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<v Speaker 1>Welcome friends, it's podcast podcasting. Dinho Zaki again, Bryan.

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<v Speaker 2>They're talking died mom in now bocks on Baby.

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<v Speaker 1>Super Game being ambushed. Abort.

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<v Speaker 2>That's an order they knew, they knew we were coming here.

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<v Speaker 1>Do you read me?

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<v Speaker 2>I can understand you're very upset.

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<v Speaker 1>You've never seen me very upset. This table was self destructive.

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<v Speaker 1>Five seconds.

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<v Speaker 2>Welcome to a movie film commentary track. My name is

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<v Speaker 2>Zaki Hassan, and your mission, mister Hall, should you choose

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<v Speaker 2>to accept it, is to join me in this conversation.

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<v Speaker 1>I accept.

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<v Speaker 2>Hey, sweet, oh, I think this thing is gonna explode.

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<v Speaker 1>Whoa And now cut to us with the you know,

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<v Speaker 1>Looney Tunes soot on our faces and hair sticking straight up.

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<v Speaker 2>Oh see, I was going to a darker place. I

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<v Speaker 2>was like with the wings and a halo, old Zachi.

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<v Speaker 2>The camera like pans up above the clouds and it's

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<v Speaker 2>like I should have warned you about that or whatever

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<v Speaker 2>you know.

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<v Speaker 1>And I'm like hitting you with my harp. Yeah, the

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<v Speaker 1>Captain to Gilligan or Skipper or whatever.

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<v Speaker 2>But hey, hey, we are here to talk about Mission Impossible.

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<v Speaker 1>Yeah, which I recently rewatched before we even really settled

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<v Speaker 1>on this. It was playing in a theater and I

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<v Speaker 1>got to catch it again and I was like, man,

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<v Speaker 1>this is just such like a cool cracker Jack hest movie.

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<v Speaker 1>And then when you brought it up, you know, to

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<v Speaker 1>do as a commentary because we have Final Reckoning coming

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<v Speaker 1>out in about a week, I was like, Yeah, this

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<v Speaker 1>is gonna be a great one.

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<v Speaker 2>The nice thing is, at least for me. I mean,

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<v Speaker 2>I had not seen this in a little while, so

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<v Speaker 2>it did feel somewhat fresh. And I feel like, at

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<v Speaker 2>this point it is remarkable to be twenty nine years

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<v Speaker 2>deep into a franchise that is still ongoing as of

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<v Speaker 2>this recording. Absolute, and let's be real, even if the

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<v Speaker 2>Reckoning is final to some extent, I don't think it's

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<v Speaker 2>final final.

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<v Speaker 1>No, No, I mean it may change in some ways,

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<v Speaker 1>but this is just such a lucrative franchise for Paramount.

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<v Speaker 2>To quote Joey Pants, during the making of The Fugitive,

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<v Speaker 2>they'll pay some other asshole twenty million dollars and have

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<v Speaker 2>him run really fast.

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<v Speaker 1>Exactly exactly, and then you know, Cruise will probably become

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<v Speaker 1>sort of like an elder Statesman figure or something, you know, and.

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<v Speaker 2>He'll become the Jim Phelps.

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<v Speaker 1>Yes, that's right. Yeah, and then he can put chatty.

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<v Speaker 2>It doesn't do it now? Does it exactly? Exactly? Yeah?

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<v Speaker 2>But yeah, so we have lots to say about this.

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<v Speaker 2>I think it's gonna be a fun conversation. Nineteen ninety

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<v Speaker 2>six is Mission Impossible, directed by Brian de Palmo. Big

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<v Speaker 2>big hit when it came out, and obviously the proof

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<v Speaker 2>of its success is the fact that they are still

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<v Speaker 2>going three decades later.

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<v Speaker 1>It is remarkable.

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<v Speaker 2>Yeah, so we're gonna, we're gonna, we're gonna, you know,

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<v Speaker 2>watch this together. There's only the one cut, So folks,

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<v Speaker 2>if you're listening and you want to watch along with us,

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<v Speaker 2>you can certainly do that.

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<v Speaker 1>You can join us. If not.

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<v Speaker 2>As always, we'll try to keep the conversation interesting enough.

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<v Speaker 2>Hopefully that mission Mission it may be the most impossible

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<v Speaker 2>of all we'll find out. So we're gonna do the

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<v Speaker 2>usual thing. We will hit plan three. So one two

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<v Speaker 2>three plate, Brian, you're ready, I'm ready. Here we go,

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<v Speaker 2>one two three plate.

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<v Speaker 1>I feel like I say this every time, but this

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<v Speaker 1>is one of my favorite movie logos.

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<v Speaker 2>The old Paramount, well specifically the nineties Paramount logo.

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<v Speaker 1>Yeah, yeah, that's sort of pushing to that beautiful blue

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<v Speaker 1>orange sky and then the stars coming in swirling around.

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<v Speaker 1>There's just something very cinematic about it. I love now

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<v Speaker 1>this movie.

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<v Speaker 2>I think I mentioned I've not seen it a ton,

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<v Speaker 2>and yet as soon as the logo came up, I

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<v Speaker 2>could hear Danny Elfman's music coming in. Oh yeah, yeah,

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<v Speaker 2>I think this is one of his best scores. And

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<v Speaker 2>it was the first time I heard a Danny Elfman

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<v Speaker 2>score where I was like, that doesn't sound like a

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<v Speaker 2>Danny Elfman score.

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<v Speaker 1>Yeah, because there was that moment. Well, he had pee

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<v Speaker 1>Wee and back to School and those definitely are kind

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<v Speaker 1>of of a piece. But then once he did Batman,

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<v Speaker 1>it feels like for a couple of years everyone was like,

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<v Speaker 1>do Batman again. You know, you got dark Man and

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<v Speaker 1>Dick Tracy and those are very much in that Batman

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<v Speaker 1>family or vocabulary. But this I love this score because

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<v Speaker 1>it does feel like Elfman. But yes, it feels like

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<v Speaker 1>it's Elfman attacking something else, right.

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<v Speaker 2>Yeah, Well, the marriage of Danny Elfman with Lalo Schiffrin's

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<v Speaker 2>iconic Mission Impossible theme is really something special. Like I think,

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<v Speaker 2>you know, every movie has some reorchestration of the Mission

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<v Speaker 2>Impossible theme I think this one might be my favorite

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<v Speaker 2>out of all of them.

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<v Speaker 1>Yeah, well, Elfman already leans into a lot of percussion

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<v Speaker 1>instruments and things, and the original Mission Impossible theme is

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<v Speaker 1>very percussion heavy. So yeah, it just feels like a

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<v Speaker 1>great fit.

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<v Speaker 2>Yeah.

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<v Speaker 1>I mean, I don't know how much we want to

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<v Speaker 1>get into it just right off the bat, but I

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<v Speaker 1>mean Ellen Silvestri, yeah, was originally hired to do the

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<v Speaker 1>score and had done about twenty twenty three minutes or

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<v Speaker 1>i'm seeing here of music, but he was eventually taken off.

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<v Speaker 2>And I have that soundtrack via bootleg.

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<v Speaker 1>Yeah, I listened to it this morning. Actually, yeah, it's okay.

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<v Speaker 2>Right, I had that thought. I was like, I think

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<v Speaker 2>they made the right choice.

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<v Speaker 1>Yeah, Like it's fine, but knowing what we wound up with,

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<v Speaker 1>this feels like it fits much better and adds to

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<v Speaker 1>the movie in a more special way. Yep, it you know,

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<v Speaker 1>being Elfman. It has this kind of frantic sound that

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<v Speaker 1>I think fits the jangled energy of this movie. Yes,

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<v Speaker 1>you know.

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<v Speaker 2>Yeah, I like this intro sequence as kind of it's

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<v Speaker 2>an example, it's like a just another mission of the

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<v Speaker 2>of the im Force.

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<v Speaker 1>Yeah, kind of a cold open.

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<v Speaker 2>Exactly right, And when we jump into the opening title sequence.

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<v Speaker 2>What I think is really cool is they preserve something

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<v Speaker 2>from the old television series, which is actually the films

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<v Speaker 2>have continued to do throughout, which is that you have

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<v Speaker 2>the opening title sequence including scenes from this episode if

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<v Speaker 2>you will, your right, minus context, right right, And that

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<v Speaker 2>was something the original show did. What's really cool is

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<v Speaker 2>if you look at the shots that we get of

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<v Speaker 2>each of the of the team members in the beginning,

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<v Speaker 2>it's it's them right before they die. Well, I don't

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<v Speaker 2>know if I noticed that, Like, pay attention here, watch

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<v Speaker 2>this each of them right here, right before they die.

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<v Speaker 1>Yeah, you're right.

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<v Speaker 2>Isn't that funny?

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<v Speaker 1>Before getting in the car and the elevator shaft?

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<v Speaker 2>But you don't know that, right?

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<v Speaker 1>No, I didn't think about it. That's really funny. Wait,

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<v Speaker 1>so I want to ask you said you haven't seen

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<v Speaker 1>this a lot. I thought you were going to say recently,

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<v Speaker 1>but just in general, is this the one? Well I

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<v Speaker 1>assume too.

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<v Speaker 2>Is probably two I've seen twice.

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<v Speaker 1>Okay, yeah, yeah, so you don't come back to this

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<v Speaker 1>one very often?

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<v Speaker 2>I well, So, just to just to lay my cards

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<v Speaker 2>on the table, I harbored a grudge against this film

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<v Speaker 2>for a long time as a fan of the television

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<v Speaker 2>series I was. I loved the TV show when I

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<v Speaker 2>was a kid. I gone up inside her abay these

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<v Speaker 2>and this film, which I was very excited for, and

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<v Speaker 2>I was very excited to hear they were bringing back

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<v Speaker 2>the character Jim Phelps, who's the who's the lead you

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<v Speaker 2>know in the series, portrayed by Peter Graves. And when

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<v Speaker 2>I watched it and the whole thing turned on on

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<v Speaker 2>making Phelps not just a heel, but really an unrepentant heel, right, it.

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<v Speaker 1>Really it irked me.

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<v Speaker 2>Yeah, sure, you know, and so I sort of like it.

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<v Speaker 2>It was a tough thing to get past when when

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<v Speaker 2>watching this film, and then when it came to the franchise,

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<v Speaker 2>you know, the second one was so god awful in

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<v Speaker 2>my opinion, that it was very easy for me to

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<v Speaker 2>just write off this franchise period. And then you know,

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<v Speaker 2>I saw the third one with Sean actually an opening

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<v Speaker 2>day when it came out, and I loved that, and

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<v Speaker 2>I was like, this feels like the old series to me,

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<v Speaker 2>you know, And from then to now I had never

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<v Speaker 2>looked back, but but this one, you know, I'm at

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<v Speaker 2>a point now just to be clear, I mean, it's

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<v Speaker 2>been almost thirty years. I'm saying when I'm at a

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<v Speaker 2>point now where I'm like, you know what, Yes, he's

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<v Speaker 2>called Jim Phelps, but in my head he's John Boyd.

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<v Speaker 2>It's easier for me to accept this is that asshole,

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<v Speaker 2>John Boyd. You know how Billy z Ayine plays Billy

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<v Speaker 2>z Aye and Zoolander. It's like, exactly, this is John

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<v Speaker 2>and so that's what I choose to do.

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<v Speaker 1>I think that makes sense. Well, yeah, and I can

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<v Speaker 1>understand because I didn't grow up watching the series. I do.

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<v Speaker 1>There was a reboot at one point right in the

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<v Speaker 1>again the late eighties, right eighties. I do remember watching

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<v Speaker 1>that with my dad, so I was familiar with Peter Graves,

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<v Speaker 1>and they brought Peter Graves back for that yep, yep.

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<v Speaker 1>And I did like that a lot. But I can't

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<v Speaker 1>say it was I brought that with me into this,

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<v Speaker 1>so I did just take it at face value. But

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<v Speaker 1>I can imagine, yeah, something I'm a little more familiar with,

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<v Speaker 1>like say Star Trek or something, and they make a

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<v Speaker 1>Star Trek movie and then Captain Kirk is yeah, like

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<v Speaker 1>the unrepented villain. Yeah, that would not be enjoyable.

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<v Speaker 2>That was the example I would use, Like imagine they

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<v Speaker 2>did the first episode of Next Year Narration involves Captain

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<v Speaker 2>Kirk being a trader. You know, people would rightly be upset.

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<v Speaker 2>And my thought, and I promise I'm not going to

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<v Speaker 2>delve into this too much, but my thought was, it's

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<v Speaker 2>having Phelps. If you have him die heroically handed off,

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<v Speaker 2>no problem having him be the heel. I'm like, the

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<v Speaker 2>only people who are gonna like that. The only people

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<v Speaker 2>that's going to mean anything to are the people who

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<v Speaker 2>watched the show and who would know and like the characters,

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<v Speaker 2>So like, why do that?

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<v Speaker 1>Maybe he dies at the hand of a mole exactly.

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<v Speaker 2>Right, Like like let's say the opening sequence here where

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<v Speaker 2>where we think Phelps is dead, Let's say that's his

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<v Speaker 2>heroic death, okay, or he he he ends up through

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<v Speaker 2>the course of it, you know, dying heroically.

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<v Speaker 1>That's fine.

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<v Speaker 2>But yeah, I again, I want to be very clear,

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<v Speaker 2>I'm past that.

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<v Speaker 1>Now. Now.

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<v Speaker 2>This scene here was not they didn't shoot it originally.

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<v Speaker 2>This seque is right here. And this is something Emilia

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<v Speaker 2>Stevez talked about where Branda Palmas screen in the film

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<v Speaker 2>for George Lucas, and George Lucas said Oh yeah, it's great,

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<v Speaker 2>but but where's your where's your spaghetti scene? Yeah? And

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<v Speaker 2>by that he meant a scene where you have the

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<v Speaker 2>characters over and over a meal discussing the plan yep,

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<v Speaker 2>and they're like, oh, yeah, that's a good that's a

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<v Speaker 2>good idea. And and this is Brian to Palm that

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<v Speaker 2>you talked about. It's like back then, you know, it's

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<v Speaker 2>Steven Spielberg and George Lucas and Seid of Franciscopo.

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<v Speaker 1>We just get to we just show each other our

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<v Speaker 1>movies amazing.

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<v Speaker 2>And I was thinking, I was like, this scene is

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<v Speaker 2>so important because it lulls you into thinking, oh, this

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<v Speaker 2>is our this is our crew.

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<v Speaker 1>Yes, yes, especially with Emilio Sivez, like a big star

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<v Speaker 1>being a part of it. Yeah, so which is you

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<v Speaker 1>know that that happens? Right? There's like the big twist

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<v Speaker 1>in Psycho where your main character dies in the middle

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<v Speaker 1>and you're like what you know? And then I don't

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<v Speaker 1>know many many times it happens a lot. I just

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<v Speaker 1>baked on all of them, but it's like, oh a

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<v Speaker 1>scream was another one that came to mind, where Drew

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<v Speaker 1>Barrymore is on the poster and she gets killed in

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<v Speaker 1>the first several minutes, and so yeah, it's a it's

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<v Speaker 1>a good fake out right, thinking that Amelia will be

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<v Speaker 1>part of this movie, but we're shocked that we could

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<v Speaker 1>lose everything. We don't know who's safe.

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<v Speaker 2>Yeah, it's well, it's pretty the setup is pretty ingenious

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<v Speaker 2>because well, first of all, emilias Steveez. That's that's how

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<v Speaker 2>it was pitched him. It's like, you'll be in the

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<v Speaker 2>first scene and then we're going to kill you off.

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<v Speaker 1>Nobody expected.

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<v Speaker 2>He's like, oh, that's great, you know, which.

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<v Speaker 1>I love that.

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<v Speaker 2>But the you know, sort of the the crux of

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<v Speaker 2>the television series both versions was that the team would

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<v Speaker 2>get into their scrapes and you think it's it's a

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<v Speaker 2>it's a moment of tension or danger, but ultimately they

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<v Speaker 2>get out of it and you know, nobody in the

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<v Speaker 2>im team dies.

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<v Speaker 1>Right.

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<v Speaker 2>I've used the term competence porn before. That's mission impossible.

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<v Speaker 2>You watch the television show.

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<v Speaker 1>You know, I should really go back and watch this.

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<v Speaker 1>I feel like I would love them. You you absolutely should.

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<v Speaker 2>One thing I always say is like to me personally,

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<v Speaker 2>like I I I like it. Starting with season two

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<v Speaker 2>because that's when Peter Graves came on, he was on it.

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<v Speaker 1>But the seasons two.

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<v Speaker 2>And three, you've got you've got Peter Graves as the lead,

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<v Speaker 2>You've got Martin Landau as as essentially they eat the

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<v Speaker 2>hunt Master of Disguise character. Okay, Barbara Bain, it was.

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<v Speaker 2>It was like a great cast during like seasons two

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<v Speaker 2>and three. Yeah, absolutely worth watching.

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<v Speaker 1>Well and while we're still on it with Amelia Stuvez.

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<v Speaker 1>So he's also uncredited. Yes, right, And apparently I didn't

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<v Speaker 1>know this, but Tom Cruise appears uncredited and Young Guns?

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<v Speaker 1>Wow is that right? Apparently? I I, you know, I've

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<v Speaker 1>actually never seen Young Guns, but that's not a long

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<v Speaker 1>time ago. There's like the Outsider's connection. So you wonder

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<v Speaker 1>if they're just kind of buds, yeah in this moment,

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<v Speaker 1>you know, and just I don't know, doing that for

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<v Speaker 1>one another. Well I like that, Yeah, me too.

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<v Speaker 2>This, I mean, this was Tom Cruise's first just straight

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<v Speaker 2>up action movie.

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<v Speaker 1>Yeah, which is strange to think about because now they

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<v Speaker 1>think of him as one of our greatest living action here.

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<v Speaker 2>Isn't that interesting? Like at the time, this was sort

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<v Speaker 2>of this was a lark for Tom Cruise, who was

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<v Speaker 2>like a very well respected you know, thrillers and dramas

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<v Speaker 2>and and hadn't done action movies, but this was his

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<v Speaker 2>first movie as a producer.

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<v Speaker 1>Yeah, that's really interesting, right, Yeah.

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<v Speaker 2>And I think it's it's it illustrates. I mean, the

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<v Speaker 2>guy's you know, he's got good instincts in terms of

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<v Speaker 2>storytelling and whatnot.

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<v Speaker 1>Yeah, I mean, I think you have some more to

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<v Speaker 1>add to this, but it sounds like there was some

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<v Speaker 1>tension between Tom Cruise and DePalma. And knowing what we

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<v Speaker 1>know now, I mean, Tom Cruise in most cases is

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<v Speaker 1>a very hands on producer, Yeah, right, possibly even a

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<v Speaker 1>co director at least when it comes to the mission

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<v Speaker 1>impossible films, like a co collaborator in every sense of

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<v Speaker 1>the word now with mcquarie. Right, Yeah, So it sounds

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<v Speaker 1>like he was maybe bringing that energy even as early

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<v Speaker 1>as this movie.

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<v Speaker 2>And well, and it goes beyond Cruise and de Palma.

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<v Speaker 2>You know, you also had a tension between Brian de

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<v Speaker 2>Palma and Robert Town who who who Tom Cruise and

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<v Speaker 2>Paul Wagner had brought in to rewrite the David kepscript.

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<v Speaker 2>The kep script is what de Palma wanted to direct

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<v Speaker 2>Robert Town, you know, Chinatown, Robert Town.

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<v Speaker 1>Sure.

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<v Speaker 2>Obviously having him, you know, in the mix, would sort

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<v Speaker 2>of add to the prestige, and so you had he

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<v Speaker 2>had certain instincts Di Paluma wanted to go a certain way,

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<v Speaker 2>and oftentimes it was like Cruise was the tiebreaker, you know.

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<v Speaker 2>But yeah, it is remarkable how this movie did point

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<v Speaker 2>the way for the rest of his career. Really, yeah,

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<v Speaker 2>this is this is what inaugurated the great Tom Cruise

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<v Speaker 2>running meme, right, I mean.

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<v Speaker 1>Yeah, yeah, it really is. I mean yeah it started here.

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<v Speaker 1>I mean before this, yeah, I mean you think the

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<v Speaker 1>younger roles, risky business outsiders, things like that, but yeah,

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<v Speaker 1>it was, like you said, sort of adult thrillers like

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<v Speaker 1>The Firm or you know, dramas like Born on the

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<v Speaker 1>fourth of July, Far and Away, epic kind of stuff.

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<v Speaker 1>But yeah, this is what we would. Yeah, this was

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<v Speaker 1>a shift, a pivot for him a little bit, it.

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<v Speaker 2>Was, and it it came in a pretty good summer.

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<v Speaker 2>Like I was, I was looking at this is this

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<v Speaker 2>is a memorial Day of ninety six that it came out.

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<v Speaker 2>This was this was a few weeks after the Rock Wow. Yeah, right,

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<v Speaker 2>I think the Phantom was this year maybe, like maybe no, No,

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<v Speaker 2>In fact, the Phantom was the same weekend that The

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<v Speaker 2>Rock came Out's also paramount that one did not do well,

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<v Speaker 2>by the way, but yeah, yeah, it did well in

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<v Speaker 2>my heart. Independence Day was this year.

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<v Speaker 1>Yeah, well, I uh just looking it up. I mean,

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<v Speaker 1>I have the box office here because I was interested.

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<v Speaker 1>So this was the third highest grossing movie of nineteen

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<v Speaker 1>ninety six. And by the way, Jerry McGuire came out

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<v Speaker 1>this year, which I had a hard time like putting

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00:17:17.559 --> 00:17:19.359
<v Speaker 1>that in my brain because I remember seeing both in

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00:17:19.400 --> 00:17:20.400
<v Speaker 1>the theater, but they don't.

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<v Speaker 2>Was that was that in the Fall?

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<v Speaker 1>That was in December? Okay? Yeah, but uh yeah, highest

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<v Speaker 1>grossing movie starting at one was Independence Day, then Twister,

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<v Speaker 1>than Mission Impossible, Twister, I forgot about that, Yeah, then

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00:17:33.200 --> 00:17:35.759
<v Speaker 1>The Rock, then Netty Professor at five Ransom, which we

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00:17:35.799 --> 00:17:38.480
<v Speaker 1>bring up sometimes is a lost or not long lost,

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<v Speaker 1>but forgotten movie that was the sixth highest grossing movie

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<v Speaker 1>of nineteen ninety six, and.

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<v Speaker 2>Way down in seventy eighth place the Phantom.

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<v Speaker 1>Yeah yeah, yeah, but you know what's interesting, this movie

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<v Speaker 1>came out it got a sixty five percent Rotten Tomatoes,

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<v Speaker 1>not that that existed then, but now looking at it,

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<v Speaker 1>sixty five percent Rotten Tomatoes. Most critics I saw complaining

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<v Speaker 1>that the plot was too complicated. I remember that, and

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<v Speaker 1>it has a B plus cinema score. Kind of interesting.

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<v Speaker 2>That is interesting. Well, I remember it did well, but

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<v Speaker 2>I don't I don't know that anyone really loved it

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<v Speaker 2>when it came out.

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<v Speaker 1>I wouldn't say that I loved it, but I remember

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<v Speaker 1>liking it a lot. I thought it was cool. I

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00:18:18.960 --> 00:18:20.960
<v Speaker 1>thought this movie is very cool. It has a really

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<v Speaker 1>this movie has a weird energy, right.

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<v Speaker 2>Well, especially like on its own, but also when you

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<v Speaker 2>compare it with the other films.

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<v Speaker 1>Yes, but I mean I mean that lovingly. It's it

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00:18:33.480 --> 00:18:37.440
<v Speaker 1>doesn't feel like a nineties film necessarily. Like there's a

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00:18:37.480 --> 00:18:41.079
<v Speaker 1>weird other worldliness to this movie. I finally, like I was,

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<v Speaker 1>I was trying to figure out how to describe it.

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00:18:42.720 --> 00:18:46.079
<v Speaker 1>I mean, it's certainly heightened, yeah, and all of them

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00:18:46.119 --> 00:18:48.359
<v Speaker 1>are to a degree, but this one almost reminds me

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<v Speaker 1>of like an anime, right yeah, well, certainly with.

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<v Speaker 2>The camera angles and things like that.

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<v Speaker 1>Yeah, and like the way the drama is executed, and

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<v Speaker 1>even the action sequence, especially the the train sequence at

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<v Speaker 1>the end, there's like a weird, otherworldly, anime esque sort

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00:19:04.640 --> 00:19:06.759
<v Speaker 1>of feel of this movie, yeah, which I kind of

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<v Speaker 1>I remember loving then and I still love now, which

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<v Speaker 1>I I do remember, especially when the series turned around

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<v Speaker 1>a little bit with three. Yeah, this was thought of

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<v Speaker 1>as less than but I was always like, I don't know,

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00:19:19.720 --> 00:19:21.279
<v Speaker 1>there's always been a little place in my heart for

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<v Speaker 1>this one.

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00:19:22.359 --> 00:19:25.119
<v Speaker 2>And uh, my sense is that this one was always

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<v Speaker 2>fairly well regarded. I don't know anybody who loves the

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<v Speaker 2>second movie. Yeah, and I'm sure they exist. I don't

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<v Speaker 2>want to have anything to do with those people, but

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<v Speaker 2>I'm sure. I'm sure they're out there. But what I

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00:19:40.240 --> 00:19:43.759
<v Speaker 2>like in it too is the fast and the furious

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00:19:44.079 --> 00:19:44.799
<v Speaker 2>this one.

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<v Speaker 1>Yeah, that's a great comparison.

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<v Speaker 2>This is the fast and the furious of the Mission

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<v Speaker 2>Impossible movies.

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<v Speaker 1>Yes, meaning I mean, if you want to yeah, yeah, well.

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<v Speaker 2>It's it clearly points the way towards the series, but

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00:19:58.519 --> 00:20:04.680
<v Speaker 2>but the stakes are a little smaller, the not all

390
00:20:04.680 --> 00:20:09.880
<v Speaker 2>the pieces are there quite yet, and you know, you

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00:20:09.960 --> 00:20:11.079
<v Speaker 2>kind of look at it like, well, this is what

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00:20:11.160 --> 00:20:12.359
<v Speaker 2>got the whole thing started, you know.

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<v Speaker 1>Yeah. Yeah, the tone is very different than any of

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00:20:14.920 --> 00:20:15.720
<v Speaker 1>the other films.

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00:20:17.519 --> 00:20:20.119
<v Speaker 2>In this one, they're content to steal DVD players off

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00:20:20.160 --> 00:20:24.839
<v Speaker 2>of trucks and yeah, exactly if you will, the knocklist

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00:20:25.039 --> 00:20:28.279
<v Speaker 2>being the metaphorical DVD player.

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00:20:28.640 --> 00:20:34.920
<v Speaker 1>Metmorical DVD TV sets or whatever you know. Like, by

399
00:20:34.920 --> 00:20:37.160
<v Speaker 1>the way, I there's two things I want to say.

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00:20:37.160 --> 00:20:39.279
<v Speaker 1>All right, I'm gonna say this one little factoid because

401
00:20:39.279 --> 00:20:41.759
<v Speaker 1>we're talking about moments in time and then we can

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00:20:41.759 --> 00:20:45.480
<v Speaker 1>comment on what's happening on screen. But h a funny fact.

403
00:20:45.519 --> 00:20:48.880
<v Speaker 1>I saw that this was the last major studio movie

404
00:20:48.920 --> 00:20:53.440
<v Speaker 1>to be released on Beta Max video cassette, Wow, which

405
00:20:53.519 --> 00:20:55.440
<v Speaker 1>puts it in a weird moment in time, right, like

406
00:20:55.480 --> 00:20:58.279
<v Speaker 1>it ties it to well, this is all the past,

407
00:20:58.359 --> 00:21:02.519
<v Speaker 1>but like past past, let's say, and this movie is

408
00:21:02.519 --> 00:21:04.920
<v Speaker 1>also still tied to twenty twenty five because we're getting

409
00:21:04.920 --> 00:21:07.839
<v Speaker 1>a sequel from it in about a week. So isn't

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00:21:07.839 --> 00:21:08.559
<v Speaker 1>that kind of interesting?

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00:21:09.160 --> 00:21:13.519
<v Speaker 2>It's like a it's like a nexus point in time. Yes, exactly,

412
00:21:13.680 --> 00:21:15.759
<v Speaker 2>the past and the future meet. Yeah.

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<v Speaker 1>Did you ever, I mean, just because I think it's

414
00:21:17.880 --> 00:21:19.920
<v Speaker 1>kind of interesting, did you ever have a Beta max player?

415
00:21:20.039 --> 00:21:22.279
<v Speaker 2>Or I did not have a Beta Max But but

416
00:21:22.359 --> 00:21:24.480
<v Speaker 2>you know, Beta never really took off state side, right,

417
00:21:24.519 --> 00:21:27.279
<v Speaker 2>but in Saudi Arabia, I would say Beta.

418
00:21:27.079 --> 00:21:28.119
<v Speaker 1>Was the preferred format.

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00:21:28.400 --> 00:21:32.319
<v Speaker 2>Yeah, and so we had we had a VHS and

420
00:21:32.359 --> 00:21:34.759
<v Speaker 2>it was always harder to get movies on BHS.

