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Speaker 1: Welcome to the Great Detectives of Old Time Radio from

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boy Sea, Idaho. This is your host, Adam Graham. In

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a moment, we're going to bring you this week's episode

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of Yours Truly Johnny Dollar. But first I want to

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encourage you, if you're enjoying the podcast, to please follow

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us using your favorite podcast software. And a reminder as

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you're making your travel plans, remember Johnny Dollar air dot com.

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It's a Priceline affiliate link. What part of your purchase

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price benefits of the Great Detectives of Old Time Radio

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at no additional costs to you. So remember when making

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your travel plans, check Johnny Dollar air dot com first.

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But now, from June seventh, nineteen fifty nine, here is

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the Wayward Heiress.

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Speaker 2: Matter Johnny Dollar.

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Speaker 3: This is Al Turner of New Britain Mutual.

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Speaker 2: Hi. Oh, what goes with you these days?

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Speaker 3: Johnny? One of our important clients is very anxious to

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get in touch with you. Says that she's an old

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friend of yours.

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Speaker 2: Oh who is that?

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Speaker 3: Her name is missus Virginia Haskell.

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Speaker 4: Virginia Hishkell. That's right, Sorry, Al, but I'm afraid I

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never heard of her before.

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Speaker 3: She got married about a year ago. Her name was Van.

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Speaker 4: Dooran, Jenny van Dorn. Yes, oh well, now that's something

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else again, and I mean something well, then you do

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know one of the most delinkable bits of feminine pokraitude

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up against Believe me, a young man's fancy didn't have

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to wait for spring to turn the thoughts of her.

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Speaker 3: Now what's that mean?

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Speaker 2: Ah ah?

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Speaker 4: Even I had serious ideas about that gallop one time.

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Oh yeah, right after college. Isn't every kid of that

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age intrigued by the idea of marrying into a fortune,

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and very beautiful at least she was when I know

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her still is Johnny. So she's married to somebody by

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the name of Haskell.

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Speaker 2: Huh, Gorton Haskell.

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Speaker 3: They live on Birchbrook Road down in Bronxville, New York.

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Speaker 4: Funny, what well when I knew her, that blonde charmer

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didn't have eyes for anybody but Paul Snowden.

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Speaker 2: Who's Paul Snowdon, child with sweetheight, that sort of thing.

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Poor boy making good on his own, you know, little bit.

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Speaker 3: I is too proud to marry her because of her money.

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Speaker 4: But she swore that she'd never marry anybody else. That

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he was her one true love. But I uh, I

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guess she changed her mind.

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Speaker 2: What does she want to see me about?

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Speaker 3: Al She didn't say. She did make it clear, however,

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that it has to do with some of the family insurance.

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Speaker 2: Well, that's as good an excess any then.

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Speaker 4: Do you want to run on down there for a

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longing look at the gorgeous Ginny van Durn, But it'll

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cost you money out listen, Johnny.

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Speaker 3: With the premiums we get for all the insurance she carries, life, house,

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property and so on.

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Speaker 2: The sky is a limit, brother, Have you stuck your

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neck out?

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Speaker 3: Well, no, that doesn't mean you have.

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Speaker 2: Albert. I'll be in touch.

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Speaker 4: Bob Bailey in the Intriguing Adventures of a Man with

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the Action Packed Expense Account, America's fabulous freelance insurance Investigators, Truly.

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Speaker 2: Johnny Dollar.

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Speaker 4: And now act one off yours, Truly Johnny Dollar. Expense

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account submitted by Special Investigator Johnny Dollar to the New

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Briton Mutual Insurance Company Home Office, Hartford, Connecticut, following as

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an account of expenses incurred during my investigation of the

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wayward Eras matter, I decided it might be handy to

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have my own car along for this one, so expens

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account had a one four dollars and a quarter for

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a tank full of gas. I picked up the freeway

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and headed south and west to fashionable Westchester County, New York.

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To me, Bronxville has always been one of New York's

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most charming suburbs. Only about twenty miles north of the

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big city. It's full of beautiful homes with lots of

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trees and expensive landscape properties.

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Speaker 2: There's a lot of wealth in Bronxville.

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Speaker 4: The Haskell home on Birchbrook Road was a huge English

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type of bear built of stone and stuccolm, the kind

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of place that lasts one hundred years, eighteen or twenty rooms,

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i'd guess, and surrounded by well kept lawns and flower gardens,

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oak and sycamore trees, and leatly trimmed hedges. Yep, a

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big hunkt of Andoran oil. Money must have gone into it,

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unless young Haskell was money rich Virginia, looking every bit

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as beautiful as I'd remembered her from college back in

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the Midwest, reading me like a long lost well brother.

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Speaker 5: Darn it, and Johnny, I'm so glad you could calm it.

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I'm worried, sick, worried about what Jenny Good and my husband.

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Speaker 2: Well, look, it's.

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Speaker 4: None of my business. But well, it kind of surprised

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me to learn you'd married somebody other than Paul.

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Speaker 5: Snowdon it's Paul who has me worried?

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Speaker 2: Johnny?

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Speaker 6: Oh, yes, Paul.

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Speaker 5: Well, back in the old dayes in college, I wasn't

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interested in anybody in the world, Paul.

