WEBVTT

1
00:00:01.800 --> 00:00:07.960
<v Speaker 1>Every generation produces artists, but only a few emerge as

2
00:00:08.080 --> 00:00:16.120
<v Speaker 1>interpreters of identity, memory and resistance. Artists whose voices don't

3
00:00:16.160 --> 00:00:21.760
<v Speaker 1>just ride the ridden but reclaim history. Artist who don't

4
00:00:21.839 --> 00:00:27.519
<v Speaker 1>simply perform, but translate the soul of the people. This week,

5
00:00:28.120 --> 00:00:31.960
<v Speaker 1>we are talking the things with one of those artists.

6
00:00:32.560 --> 00:00:37.600
<v Speaker 1>Alex Cuffee, more popularly known as Muddy, born and raised

7
00:00:37.759 --> 00:00:42.000
<v Speaker 1>in Grenada, is more than a Soca artist. He is

8
00:00:42.039 --> 00:00:47.679
<v Speaker 1>an artist full stop. He is a storyteller, a cultural

9
00:00:47.759 --> 00:00:52.439
<v Speaker 1>ambassador of the jab Jab tradition, a son of Grenadian

10
00:00:52.600 --> 00:00:57.079
<v Speaker 1>soil and spirit, and what I'd like to call an

11
00:00:57.079 --> 00:01:03.039
<v Speaker 1>engineer of ancestral sound, acting music that feels both rooted

12
00:01:03.399 --> 00:01:08.959
<v Speaker 1>and revolutionary. Over the years, Muddy has moved through stages

13
00:01:09.200 --> 00:01:14.159
<v Speaker 1>and seasons, earning second place at Grenada's National Soca monarch

14
00:01:14.239 --> 00:01:19.280
<v Speaker 1>in twenty fifteen, third place in twenty eighteen, and once

15
00:01:19.359 --> 00:01:24.799
<v Speaker 1>again second place in twenty twenty four. However, his music

16
00:01:24.840 --> 00:01:28.560
<v Speaker 1>has never been about the accolades or about the trophies.

17
00:01:29.359 --> 00:01:35.280
<v Speaker 1>It's about testimony. In twenty twenty four, he released The Moment,

18
00:01:36.200 --> 00:01:40.879
<v Speaker 1>a song that opens not with bravado, but with clarity.

19
00:01:41.840 --> 00:01:46.560
<v Speaker 1>I told them I will be back someday to come.

20
00:01:47.439 --> 00:01:51.719
<v Speaker 1>It's not just a verse, it's a vowl, a reckoning,

21
00:01:52.400 --> 00:01:58.040
<v Speaker 1>an arrival, and a promise. And while Payroll may be

22
00:01:58.200 --> 00:02:02.920
<v Speaker 1>the song gaining international no acclaim right now, it's Muddy's

23
00:02:03.000 --> 00:02:07.359
<v Speaker 1>full body of work that carries the weight of a movement.

24
00:02:08.319 --> 00:02:11.439
<v Speaker 1>This is not the sound of a man chasing success.

25
00:02:12.520 --> 00:02:19.000
<v Speaker 1>It's the sound of a man answering his calling. Plus

26
00:02:19.080 --> 00:02:40.240
<v Speaker 1>some respector listener respector if you're listening to the podcast

27
00:02:40.360 --> 00:02:44.759
<v Speaker 1>on Apple Podcast, please remember to rate and leave a

28
00:02:44.800 --> 00:02:49.120
<v Speaker 1>comment below. Also, don't forget to follow us on Instagram

29
00:02:49.479 --> 00:02:53.639
<v Speaker 1>at Let's Talk the Things Now, Grab your tea, coffee,

30
00:02:54.039 --> 00:02:56.800
<v Speaker 1>or a glass of wine and let's talk the tings.

31
00:03:03.280 --> 00:03:08.240
<v Speaker 1>Hello everyone, Welcome back to Let's Talk to Things, where

32
00:03:08.240 --> 00:03:14.599
<v Speaker 1>we discuss personal growth, travel, music, beauty and wellness while

33
00:03:14.719 --> 00:03:19.560
<v Speaker 1>encouraging you to live fearlessly and fabulously. I'm your host,

34
00:03:19.919 --> 00:03:24.280
<v Speaker 1>Ash and this week we are talking to things with

35
00:03:24.400 --> 00:03:29.280
<v Speaker 1>a trailblazer and trendsetter, not just in Grenadian Soca, but

36
00:03:29.439 --> 00:03:34.199
<v Speaker 1>in Soca in general. One of my favorite Soca artists Muddy.

37
00:03:34.639 --> 00:03:36.759
<v Speaker 1>Hi Muddy, how are you hello?

38
00:03:36.800 --> 00:03:40.240
<v Speaker 2>Hello? Hello? I am great love the introyway.

39
00:03:40.599 --> 00:03:42.719
<v Speaker 1>Thank you, thank you, very much. You know they're calling

40
00:03:42.759 --> 00:03:45.240
<v Speaker 1>me the jemaic on Oprah, you know, so, thank you

41
00:03:45.360 --> 00:03:45.960
<v Speaker 1>very much.

42
00:03:48.120 --> 00:03:52.280
<v Speaker 2>Onto something, on to something.

43
00:03:51.560 --> 00:03:54.599
<v Speaker 1>Thank you, no, thank you so much for coming to

44
00:03:54.639 --> 00:03:56.840
<v Speaker 1>talk to things with me. As a little bit of

45
00:03:56.879 --> 00:04:00.080
<v Speaker 1>an icebreaker for our first time guest and for per

46
00:04:00.080 --> 00:04:03.520
<v Speaker 1>since listening for the first time, we begin each episode

47
00:04:03.639 --> 00:04:08.000
<v Speaker 1>with our listener's favorite segment, and it's called that no

48
00:04:08.159 --> 00:04:13.800
<v Speaker 1>sound safe. So basically, what I'm going to do is

49
00:04:13.879 --> 00:04:17.600
<v Speaker 1>read messages or social media posts that listeners sent in,

50
00:04:18.199 --> 00:04:20.759
<v Speaker 1>and if you think it sounds crazy or a little

51
00:04:20.759 --> 00:04:25.040
<v Speaker 1>bit concerning, you'd say that sounds safe and explain why.

52
00:04:25.480 --> 00:04:28.560
<v Speaker 1>And if you agree, you say you agree and explain why.

53
00:04:28.680 --> 00:04:34.720
<v Speaker 1>Nothing scary? All right, cool, all right? The first person said,

54
00:04:35.439 --> 00:04:39.439
<v Speaker 1>the only time West Indian parents let you lie is

55
00:04:39.480 --> 00:04:42.800
<v Speaker 1>to tell someone that they're not home or not around.

56
00:04:43.480 --> 00:04:45.000
<v Speaker 2>That's super, super accurate.

57
00:04:46.000 --> 00:04:56.240
<v Speaker 1>Yes, I don't know why they're like that, right, They'll

58
00:04:56.279 --> 00:04:58.000
<v Speaker 1>be telling you to lie about that, but in the

59
00:04:58.040 --> 00:05:01.120
<v Speaker 1>same breath telling you not to lie. It's so confusing.

60
00:05:03.560 --> 00:05:06.360
<v Speaker 1>So yeah, so that sounds safe because it's true, but

61
00:05:06.439 --> 00:05:09.279
<v Speaker 1>it's not safe because it's very confusing for a child

62
00:05:09.399 --> 00:05:12.439
<v Speaker 1>trying to differentiate what is an okay lie versus what

63
00:05:12.600 --> 00:05:15.959
<v Speaker 1>is not an okay lie.

64
00:05:16.560 --> 00:05:18.399
<v Speaker 2>It's like you have to turn to a parent to

65
00:05:19.000 --> 00:05:21.120
<v Speaker 2>know if you have to lie. I know, I have

66
00:05:21.199 --> 00:05:21.639
<v Speaker 2>to tell the.

67
00:05:21.639 --> 00:05:28.120
<v Speaker 1>Truth exactly right. So typical Caribbean parents, very contradicting. Yeah,

68
00:05:30.279 --> 00:05:34.759
<v Speaker 1>all right. The next person said, my patience is basically

69
00:05:34.920 --> 00:05:37.839
<v Speaker 1>like a gift card. Not sure how much is left

70
00:05:37.879 --> 00:05:40.240
<v Speaker 1>on it, but we can give it a try.

71
00:05:40.759 --> 00:05:41.439
<v Speaker 2>That's safe.

72
00:05:41.759 --> 00:05:44.000
<v Speaker 1>That's safe. So are you an impatient person?

73
00:05:44.920 --> 00:05:47.959
<v Speaker 2>I would say, I've been patient for the most part

74
00:05:48.000 --> 00:05:53.000
<v Speaker 2>of my life. Okay, at this point, I just kind

75
00:05:53.000 --> 00:05:53.759
<v Speaker 2>of want what I want.

76
00:05:54.480 --> 00:05:59.040
<v Speaker 1>Yes, I agree. As somebody that's very impatient, I can

77
00:05:59.120 --> 00:06:01.319
<v Speaker 1>really resonate with this one. I feel like this one

78
00:06:01.439 --> 00:06:05.399
<v Speaker 1>sounds safe to me. However, I will say being an

79
00:06:05.439 --> 00:06:13.959
<v Speaker 1>impatient person there is a downside in that. Sometimes sometimes

80
00:06:14.000 --> 00:06:16.839
<v Speaker 1>you can reflect and think, Okay, maybe I should have waited,

81
00:06:17.120 --> 00:06:19.879
<v Speaker 1>or maybe I should have allowed things to happen. But

82
00:06:20.000 --> 00:06:22.639
<v Speaker 1>I also understand from that point of view where like

83
00:06:22.639 --> 00:06:25.560
<v Speaker 1>you said, you've been patient for so long, yeah, and

84
00:06:25.759 --> 00:06:28.160
<v Speaker 1>now it's like you just want what you want, like

85
00:06:28.240 --> 00:06:30.519
<v Speaker 1>you don't have time. We can't bother with the waiting,

86
00:06:30.720 --> 00:06:30.920
<v Speaker 1>you know.

87
00:06:31.160 --> 00:06:36.000
<v Speaker 2>Yeah, But but patient patience is you know you have

88
00:06:36.040 --> 00:06:37.879
<v Speaker 2>to have it. You have to have it at some

89
00:06:38.040 --> 00:06:40.920
<v Speaker 2>point in your life. You know that's true.

90
00:06:41.040 --> 00:06:41.720
<v Speaker 1>That's true.

