --> 00:34:00,440
can't wait to watch them.

394
00:34:00,759 --> 00:34:01,839
Speaker 16: He was sleeping on your couch.

395
00:34:02,200 --> 00:34:04,119
Speaker 11: He was sleeping on my couch when we were loading

396
00:34:04,200 --> 00:34:04,720
up this morning.

397
00:34:04,839 --> 00:34:08,079
Speaker 13: Oh that's funny, that's funny. Well he woke up.

398
00:34:08,159 --> 00:34:10,519
Speaker 11: That's good, that's good, he woke up.

399
00:34:12,360 --> 00:34:14,360
Speaker 13: Love that excellent? Excellent.

400
00:34:15,280 --> 00:34:15,400
Speaker 4: Uh.

401
00:34:16,239 --> 00:34:19,079
Speaker 12: Bruce Heberlin Junr is in the chat room of course

402
00:34:19,320 --> 00:34:23,519
from Legion of Solace. They do a lot of promotional

403
00:34:23,599 --> 00:34:25,840
work for for a lot of artists, New England artists.

404
00:34:26,360 --> 00:34:26,480
Speaker 4: Uh.

405
00:34:26,800 --> 00:34:30,440
Speaker 12: He says, good morning, and also Justin Hopper. Oh, Justin

406
00:34:30,519 --> 00:34:34,960
Hopper was listening earlier when we were talking to Warhog.

407
00:34:35,440 --> 00:34:37,360
In the first hour, he says, and don't forget the

408
00:34:37,440 --> 00:34:39,239
how to video of being the Warhog.

409
00:34:39,559 --> 00:34:40,320
Speaker 13: I gotta look for that.

410
00:34:40,960 --> 00:34:42,960
Speaker 10: Uh yeah, war that's a great name.

411
00:34:43,000 --> 00:34:48,679
Speaker 12: Oh yeahead, great band from Texas. Yeah, we love Warhog. Also,

412
00:34:48,960 --> 00:34:51,320
DJ Steve is in the chat, says, I good morning,

413
00:34:51,400 --> 00:34:55,079
Matt and Jenny. Yeah, Steve Light. He hosts a show

414
00:34:55,119 --> 00:34:57,320
here on I think it's on every other Thursday.

415
00:34:57,440 --> 00:34:59,880
Speaker 13: Here Morning Sunshine, w M and H.

416
00:35:00,400 --> 00:35:02,400
Speaker 12: Come, do you have a Nation ninety five point three FM.

417
00:35:02,559 --> 00:35:04,360
So uh so, you guys are getting a lot of

418
00:35:04,360 --> 00:35:05,719
support that it's good. You want to you want to

419
00:35:05,719 --> 00:35:06,840
play another live one for us?

420
00:35:06,960 --> 00:35:08,679
Speaker 11: Yeah, we're going to do a cover this time. We're

421
00:35:08,719 --> 00:35:10,280
gonna do Mainte no Sunshine.

422
00:35:10,760 --> 00:35:12,639
Speaker 13: Oh, very cool, very cool. All right?

423
00:35:12,760 --> 00:35:13,880
Speaker 11: Have you heard this song before?

424
00:35:14,159 --> 00:35:17,360
Speaker 13: I think I have, And I think I I think

425
00:35:17,360 --> 00:35:19,280
I've heard you play it before, haven't I? Maybe?

426
00:35:19,519 --> 00:35:19,920
Speaker 22: I think so?

427
00:35:20,320 --> 00:35:21,719
Speaker 11: I think so I shouldn't have told you it was

428
00:35:21,760 --> 00:35:23,679
a cover. Yes, I wrote it.

429
00:35:25,159 --> 00:35:26,960
Speaker 10: Whenever we play it and we put this in the

430
00:35:27,039 --> 00:35:31,199
set list, I always thinks, because I'm a big fanboy

431
00:35:31,239 --> 00:35:33,719
of Phil's and this he just sings this song so well. Yeah,

432
00:35:33,760 --> 00:35:34,559
no pressure, man.

433
00:35:34,679 --> 00:35:37,119
Speaker 11: No pressure, No thanks, thanks a lot, Dan, appreciate you

434
00:35:37,199 --> 00:35:37,519
want it.

435
00:35:37,639 --> 00:35:41,039
Speaker 13: No pressure as we're live on the radio. No pressure.

436
00:35:41,880 --> 00:35:43,000
Speaker 11: Let's run it all right.

437
00:36:08,639 --> 00:36:17,119
Speaker 7: Ain't no sunshine when she's gone. It's not own when

438
00:36:17,320 --> 00:36:27,039
she's away. Ain't no sunshine when she's gone. She's always

439
00:36:27,320 --> 00:36:35,559
gone too long an a time she goes away. I

440
00:36:35,719 --> 00:36:44,559
wonder this time where she's gone. Wonder if she's gone

441
00:36:45,000 --> 00:36:51,840
to stay. Ain't no sunshine when she's gone.

442
00:36:52,760 --> 00:36:54,719
Speaker 13: In this house just ain't.

443
00:36:54,679 --> 00:36:57,000
Speaker 11: No home many time.

444
00:36:57,559 --> 00:36:58,679
Speaker 7: She goes away.

445
00:37:02,440 --> 00:37:05,360
Speaker 22: And I know, I know, I know, I know, I know,

446
00:37:05,760 --> 00:37:08,719
I know, I know, I know, I know, I know,

447
00:37:09,079 --> 00:37:12,039
I know, I know, I know, I know, I know,

448
00:37:12,400 --> 00:37:15,360
I know, I know, I know, I know, I know,

449
00:37:15,679 --> 00:37:18,679
I know, I know, I know, I know, I know,

450
00:37:19,000 --> 00:37:21,960
I know, I know, I know, I know, I know,

451
00:37:22,280 --> 00:37:25,800
I know, I know, I know, I know, I know.

