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Speaker 1: Here we go, everybody, and welcome. We have entered our

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number two New Marrow trace of Matt Connorton unleashed and we.

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Speaker 2: Are live.

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Speaker 1: From the studios of wm NH ninety five point three FM,

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Inglorious and Snowy Manchester, New Hampshire. And of course you

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can stream the show from anywhere. Go to Matt connorton

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dot com slash live for all of your live streaming options,

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social media links, contact infos, show archives, et cetera, et cetera.

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Today is Saturday, February seven, twenty twenty six. Jenny is

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here of course at the news table, and we have

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returning to the show. And you've got to be in

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the five timers club right now. Ricky Mapleton here with us. Hello, Hello, hello,

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hello you. How many times have you been on.

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Speaker 3: With us over the years? A half dozen? I thought

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it was a five timer last time, but I'm not.

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Oh you might be. Don't you have a historian on?

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We may have forgotten to give you.

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Speaker 4: I believe you are approaching the most visited guests.

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Speaker 1: Come on, really, we may have forgotten to give you

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the five timers tracket. Hence the confusion.

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Speaker 3: How many how many think what I said? Sounded better.

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How many years have you guys been doing this driverg

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Oh boy?

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Speaker 1: That well, so that gets complicated a little bit because no,

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which version. Yeah, because it started there's been many iterations

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of this program. It started as a podcast in twenty eleven.

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In twenty seventeen, April of twenty seventeen, we won't be

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April before long, we'll be approaching another anniversary.

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Speaker 3: Oh my god.

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Speaker 1: In April of twenty seventeen, we had the opportunity to

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bring the show to wm and H ninety five point

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three FM, where we continue to this day. But there's

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also at one point there was a television version of

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the show, and there's been all kinds of different versions

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of the show. But it's been a while. It's been

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a while, but it's amazing. Thank you, Thank you well.

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It is wonderful to have you here. And we're doing

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something unique this week because you are here with us,

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not only for this hour, but the third hour of

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the show as well, because you have this amazing new

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project and we're going to uh, we're going to listen

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to it today and we're gonna talk about it.

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Speaker 3: As I appreciate you having me on.

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Speaker 1: Absolutely absolutely, and and tell us what this is. Tell

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us this is.

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Speaker 3: Called the bread Man. A bread time story okay, okay,

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so it is a Victorian setting m h story about

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love triangle revolving around bread. Okay, a bread time story.

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Speaker 5: Did you say bread?

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Speaker 3: Bread as okay? Delicious bread? Oh? I thought so, I

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thought so, mm hmm. It's uh, it's really I think

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it's old school meets new school. We have some narration

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between each song, okay, to set up the scene in

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the listener's mind. Oh, listener's mind, okay. And that's kind

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of the I think the unique fun part about listening

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to this as a listener imagination as well as a

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little direction, which I think we all need in life.

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Speaker 1: Sure, sure, what inspired you to do this?

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Speaker 3: And and oh and.

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Speaker 1: Clarify for us too, Uh, what do you call this?

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Is it a is it a concept album? Is it

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a rock opera?

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Speaker 3: Yes? Okay?

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Speaker 1: And and why and why is it?

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Speaker 6: And why?

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Speaker 3: Bread? And a love triangle? The yeast knows no boundaries.

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I'm just making that up. Its stemmed from an idea

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during a musical jam session with some friends. In this concept,

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I just started playing the riff. Like a lot of

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people that do music and are creative. You get an idea, yes,

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and you got to write it down. You gotta get it,

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you got to put it somewhere. It vanishes. This idea

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of the original riff of the Red Man fifteen years

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ago really at my friend's house who I work with.

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Doctor H is his name.

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Speaker 1: I think you've mentioned doctor H.

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Speaker 3: Doctor H. Fantastic Type A personality to the extreme. Oh,

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meaning Type A is a person that is very structured, uniformed,

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and when they get going on something, that's all that's happening,

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and you just get you just absorb into it. Yeah. Yeah,

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I'm what's the other what what are the other types?