91
00:06:41.920 --> 00:06:48.399
<v Speaker 2>I think patience without without knowing like what direction it

92
00:06:48.439 --> 00:06:52.240
<v Speaker 2>would take at the end, I think we have we

93
00:06:52.360 --> 00:06:56.120
<v Speaker 2>have to know what we want and know. Let's say,

94
00:06:56.639 --> 00:07:00.879
<v Speaker 2>if let's say we're in a relationship or something and

95
00:07:01.000 --> 00:07:05.279
<v Speaker 2>you have been in this far some time and you're

96
00:07:05.279 --> 00:07:08.519
<v Speaker 2>having problems and you speaking to your partner over and

97
00:07:08.560 --> 00:07:13.240
<v Speaker 2>over and over and nothing is getting done. There comes

98
00:07:13.240 --> 00:07:15.560
<v Speaker 2>a time when in a man's life or in a

99
00:07:15.600 --> 00:07:18.680
<v Speaker 2>woman's life, where you have to understand that this person

100
00:07:18.720 --> 00:07:20.839
<v Speaker 2>is not going to change. So patience is not going

101
00:07:20.879 --> 00:07:22.480
<v Speaker 2>to fix this situation.

102
00:07:22.959 --> 00:07:27.079
<v Speaker 1>Oh Maddy, You're come to tak the things today, you know.

103
00:07:27.319 --> 00:07:32.160
<v Speaker 1>Come to Ta Alex by your real name, because that

104
00:07:32.360 --> 00:07:35.399
<v Speaker 1>is so true. And I'm sure a lot of people

105
00:07:35.480 --> 00:07:40.079
<v Speaker 1>listening are really resonating with it, because you know, I

106
00:07:40.120 --> 00:07:43.920
<v Speaker 1>think it's okay to be patient with somebody, but like

107
00:07:43.959 --> 00:07:46.120
<v Speaker 1>you said, if you know that they're going in the

108
00:07:46.199 --> 00:07:50.079
<v Speaker 1>direction that you need, whatever relationship you have to go in,

109
00:07:50.600 --> 00:07:53.439
<v Speaker 1>that's different than being patient. And like you said, they're

110
00:07:53.480 --> 00:07:56.959
<v Speaker 1>ignoring your wants and your needs and you're just wasting time,

111
00:07:57.040 --> 00:08:01.120
<v Speaker 1>And I think to your point, people don't realiuys, time

112
00:08:01.319 --> 00:08:05.079
<v Speaker 1>is very expensive. It's something that you cannot get back,

113
00:08:06.240 --> 00:08:09.360
<v Speaker 1>you know. So I think that's really wow. I never

114
00:08:09.399 --> 00:08:11.920
<v Speaker 1>thought of it like that, but yeah, that's really insightful

115
00:08:12.040 --> 00:08:15.399
<v Speaker 1>for sure. Definitely. All right, Okay, I can agree with you.

116
00:08:15.439 --> 00:08:19.000
<v Speaker 1>Then I can switch that song safe. That sounds safe,

117
00:08:19.600 --> 00:08:23.000
<v Speaker 1>all right. The next person said, I stay away from

118
00:08:23.040 --> 00:08:27.639
<v Speaker 1>people who avoid self reflection and accountability. If you can't

119
00:08:27.639 --> 00:08:30.439
<v Speaker 1>be real with yourself, there's no way you can be

120
00:08:30.519 --> 00:08:34.440
<v Speaker 1>real with me that song safe.

121
00:08:34.679 --> 00:08:36.639
<v Speaker 2>Yeah, yeah, that sounds.

122
00:08:36.320 --> 00:08:43.480
<v Speaker 1>Safe for sure. Accountability and self reflection is definitely important,

123
00:08:43.519 --> 00:08:46.000
<v Speaker 1>and I feel like a lot of people don't practice it,

124
00:08:46.679 --> 00:08:50.399
<v Speaker 1>which is concerning. Yeah, you know, I think it's easier

125
00:08:50.440 --> 00:08:52.759
<v Speaker 1>for a lot of people to tell you where where

126
00:08:52.759 --> 00:08:55.720
<v Speaker 1>you went wrong or what you did wrong. But it's

127
00:08:55.960 --> 00:08:59.360
<v Speaker 1>very rare that you meet somebody at any level, whether

128
00:08:59.360 --> 00:09:01.960
<v Speaker 1>it's in your work space or personal life, that can say,

129
00:09:02.000 --> 00:09:04.080
<v Speaker 1>you know, what I did this and that wasn't right,

130
00:09:04.279 --> 00:09:06.360
<v Speaker 1>or you know I could have done this better.

131
00:09:07.000 --> 00:09:10.360
<v Speaker 2>Yeah, it's it's always a more difficult conversation speaking to

132
00:09:10.399 --> 00:09:14.799
<v Speaker 2>the mirror, you know, because it's not like we don't

133
00:09:14.840 --> 00:09:16.799
<v Speaker 2>know what we do wrong. We know what we do wrong.

134
00:09:17.039 --> 00:09:20.159
<v Speaker 2>We know, yeah, when we go wrong or when we've

135
00:09:20.240 --> 00:09:24.720
<v Speaker 2>hurt someone, when we've did a bad thing. But comfortability

136
00:09:25.000 --> 00:09:28.200
<v Speaker 2>is a fight for most people. It's been a fight

137
00:09:28.279 --> 00:09:31.759
<v Speaker 2>in my life as well, you know, really yeah, but

138
00:09:32.279 --> 00:09:37.000
<v Speaker 2>growing up and mature and taking taking the time, taking

139
00:09:37.000 --> 00:09:41.960
<v Speaker 2>the patience, you know, and mature and understanding that I'm

140
00:09:42.000 --> 00:09:46.399
<v Speaker 2>not a perfect person. You know, I do make mistakes,

141
00:09:46.399 --> 00:09:49.279
<v Speaker 2>and the only way to move past those mistakes is

142
00:09:49.320 --> 00:09:53.519
<v Speaker 2>to to hold myself aurecomfortable for it, you know, and

143
00:09:53.679 --> 00:09:56.480
<v Speaker 2>do the right work to be a better place. Because

144
00:09:56.559 --> 00:09:58.960
<v Speaker 2>if you already think that you're in the best place,

145
00:09:59.240 --> 00:10:01.000
<v Speaker 2>there's no grow. They're left.

146
00:10:03.039 --> 00:10:06.039
<v Speaker 1>So true. And you're never not growing, I mean unless

147
00:10:06.080 --> 00:10:09.399
<v Speaker 1>you're no longer on this earth. I feel like, you know,

148
00:10:09.480 --> 00:10:11.879
<v Speaker 1>you're always learning. And that's something that I learned a

149
00:10:11.960 --> 00:10:14.799
<v Speaker 1>lot from my dad. You know, at any age, he

150
00:10:14.960 --> 00:10:19.360
<v Speaker 1>always instilled in us you are always learning, you know, Like,

151
00:10:19.480 --> 00:10:22.360
<v Speaker 1>don't ever think you know everything about everything.

152
00:10:22.000 --> 00:10:26.879
<v Speaker 2>Because you don't. You know, a little toddler on the

153
00:10:26.919 --> 00:10:29.200
<v Speaker 2>street could teach you something about your life that you.

154
00:10:29.240 --> 00:10:33.440
<v Speaker 1>Never Yes, yes, that's so true. And those that aren't

155
00:10:33.639 --> 00:10:36.120
<v Speaker 1>interested in learning something new I feel like they stay

156
00:10:36.200 --> 00:10:39.879
<v Speaker 1>stagnant too, Like they may get older in age, but

157
00:10:40.039 --> 00:10:43.159
<v Speaker 1>mentally they're just at the same place because they don't

158
00:10:43.200 --> 00:10:45.679
<v Speaker 1>feel like they can be taught, Like they don't feel

159
00:10:45.679 --> 00:10:47.039
<v Speaker 1>like they're teachable.

160
00:10:47.480 --> 00:10:50.519
<v Speaker 2>Because you put a ceiling on your brain, you know,

161
00:10:50.600 --> 00:10:53.639
<v Speaker 2>you put a ceiling on your you already feel like

162
00:10:53.679 --> 00:10:57.600
<v Speaker 2>you have at this level when you are on a

163
00:10:57.639 --> 00:11:01.480
<v Speaker 2>way lower level. If you think you're the best, there's

164
00:11:01.519 --> 00:11:03.679
<v Speaker 2>nothing better than the best. So you're just going to

165
00:11:03.720 --> 00:11:06.120
<v Speaker 2>stay at this one one rate and the world is

166
00:11:06.200 --> 00:11:07.200
<v Speaker 2>just going to leave you behind.

167
00:11:08.039 --> 00:11:16.480
<v Speaker 1>Yeah, and that no sound safe? All right? Two more then,

168
00:11:16.679 --> 00:11:19.879
<v Speaker 1>oh my gosh. The next person said, I know life

169
00:11:19.919 --> 00:11:23.320
<v Speaker 1>can be tough, but you really have to start wearing

170
00:11:23.360 --> 00:11:23.960
<v Speaker 1>the ordorant.

171
00:11:25.080 --> 00:11:31.519
<v Speaker 2>Definitely, definitely, I can't manage.

172
00:11:31.840 --> 00:11:35.559
<v Speaker 1>Yes, guys, you know, Carnival season is upon us, and

173
00:11:36.039 --> 00:11:39.799
<v Speaker 1>I just feel like this is not the time to

174
00:11:39.879 --> 00:11:43.039
<v Speaker 1>be trying out no anti perspriate thedoran.

175
00:11:43.279 --> 00:11:44.360
<v Speaker 2>Yeah, I think.

176
00:11:45.679 --> 00:11:49.639
<v Speaker 1>It's very important that you smell you know, nice and

177
00:11:49.799 --> 00:11:50.600
<v Speaker 1>fresh and clean.

178
00:11:51.360 --> 00:11:55.519
<v Speaker 2>Yeah, because especially around Kinnival season, around kindival season, yes,

179
00:11:56.159 --> 00:11:59.639
<v Speaker 2>is the time when you see the most shirtless people's

180
00:12:00.080 --> 00:12:00.639
<v Speaker 2>in the world.

181
00:12:01.639 --> 00:12:03.919
<v Speaker 1>You know, true, that's true.

182
00:12:04.120 --> 00:12:07.279
<v Speaker 2>Hygiene is is something that you need to you have

183
00:12:07.360 --> 00:12:13.320
<v Speaker 2>to get right because it's uncomfortable for not just for

184
00:12:13.440 --> 00:12:15.960
<v Speaker 2>the other, but for even your friends. Your friends have

185
00:12:16.039 --> 00:12:17.879
<v Speaker 2>to tell you about it. It's uncomfortable.

186
00:12:18.080 --> 00:12:22.240
<v Speaker 1>Yes, it's very uncomfortable. And we don't deserve that. Yeah,

187
00:12:22.440 --> 00:12:23.919
<v Speaker 1>it's very.