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00:21:34.759 --> 00:21:36.960
<v Speaker 1>Oh interesting, My neighbor had a Beta player, and I

422
00:21:37.000 --> 00:21:38.839
<v Speaker 1>remember it was like kind of weird because we couldn't

423
00:21:39.599 --> 00:21:42.480
<v Speaker 1>swap movies. Yeah, you know, and I was like, right,

424
00:21:42.480 --> 00:21:46.640
<v Speaker 1>why are your VHS cassettes like shorter and stumpier and

425
00:21:47.000 --> 00:21:50.400
<v Speaker 1>yet better quality. Yes, that's the thing that's the rub, right,

426
00:21:50.440 --> 00:21:55.240
<v Speaker 1>like they were a higher quality. But anyway, so I yeah,

427
00:21:55.279 --> 00:21:58.519
<v Speaker 1>I do want to comment on this sequence here, and

428
00:21:58.880 --> 00:22:03.480
<v Speaker 1>I love the I mean, I'm just gonna say it

429
00:22:03.519 --> 00:22:05.880
<v Speaker 1>low fi spycraft happening where it's sort of like a

430
00:22:05.920 --> 00:22:09.680
<v Speaker 1>woman with a perfume bottle spraying some sort of chemical

431
00:22:09.759 --> 00:22:11.799
<v Speaker 1>that can you know, on someone's back that can be

432
00:22:11.839 --> 00:22:14.480
<v Speaker 1>seen through special glasses so they can keep an eye

433
00:22:14.559 --> 00:22:15.839
<v Speaker 1>on him. Like, I love all this stuff.

434
00:22:17.160 --> 00:22:20.039
<v Speaker 2>It's very h when you when you talk about the

435
00:22:20.359 --> 00:22:26.119
<v Speaker 2>type of spycraft, it's very feels you know, cold War centric, you.

436
00:22:26.039 --> 00:22:28.400
<v Speaker 1>Know, yeah, even though we were a few years removed

437
00:22:28.400 --> 00:22:28.680
<v Speaker 1>from that.

438
00:22:29.519 --> 00:22:33.039
<v Speaker 2>But this right here, so so we have First of all,

439
00:22:33.440 --> 00:22:37.559
<v Speaker 2>I didn't I forgot how freaking horrifying his death is. Yeah, Emilios,

440
00:22:37.839 --> 00:22:39.680
<v Speaker 2>but this is the type of thing like you would

441
00:22:39.680 --> 00:22:41.680
<v Speaker 2>never have seen this in the old TV show, right,

442
00:22:41.720 --> 00:22:45.680
<v Speaker 2>they always have these last minute things, and so right

443
00:22:45.720 --> 00:22:48.039
<v Speaker 2>away it's meant to be like this, ain't this, ain't

444
00:22:48.039 --> 00:22:51.440
<v Speaker 2>that anymore? You know, like right here when when Phelps

445
00:22:51.559 --> 00:22:53.960
<v Speaker 2>is like man down, you never heard man down and

446
00:22:54.039 --> 00:22:58.240
<v Speaker 2>mission impossible, right, And I think it's a great way

447
00:22:58.240 --> 00:23:00.000
<v Speaker 2>of shaking up the edges sketch.

448
00:22:59.680 --> 00:23:03.039
<v Speaker 1>You know. Yeah, and knowing what we know after watching

449
00:23:03.079 --> 00:23:07.160
<v Speaker 1>the movie at least one time, seeing Phelps here just

450
00:23:07.200 --> 00:23:10.519
<v Speaker 1>so cold, so cold, and he's orchestrating this death. You

451
00:23:10.559 --> 00:23:13.559
<v Speaker 1>don't know it in this moment, but yeah, exactly, yeah,

452
00:23:13.599 --> 00:23:15.839
<v Speaker 1>and then it's horrifying for this PG. Thirteen movie. We

453
00:23:15.960 --> 00:23:18.599
<v Speaker 1>see the jagged whatever the hell that is, like go

454
00:23:18.680 --> 00:23:19.480
<v Speaker 1>right into his face.

455
00:23:19.599 --> 00:23:25.799
<v Speaker 2>Oh yeah, he's extremely dead, ded dead. Yeah yeah.

456
00:23:26.079 --> 00:23:28.000
<v Speaker 1>Yeah.

457
00:23:28.039 --> 00:23:31.200
<v Speaker 2>This came at kind of a career resurgence moment for

458
00:23:31.400 --> 00:23:34.920
<v Speaker 2>John Voight too, right, because he was in Anaconda right

459
00:23:34.960 --> 00:23:38.119
<v Speaker 2>around the same time, and then he kind of found

460
00:23:38.200 --> 00:23:41.559
<v Speaker 2>this vein of just like bureaucratic assholes that he played

461
00:23:41.599 --> 00:23:43.200
<v Speaker 2>for the next decade or so.

462
00:23:43.160 --> 00:23:46.359
<v Speaker 1>You know, yeah, because I know they referenced him on Seinfeld,

463
00:23:46.759 --> 00:23:48.880
<v Speaker 1>you know, the Yeah, that's Urge buys the car with

464
00:23:48.960 --> 00:23:51.559
<v Speaker 1>John Foyd's pencil in it or whatever. But I didn't

465
00:23:51.880 --> 00:23:54.559
<v Speaker 1>really know who that was. I feel like this is

466
00:23:54.599 --> 00:23:57.400
<v Speaker 1>the moment where I was beginning to like understand who

467
00:23:57.440 --> 00:23:58.079
<v Speaker 1>John Voight was.

468
00:23:58.240 --> 00:24:01.079
<v Speaker 2>Yeah, man, I'm with you, but.

469
00:24:01.119 --> 00:24:03.160
<v Speaker 1>Yeah, man, they killed Gordon Bombay.

470
00:24:03.839 --> 00:24:06.200
<v Speaker 2>No, it is nothing sacred.

471
00:24:06.440 --> 00:24:10.240
<v Speaker 1>I know, what's my teenage self supposed to think? Now?

472
00:24:10.240 --> 00:24:11.359
<v Speaker 2>Did you see this in the theater?

473
00:24:11.759 --> 00:24:15.440
<v Speaker 1>I did? I remember it very well? Actually, wow, yeah,

474
00:24:15.480 --> 00:24:19.359
<v Speaker 1>I remember this and Twister. I don't know why, but

475
00:24:19.440 --> 00:24:21.160
<v Speaker 1>those experiences I remember really well.

476
00:24:21.240 --> 00:24:25.160
<v Speaker 2>Twister was like the week before this, I think, wow, yeah,

477
00:24:25.440 --> 00:24:27.359
<v Speaker 2>I think I could be wrong, but I'm pretty sure.

478
00:24:27.799 --> 00:24:29.119
<v Speaker 1>Yeah, yeah, did you not?

479
00:24:29.759 --> 00:24:32.000
<v Speaker 2>I didn't see this in theater? You know, I saw

480
00:24:32.039 --> 00:24:35.359
<v Speaker 2>this via Well. Corey hebying a listener to our show.

481
00:24:35.400 --> 00:24:37.759
<v Speaker 2>He at the time, we went to high school together.

482
00:24:37.960 --> 00:24:42.160
<v Speaker 2>He worked at Suncoast Hey Rip, and so he got

483
00:24:42.200 --> 00:24:44.960
<v Speaker 2>me the VIHS tape for Christmas that year. Oh cool,

484
00:24:45.160 --> 00:24:46.720
<v Speaker 2>So that was how I That was how I saw

485
00:24:46.759 --> 00:24:47.480
<v Speaker 2>it for the first time.

486
00:24:47.720 --> 00:24:51.920
<v Speaker 1>Yeah, yeah, I mean that's so. We talked about how

487
00:24:52.000 --> 00:24:56.200
<v Speaker 1>DVDs really busted a door wide open where you know

488
00:24:56.240 --> 00:24:58.640
<v Speaker 1>it used to be sort of unique at least for

489
00:24:58.640 --> 00:25:02.519
<v Speaker 1>people our age to own many movies, right, And then

490
00:25:02.720 --> 00:25:04.880
<v Speaker 1>TVD happened, and that was when I was in college,

491
00:25:04.880 --> 00:25:06.960
<v Speaker 1>and it feels like everybody had at least like eight

492
00:25:07.079 --> 00:25:08.279
<v Speaker 1>or ten DVDs of something.

493
00:25:08.319 --> 00:25:11.319
<v Speaker 2>That's exactly it, because I when I was in high school,

494
00:25:12.440 --> 00:25:15.400
<v Speaker 2>I already had like a little VHS rack and it

495
00:25:15.480 --> 00:25:19.200
<v Speaker 2>was like my movies. And that was that it's a

496
00:25:19.240 --> 00:25:21.359
<v Speaker 2>weird thing to say. People maybe don't Yeah, that was

497
00:25:21.400 --> 00:25:25.000
<v Speaker 2>not normal for most people because they would just rent.

498
00:25:25.680 --> 00:25:28.319
<v Speaker 1>Yeah you know. Yeah, So that's why when you said

499
00:25:28.319 --> 00:25:30.640
<v Speaker 1>it like that, was getting this little feeling inside remembering

500
00:25:30.640 --> 00:25:32.599
<v Speaker 1>in ninety six or seven or whatever, how it would

501
00:25:32.599 --> 00:25:35.279
<v Speaker 1>have felt having this would be like, oh, that's kind

502
00:25:35.279 --> 00:25:35.680
<v Speaker 1>of special.

503
00:25:36.319 --> 00:25:38.799
<v Speaker 2>Like I remember specifically when you're talking about ninety six,

504
00:25:38.920 --> 00:25:40.880
<v Speaker 2>I owned The Rock on BHS. I owned the Phantom

505
00:25:40.920 --> 00:25:43.119
<v Speaker 2>on VHS. I owned an Independence Day on VHS. I

506
00:25:43.119 --> 00:25:45.319
<v Speaker 2>owned this on VHS. Yeah.

507
00:25:45.480 --> 00:25:48.440
<v Speaker 1>Yeah, I always think back and kind of chuckle remembering

508
00:25:49.079 --> 00:25:51.319
<v Speaker 1>using my allowance to buy The Fugitive when I was

509
00:25:51.359 --> 00:25:53.799
<v Speaker 1>thirteen years old, Like what boy was? You know? It

510
00:25:53.960 --> 00:25:56.960
<v Speaker 1>like a target with his allowance money buying The Fugitive.

511
00:25:56.559 --> 00:25:58.319
<v Speaker 2>On BHS because that's so funny.

512
00:26:00.640 --> 00:26:03.440
<v Speaker 1>So now as everything's going down, all the members are

513
00:26:03.440 --> 00:26:05.240
<v Speaker 1>going to be taken out. So I was reading, I

514
00:26:05.279 --> 00:26:07.519
<v Speaker 1>thought this was kind of funny. So this was shot

515
00:26:07.559 --> 00:26:10.960
<v Speaker 1>in Prague, yes, and it was a huge logistical nightmare

516
00:26:11.200 --> 00:26:14.279
<v Speaker 1>lighting all of this. I mean it's oh wow, you know,

517
00:26:14.319 --> 00:26:16.480
<v Speaker 1>two miles worth of riverfront that they had to light,

518
00:26:16.839 --> 00:26:20.400
<v Speaker 1>so they took two weeks to prepare, figuring out how

519
00:26:20.400 --> 00:26:23.200
<v Speaker 1>to light it, setting it up. And because they had

520
00:26:23.200 --> 00:26:29.839
<v Speaker 1>done such a beautiful setup, apparently photographers, like amateur photographers

521
00:26:29.880 --> 00:26:33.319
<v Speaker 1>just came out and droves because now their city was

522
00:26:33.680 --> 00:26:36.240
<v Speaker 1>lit so beautifully, they could take all these unique pictures,

523
00:26:37.480 --> 00:26:41.359
<v Speaker 1>you know, with everything I don't know, so beautifully illuminated.

524
00:26:41.400 --> 00:26:42.960
<v Speaker 1>I thought that was like kind of funny, Like what

525
00:26:43.079 --> 00:26:46.519
<v Speaker 1>an opportunity. You know, your city's lit up professionally in

526
00:26:46.559 --> 00:26:49.039
<v Speaker 1>this way that it will probably never be lit up again.

527
00:26:49.119 --> 00:26:51.359
<v Speaker 1>It's like, well, let's go get some pictures.

528
00:26:52.759 --> 00:26:55.559
<v Speaker 2>Oh and right here, as we're watching, you know, John

529
00:26:55.640 --> 00:26:57.799
<v Speaker 2>Voyd just took a header into the ocean. I was thinking,

530
00:26:57.799 --> 00:26:59.839
<v Speaker 2>here's another way this movie is different from what come.

531
00:27:00.160 --> 00:27:00.799
<v Speaker 1>It comes later.

532
00:27:01.240 --> 00:27:04.000
<v Speaker 2>You know Ethan Hunt would would Aquaman dove into the

533
00:27:04.000 --> 00:27:14.799
<v Speaker 2>water after him. Oh yeah, yeah, Now we have Jesus Hunt. Yeah,

534
00:27:15.039 --> 00:27:17.079
<v Speaker 2>remember in which one was I think it was a

535
00:27:17.119 --> 00:27:20.599
<v Speaker 2>rogue nation right where it's like it's it's Ethan Hunt

536
00:27:20.799 --> 00:27:24.079
<v Speaker 2>disguised as the Alec Baldwin character. Yeah, and he's like

537
00:27:24.279 --> 00:27:26.559
<v Speaker 2>Hunt is the manifestation of destiny or whatever.

538
00:27:26.880 --> 00:27:29.680
<v Speaker 1>Remember that? Oh yeah, yea absolutely, I'm like he's a

539
00:27:29.720 --> 00:27:34.240
<v Speaker 1>living manifestation of destiny.

540
00:27:34.880 --> 00:27:37.319
<v Speaker 2>I think that's that's what That's what Tom grizz thinks

541
00:27:37.319 --> 00:27:38.319
<v Speaker 2>of eth the Hunt as you know.

542
00:27:38.920 --> 00:27:42.000
<v Speaker 1>Yeah, by the.

543
00:27:42.000 --> 00:27:46.279
<v Speaker 2>Way, that was a beautiful car explosion. It's tricky, right,

544
00:27:46.400 --> 00:27:49.880
<v Speaker 2>like you don't want it to be too big, Yeah,

545
00:27:49.920 --> 00:27:51.640
<v Speaker 2>but it's got to be big enough that you believe

546
00:27:51.680 --> 00:27:52.680
<v Speaker 2>that the person inside is.

547
00:27:52.640 --> 00:27:57.119
<v Speaker 1>A crispy critter. Yeah. I'm sort of like admiring the

548
00:27:57.200 --> 00:27:59.920
<v Speaker 1>craft at least. I feel like now things get plused

549
00:28:00.160 --> 00:28:01.920
<v Speaker 1>in such a way that we were like, oh, that

550
00:28:01.920 --> 00:28:04.319
<v Speaker 1>car exploded, but we also are our brains kind of

551
00:28:04.359 --> 00:28:07.079
<v Speaker 1>realized that that was like an effect. But that was

552
00:28:07.119 --> 00:28:10.359
<v Speaker 1>a real scrappy sort of car explosion that felt all

553
00:28:10.400 --> 00:28:13.079
<v Speaker 1>the more dangerous and yeah, for those reasons.

554
00:28:14.119 --> 00:28:16.160
<v Speaker 2>Now, Christen Scott Thomas, I'm pretty sure this is the

555
00:28:16.200 --> 00:28:17.359
<v Speaker 2>first movie I saw her in.

556
00:28:17.839 --> 00:28:18.799
<v Speaker 1>I'm sure it was for me.

557
00:28:19.640 --> 00:28:22.680
<v Speaker 2>But English Patient was probably a couple of years after this.

558
00:28:22.720 --> 00:28:28.240
<v Speaker 1>Right, Oh was that like six or seven or something?

559
00:28:28.319 --> 00:28:33.000
<v Speaker 2>Yeah, it well, it was it was when Seinfeld was

560
00:28:33.039 --> 00:28:36.960
<v Speaker 2>still on Yes, yes, of course, So therefore we've got

561
00:28:37.000 --> 00:28:39.039
<v Speaker 2>like a like a two year window.

562
00:28:39.880 --> 00:28:43.519
<v Speaker 1>I remember watching The English Patient on VHS with my

563
00:28:43.559 --> 00:28:47.960
<v Speaker 1>girlfriend at the time and being like, this is boor

564
00:28:51.279 --> 00:28:52.359
<v Speaker 1>that's my memory of it.

565
00:28:52.839 --> 00:28:55.000
<v Speaker 2>Well, then that Seinfeld episode really spoke to you.

566
00:28:55.359 --> 00:29:02.880
<v Speaker 1>Yeah. Yeah, And apparently the knife that he sees there

567
00:29:02.920 --> 00:29:07.440
<v Speaker 1>is the same knife that we later see Jean Renau has, right, Yes,

568
00:29:07.519 --> 00:29:07.880
<v Speaker 1>that's right.

569
00:29:07.960 --> 00:29:11.799
<v Speaker 2>And and and I mean it's really clever because they

570
00:29:11.880 --> 00:29:14.920
<v Speaker 2>lay all the pieces in place where I think when

571
00:29:14.920 --> 00:29:19.079
<v Speaker 2>you're watching it, you're not like, once once the reveals

572
00:29:19.119 --> 00:29:21.039
<v Speaker 2>are out there, you're not like, oh, come on, it

573
00:29:21.119 --> 00:29:22.519
<v Speaker 2>all pretty well fits, I.

574
00:29:22.440 --> 00:29:25.759
<v Speaker 1>Think, you know. And and there is much more.

575
00:29:27.319 --> 00:29:32.920
<v Speaker 2>Like there's more of a mystery aspect to this movie, yeah,

576
00:29:33.039 --> 00:29:35.039
<v Speaker 2>than than the later ones, which are which are I

577
00:29:35.039 --> 00:29:42.599
<v Speaker 2>think more broadly big stunt filled capers totally and you know,

578
00:29:42.920 --> 00:29:45.640
<v Speaker 2>talking about how you know, it's sort of sort of

579
00:29:45.680 --> 00:29:48.759
<v Speaker 2>the fast and furious connections which I've made those connections before,

580
00:29:48.799 --> 00:29:51.519
<v Speaker 2>because I remember when when we did Dead Reckoning and

581
00:29:51.559 --> 00:29:54.839
<v Speaker 2>that came out the same year as the same summers

582
00:29:54.920 --> 00:29:57.359
<v Speaker 2>as Fast Ten. I was like, these two movies are

583
00:29:57.400 --> 00:30:01.160
<v Speaker 2>like it's like a film school assignment where people come

584
00:30:01.200 --> 00:30:04.200
<v Speaker 2>back with very different movies, but it's it's the same idea,

585
00:30:04.319 --> 00:30:06.599
<v Speaker 2>you know. Yeah, yeah, I think I said, like I

586
00:30:06.640 --> 00:30:08.759
<v Speaker 2>would release them as a two pet called Friends and Family.

587
00:30:10.400 --> 00:30:13.759
<v Speaker 2>That's good because if you're if you're Don Tretto's family boy,

588
00:30:13.759 --> 00:30:15.839
<v Speaker 2>you're you're in like Flynn. And if you're eating Hunt's

589
00:30:15.880 --> 00:30:19.880
<v Speaker 2>Friends boy, I'll tell you he will manifest destiny on

590
00:30:19.920 --> 00:30:20.519
<v Speaker 2>your behalf.

591
00:30:26.079 --> 00:30:32.359
<v Speaker 1>Uh. I feel like, uh, man, I had somebody I

592
00:30:32.400 --> 00:30:35.359
<v Speaker 1>was telling you off, Mike. I mean, in researching this movie,

593
00:30:35.400 --> 00:30:38.160
<v Speaker 1>it's just so many fascinating things, much more than I

594
00:30:38.160 --> 00:30:41.279
<v Speaker 1>expected with this movie. I mean, it's funny. I want

595
00:30:41.319 --> 00:30:42.440
<v Speaker 1>to talk about the movie, but I also want to

596
00:30:42.440 --> 00:30:44.400
<v Speaker 1>talk about the making of the movie. I thought this

597
00:30:44.480 --> 00:30:48.240
<v Speaker 1>was interesting. This was the third movie and final movie

598
00:30:48.240 --> 00:30:52.960
<v Speaker 1>that Paramount Pictures developed, uh, having bought from Lucille Ball's

599
00:30:53.359 --> 00:30:58.319
<v Speaker 1>Desilu Productions. Right, so we got star Trek Untouchable, Untouchable,

600
00:30:58.359 --> 00:31:01.160
<v Speaker 1>This is impossible, Like that's just one of those things.

601
00:31:01.160 --> 00:31:04.960
<v Speaker 1>You it's like a little footnote, but a fascinating one

602
00:31:04.960 --> 00:31:05.960
<v Speaker 1>for Lucille Ball.

603
00:31:07.440 --> 00:31:10.720
<v Speaker 2>Yeah. Well, well, and you can see why Paramount was

604
00:31:10.759 --> 00:31:15.039
<v Speaker 2>probably entirely on board with to Palma directing because he

605
00:31:16.359 --> 00:31:19.559
<v Speaker 2>did The Untouchables and it was very successful. Right, But

606
00:31:19.720 --> 00:31:24.559
<v Speaker 2>it wasn't like hiring di Palma was not a Paramount decision.

607
00:31:24.599 --> 00:31:27.640
<v Speaker 2>It was a Tom Cruise decision. And I thought that

608
00:31:27.680 --> 00:31:30.960
<v Speaker 2>was interesting in and of itself because because Cruz met

609
00:31:31.039 --> 00:31:32.839
<v Speaker 2>Di Palma, I think I think it was while they

610
00:31:32.839 --> 00:31:35.640
<v Speaker 2>were filming, while he was filming Interview at the Vampire,

611
00:31:36.720 --> 00:31:41.720
<v Speaker 2>which remember all the consternation over that, Like I wasn't

612
00:31:41.759 --> 00:31:43.519
<v Speaker 2>I was not familiar with the Interview of the Vampire

613
00:31:43.559 --> 00:31:45.319
<v Speaker 2>at all, or Leastotte and any of that. But I

614
00:31:45.319 --> 00:31:49.559
<v Speaker 2>remember people pre Internet having shit fits over Tom Cruise

615
00:31:49.599 --> 00:31:52.160
<v Speaker 2>being cast as lastatt Yeah.

616
00:31:52.200 --> 00:31:55.680
<v Speaker 1>I might have been a little young and not super interested,

617
00:31:55.759 --> 00:31:58.079
<v Speaker 1>Like it wasn't in my sphere of interest kind of

618
00:31:58.079 --> 00:31:59.640
<v Speaker 1>a thing. But I do remember that that was a

619
00:31:59.640 --> 00:32:02.400
<v Speaker 1>big like I remember that story, that's right, but I

620
00:32:02.440 --> 00:32:03.880
<v Speaker 1>don't have an opinion on it because I still to

621
00:32:03.880 --> 00:32:06.119
<v Speaker 1>this day I haven't seen it either.

622
00:32:08.480 --> 00:32:11.240
<v Speaker 2>But he so he meets di Palma. He's having dinner

623
00:32:11.279 --> 00:32:13.319
<v Speaker 2>with Spielberg. I think he meets Di Palma. He goes back,

624
00:32:13.359 --> 00:32:14.920
<v Speaker 2>he watches all of his movies and he's like, this

625
00:32:14.960 --> 00:32:15.599
<v Speaker 2>is the guy.

626
00:32:16.480 --> 00:32:19.440
<v Speaker 1>Which I kind of get because whatever he's bringing to

627
00:32:19.480 --> 00:32:22.359
<v Speaker 1>this movie, it is here right, like, yes, this is

628
00:32:22.400 --> 00:32:23.599
<v Speaker 1>a DiPalma.

629
00:32:23.839 --> 00:32:27.759
<v Speaker 2>Scene, is a perfect evocay, Like this is a DiPalma

630
00:32:27.880 --> 00:32:28.680
<v Speaker 2>scene right here.

631
00:32:29.000 --> 00:32:35.240
<v Speaker 1>Yeah, so so heightened, almost cartoonishly so, but also deliciously so. Yeah. Right,

632
00:32:36.519 --> 00:32:39.720
<v Speaker 1>I gotta admit, I mean, I'm recently catching up on

633
00:32:39.759 --> 00:32:41.839
<v Speaker 1>my DiPalma. I just saw Body Double in the past

634
00:32:41.839 --> 00:32:44.039
<v Speaker 1>couple of years and things like that. But he's I mean, yeah,

635
00:32:44.079 --> 00:32:46.119
<v Speaker 1>he's got such an identifiable style.

636
00:32:47.079 --> 00:32:48.920
<v Speaker 2>Yeah, And I would say I'm kind of hot and

637
00:32:48.960 --> 00:32:49.599
<v Speaker 2>cold on him.

638
00:32:50.440 --> 00:32:52.599
<v Speaker 1>I remember that from back in the day. Actually, I

639
00:32:52.640 --> 00:32:53.359
<v Speaker 1>kind of remember that.

640
00:32:53.480 --> 00:32:55.720
<v Speaker 2>Yeah, Like I don't I don't dislike him, but I

641
00:32:56.000 --> 00:32:58.519
<v Speaker 2>do think sometimes he gets sort of overwhelmed by his

642
00:32:58.559 --> 00:32:59.759
<v Speaker 2>own sense of style.

643
00:33:00.440 --> 00:33:04.079
<v Speaker 1>Yeah, which I would say is fine with me with

644
00:33:04.240 --> 00:33:06.680
<v Speaker 1>him if he's working on his own material, right, But

645
00:33:06.720 --> 00:33:08.240
<v Speaker 1>if he were to come in and do an Indiana

646
00:33:08.279 --> 00:33:11.480
<v Speaker 1>Jones movie or something, I would be like, yeah, you know,

647
00:33:12.599 --> 00:33:14.720
<v Speaker 1>but I do feel like I'm glad that not all

648
00:33:14.759 --> 00:33:17.799
<v Speaker 1>the Mission Impossible movies feel like this, but I think

649
00:33:17.920 --> 00:33:20.839
<v Speaker 1>this is a cool one that we get.

650
00:33:21.200 --> 00:33:23.680
<v Speaker 2>I agree with that, and I think what he brought

651
00:33:23.720 --> 00:33:27.200
<v Speaker 2>to this was obviously good enough to get the ball rolling,

652
00:33:27.440 --> 00:33:30.000
<v Speaker 2>you know, and you know it gave it the momentum

653
00:33:30.079 --> 00:33:34.680
<v Speaker 2>to just keep going. But you also appreciate I think,

654
00:33:35.160 --> 00:33:37.119
<v Speaker 2>let's see this right here, look at the cantid angle.

655
00:33:38.079 --> 00:33:41.240
<v Speaker 2>Can't and like in his crotch look, I mean, yeah,

656
00:33:41.240 --> 00:33:42.519
<v Speaker 2>we can see his nose hairs, you know.

657
00:33:42.839 --> 00:33:44.519
<v Speaker 1>Yeah, but it's freaking awesome.

658
00:33:45.480 --> 00:33:47.799
<v Speaker 2>Yeah, I think I think this scene is one of

659
00:33:47.839 --> 00:33:50.640
<v Speaker 2>the best scenes in the whole movie. And it's not

660
00:33:51.200 --> 00:33:52.720
<v Speaker 2>an action sequence per se.

661
00:33:53.519 --> 00:33:56.160
<v Speaker 1>No, it feels like one, but it isn't. Yeah, you know,

662
00:33:56.559 --> 00:34:02.039
<v Speaker 1>the tension is almost comical, but it feels good. Well.

663
00:34:02.160 --> 00:34:05.559
<v Speaker 2>The great thing to me, like, I've always dug Henry

664
00:34:05.599 --> 00:34:08.400
<v Speaker 2>Cherney as a character actor. I think he portrays such

665
00:34:08.440 --> 00:34:11.800
<v Speaker 2>a unique type. Right yeah again.

666
00:34:11.760 --> 00:34:13.320
<v Speaker 1>Just bureaucratic asshole.

667
00:34:14.559 --> 00:34:16.440
<v Speaker 2>He's your man, you know, because yeah, I was in

668
00:34:16.559 --> 00:34:18.599
<v Speaker 2>clear in present Danger of the year before this, but.

669
00:34:18.679 --> 00:34:22.000
<v Speaker 1>So and I haven't seen that in many, many years.

670
00:34:22.000 --> 00:34:25.480
<v Speaker 1>But is he is heightened in that movie as the

671
00:34:25.480 --> 00:34:27.239
<v Speaker 1>performance he's giving in this scene.

672
00:34:29.199 --> 00:34:31.400
<v Speaker 2>Yes, and no, I think he's got a certain delivery,

673
00:34:31.519 --> 00:34:35.760
<v Speaker 2>like he sounds like, you know, you go weaving as

674
00:34:35.800 --> 00:34:40.440
<v Speaker 2>Agent Smith. Yes, great comparison, Yes, right, and he's just

675
00:34:40.480 --> 00:34:42.400
<v Speaker 2>got this presence and I think it tells you something

676
00:34:42.440 --> 00:34:43.880
<v Speaker 2>that they were like, no, no, we got to bring him back.

677
00:34:43.880 --> 00:34:46.039
<v Speaker 1>It took a while, we got to bring him back. Oh,

678
00:34:46.079 --> 00:34:48.400
<v Speaker 1>it's just like incredible. Yeah.

679
00:34:48.400 --> 00:34:51.880
<v Speaker 2>It just embodies an archetype, you know. Yeah, So that's

680
00:34:51.920 --> 00:34:54.440
<v Speaker 2>why I like this scene because it gives us a

681
00:34:54.480 --> 00:34:58.800
<v Speaker 2>window into how quick of a thinger Ethan is. And

682
00:34:58.920 --> 00:35:01.719
<v Speaker 2>I think the floating fish tank is a great button

683
00:35:01.760 --> 00:35:02.000
<v Speaker 2>on it.

684
00:35:02.320 --> 00:35:02.599
<v Speaker 1>Yep.

685
00:35:03.480 --> 00:35:06.599
<v Speaker 2>And again it's relatively speaking, it's pretty restrained. But watching

686
00:35:06.679 --> 00:35:09.320
<v Speaker 2>it again, I was like, this sequence is nuts, Like

687
00:35:09.360 --> 00:35:10.280
<v Speaker 2>that's that's.