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Speaker 2: I mean seriously, I remember the rest of us couldn't

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get the first base with you.

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Speaker 6: I loved him, Johnny.

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Speaker 5: I hope that as soon as he could get established

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from the business of some kind, he'd ask me to

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marry him.

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Speaker 2: Or what stopped him?

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Speaker 5: Jenny money and father died, and alivandah and Money came

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to me. Paul suddenly changed. He stopped seeing me, he

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even avoided me. So then I guess what I did

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was make a mistake. Oh was that I went to

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see him at his little plant there in Chicago.

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Speaker 2: Chicago, that's where we.

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Speaker 5: Were living then, And Johnny, the only reason he stayed

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there was to be close to me.

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Speaker 2: So you went to see him, yes, and.

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Speaker 6: I proposed to it all.

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Speaker 5: Also, Well, this was the big mistake I offered to

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finance the machine tool business that he was trying so

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hard to build up.

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Speaker 6: But he didn't like that and told me so.

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Speaker 5: I'm afraid there was quite a scene.

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Speaker 4: There, just been looking down your nose at me. All

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these years, it's been nothing but pity. Yeah, for timid

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little me needs help, maybe needs mothering by somebody who

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pities him, somebody who can afford to support me.

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Speaker 5: Paul, that isn't true.

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Speaker 4: And why do you come offering help, offering money. I

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don't want pity, somebody holding up my head for me.

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I've got to work this out alone. It may take

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me a long time, but I'm not gonna Oh. I'm sorry, Jenny,

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but don't you see I love you. I'll never love

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anybody else. Don't you understand I'll never get anywhere on

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your charity.

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Speaker 2: You're feeling sorry for me?

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Speaker 1: All right?

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Speaker 2: All right?

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Speaker 4: The less we see of each other now the better.

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Maybe sometime, but oh no, not now. Find somebody else, Jenny,

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somebody who.

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Speaker 2: Can give you the things you need want. Ah huh.

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A little too much pride for his own good.

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Speaker 5: I'd say it upset me terribly, Johnny, especially when he

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told me to go out and find somebody else, but

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I take it you did. Then Gordon came along, so

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it have caught me on the rebound. I guess tall,

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good looking. He fell in love with me the first

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time we ever met. I guess he kind of swept

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me off my feet.

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Speaker 2: But now that the honeymoon's over.

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Speaker 5: Him, he's been wonderful to me. And I love Gordon, Johnny.

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I love him very much as much as Paul, not

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perhaps in the same way, but we're very happy together

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and there's never been any straying attention because of this,

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this difference.

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Speaker 2: In our fortunes. Gordon isn't wealthy either.

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Speaker 6: Well he hasn't what I have, of course.

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Speaker 2: But he manages to get along.

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Speaker 5: And I'm being a good wife to him.

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Speaker 2: Oh, I'm sure you are, Jenny.

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Speaker 5: And don't you see if Paul, because of his jealousy,

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were to.

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Speaker 4: Kill Gordon Kenny, you mean you honestly believe he might.

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Speaker 5: Yes, that's exactly what I mean.

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Speaker 2: That's why I sent for good heavens gathered.

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Speaker 6: Johnny. You've got to stop him.

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Speaker 4: And I'll act two of yours, truly, Johnny Dollar and

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the wayward errors.

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Speaker 2: Matter all right now, Jenny, Listen to it.

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Speaker 5: It's true Johnny, I'm sure of it. Paul Snowden has

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come here to kill my husband.

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Speaker 2: He's He's told you as much.

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Speaker 5: Haven't you been listening to me? Maybe my marriage to

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Gordon was on the rebound, on the spur of the moment.

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Call it anything you liked, but it was Paul who

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turned me down.

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Speaker 2: At least for the time being.

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Speaker 5: I told you what he said.

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Speaker 4: And simply because of a misguided sense of pride because

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you had money and he did.

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Speaker 2: Yes.

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Speaker 4: Oh, how did Paul take it when he learned that

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you were going to marry Gordon?

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Speaker 2: I mean, he was terribly angry.

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Speaker 5: He made all.

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Speaker 2: Sorts of wild threads. That doesn't he.

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Speaker 5: Said that he would kill anybody else who married me,

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and he will, Johnny, Does he know Gordon?

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Speaker 4: He's never seen anybody wants to kill him. Oh, Jenny,

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that doesn't make any sense.

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Speaker 2: Don't you understand?

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Speaker 5: And it was to get away from Paul that Gordon

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and I came here to get married.

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Speaker 4: And settled down, or because you were afraid you might

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still be in love with Paul.

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Speaker 5: It isn't a very nice thing to say, Johny, But

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it could be true, couldn't.

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Speaker 4: It's Gordon in business here in the east.

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Speaker 5: Well, he I've helped him to start one, Johnny, a

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little importing business.

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Speaker 2: What did he do before, Jenny.

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Speaker 5: Well, his family had quite a bit of money. Once

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they lost it all in some bad speculations. And well,

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if you must know, Gordon just sort of played around

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for a while.

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Speaker 2: Did Paul know all this?

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Speaker 4: I don't know, because if he did, maybe you shouldn't

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blame the poor hard working guy for not liking that.

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Speaker 5: Gordon is good and he's good to me.

