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Speaker 1: W m n H ripped the novels.

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Speaker 2: So guitars, the doose, no one there to get cut up.

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Speaker 1: Want to clean it up?

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Speaker 3: Keep say away, stay out, just stay.

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Speaker 4: Way back.

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Speaker 5: Uh.

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Speaker 6: They all.

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Speaker 2: Walking bast the moment.

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Speaker 4: That in every day.

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Speaker 7: That is a scrape the dirt from the band Able

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Blood and the album arrival of the waves. And we've

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got Able Blood here with us live in studio on

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this Saturday morning here on Matt Condorton Unleashed. If you

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are listening live today is a Saturday, May third, twenty

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twenty five, and you get those mics up there, gentlemen,

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welcome back to the show.

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Speaker 6: Hey Matt be thanks for having us.

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Speaker 7: Absolutely absolutely so let's start for the uninitiated, for those

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who don't know Adam, let's start with you. Tell us

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who you are and what you do in the band.

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Speaker 6: Please. I'm Adam. I play guitar and do the lead.

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Speaker 7: Vocals, all right, and you, sir.

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Speaker 8: Malcolm, I play guitar and I do face as well,

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all right, and you Jim, and I do drums caussion

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all right.

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Speaker 6: Very good.

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Speaker 7: And I'm going to just these cameras here for for

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those watching the stream online. But you guys have what's

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been going on since, because I know there's news right

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since the last time you were here. You guys always

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have a lot going on. It's cool, But I think

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the last time we had talked to you had just

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signed with the label. Is that correct?

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Speaker 6: Yeah, we signed like a basically a distribution deal for

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Arrival of the Waves with Argonauta Records.

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Speaker 7: Okay, And the result of that has been now you've

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released the album on CD.

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Speaker 6: Correct, YEP came out yesterday?

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Speaker 7: Actually, oh, congratulations, congratulations, And why the decision to do

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to do that? Because one of the things that comes

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up a lot on the show, and I'm sure we've

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talked about it before too, is physical media because obviously

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over the years, you know, in fact, I think I

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remember talking about this with you guys specifically back when,

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way back when I worked for Strawberries, which then of

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course became f YE, and people would people in the

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industry were talking about, oh, eventually CDs are going to

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go away and everything is going to be digital, especially

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when I was there when Napster came in, and then

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it was like, oh no, this is the beginning of

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the end, you know, and you know music is free

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now and and you just download it and and all

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that so and all the panic that was uh that

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was happening at that time. And then there was this

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kind of this period where, you know, when Spotify came

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in and everything and things kind of settled down. But

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then a lot of the guests that we would have

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on the show, for example, they were kind of done

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with uh, with CDs, and no one was doing vinyl.

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Vinyl apparently is very expensive, and it was just everything was,

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oh no, we're just putting our music online now, and

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that seemed to be the trend for a long time,

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and then in the past few years it seems like

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everybody now is really has recommitted to physical media.

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Speaker 6: And people miss interacting with the music. Oh yeah, you know,

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like opening a case and reading the lyrics and seeing

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the artwork and yep, you know. So yeah, it's a

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sense they own it.

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Speaker 7: Yeah. Yeah. I always you know, when I was a

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kid and I first started buying music, I always loved

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looking at liner notes, especially if I was really into

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an artist. You know, I would geek out on just

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you know, I actually wanted to know the name of

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their management company and.

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Speaker 6: Who did the artwork? Who did the artwork?

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Speaker 7: Yeah, who was the engineer in the studio, all that

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kind of that kind of stuff that you know that

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most people wouldn't even care about, but I loved, you know,

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and if the lyrics were in there too, that was huge.

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It was like wow, you know, and we didn't have

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the Internet yet when I'm old enough to you know,

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my generation Gen X really the last generation to grow

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up without the Internet, so so it couldn't just look

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up lyrics, you know, if if you weren't sure, if

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you know, if you're hearing something correctly, you got to

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look at the liner notes, and if the lyrics aren't there,

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then you know, maybe ask your friends, Hey, what do

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you think he's saying there?

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Speaker 6: I don't know what he's saying. I remember waiting, waiting

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in between songs on the radio, like just praying that

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your favorite song would come on, because there was no

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other way you're going to hear it unless you know,

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you had eight bucks or whatever seven ninety nine to

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go to this tape store and get it. Yeah, but

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you still had to wait. Oh yeah, Like now it's

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I just go on out music and it's on and

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I love that.

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Speaker 7: Oh yeah.

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Speaker 6: I love to be able to like scratch that itch

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when it comes. But yeah, just being able to actually

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have it is Oh, it is just yeah, so much

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more satisfying.

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Speaker 7: Yeah.

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Speaker 6: And then the old midnight releases.

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Speaker 9: Oh yeah, I was at Rocket Records at midnight when

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Sepulteur released Chaos.

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Speaker 7: Ad No kidd Oh yeah, oh well that's cool.

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Speaker 6: You still love that stuff?

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Speaker 7: Yeah, yeah, absolutely. I do like the way things are

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now better though, because sometore, because every once in a while,

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I'll hear somebody say, you know, especially online, you see

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this stuff that's uh uh, I call it old man syndrome.

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You know, back in my day, everything was so much

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better because you know, as somebody will say, like, oh,

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I liked it better when I was a kid, you know,

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because it was everything was simpler, and you go to

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the record store and you you know, you'll you seek

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out stuff that looks interesting and whatnot. And I always say, yeah,

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I have wonderful memories of that myself. I'm old enough

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to remember that. But I wouldn't trade what we have

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now to go back to that. I mean, no, it's

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astonishing when you think about it. And again, and you know,

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people growing up now don't know, but what it was

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like before we had this but you know, now, if

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I want to hear something, I can hear it, don't.

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I don't have to look for it. I don't have

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to hope it comes on the radio. I can just

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go online and get it and there it is there.

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Speaker 6: Yeah.

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Speaker 7: You know, we've never had we never had this level

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of instant gratification, and there may be some negative effects

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with that in terms of people just valuing music less

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and so forth, because it's so easily accessible. And I

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understand that, but still I wouldn't. I wouldn't trade where

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we have now.

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Speaker 6: To go back. I'm still love vinyl though. Yes, I'm

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a huge Vinyl.

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Speaker 7: Yeah.

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Speaker 8: I'll go down rabbit holes where I'll just remember songs, yes,

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from high school and oh that makes me think of

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this song, and then that makes me think of this song,

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next thing, you know, and more albums.

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Speaker 6: I do it when I'm talking to people. I'll be like, yeah,

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you know, you ever heard this song? You ever heard

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this song? And then I have to give people ten

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second clips of because I can just pull them up

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on my phone and be like, oh, you have to

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hear this yep, yeah, you know, even if they care

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or not, Yeah, but do you remember hearing it.

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Speaker 8: Do you remember the days of like when you're going

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on a road trip or going somewhere, you had to

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you had to kind of pick and choose what you

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were bringing with you, you know.

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Speaker 6: And you get all the CDs and yeah organized and

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put them on underneath the sun visor. Yeah yeah.

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Speaker 8: When when the biggest seller marshals was those freaking CD organizers.

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Speaker 7: Oh yeah yeah yeah. Who didn't have those? Yeah yeah?

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Speaker 9: And how dangerous was it driving down the road trying

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to fish through CDs?

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Speaker 7: Oh yeah, yeah. I almost wonder if there's fewer car

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accidents now statistically for that reason.

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Speaker 6: You used to. I used to have a cardboard box

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full of tapes without the cases, really like grab it

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from the back seat, put it on the front seat

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and dig through it and then just put it, you know,

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and then put them in the tape player. So yeah,

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I was way more distracted then.

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Speaker 9: Yeah, I totally would be now. I totally miss rewinding

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tapes to hear the song on wander.

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Speaker 6: It was always the best when the best songs were

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the first and last on a tape, because then you

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could just flip it.

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Speaker 7: Yeah, easy to find them. Yeah, yeah, yeah, those those

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were the days. Was it always from when you guys

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first recorded Arrival of the Waves. Was it always your

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intention to eventually do a CD or we.

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Speaker 6: Were like probably more like wanted to do vinyl probably more,

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but this was this was a an easy quick way

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to get get them out and starting. It is very expensive. Yeah,

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and people are buying CDs again, so it's it's it.

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I think it's a fair trait. You know it. People

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are gonna will be purchasing this, I know it.

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Speaker 8: Yeah, it's surprising to me at shows the amount of

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people we see asking for CDs buying them from other bands.

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Because we're a little lazy as a band when it

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comes to merch.

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Speaker 6: We never put March out. We bring it sometimes and

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then we don't put it out, and then sometimes we

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don't even like we'll remember like, oh did anybody think

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about bringing the merch and when we're already at the show.

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Speaker 8: Yeah, so yeah, we got to get way better about that. Well,

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we we're kind of forced to.

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Speaker 10: Yeah, there's some able blood on the walls of Matt's office.

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Speaker 7: Oh yeah, yeah, yeah, absolutely absolutely there is. Yeah, absolutely,

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we should take pictures and put that online.

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Speaker 6: Actually see that.

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Speaker 7: Yeah, yeah, yep, we got we got your stuff. Hanging.

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Speaker 8: It's kind of a game between bands when you play

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venues like in Boston to find your buddy sticker and

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take a picture of it.

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Speaker 7: Oh yeah, totally, totally, yep, yep. The tricky thing about

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merch because we had I don't know if you know

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Echo Ray the rock and Redhead, I've heard the name. Okay,

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she was on the show with us recently, and you

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know she does she does the merch for for some

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bands like Wale Wolf James. You know she helps because

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she was up you know, at shows she helps to

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sell it. Because she was saying, and it's interesting, I've

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never really thought about this before, this specific thing, but

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she was talking about how a lot of bands miss

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out on selling merch because the best time to make

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a sale if someone wants to buy your T shirt

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or your seed or whatever if you're playing a live show,

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is right when you get off stage. That's when that's

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when they're like, yeah, I want I want something of theirs.

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I want to get a shirt, or I want to

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buy that CD, or or at least get a sticker

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or something. Right. But the problem is if you don't

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have somebody with you to handle the merch sales, then

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you're missing out because when you're done playing, unless you're

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the last band on you, you probably got a hurry

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because an ex band's got to get on. Yeah, and

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every second that's ticking by while you're busy breaking down

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your stuff and trying to get off stage, the interest

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is is waning. You know that that person who maybe

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when you first finished your show, was like, oh, I

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got to get something.

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Speaker 6: And then they're like, I'll get a beer.

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Speaker 7: I'll go yeah, exactly, exactly, yeah, yeah, And I'd never

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thought of it that way until she pointed that out,

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But she's absolutely right. So that can be a that

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can be a real challenge for a lot of dans.

