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Speaker 1: W M NH.

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Speaker 2: Ripped the novels.

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Speaker 3: This is eleanor Langthorne from Vices, Inc. And you're listening

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to Matt Connorton unleashed on ninety five point three w M.

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N H.

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Speaker 4: Let it decay stolies voices scream needs bloody skies. Let

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it's fall shrooped into skies. A world's sworn by the

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power of lies.

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Speaker 2: The stick of.

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Speaker 4: Script transcens tall wolves and silk sun cons called great

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dificsion mall decay the s and seals break.

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Speaker 5: Away ly stopy stoping in a center piece.

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Speaker 2: Jee the lights, cleaning chalk where home.

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Speaker 6: Has ceased hardly sharp peace.

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Speaker 7: Let freedom be to see be the shindows wherein chancrety

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is greed.

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Speaker 2: Let my spells by hands of hate.

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Speaker 8: Showers surrend judge to their own weight.

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Speaker 2: The writer comes for in hand, the blood.

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Speaker 4: Of brother stays the land, chains and cons straight thrones

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and lies, thunder.

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Speaker 2: Records, cross ducking skies. Let the outcrows near the serpent last.

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The end is here.

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Speaker 5: Holy Stoby Stoppy had a seer fees.

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Speaker 9: Geez like lead in talk where homess.

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Speaker 2: Sees fly shop peace.

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Speaker 7: Let freedom be to see real the shins wearing secreteescreen.

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Speaker 5: Showly stopy stopping? Had U sent your fees?

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Speaker 2: Jimmie A the.

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Speaker 5: Light lead in chalk wear hopeess sees.

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Speaker 7: Holy stoopy let freed of me to see? Were the

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shadows wearing secreties?

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Speaker 10: Scream Oh that is so good? That is Unleash the

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beast and the band is Warhog. Welcome everybody, if you

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are listening live on Saturday, April nineteen, twenty twenty five,

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We've just entered our number two New Marrow dose of

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this week's Matt connorton Unleashed and we are live from

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the studios of WMNH ninety five point three FM and

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Glorious Manchester, New Hampshire. Jenny is here, of course at

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the news table, present and account of and in addition

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to her bunny ears as she's wearing because it is

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Easter weekend, we are both wearing our Warhog shirts.

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Speaker 2: We are twining.

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Speaker 10: Yes, yes, we never do that, but we've both got

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our Warhog shirts on because we love Warhog love talking

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to these guys. We've got Scott Beatley from Warhog is

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on skype with us. Hopefully this is work. Can hey, Scott?

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Can you hear me?

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Speaker 11: Hey? I can't, can you hear me? Yes?

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Speaker 10: Yes, welcome, Welcome morning, Welcome to the show. You never

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know with Skype, I actually just saw a notification that

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said that Skype is ending in May, and then we

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have to use Google Teams. Now I guess Google Teams

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is replacing Skype, so we'll have to figure that out

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for the for the for the future. But always always

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great to have you on the show. Of course, you're

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the singer and guitarist and Warhog and we we do

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enjoy Warhog. And is that the newest single Unleash the Beast?

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Speaker 11: It was until yesterday.

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Speaker 10: Oh okay, what's what's the newest one?

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Speaker 11: The newest one that we dropped yesterday is called Future Shock.

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Speaker 10: Oh, yes, excellent, Yes we will, we'll play that. We'll

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play that at the end of our conversation. So that

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just came out. So that's brand new.

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Speaker 11: Yes, yeah, absolutely excellent. It's fresh.

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Speaker 10: So I assume it's out on all the streaming services.

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And has that been played on has that been played

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on the radio at all yet?

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Speaker 11: No, not that I am aware of you. You might

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be the first. You probably will be.

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Speaker 10: Let's assume that we are because we love to do

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we as as you know, we love to do the

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world radio premieres here on Matt Connor, so that we'll

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we'll make this a world radio premiere. And that is wonderful.

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That is wonderful. Now these now, these tracks are these?

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Are these part of an album? Are you just releasing

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these as singles at this point?

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Speaker 11: No? They we are. We have a full uh four

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track EP coming out at the end of probably a

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mid July.

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Speaker 10: Okay.

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Speaker 11: We were originally we were originally going to drop a

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third EP in the Dystopian Chronicles series earlier this year,

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but after working with kind of our PR marketing team

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that we're working with, they asked us to hold on

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to it and release it in the summer, and that

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gave us an opportunity to release a couple of the

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other tracks as singles. The original plan was just to

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drop Unleash the Beast in January and then the whole

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EP in March, but instead where we did Future Shock

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this weekend, and we've got another one that will release

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i think in June, mid June, okay, before releasing the

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full in July.

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Speaker 10: Now did they ask you, I'm curious about that, you know,

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because I'm a music industry guy, Did they ask you

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to do that because you kind of want to, you know,

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you've got to feed that machine. We live in an

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era where you know, it's it's it's really different than

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it used to be, obviously, Like you know, I'm old

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enough to remember when I was growing up, it was

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the standard thing pre internet was you release an album

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or an EP, and then you release a series of

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singles or the first single comes out six to eight

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weeks before the album, but everything else comes out afterward.

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And now it seems to be it's really kind of inverted, right,

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you know, Yeah, most artists now are releasing you know,

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because you have that option with social media. You can

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put out a single and promote it and then those

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singles eventually form an EP or an album. And is

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that is that what the PR company kind of said,

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you know, let's let's do that instead.

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Speaker 11: And so I think there was also a mix of,

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you know, just kind of the way that the band

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works and the year that we had with Robert and

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getting him kind of up to speed, but also catching

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up from those several months where we didn't have a drummer.

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You know, we were just hitting them with music, kind

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of constantly, and and you know, we we had planned

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with with those folks the C Square to you know,

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they they gave us a cadence of dates that were like,

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all right, you know in twenty twenty four, on this date,

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you're going to release a single, then this single, and

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then this EP, and then this single, then this single,

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then this EP. And just because of the way we

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were trying to you know, do all the shows that

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we were doing and all the stuff, it was like,

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all right, this is due on you know, no November

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twenty second. So we were turning it in like November

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twenty first, and they were we weren't really giving them

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a chance to do their job. Yeah, And so they

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this year were like, all right, knocking off, if this

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thing is done, let's sit on it and give us

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a chance to do our thing. And we're like, okay, sure. Yeah.

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So I think I think that is some of it too,

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where we just they wanted to have an opportunity to promote,

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you know, to help us promote this and to do

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some press for it and hopefully get more ears on

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it than I think the last couple of things that

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we've released have have put out. So yeah, that answers

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your question. But that's I think that's my sense of

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what why we're doing exactly what we're doing right now.

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Speaker 10: Yeah, No, it does answer it. And I think that

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that makes a lot of sense, because you know, I

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think as an artist you probably I feel like a

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lot of artists, and I know from my own experience

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and playing in bands, if you records something and you're

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really happy with it, you want to get it out

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to the world. You want everybody to hear it, and

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then you've got to kind of it's hard sometimes, I think,

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to kind of rein that in and say, well, we

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need to we need to go about it the right

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way because in the long term, you want to impact

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the largest possible audience that you can, growing your fan base,

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so you've got to approach it with a lot of strategy.

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But there's also that short term impulse, you know, and

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and there's that short term gratification that comes with putting

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something out and people like it, they respond to it.