452
00:37:26,440 --> 00:37:31,679
Speaker 5: No holeave the young thing alone.

453
00:37:32,239 --> 00:37:41,639
Speaker 7: There ain't no sunshine when she gone on the darkness everything.

454
00:37:45,519 --> 00:37:50,719
Ain't no sunshine when she's gone. The South just ain't

455
00:37:50,960 --> 00:38:00,159
no home many time she goes away. Any time it

456
00:38:00,599 --> 00:38:12,079
goes away, And its time that goes away, and its

457
00:38:12,199 --> 00:38:20,639
time let's go away and it time that goes away.

458
00:38:28,800 --> 00:38:29,519
Speaker 13: That was excellent.

459
00:38:29,760 --> 00:38:33,280
Speaker 12: Yeah, I do like the way that yeah yeah right, yeah,

460
00:38:34,639 --> 00:38:37,440
yeah yeah absolutely absolutely.

461
00:38:37,119 --> 00:38:39,119
Speaker 10: If you just he'll always gets embarrassed by that.

462
00:38:39,760 --> 00:38:43,840
Speaker 13: Come on, thank you much.

463
00:38:44,800 --> 00:38:47,920
Speaker 12: Absolutely, glitter Tooth is here with us alive in studio

464
00:38:48,000 --> 00:38:50,119
if you are just showing us. Oh, by the way,

465
00:38:50,159 --> 00:38:54,360
So another chat chat room comment on YouTube, let's see,

466
00:38:54,599 --> 00:38:57,000
Ashley Boudreau says, Taylor is so cute?

467
00:38:58,320 --> 00:38:59,000
Speaker 11: Whoa Taylor?

468
00:38:59,039 --> 00:39:04,039
Speaker 13: You gotta he's not wrong you. I guess, thank you,

469
00:39:04,360 --> 00:39:07,320
I guess. Oh my goodness.

470
00:39:07,360 --> 00:39:08,639
Speaker 11: That may or not be.

471
00:39:11,280 --> 00:39:14,880
Speaker 13: Okay, Okay, she speaks the truth.

472
00:39:18,360 --> 00:39:18,800
Speaker 11: Are you guys?

473
00:39:18,920 --> 00:39:20,679
Speaker 12: Are you guys doing a lot of shows as uh

474
00:39:21,079 --> 00:39:23,000
what I know you're all in like multiple bands, but

475
00:39:23,199 --> 00:39:25,000
you're doing a lot as glibberty.

476
00:39:25,079 --> 00:39:28,519
Speaker 10: We're starting to now more because we were kind of

477
00:39:28,800 --> 00:39:32,079
hindered by Phil's work schedule. But now he's uh, he's

478
00:39:32,159 --> 00:39:35,000
more tuned to put doing some more gigs. So yeah,

479
00:39:35,199 --> 00:39:36,599
now we just have to find out when he's not

480
00:39:36,679 --> 00:39:39,519
playing with everybody else, right right, Yeah, we're going to start.

481
00:39:39,599 --> 00:39:41,000
Speaker 11: I freed up my work schedule.

482
00:39:41,199 --> 00:39:41,760
Speaker 13: Good good.

483
00:39:45,039 --> 00:39:47,639
Speaker 10: The Range and Mason over the summer that's going to

484
00:39:47,639 --> 00:39:49,440
be a cool gig. I don't know the date on it,

485
00:39:49,519 --> 00:39:52,079
but it's They have like a cruise night on Thursday

486
00:39:52,159 --> 00:39:54,960
nights and uh it's a really cool place. And uh,

487
00:39:55,159 --> 00:39:56,719
we're going to be playing there in June. I think

488
00:39:56,840 --> 00:39:59,679
where where is Mason Mason over.

489
00:39:59,639 --> 00:40:03,679
Speaker 16: And it's next to the Brookline. It's like nowhere Greenville.

490
00:40:03,760 --> 00:40:04,599
Speaker 13: Oh okay, okay.

491
00:40:06,000 --> 00:40:06,360
Speaker 10: Range.

492
00:40:06,679 --> 00:40:09,679
Speaker 11: It's a pretty big venue. They've had like Ziggy Marley there,

493
00:40:09,840 --> 00:40:11,440
They've Adam Ezra.

494
00:40:11,880 --> 00:40:16,119
Speaker 17: Okay, they have like a huge stage where they a

495
00:40:16,239 --> 00:40:18,960
thousand people or something. But wow, we're probably playing on

496
00:40:19,000 --> 00:40:19,519
a little stage.

497
00:40:20,960 --> 00:40:24,000
Speaker 11: It's a strange place to have like a massive venue.

498
00:40:24,039 --> 00:40:25,280
But yeah, the Range.

499
00:40:25,559 --> 00:40:29,960
Speaker 10: And it's a driving range too, so yeah, active driving Range. Yeah,

500
00:40:30,639 --> 00:40:32,559
on Thursday nights in the summer, they have a cruise

501
00:40:32,639 --> 00:40:34,760
Night where people bring their all, you know, their classic

502
00:40:34,840 --> 00:40:37,519
cars and stuff. So there. Yeah, it's gonna be cool.

