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<v Speaker 1>Friends.

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<v Speaker 2>When you're telling your neighbors about this story, will you

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<v Speaker 2>also tell them that you heard it on Radio City Playhouse.

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<v Speaker 2>Ladies and gentlemen, here's the director of Radio City Playhouse.

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<v Speaker 1>Harry W. Duncan thank you, Bob friends.

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<v Speaker 3>Tonight's story was written by Stephen Vincent Benet, Pulitzer Prize

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<v Speaker 3>winner and one of America's most outstanding men of letters.

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<v Speaker 3>Elementals is a shocking story concerning the deep and hidden

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<v Speaker 3>chambers of the human soul, which, once they have opened

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<v Speaker 3>upon a man, leave them change forever.

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<v Speaker 1>The leading role of Sherwood.

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<v Speaker 3>Latimer is played by a young actor new to Radio

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<v Speaker 3>City Playhouse, Mister Hall's studor. Mister Studter began his radio

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<v Speaker 3>career in nineteen forty six in NBC's The Adventures of

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<v Speaker 3>Frank Merriwell. He was recently featured in the Broadway success

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<v Speaker 3>Hope is the Thing with Feathers, and he now has

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<v Speaker 3>more radio and television engagements than he can handle. Here then,

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<v Speaker 3>is Elementals by Stephen Vincent Bennet, starring Hal Stuter as

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<v Speaker 3>Sherwood Latimer. Attraction twenty six on Radio City.

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<v Speaker 2>Playhouse, Upper Fifth Avenue in New York. It is a

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<v Speaker 2>clear winter evening, and the air is soft and amazingly warm.

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<v Speaker 2>For j Any Worries, Sherwood Latimer and Catherine.

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<v Speaker 1>Vaine walk arm in arm.

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<v Speaker 2>Even the casual passer by, I can see that they

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<v Speaker 2>are in love, very much in love.

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<v Speaker 4>Oh Sherry, don't you love this avenue? The park and

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<v Speaker 4>the gorgeous old homes.

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<v Speaker 5>And everything mostly apartments now at the park, so beautiful.

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<v Speaker 5>Wonder if we'll ever have enough money to live on

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<v Speaker 5>Fifth Avenue?

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<v Speaker 6>Of course we will. You're going to be famous.

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<v Speaker 4>You'll write a play or a novel or something, and

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<v Speaker 4>everybody who thinks you're a genius. We'll have a beautiful

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<v Speaker 4>apartment and dozens of wonderful children, and I'll have a mink.

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<v Speaker 7>Coach and a convertible on a limousine and six servants.

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<v Speaker 5>And you'll see, oh, you just prejudiced, Kathy.

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<v Speaker 6>Well, aren't you the youngest assistant professor on the.

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<v Speaker 7>Staff and the lowest paid money? How can you say

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<v Speaker 7>money like that? Still talk about mink coach.

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<v Speaker 6>It's a woman's privilege to be in consist.

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<v Speaker 8>That's my girl, Thank you, professor.

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<v Speaker 9>Oh Kathy, I.

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<v Speaker 5>Wish we could get married, do things right, go to

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<v Speaker 5>the theater and never read hamburgers.

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<v Speaker 6>You read hamburgers.

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<v Speaker 4>What a horrible thought, hamburgers.

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<v Speaker 7>I wonder what mister Slake will give me for dinner.

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<v Speaker 6>You are to remember everything.

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<v Speaker 4>I want the complete details.

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<v Speaker 7>Probably hamburgers served on solid gold.

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<v Speaker 4>Plates and gold buns.

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<v Speaker 6>I can see it all now.

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<v Speaker 5>Gee, Honey, I wish you were coming. I hate to

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<v Speaker 5>think of you going to dinner alone. I couldn't Slack

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<v Speaker 5>have invited you. He knows we're engaged.

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<v Speaker 6>He knows, Jerry, don't be silly. I'll be fine. Or

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<v Speaker 6>did you send him a bill for the translation?

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<v Speaker 8>Two hundred dollars?

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<v Speaker 4>Wonderful? Maybe he'll give you the check tonight. Maybe he

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<v Speaker 4>will be nice to him, Sherry, be real polite and

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<v Speaker 4>let him leave the talking and well, don't talk about

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<v Speaker 4>soaking the rich or anything. Just be real nice and normal.

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<v Speaker 1>I will.

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<v Speaker 6>A man like John Slake has influenced you.

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<v Speaker 4>Never can tell what will happen if.

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<v Speaker 6>He takes a liking toe.

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<v Speaker 7>I promise I'll be on my very best behavior.

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<v Speaker 5>This is the place here, this big gray one, all

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<v Speaker 5>five stories of him.

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<v Speaker 6>He lives all alone in that roomy isn't it.

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<v Speaker 4>You should have charged him more two hundred dollars.

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<v Speaker 6>You should have charged him two thousands.

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<v Speaker 5>I wish you were coming, Kathy, it'd be such a

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<v Speaker 5>wonderful dinner.

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<v Speaker 4>Don't be silly, Sherry. I don't mind it. Bee and anyway,

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<v Speaker 4>he wanted it to be just the two of you.