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Speaker 2: He's good to you. Seems to me you're the.

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Speaker 5: One who mustn't say that, Johnny, he is good to me.

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There's all I have now, only Paul hadn't found out

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where we've come to live.

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Speaker 4: Oh look, Jenny, I'm an insurance investigator, not a love

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counselor and otter.

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Speaker 5: Don't you believe me all I've told you? Or are

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you just trying to be very cold blooded about it?

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Speaker 2: Jenny?

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Speaker 5: All right, then this happens to be a cold blooded

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insurance matter, the simple reason that Gordon's life is insured.

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And if you have no heart, if all you can

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think about is business, all right, it's your job to

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keep Paul from killing Gordon.

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Speaker 4: Now, listen, Jenny, You've been married nearly a year. Nothing's happened,

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nothing at all. Yet now all of a.

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Speaker 5: Sudden, because Paul has come here. He telephoned me, and

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there can be only one reason why he's here.

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Speaker 2: I doubt that. But where is he in New York?

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Speaker 5: At a hotel?

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Speaker 2: Hotel? He didn't say what was he coming out here

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to the house.

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Speaker 5: He said he wouldn't come until he could be sure

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that Gordon was here, and then them to prepare for

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the worst.

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Speaker 2: Those were his very words, Johnny, prepare for the worst.

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Wasn't Gordon here when he fall?

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Speaker 5: Yes, But I didn't tell him that that was Gordon

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in March at the Beverly Arms, in hiding. In other words,

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I want him to stay there until something can be

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done about Paul.

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Speaker 2: That's all well.

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Speaker 5: If Paul so all fired to turn he is Johnny,

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he always was.

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Speaker 4: That could be a pretty admirable quality, Jenny, of course

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it is.

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Speaker 5: But when he's determined to do such a horrible Johnny, Johnny,

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I don't understand you the way you're taking all this.

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Are you going to help me or aren't you?

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Speaker 2: Yes? Yes, yes, okay, Jenny.

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Speaker 4: I'll see what I can do if by any chance

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what you suspect is true, if Paul really has come

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here to get it.

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Speaker 2: Of course he has.

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Speaker 5: Paul doesn't give up no matter what he's set out

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to do.

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Speaker 4: Which is to say that sooner or later, if you'd

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kept your head, if you hadn't gone off the deep end,

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if you had waited and married him.

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Speaker 2: Jenny, I know I should have.

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Speaker 5: I should have waited for him, no matter how long

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it took him.

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Speaker 2: Yeah. And what.

259
00:13:00,360 --> 00:13:02,799
Speaker 7: No, Johnny, I didn't mean that.

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00:13:04,320 --> 00:13:05,879
Speaker 5: I'm married to Gordon now and I.

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Speaker 4: Must protect Okay, Then the first thing to do is

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00:13:08,039 --> 00:13:08,799
get him over here.

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Speaker 5: Wow.

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00:13:09,360 --> 00:13:11,600
Speaker 4: Sure, if Paul staying under cover, it's the only way

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00:13:11,600 --> 00:13:12,399
to bring him out in the open.

266
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Speaker 2: But if anything happens to me, you say, it's my

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00:13:14,919 --> 00:13:23,360
job to see that it doesn't. I'll see you later. Yeah.

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00:13:23,480 --> 00:13:26,120
Speaker 4: Like I've said many times before, in this business of mine,

269
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you run into some real wilies, and.

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00:13:27,759 --> 00:13:29,919
Speaker 2: This was one of them. Made me feel like an.

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Speaker 4: Advice to the love shorn column. And it was pretty

272
00:13:32,960 --> 00:13:35,399
obvious that Ginny was still in love with Paul, that

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she was sorry she had married, and was supporting this

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Gordon Haskell, who, incidentally, he must have been a smart

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00:13:40,799 --> 00:13:42,720
cookie to have caught her on the rebound.

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Speaker 2: Latched onto her and her fortune. But she'd made her bed.

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Speaker 4: And buy Gully out of nothing but stubborn prize.

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Speaker 2: She was going to lie in it.

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Speaker 4: It was well after dark by the time I left her,

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and as I walked out to my car, I decided

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that what I'd better do first was to locate Paul

282
00:13:55,600 --> 00:13:59,000
Slowden somewhere in some hotel in New York City find

283
00:13:59,000 --> 00:14:02,399
out what this hold crazy affair was really all about. Then,

284
00:14:02,399 --> 00:14:04,320
as I reached for the door handle of my car,

285
00:14:04,799 --> 00:14:08,159
just a minute, huh, yeah, I've been.

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00:14:08,039 --> 00:14:10,960
Speaker 2: Waiting for you. Oh who are you?

287
00:14:11,440 --> 00:14:14,200
Speaker 4: As if I couldn't guess, mister, I found out all

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00:14:14,240 --> 00:14:14,840
about you.

289
00:14:14,919 --> 00:14:16,480
Speaker 2: Why you came here me?

290
00:14:17,679 --> 00:14:19,679
Speaker 4: Oh, if you don't believe me, take a look at

291
00:14:19,679 --> 00:14:22,240
these photostats from the police files and half a dozen

292
00:14:22,279 --> 00:14:23,000
Western states.

