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Speaker 1: You are listening to W M and H.

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Speaker 2: World Premiere.

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Speaker 3: What's that sound? What's that sound? Get out my way? Ol,

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burns down, Maxie, scream and shout, hand out, turn this

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town around, stop and look this way.

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Speaker 4: I made some insuficious What I say is what I say.

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And this is a travesty. The earth are trying to

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now and you don't see the tragedy.

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Speaker 3: It's all blurring all it's one and die is a blinded.

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Speaker 4: We think it's typical, but that's just cause it's so shallow.

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Speaker 5: My dad, what's that sound?

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Speaker 4: What's that sound?

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Speaker 5: Get out my way.

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Speaker 3: Out, burns down, Maxie and scream and shout and out

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turn this town round, pe everywhere, pivoty a.

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Speaker 4: That's a nurture, ant care for this world of us.

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I believe the earth will no longer fall apart. We

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can do little. Back to Cather.

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Speaker 3: And find a pistol less forever.

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Speaker 5: What's it sound?

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Speaker 4: What's it sound?

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Speaker 6: Now?

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Speaker 4: A way of burns down, Mixie and scream and shower

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panouts on this town round. What's it sound? What's it sounding?

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Speaker 5: Down my way?

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Speaker 3: I burns down, Bixie and scream and shower pan outs

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on this town around.

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Speaker 4: What's it to turn this town around? What's it sound?

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Speaker 5: What's it sound?

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Speaker 4: What's it sound?

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Speaker 5: In our alway I burnt down.

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Speaker 4: We can see is streaming Chef and also on this

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town around, well it sound?

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Speaker 3: What's it sounds down as streaming Chef? And out on

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this town.

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Speaker 7: That is called turn this Town around? That is Lydia Ready.

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And that is the American radio premiere of that track,

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brand new here on w MNH ninety five point three

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FM to open up this week's Matt connorton Unleashed Lydia Ready.

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We'll be on the show with us on July nineteenth.

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Can't wait for that. But thank you to our friends

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at Big GPR for sending us out such a great

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track and a wonderful way to open the show this week.

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And of course we've got an exciting show for you ahead.

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But first, I am not alone in the studio.

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Speaker 8: Jenny john.

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Speaker 9: Bet, good morning sunshine.

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Speaker 7: Jenny is here in the studio with us.

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Speaker 9: I am present on account of four Yes, I'm.

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Speaker 5: Looking for the babies.

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Speaker 9: I can't see the falcon babies.

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Speaker 7: Oh yeah, in the falcon cam. Yes.

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Speaker 9: For all who do not know, you can go to

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YouTube and find the Falcon cam on top of the

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Brady Sullivan Building right here in the Queen City, and

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you can get to see them and it's really cool,

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especially when the babies are in the camera view.

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Speaker 7: Well, today is of course Saturday, June twenty one, twenty

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twenty five. Welcome everybody. Matt Connorton Unleashed. And yeah, as

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I mentioned, that's the American radio premiere of Turn This

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Town Around by Lydia Ready, and we'll probably play that

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at the top of each hour today, so if you

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miss it, if you're just joining us, you'll get to

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hear it again. But of course we are live from

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the studios of wm n H ninety five point three

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FM and Glorious Manchester, New Hampshire. Very very busy. Of course,

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fishes in town doing three nights at the Snooze Center.

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So lot's going on day away from Elm Street. Well, actual,

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we should well go there. No, we shouldn't say that,

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because there's a lot of there's a lot of commerce

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going on, a lot of vendors and everything, so we

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want to encourage that bravery.

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Speaker 9: We walk down there, but don't try to drive your car.

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Speaker 7: Down Very good for the city, good for the local economy,

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and of course if you're a fish fan, it's great

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for that too.

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Speaker 9: And they're really filling like all of Elm Street with

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all kinds of vendors, Like, Oh, it's really that cool

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for the whole weekend. Yeah, the whole whole week I

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really loved that song. I can't wait till we have

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her on for an interview.

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Speaker 7: Oh yeah, very catchy. Soon, very catchy. Let's see. So

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in just a few minutes we're gonna be talking to

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Moonlight Eclipse, the members of that band. They're from Ireland

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and they're going to be joining us to via Google Teams,

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which we've gotten used to using now because Skype is gone.

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But no looking forward to talking with them. We're gonna

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play one of their tracks in just a moment and

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then we'll we'll close out the interview with another one

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of their songs. But I love their sound and they're

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very very young, they're just starting out in their their

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careers as a band.

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Speaker 9: So really all the way from Galway, Ireland.

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Speaker 7: Yes, yes. On the second hour we have Murphy Clark,

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another great band. Uh, they're gonna be joining us in studio,

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and then in the third hour Aaron Billodo returns and

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Aaron Aaron's got to be in the five Timers club

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by now. He's been on the show a bunch of

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times over the last few years. Always amazing. He brings

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his bassin and his rig and plays live for us,

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and he's you know, as a bass player, I really

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appreciate what he does, especially because I'm a bass player myself.

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But I'm amazing. I can't do what he does, you know,

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I just kind of It's funny. You've probably noticed when

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he's here and he's playing, I'm just kind of watching

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his fingers the entire time. You know. He does a

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lot of that popping and slapping, and I can do

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a little bit of that, but not like he does.

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He's amazing. He's just enormously talented. So he's going to

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come in and play. Really really looking forward to that. So,

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so we got a lot going on today on the show.

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We should also mention to the event tomorrow, Yeah that

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you're going to be set up at.

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Speaker 9: Yes, yes, yes, let me pull up the address real

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quick for everybody. I am a bad person and did not.

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Speaker 7: Pull it up ahead of time.

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Speaker 10: Yah.

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Speaker 9: Well, actually, like so the Great North Ale works right

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here in the Queens City on Holt Avenue ten fifty

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Holt Avenue. They are having their own Fish weekend, so

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if you want to go check them out today, you

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can go down there and actually make your own tie

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dye if you love doing that. Oh but tomorrow they

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are having a big, like festival like event. There's gonna

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be lots of vendors there, music people just and amazing beers.

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They make incredible beers. They have an actual tide one.

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If you are going to the Fish concert, you can

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see great North Airworks beers on tap. And they also

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have a boot set up there as well, So come

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check it out, come say hi to meet and hi

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to Maddie. Tomorrow we're going to be there with some

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friends while they're vending.

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Speaker 7: Yeah, absolutely, so that will be uh what are the

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times on that again?

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Speaker 9: It's from noon to five okay, And I'm going to

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bring some my macromay fun yes, which will be fun.

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And then there's a friend of ours that is going

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to be there with her fabric art. She makes all

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kinds of incredible cool things. And every time they do

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something like this they always have incredible small business vendors

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in there that handcraft things that it just nothing is

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better than a handcrafted gift. I don't care what you get,

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but when somebody gets you something that somebody made with

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their own hands, it's just the best to me. So

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whether you're coming down here onto Elm Street and check

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it out the vendors there through the weekend, or you're

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coming to join us at the Great North Airworks on

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Hold af here in the Queen City, please come say

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hi and enjoy this wonderful tiede dyed fishy weekend.

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Speaker 7: Very good, very good. I don't know about the fishy part.

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I don't need seafood.

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Speaker 9: You don't know what's good for you. I love seafood,

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but this is different. Fishy is not an.

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Speaker 7: Yes yes, yes, yeah, absolutely. Oh it's going to be

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very hot by the way too. There's a heat advisory,

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and you know it's funny. I was thinking, well, that's

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more for our local listeners, but then again, you know,

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because obviously we have a lot of people who listen

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all over the country online or even all over the world.

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I just heard from Sunset Radio in Ireland who are

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saying hello. But speaking of Ireland and our first guest

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today in just a moment from Ireland. But I guess

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this heat advisory is actually quite a bit of the country.

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So regardless of where you are listening in the United

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States online, there's an excellent chance that you are included

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in the heat advisory.

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Speaker 9: Especially those here in New England were not necessarily used

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one hundred degree heats and with the humidity that will

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be coming in and it's gonna be hot, So keep

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yourself hydrated, keep yourself cooled, where some block. If you're outside,

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UV light is not so great for anybody's skin.

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Speaker 7: Oh hello to w FRM Radio in Wolverton Hampton, UK.

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See I told you we had listeners all over the world.

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People don't People don't believe me, But I'm not just

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hot bands.

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Speaker 9: We had from here. We've had German bands, We've had

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Australian bands, We've had British bands and of course Ireland, Ireland, Irish,

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I can't speak Irish bands. We've had bands from all

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around the globe and it's exciting every time we get them.

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Speaker 7: Absolutely well, let's do this. I'm gonna go ahead and

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hit this track. This is from Moonlight Eclipse, great band

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from Ireland who is going to be joining us via

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Google Teams in just a moment. But check this out.

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I love their sound. This is called shattery knees and

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the band is a moonlight eclipse.

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Speaker 5: Don't mean everything's changing. It's not how it used to be.

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I can't drive.

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Speaker 11: Nobody even bout there excited me. You want us all

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to listen now, but we are screaming at you speak.

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Speaker 5: If something doesn't kill me by tomorrow, I'll get it.

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Speaker 12: Got it right, jump.

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Speaker 13: It's all my boots and still those and things don't

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miss me.

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Speaker 11: Make a train gets me one morning time won't be

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long for less behind Sound Prequice makes me want to

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be the vibrations are getting to be.