503
00:40:37,639 --> 00:40:41,400
Speaker 12: Oh oh excellent, excellent. You guys obviously know a lot

504
00:40:41,440 --> 00:40:43,320
of songs between you know, the originals that you have

505
00:40:43,480 --> 00:40:45,119
and the covers that you know. I mean, is it

506
00:40:45,199 --> 00:40:46,519
hard to write us out list? Is it hard to

507
00:40:46,559 --> 00:40:48,519
pair that down if you don't you know, I mean,

508
00:40:48,559 --> 00:40:51,559
if you've got like a three hour show at a

509
00:40:51,599 --> 00:40:54,639
bar somewhere. That's one thing. But if you're playing I

510
00:40:54,679 --> 00:40:56,480
don't know. I mean, is it is that challenging at all?

511
00:40:56,559 --> 00:40:57,239
Or is it pretty easy?

512
00:40:57,400 --> 00:40:59,239
Speaker 11: Like the shorter sets are better.

513
00:40:59,679 --> 00:41:03,199
Speaker 14: Yeah, yeah, yeah, the three hours, it's like, let's just

514
00:41:03,360 --> 00:41:05,079
pack everything that we know into one.

515
00:41:05,559 --> 00:41:07,360
Speaker 17: I mean, we played three hour shows and I'm like,

516
00:41:07,480 --> 00:41:09,800
I could play another hour or two really yeah, yeah

517
00:41:09,880 --> 00:41:10,199
that too.

518
00:41:10,519 --> 00:41:12,599
Speaker 10: Yeah. These guys, for as young as they are, they

519
00:41:12,679 --> 00:41:15,599
know a lot of classic rock stuff, so yeah, you do.

520
00:41:16,079 --> 00:41:18,280
The bar gigs are fun. We can sprinkle in our

521
00:41:18,280 --> 00:41:20,400
originals with the classic rock stuff.

522
00:41:20,519 --> 00:41:22,760
Speaker 17: It's really different because I play in like other bands,

523
00:41:22,840 --> 00:41:25,079
I play like twenty minutes sets. Yeah, and I'm like,

524
00:41:25,119 --> 00:41:26,679
I don't think we could play half an hour. I

525
00:41:26,679 --> 00:41:29,239
don't think we could play forty five minutes play three

526
00:41:29,280 --> 00:41:31,599
hours with these guys like I play five Oh yeah yeah.

527
00:41:31,639 --> 00:41:34,599
Speaker 14: But you know, a lot of it's about reading the

528
00:41:34,679 --> 00:41:37,840
crowd too. Oh yeah, are set Like we'll write a

529
00:41:37,920 --> 00:41:40,280
set list for three hours before we get there, and

530
00:41:40,320 --> 00:41:42,639
then we show up and it's a totally different audience

531
00:41:42,719 --> 00:41:45,199
than what we were expecting. So then we're like calling

532
00:41:45,280 --> 00:41:46,719
audibles here and there, and.

533
00:41:47,079 --> 00:41:49,639
Speaker 12: Yeah, it's good that you're able to read the room

534
00:41:49,679 --> 00:41:51,960
and do that, because you know, some musicians are kind

535
00:41:51,960 --> 00:41:53,000
of stubborn about that.

536
00:41:53,199 --> 00:41:53,360
Speaker 4: You know.

537
00:41:54,239 --> 00:41:57,480
Speaker 10: Yeah, we're gonna with what we Bill plays with us

538
00:41:57,519 --> 00:41:59,880
with the pop farmers. Well he's he's an official pop

539
00:42:00,039 --> 00:42:02,920
farmer now. But we were playing one gig and uh,

540
00:42:03,440 --> 00:42:06,199
you know, we do mostly classic rock bar band stuff. Yeah,

541
00:42:06,199 --> 00:42:09,239
and some you know, a young twenty something girl come

542
00:42:09,320 --> 00:42:11,440
up and saying, you guys play something new. I'm like, well,

543
00:42:11,960 --> 00:42:15,360
Phil Ken's so Phil, he's the young guy in the band.

544
00:42:15,639 --> 00:42:18,639
We're all old dudes. And then so we just follow film.

545
00:42:18,719 --> 00:42:22,000
Phil knows the newer songs, so teaching him, teaching us

546
00:42:22,039 --> 00:42:22,320
to him.

547
00:42:22,400 --> 00:42:23,679
Speaker 11: What did we end up playing again?

548
00:42:24,159 --> 00:42:27,199
Speaker 10: I think it was stick Season probably yeah, oh oh

549
00:42:27,280 --> 00:42:31,599
yeah totally, or maybe Circles, but yeah, circles.

550
00:42:31,599 --> 00:42:33,920
Speaker 11: I think I think it was circles. Yeah, it was

551
00:42:34,000 --> 00:42:35,079
one or the other, the.

552
00:42:35,079 --> 00:42:35,960
Speaker 10: Post Malone song.

553
00:42:36,119 --> 00:42:40,480
Speaker 11: Okay, that's circles. Yeah, yeah, it went really went off.

554
00:42:40,519 --> 00:42:43,960
Speaker 17: Well yeah, prisingally, I never thought I'd like these new

555
00:42:44,039 --> 00:42:45,800
pop songs to play, but now I'm like, we got

556
00:42:45,880 --> 00:42:48,159
to bring like Chapel Roone in there, and like, well

557
00:42:49,239 --> 00:42:50,159
I would totally do that.

558
00:42:50,239 --> 00:42:55,440
Speaker 10: It's fun. Yeah, well we do, uh Flowers by Miley Cyrush.

