Speaker 1: W M NH.
Speaker 2: Ripped the novels.
Speaker 3: This is eleanor Langthorne from Vices, Inc. And you're listening
to Matt Connorton unleashed on ninety five point three w M.
N H.
Speaker 4: Let it decay stolies voices scream needs bloody skies. Let
it's fall shrooped into skies. A world's sworn by the
power of lies.
Speaker 2: The stick of.
Speaker 4: Script transcens tall wolves and silk sun cons called great
dificsion mall decay the s and seals break.
Speaker 5: Away ly stopy stoping in a center piece.
Speaker 2: Jee the lights, cleaning chalk where home.
Speaker 6: Has ceased hardly sharp peace.
Speaker 7: Let freedom be to see be the shindows wherein chancrety
is greed.
Speaker 2: Let my spells by hands of hate.
Speaker 8: Showers surrend judge to their own weight.
Speaker 2: The writer comes for in hand, the blood.
Speaker 4: Of brother stays the land, chains and cons straight thrones
and lies, thunder.
Speaker 2: Records, cross ducking skies. Let the outcrows near the serpent last.
The end is here.
Speaker 5: Holy Stoby Stoppy had a seer fees.
Speaker 9: Geez like lead in talk where homess.
Speaker 2: Sees fly shop peace.
Speaker 7: Let freedom be to see real the shins wearing secreteescreen.
Speaker 5: Showly stopy stopping? Had U sent your fees?
Speaker 2: Jimmie A the.
Speaker 5: Light lead in chalk wear hopeess sees.
Speaker 7: Holy stoopy let freed of me to see? Were the
shadows wearing secreties?
Speaker 10: Scream Oh that is so good? That is Unleash the
beast and the band is Warhog. Welcome everybody, if you
are listening live on Saturday, April nineteen, twenty twenty five,
We've just entered our number two New Marrow dose of
this week's Matt connorton Unleashed and we are live from
the studios of WMNH ninety five point three FM and
Glorious Manchester, New Hampshire. Jenny is here, of course at
the news table, present and account of and in addition
to her bunny ears as she's wearing because it is
Easter weekend, we are both wearing our Warhog shirts.
Speaker 2: We are twining.
Speaker 10: Yes, yes, we never do that, but we've both got
our Warhog shirts on because we love Warhog love talking
to these guys. We've got Scott Beatley from Warhog is
on skype with us. Hopefully this is work. Can hey, Scott?
Can you hear me?
Speaker 11: Hey? I can't, can you hear me? Yes?
Speaker 10: Yes, welcome, Welcome morning, Welcome to the show. You never
know with Skype, I actually just saw a notification that
said that Skype is ending in May, and then we
have to use Google Teams. Now I guess Google Teams
is replacing Skype, so we'll have to figure that out
for the for the for the future. But always always
great to have you on the show. Of course, you're
the singer and guitarist and Warhog and we we do
enjoy Warhog. And is that the newest single Unleash the Beast?
Speaker 11: It was until yesterday.
Speaker 10: Oh okay, what's what's the newest one?
Speaker 11: The newest one that we dropped yesterday is called Future Shock.
Speaker 10: Oh, yes, excellent, Yes we will, we'll play that. We'll
play that at the end of our conversation. So that
just came out. So that's brand new.
Speaker 11: Yes, yeah, absolutely excellent. It's fresh.
Speaker 10: So I assume it's out on all the streaming services.
And has that been played on has that been played
on the radio at all yet?
Speaker 11: No, not that I am aware of you. You might
be the first. You probably will be.
Speaker 10: Let's assume that we are because we love to do
we as as you know, we love to do the
world radio premieres here on Matt Connor, so that we'll
we'll make this a world radio premiere. And that is wonderful.
That is wonderful. Now these now, these tracks are these?
Are these part of an album? Are you just releasing
these as singles at this point?
Speaker 11: No? They we are. We have a full uh four
track EP coming out at the end of probably a
mid July.
Speaker 10: Okay.
Speaker 11: We were originally we were originally going to drop a
third EP in the Dystopian Chronicles series earlier this year,
but after working with kind of our PR marketing team
that we're working with, they asked us to hold on
to it and release it in the summer, and that
gave us an opportunity to release a couple of the
other tracks as singles. The original plan was just to
drop Unleash the Beast in January and then the whole
EP in March, but instead where we did Future Shock
this weekend, and we've got another one that will release
i think in June, mid June, okay, before releasing the
full in July.