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Speaker 8: We will have a merch person for our next couple

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of shows.

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Speaker 7: Excellent, excellent, our next.

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Speaker 6: Show, though we won't actually have physical CDs because they're

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not going to show up here until May ninth. Okay,

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but you can order them online through the Argonauta website

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now and they will actually send them to you right away.

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Oh perfect. You can buy them from us too in

241
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a couple of days, yeah, which will be for us

242
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more beneficial. But I wouldn't tell you not to go

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to arnaut because they helped us out a ton, right,

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you know, buying it from there is also good.

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Speaker 7: I think the last time, the last time you guys

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were on the show, I think you had just signed

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that distribution deal.

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Speaker 6: Was Yeah, it was we signed it back in September.

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Speaker 7: Okay, Okay. And then are they so are they putting

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the CD in stores or is it more online distribution

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or I.

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Speaker 6: Don't know what they're doing in Italy. I know that

253
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they've got it up on their website.

254
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Speaker 7: Is that where they're from.

255
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Speaker 6: Yeah, they're out of Italy, So what they're doing in Europe,

256
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I have no idea, to be honest with you. Probably

257
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should ask some more questions about that. Here my plan is,

258
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and I've got a couple of record stores already, like

259
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bull Moose has said that they'll sell it, and then

260
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I've talked to Infectious Grooves over in Amherst Cool and uh,

261
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there's a few other places that are interested in selling it.

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So I'm just going to bring them, bring them to

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them and put physical copies in the stores. And then

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we're gonna have we have a band camp page. Yeah,

265
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and so we'll sell merch off of that because when

266
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we're getting T shirts done and all that so we're

267
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going to have that stuff up on our band camp

268
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page really shortly.

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Speaker 7: Excellent, excellent if you are just joining us, we have

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able Blood here with us live in studio. And yeah,

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that's another thing too that has survived is music stores,

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you know, record stores, and because that's another thing people

273
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thought was just going to go away, you know and eventually,

274
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but but they're still here.

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Speaker 6: You google just New England record stores and the list

276
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is huge.

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Speaker 7: Yeah. Huge. Yeah.

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Speaker 9: I think Vinyl keeps it alive, big time. The set

279
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tapes are actually making a comeback, so yeah, funny.

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Speaker 8: A lot of bands are releasing singles and stuff on that.

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Speaker 7: Yeah. Yeah, well, funny thing about cassettes. It was I

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think it was about five or six years ago. I

283
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may have talked with you guys about this before. I'm

284
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not sure I've told this story a bunch of times.

285
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But I was on I was on band camp actually,

286
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I was just looking for for bands in the area

287
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and I stumbled upon I think the first one I found.

288
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I don't remember who they were, but they were like

289
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a like a super indie band from Keene, uh probably

290
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Keen State College students and uh. And I noticed they

291
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were selling cassettes. And at first I thought it was

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a joke. I was like, what, they have a cassette?

293
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And I thought maybe it was just a novelty that

294
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they just decided to do for the hell of it.

295
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And then I realized as I'm looking around there were

296
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I was finding more and more bands that were doing cassettes,

297
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and I was like, oh my god, is this real.

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Speaker 8: I think it's really inexpensive to do. I haven't probably

299
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do it recently, but probably yeah. And you can record

300
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at home with a little task cam, yeah, you know.

301
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And I even looked up the prices of those things.

302
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Those things are the roof? Are they four tracks and

303
00:16:02,039 --> 00:16:05,080
eight track recorders? Yeah, I have, like you can pay

304
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hundreds of dollars for these things.

305
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Speaker 6: Now.

306
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Speaker 7: Yeah, I had one back in the day. It probably

307
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cost me one hundred bucks.

308
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Speaker 6: I think maybe. Yeah, yeah, they're they're worth way more

309
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than that now.

310
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Speaker 7: No kidding. Interesting. Interesting, but yeah, it was stunned to

311
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see that cassettes and I was like, well, I mean wow,

312
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and then uh, you know, but but as somebody who

313
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buys one of those, they probably most people probably never

314
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play them. They just if you're really a fan of

315
00:16:26,799 --> 00:16:28,960
that artist, you know, right, if you don't even have

316
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anything to right.

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Speaker 6: Which goes back to people want something that they feel

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they own.

319
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Speaker 7: Exactly, yeah, exactly. We actually have a this is relatively

320
00:16:38,120 --> 00:16:41,879
new to the station, a record player here that we

321
00:16:41,960 --> 00:16:44,120
can plug in. It actually belongs to one of the

322
00:16:44,120 --> 00:16:46,720
guys who does a show here, Ryan Sherman, but he

323
00:16:46,759 --> 00:16:48,240
brought it in and he put a sticker on it

324
00:16:48,240 --> 00:16:50,159
that said, you know, anyone can use it, So we

325
00:16:50,200 --> 00:16:52,759
actually have that option. And we've always had a CD player.

326
00:16:52,799 --> 00:16:55,159
I think Rob as a Vito of Granted State of

327
00:16:55,159 --> 00:16:56,679
Mind is the only one who actually uses it. But

328
00:16:56,679 --> 00:16:59,240
we do have a CD player here that that is functional.

329
00:16:59,240 --> 00:17:05,759
It does work. But but uh but yeah, to see cassettes, uh,

330
00:17:05,839 --> 00:17:09,319
you know, coming back was was really shocking. That's something

331
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we definitely do not have here as a cassette player.

332
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Speaker 9: I'd love to release our album on eight track. I

333
00:17:13,839 --> 00:17:15,039
think that would be really cool.

334
00:17:15,200 --> 00:17:17,000
Speaker 6: Yeah, it would be a way to have nobody but

335
00:17:18,359 --> 00:17:20,440
let's throw that money away.

336
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Speaker 7: Right in the middle of a song, it.

337
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Speaker 6: Clicks so that I had to go to the next track.

338
00:17:24,640 --> 00:17:27,000
Speaker 7: Yeah, yeah, that would be that would be fun.

339
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Speaker 6: Program.

340
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Speaker 7: When I was a kid, I had do you guys

341
00:17:31,759 --> 00:17:34,720
remember to XL. It was a little robot but it played,

342
00:17:36,000 --> 00:17:37,079
but it played eight track takes.

343
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Speaker 6: I do remember that, yeah, yeah, yeah.

344
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Speaker 8: That was my first stereo was the Yorks all in one.

345
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They had the record player, cassette player, eight track really

346
00:17:47,480 --> 00:17:49,519
a MFM, and I remember I got a bunch of

347
00:17:49,759 --> 00:17:52,559
eight tracks for Christmas one year. And it's obvious my

348
00:17:52,559 --> 00:17:54,559
my father just grabbed him from the bargain bin. But

349
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there was some cool stuff in there.

350
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Speaker 6: Really.

351
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Speaker 8: Yeah, I got into ten CC because of that.

352
00:17:58,319 --> 00:17:58,960
Speaker 7: Oh no kidding.

353
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Speaker 10: I think my dad got mine from sears.

354
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Speaker 7: Really.

355
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Speaker 9: I actually have a working eight track at home, you do.

356
00:18:04,599 --> 00:18:08,359
I got a big console record player with radio and

357
00:18:08,559 --> 00:18:10,160
eight track and it all works.

358
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Speaker 6: I even have Black Sabbath. We sold our soul over

359
00:18:12,519 --> 00:18:13,759
rock and roll on eight tracks.

360
00:18:13,839 --> 00:18:14,160
Speaker 1: Wow.

361
00:18:14,519 --> 00:18:17,000
Speaker 6: Yeah, and it plays perfect.

362
00:18:16,640 --> 00:18:16,880
Speaker 7: Does it?

363
00:18:17,079 --> 00:18:17,279
Speaker 6: Yeah?

364
00:18:17,519 --> 00:18:20,839
Speaker 10: Why did they call it eight track? Does it only

365
00:18:20,880 --> 00:18:24,279
hold eight songs? Or was it because of the no recording?

366
00:18:24,440 --> 00:18:27,920
Speaker 7: Well there's because there's only four tracks, right, But I

367
00:18:27,920 --> 00:18:30,359
guess if there's only four songs, No, there's only no,

368
00:18:30,400 --> 00:18:33,599
but there's only four there's only four not I don't

369
00:18:33,640 --> 00:18:34,559
recording tracks?

370
00:18:34,759 --> 00:18:36,799
Speaker 10: Yeah yeah, yeah, okay.

371
00:18:36,680 --> 00:18:38,480
Speaker 7: Like you'll have more than one song on a track.

372
00:18:38,559 --> 00:18:41,799
But it's but but I think, but do they call

373
00:18:41,839 --> 00:18:44,720
it eight track because it's stereo? Is it? So it's

374
00:18:44,720 --> 00:18:48,559
four it's four tracks, but they're stereo, so it's eight tracks.

375
00:18:48,640 --> 00:18:52,720
I could google it now, but now I've actually always

376
00:18:52,759 --> 00:18:54,839
kind of wondered that myself, like why they call it?

377
00:18:54,960 --> 00:18:55,480
Why they call it?

378
00:18:55,519 --> 00:18:56,839
Speaker 10: I asked all the weird questions.

379
00:18:56,880 --> 00:18:58,119
Speaker 6: No, that's actually great.

380
00:18:58,240 --> 00:18:58,480
Speaker 5: It is.

381
00:18:58,720 --> 00:19:00,720
Speaker 6: Actually that is an ever thought of it.

382
00:19:00,799 --> 00:19:03,319
Speaker 7: That is a great question. I'm going to google it.

383
00:19:03,319 --> 00:19:05,240
I'm going to google it on my phone. I'm really curious,

384
00:19:05,279 --> 00:19:05,640
all right.

385
00:19:05,880 --> 00:19:08,799
Speaker 6: Or challenge a listener to call in learning, Yeah, Learning

386
00:19:08,839 --> 00:19:11,279
with the able one call and tell us what why

387
00:19:11,359 --> 00:19:12,359
it's called an eight track?

388
00:19:12,839 --> 00:19:14,359
Speaker 10: Like that learning with Abel Blood.

389
00:19:14,960 --> 00:19:16,759
Speaker 7: Why is it called an eight track?

390
00:19:16,880 --> 00:19:18,640
Speaker 10: You guys are close to the five Timers Club.

391
00:19:19,440 --> 00:19:21,680
Speaker 7: Yeah, you guys will got to be like on the.

392
00:19:21,640 --> 00:19:22,880
Speaker 10: Show at least four times now.

393
00:19:23,119 --> 00:19:25,519
Speaker 6: I think this is our fourth time. I've been twice.