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I know this type A because the band is that

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I'm not to band this project. It's called The bread Man,

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a bread Time story band being type A. Okay, okay,

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so Ricky Mapleton, of course myself is the I originated it.

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I don't want to grab the whole thing, sure, but

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the original concept of bread the bread Man coming coming

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for you. Oh. A lot of different layers in all seriousness,

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getting away from the money python esque of this. Yes,

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but there's a lot of layers in this music. Be

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careful what you wish for. Love may not conquer all,

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there's just a lot of things that I think people

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will get out of this if you give it a

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just give it. I know it's hard to grab some time.

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But if I think, if you, if you listen to this,

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I think you'll hopefully be moved a little bit and

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get you thinking about life in retrospective while we getting

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heavy and there is there also a lot of money

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Python to this. Okay, so on the other swing of

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this money python Victorian hed there she's a witch burner. Okay,

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I don't you know the money the holy grail sort

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of goofiness abstract. Okay. Also, well that's I don't know

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if I explained it correctly.

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Speaker 1: Well that's uh but uh, we're going to of course

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play the whole thing today. Uh so we're we're we're

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the whole loaf.

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Speaker 3: You might say, yes, yes, yes, And there are some

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of those sort of ideas and jokes during this performance.

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I believe, oh good, good, don't loaf around all sorts

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of stuff a little in the window. I'm not intend

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those little shots about talking about bread, okay, because bread

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is the staff of life. M Okay, Gluten analogies are

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not gluten analogies. Bread is been around for a long time.

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I believe the gluten is uh. The rest song called

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well I don't want to give away no, no, no no,

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but it does. It does veer into the world of gluten,

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red yeast flower, but it also involves around l O

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V E. Love. I don't even know what gluten is.

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I just like saying the word gluten basically is flower. Okay,

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so something made of flower, it's gluten some water to it,

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it's it's so people that have gluten allergies. Yeah, that's

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a big catchphrase nowadays. Yes, okay, which I understand. But

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we could talk about glue analogies for a long time. Yes,

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I think we might talk about it. As we start

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to start our rock opera excursion, I want to thank

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all the musicians before we get started on this. I

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maybe upset a few people along the way. Oh my,

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I upset myself. A lot of tension happened throughout the

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years with this. Really yeah, there was a whole beautiful

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stuff with the mockumentary we're making. Okay, so in the world,

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in my world, I want to thank all the musicians

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though are on this. You guys are awesome, and the

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listeners that are listening to you guys, and you Matt

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fav me on. Of course, I really hope you guys

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really like this, and just take five seconds, just sit

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here for five minutes. Take out some bread. Listeners, sit

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down for your favorite bread. Let's just listen, listen, and

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get your imagination cap on.

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Speaker 1: Well, very good, So we'll open with the prologue. Yes,

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baking bread.

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Speaker 3: Now the prologue, there is about thirty seconds of somebody

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making bread, sounds going into it, okay, before it breaks

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into the music. So yeah, so I'm just gonna leave

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it at that. Did I like that or not? I

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think it's a it's a whole journey. Let's go. Yes,

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let's go. Let's go break out some bread and get

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some jam. And let's go. Let's make some bread. All right,

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here we.

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Speaker 7: Go, well to the show.

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Speaker 8: Before we get started, to sit back, relax, grab some

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of your favorite bread. Maybe put some butter, peanut, butter.

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Speaker 9: Jee, it doesn't matter.

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Speaker 8: Pick your favorite topping, put it on your bread, and

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get ready for a journey back in time. This story,

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though timeless, takes place about five hundred years ago. It's

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a love story, a tragedy of a young baker. The

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bread man who dreams about living in the castle up

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on the hill, and a beautiful young princess who lives

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in that castle and dreams about being with the baker boy.

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This is their story.