Speaker 10: Now did they ask you, I'm curious about that, you know,
because I'm a music industry guy, Did they ask you
to do that because you kind of want to, you know,
you've got to feed that machine. We live in an
era where you know, it's it's it's really different than
it used to be, obviously, Like you know, I'm old
enough to remember when I was growing up, it was
the standard thing pre internet was you release an album
or an EP, and then you release a series of
singles or the first single comes out six to eight
weeks before the album, but everything else comes out afterward.
And now it seems to be it's really kind of inverted, right,
you know, Yeah, most artists now are releasing you know,
because you have that option with social media. You can
put out a single and promote it and then those
singles eventually form an EP or an album. And is
that is that what the PR company kind of said,
you know, let's let's do that instead.
Speaker 11: And so I think there was also a mix of,
you know, just kind of the way that the band
works and the year that we had with Robert and
getting him kind of up to speed, but also catching
up from those several months where we didn't have a drummer.
You know, we were just hitting them with music, kind
of constantly, and and you know, we we had planned
with with those folks the C Square to you know,
they they gave us a cadence of dates that were like,
all right, you know in twenty twenty four, on this date,
you're going to release a single, then this single, and
then this EP, and then this single, then this single,
then this EP. And just because of the way we
were trying to you know, do all the shows that
we were doing and all the stuff, it was like,
all right, this is due on you know, no November
twenty second. So we were turning it in like November
twenty first, and they were we weren't really giving them
a chance to do their job. Yeah, And so they
this year were like, all right, knocking off, if this
thing is done, let's sit on it and give us
a chance to do our thing. And we're like, okay, sure. Yeah.
So I think I think that is some of it too,
where we just they wanted to have an opportunity to promote,
you know, to help us promote this and to do
some press for it and hopefully get more ears on
it than I think the last couple of things that
we've released have have put out. So yeah, that answers
your question. But that's I think that's my sense of
what why we're doing exactly what we're doing right now.
Speaker 10: Yeah, No, it does answer it. And I think that
that makes a lot of sense, because you know, I
think as an artist you probably I feel like a
lot of artists, and I know from my own experience
and playing in bands, if you records something and you're
really happy with it, you want to get it out
to the world. You want everybody to hear it, and
then you've got to kind of it's hard sometimes, I think,
to kind of rein that in and say, well, we
need to we need to go about it the right
way because in the long term, you want to impact
the largest possible audience that you can, growing your fan base,
so you've got to approach it with a lot of strategy.
But there's also that short term impulse, you know, and
and there's that short term gratification that comes with putting
something out and people like it, they respond to it.
But you know, it's I hate to use the cliche,
but it does fit. It's a marathon, it's not a sprint,
and you want to make you want to get the
most out of what you've put all this hard work
into all this music that you've recorded, you want to
get the most out of it in terms of the
impact with a fan base and expanding that fan base.
So I think it makes a lot.
Speaker 11: And at this point, we're used to sitting on songs
that we love for a year before anybody gets to
hear them. Yeah. So one of the ways we've one
of the ways I think we've kind of alleviated for
ourselves as we started a Patreon And kind of the
conceit of the Patreon is if you sign up, you know,
we'll we'll basically get you into a couple of shows
no cover charge. But what we're doing with it is
the promise of every month we're releasing songs that we
haven't released yet in their demo form. Oh So it's
a way, it's a way for us to not have
to sit on some of that music for as long
as we are, and we can kind of share it
out with a you know, the folks that are that
are subscribing and supporting us, you know, we're able to
share some of that stuff out and explain where we
are in the process and say, you know, a lot
of times it's what's a month. I do it at
the beginning of every month, and so it's like, you know,
here's what we're working on the studio. It's this track
or this EP, but here's a song that we're probably
going to release in May of twenty twenty six. You know,
I would just throw out the working demo version of it. Yeah, yeah,
kind of people get you're kind of the process, you know,
they can hear it the way we're learning it and
listening to it and kind of getting used to it,
you know, and then down the line we released the
real thing. And then that's the other kind of the
benefit of the patreons. We give the music the weekend,
the finished versions away downloadable with all the tagged art
and stuff, yeah to the Patreon.
Speaker 10: So I think that's a fantastic concept for the Patreon.