293
00:14:23,000 --> 00:14:26,000
Speaker 2: Well, I just take it easy. Let me put on

294
00:14:26,039 --> 00:14:28,039
the daish light so I can take a look at him.

295
00:14:28,080 --> 00:14:29,639
Speaker 4: You will have plenty of time to look at him

296
00:14:29,639 --> 00:14:35,720
when I'm through with you.

297
00:14:39,080 --> 00:14:43,159
Speaker 2: All right now, you want some more john.

298
00:14:44,519 --> 00:14:50,919
Speaker 5: Going on off here? Johnny Johnny?

299
00:14:52,639 --> 00:15:01,399
Speaker 2: Oh no, oh, you've done to Johnny Dollar.

300
00:15:04,559 --> 00:15:07,919
Speaker 6: Johnny, Dear, this is terrible.

301
00:15:09,720 --> 00:15:11,240
Speaker 2: Than exactly good.

302
00:15:11,399 --> 00:15:14,559
Speaker 5: That was, Paul. Yes, I figured you must have found

303
00:15:14,600 --> 00:15:17,200
out that I sent for you if I hadn't come

304
00:15:17,200 --> 00:15:18,720
out of the house to see what the noise was

305
00:15:18,720 --> 00:15:23,559
all about. Hulet don't you see, Johnny, Don't you believe

306
00:15:23,600 --> 00:15:26,000
me now when I say he's come here to kill Gordon?

307
00:15:26,919 --> 00:15:32,039
Speaker 2: Jenny, I guess if you didn't convince me, Paul has.

308
00:15:49,039 --> 00:15:59,720
Speaker 4: I'll act three of yours, truly, Johnny Dollar. I went

309
00:15:59,759 --> 00:16:01,840
back into the house for Jenny's help when a good

310
00:16:01,879 --> 00:16:04,759
stiff drink plus her tender menstruations brought me back to normal.

311
00:16:05,399 --> 00:16:07,519
I suppose I could make all sorts of excuses about

312
00:16:07,519 --> 00:16:10,440
having been caught off guard, but I won't. Paul Snowden

313
00:16:10,480 --> 00:16:11,919
had a good pair of fists, and he knew how

314
00:16:11,960 --> 00:16:14,080
to use him. My plan had been to call on

315
00:16:14,120 --> 00:16:16,200
the New York City Police for help in locating Paul,

316
00:16:16,320 --> 00:16:18,559
but now this had suddenly become a personal manner.

317
00:16:18,840 --> 00:16:22,440
Speaker 2: And yet, wait a minute, Jinny.

318
00:16:22,639 --> 00:16:24,519
Speaker 5: Yes, Johnny, are you feeling them?

319
00:16:24,519 --> 00:16:26,679
Speaker 4: Didn't you tell me that Paul and your husband Gordon

320
00:16:26,720 --> 00:16:29,000
didn't know each other, had never met? Yes, what about

321
00:16:29,039 --> 00:16:32,320
those papers, the follostats? And we've been thinking that Paul

322
00:16:32,440 --> 00:16:34,639
jumped me because he'd found out you'd called me in

323
00:16:34,679 --> 00:16:35,360
to protect Gordon.

324
00:16:35,440 --> 00:16:38,399
Speaker 2: Of course, Well, it just happens we were wrong, Johnny. Listen,

325
00:16:38,399 --> 00:16:39,200
I'll be right back.

326
00:16:39,879 --> 00:16:42,159
Speaker 5: But Johnny, he may still be out there somewhere.

327
00:16:42,240 --> 00:16:44,519
Speaker 4: I wouldn't be at all surprised, But Johnny, don't you.

328
00:16:49,279 --> 00:16:51,679
I found no sign of Paul or the papers he'd

329
00:16:51,720 --> 00:16:53,919
shoved at me, but I was certain that he was

330
00:16:53,960 --> 00:16:56,840
still in the neighborhood waiting, but not for me. I

331
00:16:56,919 --> 00:16:59,240
jumped into my car, drove away, and then circle around

332
00:16:59,279 --> 00:17:03,039
the block park sneaked into the house the back way.

333
00:17:04,240 --> 00:17:07,799
Speaker 5: Johnny, I thought it was Gordon coming in this back door.

334
00:17:07,920 --> 00:17:09,079
I phoned him that Paul.

335
00:17:08,920 --> 00:17:09,400
Speaker 8: Had been here.

336
00:17:09,519 --> 00:17:10,279
Speaker 2: Yeah, what'd he say?

337
00:17:10,519 --> 00:17:13,039
Speaker 5: Only that until Paul has taken care of he'd better

338
00:17:13,039 --> 00:17:14,920
get out of town. But Johnny, that's.

339
00:17:14,759 --> 00:17:19,000
Speaker 4: Such a oh great, And yet if he plans on

340
00:17:19,039 --> 00:17:21,720
being away for any length of time, excuse.

341
00:17:21,319 --> 00:17:22,640
Speaker 2: Me a minute.

342
00:17:25,960 --> 00:17:28,119
Speaker 4: Yeah, there was a chance, a bare chance, that this

343
00:17:28,160 --> 00:17:30,119
whole thing could come to a head very quickly with

344
00:17:30,160 --> 00:17:32,559
a bit of luck. I opened the front door and

345
00:17:32,599 --> 00:17:38,079
then called out into the darkness beyond the porch, Well, Paul, Snowden,

346
00:17:39,240 --> 00:17:42,519
this is Johnny Dollar. If you're out there, stick around now.