394
00:19:25,720 --> 00:19:29,279
I've actually been on with Matt. This is my fifth time. Oh,

395
00:19:29,359 --> 00:19:31,599
I was in a band ten or fifteen years ago,

396
00:19:31,720 --> 00:19:34,039
so i'd make the five timer today.

397
00:19:33,720 --> 00:19:33,960
Speaker 1: Yeah.

398
00:19:35,000 --> 00:19:36,880
Speaker 6: We were a band called Buck fifty five and we

399
00:19:36,920 --> 00:19:39,119
went up when Matt was in Franklin.

400
00:19:39,279 --> 00:19:43,079
Speaker 10: Now you don't play the air horn the airhorn air

401
00:19:43,079 --> 00:19:45,559
horn moment, I forgot about the airhorn. Five timers club

402
00:19:45,599 --> 00:19:46,200
is an air horn.

403
00:19:46,599 --> 00:19:49,160
Speaker 7: I haven't used the airhorn in so long, so it

404
00:19:49,160 --> 00:19:51,359
says here. An a track tape is called an eight

405
00:19:51,480 --> 00:19:55,680
track because it contains eight parallel tracks of magnetic tape each.

406
00:19:56,079 --> 00:20:00,480
Each tape has four programs of music, with two tracks

407
00:20:00,559 --> 00:20:04,400
left and right channels on each program totally eight tracks.

408
00:20:04,799 --> 00:20:06,160
So I was my theory, was.

409
00:20:06,160 --> 00:20:08,480
Speaker 6: You your right? So I would give you the points?

410
00:20:08,559 --> 00:20:11,119
Speaker 7: Yeah sort of, yeah, I would. I would take the points.

411
00:20:12,400 --> 00:20:14,119
I would accept those points. I think I was kind

412
00:20:14,119 --> 00:20:18,119
of right. The format allowed half a point half a point.

413
00:20:18,559 --> 00:20:21,400
This format allowed for stereo sound to be recorded and

414
00:20:21,440 --> 00:20:24,359
played back. Okay, so there you go. That's why it's

415
00:20:24,359 --> 00:20:24,680
called that.

416
00:20:25,319 --> 00:20:26,599
Speaker 10: Yes it did involve stereo.

417
00:20:26,720 --> 00:20:30,920
Speaker 7: Yeah, yes, yes, yes yes. Do you guys plan to

418
00:20:31,000 --> 00:20:32,359
do vinyl or are you undecided?

419
00:20:32,480 --> 00:20:35,160
Speaker 6: Or we would love to? Yeah, it's just coming up

420
00:20:35,160 --> 00:20:37,359
with the right amount of money and time yeah to

421
00:20:37,440 --> 00:20:38,960
do so oh yeah yeah.

422
00:20:39,119 --> 00:20:43,000
Speaker 8: Jimmy mentions it about once every week. Really, I do

423
00:20:43,079 --> 00:20:44,680
because I want to copy so bad.

424
00:20:45,240 --> 00:20:47,599
Speaker 7: Yeah, now that would be pretty cool. I mean nothing

425
00:20:47,640 --> 00:20:48,599
sounds better than vinyl.

426
00:20:48,599 --> 00:20:51,640
Speaker 6: It's warm, it's it's just you know, absolutely now.

427
00:20:51,519 --> 00:20:53,880
Speaker 7: You guys would sound would sound amazing on a vinyl record?

428
00:20:54,079 --> 00:20:54,359
Is that?

429
00:20:54,480 --> 00:20:54,599
Speaker 6: Like?

430
00:20:54,680 --> 00:20:56,799
Speaker 7: Does Argonauta do they do? They do though?

431
00:20:56,799 --> 00:20:59,599
Speaker 6: Oh sure, yeah, sure, yeah they want to do so

432
00:20:59,759 --> 00:21:03,519
I'm right now, are our following isn't as big as

433
00:21:03,559 --> 00:21:05,240
we'd like it to be and as big as I

434
00:21:05,279 --> 00:21:08,119
think it will be eventually. So they wanted to do

435
00:21:08,200 --> 00:21:11,880
CD first, oh and and until we built up an audience,

436
00:21:11,920 --> 00:21:14,519
and then vinyl is definitely on the table.

437
00:21:14,880 --> 00:21:15,319
Speaker 7: Yeah.

438
00:21:15,359 --> 00:21:17,039
Speaker 6: At that point, you know, if we sell out of

439
00:21:17,079 --> 00:21:20,759
these CDs, I think we've got a pretty strong case.

440
00:21:21,079 --> 00:21:23,519
Speaker 7: Good good, Now, how did you connect with them? How

441
00:21:23,559 --> 00:21:24,640
did that? How did that come out?

442
00:21:24,680 --> 00:21:27,000
Speaker 6: I just hit the contact us button on their website

443
00:21:27,079 --> 00:21:30,200
for real, Yeah yeah, And I sent them a streaming

444
00:21:30,279 --> 00:21:32,839
link and they wrote back to me a few days later.

445
00:21:32,839 --> 00:21:34,720
I did it. I got on this kick last summer

446
00:21:35,160 --> 00:21:37,519
and I sent it out to a bunch of labels

447
00:21:37,880 --> 00:21:40,400
and they came back and was like, this is exactly

448
00:21:40,720 --> 00:21:43,400
with the offer that we wanted, you know, because we

449
00:21:43,480 --> 00:21:45,799
all got mortgages to pay, so we can't we can't

450
00:21:45,799 --> 00:21:48,119
go on tour really, you know, we can do periodic

451
00:21:48,240 --> 00:21:51,920
stuff out of the area. But and they were you know,

452
00:21:52,359 --> 00:21:54,720
the way we worked it out, we get to keep

453
00:21:54,720 --> 00:21:57,720
the rights to the songs. Yeah, and we don't. They're

454
00:21:57,759 --> 00:22:00,279
not expecting us to tour. This is basically just, hey,

455
00:22:00,279 --> 00:22:04,079
we're going to distribute, distribute this for you, and you know,

456
00:22:04,519 --> 00:22:07,279
we'll go after everybody's happy. In two years, we'll figure

457
00:22:07,279 --> 00:22:08,559
it out what we're going to do next.

458
00:22:08,640 --> 00:22:11,119
Speaker 7: Oh very cool. Yeah yeah, yeah excellent. So there's a

459
00:22:11,160 --> 00:22:13,720
possibility of releasing another album through them, and.

460
00:22:13,759 --> 00:22:15,680
Speaker 6: Oh definitely definitely. Yeah.

461
00:22:15,759 --> 00:22:18,759
Speaker 7: Yeah, if you guys already, are you already working on

462
00:22:18,799 --> 00:22:19,279
new stuff?

463
00:22:19,279 --> 00:22:21,680
Speaker 6: We've got some new stuff we've been working on over yeah,

464
00:22:21,720 --> 00:22:25,880
over the winter. We've got pretty much two finished songs

465
00:22:25,920 --> 00:22:29,319
and another two bare bones like that we're starting to

466
00:22:29,359 --> 00:22:30,000
work on now.

467
00:22:30,079 --> 00:22:32,160
Speaker 7: So yeah, yeah, yeah, excellent.

468
00:22:32,279 --> 00:22:34,960
Speaker 6: Yeah, so we've just been pushing Rival of the Waves

469
00:22:35,640 --> 00:22:36,599
as much as we can.

470
00:22:36,839 --> 00:22:40,240
Speaker 7: Yeah, yeah, is the is the cover? I assume the

471
00:22:40,279 --> 00:22:42,039
cover is the same on the physical CD as it

472
00:22:42,119 --> 00:22:44,519
is on band camp. Yeah okay, yeah, okay, yeah, I

473
00:22:44,559 --> 00:22:46,160
really like the cover. I find myself because I have

474
00:22:46,200 --> 00:22:47,640
it pulled up here, I find myself just kind of

475
00:22:47,640 --> 00:22:48,240
staring at it.

476
00:22:48,880 --> 00:22:52,079
Speaker 6: I love the blues in there like that, you know.

477
00:22:52,599 --> 00:22:54,680
And it's fun because now I can tell people when

478
00:22:54,920 --> 00:22:56,559
when I'm in you know, telling them, hey, I'm in

479
00:22:56,559 --> 00:22:59,079
a band, blah blah blah, you know, the typical and

480
00:22:59,079 --> 00:23:01,160
and I'll be like, don't listen to the Red, listen

481
00:23:01,160 --> 00:23:02,920
to the Blue, or listen to the Red because it

482
00:23:02,960 --> 00:23:04,400
has this song on it. But I call them the

483
00:23:04,440 --> 00:23:09,039
Red the Blue song albums. I do love the baroness.

484
00:23:09,079 --> 00:23:13,759
Did that when you guys posted it up? Yeah? Yeah, nice?

485
00:23:13,920 --> 00:23:14,880
Speaker 7: Who did that?

486
00:23:16,079 --> 00:23:19,480
Speaker 6: Who did the oh? The cover? I did the artwork

487
00:23:19,480 --> 00:23:20,720
for the cover. You did the artwork?

488
00:23:20,880 --> 00:23:22,920
Speaker 7: That's right, Okay, that's right. I remember talking about that.

489
00:23:23,039 --> 00:23:23,240
Speaker 6: Yeah.

490
00:23:23,279 --> 00:23:25,640
Speaker 10: Yeah, did you do it all digital? Did it come

491
00:23:25,680 --> 00:23:27,559
from like a painting or a drawing or something that

492
00:23:27,599 --> 00:23:27,920
you did?

493
00:23:28,480 --> 00:23:31,400
Speaker 8: It was a rough sketch that was it was literally

494
00:23:31,440 --> 00:23:32,720
like like stick figure.

495
00:23:33,200 --> 00:23:37,599
Speaker 6: Yeah, put into AI and like people on AI.

496
00:23:37,839 --> 00:23:40,319
Speaker 8: But it helps people that aren't. I don't know, I'm

497
00:23:40,319 --> 00:23:43,799
not like, I can't I get you. You have a

498
00:23:43,799 --> 00:23:44,599
lot of fun with it.

499
00:23:44,920 --> 00:23:48,000
Speaker 7: Yeah, yeah, absolutely no, I think that's I think that's

500
00:23:48,119 --> 00:23:53,559
very cool. What was the You also had the cover

501
00:23:53,720 --> 00:24:01,079
for oh yeah, yelephant one face with the Elephant keeping

502
00:24:01,400 --> 00:24:02,279
with the Red One.

503
00:24:02,400 --> 00:24:04,079
Speaker 6: Yeah, the Red One, the Red album.

504
00:24:04,160 --> 00:24:05,680
Speaker 7: I like that one too. Did you do that cover?

505
00:24:06,039 --> 00:24:08,759
Speaker 6: Our old bass player actually did that album cover?