I really do, because I know, yeah, yeah, because I know,
like as a fan, if I'm really into an artist,
I love and and some people don't care about this
kind of thing, but some people really are get really
into it if they're if they're very passionate about an artist.
I love getting to hear demos, you know, for something
that's going to be recorded in the studio. Or or
it has been recorded and it's just not out yet,
or if I've already heard the studio version because it's out.
But so I'll just give you an example. My all
time favorite band is Kiss, and I love getting to
every time I find it new demo because YouTube is
heavily popular, populated, you know, more and more so all
the time with with Kiss, demos that uh, you know,
that that people hadn't heard before. And I love hearing
demos of of into a studio album and it's just well,
here's this demo that somebody found and now it's on
YouTube and I get to hear it, and I love
that kind of stuff, you know, hearing the raw you know,
you know that that raw material that ultimately forms into
what happens in the studio. I think that's great. So
I love that concept.
Speaker 11: Thanks. Yeah, I'm the same way. I think it's a
lot of fun to listen to, you know, your favorite
artists in a way that is not the packaged product
that they usually let you listen to. Yeah.
Speaker 10: Yeah, yeah, And I don't even mind if it's you know, obviously,
if if it's a demo, it's a little rough, it's
not going to be you know, fully mixed and mastered.
But but but I kind of like that too, Like
I don't I don't mind hearing something that it's it's not,
you know, super polished. I like, I like hearing the
raw stuff. So that's that's a great concept. And you know,
and I and I think for it it it kind
of not only not only do you get to share
that with the fans, but I think for for fans
who you know, it kind of it's it's kind of
like they're they're in the inner circle then, right, It's
like they're in on something that other people aren't necessarily
in on. And I think, I think that's uh, I
think that's that's awesome. And then and then they get
the single too early if they joined the Patreon they
get when the single finally does come out, they get
it a little bit early.
Speaker 11: I assume, Well, yeah, usually, I mean, unless the single
is a standalone thing. Okay, most of our singles are
gonna be or of a of a bigger thing, an
EP or an album, and so we'll give them the
full EP.
Speaker 10: Okay.
Speaker 11: That way, they just get it all kind of when
it's all all said and done. But that's just because
a lot of our you know, there's like the whole
band camp side of it, like we don't we have
a couple of singles like klopperk Man and then the
Warhog Song are there kind of their own little things,
So we'll give them those. But these two, the at
least The Beast and Peter Shock, those are gonna be
part of that third EP, so we'll just give them
that when it's it's.
Speaker 10: Finished, Okay, okay, excellent, And so that thirty p so
that's going to be the Dysopian Chronicles Volume three.
Speaker 11: Yeah, Yeah, we're finally wrapping it up. I'm really excited
to have that whole thing kind of finished. It's been
a it's been an interesting adventure, but I'm excited for
it to be done and out in the world.
Speaker 10: Over the course of doing this series, have you released
music that's not a part of the series itself, that's
separate from it, or is everything that you've released since
you put out Volume one has it all been a
part of the Dystopian Chronicles.
Speaker 11: It's all been part of the Dystopian Chronicles.
Speaker 10: Okay, okay, yeah, yeah.
Speaker 2: Is that hard to keep to that?
Speaker 10: Like, do you guys ever come up with something that
you really think is is really good that you want
to work on, but it just doesn't fit the concept
of what you've been doing, so you have to put
it aside. I mean, does that ever happen?
Speaker 11: Oh? Absolutely, We're definitely yes. And and EP three became
what it is kind of because of that reason. There
was so we had. The original idea was we were
gonna put out a second album, and when we when
we released the first one and we only got so
much kind of push because it was just one thing
at one time, we decided to break up album two
into these three EPs. And the original idea was EP
one and EP two would be a collection of you know,
four or five four or five minute long songs. They
would be like your traditional EPs. Yeah, and then the
third one was going to be this big, huge, kind
of epic thing that Eric had worked on and written
and that was twenty three minutes long. It was this big, huge,
sprawling epic song, and that was gonna be EG three.
We're gonna release it by itself. Oh wow. Yeah, And
that was the plan. And then while we were you know,
getting Robert acclimated to the band and him learning material
and doing shows and recording all these these cracks that
we wanted to get caught up on. We were writing
new material for the future, and when we got to
a certain point the c squared the our pr and
marketing folks were asking us for a single ahead of
the EP, and we were like, well, there's just the
one song. It's twenty three minutes long, like it is
gonna be what it is, and they were like, that's
we should really maybe think about doing a traditional EP.
