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<v Speaker 1>And now it's time to keep the weekly appointment with

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<v Speaker 1>our good friend doctor Watson.

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<v Speaker 2>How I hear the sating doctor.

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<v Speaker 3>I never felt better. Thank you, mister Bartell. Draw up

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<v Speaker 3>your usual churn, make yourself comfortable. Thanks.

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<v Speaker 1>I see you've had the old ten dispatch box out again.

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<v Speaker 1>I suppose you've been going through your notes on tonight's

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<v Speaker 1>new share like ons advantage.

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<v Speaker 4>Yes, mister Boutell, I think you'll find it as pretty

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<v Speaker 4>a little problem.

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<v Speaker 3>As we ever encountered.

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<v Speaker 4>Story began in eighteen hundred and eighty seven, a very

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<v Speaker 4>busy year for us, My boy. It was the same

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<v Speaker 4>year that Herms solved the case of the Amateur Medican Society,

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<v Speaker 4>who held their meetings in a luxuriously furnished vault.

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<v Speaker 3>Below a furniture warehouse.

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<v Speaker 1>Oh, I remember that story, doctor, And wasn't eighty seven

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<v Speaker 1>the year you both escaped from death in the Paradol chamber.

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<v Speaker 5>It was.

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<v Speaker 4>Indeed, you've got a very good memory, mister Bartell. The

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<v Speaker 4>story I'm going to tell you tonight topped off this

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<v Speaker 4>unusually exciting year. It was late in October and the

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<v Speaker 4>equinoxial gales that set in with exceptional violence all day.

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<v Speaker 3>The wind that howled.

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<v Speaker 4>The rain had beaten against the windows of our Baker

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<v Speaker 4>Street lodgings.

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<v Speaker 3>Finally, it was midnight, as far as I remember.

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<v Speaker 4>The storm grew higher and louder, and the wind in

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<v Speaker 4>the chimney sobbed like a child. Suddenly, much to our surprise,

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<v Speaker 4>the doorbell jangled, and a few moments later our midnight

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<v Speaker 4>visitor stood before us. He was a man of about

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<v Speaker 4>forty five, and as he looked about him anxiously on

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<v Speaker 4>the glare of the lamp, I could see that his

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<v Speaker 4>face was pale, and that his eyes heavy, like those

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<v Speaker 4>of a man who's weighed down with some great anxiety.

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<v Speaker 4>And yet when he spoke, his tone was businesslike and

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<v Speaker 4>almost aggressive.

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<v Speaker 6>I've come to you for advice, mister Holmes, that's easily obtained,

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<v Speaker 6>and help that is not always so easy.

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<v Speaker 2>He helped the gentleman off his coat, but he wasn't.

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<v Speaker 3>He was let me hang it up, Thank you, sir.

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<v Speaker 6>I heard of you, mister Holmes, from Major Prendergast Toylet.

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<v Speaker 6>He said that you could solve anything. Aunt Freddy said

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<v Speaker 6>too much, that you've never been beaten. I've been beaten

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<v Speaker 6>four times, sir, three times by men and once by

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<v Speaker 6>a woman that the person you sit down and introduced

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<v Speaker 6>yourself my friend.

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<v Speaker 2>His name is Watson, Dr Watson.

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<v Speaker 6>How do you do ter? My name is Lovelace, Edmund Lovelace.

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<v Speaker 2>And what brings you to me at this hour of

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<v Speaker 2>the night? Mister Lovelace.

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<v Speaker 6>I'm in terrible trouble. Mister Holmes, you don't know anything

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<v Speaker 6>about me, but if you'll accept my case, you can

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<v Speaker 6>say four lives.

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<v Speaker 2>I wouldn't say that I know nothing about you, sir.

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<v Speaker 6>No, it's true that I know little beyond the somewhat

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<v Speaker 6>obvious fact that well you're single, that you keep.

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<v Speaker 2>A dog but not a man servant, and that you are.

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<v Speaker 6>Much preoccupied with your business, which I take to be

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<v Speaker 6>some form of insurance.

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<v Speaker 3>Oh, come, come, come now, what is this? Well? I

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<v Speaker 3>imagine I'll wait to let my friends write, though, isn't

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<v Speaker 3>he mister Lovelace?

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<v Speaker 2>Perfectly?

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<v Speaker 6>But I'll be hanged if I can see how I know.

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<v Speaker 6>It's a practical application of logic, sir. The briefcase that

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<v Speaker 6>you carry it might at first indicate.

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<v Speaker 2>A barrister or some other professional man, but.

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<v Speaker 6>Your brusque, business like manner contacts that suggestion.

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<v Speaker 2>An insurance broke up, who must.

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<v Speaker 6>Visit clients at odd hours is the likeliest man to

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<v Speaker 6>combine that manner with a briefcase of midnight that the

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<v Speaker 6>white from the man servant, and the fact that I'm

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<v Speaker 6>preoccupied with my business. Your couplings don't match her, each

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<v Speaker 6>is from a different pair. That would suggest preoccupation. And

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<v Speaker 6>it's a mistake that neither a wife nor a man

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<v Speaker 6>servant would have allowed to pass.

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<v Speaker 2>How about the dog that's obvious? Watch I shall let you.

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<v Speaker 6>Ponder on that matter while mister Lovelace tells us his problem.

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<v Speaker 6>Mister Holmes, are you as interested in preventing a murder

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<v Speaker 6>as in solving one?

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<v Speaker 2>Naturally? I am mister Lovelace's even more so. But please

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<v Speaker 2>tell me your story.

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<v Speaker 6>I live with four cousins of mine and an old person, Camberwell.

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<v Speaker 6>My grandfather left the house and a sizeable fortune to

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<v Speaker 6>the five of us on condition that we lived together

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<v Speaker 6>and maintained the family unity. It probably won't surprise you

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<v Speaker 6>to know that we've grown to get pretty much on

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<v Speaker 6>each other's nerves.