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Speaker 12: Sound preque makes me feel the rain.

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Speaker 11: Sucking tide and no it's not a good sounds pretty

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qu makes me wondering.

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Speaker 5: Sad in the serious ways.

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Speaker 4: The lyrics of the ball.

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Speaker 5: It's a something too put something back. You start.

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Speaker 11: If you keep bucket Bunny answers your finely for sure.

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Speaker 5: But when you look you stopping does it's all.

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Speaker 11: Sin something that makes jumping thing mage trade. It's me

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want a tide won't belong for less. Stop pray Let's

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makes me water.

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Speaker 5: The five percent I got it And.

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Speaker 12: Sound ray please make me build the rays in second

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time And no it's not a good sound. Prays makes

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me want to.

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Speaker 5: Read percent I got it.

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Speaker 7: Oh that is epic. I love it. That is Moonlight

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Eclipse and the track is called Shattering Knees. They are

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from Ireland and let's see we have them via Google

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teams Moonlight Eclipse. Can you hear me? Wonderful? Wonderful? Sometimes

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these international connections don't always don't always go, uh go

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as planned, so it's always a relief when, uh, when

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it works out. So I'm very happy that you're joining

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us this morning on Matt Connorton unleased, or at least

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it's morning there. I don't know what time it is here,

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but I have an email here, so I'm gonna try

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to this. This email very helpfully spells your names phonetically

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for me. So I'm gonna I'm gonna try these Irish names. Yeah,

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so I'm gonna I'm gonna try. Uh let's see, so

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and then you know what, I'll introduce you all and

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and then you can you can correct me afterward because

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I'll probably I'll probably screw these up anyway, but okay.

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So singer and guitarist Blaheen Hogan Uh Lucas Bradley lead guitarist,

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that one's easy. Uh if keeg bassist and owen keeg drummer,

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that one's easy. Okay? Did I did I get those

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even remotely correctly?

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Speaker 3: Oh?

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Speaker 7: Wow, wonderful, wonderful. That's a that's a relief. Okay. I

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do try to get everyone's names correctly. But so welcome. So,

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and you're all very young, right, ages sixteen to eighteen.

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I'm okay, gotcha. No, I marvel at that because your

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your sound is very mature, at least at least for

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what we're used to hearing in America. I've rarely heard

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a band as young as as you all are who

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can pull off the sophistication of of your songs. And

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and I love that track Shattering Knees. And then of

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course we're absolutely absolutely and we're gonna play the other

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one at the end of the interview. We'll play the

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other one that you sent us, which is also also

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really good. But now you all met in high school?

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Is that correct?

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Speaker 4: Yeah?

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Speaker 1: Exactly, or an Irish version.

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Speaker 6: Yeah, it's called secondary.

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Speaker 7: School here, but yeah, secondary school okay? And then so

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did this band actually start? Well, actually, so is one

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of you still in high school or secondary school and

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so actually.

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Speaker 14: Two of those are yeah, two of us are, and

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then the two other guys they just finished their last.

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Speaker 6: Year like just the other month.

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Speaker 7: So yeah, outstanding. So starting this band, uh obviously with

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with some members still in school. I mean, how did

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this come about? How did how did the four of

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you come together to perform Moonlight Eclips?

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Speaker 1: So we have this like this kind of it's called

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transition year.

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Speaker 15: It's it's kind of just this year where you go

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on a bunch of trips and stuff and it's like

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it's like a break.

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Speaker 1: It's kind of like a doss here break year in

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between the other.

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Speaker 6: Years, just like figure out what you want to do.

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Speaker 1: And me and Lucas the guitarist we were during that year.

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Speaker 15: We wanted to do something because we were doing like

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basically nothing, So we said, we've I can start learning

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instruments and we try and start a band.

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Speaker 1: So me and Lucas and then two other people.

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Speaker 15: From that year started just like learning guitars and I

276
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started learning drums and stuff. We didn't think it was

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going to go anywhere, but like we just said we'd

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do it for the crack.

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Speaker 1: For the fun.

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Speaker 15: Yeah, And then so we did that for like one

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or two months and then the other two people kind

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of stopped they but then we met blocking.

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Speaker 6: Yeah, because I'd been like playing a lot of music.

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Speaker 14: I've played music for like two years for this Yeah,

285
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and we like me and if because I own our siblings, yeah,

286
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I mean because we're we're two years below owning Lucas

287
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and they would be practicing like with their a band

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in the music room.

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Speaker 6: I mean, if we're just like chilling on the other side,

290
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the little sister and her best friend.

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Speaker 4: Yeah.

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Speaker 6: But it was like I always wanted to be in

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a band. That was like kind of my like dream.

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Speaker 1: But then came up to me, yeah, oh yeah, my

295
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friends a singer. Do you want to do you want kid?

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Speaker 15: She don't in the band because we're like, okay, yeah,

297
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we'll hear her. So then we heard her singing, I

298
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was like, oh wow, yeah, this could actually work.

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Speaker 6: Yeah, so this I did until much later after that.

300
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Speaker 1: Yeah, the social media yea. She joined because we needed

301
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a basically.

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Speaker 6: The pace for the band, because.

303
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Speaker 7: That's I kind of just like it just worked.

304
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Speaker 1: We started practicing and we actually realized we're actually very.

305
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Speaker 6: Good, so we were.

306
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Speaker 9: Yeah.

307
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Speaker 1: So then it kind of just kept growing and growing.

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Speaker 7: You know, yeah, it almost it sounds like. I mean,

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my perception from what you're saying, tell me if I'm right,

310
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is that you you went into this with no particular expectations, right.

311
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Speaker 14: And then our first single, I think it was two

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months we've been a band, had to play their instruments

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for two months, and basically my parents, because I play

314
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music pages, they got me like a little voucher for

315
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a recording studio.

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Speaker 6: And just for Christmas, and I was like, well, guys,

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we need to a song and go.

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Speaker 1: I remember hearing that first song. We played that song

319
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and I thought it was like the best.

320
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Speaker 6: It's like it's like the simplest song. It has the

321
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five chords over and over again.

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Speaker 1: You're like this, We're like, this song is absolutely amazing.

323
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Speaker 10: You know.

324
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Speaker 6: I remember you went into the bathroom to call you dad.

325
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I was like, oh my god, we just wrote a hitt.

326
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I was at the time.

327
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Speaker 1: A few months later, listening back on it, it's not

328
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a great song.

329
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Speaker 7: No, that's is remarkable how quickly it came together. And

330
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then of course here here you are. Now you're you're

331
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on American radio already.

332
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Speaker 16: So.

333
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Speaker 7: That so that's great. I'm curious too, about influences, partly

334
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because you know you're in Ireland and also too you're

335
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so young, Like who are who are some of of

336
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your And I'm sure among the four of you, you know,

337
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there's a variety of different influences. But I'm curious who

338
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you all listen to over there and who you're influenced by. Musically.

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Speaker 6: Well, I'm not going to speak for the.

340
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Speaker 14: Whole band, but for me, like, like I know, we

341
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played rock and it's definitely edging on the heavy side.

342
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But like, I can't say that pop doesn't influence my

343
00:21:18,480 --> 00:21:21,039
songwriting because normally the songs that I write and then

344
00:21:21,160 --> 00:21:23,279
chow to the band, they're very kind of like poppy

345
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in that way, and then we kind of bring them

346
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into that. But yeah, like I don't know, definitely influence

347
00:21:28,960 --> 00:21:30,759
the pop, but I love like System Move Down and

348
00:21:32,240 --> 00:21:33,720
like I've listened to a lot of their.

349
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Speaker 6: Music, so I think it's kind of a mix of

350
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a lot of different genres.

351
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Speaker 15: Yeah, like we all come from fairly different backgrounds, like

352
00:21:41,119 --> 00:21:44,359
music wise, yes, yeah, I did a lot of traditional

353
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music when I was younger and stuff, but yeah, so

354
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that's why, like I also listened to heavy stuff as

355
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well though, But then like Etho would listen to some

356
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pop music, I listened to like some heavy music.

357
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Speaker 1: Bline listen to another genre. And then they all kind

358
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of come together to make this on a new thing.

359
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Speaker 16: You know.

360
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Speaker 15: It's like, yeah, influences come from all over the place. Yeah,

361
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it's not set on one set.

362
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Speaker 1: Kind of thing.

363
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Speaker 6: You know, Like they don't like some of the music

364
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I listened to, and I would like some like you know,

365
00:22:11,720 --> 00:22:13,640
it's kind of like so much we all bring it together.

366
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Speaker 7: Yeah, yeah, no, that's great. What what is it like

367
00:22:17,279 --> 00:22:20,279
there in terms of if you're to be to be

368
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your age going through the school system there? What what

369
00:22:24,119 --> 00:22:27,200
is it like in terms of the arts because here

370
00:22:27,200 --> 00:22:29,519
in the United States, you know, it varies a lot

371
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depending on the school system and how much money they

372
00:22:31,839 --> 00:22:36,119
put into their budgets and whatnot. There's, uh, some school

373
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systems that are very encouraging of you know, they have

374
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music classes and everything, and and some some school systems

375
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are just cutting everything. But I'm curious what it's like

376
00:22:44,440 --> 00:22:46,279
over there. And and maybe the four of you have

377
00:22:46,400 --> 00:22:49,839
had similar experiences or different experiences, but I'm curious what

378
00:22:50,400 --> 00:22:52,720
like like when you're growing up and you decide to

379
00:22:52,799 --> 00:22:56,599
do something like this is is the the education system.