And we're like, oh good, we can just move that
big twenty three long, three minute long song somewhere else
and we can place some of these numerous songs that
we've written that we're really excited about and get them
out there sooner. We kind of shifted gears at the
very beginning of the year. I meet like December of
last year and said, okay, let's change. EP three will
be these four songs, and we picked the songs and
I at least the Beast was a completely new composition.
Like Eric had had this riff in his mind, it
was kind of already working on this idea and then
he and I just kind of wrote the lyrics for
it and it came together pretty quickly, so but like
future Shock is something that we've had in the songs
that were written folder on dropbox for like two years. Uh,
follow is going to be on there. And then there's
this the closer for the EP and kind of the
whole Dystopia Chronicles as a as a whole. Is this
song called Stewards of a Broken World that I'm really
excited about. I think the guys are really excited about
getting it out there. It was one of these things
that I wrote and what I shared with the band
everybody kind of collectedly was like, this was awesome and
it sucks that we're gonna have to sit on this
for a really long time. Yeah, we all knew it
was gonna be fun to play live. It's gonna be
a it's a very kind of anthemic. I don't know it,
it'll be fun. I'm excited for it to come out.
But yeah, yeah, we definitely have stuff that we sit on.
But then this one, like I said, is a good
example of, oh, let's just switch gears a little bit,
and maybe we're releasing these a little earlier that we thought.
Speaker 10: So yeah, yeah, no that makes sense. So so for
those who don't know what is the Dystopian chronicles and
and what's kind of the concept here and is it
a is it a story or is it more of
a is it a broader concept or or what is
the Dystopian chronicles.
Speaker 11: It's kind of an anthology, I guess it's it's not
a it's not a fault conceptual narrative. Like calling the
Voyager was. You know, we had some songs that we've
put together that we're all just kind of depressing and
I like not very hopeful and and so as that
theme kind of just took its its shape with the
leftovers from the Voyager writing process, we started thinking about, well,
we can just write all these songs that are all
kind of you know, the future is bad, bad things
are happening, What are the what are the reasons that
society is you know, uh rumbling or whatever, And so
we just every song has that kind of bend to it,
but they're not necessarily connected. It's just that that undercurrent
theme of of you know, what's going on in the
world and why are things this way? And why are
we doing anything to make any of it better? Stuff
like that.
Speaker 10: Yeah, the uh the Cybertooth song is is so that
that's like my personal favorite. I love that, But which
one is that on?
Speaker 11: I forget now, that's that's I think the opening crack
of Volume one.
Speaker 10: That's all. That's the opening around Volume one. Yeah, we'll
just love that song. It's it's so catchy and fun
you know that was that that was not depressing it well,
I mean, I guess it's it's depressing in the sense
that that's the concept is scary, but it's also funny
and the song is funny.
Speaker 11: For sure, for sure, and that's kind of the you know,
it's thematically. Some of the stuff is just dark, but song,
the song, they're all kind of their own thing. But yeah,
like you'd say, oh yeah, the song about a the
Hunt of the cyber Tooth doesn't sound depressing at all,
but we're like, I mean, it's like a takes place
in the world where the cops have no control, so
they just tend out a killing machine every night to
get hunt down criminals indiscriminately. Like that's bad. Yeah right, yeah,
you know we released and now like, look at what's
happening with like ice and stuff.
Speaker 12: Yeah, maybe maybe something not so far off so right,
you know, but that's that's part of the you know this,
All the all the best dystopian works are wrapped in fantasy.
Speaker 11: And then when you take that kind of veneer away,
you're like, oh no, this is this is bad. This
is already bad. We're already in this bad spot.
Speaker 10: So well, that's that's the thing, right, I mean, that's
that's how you can connect with people with something like that.
That's fantasy. I mean obviously, you know, people enjoy all
kinds of you know, whether it's music or books or
films or you know, all kinds of sort of fantasy
type stuff. But I think the fantasy stuff that resonates
the most with people is where Okay, this is fantasy,
it's fiction, but this could actually happen, and you know,
and it kind of gets those neurons fireing and and
and makes you think a little bit and and I
think that's I think that's really cool about what you're doing.