188
00:12:23.919 --> 00:12:26.879
<v Speaker 2>We We deserve to have a conversation where we could

189
00:12:26.960 --> 00:12:29.440
<v Speaker 2>just talk and I don't have to think about about

190
00:12:30.080 --> 00:12:34.120
<v Speaker 2>about the scent. You know, let's have a conversation. It's

191
00:12:34.120 --> 00:12:36.639
<v Speaker 2>me and you're talking, not me and you and your perspiration.

192
00:12:42.679 --> 00:12:46.080
<v Speaker 1>I can't manage. Oh my gosh, I literally have tears

193
00:12:46.080 --> 00:12:53.960
<v Speaker 1>in my No, that is one hundred percent true. I

194
00:12:54.080 --> 00:12:57.399
<v Speaker 1>just wasn't ready.

195
00:12:57.639 --> 00:12:59.360
<v Speaker 2>Sorry for being so sorry.

196
00:12:59.159 --> 00:13:02.480
<v Speaker 1>For being so oh No, I love it. I love it.

197
00:13:02.559 --> 00:13:05.240
<v Speaker 1>I just you'll notice I really love to laugh. So

198
00:13:05.320 --> 00:13:07.399
<v Speaker 1>you're gonna hear me fight from my life a lot.

199
00:13:07.799 --> 00:13:13.360
<v Speaker 1>But it's so true because my mom used to always

200
00:13:13.399 --> 00:13:15.919
<v Speaker 1>tell me, like you know, as a little girl, I

201
00:13:16.000 --> 00:13:18.440
<v Speaker 1>will always tell you things that you need to know,

202
00:13:18.519 --> 00:13:21.080
<v Speaker 1>like your friends probably aren't even always going to tell you, because,

203
00:13:21.120 --> 00:13:23.559
<v Speaker 1>like you said, your friends should tell you. But some

204
00:13:23.679 --> 00:13:27.960
<v Speaker 1>friends don't say anything, you know, and that's concerning. Like

205
00:13:28.559 --> 00:13:32.320
<v Speaker 1>some friends even when it comes to like as a woman, Okay,

206
00:13:32.399 --> 00:13:34.200
<v Speaker 1>you go out with your friends and you see a

207
00:13:34.240 --> 00:13:36.919
<v Speaker 1>group of women and you see, let's say there's three women,

208
00:13:37.039 --> 00:13:40.399
<v Speaker 1>two women. They look beautiful, their makeup is intact, you know,

209
00:13:40.559 --> 00:13:43.360
<v Speaker 1>even though we're outside, like everything is together. And then

210
00:13:43.399 --> 00:13:46.720
<v Speaker 1>you see their friend and her makeup is dripping off

211
00:13:46.759 --> 00:13:49.120
<v Speaker 1>her face, and you know, she just kind of looked

212
00:13:49.120 --> 00:13:51.840
<v Speaker 1>popped down, and you're thinking, why would you let your

213
00:13:51.879 --> 00:13:54.240
<v Speaker 1>friend come out like that? You know, like, why wouldn't

214
00:13:54.240 --> 00:13:57.559
<v Speaker 1>you say something? So it's like, to your point, your

215
00:13:57.600 --> 00:14:00.000
<v Speaker 1>friends shouldn't have to have that conversation, but you should

216
00:14:00.080 --> 00:14:02.080
<v Speaker 1>do it for yourself because you don't know if you

217
00:14:02.200 --> 00:14:05.519
<v Speaker 1>have a friend that wouldn't tell you that, that wouldn't

218
00:14:05.559 --> 00:14:07.919
<v Speaker 1>tell you smell bad, you know what I mean. And

219
00:14:07.960 --> 00:14:10.440
<v Speaker 1>then maybe you see some guy you like and you

220
00:14:10.480 --> 00:14:13.320
<v Speaker 1>go up to him and he said, geez, no, it's

221
00:14:13.399 --> 00:14:23.360
<v Speaker 1>not work. That say, oh my gosh, hilarious. All right,

222
00:14:23.519 --> 00:14:28.440
<v Speaker 1>final one, the person said envy no one. For whatever

223
00:14:28.559 --> 00:14:30.600
<v Speaker 1>you see, a price was paid.

224
00:14:31.720 --> 00:14:36.440
<v Speaker 2>Yeap. Yeah. I strongly believe that same undercent.

225
00:14:36.639 --> 00:14:40.600
<v Speaker 1>I think that people, especially like when you get to

226
00:14:41.720 --> 00:14:44.159
<v Speaker 1>a level of success in your life. I find that

227
00:14:44.279 --> 00:14:47.480
<v Speaker 1>people only see that even the people that have known

228
00:14:47.519 --> 00:14:49.320
<v Speaker 1>you for a long period of time, it's like they

229
00:14:49.399 --> 00:14:52.080
<v Speaker 1>forget all that you had to go through to come

230
00:14:52.080 --> 00:14:54.799
<v Speaker 1>to that point, and they just have this perception like, Oh,

231
00:14:54.840 --> 00:14:57.639
<v Speaker 1>you're so luckier, Oh you made this money, so sureley

232
00:14:57.679 --> 00:14:59.720
<v Speaker 1>can give me a bly, surely can give me a thing?

233
00:15:00.200 --> 00:15:03.240
<v Speaker 1>You can, you know, and they don't consider all of

234
00:15:03.279 --> 00:15:05.720
<v Speaker 1>what you've had to sacrifice to get there. I think

235
00:15:05.759 --> 00:15:06.799
<v Speaker 1>that's such a real thing.

236
00:15:07.080 --> 00:15:10.399
<v Speaker 2>Yeah. Growing up, my mom would always tell me, do

237
00:15:10.519 --> 00:15:13.960
<v Speaker 2>not envy. Do not envy people, you know, because you

238
00:15:14.039 --> 00:15:17.440
<v Speaker 2>do not know what they've done, are the sacrifices they

239
00:15:17.440 --> 00:15:21.679
<v Speaker 2>have to make to achieve what they have. Yes, and

240
00:15:21.799 --> 00:15:24.279
<v Speaker 2>I've been a victim of it when it comes to

241
00:15:25.080 --> 00:15:29.039
<v Speaker 2>even my musical career or even just my life. The

242
00:15:30.080 --> 00:15:34.039
<v Speaker 2>things that that are accessible to me in my life

243
00:15:34.320 --> 00:15:37.320
<v Speaker 2>is all things that was created by me. It wasn't

244
00:15:37.759 --> 00:15:40.480
<v Speaker 2>a hand out that did. I didn't have it easy

245
00:15:41.759 --> 00:15:44.000
<v Speaker 2>right to work for it. I had to work for it.

246
00:15:44.080 --> 00:15:48.480
<v Speaker 2>So whatever whatever situation I am in right now, it's

247
00:15:49.080 --> 00:15:52.639
<v Speaker 2>tanks to me and and my my feet and my

248
00:15:53.200 --> 00:15:59.120
<v Speaker 2>Because I have a praying mom, right she does not play.

249
00:16:00.080 --> 00:16:02.240
<v Speaker 1>Yes, Yes, thank God for them.

250
00:16:02.120 --> 00:16:07.000
<v Speaker 2>Mate, Yeah, thank God for that. So I would never

251
00:16:07.320 --> 00:16:11.559
<v Speaker 2>envy a man because I I personally see what I

252
00:16:11.679 --> 00:16:14.919
<v Speaker 2>do the work, you know, and I like to see

253
00:16:15.720 --> 00:16:18.720
<v Speaker 2>progress is something that I love seeing no matter where

254
00:16:18.720 --> 00:16:22.559
<v Speaker 2>it's coming from. That is just motivating to me. So

255
00:16:22.919 --> 00:16:27.000
<v Speaker 2>I agree, I will see the outcome or the results

256
00:16:27.080 --> 00:16:31.720
<v Speaker 2>of what, of whatever, but I do however, I am

257
00:16:31.840 --> 00:16:34.960
<v Speaker 2>very interested in the process. So even though I see

258
00:16:35.000 --> 00:16:37.759
<v Speaker 2>the big blow up, I will ask questions to try

259
00:16:37.799 --> 00:16:41.279
<v Speaker 2>to know how how did this happen? You know, how

260
00:16:41.360 --> 00:16:45.919
<v Speaker 2>did you grow this business from from one single mod

261
00:16:46.200 --> 00:16:51.279
<v Speaker 2>billing five blocks to to know you're producing five to

262
00:16:51.679 --> 00:16:54.840
<v Speaker 2>blocks a week. I just want to know the process

263
00:16:54.919 --> 00:16:59.200
<v Speaker 2>of that, how the work is done, so me envy.

264
00:16:59.360 --> 00:17:01.759
<v Speaker 2>Envy is never in the cards from me. I like

265
00:17:01.799 --> 00:17:02.759
<v Speaker 2>the work behind it.

266
00:17:03.320 --> 00:17:05.759
<v Speaker 1>That's so beautifully said, and I think it's such a

267
00:17:06.279 --> 00:17:09.680
<v Speaker 1>really important message to put out there, because again, we

268
00:17:09.720 --> 00:17:14.079
<v Speaker 1>live in an area an era excuse me, of social

269
00:17:14.119 --> 00:17:18.079
<v Speaker 1>media where everything is so instant, you know, and people

270
00:17:18.160 --> 00:17:20.920
<v Speaker 1>think they can just go on Instagram or go on

271
00:17:20.960 --> 00:17:23.480
<v Speaker 1>TikTok and make a video and then they're just going

272
00:17:23.559 --> 00:17:25.440
<v Speaker 1>to be the next big thing. And you know, it

273
00:17:25.599 --> 00:17:29.519
<v Speaker 1>just seems like people don't really especially within music. You know,

274
00:17:29.599 --> 00:17:31.880
<v Speaker 1>I grew up in the music business. My dad is

275
00:17:31.920 --> 00:17:36.839
<v Speaker 1>a drummer, and I just find that what I witnessed

276
00:17:36.880 --> 00:17:40.720
<v Speaker 1>when I witnessed him creating music is so different than

277
00:17:40.759 --> 00:17:43.319
<v Speaker 1>what I see now, you know, like the machines and

278
00:17:43.359 --> 00:17:45.519
<v Speaker 1>the AI and all this. And it doesn't mean that

279
00:17:45.559 --> 00:17:48.759
<v Speaker 1>it's all bad, because it's helpful in some ways. But

280
00:17:49.519 --> 00:17:53.440
<v Speaker 1>I find that we've lost like that concept of hard

281
00:17:53.480 --> 00:17:56.400
<v Speaker 1>work and wanting, like you said, to learn what it

282
00:17:56.440 --> 00:17:58.720
<v Speaker 1>took to get there rather than just wanting the.

283
00:17:58.680 --> 00:17:59.559
<v Speaker 2>Outcome, you know.

