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<v Speaker 1>It's nice eyes Dan, I'm telling you eazy Bodon's news.

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<v Speaker 2>Lady Ill thank you very much. I'm Morgan Morgan White Junior,

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<v Speaker 2>been a pound of the BZ fabric since nineteen ninety

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<v Speaker 2>five or so. I am here tonight. I'll be here

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<v Speaker 2>for the next four nights Tomorrow, Friday, Monday, and Tuesday.

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<v Speaker 2>I do my own show on Saturday, beginning at nine

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<v Speaker 2>o'clock this week, and then until further notice the following week,

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<v Speaker 2>I begin at nine o'clock. Donna Helper is my guest and.

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<v Speaker 3>True, it's true. Before we go anywhere else, we have

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<v Speaker 3>listeners who are just the best. Okay, I've had several

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<v Speaker 3>people message me on social media, and I thought of

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<v Speaker 3>it the moment we went to break. Don't you hate

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<v Speaker 3>when that happens. You can't think of something, and then

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<v Speaker 3>we go to break. It's like, oh, yeah, I've got

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<v Speaker 3>the answer. The thing would meet me in Saint Louis.

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<v Speaker 3>The reason that she was sad was her father was

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<v Speaker 3>about to move to New York and she loved Saint

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<v Speaker 3>Louis and she didn't want to move to New York.

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<v Speaker 3>And hence she's singing the sad song and you know,

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<v Speaker 3>just in the end, she doesn't have to move to

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<v Speaker 3>New York. But at the time that was the big

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<v Speaker 3>trauma that she was so sad about having the possibility

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<v Speaker 3>that she would have to pack up, leave Saint Louis

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<v Speaker 3>and move to New York.

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<v Speaker 2>So people in Saint Louis had an opinion that the

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<v Speaker 2>people in New York would look down on.

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<v Speaker 3>Them, a bingo. Like you said, you were right about

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<v Speaker 3>the social class thing, but I could not, for the

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<v Speaker 3>life of me think of the context. And it just

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<v Speaker 3>you know, sometimes that happens. So thank you to Billy,

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<v Speaker 3>and thank you to some of our other listeners who

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<v Speaker 3>messaged us about that. We're monitoring social media. So what

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<v Speaker 3>we're doing, what we've been doing last hour, we were

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<v Speaker 3>doing Christmas songs that mean something to you, or Christmas

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<v Speaker 3>movies or Christmas TV shows, and we got a lot

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<v Speaker 3>of good responses. But while we were doing that earlier today,

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<v Speaker 3>I'm reading the news, preparing to go on with Morgan tonight,

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<v Speaker 3>and I read that Bert died. No, not Burton, Ernie,

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<v Speaker 3>not Burton or any different Bert Bert crocodile, yeah, crocodile.

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<v Speaker 4>Yeah.

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<v Speaker 3>Burt was ninety years old. And if you have no

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<v Speaker 3>idea what I'm talking about. Remember the movie Crocodile Dundee,

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<v Speaker 3>nothing to do with Christmas. Okay, just change the subject

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<v Speaker 3>for a second. Crocodile Dundee nineteen eighty six. Paul Hogan

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<v Speaker 3>Bert the Crocodile was a real, honest, pieces crocodile, and

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<v Speaker 3>he just passed at the age of ninety. Okay, So

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<v Speaker 3>that set me to thinking how many TV shows and

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<v Speaker 3>movies had an animal as a central part of the cast.

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<v Speaker 3>I'm not just talking like, you know, side here, like, oh,

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<v Speaker 3>there's an animal. I'm talking like almost the star of

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<v Speaker 3>the show. Like when I grew up in the fifties

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<v Speaker 3>and sixties, I remember watching Lassie on TV. Okay, and

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<v Speaker 3>I remember watching Yes, Yes, Rin Tin Tin Yo, Yes,

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<v Speaker 3>and even The Lone Ranger with Hio Silver or oh

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<v Speaker 3>you know, some of you may remember a number of

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<v Speaker 3>movies or TV mister ed a Horse is a horse?

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<v Speaker 3>Of course, of course.

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<v Speaker 2>Spinoff of Francis the talking that was solute basic.

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<v Speaker 5>Yes.

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<v Speaker 3>So we can go in either direction. Okay. We can

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<v Speaker 3>either stay with Christmas songs and movies and stuff that

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<v Speaker 3>means something to you, or we can segue over to

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<v Speaker 3>TV shows and movies that featured an animal in a

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<v Speaker 3>prominent role.

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<v Speaker 2>Either was Crockatoo Fred Yeah, Fret the Corockatoo.

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<v Speaker 3>Yep. Remember Doc Tory, which was on from sixty six

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<v Speaker 3>to sixty nine. Remember Clarence Clarence Yan, Yes, oh lordy,

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<v Speaker 3>I remember Claren.

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<v Speaker 2>Rashell Thompson was a human star. Yeah, and the kids

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<v Speaker 2>star later went on to go into Happy Days. Aaron

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<v Speaker 2>Moran at five or six years old. Yeah, on Doc Tory.

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<v Speaker 6>Yep.

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<v Speaker 3>Remember Old Yeller nineteen Best Parker, Best Parker And.

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<v Speaker 2>If they want to take you behind the barn dogs,

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<v Speaker 2>don't go.

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<v Speaker 7>Don't go, Oh lordy.

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<v Speaker 3>So we hope we're bringing back some memories for some people.

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<v Speaker 3>Tony he's listening at home, and Tony says hello and

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<v Speaker 3>wishes everyone a happy holiday. Bill Winnaker the same way.

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<v Speaker 3>So if you'd like to call in and talk about

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<v Speaker 3>either of those subjects, we would love to hear from you.

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<v Speaker 2>Let's take Mark from Newton. He's been holding about fifteen minutes.

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<v Speaker 2>So Mark, good evening.

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<v Speaker 7>Good evening, Happy Hanukah, Donna, Marry Christmas. Morgan. Always love

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<v Speaker 7>hearing both of you. Thank you, thank you, thank you.

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<v Speaker 7>I've been a collector of Christmas music for most of

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<v Speaker 7>my fifty five years of life, and I have some

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<v Speaker 7>obscure ones for you. First off, the gentleman mentioned Scott,

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<v Speaker 7>have yourself a merry little Christmas. I believe I recently

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<v Speaker 7>heard the first lines were supposed to be have yourself

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<v Speaker 7>a merry little Christmas. It may be your last.

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<v Speaker 1>I don't think, having to do with the.

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<v Speaker 3>I heard, not the version I heard either, well.

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<v Speaker 7>That I believe was the that was the original lyrics,

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<v Speaker 7>and they felt it was too much of a downer,

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<v Speaker 7>so they changed it because I guess it may be

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<v Speaker 7>your last referred to the last Christmas in Saint Louis

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<v Speaker 7>before the move to New York, right, but I had

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<v Speaker 7>heard that anyway. Someone mentioned Paul Harvey. I don't know

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<v Speaker 7>if either of you have heard. He has one called

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<v Speaker 7>the Man and the Birds, Oh Christmas Recitation, which is

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<v Speaker 7>pretty amazing. I also think the c. W. McCall, who

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<v Speaker 7>did Convoy, he has a very poignant moving thing called

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<v Speaker 7>Sing Silent Night about all and that they were together

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<v Speaker 7>with their mother. Incredibly moving piece Sing Silent Night by c. W. McCall,

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<v Speaker 7>and also Carry Grant, the actor did one called Christmas Lullaby,

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<v Speaker 7>which is amazing I've heard that.

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<v Speaker 3>By the way, if I can segue back to something

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<v Speaker 3>you said, you mentioned that you had heard that the

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<v Speaker 3>lyrics were kind of dark in their original incarnation. That's

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<v Speaker 3>a story that comes from a guy named Hugh Martin

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<v Speaker 3>who was a friend of Judy Garland's. And this is

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<v Speaker 3>kind of like he heard it from a friend who

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<v Speaker 3>heard it from a friend who heard it from a friend.