I think that's that's part of what's a big draw
with your music. I mean, obviously the songs are very
catchy and and really good hooks, and and the playing
is phenomenal, and your vocals and all of it. You've
got the whole package. But I think also it resonates
with people because there's something there that they can that
they can kind of analyze and think about.
Speaker 11: Yeah, thank you. Yeah, that's I mean, that's the idea, right, Yeah,
we could we could go out there and write fluff
about stuff that doesn't matter, or we can write about
stuff that matters, you know, Like I I think three
of us, three of us in the band will have kids,
and you know, every day I wake up to a
fresh new hell of this world that we're living in,
and I can't help but wonder, like, what is what
is it that we're leaving for this next generation or two,
you know, And and that's that's definitely on my mind
every time I sit down with a guitar and start
working on something, or at least it has been for
these last couple of years.
Speaker 10: So yeah, Uh, do you write all the lyrics?
Speaker 11: No, Eric and I probably share. I think probably Eric
and I if you hadn't split it and you really
went down into the math, I'd say it's probably like
a sixty to forty split, where Eric does does the
sixty percent of the writing and I write forty of
the writing. And that and that's music and lyrics. Eric
is a really good songwriter in his own in his
own right, and he has his own distinct style. A
lot of times, what will happen is Eric will write
something that he Whenever I write, I sit down, and
you know, the way my brain works is it goes okay,
and don't forget you'd have to do these things at
the same time. So the guitar parts that I write
tend to enable me to sing, whereas Eric doesn't really
do that. He just writes the guitar part and puts
the song together and then we'll put lyrics to it
without trying to do them at the same time. And
so my job is usually to take Eric's lyrics and
write them into something that I can sing. And sometimes
that's an extensive rewrite, and sometimes it's just paging a
couple of words or pulling a couple of syllables out
or little stuff like that. But I'd say it's probably
probably sixty forty just for no reason other than that,
it's just is what's been working for us, right. I mean, Eric,
when I played together in a band a long time ago,
when I was the kind of the primary songwriter, and
I probably wrote ninety five percent of the music, you know,
So I'm happy to let him take the wheel and
drive on the majority of this stuff now. But yeah, yeah, yeah,
we do definitely share.
Speaker 10: Yeah, oh excellent, excellent. And what about as far as
live shows, are you guys playing a lot or I
know you've been really focused on the you are you're
doing a lot of shows.
Speaker 11: Good, Yeah, I was looking at it. We've got we
did seven shows already this year. I think the last
show we played was in mid March, and then Eric
and his wife were expecting another kid who was born
Monday or Tuesday, I think maybe Monday night. So they
that's why he's not here today because they're they're doing
baby stuff this morning.
Speaker 13: That's understandable, Yeah, exactly, and and so uh so we
had taken kind of mid March through mid May off
and black that off the of the calendar, just because
we didn't want to like, you know, be setting up
for a gig.
Speaker 11: And then Corey to call and be like, I can
go make it the labor you know, in March in April.
But we're going to start back up again here in
the next couple of weeks in May, and we've got
two shows in May. I show booked in June and
July and August and September, so we're booked all the
way out kind of into the ball.
Speaker 10: So oh excellent, excellent, Yeah, playing a lot.
Speaker 11: Yeah.
Speaker 10: Yeah, So the music that you're sitting on, is it, like,
do you ever get tempted to sneak something of that
into the live set or are you guys pretty Oh no.
Speaker 11: No, No, it's easy to do that because we don't
really the way that with Eric and I and the
way that just our band is operating. This is gonna
sound terrible when I say it out loud, but the
other guys aren't really required to write a song. Oh. So,
like I'll a lot of our demos when Eric finishes
a song, When I finish a song, it's got MIDI drums,
Like we'll program our own drum parts and stuff. And
I can play bass, and Eric can play bass, and
Eric can sing, and so he'll do all the vocals
on all of his songs. Yeah, and then I'll do
all the you know, so like I'll just we'll just
kind of package our songs together. Yeah, And so what
what ends up is we don't really work up a
song as a whole band until we're ready to add
it to the set. List, okay, which means we have
recorded it and are ready to release it. Like right
now we are in the studio working up Unleash the
Beast and Future Shock and Stewards of a Broken World
so that we can start playing them in May to
promote EP three.
Speaker 10: Okay, Okay, So yeah that makes sense.