380
00:22:56,640 --> 00:22:59,720
They're very encouraging. It kind of sounds like like it

381
00:22:59,880 --> 00:23:02,319
is is because you mentioned one of you is it

382
00:23:02,359 --> 00:23:04,160
called the discovery year? Is that what you called it?

383
00:23:06,240 --> 00:23:09,240
Transition year, which which I've heard of before, But so

384
00:23:09,599 --> 00:23:12,319
I'm assuming there's there's kind of a support system there

385
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if you want to get into the arts, right.

386
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Speaker 17: Yeah.

387
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Speaker 18: Yeah, the school we uh go to went to, know,

388
00:23:20,440 --> 00:23:23,880
they're very supportive with everything Kardia did because it's kind of.

389
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Speaker 1: A small school.

390
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Speaker 18: You kind of know all the teachers and everything there.

391
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Speaker 17: Like for the music, We're so grateful for the school

392
00:23:31,839 --> 00:23:34,920
because they let us stay in the music room during

393
00:23:35,319 --> 00:23:38,359
lunch breaks and in the morning before classes started.

394
00:23:39,799 --> 00:23:42,799
Speaker 1: Yeah, yeah, do practice write songs in there. A lot

395
00:23:42,880 --> 00:23:45,200
of writing went on in there and everything.

396
00:23:45,759 --> 00:23:49,319
Speaker 18: And even in transition year, there's like plays you do

397
00:23:50,039 --> 00:23:53,599
and they just take you to a bunch of different places,

398
00:23:53,640 --> 00:23:56,119
like there was a comedy show or something at one

399
00:23:56,160 --> 00:24:00,920
point as well, just get people interest it in, like

400
00:24:01,119 --> 00:24:03,200
the arts around the place and everything.

401
00:24:04,000 --> 00:24:07,079
Speaker 14: Very like they definitely like for the last and in

402
00:24:07,240 --> 00:24:10,400
two three years, every lunch break we've you know, had

403
00:24:10,519 --> 00:24:14,640
guitar drovecho blasts like singing our heart set and it's

404
00:24:14,799 --> 00:24:17,200
right like the wall between the music room and the

405
00:24:17,319 --> 00:24:20,039
massive like lunch fall is as thin as a piece

406
00:24:20,039 --> 00:24:22,559
of paper and everyone has to listen to her music

407
00:24:22,720 --> 00:24:25,640
every single day. So pretty grateful that they will get

408
00:24:25,680 --> 00:24:27,000
up with them for so long. And we go to

409
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an all Irish school as well.

410
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Speaker 6: Yeah, we take Irish all day.

411
00:24:29,880 --> 00:24:33,359
Speaker 9: So in school, did they do you guys get opportunities

412
00:24:33,480 --> 00:24:36,119
to like learn string instruments or.

413
00:24:37,599 --> 00:24:41,480
Speaker 16: Like we all study music in the schools like mandatory.

414
00:24:41,559 --> 00:24:43,839
Speaker 14: They'll teach us UK just so we have like like

415
00:24:43,920 --> 00:24:46,079
you can do whatever instrument you want, but it's just

416
00:24:46,559 --> 00:24:48,240
like you can pick because it's.

417
00:24:48,400 --> 00:24:52,119
Speaker 15: Kind of like they do it very in a universal way,

418
00:24:52,240 --> 00:24:54,640
as in like if you want to God and learn

419
00:24:54,680 --> 00:24:56,200
a specific instrument, you go and get.

420
00:24:56,079 --> 00:24:58,839
Speaker 1: Lessons outside the school. But like yeah, they'll teach like

421
00:24:59,480 --> 00:25:02,240
a more you universal way in music class.

422
00:25:02,920 --> 00:25:06,759
Speaker 6: Yeah, and just like the youth scene like in Ireland

423
00:25:06,839 --> 00:25:07,799
is so good. They haven't this.

424
00:25:07,960 --> 00:25:10,400
Speaker 14: We have this thing called Music Generation which is funded

425
00:25:10,440 --> 00:25:13,759
by you too, and it's like it's just basically like

426
00:25:13,880 --> 00:25:17,519
this massive like music organization that helps like young bands.

427
00:25:17,559 --> 00:25:20,960
You have artists, they do gigs around like around the country,

428
00:25:21,079 --> 00:25:23,480
and like if you need instruments, you can go to

429
00:25:23,559 --> 00:25:24,920
them and figure out something.

430
00:25:25,000 --> 00:25:27,559
Speaker 6: Like they're just really good. They have free practice spaces around,

431
00:25:27,720 --> 00:25:29,359
Like it's just they're really helpful as class.

432
00:25:29,920 --> 00:25:34,599
Speaker 7: Oh that's fantastic, that's actly. Yeah, yeah, yeah, absolutely absolutely. Now,

433
00:25:34,759 --> 00:25:37,400
so what's kind of the I mean, you know, you're

434
00:25:37,480 --> 00:25:39,240
you're so young. Do you have a long term plan

435
00:25:39,400 --> 00:25:41,319
for this band? Or I mean, is this something that

436
00:25:41,400 --> 00:25:43,680
you think you're going to be doing for you know,

437
00:25:43,759 --> 00:25:47,039
because you're you're off to a fantastic start, you know, so,

438
00:25:47,279 --> 00:25:50,000
I mean it'd be a shame if I assume you're

439
00:25:50,000 --> 00:25:52,039
not gonna tell me no, we're just kind of doing

440
00:25:52,079 --> 00:25:54,880
this for fun and we're just gonna you know, I

441
00:25:55,279 --> 00:25:59,000
assume there's some sort of long term ambition here, but

442
00:25:59,160 --> 00:26:01,680
but maybe not. I'm curious that's.

443
00:26:01,559 --> 00:26:04,039
Speaker 15: The dream anyways, you kind of you kind of always

444
00:26:04,079 --> 00:26:06,880
hope that it like we're definitely not going to stop now.

445
00:26:07,160 --> 00:26:10,039
Speaker 1: Yeah, it's definitely keep going for now, and you kind

446
00:26:10,039 --> 00:26:12,720
of kind of just see where it goes. Yeah, it's

447
00:26:12,839 --> 00:26:15,160
it's we're definitely not going to stop. But yeah, you

448
00:26:15,279 --> 00:26:17,359
just you don't know where road take it.

449
00:26:17,960 --> 00:26:19,880
Speaker 14: I think we all have like like I think we

450
00:26:19,960 --> 00:26:21,839
all have like those of those things in your life

451
00:26:21,880 --> 00:26:23,680
and like other things that we want to receive.

452
00:26:23,759 --> 00:26:25,160
Speaker 6: But I think the band will always be a.

453
00:26:26,759 --> 00:26:28,160
Speaker 10: Definitely dream if.

454
00:26:28,119 --> 00:26:30,319
Speaker 15: We don't make it anywhere big, Like you always, you'll

455
00:26:30,359 --> 00:26:31,720
always be playing on the weekends.

456
00:26:31,759 --> 00:26:33,839
Speaker 1: You'll always you have for the fun, you know.

457
00:26:34,640 --> 00:26:39,960
Speaker 7: Yeah, now you've got so these the two the two

458
00:26:40,039 --> 00:26:42,160
tracks that you sent to us, Caught in a Fire

459
00:26:42,640 --> 00:26:45,599
and Shattering Knees? Are those Are those the only two

460
00:26:45,599 --> 00:26:47,240
you've recorded so far? Or do you have more?

461
00:26:47,519 --> 00:26:47,640
Speaker 4: Uh?

462
00:26:48,079 --> 00:26:49,359
Speaker 7: Or maybe you're working on more?

463
00:26:50,200 --> 00:26:53,039
Speaker 1: There's yeah, there's more. We have like eight singles out

464
00:26:53,119 --> 00:26:54,359
now on Spotify.

465
00:26:54,640 --> 00:26:59,799
Speaker 14: Actually we have two recorded that aren't released, with three

466
00:27:00,200 --> 00:27:01,680
three recording, three recorded.

467
00:27:02,559 --> 00:27:04,440
Speaker 7: Yeah, I'm gonna have to go back and listen to

468
00:27:04,480 --> 00:27:07,559
your other tracks on Spotify because I'm very I'm very

469
00:27:07,599 --> 00:27:09,759
curious because like I said, I love these. I love these.

470
00:27:11,200 --> 00:27:12,559
Speaker 1: You'll hear that first one we didn't?

471
00:27:12,599 --> 00:27:12,799
Speaker 13: Yeah?

472
00:27:12,839 --> 00:27:19,240
Speaker 7: Yeah, yeah, it's not the dates and make sure you do, okay, gotcha. No,

473
00:27:19,400 --> 00:27:22,359
I'm very I'm very curious. Where does the name come from?

474
00:27:22,440 --> 00:27:25,559
Moonlight Eclipse? Is there a particular meaning to that?

475
00:27:26,720 --> 00:27:29,319
Speaker 14: No, we were we were pushed to make a name, Like,

476
00:27:29,640 --> 00:27:31,400
I think it took us months to sign the name

477
00:27:31,440 --> 00:27:33,839
who went through about five We were like over.