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<v Speaker 4>Maybe he's gonna all be on yob or something.

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<v Speaker 8>Maybe.

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<v Speaker 4>Well, bye, darlingell me when you get home.

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<v Speaker 6>I will you better go in.

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<v Speaker 4>It's after seven.

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<v Speaker 8>Now where are you going to eat?

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<v Speaker 6>You stop worrying out where I'm going to eat?

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<v Speaker 8>Do you need any money?

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<v Speaker 6>No? I five or six dollars? Now?

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<v Speaker 10>Go on?

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<v Speaker 4>Why, Sherry Latimer, I believe you're nervous.

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<v Speaker 7>I don't go to dinner with millionaires every night.

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<v Speaker 6>Well, just be perfectly natural. You look fine. That's a

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<v Speaker 6>nice suit and you've just had a haircut.

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<v Speaker 4>Go on, Darling, you'll be late if.

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<v Speaker 6>You don't forget and remember, be on your best.

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<v Speaker 11>I will bye, Keathy.

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<v Speaker 7>More coffee, Sherry, No thanks, mister slake A liquor? Oh nothing,

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<v Speaker 7>thank you. It was a wonderful dinner.

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<v Speaker 10>I'm glad you enjoyed it.

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<v Speaker 5>This is a wonderful room. I think it's even more

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<v Speaker 5>attractive than the dining room.

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<v Speaker 10>But a dining room should be simple, Sherry. A man

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<v Speaker 10>can't enjoy art if his mouth is full. This room,

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<v Speaker 10>of course, is different, is it where I spend most

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<v Speaker 10>of my time? I see you're admiring the fireplace. It's

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<v Speaker 10>magnificent sixteenth century Italian. I had it chipped block by

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<v Speaker 10>block from Rome. Oh. By the way, speaking of sixteenth

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<v Speaker 10>century Italian, I have your check here for the Greek

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<v Speaker 10>ardiny fans place.

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<v Speaker 7>So there's no rush, mister Slake anytime, not at all.

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<v Speaker 10>I made it out before you arrived.

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<v Speaker 7>Hey, I thank you, thank you very much.

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<v Speaker 10>He did a splendid job. Splendid. You're the best man

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<v Speaker 10>in the country on Italian translation.

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<v Speaker 7>Thank you, you're very kind.

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<v Speaker 10>Tell me, Sherry, what did you think of the little

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<v Speaker 10>experiment of Prince Alessandro? Which one but you remember the

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<v Speaker 10>chapter Marry the versions of Prince Alessandro.

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<v Speaker 8>I ought to took me long enough to translate it.

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<v Speaker 10>What did you think of Alessandro?

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<v Speaker 8>Oh?

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<v Speaker 7>I thought him an animal, an incredibly cruel animal.

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<v Speaker 12>Really, I thought it rather intrieding a very clever way

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<v Speaker 12>of proving that there are but three elemental emotions.

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<v Speaker 10>I see you're admiring my heart. Yes, do you play

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<v Speaker 10>a little music seems to release me from the dull,

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<v Speaker 10>vulgarity of life. You know, there's a certain spirituality about

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<v Speaker 10>the heart. It seems to embody every how should I

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<v Speaker 10>see see it? There's such an esthetic feel about it.

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<v Speaker 10>Sometimes I sit here all night and just play that

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<v Speaker 10>very set. You play beautifully, en amateur, but I enjoy it,

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<v Speaker 10>you know Brown, No, I don't. And he wrote so

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<v Speaker 10>little for the half. He's my favorite composer.

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<v Speaker 8>I'm afraid I'm not very musical.

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<v Speaker 10>So you consider Prince Alessandra an animal? Do you? You're

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<v Speaker 10>very young?

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<v Speaker 1>Serry.

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<v Speaker 10>As a matter of fact, I was going to suggest

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<v Speaker 10>to you that, oh no, no, I suppose we wouldn't

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<v Speaker 10>considered it.

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<v Speaker 8>Consider what.

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<v Speaker 10>I understand. You're engaged to a miss Vain, Catherine Vaine.

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<v Speaker 7>Yes, she works in the Secretary's office of the university.

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<v Speaker 10>I'll in love with her.

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<v Speaker 13>Very much, planning on getting married.

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<v Speaker 8>As soon as we can afford it.

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<v Speaker 10>But you can't afford it now.

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<v Speaker 8>Well, assistant professors aren't too well paid.

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<v Speaker 9>Now, I suppose.

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<v Speaker 5>What did you mean when you said I wouldn't consider something, Cherry.

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<v Speaker 10>I'm a very rich man. I've literally so much money.

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<v Speaker 10>I don't know what to do with it. I'm fifty

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<v Speaker 10>four now, and I've experienced everything. I've been everywhere, I've

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<v Speaker 10>seen everything, I've done everything. Sometimes I get very bored,

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<v Speaker 10>very bored. Indeed, I thought maybe that perhaps you might

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<v Speaker 10>be interested in giving me a little amusement and at

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<v Speaker 10>the same time earning yourself some money. I thought that

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<v Speaker 10>perhaps you No, it's ridiculous.