284
00:18:00.039 --> 00:18:06.920
<v Speaker 1>Yep, all right, So now we're gonna talk the real things.

285
00:18:07.480 --> 00:18:10.559
<v Speaker 1>So I would love it if you could tell me

286
00:18:10.799 --> 00:18:15.240
<v Speaker 1>about your earliest memories of sound. And the reason I

287
00:18:15.279 --> 00:18:18.839
<v Speaker 1>asked that is because I had the CEO of Jahm

288
00:18:18.920 --> 00:18:21.680
<v Speaker 1>Balassi Grenada on here and he explained to me a

289
00:18:21.720 --> 00:18:24.480
<v Speaker 1>lot about jab and you know the sound of the drums.

290
00:18:24.480 --> 00:18:26.759
<v Speaker 1>So anytime I think of Grenada now, I just think

291
00:18:26.799 --> 00:18:31.240
<v Speaker 1>of sound and music and particularly drums, right, yeah, So

292
00:18:31.559 --> 00:18:34.759
<v Speaker 1>if you could tell me your earliest memory not just

293
00:18:35.000 --> 00:18:38.960
<v Speaker 1>of music, but literal sound, like what did Grenada sound

294
00:18:39.079 --> 00:18:40.400
<v Speaker 1>like to you as a child.

295
00:18:41.519 --> 00:18:47.920
<v Speaker 2>As a child, I would say, like my upbringing was

296
00:18:48.039 --> 00:18:51.960
<v Speaker 2>I grew up in church. You know, my mom was

297
00:18:52.400 --> 00:18:56.319
<v Speaker 2>a regular church goer, so I've always I've always been

298
00:18:56.319 --> 00:18:59.680
<v Speaker 2>fascinated with the music, fascinated with the music in church.

299
00:19:00.160 --> 00:19:04.519
<v Speaker 2>So I've always had love for that song, right, yeah,

300
00:19:03.839 --> 00:19:08.519
<v Speaker 2>but you know, growing up, and I didn't used to

301
00:19:08.519 --> 00:19:10.119
<v Speaker 2>take but I think kind of a I would admit

302
00:19:10.240 --> 00:19:14.519
<v Speaker 2>I was not kind of a baby because I am, yeah,

303
00:19:14.720 --> 00:19:17.680
<v Speaker 2>my mother's last child, so I was I was well protected.

304
00:19:18.440 --> 00:19:21.640
<v Speaker 2>I couldn't do a lot of stuff. So when I

305
00:19:21.720 --> 00:19:27.960
<v Speaker 2>did pick up the singing that, yeah, it was it

306
00:19:28.079 --> 00:19:32.119
<v Speaker 2>was different. But I would say kind of our song

307
00:19:32.400 --> 00:19:41.000
<v Speaker 2>like mmm, I would give flowers to the elders, that's

308
00:19:41.079 --> 00:19:46.880
<v Speaker 2>the Tangla and the Jamo and the Inspector, even the

309
00:19:46.920 --> 00:19:49.880
<v Speaker 2>younger elders like Lava Man and mister Killer and them,

310
00:19:50.240 --> 00:19:53.240
<v Speaker 2>I would I would love to give them the floors

311
00:19:53.240 --> 00:19:56.279
<v Speaker 2>because this is what I knew about what music was

312
00:19:56.319 --> 00:19:59.799
<v Speaker 2>supposed to come come from. I supposed to song like

313
00:20:00.480 --> 00:20:02.640
<v Speaker 2>coming from my and my culture.

314
00:20:03.400 --> 00:20:06.920
<v Speaker 1>I love that. I love that beautiful. And did you

315
00:20:07.200 --> 00:20:09.759
<v Speaker 1>know that, I know you grew up in church and

316
00:20:09.880 --> 00:20:12.759
<v Speaker 1>our own music, but did you know that you always

317
00:20:13.119 --> 00:20:14.640
<v Speaker 1>wanted to be an artist?

318
00:20:14.720 --> 00:20:20.839
<v Speaker 2>Particularly I did not. I always loved singing. No, I

319
00:20:20.880 --> 00:20:23.200
<v Speaker 2>always loved singing. I would sing with my friends, I

320
00:20:23.319 --> 00:20:27.559
<v Speaker 2>was singing with my family. And I remember the first

321
00:20:27.759 --> 00:20:32.119
<v Speaker 2>time I recorded myself. Hated my voice, you know, I

322
00:20:32.160 --> 00:20:34.119
<v Speaker 2>told my brothers, I hated my voice.

323
00:20:34.799 --> 00:20:38.039
<v Speaker 1>Yeah, Oh my gosh, I cannot believe that.

324
00:20:39.440 --> 00:20:41.640
<v Speaker 2>Yeah, I mean it was my first time doing it,

325
00:20:41.680 --> 00:20:46.119
<v Speaker 2>and it was uncomfortable hearing my voice or the song

326
00:20:46.200 --> 00:20:49.839
<v Speaker 2>of what I'm saying coming from a different device, you know.

327
00:20:50.359 --> 00:20:56.720
<v Speaker 1>Really, yes, so crazy, wow, wow, wow, that's so crazy

328
00:20:56.759 --> 00:21:00.000
<v Speaker 1>to hear, just because obviously I know your voice as yeah,

329
00:21:00.279 --> 00:21:02.519
<v Speaker 1>the superstar that you are now, so that's hard for

330
00:21:02.559 --> 00:21:05.640
<v Speaker 1>me to conceptualize, but I get it for sure.

331
00:21:06.200 --> 00:21:08.079
<v Speaker 2>And I had to go. I had to go to

332
00:21:08.200 --> 00:21:11.759
<v Speaker 2>the whole long process of learning my voice and stuff

333
00:21:11.799 --> 00:21:15.640
<v Speaker 2>because ever since I started, I've always been producing myself,

334
00:21:15.759 --> 00:21:18.799
<v Speaker 2>always been mixing my own vocal. Has always been doing

335
00:21:18.839 --> 00:21:23.240
<v Speaker 2>the mixing by myself. So it's by yourself. Yeah, it

336
00:21:23.279 --> 00:21:26.400
<v Speaker 2>was a learning experience, up and up and up. So

337
00:21:26.920 --> 00:21:29.200
<v Speaker 2>now I found my voice. You know, I like it.

338
00:21:29.319 --> 00:21:32.759
<v Speaker 2>I'm comfortable with it. I'm guessing the world it's comfortable with.

339
00:21:32.720 --> 00:21:39.599
<v Speaker 1>It, because guessing, hello, that's okay. Be humble, be humble,

340
00:21:39.720 --> 00:21:46.079
<v Speaker 1>that's fine. No, But speaking of your voice, right, your

341
00:21:46.160 --> 00:21:51.359
<v Speaker 1>music plays with a little bit of dance hall, Soca afrofusion,

342
00:21:51.480 --> 00:21:53.920
<v Speaker 1>and it even touches on a little bit of hip hop.

343
00:21:54.440 --> 00:21:58.559
<v Speaker 1>So how intentional is that cross pollination for you? Like,

344
00:21:58.720 --> 00:22:01.319
<v Speaker 1>is it a strategy or is it more of an

345
00:22:01.319 --> 00:22:04.359
<v Speaker 1>intuitive reflection of who you are as a person.

346
00:22:05.079 --> 00:22:10.359
<v Speaker 2>I would say the second one because I wouldn't say

347
00:22:10.359 --> 00:22:15.799
<v Speaker 2>if is cross pollinated because it's actually rooted. I soka

348
00:22:16.119 --> 00:22:19.440
<v Speaker 2>is actually the last genre I started doing.

349
00:22:19.920 --> 00:22:21.960
<v Speaker 1>Okay, Okay.

350
00:22:22.440 --> 00:22:27.480
<v Speaker 2>I started singing in high school and I was singing

351
00:22:27.680 --> 00:22:31.279
<v Speaker 2>hip hop music and dance all music, reggae music for years.

352
00:22:31.440 --> 00:22:35.839
<v Speaker 1>Really, so internally, you're really a Jamaican, is what you're taking.

353
00:22:39.599 --> 00:22:42.279
<v Speaker 2>I don't want to say that now, but I would not.

354
00:22:43.640 --> 00:22:46.440
<v Speaker 1>No, no, I'm just joking, guys. Don't don't kid me.

355
00:22:46.480 --> 00:22:48.640
<v Speaker 1>I'm just joking through and through.

356
00:22:48.960 --> 00:22:52.160
<v Speaker 2>I will say that I am deeply influenced by the

357
00:22:52.240 --> 00:22:55.799
<v Speaker 2>Jamaican culture when it comes to music because what I

358
00:22:55.880 --> 00:23:00.160
<v Speaker 2>do believe that it's music is my thing and I

359
00:23:00.480 --> 00:23:03.640
<v Speaker 2>don't consider myself like a Soca artist. I just consider

360
00:23:03.680 --> 00:23:08.640
<v Speaker 2>myself like an artist because it doesn't matter the success

361
00:23:08.640 --> 00:23:11.200
<v Speaker 2>of what happens to me in SOCA, I will sing

362
00:23:11.279 --> 00:23:14.799
<v Speaker 2>dance all music. I still want to be in rooms

363
00:23:14.839 --> 00:23:16.960
<v Speaker 2>with the big dance all names and the big hip

364
00:23:16.960 --> 00:23:17.519
<v Speaker 2>hop names.

365
00:23:17.839 --> 00:23:22.519
<v Speaker 1>Yes, okay, So and would you say your would you

366
00:23:22.599 --> 00:23:27.920
<v Speaker 1>say your style leans more towards dancehall than soca or

367
00:23:28.000 --> 00:23:30.000
<v Speaker 1>is it? Is it really like in the middle, because

368
00:23:30.000 --> 00:23:33.400
<v Speaker 1>to me it seems like such a like a well

369
00:23:33.480 --> 00:23:36.960
<v Speaker 1>placed mix, like I can hear the dancehall influence, but

370
00:23:37.000 --> 00:23:39.400
<v Speaker 1>then I can kind of hear the Soca the job

371
00:23:39.519 --> 00:23:42.240
<v Speaker 1>in there as well. But how do you perceive it?

372
00:23:42.680 --> 00:23:45.039
<v Speaker 2>I would say it's in the middle. I would say

373
00:23:45.039 --> 00:23:45.839
<v Speaker 2>it's because.

374
00:23:45.519 --> 00:23:46.319
<v Speaker 1>In the middle. Okay.

375
00:23:46.839 --> 00:23:51.400
<v Speaker 2>Even in my SOCA music, I do tend to draw

376
00:23:51.480 --> 00:23:54.519
<v Speaker 2>out a reference and references to dance all lyrics as well,

377
00:23:56.000 --> 00:23:59.279
<v Speaker 2>because to me, Soca is fun. Soca is real fun.