478
00:27:33,720 --> 00:27:37,319
Speaker 1: Exclosure like a week.

479
00:27:37,680 --> 00:27:40,359
Speaker 16: Yeah, we're going to call ourselves Shattering Knees as well,

480
00:27:40,480 --> 00:27:41,640
so that's why the song's name.

481
00:27:42,559 --> 00:27:45,599
Speaker 6: Yeah, through a lot of different names, but you.

482
00:27:45,640 --> 00:27:46,359
Speaker 1: See most of them.

483
00:27:46,400 --> 00:27:48,880
Speaker 15: We we would decide on a name and then realized

484
00:27:48,880 --> 00:27:50,359
there was a band that already had that name.

485
00:27:51,119 --> 00:27:54,440
Speaker 1: Oh really, you'd be amazed at like how many bands

486
00:27:54,480 --> 00:27:57,680
are actually obscure names.

487
00:27:58,079 --> 00:28:01,480
Speaker 6: Yeah, it's like every name is yah, where did you

488
00:28:01,559 --> 00:28:03,440
come from with moonshine.

489
00:28:05,359 --> 00:28:06,400
Speaker 1: Moonshiny clips?

490
00:28:09,079 --> 00:28:10,799
Speaker 19: And then we were like, yeah, but that sounds too

491
00:28:10,880 --> 00:28:16,440
much like moonshine, like the drink, So let's just change

492
00:28:16,480 --> 00:28:19,400
the bits because it's kind of nice.

493
00:28:19,200 --> 00:28:19,359
Speaker 9: You know.

494
00:28:19,599 --> 00:28:21,759
Speaker 7: Oh yeah, no, I like it. I like it a lot.

495
00:28:23,160 --> 00:28:24,960
Speaker 6: We do have to say a really weird thing though.

496
00:28:25,240 --> 00:28:27,920
Speaker 20: We've been like people forget the name our band lot

497
00:28:28,000 --> 00:28:30,519
and not like not like people who know each other,

498
00:28:30,640 --> 00:28:33,960
but different people in like different places and different venues

499
00:28:34,200 --> 00:28:37,000
have called us Midnight Eclipse, but they're not connected.

500
00:28:38,640 --> 00:28:42,359
Speaker 1: Express Moon Express or Midnight Eclipse.

501
00:28:42,440 --> 00:28:47,079
Speaker 6: And because they've all comes to this like it's another one.

502
00:28:47,200 --> 00:28:48,160
Speaker 1: Yeah, I don't know where that.

503
00:28:51,039 --> 00:28:54,920
Speaker 7: Oh wow, well that'll uh you know, hopefully in time,

504
00:28:55,119 --> 00:28:57,039
you know, as you as you continue to build a

505
00:28:57,079 --> 00:28:59,920
following and build a fan base, uh, people will will

506
00:29:00,039 --> 00:29:02,279
be more accurate with your name. That's funny though, but

507
00:29:02,880 --> 00:29:04,160
but yeah, it is. It is hard to find a

508
00:29:04,240 --> 00:29:07,319
name that's not already you know, because you One thing

509
00:29:07,400 --> 00:29:09,559
you obviously don't want to get into a situation of

510
00:29:09,680 --> 00:29:12,200
is when you have a name that uh, you've established

511
00:29:12,240 --> 00:29:14,079
and then it turns out, you know, somebody else says,

512
00:29:14,119 --> 00:29:16,240
oh no, we were using that first, and then they're

513
00:29:16,279 --> 00:29:18,920
threatening you with some sort of legal action or something.

514
00:29:19,119 --> 00:29:22,680
Speaker 16: So this website where you can put in a bound

515
00:29:23,079 --> 00:29:24,960
right and it will tell you no matter how unknown

516
00:29:25,039 --> 00:29:27,680
the band is, if they are like anything released.

517
00:29:28,640 --> 00:29:31,200
Speaker 1: It's taken that Oh wow.

518
00:29:31,319 --> 00:29:33,359
Speaker 7: Yeah, that's a good tool to have. Do you remember

519
00:29:33,440 --> 00:29:34,960
what the site is? You know, off hand?

520
00:29:37,880 --> 00:29:43,279
Speaker 18: Before I think it's it's gone now years ago, so yeah, okay,

521
00:29:43,519 --> 00:29:46,400
you know, because you can just look up the like band.

522
00:29:46,240 --> 00:29:47,680
Speaker 6: Registration name or something.

523
00:29:51,079 --> 00:29:54,680
Speaker 7: Yeah, okay, yeah, I was just curious. No, that's uh no,

524
00:29:54,839 --> 00:29:57,240
that's very cool. And then have you done any videos

525
00:29:57,359 --> 00:29:58,799
for for any of these tracks yet?

526
00:29:59,759 --> 00:30:00,200
Speaker 9: Not yet?

527
00:30:00,880 --> 00:30:04,599
Speaker 14: That is definitely something we want to have a friend

528
00:30:04,640 --> 00:30:07,160
of ours, he like makes a lot of short films

529
00:30:07,160 --> 00:30:09,799
and he's coming like into that. I have like good

530
00:30:09,839 --> 00:30:11,799
quality cameras and I think he's hoping to make a

531
00:30:11,880 --> 00:30:15,359
music video with sometimes productions on YouTube.

532
00:30:17,279 --> 00:30:18,839
Speaker 7: Yeah. Excellent, excellent.

533
00:30:19,759 --> 00:30:22,880
Speaker 1: Yeah, So maybe maybe this summer because we'll be free.

534
00:30:23,039 --> 00:30:27,680
Speaker 6: So it's just been so busy because so much and Lucas.

535
00:30:29,079 --> 00:30:30,799
Speaker 1: And final exams this year as well.

536
00:30:31,400 --> 00:30:36,640
Speaker 7: Oh yeah yeah, And what's the live schedule, Like what's

537
00:30:37,000 --> 00:30:38,359
like are you able to get out and play a

538
00:30:38,440 --> 00:30:44,559
lot of shows or I don't know, last night? Yeah, yeah, excellent.

539
00:30:45,440 --> 00:30:45,640
Speaker 1: Yeah.

540
00:30:45,759 --> 00:30:47,920
Speaker 15: So for the past like a few months, we've been

541
00:30:47,960 --> 00:30:50,359
taking a break because of the exams, but now that

542
00:30:50,480 --> 00:30:52,720
they're finished, we have a lot of gigs.

543
00:30:52,920 --> 00:30:53,119
Speaker 6: Yeah.

544
00:30:53,240 --> 00:30:55,799
Speaker 14: I also, though I broke my finger two months ago,

545
00:30:57,079 --> 00:30:59,559
I've been trying to work around that because I'm not

546
00:31:00,079 --> 00:31:00,880
able to play guitar.

547
00:31:01,240 --> 00:31:02,680
Speaker 1: Why didn't you tell them how you broke it?

548
00:31:04,079 --> 00:31:05,039
Speaker 18: That it's on the.

549
00:31:05,079 --> 00:31:06,279
Speaker 6: Mechanical bull.

550
00:31:07,680 --> 00:31:08,400
Speaker 7: Really Yeah.

551
00:31:11,000 --> 00:31:12,960
Speaker 14: See we're in transition here and we're going on all

552
00:31:13,000 --> 00:31:15,720
these like stupid weird trips around the world and.

553
00:31:18,839 --> 00:31:21,079
Speaker 7: So what so what happened? Did you get thrown from

554
00:31:21,119 --> 00:31:22,759
the mechanical bull and you landed on your.

555
00:31:22,640 --> 00:31:24,720
Speaker 14: Hands or something or like a broke that you had

556
00:31:24,759 --> 00:31:26,680
to hold onto on the bowl, but the rope like

557
00:31:26,839 --> 00:31:30,079
you pull it out and pulled it out. I didn't

558
00:31:30,160 --> 00:31:33,839
like continually continuously holding up force and my like finger

559
00:31:33,920 --> 00:31:36,240
got launched in with the rope and then the bulls

560
00:31:36,240 --> 00:31:38,519
started going around and just.

561
00:31:38,559 --> 00:31:40,039
Speaker 16: Like yeah, and then she had to go to like

562
00:31:40,079 --> 00:31:42,480
an Italian hospital and there's a language bowrier.

563
00:31:42,400 --> 00:31:44,279
Speaker 6: Like was faster.

564
00:31:44,720 --> 00:31:48,960
Speaker 7: Yeah, oh no, wow, oh that's that's that's terrible. How

565
00:31:49,039 --> 00:31:49,240
are you?

566
00:31:50,279 --> 00:31:52,680
Speaker 6: Italian doctors were like they're like, you know, it's fine,

567
00:31:52,839 --> 00:31:54,440
you know, just go back to hostel maybe in ten

568
00:31:54,519 --> 00:31:55,079
days in Ireland.

569
00:31:55,160 --> 00:31:56,880
Speaker 14: And then as soon as I got back home, we

570
00:31:56,960 --> 00:31:59,160
went straight to hospel and they're like, yeah, you need surgery.

571
00:32:00,200 --> 00:32:04,279
Speaker 7: Okay, wow yeah now that's uh, but you're able to

572
00:32:04,319 --> 00:32:05,960
work around it as far as playing or how are you?

573
00:32:06,039 --> 00:32:06,680
How are you doing that?

574
00:32:07,359 --> 00:32:09,880
Speaker 6: Yeah, because like Nigas plays lead, so he just kind of.