559
00:42:56,000 --> 00:42:59,320
People don't expect fun one to do that, yeah, you

560
00:42:59,400 --> 00:43:03,440
know they and and it's a fun one to play. Yeah, yeah,

561
00:43:03,719 --> 00:43:06,320
that's cool. That was a big subject on the show recently,

562
00:43:06,440 --> 00:43:07,280
that song Flowers.

563
00:43:07,360 --> 00:43:11,320
Speaker 12: We did a segment the lawsuit because somebody who owns

564
00:43:11,320 --> 00:43:13,599
a piece of the publishing on the Bruno Mars song

565
00:43:13,679 --> 00:43:17,239
when I was your man, suing Miley Cyrus and basically

566
00:43:17,280 --> 00:43:19,880
everyone Miley Cyrus has ever done business with over that song,

567
00:43:20,599 --> 00:43:24,159
claming copyright infringement because the Miley Cyrus song refers to

568
00:43:24,199 --> 00:43:24,800
the Bruno Mars.

569
00:43:26,039 --> 00:43:29,400
Speaker 10: Yeah, and hope they don't come after us. Yeah, well

570
00:43:29,880 --> 00:43:31,119
maybe maybe it would be famous.

571
00:43:32,960 --> 00:43:35,800
Speaker 23: Just as a side note, this isn't somebody that had

572
00:43:35,800 --> 00:43:39,159
anything to do with writing the song. They purchased, they're

573
00:43:40,360 --> 00:43:42,880
they're and now they're just trying to make a book.

574
00:43:43,000 --> 00:43:44,280
Speaker 13: Yeah now they're trying to cash in.

575
00:43:44,519 --> 00:43:47,360
Speaker 12: No, but uh yeah, I mean it's crazy, like like

576
00:43:47,519 --> 00:43:49,599
you like you can get sued for referring to somebody,

577
00:43:49,800 --> 00:43:51,800
you know. I gave the example of I don't think

578
00:43:52,000 --> 00:43:54,400
I don't think Neil Young threatened anyone with a lawsuit

579
00:43:54,519 --> 00:43:57,360
when you know, Skinnard refers to him and so home Alabama,

580
00:43:57,719 --> 00:44:02,400
you know what I mean. But apparently now it's it's uh,

581
00:44:03,239 --> 00:44:05,639
potentially perilous legal territory.

582
00:44:05,760 --> 00:44:08,719
Speaker 11: But yeah, it sounds like the guy's probably broke, probably

583
00:44:08,880 --> 00:44:11,719
trying to make some more money. Yeah, yeah, yeah, he

584
00:44:11,880 --> 00:44:12,519
ran out of money.

585
00:44:12,559 --> 00:44:14,480
Speaker 17: And it's like I feel like a lot like rappers

586
00:44:14,559 --> 00:44:16,480
talk about people all the time on their song.

587
00:44:16,400 --> 00:44:20,199
Speaker 13: Yead about Yeah, well but they can get so too.

588
00:44:20,360 --> 00:44:21,199
Speaker 16: Yeah, definitely.

589
00:44:22,199 --> 00:44:22,400
Speaker 21: Yeah.

590
00:44:22,920 --> 00:44:24,480
Speaker 11: I was gonna say exactly, yeah.

591
00:44:24,559 --> 00:44:24,760
Speaker 20: Yeah.

592
00:44:28,320 --> 00:44:30,360
Speaker 12: If you are just joining us, glitter Tooth is here

593
00:44:30,400 --> 00:44:32,039
with us live in studio. You guys want to play

594
00:44:32,039 --> 00:44:32,440
another one?

595
00:44:32,840 --> 00:44:35,440
Speaker 13: Sure? All right, let's do.

596
00:44:38,079 --> 00:44:39,320
Speaker 5: The question is which one?

597
00:44:39,639 --> 00:44:40,440
Speaker 16: Yeah, Matt.

598
00:44:43,840 --> 00:44:44,079
Speaker 7: Sure?

599
00:44:47,000 --> 00:44:49,159
Speaker 11: This is another original song called Amigo.

600
00:44:52,599 --> 00:44:54,480
Speaker 16: I was like, yeah, my playing just drums or harps

601
00:44:54,519 --> 00:44:55,199
on harp on this.

602
00:44:58,000 --> 00:44:59,400
Speaker 11: I think he probably should.

603
00:44:59,599 --> 00:45:00,119
Speaker 13: I don't know.

604
00:45:00,920 --> 00:45:03,119
Speaker 12: Can you actually, can you just just play a few

605
00:45:03,119 --> 00:45:05,199
notes on the harmonica for us just to see? I

606
00:45:05,320 --> 00:45:07,400
felt like when you were playing it before, it's almost

607
00:45:07,440 --> 00:45:09,480
as though that microphone can't handle.

608
00:45:09,280 --> 00:45:10,599
Speaker 16: The harmonic probably a little.

609
00:45:10,639 --> 00:45:14,159
Speaker 12: I was also playing it like cupping it so blocking

610
00:45:14,239 --> 00:45:19,440
it might be it sounds weird doesn't it.

611
00:45:19,719 --> 00:45:25,639
Speaker 17: It's probably this thing maybe, but uh, I do that

612
00:45:25,760 --> 00:45:27,280
a lot, so I kind of Oh that might be

613
00:45:27,440 --> 00:45:31,119
why the problem? Yeah, I probably, Yeah.

614
00:45:35,480 --> 00:45:36,960
Speaker 13: I wonder, I wonder what would happen.

615
00:45:37,039 --> 00:45:39,000
Speaker 12: You can slip that filter right off of that if

616
00:45:39,039 --> 00:45:42,280
you want. Let's just try that. I'm just I think

617
00:45:42,320 --> 00:45:43,039
it'll come right up.