688
00:35:10.119 --> 00:35:13.119
<v Speaker 1>A lot of water. Yeah. Yeah, I was gonna say,

689
00:35:13.159 --> 00:35:16.159
<v Speaker 1>great practical effect. It might not feel as I'll use

690
00:35:16.199 --> 00:35:19.400
<v Speaker 1>my word that people attribute to me. I guess bombastic.

691
00:35:20.880 --> 00:35:23.159
<v Speaker 1>I'm not very conscious of whenever I say that. But

692
00:35:24.280 --> 00:35:26.239
<v Speaker 1>you know, now you'd go much much bigger. But that

693
00:35:26.480 --> 00:35:31.039
<v Speaker 1>looks very real because it is and also very like, damn,

694
00:35:31.079 --> 00:35:32.800
<v Speaker 1>I wouldn't want to be trying to.

695
00:35:32.719 --> 00:35:36.280
<v Speaker 2>Stay ahead of that water. Yeah, that's right, it's very cool. Well,

696
00:35:36.320 --> 00:35:39.159
<v Speaker 2>apparently this is what Brian de Palmers said that he

697
00:35:39.519 --> 00:35:42.119
<v Speaker 2>talked to Tom Cruise and he's basically like, you have

698
00:35:42.199 --> 00:35:44.280
<v Speaker 2>to you have to do it in order to make

699
00:35:44.320 --> 00:35:45.800
<v Speaker 2>it look. We can't have a stunt man. You have

700
00:35:45.840 --> 00:35:49.639
<v Speaker 2>to do it. Yeah, And Cruise is very reticent about it,

701
00:35:50.480 --> 00:35:52.800
<v Speaker 2>and he was like, I don't know. I'm an actor,

702
00:35:52.840 --> 00:35:53.719
<v Speaker 2>I'm not a stunt man.

703
00:35:55.039 --> 00:35:58.639
<v Speaker 1>I know it's weird movie the irony moment, that's right,

704
00:36:00.760 --> 00:36:02.320
<v Speaker 1>but you know whatever biopic.

705
00:36:02.679 --> 00:36:05.639
<v Speaker 2>Yeah, it's oh, it's a Paul McCartney as a kid.

706
00:36:05.719 --> 00:36:07.960
<v Speaker 1>You know. It's like, oh, I just played the guitar, yeah,

707
00:36:08.719 --> 00:36:12.159
<v Speaker 1>and played the bass.

708
00:36:12.360 --> 00:36:15.159
<v Speaker 2>And so Brian Defalma says, he's like, I think I

709
00:36:15.159 --> 00:36:17.880
<v Speaker 2>I sort of you know, got that ball rolling because

710
00:36:17.920 --> 00:36:21.360
<v Speaker 2>once he did it, he's like, oh my god, I

711
00:36:21.400 --> 00:36:23.719
<v Speaker 2>need to fall off things now, you know or whatever?

712
00:36:24.760 --> 00:36:26.199
<v Speaker 2>What does that be a building to climb?

713
00:36:26.360 --> 00:36:29.119
<v Speaker 1>Yeah, I was gonna say Toby maguire and uh, Spider Man,

714
00:36:29.199 --> 00:36:34.719
<v Speaker 1>He's like, the power feels good. Well, I only remember

715
00:36:34.760 --> 00:36:37.599
<v Speaker 1>that because Sean used to do that all the time.

716
00:36:37.599 --> 00:36:40.599
<v Speaker 2>He would always quote that the power feels good. It

717
00:36:40.719 --> 00:36:41.519
<v Speaker 2>is from Spider Man.

718
00:36:41.559 --> 00:36:43.559
<v Speaker 1>Three. Is that what it is? Three? Yeah?

719
00:36:44.239 --> 00:36:47.760
<v Speaker 2>Oh man, that's really funny. Yeah, but that one's awesome.

720
00:36:47.760 --> 00:36:50.159
<v Speaker 1>And there's like, we got an awesome little lens flair there,

721
00:36:50.840 --> 00:36:53.039
<v Speaker 1>you know when lens flairs used to be tasteful and

722
00:36:54.960 --> 00:36:58.039
<v Speaker 1>sort of accentuate things versus flooding the frame.

723
00:36:58.199 --> 00:37:01.360
<v Speaker 2>But uh, before JJ came in in the third movie

724
00:37:01.920 --> 00:37:04.760
<v Speaker 2>and just just lens flared the living shit out of everything.

725
00:37:05.840 --> 00:37:08.280
<v Speaker 1>But see this kind of stuff here. Now, where's he's

726
00:37:08.280 --> 00:37:10.840
<v Speaker 1>gotten away? He's used the chewing gum. We should call out,

727
00:37:10.840 --> 00:37:12.880
<v Speaker 1>you know, the red light green light thing. FLI up

728
00:37:12.920 --> 00:37:14.679
<v Speaker 1>the fish tank, got away. Now when he's going to

729
00:37:14.719 --> 00:37:19.440
<v Speaker 1>the safe house. I love the low craft or low

730
00:37:19.480 --> 00:37:22.559
<v Speaker 1>five spike craft stuff, you know where it's like breaking glass,

731
00:37:22.599 --> 00:37:25.159
<v Speaker 1>spreading it on the floor, you know, so you can

732
00:37:25.159 --> 00:37:27.679
<v Speaker 1>hear someone coming. And I just I don't know, all

733
00:37:27.719 --> 00:37:34.159
<v Speaker 1>this feels possible. I don't mean that that was not intentional,

734
00:37:34.159 --> 00:37:37.679
<v Speaker 1>but like, I want to see spectacular things, but I

735
00:37:37.719 --> 00:37:40.360
<v Speaker 1>also want to see clever things, right, and I enjoy

736
00:37:40.400 --> 00:37:42.840
<v Speaker 1>the cleverness of those smaller sorts of things.

737
00:37:44.159 --> 00:37:47.280
<v Speaker 2>Well, it tells you something that in the early goings

738
00:37:47.320 --> 00:37:51.559
<v Speaker 2>they were still trying to figure out what this series is,

739
00:37:53.400 --> 00:37:57.599
<v Speaker 2>and I think that's reflected in how different movie one

740
00:37:57.719 --> 00:38:02.199
<v Speaker 2>movie two are. Right, It's it's a pretty wide spectrum,

741
00:38:02.880 --> 00:38:05.159
<v Speaker 2>with each of the first two films on either end

742
00:38:05.159 --> 00:38:09.760
<v Speaker 2>of it, you know, right, And I think I think

743
00:38:09.840 --> 00:38:14.800
<v Speaker 2>that's that's this by the the whole process by which

744
00:38:14.800 --> 00:38:18.880
<v Speaker 2>he tries to find Max and his his web searching

745
00:38:19.079 --> 00:38:20.119
<v Speaker 2>is hilarious to me.

746
00:38:20.800 --> 00:38:24.199
<v Speaker 1>Well yeah, because right he puts in something. I don't

747
00:38:24.239 --> 00:38:26.119
<v Speaker 1>remember what the first thing is, but it's like three

748
00:38:26.239 --> 00:38:28.119
<v Speaker 1>hundred results in the entire world.

749
00:38:30.639 --> 00:38:38.480
<v Speaker 2>Job three fourteen and it says no results, right, And

750
00:38:38.519 --> 00:38:40.880
<v Speaker 2>I'm like, how is that even possible?

751
00:38:41.320 --> 00:38:42.679
<v Speaker 1>You know, isn't that fascinating?

752
00:38:42.880 --> 00:38:45.960
<v Speaker 2>You'd get at least one hundred thousand up front? Half

753
00:38:46.000 --> 00:38:48.000
<v Speaker 2>of them would be pornography.

754
00:38:48.840 --> 00:38:51.199
<v Speaker 1>Right, exactly exactly, you know.

755
00:38:51.840 --> 00:38:54.000
<v Speaker 2>But the idea of like nothing being found is very funny.

756
00:38:54.079 --> 00:38:56.320
<v Speaker 2>This is this is a very mid nineties view of

757
00:38:56.360 --> 00:38:57.960
<v Speaker 2>what the Internet was going to be like, you know.

758
00:38:58.119 --> 00:39:01.400
<v Speaker 1>M hmm, yeah, yeah. I mean I doubt I was

759
00:39:01.440 --> 00:39:05.159
<v Speaker 1>even using the internet at this point. I maybe in

760
00:39:05.199 --> 00:39:06.320
<v Speaker 1>school maybe.

761
00:39:06.320 --> 00:39:08.199
<v Speaker 2>I think fall of ninety six I started.

762
00:39:08.679 --> 00:39:11.440
<v Speaker 1>Yeah, yeah, I don't think I had an email address

763
00:39:11.480 --> 00:39:12.880
<v Speaker 1>until ninety seven.

764
00:39:13.199 --> 00:39:17.360
<v Speaker 2>Yeah, definitely for me ninety seven. Yeah, yeah, but I

765
00:39:17.400 --> 00:39:20.280
<v Speaker 2>remember Apple was really leaning. Apple was in like a

766
00:39:20.320 --> 00:39:23.719
<v Speaker 2>down period because this is pre Steve Jobs coming back, Yeah,

767
00:39:23.760 --> 00:39:25.639
<v Speaker 2>and they needed whatever help they could. So I mean

768
00:39:25.840 --> 00:39:29.639
<v Speaker 2>all the all the you know, laptops or Apple laptops,

769
00:39:29.679 --> 00:39:31.920
<v Speaker 2>and I remember all the TV ads.

770
00:39:32.920 --> 00:39:35.039
<v Speaker 1>Oh really, I don't remember that. I was reading about

771
00:39:35.079 --> 00:39:37.800
<v Speaker 1>it though, Like he's using a model that hadn't even

772
00:39:37.840 --> 00:39:40.079
<v Speaker 1>come out yet, just to show how you know, sleek

773
00:39:40.119 --> 00:39:42.719
<v Speaker 1>and sophisticated their laptops were going to be. So they

774
00:39:42.719 --> 00:39:47.000
<v Speaker 1>had like a different laptop actually operating inside of it.

775
00:39:47.079 --> 00:39:49.079
<v Speaker 1>But it's just funny now because you look at it

776
00:39:49.079 --> 00:39:51.760
<v Speaker 1>and you're like, look at that cinder block it really

777
00:39:55.239 --> 00:40:00.000
<v Speaker 1>but yeah, pretty clever Job three fourteen, Job three fourteen.

778
00:40:01.400 --> 00:40:04.440
<v Speaker 1>Although this whole thing, yeah, him messaging like so many

779
00:40:04.480 --> 00:40:11.119
<v Speaker 1>people trying to a needle inside a haystack inside another haystack.

780
00:40:12.480 --> 00:40:15.320
<v Speaker 2>For some reason, it reminds me of like you imagine

781
00:40:15.320 --> 00:40:19.559
<v Speaker 2>all the people getting that email exactly exactly. It reminds

782
00:40:19.559 --> 00:40:23.000
<v Speaker 2>me of the SNL sketch where John Malkovich is the

783
00:40:23.039 --> 00:40:25.199
<v Speaker 2>guy from in Line of Fire and he calls the

784
00:40:25.199 --> 00:40:25.800
<v Speaker 2>wrong guy.

785
00:40:27.280 --> 00:40:28.400
<v Speaker 1>I forget I remember that.

786
00:40:28.559 --> 00:40:30.679
<v Speaker 2>Yeah, he's a little kid. He's like, how did you

787
00:40:30.719 --> 00:40:32.639
<v Speaker 2>feel when Kennedy died? It's this little kid is like

788
00:40:32.719 --> 00:40:36.960
<v Speaker 2>Kennedy died. That's so funny.

789
00:40:37.800 --> 00:40:38.840
<v Speaker 1>That's a good idea.

790
00:40:39.159 --> 00:40:42.960
<v Speaker 2>It's a funny, funny premise that would mean nothing today, right,

791
00:40:43.039 --> 00:40:44.800
<v Speaker 2>but back then, comedy.

792
00:40:44.400 --> 00:40:47.360
<v Speaker 1>Gold see right now? Oh, I guess he's doing different languages.

793
00:40:47.440 --> 00:40:49.519
<v Speaker 1>I was gonna say, he's just copy paste this email

794
00:40:49.559 --> 00:40:56.400
<v Speaker 1>instead of writing it like four hundred times. This was

795
00:40:56.519 --> 00:40:58.360
<v Speaker 1>kind of fun. I mentioned I saw it in the

796
00:40:58.360 --> 00:41:01.199
<v Speaker 1>theater recently. So my friend works at Hairamount and then

797
00:41:01.239 --> 00:41:04.960
<v Speaker 1>the lead up to the final movie coming out, they've

798
00:41:04.960 --> 00:41:08.400
<v Speaker 1>been showing every mission impossible at their theater on the lot,

799
00:41:09.400 --> 00:41:12.079
<v Speaker 1>and so yeah, he and I went and saw the

800
00:41:12.079 --> 00:41:16.360
<v Speaker 1>first one, this one, and man, what a blast watching

801
00:41:16.440 --> 00:41:18.480
<v Speaker 1>this on a big screen again, Like it's just so,

802
00:41:20.360 --> 00:41:22.079
<v Speaker 1>I don't know, it's not something that gets replayed a

803
00:41:22.079 --> 00:41:25.239
<v Speaker 1>lot at repertory theaters. And it is thrilled, very thrilling.

804
00:41:25.599 --> 00:41:27.880
<v Speaker 1>But yeah, watching it with a crowd was really fun.

805
00:41:27.920 --> 00:41:30.719
<v Speaker 1>And hearing people sort of chuckle at the I don't know,

806
00:41:30.760 --> 00:41:32.760
<v Speaker 1>a nachronistic sort of stuff like this scene. I remember

807
00:41:32.800 --> 00:41:36.320
<v Speaker 1>people kind of snickering when Voight walks in no with

808
00:41:36.360 --> 00:41:39.599
<v Speaker 1>the internet stuff the internet. Yeah, but it's just just fun.

809
00:41:40.079 --> 00:41:40.719
<v Speaker 1>It's kind of fun.

810
00:41:40.760 --> 00:41:46.320
<v Speaker 2>I like this beat here with with the Phelps car

811
00:41:46.480 --> 00:41:49.519
<v Speaker 2>where where we realize he's just imagining seeing Phelps because

812
00:41:49.599 --> 00:41:52.440
<v Speaker 2>it allows the moment later when he does come back

813
00:41:52.440 --> 00:41:54.840
<v Speaker 2>for you to be like, wait, is this real?

814
00:41:55.199 --> 00:41:57.840
<v Speaker 1>It is very dreamy, isn't it. Toward the end of

815
00:41:57.880 --> 00:41:59.519
<v Speaker 1>the film, when he's putting it all together and the

816
00:41:59.559 --> 00:42:02.920
<v Speaker 1>way that he imagining all the grace mind, Yeah, I

817
00:42:02.920 --> 00:42:08.559
<v Speaker 1>love that scene. Yeah, so this is kind of interesting

818
00:42:08.599 --> 00:42:12.360
<v Speaker 1>with Claire. I was reading that apparently there was sort

819
00:42:12.360 --> 00:42:15.559
<v Speaker 1>of like a love triangle happening. Yeah, it's even so

820
00:42:15.639 --> 00:42:16.360
<v Speaker 1>much as filmed.

821
00:42:16.559 --> 00:42:18.280
<v Speaker 2>You can see it in the trailer. It's in the trailer.

822
00:42:18.679 --> 00:42:21.000
<v Speaker 1>Yeah, I think even in the opening sort of sizzle,

823
00:42:21.000 --> 00:42:24.159
<v Speaker 1>real sort of thing that's happening. There's a moment where

824
00:42:24.199 --> 00:42:28.280
<v Speaker 1>they're like kissing, okay, and I guess through test screenings

825
00:42:28.679 --> 00:42:30.840
<v Speaker 1>people didn't jive with that, which I kind of agree

826
00:42:30.840 --> 00:42:32.480
<v Speaker 1>with it. It sort of makes them feel like a dirtbag.

827
00:42:32.800 --> 00:42:34.039
<v Speaker 1>I definitely agree with that.

828
00:42:34.199 --> 00:42:37.760
<v Speaker 2>But it's also it's interesting because at the end of

829
00:42:37.760 --> 00:42:42.280
<v Speaker 2>the film, you have, you know, the Phelps character being like,

830
00:42:42.320 --> 00:42:45.000
<v Speaker 2>oh and I knew that he would fall for your

831
00:42:45.039 --> 00:42:47.800
<v Speaker 2>temptation or whatever they said. I'm like, yeah, but nothing

832
00:42:47.880 --> 00:42:49.599
<v Speaker 2>really happens. I don't think you know.

833
00:42:50.039 --> 00:42:54.880
<v Speaker 1>No, it's very ambiguous artistic in the final version, right

834
00:42:54.920 --> 00:42:57.480
<v Speaker 1>where he kind of like she kisses his hand or something,

835
00:42:57.519 --> 00:42:59.719
<v Speaker 1>and then that's it in crossfade to something else.

836
00:42:59.760 --> 00:43:03.400
<v Speaker 2>I guess that's meant to be be the the temptation, you.

837
00:43:03.360 --> 00:43:06.840
<v Speaker 1>Know, Yeah, yeah you can. I guess, bring whatever you

838
00:43:06.880 --> 00:43:11.480
<v Speaker 1>want to bring to what happens next. But yeah, so

839
00:43:11.719 --> 00:43:14.000
<v Speaker 1>I was also I mean, going back to the original

840
00:43:14.320 --> 00:43:16.880
<v Speaker 1>cast of Mission Impossible, they were all invited to be

841
00:43:16.960 --> 00:43:19.599
<v Speaker 1>in this film, but apparently they were going to be

842
00:43:19.679 --> 00:43:22.159
<v Speaker 1>the characters that populated the opening scene. So it'd be

843
00:43:22.480 --> 00:43:26.000
<v Speaker 1>Ethan Hunt with the original cast and they would one

844
00:43:26.079 --> 00:43:28.840
<v Speaker 1>by one get picked off, and they were like, yeah,

845
00:43:28.920 --> 00:43:30.559
<v Speaker 1>now we're good. Yeah.

846
00:43:30.679 --> 00:43:32.559
<v Speaker 2>Well, and that wouldn't have made sense for a couple

847
00:43:32.599 --> 00:43:35.159
<v Speaker 2>of different reasons because by by then, you know, Martin

848
00:43:35.239 --> 00:43:39.599
<v Speaker 2>Landau was substantially older, and it's hard to imagine him

849
00:43:39.639 --> 00:43:42.360
<v Speaker 2>doing the same Master of Disguise stick you know. Sure,

850
00:43:43.639 --> 00:43:49.039
<v Speaker 2>so yeah, I I they wanted Peter Graves to come back, sure,

851
00:43:49.519 --> 00:43:53.760
<v Speaker 2>and he was like, yeah, yeah, absolutely, not, you know.

852
00:43:55.559 --> 00:43:59.840
<v Speaker 2>But what's interesting is that many years later, once JJ

853
00:44:00.000 --> 00:44:02.320
<v Speaker 2>Abrams came on as not just director for the third one,

854
00:44:02.320 --> 00:44:04.800
<v Speaker 2>but he became co producer for a couple of the

855
00:44:04.840 --> 00:44:08.360
<v Speaker 2>movies there, he said like, I want to bring back

856
00:44:08.480 --> 00:44:11.039
<v Speaker 2>Peter Graves. I want to kind of like redeem his character.

857
00:44:12.440 --> 00:44:14.159
<v Speaker 2>And then, of course Peter Graves passed away a couple

858
00:44:14.159 --> 00:44:19.079
<v Speaker 2>of years later. But I like that he had that instinct. Yeah,

859
00:44:19.119 --> 00:44:21.039
<v Speaker 2>you know, because they had done something similar with Star

860
00:44:21.079 --> 00:44:23.320
<v Speaker 2>Trek right when they did when he did, when Abrams

861
00:44:23.320 --> 00:44:24.480
<v Speaker 2>did his Star Trek movies.

862
00:44:24.519 --> 00:44:26.760
<v Speaker 1>Oh, let's bring in Leonard Nimoy. Let's honor him and.

863
00:44:27.199 --> 00:44:30.079
<v Speaker 2>Do something similar. I would have liked that as a fan.

864
00:44:30.119 --> 00:44:31.880
<v Speaker 2>I don't know that would have mattered that much.

865
00:44:31.679 --> 00:44:36.480
<v Speaker 1>But yeah, I appreciate that. Yeah, well it's nice. Yeah,

866
00:44:36.519 --> 00:44:40.440
<v Speaker 1>someone going in, who's well a story that feels like

867
00:44:40.519 --> 00:44:44.320
<v Speaker 1>a little opposite of what you're saying. Apparently, one of

868
00:44:44.360 --> 00:44:46.639
<v Speaker 1>the original directors of a lot of the episodes of

869
00:44:46.679 --> 00:44:50.480
<v Speaker 1>the original Mission Impossible, Yeah, I was asked by Paramount

870
00:44:50.519 --> 00:44:52.599
<v Speaker 1>to be on set just as sort of a consultant,

871
00:44:53.239 --> 00:44:56.760
<v Speaker 1>and apparently Di Palma spoke with him and was like, hey, man,

872
00:44:57.000 --> 00:44:59.920
<v Speaker 1>love the original series, but what we're doing is nothing

873
00:45:00.079 --> 00:45:02.480
<v Speaker 1>like the show and probably just gonna make both of

874
00:45:02.519 --> 00:45:05.519
<v Speaker 1>us uncomfortable having you here. And so apparently the director

875
00:45:05.639 --> 00:45:08.320
<v Speaker 1>was like, understood, thank you for your honesty, and ya

876
00:45:08.760 --> 00:45:09.239
<v Speaker 1>left set.

877
00:45:10.199 --> 00:45:13.480
<v Speaker 2>Yeah, And and that makes sense because because the TV

878
00:45:13.599 --> 00:45:19.480
<v Speaker 2>show excelled at at doing these little episodic, little mini plays,

879
00:45:19.519 --> 00:45:22.400
<v Speaker 2>you know, right, and and it is different. So I

880
00:45:23.400 --> 00:45:25.920
<v Speaker 2>don't know that that instinct by the studio was very

881
00:45:25.920 --> 00:45:29.000
<v Speaker 2>smart because because somebody like Brian de Palma has a

882
00:45:29.119 --> 00:45:32.800
<v Speaker 2>very clear creative sensibility. So so if you hire him,

883
00:45:32.880 --> 00:45:37.239
<v Speaker 2>it's because you want whatever he brings, right right, you know.

884
00:45:37.440 --> 00:45:39.639
<v Speaker 2>But but that all being said, I I do think

885
00:45:39.719 --> 00:45:43.800
<v Speaker 2>De paulm is somebody who benefits from some limitations, sure,

886
00:45:44.519 --> 00:45:46.880
<v Speaker 2>you know, And and I think The Intouchible is a

887
00:45:46.880 --> 00:45:50.320
<v Speaker 2>good example of that. I've never been a big fan

888
00:45:50.360 --> 00:45:51.039
<v Speaker 2>of Scarface.

889
00:45:53.119 --> 00:45:58.519
<v Speaker 1>Yeah, I have not seen that since my early twenties. Yeah,

890
00:45:58.639 --> 00:46:02.280
<v Speaker 1>I don't really remember it super well. But yeah, I

891
00:46:02.360 --> 00:46:03.960
<v Speaker 1>remember it not being exactly my thing.

892
00:46:04.599 --> 00:46:06.639
<v Speaker 2>It's not my thing, and I know people who like

893
00:46:06.679 --> 00:46:09.239
<v Speaker 2>it a great deal, but yeah, it doesn't really do

894
00:46:09.679 --> 00:46:18.159
<v Speaker 2>much for me. Yeah, yeah, excess a little too much. Yeah, So.

895
00:46:19.760 --> 00:46:21.400
<v Speaker 1>Tell me what you think about this plot. So now

896
00:46:21.440 --> 00:46:24.239
<v Speaker 1>we have I mean, we have a lot going on

897
00:46:24.280 --> 00:46:26.960
<v Speaker 1>at this point, yes, right, where like his team has

898
00:46:27.039 --> 00:46:31.639
<v Speaker 1>been taken out and there's like apparently a mole who's

899
00:46:32.079 --> 00:46:35.000
<v Speaker 1>working with this arms dealer to sell a knock list,

900
00:46:35.159 --> 00:46:39.159
<v Speaker 1>and now Ethan's been set up, they think it's him,

901
00:46:39.360 --> 00:46:41.000
<v Speaker 1>and so he's going to go meet with the dealer

902
00:46:41.199 --> 00:46:44.559
<v Speaker 1>to try to suss out or be called smoke out

903
00:46:44.599 --> 00:46:51.039
<v Speaker 1>the true mole. Yeah, is this plot overly complicated? I mean,

904
00:46:51.079 --> 00:46:52.880
<v Speaker 1>and I don't mean that to sound like are we

905
00:46:52.960 --> 00:46:56.719
<v Speaker 1>smarter whatever than whatever? But like have movies become more complicated?

906
00:46:56.760 --> 00:46:58.760
<v Speaker 1>I guess is what I'm saying, because I did watch

907
00:46:58.800 --> 00:47:02.360
<v Speaker 1>this again weeks ago, being like, Okay, I do remember

908
00:47:02.400 --> 00:47:04.400
<v Speaker 1>this being a little tricky to follow, but I'm really

909
00:47:04.400 --> 00:47:07.960
<v Speaker 1>going to try to like listen to every word and

910
00:47:08.000 --> 00:47:10.800
<v Speaker 1>see if I can absolutely understand it as it goes.

911
00:47:11.480 --> 00:47:13.119
<v Speaker 1>Do you think it's a little too complicated for its

912
00:47:13.159 --> 00:47:16.960
<v Speaker 1>own good? Or do you think it's it feels about right?

913
00:47:17.559 --> 00:47:21.239
<v Speaker 2>So I'm up two minds. I I I don't think

914
00:47:21.320 --> 00:47:23.280
<v Speaker 2>once once you have the high level, I don't think

915
00:47:23.280 --> 00:47:28.480
<v Speaker 2>it's particularly it's you know, it's it's not that hard

916
00:47:28.519 --> 00:47:33.679
<v Speaker 2>to follow. I do think that they try to be

917
00:47:33.800 --> 00:47:36.280
<v Speaker 2>a little too clever by by trying to make it

918
00:47:36.320 --> 00:47:37.719
<v Speaker 2>seem more complicated than it is.

919
00:47:37.880 --> 00:47:39.800
<v Speaker 1>I I think I one hundred percent agree with what

920
00:47:39.800 --> 00:47:41.519
<v Speaker 1>you're saying, right, yeah.

921
00:47:41.599 --> 00:47:45.280
<v Speaker 2>Because I I what I said before was like way

922
00:47:45.320 --> 00:47:47.440
<v Speaker 2>back in the day, like like thirty years ago, is

923
00:47:47.920 --> 00:47:49.599
<v Speaker 2>when I wash it. I was like, okay, so wait this,

924
00:47:50.119 --> 00:47:54.440
<v Speaker 2>and then he's doing that and they're looking for that, okay, whatever,

925
00:47:54.760 --> 00:47:57.559
<v Speaker 2>Like yeah, once, once you put it all together.

926
00:47:57.280 --> 00:47:57.920
<v Speaker 1>It's it.

927
00:47:57.920 --> 00:48:00.559
<v Speaker 2>It doesn't mean very much. And I I don't I

928
00:48:00.599 --> 00:48:03.480
<v Speaker 2>think that's fine. I think what the Mission Impossible movies

929
00:48:03.519 --> 00:48:07.840
<v Speaker 2>figured out is we don't really care that much about

930
00:48:07.880 --> 00:48:13.159
<v Speaker 2>the thing. Just tell us the thing you're after. Yeah, right, yeah,

931
00:48:13.280 --> 00:48:16.639
<v Speaker 2>And I think you know, the third one is a

932
00:48:16.639 --> 00:48:19.519
<v Speaker 2>good example where the whole, the whole mcguffin driving the

933
00:48:19.519 --> 00:48:21.719
<v Speaker 2>whole story is this thing called the rabbit's foot And

934
00:48:22.360 --> 00:48:25.320
<v Speaker 2>do we even really know what the rabbit's foot is? Not? Really? Yeah,

935
00:48:25.400 --> 00:48:26.119
<v Speaker 2>And it doesn't matter.

936
00:48:26.159 --> 00:48:26.920
<v Speaker 1>I mean, it's pure.

937
00:48:27.840 --> 00:48:29.840
<v Speaker 2>I mean it's ironic to me because de paulm is

938
00:48:29.840 --> 00:48:34.239
<v Speaker 2>such a student of Hitchcock, and and what Hitchcock figured

939
00:48:34.239 --> 00:48:36.440
<v Speaker 2>out is it just don't you don't need to go

940
00:48:36.519 --> 00:48:39.000
<v Speaker 2>into all of it. Nobody cares. All we need to

941
00:48:39.000 --> 00:48:41.400
<v Speaker 2>care about is that the characters want it yep.

942
00:48:41.440 --> 00:48:44.280
<v Speaker 1>Yep, and that the joy of how difficult it is

943
00:48:44.280 --> 00:48:45.840
<v Speaker 1>for them to get it. Yeah.

944
00:48:45.880 --> 00:48:49.599
<v Speaker 2>So you know, all this stuff and the and the

945
00:48:49.719 --> 00:48:51.920
<v Speaker 2>and the job is doing this and it's a lot

946
00:48:51.960 --> 00:48:54.840
<v Speaker 2>of like it's just it's trying to make you invested

947
00:48:55.000 --> 00:48:56.519
<v Speaker 2>in in it, and I don't. I don't think it

948
00:48:56.599 --> 00:48:58.280
<v Speaker 2>matters a big picture. I don't think it's enough to

949
00:48:58.320 --> 00:49:02.480
<v Speaker 2>distract and to detract from the movie. Yeah, but it's

950
00:49:02.519 --> 00:49:04.519
<v Speaker 2>definitely a lesson the other films learned.