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<v Speaker 3>What happens if one of you does, mister Lovelace.

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<v Speaker 6>His share is divided among the others. Doctor wonder to

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<v Speaker 6>me is that not that a murder may take place,

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<v Speaker 6>but that it does not happened long ago.

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<v Speaker 2>Who's responsible for the administration of the estate.

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<v Speaker 6>My cousin Gerald. He's much older than the rest of us,

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<v Speaker 6>and he's a thoroughly unpleasant, cantankerous man. He gets an

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<v Speaker 6>extra share in the estate as administrator, and in consequence

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<v Speaker 6>he doesn't work. We feel, of course, that he lives

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<v Speaker 6>off of us, and we're continually quarreling.

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<v Speaker 2>With him about it.

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<v Speaker 3>Sounds like a jolly househole.

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<v Speaker 6>Was going to be trouble, mister Holmes, I know it.

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<v Speaker 6>Gerald hates us and he's jealous of our share in

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<v Speaker 6>the estate.

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<v Speaker 2>Who spoke of preventing murder just now?

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<v Speaker 6>Yet I can see that you selected your cousin Gerald

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<v Speaker 6>as the potential murderer.

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<v Speaker 2>Am I right? Yes you are.

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<v Speaker 6>But don't think it's personal prejudice that makes missus pectin.

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<v Speaker 6>I have good reason for doing so.

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<v Speaker 2>Oh what reason?

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<v Speaker 6>This evening, just before dinner, I helped Gerald off with

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<v Speaker 6>his topcoat and went to hang it up for him.

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<v Speaker 6>As I did so, I heard a strange dunny clink

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<v Speaker 6>in one of his pockets. I slipped my hand inside

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<v Speaker 6>it and found a hypodermic syringe and a small pile

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<v Speaker 6>of liquid. I opened the file and smelled it. Gentlemen,

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<v Speaker 6>it reeked of bitter armor.

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<v Speaker 3>Sana, eh, what did you do?

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<v Speaker 6>I thought of destroying it, but I realized that would

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<v Speaker 6>put him on his guard, so I replaced it in

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<v Speaker 6>his pocket. Of course, I warned the others, and we

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<v Speaker 6>decided that i'd come to you, I have to say,

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<v Speaker 6>a most important client tonight, or i'd have been here

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<v Speaker 6>earlier years.

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<v Speaker 4>It seems all that you didn't come directed to mister

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<v Speaker 4>Helms as soon you'd made the discovery mister Lovelace. After all,

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<v Speaker 4>if a potential murderer is walking about with a pocket

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<v Speaker 4>full of slide, I should have thought that itself was

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<v Speaker 4>more important business.

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<v Speaker 6>Well, I yes, I suppose if i'd seem so to you, Doctor,

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<v Speaker 6>that's the most interesting stick you carry, So may I

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<v Speaker 6>examine it?

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<v Speaker 2>Of course? Ye, I thank you.

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<v Speaker 3>Now I see how you deduced that mister Lovelace had

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<v Speaker 3>dog homes. There are the marks of the dog's teeth

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<v Speaker 3>on the streetes.

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<v Speaker 2>My dear Wudson.

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<v Speaker 6>But these marks under scrutiny give us the more specific information.

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<v Speaker 2>He's a large dog.

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<v Speaker 6>You had him for some years, mister Lovelace, and he's

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<v Speaker 6>now old and feeble.

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<v Speaker 2>Well, you're perfectly.

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<v Speaker 6>Right, but I'll be hanged if I can see how

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<v Speaker 6>you can tell that from looking at a walking stick.

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<v Speaker 6>The stick is covered with teeth marks. Therefore it has

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<v Speaker 6>been carried many times by the dog. Now it's the heaviestick,

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<v Speaker 6>so only a large dog could have carried it, And.

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<v Speaker 2>The teeth marks also indicate a large jaw.

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<v Speaker 6>The older marks are deep sunk maquare, the fresh ones

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<v Speaker 6>where the wood is not yet dark, and a shallow Yes,

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<v Speaker 6>it's obvious that the jaws.

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<v Speaker 2>Are losing their string.

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<v Speaker 6>That's very clever of you, mister Holmes. But I don't

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<v Speaker 6>see what it has to do with the case in hand.

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<v Speaker 3>Neither do our homes. I must confers.

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<v Speaker 6>Surely it tells us that your story, mister Lovelace, may

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<v Speaker 6>bear a less terrifying implication than you think. On the

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<v Speaker 6>other hand, it's implication may be even more terrifying.

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<v Speaker 2>It's late at night.

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<v Speaker 6>I feel that any further delay in this matter would

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<v Speaker 6>be extremely dangerous. I suggest that we get a cab

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<v Speaker 6>and come to your house in Camberwell at once. Alice Randolph,

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<v Speaker 6>I'm glad you're still up. I was able to persuade

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<v Speaker 6>mister Sherlock Hoates and doctor Watson to come back with me. Gentlemen,

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<v Speaker 6>this is my cousin, Alice Harley.

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<v Speaker 2>How do you do? How do you do?

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<v Speaker 3>Miss har How do you?

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<v Speaker 6>And my cousin Randolph Lovelace? I told him about the

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<v Speaker 6>whole business, Randolph, so we can speak perfectly freely.

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<v Speaker 7>Let's begin by sitting down, shall we. Randolf and I

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<v Speaker 7>had just finished a little cold supper. We've been to

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<v Speaker 7>the theater tonight.

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<v Speaker 6>Well, mister Holmes, I suppose Edmund told you about finding

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<v Speaker 6>the hypodermic strange and the cyanide in Gerald's coat pocket. Yes, indeed,

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<v Speaker 6>may I ask where your cousin, Gerald Lovelace is now.