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But you know, it's I hate to use the cliche,

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but it does fit. It's a marathon, it's not a sprint,

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and you want to make you want to get the

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most out of what you've put all this hard work

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into all this music that you've recorded, you want to

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get the most out of it in terms of the

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impact with a fan base and expanding that fan base.

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So I think it makes a lot.

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Speaker 11: And at this point, we're used to sitting on songs

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that we love for a year before anybody gets to

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hear them. Yeah. So one of the ways we've one

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of the ways I think we've kind of alleviated for

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ourselves as we started a Patreon And kind of the

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conceit of the Patreon is if you sign up, you know,

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we'll we'll basically get you into a couple of shows

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no cover charge. But what we're doing with it is

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the promise of every month we're releasing songs that we

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haven't released yet in their demo form. Oh So it's

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a way, it's a way for us to not have

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to sit on some of that music for as long

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as we are, and we can kind of share it

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out with a you know, the folks that are that

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are subscribing and supporting us, you know, we're able to

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share some of that stuff out and explain where we

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are in the process and say, you know, a lot

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of times it's what's a month. I do it at

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the beginning of every month, and so it's like, you know,

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here's what we're working on the studio. It's this track

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or this EP, but here's a song that we're probably

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going to release in May of twenty twenty six. You know,

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I would just throw out the working demo version of it. Yeah, yeah,

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kind of people get you're kind of the process, you know,

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they can hear it the way we're learning it and

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listening to it and kind of getting used to it,

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you know, and then down the line we released the

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real thing. And then that's the other kind of the

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benefit of the patreons. We give the music the weekend,

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the finished versions away downloadable with all the tagged art

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and stuff, yeah to the Patreon.

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Speaker 10: So I think that's a fantastic concept for the Patreon.

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I really do, because I know, yeah, yeah, because I know,

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like as a fan, if I'm really into an artist,

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I love and and some people don't care about this

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kind of thing, but some people really are get really

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into it if they're if they're very passionate about an artist.

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I love getting to hear demos, you know, for something

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that's going to be recorded in the studio. Or or

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it has been recorded and it's just not out yet,

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or if I've already heard the studio version because it's out.

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But so I'll just give you an example. My all

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time favorite band is Kiss, and I love getting to

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every time I find it new demo because YouTube is

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heavily popular, populated, you know, more and more so all

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the time with with Kiss, demos that uh, you know,

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that that people hadn't heard before. And I love hearing

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demos of of into a studio album and it's just well,

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here's this demo that somebody found and now it's on

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YouTube and I get to hear it, and I love

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that kind of stuff, you know, hearing the raw you know,

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you know that that raw material that ultimately forms into

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what happens in the studio. I think that's great. So

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I love that concept.

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Speaker 11: Thanks. Yeah, I'm the same way. I think it's a

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lot of fun to listen to, you know, your favorite

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artists in a way that is not the packaged product

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that they usually let you listen to. Yeah.

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Speaker 10: Yeah, yeah, And I don't even mind if it's you know, obviously,

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if if it's a demo, it's a little rough, it's

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not going to be you know, fully mixed and mastered.

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But but but I kind of like that too, Like

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I don't I don't mind hearing something that it's it's not,

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you know, super polished. I like, I like hearing the

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raw stuff. So that's that's a great concept. And you know,

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and I and I think for it it it kind

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of not only not only do you get to share

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that with the fans, but I think for for fans

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who you know, it kind of it's it's kind of

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like they're they're in the inner circle then, right, It's

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like they're in on something that other people aren't necessarily

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in on. And I think, I think that's uh, I

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think that's that's awesome. And then and then they get

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the single too early if they joined the Patreon they

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get when the single finally does come out, they get

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it a little bit early.

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Speaker 11: I assume, Well, yeah, usually, I mean, unless the single

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is a standalone thing. Okay, most of our singles are

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gonna be or of a of a bigger thing, an

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EP or an album, and so we'll give them the

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full EP.

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Speaker 10: Okay.

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Speaker 11: That way, they just get it all kind of when

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it's all all said and done. But that's just because

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a lot of our you know, there's like the whole

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band camp side of it, like we don't we have

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a couple of singles like klopperk Man and then the

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Warhog Song are there kind of their own little things,

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So we'll give them those. But these two, the at

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least The Beast and Peter Shock, those are gonna be

256
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part of that third EP, so we'll just give them

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that when it's it's.

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Speaker 10: Finished, Okay, okay, excellent, And so that thirty p so

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that's going to be the Dysopian Chronicles Volume three.

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Speaker 11: Yeah, Yeah, we're finally wrapping it up. I'm really excited

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to have that whole thing kind of finished. It's been

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a it's been an interesting adventure, but I'm excited for

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it to be done and out in the world.

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Speaker 10: Over the course of doing this series, have you released

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music that's not a part of the series itself, that's

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separate from it, or is everything that you've released since

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you put out Volume one has it all been a

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part of the Dystopian Chronicles.

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Speaker 11: It's all been part of the Dystopian Chronicles.

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Speaker 10: Okay, okay, yeah, yeah.

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Speaker 2: Is that hard to keep to that?

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Speaker 10: Like, do you guys ever come up with something that

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you really think is is really good that you want

274
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to work on, but it just doesn't fit the concept

275
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of what you've been doing, so you have to put

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it aside. I mean, does that ever happen?

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Speaker 11: Oh? Absolutely, We're definitely yes. And and EP three became

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what it is kind of because of that reason. There

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was so we had. The original idea was we were

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gonna put out a second album, and when we when

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we released the first one and we only got so

282
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much kind of push because it was just one thing

283
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at one time, we decided to break up album two

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into these three EPs. And the original idea was EP

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one and EP two would be a collection of you know,

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four or five four or five minute long songs. They

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would be like your traditional EPs. Yeah, and then the

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third one was going to be this big, huge, kind

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of epic thing that Eric had worked on and written

290
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and that was twenty three minutes long. It was this big, huge,

291
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sprawling epic song, and that was gonna be EG three.

292
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We're gonna release it by itself. Oh wow. Yeah, And

293
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that was the plan. And then while we were you know,

294
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getting Robert acclimated to the band and him learning material

295
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and doing shows and recording all these these cracks that

296
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we wanted to get caught up on. We were writing

297
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new material for the future, and when we got to

298
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a certain point the c squared the our pr and

299
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marketing folks were asking us for a single ahead of

300
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the EP, and we were like, well, there's just the

301
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one song. It's twenty three minutes long, like it is

302
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gonna be what it is, and they were like, that's

303
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we should really maybe think about doing a traditional EP.

304
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And we're like, oh good, we can just move that

305
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big twenty three long, three minute long song somewhere else

306
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and we can place some of these numerous songs that

307
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we've written that we're really excited about and get them

308
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out there sooner. We kind of shifted gears at the

309
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very beginning of the year. I meet like December of

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last year and said, okay, let's change. EP three will

311
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be these four songs, and we picked the songs and

312
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I at least the Beast was a completely new composition.