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<v Speaker 8>What's ridiculous?

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<v Speaker 10>Huh? When I'm intrigued with Alessandra's experiments, I'd love to

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<v Speaker 10>repeat it.

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<v Speaker 5>You're not serious, Yes, yes, I'm serious, but well I

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<v Speaker 5>don't understand.

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<v Speaker 10>I'd pay you twenty.

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<v Speaker 11>Five thousand dollars not.

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<v Speaker 10>To go exactly now. Look, I thought it all out

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<v Speaker 10>this afternoon. There's space on the fourth floor of this

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<v Speaker 10>house is never used. Now, I would lock you in

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<v Speaker 10>Miss Vane and adjoining room. See, I'd have a glass

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<v Speaker 10>partition built between them so that you could see each

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<v Speaker 10>other but not communicate, and I'd cut the time down

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<v Speaker 10>to seven days. After all, neither you are Missday and

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<v Speaker 10>have the physique of the sixteenth century attack.

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<v Speaker 7>You're not actually suggesting that Kathy and I should, But

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<v Speaker 7>of course, for.

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<v Speaker 10>Twenty five thousand dollars, isn't this a puplod so sweeping,

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<v Speaker 10>so sad? I wish i'd known Brown.

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<v Speaker 7>I wish you'd leave that harp alone and tell me

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<v Speaker 7>what's on your mind.

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<v Speaker 10>Well, it's very simple. You and Miss Vane need money,

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<v Speaker 10>or shall I say you'd like to have it? Sew?

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<v Speaker 10>I'll pay you twenty five thousand dollars. You'll be locked

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<v Speaker 10>in two rooms that are separated by a glass petition.

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<v Speaker 10>You'll go each one into one of these rooms on oh,

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<v Speaker 10>let's say, a Sunday at midnight, and until the following

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<v Speaker 10>Sunday at midnight. You'll be given nothing to eat. Nothing.

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<v Speaker 10>You'll be allowed plenty of water, and that's all. You'll

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<v Speaker 10>starve yourself for seven days. And at the end of

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<v Speaker 10>the week, on the second Sunday, at midnight, I shall

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<v Speaker 10>raise the glass partition and place a thick slice of

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<v Speaker 10>bread and butter exactly half way between you and Miss Vain.

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<v Speaker 7>And pay us twenty five thousand dollars.

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<v Speaker 10>Shall it not quite?

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<v Speaker 8>You?

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<v Speaker 6>See?

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<v Speaker 10>I agree with Alessandro. There are just three elementals, dear

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<v Speaker 10>eight and hunger. I believe that you are Miss Vain

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<v Speaker 10>for all that you say you are in love. I

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<v Speaker 10>believe that after seven days without food, you'd fall on

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<v Speaker 10>each other like a couple of snarling animal You crazy,

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<v Speaker 10>You're crazy. Nevertheless, I believe you'd cry each other to

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<v Speaker 10>bits and your struggle for that one slice of bread.

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<v Speaker 10>I believe you'd forget all about love and respect and tenderness.

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<v Speaker 10>You'd be ruled by an elemental in this case, hunger. Now,

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<v Speaker 10>of course, if I'm wrong, if you share the bread

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<v Speaker 10>gently and tenderly, then i'd pay you twenty five thousand dollars.

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<v Speaker 10>But if you perform as I expect, if you become

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<v Speaker 10>animals instead of human beings, then you'd have to work

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<v Speaker 10>for me for nothing for ten years. Thank goodness, I

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<v Speaker 10>have my music to console me.

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<v Speaker 7>Don't sit there staring at me, Sherry.

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<v Speaker 8>I find it hard to believe that you're serious.

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<v Speaker 10>Oh, I'm perfectly serious.

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<v Speaker 6>But it's insane.

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<v Speaker 10>It's impossible. I look lots of health crank diet for

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<v Speaker 10>longer than seven days, you say, in love with his skirls.

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<v Speaker 5>Mistake, Yes, but I would never subject it to it

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<v Speaker 5>to such a monstrous experiment once she had the courage.

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<v Speaker 10>Of your convictions. You believe that love is stronger than hunger,

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<v Speaker 10>don't you?

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<v Speaker 12>Yes?

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<v Speaker 7>But that isn't the same thing.

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<v Speaker 10>You're young, you're an idealist. You believe that love is

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<v Speaker 10>a big, golden, wonderful thing. Well, I say that it

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<v Speaker 10>isn't I say that after seven days of not eating.

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<v Speaker 8>You would hate Catherine Lee you tear.

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<v Speaker 10>The bread flummer and stopping in the other.

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<v Speaker 8>Will you please leave.

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<v Speaker 10>That harple over? I enjoy it so much myself. I

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<v Speaker 10>forget sometimes that others don't appreciate.

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<v Speaker 7>You could never ask a woman too. Will you say

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<v Speaker 7>you're in love?

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<v Speaker 10>Don't you?

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<v Speaker 8>Well, of course we're in love.

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<v Speaker 10>You could get married at once. No more clubbing, no

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<v Speaker 10>more tutoring at night. Miss Vain could resign her position.