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<v Speaker 7>We left the house at seven, but I imagine Gerald

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<v Speaker 7>went upstairs at eight as usual, didn't he on the

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<v Speaker 7>stroke of eight?

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<v Speaker 2>Alice?

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<v Speaker 6>He's very fixed in his habits, mister Holmes. He goes

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<v Speaker 6>up to his room every night at eight. There he

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<v Speaker 6>reads or works on his accounts, and eventually goes to

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<v Speaker 6>bed any time between ten and one.

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<v Speaker 2>But he might still be up.

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<v Speaker 6>I should like to speak to him a little later

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<v Speaker 6>in the meanwhile, May I ask you, two young people,

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<v Speaker 6>tell me, quite honestly your feelings about your cousin Gerald,

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<v Speaker 6>and you might as well be frank. I've kept nothing back.

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<v Speaker 7>All right, Randolph and I hate him first of all,

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<v Speaker 7>were sure he's jealous of our shares in the estate.

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<v Speaker 6>And then we Alice and I want to get married.

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<v Speaker 6>Mister Holmes and Gerald won't hear of it.

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<v Speaker 3>But you're your cousins, aren't you?

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<v Speaker 7>Only second cousins, Doctor Watson. Gerald is dreadfully convined. He's

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<v Speaker 7>threatensus that if we do get married, he'll go to

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<v Speaker 7>court and try to have our shares in the estate.

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<v Speaker 7>Annull and from.

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<v Speaker 6>The way the will is worded, I wouldn't be surprised

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<v Speaker 6>he could do it. So you can see why we

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<v Speaker 6>have no great love for him, why we're afraid of him.

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<v Speaker 3>He turns an extremely unfilled person to you.

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<v Speaker 6>You mentioned there were five cousins in the house. Three

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<v Speaker 6>of you are here, mister Gerald's lovelace is upstairs. Who

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<v Speaker 6>and where is the fifth cousin. The fifth cousin is

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<v Speaker 6>my brother Gilly. He's something of the tragedy, I'm afraid

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<v Speaker 6>you see. Gilly is twenty, but he he never developed

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<v Speaker 6>mentally beyond the age of it. He had a bad

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<v Speaker 6>fall in the hunting field when he was a kid.

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<v Speaker 6>He's been like this ever since. I'm sorry to hear that, sir,

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<v Speaker 6>but he's.

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<v Speaker 7>The dearest, most gentle boy you've ever met.

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<v Speaker 6>And incidentally, the one person in this house who doesn't

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<v Speaker 6>hate Gerald.

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<v Speaker 4>Fellow doesn't understand the conditions of the will last Verson, No, but.

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<v Speaker 7>If he did, I don't think it'd make any difference.

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<v Speaker 7>I swear that Gilly loves every living thing, especially Gladstone.

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<v Speaker 7>Gladstone is the name of his dog.

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<v Speaker 2>Yes, the dog may be the key to this whole matter.

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<v Speaker 3>Dog makes you say that home.

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<v Speaker 6>When a man brings a quick and painless poison home

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<v Speaker 6>to a househole containing an old and people dog, it's

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<v Speaker 6>more than possible that he has obtained that poison quite legitimately,

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<v Speaker 6>to give the dog a mercial death, to kill Gladstone.

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<v Speaker 2>Oh no, after all, I was dear. He is old

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<v Speaker 2>and almost blind.

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<v Speaker 6>But mister Holmes, if you think Gerald brought home the

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<v Speaker 6>poison put Gladstone out of the way, and I admit

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<v Speaker 6>it sounds perfectly logical, what made you decide to come

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<v Speaker 6>here tonight? Because I dare not even guess what you

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<v Speaker 6>may have done by including the thought of murder in

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<v Speaker 6>this situation. Where is your brother Gilly in his room

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<v Speaker 6>upstairs asleep? I wonder if we might go up to him.

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<v Speaker 6>I should like to talk to him, if you don't mind.

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<v Speaker 6>And after that I want a few words with your

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<v Speaker 6>cousin Gerald Lovelace. He's asleep, mister Hells, with a dog

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<v Speaker 6>in his arm.

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<v Speaker 2>M I'm afraid you left awaken him, Killy, Killy, that's

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<v Speaker 2>all right, Lester. We're not going to hurt him.

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<v Speaker 6>Gilly.

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<v Speaker 3>Who who is it? Oh?

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<v Speaker 5>Hello, Alice? Who are these men? They've come to take

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<v Speaker 5>Bladston away?

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00:10:28.320 --> 00:10:30.279
<v Speaker 6>We haven't, of course, not Killy. We've just come to

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<v Speaker 6>admire him. Your brother has been telling us what a

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<v Speaker 6>fine dog he is. That's different he isn't he beautiful?

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<v Speaker 5>I just had such a wonderful dream about him, such

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<v Speaker 5>a wonderful dream.

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<v Speaker 2>What was it, Gilly?

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00:10:46.080 --> 00:10:48.000
<v Speaker 6>Well, he was all young again.

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<v Speaker 3>It's just a puppy.

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<v Speaker 5>He was chasing a rabbit across a cliff top, and

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<v Speaker 5>and I was running with him. Oh, Glaston looked so beautiful,

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<v Speaker 5>didn't you, old boy?

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<v Speaker 2>Of course he did, And and you.

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<v Speaker 5>Know the rabbit went down a hole, and Gladston went

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<v Speaker 5>down after him, and I went down after Gladstone. And

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00:11:09.000 --> 00:11:11.440
<v Speaker 5>we've all had tea with the rabbits.

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00:11:10.919 --> 00:11:12.120
<v Speaker 3>H so funny.

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00:11:12.679 --> 00:11:16.440
<v Speaker 5>You all had little green hats on hats with feathers.