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Like Eric had had this riff in his mind, it

314
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was kind of already working on this idea and then

315
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he and I just kind of wrote the lyrics for

316
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it and it came together pretty quickly, so but like

317
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future Shock is something that we've had in the songs

318
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that were written folder on dropbox for like two years. Uh,

319
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follow is going to be on there. And then there's

320
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this the closer for the EP and kind of the

321
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whole Dystopia Chronicles as a as a whole. Is this

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song called Stewards of a Broken World that I'm really

323
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excited about. I think the guys are really excited about

324
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getting it out there. It was one of these things

325
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that I wrote and what I shared with the band

326
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everybody kind of collectedly was like, this was awesome and

327
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it sucks that we're gonna have to sit on this

328
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for a really long time. Yeah, we all knew it

329
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was gonna be fun to play live. It's gonna be

330
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a it's a very kind of anthemic. I don't know it,

331
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it'll be fun. I'm excited for it to come out.

332
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But yeah, yeah, we definitely have stuff that we sit on.

333
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But then this one, like I said, is a good

334
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example of, oh, let's just switch gears a little bit,

335
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and maybe we're releasing these a little earlier that we thought.

336
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Speaker 10: So yeah, yeah, no that makes sense. So so for

337
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those who don't know what is the Dystopian chronicles and

338
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and what's kind of the concept here and is it

339
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a is it a story or is it more of

340
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a is it a broader concept or or what is

341
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the Dystopian chronicles.

342
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Speaker 11: It's kind of an anthology, I guess it's it's not

343
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a it's not a fault conceptual narrative. Like calling the

344
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Voyager was. You know, we had some songs that we've

345
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put together that we're all just kind of depressing and

346
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I like not very hopeful and and so as that

347
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theme kind of just took its its shape with the

348
00:21:22,319 --> 00:21:29,000
leftovers from the Voyager writing process, we started thinking about, well,

349
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we can just write all these songs that are all

350
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kind of you know, the future is bad, bad things

351
00:21:34,480 --> 00:21:37,160
are happening, What are the what are the reasons that

352
00:21:37,480 --> 00:21:42,599
society is you know, uh rumbling or whatever, And so

353
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we just every song has that kind of bend to it,

354
00:21:45,799 --> 00:21:49,839
but they're not necessarily connected. It's just that that undercurrent

355
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theme of of you know, what's going on in the

356
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world and why are things this way? And why are

357
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we doing anything to make any of it better? Stuff

358
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like that.

359
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Speaker 10: Yeah, the uh the Cybertooth song is is so that

360
00:22:07,000 --> 00:22:11,279
that's like my personal favorite. I love that, But which

361
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one is that on?

362
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Speaker 11: I forget now, that's that's I think the opening crack

363
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of Volume one.

364
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Speaker 10: That's all. That's the opening around Volume one. Yeah, we'll

365
00:22:19,400 --> 00:22:22,359
just love that song. It's it's so catchy and fun

366
00:22:22,440 --> 00:22:25,119
you know that was that that was not depressing it well,

367
00:22:25,119 --> 00:22:27,599
I mean, I guess it's it's depressing in the sense

368
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that that's the concept is scary, but it's also funny

369
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and the song is funny.

370
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Speaker 11: For sure, for sure, and that's kind of the you know,

371
00:22:37,720 --> 00:22:43,599
it's thematically. Some of the stuff is just dark, but song,

372
00:22:43,759 --> 00:22:46,279
the song, they're all kind of their own thing. But yeah,

373
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like you'd say, oh yeah, the song about a the

374
00:22:49,359 --> 00:22:51,440
Hunt of the cyber Tooth doesn't sound depressing at all,

375
00:22:51,480 --> 00:22:53,440
but we're like, I mean, it's like a takes place

376
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in the world where the cops have no control, so

377
00:22:55,519 --> 00:22:59,640
they just tend out a killing machine every night to

378
00:22:59,720 --> 00:23:03,880
get hunt down criminals indiscriminately. Like that's bad. Yeah right, yeah,

379
00:23:04,640 --> 00:23:07,039
you know we released and now like, look at what's

380
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happening with like ice and stuff.

381
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Speaker 12: Yeah, maybe maybe something not so far off so right,

382
00:23:15,759 --> 00:23:19,480
you know, but that's that's part of the you know this,

383
00:23:20,079 --> 00:23:23,680
All the all the best dystopian works are wrapped in fantasy.

384
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Speaker 11: And then when you take that kind of veneer away,

385
00:23:25,599 --> 00:23:28,480
you're like, oh no, this is this is bad. This

386
00:23:28,640 --> 00:23:31,119
is already bad. We're already in this bad spot.

387
00:23:31,680 --> 00:23:33,920
Speaker 10: So well, that's that's the thing, right, I mean, that's

388
00:23:34,039 --> 00:23:36,599
that's how you can connect with people with something like that.

389
00:23:36,799 --> 00:23:40,599
That's fantasy. I mean obviously, you know, people enjoy all

390
00:23:40,759 --> 00:23:43,519
kinds of you know, whether it's music or books or

391
00:23:43,559 --> 00:23:46,519
films or you know, all kinds of sort of fantasy

392
00:23:46,720 --> 00:23:50,400
type stuff. But I think the fantasy stuff that resonates

393
00:23:50,480 --> 00:23:54,799
the most with people is where Okay, this is fantasy,

394
00:23:55,079 --> 00:24:00,200
it's fiction, but this could actually happen, and you know,

395
00:24:00,359 --> 00:24:02,559
and it kind of gets those neurons fireing and and

396
00:24:02,799 --> 00:24:05,880
and makes you think a little bit and and I

397
00:24:05,960 --> 00:24:08,240
think that's I think that's really cool about what you're doing.

398
00:24:08,279 --> 00:24:09,880
I think that's that's part of what's a big draw

399
00:24:09,960 --> 00:24:12,839
with your music. I mean, obviously the songs are very

400
00:24:12,920 --> 00:24:15,640
catchy and and really good hooks, and and the playing

401
00:24:15,799 --> 00:24:18,039
is phenomenal, and your vocals and all of it. You've

402
00:24:18,039 --> 00:24:20,680
got the whole package. But I think also it resonates

403
00:24:20,720 --> 00:24:23,319
with people because there's something there that they can that

404
00:24:23,440 --> 00:24:25,319
they can kind of analyze and think about.

405
00:24:26,319 --> 00:24:30,119
Speaker 11: Yeah, thank you. Yeah, that's I mean, that's the idea, right, Yeah,

406
00:24:30,559 --> 00:24:32,119
we could we could go out there and write fluff

407
00:24:32,160 --> 00:24:35,480
about stuff that doesn't matter, or we can write about

408
00:24:35,480 --> 00:24:38,000
stuff that matters, you know, Like I I think three

409
00:24:38,039 --> 00:24:39,839
of us, three of us in the band will have kids,

410
00:24:39,880 --> 00:24:42,759
and you know, every day I wake up to a

411
00:24:43,000 --> 00:24:46,079
fresh new hell of this world that we're living in,

412
00:24:46,240 --> 00:24:48,759
and I can't help but wonder, like, what is what

413
00:24:49,000 --> 00:24:52,720
is it that we're leaving for this next generation or two,

414
00:24:53,480 --> 00:24:56,880
you know, And and that's that's definitely on my mind

415
00:24:56,920 --> 00:24:59,440
every time I sit down with a guitar and start

416
00:24:59,480 --> 00:25:01,519
working on something, or at least it has been for

417
00:25:01,559 --> 00:25:02,640
these last couple of years.

418
00:25:02,720 --> 00:25:05,599
Speaker 10: So yeah, Uh, do you write all the lyrics?