575
00:32:10,160 --> 00:32:12,319
Speaker 7: Okay, they combine.

576
00:32:14,759 --> 00:32:15,680
Speaker 6: Turn the base of real.

577
00:32:16,000 --> 00:32:19,799
Speaker 1: Yeah, it'll be like we probably have to wait until

578
00:32:20,680 --> 00:32:22,119
her finger heels, until.

579
00:32:21,920 --> 00:32:25,079
Speaker 15: We can do more original records exactly because our songs

580
00:32:25,119 --> 00:32:25,680
are very.

581
00:32:28,039 --> 00:32:30,279
Speaker 21: Yeah, like like.

582
00:32:31,759 --> 00:32:33,160
Speaker 1: I have a lot of rhythm stuff and a lot

583
00:32:33,160 --> 00:32:34,359
of sort of stuff at the same time.

584
00:32:35,960 --> 00:32:38,440
Speaker 14: But like we're definitely grateful for the opportunity because it's

585
00:32:38,440 --> 00:32:41,839
cool to see how, like how our stage presence kind

586
00:32:41,839 --> 00:32:44,960
of works, because like it's definitely I can be more

587
00:32:45,000 --> 00:32:47,279
kind of interactive with the crowd obviously when I don't.

588
00:32:47,079 --> 00:32:48,480
Speaker 6: Know, guitar on me and I can kind of walk

589
00:32:48,480 --> 00:32:52,039
around with the microphone, you know. Yeah, it's cool to like,

590
00:32:52,279 --> 00:32:53,319
you know, it's grateful.

591
00:32:53,000 --> 00:32:54,799
Speaker 1: To have his pros and cons.

592
00:32:55,799 --> 00:32:57,400
Speaker 7: You know, Well, that's a that's a good way to

593
00:32:57,440 --> 00:32:59,400
look at it. And yeah, I mean, and that's and

594
00:32:59,480 --> 00:33:01,240
that's part of and something like this, right, you know,

595
00:33:01,319 --> 00:33:02,880
these things will happen and then you find a way

596
00:33:02,920 --> 00:33:06,480
to work around it. And no, that's that's great, that's great.

597
00:33:07,279 --> 00:33:09,920
Where should people Where should people go online to to

598
00:33:10,079 --> 00:33:12,559
learn more about I've obviously you mentioned you know, you're

599
00:33:12,599 --> 00:33:15,359
on Spotify, But is there any place in particular people

600
00:33:15,359 --> 00:33:17,200
should go online to keep up with everything that Moonlight

601
00:33:17,240 --> 00:33:19,559
Eclipse is doing a very.

602
00:33:19,519 --> 00:33:23,839
Speaker 1: Active Instagram with Facebook, So on Facebook eclips.

603
00:33:25,400 --> 00:33:29,400
Speaker 14: It's just Midlight clips on Instagram and like TikTok it's

604
00:33:29,880 --> 00:33:30,839
the clips official.

605
00:33:31,279 --> 00:33:32,839
Speaker 6: Yeah, and We have a YouTube as well.

606
00:33:33,079 --> 00:33:35,680
Speaker 14: Yeah, that's just Moonlight Clips and then Spotify and like

607
00:33:35,799 --> 00:33:37,880
all the other stream platforms is Moonlight.

608
00:33:38,279 --> 00:33:42,559
Speaker 1: Most of our updates are on Instagram and then we

609
00:33:42,720 --> 00:33:49,160
post videos of some like yeah, I think that we

610
00:33:49,279 --> 00:33:51,480
went live on the YouTube yesterday as well.

611
00:33:52,920 --> 00:33:56,680
Speaker 7: Oh excellent, excellent, and then where where's when is your

612
00:33:56,720 --> 00:33:59,440
next show? We should we should mention that we actually

613
00:33:59,519 --> 00:34:01,039
have believe it or not. I don't know if you

614
00:34:01,079 --> 00:34:04,519
know this, but we actually have listeners in Ireland who

615
00:34:04,559 --> 00:34:06,960
tune in online. Yeah that's the you know, this wonderful

616
00:34:07,000 --> 00:34:12,000
thing about the internet. Well, yeah, go.

617
00:34:12,000 --> 00:34:15,519
Speaker 6: Ahead, we are on the Unfortunately, these guys are going

618
00:34:15,639 --> 00:34:19,480
to Italy. I'm going to France fortunately.

619
00:34:21,519 --> 00:34:22,519
Speaker 7: Unfortunately. Wow.

620
00:34:24,639 --> 00:34:25,639
Speaker 1: We are looking forward to.

621
00:34:27,320 --> 00:34:30,239
Speaker 14: The next few weeks we are away. But actually the

622
00:34:30,360 --> 00:34:32,679
day after I come back from the States, we are

623
00:34:33,280 --> 00:34:36,519
on the nineteenth of July. We're playing in Dallians so

624
00:34:36,599 --> 00:34:39,000
it's a pub and athen Ry Go Away and.

625
00:34:41,280 --> 00:34:42,199
Speaker 6: But the Capital.

626
00:34:42,280 --> 00:34:44,840
Speaker 14: We're playing in Dublin on the fourteenth of August and

627
00:34:44,840 --> 00:34:48,239
the Santa which is quite a popular venue. So shout

628
00:34:48,239 --> 00:34:50,960
out to anyone in Irelands.

629
00:34:51,920 --> 00:34:52,840
Speaker 6: Fourteenth of August.

630
00:34:53,400 --> 00:34:57,679
Speaker 7: Excellent, excellent, very good, well listen. I want to thank

631
00:34:58,079 --> 00:34:59,800
all four of you for joining us this morning. This

632
00:34:59,880 --> 00:35:01,840
is wonderful and we will definitely do this again in

633
00:35:01,880 --> 00:35:04,199
the future as you're releasing new music and whatnot. And

634
00:35:04,360 --> 00:35:07,840
uh and in a moment, we're gonna play this. We're

635
00:35:07,880 --> 00:35:10,679
gonna hit this track Caught in a Fire, another great song.

636
00:35:10,840 --> 00:35:12,760
I love this. Uh, I love this very much. So

637
00:35:13,079 --> 00:35:14,719
I think you've got a great sound. You're off to

638
00:35:14,800 --> 00:35:17,800
a great start, and and congratulations on everything that you're doing.

639
00:35:17,880 --> 00:35:23,960
This is wonderful. So absolutely we will do it again.

640
00:35:24,079 --> 00:35:26,159
I'll let you go and we'll hit this track, Moonlight Eclipse.

641
00:35:26,239 --> 00:35:31,960
Thank you so much. Bye bye. All right, very good,

642
00:35:32,079 --> 00:35:35,239
very good. That is Moonlight Eclips And uh, yeah, like

643
00:35:35,599 --> 00:35:37,719
I said, they're off to a wonderful start there. You know,

644
00:35:37,800 --> 00:35:39,400
they're so young. I wish I had that. I wish

645
00:35:39,440 --> 00:35:41,719
I had that level of ambition and discipline when I

646
00:35:41,800 --> 00:35:42,320
was that age.

647
00:35:42,599 --> 00:35:45,679
Speaker 9: I think, well, obviously some of it comes from their environment.

648
00:35:45,840 --> 00:35:48,119
Oh yeah, it sounds like they have such an amazing

649
00:35:48,599 --> 00:35:51,360
exposure to arts and this transition year where they get

650
00:35:51,440 --> 00:35:53,800
even more I mean, I wish we did that here,

651
00:35:54,079 --> 00:35:54,599
I really do.

652
00:35:54,800 --> 00:35:55,000
Speaker 16: I know.

653
00:35:55,159 --> 00:35:59,280
Speaker 9: Yeah, yeah, you should be introducing music in elementary school.

654
00:35:59,360 --> 00:36:01,519
Kids will be able to read music, they'd be able

655
00:36:01,559 --> 00:36:03,480
to play a different instruments, because when they're so young,

656
00:36:03,760 --> 00:36:07,800
they're pliable, right, Those brains suck up everything you give them. Yeah,

657
00:36:07,960 --> 00:36:10,280
And I think that's wonderful that these kids are. So

658
00:36:10,559 --> 00:36:13,679
they sound very confident. Yeah, I mean excellent to have

659
00:36:13,800 --> 00:36:16,280
somebody from Ireland who reached out to us, Yeah, which

660
00:36:16,280 --> 00:36:18,719
is always an honor. And I'm really excited to see

661
00:36:18,719 --> 00:36:19,480
where they go from here.

662
00:36:19,719 --> 00:36:22,159
Speaker 7: Absolutely, me too, Me too. So we're gonna hit this

663
00:36:22,280 --> 00:36:24,719
track Caught in a Fire. When we come back. We

664
00:36:24,920 --> 00:36:27,239
might have a little surprise. We might have somebody call

665
00:36:27,320 --> 00:36:29,480
in for just a few minutes who is not who

666
00:36:29,559 --> 00:36:31,159
we haven't talked to in a long time, but I

667
00:36:31,400 --> 00:36:33,280
really think I might know. But I'm really excited to

668
00:36:33,280 --> 00:36:36,599
talk to He's someone who does a lot in the

669
00:36:36,719 --> 00:36:38,559
music industry and the music scene here in New Hampshire

670
00:36:38,599 --> 00:36:41,440
and I love it and just a wonderful person, just

671
00:36:41,639 --> 00:36:43,159
a great friend who I haven't talked to in a

672
00:36:43,199 --> 00:36:45,840
long time. So but in the meantime, let's hit this track.