378
00:23:59.599 --> 00:24:04.319
<v Speaker 2>But the dance all side of me wants to express

379
00:24:04.480 --> 00:24:11.119
<v Speaker 2>different stories than just what's fun. So you would get

380
00:24:11.160 --> 00:24:14.640
<v Speaker 2>me to sing some fun stuff, but is really the

381
00:24:14.799 --> 00:24:17.680
<v Speaker 2>side of dance all that would make me say something

382
00:24:17.759 --> 00:24:20.920
<v Speaker 2>like when stars aligned, greatness outshines all het it in

383
00:24:20.960 --> 00:24:24.279
<v Speaker 2>space on time, because that is my song.

384
00:24:24.359 --> 00:24:26.960
<v Speaker 1>You know you got it? But yeah, that is my song.

385
00:24:29.559 --> 00:24:31.960
<v Speaker 2>I would say that I know what you mean though.

386
00:24:32.000 --> 00:24:34.359
<v Speaker 1>Yeah, that's true. We were talking about I forgot what

387
00:24:34.480 --> 00:24:37.400
<v Speaker 1>episode we were talking about it, but saying that Soca

388
00:24:37.480 --> 00:24:40.640
<v Speaker 1>is so fun and so happy. But to your point, like,

389
00:24:40.720 --> 00:24:44.200
<v Speaker 1>when I think of songs with like a message and

390
00:24:44.839 --> 00:24:48.319
<v Speaker 1>wanting to empower you, I truly do think of dancehall

391
00:24:48.440 --> 00:24:52.160
<v Speaker 1>or reggae. However, there are some Soka songs I can't

392
00:24:52.160 --> 00:24:54.119
<v Speaker 1>think of the top of my head, but there are

393
00:24:54.200 --> 00:24:56.599
<v Speaker 1>some that are very empowering as well. So I see,

394
00:24:56.759 --> 00:24:58.359
<v Speaker 1>I definitely see what you're saying.

395
00:24:58.440 --> 00:24:59.440
<v Speaker 2>Yeah, sure, yep.

396
00:25:00.400 --> 00:25:05.279
<v Speaker 1>And speaking of that, you also write your lyrics, and

397
00:25:05.839 --> 00:25:09.599
<v Speaker 1>there's this kind of rawness I would say in your lyrics,

398
00:25:09.599 --> 00:25:13.839
<v Speaker 1>a kind of emotional honesty that comes through. So where

399
00:25:14.240 --> 00:25:17.319
<v Speaker 1>does that come from? And do you write from personal

400
00:25:17.440 --> 00:25:21.880
<v Speaker 1>experience or are you also channeling like a collective story

401
00:25:21.960 --> 00:25:24.720
<v Speaker 1>of maybe your peers or people in your community.

402
00:25:25.640 --> 00:25:28.400
<v Speaker 2>I would say, first off, I do not write music.

403
00:25:28.440 --> 00:25:33.720
<v Speaker 2>I haven't penned a song in the last eight years. Really,

404
00:25:34.279 --> 00:25:39.400
<v Speaker 2>I do not write. I vibe music. I would listen

405
00:25:39.480 --> 00:25:42.160
<v Speaker 2>to a beat and they really will tell me what

406
00:25:42.240 --> 00:25:46.839
<v Speaker 2>to sing. I sometimes I use personal experiences. I use

407
00:25:46.880 --> 00:25:49.519
<v Speaker 2>experiences from my friends, what they go through are just

408
00:25:49.599 --> 00:25:54.400
<v Speaker 2>world experiences, just different ways of creating because I like

409
00:25:54.680 --> 00:25:58.839
<v Speaker 2>my stuff to be open, you know. So it's not

410
00:25:59.079 --> 00:26:01.720
<v Speaker 2>just it's not just a about me. It's not just

411
00:26:01.799 --> 00:26:05.720
<v Speaker 2>about what I experienced. But I have people around me.

412
00:26:05.880 --> 00:26:10.160
<v Speaker 2>I have things that I've experienced, like not not personally,

413
00:26:10.599 --> 00:26:17.640
<v Speaker 2>but around with my surroundings. Okay, and we yeah, we

414
00:26:17.720 --> 00:26:19.759
<v Speaker 2>come up with a good project just by listening to

415
00:26:19.799 --> 00:26:21.440
<v Speaker 2>a couple of beats and vibing.

416
00:26:22.160 --> 00:26:25.000
<v Speaker 1>So just for my clarification, when you say you don't

417
00:26:25.039 --> 00:26:29.200
<v Speaker 1>write music, right, you mean you don't write the actual

418
00:26:29.480 --> 00:26:32.480
<v Speaker 1>like sound, but you come up with the lyrics.

419
00:26:33.200 --> 00:26:35.400
<v Speaker 2>I don't write the lyrics though, So.

420
00:26:35.400 --> 00:26:37.640
<v Speaker 1>How do you how do you come up with the lyrics?

421
00:26:37.680 --> 00:26:37.759
<v Speaker 2>Like?

422
00:26:37.839 --> 00:26:39.240
<v Speaker 1>Is it like a group efforts?

423
00:26:40.920 --> 00:26:43.400
<v Speaker 2>I would say sometimes, but most times I'm just in

424
00:26:43.440 --> 00:26:46.000
<v Speaker 2>the studio by myself. I would listen to a beat.

425
00:26:46.160 --> 00:26:49.799
<v Speaker 2>I would listen to a and then you just speak it. Yeah,

426
00:26:50.039 --> 00:26:51.640
<v Speaker 2>but I wouldn't say a freestyle.

427
00:26:51.799 --> 00:26:56.519
<v Speaker 1>Okay, I know exactly what you mean, now, Okay, okay,

428
00:26:56.640 --> 00:26:59.000
<v Speaker 1>So you come up with the idea and then you

429
00:26:59.119 --> 00:27:02.799
<v Speaker 1>kind of just just flow whatever comes out and then

430
00:27:02.839 --> 00:27:03.799
<v Speaker 1>you piece it together.

431
00:27:04.000 --> 00:27:04.839
<v Speaker 2>Yeah.

432
00:27:04.880 --> 00:27:08.519
<v Speaker 1>So basically you're like the Jay z of Sokan Data.

433
00:27:08.680 --> 00:27:09.039
<v Speaker 2>Got it?

434
00:27:09.200 --> 00:27:11.559
<v Speaker 1>Okay, perfect, perfect.

435
00:27:11.119 --> 00:27:12.119
<v Speaker 2>That's somebject right up.

436
00:27:14.039 --> 00:27:16.160
<v Speaker 1>Well, I'm gonna hear. I'm gonna be on here and

437
00:27:16.160 --> 00:27:18.039
<v Speaker 1>say it. You don't have to say it, but yeah,

438
00:27:18.079 --> 00:27:21.359
<v Speaker 1>that's a gift because that's what I was talking about

439
00:27:21.400 --> 00:27:24.480
<v Speaker 1>earlier when I mentioned Paul, my dad, you know, and

440
00:27:24.559 --> 00:27:27.720
<v Speaker 1>my uncle's formulate songs like I'm talking, you know, the

441
00:27:27.720 --> 00:27:30.920
<v Speaker 1>Bearest Hammonds and things like that. They just come up

442
00:27:30.960 --> 00:27:35.279
<v Speaker 1>with sounds and like rhythms, and you know, things just flow,

443
00:27:35.559 --> 00:27:37.920
<v Speaker 1>and that's what I'm used to seeing. And I find

444
00:27:37.920 --> 00:27:42.000
<v Speaker 1>that these days, you know, you hear people cutting different

445
00:27:42.039 --> 00:27:44.319
<v Speaker 1>tracks and they'll record a track on Tuesday and then

446
00:27:44.319 --> 00:27:46.839
<v Speaker 1>come back on Friday and then and I'm just used

447
00:27:46.839 --> 00:27:50.480
<v Speaker 1>to seeing them having one track like old school, you know,

448
00:27:50.680 --> 00:27:54.640
<v Speaker 1>and you just better not mess up because everyone's playing

449
00:27:54.640 --> 00:27:57.839
<v Speaker 1>live instruments and you just sing whatever you can sing

450
00:27:57.960 --> 00:28:00.000
<v Speaker 1>or come up with. So that's why I want you

451
00:28:00.079 --> 00:28:03.160
<v Speaker 1>explained that. I'm like, Okay, like now I understand what

452
00:28:03.200 --> 00:28:05.880
<v Speaker 1>you're saying. You don't hear that very often these days,

453
00:28:06.000 --> 00:28:10.920
<v Speaker 1>so that's really nice to hear. Okay, So Grenada, right,

454
00:28:10.960 --> 00:28:15.680
<v Speaker 1>You're welcome Grenada to me. I think has such a

455
00:28:15.839 --> 00:28:22.200
<v Speaker 1>rich but underrepresented musical identity. So what do you feel

456
00:28:22.559 --> 00:28:28.319
<v Speaker 1>is misunderstood or overlooked about Grenadian artistry on a global stage.

457
00:28:28.960 --> 00:28:29.640
<v Speaker 2>Overlooked?

458
00:28:29.839 --> 00:28:32.200
<v Speaker 1>Yeah, Like, I feel like a lot of people don't

459
00:28:32.279 --> 00:28:37.279
<v Speaker 1>know how much Grenadians like contribute to Caribbean culture. I

460
00:28:37.279 --> 00:28:39.960
<v Speaker 1>feel like they just think of the Trinidad at least

461
00:28:39.960 --> 00:28:40.799
<v Speaker 1>when it comes to Soca.

462
00:28:41.000 --> 00:28:49.519
<v Speaker 2>Yeah, I would say publishing and marketing is different. I

463
00:28:49.559 --> 00:28:51.119
<v Speaker 2>would say it has a lot to do with the

464
00:28:51.119 --> 00:28:56.400
<v Speaker 2>population of the country as well. Oh, interesting, because we

465
00:28:56.880 --> 00:29:00.960
<v Speaker 2>have to admit that. Yeah, when we we find something

466
00:29:00.960 --> 00:29:04.000
<v Speaker 2>that we like, it doesn't matter who likes it or not.

467
00:29:04.720 --> 00:29:12.079
<v Speaker 2>But it's also a thing where this song has five

468
00:29:12.160 --> 00:29:14.519
<v Speaker 2>hundred thousand views, so it must be better than this

469
00:29:14.640 --> 00:29:19.920
<v Speaker 2>song that has thirty thousand views, you know. So there's

470
00:29:19.960 --> 00:29:22.440
<v Speaker 2>the onlookers that look at it that way as well.