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00:11:16.840 --> 00:11:20.360
<v Speaker 5>I wanted Glaston to try one on, but he wouldn't.

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00:11:22.759 --> 00:11:23.960
<v Speaker 3>So sleepy.

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00:11:25.080 --> 00:11:28.799
<v Speaker 6>Come on, Gladston, let's go back to the tea party.

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00:11:30.120 --> 00:11:30.440
<v Speaker 3>OK.

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00:11:32.519 --> 00:11:33.799
<v Speaker 2>This world may be a great.

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<v Speaker 6>Deal more pleasant than ours, Watson, that's what I'd like

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<v Speaker 6>to thank, mister Holmes.

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<v Speaker 2>Now I'd like to have a few words for their

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<v Speaker 2>cousin Gerald. His runs at the end of his corridor.

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<v Speaker 7>I'm afraid Gilly wasn't much help to you, mister Harmon

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<v Speaker 7>on the.

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<v Speaker 6>Country, young lady. He told me exactly what I wanted

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00:11:49.600 --> 00:11:49.840
<v Speaker 6>to know.

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<v Speaker 2>Here we are.

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<v Speaker 6>This is Gerald from There's no light under the door.

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<v Speaker 6>He must have gone to sleep, and I'm afraid we

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00:11:55.039 --> 00:12:02.240
<v Speaker 6>miss waking him too. Must be a sleeper, but he isn't.

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<v Speaker 6>He's a remarkably like one.

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00:12:06.120 --> 00:12:10.600
<v Speaker 2>Come on, lest twin stack a mat. The guests man

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00:12:10.759 --> 00:12:11.320
<v Speaker 2>is at the head.

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<v Speaker 6>Of his dead doc to Watson, while he's lying on

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00:12:15.000 --> 00:12:15.960
<v Speaker 6>the outside of his bed.

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00:12:16.240 --> 00:12:19.200
<v Speaker 2>He must be there's blood on the pillow.

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<v Speaker 3>Great Scott Holmes, the back of his car smashed in.

285
00:12:21.919 --> 00:12:22.720
<v Speaker 3>He's been murdered.

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00:12:22.960 --> 00:12:27.120
<v Speaker 2>Oh no, horrible, yes, Watson. The blows on his head,

287
00:12:27.279 --> 00:12:28.399
<v Speaker 2>looking on the table by.

288
00:12:28.320 --> 00:12:31.639
<v Speaker 3>His bed, hypodermic syringe, and a broken file.

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00:12:31.559 --> 00:12:37.240
<v Speaker 6>Yes, a broken file, wreaking of bitter almonds.

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00:12:37.480 --> 00:12:38.279
<v Speaker 3>Poor devil.

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00:12:38.960 --> 00:12:41.519
<v Speaker 6>Well, I won't pretend I like him, but what a

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00:12:41.559 --> 00:12:44.279
<v Speaker 6>ghastly way to die. All they that take the sword

293
00:12:44.360 --> 00:12:47.960
<v Speaker 6>shall perish with the sword, so the scripture say, mister Laplace.

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<v Speaker 6>There is suspicion that the killing has brought murder to pass. Well,

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00:12:53.039 --> 00:12:55.320
<v Speaker 6>it's too late to prevent it. Our job now is

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00:12:55.399 --> 00:13:00.159
<v Speaker 6>to find the killer and see that he's brought to justice.

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<v Speaker 1>Doctor Watson will tell you the rest of his story

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00:13:09.200 --> 00:13:11.840
<v Speaker 1>in just a few seconds. Just time enough for me

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00:13:11.919 --> 00:13:14.759
<v Speaker 1>to tell you that if there's one wine that's perfect

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00:13:14.759 --> 00:13:19.600
<v Speaker 1>for any occasion, it's Petrie California's sherry. With a bottle

301
00:13:19.600 --> 00:13:23.080
<v Speaker 1>of that rich amber colored Petrie Sherry on hand, you

302
00:13:23.120 --> 00:13:26.399
<v Speaker 1>can make that time before dinner a main event. And

303
00:13:26.440 --> 00:13:29.039
<v Speaker 1>Patrick Sherry is the perfect answer to the question of

304
00:13:29.360 --> 00:13:33.279
<v Speaker 1>what to serve when company comes, Sir Patrick Sherry alone

305
00:13:33.360 --> 00:13:36.879
<v Speaker 1>and let its full wonderful flavor speak for itself, or

306
00:13:36.960 --> 00:13:40.799
<v Speaker 1>serve Patri Sherry with thor Dev's or party sandwiches. And

307
00:13:40.879 --> 00:13:45.279
<v Speaker 1>remember you can serve Patrie Sherry proudly because Patrie is

308
00:13:45.320 --> 00:13:50.279
<v Speaker 1>the proudest name in the history of American wine. Well,

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00:13:50.279 --> 00:13:53.440
<v Speaker 1>doctor Watson, so you found Gerald Lovelace dead in one

310
00:13:53.480 --> 00:13:56.480
<v Speaker 1>of the bedrooms of the house in Camberwell, what did

311
00:13:56.480 --> 00:13:56.759
<v Speaker 1>you do?

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00:13:56.879 --> 00:13:57.559
<v Speaker 6>Send for the police?

313
00:13:57.639 --> 00:14:00.559
<v Speaker 4>Not at once, just about sherlock home the remainder of

314
00:14:00.600 --> 00:14:03.080
<v Speaker 4>the household, to give him the opportunity of examining the

315
00:14:03.080 --> 00:14:05.879
<v Speaker 4>scene of the crime carefully before the police was sent for.

316
00:14:06.559 --> 00:14:09.320
<v Speaker 4>And so a few minutes before one o'clock that October night,

317
00:14:09.799 --> 00:14:11.440
<v Speaker 4>Holmes and I stood alone.