419
00:25:06,920 --> 00:25:09,880
Speaker 11: No, Eric and I probably share. I think probably Eric

420
00:25:09,960 --> 00:25:12,680
and I if you hadn't split it and you really

421
00:25:12,720 --> 00:25:15,599
went down into the math, I'd say it's probably like

422
00:25:15,720 --> 00:25:19,720
a sixty to forty split, where Eric does does the

423
00:25:19,799 --> 00:25:22,960
sixty percent of the writing and I write forty of

424
00:25:23,000 --> 00:25:26,720
the writing. And that and that's music and lyrics. Eric

425
00:25:27,160 --> 00:25:30,240
is a really good songwriter in his own in his

426
00:25:30,359 --> 00:25:33,079
own right, and he has his own distinct style. A

427
00:25:33,160 --> 00:25:35,240
lot of times, what will happen is Eric will write

428
00:25:35,279 --> 00:25:40,799
something that he Whenever I write, I sit down, and

429
00:25:41,680 --> 00:25:44,400
you know, the way my brain works is it goes okay,

430
00:25:44,440 --> 00:25:46,319
and don't forget you'd have to do these things at

431
00:25:46,359 --> 00:25:49,759
the same time. So the guitar parts that I write

432
00:25:50,759 --> 00:25:53,920
tend to enable me to sing, whereas Eric doesn't really

433
00:25:54,039 --> 00:25:57,119
do that. He just writes the guitar part and puts

434
00:25:57,160 --> 00:25:59,240
the song together and then we'll put lyrics to it

435
00:26:00,279 --> 00:26:03,079
without trying to do them at the same time. And

436
00:26:03,240 --> 00:26:06,759
so my job is usually to take Eric's lyrics and

437
00:26:06,880 --> 00:26:11,000
write them into something that I can sing. And sometimes

438
00:26:11,119 --> 00:26:15,319
that's an extensive rewrite, and sometimes it's just paging a

439
00:26:15,400 --> 00:26:17,680
couple of words or pulling a couple of syllables out

440
00:26:18,559 --> 00:26:22,480
or little stuff like that. But I'd say it's probably

441
00:26:22,680 --> 00:26:29,160
probably sixty forty just for no reason other than that,

442
00:26:29,160 --> 00:26:33,519
it's just is what's been working for us, right. I mean, Eric,

443
00:26:33,920 --> 00:26:35,559
when I played together in a band a long time ago,

444
00:26:35,599 --> 00:26:37,559
when I was the kind of the primary songwriter, and

445
00:26:37,640 --> 00:26:41,359
I probably wrote ninety five percent of the music, you know,

446
00:26:41,440 --> 00:26:43,519
So I'm happy to let him take the wheel and

447
00:26:43,640 --> 00:26:47,799
drive on the majority of this stuff now. But yeah, yeah, yeah,

448
00:26:47,799 --> 00:26:48,880
we do definitely share.

449
00:26:49,160 --> 00:26:52,000
Speaker 10: Yeah, oh excellent, excellent. And what about as far as

450
00:26:52,079 --> 00:26:54,160
live shows, are you guys playing a lot or I

451
00:26:54,240 --> 00:26:56,759
know you've been really focused on the you are you're

452
00:26:56,759 --> 00:26:57,519
doing a lot of shows.

453
00:26:57,640 --> 00:27:01,279
Speaker 11: Good, Yeah, I was looking at it. We've got we

454
00:27:01,759 --> 00:27:07,079
did seven shows already this year. I think the last

455
00:27:07,079 --> 00:27:09,440
show we played was in mid March, and then Eric

456
00:27:09,519 --> 00:27:13,240
and his wife were expecting another kid who was born

457
00:27:14,319 --> 00:27:17,039
Monday or Tuesday, I think maybe Monday night. So they

458
00:27:17,839 --> 00:27:19,920
that's why he's not here today because they're they're doing

459
00:27:19,960 --> 00:27:21,079
baby stuff this morning.

460
00:27:21,240 --> 00:27:25,680
Speaker 13: That's understandable, Yeah, exactly, and and so uh so we

461
00:27:25,799 --> 00:27:31,359
had taken kind of mid March through mid May off

462
00:27:31,440 --> 00:27:34,400
and black that off the of the calendar, just because

463
00:27:34,440 --> 00:27:37,119
we didn't want to like, you know, be setting up

464
00:27:37,160 --> 00:27:37,720
for a gig.

465
00:27:37,680 --> 00:27:39,880
Speaker 11: And then Corey to call and be like, I can

466
00:27:39,920 --> 00:27:44,960
go make it the labor you know, in March in April.

467
00:27:45,000 --> 00:27:47,119
But we're going to start back up again here in

468
00:27:47,119 --> 00:27:49,000
the next couple of weeks in May, and we've got

469
00:27:49,519 --> 00:27:51,680
two shows in May. I show booked in June and

470
00:27:51,799 --> 00:27:54,599
July and August and September, so we're booked all the

471
00:27:54,640 --> 00:27:56,519
way out kind of into the ball.

472
00:27:56,480 --> 00:27:58,880
Speaker 10: So oh excellent, excellent, Yeah, playing a lot.

473
00:27:59,519 --> 00:27:59,720
Speaker 11: Yeah.

474
00:28:00,079 --> 00:28:04,160
Speaker 10: Yeah, So the music that you're sitting on, is it, like,

475
00:28:04,279 --> 00:28:08,160
do you ever get tempted to sneak something of that

476
00:28:08,440 --> 00:28:11,039
into the live set or are you guys pretty Oh no.

477
00:28:11,400 --> 00:28:14,119
Speaker 11: No, No, it's easy to do that because we don't

478
00:28:14,119 --> 00:28:17,319
really the way that with Eric and I and the

479
00:28:17,359 --> 00:28:22,160
way that just our band is operating. This is gonna

480
00:28:22,200 --> 00:28:24,559
sound terrible when I say it out loud, but the

481
00:28:24,680 --> 00:28:28,039
other guys aren't really required to write a song. Oh. So,

482
00:28:28,240 --> 00:28:31,680
like I'll a lot of our demos when Eric finishes

483
00:28:31,720 --> 00:28:36,519
a song, When I finish a song, it's got MIDI drums,

484
00:28:36,599 --> 00:28:39,799
Like we'll program our own drum parts and stuff. And

485
00:28:40,119 --> 00:28:42,559
I can play bass, and Eric can play bass, and

486
00:28:42,759 --> 00:28:44,640
Eric can sing, and so he'll do all the vocals

487
00:28:44,680 --> 00:28:46,440
on all of his songs. Yeah, and then I'll do

488
00:28:46,480 --> 00:28:48,279
all the you know, so like I'll just we'll just

489
00:28:48,519 --> 00:28:51,160
kind of package our songs together. Yeah, And so what

490
00:28:51,440 --> 00:28:55,039
what ends up is we don't really work up a

491
00:28:55,200 --> 00:28:57,920
song as a whole band until we're ready to add

492
00:28:57,920 --> 00:29:02,279
it to the set. List, okay, which means we have

493
00:29:02,839 --> 00:29:05,759
recorded it and are ready to release it. Like right

494
00:29:05,839 --> 00:29:11,279
now we are in the studio working up Unleash the

495
00:29:11,359 --> 00:29:14,759
Beast and Future Shock and Stewards of a Broken World

496
00:29:15,079 --> 00:29:17,640
so that we can start playing them in May to

497
00:29:17,920 --> 00:29:19,440
promote EP three.