506
00:24:08,920 --> 00:24:12,920
Speaker 7: Oh really? Yeah? Yeah, okay, yeah that was pretty cool too.

507
00:24:13,160 --> 00:24:15,119
Speaker 8: Who he's coming back to join us?

508
00:24:15,480 --> 00:24:18,200
Speaker 6: Yes? Really a recording with us?

509
00:24:18,319 --> 00:24:18,839
Speaker 7: Oh wow?

510
00:24:19,400 --> 00:24:25,519
Speaker 6: We got invited to do a HIGHUS cover album. Really yeah,

511
00:24:25,559 --> 00:24:26,759
So we're going to do what we'd be doing a

512
00:24:26,799 --> 00:24:30,079
track for. It is this guy or this magazine. I

513
00:24:30,079 --> 00:24:31,759
don't know where they're located. I haven't done a lot

514
00:24:31,759 --> 00:24:35,000
of research on him. It's called Witching Buzz. Okay, so

515
00:24:35,000 --> 00:24:36,480
it's like an online magazine.

516
00:24:36,680 --> 00:24:37,000
Speaker 7: Okay.

517
00:24:37,240 --> 00:24:40,599
Speaker 6: He's putting together a twenty song compilation of all Kias covers.

518
00:24:40,680 --> 00:24:41,160
Speaker 7: No kidding.

519
00:24:41,240 --> 00:24:43,640
Speaker 6: Yeah, we got invited to do that, and so we

520
00:24:43,680 --> 00:24:45,640
asked him if he wanted to do the recording with us,

521
00:24:45,680 --> 00:24:48,079
and he was like hell yeah, okay. Yeah.

522
00:24:48,160 --> 00:24:50,279
Speaker 7: So so he's not coming back to the band permanently,

523
00:24:50,319 --> 00:24:50,640
but just.

524
00:24:50,799 --> 00:24:52,400
Speaker 6: No, no, no, no, but he's gonna do that. He's

525
00:24:52,400 --> 00:24:53,559
going to record the track with us.

526
00:24:53,599 --> 00:24:54,839
Speaker 7: Okay, Oh, very cool.

527
00:24:54,880 --> 00:24:55,720
Speaker 6: Yeah, we're excited.

528
00:24:55,960 --> 00:24:59,160
Speaker 7: Any kind of a timetable on that or August we

529
00:24:59,240 --> 00:25:01,920
have to have it in Okay, okay, when it's going

530
00:25:02,000 --> 00:25:04,319
to get released, okay, And what's.

531
00:25:04,119 --> 00:25:06,319
Speaker 6: The name of the magazine, Witching Buzz?

532
00:25:06,519 --> 00:25:09,200
Speaker 7: I'll have to look that up. Yeah, well that's interesting.

533
00:25:09,440 --> 00:25:13,519
That's very cool. That's very cool. We should talk too

534
00:25:13,519 --> 00:25:17,160
about how does uh And again, I'm fascinated by this

535
00:25:17,440 --> 00:25:19,160
kind of thing. We've talked about it before, but newer

536
00:25:19,160 --> 00:25:22,480
listeners UH may not know. The way that you guys

537
00:25:22,519 --> 00:25:27,319
handle the bass situation is really interesting to me. And

538
00:25:27,400 --> 00:25:30,079
I wish I could remember who it was we had

539
00:25:30,079 --> 00:25:32,240
somebody else on the show who did something similar to

540
00:25:32,279 --> 00:25:35,400
what you guys do. It might come to me.

541
00:25:35,559 --> 00:25:37,039
Speaker 10: I don't know if you guys know this, but you

542
00:25:37,119 --> 00:25:39,599
come up on the show a lot. Really, Yeah, yes,

543
00:25:40,079 --> 00:25:41,799
we hear your name a lot.

544
00:25:41,960 --> 00:25:44,119
Speaker 7: Yeah, guys, you guys do. Your name comes up on

545
00:25:44,160 --> 00:25:44,920
the show quite a bit.

546
00:25:45,160 --> 00:25:47,400
Speaker 6: Well, that's fun. We're finally one of the cool kids.

547
00:25:47,519 --> 00:25:47,599
Speaker 5: Ye.

548
00:25:49,119 --> 00:25:49,599
Speaker 6: Well, I don't know.

549
00:25:49,640 --> 00:25:51,039
Speaker 7: I don't know if I'm one of the cool kids,

550
00:25:51,079 --> 00:25:52,720
so me saying your name might not be.

551
00:25:52,920 --> 00:25:54,400
Speaker 6: Oh, it's definitely cool, all right.

552
00:25:54,640 --> 00:25:57,480
Speaker 10: I can't honestly tell you how many people, how many

553
00:25:57,519 --> 00:25:59,920
bands and artists we've had in here. Yeah, I've brought

554
00:26:00,079 --> 00:26:00,759
you guys up.

555
00:26:00,799 --> 00:26:03,119
Speaker 7: It's Yeah, your name does come up a lot. Your

556
00:26:03,200 --> 00:26:04,759
name does come up a lot. I wish I could

557
00:26:04,799 --> 00:26:07,519
remember who else it was who had a similar setup.

558
00:26:09,200 --> 00:26:10,920
Speaker 6: Say Trading Tombstones. They do it.

559
00:26:11,400 --> 00:26:12,920
Speaker 7: We had them on the show. I think that that

560
00:26:13,000 --> 00:26:15,000
must be it. I'm pretty sure that's it. Yep.

561
00:26:15,279 --> 00:26:17,480
Speaker 6: Those guys are awesome. Yeah, I love them.

562
00:26:17,519 --> 00:26:20,519
Speaker 7: Oh yeah, yeah, amazing. But can you describe for us

563
00:26:20,559 --> 00:26:22,359
how you how you do that again?

564
00:26:23,039 --> 00:26:23,519
Speaker 6: Oh? Sure.

565
00:26:23,559 --> 00:26:26,720
Speaker 8: It's so we're using an A B Y pedal that

566
00:26:26,720 --> 00:26:28,759
it can be either A B or both.

567
00:26:29,279 --> 00:26:30,000
Speaker 6: So that comes.

568
00:26:30,160 --> 00:26:32,519
Speaker 8: Uh, we have one line coming out of the guitar

569
00:26:32,599 --> 00:26:36,200
into that it splits the signal, so one signal goes

570
00:26:36,200 --> 00:26:38,279
into for both of us. One signal goes into a

571
00:26:38,319 --> 00:26:41,240
regular guitar pedal board then out into a guitar amp.

572
00:26:41,559 --> 00:26:45,279
Second signal splits into an octave pedal, so it drops

573
00:26:45,319 --> 00:26:48,319
the signal you know, two octaves, and then into a

574
00:26:48,359 --> 00:26:54,000
bass amp. So it's it's limiting in it like we've

575
00:26:54,000 --> 00:26:55,880
got them set up to where they only track. It's

576
00:26:55,920 --> 00:26:59,200
the boss oc five pedal, which is incredible. Yeah, you

577
00:26:59,240 --> 00:27:00,880
can set it up to try at the lowest two

578
00:27:00,920 --> 00:27:03,680
notes up down to the lowest two notes of anything

579
00:27:03,720 --> 00:27:09,000
you play, and it's limiting in that, you know, it's

580
00:27:09,039 --> 00:27:12,319
just tracking bass notes for all the chords, but it

581
00:27:12,400 --> 00:27:16,160
puts up an absolute wall of sound. Yeah, really does.

582
00:27:16,240 --> 00:27:19,599
It's it's jarring sometimes when it picks in. It took

583
00:27:19,640 --> 00:27:21,680
a little bit to get used to it. And then

584
00:27:21,720 --> 00:27:23,960
if we play a show where someone's backlining that's got

585
00:27:24,000 --> 00:27:30,119
a serious bass rig, it's yeah, it's like but yeah, bands.

586
00:27:29,920 --> 00:27:32,000
Speaker 6: Joke about kicking their bass players out and doing the

587
00:27:32,000 --> 00:27:32,440
same thing.

588
00:27:32,599 --> 00:27:33,759
Speaker 7: Yeah.

589
00:27:34,079 --> 00:27:40,880
Speaker 8: Yeah, we're putting bass players out of work, and we

590
00:27:40,880 --> 00:27:44,279
we got we got the inspiration from I think Local

591
00:27:44,480 --> 00:27:46,720
h was the first band I heard that did that,

592
00:27:47,279 --> 00:27:49,799
and I guess what they did. That guy had like

593
00:27:49,920 --> 00:27:52,000
a separate bass pick up with a separate output on

594
00:27:52,039 --> 00:27:55,880
his guitar. But there's a band called Telekinetic Yetty that

595
00:27:55,960 --> 00:27:57,480
does it. It's just a two piece band.

596
00:27:57,519 --> 00:27:59,640
Speaker 6: And I've heard the name, but I don't really actually

597
00:27:59,640 --> 00:28:02,079
played over across the street not that long ago.

598
00:28:02,119 --> 00:28:03,519
Speaker 7: It might be why I heard the name. Yeah, so

599
00:28:03,920 --> 00:28:04,319
they do that.

600
00:28:04,880 --> 00:28:08,039
Speaker 6: Ye oh yeah. That was actually like the real inspiration

601
00:28:08,319 --> 00:28:11,799
for us to do it. Yeah, was because of them. Okay,

602
00:28:11,920 --> 00:28:13,759
like all right, these guys are doing it, we can

603
00:28:13,759 --> 00:28:16,039
try it, let's let's give it a shot. Yeah. Yeah,

604
00:28:16,119 --> 00:28:19,599
you know, after a few maybe a month or two

605
00:28:19,799 --> 00:28:22,640
of really practicing and practicing and it really started to

606
00:28:23,119 --> 00:28:25,960
feel comfortable, so he just kept it doing it.

607
00:28:27,039 --> 00:28:29,519
Speaker 7: Does anything ever go wrong with that live? Like where

608
00:28:29,519 --> 00:28:29,799
you go?

609
00:28:30,279 --> 00:28:33,400
Speaker 8: That's not other than one of you know, occasionally forgetting

610
00:28:33,400 --> 00:28:34,519
to kick both signals on.

611
00:28:34,920 --> 00:28:39,000
Speaker 6: Ye yeah, yeah, it is just yeah, not hitting the

612
00:28:39,039 --> 00:28:42,759
pedal the right yeah, both on the same time.

613
00:28:42,839 --> 00:28:45,960
Speaker 9: So but when we played Maryland Doomfest last year, yeah,

614
00:28:46,039 --> 00:28:47,359
literally the bass.

615
00:28:47,440 --> 00:28:52,799
Speaker 6: Was rattling my my, my rib cage. Wow. Awesome. Yeah,

616
00:28:53,680 --> 00:28:55,400
to do with the with the guy that was doing

617
00:28:55,440 --> 00:28:58,000
the sound there. Really, oh man, he was amazing.