951
00:49:04.519 --> 00:49:09.119
<v Speaker 1>I think. Yeah, there is a lot more talking in

952
00:49:09.159 --> 00:49:11.440
<v Speaker 1>this movie. It moves at a slower pace. And it's

953
00:49:11.719 --> 00:49:14.320
<v Speaker 1>funny because we talk about that often going back in

954
00:49:14.400 --> 00:49:19.039
<v Speaker 1>different decades, just people were willing to deal with either

955
00:49:19.840 --> 00:49:24.719
<v Speaker 1>less action or just different kinds of execution, you know,

956
00:49:24.800 --> 00:49:27.159
<v Speaker 1>things that now we find a little disorienting. It's like, well,

957
00:49:27.159 --> 00:49:28.960
<v Speaker 1>I don't know, no one seemed to complain in the seventies,

958
00:49:29.119 --> 00:49:30.639
<v Speaker 1>you know, but like it's not how we would do

959
00:49:30.719 --> 00:49:34.920
<v Speaker 1>it now. And I don't remember what this was like

960
00:49:34.960 --> 00:49:37.679
<v Speaker 1>in the nineties. I don't remember finding any of it boring.

961
00:49:37.840 --> 00:49:40.000
<v Speaker 1>And I don't necessarily now, but this is not what

962
00:49:40.039 --> 00:49:43.360
<v Speaker 1>a Mission Impossible movie would be paced like in twenty

963
00:49:43.400 --> 00:49:44.079
<v Speaker 1>twenty five.

964
00:49:44.199 --> 00:49:47.199
<v Speaker 2>Right, So I can appreciate that it's a little different.

965
00:49:47.440 --> 00:49:51.800
<v Speaker 2>You know. I think anybody who's going in expecting to

966
00:49:51.800 --> 00:49:56.800
<v Speaker 2>see Tom Cruise, you know, defying death, might be disappointed.

967
00:49:59.400 --> 00:50:02.760
<v Speaker 2>But I find it charming because of what it led

968
00:50:02.800 --> 00:50:08.880
<v Speaker 2>to totally. You know, I think I think this character

969
00:50:09.000 --> 00:50:12.079
<v Speaker 2>Max could have been very boring, but you cast somebody

970
00:50:12.079 --> 00:50:14.880
<v Speaker 2>like Vanessa Redgrave and she brings kind of this unique energy,

971
00:50:14.960 --> 00:50:15.159
<v Speaker 2>you know.

972
00:50:16.639 --> 00:50:19.599
<v Speaker 1>Yeah, I was read that it was a written for

973
00:50:19.639 --> 00:50:22.840
<v Speaker 1>a man. Yeah, and I'm glad that they did what

974
00:50:22.840 --> 00:50:25.400
<v Speaker 1>they did, because, yeah, she has this really interesting energy.

975
00:50:25.519 --> 00:50:29.400
<v Speaker 1>She's got this real sort of sexual, flirty energy, which

976
00:50:29.440 --> 00:50:33.880
<v Speaker 1>is fun. You know, She's just constantly flirting with She's

977
00:50:33.920 --> 00:50:36.239
<v Speaker 1>like in control and flirting with Cruise, and that's just

978
00:50:36.320 --> 00:50:37.119
<v Speaker 1>kind of fun to watch.

979
00:50:38.280 --> 00:50:41.840
<v Speaker 2>And she's the she's the mother of the Vanessa Kirby character.

980
00:50:42.440 --> 00:50:44.639
<v Speaker 1>Right, Oh that's right, I forgot about it. Just pretty

981
00:50:44.639 --> 00:50:48.039
<v Speaker 1>cool connection. I love this. By the way, again, this

982
00:50:48.119 --> 00:50:51.000
<v Speaker 1>is so sort of old fashioned or something, but it's

983
00:50:51.039 --> 00:50:53.719
<v Speaker 1>just so effective. The tension of this, you know, is

984
00:50:53.760 --> 00:50:56.239
<v Speaker 1>this does this thing have a tracker in it, you know,

985
00:50:56.320 --> 00:50:59.039
<v Speaker 1>and reading heat signatures. And then we're seeing you know,

986
00:50:59.079 --> 00:51:01.400
<v Speaker 1>he's like you got two minutes and nobody knows if

987
00:51:01.400 --> 00:51:03.559
<v Speaker 1>that's true or not. And then we're seeing these people.

988
00:51:04.039 --> 00:51:07.199
<v Speaker 1>It's kind of like this really sinister looking group of

989
00:51:07.199 --> 00:51:10.800
<v Speaker 1>people in these like plastic raincades. It's like, good, what

990
00:51:10.840 --> 00:51:15.320
<v Speaker 1>are they gonna do? You know, coming in suits in

991
00:51:15.360 --> 00:51:18.440
<v Speaker 1>plastic rain white plastic raincoats. It makes me think of

992
00:51:18.480 --> 00:51:21.119
<v Speaker 1>like American Psycho or something like that, that he's about

993
00:51:21.159 --> 00:51:24.880
<v Speaker 1>to go down. But yeah, the tension of that, like

994
00:51:25.079 --> 00:51:26.960
<v Speaker 1>can we believe them or not? And then we realize, oh,

995
00:51:27.079 --> 00:51:29.039
<v Speaker 1>they are closing in. Is she going to believe them

996
00:51:29.119 --> 00:51:31.800
<v Speaker 1>so they can get out of there? See? I I

997
00:51:31.840 --> 00:51:32.320
<v Speaker 1>think this.

998
00:51:32.679 --> 00:51:37.039
<v Speaker 2>So what what I wasn't crazy about with both this

999
00:51:37.159 --> 00:51:42.199
<v Speaker 2>movie and the second one is that it it was

1000
00:51:42.360 --> 00:51:46.159
<v Speaker 2>it was like the Tom Cruise Show. Uh huh? And

1001
00:51:46.440 --> 00:51:49.559
<v Speaker 2>what what I I didn't like that there wasn't really

1002
00:51:49.559 --> 00:51:54.760
<v Speaker 2>a team dynamic, right, Yes, it's it's that's less apparent

1003
00:51:54.800 --> 00:51:56.719
<v Speaker 2>in this It was certainly the case in the second one.

1004
00:51:57.639 --> 00:51:59.960
<v Speaker 1>Yeah, yeah, which, like you, I think I've only seen

1005
00:52:00.159 --> 00:52:03.280
<v Speaker 1>twice so I remember, Yeah, big moments more than the

1006
00:52:03.360 --> 00:52:04.159
<v Speaker 1>story itself.

1007
00:52:04.239 --> 00:52:05.960
<v Speaker 2>But I watched it in the theater when it came

1008
00:52:05.960 --> 00:52:08.880
<v Speaker 2>out back in back in Uh was it two thousand

1009
00:52:08.880 --> 00:52:11.719
<v Speaker 2>and one or two? I think it's two thousand. It's

1010
00:52:11.760 --> 00:52:13.960
<v Speaker 2>two thousand, okay. And then I watched it again a

1011
00:52:13.960 --> 00:52:15.599
<v Speaker 2>couple of years ago, and literally my kids are like, oh,

1012
00:52:15.679 --> 00:52:17.360
<v Speaker 2>let's go through all the mintion ipossbles. Not the second

1013
00:52:17.360 --> 00:52:20.760
<v Speaker 2>one though, that was Oh wow, that's there on their own.

1014
00:52:21.199 --> 00:52:22.960
<v Speaker 2>I'm like, there's no argument for me.

1015
00:52:23.480 --> 00:52:25.440
<v Speaker 1>See, I know what how I would describe it. I'm

1016
00:52:25.480 --> 00:52:28.480
<v Speaker 1>curious what your kids would how they would describe why

1017
00:52:28.519 --> 00:52:29.199
<v Speaker 1>they don't like it.

1018
00:52:33.119 --> 00:52:36.320
<v Speaker 2>I I well, all the yeah, all all the the

1019
00:52:36.559 --> 00:52:39.960
<v Speaker 2>the sort of garish turn of the century excess that

1020
00:52:40.000 --> 00:52:44.119
<v Speaker 2>typified action cinema at that moment is just like boiled

1021
00:52:44.119 --> 00:52:46.599
<v Speaker 2>into that movie. It's it's like the the Schmutz that

1022
00:52:46.639 --> 00:52:50.199
<v Speaker 2>you put in your drain to catch everything, you know,

1023
00:52:50.480 --> 00:52:53.400
<v Speaker 2>like the everything in your sinc just ends up there.

1024
00:52:53.440 --> 00:52:56.199
<v Speaker 2>That's a mission impossible too, in terms of like action

1025
00:52:56.440 --> 00:52:57.960
<v Speaker 2>movie cliches, you know.

1026
00:52:58.119 --> 00:53:00.159
<v Speaker 1>Yeah, yeah, it's like heavy on a Durst screen in

1027
00:53:00.199 --> 00:53:01.360
<v Speaker 1>your face for two hours.

1028
00:53:01.679 --> 00:53:04.320
<v Speaker 2>You got your Fred Durst screaming, you got your Hans

1029
00:53:04.400 --> 00:53:07.960
<v Speaker 2>zimmer phoning, you got your you got your doves, because

1030
00:53:08.039 --> 00:53:11.239
<v Speaker 2>why the hell not flying at your head? You know,

1031
00:53:11.360 --> 00:53:13.920
<v Speaker 2>you got Tom Cruise hanging from a mountain for whatever reason,

1032
00:53:13.960 --> 00:53:14.159
<v Speaker 2>you know.

1033
00:53:14.199 --> 00:53:14.760
<v Speaker 1>And it's just.

1034
00:53:16.199 --> 00:53:19.440
<v Speaker 2>And again, I think that movie was very successful when

1035
00:53:19.440 --> 00:53:21.360
<v Speaker 2>it came out. Yeah, oh, I mean it was of

1036
00:53:21.400 --> 00:53:23.760
<v Speaker 2>its moment, and the moment was grateful.

1037
00:53:24.519 --> 00:53:25.639
<v Speaker 1>Right, right.

1038
00:53:25.840 --> 00:53:28.000
<v Speaker 2>And the ironic thing is that the third one was

1039
00:53:28.159 --> 00:53:30.519
<v Speaker 2>not as successful, and so there was a little bit

1040
00:53:30.519 --> 00:53:33.280
<v Speaker 2>of like, oh, it's the franchise dead right, right, and

1041
00:53:33.280 --> 00:53:36.719
<v Speaker 2>and yet and yet Tom Cruise and company they took

1042
00:53:36.760 --> 00:53:38.840
<v Speaker 2>their lesson from.

1043
00:53:40.280 --> 00:53:41.760
<v Speaker 1>From the the.

1044
00:53:41.480 --> 00:53:43.599
<v Speaker 2>Third one in terms of what we want to keep doing.

1045
00:53:44.119 --> 00:53:44.239
<v Speaker 1>Hm.

1046
00:53:44.760 --> 00:53:50.039
<v Speaker 2>So in my opinion, four, five and six is like

1047
00:53:50.119 --> 00:53:51.239
<v Speaker 2>peak mission impossible.

1048
00:53:52.480 --> 00:53:54.480
<v Speaker 1>Yeah, I agree with that. Like that trilogy.

1049
00:53:54.519 --> 00:53:56.880
<v Speaker 2>If I were to say the three to watch, it's

1050
00:53:57.000 --> 00:54:01.079
<v Speaker 2>it's Ghost Protocol, Rogue Nation, Fallout one hund percent, right,

1051
00:54:01.360 --> 00:54:05.960
<v Speaker 2>and and you don't get those three without everything that

1052
00:54:06.079 --> 00:54:10.079
<v Speaker 2>you figure out from the previous three. Yeah, sure, so

1053
00:54:11.320 --> 00:54:14.480
<v Speaker 2>you know that that's how we get here, you know, yep? Yeah,

1054
00:54:14.480 --> 00:54:15.239
<v Speaker 2>But yeah, three.

1055
00:54:15.079 --> 00:54:18.840
<v Speaker 1>Turned Ethan into a little bit more three dimensional of

1056
00:54:18.880 --> 00:54:19.360
<v Speaker 1>a person.

1057
00:54:19.840 --> 00:54:23.199
<v Speaker 2>Yeah right, Well that's kind of the thing, right because Yeah,

1058
00:54:23.280 --> 00:54:28.199
<v Speaker 2>because because you know, if you watch the television show me, you.

1059
00:54:28.159 --> 00:54:31.039
<v Speaker 1>Don't know anything about the characters, right other than their

1060
00:54:31.400 --> 00:54:32.800
<v Speaker 1>their role in the in.

1061
00:54:32.760 --> 00:54:36.519
<v Speaker 2>The gang, you know, right, And you realize you can't

1062
00:54:36.519 --> 00:54:40.719
<v Speaker 2>really do that in movies and and this one other

1063
00:54:40.840 --> 00:54:44.840
<v Speaker 2>than Ethan having a mom and an uncle who are poor.

1064
00:54:45.760 --> 00:54:48.119
<v Speaker 1>Yeah, which I'd kind of forgotten about. Yeah, we do

1065
00:54:48.159 --> 00:54:52.239
<v Speaker 1>get a little glimpse in Home Life, a very little glimpse.

1066
00:54:52.440 --> 00:54:55.039
<v Speaker 2>Yeah, but we don't know anything about him in the

1067
00:54:55.039 --> 00:54:57.679
<v Speaker 2>second one other than he's got just a you know,

1068
00:54:57.760 --> 00:54:59.440
<v Speaker 2>a luxurious mop of hair.

1069
00:55:01.800 --> 00:55:03.800
<v Speaker 1>That flips.

1070
00:55:03.840 --> 00:55:09.800
<v Speaker 2>It is funny to follow his hair trajectory in these movies.

1071
00:55:10.920 --> 00:55:13.360
<v Speaker 1>Yeah, you know, I we haven't as of the recording,

1072
00:55:13.400 --> 00:55:15.880
<v Speaker 1>we haven't seen the final Reckoning yet, but I was

1073
00:55:15.920 --> 00:55:22.800
<v Speaker 1>a little surprised at how scraggly it looks. I mean,

1074
00:55:22.840 --> 00:55:29.079
<v Speaker 1>I'd take it, but being Raims completely looks like Marcel's

1075
00:55:29.079 --> 00:55:32.079
<v Speaker 1>Wallace right here, doesn't he? Right? That little uh what

1076
00:55:32.079 --> 00:55:32.599
<v Speaker 1>do you call that?

1077
00:55:32.639 --> 00:55:36.320
<v Speaker 2>The what's that funny expression for the little blow the

1078
00:55:36.360 --> 00:55:38.119
<v Speaker 2>lip hair? Oh?

1079
00:55:38.199 --> 00:55:40.039
<v Speaker 1>The yeah, what is that called? Yeah, it's got a

1080
00:55:40.039 --> 00:55:42.239
<v Speaker 1>funny name. I can't think of right now. Oh shoot, yeah,

1081
00:55:42.360 --> 00:55:45.960
<v Speaker 1>isn't that funny, wow, because nobody has them anymore. People

1082
00:55:46.000 --> 00:55:48.719
<v Speaker 1>don't so Patch, well, well so Patch, but there's something

1083
00:55:48.800 --> 00:55:53.039
<v Speaker 1>else esque. Yeah right, but like those those big wrap

1084
00:55:53.079 --> 00:55:56.760
<v Speaker 1>around sunglasses, the turtle neck and the suit. He's a

1085
00:55:57.119 --> 00:55:59.960
<v Speaker 1>well and this is what two years after pulp fiction

1086
00:56:00.079 --> 00:56:01.800
<v Speaker 1>and so help fiction is ninety four? Right, yeah?

1087
00:56:01.960 --> 00:56:04.800
<v Speaker 2>Yeah, So ving Raiams was kind of kind of having

1088
00:56:04.800 --> 00:56:10.440
<v Speaker 2>a moment here. I think I think he's you can't

1089
00:56:10.519 --> 00:56:13.760
<v Speaker 2>you know, you can't imagine him not being in these movies.

1090
00:56:14.719 --> 00:56:18.639
<v Speaker 2>Oh yeah, yeah, right, Like that's the that's the fun

1091
00:56:18.679 --> 00:56:21.920
<v Speaker 2>of it here, because because Luther is you know, he's

1092
00:56:21.960 --> 00:56:23.119
<v Speaker 2>an important part of this film.

1093
00:56:23.119 --> 00:56:25.079
<v Speaker 1>But if he had he not come back, we.

1094
00:56:25.079 --> 00:56:27.360
<v Speaker 2>Would have just gotten on with our lives, right, sure,

1095
00:56:28.000 --> 00:56:30.599
<v Speaker 2>but eight movies deep you're like, no, no, Luther is

1096
00:56:30.639 --> 00:56:32.320
<v Speaker 2>the heart and soul of this whole operation.

1097
00:56:33.320 --> 00:56:35.239
<v Speaker 1>Yeah. Well, and I thought I had read somewhere I

1098
00:56:35.239 --> 00:56:37.840
<v Speaker 1>couldn't find it in my recent research, but that they

1099
00:56:37.880 --> 00:56:43.599
<v Speaker 1>were going to possibly kill him off, and he was like, nope.

1100
00:56:42.760 --> 00:56:45.079
<v Speaker 2>Yeah for it. I think that was for a fallout

1101
00:56:45.159 --> 00:56:45.760
<v Speaker 2>if I recall.

1102
00:56:45.920 --> 00:56:49.079
<v Speaker 1>Oh, okay, so it was later, but yeah, but yes, smart,

1103
00:56:49.079 --> 00:56:50.599
<v Speaker 1>as long as they're going to keep making these things

1104
00:56:50.719 --> 00:56:54.280
<v Speaker 1>be like, insist you be in them. Yeah, but I

1105
00:56:54.320 --> 00:56:57.159
<v Speaker 1>also did read that the reason they went with him

1106
00:56:57.239 --> 00:57:00.000
<v Speaker 1>is because it felt against type for a computer hack,

1107
00:57:00.159 --> 00:57:02.800
<v Speaker 1>because typically you think of like Seth Green or something

1108
00:57:03.400 --> 00:57:07.400
<v Speaker 1>kind of like a geeky kid, you know, making like

1109
00:57:08.280 --> 00:57:11.880
<v Speaker 1>comic book references and everyone being like come on right,

1110
00:57:12.000 --> 00:57:15.239
<v Speaker 1>you know, like Dink or whatever his funny name would be.

1111
00:57:15.280 --> 00:57:17.599
<v Speaker 1>You know, like he's like, I'm more as fast as

1112
00:57:17.639 --> 00:57:20.599
<v Speaker 1>I can clink come clink on his laptop. This feels

1113
00:57:20.599 --> 00:57:24.440
<v Speaker 1>like such a different type of hacker, but it totally works,

1114
00:57:24.440 --> 00:57:26.440
<v Speaker 1>and I love it. I can't remember which movie it is, Oh,

1115
00:57:26.480 --> 00:57:29.800
<v Speaker 1>this is the one where he says my conditions are

1116
00:57:29.920 --> 00:57:32.960
<v Speaker 1>I get to keep my equipment, which I love. You know.

1117
00:57:33.000 --> 00:57:37.800
<v Speaker 1>It's like, yeah, he's a type geek. That makes sense. Yeah,

1118
00:57:38.079 --> 00:57:39.679
<v Speaker 1>but he does feel like he could be the muscle

1119
00:57:39.719 --> 00:57:42.320
<v Speaker 1>also if you needed him too, but he rarely is.

1120
00:57:43.760 --> 00:57:46.679
<v Speaker 2>Yeah. Well, and I think well, first of all, the

1121
00:57:46.679 --> 00:57:50.360
<v Speaker 2>thought I had later during this upcoming Seegerther, I was like, wow,

1122
00:57:50.440 --> 00:57:51.760
<v Speaker 2>is he the first man in the chair?

1123
00:57:53.960 --> 00:57:54.199
<v Speaker 1>Right?

1124
00:57:54.880 --> 00:57:55.079
<v Speaker 2>Yeah?

1125
00:57:55.119 --> 00:57:55.840
<v Speaker 1>That's good? Yeah?

1126
00:57:55.960 --> 00:57:58.320
<v Speaker 2>Is that his like a little asterisk in history?

1127
00:57:58.360 --> 00:57:59.840
<v Speaker 1>You know that's funny.

1128
00:58:00.639 --> 00:58:04.000
<v Speaker 2>But but you know, obviously Simon Peg comes in in

1129
00:58:04.039 --> 00:58:08.400
<v Speaker 2>the in the third one and you realize, like, like

1130
00:58:08.440 --> 00:58:11.119
<v Speaker 2>that that's what's missing. There's like a Simon Pegg sized

1131
00:58:11.159 --> 00:58:15.079
<v Speaker 2>hole in this movie. Yeah, yeah, kind of right, comic relief. Yeah,

1132
00:58:15.119 --> 00:58:18.880
<v Speaker 2>because like Ethan, Benji and Luther are like they're the

1133
00:58:19.159 --> 00:58:23.760
<v Speaker 2>the core three mm hmm, and and it's like, oh, hey,

1134
00:58:23.800 --> 00:58:25.119
<v Speaker 2>that's who we're waiting for, you know.

1135
00:58:25.840 --> 00:58:30.760
<v Speaker 1>Mm hmm. So now we're getting to the signature set

1136
00:58:30.800 --> 00:58:32.119
<v Speaker 1>piece of this film.

1137
00:58:31.920 --> 00:58:36.079
<v Speaker 2>Right, isn't that amazing? This? If anybody remembers anything from

1138
00:58:36.079 --> 00:58:39.239
<v Speaker 2>this movie, it's probably Tom Cruise dangling in this room, right,

1139
00:58:40.599 --> 00:58:43.559
<v Speaker 2>And I wash, Yeah, you don't know, please, I think

1140
00:58:43.599 --> 00:58:44.880
<v Speaker 2>we're gonna say the same thing. I mean it. It

1141
00:58:45.039 --> 00:58:47.079
<v Speaker 2>is absolutely gripping. I mean you lean forward in your

1142
00:58:47.119 --> 00:58:49.920
<v Speaker 2>seat with every with every that you hear.

1143
00:58:50.079 --> 00:58:53.519
<v Speaker 1>You know. I think this remains one of the top

1144
00:58:53.519 --> 00:58:56.800
<v Speaker 1>set pieces in the entire series. Yeah, I agree. Yeah,

1145
00:58:56.840 --> 00:59:00.480
<v Speaker 1>And I mean it was thrilling watch this in a

1146
00:59:00.559 --> 00:59:06.000
<v Speaker 1>theater again recently, and nobody was making a sound, you know,

1147
00:59:06.199 --> 00:59:09.239
<v Speaker 1>like everyone is like sort of respecting what's happening, holding

1148
00:59:09.280 --> 00:59:12.519
<v Speaker 1>their own breath. It's just so breathtaking.

1149
00:59:12.639 --> 00:59:14.800
<v Speaker 2>The sequence, it's it's well, I would think it's it's like,

1150
00:59:14.880 --> 00:59:18.119
<v Speaker 2>it's like the quiet place, nobody even wants to chew popcorn.

1151
00:59:17.679 --> 00:59:20.599
<v Speaker 1>Too exactly exactly, but I love this is one of

1152
00:59:20.639 --> 00:59:22.880
<v Speaker 1>my favorite things. I know, heist movies sometimes can get

1153
00:59:22.880 --> 00:59:25.559
<v Speaker 1>a bad rap from I'm gonna call them cynical people,

1154
00:59:26.039 --> 00:59:32.400
<v Speaker 1>But is there anything more fun than someone setting up

1155
00:59:32.440 --> 00:59:38.400
<v Speaker 1>the impossible stakes and us watching what they're describing and thinking, well,

1156
00:59:38.400 --> 00:59:40.639
<v Speaker 1>there's no way our hero can get the thing out

1157
00:59:40.679 --> 00:59:43.199
<v Speaker 1>of that, but we're about to watch them do it.

1158
00:59:44.440 --> 00:59:49.840
<v Speaker 1>You know, that's interesting. I love it. I I those

1159
00:59:49.840 --> 00:59:51.719
<v Speaker 1>are my favorite types of things.

1160
00:59:52.440 --> 00:59:56.599
<v Speaker 2>Yeah. And and here's here's the thing about about the

1161
00:59:56.639 --> 00:59:59.599
<v Speaker 2>sequence in that computer room. The logical part of you

1162
00:59:59.719 --> 01:00:01.599
<v Speaker 2>is like, why would there not be a camera in there?

1163
01:00:02.719 --> 01:00:04.880
<v Speaker 2>That happens to me a lot in films. Actually, yes,

1164
01:00:06.320 --> 01:00:10.719
<v Speaker 2>and you roll with it. Yeah, yeah, but I think

1165
01:00:10.760 --> 01:00:12.239
<v Speaker 2>the genius you don't think about it.

1166
01:00:12.559 --> 01:00:17.280
<v Speaker 1>No, No, in actuality, it's like, well, this this room

1167
01:00:17.360 --> 01:00:19.679
<v Speaker 1>has every precaution known to man, and you don't put

1168
01:00:19.679 --> 01:00:22.199
<v Speaker 1>a camera in there, but you will allow what's in

1169
01:00:22.280 --> 01:00:26.119
<v Speaker 1>there to be a mystery. Right. Yeah, that's well. I

1170
01:00:26.559 --> 01:00:29.239
<v Speaker 1>thought that a lot during severance because there's a lot

1171
01:00:29.360 --> 01:00:32.639
<v Speaker 1>you know, Oh sure, it's so important what these people

1172
01:00:32.639 --> 01:00:34.800
<v Speaker 1>are doing in there, and they have all this technology,

1173
01:00:35.480 --> 01:00:37.760
<v Speaker 1>but yet they're able to go to so many rooms

1174
01:00:37.760 --> 01:00:39.840
<v Speaker 1>and have these secret convos. And I'm like, really, there's

1175
01:00:39.840 --> 01:00:45.400
<v Speaker 1>no cameras anywhere in this mysterious but yeah, but I

1176
01:00:45.440 --> 01:00:48.679
<v Speaker 1>love it. It's like, oh, it's you know, temperature controlled

1177
01:00:48.679 --> 01:00:50.679
<v Speaker 1>and you can't touch the floor, and like just all

1178
01:00:50.800 --> 01:00:53.719
<v Speaker 1>the things are going to make this difficult. It's just

1179
01:00:53.880 --> 01:00:55.519
<v Speaker 1>it's so fun. It's like, all right, well, let's see

1180
01:00:55.519 --> 01:00:56.039
<v Speaker 1>how he does it.

1181
01:00:56.440 --> 01:01:01.039
<v Speaker 2>Yeah, oh and it becomes yeah, sorry quick. I looked

1182
01:01:01.119 --> 01:01:04.480
<v Speaker 2>up about about uh Luther and dying in this movie,

1183
01:01:04.480 --> 01:01:07.840
<v Speaker 2>and apparently this is according to Ving Raams, Luther was

1184
01:01:07.840 --> 01:01:10.119
<v Speaker 2>supposed to be part of the im force that dies

1185
01:01:10.159 --> 01:01:13.639
<v Speaker 2>in the beginning of the movie. Uh so fifteen minutes

1186
01:01:13.679 --> 01:01:16.880
<v Speaker 2>he would have been croaked, okay, And and he was.

1187
01:01:16.880 --> 01:01:19.119
<v Speaker 1>Like, why are you kill the only black man?

1188
01:01:19.599 --> 01:01:22.440
<v Speaker 2>Ah? There you go, and and and kudos to him

1189
01:01:22.480 --> 01:01:24.239
<v Speaker 2>for saying that, because guess what he got like a

1190
01:01:24.280 --> 01:01:25.360
<v Speaker 2>thirty year career.

1191
01:01:25.960 --> 01:01:32.599
<v Speaker 1>Yeah yeah, and spokesperson for Arby's. So he has an

1192
01:01:32.599 --> 01:01:34.039
<v Speaker 1>extra place in my heart.

1193
01:01:34.400 --> 01:01:38.199
<v Speaker 2>There you go. Remember he was in that Kojak reboot

1194
01:01:38.239 --> 01:01:40.679
<v Speaker 2>that they did remember that oh.

1195
01:01:40.480 --> 01:01:42.719
<v Speaker 1>You saying it is the only thing that makes me

1196
01:01:42.800 --> 01:01:45.719
<v Speaker 1>remember it kind I don't mean as an insult, I

1197
01:01:45.800 --> 01:01:49.000
<v Speaker 1>just I can't even way. Yeah, I remember it happening,

1198
01:01:49.039 --> 01:01:54.119
<v Speaker 1>but it obviously didn't make an impression on me. This

1199
01:01:54.199 --> 01:01:58.159
<v Speaker 1>poor guy, this guy. Could you have cast a better person, just.

1200
01:01:58.079 --> 01:01:59.039
<v Speaker 2>A poor schmuck?

1201
01:01:59.719 --> 01:02:02.239
<v Speaker 1>Yeah, you know, but it really does kind of shine

1202
01:02:02.280 --> 01:02:06.199
<v Speaker 1>a light on casting because he doesn't say barely anything.

1203
01:02:06.800 --> 01:02:11.079
<v Speaker 1>But I remember him from this sequence. I remember his face,

1204
01:02:11.119 --> 01:02:13.840
<v Speaker 1>I remember his expressions, and he's not even doing anything big,

1205
01:02:13.840 --> 01:02:17.960
<v Speaker 1>but he's the perfect sad, sort of patsy figure, you

1206
01:02:18.000 --> 01:02:18.360
<v Speaker 1>know for this.