318
00:14:11.360 --> 00:14:15.879
<v Speaker 3>In the room of death, Old Chap.

319
00:14:16.360 --> 00:14:19.039
<v Speaker 4>You know, Holmes, I think you should have sent the

320
00:14:19.039 --> 00:14:20.440
<v Speaker 4>police right away in a case like this.

321
00:14:20.519 --> 00:14:23.120
<v Speaker 6>Wats and I prefer to be my own police, and

322
00:14:23.240 --> 00:14:26.120
<v Speaker 6>I have spun the web. They may take the flies,

323
00:14:26.120 --> 00:14:29.440
<v Speaker 6>but not before what are the results of our medical examination,

324
00:14:29.480 --> 00:14:29.840
<v Speaker 6>Old Chap.

325
00:14:30.120 --> 00:14:32.200
<v Speaker 3>It's exactly as you reconstructed it, Homes.

326
00:14:32.799 --> 00:14:34.759
<v Speaker 4>He was first beaten on the head with that poker

327
00:14:34.840 --> 00:14:37.440
<v Speaker 4>lying on the floor. Then he had the full file

328
00:14:37.519 --> 00:14:39.440
<v Speaker 4>of cyanide injected into.

329
00:14:39.279 --> 00:14:41.399
<v Speaker 6>His left wrist, and you estimate the time of death

330
00:14:41.440 --> 00:14:42.120
<v Speaker 6>toll accurately.

331
00:14:42.240 --> 00:14:43.960
<v Speaker 3>No, his rooms confinedly hot.

332
00:14:44.039 --> 00:14:46.840
<v Speaker 4>He might have died any time from one to five

333
00:14:46.879 --> 00:14:47.399
<v Speaker 4>hours ago.

334
00:14:47.559 --> 00:14:50.519
<v Speaker 6>Yes, it's now one o'clock, and we know that he

335
00:14:50.600 --> 00:14:54.639
<v Speaker 6>was alive at eight. Statemund Lovelace saw him leave for

336
00:14:54.720 --> 00:14:57.840
<v Speaker 6>his room at that hour, if he was telling the truth.

337
00:14:57.919 --> 00:14:59.879
<v Speaker 6>One thing we do know for a fact is that

338
00:15:00.039 --> 00:15:02.159
<v Speaker 6>this man was murdered at the exact moment he was

339
00:15:02.200 --> 00:15:02.759
<v Speaker 6>going to bed.

340
00:15:03.200 --> 00:15:06.320
<v Speaker 2>He's wearing his nightgown and nightcap, but his bed has

341
00:15:06.320 --> 00:15:07.039
<v Speaker 2>not been slept in.

342
00:15:07.399 --> 00:15:07.960
<v Speaker 3>Impossible.

343
00:15:08.039 --> 00:15:10.720
<v Speaker 4>The murder might have killed him shortly after eight and

344
00:15:10.799 --> 00:15:13.080
<v Speaker 4>then dressed him in his nightclothes to confuse us.

345
00:15:13.120 --> 00:15:13.799
<v Speaker 2>No chap.

346
00:15:14.440 --> 00:15:16.720
<v Speaker 6>He will notice that the hypodermic neil trusts on the

347
00:15:16.759 --> 00:15:20.159
<v Speaker 6>sleeve of his night shirt. Here also the nightcap is

348
00:15:20.200 --> 00:15:22.120
<v Speaker 6>crushed in bloodstained from the blows of the poker.

349
00:15:22.279 --> 00:15:25.039
<v Speaker 2>No, Generald Lovelace had prepared the bed.

350
00:15:25.559 --> 00:15:27.360
<v Speaker 4>With a glass of water on the night table, and

351
00:15:27.399 --> 00:15:29.320
<v Speaker 4>the prayer book of the watch.

352
00:15:29.440 --> 00:15:34.759
<v Speaker 6>Yes, signs of a prosperous and meticulous man. They fine

353
00:15:34.840 --> 00:15:36.919
<v Speaker 6>gold watch and in excellent condition.

354
00:15:38.919 --> 00:15:41.799
<v Speaker 2>Ah, there's the answer, Watson, What do you mean?

355
00:15:41.840 --> 00:15:43.200
<v Speaker 3>There's the answer Watson.

356
00:15:43.080 --> 00:15:45.200
<v Speaker 6>I just wound this watch one turn and then it

357
00:15:45.240 --> 00:15:48.200
<v Speaker 6>was fully wound. That provides us with the time schedule

358
00:15:48.200 --> 00:15:50.600
<v Speaker 6>for armorer. Come on, well, send a serven.

359
00:15:50.480 --> 00:15:52.240
<v Speaker 2>For the police, and while they're on the way.

360
00:15:52.159 --> 00:15:54.000
<v Speaker 6>If you'll call everyone together, I should like to put

361
00:15:54.000 --> 00:16:08.799
<v Speaker 6>a few more questions to this family before the police arrive.

362
00:16:08.840 --> 00:16:11.000
<v Speaker 6>I should like to carry your statements again very carefully,

363
00:16:11.000 --> 00:16:14.799
<v Speaker 6>if you don't mind, mister Edmund Lovelace, what with your

364
00:16:14.879 --> 00:16:20.360
<v Speaker 6>exact movements tonight? I left here shortly before ten, from

365
00:16:20.399 --> 00:16:22.240
<v Speaker 6>ten o'clock until the time I came to Baker Street

366
00:16:22.240 --> 00:16:24.679
<v Speaker 6>House with my clent. His name and address Peace, Derek

367
00:16:24.720 --> 00:16:27.399
<v Speaker 6>Waterlowty nine on snow squares off KENSI.

368
00:16:27.200 --> 00:16:28.320
<v Speaker 2>Thank you making note of these.