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<v Speaker 3>So I don't know if that is exactly the case,

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<v Speaker 3>but I do know that, yes, the lyrics were changed

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<v Speaker 3>a couple of times.

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<v Speaker 7>And I believe they said he even Frank Sinatra updated

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<v Speaker 7>some lyrics.

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<v Speaker 1>Yes, yes, I've heard Franks.

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<v Speaker 3>There are some people who tried to modernize the lyrics

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<v Speaker 3>a little bit because they felt like it it sounded

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<v Speaker 3>too much tied to the movie, and they wanted to

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<v Speaker 3>make it a little bit more contemporary. And that happens

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<v Speaker 3>with pop songs all.

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<v Speaker 8>The time, exactly.

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<v Speaker 7>And one more for you, you might appreciate this. When Donna

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<v Speaker 7>the DJ William B. Williams as a Christmas recitation, I

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<v Speaker 7>believe it's called a World to Grow Up in quite

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<v Speaker 7>a moving recitation. It's kind of like a little Vetchi's

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<v Speaker 7>Christmas book by Becky lamb.

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<v Speaker 3>Okay, that's possible. I vaguely remember hearing something like that,

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<v Speaker 3>but it has been a while, right, fifty.

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<v Speaker 2>Five you're very knowledgeable. Mark. Let me give you a

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<v Speaker 2>compliment at fifty five, you are a very knowledgeable man

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<v Speaker 2>of what came before you. A lot of people don't

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<v Speaker 2>thank you. Pay attention to the history of things absolutely, Dona,

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<v Speaker 2>Donn and I've been doing for our living for years.

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<v Speaker 3>But yep, because we're media historians, but not everyone is.

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<v Speaker 2>And when we see somebody do it, we need to

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<v Speaker 2>call him out and give him credit for that.

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<v Speaker 3>A round up clause to you, sir, Thank you so much.

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<v Speaker 2>Thank you for the call.

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<v Speaker 7>Always a pleasure, be well.

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<v Speaker 2>Thank you you toobe hy here open line you want

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<v Speaker 2>to call six one, seven, two, five, four, ten thirty

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<v Speaker 2>or eight eight, eight nine to nineteen thirty. We welcome

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<v Speaker 2>you to do so. I'm about to take a break. Gary,

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<v Speaker 2>You'll be next here on night Side Time and temperature

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<v Speaker 2>eleven fifteen twenty nine degrees.

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<v Speaker 1>Now back to Dan Ray live from the Window World.

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<v Speaker 1>Nice sights to you on WBZ News Radio.

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<v Speaker 2>We are expanding our current subject to go from Christmas

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<v Speaker 2>based media songs, movies, TV, and.

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<v Speaker 3>To Well, you know what else is happening while we're expanding,

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<v Speaker 3>We're getting all of these messages on social media. I

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<v Speaker 3>am so pleased to see that all these nice folks

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<v Speaker 3>are finding out about your show, because no kidding, Live

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<v Speaker 3>live and local radio is a gift and we are

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<v Speaker 3>so glad to spend the evening with you nice folks.

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<v Speaker 3>So Heloda Carter and Heloda Bob and Heloda Aaron, and

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<v Speaker 3>you know, just this is so cool. I love this

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<v Speaker 3>all right now.

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<v Speaker 2>If you know this, Donald, don't answer. But in the

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<v Speaker 2>nineties there were two different TV series that each series

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<v Speaker 2>the lead character had a pet gator, a pet alligator

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<v Speaker 2>live and if you know the two, I don't want

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<v Speaker 2>just the one, I want the both of them. Call

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<v Speaker 2>in six one, seven, two, five, four, ten thirty or

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<v Speaker 2>eight eight eight nine two nineteen thirty. And here's a hint.

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<v Speaker 2>One was an adult male. One was a teenage.

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<v Speaker 8>Girl saying a word not.

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<v Speaker 2>Let's go to Wooburn and speak to Gary, Gary, happy

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<v Speaker 2>holidays to you.

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<v Speaker 5>Well, I raally ain't working that good, so I won't

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<v Speaker 5>be able to get that question right and I won't

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<v Speaker 5>be able to get the answer. So next time you'll

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<v Speaker 5>tell me the answer, Morgan the animal, There's no question

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<v Speaker 5>the top three. It's got to be Flipper.

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<v Speaker 6>M hm, absolutely, yes, everyone loves the King of the Sea.

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<v Speaker 2>I could keep going.

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<v Speaker 3>But nineteen sixty Ford in nineteen sixty seven NBC.

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<v Speaker 2>You want to know something ironic about Flipper? Tommy No, Yeah.

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<v Speaker 2>Tommy Norton in the original movie, which came on two

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<v Speaker 2>years before the TV series, played Bud. There were two brothers,

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<v Speaker 2>but and Sandy. But they had another person play Bud

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<v Speaker 2>on the TV series and the two brothers with Luke

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<v Speaker 2>Halprin and Tommy Norton. I forget who did which, but.

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<v Speaker 3>I always found that interesting, and I always found it

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<v Speaker 3>interesting that you had mostly female dolphins playing Flipper and

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<v Speaker 3>one male.

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<v Speaker 2>Right like the dolphins for the dolphins. For the dolphins

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<v Speaker 2>that would swim around outside of the Orange Bowl where

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<v Speaker 2>they played back then, was.

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<v Speaker 1>Named Susie yep.

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<v Speaker 2>And in the movie with Jim Carrey, the dolphins name

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<v Speaker 2>was Snowflake.

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<v Speaker 9>Ah.

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<v Speaker 3>There you go. The things we wonder about. I wonder

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<v Speaker 3>how many people realized when they saw Lassie on TV

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<v Speaker 3>that it wasn't the same Lassie all the time, because

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<v Speaker 3>poor Lassie would have had to be three hundred and

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<v Speaker 3>seven years old.

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<v Speaker 2>No, so what else Gary?

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<v Speaker 5>Well, as far as favorite Christmas song itself, what I mean,

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<v Speaker 5>we got all the traditionals, all this that. But as

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<v Speaker 5>Donna says, she's a big Rush fan. We know about

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<v Speaker 5>Bluce Springsteen with his Santa Claus Is Coming to.

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<v Speaker 3>Anta Claus Is Coming into a great song by the way,

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<v Speaker 3>nineteen eighty five, love it right, Well.

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<v Speaker 5>That should be on the radio every day of our lives.

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<v Speaker 5>Is unbelievable. But there's another Christmas song from a rock

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<v Speaker 5>and roll person. Donna knows what I'm talking about, and

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<v Speaker 5>it should be on every Christmas all the time, and

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<v Speaker 5>it's not. And it drives me crazy that it's not.

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<v Speaker 5>You have any idea, Donna.

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<v Speaker 3>I have several ideas, But go ahead, well, yes, no,

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<v Speaker 3>I don't want to guess wrong, and I don't want

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<v Speaker 3>to take away something that you had on your mind.

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<v Speaker 8>So go ahead.

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<v Speaker 3>Billy Squire yep, somebody mentioned it earlier.

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<v Speaker 5>I'm going to say I love you.

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<v Speaker 8>Yep.

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<v Speaker 3>Somebody mentioned Billy Squire a little bit earlier. I've always

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<v Speaker 3>been a Billy Squire fan.

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<v Speaker 5>Now it is when you say Christmas is the time

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<v Speaker 5>to say I love you. It's not a like romantic

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<v Speaker 5>song this that. It's a rock and song.

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<v Speaker 3>Absolutely. When I was in album rock, we always looked

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<v Speaker 3>for songs like that. That's why we liked Santa claus

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<v Speaker 3>Is Coming to Town because it wasn't some wimpy little song.

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<v Speaker 3>I mean, you could play it on album rock.

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<v Speaker 5>And one last note, a buddy of mine invited me

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<v Speaker 5>over for Christmas dinner and so forth. He's a single guy,

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<v Speaker 5>real nice guy, but he's very, very boring, and I

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<v Speaker 5>hate to hurt his feelings, right, So I told him no,

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<v Speaker 5>I'm gonna take a pass on coming over and having

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<v Speaker 5>dinner with you or whatever. But then watching some old

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<v Speaker 5>Bonnie Miller reruns.