618
00:28:58,119 --> 00:29:00,920
Speaker 7: Really. Yeah, that's cool because he never know what you're

619
00:29:00,920 --> 00:29:05,640
getting with those festivals, right right far Yeah yeah.

620
00:29:05,039 --> 00:29:07,200
Speaker 6: And yeah, this guy knew exactly what he was doing.

621
00:29:07,359 --> 00:29:09,599
And when he came back over, I was I was

622
00:29:09,680 --> 00:29:12,160
unsure whether he even thought were a good band or

623
00:29:12,160 --> 00:29:14,640
something or anything, you know, because he was in a rush.

624
00:29:14,720 --> 00:29:16,880
He's a pretty lunchy guy, and he was, you know,

625
00:29:17,079 --> 00:29:19,119
kind of short with his answers and stuff. Yeah, but

626
00:29:19,160 --> 00:29:21,039
he came back over and I said, hey, thanks man,

627
00:29:21,079 --> 00:29:26,519
that sounded phenomenal and he goes, you guys are absolutely incredible,

628
00:29:26,759 --> 00:29:28,640
and I was just like it was the biggest compliment

629
00:29:28,799 --> 00:29:31,799
from a guy that was a very few words, you know. Yeah,

630
00:29:31,799 --> 00:29:33,920
and he was just like complimenting as well. He's like

631
00:29:34,200 --> 00:29:35,519
trying to get us off the stage.

632
00:29:36,599 --> 00:29:38,559
Speaker 8: That was a great experience and that like we got

633
00:29:38,559 --> 00:29:41,680
on that last minute and we got literally the first

634
00:29:41,720 --> 00:29:44,720
band the first day Thursday at like four fifteen were

635
00:29:44,720 --> 00:29:47,599
playing Yeah, and it was you know, and you got

636
00:29:47,640 --> 00:29:49,839
to think, this guy's got what sixty three bands, he's

637
00:29:49,880 --> 00:29:52,480
got to get on and off a stage over the court.

638
00:29:52,559 --> 00:29:52,759
Speaker 6: Yeah.

639
00:29:52,839 --> 00:29:55,000
Speaker 8: Yeah, because they they one of the it was a

640
00:29:55,000 --> 00:29:58,559
two venue festival for a while, they canceled one venue

641
00:29:58,599 --> 00:30:00,960
like last minute. Yeah, so they had to cram everybody

642
00:30:01,039 --> 00:30:03,920
into two stages on this one place that you know,

643
00:30:04,000 --> 00:30:06,079
once one band ended on one stage, there was a

644
00:30:06,079 --> 00:30:09,440
five minute window where the next band would go on on.

645
00:30:09,400 --> 00:30:10,240
Speaker 6: A second stage.

646
00:30:10,279 --> 00:30:12,920
Speaker 8: But I mean, we're kind of tooting our on horn here,

647
00:30:12,920 --> 00:30:15,440
but it felt great that to go there and we're

648
00:30:15,480 --> 00:30:17,119
just like I don't care when we're all like, I

649
00:30:17,119 --> 00:30:18,079
don't care when we're on.

650
00:30:18,119 --> 00:30:19,559
Speaker 6: We're just gonna cry. We just want to do the

651
00:30:19,920 --> 00:30:20,240
we can.

652
00:30:20,400 --> 00:30:20,599
Speaker 7: Yeah.

653
00:30:20,640 --> 00:30:23,799
Speaker 8: Yeah, And they invited us back this year, gave us

654
00:30:23,799 --> 00:30:25,920
a Friday night slot and excellent.

655
00:30:26,200 --> 00:30:29,799
Speaker 6: I literally was wheeling my bass lamp out the door. Yeah,

656
00:30:30,319 --> 00:30:34,200
and the the promoter that ran the whole thing opened

657
00:30:34,240 --> 00:30:37,119
the door, walked outside with me and he's like, you

658
00:30:37,200 --> 00:30:39,920
guys were the first to play. He's like everybody, like

659
00:30:40,240 --> 00:30:42,759
every someone has to start the festival. Yeah, and he

660
00:30:42,799 --> 00:30:45,759
goes and you guys didn't complain and you guys just

661
00:30:46,039 --> 00:30:49,279
nailed it. He's like, you're invited back next year. I

662
00:30:49,279 --> 00:30:51,799
had goosebumps. Yeah, Like it was just like the nicest

663
00:30:51,799 --> 00:30:54,319
thing for him to say. You know, that's what you do.

664
00:30:54,359 --> 00:30:57,720
I mean, you just go and you don't complain. You

665
00:30:57,799 --> 00:31:00,640
play as hard as you can, no matter what your situation.

666
00:31:00,759 --> 00:31:04,200
Like that's a big you know, like like stage to

667
00:31:04,240 --> 00:31:07,079
be able to get on. Yeah, I don't care what

668
00:31:07,279 --> 00:31:09,279
time we were going on, Like, I don't care if

669
00:31:09,279 --> 00:31:11,359
we had to play two hours before the next band,

670
00:31:11,799 --> 00:31:13,359
you know, in the afternoon. It was like we were

671
00:31:13,359 --> 00:31:14,599
going to go when we were going to rocket as

672
00:31:14,640 --> 00:31:16,759
hard as we could. Yeah, and it got us a

673
00:31:16,759 --> 00:31:20,680
spot immediately invited back. It's five minutes of being off stage,

674
00:31:20,720 --> 00:31:23,359
but we have four new England bands that are going

675
00:31:23,400 --> 00:31:25,920
to be there this year. Oh so dust Profits going

676
00:31:26,000 --> 00:31:30,039
to be there. Oh yeah, Benthic Realm from Worcester, those

677
00:31:30,039 --> 00:31:33,480
guys are insane. Coma Hole is going to be there,

678
00:31:33,559 --> 00:31:35,000
Toma Hole from Rhode Island is going to be I

679
00:31:35,039 --> 00:31:37,839
don't know them, Versa they're from Connecticut. They're going to

680
00:31:37,920 --> 00:31:41,279
be there, ursay. Yeah, so it's five five New England bands,

681
00:31:41,319 --> 00:31:42,559
like yeah, yeah.

682
00:31:42,640 --> 00:31:44,319
Speaker 7: The only one I'm really familiar with of those is

683
00:31:44,400 --> 00:31:46,000
Dust Profit. I used to be in a band with

684
00:31:46,039 --> 00:31:48,799
Auto years ago, but I love Dust Profit.

685
00:31:49,000 --> 00:31:51,279
Speaker 10: Yeah, but it's my favorite.

686
00:31:51,319 --> 00:31:52,079
Speaker 7: Oh yeah, yeah.

687
00:31:52,240 --> 00:31:52,440
Speaker 6: Yeah.

688
00:31:52,480 --> 00:31:55,759
Speaker 8: They've been awesome with us too, like as far as

689
00:31:55,799 --> 00:31:57,759
like when we started doing shows, they got us on

690
00:31:57,799 --> 00:31:58,319
a lot of shows.

691
00:31:58,359 --> 00:32:01,200
Speaker 6: We've done a lot of work. We try to cross promote,

692
00:32:01,240 --> 00:32:03,799
Like I see a dust Profit flyer, I'm posting it

693
00:32:03,839 --> 00:32:06,720
on my pages and Auto does the same thing for us.

694
00:32:06,839 --> 00:32:10,720
Oh yeah, So it's it's it's nice to be helpful

695
00:32:10,759 --> 00:32:11,799
like that with other bands.

696
00:32:11,799 --> 00:32:15,319
Speaker 7: Oh yeah, totally, totally. Yeah, and Auto is Auto is amazing.

697
00:32:15,759 --> 00:32:15,960
Speaker 6: Yeah.

698
00:32:16,000 --> 00:32:18,880
Speaker 8: He great story about Otto. We saw we did a

699
00:32:18,920 --> 00:32:21,599
show with them at Jewel Yeah. And you know how

700
00:32:21,640 --> 00:32:24,480
that that that ventilation duct is right in the front

701
00:32:24,519 --> 00:32:26,599
of jewel. I saw him bounce his head off that

702
00:32:27,079 --> 00:32:30,920
and not miss a beat. Keeps saying that and just.

703
00:32:30,119 --> 00:32:33,200
Speaker 6: Just rubbing his head. Yeah, but he didn't miss a

704
00:32:33,240 --> 00:32:36,000
beat the showing on. Yeah, good on him. Yeah, I

705
00:32:36,000 --> 00:32:37,039
can take a punch.

706
00:32:36,880 --> 00:32:40,319
Speaker 7: Absolutely absolutely if you're just joining us out. We've got

707
00:32:40,359 --> 00:32:44,279
able Blood here with us live in studio and h

708
00:32:44,519 --> 00:32:47,119
are you guys? So you playing a lot of shows?

709
00:32:47,160 --> 00:32:48,680
It sounds like you've been pretty busy.

710
00:32:48,920 --> 00:32:52,839
Speaker 6: Busy planned. Yeah, this summer. We've got eight or ten

711
00:32:53,079 --> 00:32:56,039
shows on the books right now. Yeah, we're trying to

712
00:32:56,079 --> 00:32:58,559
do like twice a month at this point. Yeah, we're

713
00:32:58,559 --> 00:33:02,480
pretty much there. Yeah, you know, nothing in December yet,

714
00:33:02,480 --> 00:33:04,200
but we're booked all the way out till November.

715
00:33:04,920 --> 00:33:05,160
Speaker 1: Yeah.

716
00:33:05,240 --> 00:33:08,839
Speaker 7: Good, Yeah, very good, very good? Is there? Like, do

717
00:33:08,880 --> 00:33:11,000
you guys have a favorite place or any favorite places

718
00:33:11,039 --> 00:33:13,880
to play that that we should know about?

719
00:33:14,440 --> 00:33:18,559
Speaker 6: I mean, I like playing Codo both Kodos o'bryan's and

720
00:33:18,640 --> 00:33:23,680
Allston O'Brien's. Yeah, soft spot in my heart for that.

721
00:33:23,880 --> 00:33:25,680
That's where we played our first gig. Oh it is.

722
00:33:25,759 --> 00:33:28,319
Speaker 9: Yeah, Oh that's cool. That's a good way to say.

723
00:33:28,319 --> 00:33:31,960
And we can't ignore Bad Burger because that show was amazing.

724
00:33:33,799 --> 00:33:36,240
Speaker 6: Yeah, we played back in March, and they're putting on

725
00:33:36,240 --> 00:33:37,240
some great shows.

726
00:33:37,319 --> 00:33:40,240
Speaker 8: Oh wow, oh very and I'm seeing post where a

727
00:33:40,240 --> 00:33:42,440
lot of other shows there are just absolutely packed.