471
00:29:23.359 --> 00:29:26.680
<v Speaker 2>But when it comes to performances across the world, though,

472
00:29:26.839 --> 00:29:30.319
<v Speaker 2>I think that Greenie that does a beautiful job when

473
00:29:30.319 --> 00:29:34.680
<v Speaker 2>it comes to shows, because I've been to the London,

474
00:29:34.799 --> 00:29:37.960
<v Speaker 2>I've been to Canada, I've been to the US to perform,

475
00:29:38.319 --> 00:29:46.480
<v Speaker 2>and it's always like when you perform, it's always well received. Yes,

476
00:29:47.079 --> 00:29:48.640
<v Speaker 2>they know of the job.

477
00:29:49.359 --> 00:29:52.720
<v Speaker 1>Yes, yes, yes, people like me that are new to

478
00:29:52.759 --> 00:29:55.519
<v Speaker 1>it are learning, But I feel like I've gotten a

479
00:29:55.559 --> 00:29:58.079
<v Speaker 1>lot of good lessons these last few episodes. I feel

480
00:29:58.079 --> 00:30:03.720
<v Speaker 1>like I'm pretty much Grenadian at this Yeah. No, that's

481
00:30:03.759 --> 00:30:09.200
<v Speaker 1>definitely true. I think that more persons are becoming aware that, yeah,

482
00:30:09.400 --> 00:30:13.160
<v Speaker 1>you know, Grenada has a place in the whatever you

483
00:30:13.160 --> 00:30:15.480
<v Speaker 1>want to call it, yeah, in the music scene, because

484
00:30:16.039 --> 00:30:18.839
<v Speaker 1>I just think that so many people will hear a song.

485
00:30:19.160 --> 00:30:22.039
<v Speaker 1>I'm one of the people I'm raising my hand and

486
00:30:22.240 --> 00:30:25.960
<v Speaker 1>just automatically assume the person singing is from Trinidad because

487
00:30:25.960 --> 00:30:27.880
<v Speaker 1>they just don't know, you know what I mean, like

488
00:30:27.880 --> 00:30:30.720
<v Speaker 1>when you just don't know something. And that's why I

489
00:30:30.720 --> 00:30:34.400
<v Speaker 1>think these conversations are so important, and that's really why

490
00:30:34.559 --> 00:30:36.720
<v Speaker 1>one of the reasons why I have this platform, because

491
00:30:36.720 --> 00:30:39.160
<v Speaker 1>I think a lot of people might hear songs and

492
00:30:39.200 --> 00:30:41.039
<v Speaker 1>they don't know the artists, and they don't know where

493
00:30:41.039 --> 00:30:43.000
<v Speaker 1>they're from, and they don't know where it comes from.

494
00:30:43.240 --> 00:30:45.759
<v Speaker 1>They just hear it and love it, but they're not

495
00:30:45.880 --> 00:30:48.839
<v Speaker 1>able to associate it with the country or with the person.

496
00:30:49.079 --> 00:30:49.279
<v Speaker 1>You know.

497
00:30:49.519 --> 00:30:51.400
<v Speaker 2>Yeah, yeah, so, but.

498
00:30:51.400 --> 00:30:54.000
<v Speaker 1>Yeah, Grenada's Oh my god, you guys full of energy.

499
00:30:54.039 --> 00:31:00.359
<v Speaker 1>That's very true. You're welcome. And speaking of that and

500
00:31:00.400 --> 00:31:03.799
<v Speaker 1>the stages that you've graced, we have to talk about

501
00:31:03.799 --> 00:31:07.559
<v Speaker 1>your stage presence. Now, I've never seen you live, but

502
00:31:07.680 --> 00:31:10.359
<v Speaker 1>I've watched a lot of your shows online or what

503
00:31:10.519 --> 00:31:15.880
<v Speaker 1>have you, and your energy is undeniable. So what would

504
00:31:15.920 --> 00:31:19.240
<v Speaker 1>you say you're welcome? What would you say is your

505
00:31:19.480 --> 00:31:23.160
<v Speaker 1>mental or emotional state when you're performing, Like do you

506
00:31:23.200 --> 00:31:25.960
<v Speaker 1>feel like yourself or do you kind of like morph

507
00:31:26.119 --> 00:31:27.759
<v Speaker 1>into someone else entirely?

508
00:31:29.720 --> 00:31:36.519
<v Speaker 2>I would say it's a different person, but yeah, it's connected.

509
00:31:37.599 --> 00:31:40.880
<v Speaker 2>I don't want to disconnect myself from it completely. But

510
00:31:41.359 --> 00:31:48.920
<v Speaker 2>I introducing me on the stage and me touching the stage,

511
00:31:49.000 --> 00:31:51.839
<v Speaker 2>there's a huge difference from me having the mic in

512
00:31:51.880 --> 00:31:56.799
<v Speaker 2>my hand and being on the step and me being

513
00:31:56.880 --> 00:31:59.920
<v Speaker 2>on the stage. You will introduce me. I will have butterflies,

514
00:32:00.400 --> 00:32:03.880
<v Speaker 2>I want to use the toilet, I want to do you.

515
00:32:03.799 --> 00:32:06.319
<v Speaker 1>Know, Yes, I didn't know that feeling.

516
00:32:06.480 --> 00:32:11.160
<v Speaker 2>Yeah, And then the music started to play and it just.

517
00:32:11.880 --> 00:32:15.279
<v Speaker 1>I can still resonate with that. Yeah. Yeah, And I

518
00:32:15.319 --> 00:32:19.839
<v Speaker 1>feel like it's also a reflection of a reminder, I

519
00:32:19.839 --> 00:32:23.079
<v Speaker 1>should say, of that's where you're truly meant to be.

520
00:32:23.559 --> 00:32:26.079
<v Speaker 1>It's just you have to get on the stage, you

521
00:32:26.119 --> 00:32:28.119
<v Speaker 1>know what I mean, Like, it's just once you get

522
00:32:28.119 --> 00:32:31.680
<v Speaker 1>on there, it's like you transform into like an avenger

523
00:32:31.759 --> 00:32:36.680
<v Speaker 1>or a power ranger or something. You know. Yeah, No,

524
00:32:36.799 --> 00:32:40.480
<v Speaker 1>I can definitely resonate that for sure. And what's a

525
00:32:40.519 --> 00:32:44.920
<v Speaker 1>song of yours that that you would say changed you,

526
00:32:45.079 --> 00:32:48.519
<v Speaker 1>not your career, but you as a person, like maybe

527
00:32:48.519 --> 00:32:52.680
<v Speaker 1>it taught you something about yourself or unlocks something deeper

528
00:32:52.759 --> 00:32:53.400
<v Speaker 1>within you.

529
00:32:54.079 --> 00:32:56.759
<v Speaker 2>I would say there was a song a couple of

530
00:32:56.839 --> 00:33:01.240
<v Speaker 2>years ago that I did on a bit from No ExM.

531
00:33:02.200 --> 00:33:05.599
<v Speaker 2>We actually did two songs like the back to back

532
00:33:05.640 --> 00:33:06.799
<v Speaker 2>two different years.

533
00:33:07.359 --> 00:33:08.119
<v Speaker 1>Oh okay.

534
00:33:08.279 --> 00:33:12.599
<v Speaker 2>One one was liking Myself that was a groove and

535
00:33:12.880 --> 00:33:19.599
<v Speaker 2>also Tanks, you know, because those those Liking Myself. It

536
00:33:19.759 --> 00:33:22.400
<v Speaker 2>was just a song about me accepting that this is

537
00:33:22.400 --> 00:33:26.079
<v Speaker 2>who I am, you know, and don't matter what what

538
00:33:26.240 --> 00:33:29.119
<v Speaker 2>you do or what you say. I love who I am.

539
00:33:29.359 --> 00:33:30.640
<v Speaker 1>Oh I love that.

540
00:33:31.599 --> 00:33:35.359
<v Speaker 2>And the year after I would say that's my favorite, okay,

541
00:33:35.440 --> 00:33:37.680
<v Speaker 2>and that that that kind of changed me when it

542
00:33:37.720 --> 00:33:40.319
<v Speaker 2>comes to the way I look at myself and also

543
00:33:40.680 --> 00:33:45.559
<v Speaker 2>love that. The year after I did a tribute to

544
00:33:46.079 --> 00:33:49.039
<v Speaker 2>Tanking the fans that that's the name of that song

545
00:33:49.079 --> 00:33:51.920
<v Speaker 2>in stands and that that is a song that really,

546
00:33:52.519 --> 00:33:55.319
<v Speaker 2>you know, it made me appreciate the fans, made me

547
00:33:55.359 --> 00:33:56.400
<v Speaker 2>appreciate myself a lot.

548
00:33:57.000 --> 00:33:59.119
<v Speaker 1>Yeah, I love that. I'm gonna have to look those

549
00:33:59.200 --> 00:34:03.559
<v Speaker 1>up when we can talk. I love those nice, very nice.

550
00:34:04.440 --> 00:34:08.599
<v Speaker 1>And you know you're representing Grenada speaking of like the fans.

551
00:34:08.639 --> 00:34:12.360
<v Speaker 1>You know you're representing Grenada in rooms and on stages

552
00:34:12.480 --> 00:34:16.800
<v Speaker 1>that generations before you couldn't even dream of doing. You know.

553
00:34:17.039 --> 00:34:19.800
<v Speaker 1>So do you carry that with you, like the weight

554
00:34:19.880 --> 00:34:23.559
<v Speaker 1>of that responsibility or do you just try to focus

555
00:34:23.679 --> 00:34:26.199
<v Speaker 1>on the know and not really think about, you know,

556
00:34:26.280 --> 00:34:27.960
<v Speaker 1>the real deep meaning behind that.

557
00:34:29.000 --> 00:34:31.079
<v Speaker 2>I do think about the meaning. I do think about

558
00:34:31.119 --> 00:34:36.199
<v Speaker 2>the meaning. However, I just see it as I'm doing

559
00:34:36.239 --> 00:34:39.559
<v Speaker 2>my part, like this is what I really genuinely feel

560
00:34:39.920 --> 00:34:43.079
<v Speaker 2>like this is what I'm supposed to do, Like I

561
00:34:43.079 --> 00:34:46.760
<v Speaker 2>would be doing this even if I wasn't getting the

562
00:34:47.719 --> 00:34:52.039
<v Speaker 2>reception are paid like that I would. This is my thing.

563
00:34:52.159 --> 00:34:53.159
<v Speaker 2>Music is my thing.

564
00:34:54.760 --> 00:34:57.679
<v Speaker 1>I love that and it's definitely felt through your music.

565
00:34:57.880 --> 00:35:00.480
<v Speaker 1>So that doesn't that doesn't surprise at all.

566
00:35:01.119 --> 00:35:02.119
<v Speaker 2>Thank you.