1207
01:02:18.760 --> 01:02:21.519
<v Speaker 2>You know what's funny is one thing by the So

1208
01:02:21.840 --> 01:02:23.880
<v Speaker 2>there's the knife, so that we see Ethan actually see

1209
01:02:23.880 --> 01:02:26.880
<v Speaker 2>the knife. I remember that kick where Ethan kicks the

1210
01:02:27.320 --> 01:02:30.639
<v Speaker 2>cop backwards that was in all the trailers to make

1211
01:02:30.679 --> 01:02:33.400
<v Speaker 2>you think this was just an action extravaganza, you know,

1212
01:02:33.800 --> 01:02:36.599
<v Speaker 2>oh oh right, yeah, And it's like, boy, if you're

1213
01:02:36.639 --> 01:02:40.079
<v Speaker 2>going in expecting just just a bunch of backwards kicking,

1214
01:02:41.639 --> 01:02:45.079
<v Speaker 2>you gotta wait four years for the next movie. That's

1215
01:02:45.119 --> 01:02:47.719
<v Speaker 2>really it. But no, no, when I see this guy.

1216
01:02:47.920 --> 01:02:50.719
<v Speaker 2>William Dumlow is the character's name, and he's having a

1217
01:02:50.800 --> 01:02:53.679
<v Speaker 2>run back across because I'm assuming he's got diarrhea.

1218
01:02:53.920 --> 01:02:54.840
<v Speaker 1>Yeah yeah, And.

1219
01:02:54.800 --> 01:02:56.280
<v Speaker 2>You know, this is where my brain goes. I'm like,

1220
01:02:56.320 --> 01:02:59.039
<v Speaker 2>is there anything worse than having diarrhea when you're wearing

1221
01:02:59.119 --> 01:03:00.280
<v Speaker 2>like a nice suit.

1222
01:03:00.480 --> 01:03:02.159
<v Speaker 1>Dude, and at work? Right?

1223
01:03:02.679 --> 01:03:04.719
<v Speaker 2>Yeah?

1224
01:03:05.119 --> 01:03:07.159
<v Speaker 1>Yeah, no, seriously, that's what I think about it.

1225
01:03:07.159 --> 01:03:09.840
<v Speaker 2>I'm like, I'm like, there's like levels of badness, and

1226
01:03:09.920 --> 01:03:13.239
<v Speaker 2>I think diarrhea at work while wearing nice suit that's

1227
01:03:13.320 --> 01:03:16.559
<v Speaker 2>like pretty high on the list of things Zaki does

1228
01:03:16.559 --> 01:03:19.719
<v Speaker 2>not want to experience. Dude, that's yeah.

1229
01:03:20.159 --> 01:03:23.239
<v Speaker 1>Yeah, but you know he could be like I don't know,

1230
01:03:23.280 --> 01:03:27.679
<v Speaker 1>I'm just impressed with where they landed with this guy,

1231
01:03:27.719 --> 01:03:29.719
<v Speaker 1>because he could be a sort of pathetic too.

1232
01:03:29.559 --> 01:03:32.880
<v Speaker 2>Like oh my tummy or something, you know, like running across.

1233
01:03:32.880 --> 01:03:35.239
<v Speaker 2>He could be the guy from from No Holds Barred

1234
01:03:35.239 --> 01:03:39.000
<v Speaker 2>where he's like dukie exactly, Like he.

1235
01:03:38.960 --> 01:03:41.480
<v Speaker 1>Could be pathetic, but instead we're just like all this

1236
01:03:41.639 --> 01:03:44.400
<v Speaker 1>poor guy. You know, that's the.

1237
01:03:44.400 --> 01:03:48.280
<v Speaker 2>Real reason to hate Claire, to be honest, she's just

1238
01:03:48.280 --> 01:03:50.760
<v Speaker 2>a villain everything. But she she gave my man the runs.

1239
01:03:51.119 --> 01:03:52.760
<v Speaker 2>I know, come on, that ain't right.

1240
01:03:53.440 --> 01:03:56.039
<v Speaker 1>But then yeah, this is like that low fi spycraft, right,

1241
01:03:56.079 --> 01:03:59.039
<v Speaker 1>like putting like a little felt tracker on his suits,

1242
01:03:59.079 --> 01:04:03.360
<v Speaker 1>and she's got the pin that squirts the whatever the

1243
01:04:03.519 --> 01:04:06.039
<v Speaker 1>x lax in his drink or whatever, you know. Like

1244
01:04:06.119 --> 01:04:09.000
<v Speaker 1>I you're right when you bring up the kick and

1245
01:04:09.079 --> 01:04:10.960
<v Speaker 1>it being misleading in the trailers. I guess when I

1246
01:04:10.960 --> 01:04:13.679
<v Speaker 1>think of this movie, I do think of it as like, yeah,

1247
01:04:13.840 --> 01:04:16.079
<v Speaker 1>action film or whatever it is, but it really isn't.

1248
01:04:16.360 --> 01:04:20.920
<v Speaker 1>It's not. Yeah, it's kind of a thriller, you know,

1249
01:04:21.079 --> 01:04:22.519
<v Speaker 1>like a low key thriller.

1250
01:04:22.559 --> 01:04:25.119
<v Speaker 2>Even now, I will say this movie, along with the

1251
01:04:25.119 --> 01:04:28.960
<v Speaker 2>original Diehard, gave me a vastly distorted view of how

1252
01:04:29.000 --> 01:04:34.039
<v Speaker 2>big air ducts are and how clean they must be exactly.

1253
01:04:34.360 --> 01:04:37.000
<v Speaker 1>Yeah, dude, this thing is awesome. By the way that

1254
01:04:37.079 --> 01:04:43.280
<v Speaker 1>he lowers to redirect the laser security system, I love

1255
01:04:43.280 --> 01:04:46.000
<v Speaker 1>he just drops it down and immediately it redirects him

1256
01:04:46.000 --> 01:04:48.679
<v Speaker 1>into one solid beam that he can avoid. That's very cool.

1257
01:04:48.760 --> 01:04:53.400
<v Speaker 2>Yep. Well, and that little dudead that takes the screws out,

1258
01:04:53.400 --> 01:04:54.119
<v Speaker 2>I love that too.

1259
01:04:54.559 --> 01:04:56.920
<v Speaker 1>Yeah, you know, that feels like something in this day

1260
01:04:56.920 --> 01:04:59.000
<v Speaker 1>and age you could possibly buy. I would like to

1261
01:04:59.039 --> 01:05:02.760
<v Speaker 1>have one of those. Yeah, But here's what I'm talking about,

1262
01:05:02.760 --> 01:05:06.320
<v Speaker 1>where it's just all the different you know, you can't

1263
01:05:06.320 --> 01:05:08.480
<v Speaker 1>make a sound above this decibel and you can't do

1264
01:05:09.320 --> 01:05:11.039
<v Speaker 1>stuff like that. I just eat up. I mean it,

1265
01:05:11.440 --> 01:05:16.239
<v Speaker 1>and it is. It's not super crazy futuristic stuff that

1266
01:05:16.239 --> 01:05:18.239
<v Speaker 1>we're dealing with here. It's like, no, literally, just don't

1267
01:05:18.239 --> 01:05:22.639
<v Speaker 1>make a sound, don't touch the ground. And it reminds

1268
01:05:22.679 --> 01:05:27.000
<v Speaker 1>me of sneakers, you know, where it's Robert Redford has

1269
01:05:27.039 --> 01:05:30.519
<v Speaker 1>to get that box off of a desk. But it's like, look, yeah,

1270
01:05:30.679 --> 01:05:33.039
<v Speaker 1>oh yeah. The room has to be a certain temperature,

1271
01:05:33.079 --> 01:05:35.280
<v Speaker 1>so you can't get hotter or colder than this, and

1272
01:05:35.320 --> 01:05:40.159
<v Speaker 1>you can't move, you know, above a really slow stride

1273
01:05:40.159 --> 01:05:43.800
<v Speaker 1>across the room, and yet everybody is coming after you,

1274
01:05:43.880 --> 01:05:47.400
<v Speaker 1>So do that as quickly, move as slowly as possible,

1275
01:05:47.400 --> 01:05:50.760
<v Speaker 1>as quickly as possible, you know. And it's so low fi,

1276
01:05:50.960 --> 01:05:54.159
<v Speaker 1>but it is gripping, you know. Yeah.

1277
01:05:54.199 --> 01:05:58.119
<v Speaker 2>I think this entire sequence here is really a masterpiece

1278
01:05:58.119 --> 01:06:01.800
<v Speaker 2>of sound design. Yes, right, And when you think about it, right,

1279
01:06:01.880 --> 01:06:04.760
<v Speaker 2>the instinct might have been on the part of Danny

1280
01:06:04.760 --> 01:06:09.639
<v Speaker 2>Elfman to give some kind of ominous underscore, Yeah, but

1281
01:06:09.719 --> 01:06:12.199
<v Speaker 2>I think it works so much better because it's completely

1282
01:06:12.639 --> 01:06:13.519
<v Speaker 2>music free, you know.

1283
01:06:13.679 --> 01:06:16.079
<v Speaker 1>Yeah, it's sort of like a dun dun, duh, huh

1284
01:06:16.159 --> 01:06:17.840
<v Speaker 1>kind of a thing. But yeah, you know we're hearing

1285
01:06:17.880 --> 01:06:21.840
<v Speaker 1>the rope yeap going through the pulley. You know, we

1286
01:06:21.880 --> 01:06:25.320
<v Speaker 1>hear breaths straining to be held.

1287
01:06:26.159 --> 01:06:26.960
<v Speaker 2>It's so good.

1288
01:06:27.800 --> 01:06:31.239
<v Speaker 1>But I think, well, we're talking about this living on

1289
01:06:32.000 --> 01:06:34.360
<v Speaker 1>I mean, just the iconography of this room. It's very

1290
01:06:34.400 --> 01:06:37.000
<v Speaker 1>like two thousand and one, you know, like the lights,

1291
01:06:37.440 --> 01:06:40.760
<v Speaker 1>white light, lit up floor or whatever. But it's just

1292
01:06:40.920 --> 01:06:43.039
<v Speaker 1>so memorable. And I feel like there was a cable

1293
01:06:43.079 --> 01:06:47.079
<v Speaker 1>company I don't remember which one that even had like

1294
01:06:47.119 --> 01:06:49.000
<v Speaker 1>a recreation of this on the side of their van.

1295
01:06:49.079 --> 01:06:51.639
<v Speaker 1>And it's like, isn't that funny just to oh, that's

1296
01:06:51.719 --> 01:06:56.159
<v Speaker 1>random called it such a specific scene. Just wow, everyone remembers.

1297
01:06:56.280 --> 01:07:00.880
<v Speaker 1>But it's worth noting that this is uh heavily inspired

1298
01:07:01.159 --> 01:07:05.119
<v Speaker 1>by a sequence in the movie Top Copy. Okay, have

1299
01:07:05.199 --> 01:07:07.840
<v Speaker 1>you heard of that. I've heard of it, Yeah, I hadn't.

1300
01:07:07.920 --> 01:07:10.800
<v Speaker 1>I So I was just reading about this film, and

1301
01:07:10.880 --> 01:07:13.559
<v Speaker 1>so I watched the scene on YouTube and it is

1302
01:07:13.639 --> 01:07:18.599
<v Speaker 1>this scene like a sweaty guy struggling with a pulley system,

1303
01:07:18.760 --> 01:07:22.159
<v Speaker 1>lowering a person who has to be deadly quiet, having

1304
01:07:22.199 --> 01:07:24.639
<v Speaker 1>to pull something, you know, out of a museum. So

1305
01:07:24.679 --> 01:07:28.000
<v Speaker 1>I mean, it's literally an homage to that sequence, but

1306
01:07:28.079 --> 01:07:29.119
<v Speaker 1>it's uh.

1307
01:07:28.840 --> 01:07:31.840
<v Speaker 2>Yeah, I mean that that's from the sixties, I think, right, yeah, yeah,

1308
01:07:32.760 --> 01:07:35.440
<v Speaker 2>but Peter Ustinov.

1309
01:07:36.760 --> 01:07:38.880
<v Speaker 1>Was, yeah, it's very good. But this, I mean, this

1310
01:07:39.000 --> 01:07:40.719
<v Speaker 1>is just taking that and running with it. I mean,

1311
01:07:40.760 --> 01:07:44.719
<v Speaker 1>what incredible is this shot from above with our hero

1312
01:07:44.920 --> 01:07:48.840
<v Speaker 1>in frame being quiet, quiet, swinging over the guy we

1313
01:07:48.920 --> 01:07:50.800
<v Speaker 1>don't want to see him? Well?

1314
01:07:50.800 --> 01:07:54.400
<v Speaker 2>And I love that, Like you say, like, how can

1315
01:07:54.440 --> 01:07:55.599
<v Speaker 2>he not see him? And it's like, okay, but why

1316
01:07:55.639 --> 01:07:57.599
<v Speaker 2>would he look up? Like why would it?

1317
01:07:58.079 --> 01:08:01.840
<v Speaker 1>Right? Yeah, it's like Shawshank right where he walks out

1318
01:08:02.039 --> 01:08:04.960
<v Speaker 1>of the prison wearing or no, he finishes his duties

1319
01:08:04.960 --> 01:08:08.519
<v Speaker 1>on his last night wearing those dress up shoes and

1320
01:08:08.559 --> 01:08:10.119
<v Speaker 1>you're like, well, how would they not notice? And then

1321
01:08:10.400 --> 01:08:12.400
<v Speaker 1>Freeman's like, yeah, but how often do you really look

1322
01:08:12.440 --> 01:08:16.000
<v Speaker 1>at I got shoes? Yeah exactly. Yeah. See, now that's

1323
01:08:16.039 --> 01:08:18.039
<v Speaker 1>DiPalma right there. I mean we get that split what

1324
01:08:18.079 --> 01:08:21.760
<v Speaker 1>do you call it, split diopter kind of thing. That's

1325
01:08:21.760 --> 01:08:24.039
<v Speaker 1>what you bring him in for that incredible shot of

1326
01:08:24.359 --> 01:08:28.600
<v Speaker 1>low angle of our sick person with crews also in

1327
01:08:28.680 --> 01:08:30.359
<v Speaker 1>focus way above him in the ceiling.

1328
01:08:31.199 --> 01:08:35.600
<v Speaker 2>Yeah, that kind of crazy specific tension that di Palma does.

1329
01:08:36.920 --> 01:08:37.199
<v Speaker 1>Stuff.

1330
01:08:37.239 --> 01:08:40.039
<v Speaker 2>By the way, he's barfing, so he doesn't necessarily have diarrhea.

1331
01:08:40.039 --> 01:08:42.760
<v Speaker 2>But I'm gonna say either way, whether it's coming out

1332
01:08:42.760 --> 01:08:45.199
<v Speaker 2>from that hole or the other hole, going to be

1333
01:08:45.239 --> 01:08:46.159
<v Speaker 2>doing that in a suit.

1334
01:08:46.760 --> 01:08:49.840
<v Speaker 1>Exactly, I'd love it's just not just the alone, but

1335
01:08:50.319 --> 01:08:53.800
<v Speaker 1>in a suit, it's just somehow makes up wherese he

1336
01:08:53.840 --> 01:08:56.520
<v Speaker 1>got like your top button his buttons.

1337
01:08:56.560 --> 01:09:00.239
<v Speaker 2>Yeah, it's a lot of discomfort. There's a lot of

1338
01:09:00.279 --> 01:09:02.520
<v Speaker 2>layers before you can just unleash, you know.

1339
01:09:02.760 --> 01:09:05.319
<v Speaker 1>Yeah, you're probably sweaty and cold at the same time.

1340
01:09:05.439 --> 01:09:07.199
<v Speaker 2>Now you gotta wear it the rest of the day.

1341
01:09:08.359 --> 01:09:09.439
<v Speaker 2>That's terrible, you know.

1342
01:09:09.640 --> 01:09:10.439
<v Speaker 1>Yeah. Yeah.

1343
01:09:10.479 --> 01:09:13.600
<v Speaker 2>So I remember this sequence being made fun of in

1344
01:09:13.760 --> 01:09:16.479
<v Speaker 2>a Leslie Nielsen movie and.

1345
01:09:16.680 --> 01:09:18.359
<v Speaker 1>I don't remember that, and I can't.

1346
01:09:18.479 --> 01:09:23.279
<v Speaker 2>I think it was the Spy Hard parody. I don't

1347
01:09:23.279 --> 01:09:26.720
<v Speaker 2>think it was Spy Hard wrongly accused, wrongfully accused, right,

1348
01:09:26.760 --> 01:09:29.119
<v Speaker 2>And I'm trying to see if I had the interest,

1349
01:09:29.159 --> 01:09:32.520
<v Speaker 2>I would look up. But I remember it's he's he's

1350
01:09:32.560 --> 01:09:34.520
<v Speaker 2>being lowered down than he does, like the thing with

1351
01:09:34.600 --> 01:09:37.640
<v Speaker 2>a yo yo, where he's doing all kinds of tricks.

1352
01:09:38.239 --> 01:09:40.479
<v Speaker 1>I don't know, I don't know. I remember that I

1353
01:09:40.520 --> 01:09:44.119
<v Speaker 1>remember that one because it had that Usual Suspects parody.

1354
01:09:44.279 --> 01:09:46.880
<v Speaker 2>Oh dude, that is one of the funniest things I've

1355
01:09:46.920 --> 01:09:49.560
<v Speaker 2>ever seen. Yeah, it cracks me up every single time.

1356
01:09:49.600 --> 01:09:51.079
<v Speaker 1>Man. You know, I wonder if it'd be worth, like,

1357
01:09:51.159 --> 01:09:53.159
<v Speaker 1>knowing what you're getting into, I wonder if it'd be

1358
01:09:53.199 --> 01:09:54.319
<v Speaker 1>worth going back to that and just.

1359
01:09:54.319 --> 01:09:57.640
<v Speaker 2>Well, So here's what I'll say, Leslie Nielsen did a

1360
01:09:57.680 --> 01:10:00.039
<v Speaker 2>lot of shit that if it wasn't naked gun, I

1361
01:10:00.039 --> 01:10:02.760
<v Speaker 2>would say, wrongfully accused is on the better end of that,

1362
01:10:02.840 --> 01:10:06.399
<v Speaker 2>the non naked gun spectrum. Okay, okay, So for whatever

1363
01:10:06.439 --> 01:10:10.640
<v Speaker 2>that's worth. Yeah. See, So this, this whole sequence what

1364
01:10:10.920 --> 01:10:14.159
<v Speaker 2>I was saying earlier, is like it kind of illustrates

1365
01:10:14.239 --> 01:10:19.560
<v Speaker 2>the genius of script construction, where it doesn't matter how

1366
01:10:20.159 --> 01:10:23.600
<v Speaker 2>preposterous this room is. Oh it's got a laser this,

1367
01:10:23.680 --> 01:10:26.079
<v Speaker 2>and it does that and all this stuff, right, if

1368
01:10:26.119 --> 01:10:28.720
<v Speaker 2>you just lay it out for the audience, say this

1369
01:10:28.840 --> 01:10:32.760
<v Speaker 2>is what is in there. Yeah, so it doesn't matter

1370
01:10:32.760 --> 01:10:34.760
<v Speaker 2>how science fiction it sounds. You just lay it out.

1371
01:10:34.760 --> 01:10:37.680
<v Speaker 2>This is what it is, and you are consistent with

1372
01:10:37.720 --> 01:10:40.199
<v Speaker 2>what your character has to get past.

1373
01:10:40.680 --> 01:10:41.279
<v Speaker 1>We'll go with it.

1374
01:10:41.560 --> 01:10:45.960
<v Speaker 2>Mm hm you know, yep, yep, agreed.

1375
01:10:48.000 --> 01:10:51.640
<v Speaker 1>This doesn't feel like for all the tools they have

1376
01:10:51.720 --> 01:10:54.880
<v Speaker 1>available to them, just having a guy like here hold me.

1377
01:10:56.479 --> 01:10:58.199
<v Speaker 1>It feels like, really, you don't have like some sort

1378
01:10:58.199 --> 01:11:00.560
<v Speaker 1>of suction them up or something you can like attached

1379
01:11:00.600 --> 01:11:01.800
<v Speaker 1>the rope to or come.

1380
01:11:01.640 --> 01:11:03.800
<v Speaker 2>On, genre, No, you're a big, strong feller.

1381
01:11:05.319 --> 01:11:08.039
<v Speaker 1>And it's kind of funny too with the mouse or

1382
01:11:08.039 --> 01:11:11.920
<v Speaker 1>whatever that comes up to him. Yep, it does almost

1383
01:11:11.960 --> 01:11:13.720
<v Speaker 1>feel like a Tom and Jerry sort of moment where

1384
01:11:13.760 --> 01:11:17.159
<v Speaker 1>it's just like, wait a minute, what is this like

1385
01:11:17.319 --> 01:11:18.840
<v Speaker 1>mouse doing in this event?

1386
01:11:19.840 --> 01:11:21.840
<v Speaker 2>By the way, you know, what I read is that

1387
01:11:21.880 --> 01:11:26.199
<v Speaker 2>Tom Cruise put coins in his shoes to keep.

1388
01:11:26.039 --> 01:11:29.840
<v Speaker 1>From flipping over. Yeah, the balance wasn't working quite correctly

1389
01:11:30.800 --> 01:11:31.720
<v Speaker 1>with the harness.

1390
01:11:32.079 --> 01:11:33.159
<v Speaker 2>Is that a real thing?

1391
01:11:33.680 --> 01:11:37.039
<v Speaker 1>I every place I went to read about this movie,

1392
01:11:37.079 --> 01:11:39.479
<v Speaker 1>that is a fact that comes up or a trivia

1393
01:11:39.520 --> 01:11:40.239
<v Speaker 1>point that comes like, I.

1394
01:11:40.239 --> 01:11:41.039
<v Speaker 2>Don't understand that.

1395
01:11:43.439 --> 01:11:45.920
<v Speaker 1>I kind of get it because the harness is uh

1396
01:11:46.359 --> 01:11:49.439
<v Speaker 1>not necessarily at his midpoint, so maybe his feet were

1397
01:11:51.000 --> 01:11:53.239
<v Speaker 1>bringing him down, so you literally just have like a

1398
01:11:53.279 --> 01:11:56.680
<v Speaker 1>quarter in your shoe. Oh wait, no, I'd see exact

1399
01:11:56.680 --> 01:11:59.680
<v Speaker 1>opposite of what I'm saying. You're right, I do somehow, Well,

1400
01:11:59.720 --> 01:12:01.800
<v Speaker 1>maybe I don't know, he was more top heavy or something,

1401
01:12:02.279 --> 01:12:05.680
<v Speaker 1>and so he just put weight in his shoes to

1402
01:12:05.720 --> 01:12:07.920
<v Speaker 1>sort of see if he's say his shoes were weighted,

1403
01:12:08.119 --> 01:12:08.640
<v Speaker 1>I'll go with you.

1404
01:12:08.680 --> 01:12:10.399
<v Speaker 2>But you say he put coins in his shoes, That's

1405
01:12:10.399 --> 01:12:11.319
<v Speaker 2>what I'm not understanding.

1406
01:12:11.479 --> 01:12:13.600
<v Speaker 1>Oh oh, I see, Well there we go. We have technowledge.

1407
01:12:13.640 --> 01:12:16.920
<v Speaker 1>That's the that's the moment there. Yeah.

1408
01:12:17.000 --> 01:12:19.760
<v Speaker 2>Right, so that Tom Cruise really did that. He actually

1409
01:12:19.960 --> 01:12:24.520
<v Speaker 2>was was dropped and then caught mirror inches above the ground.

1410
01:12:24.680 --> 01:12:28.079
<v Speaker 1>Incredible and keeping his balance right, waving his arms making

1411
01:12:28.079 --> 01:12:29.039
<v Speaker 1>sure he doesn't touch the gring.

1412
01:12:29.119 --> 01:12:30.800
<v Speaker 2>You know it's real because he has a real oh

1413
01:12:30.880 --> 01:12:31.880
<v Speaker 2>shit face right there.

1414
01:12:34.319 --> 01:12:37.760
<v Speaker 1>I mean, that's just it's iconic. Yeah, And like I said,

1415
01:12:37.800 --> 01:12:40.319
<v Speaker 1>I mean watching it again with a crowd recently, I mean,

1416
01:12:40.359 --> 01:12:46.359
<v Speaker 1>this holds up as thrilling as anything that's come out since. Hmm, okay,

1417
01:12:46.399 --> 01:12:49.039
<v Speaker 1>so coins, you know what I wonder? Now? This is

1418
01:12:49.039 --> 01:12:52.920
<v Speaker 1>pretty good to the sweat. The sweat so good, and

1419
01:12:52.960 --> 01:12:55.239
<v Speaker 1>it makes you laugh because it is kind of funny,

1420
01:12:55.239 --> 01:12:57.800
<v Speaker 1>but you're also like, well, don't let it touch the ground.

1421
01:12:58.119 --> 01:13:01.319
<v Speaker 2>Well, I love that when the drop hits his hand,

1422
01:13:02.279 --> 01:13:05.039
<v Speaker 2>it sounds like somebody falling into the ocean.

1423
01:13:05.479 --> 01:13:09.560
<v Speaker 1>Yes, yes, you know, you know you got to praise

1424
01:13:09.600 --> 01:13:14.640
<v Speaker 1>the editing here too, balancing this guy going back and

1425
01:13:14.680 --> 01:13:18.319
<v Speaker 1>forth between the bathroom and his office to make it

1426
01:13:18.359 --> 01:13:22.039
<v Speaker 1>feel kind of realistic and not dragged out and almost comical.

1427
01:13:22.840 --> 01:13:29.000
<v Speaker 1>That's true, right, I think it's perfectly calibrated. Actually, now

1428
01:13:29.039 --> 01:13:33.079
<v Speaker 1>I just kind of want to watch this. Yeah, I

1429
01:13:33.159 --> 01:13:39.319
<v Speaker 1>remember that. It's like catching the sept that's so good.

1430
01:13:40.640 --> 01:13:42.079
<v Speaker 1>And then I love this too, the sort of the

1431
01:13:42.119 --> 01:13:45.399
<v Speaker 1>silent getting him out of the room, right when the

1432
01:13:45.399 --> 01:13:47.119
<v Speaker 1>guy looks in. Oh, so we got the dead rat

1433
01:13:47.119 --> 01:13:51.840
<v Speaker 1>back there. Apparently we apparently he took care of it. Yeah, exactly.

1434
01:13:52.119 --> 01:13:55.800
<v Speaker 2>I love that. Yeah, we didn't need to to spend

1435
01:13:55.800 --> 01:13:56.239
<v Speaker 2>time on that.

1436
01:13:56.319 --> 01:13:57.000
<v Speaker 1>We figure it out.

1437
01:13:57.439 --> 01:13:59.279
<v Speaker 2>Yeah yeah, maybe a little too gross.

1438
01:14:00.119 --> 01:14:01.920
<v Speaker 1>But there's not a knife on it. I mean, did

1439
01:14:01.920 --> 01:14:03.520
<v Speaker 1>he snap its little neck or something like?

1440
01:14:03.920 --> 01:14:09.600
<v Speaker 2>That's what that's what it looks like. Yeah, and this

1441
01:14:09.720 --> 01:14:12.960
<v Speaker 2>is where the technology too. I was thinking, like nowadays

1442
01:14:13.000 --> 01:14:14.800
<v Speaker 2>you just have like a thumb drive or something.

1443
01:14:15.640 --> 01:14:17.479
<v Speaker 1>Oh yeah, yeah, he's got what like a zip disc

1444
01:14:17.520 --> 01:14:18.119
<v Speaker 1>here or something.

1445
01:14:18.439 --> 01:14:20.960
<v Speaker 2>No, I mean that's an old school floppy, was that?

1446
01:14:21.720 --> 01:14:23.439
<v Speaker 1>Yeah? Zip disc?

1447
01:14:25.920 --> 01:14:31.000
<v Speaker 2>Even watching it, damn it, jumping that knife so close.

1448
01:14:31.439 --> 01:14:32.520
<v Speaker 1>Yeah, that was cool.

1449
01:14:32.760 --> 01:14:38.119
<v Speaker 2>I like that Sean re know, they're looking at each other.

1450
01:14:38.199 --> 01:14:38.760
<v Speaker 1>It's so good.

1451
01:14:39.520 --> 01:14:43.039
<v Speaker 2>And this poor guy, yeah, I mean he gets sent

1452
01:14:43.079 --> 01:14:45.960
<v Speaker 2>to Alaska for y oh.

1453
01:14:46.000 --> 01:14:53.199
<v Speaker 1>I felt so bad for him. Yeah, that's so wonderful though,

1454
01:14:53.399 --> 01:14:56.079
<v Speaker 1>him coming back to it like the most secure office,

1455
01:14:56.760 --> 01:15:00.279
<v Speaker 1>you know, in the world, and seeing this knife just

1456
01:15:00.399 --> 01:15:03.039
<v Speaker 1>laying on the desk, but like stabbed into the desk.

1457
01:15:03.279 --> 01:15:04.760
<v Speaker 1>That's right, what.

1458
01:15:07.800 --> 01:15:08.079
<v Speaker 2>I mean?

1459
01:15:09.039 --> 01:15:11.199
<v Speaker 1>Yeah, yeah, and then the lasers are back overhead, like

1460
01:15:11.319 --> 01:15:13.600
<v Speaker 1>what just happened? Right?

1461
01:15:15.159 --> 01:15:15.680
<v Speaker 2>So good?

1462
01:15:15.880 --> 01:15:18.199
<v Speaker 1>But yeah, you're right, I forgot about that. They uh

1463
01:15:18.600 --> 01:15:20.279
<v Speaker 1>put him on a desk in Alaska.

1464
01:15:20.479 --> 01:15:20.640
<v Speaker 2>You know.

1465
01:15:20.680 --> 01:15:22.800
<v Speaker 1>I would like to imagine that he met a nice

1466
01:15:22.800 --> 01:15:26.800
<v Speaker 1>woman there, you know, and then kind of rediscovered what

1467
01:15:26.840 --> 01:15:29.640
<v Speaker 1>life was all about, and them and their dog walked

1468
01:15:29.640 --> 01:15:33.000
<v Speaker 1>by like a nice icy creek every day and there

1469
01:15:33.039 --> 01:15:36.560
<v Speaker 1>you go. So maybe this is like the best thing

1470
01:15:36.560 --> 01:15:38.000
<v Speaker 1>that ever happened to him. That's what I want to

1471
01:15:38.039 --> 01:15:38.239
<v Speaker 1>go with.