347
00:17:42,599 --> 00:17:47,359
Speaker 2: Listen. I'm leaving this front door unlocked, so use your

348
00:17:47,359 --> 00:17:48,000
own judgment.

349
00:17:52,079 --> 00:17:54,480
Speaker 4: I went back into the library, and standing there with

350
00:17:54,559 --> 00:17:57,000
Jenny was a man a few years older, slightly gray

351
00:17:57,000 --> 00:17:59,559
around the temples. He had a worried, furtive look about

352
00:17:59,599 --> 00:18:02,400
his eyes. He was momentarily startled when I walked.

353
00:18:02,200 --> 00:18:06,319
Speaker 5: In on Johnny Gordon. This is Johnny Dollar.

354
00:18:06,799 --> 00:18:08,359
Speaker 2: Hi, Gordon, you sneaked.

355
00:18:08,000 --> 00:18:09,240
Speaker 5: In the back way.

356
00:18:09,279 --> 00:18:12,079
Speaker 7: I'm not staying around to get killed, Allison.

357
00:18:12,160 --> 00:18:13,920
Speaker 5: Virginia, Gordon, it'll be all right now.

358
00:18:14,079 --> 00:18:16,480
Speaker 2: No. I don't know who Dollar is or why.

359
00:18:16,279 --> 00:18:18,759
Speaker 7: You called him in, but I'm not staying around here

360
00:18:18,799 --> 00:18:20,559
with Paul snowed and gunning for me.

361
00:18:20,680 --> 00:18:22,640
Speaker 2: You're afraid of him, Gordon, wouldn't you be?

362
00:18:23,480 --> 00:18:26,240
Speaker 7: Come on, Virginia, open up the safe. You've got plenty

363
00:18:26,240 --> 00:18:28,960
of money in it. I know, come on, get it for.

364
00:18:29,000 --> 00:18:31,759
Speaker 2: Me, Give it to me to run away like this. Oh,

365
00:18:31,799 --> 00:18:35,279
because Paul wouldn't run away. You know that isn't what I.

366
00:18:35,359 --> 00:18:37,920
Speaker 7: Give me the money, Virginia, or do you want a dead.

367
00:18:37,799 --> 00:18:39,000
Speaker 4: Husband on your hands?

368
00:18:39,680 --> 00:18:41,200
Speaker 2: Well, I listen, Gordon, you listen.

369
00:18:41,240 --> 00:18:42,279
Speaker 7: This is none of your business.

370
00:18:42,279 --> 00:18:44,480
Speaker 2: I wouldn't be too sure of that. Well I am Virginia.

371
00:18:44,559 --> 00:18:45,279
Not just a minute.

372
00:18:45,279 --> 00:18:46,359
Speaker 3: Will you keep out of this?

373
00:18:46,559 --> 00:18:50,480
Speaker 2: Ah? Oh, yes you will. You see what I mean.

374
00:18:50,680 --> 00:18:53,039
I'm not gunn give me that money so I can.

375
00:18:52,960 --> 00:18:56,200
Speaker 4: Save my life with that thing down, Gordon, stand back, Dollar,

376
00:18:56,200 --> 00:18:57,240
I'll pull this trigger.

377
00:18:57,440 --> 00:19:10,480
Speaker 9: Brother, that's what you think. Yes, thanks, Paul.

378
00:19:14,039 --> 00:19:15,319
Speaker 4: I ain't low Dollar.

379
00:19:16,319 --> 00:19:18,799
Speaker 2: I'm afraid he'll live. Yeah, he'll be okay.

380
00:19:19,519 --> 00:19:22,119
Speaker 4: Should have killed him, I guess, but I'd rather see

381
00:19:22,160 --> 00:19:23,160
him face the courts. O.

382
00:19:23,279 --> 00:19:24,359
Speaker 5: What are you talking about?

383
00:19:24,440 --> 00:19:28,880
Speaker 4: Those photo statue have Yeah, police files all over the West.

384
00:19:29,720 --> 00:19:31,839
He has a record as long as your arm under

385
00:19:31,920 --> 00:19:36,200
various names. Wealthy women married them, took their money. Oh no,

386
00:19:38,000 --> 00:19:40,759
and some of them. Well, he killed.

387
00:19:40,599 --> 00:19:42,400
Speaker 6: Him, Paul.

388
00:19:42,480 --> 00:19:44,920
Speaker 2: I didn't know. I didn't know.

389
00:19:45,319 --> 00:19:48,400
Speaker 4: I'm sorry Dollar about what happened outside earlier. But in

390
00:19:48,440 --> 00:19:50,000
the darkness I thought you were Gordon.

391
00:19:50,200 --> 00:20:00,440
Speaker 2: It's okay, Paul, You've more than made up for it. Well,

392
00:20:01,599 --> 00:20:04,319
maybe Paul and Jenny will finally get together for keeps.

393
00:20:04,359 --> 00:20:05,440
Speaker 8: I don't know.

394
00:20:05,720 --> 00:20:08,319
Speaker 2: I don't even know whether I care. I'm just glad

395
00:20:08,319 --> 00:20:10,599
I wasn't involved, that is any more than I was.