728
00:33:42,559 --> 00:33:44,839
Speaker 7: Yeah, so it's it's cool to do a good job.

729
00:33:45,400 --> 00:33:48,000
Speaker 8: What I liked about that show is there were a

730
00:33:48,119 --> 00:33:51,160
lot of people there that had no idea who was playing,

731
00:33:51,200 --> 00:33:53,319
didn't know any of the bands. They just knew that

732
00:33:53,359 --> 00:33:55,599
they had, you know, that kind of music on. It's

733
00:33:55,759 --> 00:33:58,119
heavy music on, and we brought a we brought a

734
00:33:58,200 --> 00:34:01,200
hip hop band up from from Fitchburg.

735
00:34:01,519 --> 00:34:03,519
Speaker 6: Yeah, that it exactly.

736
00:34:03,559 --> 00:34:05,200
Speaker 8: The reaction we had with him is like, oh, what's

737
00:34:05,240 --> 00:34:08,119
this hip hop band doing on a metal bell? Within

738
00:34:08,199 --> 00:34:10,639
half a song, everybody was up there and they lose

739
00:34:10,719 --> 00:34:11,440
their mind for them.

740
00:34:11,519 --> 00:34:14,599
Speaker 6: Joe Grizzly, Okay, incredible.

741
00:34:14,199 --> 00:34:15,960
Speaker 7: Yeah Joe Grizzly is that's what they're called.

742
00:34:16,079 --> 00:34:17,679
Speaker 6: Yeah, oh wow, pure talent.

743
00:34:17,920 --> 00:34:20,400
Speaker 7: Yeah yeah, oh very cool, very cool.

744
00:34:20,960 --> 00:34:24,280
Speaker 9: But like you said, Malcolm, that like that venue seems

745
00:34:24,320 --> 00:34:26,519
to have the old school people just show up to

746
00:34:26,519 --> 00:34:28,719
see music. They don't even know who's playing, don't even

747
00:34:28,760 --> 00:34:31,639
care if they just want to see live music.

748
00:34:31,679 --> 00:34:33,679
Speaker 6: Don't see that a lot, and you don't you see

749
00:34:33,679 --> 00:34:37,320
that at Geno's up in Portland, and that's about it. Yeah,

750
00:34:37,320 --> 00:34:39,280
that's about it. They seem to have a built in audience,

751
00:34:39,320 --> 00:34:41,960
but everywhere else, Yeah, you got drag people.

752
00:34:41,920 --> 00:34:47,440
Speaker 7: Yeah show yeah, no doubt, no doubt. Do you by

753
00:34:47,480 --> 00:34:48,719
the way, do you guys have any videos? Do you

754
00:34:48,760 --> 00:34:49,880
have any music videos?

755
00:34:50,280 --> 00:34:55,880
Speaker 6: Just we have one for you do It was kind

756
00:34:55,880 --> 00:34:59,199
of a it was a it's super good it is.

757
00:34:59,360 --> 00:35:01,679
Speaker 7: I'll have to check it out because your music what

758
00:35:01,719 --> 00:35:02,880
seems like it would.

759
00:35:03,119 --> 00:35:06,000
Speaker 6: That Hard to Be a God cut.

760
00:35:06,119 --> 00:35:10,079
Speaker 8: It's called so there's a uh, probably the most twisted,

761
00:35:10,719 --> 00:35:14,119
weirdest like fantasy sci fi Russian movie you'll ever see.

762
00:35:14,119 --> 00:35:16,480
It's called Hard to Be a God. And I pulled

763
00:35:16,480 --> 00:35:18,840
a bunch of video from that and kind of mashed

764
00:35:18,840 --> 00:35:24,000
it together. Okay, and it really fits magically, like it's

765
00:35:24,119 --> 00:35:24,679
really good.

766
00:35:24,760 --> 00:35:27,320
Speaker 7: Oh I got it. I gotta check it out. Yeah, yeah,

767
00:35:27,320 --> 00:35:30,679
because your your music for me, and I'm sure it's

768
00:35:30,679 --> 00:35:32,960
the case for a lot of people. Uh, when they

769
00:35:32,960 --> 00:35:35,480
listen to it, it's it just evokes a lot of imagery.

770
00:35:35,559 --> 00:35:35,800
You know.

771
00:35:36,599 --> 00:35:39,280
Speaker 8: I'm trying to learn some kind of like well learn

772
00:35:40,320 --> 00:35:42,679
hack some kind of animation to where I can get

773
00:35:43,079 --> 00:35:45,119
you know, an easy way to do animation and put

774
00:35:45,119 --> 00:35:46,039
it to some of the music.

775
00:35:46,239 --> 00:35:49,079
Speaker 7: Yeah, yeah, it seems like it would lend itself to that.

776
00:35:50,000 --> 00:35:51,719
Who right, Adam, You write the lyrics.

777
00:35:51,440 --> 00:35:53,000
Speaker 6: Right, Yes you do? I do?

778
00:35:53,199 --> 00:35:57,400
Speaker 7: Yeah, I mean, what's your because the songs are you know,

779
00:35:57,559 --> 00:35:58,760
pretty dark.

780
00:36:00,440 --> 00:36:04,280
Speaker 6: Like he's the happiest person any of us know. Yeah. Yeah,

781
00:36:04,320 --> 00:36:06,679
well that's good. I get my outlet through the lyrics,

782
00:36:06,679 --> 00:36:07,079
I guess.

783
00:36:07,119 --> 00:36:08,360
Speaker 7: But that makes sense.

784
00:36:08,519 --> 00:36:15,000
Speaker 6: Yeah, I don't know. I it's hard to really pinpoint,

785
00:36:15,079 --> 00:36:18,480
like I like, I have all these like unfinished stories

786
00:36:18,480 --> 00:36:21,320
in my head, and then they just do snapshots of

787
00:36:21,440 --> 00:36:26,480
these stories. Yeah, into the into the for the lyrics. Yeah,

788
00:36:26,760 --> 00:36:28,480
is really what it is. And I don't think I'll

789
00:36:28,519 --> 00:36:31,400
ever finish these stories, right, or even really start them

790
00:36:31,480 --> 00:36:33,559
for that matter. Well that's good because people are going

791
00:36:33,599 --> 00:36:38,400
to keep buying the next albums have finish.

792
00:36:37,320 --> 00:36:39,920
Speaker 7: There you go, there you go. Yeah, that makes sense,

793
00:36:40,000 --> 00:36:40,679
that makes sense.

794
00:36:40,719 --> 00:36:42,199
Speaker 6: What it is like Coheat and Cambria.

795
00:36:42,440 --> 00:36:45,280
Speaker 8: I just found out, like every one of their albums

796
00:36:45,320 --> 00:36:47,639
it's part of like a comic book, like this grand story.

797
00:36:47,760 --> 00:36:48,280
Speaker 7: I didn't know that.

798
00:36:48,400 --> 00:36:51,480
Speaker 8: So they have like twenty albums that are this ongoing story. Yeah,

799
00:36:51,639 --> 00:36:54,360
I know, idea and from well, from what Bruce and

800
00:36:54,400 --> 00:36:57,119
Brian from TFR. I don't know if you know those guys,

801
00:36:57,199 --> 00:37:00,960
no local hardcore band? Oh they're like, yeah, I guess uh.

802
00:37:01,239 --> 00:37:03,599
The guy started a band simply to kind of forward

803
00:37:03,760 --> 00:37:06,159
to push the comic book. Really and Coheat and Camber

804
00:37:06,239 --> 00:37:08,599
you got huge, See.

805
00:37:08,480 --> 00:37:10,519
Speaker 7: I didn't. Wow, I had no idea. I never knew that.

806
00:37:10,679 --> 00:37:12,679
Do they really have twenty albumshing camera?

807
00:37:12,840 --> 00:37:16,320
Speaker 8: I don't know they have a whole bunch more than yeah,

808
00:37:15,679 --> 00:37:18,840
they just dropped the new album.

809
00:37:18,679 --> 00:37:18,960
Speaker 7: Did they?

810
00:37:19,039 --> 00:37:19,800
Speaker 6: Yeah?

811
00:37:19,679 --> 00:37:23,679
Speaker 7: Okay? Interesting? Interesting? Yeah, I never knew that about them.

812
00:37:24,360 --> 00:37:26,239
Do you guys have anybody that you're playing a lot

813
00:37:26,239 --> 00:37:28,639
of shows with? You know, sometimes it happens organically. Band's

814
00:37:28,719 --> 00:37:30,400
kind of team up? Is there is there anybody that

815
00:37:30,400 --> 00:37:31,119
you've been playing a lot with?

816
00:37:31,239 --> 00:37:33,840
Speaker 8: It was Benthic Realm, Benthic Realm with them.

817
00:37:33,880 --> 00:37:36,000
Speaker 6: Yeah, I gotta check them out. Yeah, amazing.

818
00:37:36,079 --> 00:37:38,880
Speaker 7: They're from keen as a Whister Oh Whister.

819
00:37:39,039 --> 00:37:42,280
Speaker 8: Yeah, I believe you even said it, Wista. You can

820
00:37:42,320 --> 00:37:45,639
tell him I didn't grow up here because I said Worcester, So.

821
00:37:45,639 --> 00:37:47,639
Speaker 6: You're familiar with the band Conkleeve.

822
00:37:47,199 --> 00:37:48,480
Speaker 7: I grew up here. I still don't know the right

823
00:37:48,480 --> 00:37:50,079
way to say it. Uh, Conclave.

824
00:37:50,199 --> 00:37:53,360
Speaker 6: Yes, the drummer from Conclave is the drummer of Benthic.

825
00:37:53,000 --> 00:37:56,000
Speaker 7: Realm Oh okay, gotcha, gotcha.

826
00:37:55,719 --> 00:37:57,280
Speaker 6: A good drummer, very good.

827
00:37:57,320 --> 00:38:00,719
Speaker 7: Off to look them up. Yeah yeah. Anybody else you

828
00:38:00,719 --> 00:38:01,639
guys play a lot with.

829
00:38:01,639 --> 00:38:07,280
Speaker 6: Or legally, it's been a real mix of bands, Rod,

830
00:38:07,320 --> 00:38:12,280
Iron Hecks, Iron Boys. Yeah. We probably played more shows

831
00:38:12,280 --> 00:38:15,159
with them than anyone else on purpose too, because I

832
00:38:15,199 --> 00:38:16,199
love playing with those guys.

833
00:38:16,239 --> 00:38:17,760
Speaker 8: The thing is, even if we don't play a show

834
00:38:17,760 --> 00:38:20,239
with him, Jason usually shows.