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Speaker 1: So there we there we have the prologue, yes, uh, prologue,

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and we're by the way. I learned something there. I

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didn't even know they had bread five hundred years ago.

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One was bread invented. It's old than our country. I

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just assumed it was invented by It.

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Speaker 3: Was around during uh uh Romani even before that.

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Speaker 1: Wow, that's amazing. So we've always had bread.

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Speaker 3: We've always had that yeast of flower. It's been around

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a long time. Wow, that's amazing. That's amazing.

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Speaker 1: Uh should we go right to uh so this next part?

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Uh someday I'm gonna live in the castle.

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Speaker 3: Yes, yes, all right, here we go.

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Speaker 10: Boy to work. Okay, father, you'll never mean nothing but

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to make a boy.

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Speaker 6: But make a boy. What what do you mean you're

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gonna marry the princes?

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Speaker 10: Like, well, you're gonna live in a castle.

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Speaker 6: No, father, get back to work.

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Speaker 8: Don't hit me, father to.

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Speaker 6: Work, go to man, No, not the bag.

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Speaker 11: Some them gonna live in a castle.

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Speaker 6: Some them gonna live on hill.

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Speaker 12: Someday. I'm gonna live in that castle.

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Speaker 11: Someday, all making print for the father.

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Speaker 2: No mo bacon the prince.

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Speaker 13: Somedamn gonna some dal gonna some dam gonna lie.

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Speaker 11: Back jor.

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Speaker 12: Never never that castle down? Uti that gta's not again.

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Speaker 10: What do you think you're gonna matter?

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Speaker 2: The princess?

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Speaker 14: No more begin No that.

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Speaker 9: Gone this mandenste.

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Speaker 15: Stall gonna live in the castle, Stall.

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Speaker 6: Fail live in castle?

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Speaker 16: Some them gone him.

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Speaker 1: Uh so our hero, he's uh, he's got a lot

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going on there.

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Speaker 3: He doesn't clearly.

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Speaker 1: He wants nothing to do with the family business, and

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his father is u kind of a jerk. Wow, But

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he wants to live in the castle. Why does he

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want to Why does he want to live in the castle?

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Speaker 3: I just he sees the castle from the bakery. Yes,

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in the bakery. He's looking out the window, and he

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sees the castle up on the hill. Yeah. And he's

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just like a lot of us when we're younger, even

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when we get older, we're dreaming about something else. Yes,

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So he sees his life now, it's not very good.

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He's making bread for his mean father who gets him

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over the head with a bag at Oh my god. Okay,

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that's just rude. Yeah. So he's has he's having a rough,

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rough childhood. Yeah okay, and that's kind of so he's

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having those dreams of some day. So that was that.

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That gentleman's name was Ryan Fitzpatrick. Oh okay. He does

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a lot of the singing on this. Oh okay, wonderful, wonderful.

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All right.

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Speaker 1: Uh so next we have let's see feeling low down?

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Speaker 3: Is this track number three?

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Speaker 1: Yes, feeling low down, feeling low down? All right, Let's

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let's continue our story.

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Speaker 3: Let's continue eating some nice bread here.

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Speaker 8: The young baker spends his childhood dreaming about living in

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the castle. At age ten, something magical happens. The princess

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starts visiting the bakery. She's in charge of picking up

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the weekly bread for the castle and making sure that

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it gets delivered safely. She becomes quite smitten with the

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baker boy. They begin to sneak off to spend time together.

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The young Baker's father eventually decides to open a new

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bakery and a far off land, and he leaves the

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bakery to the young baker, who is now officially the

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bread man. The princess is excited about being able to

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visit without the old man around. However, the king decides

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that he doesn't like her spending so much time away

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from the castle, and he only allows her to visit

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town once a month. It's been a month since she

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last visited the bread man.

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Speaker 6: Oh oh.

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Speaker 17: Oh, common down the mountain, calm that mountain, very flow.

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Speaker 12: Around the mountain.

240
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Speaker 6: Around the mountain.