1472
01:15:38.840 --> 01:15:42.159
<v Speaker 2>Well, he is in the Final Reckoning.

1473
01:15:42.279 --> 01:15:44.800
<v Speaker 1>I saw because they put out character posters, right yeah,

1474
01:15:44.840 --> 01:15:47.479
<v Speaker 1>and he got his own poster, and I was I

1475
01:15:47.600 --> 01:15:50.479
<v Speaker 1>like lit up. That was like my marvel, Like you

1476
01:15:50.520 --> 01:15:54.279
<v Speaker 1>know that such and such William Dunlow. Yeah, he's gonna

1477
01:15:54.279 --> 01:15:57.399
<v Speaker 1>be appearing in the next mission. Impossible. Like, I'm so

1478
01:15:57.439 --> 01:16:00.279
<v Speaker 1>excited to see how they use him. That's hilarious, maybe

1479
01:16:00.279 --> 01:16:02.039
<v Speaker 1>because I just I love this sequence so much.

1480
01:16:02.520 --> 01:16:04.359
<v Speaker 2>It'd be funny if I'm the poster. He has like

1481
01:16:04.399 --> 01:16:06.399
<v Speaker 2>an eye patch and a cyborg hand and.

1482
01:16:07.439 --> 01:16:16.279
<v Speaker 1>Oh shit, like what happened? Yes, now you're speaking my language. Man,

1483
01:16:17.479 --> 01:16:19.239
<v Speaker 1>you're getting me like over excited. I'm not going to

1484
01:16:19.319 --> 01:16:19.960
<v Speaker 1>get what I want.

1485
01:16:23.319 --> 01:16:25.199
<v Speaker 2>Oh man, it's so good.

1486
01:16:25.199 --> 01:16:27.199
<v Speaker 1>But yeah, so now Luther is sort of like what

1487
01:16:28.119 --> 01:16:32.199
<v Speaker 1>as they're doing this, like we're stealing what Now, there's

1488
01:16:32.239 --> 01:16:33.960
<v Speaker 1>a lot of faith they got to put in Ethan here.

1489
01:16:38.800 --> 01:16:42.600
<v Speaker 1>This is a good scene, you're right, the close up

1490
01:16:42.640 --> 01:16:45.880
<v Speaker 1>magic scene. Yes, yes, so we have a group, but

1491
01:16:45.880 --> 01:16:48.479
<v Speaker 1>they're not a group. They're not a gang, right, they

1492
01:16:48.520 --> 01:16:51.319
<v Speaker 1>don't trust each other. They don't even all know the plan,

1493
01:16:51.840 --> 01:16:54.760
<v Speaker 1>that's right. So this is a well I guess that

1494
01:16:54.920 --> 01:16:58.000
<v Speaker 1>sort of fits though, with him losing his team, like

1495
01:16:58.079 --> 01:17:00.640
<v Speaker 1>Ethan now on his own, and it's not like he's.

1496
01:17:00.479 --> 01:17:02.319
<v Speaker 2>Gonna no that's what I'm saying. I mean, in the

1497
01:17:02.319 --> 01:17:05.159
<v Speaker 2>context of this film, I don't mind it being sort

1498
01:17:05.159 --> 01:17:09.600
<v Speaker 2>of Ethan centric. Yeah, and again I like that as

1499
01:17:09.600 --> 01:17:12.039
<v Speaker 2>a serious progress as Luther becomes the sort of like

1500
01:17:12.760 --> 01:17:15.439
<v Speaker 2>he's Ethan's best friend clearly, and it's like he's like

1501
01:17:15.520 --> 01:17:16.279
<v Speaker 2>his conscience.

1502
01:17:16.560 --> 01:17:16.840
<v Speaker 1>Yep.

1503
01:17:17.279 --> 01:17:23.439
<v Speaker 2>And I love seeing that. You know, Yeah, we should

1504
01:17:23.479 --> 01:17:25.399
<v Speaker 2>say genre. No. He was having a moment at this

1505
01:17:25.479 --> 01:17:28.840
<v Speaker 2>time too, because yeah, he was just off of Leon

1506
01:17:28.920 --> 01:17:33.079
<v Speaker 2>the Professional yep. And then he I think Godzilla was

1507
01:17:33.720 --> 01:17:36.439
<v Speaker 2>that was ninety eight, a couple of years after this, yep, yep,

1508
01:17:36.920 --> 01:17:38.600
<v Speaker 2>and I think we need we need more genre, no,

1509
01:17:38.720 --> 01:17:41.319
<v Speaker 2>I said, I said this during our Godzilla commentary track.

1510
01:17:41.359 --> 01:17:43.960
<v Speaker 2>I think I think he always he always adds a little,

1511
01:17:44.159 --> 01:17:45.800
<v Speaker 2>a little something extra to whatever he's in.

1512
01:17:46.079 --> 01:17:48.159
<v Speaker 1>Yeah, he's a great he's a great flavor, you know

1513
01:17:48.199 --> 01:17:50.119
<v Speaker 1>what I mean, what he brings.

1514
01:17:51.399 --> 01:17:52.800
<v Speaker 2>I'm looking it up. I feel like there's like one

1515
01:17:52.800 --> 01:17:57.640
<v Speaker 2>other huge one Ronan. Oh, Ronan, I forgot about that. Yeah,

1516
01:17:57.800 --> 01:18:00.359
<v Speaker 2>isn't there like some other huge blockbuster he was in

1517
01:18:00.359 --> 01:18:01.039
<v Speaker 2>in this moment?

1518
01:18:02.880 --> 01:18:04.319
<v Speaker 1>Looking now, I.

1519
01:18:04.239 --> 01:18:06.520
<v Speaker 2>Mean he's still doing this. Oh he's in the Five Bloods.

1520
01:18:06.520 --> 01:18:07.239
<v Speaker 2>I forgot about that.

1521
01:18:08.199 --> 01:18:09.079
<v Speaker 1>I think we watched that.

1522
01:18:09.159 --> 01:18:13.520
<v Speaker 2>I remember really liking that Five Bloods was good. Yeah,

1523
01:18:13.800 --> 01:18:19.159
<v Speaker 2>around this time, this is interesting. He was the French

1524
01:18:19.359 --> 01:18:20.479
<v Speaker 2>voice of Mufasa.

1525
01:18:21.399 --> 01:18:23.600
<v Speaker 1>Oh interesting, that's kind of interesting.

1526
01:18:23.680 --> 01:18:28.640
<v Speaker 2>Yeah, yeah, I'm not seeing anything, not seeing anything major here, Yeah,

1527
01:18:28.720 --> 01:18:31.520
<v Speaker 2>da Vinci code, that's all later.

1528
01:18:31.880 --> 01:18:32.800
<v Speaker 1>Yeah. Pink Panther.

1529
01:18:33.119 --> 01:18:35.640
<v Speaker 2>He's in Pink Panther with Henry Cherney, which I thought

1530
01:18:35.640 --> 01:18:36.279
<v Speaker 2>was very funny.

1531
01:18:36.760 --> 01:18:41.159
<v Speaker 1>Oh funny, Yeah, huh interesting, it's funny. I feel like

1532
01:18:41.199 --> 01:18:46.520
<v Speaker 1>I'm remembering him from more things than I actually do. Huh.

1533
01:18:46.560 --> 01:18:49.159
<v Speaker 2>Anyway, well that's the impression he makes.

1534
01:18:50.520 --> 01:18:52.439
<v Speaker 1>But so I was reading that. Yeah, this magic trick

1535
01:18:52.560 --> 01:18:56.960
<v Speaker 1>was all practical, which kind of makes sense with Tom Cruise, right. See.

1536
01:18:56.960 --> 01:18:58.680
<v Speaker 2>I kind of wish that they would have made that

1537
01:18:58.840 --> 01:19:01.239
<v Speaker 2>a runner for EAT. Then, is every movie he does

1538
01:19:01.239 --> 01:19:03.199
<v Speaker 2>some really stupid close up magic trick.

1539
01:19:05.359 --> 01:19:08.279
<v Speaker 1>Yeah, although I will say this is quite impressive. This

1540
01:19:08.439 --> 01:19:11.720
<v Speaker 1>is and it's cool. They don't cut right right, We

1541
01:19:11.800 --> 01:19:13.279
<v Speaker 1>do the one shot so we can see him make

1542
01:19:13.319 --> 01:19:15.199
<v Speaker 1>it disappear, and then he pulls it out of his pocket.

1543
01:19:16.479 --> 01:19:18.479
<v Speaker 2>I think every movie should just have him. He's doing

1544
01:19:18.520 --> 01:19:21.039
<v Speaker 2>like a random card trick and it's like really obnoxious

1545
01:19:21.079 --> 01:19:23.439
<v Speaker 2>at some point, and you see everyone sort of shift

1546
01:19:23.479 --> 01:19:25.279
<v Speaker 2>in their seats like Okay, he's gonna do this for

1547
01:19:25.319 --> 01:19:34.279
<v Speaker 2>like a minute and a half. Yeah, his team. Yeah,

1548
01:19:34.319 --> 01:19:35.920
<v Speaker 2>that would be that would be his thing, that would

1549
01:19:35.920 --> 01:19:40.159
<v Speaker 2>be his EPI kaye mother effort. Yeah, it's like, oh,

1550
01:19:40.199 --> 01:19:41.439
<v Speaker 2>he's about to do the trick.

1551
01:19:41.680 --> 01:19:43.399
<v Speaker 1>Like a trick that you could read from like a

1552
01:19:43.479 --> 01:19:44.159
<v Speaker 1>magic book.

1553
01:19:45.520 --> 01:19:47.720
<v Speaker 2>Yeah. Now, I don't know about you, but first time

1554
01:19:47.760 --> 01:19:49.359
<v Speaker 2>I saw this, I was like Drake Hotel.

1555
01:19:49.439 --> 01:19:54.119
<v Speaker 1>I know the Drake Hotel. Yeah, yeah, those be listening.

1556
01:19:54.159 --> 01:19:56.119
<v Speaker 2>It's a very famous Chicago place, you know.

1557
01:19:56.079 --> 01:19:59.199
<v Speaker 1>But I assume most people don't know it. But I

1558
01:19:59.239 --> 01:20:01.199
<v Speaker 1>just want to real before it passes. I do want

1559
01:20:01.239 --> 01:20:03.720
<v Speaker 1>to talk about this magic trick scene. What I love

1560
01:20:03.760 --> 01:20:10.439
<v Speaker 1>about it is it makes him look cool, yes, in

1561
01:20:10.479 --> 01:20:12.840
<v Speaker 1>a way, because he looks in control when he's being

1562
01:20:12.920 --> 01:20:17.279
<v Speaker 1>questioned by Renault. You know, he's he's in control, and

1563
01:20:17.319 --> 01:20:19.039
<v Speaker 1>he kind of makes him look like a fool. But

1564
01:20:19.079 --> 01:20:23.960
<v Speaker 1>then we reveal that Renault really did have the knucklist,

1565
01:20:24.319 --> 01:20:28.000
<v Speaker 1>which makes our hero vulnerable. So we're sort of like, oh,

1566
01:20:28.359 --> 01:20:30.720
<v Speaker 1>that was close. Like maybe he's not always in control,

1567
01:20:30.760 --> 01:20:33.720
<v Speaker 1>but damn it, he's clever, you know what I mean.

1568
01:20:33.880 --> 01:20:37.039
<v Speaker 1>Like that makes him an interesting hero, unlike what we

1569
01:20:37.079 --> 01:20:40.000
<v Speaker 1>talk about with the like Hobbs and Shaw, where it's

1570
01:20:40.039 --> 01:20:42.439
<v Speaker 1>like not only can I not lose a fight? I

1571
01:20:42.439 --> 01:20:44.760
<v Speaker 1>cannot be punched, you know, more than five times? And

1572
01:20:44.800 --> 01:20:47.319
<v Speaker 1>I got it. It's just like that's not interesting, right,

1573
01:20:48.159 --> 01:20:49.880
<v Speaker 1>But this is I think this is a really cool

1574
01:20:49.960 --> 01:20:54.239
<v Speaker 1>moment of vulnerability and improvisation for our hero. Yeah.

1575
01:20:54.319 --> 01:20:56.920
<v Speaker 2>Yeah, well and this is and I don't want this

1576
01:20:57.000 --> 01:20:59.079
<v Speaker 2>to just be dogging on the second one. But I

1577
01:20:59.079 --> 01:21:01.119
<v Speaker 2>think that that's the inherent problem there is like, oh,

1578
01:21:01.159 --> 01:21:03.520
<v Speaker 2>you can Hunt. There's not a single thing he can't do.

1579
01:21:03.600 --> 01:21:07.720
<v Speaker 2>Look at him, you know, defy gravity in mid air

1580
01:21:07.760 --> 01:21:11.640
<v Speaker 2>and stuff like that. Right, Whereas, like, to me, the

1581
01:21:11.760 --> 01:21:16.920
<v Speaker 2>quintessential Ethan Hunt moment, in my opinion, is in Ghost

1582
01:21:17.000 --> 01:21:22.199
<v Speaker 2>Protocol where he's climbing. He has to climb the Burg Khalifa, right,

1583
01:21:22.920 --> 01:21:25.600
<v Speaker 2>most people would not see that. But he's like, well,

1584
01:21:25.640 --> 01:21:27.800
<v Speaker 2>I guess I gotta do this. And then and then

1585
01:21:27.880 --> 01:21:30.840
<v Speaker 2>he he he needs to get a little high or something.

1586
01:21:30.840 --> 01:21:33.399
<v Speaker 2>He doesn't have enough rope something like that. Yeah, and

1587
01:21:34.079 --> 01:21:37.079
<v Speaker 2>Jeremy renders like, hey, you don't have enough rope or

1588
01:21:37.119 --> 01:21:40.840
<v Speaker 2>whatever he says, and he's just like, no, shit, Yes,

1589
01:21:40.920 --> 01:21:41.720
<v Speaker 2>I remember that.

1590
01:21:41.720 --> 01:21:42.840
<v Speaker 1>That was such a great moment.

1591
01:21:42.960 --> 01:21:47.079
<v Speaker 2>Yeah, like that to me, like that, that's like, you

1592
01:21:47.119 --> 01:21:49.520
<v Speaker 2>know what It's like in the in the Temple sequence

1593
01:21:49.560 --> 01:21:54.039
<v Speaker 2>in Raiders. What what typifies Indie's character is two things.

1594
01:21:54.119 --> 01:21:57.760
<v Speaker 2>Number One, he does the swap out and oops, it

1595
01:21:57.800 --> 01:22:00.279
<v Speaker 2>wasn't enough yep. And now the boulders coming after it.

1596
01:22:00.359 --> 01:22:00.520
<v Speaker 1>Right.

1597
01:22:01.600 --> 01:22:04.119
<v Speaker 2>But then when he's escaping, he jumps across the thing,

1598
01:22:04.159 --> 01:22:07.680
<v Speaker 2>he grabs the vine and he's safe. Oops, except now

1599
01:22:07.720 --> 01:22:10.960
<v Speaker 2>he's falling further yep yep. So in other words, you

1600
01:22:11.279 --> 01:22:15.520
<v Speaker 2>applaud his bravery, but also bro just can't.

1601
01:22:15.359 --> 01:22:16.399
<v Speaker 1>Catch a break yep.

1602
01:22:16.880 --> 01:22:20.920
<v Speaker 2>Yeah, and that's why we love Indie, Yes, right, and

1603
01:22:20.960 --> 01:22:24.399
<v Speaker 2>that's what you need. Like Ethan Hunt is doing amazingly

1604
01:22:24.479 --> 01:22:28.800
<v Speaker 2>brave things, but also he's just slightly in over his head.

1605
01:22:29.039 --> 01:22:31.720
<v Speaker 1>Yeah. Yeah, he's a human being. Yeah, he's not just

1606
01:22:31.800 --> 01:22:35.880
<v Speaker 1>stealing and cool as he's yeah, repelling down the talls

1607
01:22:35.880 --> 01:22:37.279
<v Speaker 1>building in the world exactly.

1608
01:22:37.319 --> 01:22:40.479
<v Speaker 2>So it just no shit, that's what makes him relatable.

1609
01:22:40.760 --> 01:22:41.399
<v Speaker 1>Yeah. Yeah.

1610
01:22:41.640 --> 01:22:44.920
<v Speaker 2>The delivery is so good, yeah, exactly.

1611
01:22:47.319 --> 01:22:49.640
<v Speaker 1>This was a plot point. You brought it up already,

1612
01:22:49.640 --> 01:22:51.600
<v Speaker 1>but that I had forgotten when I was rewatching it

1613
01:22:51.640 --> 01:22:55.600
<v Speaker 1>about his family getting arrested for making him look like

1614
01:22:55.600 --> 01:22:57.560
<v Speaker 1>they were like drug dealers or something. That's right, and

1615
01:22:57.600 --> 01:23:01.159
<v Speaker 1>it's just something kind of funny. I mean, because everyone

1616
01:23:01.199 --> 01:23:03.920
<v Speaker 1>in this movie is kind of, you know, involved in

1617
01:23:03.960 --> 01:23:07.119
<v Speaker 1>something big, you know, like a spy or you know,

1618
01:23:07.199 --> 01:23:09.000
<v Speaker 1>heads of government or something like that. But then just

1619
01:23:09.039 --> 01:23:12.079
<v Speaker 1>to see these two normal people being arrested on the news,

1620
01:23:12.119 --> 01:23:14.720
<v Speaker 1>You're like, oh, the real world, you know, It's it's

1621
01:23:14.800 --> 01:23:17.039
<v Speaker 1>kind of I like it. It's a good, it's a good.

1622
01:23:18.279 --> 01:23:20.680
<v Speaker 1>It makes sense. It's a pressure point for hunt.

1623
01:23:21.399 --> 01:23:25.239
<v Speaker 2>I mean that all being said, I mean eight movies deep,

1624
01:23:25.279 --> 01:23:27.760
<v Speaker 2>how much do we really know about Ethan beyond this?

1625
01:23:29.000 --> 01:23:31.520
<v Speaker 1>Yeah? I mean he gets a wife right in the

1626
01:23:31.560 --> 01:23:34.520
<v Speaker 1>third one, and she he checks in on her from

1627
01:23:34.560 --> 01:23:36.399
<v Speaker 1>time to time in the later movies. But that's kind

1628
01:23:36.399 --> 01:23:37.039
<v Speaker 1>of it, right.

1629
01:23:37.279 --> 01:23:42.720
<v Speaker 2>Right, Well, and he they separated, that's right, right, because

1630
01:23:42.800 --> 01:23:45.000
<v Speaker 2>because which one was it that she came fallout?

1631
01:23:45.079 --> 01:23:47.600
<v Speaker 1>That's a fun. Yeah, she kind of gives her blessing

1632
01:23:48.439 --> 01:23:48.960
<v Speaker 1>in a way to the.

1633
01:23:49.000 --> 01:23:51.920
<v Speaker 2>Characters get with Rebecca Ferguson.

1634
01:23:52.880 --> 01:23:55.880
<v Speaker 1>Look, I get it, and then she like looks in camera,

1635
01:23:56.039 --> 01:24:01.119
<v Speaker 1>we all get it. It's fine. We want this free.

1636
01:24:06.439 --> 01:24:12.119
<v Speaker 2>Yeah, yeah, it's good.

1637
01:24:12.279 --> 01:24:15.000
<v Speaker 1>I always do like that. The tracking calls thing too,

1638
01:24:15.159 --> 01:24:16.720
<v Speaker 1>and when you always think they're going to hang up

1639
01:24:16.720 --> 01:24:18.319
<v Speaker 1>in time, but when we they don't. It's like, no,

1640
01:24:18.399 --> 01:24:21.039
<v Speaker 1>he wants us to know where he is. I'm like, oh, yeah, nice,

1641
01:24:23.039 --> 01:24:25.720
<v Speaker 1>but yeah, this this feels very dream like, doesn't it.

1642
01:24:25.439 --> 01:24:26.159
<v Speaker 1>It does.

1643
01:24:26.880 --> 01:24:29.560
<v Speaker 2>But I remember watching this the perstime like, oh, hey,

1644
01:24:29.600 --> 01:24:32.399
<v Speaker 2>Phelps is alive. That's great, that's great. Everybody, Hey, look,

1645
01:24:32.439 --> 01:24:39.039
<v Speaker 2>Phelps is alive. I thank Christ, you know. And then

1646
01:24:39.079 --> 01:24:41.279
<v Speaker 2>you watch this scene and you're like, well, god, damn it.

1647
01:24:43.359 --> 01:24:45.560
<v Speaker 2>I went through a roller coaster of emotions in the

1648
01:24:45.600 --> 01:24:48.159
<v Speaker 2>span of you know whatever. It was three minutes, you know, you.

1649
01:24:48.079 --> 01:24:50.800
<v Speaker 1>Know, see, but this moment is really great. Oh it's

1650
01:24:50.840 --> 01:24:53.359
<v Speaker 1>so good. I love when we see people what they're

1651
01:24:53.399 --> 01:24:56.479
<v Speaker 1>thinking and there's no like harp letting us know it's

1652
01:24:56.520 --> 01:24:59.880
<v Speaker 1>a thought. It just kind of it's punched into the film,

1653
01:25:00.039 --> 01:25:02.279
<v Speaker 1>you know, and it's just a real jarring sort of thing.

1654
01:25:02.359 --> 01:25:05.119
<v Speaker 1>But it helps us understand, like, oh, we're in their

1655
01:25:05.159 --> 01:25:07.479
<v Speaker 1>mind now. So I like all this stuff here where

1656
01:25:07.479 --> 01:25:10.840
<v Speaker 1>he's picturing. But it is a little dizzy ing, isn't it.

1657
01:25:11.880 --> 01:25:14.600
<v Speaker 1>Where we're like, is this a is he hype hypothesizing?

1658
01:25:15.760 --> 01:25:18.600
<v Speaker 1>Is he has he figured it out? Yeah?

1659
01:25:18.640 --> 01:25:22.279
<v Speaker 2>So so this is the thing right in my My

1660
01:25:22.439 --> 01:25:25.439
<v Speaker 2>sense is that as soon as Ethan saw the Drake

1661
01:25:25.479 --> 01:25:31.039
<v Speaker 2>Hotel stamp. He figured out that that Phelps was the heel, right,

1662
01:25:32.600 --> 01:25:36.920
<v Speaker 2>and so at this point he already knows he's a

1663
01:25:36.960 --> 01:25:37.680
<v Speaker 2>bad guy.

1664
01:25:37.720 --> 01:25:42.680
<v Speaker 1>Right, so he's he he's acting here, right.

1665
01:25:42.800 --> 01:25:45.399
<v Speaker 2>So so Ethan is like, oh my god, it's Kittridge.

1666
01:25:45.439 --> 01:25:49.720
<v Speaker 2>But obviously we we know Ethan knows it's not Kittridge

1667
01:25:49.760 --> 01:25:52.960
<v Speaker 2>because we're seeing his thoughts and it's all Phelps is

1668
01:25:53.000 --> 01:25:53.359
<v Speaker 2>the one.

1669
01:25:53.279 --> 01:25:56.199
<v Speaker 1>Doing it right, right, right.

1670
01:25:56.720 --> 01:25:57.319
<v Speaker 2>But I love it.

1671
01:25:57.399 --> 01:25:59.560
<v Speaker 1>I love that Phelps, you know.

1672
01:25:59.600 --> 01:26:02.239
<v Speaker 2>He's like, Ethan's like, why would Katchers doing Phelps, Like, well,

1673
01:26:02.239 --> 01:26:04.000
<v Speaker 2>he got sick of the government or whatever, and it's

1674
01:26:04.039 --> 01:26:08.640
<v Speaker 2>like it's just it's all him. He's talking about himself. Yeah, yeah,

1675
01:26:08.680 --> 01:26:13.000
<v Speaker 2>you know, yeah, John boyight, you son.

1676
01:26:12.880 --> 01:26:16.439
<v Speaker 1>Of a bitch. I love later when he's like those

1677
01:26:16.520 --> 01:26:20.119
<v Speaker 1>damn Gideons. You know what's funny.

1678
01:26:20.319 --> 01:26:25.920
<v Speaker 2>I say that a lot. Really, if something doesn't go right,

1679
01:26:26.000 --> 01:26:29.600
<v Speaker 2>I'm like those damn gideons, n gideons.

1680
01:26:31.520 --> 01:26:33.600
<v Speaker 1>Yeah. I don't feel like you see it as much

1681
01:26:33.680 --> 01:26:35.520
<v Speaker 1>these days, but it used to be whenever you go

1682
01:26:35.560 --> 01:26:37.880
<v Speaker 1>to a hotel, like any hotel in the nation, there

1683
01:26:37.880 --> 01:26:41.640
<v Speaker 1>would be a Bible in the drawer and it would

1684
01:26:41.680 --> 01:26:43.960
<v Speaker 1>be by this organization. I don't know a lot about

1685
01:26:43.960 --> 01:26:47.960
<v Speaker 1>them even who they are, but the Gideons, Yeah, they

1686
01:26:48.000 --> 01:26:51.279
<v Speaker 1>would pay to have these Bibles just available in every

1687
01:26:51.359 --> 01:26:54.520
<v Speaker 1>hotel room in the US or whatever. And so yeah,

1688
01:26:54.560 --> 01:26:57.960
<v Speaker 1>that's that's how Ethan figured it out. He looks at

1689
01:26:57.960 --> 01:27:02.359
<v Speaker 1>the Bible's that it has u the Drake hotel where

1690
01:27:02.479 --> 01:27:05.359
<v Speaker 1>Phelps said he was recently, so we know that, and

1691
01:27:05.359 --> 01:27:07.000
<v Speaker 1>Phelps even steals bibles.

1692
01:27:08.680 --> 01:27:10.439
<v Speaker 2>Where does it end with this guy kind of an

1693
01:27:10.520 --> 01:27:11.520
<v Speaker 2>unholy monster?

1694
01:27:15.199 --> 01:27:20.319
<v Speaker 1>Yeah, but yeah, this is good. I yeah, I love

1695
01:27:20.399 --> 01:27:20.880
<v Speaker 1>I love.

1696
01:27:21.720 --> 01:27:23.840
<v Speaker 2>I don't know what you could call it this trope

1697
01:27:23.920 --> 01:27:26.960
<v Speaker 2>or something. Well what I what I love here is

1698
01:27:27.960 --> 01:27:31.520
<v Speaker 2>that we're following his thought pattern. And then he's like,

1699
01:27:32.199 --> 01:27:35.560
<v Speaker 2>well maybe it wasn't clear, so he like sees both ways.

1700
01:27:35.680 --> 01:27:37.359
<v Speaker 1>I love that. I love that. And look doesn't she

1701
01:27:37.399 --> 01:27:39.760
<v Speaker 1>look at camera here? She looks right at camera. Yeah,

1702
01:27:40.119 --> 01:27:42.399
<v Speaker 1>with the split adapter thing.

1703
01:27:42.880 --> 01:27:48.119
<v Speaker 2>With her come hither gaze. That is pretty cool and chilling. Right.

1704
01:27:50.960 --> 01:27:53.880
<v Speaker 1>Yeah. Yeah, maybe that's why it threw me a little

1705
01:27:53.920 --> 01:27:56.159
<v Speaker 1>bit is because he is still working out some of it.

1706
01:27:56.239 --> 01:27:58.640
<v Speaker 1>So we are seeing stuff he knows as fact, and

1707
01:27:58.720 --> 01:28:05.399
<v Speaker 1>some of it he's still trying to yeah, but yeah,

1708
01:28:05.439 --> 01:28:08.760
<v Speaker 1>so literally I remember watching this as a kid and

1709
01:28:08.840 --> 01:28:12.159
<v Speaker 1>just being absolutely horrified, and to this day, I'm so

1710
01:28:12.279 --> 01:28:14.720
<v Speaker 1>you know, people have their whole hashtag not my Luke

1711
01:28:14.800 --> 01:28:17.159
<v Speaker 1>thing about the last Yed. I f all them guys

1712
01:28:17.399 --> 01:28:19.520
<v Speaker 1>this here hashtag not my Phelps.

1713
01:28:20.960 --> 01:28:23.760
<v Speaker 2>There is no universe where the character from the TV

1714
01:28:23.800 --> 01:28:26.600
<v Speaker 2>show would ever allow that to happen to his team.

1715
01:28:27.039 --> 01:28:29.920
<v Speaker 1>I mean, obviously it makes for a twist you don't

1716
01:28:29.920 --> 01:28:33.439
<v Speaker 1>see coming. Yeah, but no, I agree with you. I

1717
01:28:33.760 --> 01:28:37.359
<v Speaker 1>think if I had loved the series, if I was

1718
01:28:37.359 --> 01:28:39.399
<v Speaker 1>a fan of the series in nineteen ninety six and

1719
01:28:39.439 --> 01:28:41.000
<v Speaker 1>came into this, I'd be pretty disappointed.

1720
01:28:41.680 --> 01:28:44.760
<v Speaker 2>Yeah, and I think it's and again I should clarify,

1721
01:28:44.960 --> 01:28:47.800
<v Speaker 2>I'm over it. So it's just because we're talking about

1722
01:28:47.840 --> 01:28:51.880
<v Speaker 2>the movie. I think it's irrelevant to this story to

1723
01:28:51.960 --> 01:28:53.840
<v Speaker 2>make him that character. So you just have him be

1724
01:28:54.920 --> 01:29:00.600
<v Speaker 2>again John Voight n Like, it doesn't matter because all

1725
01:29:00.640 --> 01:29:02.399
<v Speaker 2>we need to know is that he was a mentor

1726
01:29:02.520 --> 01:29:04.920
<v Speaker 2>to Hunt and he turned against him. That's all you

1727
01:29:04.960 --> 01:29:07.399
<v Speaker 2>need to make this story work, right.