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00:13:21.000 --> 00:13:23.320
<v Speaker 12>You have a nice little house, a car, all in

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<v Speaker 12>exchange for seven days.

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<v Speaker 10>Of not eating. Why don't you talk it over in

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<v Speaker 10>this vein? Tell her how easily you can earn twenty

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<v Speaker 10>five thousand dollars. Why don't you erry another pastry? And

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<v Speaker 10>Miss Vain remember you will be eating again until next Sunday.

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<v Speaker 6>I couldn't.

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00:13:56.639 --> 00:13:58.639
<v Speaker 4>I couldn't possibly eat another mouthful.

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<v Speaker 10>Well, since it's almost midnight, shall we go upstairs?

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<v Speaker 8>We can't do it, We can't do it.

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00:14:06.360 --> 00:14:10.039
<v Speaker 4>Catch cherry sherry, please, it's so easy. No more pinching,

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00:14:10.159 --> 00:14:12.559
<v Speaker 4>no more going without things. All we have to do

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00:14:12.639 --> 00:14:15.039
<v Speaker 4>is lie quietly on a couch for a week without eating.

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<v Speaker 10>You want to call it off?

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<v Speaker 6>Of course he doesn't want to call it off. Besides,

249
00:14:19.120 --> 00:14:21.720
<v Speaker 6>we've signed all those papers. I don't know if they're

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00:14:21.799 --> 00:14:22.320
<v Speaker 6>legal or not.

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00:14:22.519 --> 00:14:25.240
<v Speaker 10>Oh, my dear miss Vane, you wander restimate me. I

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00:14:25.279 --> 00:14:28.919
<v Speaker 10>had my lawyers draw up the agreement very carefully. Of course,

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00:14:28.919 --> 00:14:30.919
<v Speaker 10>we can't come out and say that Sherry was to

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00:14:31.000 --> 00:14:32.840
<v Speaker 10>be my slave for ten years.

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<v Speaker 1>But don't worry.

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<v Speaker 10>I'm quite sure I'll collect my payment if you're so

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00:14:37.120 --> 00:14:40.679
<v Speaker 10>unfortunate as to lose the wager. Well, now I've had

258
00:14:40.759 --> 00:14:43.879
<v Speaker 10>workmen in and rooms are all ready. We replaced the

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00:14:43.919 --> 00:14:47.039
<v Speaker 10>wall between the two bedrooms with a full sheet of glass.

260
00:14:47.320 --> 00:14:51.679
<v Speaker 10>You'll each have a lamp and the Bible. I'm afraid

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00:14:51.720 --> 00:14:55.320
<v Speaker 10>I'll have to forbid you soap and toothpaste.

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00:14:55.519 --> 00:14:57.559
<v Speaker 7>Are you afraid we might eat the soap?

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<v Speaker 6>Yourem I refuse to believe it. It's so difficult, Kathy.

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00:15:01.720 --> 00:15:02.240
<v Speaker 8>You don't know.

265
00:15:02.600 --> 00:15:04.320
<v Speaker 7>I was hungry in the war. I know what it's like.

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00:15:04.799 --> 00:15:06.120
<v Speaker 8>You get crazed and desperate.

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00:15:06.200 --> 00:15:09.519
<v Speaker 6>I'm sure we can do it. I'm positive. Don't look

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<v Speaker 6>so bleak, Sherry.

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<v Speaker 4>Please think of all the things we can do with

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00:15:13.039 --> 00:15:14.399
<v Speaker 4>twenty five thousand dollars.

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<v Speaker 6>Oh, it's wonderful.

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00:15:16.320 --> 00:15:18.799
<v Speaker 4>We can have a home, a nice little house somewhere

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00:15:18.960 --> 00:15:20.840
<v Speaker 4>and furnish it, furnish it attractive.

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00:15:21.159 --> 00:15:23.559
<v Speaker 10>Two minutes to twelve, shall we go up?

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<v Speaker 4>Come on, Sherry, we can't be ruled out for a

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00:15:25.960 --> 00:15:26.559
<v Speaker 4>late start.

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<v Speaker 10>Come on, Erry. This is your room exactly the same,

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00:15:40.440 --> 00:15:45.159
<v Speaker 10>except that your wallpaper has bluebirds, whereas miss Dains has daisies.

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00:15:45.679 --> 00:15:48.799
<v Speaker 2>Hello, Kathy, Oh.

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00:15:48.840 --> 00:15:51.120
<v Speaker 10>She can't hear you. That last petition between you was

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00:15:51.159 --> 00:15:51.759
<v Speaker 10>an inch thick.

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<v Speaker 8>Oh like, she's so tiny, such.

283
00:15:54.879 --> 00:15:57.000
<v Speaker 7>A little bit of a thing. I like her.

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00:15:57.159 --> 00:15:59.639
<v Speaker 10>When the nights are on, in both room as you

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00:15:59.639 --> 00:16:02.039
<v Speaker 10>can see each other very well. Looks now. I shall

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00:16:02.159 --> 00:16:05.159
<v Speaker 10>visit you once every twenty four hours. There are glasses

287
00:16:05.159 --> 00:16:07.559
<v Speaker 10>in the bathroom there. Drink as much water as you wish.