498
00:29:20,279 --> 00:29:23,279
Speaker 10: Okay, Okay, So yeah that makes sense.

499
00:29:23,319 --> 00:29:25,559
Speaker 11: Which is if I mean, and you know, like it's

500
00:29:25,839 --> 00:29:30,720
kind of not the most uh, I don't know, genuine

501
00:29:30,960 --> 00:29:35,359
kind of four guys in a room, you know, cranking

502
00:29:35,400 --> 00:29:39,599
out music together. But I have a feeling that that's

503
00:29:39,640 --> 00:29:41,480
how a lot of other folks do it. Well, they'll

504
00:29:41,640 --> 00:29:44,799
just you know, pretty sure, Iron Maiden gets together once

505
00:29:44,839 --> 00:29:47,480
a year and everybody brings their demo tapes and they're like, well,

506
00:29:47,519 --> 00:29:49,640
here's the six songs I wrote, here's the six songs

507
00:29:49,680 --> 00:29:51,759
I wrote, and here's the and then they just kind

508
00:29:51,799 --> 00:29:53,279
of like pick the ones that they're all going to learn,

509
00:29:53,319 --> 00:29:56,079
and then they just spend three weeks learning in them

510
00:29:56,119 --> 00:29:57,880
and then record them. You know. So that's kind of

511
00:29:57,920 --> 00:29:59,880
what we do. We kind of just do the same thing.

512
00:30:00,119 --> 00:30:01,960
Speaker 10: Yeah, yeah, I mean, there's no right or wrong way

513
00:30:02,000 --> 00:30:02,599
to do it, you know.

514
00:30:03,359 --> 00:30:05,799
Speaker 11: Yeah, it works for it works for us. But but

515
00:30:06,000 --> 00:30:11,079
what's nice is we're not. When we play shows now,

516
00:30:11,319 --> 00:30:16,279
we're really consistent and you know, we're really just nailing

517
00:30:16,359 --> 00:30:19,720
the crap out of the songs that we're playing, and

518
00:30:19,759 --> 00:30:22,039
then as we rotate stuff in, we can rotate older

519
00:30:22,039 --> 00:30:26,839
stuff out, and yeah, I think it helps folks kind

520
00:30:26,880 --> 00:30:30,319
of get familiar with the new material as well, because

521
00:30:30,319 --> 00:30:32,240
we kind of play in the same spots and you know,

522
00:30:32,319 --> 00:30:35,839
the same uh, the same set orders and stuff like that. Yeah.

523
00:30:36,000 --> 00:30:38,920
Speaker 10: Yeah, what what is the live show like in terms

524
00:30:38,960 --> 00:30:42,079
of are there any theatrics? Do you use any special effects?

525
00:30:42,279 --> 00:30:45,359
Because yeah, your music certainly lends itself to that. I

526
00:30:45,359 --> 00:30:45,759
would think.

527
00:30:46,759 --> 00:30:51,319
Speaker 11: Yeah, departing on the venue, we we do a couple

528
00:30:51,359 --> 00:30:56,400
of couple of different things. But like this place in

529
00:30:56,519 --> 00:31:00,759
Dallas called Freeze, which is kind of a legendary local venue,

530
00:31:01,000 --> 00:31:03,559
Like Nirvana played there in the early nineties before they

531
00:31:03,680 --> 00:31:06,400
kind of like really blew up. Everybody has played at

532
00:31:06,720 --> 00:31:10,799
Grease that that comes through and they've got an amazing

533
00:31:11,200 --> 00:31:15,759
digital display behind the drums, and so we can go

534
00:31:15,880 --> 00:31:21,680
in there with videos and just all sorts of animated

535
00:31:21,759 --> 00:31:25,400
stuff and so we've we've experimented with like every song,

536
00:31:26,000 --> 00:31:29,079
it's a different backdrop. Oh cool, right, so we played

537
00:31:29,119 --> 00:31:33,079
the Ciber two song You've got the dyscopian kind of

538
00:31:33,680 --> 00:31:38,480
alleyway that that cover art sat on. When we play

539
00:31:38,599 --> 00:31:40,480
some of the other stuff, you know, we change up

540
00:31:40,599 --> 00:31:44,319
the you know, the the backdrop changes and the the

541
00:31:46,200 --> 00:31:48,480
you know, the Warhog logo will come in and out

542
00:31:48,480 --> 00:31:51,400
and stuff. But what we've started doing this year, which

543
00:31:51,440 --> 00:31:56,519
I really love, is we have a Warhog pop doom

544
00:31:57,279 --> 00:31:59,680
that the night of the show, we just kind of

545
00:31:59,720 --> 00:32:03,680
grab someone from the audience and designate them as the

546
00:32:03,759 --> 00:32:09,279
war Hog and we close our show with the song Warhog.

547
00:32:09,480 --> 00:32:11,119
And there's this kind of in the middle of it,

548
00:32:11,200 --> 00:32:14,160
there's this big kind of gang chant that's we call

549
00:32:14,279 --> 00:32:15,880
upon the war Hoog and.

550
00:32:17,359 --> 00:32:19,640
Speaker 14: Coming out did we go into the carsonal So, now

551
00:32:19,720 --> 00:32:24,680
what we've got is put endless boor mask. They had

552
00:32:24,799 --> 00:32:27,559
like a shield and an axe and they've got there's

553
00:32:27,559 --> 00:32:30,759
like a shirt and everything. They come out and they like,

554
00:32:31,640 --> 00:32:33,599
you know, ramp up the crowd, and if we've.

555
00:32:33,480 --> 00:32:35,720
Speaker 11: Got some shwag, they'll throw swag out and you know,

556
00:32:35,839 --> 00:32:38,960
or they'll throw t shirts out, and uh, they just

557
00:32:39,079 --> 00:32:42,279
want to come out and ramp up the crowd like

558
00:32:42,319 --> 00:32:45,640
a mascot. And then they just disappear off the side

559
00:32:45,640 --> 00:32:47,319
of the state when it's done, and then we finish

560
00:32:47,400 --> 00:32:49,759
the set. But that's what we're doing now, is we've

561
00:32:49,799 --> 00:32:52,319
got we've got a warhog that actually comes out, and

562
00:32:52,480 --> 00:32:55,759
I think what we're gonna start doing is its incorporating

563
00:32:55,880 --> 00:33:00,240
that with some of the back ground images and put

564
00:33:00,359 --> 00:33:03,119
him in places so that if you're it's the first

565
00:33:03,160 --> 00:33:05,039
time you've seen us, and you're seeing us at Creese,

566
00:33:05,759 --> 00:33:07,759
you know, we start the first song and there's our

567
00:33:07,799 --> 00:33:10,759
big backdrop, and the war hog will be in there somewhere,

568
00:33:10,839 --> 00:33:13,160
and the three songs later will change it and there

569
00:33:13,160 --> 00:33:15,319
will be a new backdrop, but that that will die

570
00:33:15,480 --> 00:33:17,920
will be in there somewhere. But by the eighth or

571
00:33:18,000 --> 00:33:20,599
night song, when the actual warhog comes out in the flesh,

572
00:33:20,640 --> 00:33:23,440
it's like, oh, this is the thing. They've been teasing

573
00:33:23,519 --> 00:33:25,640
this and now it's here looking me in the in

574
00:33:25,759 --> 00:33:33,000
the eye, you know, like that's that kind of those

575
00:33:33,079 --> 00:33:37,200
kind of theatrics are limitually manageable in a small venue,

576
00:33:37,279 --> 00:33:39,880
and we we do that in the small venues too.