567
00:35:02.119 --> 00:35:06.960
<v Speaker 1>You're welcome. Okay, So before we transition to our final segment,

568
00:35:07.719 --> 00:35:10.400
<v Speaker 1>I have been allowing my guests to ask me one

569
00:35:10.519 --> 00:35:13.280
<v Speaker 1>question this season, since you guys don't get to ask

570
00:35:13.320 --> 00:35:16.599
<v Speaker 1>me anything. So is there anything you'd like to ask me?

571
00:35:21.360 --> 00:35:26.559
<v Speaker 2>What would I would like to ask? Have you ever

572
00:35:26.599 --> 00:35:27.280
<v Speaker 2>been to Grenada?

573
00:35:28.239 --> 00:35:33.760
<v Speaker 1>I have? Actually I have, Yes, I've been, so technically

574
00:35:34.159 --> 00:35:38.159
<v Speaker 1>i've been twice, but I only like to count once,

575
00:35:38.320 --> 00:35:41.119
<v Speaker 1>which was a couple months ago for my birthday. And

576
00:35:41.199 --> 00:35:43.679
<v Speaker 1>here's the reason. So the first time I went, I

577
00:35:43.719 --> 00:35:47.000
<v Speaker 1>went on a cruise. And I know when people tell

578
00:35:47.039 --> 00:35:49.000
<v Speaker 1>me they go they've been to Jamaica on a cruise,

579
00:35:49.039 --> 00:35:51.719
<v Speaker 1>I instantly roll my eyes because I like, I feel

580
00:35:51.760 --> 00:35:55.119
<v Speaker 1>like you don't really get Jamaica by going on a

581
00:35:55.159 --> 00:35:57.239
<v Speaker 1>cruise and getting off a book for a couple hours.

582
00:35:57.920 --> 00:36:01.119
<v Speaker 1>So when I went a couple months ago, I really

583
00:36:01.159 --> 00:36:05.400
<v Speaker 1>feel like I got to experience like truly Grenada, Like

584
00:36:05.440 --> 00:36:07.239
<v Speaker 1>it felt like I had never been there before, and

585
00:36:07.320 --> 00:36:11.360
<v Speaker 1>I absolutely loved it. And I will be back this

586
00:36:11.440 --> 00:36:15.079
<v Speaker 1>year because it's become like one of my favorite favorite

587
00:36:15.119 --> 00:36:16.360
<v Speaker 1>favorite places.

588
00:36:16.679 --> 00:36:20.119
<v Speaker 2>Yeah, awesome, awesome, Come come for Carnival this year. See

589
00:36:20.159 --> 00:36:21.440
<v Speaker 2>me put that crown on my head.

590
00:36:22.480 --> 00:36:25.639
<v Speaker 1>First of all, I will be there. That's a number one.

591
00:36:25.880 --> 00:36:28.719
<v Speaker 1>I will be there, and I would love to see

592
00:36:28.719 --> 00:36:30.559
<v Speaker 1>you put that crown on your head. I feel like

593
00:36:30.800 --> 00:36:33.440
<v Speaker 1>this is the year. I feel like this is the

594
00:36:33.519 --> 00:36:36.480
<v Speaker 1>year for you. I feel like you are so incredibly

595
00:36:36.519 --> 00:36:40.840
<v Speaker 1>talented and if I mean, you've deserved it before, but

596
00:36:41.119 --> 00:36:44.000
<v Speaker 1>I feel like you're really you know, this is really

597
00:36:44.119 --> 00:36:45.159
<v Speaker 1>going to be the year for you.

598
00:36:46.159 --> 00:36:46.639
<v Speaker 2>Thank you.

599
00:36:49.960 --> 00:36:54.440
<v Speaker 1>All right. So for our final segment, I'm going to

600
00:36:54.559 --> 00:36:59.039
<v Speaker 1>ask you seven quick, rapid fire questions and you have

601
00:36:59.079 --> 00:37:03.679
<v Speaker 1>to answer with the first thing that comes to mind. Okay, okay,

602
00:37:04.039 --> 00:37:08.679
<v Speaker 1>all right? What is one thing that people misunderstand about you?

603
00:37:09.960 --> 00:37:11.199
<v Speaker 2>They think I'm a womanizer?

604
00:37:13.519 --> 00:37:17.719
<v Speaker 1>Really? And is it? Because I usually don't do follow

605
00:37:17.760 --> 00:37:20.239
<v Speaker 1>up questions, but I do have to ask is it

606
00:37:20.320 --> 00:37:24.840
<v Speaker 1>because of your music or because of the way that

607
00:37:24.920 --> 00:37:26.480
<v Speaker 1>you present yourself? Would you say?

608
00:37:27.400 --> 00:37:33.000
<v Speaker 2>I would say my music, okay, because I'm usually not

609
00:37:33.239 --> 00:37:37.480
<v Speaker 2>out that much. I'm literally at home all the time.

610
00:37:38.360 --> 00:37:40.679
<v Speaker 2>If I if I go out, there's a few places

611
00:37:40.679 --> 00:37:42.599
<v Speaker 2>that I hang out just to chill with my friends

612
00:37:42.639 --> 00:37:47.639
<v Speaker 2>and to to online and reason. And if I had

613
00:37:47.719 --> 00:37:50.079
<v Speaker 2>if you see me out, is either I'm at my

614
00:37:50.159 --> 00:37:52.840
<v Speaker 2>friends or I'm performing somewhere.

615
00:37:53.519 --> 00:37:57.559
<v Speaker 1>Oh okay. So when they hear things like bile upon

616
00:37:57.679 --> 00:38:00.880
<v Speaker 1>the job job, they assume that that is who you

617
00:38:00.920 --> 00:38:02.199
<v Speaker 1>are twenty four to seven.

618
00:38:02.719 --> 00:38:05.079
<v Speaker 2>Yeah, okay, okay.

619
00:38:04.800 --> 00:38:08.199
<v Speaker 1>Yeah, man, I know the things them. Yeah, okay, I understand.

620
00:38:08.639 --> 00:38:14.199
<v Speaker 1>All right. What is a song that always uplifts your spirits?

621
00:38:15.440 --> 00:38:20.239
<v Speaker 2>Mm? That song from Chronics when I look at where

622
00:38:20.360 --> 00:38:21.320
<v Speaker 2>I'm coming from?

623
00:38:21.559 --> 00:38:27.559
<v Speaker 1>Oh I love yeah, Yeah, yes, I love that song

624
00:38:27.559 --> 00:38:30.320
<v Speaker 1>and I love Chronics And I'm crossing my fingers and

625
00:38:30.320 --> 00:38:31.880
<v Speaker 1>my eyes that he's coming back this year.

626
00:38:31.920 --> 00:38:32.760
<v Speaker 2>We need him so.

627
00:38:33.079 --> 00:38:38.599
<v Speaker 1>Yeah, I love that. All right. What is your dream collaboration?

628
00:38:40.519 --> 00:38:41.159
<v Speaker 2>I have a lot.

629
00:38:41.960 --> 00:38:45.000
<v Speaker 1>Yeah, but what okay, what's your top Okay, what is

630
00:38:45.039 --> 00:38:46.360
<v Speaker 1>your top five?

631
00:38:46.800 --> 00:38:50.119
<v Speaker 2>How about that? Since you have a lot, okay, top

632
00:38:50.199 --> 00:38:51.480
<v Speaker 2>five collaborations?

633
00:38:51.920 --> 00:38:54.840
<v Speaker 1>Yes, besides me, besides me?

634
00:38:57.599 --> 00:38:59.280
<v Speaker 2>First off, who I'm gonna have to do it. I'm

635
00:38:59.280 --> 00:39:01.519
<v Speaker 2>gonna have to take one of my favorites. I would

636
00:39:01.519 --> 00:39:02.920
<v Speaker 2>say Lyrical.

637
00:39:04.559 --> 00:39:08.679
<v Speaker 1>Oh, yes, I love him. Yeah, that would be Oh

638
00:39:08.760 --> 00:39:10.079
<v Speaker 1>my god, that would sound amazing.

639
00:39:10.800 --> 00:39:13.840
<v Speaker 2>Yeah, I would say lyrical. I would say, also say

640
00:39:16.159 --> 00:39:24.000
<v Speaker 2>skinny fabulous okay, mmm, Marshall Montano.

641
00:39:24.440 --> 00:39:32.320
<v Speaker 1>Ah nice, I would say popcorn. Oh, now, that would

642
00:39:32.360 --> 00:39:35.000
<v Speaker 1>be amazing. Oh my god, I would love to hear that.

643
00:39:35.800 --> 00:39:40.039
<v Speaker 2>Yeah. And for the last one, I'll boy.

644
00:39:40.639 --> 00:39:44.679
<v Speaker 1>Oh that's also a good one, and honestly, I think

645
00:39:44.719 --> 00:39:48.000
<v Speaker 1>those are all possible. I don't even think those are

646
00:39:48.039 --> 00:39:50.800
<v Speaker 1>really dreams. Those are all within the realm of possibility

647
00:39:50.840 --> 00:39:53.960
<v Speaker 1>for you, for sure, especially once you have this grown

648
00:39:54.039 --> 00:40:05.800
<v Speaker 1>on your head. Okay. Next question, would you rather beachside

649
00:40:06.719 --> 00:40:09.480
<v Speaker 1>date or a late night studio session.

650
00:40:14.639 --> 00:40:18.239
<v Speaker 2>I'll have to go to a studio session. But however you

651
00:40:18.840 --> 00:40:23.360
<v Speaker 2>say that, Yeah, if I do have to do a date, though,

652
00:40:23.440 --> 00:40:27.519
<v Speaker 2>I'd rather do a beachside date rather than something fancy restaurant.

653
00:40:28.079 --> 00:40:30.519
<v Speaker 2>We could sit down and spread a blank, we can

654
00:40:30.639 --> 00:40:32.199
<v Speaker 2>have a picnic and chat.

655
00:40:32.400 --> 00:40:35.599
<v Speaker 1>So something different. But if you had to pick between

656
00:40:35.639 --> 00:40:37.880
<v Speaker 1>the two, you would do a studio session.

657
00:40:38.719 --> 00:40:40.159
<v Speaker 2>I love studio. I love studio.

658
00:40:41.000 --> 00:40:46.760
<v Speaker 1>Yeah, okay, nice, nice, all right. Next question, If your

659
00:40:46.920 --> 00:40:49.920
<v Speaker 1>music had a color, what color would it be?

660
00:40:50.679 --> 00:40:51.760
<v Speaker 2>That's a good question.

661
00:40:53.440 --> 00:41:03.119
<v Speaker 1>I told you I'm the Jamaica operh.

662
00:40:59.440 --> 00:41:01.840
<v Speaker 2>My music had to be a color, what would it be?

663
00:41:03.000 --> 00:41:03.800
<v Speaker 2>I would say red?