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<v Speaker 6>Yeah, that's Bonnie Miller stupid.

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<v Speaker 5>It was my own little stupid joke.

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<v Speaker 2>Mary Chris was.

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<v Speaker 3>Okay, Happy holidays, Gary.

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<v Speaker 2>Bye bye. Gary's line is now open six four ten

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<v Speaker 2>thirty or eight eight, eight nine, nine ten thirty, And

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<v Speaker 2>we've got time to go to line to and speak

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<v Speaker 2>to Sean in Boston.

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<v Speaker 8>Hello Sean, Hi, how are you? Morgan?

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<v Speaker 2>All right?

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<v Speaker 8>And you I'm doing good. I just wanted to call

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<v Speaker 8>up to make a clarification on the Judy Garland song.

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<v Speaker 8>Two years ago today, the Wall Street Journal had a

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<v Speaker 8>full article on that song, and it was very impressive

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<v Speaker 8>and emotional. It's both a micro level on a macro level.

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<v Speaker 8>The song was written before the movie came out, and

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<v Speaker 8>what it was about was World War Two, and that's

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<v Speaker 8>why the whole song is about like families being separated.

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<v Speaker 8>You know, your next door neighbor, mister O'Brien's kid who

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<v Speaker 8>was fighting in Italy. Your other next door neighbor, mister

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<v Speaker 8>Rizzo's kid was fighting in Japan against Japan and the

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<v Speaker 8>South Pacific. So that's why the lyrics were very melancholy.

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<v Speaker 8>And with that other caller said about the first line

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<v Speaker 8>being harsh, that was accurate, and it was because the

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<v Speaker 8>whole thing was about families being separated at World War Two.

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<v Speaker 3>Yes, yes, And then I've seen that interpretation.

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<v Speaker 8>Yes, and the movie did change some of the lyrics

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<v Speaker 8>to make it less harsh and melancholy. And you guys

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<v Speaker 8>were close and the movie, what happens is they were

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<v Speaker 8>all moving from Saint Louis to New York. Judy Garland

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<v Speaker 8>gets engaged and then the father does about faith and

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<v Speaker 8>decides to stay in Saint Louis, but Judy Garland and

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<v Speaker 8>her fiancee are still going to New York. So that's

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<v Speaker 8>why it's really sad when she sings it, because she's

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<v Speaker 8>singing it to her younger sister, and the last scene

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<v Speaker 8>of the movie and the younger sisters crying because her

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<v Speaker 8>older sister, Judy is moving all the way to New York,

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<v Speaker 8>so the lyrics double meaning.

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<v Speaker 3>Yes, my recollection. And again it's been a while since

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<v Speaker 3>I've seen it. I thought that she was upset because

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<v Speaker 3>her father had gotten a promotion and they were all

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<v Speaker 3>going to have to move to New York. But if

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<v Speaker 3>I'm misremembering, it wouldn't be.

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<v Speaker 6>The first time it was going to be that way.

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<v Speaker 6>And then none of them want to leave, but yes,

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<v Speaker 6>that I remember, and then he the family persuaded the

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<v Speaker 6>father to stay, but she's still going, so I might

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<v Speaker 6>have had it backwards. But the thing is, Judy Garland's

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<v Speaker 6>going to be in either Saint Louis or New York,

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<v Speaker 6>and the rest of the family was in the other one.

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<v Speaker 8>I believe Judy was going to New York either way.

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<v Speaker 3>It's a really good movie.

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<v Speaker 8>Yeah, that's the point. Was in that scene, which is

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<v Speaker 8>a great scene the movie dated I saw it the

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<v Speaker 8>night after I read this Wall Street Journal article two

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<v Speaker 8>years ago today, because it was so impressive. Okay, Judy

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<v Speaker 8>Garland is moving away and the younger sister, Yeah, Judy

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<v Speaker 8>Garland was going to New York because the dialogue was like,

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<v Speaker 8>we'd like to take everything, but we can't put your

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<v Speaker 8>snow people on the train. It's they'll melt. So Judy

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<v Speaker 8>Garland was going to New York, and I believe in

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<v Speaker 8>the rest of the family was staying in Saint Louis.

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<v Speaker 5>Yep.

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<v Speaker 8>But the more important, the more impressive thing to me

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<v Speaker 8>was the lyrics captured the nation at that time. Oh absolutely,

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<v Speaker 8>about all the different families during World War two, and.

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<v Speaker 3>Yet it never mentions the war. But that's how people

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<v Speaker 3>that's how people heard it.

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<v Speaker 8>Yes, and I don't remember exactly what lyrics were changed,

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<v Speaker 8>but it changed like four or five lines for Judy

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<v Speaker 8>Garland's version.

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<v Speaker 3>Yep, thank you.

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<v Speaker 2>Is there anything else?

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<v Speaker 8>Sean, Oh no, that's it. I'd say. One Christmas song

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<v Speaker 8>I always loved is when you were taking the input

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<v Speaker 8>for the favorite Christmas song, I always loved the baby

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<v Speaker 8>It's Cold Outside.

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<v Speaker 3>Oh absolutely, that was a hit.

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<v Speaker 8>It was a huge change controversial. I started actually listening

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<v Speaker 8>to it more.

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<v Speaker 3>Right, But it became controversial later at the time, in

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<v Speaker 3>like nineteen fifty six. It came out originally in forty nine,

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<v Speaker 3>and then it was a hit again in fifty six.

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<v Speaker 3>And I think.

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<v Speaker 1>People innocence innoce that was.

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<v Speaker 3>Exactly the point I was going to make. I think

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<v Speaker 3>people were a lot more innocent about it. They weren't

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<v Speaker 3>taking it like, oh, this is kind of creepy.

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<v Speaker 2>But with Dean Martin singing it, then people became aware

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<v Speaker 2>of their own interpretation running wild.

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<v Speaker 8>So yeah, I think I think it was very popular

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<v Speaker 8>until the woke police tried to kill it and cancel it.

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<v Speaker 5>Ah.

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<v Speaker 3>Yes, and no, people still play it. People still play it,

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<v Speaker 3>people still like it. But you know, you're always going

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<v Speaker 3>to get people interpreting songs in a certain way and

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<v Speaker 3>oh no, no, this is dirty or this is They

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<v Speaker 3>don't we didn't know from any of that when I

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<v Speaker 3>was growing up. I really don't think we did outside.

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<v Speaker 8>And I think the lyrics were a lot more relatable

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<v Speaker 8>back when it first came out because families all stayed

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<v Speaker 8>much closer together, where nowadays families are much more separated.

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<v Speaker 8>But back when that came out, like everyone had their

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<v Speaker 8>uncle down the street.

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<v Speaker 1>Oh yeah, brother.

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<v Speaker 3>By the way. In fairness, even back then, there were

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<v Speaker 3>songs that had double meanings, double on tundras, that tried

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<v Speaker 3>to slip things by the sensors, and songs that were

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<v Speaker 3>getting in trouble. And it was when I was an

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<v Speaker 3>album rock. We used to go through this all the time.

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<v Speaker 3>With lyrics. You were always worried about that. The FCC

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<v Speaker 3>would you know, say that this particular lyrics we had

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<v Speaker 3>nothing to do with being woke. This was like nineteen

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<v Speaker 3>seventy and the FCC was upset. So you know, people

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<v Speaker 3>were always complaining about lyrics.

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<v Speaker 8>What winding station were you employed with? You heard you

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<v Speaker 8>mention that to a previous call.

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<v Speaker 3>I was on the air for forty I have a

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<v Speaker 3>four decade career in broadcasting. I was on the air

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<v Speaker 3>in Cleveland, in New York, in Washington, here, in Boston,

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<v Speaker 3>all over the place you name it. For a good chance,

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00:20:54.319 --> 00:20:58.279
<v Speaker 3>I was there. But long story better told some other time.

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<v Speaker 2>So Jim a couple of the Boston stations. Well, I

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<v Speaker 2>was on w on my radio at Northeastern. That's where

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<v Speaker 2>her career began.