577
00:33:40,039 --> 00:33:42,599
My sister was actually just the warhog at our last show.

578
00:33:42,720 --> 00:33:48,599
Was really funny. Yeah, So man or woman whoever wants

579
00:33:48,680 --> 00:33:50,279
to be the Warhogs who can make it happen.

580
00:33:50,400 --> 00:33:53,640
Speaker 10: So that's fantastic. That's fantastic.

581
00:33:53,680 --> 00:33:54,039
Speaker 11: I love that.

582
00:33:54,200 --> 00:33:55,799
Speaker 10: Is there any video of that on YouTube?

583
00:33:56,599 --> 00:33:59,680
Speaker 11: Oh yeah, uh yeah, if you go to our YouTube page,

584
00:34:00,000 --> 00:34:03,119
I'll pull it up real quick. There is a video

585
00:34:04,680 --> 00:34:09,639
see Warho Warhog Unleash the Bees. I think there's a

586
00:34:09,719 --> 00:34:11,079
video of someone doing the Warhog.

587
00:34:11,239 --> 00:34:12,360
Speaker 10: I gotta check that out.

588
00:34:13,320 --> 00:34:15,760
Speaker 11: It's pretty funny, it's it's pretty and there's plenty of

589
00:34:15,920 --> 00:34:21,440
pictures online of of people doing it too. But but yeah,

590
00:34:21,639 --> 00:34:23,880
I'm pretty sure we've got footage of it.

591
00:34:24,119 --> 00:34:26,239
Speaker 10: Yeah, yeah, I'll check that out.

592
00:34:26,920 --> 00:34:29,800
Speaker 11: Yeah, it's really funny, it's it's it's always a good time.

593
00:34:29,840 --> 00:34:34,000
There's definitely pictures of it, okay, yeah, on our Facebook

594
00:34:34,079 --> 00:34:38,320
and probably on Instagram. There's definitely pictures from the recent

595
00:34:38,400 --> 00:34:42,039
shows of the war Hog out there doing their thing.

596
00:34:42,239 --> 00:34:45,880
Oh yay, it's great. We have we We recently did

597
00:34:45,960 --> 00:34:50,000
a Vakan Metal festival in Germany. They did a every

598
00:34:50,039 --> 00:34:51,960
year they do a battle the bands where they get

599
00:34:53,079 --> 00:34:58,079
uh you know, international unsigned independent bands and opportunity to

600
00:34:58,159 --> 00:35:01,679
kind of fight their way to many We competed in

601
00:35:01,760 --> 00:35:04,079
that and we we won Dallas and went down to

602
00:35:04,119 --> 00:35:07,920
Austin he did at the state level and uh, and

603
00:35:08,000 --> 00:35:10,119
it was real fun because we the last song we

604
00:35:10,239 --> 00:35:13,960
did was Warhog and these people had no idea who

605
00:35:14,039 --> 00:35:16,400
we were, what we sounded like, and we just got

606
00:35:16,519 --> 00:35:17,719
to go out there and play our thing. And then

607
00:35:17,719 --> 00:35:19,960
all of a sudden, you know, the guy jumps out

608
00:35:20,159 --> 00:35:24,920
on stage and he's got packets of uh, there's these

609
00:35:25,000 --> 00:35:32,039
and stickers, and it's like in the audience, I was

610
00:35:32,119 --> 00:35:34,440
just like looking at people's eyes that were just so

611
00:35:35,960 --> 00:35:39,280
hilariously entertained by it, because I don't think anybody was

612
00:35:39,360 --> 00:35:42,199
expecting that like a little you know, like a little

613
00:35:42,280 --> 00:35:45,719
everybody gets four songs and then you disappear kind of show, right,

614
00:35:46,360 --> 00:35:50,039
it's always it's a free to do that. People really

615
00:35:50,159 --> 00:35:50,480
enjoy it.

616
00:35:50,599 --> 00:35:54,400
Speaker 10: So, oh that's fantastic. That's fantastic. Yeah, I'll look on

617
00:35:54,519 --> 00:35:56,679
your YouTube page see if I can find I gotta

618
00:35:56,719 --> 00:36:01,920
see this, but very very cool, Yeah, Scott, What should

619
00:36:01,920 --> 00:36:04,400
people know about how to find you guys online? Is

620
00:36:04,679 --> 00:36:07,119
is warhog band dot com the best place to go

621
00:36:07,239 --> 00:36:09,000
as far as keeping up with everything that you're doing?

622
00:36:09,800 --> 00:36:12,840
Speaker 11: Yeah, warhog band is great because from there you can

623
00:36:12,840 --> 00:36:18,599
get everywhere Facebook, Instagram, Picktock, Blue Sky. All the social

624
00:36:18,679 --> 00:36:24,679
media's we are warhog DFW. Okay, it's just Dallas Warworth. Yeah,

625
00:36:24,719 --> 00:36:29,840
warhog DFW on all the social media. Facebook, we're really active, Instagram,

626
00:36:29,920 --> 00:36:31,480
We're really active. So if you kind of want to

627
00:36:31,519 --> 00:36:33,920
get your bang for your buck and interact with us,

628
00:36:34,519 --> 00:36:38,039
that's where I would start. Okay, If you need help

629
00:36:38,079 --> 00:36:41,840
find any of those things, yeah absolutely, warhog band dot com.

630
00:36:42,679 --> 00:36:44,599
But warhog band dot com has all of our merch

631
00:36:45,119 --> 00:36:48,079
and that's where you can buy our music and all

632
00:36:48,159 --> 00:36:48,639
that stuff.

633
00:36:48,719 --> 00:36:51,559
Speaker 10: So great website. By the way, who does the website?

634
00:36:51,599 --> 00:36:52,440
Do you do that yourself?

635
00:36:53,480 --> 00:36:53,920
Speaker 11: Eric does?

636
00:36:54,159 --> 00:36:56,760
Speaker 10: Eric does? Yeah, he does a great job. You know,

637
00:36:56,760 --> 00:36:58,480
I'm a marketing guy and I pay a lot of

638
00:36:58,519 --> 00:37:02,159
attention to websites. And there's a lot of there's a

639
00:37:02,199 --> 00:37:04,639
lot of bad websites out there that the musicians. But

640
00:37:04,880 --> 00:37:09,320
but you guys have a great site. It's easy to navigate,

641
00:37:09,400 --> 00:37:13,400
but also very visually appealing and engaging, and it's you know,

642
00:37:13,519 --> 00:37:16,679
there's a lot there, but it's not overly busy. It's great.

643
00:37:16,800 --> 00:37:20,000
It's it's kind of the perfect, the perfect banned website.

644
00:37:20,039 --> 00:37:21,519
To be honest with you, it's really good.

645
00:37:22,440 --> 00:37:22,679
Speaker 11: Thank you.

646
00:37:23,039 --> 00:37:23,639
Speaker 10: Absolutely.