1728
01:29:07.840 --> 01:29:13.039
<v Speaker 1>You know? Yeah, yeah, but you know, what do you do?

1729
01:29:13.319 --> 01:29:17.960
<v Speaker 1>What are you gonna do? By the way, just while

1730
01:29:17.960 --> 01:29:22.279
<v Speaker 1>they're continuing this conversation. I was reading a lot about

1731
01:29:22.720 --> 01:29:26.600
<v Speaker 1>Cruz Wagner Productions, Yes, right, which was kind of a

1732
01:29:26.640 --> 01:29:27.560
<v Speaker 1>huge thing for a while.

1733
01:29:27.600 --> 01:29:29.720
<v Speaker 2>I for a second, and then they split up for

1734
01:29:29.720 --> 01:29:30.319
<v Speaker 2>whatever reason.

1735
01:29:30.520 --> 01:29:32.600
<v Speaker 1>Yeah. So it was Tom Cruise and his longtime agent

1736
01:29:32.600 --> 01:29:35.199
<v Speaker 1>Paula Wagner. They formed a company in nineteen ninety two

1737
01:29:35.199 --> 01:29:38.520
<v Speaker 1>called Cruz Wagner Productions. This was their first movie together,

1738
01:29:39.039 --> 01:29:43.600
<v Speaker 1>and the over the span of that company's life, they

1739
01:29:43.640 --> 01:29:46.880
<v Speaker 1>made like two point nine billion dollars in box office,

1740
01:29:47.279 --> 01:29:51.159
<v Speaker 1>crazy and hugely successful, and they were teamed up with

1741
01:29:51.199 --> 01:29:55.920
<v Speaker 1>Paramount for most of that. What I'm seeing here is

1742
01:29:56.000 --> 01:29:59.720
<v Speaker 1>in August two thousand and six, some in the Redstone,

1743
01:30:00.199 --> 01:30:04.880
<v Speaker 1>chairman of Viacom, he terminated the relationship with Tom Cruise

1744
01:30:05.039 --> 01:30:08.319
<v Speaker 1>over the things he was saying about psychiatry and antidepressants.

1745
01:30:08.399 --> 01:30:11.359
<v Speaker 2>And yeah, because there was a second there where everybody

1746
01:30:11.399 --> 01:30:12.119
<v Speaker 2>hated Tom Cruise.

1747
01:30:12.680 --> 01:30:14.960
<v Speaker 1>Yeah, I mean, that's the thing. It's amazing how beloved

1748
01:30:14.960 --> 01:30:18.560
<v Speaker 1>he is again because yeah, there was a real moment

1749
01:30:19.319 --> 01:30:22.319
<v Speaker 1>where the world kind of turned on him. Yeah.

1750
01:30:22.359 --> 01:30:25.439
<v Speaker 2>So my recollection is this and correct correct the timeline

1751
01:30:25.479 --> 01:30:28.760
<v Speaker 2>if you need. But he was out promoting war the world. Yeah,

1752
01:30:29.600 --> 01:30:32.520
<v Speaker 2>and that was when he he was.

1753
01:30:32.720 --> 01:30:33.640
<v Speaker 1>He told Matt.

1754
01:30:33.479 --> 01:30:39.119
<v Speaker 2>Lower, like, Matt, you're being glib, right scientology, Yeah, it was, well,

1755
01:30:39.159 --> 01:30:43.560
<v Speaker 2>it was about Brooks Shields talked about post what do

1756
01:30:43.600 --> 01:30:44.039
<v Speaker 2>you call it?

1757
01:30:44.640 --> 01:30:45.760
<v Speaker 1>Postpartum depression?

1758
01:30:45.920 --> 01:30:50.199
<v Speaker 2>Yeah, and so he Tom Cruise criticized Brooks Shields about

1759
01:30:50.199 --> 01:30:52.880
<v Speaker 2>her postpartum depression, which what kind of a weird mad

1760
01:30:52.920 --> 01:30:53.520
<v Speaker 2>lib sentence?

1761
01:30:53.560 --> 01:30:55.560
<v Speaker 1>Did? I just say? Yeah?

1762
01:30:55.600 --> 01:30:57.640
<v Speaker 2>And then he went on the Today Show and Matt

1763
01:30:57.720 --> 01:31:01.640
<v Speaker 2>Lower took him to task and he was like, Matt,

1764
01:31:01.680 --> 01:31:07.079
<v Speaker 2>you're being glib. And in our world circa mid two thousands,

1765
01:31:07.399 --> 01:31:09.720
<v Speaker 2>Matt Lower was the good guy and Tom Cruise was

1766
01:31:09.760 --> 01:31:12.760
<v Speaker 2>the bad guy. Right, it's a different time.

1767
01:31:13.159 --> 01:31:16.800
<v Speaker 1>Right when we also had couch jumping around here had

1768
01:31:16.880 --> 01:31:20.920
<v Speaker 1>couch jumping, which was before that, I think, yeah, but

1769
01:31:20.960 --> 01:31:22.600
<v Speaker 1>it was a combination of those things.

1770
01:31:22.640 --> 01:31:26.279
<v Speaker 2>And then on top of that, Mission Impossible three underperforms. Yeah,

1771
01:31:26.680 --> 01:31:30.359
<v Speaker 2>so it was like three strikes, you're out. Yeah, but remarkably,

1772
01:31:30.439 --> 01:31:33.680
<v Speaker 2>I mean, you know, Mission Impossible three comes out in

1773
01:31:34.239 --> 01:31:39.079
<v Speaker 2>six and five years later, a ghost Protocol just reinvents

1774
01:31:39.119 --> 01:31:40.760
<v Speaker 2>the joint and is.

1775
01:31:40.760 --> 01:31:42.279
<v Speaker 1>A massive hit. Yep.

1776
01:31:42.920 --> 01:31:45.119
<v Speaker 2>Right, So I mean nobody knows anything. I guess that's

1777
01:31:45.159 --> 01:31:46.199
<v Speaker 2>really the takeaway.

1778
01:31:46.600 --> 01:31:49.279
<v Speaker 1>Yeah, I feel like then it became well, Tom Cruise,

1779
01:31:49.279 --> 01:31:51.000
<v Speaker 1>I don't like this and that about him, but damn it,

1780
01:31:51.079 --> 01:31:53.439
<v Speaker 1>he makes good movies. And now I feel like it.

1781
01:31:53.840 --> 01:31:55.600
<v Speaker 1>You hear that even less, it's just like, no, I

1782
01:31:55.640 --> 01:32:00.119
<v Speaker 1>just like Tom Cruise, like these movies are awesome. Is

1783
01:32:00.119 --> 01:32:02.520
<v Speaker 1>that because, by the way, we should at least acknowledge

1784
01:32:02.560 --> 01:32:08.880
<v Speaker 1>the uh Claire yes, kind of seducing him. I guess

1785
01:32:08.920 --> 01:32:09.399
<v Speaker 1>a little bit.

1786
01:32:09.640 --> 01:32:14.920
<v Speaker 2>That's that's I guess in hindsight, given what Phelps says later,

1787
01:32:14.920 --> 01:32:16.720
<v Speaker 2>You're supposed to be like, oh, she's like trying to

1788
01:32:17.079 --> 01:32:21.279
<v Speaker 2>trying to, yeah, come on to him, but it's so

1789
01:32:21.520 --> 01:32:22.760
<v Speaker 2>clearly one sided.

1790
01:32:25.039 --> 01:32:29.960
<v Speaker 1>Yeah, I mean apparently they did film, yeah, them hooking

1791
01:32:30.039 --> 01:32:33.239
<v Speaker 1>up or whatever. But yeah, the way that in the version,

1792
01:32:33.319 --> 01:32:36.000
<v Speaker 1>the final version, yes, it kind of feels like he's

1793
01:32:36.199 --> 01:32:39.079
<v Speaker 1>resistant as well he should be.

1794
01:32:39.960 --> 01:32:42.079
<v Speaker 2>Yeah, she ain't right for you, Ethan.

1795
01:32:43.439 --> 01:32:46.479
<v Speaker 1>Michelle Monaghan is out there waiting, that's right, and.

1796
01:32:48.399 --> 01:32:51.359
<v Speaker 2>Tandy Newton and Rebecca Ferguson.

1797
01:32:54.039 --> 01:32:57.920
<v Speaker 1>Yeah, things are gonna be okay for Ethan Hunt.

1798
01:32:58.600 --> 01:33:00.479
<v Speaker 2>Sorry, I feel like I cut off the thought of yours.

1799
01:33:01.920 --> 01:33:04.279
<v Speaker 1>I'm talking about wrapping up sort of Tom Cruise.

1800
01:33:05.359 --> 01:33:09.039
<v Speaker 2>Yeah, well, just you know the fact this is to me,

1801
01:33:09.159 --> 01:33:12.279
<v Speaker 2>like the fact that movie three underperformed. At no point

1802
01:33:13.279 --> 01:33:15.840
<v Speaker 2>was it a serious thought that like, Okay, we're done

1803
01:33:15.960 --> 01:33:20.520
<v Speaker 2>with these now, yeah, right, let's let's figure it out

1804
01:33:20.520 --> 01:33:22.800
<v Speaker 2>and do better the next one. And I'm like, why

1805
01:33:22.840 --> 01:33:26.960
<v Speaker 2>can't studios do that right, right, like okay, this one

1806
01:33:27.000 --> 01:33:28.840
<v Speaker 2>and do as well. Let's get let's get up to

1807
01:33:28.880 --> 01:33:31.720
<v Speaker 2>bat again and do it again the next time. And

1808
01:33:31.760 --> 01:33:35.720
<v Speaker 2>there's something refreshingly old school about that thinking, mm right,

1809
01:33:35.800 --> 01:33:39.239
<v Speaker 2>like as opposed to you know, the the Solo, the

1810
01:33:39.239 --> 01:33:43.279
<v Speaker 2>Star Wars movie tanks and it's like, all right, just

1811
01:33:43.800 --> 01:33:46.680
<v Speaker 2>shut it all down, boys, you know, sure, sure, sure,

1812
01:33:47.399 --> 01:33:49.760
<v Speaker 2>or just rebooting over and over and over.

1813
01:33:49.680 --> 01:33:52.560
<v Speaker 1>Again, like no like Ninja Turtles, right, like.

1814
01:33:52.199 --> 01:33:55.159
<v Speaker 2>Ninja Turtle, or or you know, yeah, like cause back

1815
01:33:55.159 --> 01:33:56.960
<v Speaker 2>in the day with James Bond, you know, sometimes you'd

1816
01:33:57.000 --> 01:33:58.479
<v Speaker 2>have one that didn't do as well and say, okay,

1817
01:33:58.479 --> 01:34:00.760
<v Speaker 2>well we're gonna be back, We're gonna the next one.

1818
01:34:00.600 --> 01:34:01.079
<v Speaker 1>Will be better.

1819
01:34:01.199 --> 01:34:05.439
<v Speaker 2>Yeah, And that was the way we liked it, damn it. Now,

1820
01:34:05.479 --> 01:34:08.760
<v Speaker 2>this here, this whole sequence which involves the downloading of

1821
01:34:09.319 --> 01:34:12.680
<v Speaker 2>the data, and it takes about about forty seven years for.

1822
01:34:14.199 --> 01:34:16.359
<v Speaker 1>Right, yeah, yeah, yeah.

1823
01:34:15.960 --> 01:34:18.159
<v Speaker 2>I'm just like like people watching this today would have

1824
01:34:18.159 --> 01:34:20.000
<v Speaker 2>no understanding, you know.

1825
01:34:20.560 --> 01:34:21.960
<v Speaker 1>Yeah, yeah, it.

1826
01:34:22.039 --> 01:34:25.840
<v Speaker 2>Just it took a long you know, like I've heard

1827
01:34:25.920 --> 01:34:29.920
<v Speaker 2>tell from people who are around that, you know, had

1828
01:34:29.960 --> 01:34:34.680
<v Speaker 2>they the inclination to access pornography on the internet. This

1829
01:34:34.720 --> 01:34:38.159
<v Speaker 2>is what people have told me. It took a really,

1830
01:34:38.239 --> 01:34:42.520
<v Speaker 2>really really long time. No kidding, That's what I've heard.

1831
01:34:43.760 --> 01:34:47.680
<v Speaker 2>I can't speak to it personally, but you know, people

1832
01:34:47.720 --> 01:34:56.319
<v Speaker 2>I trust have conveyed this information to me. I don't

1833
01:34:56.319 --> 01:34:58.399
<v Speaker 2>even know if things are different now. To be honest,

1834
01:34:58.479 --> 01:35:04.560
<v Speaker 2>I would assume I have no idea, but it's you know,

1835
01:35:04.680 --> 01:35:07.199
<v Speaker 2>this is a transferring data. Took a long time.

1836
01:35:07.319 --> 01:35:09.680
<v Speaker 1>That's that's the point that makes I we get well,

1837
01:35:09.720 --> 01:35:12.319
<v Speaker 1>And I downloaded this movie to my iPad in like

1838
01:35:12.560 --> 01:35:15.880
<v Speaker 1>a minute, so I mean, yeah, this uh you know

1839
01:35:16.960 --> 01:35:18.560
<v Speaker 1>word dock or whatever they're looking at.

1840
01:35:18.560 --> 01:35:21.279
<v Speaker 2>You know that that's like it's literally it's like a

1841
01:35:21.319 --> 01:35:22.279
<v Speaker 2>text file.

1842
01:35:22.159 --> 01:35:28.520
<v Speaker 1>Probably less than a megabyte, you know, But it is

1843
01:35:28.600 --> 01:35:30.239
<v Speaker 1>kind of clever because yes, I mean, the whole thing

1844
01:35:30.399 --> 01:35:34.640
<v Speaker 1>was to sniff out the mole. They had to get

1845
01:35:34.680 --> 01:35:37.079
<v Speaker 1>this into the enemy and not listen to the enemy's hands.

1846
01:35:37.079 --> 01:35:39.279
<v Speaker 1>So it is kind of fun how they prevent her

1847
01:35:39.359 --> 01:35:40.840
<v Speaker 1>from getting.

1848
01:35:40.680 --> 01:35:44.239
<v Speaker 2>I love that that Luther's got the little jammer there exactly.

1849
01:35:44.359 --> 01:35:46.359
<v Speaker 1>And then of course they have to do it before

1850
01:35:46.399 --> 01:35:49.239
<v Speaker 1>they enter the tunnel, you know, because.

1851
01:35:49.039 --> 01:35:51.399
<v Speaker 2>So that's the that's the chunnel that it's going into.

1852
01:35:51.479 --> 01:35:56.720
<v Speaker 1>Right. Oh, I don't know that was I should? I

1853
01:35:56.720 --> 01:36:01.159
<v Speaker 1>think it is? Right, hold on, I'm gonna find out. Yeah, yeah, yeah,

1854
01:36:01.199 --> 01:36:03.439
<v Speaker 1>but there's something kind of cool and old fashioned about

1855
01:36:03.439 --> 01:36:04.359
<v Speaker 1>all this, right, Like all.

1856
01:36:04.199 --> 01:36:07.000
<v Speaker 2>This spycraft on a fast moving train. That's fun.

1857
01:36:07.760 --> 01:36:11.600
<v Speaker 1>Yeah, you know, people looking at each other suspiciously. Yeah,

1858
01:36:11.640 --> 01:36:15.000
<v Speaker 1>it's very old school, very very hitchcocky, and so you

1859
01:36:15.000 --> 01:36:19.039
<v Speaker 1>can see why Palma was was intrigued by this. Yeah,

1860
01:36:19.039 --> 01:36:22.039
<v Speaker 1>but I should mention the guy to Max's right, you know,

1861
01:36:22.640 --> 01:36:24.359
<v Speaker 1>her assistant. I was like, I know, I've seen this

1862
01:36:24.359 --> 01:36:26.880
<v Speaker 1>guy before, and you know he's in both of the

1863
01:36:27.000 --> 01:36:33.399
<v Speaker 1>Dune mini series that Sci Fi Channel. I love that

1864
01:36:33.439 --> 01:36:35.600
<v Speaker 1>little moment they had right there. Like a lot of

1865
01:36:35.600 --> 01:36:38.600
<v Speaker 1>times you would see a boss like hurry up, you idiots,

1866
01:36:38.920 --> 01:36:40.680
<v Speaker 1>and it's like he's like, oh, it's working again, and

1867
01:36:40.720 --> 01:36:44.399
<v Speaker 1>she goes ah, like she gets excited. Like it's like

1868
01:36:44.439 --> 01:36:49.600
<v Speaker 1>a sweet little moment between her and her assistant. Makes

1869
01:36:49.640 --> 01:36:50.079
<v Speaker 1>me laugh.

1870
01:36:52.760 --> 01:36:54.560
<v Speaker 2>Wait, did we have like a moment like this in

1871
01:36:54.640 --> 01:36:57.239
<v Speaker 2>the last film. I was gonna say, well, it's it's

1872
01:36:59.720 --> 01:37:02.439
<v Speaker 2>because because on the train is where Kittridge meets Max

1873
01:37:02.479 --> 01:37:05.760
<v Speaker 2>and then he meets her daughter in the latest one.

1874
01:37:06.119 --> 01:37:09.479
<v Speaker 1>Yes, it's like poetry. It rhymes. See that.

1875
01:37:09.600 --> 01:37:14.079
<v Speaker 2>George Lucas's influence is everywhere. It's like spaghetti.

1876
01:37:14.079 --> 01:37:17.520
<v Speaker 1>One might say, it feels like a Copola thing, like

1877
01:37:17.560 --> 01:37:21.439
<v Speaker 1>if they had had that real sort of Coppola Lucas, right,

1878
01:37:22.840 --> 01:37:24.279
<v Speaker 1>de Pauma Spielberg sort of.

1879
01:37:26.640 --> 01:37:28.439
<v Speaker 2>Yeah, I think to Paalma talked about it's like I

1880
01:37:28.439 --> 01:37:30.640
<v Speaker 2>wish directors did that today. You know, I'm like I

1881
01:37:30.680 --> 01:37:31.039
<v Speaker 2>do too.

1882
01:37:31.159 --> 01:37:34.119
<v Speaker 1>They should, you know, why not? Well they might not

1883
01:37:34.279 --> 01:37:37.720
<v Speaker 1>just have the relationships and just the world has changed

1884
01:37:37.720 --> 01:37:39.000
<v Speaker 1>a little bit, you know what I mean, like the

1885
01:37:41.279 --> 01:37:43.199
<v Speaker 1>I don't know, right, it doesn't feel like it used

1886
01:37:43.199 --> 01:37:45.000
<v Speaker 1>to be that way, or at least when we were

1887
01:37:45.000 --> 01:37:46.720
<v Speaker 1>growing up, it was those people that.

1888
01:37:46.680 --> 01:37:50.840
<v Speaker 2>Gives Those people they were the main directors, you know. Yeah,

1889
01:37:50.840 --> 01:37:53.520
<v Speaker 2>they weren't at each other's throats. They were supporting one another.

1890
01:37:54.840 --> 01:37:57.119
<v Speaker 2>This scene cracks me up because Claire is such a

1891
01:37:57.119 --> 01:38:02.920
<v Speaker 2>freaking big mouth. That's right, because because because quote unquote

1892
01:38:03.000 --> 01:38:06.439
<v Speaker 2>Jim doesn't say anything. She's like, so you pretended to

1893
01:38:06.560 --> 01:38:09.399
<v Speaker 2>kill yourself and you're the bad guy, right, and now

1894
01:38:09.439 --> 01:38:12.000
<v Speaker 2>we're going to kill Ethan. Right, if you agree with me,

1895
01:38:12.039 --> 01:38:12.840
<v Speaker 2>don't say anything.

1896
01:38:16.079 --> 01:38:16.720
<v Speaker 1>That's so good.

1897
01:38:16.800 --> 01:38:21.800
<v Speaker 2>Yeah, yeah, now that is a practical effect. Yeah, it's

1898
01:38:21.840 --> 01:38:27.439
<v Speaker 2>pretty good. And and I can't spot the switch from

1899
01:38:27.479 --> 01:38:29.319
<v Speaker 2>from John Boyight to Tom Cruise.

1900
01:38:30.199 --> 01:38:33.319
<v Speaker 1>I mean he's clearly taking something off of his face. Yeah.

1901
01:38:33.319 --> 01:38:35.439
<v Speaker 1>I don't know how they did the that's amazing or

1902
01:38:35.439 --> 01:38:37.479
<v Speaker 1>whatever they did, but it's it's really good.

1903
01:38:38.399 --> 01:38:41.960
<v Speaker 2>It is funny. How like at this stage in the films,

1904
01:38:42.000 --> 01:38:44.439
<v Speaker 2>the mask was like, okay, well if it doesn't look

1905
01:38:44.479 --> 01:38:48.880
<v Speaker 2>like you just don't do anything. Whereas no, no, as the

1906
01:38:49.199 --> 01:38:51.680
<v Speaker 2>movies have progressed, you get Tom Cruise can turn into

1907
01:38:51.720 --> 01:38:53.119
<v Speaker 2>Phillips symour Hoffman.

1908
01:38:53.359 --> 01:38:55.079
<v Speaker 1>Right right right, yeah there, Well you know what, And

1909
01:38:55.119 --> 01:38:56.920
<v Speaker 1>I love the way that it's like, well he's got

1910
01:38:56.920 --> 01:39:00.439
<v Speaker 1>this little clear digital strip on his neck and I'm.

1911
01:39:00.319 --> 01:39:04.239
<v Speaker 2>Like, oh got it, yep, right exactly, that's all I need.

1912
01:39:04.560 --> 01:39:13.000
<v Speaker 1>Okay, yeah, yeah, those damn gideons like I say that

1913
01:39:13.199 --> 01:39:16.720
<v Speaker 1>weirdly a lot, he says it. So it's such a

1914
01:39:16.720 --> 01:39:18.600
<v Speaker 1>fun way.

1915
01:39:19.680 --> 01:39:24.560
<v Speaker 2>Yeah. Shoot, I lost my chain of thought. But anyway,

1916
01:39:24.600 --> 01:39:25.000
<v Speaker 2>that's good.

1917
01:39:26.880 --> 01:39:29.079
<v Speaker 1>Oh but yes, no, it is interesting seeing how they

1918
01:39:29.960 --> 01:39:34.840
<v Speaker 1>continue to incorporate the masks, but they you know, tweak

1919
01:39:34.920 --> 01:39:37.680
<v Speaker 1>the technology a bit. Yeah, Like I remember the one

1920
01:39:37.680 --> 01:39:40.039
<v Speaker 1>where it was in the briefcase and then it's uh,

1921
01:39:40.920 --> 01:39:44.359
<v Speaker 1>sort of like whittling away the material and then it

1922
01:39:44.399 --> 01:39:48.319
<v Speaker 1>stops working. Yeah, that's what I've noticed in a lot

1923
01:39:48.319 --> 01:39:50.720
<v Speaker 1>of the I don't think it happens so much in

1924
01:39:50.760 --> 01:39:53.239
<v Speaker 1>this one, but in the later films it's like, let's

1925
01:39:53.399 --> 01:39:56.800
<v Speaker 1>introduce this really awesome technology, but it always breaks, Like

1926
01:39:56.880 --> 01:40:00.760
<v Speaker 1>I m F has the most unreliable tech tools.

1927
01:40:01.199 --> 01:40:05.159
<v Speaker 2>Well between their device is not working and they're being

1928
01:40:05.399 --> 01:40:08.760
<v Speaker 2>like constant moles. Yeah, yeah, yeah, this is not a

1929
01:40:08.760 --> 01:40:10.199
<v Speaker 2>particularly secure organization.

1930
01:40:10.439 --> 01:40:12.479
<v Speaker 1>You know. That would be a funny reveal in Final

1931
01:40:12.520 --> 01:40:15.920
<v Speaker 1>Reckoning where it's just like who's running this circus?

1932
01:40:15.960 --> 01:40:20.840
<v Speaker 2>You know, and it's a monkey with a British accent

1933
01:40:21.680 --> 01:40:22.600
<v Speaker 2>he spins.

1934
01:40:22.279 --> 01:40:24.600
<v Speaker 1>Around in a chair. Yeah, you're referring to me.

1935
01:40:29.039 --> 01:40:31.439
<v Speaker 2>See So so this moment right here, I was thinking about, like,

1936
01:40:31.600 --> 01:40:33.279
<v Speaker 2>you know, you know, why you have Phelps be the

1937
01:40:33.359 --> 01:40:35.960
<v Speaker 2>villain just so that you can have this reveal. And

1938
01:40:36.000 --> 01:40:39.199
<v Speaker 2>then Kittridge says good morning, mister Phelps.

1939
01:40:39.239 --> 01:40:40.000
<v Speaker 1>It's pretty good.

1940
01:40:40.079 --> 01:40:42.279
<v Speaker 2>It's pretty good because and you know, and in the

1941
01:40:42.319 --> 01:40:44.439
<v Speaker 2>show every episode, that's how it would start, good morning,

1942
01:40:44.439 --> 01:40:45.159
<v Speaker 2>mister Phelps.

1943
01:40:45.199 --> 01:40:50.560
<v Speaker 1>So I mean, yeah, if you're gonna do it, Yeah,

1944
01:40:51.560 --> 01:40:54.560
<v Speaker 1>that's a good way to have that, have that. Put

1945
01:40:54.560 --> 01:40:55.159
<v Speaker 1>a button on that.

1946
01:40:55.600 --> 01:40:56.079
<v Speaker 2>Yeah.

1947
01:40:56.199 --> 01:41:01.680
<v Speaker 1>By the way, so Kittridge looking at his like, you know, video.

1948
01:41:01.439 --> 01:41:03.600
<v Speaker 2>Watch his a little Dick Tracy thing.

1949
01:41:03.880 --> 01:41:05.520
<v Speaker 1>It's funny. My mom and I were just talking about

1950
01:41:05.520 --> 01:41:08.119
<v Speaker 1>this where about Dick Tracy and how it's like seemed

1951
01:41:08.119 --> 01:41:11.239
<v Speaker 1>cool but silly, like, oh, well that will never happen.

1952
01:41:11.279 --> 01:41:13.439
<v Speaker 1>And it's like now we literally have those on our

1953
01:41:13.479 --> 01:41:16.119
<v Speaker 1>wrists now, like I can do a video call with

1954
01:41:16.159 --> 01:41:17.039
<v Speaker 1>my mom.

1955
01:41:17.880 --> 01:41:19.439
<v Speaker 2>You're wearing one right now, aren't you.

1956
01:41:19.359 --> 01:41:22.279
<v Speaker 1>Brian, I'm not, but I have one nearby.

1957
01:41:22.399 --> 01:41:24.159
<v Speaker 2>Yeah, it's it's within arm's reach.

1958
01:41:24.439 --> 01:41:36.399
<v Speaker 1>Yeah. Yeah, it's pretty amazing. So yeah, I mean it's

1959
01:41:36.439 --> 01:41:39.279
<v Speaker 1>complicated here. You know, this sort of farewell between Claire

1960
01:41:39.279 --> 01:41:43.560
<v Speaker 1>and Ethan here again like knowing what they shot and.

1961
01:41:42.800 --> 01:41:46.079
<v Speaker 2>And Ethan should feel nothing because that's that's what I mean, right,

1962
01:41:46.119 --> 01:41:47.319
<v Speaker 2>Like there's a betrayed him.

1963
01:41:47.600 --> 01:41:50.600
<v Speaker 1>Yeah. Yeah, but there's like a tenderness here. Yeah, that

1964
01:41:50.600 --> 01:41:51.279
<v Speaker 1>doesn't make sense.

1965
01:41:51.279 --> 01:41:56.800
<v Speaker 2>It doesn't quite but like, if anything, Phelps should be

1966
01:41:57.920 --> 01:42:03.319
<v Speaker 2>like like he doesn't even care that his wife is dead, right, Yeah,

1967
01:42:04.760 --> 01:42:06.119
<v Speaker 2>can't blame the Gideons for that.

1968
01:42:09.439 --> 01:42:13.319
<v Speaker 1>I it's funny. I really like this ending. It does

1969
01:42:13.399 --> 01:42:16.399
<v Speaker 1>feel different than what we do in most of the

1970
01:42:16.439 --> 01:42:19.439
<v Speaker 1>other movies. And maybe that even just comes because it's

1971
01:42:19.520 --> 01:42:20.640
<v Speaker 1>it's so green screeny.

1972
01:42:20.800 --> 01:42:24.159
<v Speaker 2>It's green screen and CG which you wouldn't nowadays Tom

1973
01:42:24.199 --> 01:42:27.399
<v Speaker 2>Cruise would be flying back and forth on top of

1974
01:42:27.399 --> 01:42:28.399
<v Speaker 2>a train for real.

1975
01:42:28.720 --> 01:42:32.439
<v Speaker 1>Yes, yes, and but I don't I don't mind it.

1976
01:42:32.479 --> 01:42:35.039
<v Speaker 1>I kind of love it. Actually, No, No, I think

1977
01:42:35.279 --> 01:42:35.960
<v Speaker 1>I think it works.

1978
01:42:36.000 --> 01:42:37.960
<v Speaker 2>I mean, the only thing we're holding it against it

1979
01:42:38.000 --> 01:42:39.680
<v Speaker 2>is just it's different from the way it would be

1980
01:42:39.840 --> 01:42:40.479
<v Speaker 2>with these movies.

1981
01:42:40.520 --> 01:42:42.640
<v Speaker 1>Now. Yeah, it tonally feels a little different, but it's

1982
01:42:42.760 --> 01:42:43.439
<v Speaker 1>really thrilling.