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<v Speaker 3>Yep. I was the first woman in the history of

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<v Speaker 3>Northeastern University to be on the radio, and I worked

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<v Speaker 3>at a small station in Cambridge, WCS long gone, and

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<v Speaker 3>then I went to WMMS in Cleveland, and then I

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<v Speaker 3>went to WRVR and w l i R in New York,

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<v Speaker 3>WAVA in Washington, DC. Back here to Boston, WHDH, et cetera,

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<v Speaker 3>and et cetera. Inducted into the Massachusetts Broadcasters Hall of

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<v Speaker 3>Fame last year.

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<v Speaker 2>Yes, I was there, and.

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<v Speaker 1>You was there.

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<v Speaker 7>I saw you there.

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<v Speaker 2>I said kind things about you into the microphone.

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<v Speaker 9>Wow.

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<v Speaker 3>I couldn't believe that you did that. I really couldn't,

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<v Speaker 3>but I appreciate I would do the same for you.

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<v Speaker 2>Oh, thank you. Maybe who knows but of her backstory

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00:22:01.319 --> 00:22:02.160
<v Speaker 2>for you, or.

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00:22:02.160 --> 00:22:06.160
<v Speaker 3>You can just google www dot Donnahelper dot com. It'll

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00:22:06.200 --> 00:22:07.079
<v Speaker 3>tell you a little.

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<v Speaker 8>More about me now and I'll investigate.

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<v Speaker 2>Thank you, sir, Happy happy holidays to you and family.

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<v Speaker 5>Much love, all right, thank you.

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<v Speaker 2>Open line six one, seven, two, five, four, ten, thirty, eight, eight,

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<v Speaker 2>eight nine to nineteen thirty Jimmy, New Hampshire. We will

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<v Speaker 2>get to you after a commercial the two and news

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<v Speaker 2>here on Nightside. For the time is eleven thirty temperature

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<v Speaker 2>twenty nine degrees.

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<v Speaker 1>It's night side with Dan on WBZZY, Boston's news radio.

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<v Speaker 2>We are talking about two things, your favorite Christmas blank

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<v Speaker 2>song movie, TV series and also animals from TV shows

395
00:22:53.480 --> 00:22:56.079
<v Speaker 2>that you may have loved. I'm gonna go way way

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00:22:56.119 --> 00:22:58.640
<v Speaker 2>back and keep it kind of Mardern with these next

397
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<v Speaker 2>two examples. Data on Star Trek, he had a cat. Yep,

398
00:23:08.079 --> 00:23:14.079
<v Speaker 2>tell me the name of that cat? Uh not you.

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<v Speaker 2>This is for the whole audience. You tell people, and

400
00:23:22.039 --> 00:23:26.359
<v Speaker 2>this is for back in our day, the story of

401
00:23:26.359 --> 00:23:29.720
<v Speaker 2>a horse and the boy who loved him. That was

402
00:23:29.960 --> 00:23:32.599
<v Speaker 2>what the announcer would say at the beginning of every

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<v Speaker 2>episode of Blank. One word title, four letters in the

404
00:23:38.160 --> 00:23:43.640
<v Speaker 2>horse's name. Anybody else there remember that TV show? We do,

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<v Speaker 2>Donna and.

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<v Speaker 8>I absolutely.

407
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<v Speaker 6>Watch it. Watch it?

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00:23:48.920 --> 00:23:51.119
<v Speaker 2>Yeah, I did too. Let's go to New Hampshire and

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<v Speaker 2>speak to Jimmy. Jimmy. Good evening, Jimmy.

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<v Speaker 8>This is what you say, you're Jimmy.

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00:24:01.839 --> 00:24:05.279
<v Speaker 2>Jimmy's having technical issues, so we'll put him back on hold.

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<v Speaker 2>There's another call on line one, and now they're not

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<v Speaker 2>there to.

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<v Speaker 3>Have a song. She's not there. I was also a

415
00:24:14.920 --> 00:24:19.640
<v Speaker 3>big kid, yes record, I remember the first I remember

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00:24:19.680 --> 00:24:22.200
<v Speaker 3>the first song I ever played on the radio. It

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00:24:22.279 --> 00:24:27.279
<v Speaker 3>was Tired of Waiting for You by The Kinks nineteen

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<v Speaker 3>sixty five.

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<v Speaker 8>Yep.

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00:24:29.000 --> 00:24:33.759
<v Speaker 3>First record I ever played on the radio, well, the first.

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00:24:34.240 --> 00:24:36.759
<v Speaker 2>The first theme I ever played was Perry Mason because

422
00:24:36.759 --> 00:24:40.759
<v Speaker 2>that was my opening theme. Let's try Let's try Jimmy again.

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00:24:41.599 --> 00:24:42.880
<v Speaker 2>Have you worked out the Kinks?

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<v Speaker 9>Jimmy Hey, can you hear me now?

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00:24:47.119 --> 00:24:47.880
<v Speaker 2>Loud and clear?

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<v Speaker 9>Jimmy very good. In nineteen seventy eight, I was working

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<v Speaker 9>for Casta Blanca Records doing promotion in Boston, and I

428
00:25:00.279 --> 00:25:05.799
<v Speaker 9>walked into Whight with Asscate, not even a press record yet,

429
00:25:05.839 --> 00:25:10.559
<v Speaker 9>and acecated a song by the village people called why

430
00:25:11.000 --> 00:25:17.839
<v Speaker 9>mca yep, yep, and Donna, This is Jimmy Drisco Donna,

431
00:25:17.839 --> 00:25:19.400
<v Speaker 9>if you remember that name at all.

432
00:25:19.480 --> 00:25:22.319
<v Speaker 3>Oh, Jimmy, I know you very well. You were an

433
00:25:22.440 --> 00:25:26.240
<v Speaker 3>excellent promoter. Didn't you also bring me kiss? I was

434
00:25:26.279 --> 00:25:26.720
<v Speaker 3>made for.

435
00:25:26.759 --> 00:25:27.240
<v Speaker 5>Loving You.

436
00:25:28.960 --> 00:25:29.599
<v Speaker 9>Exactly.

437
00:25:29.720 --> 00:25:33.920
<v Speaker 3>The should have been a number one song. Oh that

438
00:25:34.079 --> 00:25:36.599
<v Speaker 3>irritated me. That should have been a number one song.

439
00:25:36.640 --> 00:25:38.880
<v Speaker 3>And I'm not even a kiss fan. I mean they

440
00:25:38.920 --> 00:25:41.799
<v Speaker 3>were always nice to write. I was made for Loving

441
00:25:41.839 --> 00:25:43.000
<v Speaker 3>You as a classic.

442
00:25:44.519 --> 00:25:48.559
<v Speaker 9>It was a classic, and now fact. In nineteen seventy eighth.

443
00:25:48.640 --> 00:25:53.680
<v Speaker 9>That song Hymca went to number one and seven. Let's

444
00:25:53.680 --> 00:25:57.480
<v Speaker 9>see forty six years later, which we're now, it's again

445
00:25:57.640 --> 00:26:01.759
<v Speaker 9>number one. Trump resurrected. Where's that campaign song?

446
00:26:02.440 --> 00:26:06.519
<v Speaker 3>Yeah, now that's a really great that's a really great

447
00:26:06.599 --> 00:26:09.400
<v Speaker 3>issue because a lot of no but a lot of

448
00:26:09.759 --> 00:26:14.559
<v Speaker 3>politicians they want to use hit records, and the artists

449
00:26:14.640 --> 00:26:18.680
<v Speaker 3>don't want them to, not because they like the politician

450
00:26:18.839 --> 00:26:20.839
<v Speaker 3>or not because they don't want to alienate half of

451
00:26:20.880 --> 00:26:21.519
<v Speaker 3>their audience.

452
00:26:22.119 --> 00:26:22.279
<v Speaker 2>Right.