396
00:20:11,880 --> 00:20:14,559
Speaker 4: Expense account total including manager, my car back to Hartford,

397
00:20:14,680 --> 00:20:31,880
A lousy ten Bucks. Yours truly, Johnny Dollar. Our star

398
00:20:32,000 --> 00:20:36,000
will return in just a moment. Now here's our star

399
00:20:36,119 --> 00:20:38,680
to tell you about next week's story. Next week, a

400
00:20:38,880 --> 00:20:42,559
sweet little old lady involved in one of the dirtiest

401
00:20:42,599 --> 00:20:47,519
rackets I know. Join us, won't you? Yours truly Johnny Dellar.

402
00:20:59,319 --> 00:21:03,920
Yours True Johnny Dollar, starring Bob Bailey, originates in Hollywood

403
00:21:04,200 --> 00:21:08,240
and has written, produced and directed by Jack Johnstone. Heard

404
00:21:08,279 --> 00:21:11,519
in our cast were Virginia greg Les, Tremaine, Sam Edwards

405
00:21:11,559 --> 00:21:12,640
and James mccallian.

406
00:21:13,559 --> 00:21:15,039
Speaker 2: Be sure to join us next.

407
00:21:14,799 --> 00:21:18,599
Speaker 4: Week, same time and station for another exciting story of

408
00:21:18,680 --> 00:21:19,839
Yours Truly.

409
00:21:20,000 --> 00:21:26,519
Speaker 2: Johnny Dollar. This is Dan cobberly speaking.

410
00:21:29,720 --> 00:21:35,279
Speaker 1: Welcome back Wow this episode. As John Abbott notes in

411
00:21:35,319 --> 00:21:38,640
his book The Who Is Johnny Dollar Matter, this is

412
00:21:38,720 --> 00:21:44,640
the only episode that references Johnny going to and presumemently graduating.

413
00:21:44,759 --> 00:21:48,759
Call its now. Don't ask me where exactly we could

414
00:21:48,759 --> 00:21:53,240
fit this around the other facts that have been shared

415
00:21:53,279 --> 00:21:58,240
in the past. But let's do some math here. Johnny

416
00:21:58,480 --> 00:22:02,200
is at the very lead in his thirties, like a

417
00:22:02,200 --> 00:22:04,880
lot of men in that era. Maybe he didn't go

418
00:22:04,960 --> 00:22:10,000
to college until after serving in the war. And let's

419
00:22:10,160 --> 00:22:14,720
just imagine that Johnny went to college and graduate reasonably.

420
00:22:14,759 --> 00:22:18,359
Will assume class of nineteen fifty, and like a lot

421
00:22:18,480 --> 00:22:21,559
of gis, he was older than his classmates. I don't

422
00:22:21,599 --> 00:22:25,640
think you could reasonably have him graduating any later than that,

423
00:22:25,759 --> 00:22:28,759
given his experience in the industry, et cetera. Now, if

424
00:22:28,880 --> 00:22:31,680
Jenny was in the same class, that would mean she

425
00:22:32,200 --> 00:22:36,079
also graduated in nineteen fifty. Let's just assume that is

426
00:22:36,079 --> 00:22:40,599
her baseline. Now, the insurance agent said that Jenny had

427
00:22:40,640 --> 00:22:43,880
been married about a year, so we will say Jenny

428
00:22:43,960 --> 00:22:47,839
got married in nineteen fifty eight to Gordon, and she

429
00:22:48,000 --> 00:22:51,160
says she met Gordon on the rebound. So let's go

430
00:22:51,200 --> 00:22:56,799
ahead and backdate further and imagine that her proposal to

431
00:22:57,000 --> 00:23:02,920
Paul happened in nineteen fifty seven. Given that Johnny said

432
00:23:03,119 --> 00:23:07,519
that nobody but Paul had a chance with her in college,

433
00:23:08,079 --> 00:23:11,079
it'd be reasonable to imagine that they were going together

434
00:23:11,240 --> 00:23:16,440
for three years during college and then for seven years

435
00:23:16,599 --> 00:23:20,559
after college. She was trying to make this work and

436
00:23:20,640 --> 00:23:25,200
waiting for him to make a move. She waited a

437
00:23:25,599 --> 00:23:29,799
decade and Paul told her no and to find someone else.

438
00:23:30,240 --> 00:23:34,240
Which she did. Yet she's the wayward one, and she's

439
00:23:34,279 --> 00:23:37,400
the one that Johnny gives all kinds of attitude to

440
00:23:37,960 --> 00:23:41,720
and assume she did the wrong thing by not waiting

441
00:23:41,839 --> 00:23:45,720
for Paul. And this isn't a case of the times

442
00:23:45,759 --> 00:23:51,960
were different, though, certainly getting to the point of proposing yourself,

443
00:23:52,119 --> 00:23:56,480
particularly given the signals that Paul showed, was not something

444
00:23:56,799 --> 00:24:01,880
that would be well received. And even now the woman

445
00:24:01,960 --> 00:24:05,920
proposing is a bit unconventional, to say the least, But

446
00:24:06,079 --> 00:24:07,680
in nineteen fifty.