1983
01:42:43.840 --> 01:42:47.319
<v Speaker 2>No, well, and I think it's it's a good like

1984
01:42:47.399 --> 01:42:52.000
<v Speaker 2>that's really Tom Cruise doing that. Yeah, And so we say, okay, well,

1985
01:42:52.159 --> 01:42:55.520
<v Speaker 2>yeah he's not actually you know, he's not actually moving

1986
01:42:55.520 --> 01:42:57.920
<v Speaker 2>at two hundred miles an hour or whatever. It's still

1987
01:42:57.960 --> 01:42:59.960
<v Speaker 2>impressive that it's a real guy, it's not a digital

1988
01:43:00.000 --> 01:43:04.560
<v Speaker 2>stunt double. And they they the way they accomplished.

1989
01:43:04.560 --> 01:43:06.359
<v Speaker 1>This is pretty crazy. They used like a.

1990
01:43:07.880 --> 01:43:10.359
<v Speaker 2>Like a skydiving fan. What do you call the parachute fans?

1991
01:43:10.439 --> 01:43:12.039
<v Speaker 1>Is that what those are called? Sure, sure, I know

1992
01:43:12.079 --> 01:43:14.439
<v Speaker 1>what you're talking about. So you could it's enough gust

1993
01:43:14.600 --> 01:43:17.640
<v Speaker 1>that could simulate like you could be over it and

1994
01:43:17.640 --> 01:43:19.880
<v Speaker 1>be hovering in the air and practice skydiving.

1995
01:43:20.119 --> 01:43:22.720
<v Speaker 2>Yeah, exactly so, but it was like set up vertically,

1996
01:43:22.920 --> 01:43:28.159
<v Speaker 2>yeah or horizontally. Excuse me, And this is a lot

1997
01:43:28.159 --> 01:43:28.960
<v Speaker 2>of this is ILM.

1998
01:43:29.000 --> 01:43:31.880
<v Speaker 1>I'm pretty sure. Yeah, yeah, I think I saw. Yeah,

1999
01:43:31.880 --> 01:43:35.159
<v Speaker 1>the VFX supervisor was John Nole. Oh well there you go.

2000
01:43:35.199 --> 01:43:39.560
<v Speaker 2>Then definitely yeah, John Nole. He he of the premise.

2001
01:43:39.239 --> 01:43:39.920
<v Speaker 1>For Rogue one.

2002
01:43:40.079 --> 01:43:43.279
<v Speaker 2>By the way, Oh that was him. Huh that was him.

2003
01:43:43.439 --> 01:43:47.039
<v Speaker 1>Yeah, I remember that that that came internally, but yeah,

2004
01:43:47.039 --> 01:43:47.479
<v Speaker 1>that's cool.

2005
01:43:47.720 --> 01:43:51.159
<v Speaker 2>H So yeah, that that is the chunnel, which is

2006
01:43:51.199 --> 01:43:58.399
<v Speaker 2>the the tunnel between England and UH and France. So

2007
01:43:58.479 --> 01:44:03.520
<v Speaker 2>that makes sense why, like that's the the hard out,

2008
01:44:03.640 --> 01:44:06.119
<v Speaker 2>like they have to get the data before it goes

2009
01:44:06.159 --> 01:44:08.640
<v Speaker 2>into the channel because they're gonna be You're gonna be

2010
01:44:09.439 --> 01:44:10.359
<v Speaker 2>off grid for a.

2011
01:44:10.319 --> 01:44:16.399
<v Speaker 1>While, right right, Yeah, I love the idea, right, like

2012
01:44:16.640 --> 01:44:19.239
<v Speaker 1>he's gonna get away in this helicopter, but then Hunt

2013
01:44:19.880 --> 01:44:22.479
<v Speaker 1>connects the helicopter to the train, so he's forced to

2014
01:44:22.520 --> 01:44:25.439
<v Speaker 1>fly it into the tunnel. Yep. I just I love

2015
01:44:25.479 --> 01:44:27.720
<v Speaker 1>helicopters in general because they're so cool looking. But it

2016
01:44:27.760 --> 01:44:30.239
<v Speaker 1>makes me think of, you know, like Terminator two and

2017
01:44:30.279 --> 01:44:33.600
<v Speaker 1>how amazing it is when it goes underneath that high

2018
01:44:33.600 --> 01:44:36.439
<v Speaker 1>way and it's right, yeah, something really cool about that.

2019
01:44:36.720 --> 01:44:39.399
<v Speaker 2>And of course, yeah, you know, the exterior stuff actually

2020
01:44:39.399 --> 01:44:39.960
<v Speaker 2>look pretty good.

2021
01:44:40.000 --> 01:44:41.199
<v Speaker 1>It's when they get into the tunnel.

2022
01:44:41.560 --> 01:44:44.000
<v Speaker 2>Into the tunnel. Yeah, it's a little taper.

2023
01:44:43.760 --> 01:44:46.920
<v Speaker 1>Realistic, but but you know, I love it. And and

2024
01:44:47.039 --> 01:44:50.359
<v Speaker 1>Danny Elfman is going full Alfman during this yep, you know,

2025
01:44:50.439 --> 01:44:53.479
<v Speaker 1>like really frenzied sounding music, and it's just I don't know,

2026
01:44:53.520 --> 01:44:55.600
<v Speaker 1>this just it really gets my blood pumping.

2027
01:44:56.279 --> 01:44:58.199
<v Speaker 2>Well and and and we said it before, but I

2028
01:44:58.239 --> 01:45:02.159
<v Speaker 2>mean the Shift Friend Mission Possible theme is such a banger,

2029
01:45:03.560 --> 01:45:07.319
<v Speaker 2>and it's so perfectly suited to so many different kinds

2030
01:45:07.319 --> 01:45:08.399
<v Speaker 2>of action sequences.

2031
01:45:08.520 --> 01:45:16.359
<v Speaker 1>Yeah, yeah, you're right, like kind of skulking around, spying whatever,

2032
01:45:16.399 --> 01:45:17.880
<v Speaker 1>you could use it. But you could also use it

2033
01:45:17.960 --> 01:45:20.600
<v Speaker 1>for triumph, yeah, or or.

2034
01:45:20.560 --> 01:45:25.520
<v Speaker 2>Or Garth Algar about about it tas a guy or

2035
01:45:25.560 --> 01:45:28.119
<v Speaker 2>whatever you do. That's right.

2036
01:45:28.199 --> 01:45:29.039
<v Speaker 1>I forgot about that.

2037
01:45:30.920 --> 01:45:35.720
<v Speaker 2>Oh my gosh, I love that movie so much. Also paramounts.

2038
01:45:35.720 --> 01:45:37.079
<v Speaker 2>I guess that makes sense. They probably didn't have to

2039
01:45:37.079 --> 01:45:37.479
<v Speaker 2>pay anything.

2040
01:45:37.520 --> 01:45:44.880
<v Speaker 1>Oh genius. I don't think about that. But yeah, I

2041
01:45:44.880 --> 01:45:46.840
<v Speaker 1>mean that's the thing. Right, So, like the backgrounds look

2042
01:45:46.880 --> 01:45:51.000
<v Speaker 1>a little wonky, but yeah, seeing Tom Cruise literally having

2043
01:45:51.039 --> 01:45:55.439
<v Speaker 1>his cheeks flap, Yeah, there is still a palpable you know,

2044
01:45:55.560 --> 01:45:56.960
<v Speaker 1>sense of like peril here.

2045
01:45:57.840 --> 01:46:00.319
<v Speaker 2>That Well, that's what you realize is that is that

2046
01:46:00.399 --> 01:46:03.159
<v Speaker 2>the whole notion of Tom Cruise, you know, quote unquote

2047
01:46:03.199 --> 01:46:06.520
<v Speaker 2>doing it for real, which is used as a selling

2048
01:46:06.560 --> 01:46:10.439
<v Speaker 2>point for these theater ones. It's what makes them value added. Yeah,

2049
01:46:10.520 --> 01:46:15.840
<v Speaker 2>because it's something so different from other movies. Right, But

2050
01:46:16.520 --> 01:46:20.279
<v Speaker 2>I think that you know, audience that are willing to

2051
01:46:20.279 --> 01:46:22.479
<v Speaker 2>go along with it. Like I don't think we necessarily

2052
01:46:22.520 --> 01:46:24.760
<v Speaker 2>need that, Like I don't need Tom Cruise to put

2053
01:46:24.800 --> 01:46:25.880
<v Speaker 2>his life at risk.

2054
01:46:26.079 --> 01:46:29.560
<v Speaker 1>If you know. No, But I appreciate it. I appreciate

2055
01:46:29.600 --> 01:46:31.800
<v Speaker 1>the effort. It's nice of him. It's something I've come

2056
01:46:31.920 --> 01:46:36.560
<v Speaker 1>to look forward to. But yeah, in this with this movie,

2057
01:46:36.560 --> 01:46:40.239
<v Speaker 1>I wasn't missing it because I'm just enjoying figuring out

2058
01:46:40.279 --> 01:46:44.600
<v Speaker 1>how he's going to get out of this. By the way,

2059
01:46:44.600 --> 01:46:48.359
<v Speaker 1>I love that moment where Hunt is on the windshield

2060
01:46:48.359 --> 01:46:52.880
<v Speaker 1>of the train and Renault is like inching toward him

2061
01:46:53.399 --> 01:46:56.840
<v Speaker 1>to try to decapitate him with the blade of the helicopter,

2062
01:46:57.039 --> 01:46:59.119
<v Speaker 1>and he's got this look on his face. It's just

2063
01:46:59.159 --> 01:47:02.039
<v Speaker 1>so like almost like blank and almost like.

2064
01:47:03.079 --> 01:47:04.239
<v Speaker 2>What will this? What will this?

2065
01:47:04.359 --> 01:47:06.079
<v Speaker 1>Do? You know? Like he's you know what I'm saying.

2066
01:47:06.079 --> 01:47:08.119
<v Speaker 1>It's like this really kind of dark look on his face.

2067
01:47:08.119 --> 01:47:13.960
<v Speaker 2>It's see I think instead of saying red light, green light, Yeah,

2068
01:47:14.000 --> 01:47:16.560
<v Speaker 2>he should have been like costal Asanya. They don't get

2069
01:47:16.600 --> 01:47:19.359
<v Speaker 2>any Anya right.

2070
01:47:19.520 --> 01:47:22.920
<v Speaker 1>It's a tribute to his fallen in honor of Jack.

2071
01:47:22.960 --> 01:47:23.960
<v Speaker 2>I think that would have been better.

2072
01:47:25.680 --> 01:47:27.920
<v Speaker 1>Could they have cast a better guy for a funny

2073
01:47:27.960 --> 01:47:32.479
<v Speaker 1>face leading to someone passing out? That guy was born

2074
01:47:32.680 --> 01:47:40.560
<v Speaker 1>to play that. This is his moment. Yeah, he looks like, uh,

2075
01:47:40.720 --> 01:47:43.960
<v Speaker 1>you know Wallison Grammet Like he looks like a Watson

2076
01:47:43.960 --> 01:47:47.079
<v Speaker 1>Grammic character. I'm saying this all affectionately. Now I'm feeling

2077
01:47:47.159 --> 01:47:49.640
<v Speaker 1>very bad that I about it. We love Walson Grammt.

2078
01:47:49.680 --> 01:47:54.079
<v Speaker 2>Yeah, yeah, I think I I I can't remember if

2079
01:47:54.079 --> 01:47:56.600
<v Speaker 2>I said this on the show, but but first of all,

2080
01:47:56.640 --> 01:47:58.319
<v Speaker 2>I love the Kid Trich character, so I was glad

2081
01:47:58.319 --> 01:48:00.840
<v Speaker 2>to see him back. But I remember somebody put a

2082
01:48:00.960 --> 01:48:04.680
<v Speaker 2>video together where it was the scene the opening scene

2083
01:48:04.720 --> 01:48:09.439
<v Speaker 2>from Dead Reckoning that that reintroduces Kittridge and you know,

2084
01:48:09.560 --> 01:48:12.680
<v Speaker 2>cause it's kind of a reveal in the in the film, right, Yeah,

2085
01:48:12.760 --> 01:48:18.600
<v Speaker 2>and somebody added the audio from the audience watching Avengers

2086
01:48:18.720 --> 01:48:21.119
<v Speaker 2>Endgame when that is the.

2087
01:48:21.079 --> 01:48:24.439
<v Speaker 1>Hammer, and yeah it is.

2088
01:48:24.680 --> 01:48:26.840
<v Speaker 2>It's so funny because it's like you get this either

2089
01:48:26.920 --> 01:48:28.800
<v Speaker 2>camera slowly moving and then you see it and then

2090
01:48:28.800 --> 01:48:35.039
<v Speaker 2>you hear somebody like no way, and it's just Henry

2091
01:48:35.119 --> 01:48:38.079
<v Speaker 2>Churney sitting on a chair, and I'm just like, I

2092
01:48:38.119 --> 01:48:38.720
<v Speaker 2>love that the.

2093
01:48:38.640 --> 01:48:40.039
<v Speaker 1>Internet allows for that.

2094
01:48:40.479 --> 01:48:44.920
<v Speaker 2>Yeah, something so specifically kooky. Yeah, yeah, it just makes

2095
01:48:44.960 --> 01:48:45.319
<v Speaker 2>me laugh.

2096
01:48:45.840 --> 01:48:48.239
<v Speaker 1>I know. It just I don't know all the shorthands

2097
01:48:48.239 --> 01:48:51.960
<v Speaker 1>we have now, you know exactly. I can't remember if

2098
01:48:51.960 --> 01:48:53.880
<v Speaker 1>we talked about this on mic or off or whatever,

2099
01:48:53.920 --> 01:48:55.880
<v Speaker 1>but I was or maybe it was I can't remember

2100
01:48:55.880 --> 01:48:57.920
<v Speaker 1>if it was you and I even, but I was saying,

2101
01:48:58.119 --> 01:48:59.880
<v Speaker 1>you know, when we were growing up, we used to

2102
01:49:00.000 --> 01:49:03.399
<v Speaker 1>communicate with each other via movie quotes. Yes, that was

2103
01:49:03.439 --> 01:49:06.800
<v Speaker 1>our shorthand Simpsons quotes especially, but no one else did

2104
01:49:06.800 --> 01:49:08.000
<v Speaker 1>and they thought we were weird, Like, how do you

2105
01:49:08.079 --> 01:49:11.520
<v Speaker 1>remember all that stuff? Right? But now with memes and

2106
01:49:11.560 --> 01:49:15.319
<v Speaker 1>gifts and whatever, everybody communicates with movie quotes and pop

2107
01:49:15.319 --> 01:49:17.239
<v Speaker 1>culture moments, and you know what, isn't that kind of

2108
01:49:17.239 --> 01:49:20.680
<v Speaker 1>funny how things have changed? That is?

2109
01:49:20.760 --> 01:49:23.479
<v Speaker 2>Yeah, yeah, I mean that's just the reality we live

2110
01:49:23.479 --> 01:49:23.840
<v Speaker 2>in now.

2111
01:49:24.000 --> 01:49:30.520
<v Speaker 1>Yeah. So's he's out until they pull him back in.

2112
01:49:31.000 --> 01:49:31.520
<v Speaker 2>That's right.

2113
01:49:33.960 --> 01:49:35.840
<v Speaker 1>This is kind of a funny concept. I don't remember

2114
01:49:35.840 --> 01:49:37.680
<v Speaker 1>this watching a movie on a plane with your own

2115
01:49:37.720 --> 01:49:38.640
<v Speaker 1>little cassette.

2116
01:49:39.359 --> 01:49:41.800
<v Speaker 2>Yeah, I just assumed it was like a rich people thing.

2117
01:49:42.000 --> 01:49:44.000
<v Speaker 1>Oh, that must he of course he must be in

2118
01:49:44.039 --> 01:49:46.279
<v Speaker 1>first class because it used to be there was just

2119
01:49:46.479 --> 01:49:48.520
<v Speaker 1>TVs hanging from the ceiling and you all had to

2120
01:49:48.560 --> 01:49:51.840
<v Speaker 1>watch the same thing. Yeah, and the TVs were like,

2121
01:49:52.119 --> 01:49:56.359
<v Speaker 1>you know, thirteen inch TVs. It wasn't like it was

2122
01:49:56.399 --> 01:49:59.840
<v Speaker 1>really difficult. It's so true.

2123
01:50:01.119 --> 01:50:04.119
<v Speaker 2>So this is this is like the the the U

2124
01:50:04.159 --> 01:50:05.039
<v Speaker 2>two remix.

2125
01:50:05.199 --> 01:50:05.800
<v Speaker 1>It's not you two.

2126
01:50:05.880 --> 01:50:08.319
<v Speaker 2>It's like a couple of band members from YouTube Dale Die.

2127
01:50:09.439 --> 01:50:11.560
<v Speaker 2>Remember he's the he was the he We just talked

2128
01:50:11.600 --> 01:50:14.199
<v Speaker 2>about him a couple of months ago. He was in Outbreak.

2129
01:50:15.119 --> 01:50:18.079
<v Speaker 2>He's he's like the military guy that that Donald Sutherland

2130
01:50:18.079 --> 01:50:19.000
<v Speaker 2>is shopping all over.

2131
01:50:19.119 --> 01:50:22.800
<v Speaker 1>Oh yeah, wait, who who's he in this? I didn't

2132
01:50:22.800 --> 01:50:25.520
<v Speaker 1>even clock him. He must be one of the one

2133
01:50:25.560 --> 01:50:28.319
<v Speaker 1>of Kittridge's peeps. Yeah, oh well good friend.

2134
01:50:28.760 --> 01:50:33.319
<v Speaker 2>Yeah yeah. This is a remix by a couple of

2135
01:50:33.319 --> 01:50:34.159
<v Speaker 2>the YouTube band members.

2136
01:50:34.159 --> 01:50:34.880
<v Speaker 1>I don't remember who.

2137
01:50:35.359 --> 01:50:38.279
<v Speaker 2>Yeah, but it was like getting all kinds of airplayer.

2138
01:50:38.279 --> 01:50:40.680
<v Speaker 1>I remember that. Yeah, yeah, yeah, And I'm.

2139
01:50:40.520 --> 01:50:41.840
<v Speaker 2>Pretty sure they want a Grammy for it.

2140
01:50:43.119 --> 01:50:43.399
<v Speaker 1>Uh.

2141
01:50:44.199 --> 01:50:46.000
<v Speaker 2>Yet, in my opinion, it's still like one of the

2142
01:50:46.039 --> 01:50:47.439
<v Speaker 2>most dated parts of this movie.

2143
01:50:47.880 --> 01:50:50.720
<v Speaker 1>Yeah, agreed, Yeah, it's kind of nineties.

2144
01:50:51.760 --> 01:50:54.720
<v Speaker 2>It's it's less dated than the Limp Biscuit version.

2145
01:50:55.279 --> 01:50:57.520
<v Speaker 1>I love that. He just like not only what was

2146
01:50:57.560 --> 01:50:57.880
<v Speaker 1>that like?

2147
01:50:58.640 --> 01:51:01.439
<v Speaker 2>I don't know why you want to hate? Yeah, kind

2148
01:51:01.479 --> 01:51:05.199
<v Speaker 2>of a thing that feels like a biblical punishment. Honestly,

2149
01:51:07.119 --> 01:51:08.239
<v Speaker 2>we have punished for something.

2150
01:51:08.560 --> 01:51:10.920
<v Speaker 1>But you know what, though, I'm sure in the moment

2151
01:51:10.920 --> 01:51:13.640
<v Speaker 1>I thought it was awesome hearing like these like metal

2152
01:51:13.680 --> 01:51:17.680
<v Speaker 1>guitars playing the Mission Impossible riff, So like, you know,

2153
01:51:18.399 --> 01:51:19.039
<v Speaker 1>I'll accept that.

2154
01:51:19.880 --> 01:51:23.600
<v Speaker 2>Well, well, here's my question of whether you'll accept something.

2155
01:51:23.920 --> 01:51:26.800
<v Speaker 2>Will you accept talking through Mission Impossible too? At some

2156
01:51:26.920 --> 01:51:28.319
<v Speaker 2>point in the near future.

2157
01:51:28.439 --> 01:51:32.000
<v Speaker 1>You know what It's funny because my very very first

2158
01:51:32.000 --> 01:51:34.560
<v Speaker 1>thought is ugh. But on the other hand, I think

2159
01:51:34.600 --> 01:51:35.479
<v Speaker 1>that will be a blast.

2160
01:51:35.880 --> 01:51:40.199
<v Speaker 2>I feel like we've embarked on a series of missions

2161
01:51:40.239 --> 01:51:43.039
<v Speaker 2>now where we'll be popping in with these movies and

2162
01:51:43.479 --> 01:51:46.159
<v Speaker 2>kind of offering our retrospective takes on them.

2163
01:51:46.199 --> 01:51:48.840
<v Speaker 1>You know, I'm into it. I love these movies, so yeah,

2164
01:51:48.840 --> 01:51:51.079
<v Speaker 1>I'd like to a good excuse to go through them

2165
01:51:51.119 --> 01:51:51.520
<v Speaker 1>all again.

2166
01:51:52.199 --> 01:51:57.119
<v Speaker 2>It it it's something that if you would have told

2167
01:51:57.159 --> 01:51:59.600
<v Speaker 2>me in nineteen ninety six that yeah, no, no, thirty

2168
01:51:59.680 --> 01:52:03.000
<v Speaker 2>years later, they're still going to be making these Yeah,

2169
01:52:02.720 --> 01:52:06.199
<v Speaker 2>I I I don't think I would have even considered

2170
01:52:06.239 --> 01:52:09.039
<v Speaker 2>that as a possibility, right with Tom Cruise, and they're

2171
01:52:09.079 --> 01:52:11.079
<v Speaker 2>going to get even better, that's right.

2172
01:52:11.239 --> 01:52:13.479
<v Speaker 1>Yeah, remarkable, you know. Yeah.

2173
01:52:13.560 --> 01:52:19.439
<v Speaker 2>Uh. And and yet I think that they offer something

2174
01:52:19.520 --> 01:52:22.239
<v Speaker 2>that's sort of unique in in the you know, in

2175
01:52:22.279 --> 01:52:26.239
<v Speaker 2>the in the film industry these days, where it's it's

2176
01:52:26.319 --> 01:52:27.920
<v Speaker 2>just it's unabashed spectacle.

2177
01:52:28.359 --> 01:52:28.560
<v Speaker 1>Yeah.

2178
01:52:28.880 --> 01:52:33.399
<v Speaker 2>And it feels like by virtue of the Bond films

2179
01:52:33.439 --> 01:52:37.279
<v Speaker 2>over the last you know whatever. Yeah, since since since

2180
01:52:37.279 --> 01:52:43.960
<v Speaker 2>the Craig era, they've taken a different trajectory. These these

2181
01:52:44.000 --> 01:52:46.439
<v Speaker 2>movies have filled a certain void.

2182
01:52:49.199 --> 01:52:52.199
<v Speaker 1>Yeah, that's a spectacle. You know, you're totally right. I

2183
01:52:52.199 --> 01:52:54.840
<v Speaker 1>can't think of anything else quite like this or and

2184
01:52:54.920 --> 01:52:58.560
<v Speaker 1>if it is, there's sort of a sci fi you know,

2185
01:52:58.880 --> 01:53:01.119
<v Speaker 1>sheen to it or something. Yeah.

2186
01:53:01.199 --> 01:53:03.800
<v Speaker 2>Yeah, that's a good point. They kind of stand alone,

2187
01:53:03.840 --> 01:53:04.640
<v Speaker 2>don't they.

2188
01:53:04.680 --> 01:53:05.279
<v Speaker 1>They really do.

2189
01:53:05.399 --> 01:53:09.399
<v Speaker 2>So you know, whether Tom Cruise sticks around or not,

2190
01:53:09.479 --> 01:53:11.960
<v Speaker 2>and whoever ends up replacing him, if that happens, it

2191
01:53:11.960 --> 01:53:13.920
<v Speaker 2>would be a shame for the series to go away

2192
01:53:13.960 --> 01:53:16.279
<v Speaker 2>because I think I think people are in the mood

2193
01:53:16.319 --> 01:53:17.199
<v Speaker 2>for something like this, you know.

2194
01:53:18.319 --> 01:53:20.840
<v Speaker 1>Yeah, I know the last one didn't perform like the

2195
01:53:20.880 --> 01:53:23.760
<v Speaker 1>most successful ones, but people do still turn up for them,

2196
01:53:23.800 --> 01:53:27.199
<v Speaker 1>and it does seem like people enjoy them. So, you know,

2197
01:53:27.640 --> 01:53:30.079
<v Speaker 1>I don't know, calibrate your budgets a little bit, and yeah,

2198
01:53:30.079 --> 01:53:31.039
<v Speaker 1>hopefully keep making these.

2199
01:53:31.239 --> 01:53:32.840
<v Speaker 2>That's really what it comes down to. I mean, they

2200
01:53:33.159 --> 01:53:34.920
<v Speaker 2>spent just a kajillion dollars.

2201
01:53:35.600 --> 01:53:37.760
<v Speaker 1>That was a weird one because that was a COVID film, right,

2202
01:53:38.039 --> 01:53:39.880
<v Speaker 1>and they had to keep shutting down and starting up

2203
01:53:39.920 --> 01:53:41.560
<v Speaker 1>and shutting down and starting up. Yeah.

2204
01:53:41.600 --> 01:53:44.079
<v Speaker 2>Tom Cruise wasn't having it. He was screaming at folks.

2205
01:53:44.279 --> 01:53:47.800
<v Speaker 1>I remember that. Yeah, right, I'm like.

2206
01:53:47.800 --> 01:53:51.880
<v Speaker 2>The man just wants to save cinema. I know, put

2207
01:53:51.920 --> 01:53:57.239
<v Speaker 2>your mask on you Damn Gideon. Won't you let him

2208
01:53:57.279 --> 01:53:59.239
<v Speaker 2>save cinema?

2209
01:53:59.319 --> 01:54:02.039
<v Speaker 1>He's a good boy exactly.

2210
01:54:04.520 --> 01:54:07.600
<v Speaker 2>But yeah, hey, well those are our thoughts on Mission

2211
01:54:07.600 --> 01:54:09.439
<v Speaker 2>Impossible from nineteen ninety six. So it tell us what

2212
01:54:09.439 --> 01:54:11.319
<v Speaker 2>you think. You can email us at Moviefilm Podcast at

2213
01:54:11.319 --> 01:54:12.800
<v Speaker 2>gmail dot com. You can also hit like on our

2214
01:54:12.800 --> 01:54:15.760
<v Speaker 2>Facebook page Facebook dot com slash Movie Film Podcast and

2215
01:54:15.880 --> 01:54:19.039
<v Speaker 2>message us there. As always, please go to Apple Podcasts

2216
01:54:19.039 --> 01:54:20.520
<v Speaker 2>and leave a review, leave a star rating.

2217
01:54:20.560 --> 01:54:22.319
<v Speaker 1>Every little bit helps and we would love.

2218
01:54:22.199 --> 01:54:25.399
<v Speaker 2>To have you show your support for this show. Speaking

2219
01:54:25.439 --> 01:54:26.840
<v Speaker 2>of showing support for the show, we also have a

2220
01:54:26.840 --> 01:54:28.399
<v Speaker 2>Patreon page, Brian, that's right.

2221
01:54:28.600 --> 01:54:31.399
<v Speaker 1>If you head over to Patreon dot com slash Moviefilm

2222
01:54:31.439 --> 01:54:34.560
<v Speaker 1>Podcast and hit subscribe for only five dollars a month,

2223
01:54:34.600 --> 01:54:37.560
<v Speaker 1>you'll find every commentary we've ever done in every episode

2224
01:54:37.640 --> 01:54:41.439
<v Speaker 1>moving forward, absolutely ad free. This is our way of

2225
01:54:41.760 --> 01:54:43.880
<v Speaker 1>offering what we believe is the most satisfying way to

2226
01:54:43.880 --> 01:54:46.800
<v Speaker 1>listen to our show, no ads, no interruptions. Plus your

2227
01:54:46.800 --> 01:54:49.279
<v Speaker 1>subscription goes a long way and helping to support us

2228
01:54:49.399 --> 01:54:52.520
<v Speaker 1>and helping to sustain producing this show. So if you're

2229
01:54:52.560 --> 01:54:55.319
<v Speaker 1>interested in able, please head over to patreon dot com

2230
01:54:55.319 --> 01:54:57.920
<v Speaker 1>slash MOVIEFILM podcast and hit subscribe.

2231
01:54:57.960 --> 01:55:01.680
<v Speaker 2>We'd be very grateful and if you're looking for me online,

2232
01:55:01.720 --> 01:55:03.680
<v Speaker 2>you can find me on social media at Zaki's Corner.

2233
01:55:03.720 --> 01:55:07.000
<v Speaker 2>That's the Aki s Corner. You can also re married

2234
01:55:07.000 --> 01:55:09.279
<v Speaker 2>reviews at the San Francisco Chronicle and also at The

2235
01:55:09.319 --> 01:55:11.560
<v Speaker 2>Wrap and IGN Brian what About You.

2236
01:55:12.239 --> 01:55:15.560
<v Speaker 1>Episodes I've written of Young Jedi adventures, including new ones

2237
01:55:16.079 --> 01:55:18.800
<v Speaker 1>as of about a month ago, are available to stream

2238
01:55:18.840 --> 01:55:19.760
<v Speaker 1>on Disney Plus.

2239
01:55:20.239 --> 01:55:22.640
<v Speaker 2>There we go, and with that on behalf of my

2240
01:55:22.680 --> 01:55:24.359
<v Speaker 2>partner Brian Home. My name is Zachi Assad. This has

2241
01:55:24.359 --> 01:55:27.479
<v Speaker 2>been our movie from commentary track for Mission Impossible. We

2242
01:55:27.520 --> 01:55:28.319
<v Speaker 2>will catch you next time.

2243
01:55:28.359 --> 01:55:35.920
<v Speaker 1>Thanks folks. I staffed, it didn't I those stabbed Gideons