453
00:26:23.039 --> 00:26:27.839
<v Speaker 9>Well, that's it, I mean, you know, and he had

454
00:26:27.920 --> 00:26:30.319
<v Speaker 9>half the audience and the other half didn't like them,

455
00:26:30.400 --> 00:26:31.400
<v Speaker 9>so I can imagine.

456
00:26:32.039 --> 00:26:32.880
<v Speaker 4>But the guy, the.

457
00:26:34.519 --> 00:26:38.160
<v Speaker 5>Writer of that song was against Trump years, is it?

458
00:26:38.279 --> 00:26:41.960
<v Speaker 5>But then he realized months later that the thing was

459
00:26:42.039 --> 00:26:46.079
<v Speaker 5>taking off and sewing again like Gangbusters, and now he endureged.

460
00:26:47.920 --> 00:26:50.279
<v Speaker 3>Can I tell you something honestly? Can I tell you

461
00:26:50.359 --> 00:26:52.720
<v Speaker 3>something honestly? And you and I go back years, and

462
00:26:52.799 --> 00:26:55.160
<v Speaker 3>I'm so glad to hear your voice again. I always

463
00:26:55.240 --> 00:26:58.440
<v Speaker 3>wondered where you were because whenever I talk about Kiss,

464
00:26:58.559 --> 00:27:01.079
<v Speaker 3>I always talk about you bring me that song in

465
00:27:01.200 --> 00:27:04.960
<v Speaker 3>a Manila envelope. Because you knew that if the mom

466
00:27:04.960 --> 00:27:07.359
<v Speaker 3>when I saw Kiss, it would be like, oh, you know,

467
00:27:07.480 --> 00:27:11.920
<v Speaker 3>we're not playing them. I have no I had no

468
00:27:12.200 --> 00:27:17.960
<v Speaker 3>idea what the politics were of any of the artists

469
00:27:18.200 --> 00:27:21.039
<v Speaker 3>when I was a d J. I couldn't have told you, like,

470
00:27:21.359 --> 00:27:23.240
<v Speaker 3>you know, who did this one vote for or who?

471
00:27:23.359 --> 00:27:27.480
<v Speaker 3>It never came up in conversation. We only talked music.

472
00:27:28.440 --> 00:27:31.880
<v Speaker 3>I couldn't have I mean, Bruce Springsteen vote, I don't know.

473
00:27:32.839 --> 00:27:34.319
<v Speaker 3>We sat and talked for an hour.

474
00:27:34.440 --> 00:27:34.880
<v Speaker 6>I couldn't.

475
00:27:35.119 --> 00:27:36.039
<v Speaker 3>It was just music.

476
00:27:36.160 --> 00:27:39.640
<v Speaker 8>We talked about music, and Jimmy talk about the Villagers,

477
00:27:39.799 --> 00:27:45.759
<v Speaker 8>you know, Jimmy, Yeah, and then go ahead.

478
00:27:47.279 --> 00:27:51.039
<v Speaker 2>I almost opened for them. It's a long story, but

479
00:27:51.759 --> 00:27:56.440
<v Speaker 2>my favorite Village People's song was the Women, which was

480
00:27:56.519 --> 00:27:59.559
<v Speaker 2>the B side one of their early hits. But I

481
00:27:59.720 --> 00:28:06.480
<v Speaker 2>just like that song the people. They mentioned most of

482
00:28:06.559 --> 00:28:10.920
<v Speaker 2>the movie stars from the forties and fifties and the

483
00:28:11.920 --> 00:28:15.279
<v Speaker 2>repeating line of I love the women who knew they

484
00:28:15.359 --> 00:28:19.880
<v Speaker 2>were women? And you got obviously the tongue in the

485
00:28:20.000 --> 00:28:26.319
<v Speaker 2>cheek of the group, But I love that song. Yeah.

486
00:28:26.880 --> 00:28:29.400
<v Speaker 9>And back in the day, Daughter, when we never saw

487
00:28:29.480 --> 00:28:31.799
<v Speaker 9>we wouldn't think of the politics, right, I think somebody

488
00:28:31.839 --> 00:28:35.759
<v Speaker 9>would say, remember the old American dance they break the

489
00:28:35.799 --> 00:28:37.960
<v Speaker 9>records and some guys, says, I'll giveing it a ten

490
00:28:38.079 --> 00:28:39.200
<v Speaker 9>because I like the beat.

491
00:28:39.839 --> 00:28:40.160
<v Speaker 8>Oh, I go.

492
00:28:40.319 --> 00:28:42.599
<v Speaker 3>It's got a good beat. It's easy to dance too.

493
00:28:42.680 --> 00:28:44.119
<v Speaker 3>We'll have to talk sometime.

494
00:28:44.200 --> 00:28:48.519
<v Speaker 9>What city are you and Jimmy, I'm in cham Worthing dancer.

495
00:28:49.920 --> 00:28:51.359
<v Speaker 9>I'll I'll reach out to you.

496
00:28:51.799 --> 00:28:55.160
<v Speaker 3>Reach out to me on social media. We go back years.

497
00:28:55.240 --> 00:28:57.119
<v Speaker 3>It's great to be back in touch with you. We

498
00:28:57.200 --> 00:28:59.680
<v Speaker 3>need to take some other phone calls, but oh, it's

499
00:28:59.839 --> 00:29:01.640
<v Speaker 3>just just a delight to hear from you.

500
00:29:05.440 --> 00:29:11.160
<v Speaker 2>Happy bye bye and Donna give give your information for

501
00:29:11.319 --> 00:29:13.000
<v Speaker 2>people that want to speak to you.

502
00:29:13.319 --> 00:29:15.920
<v Speaker 3>Yeah, they can just reach out to me on social media.

503
00:29:16.160 --> 00:29:18.359
<v Speaker 3>I'm on all of them. I'm on the you know,

504
00:29:18.640 --> 00:29:23.839
<v Speaker 3>Twitter X, I'm on Blue Sky, I'm on Facebook, I'm

505
00:29:23.920 --> 00:29:27.440
<v Speaker 3>on Instagram. Or they can just go to my website.

506
00:29:27.640 --> 00:29:31.880
<v Speaker 3>Www dot Donnahalper dot com. D O n n a

507
00:29:32.400 --> 00:29:36.480
<v Speaker 3>h A is in applesauce, LP is in Potato e

508
00:29:36.759 --> 00:29:41.759
<v Speaker 3>R www dot Donnahlper dot com. I answer emails when

509
00:29:41.799 --> 00:29:45.000
<v Speaker 3>I received them. I'm always happy to hear from people,

510
00:29:45.279 --> 00:29:48.079
<v Speaker 3>and no joke. Jimmy and I. When I was a

511
00:29:48.240 --> 00:29:53.119
<v Speaker 3>music director at w h d H in Boston, he

512
00:29:53.440 --> 00:29:55.799
<v Speaker 3>was one of the record promoters that would come in

513
00:29:55.960 --> 00:29:59.000
<v Speaker 3>and bring records for me to listen to. So this

514
00:29:59.240 --> 00:30:02.519
<v Speaker 3>is just a big flashback, and it's kind of cool

515
00:30:02.599 --> 00:30:05.039
<v Speaker 3>to think back to the days when I was a

516
00:30:05.160 --> 00:30:05.960
<v Speaker 3>music director.

517
00:30:06.279 --> 00:30:09.079
<v Speaker 2>So will you were you there in eighty one eighty two?

518
00:30:09.880 --> 00:30:12.880
<v Speaker 3>I a little bit before that, A little bit before that.

519
00:30:13.079 --> 00:30:15.720
<v Speaker 3>I left in eighty, left in eighty.

520
00:30:15.920 --> 00:30:18.960
<v Speaker 2>Because I was there eighty one eighty two. I did

521
00:30:19.000 --> 00:30:19.359
<v Speaker 2>two year.

522
00:30:19.400 --> 00:30:22.039
<v Speaker 3>Yah, I had just left in eighty left in eighty,

523
00:30:22.440 --> 00:30:25.799
<v Speaker 3>but had a lot of fun there was music director,

524
00:30:26.039 --> 00:30:28.839
<v Speaker 3>worked with just Kine and a whole bunch of other

525
00:30:28.960 --> 00:30:32.359
<v Speaker 3>really great folks. Knew all the folks over on the

526
00:30:32.599 --> 00:30:37.319
<v Speaker 3>FM at w COZ. Yes, those were the days.