618
00:45:43,119 --> 00:45:43,559
Speaker 13: No, maybe not.

619
00:45:43,639 --> 00:45:45,960
Speaker 11: I'm trying to give you people the best thing possible.

620
00:45:46,480 --> 00:45:47,000
Speaker 10: Oh you got it?

621
00:45:47,079 --> 00:45:50,000
Speaker 12: Yeah, I just want to see because it's almost like

622
00:45:50,079 --> 00:45:52,519
it's almost as though the mic can't can't But maybe

623
00:45:52,559 --> 00:45:53,639
it is the copying, And I don't know.

624
00:45:54,159 --> 00:45:57,880
Speaker 13: These mics are very I think it's a little better maybe,

625
00:46:02,440 --> 00:46:02,800
I don't know.

626
00:46:03,800 --> 00:46:04,079
Speaker 10: What do you?

627
00:46:04,199 --> 00:46:04,960
Speaker 13: What do you guys think?

628
00:46:05,079 --> 00:46:05,480
Speaker 16: I don't know.

629
00:46:05,760 --> 00:46:07,599
Speaker 12: It's up. It's up to you, guys. You had headphones

630
00:46:07,639 --> 00:46:10,400
on how to sound to you? You've only got one

631
00:46:10,480 --> 00:46:11,079
side in yours?

632
00:46:11,159 --> 00:46:12,320
Speaker 16: Yeah, what is definitely here?

633
00:46:12,880 --> 00:46:13,559
Speaker 13: What do you think, Dan?

634
00:46:21,360 --> 00:46:24,960
Speaker 11: We'll make it work enough for rock and rolls away

635
00:46:25,000 --> 00:46:25,280
from it?

636
00:46:27,519 --> 00:46:29,639
Speaker 17: Are you just gonna do this like little jaunty thing

637
00:46:29,760 --> 00:46:32,920
with my feet? I don't think that's how I played

638
00:46:32,920 --> 00:46:38,679
it in practice. Hey, it's the adventure of it, all right,

639
00:46:39,760 --> 00:46:43,480
go for it can happen? Yeah, exactly lightning.

640
00:46:43,920 --> 00:47:04,440
Speaker 24: Oh my god, oh two three four, Hold on to

641
00:47:04,679 --> 00:47:06,000
your aces.

642
00:47:06,480 --> 00:47:11,519
Speaker 7: Patience is a gift. Play the cards from the heart

643
00:47:11,960 --> 00:47:17,000
you can never miss. Dig in your heels and ego.

644
00:47:17,280 --> 00:47:25,960
Speaker 11: Let me see some blood, sweating tears. Take me to

645
00:47:26,320 --> 00:47:31,079
the doctor and show me why I shouldn't be afraid

646
00:47:35,559 --> 00:47:37,840
my friend, their friend.

647
00:47:38,159 --> 00:47:43,239
Speaker 15: Come shoot me down again. People come and go like

648
00:47:43,440 --> 00:47:47,599
the way, leave me bloody.

649
00:47:47,320 --> 00:47:51,880
Speaker 7: In the streets. You're remember me because of.

650
00:47:54,719 --> 00:47:55,079
Speaker 2: Friend.

651
00:47:55,519 --> 00:48:04,719
Speaker 7: Isn't easy to find monked out with a feather by

652
00:48:04,840 --> 00:48:09,960
a fair weather friend. Lay the cards down this time.

653
00:48:10,280 --> 00:48:15,239
You can't always when I agree to disagree a eagle.

654
00:48:15,480 --> 00:48:17,119
Let them sleeping.

655
00:48:16,880 --> 00:48:18,519
Speaker 11: Dogs lie down.

656
00:48:23,280 --> 00:48:26,840
Speaker 15: Take me to the graveyard and show me why I

657
00:48:27,000 --> 00:48:29,360
shouldn't be afraid.

658
00:48:32,960 --> 00:48:33,880
Speaker 11: My friend.

659
00:48:34,880 --> 00:48:37,320
Speaker 5: Friend, come shoot me down.

660
00:48:37,199 --> 00:48:37,280
Speaker 3: And.

661
00:48:38,760 --> 00:48:45,679
Speaker 11: People come and go like the way, right in the street.

662
00:48:46,079 --> 00:48:49,880
Speaker 7: You're rember me because of good.

663
00:48:51,920 --> 00:48:52,280
Speaker 10: Friend.

664
00:48:52,519 --> 00:48:53,960
Speaker 5: Doesn't easy to.

665
00:49:00,599 --> 00:49:56,960
Speaker 4: Expenses, storm stays storch.

666
00:49:58,199 --> 00:50:04,039
Speaker 15: Friend or friend, Come shoot me down again, People come

667
00:50:04,159 --> 00:50:08,920
and go like the list, Leave my bloody.

668
00:50:08,719 --> 00:50:09,800
Speaker 13: In the streets.

669
00:50:10,000 --> 00:50:13,360
Speaker 7: You're remander me because.

670
00:50:12,880 --> 00:50:13,679
Speaker 22: Of good.

671
00:50:15,719 --> 00:50:18,239
Speaker 7: Frandesn't easy to find.

672
00:50:35,599 --> 00:50:37,320
Speaker 11: Good old acoustic rock and roll.

673
00:50:37,880 --> 00:50:42,239
Speaker 12: Nice nice glitter tooth Here with us, live in studio

674
00:50:42,599 --> 00:50:45,400
and great job, guys, great job, thank you, Matt.

675
00:50:45,599 --> 00:50:46,679
Speaker 13: So what's what's the next?