Speaker 11: Which is if I mean, and you know, like it's
kind of not the most uh, I don't know, genuine
kind of four guys in a room, you know, cranking
out music together. But I have a feeling that that's
how a lot of other folks do it. Well, they'll
just you know, pretty sure, Iron Maiden gets together once
a year and everybody brings their demo tapes and they're like, well,
here's the six songs I wrote, here's the six songs
I wrote, and here's the and then they just kind
of like pick the ones that they're all going to learn,
and then they just spend three weeks learning in them
and then record them. You know. So that's kind of
what we do. We kind of just do the same thing.
Speaker 10: Yeah, yeah, I mean, there's no right or wrong way
to do it, you know.
Speaker 11: Yeah, it works for it works for us. But but
what's nice is we're not. When we play shows now,
we're really consistent and you know, we're really just nailing
the crap out of the songs that we're playing, and
then as we rotate stuff in, we can rotate older
stuff out, and yeah, I think it helps folks kind
of get familiar with the new material as well, because
we kind of play in the same spots and you know,
the same uh, the same set orders and stuff like that. Yeah.
Speaker 10: Yeah, what what is the live show like in terms
of are there any theatrics? Do you use any special effects?
Because yeah, your music certainly lends itself to that. I
would think.
Speaker 11: Yeah, departing on the venue, we we do a couple
of couple of different things. But like this place in
Dallas called Freeze, which is kind of a legendary local venue,
Like Nirvana played there in the early nineties before they
kind of like really blew up. Everybody has played at
Grease that that comes through and they've got an amazing
digital display behind the drums, and so we can go
in there with videos and just all sorts of animated
stuff and so we've we've experimented with like every song,
it's a different backdrop. Oh cool, right, so we played
the Ciber two song You've got the dyscopian kind of
alleyway that that cover art sat on. When we play
some of the other stuff, you know, we change up
the you know, the the backdrop changes and the the
you know, the Warhog logo will come in and out
and stuff. But what we've started doing this year, which
I really love, is we have a Warhog pop doom
that the night of the show, we just kind of
grab someone from the audience and designate them as the
war Hog and we close our show with the song Warhog.
And there's this kind of in the middle of it,
there's this big kind of gang chant that's we call
upon the war Hoog and.
Speaker 14: Coming out did we go into the carsonal So, now
what we've got is put endless boor mask. They had
like a shield and an axe and they've got there's
like a shirt and everything. They come out and they like,
you know, ramp up the crowd, and if we've.
Speaker 11: Got some shwag, they'll throw swag out and you know,
or they'll throw t shirts out, and uh, they just
want to come out and ramp up the crowd like
a mascot. And then they just disappear off the side
of the state when it's done, and then we finish
the set. But that's what we're doing now, is we've
got we've got a warhog that actually comes out, and
I think what we're gonna start doing is its incorporating
that with some of the back ground images and put
him in places so that if you're it's the first
time you've seen us, and you're seeing us at Creese,
you know, we start the first song and there's our
big backdrop, and the war hog will be in there somewhere,
and the three songs later will change it and there
will be a new backdrop, but that that will die
will be in there somewhere. But by the eighth or
night song, when the actual warhog comes out in the flesh,
it's like, oh, this is the thing. They've been teasing
this and now it's here looking me in the in
the eye, you know, like that's that kind of those
kind of theatrics are limitually manageable in a small venue,
and we we do that in the small venues too.
My sister was actually just the warhog at our last show.
Was really funny. Yeah, So man or woman whoever wants
to be the Warhogs who can make it happen.
Speaker 10: So that's fantastic. That's fantastic.
Speaker 11: I love that.
Speaker 10: Is there any video of that on YouTube?
Speaker 11: Oh yeah, uh yeah, if you go to our YouTube page,
I'll pull it up real quick. There is a video
see Warho Warhog Unleash the Bees. I think there's a
video of someone doing the Warhog.
Speaker 10: I gotta check that out.
Speaker 11: It's pretty funny, it's it's pretty and there's plenty of
pictures online of of people doing it too. But but yeah,
I'm pretty sure we've got footage of it.
Speaker 10: Yeah, yeah, I'll check that out.
Speaker 11: Yeah, it's really funny, it's it's it's always a good time.