369
00:16:28.320 --> 00:16:32.559
<v Speaker 6>Willie Watson, you, miss Harley, and you, mister Randolph Lovelace

370
00:16:33.039 --> 00:16:36.720
<v Speaker 6>went to the theater together. Can any independent witness testify

371
00:16:36.840 --> 00:16:37.799
<v Speaker 6>as to your movements?

372
00:16:38.080 --> 00:16:41.600
<v Speaker 7>Yes, mister Holmes, we went with friends, the grant More's days.

373
00:16:42.120 --> 00:16:44.399
<v Speaker 7>They live at the Clarendon Hotel of charing Cross.

374
00:16:44.519 --> 00:16:46.759
<v Speaker 2>What time did you leave this house? Well, it was

375
00:16:46.759 --> 00:16:49.279
<v Speaker 2>about a quarter to eight, wasn't it als.

376
00:16:49.159 --> 00:16:51.799
<v Speaker 7>Yes, and after the play we went to the Cafe

377
00:16:51.879 --> 00:16:54.080
<v Speaker 7>Royal for a little refreshment with our friends, and then

378
00:16:54.120 --> 00:16:54.759
<v Speaker 7>came back here.

379
00:16:54.879 --> 00:16:56.600
<v Speaker 2>I see. And what time did you arrive back at

380
00:16:56.639 --> 00:16:57.039
<v Speaker 2>this house?

381
00:16:57.320 --> 00:16:59.960
<v Speaker 6>Just a few minutes before midnight? I remember the grand

382
00:17:00.360 --> 00:17:02.159
<v Speaker 6>clock in the hall striking just as we went into

383
00:17:02.159 --> 00:17:04.920
<v Speaker 6>the drawing room. And your brother Gilly Sair. I hate

384
00:17:04.920 --> 00:17:07.160
<v Speaker 6>to waken him again. Have you any idea of his

385
00:17:07.359 --> 00:17:10.279
<v Speaker 6>movements night? But he never goes out after darkness, Morris.

386
00:17:10.839 --> 00:17:12.640
<v Speaker 6>But I spoke to the cook as we came in tonight.

387
00:17:13.000 --> 00:17:15.319
<v Speaker 6>She says that he played cards with her until just

388
00:17:15.359 --> 00:17:16.160
<v Speaker 6>after ten o'clock.

389
00:17:16.240 --> 00:17:18.000
<v Speaker 7>He was fast asleep, and I looked in on him

390
00:17:18.039 --> 00:17:19.039
<v Speaker 7>shortly after midnight.

391
00:17:19.359 --> 00:17:22.319
<v Speaker 6>Thank you you've made a note of all these facts, Watson, Yes,

392
00:17:22.680 --> 00:17:23.079
<v Speaker 6>I got them.

393
00:17:23.079 --> 00:17:25.599
<v Speaker 2>Alder good. Then let's be on our way to Baker Street.

394
00:17:25.599 --> 00:17:27.839
<v Speaker 2>But the police, mister Holmes, there on their way, I know.

395
00:17:28.799 --> 00:17:29.960
<v Speaker 2>Please give them my regards.

396
00:17:29.960 --> 00:17:33.200
<v Speaker 6>Will you apologize for my informality and tell them that

397
00:17:33.279 --> 00:17:35.559
<v Speaker 6>I'll have the answer to this matter probably in a

398
00:17:35.599 --> 00:17:46.359
<v Speaker 6>little over twenty four hours.

399
00:17:50.559 --> 00:17:53.359
<v Speaker 4>Holmes, here it is well after midnight. You haven't done

400
00:17:53.359 --> 00:17:54.720
<v Speaker 4>a thing on the camera world case.

401
00:17:54.799 --> 00:17:57.000
<v Speaker 6>No, but you have old Jap You've checked and all

402
00:17:57.039 --> 00:17:58.599
<v Speaker 6>the time out of eyes and bob them valid.

403
00:17:58.599 --> 00:17:59.440
<v Speaker 2>I'm much obliged to.

404
00:18:00.079 --> 00:18:01.720
<v Speaker 3>Till the Start was here tonight, you know. And he

405
00:18:01.799 --> 00:18:03.839
<v Speaker 3>made some pretty caustic remarks. I can tell you.

406
00:18:03.960 --> 00:18:06.799
<v Speaker 6>Oh didn't you inform him that I'll had the answer

407
00:18:06.839 --> 00:18:07.799
<v Speaker 6>to the problem before?

408
00:18:07.880 --> 00:18:09.200
<v Speaker 2>Many hours have passed.

409
00:18:09.319 --> 00:18:12.240
<v Speaker 4>Little, but you know the Start he wanted action he

410
00:18:12.319 --> 00:18:14.240
<v Speaker 4>don't have it.

411
00:18:14.319 --> 00:18:16.240
<v Speaker 2>Is the watch still running?

412
00:18:16.880 --> 00:18:19.400
<v Speaker 4>Another thing? What will the Start say when he finds it?

413
00:18:19.480 --> 00:18:21.119
<v Speaker 4>You took the dead Manut's what?

414
00:18:21.359 --> 00:18:22.079
<v Speaker 2>I have no idea?

415
00:18:22.519 --> 00:18:23.960
<v Speaker 3>Oh well did you take it anywhere?

416
00:18:24.000 --> 00:18:27.000
<v Speaker 6>And you sound sleepy, old chap? I'm gonna bit, and

417
00:18:27.000 --> 00:18:27.839
<v Speaker 6>why don't you go to bed?

418
00:18:28.119 --> 00:18:28.799
<v Speaker 3>What are you going to do?

419
00:18:29.720 --> 00:18:33.599
<v Speaker 6>Continue my vigil with my pipe and the watch of

420
00:18:33.640 --> 00:18:34.279
<v Speaker 6>a dead man?

421
00:18:45.319 --> 00:18:49.119
<v Speaker 2>What's what's wake up? A five o'clock in the morning?