676
00:50:46,800 --> 00:50:48,360
Speaker 12: Uh, what's the next show you guys are doing? We

677
00:50:48,360 --> 00:50:50,519
should make sure people know for people just joining us

678
00:50:50,559 --> 00:50:52,039
when the next or Dan, you've.

679
00:50:51,880 --> 00:50:52,239
Speaker 13: Got a listen?

680
00:50:52,320 --> 00:50:55,519
Speaker 10: Yeah, May third where it's Stonecutters in Milford, right on

681
00:50:55,599 --> 00:50:59,320
the oval, Okay, Milford the hub of the universe apparently, Yeah,

682
00:50:59,400 --> 00:51:04,039
for the music universe, our musical universe. Yes, stone Cutters

683
00:51:04,119 --> 00:51:06,000
is a cool little room, probably not much bigger than

684
00:51:06,079 --> 00:51:09,719
this room, but it's a it's a fun place to play, Okay, Okay, right,

685
00:51:09,760 --> 00:51:12,719
it's kind of in the basement of this bar, and

686
00:51:12,800 --> 00:51:15,400
it's it's it's awesome. Okay. Melissa and Tim are really

687
00:51:15,440 --> 00:51:17,440
great over there, and they treat as well. And it's

688
00:51:17,480 --> 00:51:18,239
a fun little room.

689
00:51:18,440 --> 00:51:18,719
Speaker 13: Okay.

690
00:51:19,480 --> 00:51:23,239
Speaker 10: Stonecutters, Milford, New Hampshire. So it's on May third, May third, yeah, okay,

691
00:51:23,800 --> 00:51:26,960
and then June twenty second, is that summer kickoff at

692
00:51:26,960 --> 00:51:30,280
the Auburn Pitts in Auburn, New Hampshire. And with Faith

693
00:51:30,320 --> 00:51:32,480
in band, has Faith has been They've been on here.

694
00:51:32,440 --> 00:51:36,760
Speaker 13: Right, yes, not for our Faith. Ann has been on

695
00:51:36,840 --> 00:51:37,119
the show.

696
00:51:37,239 --> 00:51:37,400
Speaker 10: Yeah.

697
00:51:37,840 --> 00:51:39,480
Speaker 13: I think she just came on by herself if I

698
00:51:39,559 --> 00:51:40,559
remember correctly.

699
00:51:40,280 --> 00:51:43,519
Speaker 10: Right, Yeah, she's sponsoring that, she's putting together the whole thing.

700
00:51:43,639 --> 00:51:44,039
Speaker 13: Oh cool.

701
00:51:44,480 --> 00:51:47,360
Speaker 10: Yeah, there's like four whole loaf is playing. I think.

702
00:51:47,639 --> 00:51:51,440
Speaker 13: Oh excellent. They've been on yeah yeah, they're great all

703
00:51:51,519 --> 00:51:51,840
day thing.

704
00:51:52,000 --> 00:51:53,599
Speaker 10: Yeah yeah, it's an all day thing.

705
00:51:53,800 --> 00:51:56,320
Speaker 13: Yeah excellent. It be a fun, fun gig, very cool,

706
00:51:56,519 --> 00:51:59,360
very cool. And where should people go online? Like, where's

707
00:51:59,360 --> 00:52:01,280
the best place for people to go online to keep

708
00:52:01,360 --> 00:52:01,800
up with everything?

709
00:52:01,840 --> 00:52:04,119
Speaker 11: Glitter too, this book, Instagram.

710
00:52:05,199 --> 00:52:10,440
Speaker 14: We're not on TikTok, but we have Spotify, all of

711
00:52:10,559 --> 00:52:13,920
those streaming services anywhere you listen, anywhere you want to

712
00:52:13,960 --> 00:52:15,320
listen to your music, We're on there.

713
00:52:15,559 --> 00:52:19,599
Speaker 13: Yeah. Yeah, outstanding, outstanding. Yeah. Well, I appreciate you guys

714
00:52:19,639 --> 00:52:20,639
coming in. You sound great.

715
00:52:20,840 --> 00:52:21,920
Speaker 10: Oh, we appreciate you having it.

716
00:52:22,119 --> 00:52:23,760
Speaker 11: We love you, Matt, thank you.

717
00:52:24,280 --> 00:52:24,599
Speaker 13: Thank you.

718
00:52:26,880 --> 00:52:29,199
Speaker 12: In a moment, we're going to play one more. We'll

719
00:52:29,239 --> 00:52:32,440
close out today with one more track from uh from

720
00:52:32,519 --> 00:52:36,199
you guys. Let's see which one didn't we play new Skin?

721
00:52:36,360 --> 00:52:39,480
Speaker 13: Yeah. Anything we should know about this, this, this song,

722
00:52:39,519 --> 00:52:40,199
anything you want.

723
00:52:40,079 --> 00:52:41,000
Speaker 10: To know directly?

724
00:52:41,159 --> 00:52:42,480
Speaker 11: My favorite song is it?

725
00:52:42,599 --> 00:52:42,800
Speaker 1: Yeah?

726
00:52:42,880 --> 00:52:44,199
Speaker 16: When did you originally write this song?

727
00:52:44,239 --> 00:52:44,440
Speaker 10: Phil?

728
00:52:44,480 --> 00:52:46,639
Speaker 16: How long ago? Like when it was just your.

729
00:52:46,599 --> 00:52:50,760
Speaker 11: Song probably twenty thirteen. Oh okay, yeah, so it's an

730
00:52:50,800 --> 00:52:51,360
older song.