835
00:38:20,039 --> 00:38:24,679
Speaker 7: Up really yeah. Yeah, yeah, oh that's cool. That's cool.

836
00:38:26,360 --> 00:38:29,840
Now are you doing any any special events? Are you

837
00:38:29,880 --> 00:38:32,000
doing any in store events or anything for their.

838
00:38:32,079 --> 00:38:34,280
Speaker 6: I have talked to Bull Moose Music and they are

839
00:38:35,760 --> 00:38:38,840
on board with it. They had just started. The email

840
00:38:38,880 --> 00:38:41,719
I got back was they had just did a in

841
00:38:41,880 --> 00:38:43,920
in store. I don't know which store they did, They

842
00:38:43,920 --> 00:38:48,920
get eleven eleven stores still and they said it went really,

843
00:38:48,960 --> 00:38:51,840
really really well. So they definitely wanted us to come

844
00:38:51,880 --> 00:38:54,920
and do some in stores. Yeah, so I'm supporting. I

845
00:38:55,280 --> 00:38:59,840
sent out I think to eighteen or nineteen different places

846
00:38:59,840 --> 00:39:02,679
asking if they were interested in doing in stores. Yeah,

847
00:39:02,719 --> 00:39:04,760
they're the only ones that have gotten back. A lot

848
00:39:04,800 --> 00:39:06,079
of places don't have a lot of room.

849
00:39:06,239 --> 00:39:07,159
Speaker 7: Well, yeah, that's the thing.

850
00:39:07,239 --> 00:39:08,480
Speaker 6: Yeah, and we don't want to We're not going to

851
00:39:08,559 --> 00:39:10,840
do it. We're not intending on doing a full band thing.

852
00:39:10,840 --> 00:39:12,280
We're just going to do a couple of amps and

853
00:39:12,360 --> 00:39:15,519
a cahone, like jimmylakes to Oh, he can just beat

854
00:39:15,559 --> 00:39:18,360
on the cahone. And we've done that, Like even at

855
00:39:18,360 --> 00:39:21,079
the end of Arrival of the Waves, we did a

856
00:39:21,119 --> 00:39:24,000
stripped down version of Keeping Pace with the Elephants, Yeah,

857
00:39:24,039 --> 00:39:28,239
and Jimmy played cahone and Malcolm played acoustic. Yeah, and

858
00:39:28,280 --> 00:39:31,400
I just took the fuzz off my electric and we

859
00:39:31,519 --> 00:39:35,079
just did it up. So we've done that several times

860
00:39:35,079 --> 00:39:37,679
a different open mics and stuff like that. So it

861
00:39:37,719 --> 00:39:39,480
would be I thought it would be fun and it

862
00:39:39,480 --> 00:39:42,679
would be like a fun way to promote the album

863
00:39:42,800 --> 00:39:44,840
one and get people into the record stores.

864
00:39:44,960 --> 00:39:49,000
Speaker 7: Yeah, exactly, exactly. Yeah. That's another thing that's that still

865
00:39:49,000 --> 00:39:50,639
goes on today that I didn't think we'd see in

866
00:39:50,719 --> 00:39:53,079
twenty twenty five is in store events record stores, in

867
00:39:53,079 --> 00:39:56,440
store events with bands, and it's pretty cool. It's pretty cool,

868
00:39:56,480 --> 00:39:59,880
good good good stuff. Do you guys have any ones

869
00:40:00,039 --> 00:40:02,039
at your next show. Do you have anything this weekend or.

870
00:40:02,440 --> 00:40:05,480
Speaker 8: Not this weekend, but Tuesday we're at the Middle East.

871
00:40:05,679 --> 00:40:06,119
Speaker 7: Oh cool?

872
00:40:06,199 --> 00:40:06,719
Speaker 6: Upstairs?

873
00:40:06,800 --> 00:40:07,400
Speaker 7: Oh very good.

874
00:40:07,440 --> 00:40:11,679
Speaker 8: We're supporting a band called Castle out of San Francisco,

875
00:40:12,000 --> 00:40:13,280
and Benthic Realm is on.

876
00:40:13,280 --> 00:40:13,920
Speaker 6: The bill as well.

877
00:40:14,000 --> 00:40:15,119
Speaker 7: Oh nice. Nice.

878
00:40:15,159 --> 00:40:17,519
Speaker 8: And that's the one that we kind of had to

879
00:40:17,519 --> 00:40:19,320
get our crap together because they're like, oh man, we're

880
00:40:19,320 --> 00:40:20,079
playing in the Middle East.

881
00:40:20,119 --> 00:40:21,400
Speaker 6: We have no merch whatsoever.

882
00:40:21,639 --> 00:40:23,079
Speaker 7: Yeah.

883
00:40:23,239 --> 00:40:26,119
Speaker 8: Shout out to Printorium in Wilton, New Hampshire, who is

884
00:40:26,159 --> 00:40:28,760
getting his shirts on short notice less than a week.

885
00:40:28,840 --> 00:40:30,480
Oh okay, turned around in order for a bunch of

886
00:40:30,480 --> 00:40:31,159
shirts for us.

887
00:40:31,239 --> 00:40:34,840
Speaker 7: Okay, Printorium, yeah in Wilton. Yeah. Do they do what

888
00:40:34,880 --> 00:40:36,920
else do they do? They do everything or.

889
00:40:36,920 --> 00:40:38,119
Speaker 6: Any kind of apparel? Yeah?

890
00:40:38,199 --> 00:40:40,280
Speaker 7: Really yeah, interesting? Interesting?

891
00:40:40,360 --> 00:40:41,920
Speaker 6: Okay, yeah, super fast.

892
00:40:41,840 --> 00:40:43,119
Speaker 7: Really yeah, that's good.

893
00:40:43,320 --> 00:40:43,760
Speaker 6: That's good.

894
00:40:44,280 --> 00:40:45,760
Speaker 9: This is one of those shows that we would go

895
00:40:45,840 --> 00:40:47,679
even if we weren't playing, so to be able to

896
00:40:48,239 --> 00:40:49,079
have a bonus.

897
00:40:49,159 --> 00:40:50,360
Speaker 6: Yeah, I had a ticket, all righty.

898
00:40:50,360 --> 00:40:55,119
Speaker 7: Oh that's funny, very cool. And then what do you

899
00:40:55,400 --> 00:40:56,840
what do you have after that? What's the next one

900
00:40:56,840 --> 00:40:57,400
after that? Do you know?

901
00:40:57,400 --> 00:41:00,159
Speaker 6: Off May twenty fourth, we're playing at Charlie's hit Ill.

902
00:41:00,880 --> 00:41:03,360
Speaker 7: That's a venue I've heard so much about over the

903
00:41:03,400 --> 00:41:03,800
past year.

904
00:41:03,800 --> 00:41:04,519
Speaker 6: It's pretty cool.

905
00:41:04,639 --> 00:41:07,320
Speaker 8: It's an interesting place. Yeah, it is interesting. There's no

906
00:41:07,360 --> 00:41:08,119
other place.

907
00:41:07,920 --> 00:41:10,639
Speaker 7: Like yeah in one way, like what's unique about it?

908
00:41:10,679 --> 00:41:13,199
Speaker 8: Well, number one, it's the the official Cannabis Church of

909
00:41:13,239 --> 00:41:13,760
New England.

910
00:41:13,960 --> 00:41:18,320
Speaker 6: It is status there and it's uh wild. I think

911
00:41:18,320 --> 00:41:21,280
it's an old like motorcycle garage or something like that

912
00:41:21,400 --> 00:41:24,920
they converted. It's a big building. Yeah, and it's in

913
00:41:25,000 --> 00:41:28,239
the backyard of some guy's house. It's it's literally an

914
00:41:28,280 --> 00:41:29,079
underground venue.

915
00:41:29,199 --> 00:41:29,880
Speaker 7: Oh no kidding.

916
00:41:30,000 --> 00:41:33,000
Speaker 8: Yeah, that's cool. I think that we had seven bands

917
00:41:33,000 --> 00:41:33,719
playing that day.

918
00:41:33,880 --> 00:41:34,079
Speaker 6: Yeah.

919
00:41:34,079 --> 00:41:38,000
Speaker 8: They just had a death metal fest there. Oh really yeah,

920
00:41:38,119 --> 00:41:40,199
Bonginator Bonginator headline.

921
00:41:40,639 --> 00:41:44,039
Speaker 6: I mean it's a legit venue, it really is. Yeah.

922
00:41:44,119 --> 00:41:46,639
Speaker 7: Yeah, no, I've been hearing, i think for two years now,

923
00:41:46,679 --> 00:41:48,280
I've been hearing so much about.

924
00:41:48,119 --> 00:41:51,800
Speaker 6: Charlie's What Adam third show, the fourth, third or fourth?

925
00:41:52,920 --> 00:41:53,920
Speaker 7: Oh, that's very cool.

926
00:41:54,039 --> 00:41:57,360
Speaker 8: That's where we met dust profit kidding Okay.

927
00:41:57,199 --> 00:41:58,639
Speaker 6: Yeah, first time we played there.

928
00:41:58,920 --> 00:42:02,119
Speaker 7: Well that makes sense, that makes sense. So as we

929
00:42:02,159 --> 00:42:03,880
approach the top of the hour, too, So what should

930
00:42:03,920 --> 00:42:06,960
people know about how to keep up with everything that

931
00:42:07,039 --> 00:42:08,840
you guys are doing, and also of course how to

932
00:42:08,840 --> 00:42:10,679
get the CD now that the CD is.

933
00:42:10,639 --> 00:42:13,840
Speaker 6: Out, Well, the CD can go to Argonauta Records. I

934
00:42:13,840 --> 00:42:16,760
think it's Argonauta dot com I believe is the website.

935
00:42:17,440 --> 00:42:19,360
If you google Arganada Records, it's going to take you

936
00:42:19,440 --> 00:42:22,159
right there. Yeah, and then just on the search on

937
00:42:22,199 --> 00:42:26,159
their store, just searchable Blood. You can buy it through them.

938
00:42:26,400 --> 00:42:29,400
And like I said, by the ninth I'm supposed to

939
00:42:29,440 --> 00:42:33,559
have all the CDs physical copies here and we're going

940
00:42:33,599 --> 00:42:35,519
to be putting them up on our band camp page,

941
00:42:36,199 --> 00:42:39,199
which would be bandcamp dot able Blood six oh three,

942
00:42:39,320 --> 00:42:42,039
I think is what that is. I don't know all

943
00:42:42,079 --> 00:42:45,119
the band all of our emails off the top of

944
00:42:45,199 --> 00:42:48,400
my head. I just click the favorite. Yeah. The best

945
00:42:48,400 --> 00:42:50,519
way to acquire a CD is coming to a show.