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00:16:07.879 --> 00:16:11.279
<v Speaker 10>And at twelve o'clock next Sunday night, this partition will rise.

289
00:16:11.559 --> 00:16:14.440
<v Speaker 10>I had it especially installed, as I told you, so.

290
00:16:14.919 --> 00:16:18.080
<v Speaker 10>At next Sunday midnight, I shall bring you one thick

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00:16:18.320 --> 00:16:21.399
<v Speaker 10>slice of bread and butter. You'll be exposed to the

292
00:16:21.440 --> 00:16:24.720
<v Speaker 10>food for twenty minutes. I shall take pictures.

293
00:16:24.840 --> 00:16:27.480
<v Speaker 5>If God can possibly condone such idiotic treatment of the

294
00:16:27.559 --> 00:16:29.559
<v Speaker 5>human body, I'm sure he'll help us.

295
00:16:29.639 --> 00:16:31.759
<v Speaker 10>Oh that's very good, Sadry. I think you're going to

296
00:16:31.879 --> 00:16:34.440
<v Speaker 10>need help. Is there anything else?

297
00:16:34.720 --> 00:16:35.360
<v Speaker 8>I don't think so.

298
00:16:35.759 --> 00:16:39.519
<v Speaker 10>Miss Vain looks very lovely, Sherry. He's the most charming girl.

299
00:16:39.840 --> 00:16:41.960
<v Speaker 10>I don't wonder that you're in love with her. But

300
00:16:42.159 --> 00:16:47.840
<v Speaker 10>remember there are just the three elemental far eight, hunger,

301
00:16:48.799 --> 00:16:51.159
<v Speaker 10>and now of course that you've lost your wage.

302
00:16:51.360 --> 00:16:53.120
<v Speaker 7>Hecklingus wasn't part of the market.

303
00:16:53.159 --> 00:16:56.639
<v Speaker 10>I can see you now clawing at each other like Anna,

304
00:16:56.639 --> 00:16:59.440
<v Speaker 10>Oh stop it, stop it, I'll say. By the way,

305
00:16:59.559 --> 00:17:01.000
<v Speaker 10>say I ran across.

306
00:17:01.039 --> 00:17:05.599
<v Speaker 13>The most tantasizing thing today are sort of hop concerto.

307
00:17:05.000 --> 00:17:08.680
<v Speaker 10>Written by a chap called Malmeck Maddam Malneck. It's called

308
00:17:09.279 --> 00:17:11.279
<v Speaker 10>hap Fantasy and jazz Excu.

309
00:17:11.799 --> 00:17:14.079
<v Speaker 7>Will you stop making small talk and leave me alone?

310
00:17:14.240 --> 00:17:18.400
<v Speaker 10>All right, Jerry, I'll leave you until tomorrow night.

311
00:17:32.480 --> 00:17:37.480
<v Speaker 5>Twenty one bluebirds pasted to the wall. Twenty one bluebirds

312
00:17:38.079 --> 00:17:42.359
<v Speaker 5>a B bass he called the ef aall twenty one

313
00:17:42.359 --> 00:17:46.240
<v Speaker 5>bluebirds trying not to fall. I let's see twenty one

314
00:17:46.319 --> 00:17:50.799
<v Speaker 5>bluebirds paste it to the wall. Twenty one bluebirds trying

315
00:17:50.839 --> 00:17:55.960
<v Speaker 5>not to fall, bluebirds happy in their little trees. Something

316
00:17:56.160 --> 00:17:59.000
<v Speaker 5>something something smiling at the bees.

317
00:18:01.319 --> 00:18:05.359
<v Speaker 10>Well, the first twenty four hours are over, Sherry.

318
00:18:06.079 --> 00:18:07.759
<v Speaker 8>How do you feel fine?

319
00:18:08.519 --> 00:18:13.039
<v Speaker 10>Not too uncomfortable? No, Kathy's fine.

320
00:18:13.359 --> 00:18:16.160
<v Speaker 9>Good, not very talkative out it?

321
00:18:16.880 --> 00:18:17.839
<v Speaker 8>That wasn't in the bargain.

322
00:18:18.240 --> 00:18:19.359
<v Speaker 10>All right, then I'll leave you.

323
00:18:20.599 --> 00:18:22.359
<v Speaker 7>Are you enjoying yourself immensely?

324
00:18:22.440 --> 00:18:24.839
<v Speaker 10>I can hardly wait? You see, the first twenty four

325
00:18:24.839 --> 00:18:28.480
<v Speaker 10>hours are easy, so what the second? The third day

326
00:18:28.759 --> 00:18:42.960
<v Speaker 10>gets worse, and the fourth and fifth that's when the fun. Hello, Sherry,

327
00:18:43.000 --> 00:18:46.559
<v Speaker 10>how are you you sto? You were in here yesterday?

328
00:18:46.559 --> 00:18:47.880
<v Speaker 8>You deliberately saw my pipe?