731
00:52:51,599 --> 00:52:51,800
Speaker 13: Yeah.

732
00:52:51,800 --> 00:52:54,480
Speaker 10: Story, I saw a very the host and opened mic.

733
00:52:54,880 --> 00:52:58,960
Actually it was it's not Stonecutters now. It was Jay's tavern. Any.

734
00:52:59,360 --> 00:53:01,880
I was just in the crowd watching and he played

735
00:53:01,920 --> 00:53:02,199
the song.

736
00:53:02,360 --> 00:53:02,519
Speaker 13: Yeah.

737
00:53:02,559 --> 00:53:04,480
Speaker 10: I'm like, holy crap, that's so good. And I asked

738
00:53:04,559 --> 00:53:06,559
him who wrote it, because I didn't think he wrote it,

739
00:53:06,840 --> 00:53:08,159
and he said I wrote it. I'm like, get out

740
00:53:08,199 --> 00:53:10,719
of here. It was, And so now it's one of

741
00:53:10,800 --> 00:53:13,320
my favorite ones to play live too. It's really cool.

742
00:53:13,440 --> 00:53:14,519
Speaker 13: Oh, very cool. Yeah.

743
00:53:14,599 --> 00:53:17,320
Speaker 14: So the truth about this song is it was written

744
00:53:17,360 --> 00:53:20,480
about a friend that passed away in a car accident. Yeah,

745
00:53:22,519 --> 00:53:24,440
and it was kind of a weird time in my life,

746
00:53:24,559 --> 00:53:29,320
and I like, I don't even know how I came

747
00:53:29,440 --> 00:53:32,000
upon it. I was just literally like just trying to

748
00:53:32,079 --> 00:53:35,280
make music, trying to just stay focused, and then.

749
00:53:37,039 --> 00:53:39,280
Speaker 11: Came up with this and I thought nothing of it.

750
00:53:39,440 --> 00:53:42,800
Speaker 14: I was like, it's okay, yeah, it's just going to

751
00:53:42,840 --> 00:53:45,440
be another one of those B sides or I don't know,

752
00:53:45,679 --> 00:53:49,079
just something that I'll throw away. And then for some reason,

753
00:53:50,440 --> 00:53:53,119
everybody loves it and I've grown to love it.

754
00:53:53,239 --> 00:53:53,360
Speaker 7: Too.

755
00:53:53,840 --> 00:53:54,679
Speaker 13: That's cool.

756
00:53:54,800 --> 00:53:56,679
Speaker 14: Yeah, that's the only way I can explain it. I

757
00:53:56,719 --> 00:53:58,840
didn't think anything of it at the time.

758
00:53:59,119 --> 00:54:00,639
Speaker 13: Oh, that's funny. You just never know.

759
00:54:00,880 --> 00:54:03,239
Speaker 12: Yeah, you know, you never know. Something you might you

760
00:54:03,360 --> 00:54:04,800
might make that you don't think is that great, but

761
00:54:04,880 --> 00:54:06,760
it ends up touching other people in a way.

762
00:54:07,079 --> 00:54:09,320
Speaker 13: Exactly. Yeah, that's pretty cool. That's pretty cool.

763
00:54:09,320 --> 00:54:11,000
Speaker 11: Like there are songs I'm like, this is gonna be

764
00:54:11,039 --> 00:54:12,039
awesome and people.

765
00:54:11,840 --> 00:54:19,400
Speaker 13: Are like, right right, yeah. Yeah, well that's the adventure

766
00:54:19,440 --> 00:54:19,599
of it.

767
00:54:20,360 --> 00:54:20,760
Speaker 11: Exactly.

768
00:54:21,119 --> 00:54:21,519
Speaker 13: Very cool.

769
00:54:21,599 --> 00:54:23,280
Speaker 12: Yeah, So we'll close out with that in a moment.

770
00:54:23,639 --> 00:54:28,559
And Jenny, of course you've been you've been very busy. No, yes, yeah,

771
00:54:28,599 --> 00:54:32,320
you want to mention your website and anything specific you want.

772
00:54:32,159 --> 00:54:35,159
Speaker 23: To non always check out the Trouble, I mean, the

773
00:54:35,280 --> 00:54:38,480
things I'm doing at Jenpockey dot com n n C

774
00:54:38,639 --> 00:54:41,320
O f f Ey dot com. That might be a

775
00:54:41,320 --> 00:54:44,440
little video floating around YouTube that you might find interesting

776
00:54:44,559 --> 00:54:47,920
that hasn't gotten up on my website yet, but will yes, really,

777
00:54:48,000 --> 00:54:50,320
but there is a petition up there, so please check

778
00:54:50,360 --> 00:54:52,480
it out. Love to have your signature to help make

779
00:54:52,519 --> 00:54:53,159
things better for.

780
00:54:53,239 --> 00:54:56,719
Speaker 13: All of us. Absolutely absolutely sounds good to me. And

781
00:54:56,800 --> 00:55:00,679
happy Easter and yes, Happy Easter. Everybody at the camera on.

782
00:55:02,559 --> 00:55:05,360
Speaker 11: I had to say that because I'm Greek, we'll have

783
00:55:05,480 --> 00:55:07,360
to We'll have to do a picture.

784
00:55:07,440 --> 00:55:10,199
Speaker 12: Yeah, that's what I was thinking. But very very cool,

785
00:55:10,280 --> 00:55:12,159
and of course thank you everyone who joined us today.

786
00:55:12,199 --> 00:55:14,920
Of course war Hog skyping in from Texas in the

787
00:55:14,960 --> 00:55:16,960
second hour and we opened the show today our.