673
00:36:45,960 --> 00:36:48,400
This is called Caught in a Fire and this is

674
00:36:48,760 --> 00:36:49,760
Midnight Eclipse.

675
00:37:55,440 --> 00:37:56,519
Speaker 12: Lets can bout you.

676
00:37:57,440 --> 00:37:58,119
Speaker 13: I can I.

677
00:38:03,199 --> 00:38:06,320
Speaker 12: Get you down and run the line.

678
00:38:10,400 --> 00:38:19,360
Speaker 5: Of the plain. Bell is not your ride. Gotta get

679
00:38:19,519 --> 00:38:29,679
out of this burning home. Backing is a heart of stone.

680
00:38:34,360 --> 00:38:43,599
Speaker 12: They won't mix you up, broken bones, Try to avoid them.

681
00:38:43,639 --> 00:38:51,679
Speaker 5: Yourself, Try to the wires. Now know that matters. When

682
00:38:51,760 --> 00:38:56,920
you got in the fire, when you got in the fire.

683
00:39:13,199 --> 00:39:52,199
Speaker 12: Yeah, leave that floondle that flones say, don't pick.

684
00:39:52,159 --> 00:39:52,920
Speaker 13: Up the phone.

685
00:39:55,719 --> 00:39:57,039
Speaker 5: No, not secret.

686
00:39:59,440 --> 00:40:02,519
Speaker 12: Try you leave it, don't you say? I'm trying to

687
00:40:02,639 --> 00:40:09,800
say that. There's no pet agreement with this way that

688
00:40:10,000 --> 00:40:13,599
you love in God.

689
00:40:30,440 --> 00:40:58,960
Speaker 13: Yeah, but there's a circle, there's a lie.

690
00:41:04,119 --> 00:41:07,199
Speaker 5: I don't care. The leave you to die.

691
00:41:12,239 --> 00:41:20,239
Speaker 22: They will deny you the chance to go higher. Would

692
00:41:20,400 --> 00:41:23,440
not even matters when you count it a fire?

693
00:41:25,840 --> 00:41:26,719
Speaker 5: Would you die?

694
00:41:27,159 --> 00:41:47,920
Speaker 12: Bion't? It's got like they won't get up.

695
00:41:52,000 --> 00:41:53,800
Speaker 5: Trying to make them onside.

696
00:41:54,039 --> 00:42:22,800
Speaker 7: Everything is long, that is caught in a fire. That

697
00:42:22,920 --> 00:42:26,679
is moonlight eclipse. So good, so good, love them from Ireland.

698
00:42:26,760 --> 00:42:29,599
Thank you again to them for joining us. And uh,

699
00:42:29,719 --> 00:42:33,039
a little bit of a surprise here, Slicko is that you?

700
00:42:34,920 --> 00:42:36,039
Speaker 4: It's me dude.

701
00:42:36,760 --> 00:42:38,880
Speaker 7: Hey, Slicko is joining us. We haven't talked in a

702
00:42:38,960 --> 00:42:40,280
long time. How are you doing.

703
00:42:41,400 --> 00:42:44,159
Speaker 10: I'm doing great. I'm doing great. I got a corporate job.

704
00:42:45,079 --> 00:42:45,199
Speaker 16: Uh.

705
00:42:45,719 --> 00:42:48,000
Speaker 10: We won't discuss that, you know how I am the jobs.

706
00:42:48,360 --> 00:42:50,079
Speaker 7: Yeah, but no, I'm doing great.

707
00:42:50,079 --> 00:42:53,360
Speaker 10: I'm doing great, kind of working on a new podcast,

708
00:42:54,320 --> 00:42:56,599
working on some promoting a little bit of this little

709
00:42:56,639 --> 00:42:56,800
bit that.

710
00:42:57,320 --> 00:42:57,880
Speaker 7: Oh, very good.

711
00:42:58,400 --> 00:43:00,400
Speaker 10: I don't know you know about crime, but of prime,

712
00:43:00,599 --> 00:43:01,440
so you do?

713
00:43:01,679 --> 00:43:03,360
Speaker 7: Okay? All right, cool?

714
00:43:03,679 --> 00:43:03,920
Speaker 23: Cool?

715
00:43:04,320 --> 00:43:06,599
Speaker 7: Well, No, I'm glad. You've got a lot going on.

716
00:43:06,760 --> 00:43:08,920
That's that's usually the case with you. And you mentioned

717
00:43:09,000 --> 00:43:11,039
in a messenger. I'm sorry, not a messenger in the

718
00:43:11,119 --> 00:43:13,639
chat room. Uh that you got a show tonight, A

719
00:43:13,719 --> 00:43:15,039
big show tonight to talk about.

720
00:43:15,639 --> 00:43:19,880
Speaker 10: Yeah, big show tonight. Uh oh, big show tonight. It's

721
00:43:19,920 --> 00:43:23,039
gonna be Enhanton at Club Madison, a bunch of rappers,

722
00:43:23,199 --> 00:43:27,960
AJ Reynolds. Oh, it's gonna be Eighth the Grim, this

723
00:43:28,119 --> 00:43:31,360
guy Onyx from Dover. It's gonna be amazing. A lot

724
00:43:31,360 --> 00:43:32,760
of time. I do got to go, Matt, but I

725
00:43:32,880 --> 00:43:35,079
just want to say I miss you. We got to

726
00:43:35,119 --> 00:43:38,400
get on the podcast soon. Let's do some work and

727
00:43:38,559 --> 00:43:40,760
you gotta get me on the wrestling podcast. Man. Oh,

728
00:43:40,880 --> 00:43:42,599
definitely Things of the Wrestling Podcast.

729
00:43:42,760 --> 00:43:46,000
Speaker 7: Yeah, definitely. Yeah, Yeah, we'll we'll talk offline and we'll

730
00:43:46,039 --> 00:43:48,119
make something happen. Absolutely yeah. It's been a while since

731
00:43:48,159 --> 00:43:49,960
we've since we've seen you, brother, so it would be

732
00:43:50,400 --> 00:43:51,480
be very cool to do something.

733
00:43:52,719 --> 00:43:55,480
Speaker 10: We need a good long interview, good hour, solid me

734
00:43:55,559 --> 00:43:58,039
and Matt breaking the ratings again like the good old days.

735
00:43:58,119 --> 00:43:59,800
Speaker 7: I agree, that sounds good to me. Man.

736
00:44:00,159 --> 00:44:03,840
Speaker 10: All right, well, good luck, well down tonight, Hampton Beach Club, Madison,

737
00:44:04,119 --> 00:44:07,639
AJ Reynolds eighth the Grim Allix, It's gonna be wild.

738
00:44:07,920 --> 00:44:10,840
I'll be there, all.

739
00:44:10,800 --> 00:44:14,440
Speaker 7: Right, sweet love Madison, all right, very good, all right, Slicko.

740
00:44:14,519 --> 00:44:16,119
Good good to your for you and my friend talk soon,

741
00:44:17,840 --> 00:44:20,800
all right, bye bye. All right, that was our friend, Slicko.

742
00:44:21,079 --> 00:44:22,719
And what we're going to do now if you are

743
00:44:22,840 --> 00:44:25,559
listening live on Saturday morning, we're going to take a

744
00:44:25,639 --> 00:44:28,480
quick commercial break, and then our next guests have arrived.

745
00:44:28,639 --> 00:44:31,480
Very excited about this, but stick around, plenty more to come.

746
00:44:33,639 --> 00:44:35,840
Speaker 24: In times of crisis, you need a law firm that

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Speaker 25: Sponsor of w MNH. Disneys Cafe is the place to

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put us smile on your face. Judy and the crew

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Speaker 21: Taste buds right.

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Speaker 26: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust groll In Computers,

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Speaker 13: Seven times out of ten we listened to our music

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at Nice.

784
00:46:56,519 --> 00:46:59,679
Speaker 16: That's can titled books program.

785
00:46:59,519 --> 00:47:02,239
Speaker 24: Late to Light with DJ mitas right here on w

786
00:47:02,519 --> 00:47:04,079
MNH Manchester.

787
00:47:04,719 --> 00:47:09,480
Speaker 5: Because Saturdays and Sunday nights midnight to four am.

788
00:47:10,800 --> 00:47:16,239
Speaker 8: This hour on WMNH is sponsored by CGI Business Solutions,

789
00:47:16,599 --> 00:47:20,639
located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight sixty six eighty four to

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Business Solutions dot com.

795
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Speaker 27: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP. Their sunic cardets

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of Manchester is the transcending through the ether ninety five

798
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point three megahertz frequency modulation or transmissions M and E

799
00:47:57,960 --> 00:48:00,920
from the ZF one thousand Elm Street Venture into the

800
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hearts of our creative realm at one nineteen Canal Street,

801
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where innovation and sound collode. They're the improm mod of

802
00:48:08,119 --> 00:48:11,679
Manchester Public Television Service in the venerable city of Manchester,

803
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New Hampshire, USA. Enrich your auditory journey with the depth

804
00:48:15,599 --> 00:48:19,039
of our license to WESN'TSSPT Your missives did w m

805
00:48:19,119 --> 00:48:22,000
n H ninety five three at gmail dot com or

806
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traverse the virtual corridors of wmnhradio dot org. Engage with

807
00:48:26,599 --> 00:48:29,360
our sonic vibrations by communing with us through the digital

808
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channels or radio beconds eager to enthrall you with its

809
00:48:33,079 --> 00:48:38,079
mesmerizing kidence and develop you with a symphony of foundless auditories, wonderde.