422
00:18:49.559 --> 00:18:50.559
<v Speaker 3>Are you doing up at this?

423
00:18:50.920 --> 00:18:53.640
<v Speaker 2>The watch has just stopped and I'm about to rewind it.

424
00:18:53.839 --> 00:18:56.359
<v Speaker 3>What are you rewinding it for? Homes? You waited over

425
00:18:56.400 --> 00:18:58.079
<v Speaker 3>twenty four hours for un one?

426
00:18:58.359 --> 00:19:01.119
<v Speaker 6>When I know how it turns it to wind it fully,

427
00:19:01.160 --> 00:19:03.039
<v Speaker 6>I shall have the answer to the whole business.

428
00:19:04.759 --> 00:19:06.240
<v Speaker 2>Ten eleven.

429
00:19:06.359 --> 00:19:08.759
<v Speaker 3>You're being confoundedly mysterious as usual.

430
00:19:09.359 --> 00:19:13.119
<v Speaker 6>Fourteen fourteen turns and the watch is fully wound.

431
00:19:13.119 --> 00:19:14.359
<v Speaker 2>Get your clothes on, old chapter.

432
00:19:14.400 --> 00:19:15.160
<v Speaker 3>Where are we going on this?

433
00:19:15.440 --> 00:19:18.640
<v Speaker 6>The house in Camberwell, now I know who murdered Gerald's Lovelace,

434
00:19:28.400 --> 00:19:29.319
<v Speaker 6>mister Edmund Lovelace.

435
00:19:29.359 --> 00:19:31.519
<v Speaker 2>I'm glad you let us in. Please take us up

436
00:19:31.559 --> 00:19:34.119
<v Speaker 2>to your young cousin's room at once. What do you

437
00:19:34.160 --> 00:19:36.519
<v Speaker 2>want with that explained moment? Please take us up to it, of.

438
00:19:36.559 --> 00:19:38.799
<v Speaker 6>Course, But what brings you hear it this hour of

439
00:19:38.839 --> 00:19:39.240
<v Speaker 6>the morning.

440
00:19:39.319 --> 00:19:41.640
<v Speaker 3>The terms knows who murdered your cousin who.

441
00:19:41.680 --> 00:19:43.720
<v Speaker 6>I'm glad to hear it. It's more than the police

442
00:19:43.759 --> 00:19:45.440
<v Speaker 6>seemed to know. They were here half the night class

443
00:19:45.480 --> 00:19:49.000
<v Speaker 6>examining us. Here we are. I don't think we're bother

444
00:19:49.079 --> 00:19:57.799
<v Speaker 6>to knock Billy, Billy, I'm awake.

445
00:19:58.519 --> 00:20:01.200
<v Speaker 5>We heard you coming up the stairs, didn't we. Gladston,

446
00:20:03.240 --> 00:20:06.160
<v Speaker 5>it's the same man again. You're not gonna take Gladston away,

447
00:20:06.160 --> 00:20:06.680
<v Speaker 5>are you?

448
00:20:06.759 --> 00:20:07.839
<v Speaker 3>Please? Don't take him away.

449
00:20:08.079 --> 00:20:10.000
<v Speaker 2>Don't worry, Gilly, We're not gonna touch him.

450
00:20:10.480 --> 00:20:16.039
<v Speaker 6>Oh that's all right then, Oh Gilly, Yes, you really

451
00:20:16.079 --> 00:20:17.079
<v Speaker 6>love that dog, don't you.

452
00:20:17.519 --> 00:20:21.160
<v Speaker 2>Of course I do more than anything or anybody.

453
00:20:21.319 --> 00:20:23.440
<v Speaker 6>I believe you'd even kill a man who tried to

454
00:20:23.480 --> 00:20:24.160
<v Speaker 6>hurt Gladston.

455
00:20:24.759 --> 00:20:25.480
<v Speaker 2>Wouldn't Joe.

456
00:20:26.200 --> 00:20:27.400
<v Speaker 3>Oh, yes, sir, I.

457
00:20:27.400 --> 00:20:28.079
<v Speaker 6>Won't kill it.

458
00:20:29.519 --> 00:20:36.759
<v Speaker 2>No great shotter, Gilly. I don't think you really kill

459
00:20:36.799 --> 00:20:39.400
<v Speaker 2>a man. I don't think you could ha hah.

460
00:20:40.079 --> 00:20:44.960
<v Speaker 6>Couldn't die though, How would you kill him?

461
00:20:45.240 --> 00:20:46.200
<v Speaker 2>I'd hit him first.

462
00:20:46.920 --> 00:20:48.799
<v Speaker 5>I'd take a poker and hit him on the head

463
00:20:48.839 --> 00:20:51.359
<v Speaker 5>so he couldn't fight back. And then I'd take the

464
00:20:51.440 --> 00:20:53.119
<v Speaker 5>nasty needle he told me he was going to stick

465
00:20:53.160 --> 00:20:55.599
<v Speaker 5>in Gladston and and I'd fill it full of that

466
00:20:55.759 --> 00:20:57.559
<v Speaker 5>water he showed me, and I'd stick it in him.

467
00:20:58.000 --> 00:20:58.799
<v Speaker 2>That's what I'd do.

468
00:20:59.559 --> 00:21:03.279
<v Speaker 5>Then he'd be dead and he couldn't hurt my glasson anymore.

469
00:21:06.240 --> 00:21:12.880
<v Speaker 6>Let's leave him, shall we? Goodbye Gilly, pleasant dreams, goodbye, sir.

470
00:21:19.440 --> 00:21:23.920
<v Speaker 6>You're satisfied, sir, Yes, poor Gilly, there's.

471
00:21:23.759 --> 00:21:24.759
<v Speaker 2>No doubt about it, of course.