329
00:18:49.440 --> 00:18:53.359
<v Speaker 10>Sorry, Sherry, we're getting a little asthetica. The Bible is

330
00:18:53.400 --> 00:18:55.920
<v Speaker 10>on the floor right in fourth.

331
00:18:57.640 --> 00:18:58.240
<v Speaker 9>What that?

332
00:18:58.440 --> 00:19:01.039
<v Speaker 10>Why are you pointing at miss Vain?

333
00:19:01.400 --> 00:19:03.359
<v Speaker 8>She has moved.

334
00:19:03.759 --> 00:19:08.640
<v Speaker 10>She's nonsense. She's asleep. I can see her breathing from here.

335
00:19:09.559 --> 00:19:12.559
<v Speaker 10>Say better, get hold of yourself.

336
00:19:13.160 --> 00:19:19.079
<v Speaker 12>This is only the third day.

337
00:19:23.559 --> 00:19:30.799
<v Speaker 10>Good evening, Cherry, Cherry, wakem that's is how are you feeling?

338
00:19:32.079 --> 00:19:34.160
<v Speaker 10>You know you're an admirable guest. You and miss Vain,

339
00:19:34.279 --> 00:19:37.519
<v Speaker 10>you make so little demand on one's hospitality. I've just

340
00:19:37.519 --> 00:19:40.960
<v Speaker 10>been in to see her. She sends you a message.

341
00:19:41.400 --> 00:19:45.559
<v Speaker 10>Do you want to hear? Ah? I see my elemental

342
00:19:45.559 --> 00:19:49.079
<v Speaker 10>has begun to touch you. You're not so interested in

343
00:19:49.160 --> 00:19:49.759
<v Speaker 10>miss Vain?

344
00:19:50.039 --> 00:19:51.640
<v Speaker 8>Now? Why can't you leave me?

345
00:19:52.240 --> 00:19:53.599
<v Speaker 10>Why can't you leave us alone?

346
00:19:54.240 --> 00:19:56.079
<v Speaker 8>People aren't supposed to tortures.

347
00:19:55.759 --> 00:19:58.039
<v Speaker 10>My dear father, I'm interested, Believe me.

348
00:19:58.119 --> 00:20:01.119
<v Speaker 13>I worry about your booth. I thought of you tonight

349
00:20:01.200 --> 00:20:05.119
<v Speaker 13>at dinner. The bisk and a trifle, too much whipped

350
00:20:05.119 --> 00:20:06.640
<v Speaker 13>cream for my taste.

351
00:20:07.000 --> 00:20:10.920
<v Speaker 10>But the roast was the election, rich red, succulent roe.

352
00:20:11.240 --> 00:20:15.200
<v Speaker 10>That wonderful, delicate shade of drink. It cut like, shut up,

353
00:20:15.480 --> 00:20:15.960
<v Speaker 10>shut up?

354
00:20:16.000 --> 00:20:17.039
<v Speaker 12>What's another sherry?

355
00:20:17.640 --> 00:20:22.480
<v Speaker 10>You were ever getting a feeling? But you shouldn't. This

356
00:20:22.519 --> 00:20:23.680
<v Speaker 10>is only the fourth day.

357
00:20:25.079 --> 00:20:26.079
<v Speaker 8>It's the fifth day?

358
00:20:26.519 --> 00:20:28.759
<v Speaker 14>Is it?

359
00:20:28.759 --> 00:20:29.519
<v Speaker 8>It's the fifth day?

360
00:20:29.720 --> 00:20:31.000
<v Speaker 10>Or is it the third?

361
00:20:31.400 --> 00:20:32.480
<v Speaker 8>You've been here five times?

362
00:20:32.720 --> 00:20:35.279
<v Speaker 10>Oh yes, but the first visit of the Sunday we began?

363
00:20:35.359 --> 00:20:36.240
<v Speaker 10>That doesn't count?

364
00:20:37.200 --> 00:20:37.799
<v Speaker 8>Is it Thursday?

365
00:20:37.799 --> 00:20:38.160
<v Speaker 14>Friday?

366
00:20:38.240 --> 00:20:40.839
<v Speaker 10>I wonder? I surry?

367
00:20:41.839 --> 00:20:46.680
<v Speaker 8>Sleep well the fifth day, the fifth day?

368
00:20:56.039 --> 00:20:59.200
<v Speaker 7>Let me sleep, God in Heaven, let me sleep.

369
00:21:01.279 --> 00:21:02.680
<v Speaker 8>Please don't let me think about food.

370
00:21:04.319 --> 00:21:06.279
<v Speaker 7>Please don't let me think about food.

371
00:21:08.000 --> 00:21:08.640
<v Speaker 15>Sausages?

372
00:21:14.240 --> 00:21:16.079
<v Speaker 10>Who me?

373
00:21:18.759 --> 00:21:22.599
<v Speaker 7>I wanna I wanna pick it. I wanna beat it

374
00:21:23.319 --> 00:21:29.359
<v Speaker 7>me like an enemy.