527
00:30:38.319 --> 00:30:42.000
<v Speaker 2>Let's go to Pennsylvania and speak to Dave. Dave, thank

528
00:30:42.039 --> 00:30:44.400
<v Speaker 2>you for calling nightside. Welcome aboard.

529
00:30:45.640 --> 00:30:46.480
<v Speaker 5>Leaving Morgan.

530
00:30:48.279 --> 00:30:49.480
<v Speaker 1>Hey, Hey, what I'm doing.

531
00:30:49.799 --> 00:30:54.559
<v Speaker 5>What I'm doing is I'm calling to give Morgan a

532
00:30:54.680 --> 00:30:55.599
<v Speaker 5>Christmas present?

533
00:30:56.359 --> 00:30:58.319
<v Speaker 2>Ah, okay, what is it?

534
00:31:01.480 --> 00:31:07.920
<v Speaker 5>Probably from your grandma? Probably what probably from your grandma?

535
00:31:09.720 --> 00:31:16.640
<v Speaker 5>I have this idea about scholarships, Okay, okay, And if

536
00:31:16.720 --> 00:31:20.000
<v Speaker 5>you would put a dollar side of a week, you'd

537
00:31:20.079 --> 00:31:23.359
<v Speaker 5>have fifty two dollars at the end of the year

538
00:31:24.160 --> 00:31:29.480
<v Speaker 5>and you could open or start a scholarship for fifty

539
00:31:29.559 --> 00:31:33.920
<v Speaker 5>dollars for a book fund scholarship, so that would give

540
00:31:33.920 --> 00:31:38.119
<v Speaker 5>you your scholarship. And I wanted to call tonight because

541
00:31:38.599 --> 00:31:42.599
<v Speaker 5>I know Nancy's there and Dons there, and I know

542
00:31:42.799 --> 00:31:46.319
<v Speaker 5>behind every good man there's good women. So they're going

543
00:31:46.400 --> 00:31:49.319
<v Speaker 5>to put it in your mind, and your mind it

544
00:31:49.400 --> 00:31:51.240
<v Speaker 5>every once in a while that you should put a

545
00:31:51.319 --> 00:31:54.599
<v Speaker 5>dollar in your pocket so you get this scholarship that

546
00:31:54.720 --> 00:31:55.920
<v Speaker 5>you promised your grandma.

547
00:31:57.759 --> 00:32:01.759
<v Speaker 2>You want to know what, No, I'm gonna say something

548
00:32:01.839 --> 00:32:05.960
<v Speaker 2>that relates to that. Whatever. The last time there was

549
00:32:06.039 --> 00:32:10.200
<v Speaker 2>a super duper jackpot, I mentioned that if I wanted,

550
00:32:10.319 --> 00:32:13.319
<v Speaker 2>one thing I was going to do is start a

551
00:32:13.440 --> 00:32:18.160
<v Speaker 2>scholarship in Academy Homes where I drew up and we

552
00:32:18.359 --> 00:32:21.279
<v Speaker 2>moved there in nineteen sixty five with the first family

553
00:32:22.000 --> 00:32:24.359
<v Speaker 2>to live in Academy Homes, and I was there until

554
00:32:24.519 --> 00:32:27.920
<v Speaker 2>seventy five seventy six, that I would put up a

555
00:32:28.000 --> 00:32:34.920
<v Speaker 2>scholarship just for any deserving kids boy and or girl

556
00:32:36.079 --> 00:32:39.960
<v Speaker 2>that lived in that housing project in Boston, the Academy

557
00:32:40.039 --> 00:32:44.880
<v Speaker 2>Homes on Kamaloth Avenue, in the name of my mother

558
00:32:45.119 --> 00:32:49.200
<v Speaker 2>and grandmother. I did want a super duper jackpot. But

559
00:32:49.400 --> 00:32:51.359
<v Speaker 2>you just made a good point. I don't need to

560
00:32:51.440 --> 00:32:56.039
<v Speaker 2>do the super duper jackpot. I will do that. I

561
00:32:56.160 --> 00:33:00.240
<v Speaker 2>will do just what you said, put a bucket two

562
00:33:00.839 --> 00:33:05.440
<v Speaker 2>together every week. I'm looking at Nancy right now. Nancy,

563
00:33:06.359 --> 00:33:09.359
<v Speaker 2>that is your responsibility, and make sure I stick to it.

564
00:33:10.640 --> 00:33:14.960
<v Speaker 2>And come December of next year, twenty twenty five, I

565
00:33:15.039 --> 00:33:19.759
<v Speaker 2>will donate that money somehow so it gets to Camy Homes.

566
00:33:20.720 --> 00:33:23.400
<v Speaker 5>Well, you do that. You could do that for some

567
00:33:23.640 --> 00:33:27.480
<v Speaker 5>kidkets there already who's gone to college and my needed

568
00:33:27.599 --> 00:33:31.920
<v Speaker 5>for Put the twenty five or fifty dollars whatever you

569
00:33:32.240 --> 00:33:33.880
<v Speaker 5>have you wanted to split it up to do it.

570
00:33:34.799 --> 00:33:38.519
<v Speaker 2>Hey, I have a promise you, David, promise you. I

571
00:33:38.559 --> 00:33:40.559
<v Speaker 2>will do that, and thank you for the suggestion.

572
00:33:41.720 --> 00:33:44.240
<v Speaker 5>All right, I'm glad. I'm glad you did it. I

573
00:33:44.799 --> 00:33:49.160
<v Speaker 5>appreciate it. Anything else, I thank you so much. You've

574
00:33:49.240 --> 00:33:53.039
<v Speaker 5>made many evenings joy and a privilege. I'd like to

575
00:33:53.079 --> 00:33:55.480
<v Speaker 5>call more often, but I get so wrapped up in

576
00:33:55.559 --> 00:33:57.400
<v Speaker 5>listbon time goes by.

577
00:33:58.400 --> 00:34:00.960
<v Speaker 2>Well, I'm here every Saturday. You call once a week

578
00:34:01.039 --> 00:34:01.279
<v Speaker 2>if you.

579
00:34:01.359 --> 00:34:05.319
<v Speaker 5>Can, Uh, I would like to, but I said, I

580
00:34:05.400 --> 00:34:08.440
<v Speaker 5>got all wrapped up and listening and doing a conversation.

581
00:34:09.000 --> 00:34:10.639
<v Speaker 5>Oh the other thing I wanted to tell you before

582
00:34:10.679 --> 00:34:13.400
<v Speaker 5>I hang up, real bad body, get out of get

583
00:34:13.440 --> 00:34:17.280
<v Speaker 5>out of your way, is how about the Hill's sisters,

584
00:34:17.400 --> 00:34:21.840
<v Speaker 5>Juliette and Haley. Can you get a hold of them somehow?

585
00:34:22.400 --> 00:34:26.920
<v Speaker 5>I know, I know you mentioned Nanny and the professor earlier,

586
00:34:27.119 --> 00:34:29.320
<v Speaker 5>but maybe that's an idea for you.

587
00:34:30.280 --> 00:34:33.800
<v Speaker 2>I will see what I can do. Okay, day, thank

588
00:34:33.840 --> 00:34:36.400
<v Speaker 2>you for your call. I have to get to you,

589
00:34:37.480 --> 00:34:40.360
<v Speaker 2>bye bye, all right, and I got to take a break.

590
00:34:40.599 --> 00:34:42.480
<v Speaker 2>You don't want to be more late than they already am.

591
00:34:43.599 --> 00:34:47.639
<v Speaker 2>Time and temperature here on nightstide eleven forty seven. I

592
00:34:47.760 --> 00:34:50.880
<v Speaker 2>am very late twenty nine degrees.

593
00:34:52.679 --> 00:34:55.599
<v Speaker 1>Now back to Dan Ray Mine from the Window World

594
00:34:55.800 --> 00:34:58.880
<v Speaker 1>Late Side Studios on WBZ News Radio.