647
00:37:24,000 --> 00:37:24,199
Speaker 11: Yeah.

648
00:37:24,440 --> 00:37:26,239
Speaker 10: I know I pay a lot of attention to that

649
00:37:26,320 --> 00:37:29,559
kind of thing. But very good, very good, well Scott

650
00:37:29,679 --> 00:37:33,400
Beatley of Warhog. We really appreciate you, uh joining us today.

651
00:37:33,440 --> 00:37:35,920
Oh and and please you know tell Erica I said,

652
00:37:36,119 --> 00:37:37,960
congratulations on the I will.

653
00:37:38,039 --> 00:37:40,239
Speaker 11: I think he's probably listening right now, so you probably

654
00:37:40,320 --> 00:37:40,960
just called him live.

655
00:37:41,159 --> 00:37:44,360
Speaker 10: Very yes, congratulations Eric if you are listening, and uh,

656
00:37:44,480 --> 00:37:46,280
in a moment, we're gonna do so. This will be

657
00:37:46,360 --> 00:37:49,400
the world radio premiere of the brand new track Future

658
00:37:49,480 --> 00:37:53,239
Shock uh from Warhog, and UH looking forward to sharing

659
00:37:53,320 --> 00:37:55,159
this with everybody you know, Jenny and I. We we

660
00:37:55,280 --> 00:37:57,280
love everything you guys do. You guys are amazing so

661
00:37:58,320 --> 00:37:58,519
and we.

662
00:37:58,599 --> 00:38:01,760
Speaker 11: Love you guys supporting us every time I see y'all

663
00:38:01,880 --> 00:38:04,119
in the feed and you're wearing your Warhog shirts just

664
00:38:04,280 --> 00:38:07,239
I'm yeah, you've seen me do it. I share it

665
00:38:07,320 --> 00:38:09,719
with our folks. I think it's amazing. I love it.

666
00:38:09,800 --> 00:38:12,239
So thank you guys for supporting us all the way

667
00:38:12,280 --> 00:38:14,639
from from New Hampshire. It's it's really awesome.

668
00:38:14,800 --> 00:38:17,280
Speaker 10: Oh yeah, yeah, very very happy to do it. So

669
00:38:17,679 --> 00:38:19,400
so Scott, we'll let you go and then we're gonna

670
00:38:19,440 --> 00:38:21,840
we're gonna do that world premiere. But thank you so much,

671
00:38:21,920 --> 00:38:24,840
my friend, and well as always of course we'll definitely

672
00:38:24,920 --> 00:38:27,519
do this again in the uh in the future as

673
00:38:27,559 --> 00:38:29,880
you continue to release new music and we love being

674
00:38:29,920 --> 00:38:33,320
able to just support everything that you're doing. So thank you, Scott,

675
00:38:33,519 --> 00:38:34,480
thank you, thank you.

676
00:38:34,599 --> 00:38:36,599
Speaker 11: Heppy Easter, y'all have great weekend. You got it.

677
00:38:36,639 --> 00:38:39,440
Speaker 10: Happy Easter. Take care all right, bye bye bye bye,

678
00:38:40,119 --> 00:38:42,719
all right. That was Scott Beatley from the band Warhog.

679
00:38:42,920 --> 00:38:46,000
And without further ado, here it is. This is the

680
00:38:46,199 --> 00:38:50,239
world radio premiere. This has not been played on FM radio.

681
00:38:50,679 --> 00:38:54,719
This is brand new from Warhog. This is called Future Shock.

682
00:38:55,239 --> 00:38:57,800
Speaker 2: You are listening to Wumination.

683
00:38:59,199 --> 00:39:00,000
Speaker 15: World premiere.

684
00:39:00,079 --> 00:39:30,760
Speaker 16: Here they catch me also lot awaken and the time

685
00:39:31,360 --> 00:39:34,440
to see the future and escape one.

686
00:39:34,360 --> 00:39:37,800
Speaker 17: I left maybe hind but never here.

687
00:39:38,440 --> 00:39:43,920
Speaker 2: Look around me and all I see. Lets you say yesterday,

688
00:39:44,360 --> 00:39:47,000
It's where I would rather be.

689
00:39:48,440 --> 00:40:04,199
Speaker 6: Bes boys responded to talks clos Cresso Prison, the Pride

690
00:40:04,440 --> 00:40:06,400
of the Left, creep.

691
00:40:09,920 --> 00:40:18,079
Speaker 2: Tracing in the show Set Free, Shot Barn this new.

692
00:40:20,960 --> 00:40:25,920
Speaker 9: Track and the U Che Set Me Free.

693
00:40:26,480 --> 00:40:29,239
Speaker 6: When lending is waste.

694
00:40:29,039 --> 00:40:33,880
Speaker 8: For you, You'll see what could have happened to make

695
00:40:34,119 --> 00:40:36,639
everything bad is sweet?

696
00:40:37,199 --> 00:40:40,159
Speaker 2: The sky Blue actionting.

697
00:40:39,599 --> 00:40:43,840
Speaker 9: Everything to grace beyond the new.

698
00:40:43,800 --> 00:40:48,920
Speaker 5: On lights, the filthies left to spread, You'll find your

699
00:40:49,079 --> 00:40:50,559
work with strips, bog.

700
00:40:50,440 --> 00:41:04,760
Speaker 6: Puck chat to your chest, fing only passer.

701
00:41:06,559 --> 00:41:12,719
Speaker 2: Surrounds pass by.

702
00:41:15,760 --> 00:41:21,920
Speaker 9: Tracking the sh said me freak shot.

703
00:41:22,079 --> 00:41:26,840
Speaker 2: By this ney They.

704
00:41:26,800 --> 00:41:34,679
Speaker 6: Track the uture, said me free well, man, this waste

705
00:41:34,880 --> 00:41:35,360
for you.

706
00:41:36,119 --> 00:41:37,199
Speaker 9: You'll see.

707
00:41:59,400 --> 00:42:05,639
Speaker 16: Right, can't tell the frightful chess ball mace this cancher

708
00:42:05,840 --> 00:42:07,320
for love time.

709
00:42:08,719 --> 00:42:09,800
Speaker 2: Cat we catcher.

710
00:42:10,400 --> 00:42:16,280
Speaker 6: Oh, I'll beyond Grandpa rolling through this night. Help me

711
00:42:16,800 --> 00:42:20,480
escape this space, right, don't go along?

712
00:42:20,559 --> 00:43:08,320
Speaker 9: Cheers, boys.

713
00:43:10,760 --> 00:43:13,679
Speaker 6: To talk, tivers.

714
00:43:13,159 --> 00:43:18,400
Speaker 2: Close talk, regress a.

715
00:43:18,679 --> 00:43:30,000
Speaker 6: Prince the prime left to me tracked in the future,

716
00:43:31,000 --> 00:43:39,199
seg free shot by this new a lot track in

717
00:43:39,840 --> 00:43:48,920
the future, seg me free well, waste for you you'll see.

718
00:45:22,519 --> 00:45:26,280
Speaker 9: Close the doors, draw the lines that's.

719
00:45:26,119 --> 00:45:32,559
Speaker 7: On the hunt tonight, hide away, kneel and pray cyberenetically

720
00:45:32,679 --> 00:45:35,039
and hans to slay all.

721
00:45:35,000 --> 00:45:37,800
Speaker 9: Seeing synthetic pay the.