There's definitely pictures of it, okay, yeah, on our Facebook
and probably on Instagram. There's definitely pictures from the recent
shows of the war Hog out there doing their thing.
Oh yay, it's great. We have we We recently did
a Vakan Metal festival in Germany. They did a every
year they do a battle the bands where they get
uh you know, international unsigned independent bands and opportunity to
kind of fight their way to many We competed in
that and we we won Dallas and went down to
Austin he did at the state level and uh, and
it was real fun because we the last song we
did was Warhog and these people had no idea who
we were, what we sounded like, and we just got
to go out there and play our thing. And then
all of a sudden, you know, the guy jumps out
on stage and he's got packets of uh, there's these
and stickers, and it's like in the audience, I was
just like looking at people's eyes that were just so
hilariously entertained by it, because I don't think anybody was
expecting that like a little you know, like a little
everybody gets four songs and then you disappear kind of show, right,
it's always it's a free to do that. People really
enjoy it.
Speaker 10: So, oh that's fantastic. That's fantastic. Yeah, I'll look on
your YouTube page see if I can find I gotta
see this, but very very cool, Yeah, Scott, What should
people know about how to find you guys online? Is
is warhog band dot com the best place to go
as far as keeping up with everything that you're doing?
Speaker 11: Yeah, warhog band is great because from there you can
get everywhere Facebook, Instagram, Picktock, Blue Sky. All the social
media's we are warhog DFW. Okay, it's just Dallas Warworth. Yeah,
warhog DFW on all the social media. Facebook, we're really active, Instagram,
We're really active. So if you kind of want to
get your bang for your buck and interact with us,
that's where I would start. Okay, If you need help
find any of those things, yeah absolutely, warhog band dot com.
But warhog band dot com has all of our merch
and that's where you can buy our music and all
that stuff.
Speaker 10: So great website. By the way, who does the website?
Do you do that yourself?
Speaker 11: Eric does?
Speaker 10: Eric does? Yeah, he does a great job. You know,
I'm a marketing guy and I pay a lot of
attention to websites. And there's a lot of there's a
lot of bad websites out there that the musicians. But
but you guys have a great site. It's easy to navigate,
but also very visually appealing and engaging, and it's you know,
there's a lot there, but it's not overly busy. It's great.
It's it's kind of the perfect, the perfect banned website.
To be honest with you, it's really good.
Speaker 11: Thank you.
Speaker 10: Absolutely.
Speaker 11: Yeah.
Speaker 10: I know I pay a lot of attention to that
kind of thing. But very good, very good, well Scott
Beatley of Warhog. We really appreciate you, uh joining us today.
Oh and and please you know tell Erica I said,
congratulations on the I will.
Speaker 11: I think he's probably listening right now, so you probably
just called him live.
Speaker 10: Very yes, congratulations Eric if you are listening, and uh,
in a moment, we're gonna do so. This will be
the world radio premiere of the brand new track Future
Shock uh from Warhog, and UH looking forward to sharing
this with everybody you know, Jenny and I. We we
love everything you guys do. You guys are amazing so
and we.
Speaker 11: Love you guys supporting us every time I see y'all
in the feed and you're wearing your Warhog shirts just
I'm yeah, you've seen me do it. I share it
with our folks. I think it's amazing. I love it.
So thank you guys for supporting us all the way
from from New Hampshire. It's it's really awesome.
Speaker 10: Oh yeah, yeah, very very happy to do it. So
so Scott, we'll let you go and then we're gonna
we're gonna do that world premiere. But thank you so much,
my friend, and well as always of course we'll definitely
do this again in the uh in the future as
you continue to release new music and we love being
able to just support everything that you're doing. So thank you, Scott,
thank you, thank you.
Speaker 11: Heppy Easter, y'all have great weekend. You got it.
Speaker 10: Happy Easter. Take care all right, bye bye bye bye,
all right. That was Scott Beatley from the band Warhog.
And without further ado, here it is. This is the
world radio premiere. This has not been played on FM radio.
This is brand new from Warhog. This is called Future Shock.
Speaker 2: You are listening to Wumination.
Speaker 15: World premiere.
Speaker 16: Here they catch me also lot awaken and the time
to see the future and escape one.
Speaker 17: I left maybe hind but never here.
Speaker 2: Look around me and all I see. Lets you say yesterday,
It's where I would rather be.
Speaker 6: Bes boys responded to talks clos Cresso Prison, the Pride
of the Left, creep.