472
00:21:25.400 --> 00:21:28.079
<v Speaker 4>Can there be no one who described the murder to him,

473
00:21:28.079 --> 00:21:31.279
<v Speaker 4>and yet he's just given an exact description of its method.

474
00:21:31.599 --> 00:21:33.240
<v Speaker 6>What what will happened to him?

475
00:21:33.240 --> 00:21:33.359
<v Speaker 3>There?

476
00:21:34.359 --> 00:21:36.680
<v Speaker 6>They won't try, no, no, no, no, little pressure in

477
00:21:36.680 --> 00:21:38.480
<v Speaker 6>the right faces, and he'll be released through a private

478
00:21:38.519 --> 00:21:41.279
<v Speaker 6>nursing home. I'll do everything I can, mister Lovelace, Thank you,

479
00:21:41.319 --> 00:21:42.680
<v Speaker 6>mister Helms, thank you.

480
00:21:42.799 --> 00:21:43.160
<v Speaker 3>Very much.

481
00:21:54.799 --> 00:21:56.839
<v Speaker 4>Well, Holmes, now that we're back in Baker Streets and

482
00:21:56.880 --> 00:21:59.519
<v Speaker 4>the whole depressing case is finished with, perhaps you'll tell

483
00:21:59.559 --> 00:22:02.519
<v Speaker 4>me how you knew that Billy had committed them.

484
00:22:02.680 --> 00:22:05.720
<v Speaker 6>Consider the time schedules overallo. You checked the alibis and

485
00:22:05.759 --> 00:22:08.960
<v Speaker 6>the other cousins and found them satisfactory. That meant that

486
00:22:09.599 --> 00:22:13.960
<v Speaker 6>Alice Harley and Randolph Lovelace could have committed the crime

487
00:22:14.119 --> 00:22:20.319
<v Speaker 6>only at midnight, Edmund, only before ten, Gilly only around eleven.

488
00:22:20.519 --> 00:22:23.119
<v Speaker 6>You said that the time of death could have been

489
00:22:23.160 --> 00:22:24.640
<v Speaker 6>at any of those hours, Yes, I.

490
00:22:24.599 --> 00:22:26.960
<v Speaker 3>Did, so how did you put it down to eleven?

491
00:22:27.119 --> 00:22:30.160
<v Speaker 6>The watch gave me the specific answer. When I picked

492
00:22:30.160 --> 00:22:33.720
<v Speaker 6>it up, I'm thinkingly wound. It made one turn, was

493
00:22:33.759 --> 00:22:37.039
<v Speaker 6>then fully wound. Now, when does a methodical, precise man

494
00:22:37.079 --> 00:22:39.359
<v Speaker 6>like Gerald Lovelace wind his watch? She's going to be

495
00:22:39.480 --> 00:22:42.160
<v Speaker 6>it exactly, O Colum, so that it was obvious that

496
00:22:42.240 --> 00:22:47.319
<v Speaker 6>he was killed precisely one watch stem turn before I

497
00:22:47.480 --> 00:22:48.279
<v Speaker 6>wound his watch.

498
00:22:48.359 --> 00:22:51.000
<v Speaker 3>Now I'm beginning to see daylight homes. So you let

499
00:22:51.000 --> 00:22:51.799
<v Speaker 3>the watch run down.

500
00:22:51.920 --> 00:22:52.720
<v Speaker 2>That's what I did.

501
00:22:52.799 --> 00:22:56.359
<v Speaker 6>It took twenty eight hours, from one o'clock the night

502
00:22:56.359 --> 00:22:58.240
<v Speaker 6>before last until five this morning.

503
00:22:58.519 --> 00:23:00.720
<v Speaker 2>Now, how many turns did it to rewind it?

504
00:23:00.880 --> 00:23:01.279
<v Speaker 3>Fourteen?

505
00:23:01.400 --> 00:23:02.200
<v Speaker 2>Isn't that right?

506
00:23:02.440 --> 00:23:05.680
<v Speaker 6>Therefore one turn of the watch stem equal two hours,

507
00:23:05.720 --> 00:23:09.640
<v Speaker 6>proving that gerald Lovelace had been murdered two hours before

508
00:23:09.799 --> 00:23:12.440
<v Speaker 6>one o'clock at eleven pm, when.

509
00:23:12.319 --> 00:23:14.160
<v Speaker 4>Gilly was the only one who could have done it.

510
00:23:14.839 --> 00:23:17.160
<v Speaker 4>You know, Holmes, I still find it hard to believe

511
00:23:17.200 --> 00:23:20.000
<v Speaker 4>that the boy was capable of such a ghastly crime.

512
00:23:20.559 --> 00:23:21.920
<v Speaker 3>He seems so gentle, oh.

513
00:23:21.880 --> 00:23:25.319
<v Speaker 6>Years he is, except when his beloved dog's life was

514
00:23:25.359 --> 00:23:28.480
<v Speaker 6>at stake. Probably out of some mistaken notion of kindness,

515
00:23:29.200 --> 00:23:32.160
<v Speaker 6>gerald Lovelace warned the boy of his intentions regarding the dog.

516
00:23:32.759 --> 00:23:34.640
<v Speaker 2>It's a sad business. What's in a sad business?

517
00:23:34.720 --> 00:23:36.279
<v Speaker 4>I hate to think that that boy is spending the

518
00:23:36.279 --> 00:23:37.920
<v Speaker 4>rest of his life in a mental home.

519
00:23:38.039 --> 00:23:39.680
<v Speaker 2>I have one prayer for his future.

520
00:23:40.000 --> 00:23:40.680
<v Speaker 3>What's there Horme?

521
00:23:41.519 --> 00:23:43.920
<v Speaker 2>The dog Bladstone can't live very long.

522
00:23:45.039 --> 00:23:57.559
<v Speaker 6>I pray that Gilly It does not long outlive him.