788
00:55:16,840 --> 00:55:19,159
Speaker 13: One with the Doldrums. Do you guys know the Doldrums,

789
00:55:19,320 --> 00:55:20,199
great band from the area.

790
00:55:22,400 --> 00:55:26,599
Speaker 11: Yeah, okay, yeah, yeah, really good. Yeah, they're a great band.

791
00:55:26,760 --> 00:55:26,920
Speaker 5: Yeah.

792
00:55:26,960 --> 00:55:30,480
Speaker 12: They're playing tonight at the Shaft Skiing. Yeah, had a

793
00:55:30,599 --> 00:55:34,480
big show, the absolutely show today.

794
00:55:35,639 --> 00:55:36,000
Speaker 4: Oh yeah.

795
00:55:36,079 --> 00:55:38,639
Speaker 11: We're also playing in Wilton, New Hampshire at the Listening

796
00:55:38,719 --> 00:55:46,199
Room two playing but yeah, yeah, yeah, playing with and

797
00:55:46,440 --> 00:55:47,239
Paulie Drisco.

798
00:55:48,039 --> 00:55:51,719
Speaker 13: What is that tonight? Okay, very cool, excellent.

799
00:55:51,760 --> 00:55:55,159
Speaker 11: Where is that again, Wilton, New Hampshire. Right in the

800
00:55:55,199 --> 00:55:55,920
middle of the town.

801
00:55:56,159 --> 00:55:58,840
Speaker 12: No, the oh you're you're oh, you're playing actually for

802
00:55:59,039 --> 00:56:03,079
the it's like a town sponsored event or what what

803
00:56:03,159 --> 00:56:04,760
do you mean in the center in the center of

804
00:56:04,800 --> 00:56:05,079
the town.

805
00:56:05,239 --> 00:56:06,599
Speaker 11: I don't know the exact address.

806
00:56:06,920 --> 00:56:13,719
Speaker 12: Okay, gotcha, got the list listening room Okay, gotcha, gotcha?

807
00:56:13,840 --> 00:56:14,960
Speaker 13: Okay, very cool.

808
00:56:15,559 --> 00:56:17,039
Speaker 11: Yeah, we'll be excited.

809
00:56:17,199 --> 00:56:18,000
Speaker 13: What what time is that?

810
00:56:18,960 --> 00:56:20,000
Speaker 11: It is five to eight?

811
00:56:20,239 --> 00:56:23,159
Speaker 12: Five to eight, Okay, So if you're listening live on Saturday,

812
00:56:23,239 --> 00:56:25,079
that's uh, that's something you can check out the twos.

813
00:56:25,280 --> 00:56:29,559
Uh you you were on the show with Paul Driscoll. Yeah,

814
00:56:30,199 --> 00:56:31,320
not not that long ago, right, a.

815
00:56:31,280 --> 00:56:33,679
Speaker 13: Couple months ago, three months ago, maybe you guys were on.

816
00:56:34,000 --> 00:56:36,519
Yeah you and yeah that was great. Yeah. Oh that's

817
00:56:36,559 --> 00:56:39,199
when I heard you play No Sunshine. It was that day.

818
00:56:39,320 --> 00:56:42,800
Speaker 12: Yeah, that's right, very good, very good. All right, So

819
00:56:42,920 --> 00:56:44,599
thank you to everyone who joined us today, and if

820
00:56:44,639 --> 00:56:46,119
you miss any part of today's show, it will be

821
00:56:46,199 --> 00:56:47,639
up in just a little bit at w M and

822
00:56:47,760 --> 00:56:50,880
H radio dot org and my website Matt Connorton dot com.

823
00:56:51,159 --> 00:56:53,920
We're going to close out with this track from Glittertooth

824
00:56:54,360 --> 00:56:56,719
and this is called New Skin. Guys, thank you again

825
00:56:56,800 --> 00:56:58,000
so much, thanks so much.

826
00:56:58,199 --> 00:56:58,760
Speaker 13: Absolutely.

827
00:57:25,239 --> 00:57:32,519
Speaker 7: Sometimes I wish I'm on a song that you will

828
00:57:32,760 --> 00:57:43,920
sing me to sleep. Sometimes I wish on a god that'll.

829
00:57:43,639 --> 00:57:44,719
Speaker 1: Wake up and.

830
00:57:48,360 --> 00:57:56,440
Speaker 5: A brand new set of skin, brand new set of skin.

831
00:58:03,159 --> 00:58:10,199
Speaker 7: Sometimes I sing to the bugs in my room, sometimes

832
00:58:10,280 --> 00:58:18,559
they sing need to sleep. Sometimes I wish shupon an

833
00:58:18,599 --> 00:58:20,679
empty liquor bite.

834
00:58:22,079 --> 00:58:23,519
Speaker 5: That a wake up bed.

835
00:58:26,880 --> 00:58:45,039
Speaker 8: You set a skinner, sometimes up to a frantic to.

836
00:58:47,320 --> 00:58:56,880
Sometimes I pass, but sometimes I sink. Do an acting

837
00:58:57,280 --> 00:58:59,840
back to sigger rest a.

838
00:59:00,079 --> 00:59:01,000
Speaker 2: Want to wincome.

839
00:59:04,400 --> 00:59:17,480
Speaker 18: Let your sun skin, the braner sad skin, run your

840
00:59:17,679 --> 00:59:19,199
seven skins.

841
00:59:23,280 --> 00:59:37,400
Speaker 3: Lear your sun skill, leb the sunk, let the sun skin,

842
00:59:42,239 --> 00:59:43,760
Let the sun skin