810
00:48:41,800 --> 00:48:47,880
Speaker 25: Wmnh rip the novels you're listening to WMNAH.

811
00:48:49,360 --> 00:48:50,320
Speaker 2: World Premiere.

812
00:49:01,360 --> 00:49:04,599
Speaker 4: What's that sound? What's that sound? Get out our way?

813
00:49:04,760 --> 00:49:09,400
Speaker 3: Al burns down, Mixie, scream and shout, and I turn

814
00:49:09,519 --> 00:49:13,480
this town around, stop and look this way.

815
00:49:13,800 --> 00:49:16,039
Speaker 4: I made some insufficients. What I see is what I say.

816
00:49:16,159 --> 00:49:19,360
And this here's a travesty. The earth are trying to

817
00:49:19,480 --> 00:49:21,119
now and you don't see the tragedy.

818
00:49:21,840 --> 00:49:25,719
Speaker 3: It's all blurring. All it's one, and I sup blinded.

819
00:49:26,280 --> 00:49:29,960
We think it's typical, but that's just cause we're so shallow.

820
00:49:30,119 --> 00:49:32,320
Speaker 4: My dad, what's that sound?

821
00:49:32,559 --> 00:49:33,519
Speaker 5: What set sound?

822
00:49:33,639 --> 00:49:34,559
Speaker 7: Get out my way?

823
00:49:34,760 --> 00:49:38,920
Speaker 3: Oh burns down, Mixie and scream and shout, and I

824
00:49:39,199 --> 00:49:45,079
turn this town around. Pee everywhere, pivoty your parts and

825
00:49:45,280 --> 00:49:48,360
nurture and to care for this world of ours.

826
00:49:48,760 --> 00:49:53,599
Speaker 4: I believe the earth will no longer fall upont We

827
00:49:53,840 --> 00:49:59,079
canclue it all back to Cather and find a piece

828
00:49:59,119 --> 00:50:00,519
of less for river.

829
00:50:01,360 --> 00:50:02,320
Speaker 5: What's it sound?

830
00:50:02,599 --> 00:50:03,480
Speaker 4: What's it sound?

831
00:50:03,880 --> 00:50:04,000
Speaker 13: Out?

832
00:50:04,119 --> 00:50:08,079
Speaker 3: Moway of burns down, Maxie and scream.

833
00:50:07,760 --> 00:50:11,920
Speaker 4: And shout, pan out on this town round. What's it sound?

834
00:50:12,199 --> 00:50:13,079
What's it sound?

835
00:50:13,159 --> 00:50:16,679
Speaker 3: And get out a way of burns Down, Maxie and

836
00:50:16,840 --> 00:50:20,239
scream and shout, pan out on this town around.

837
00:50:25,360 --> 00:50:26,960
Speaker 4: What's it town?

838
00:50:28,840 --> 00:50:29,079
Speaker 3: Cause?

839
00:50:29,599 --> 00:50:36,559
Speaker 4: Turn this town round? What's it sound?

840
00:50:39,800 --> 00:50:40,719
Speaker 5: What's it sound?

841
00:50:41,000 --> 00:50:41,880
Speaker 4: What's it sound?

842
00:50:42,280 --> 00:50:47,079
Speaker 3: Alway of burns down, Baxie and stream and shower and

843
00:50:47,320 --> 00:50:48,079
out turn.

844
00:50:47,960 --> 00:50:49,000
Speaker 4: This town around?

845
00:50:49,400 --> 00:50:51,920
Speaker 5: What's it sound? What's it sound? O?

846
00:50:52,119 --> 00:50:57,280
Speaker 3: Moway of burns Down Makesie scream and shout and auto

847
00:50:57,400 --> 00:50:58,159
in this town.

848
00:51:12,000 --> 00:51:14,639
Speaker 4: You are listening to to Walumn Hirt.

849
00:51:15,960 --> 00:51:30,039
Speaker 5: World Premiere. Yeah, I told my heart.

850
00:51:31,639 --> 00:51:41,079
Speaker 4: Go ahead and break, so b the love for goodness? Yeah,

851
00:51:41,239 --> 00:51:45,519
I just found that all four faith.

852
00:51:47,400 --> 00:51:49,039
Speaker 5: So I told my heart.

853
00:51:50,599 --> 00:51:51,920
Speaker 4: Go ahead and break.

854
00:51:53,679 --> 00:52:00,440
Speaker 28: Yeah, lies mess, don't say you told me so. I've

855
00:52:00,559 --> 00:52:06,679
learned some things I wish I didn't know. Yeah, had

856
00:52:06,880 --> 00:52:16,119
looked so good until it warned I hurt spam, Yet

857
00:52:16,239 --> 00:52:17,239
it so bad.

858
00:52:19,000 --> 00:52:23,480
Speaker 4: SMI told my heart go ahead and break.

859
00:52:25,199 --> 00:52:31,920
Speaker 29: It's all about the love for goodness sake. Yet had

860
00:52:32,119 --> 00:52:33,559
the spout die?

861
00:52:34,800 --> 00:52:41,880
Speaker 4: Oh for faith? So I told my heart go ahead

862
00:52:41,960 --> 00:52:48,440
and break. It was like a dream. She was so beautiful,

863
00:52:50,599 --> 00:52:57,719
so full of life. Oh it was wonderful. Then came

864
00:52:58,400 --> 00:53:01,159
the d when she did her leave.

865
00:53:03,079 --> 00:53:04,559
Speaker 28: Man, it broke me up.

866
00:53:06,199 --> 00:53:11,199
Speaker 5: Like you would not believe. That's why I told my heart.

867
00:53:12,719 --> 00:53:19,159
Speaker 4: Go ahead and break. It's all about the love for

868
00:53:19,440 --> 00:53:20,320
goodness sake.

869
00:53:21,559 --> 00:53:29,119
Speaker 30: Yeah, just about that, all for faith. So I told

870
00:53:29,280 --> 00:53:32,920
my heart, O my head and break.

871
00:53:34,239 --> 00:53:43,159
Speaker 31: Yeah, go on, break, go on and cry, y'all cat broken,

872
00:53:44,320 --> 00:53:46,000
And I don't know why.

873
00:53:47,559 --> 00:53:51,800
Speaker 4: Sometimes we get more than me contain.

874
00:53:53,639 --> 00:53:55,440
Speaker 7: That's why I told my heart.

875
00:53:56,960 --> 00:54:07,719
Speaker 4: Go ahead and brain. Yeah. I told myself go ahead cry.

876
00:54:10,239 --> 00:54:11,239
Let the tears.

877
00:54:12,599 --> 00:54:20,280
Speaker 29: Follow, w as we then once told me everybody lies.

878
00:54:22,039 --> 00:54:24,039
Speaker 2: That's why I told myself.

879
00:54:25,360 --> 00:54:32,920
Speaker 4: Go ahead cry. And I told my heart go ahead, bray.

880
00:54:34,639 --> 00:54:45,559
So I told my herm, go ahead, Bray, go ahead, bray.

881
00:54:49,320 --> 00:54:53,159
Speaker 7: That's so good. Another world radio premiere here at wu

882
00:54:53,400 --> 00:54:55,920
m n H ninety five point three FM on Matt

883
00:54:56,000 --> 00:54:58,719
Connorton Unleashed. That is go ahead and break. That is

884
00:54:58,800 --> 00:55:02,320
the Murphy Clark Band. Guys, okay, right out of the gate.

885
00:55:02,679 --> 00:55:03,679
What's the correct way to say?

886
00:55:03,840 --> 00:55:03,960
Speaker 10: Is it?

887
00:55:04,199 --> 00:55:06,320
Speaker 7: Do I say Murphy Clark or is it the Murphy

888
00:55:06,360 --> 00:55:06,920
Clark Band?

889
00:55:07,079 --> 00:55:07,239
Speaker 2: Yes?

890
00:55:08,119 --> 00:55:11,920
Speaker 23: One is what you want to call it, Murphy Clark.

891
00:55:12,679 --> 00:55:15,639
Speaker 7: Okay. So Jenny and I are joined a live in

892
00:55:15,719 --> 00:55:18,840
studio by of course, Brian Murphy. Brian Murphy and Mike Clark.

893
00:55:19,000 --> 00:55:20,880
It's probably not Murphy, right, because then it would be

894
00:55:20,920 --> 00:55:24,480
the Murphy Clark, right, Brian Murphy and Mike Clark. You're

895
00:55:24,800 --> 00:55:27,639
in studio and uh I love that track and of

896
00:55:27,679 --> 00:55:30,039
course as you as you witnessed, I could not help

897
00:55:30,039 --> 00:55:32,039
but sing along with it. And that's how you know

898
00:55:32,079 --> 00:55:34,119
you've got something right to the point, right, Yeah, when

899
00:55:34,159 --> 00:55:36,079
you when you play something for somebody and they can't

900
00:55:36,079 --> 00:55:38,599
help it sing along like it's not even like it's

901
00:55:38,599 --> 00:55:40,000
not like, oh I think I'll sing along to this,

902
00:55:40,119 --> 00:55:42,840
It's just an involuntary motion, you know I.