375
00:21:31.680 --> 00:21:38.200
<v Speaker 16>Hotcakes, golden puffy, trying to maple syrup, the little sausages

376
00:21:39.160 --> 00:21:44.680
<v Speaker 16>bursting with meat and spice, bacon, bake.

377
00:21:45.720 --> 00:21:46.720
<v Speaker 8>They're taking over?

378
00:21:47.519 --> 00:21:48.039
<v Speaker 10>What fire?

379
00:21:51.720 --> 00:21:52.400
<v Speaker 8>Please Heaven.

380
00:21:56.799 --> 00:22:06.279
<v Speaker 5>I can't stand any sale, mold, even a dry.

381
00:22:08.160 --> 00:22:09.279
<v Speaker 1>Tale, moldy press.

382
00:22:10.440 --> 00:22:12.480
<v Speaker 10>Dammit, damn, dammit, dumm it.

383
00:22:16.559 --> 00:22:22.680
<v Speaker 15>Okay, okay, hey, I have anyone thought of And this

384
00:22:22.839 --> 00:22:30.079
<v Speaker 15>is only the fifth day, the fifth day, fifth day.

385
00:22:33.079 --> 00:22:34.440
<v Speaker 10>The fifth day, the fifth day.

386
00:22:39.839 --> 00:22:40.240
<v Speaker 14>Who is it?

387
00:22:40.960 --> 00:22:43.880
<v Speaker 10>Who is it? Why is the red? Everything's read the

388
00:22:43.960 --> 00:22:48.799
<v Speaker 10>walls and red the blubbers, and read everything. Read the Bible.

389
00:22:49.680 --> 00:22:55.799
<v Speaker 9>Here, eat the Bible, sherry.

390
00:22:56.079 --> 00:22:58.480
<v Speaker 10>Oh, I wouldn't do that. I wouldn't eat paper. That'll

391
00:22:58.519 --> 00:23:03.720
<v Speaker 10>make you will much longer, much longer. Don't you wish

392
00:23:03.880 --> 00:23:06.319
<v Speaker 10>you knew to tell me? Tell me the name of God.

393
00:23:06.359 --> 00:23:07.960
<v Speaker 8>Don't touch me like this, please, I can't stand it.

394
00:23:08.039 --> 00:23:09.680
<v Speaker 10>Will you'll be able to stand it better if you'd

395
00:23:09.759 --> 00:23:13.119
<v Speaker 10>stop these elevating hysterics. Look at miss Vanes. He just

396
00:23:13.400 --> 00:23:16.400
<v Speaker 10>lies there on the couch. She doesn't prance around the

397
00:23:16.480 --> 00:23:19.599
<v Speaker 10>room tearing the pages from her Bible. By the way,

398
00:23:19.680 --> 00:23:22.799
<v Speaker 10>you better give me the Bible after all, the binding

399
00:23:22.799 --> 00:23:24.839
<v Speaker 10>of his leather and leather was once a former meat.

400
00:23:27.119 --> 00:23:29.720
<v Speaker 10>I wouldn't want to disqualify.

401
00:23:29.039 --> 00:23:49.440
<v Speaker 9>You on the technicalssidy. Your night, Jerry, and the time

402
00:23:49.599 --> 00:23:52.400
<v Speaker 9>is up, say Jerry, for.

403
00:23:52.640 --> 00:23:58.400
<v Speaker 10>Seven days around or you'll revive soon enough. I brought

404
00:23:58.480 --> 00:24:02.200
<v Speaker 10>you a wonderful thing slice of bread and butter. If

405
00:24:02.240 --> 00:24:07.240
<v Speaker 10>you just remit the ears of your couch over against

406
00:24:07.400 --> 00:24:11.279
<v Speaker 10>the glass, can you hear me?

407
00:24:12.279 --> 00:24:12.599
<v Speaker 9>Sorry?

408
00:24:13.039 --> 00:24:17.200
<v Speaker 10>Can you hear me? At this moment, you're about one

409
00:24:17.319 --> 00:24:20.279
<v Speaker 10>foot away from Catherine Vane. There's just a sheet of

410
00:24:20.400 --> 00:24:24.279
<v Speaker 10>plate glass between you. Remember I had the glass petition installed.

411
00:24:24.480 --> 00:24:29.319
<v Speaker 10>It's like a great big window between two room. Remember Erry,

412
00:24:30.400 --> 00:24:38.039
<v Speaker 10>remember Kathy. Now I'm going to raise the glass petition. Now, Sherry,

413
00:24:39.359 --> 00:24:51.440
<v Speaker 10>I'm lifting it up there. Now there's brendon you see it.

414
00:24:51.920 --> 00:24:55.240
<v Speaker 10>A slice of fresh bread, but a wonderful soft white bread,

415
00:24:55.359 --> 00:24:59.079
<v Speaker 10>gold and fresh butter. Aren't hungry, Sherry, Aunt, you're hungry.