447
00:24:07,359 --> 00:24:09,960
Speaker 5: Nine, there weren't a whole lot.

448
00:24:09,920 --> 00:24:14,480
Speaker 1: Of women who would string along with you for that

449
00:24:14,720 --> 00:24:18,079
long with the sort of attitude that she was getting

450
00:24:18,079 --> 00:24:22,440
from Paul. In addition to that, if anything of friends

451
00:24:22,440 --> 00:24:25,559
and family would be kind of encouraging her to turn

452
00:24:25,599 --> 00:24:30,200
the page, because the average age for marriage for a

453
00:24:30,319 --> 00:24:33,880
woman in that time period was twenty, and she would

454
00:24:33,880 --> 00:24:37,599
have been close to thirty, which again is not uncommon

455
00:24:37,640 --> 00:24:40,920
for her first marriage today, but in nineteen fifty nine.

456
00:24:41,240 --> 00:24:45,319
So Johnny's whole point is so far out of touch

457
00:24:45,359 --> 00:24:51,240
with reality. It's like he had this romantic ideal about

458
00:24:51,279 --> 00:24:55,279
the perfect college couple, and sometimes you know you'll have that.

459
00:24:55,359 --> 00:24:57,680
You know, there was this one couple in college and

460
00:24:58,039 --> 00:25:01,119
they seem so right for each other, and you find

461
00:25:01,160 --> 00:25:03,759
out that, well, things happened and they didn't end up

462
00:25:03,759 --> 00:25:07,400
getting together, and most of us are like, oh, that's

463
00:25:07,440 --> 00:25:09,920
too bad, or we might you know, if they're with

464
00:25:10,160 --> 00:25:12,799
somebody else. We're like, well, it didn't work out how

465
00:25:12,839 --> 00:25:16,480
I thought. But Johnny's like, oh, you should have waited.

466
00:25:16,680 --> 00:25:20,160
You have made a horrendous mistake. Now, Johnny says if

467
00:25:20,200 --> 00:25:24,200
he feels like it's an advice to the lovelorn case.

468
00:25:24,599 --> 00:25:27,880
But the only reason he feels like it is because

469
00:25:28,000 --> 00:25:31,440
of what he's making out of it. Wife of ensured

470
00:25:31,799 --> 00:25:35,119
fears for his life, calls you to protect him as

471
00:25:35,200 --> 00:25:39,680
straightforward a case as you could ask. Now, the story

472
00:25:40,000 --> 00:25:42,720
bails Johnny out by having Gordon turn out to be

473
00:25:42,759 --> 00:25:46,519
a cree. He wasn't right, And you know, with these stories,

474
00:25:46,559 --> 00:25:51,200
I do try to appreciate the times and on my

475
00:25:51,519 --> 00:25:56,519
nineteen forties or nineteen fifties glasses and appreciate how the

476
00:25:56,559 --> 00:25:59,640
world was in those times. But outside of I don't know,

477
00:25:59,720 --> 00:26:03,839
maybe y soap opera or a really cheesy romance book,

478
00:26:03,960 --> 00:26:07,039
this was not really how the world worked at this time.

479
00:26:07,480 --> 00:26:10,480
So it's it's an odd plot to say the last

480
00:26:10,640 --> 00:26:14,319
all right, listener comments and feedback. Now we go to

481
00:26:14,519 --> 00:26:19,160
YouTube with a comment on the Twin Trouble matter, Denise Wrights,

482
00:26:19,200 --> 00:26:21,680
this is really good. I do like a good mystery.

483
00:26:22,559 --> 00:26:26,000
But Victor writes, so they didn't pay off the twin

484
00:26:26,079 --> 00:26:30,599
angle and Johnny commits an unequivocal double murder. I'll admit

485
00:26:30,720 --> 00:26:35,880
it's not what I expected. Well, regarding the critique to

486
00:26:36,039 --> 00:26:40,480
quote the great mister Peeve from the Great Guilder sleeve,

487
00:26:41,200 --> 00:26:44,480
now I wouldn't say that. I think they did make

488
00:26:44,720 --> 00:26:48,240
use of the twin angle because George was going in

489
00:26:48,400 --> 00:26:51,000
the place of his twin brother and they didn't have

490
00:26:51,119 --> 00:26:54,960
a way of knowing that was going to happen. As

491
00:26:55,000 --> 00:27:00,000
to unequivocal double murder, there are a number of facts

492
00:27:00,079 --> 00:27:04,960
that would mitigate since charging Johnny with murder because his

493
00:27:05,079 --> 00:27:10,079
main intent was to stop them from going to kill

494
00:27:10,319 --> 00:27:13,640
Adam Reid. Now you can argue that he could have

495
00:27:13,759 --> 00:27:17,559
done something different, but even a prosecutor who wanted to

496
00:27:17,599 --> 00:27:20,759
make an example of Johnny Doller would not prosecute him

497
00:27:20,759 --> 00:27:25,279
for murder. So yeah, I have to beg to differ there.