595
00:34:59.599 --> 00:35:03.559
<v Speaker 2>Roughly about eight maybe seven minutes of show left to go,

596
00:35:04.199 --> 00:35:07.440
<v Speaker 2>Donna Helpers, Sarah Morgan, and we're going to talk to

597
00:35:07.679 --> 00:35:13.960
<v Speaker 2>Craig in ohioa state We're Dona once was on the radiollow.

598
00:35:14.800 --> 00:35:20.159
<v Speaker 4>Yes, he was WMMS yep, and I wanted to make

599
00:35:20.239 --> 00:35:25.599
<v Speaker 4>a comment on it's a controversial songs. My oldest brother

600
00:35:25.800 --> 00:35:29.360
<v Speaker 4>had a band and he played at a Catholic school

601
00:35:29.599 --> 00:35:34.079
<v Speaker 4>where we all went and they played this song, my

602
00:35:34.280 --> 00:35:36.320
<v Speaker 4>baby does the Hanky Panky.

603
00:35:36.679 --> 00:35:41.760
<v Speaker 3>Oh yeah, yep. They pulled the plug yep, Tommy James

604
00:35:41.840 --> 00:35:43.400
<v Speaker 3>and the chondele yep.

605
00:35:44.599 --> 00:35:48.679
<v Speaker 4>And then my brother came home and he said, Dad,

606
00:35:49.400 --> 00:35:52.360
<v Speaker 4>My dad went to the priest already called you know,

607
00:35:52.840 --> 00:35:56.920
<v Speaker 4>it's just a song, Carl, you know, uh, forget about it.

608
00:35:57.119 --> 00:35:59.320
<v Speaker 4>But Carl thought he was going to be in trouble,

609
00:36:00.199 --> 00:36:01.880
<v Speaker 4>you know, because of that song.

610
00:36:02.280 --> 00:36:02.480
<v Speaker 7>You know.

611
00:36:02.880 --> 00:36:07.000
<v Speaker 4>But it was just that songs have different meanings.

612
00:36:07.400 --> 00:36:09.639
<v Speaker 3>Oh yeah, and everybody that thinks that this is a

613
00:36:09.800 --> 00:36:12.760
<v Speaker 3>recent problem or wants to try to say that it's

614
00:36:12.880 --> 00:36:16.679
<v Speaker 3>political or whatever. When I was growing up, there were

615
00:36:16.760 --> 00:36:21.440
<v Speaker 3>always songs that wake up Little Susie from nineteen fifty seven.

616
00:36:22.440 --> 00:36:25.840
<v Speaker 3>The priests were like, they didn't want Catholic kids listening

617
00:36:25.960 --> 00:36:28.480
<v Speaker 3>to it because it was a dirty song. I didn't

618
00:36:28.559 --> 00:36:31.440
<v Speaker 3>hear it as a dirty song. I heard it as

619
00:36:31.480 --> 00:36:34.199
<v Speaker 3>two kids that fell asleep at the movie theater because.

620
00:36:33.960 --> 00:36:35.360
<v Speaker 2>The movie was so boring.

621
00:36:36.000 --> 00:36:39.960
<v Speaker 3>Yes, and there I ah, but they were sleeping together.

622
00:36:40.039 --> 00:36:44.559
<v Speaker 3>I'm like, no, the movie wasn't didn't have much of

623
00:36:44.639 --> 00:36:47.360
<v Speaker 3>a plot. We fell asleep, Our gooses cooks, and our

624
00:36:47.400 --> 00:36:48.760
<v Speaker 3>reputation is shot.

625
00:36:49.760 --> 00:36:50.000
<v Speaker 5>Yeah.

626
00:36:50.719 --> 00:36:54.320
<v Speaker 3>People, Oh, they were outraged that song was banned in

627
00:36:54.400 --> 00:36:57.599
<v Speaker 3>a number. It was not banned in Boston, that's a myth.

628
00:36:58.039 --> 00:37:01.719
<v Speaker 3>But there were a number of stations that wouldn't play

629
00:37:01.760 --> 00:37:03.960
<v Speaker 3>it in the daytime. They would only play it at night.

630
00:37:04.480 --> 00:37:08.119
<v Speaker 3>And I'm like, why, It's a great song. But so

631
00:37:08.280 --> 00:37:12.559
<v Speaker 3>this was even going on back then the balls fire.

632
00:37:13.719 --> 00:37:13.920
<v Speaker 6>Yeah.

633
00:37:15.440 --> 00:37:18.360
<v Speaker 4>The funny part about it after that, my brother they

634
00:37:18.559 --> 00:37:20.880
<v Speaker 4>changed the name with the band to My Sin.

635
00:37:21.920 --> 00:37:22.239
<v Speaker 7>Hmmm.

636
00:37:24.079 --> 00:37:26.119
<v Speaker 4>Got a picture of them with it, you know.

637
00:37:26.440 --> 00:37:30.480
<v Speaker 3>But it was like, but song lyrics all. Elvis Presley

638
00:37:31.239 --> 00:37:35.440
<v Speaker 3>had a song called one Night and the original lyrics

639
00:37:35.559 --> 00:37:38.840
<v Speaker 3>were one night of Sin is what I'm now paying for,

640
00:37:39.639 --> 00:37:42.840
<v Speaker 3>but he had to sing one night with you is

641
00:37:42.960 --> 00:37:44.400
<v Speaker 3>what I'm now praying for?

642
00:37:45.400 --> 00:37:50.599
<v Speaker 2>Okay, Oh yeah, and you know what it was talking

643
00:37:50.639 --> 00:37:54.559
<v Speaker 2>about Elvis. If you listen to the lyrics, the precise

644
00:37:54.920 --> 00:37:58.960
<v Speaker 2>lyrics and Joe House Rock number twenty seven said to

645
00:37:59.119 --> 00:38:01.960
<v Speaker 2>number three, the cutest Joe Bird he ever did. Yep,

646
00:38:02.239 --> 00:38:04.239
<v Speaker 2>I she'll be delighted if you come rock with me.

647
00:38:04.599 --> 00:38:06.480
<v Speaker 2>Come on and do the Joe House rocking now.

648
00:38:06.719 --> 00:38:06.920
<v Speaker 8>Yep.

649
00:38:07.239 --> 00:38:10.840
<v Speaker 2>In prison it's all the same sex hell.

650
00:38:11.559 --> 00:38:13.880
<v Speaker 3>Yep, sure would be delighted with your company.

651
00:38:14.199 --> 00:38:14.400
<v Speaker 4>Yep.

652
00:38:14.599 --> 00:38:20.960
<v Speaker 2>Hello, yeah, yet prisoner a propositioning prisoner b Yep. When

653
00:38:21.039 --> 00:38:24.199
<v Speaker 2>I do trivia, I always say, if you didn't know

654
00:38:24.320 --> 00:38:29.199
<v Speaker 2>any better, what Elvis song would you think? Deals excuse

655
00:38:29.280 --> 00:38:30.599
<v Speaker 2>me with homosexuality?

656
00:38:31.079 --> 00:38:32.079
<v Speaker 4>Hello yep.

657
00:38:33.559 --> 00:38:33.800
<v Speaker 5>Yeah.

658
00:38:34.320 --> 00:38:38.239
<v Speaker 3>But on the cleaner side of things. Blue Christmas by

659
00:38:38.320 --> 00:38:43.320
<v Speaker 3>Elvis was a great song, Okay, nineteen fifty seven, really

660
00:38:43.440 --> 00:38:47.079
<v Speaker 3>good Christmas song stands up very well. A lot of

661
00:38:47.119 --> 00:38:50.679
<v Speaker 3>the older songs don't, but that one certainly does.

662
00:38:52.199 --> 00:38:56.880
<v Speaker 4>Hell yeah, that's a joke there. My brother broke up

663
00:38:56.960 --> 00:38:59.679
<v Speaker 4>with his girlfriend and we was all singing that song.