416
00:25:00.759 --> 00:25:03.440
<v Speaker 10>Be careful, Jerry. There's a woman over there. She's very

417
00:25:03.480 --> 00:25:06.000
<v Speaker 10>close to you, that model the foot away. She wants

418
00:25:06.079 --> 00:25:10.640
<v Speaker 10>the bread to Sherry. She wants to, but she's going

419
00:25:10.720 --> 00:25:13.440
<v Speaker 10>to steal it from you. She thinks it's hers. Perhaps

420
00:25:13.920 --> 00:25:17.960
<v Speaker 10>perhaps you'd better kill her, Sherry, Yes, well, then slip

421
00:25:18.079 --> 00:25:18.720
<v Speaker 10>down off the couch.

422
00:25:18.799 --> 00:25:19.039
<v Speaker 8>Cherry.

423
00:25:20.640 --> 00:25:23.960
<v Speaker 10>She's very clever. She's pretending to be asleep, but she's.

424
00:25:23.839 --> 00:25:24.599
<v Speaker 8>After the bread too.

425
00:25:25.039 --> 00:25:26.640
<v Speaker 10>She'll grab it and eat it and then there won't

426
00:25:26.640 --> 00:25:29.440
<v Speaker 10>be any for you, Sherry, you don't want that to happen. My,

427
00:25:30.920 --> 00:25:33.440
<v Speaker 10>she's greedy, shaddy, shill eat it, get rid of her,

428
00:25:33.480 --> 00:25:40.720
<v Speaker 10>get rid of her. Now, which quick? You've got it

429
00:25:40.799 --> 00:25:41.519
<v Speaker 10>in your hand, eat it.

430
00:25:41.799 --> 00:25:44.119
<v Speaker 8>You can't have it, you can't have it. It's mine.

431
00:25:44.519 --> 00:25:48.160
<v Speaker 8>It's my bread, my bread, and go on eat it.

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00:25:48.319 --> 00:25:51.519
<v Speaker 10>Stup it into your mouth, go on, go on, Jerry,

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<v Speaker 10>it's me.

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00:25:55.319 --> 00:25:55.759
<v Speaker 9>Cally.

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00:25:56.960 --> 00:26:02.720
<v Speaker 4>Oh, Jerry, I'm so hungry.

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00:26:04.640 --> 00:26:22.200
<v Speaker 11>Bad Eat it? Shall he?

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00:26:23.680 --> 00:26:29.759
<v Speaker 8>Oh he's just a little bit, she would slowly he.

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00:26:31.039 --> 00:26:34.079
<v Speaker 10>No, no, nodiot, there's only one slice.

439
00:26:34.319 --> 00:26:46.480
<v Speaker 14>Eat it, she would slowly, Sure, Sure, I sweet a

440
00:26:46.559 --> 00:26:47.000
<v Speaker 14>little more?

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<v Speaker 8>Dolly, Yeah, oh, Kelly, I love you.

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00:26:54.079 --> 00:26:56.759
<v Speaker 6>No, thank you, you have.

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00:26:59.279 --> 00:26:59.319
<v Speaker 8>You?

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00:27:00.799 --> 00:27:12.839
<v Speaker 16>Ye, thanks darling. You're a beast, mister slake. You're a beast,

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00:27:14.200 --> 00:27:20.559
<v Speaker 16>a powerful beast. We proved you're wrong. You're wrong, mister slake.

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00:27:21.599 --> 00:27:28.039
<v Speaker 16>There's another elemental. There's faith and fear and hunger, and

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00:27:28.160 --> 00:27:29.119
<v Speaker 16>there's that.

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00:27:30.319 --> 00:27:31.279
<v Speaker 8>There's love.

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00:27:33.640 --> 00:27:35.000
<v Speaker 10>Jerry, I Love you.

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00:28:01.240 --> 00:28:05.599
<v Speaker 2>You have just heard Elementals, written by Stephen Vincent Denay

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00:28:06.200 --> 00:28:07.559
<v Speaker 2>and directed by Harry W.

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00:28:07.839 --> 00:28:08.160
<v Speaker 7>Junkin.

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00:28:09.200 --> 00:28:13.400
<v Speaker 2>Hal Stodter starred as Sherwood Latimer. James Van Dyck was

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00:28:13.480 --> 00:28:18.519
<v Speaker 2>John Slake. Kathy was played by Marilyn Erskine. The music

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00:28:18.680 --> 00:28:22.400
<v Speaker 2>was composed and conducted by doctor Roy Shield. Harp solos

456
00:28:22.400 --> 00:28:26.559
<v Speaker 2>were by Edward Vito. Radio City Playhouse is supervised for

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00:28:26.640 --> 00:28:28.880
<v Speaker 2>the National Broadcasting Company by Richard P.

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00:28:29.079 --> 00:28:58.400
<v Speaker 1>McDonough. This is Harry Junkan again next week.

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<v Speaker 3>A story that in print is as simple as one

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<v Speaker 3>from three leads to in fact, that is its title,

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00:29:05.079 --> 00:29:09.240
<v Speaker 3>One from three leads to a dramatic and suspenseful story

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00:29:09.319 --> 00:29:13.839
<v Speaker 3>is starring Jan Minor and John Larkin. Next week Attraction

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<v Speaker 3>twenty seven on Radio City.

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<v Speaker 2>Playhouse, Bob Warn speaking. This is NBC, the National Broadcasting Company.