498
00:27:25,599 --> 00:27:30,039
And regarding the fatal phil pile, a matter James writes,

499
00:27:30,160 --> 00:27:32,319
just when I think I'd heard all of the Bob

500
00:27:32,359 --> 00:27:35,279
Bailey episodes, you bring us another one. Thanks Adam, Well,

501
00:27:35,319 --> 00:27:38,240
thanks so much, James. And then we have a comment

502
00:27:38,279 --> 00:27:41,799
from our listener survey survey dot Great Detectives dot net

503
00:27:42,119 --> 00:27:46,519
Great podcast paint my absolute favorite, Yours truly, Johnny dollar Well,

504
00:27:46,559 --> 00:27:48,640
thank you so much. I appreciate you taking the time

505
00:27:48,680 --> 00:27:51,880
to fill out our listener survey. Now it's time to

506
00:27:51,920 --> 00:27:54,960
thank our Patreon supporter of the day, and I want

507
00:27:54,960 --> 00:27:59,880
to thank Bailey, Patreon supporter since April of twenty twenty three,

508
00:28:00,200 --> 00:28:03,720
currently supporting the podcast at the Shawmus level of four

509
00:28:03,759 --> 00:28:06,759
dollars or more per month. Thanks so much for your support, Bailey,

510
00:28:07,079 --> 00:28:10,119
And that'll do it for today. If you're enjoying the podcast,

511
00:28:10,200 --> 00:28:14,319
please follow us using your favorite podcast software and be

512
00:28:14,400 --> 00:28:17,160
sure to rate and review the podcast wherever you download

513
00:28:17,160 --> 00:28:21,440
it from. We'll be back next Friday with another episode

514
00:28:21,440 --> 00:28:25,000
of Yours Truly, Johnny Doller. But join us back here

515
00:28:25,039 --> 00:28:27,920
tomorrow as we give way to the great adventurers of

516
00:28:28,119 --> 00:28:30,680
Old time Radio and Counterspy.

517
00:28:30,720 --> 00:28:35,960
Speaker 8: Where I'd like to see Professor Horns by my credentials.

518
00:28:37,160 --> 00:28:42,119
Speaker 10: It will be Cameron the United States counter sive this way,

519
00:28:42,240 --> 00:28:54,160
mister Cameron, thank you, better horn, mister Cameron of the

520
00:28:54,240 --> 00:28:56,480
counter spize, thank you anam.

521
00:28:57,319 --> 00:29:01,880
Speaker 2: That will be all, mister Cameron.

522
00:29:01,680 --> 00:29:04,519
Speaker 8: I live on an arm that schedule. I should now

523
00:29:04,559 --> 00:29:08,559
be in my laboratory downstairs, harded work. I'd trust you.

524
00:29:08,799 --> 00:29:09,599
Speaker 2: Kended brief.

525
00:29:10,559 --> 00:29:14,920
Speaker 8: Two nights ago, at eleven o seven pm in Amberville,

526
00:29:15,319 --> 00:29:19,319
forty two miles south of here, the Farmer's Exchange Bank

527
00:29:19,480 --> 00:29:23,000
was robbed of one hundred and twenty one thousand dollars

528
00:29:23,039 --> 00:29:28,400
in cash. The robber used a very ingenious electronic methods

529
00:29:28,400 --> 00:29:32,720
of silencing the vault alarm system. However, the car used

530
00:29:32,720 --> 00:29:35,119
by the robber went through a puddle of oil and

531
00:29:35,279 --> 00:29:40,559
left certain tire franks. Am I being brief enough? No?

532
00:29:41,599 --> 00:29:42,880
Speaker 2: But continue.

533
00:29:43,559 --> 00:29:46,799
Speaker 8: Every garage within sixty miles of Amberville has been checked

534
00:29:46,799 --> 00:29:50,880
for a car with those treads. The car in your

535
00:29:50,880 --> 00:29:53,440
garage has those tire treads.

536
00:29:53,880 --> 00:29:57,240
Speaker 2: That's a coincidence, mister Capron, that's.

537
00:29:57,319 --> 00:30:01,720
Speaker 8: No coincidence, Professor Horns, I'm placing you under arrest on

538
00:30:01,799 --> 00:30:04,839
suspicion of robbing the Amberville bank. Now this is a

539
00:30:05,039 --> 00:30:08,599
pet camera. Leap it, draw along. Put your hands in

540
00:30:08,640 --> 00:30:12,559
the air. I said, put your hands in the air.

541
00:30:13,839 --> 00:30:34,440
Huh as you say.

542
00:30:25,960 --> 00:30:26,480
Speaker 3: I heard it.

543
00:30:26,599 --> 00:30:27,839
Speaker 10: Stop what happened?

544
00:30:29,279 --> 00:30:29,440
Speaker 2: Oh?

545
00:30:29,519 --> 00:30:34,799
Speaker 10: I see, how's your shooting? There's no gun in your hands.

546
00:30:34,799 --> 00:30:36,319
Profession You'll be.

547
00:30:36,319 --> 00:30:39,440
Speaker 1: With us then in the meantime, send your comments to

548
00:30:39,559 --> 00:30:43,759
Box thirteen at Great Detectives dot net, follow us on

549
00:30:43,799 --> 00:30:48,400
Twitter at Radio Detectives, and check us out on Instagram, Instagram,

550
00:30:48,480 --> 00:30:53,200
dot com slash Great Detectives from Boise Aldohol. This is

551
00:30:53,240 --> 00:30:55,519
your host, Adam Graham signing off.