664
00:41:06.360 --> 00:41:08.400
<v Speaker 1>Really? Why? Because that's my favorite color?

665
00:41:08.519 --> 00:41:12.199
<v Speaker 2>Why it's also my favorite color as well. But I

666
00:41:12.199 --> 00:41:18.159
<v Speaker 2>would say red because I aspired to stand out and

667
00:41:18.280 --> 00:41:19.840
<v Speaker 2>read it is something I always stands out.

668
00:41:19.960 --> 00:41:23.840
<v Speaker 1>I love that. Very nice, very nice, all right. Second

669
00:41:23.880 --> 00:41:27.400
<v Speaker 1>to last question, And we kind of talked about this earlier.

670
00:41:27.920 --> 00:41:32.119
<v Speaker 1>The first song you ever wrote or recorded that made

671
00:41:32.119 --> 00:41:35.320
<v Speaker 1>you say, yeah, man, I hate this, like you knew

672
00:41:35.360 --> 00:41:36.360
<v Speaker 1>it would be a hte.

673
00:41:40.440 --> 00:41:43.679
<v Speaker 2>First song that I recorded in that way, m h,

674
00:41:44.320 --> 00:41:47.119
<v Speaker 2>and I knew what was going to happen, I would say, yes.

675
00:41:48.519 --> 00:41:51.559
<v Speaker 2>I would say last year, I did a song called

676
00:41:51.559 --> 00:41:54.000
<v Speaker 2>The Moment for Sokamoraka play second with it.

677
00:41:54.760 --> 00:41:57.280
<v Speaker 1>I love that song. That's my favorite song.

678
00:41:57.239 --> 00:42:02.960
<v Speaker 2>And that song from the day that I recorded it, yeah,

679
00:42:03.360 --> 00:42:06.960
<v Speaker 2>I say, well, yeah, I actually sent a message to

680
00:42:07.599 --> 00:42:10.159
<v Speaker 2>she actually sent it back to me, one of my critics,

681
00:42:10.519 --> 00:42:13.239
<v Speaker 2>and the day I recorded the song, I sent it

682
00:42:13.280 --> 00:42:16.519
<v Speaker 2>to her and I sent a message. I said, screenshot

683
00:42:16.599 --> 00:42:18.519
<v Speaker 2>this message. This song is going to be the song

684
00:42:18.559 --> 00:42:21.960
<v Speaker 2>that's going to do it for me. Geez sound and

685
00:42:22.679 --> 00:42:26.679
<v Speaker 2>she screenshoted and like the year last year when I

686
00:42:26.719 --> 00:42:29.440
<v Speaker 2>released the song, I actually sent back the screenshot to me.

687
00:42:30.239 --> 00:42:33.920
<v Speaker 1>Yeah, mannish, I love that though. That's honestly one of

688
00:42:33.920 --> 00:42:36.519
<v Speaker 1>my favorite songs of yours, So that doesn't shock me

689
00:42:36.519 --> 00:42:41.480
<v Speaker 1>that that was the one. I absolutely love that. Okay,

690
00:42:41.639 --> 00:42:46.400
<v Speaker 1>And last but not least, if you could get in

691
00:42:46.440 --> 00:42:50.559
<v Speaker 1>a time machine and you could speak to your sixteen

692
00:42:50.599 --> 00:42:53.400
<v Speaker 1>year old self, so your high school self, per se,

693
00:42:53.960 --> 00:42:55.840
<v Speaker 1>what advice would you give him?

694
00:42:57.400 --> 00:43:11.000
<v Speaker 2>I would tell him to focus on music, And I

695
00:43:11.000 --> 00:43:14.599
<v Speaker 2>don't know because I really I would say my experience

696
00:43:15.280 --> 00:43:18.440
<v Speaker 2>of this life kind of lead me up to the

697
00:43:18.480 --> 00:43:22.639
<v Speaker 2>point that I am today and music is something that

698
00:43:22.719 --> 00:43:24.480
<v Speaker 2>does it for me. So I would tell them to

699
00:43:24.639 --> 00:43:29.599
<v Speaker 2>focus on music and love the people that you are around. Love.

700
00:43:30.000 --> 00:43:33.400
<v Speaker 2>Always tell the people that you that you care about,

701
00:43:33.840 --> 00:43:36.599
<v Speaker 2>tell them how much you feel. Because on this journey

702
00:43:36.639 --> 00:43:39.960
<v Speaker 2>I lost a couple of people that was very important

703
00:43:40.039 --> 00:43:40.239
<v Speaker 2>to me.

704
00:43:41.119 --> 00:43:44.280
<v Speaker 1>Oh no, I'm sorry to hear that, but that's such

705
00:43:44.599 --> 00:43:48.239
<v Speaker 1>a powerful message because it's true. I think we think

706
00:43:48.239 --> 00:43:51.360
<v Speaker 1>we have so much time, but I heard this thing

707
00:43:51.360 --> 00:43:53.840
<v Speaker 1>the other day, and it's so true. Time is everything

708
00:43:53.920 --> 00:43:57.280
<v Speaker 1>we have and we don't have, like in the same breath,

709
00:43:57.400 --> 00:44:01.840
<v Speaker 1>you know. So that's a very important message. I love that. Beautiful,

710
00:44:02.000 --> 00:44:07.400
<v Speaker 1>beautiful all right, So you have to let me do

711
00:44:07.599 --> 00:44:10.480
<v Speaker 1>my little thank you. Try your best not to cry.

712
00:44:11.519 --> 00:44:17.920
<v Speaker 1>But Muddy, you have given the Caribbean diaspora more than

713
00:44:17.960 --> 00:44:23.159
<v Speaker 1>a voice. I feel like you've offered us vision. And

714
00:44:23.320 --> 00:44:27.639
<v Speaker 1>what you're doing isn't just for the charts or the accolades.

715
00:44:27.760 --> 00:44:32.039
<v Speaker 1>It's for the culture. It's a reminder that the Caribbean

716
00:44:32.400 --> 00:44:37.920
<v Speaker 1>and Grenada in particular has never lacked power. Only platforms

717
00:44:38.079 --> 00:44:41.519
<v Speaker 1>and you money are building the stage and the language.

718
00:44:42.239 --> 00:44:46.960
<v Speaker 1>You're not just composing songs, You're turning them into archive

719
00:44:47.079 --> 00:44:51.840
<v Speaker 1>and performance into presence. And in doing so, you're not

720
00:44:52.000 --> 00:44:57.039
<v Speaker 1>only claiming the moment, you are expanding the meaning of

721
00:44:57.079 --> 00:45:00.679
<v Speaker 1>what a moment can be for Grenada, for job, job,

722
00:45:01.159 --> 00:45:04.360
<v Speaker 1>and for the Caribbean as a whole. You are not

723
00:45:04.480 --> 00:45:08.280
<v Speaker 1>just an artist from Grenada, but through your music, you're

724
00:45:08.320 --> 00:45:13.079
<v Speaker 1>sending a message that says we belong here, or in

725
00:45:13.159 --> 00:45:16.639
<v Speaker 1>your words, they're gonna have to put the job, job

726
00:45:16.679 --> 00:45:23.519
<v Speaker 1>on a pay So thank you so much for coming

727
00:45:23.519 --> 00:45:24.559
<v Speaker 1>to talk the things with me.

728
00:45:25.079 --> 00:45:27.400
<v Speaker 2>Thank you. It was a pleasure. It was that was

729
00:45:27.440 --> 00:45:29.559
<v Speaker 2>so beautiful, by the way, it was a pleasure being here.

730
00:45:29.639 --> 00:45:31.039
<v Speaker 2>Thank you, Thank you for having me.

731
00:45:31.079 --> 00:45:34.280
<v Speaker 1>Thank you, You're welcome. I was trying not to break

732
00:45:34.280 --> 00:45:36.320
<v Speaker 1>out in song, you know, because that is my song.

733
00:45:37.239 --> 00:45:39.360
<v Speaker 1>So you're gonna have to invite me so I can

734
00:45:39.440 --> 00:45:41.960
<v Speaker 1>be front row acting a fool my jam Macon and

735
00:45:42.079 --> 00:45:43.559
<v Speaker 1>Grenadian flag because now I'm.

736
00:45:44.119 --> 00:45:46.480
<v Speaker 2>You're gonna take a You're gonna take a picture with

737
00:45:46.519 --> 00:45:47.599
<v Speaker 2>a crown on your head this.

738
00:45:47.559 --> 00:45:51.199
<v Speaker 1>Year, Yes, I have to, and I love a crown.

739
00:45:51.280 --> 00:45:56.360
<v Speaker 1>Don't get me tempted, Okay, I will not give it

740
00:45:56.400 --> 00:46:01.679
<v Speaker 1>back to you. No, thank you so much for coming.

741
00:46:01.679 --> 00:46:03.440
<v Speaker 1>And before you go, is there anything you want to

742
00:46:03.480 --> 00:46:05.719
<v Speaker 1>share with the audience, like where they can follow you

743
00:46:05.800 --> 00:46:06.719
<v Speaker 1>all that good stuff?

744
00:46:07.360 --> 00:46:11.880
<v Speaker 2>You can follow me on all social media, all handles

745
00:46:11.920 --> 00:46:19.000
<v Speaker 2>at Muddy on the school, the original and yeah, remember

746
00:46:19.360 --> 00:46:26.760
<v Speaker 2>when stars aligned, greatness out shines all hatred in space and.

747
00:46:27.320 --> 00:46:29.840
<v Speaker 1>So Mandy, you couldn't just bless me with a little

748
00:46:29.880 --> 00:46:31.800
<v Speaker 1>bit of singing that last part.

749
00:46:33.639 --> 00:46:35.599
<v Speaker 2>I could let me try.

750
00:46:35.679 --> 00:46:41.199
<v Speaker 3>Let me try when it stars align, greatness outshines all

751
00:46:41.280 --> 00:46:45.760
<v Speaker 3>hatred in space and time and still with rise, with

752
00:46:45.920 --> 00:46:48.840
<v Speaker 3>grace and with faith in the morning, with chains and

753
00:46:49.079 --> 00:46:57.360
<v Speaker 3>I Hi, I'm a backpack and already backpack and already promoted,

754
00:46:57.440 --> 00:46:58.360
<v Speaker 3>don't laughing.

755
00:46:58.119 --> 00:47:02.199
<v Speaker 2>Already with our backpack and fil now they're going to

756
00:47:02.320 --> 00:47:07.119
<v Speaker 2>put the people I fresh like wicked.

757
00:47:08.400 --> 00:47:11.880
<v Speaker 1>I mean, you're so gracious for blessing me with a

758
00:47:11.960 --> 00:47:20.800
<v Speaker 1>doubt plates I love that m