664
00:39:02.000 --> 00:39:05.239
<v Speaker 3>We all, we all had songs like that. So anything

665
00:39:05.280 --> 00:39:08.039
<v Speaker 3>else we can do for you, you're making some great points.

666
00:39:10.400 --> 00:39:13.159
<v Speaker 4>Well, I thank you for bringing back that memory of

667
00:39:14.639 --> 00:39:17.360
<v Speaker 4>uh my baby does a hanky king?

668
00:39:17.480 --> 00:39:17.920
<v Speaker 2>Oh it was.

669
00:39:18.159 --> 00:39:19.039
<v Speaker 5>It was a great song.

670
00:39:19.440 --> 00:39:23.079
<v Speaker 3>But again we were innocent. We didn't think about what's

671
00:39:23.239 --> 00:39:25.280
<v Speaker 3>the hanky panky? I thought it was a dance.

672
00:39:25.679 --> 00:39:30.320
<v Speaker 2>What did Tommy James had James and j A. M.

673
00:39:30.440 --> 00:39:33.960
<v Speaker 2>Yes had a run of four or five years where

674
00:39:34.079 --> 00:39:37.360
<v Speaker 2>he couldn't keep from making a hit.

675
00:39:37.960 --> 00:39:40.679
<v Speaker 3>Oh my god, all the songs. Money Money was one

676
00:39:40.719 --> 00:39:41.440
<v Speaker 3>of my favorites.

677
00:39:42.599 --> 00:39:45.320
<v Speaker 2>The book and that would have gone to number one,

678
00:39:46.039 --> 00:39:46.760
<v Speaker 2>and all.

679
00:39:46.679 --> 00:39:48.920
<v Speaker 3>The money went to all the money went to uh

680
00:39:49.400 --> 00:39:52.360
<v Speaker 3>good old Mars Levy and the Mob. But that's another

681
00:39:52.480 --> 00:39:53.559
<v Speaker 3>story for another.

682
00:39:53.360 --> 00:39:57.159
<v Speaker 2>Day, another story. I'm surprised.

683
00:39:59.239 --> 00:40:02.079
<v Speaker 3>I remember all kinds of stuff for my DJ days.

684
00:40:02.119 --> 00:40:03.679
<v Speaker 3>But we'll talk about that sometime.

685
00:40:03.800 --> 00:40:06.119
<v Speaker 2>What else we get you and I will talk about

686
00:40:06.159 --> 00:40:11.599
<v Speaker 2>that at lunch, not in front of a hot Michael exactly. Yes, Craig,

687
00:40:11.719 --> 00:40:12.320
<v Speaker 2>is that about it?

688
00:40:13.559 --> 00:40:18.119
<v Speaker 4>That's about it, And I thank you and thank you

689
00:40:18.239 --> 00:40:20.559
<v Speaker 4>for the memories, and thank you for all them great

690
00:40:20.679 --> 00:40:22.039
<v Speaker 4>sounds on MMS.

691
00:40:22.719 --> 00:40:24.280
<v Speaker 3>Well, thank you for listening.

692
00:40:24.519 --> 00:40:30.599
<v Speaker 2>Much love to you, Happy holidays. All right, there are

693
00:40:30.639 --> 00:40:34.119
<v Speaker 2>no more calls, so let's kibb it for a few minutes.

694
00:40:35.000 --> 00:40:39.880
<v Speaker 2>Of all the radio stations you played, which one brings

695
00:40:40.000 --> 00:40:41.599
<v Speaker 2>back the most vivid memory.

696
00:40:43.039 --> 00:40:49.960
<v Speaker 3>Well, that probably would be WMMS, okay, because a lot

697
00:40:50.079 --> 00:40:54.519
<v Speaker 3>of what happened there. I met so many up and

698
00:40:54.679 --> 00:40:58.159
<v Speaker 3>coming bands who went on to become famous, okay, but

699
00:40:58.320 --> 00:41:02.599
<v Speaker 3>at the time they weren't famous. And it was just

700
00:41:02.719 --> 00:41:06.920
<v Speaker 3>I mean, Charlie Daniels, who is today one of the

701
00:41:07.000 --> 00:41:10.920
<v Speaker 3>most you know, political he hugged me. I mean, he

702
00:41:11.159 --> 00:41:14.079
<v Speaker 3>was just so glad that he was getting some airplay

703
00:41:14.639 --> 00:41:20.320
<v Speaker 3>that it was just like, yep, great song. Great song,

704
00:41:20.440 --> 00:41:23.880
<v Speaker 3>by the way, But there were so many artists that

705
00:41:24.039 --> 00:41:26.920
<v Speaker 3>I met back then. Okay. You know where else I

706
00:41:27.039 --> 00:41:30.559
<v Speaker 3>had some great times was at w r VR in

707
00:41:30.719 --> 00:41:33.280
<v Speaker 3>New York, which was a jazz station.

708
00:41:34.119 --> 00:41:34.239
<v Speaker 6>Now.

709
00:41:34.400 --> 00:41:38.960
<v Speaker 3>I grew up listening to jazz because my parents liked jazz, okay,

710
00:41:39.400 --> 00:41:41.320
<v Speaker 3>And when I took that job, a lot of people

711
00:41:41.400 --> 00:41:43.440
<v Speaker 3>were like, well, you were rock and roll DJ, what

712
00:41:43.599 --> 00:41:47.760
<v Speaker 3>do you know about jazz. I'm like, you'll be surprised, okay,

713
00:41:48.440 --> 00:41:52.159
<v Speaker 3>and I show them. Oh my god. I had some

714
00:41:52.719 --> 00:41:56.880
<v Speaker 3>really great artists on the show, and it was so

715
00:41:57.079 --> 00:42:00.639
<v Speaker 3>much fun to meet them in person after listening to

716
00:42:00.760 --> 00:42:03.480
<v Speaker 3>their music for years. And I sometimes I'm just a fangirl,

717
00:42:03.559 --> 00:42:06.000
<v Speaker 3>if you know what I mean. There are sometimes when

718
00:42:06.039 --> 00:42:08.119
<v Speaker 3>you're just like, oh my god, I can't believe I'm

719
00:42:08.159 --> 00:42:10.800
<v Speaker 3>sitting here talking to this person. I have every record

720
00:42:10.880 --> 00:42:12.480
<v Speaker 3>they ever made and.

721
00:42:12.800 --> 00:42:16.519
<v Speaker 2>Stoffe here because again news.

722
00:42:16.920 --> 00:42:19.400
<v Speaker 3>Ah, Okay, Well, thank you for having me on.

723
00:42:20.039 --> 00:42:22.559
<v Speaker 2>Thank you for helping me spend a great Christmas night.

724
00:42:23.239 --> 00:42:25.840
<v Speaker 3>Well, thank you for having me on on. Hanicah so

725
00:42:26.599 --> 00:42:29.519
<v Speaker 3>much love to your listeners. Thank you for being such

726
00:42:29.559 --> 00:42:34.960
<v Speaker 3>a great audience. Everyone, excuse me. My whole day has

727
00:42:35.000 --> 00:42:39.000
<v Speaker 3>been like that. Yeah, I know, me and just being

728
00:42:39.079 --> 00:42:41.559
<v Speaker 3>with me chokes you up. Being with me, chokes you up.

729
00:42:41.599 --> 00:42:42.239
<v Speaker 3>I understand.

730
00:42:42.360 --> 00:42:44.840
<v Speaker 2>Thank you, Thank you for giving me a perfect outline.

731
00:42:45.400 --> 00:42:49.000
<v Speaker 3>Happy Holidays, much love, Happy.

732
00:42:48.760 --> 00:42:53.480
<v Speaker 2>Honikah, much love their those Donna Dan in the control room.

733
00:42:53.800 --> 00:42:58.400
<v Speaker 2>Thank you, Nancy and Gray. Thank you. I'll see everybody

734
00:42:58.480 --> 00:43:01.960
<v Speaker 2>tomorrow night. Hopefully this little cough will be gone. Time

735
00:43:02.039 --> 00:43:06.199
<v Speaker 2>and temperature eleven fifty eight twenty nine degrees