722
00:45:37,880 --> 00:45:42,880
Speaker 8: County way side one machine not beast.

723
00:45:43,639 --> 00:46:00,159
Speaker 9: Pray you'll not praise tonight. Pray you're not pray tonight, crayn.

724
00:46:01,440 --> 00:46:08,519
Speaker 2: Color and free say goodbye to all that you j

725
00:46:11,079 --> 00:46:19,000
there's no use Hide the shrep that's no escaping the

726
00:46:19,320 --> 00:46:36,800
hunt of the cyer. The time is nine that hunts again.

727
00:46:38,119 --> 00:46:40,519
No one turn me out tonight on.

728
00:46:40,719 --> 00:46:46,079
Speaker 4: Mister Sloth a cyber tube bro come to say on sight.

729
00:46:46,719 --> 00:46:49,440
Speaker 2: It roams the streets on pushed feasts.

730
00:46:49,719 --> 00:46:53,639
Speaker 5: The guilty scream with tight in the shadows.

731
00:46:54,000 --> 00:46:55,039
Speaker 2: The creature slaves.

732
00:46:55,519 --> 00:47:01,199
Speaker 9: The last thing you'll see tonight, last.

733
00:47:00,920 --> 00:47:02,760
Speaker 2: Single seasonal.

734
00:47:11,079 --> 00:47:19,360
Speaker 6: Criminals, Color and Free, say good bye to all that you.

735
00:47:20,480 --> 00:47:26,719
Glet's something else hide the stress.

736
00:47:28,719 --> 00:47:32,199
Speaker 2: Let's not escaping the hunch on the.

737
00:47:32,559 --> 00:47:33,360
Speaker 9: Side of.

738
00:48:35,079 --> 00:48:43,840
Speaker 6: Crimendo Calory Free, say good by to all that ul.

739
00:48:47,119 --> 00:48:54,440
There's no else hiding the trail. But that's not the savory,

740
00:48:54,960 --> 00:49:06,079
the munch of the Cyar to Crimndow, say good bye

741
00:49:06,239 --> 00:49:14,760
to all that you. That's the yes. Hide the shril,

742
00:49:16,719 --> 00:49:19,840
that's the escaping the hones on.

743
00:49:20,119 --> 00:49:21,320
Speaker 3: The side, but.

744
00:49:38,519 --> 00:50:34,880
Speaker 2: The side truths.

745
00:50:35,039 --> 00:50:43,239
Speaker 8: Report from Susy. Step up with future for all mankind

746
00:50:43,519 --> 00:50:49,960
we waiting. It's a planetary warfare. A night late the

747
00:50:50,280 --> 00:50:57,079
enemy or fault here where you stand, Swallow your fear

748
00:50:58,480 --> 00:50:59,360
and fire.

749
00:50:59,199 --> 00:51:00,599
Speaker 2: Of my command.

750
00:51:02,239 --> 00:51:06,920
Speaker 9: Come out the cruise, climbing your ex suit.

751
00:51:09,639 --> 00:51:14,800
Speaker 6: Waist stent family, So call along the canyon.

752
00:51:16,559 --> 00:51:18,239
Speaker 9: Send blesses to Max.

753
00:51:19,360 --> 00:51:21,920
Speaker 2: Then coming the term attacks.

754
00:51:23,519 --> 00:51:25,400
Speaker 9: Yes, a good take for trying.

755
00:51:26,199 --> 00:51:29,239
Speaker 2: Now come ONTI trying.

756
00:51:37,400 --> 00:51:41,280
Speaker 6: See you a week says there the Earth is in

757
00:51:41,599 --> 00:51:42,400
their path.

758
00:51:44,400 --> 00:51:48,840
Speaker 2: Pair sits from out their space for colonies, burn in

759
00:51:49,000 --> 00:51:50,400
the aftermath.

760
00:51:51,400 --> 00:51:56,159
Speaker 8: Pray to your major, get ready, suit teeth, and.

761
00:51:58,280 --> 00:52:02,559
Speaker 9: We are the final line. We hold it. Sell the

762
00:52:04,880 --> 00:52:08,199
come on the cruise climb in York.

763
00:52:08,599 --> 00:52:09,679
Speaker 2: So suit.

764
00:52:12,280 --> 00:52:17,519
Speaker 6: Warisky stand simon, So come a load the candy and.

765
00:52:19,199 --> 00:52:24,559
Speaker 2: Send lessens to Max. Then coming the end of me attacks.

766
00:52:26,159 --> 00:52:27,840
Speaker 9: It's some good day for time.

767
00:52:28,840 --> 00:52:31,599
Speaker 2: Now cow, nt I try an.

768
00:52:33,920 --> 00:52:37,599
Speaker 9: In coming in coming you're good.

769
00:52:39,599 --> 00:52:41,480
Speaker 2: Load of popper your own.

770
00:53:28,719 --> 00:53:34,000
Speaker 9: So sused the electric war We leave the US me hide.

771
00:53:35,639 --> 00:53:38,079
Speaker 2: This planetary human range.

772
00:53:38,519 --> 00:53:40,599
Speaker 9: We fight for all mankind.

773
00:53:42,719 --> 00:53:49,760
Speaker 2: Now where to the plank leaving nothing? Lester say?

774
00:53:50,039 --> 00:53:54,719
Speaker 4: Lester say so humanity survives.

775
00:53:56,159 --> 00:53:59,320
Speaker 9: Come recruise climbing.

776
00:53:59,119 --> 00:54:05,920
Speaker 2: Yorks waists.

777
00:54:10,480 --> 00:54:11,400
Speaker 9: Said blessings.

778
00:54:13,239 --> 00:54:15,840
Speaker 6: Then come and deal tacks.

779
00:54:17,400 --> 00:54:18,800
Speaker 2: Yes, I'm contain.

780
00:54:20,079 --> 00:54:23,079
Speaker 9: Now cow trying.

781
00:54:31,400 --> 00:54:31,559
Speaker 11: Now.

782
00:54:44,039 --> 00:54:46,239
Speaker 18: In times of crisis, you need a law firm that

783
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stands by your side. With over forty years of experience,

784
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785
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As former state prosecutors, our attorneys have the knowledge and

786
00:54:56,159 --> 00:54:59,840
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787
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788
00:55:04,559 --> 00:55:07,119
team will assess your case and fight for the compensation

789
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790
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791
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com for a free consultation. Craigan get zulus, your advocates,

792
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793
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Speaker 19: Bring your kitchen to life with Queen Citycabinetry, located at

794
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795
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796
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797
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Speaker 20: They can be reached at six h three two two

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799
00:55:41,440 --> 00:55:46,679
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800
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Speaker 19: Queen Citycabinetry, another proud sponsor of WMNH Business.

801
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802
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Speaker 11: On your face.

803
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Speaker 21: Judy and the crew will take care of you, bring

804
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805
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807
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808
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811
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Speaker 1: When it comes to keeping WMNH on the air and

812
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819
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820
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Speaker 17: Nice seven times out of ten. We listen to our

821
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822
00:57:09,960 --> 00:57:12,400
Speaker 15: Late Night to Light with DJ Mitas right here on

823
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824
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Speaker 11: Saturdays and Sunday nights midnight to four am.

825
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826
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827
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831
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832
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839
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840
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845
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847
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848
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849
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850
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851
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a something okay,