946
00:42:50,599 --> 00:42:54,159
Come to a show starting so the May twenty fourth show,

947
00:42:54,719 --> 00:42:59,400
we will have CDs available then, okay, but this Tuesday,

948
00:42:59,480 --> 00:43:01,960
I don't Well, they haven't shown up in the mail yet,

949
00:43:02,000 --> 00:43:06,360
so I don't think we'll have physical copies for the

950
00:43:06,440 --> 00:43:07,559
mate or this Tuesday.

951
00:43:07,599 --> 00:43:10,280
Speaker 8: But after that I selling what we have left of

952
00:43:10,360 --> 00:43:12,159
keeping pace well of course.

953
00:43:12,360 --> 00:43:15,000
Speaker 6: Yeah, So we'll have physical copies of Keeping Pace with

954
00:43:15,039 --> 00:43:18,760
the Elephants Limited edition limited edition. We've been kicking around

955
00:43:18,800 --> 00:43:21,480
the idea of taking that down, so it will be

956
00:43:21,519 --> 00:43:24,440
a very limited edition at some point shortly.

957
00:43:24,719 --> 00:43:26,880
Speaker 7: That's interesting. Why have you been thinking about taking it down?

958
00:43:27,159 --> 00:43:31,280
Speaker 6: Do some re recording of the songs, like re imagine them? Yeah,

959
00:43:31,360 --> 00:43:33,719
I think it's time because yeah, even the ones we

960
00:43:33,760 --> 00:43:35,920
play live off of that have just kind of taken

961
00:43:35,960 --> 00:43:38,039
on their own life. Oh okay, that's the hard part

962
00:43:38,039 --> 00:43:40,559
about recording stuff. I mean, you got to have it

963
00:43:40,599 --> 00:43:43,519
out there. But I don't play even songs on arrival

964
00:43:43,519 --> 00:43:45,440
the same way I played them when I recorded them.

965
00:43:45,519 --> 00:43:49,440
Speaker 7: Yeah, yeah, that makes sense. Yeah, the songs kind of

966
00:43:49,440 --> 00:43:52,719
evolve and change over time, so I can't confirm. Argan

967
00:43:52,800 --> 00:43:55,599
out of records. Dot com is the website. That's a

968
00:43:55,679 --> 00:43:56,760
nice website, too.

969
00:43:56,880 --> 00:43:59,599
Speaker 6: Very nice website. They have a great gig going over there.

970
00:44:00,039 --> 00:44:01,760
Speaker 7: I'm kind of I'm a web design nerd, so I

971
00:44:01,760 --> 00:44:03,960
pay a lot, Like I'm very impressed like when I

972
00:44:03,960 --> 00:44:07,519
see a website, because I see so many bad websites

973
00:44:07,599 --> 00:44:08,880
and this is a great website.

974
00:44:08,960 --> 00:44:09,840
Speaker 6: So that's so.

975
00:44:10,400 --> 00:44:12,960
Speaker 8: And if you're into that kind of music, like ARGONAUTI

976
00:44:13,000 --> 00:44:15,679
you could literally throw a dart at the wall and

977
00:44:15,760 --> 00:44:16,880
whatever bandit sticks in.

978
00:44:17,159 --> 00:44:21,119
Speaker 6: Yeah, by yeah, they've probably really they have a remarkably

979
00:44:21,239 --> 00:44:23,920
large amount of New England bands on their label, do they?

980
00:44:24,039 --> 00:44:26,599
Oh yeah? Oh I could. I could think of seven

981
00:44:26,679 --> 00:44:28,559
or eight off the top of my head. Oh wow,

982
00:44:28,599 --> 00:44:30,880
and that could be even more than that.

983
00:44:31,199 --> 00:44:33,920
Speaker 7: Yeah. Yeah, Yeah, there's a lot of stuff here that's

984
00:44:33,960 --> 00:44:36,519
really cool. Yeah. I'll have to do a little bit

985
00:44:36,519 --> 00:44:40,840
of exploring on that that website, because that's that's awesome. Yeah,

986
00:44:41,119 --> 00:44:42,239
very cool, very cool.

987
00:44:42,559 --> 00:44:44,599
Speaker 6: And of course the Maryland Doomfest coming up in.

988
00:44:45,199 --> 00:44:47,159
Speaker 7: Oh yeah, and that's in June.

989
00:44:47,519 --> 00:44:53,280
Speaker 6: Yeah, that's June twentieth. The weekend that's in Maryland, Frederick, Maryland.

990
00:44:52,960 --> 00:44:53,760
Speaker 7: Frederick, Maryland.

991
00:44:53,960 --> 00:44:56,480
Speaker 6: Okay, yeah, it's got Cafe six eleven is the name

992
00:44:56,480 --> 00:44:59,960
of the venue? Okay, really really neat little venue?

993
00:45:00,920 --> 00:45:01,760
Speaker 7: Is it the whole weekend?

994
00:45:01,880 --> 00:45:07,679
Speaker 6: Is it? Yeah? It's four days it starts Thursday, okay wow. Yeah.

995
00:45:07,760 --> 00:45:10,039
The week before that we're playing at the Button Factory,

996
00:45:10,079 --> 00:45:11,719
which I had never I didn't know they were doing

997
00:45:11,760 --> 00:45:15,519
shows until we got invited over at what's the local

998
00:45:15,719 --> 00:45:21,199
station or the sportsmouth will be there. W S C

999
00:45:21,360 --> 00:45:22,559
S I think that is it.

1000
00:45:22,639 --> 00:45:22,840
Speaker 7: Yeah.

1001
00:45:22,880 --> 00:45:26,039
Speaker 6: Yeah, so we'll be playing there with a couple other band,

1002
00:45:26,039 --> 00:45:30,480
Miracle Blood and I feel awful that I can't remember

1003
00:45:30,559 --> 00:45:33,400
the other band. But it's going to be a really

1004
00:45:33,400 --> 00:45:33,880
good show.

1005
00:45:34,159 --> 00:45:36,480
Speaker 7: Yeah, that's really cool. That's a great station too. They

1006
00:45:36,480 --> 00:45:40,280
do a lot for for local and independent and artists

1007
00:45:40,320 --> 00:45:43,800
and yeah really really, uh they're they're an important part

1008
00:45:43,840 --> 00:45:45,079
of the music scene.

1009
00:45:45,880 --> 00:45:49,159
Speaker 6: And then we're back at Bad Burger August YEP.

1010
00:45:49,360 --> 00:45:53,239
Speaker 7: Oh cool, excellent, excellent. Yeah, sounds like they're doing great

1011
00:45:53,239 --> 00:45:55,679
stuff there too. That's good. That's good, especially whereas they

1012
00:45:55,679 --> 00:45:58,119
because they've only been open for it's been has it

1013
00:45:58,199 --> 00:45:58,920
been less than a year?

1014
00:45:59,079 --> 00:46:01,880
Speaker 6: Maybe maybe a little maybe around that around the year.

1015
00:46:02,000 --> 00:46:03,000
Speaker 7: Still kind of a new place.

1016
00:46:03,079 --> 00:46:03,280
Speaker 6: Yeah.

1017
00:46:03,320 --> 00:46:05,320
Speaker 7: Yeah, it's cool that they're supporting music like that.

1018
00:46:05,480 --> 00:46:05,679
Speaker 6: Yeah.

1019
00:46:05,800 --> 00:46:08,119
Speaker 8: Joe who does the booking there, it does a great job,

1020
00:46:08,119 --> 00:46:10,639
and I love I love their attitude too. People are eating,

1021
00:46:10,639 --> 00:46:13,320
They're like, hey, they'll make an announcement. Hey, folks, music's

1022
00:46:13,360 --> 00:46:16,079
about to start. So if you don't like this music,

1023
00:46:16,119 --> 00:46:16,960
eat up and get out.

1024
00:46:17,079 --> 00:46:18,679
Speaker 7: Yeah.

1025
00:46:18,840 --> 00:46:20,239
Speaker 6: Codo kind of does that too.

1026
00:46:20,400 --> 00:46:24,199
Speaker 7: Yeah yeah, yeah, oh that's cool. That's cool. Well, guys,

1027
00:46:24,400 --> 00:46:27,239
thank you all so much. Adam and Malcolm and Jimmy.

1028
00:46:27,280 --> 00:46:29,599
I appreciate all three of you coming in. Thanks and

1029
00:46:29,840 --> 00:46:33,039
uh check out uh yeah, go online. You can order

1030
00:46:33,119 --> 00:46:36,400
of course Arrival of the Waves from Able Blood, and

1031
00:46:36,559 --> 00:46:38,880
we should close out with I was thinking because it's

1032
00:46:39,000 --> 00:46:41,559
kind of my personal favorite. It's a long track, but

1033
00:46:41,920 --> 00:46:44,679
mental note, I still love this song so much, love it.

1034
00:46:44,760 --> 00:46:47,000
I still love this song and it kind of takes

1035
00:46:47,000 --> 00:46:48,719
you on a ride, you know, takes you on a journey.

1036
00:46:48,760 --> 00:46:51,880
So good stuff. And if you are listening live on Saturday,

1037
00:46:51,880 --> 00:46:54,159
stick around. We have Etch and the Young's coming up

1038
00:46:54,199 --> 00:46:56,199
in the third hour and they're going to play and

1039
00:46:56,519 --> 00:46:58,719
looking forward to that. But we will close out this

1040
00:46:58,800 --> 00:47:01,679
hour with this from the album Arrival of the Waves.

1041
00:47:02,159 --> 00:47:05,239
The band is Abled Blood. This is mental note and guys,

1042
00:47:05,280 --> 00:47:06,320
thank you again so much.

1043
00:47:06,519 --> 00:47:07,159
Speaker 6: Thanks Matt.

1044
00:48:10,960 --> 00:48:27,280
Speaker 1: Waiting to smoke started to clear up. I had a

1045
00:48:27,320 --> 00:48:44,199
straight past. What to say, vision's.

1046
00:48:43,639 --> 00:49:00,360
Speaker 11: Gone, made a mental note.

1047
00:48:58,960 --> 00:49:00,079
Speaker 1: Getting more.

1048
00:49:04,400 --> 00:49:21,039
Speaker 12: Got up their bags, drink ard you.

1049
00:49:21,039 --> 00:49:22,280
Speaker 1: You'll be free.

1050
00:50:05,719 --> 00:50:26,039
Speaker 5: In sixteen.

1051
00:50:27,800 --> 00:51:27,880
Speaker 1: Name Na.

1052
00:58:35,599 --> 00:58:37,840
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1053
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1054
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1055
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1056
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1057
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1059
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1060
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1061
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1062
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1063
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1064
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1065
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1066
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1067
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1068
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1069
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1070
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