Speaker 2: Tracing in the show Set Free, Shot Barn this new.
Speaker 9: Track and the U Che Set Me Free.
Speaker 6: When lending is waste.
Speaker 8: For you, You'll see what could have happened to make
everything bad is sweet?
Speaker 2: The sky Blue actionting.
Speaker 9: Everything to grace beyond the new.
Speaker 5: On lights, the filthies left to spread, You'll find your
work with strips, bog.
Speaker 6: Puck chat to your chest, fing only passer.
Speaker 2: Surrounds pass by.
Speaker 9: Tracking the sh said me freak shot.
Speaker 2: By this ney They.
Speaker 6: Track the uture, said me free well, man, this waste
for you.
Speaker 9: You'll see.
Speaker 16: Right, can't tell the frightful chess ball mace this cancher
for love time.
Speaker 2: Cat we catcher.
Speaker 6: Oh, I'll beyond Grandpa rolling through this night. Help me
escape this space, right, don't go along?
Speaker 9: Cheers, boys.
Speaker 6: To talk, tivers.
Speaker 2: Close talk, regress a.
Speaker 6: Prince the prime left to me tracked in the future,
seg free shot by this new a lot track in
the future, seg me free well, waste for you you'll see.
Speaker 9: Close the doors, draw the lines that's.
Speaker 7: On the hunt tonight, hide away, kneel and pray cyberenetically
and hans to slay all.
Speaker 9: Seeing synthetic pay the.
Speaker 8: County way side one machine not beast.
Speaker 9: Pray you'll not praise tonight. Pray you're not pray tonight, crayn.
Speaker 2: Color and free say goodbye to all that you j
there's no use Hide the shrep that's no escaping the
hunt of the cyer. The time is nine that hunts again.
No one turn me out tonight on.
Speaker 4: Mister Sloth a cyber tube bro come to say on sight.
Speaker 2: It roams the streets on pushed feasts.
Speaker 5: The guilty scream with tight in the shadows.
Speaker 2: The creature slaves.
Speaker 9: The last thing you'll see tonight, last.
Speaker 2: Single seasonal.
Speaker 6: Criminals, Color and Free, say good bye to all that you.
Glet's something else hide the stress.
Speaker 2: Let's not escaping the hunch on the.
Speaker 9: Side of.
Speaker 6: Crimendo Calory Free, say good by to all that ul.
There's no else hiding the trail. But that's not the savory,
the munch of the Cyar to Crimndow, say good bye
to all that you. That's the yes. Hide the shril,
that's the escaping the hones on.
Speaker 3: The side, but.
Speaker 2: The side truths.
Speaker 8: Report from Susy. Step up with future for all mankind
we waiting. It's a planetary warfare. A night late the
enemy or fault here where you stand, Swallow your fear
and fire.
Speaker 2: Of my command.
Speaker 9: Come out the cruise, climbing your ex suit.
Speaker 6: Waist stent family, So call along the canyon.
Speaker 9: Send blesses to Max.
Speaker 2: Then coming the term attacks.
Speaker 9: Yes, a good take for trying.
Speaker 2: Now come ONTI trying.
Speaker 6: See you a week says there the Earth is in
their path.
Speaker 2: Pair sits from out their space for colonies, burn in
the aftermath.
Speaker 8: Pray to your major, get ready, suit teeth, and.
Speaker 9: We are the final line. We hold it. Sell the
come on the cruise climb in York.
Speaker 2: So suit.
Speaker 6: Warisky stand simon, So come a load the candy and.
Speaker 2: Send lessens to Max. Then coming the end of me attacks.
Speaker 9: It's some good day for time.
Speaker 2: Now cow, nt I try an.
Speaker 9: In coming in coming you're good.
Speaker 2: Load of popper your own.
Speaker 9: So sused the electric war We leave the US me hide.
Speaker 2: This planetary human range.
Speaker 9: We fight for all mankind.
Speaker 2: Now where to the plank leaving nothing? Lester say?
Speaker 4: Lester say so humanity survives.
Speaker 9: Come recruise climbing.
Speaker 2: Yorks waists.
Speaker 9: Said blessings.
Speaker 6: Then come and deal tacks.
Speaker 2: Yes, I'm contain.
Speaker 9: Now cow trying.
Speaker 11: Now.
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