903
00:55:43,880 --> 00:55:45,960
Speaker 2: Yeah, yeah, that's what we hope for.

904
00:55:46,159 --> 00:55:48,840
Speaker 7: Absolutely, and we'll play some more of your stuff as

905
00:55:48,880 --> 00:55:51,159
we as we go along. But it's great to have

906
00:55:51,239 --> 00:55:51,719
you guys here.

907
00:55:52,239 --> 00:55:53,719
Speaker 23: You're having us and thank you for doing this.

908
00:55:53,960 --> 00:55:54,079
Speaker 16: Oh.

909
00:55:54,159 --> 00:55:57,239
Speaker 23: Absolutely, no local bands need the support.

910
00:55:57,360 --> 00:55:59,800
Speaker 7: Absolutely absolutely well, we love it and there's so much

911
00:56:00,519 --> 00:56:02,679
you know, Jenny does all the booking and sometimes people

912
00:56:02,679 --> 00:56:04,519
will ask her, you know, where do you find all

913
00:56:04,559 --> 00:56:06,519
these great artists and it's so much.

914
00:56:06,519 --> 00:56:10,039
Speaker 32: Talent around here. Absolutely, you know, it's incredible. You just

915
00:56:10,480 --> 00:56:13,119
use the word yeah, yeah, I looked it up this morning.

916
00:56:13,320 --> 00:56:13,480
Speaker 2: Good.

917
00:56:13,599 --> 00:56:16,119
Speaker 23: Don't ask me to spell it though, butther is a

918
00:56:16,159 --> 00:56:16,599
great word.

919
00:56:16,679 --> 00:56:19,000
Speaker 2: Yes, yes, hell does it mean.

920
00:56:20,760 --> 00:56:26,239
Speaker 32: A lot of pluor yeah, you know sometimes Brian needs help. Yeah,

921
00:56:27,679 --> 00:56:29,679
well we all need help something, that's for sure.

922
00:56:29,840 --> 00:56:32,639
Speaker 7: Yeah, yeah, No, I love it. You guys have a

923
00:56:32,679 --> 00:56:35,639
great sound. I feel like kind of the secret weapon

924
00:56:35,719 --> 00:56:37,840
is the vocals and the harmonies and everything is. And

925
00:56:38,760 --> 00:56:40,719
how long has this project existed? Have you guys been

926
00:56:40,760 --> 00:56:42,239
at this a while or is this new or.

927
00:56:43,199 --> 00:56:47,000
Speaker 33: We've been collaborating for about thirty years. I think we

928
00:56:47,079 --> 00:56:47,639
started working.

929
00:56:48,000 --> 00:56:48,639
Speaker 7: That's been a while.

930
00:56:49,440 --> 00:56:52,239
Speaker 23: Yeah you started, you weren't even from born, Matt, I don't.

931
00:56:52,119 --> 00:56:54,920
Speaker 7: Think, Oh my goodness, I probably I probably was.

932
00:56:55,039 --> 00:57:00,159
Speaker 33: But you know, we started, you know, way back back

933
00:57:00,199 --> 00:57:03,320
in the day in the mid nineties, I was I

934
00:57:03,440 --> 00:57:06,320
was recording with Aquatanang was the name of the band.

935
00:57:06,360 --> 00:57:09,599
We were with Sony and Manhattan back in the big

936
00:57:09,719 --> 00:57:13,960
record days, and uh, you know, we we worked there

937
00:57:13,960 --> 00:57:16,880
and then I wanted to find somebody local, so I

938
00:57:17,440 --> 00:57:19,239
did a session with Mike and I really liked the

939
00:57:19,280 --> 00:57:22,519
way he mixed, and so we started working. Back then

940
00:57:22,639 --> 00:57:26,239
he started running sound for us with Aquatanang and then

941
00:57:27,039 --> 00:57:29,039
started doing records together.

942
00:57:30,199 --> 00:57:30,320
Speaker 26: You know.

943
00:57:30,639 --> 00:57:32,400
Speaker 2: At that point, we've been doing him ever since.

944
00:57:32,599 --> 00:57:34,840
Speaker 23: Okay, okay, that was in a bridge version.

945
00:57:35,719 --> 00:57:40,039
Speaker 2: I sped it up a little yit ye, So but yeah,

946
00:57:40,119 --> 00:57:41,159
that's that's how it's done.

947
00:57:41,199 --> 00:57:44,360
Speaker 32: You know, a bit more from there, Okay, yeah, okay,

948
00:57:45,039 --> 00:57:48,079
people changed, you know, members changed, and the sound of

949
00:57:48,119 --> 00:57:51,320
the band changed. We went we're all electric now yeah.

950
00:57:51,760 --> 00:57:53,199
Aquartang was all acoustics.

951
00:57:53,920 --> 00:57:55,320
Speaker 2: Yeah yeah, so Folk.

952
00:57:55,239 --> 00:57:55,760
Speaker 7: Dylan did it.

953
00:57:55,800 --> 00:57:56,679
Speaker 23: We figured we could do it.

954
00:57:56,880 --> 00:57:57,079
Speaker 4: Yeah.

955
00:57:57,280 --> 00:58:02,840
Speaker 33: Yeah, that actually because before you know, after Aquatinang, well,

956
00:58:02,880 --> 00:58:07,320
with Aquatanang, Mike started to do percussion for us and

957
00:58:07,679 --> 00:58:11,920
work his way in. And then after that we decided

958
00:58:12,000 --> 00:58:15,599
to start a different project of the first iteration of

959
00:58:16,039 --> 00:58:19,519
Murphy Clark, which was Americana up right bass. I played

960
00:58:19,559 --> 00:58:22,000
the mandola oh no kidding, Yeah, And we did that,

961
00:58:22,159 --> 00:58:25,119
I think like twelve years until COVID hit Yeah, and

962
00:58:25,440 --> 00:58:26,800
that wiped everything.

963
00:58:27,000 --> 00:58:28,320
Speaker 2: Yeah yeah, yeah.

964
00:58:28,400 --> 00:58:31,840
Speaker 33: Our guitar player had like fourteen kids and yeah. Then

965
00:58:32,599 --> 00:58:36,920
so then Mike's always wanted to go electric anyway. The

966
00:58:36,960 --> 00:58:39,920
acoustic thing was my thing. So yeah, you know, during

967
00:58:39,960 --> 00:58:42,760
the pandemic when we had the shutdown, it was just

968
00:58:42,840 --> 00:58:45,800
he and I and we sort of broke the rules

969
00:58:45,840 --> 00:58:48,000
and I kept going into the studio and we just

970
00:58:48,039 --> 00:58:49,480
started doing studio.

971
00:58:49,199 --> 00:58:51,599
Speaker 32: Stuff, and I kept handing him an electric See I'm

972
00:58:51,599 --> 00:58:54,800
in a rocker from way back when, nothing wrong with

973
00:58:54,840 --> 00:58:55,639
acoustic stuff.

974
00:58:56,360 --> 00:58:58,320
Speaker 33: So he kept saying, you know, so I took a

975
00:58:58,400 --> 00:59:00,639
couple of years and you know, got comfortable with the

976
00:59:00,719 --> 00:59:04,119
electric guitar. And yeah, now we we have a new format,

977
00:59:04,519 --> 00:59:07,000
uh with you know, but some of the like the

978
00:59:07,119 --> 00:59:11,119
female vocals uh, Marion and Cindy have been with us

979
00:59:11,480 --> 00:59:12,800
of course since the awkward.

980
00:59:14,039 --> 00:59:14,079
Speaker 9: O.

981
00:59:14,440 --> 00:59:18,360
Speaker 33: So four of us have been together since all that time. Okay,

982
00:59:18,639 --> 00:59:21,079
and now we have Gary Young, who's a world class

983
00:59:21,199 --> 00:59:24,039
lead guitar player. He does a wonderful job is on

984
00:59:24,199 --> 00:59:27,320
the guitar now, Jeff Harrington on drums.

985
00:59:26,960 --> 00:59:30,559
Speaker 2: Who's who Indie Music? He owns Cindy Music, and Amherst

986
00:59:30,800 --> 00:59:32,119
oh a little.

987
00:59:31,960 --> 00:59:35,800
Speaker 23: Bit drum teacher there, yeah yeah, yeah, okay, I.

988
00:59:35,880 --> 00:59:38,239
Speaker 2: Teach voice there, you voice teacher there?

989
00:59:38,320 --> 00:59:38,480
Speaker 6: Yeah.

990
00:59:38,599 --> 00:59:39,960
Speaker 2: Oh actually yeah we love it.

991
00:59:40,199 --> 00:59:44,400
Speaker 7: Yeah yeah, the music all the time. That's great, that's great.

992
00:59:44,480 --> 00:59:46,280
Speaker 2: Yeah, that's tremendous, you know.

993
00:59:46,599 --> 00:59:49,079
Speaker 33: I mean and as a songwriter to and you know,

994
00:59:49,199 --> 00:59:52,840
doing music to accompany other singers with every kind of

995
00:59:53,039 --> 00:59:55,840
song you can think of, it really helps you see,

996
00:59:55,920 --> 00:59:58,679
chord progressions, melodies, all kinds of things like that,