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Speaker 18: As she's gone, well.

242
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Speaker 15: I feel load down, so dyllod down value, but I

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feel load down.

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Speaker 6: So lload It's true.

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Speaker 8: As the month waits, the bred man struggles with his

246
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infatuation with the princess and his goal to someday live

247
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in the castle. Will he find a way to marry

248
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the princess? Will he be adored by the villagers? Will

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he someday be the king?

250
00:18:18,519 --> 00:18:22,920
Speaker 1: Interesting to me that, you know, I thought in the

251
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beginning that he didn't want anything to do with the

252
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family business. But it's not that he just wanted to

253
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get away from his dad. He clearly he still wants

254
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to make bread.

255
00:18:32,359 --> 00:18:35,519
Speaker 3: I don't know, I'm not sure. I mean, that's what

256
00:18:35,559 --> 00:18:38,400
it seems like. I don't think he likes his father

257
00:18:38,799 --> 00:18:41,160
because he's abusing him, and I don't think he likes

258
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making bread, pull up like it.

259
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Speaker 1: And I don't think he likes making bread. Yeah, and

260
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I don't think. But he is the bread man. I mean,

261
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that's his whole identity, isn't not?

262
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Speaker 3: No, that's sort of the identity that we're giving him.

263
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Oh okay, I don't think he walks around with I

264
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am the bread man. I love my bread, bread, my bakery. Yeah,

265
00:19:00,200 --> 00:19:05,480
he's kind of born into that life. Okay, he's fighting, yes,

266
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but he now is in love with the princess?

267
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Speaker 19: Well?

268
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Speaker 20: Is he?

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Speaker 1: Is he in love with or infatuated? Whether at this point.

270
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Speaker 3: Both well, I don't want to give stuff away, okay,

271
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but right now, as far as the listener is concerned, yes,

272
00:19:21,640 --> 00:19:27,799
he is infatuated. Okay, and as the dough rises, if

273
00:19:27,839 --> 00:19:30,960
you would, ah, there we got so let's try it. Okay,

274
00:19:31,359 --> 00:19:34,200
you're you're the first one, right. What did you say earlier?

275
00:19:34,359 --> 00:19:38,519
The wow, the bread, the roll? I don't remember, so

276
00:19:39,000 --> 00:19:41,640
we always want to throw in bread reference? Yes, yes,

277
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so let's roll along with the well played sir, yep,

278
00:19:48,680 --> 00:19:50,960
I get one a day. I like fun all right?

279
00:19:52,240 --> 00:19:56,039
Track three? Track four? Track four? What is track four?

280
00:19:56,880 --> 00:20:02,279
Awkward situation? Okay? Now the doe rises, Ah, were we go,

281
00:20:02,519 --> 00:20:04,279
all right, let's make some toast.

282
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Speaker 8: Finally, the princess arrives at the bakery after a month

283
00:20:08,000 --> 00:20:12,799
long hiatus. They're both excited to be together at long last.

284
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The bread man locks the door and the young lover's

285
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head to the back room, not realizing that the baker's

286
00:20:21,440 --> 00:20:25,079
father had given a key to the egg lady. The

287
00:20:25,119 --> 00:20:30,559
egg lady arrives shortly after their rendezvous, only to find

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the bakery locked up. She uses her key to unlock

289
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the door and goes inside to drop off the eggs.

290
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She hears a strange noise in the back of the

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bakery and decides to investigate. She cracks open the back door,

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and much to her surprise, she realizes what's happening.

293
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Speaker 9: It was a very situation situation you.

294
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Speaker 21: Listen situation, I'm listen to juist joustituation.

295
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Speaker 6: I'm listen, Julis, I'm listen Juish. You ask me.

296
00:22:02,039 --> 00:22:10,079
Speaker 2: Well Fleish Jewish Jewish.

297
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Speaker 22: JEWI chek Jewish ship I am Jewish Winston chew awkward

298
00:22:21,400 --> 00:22:22,359
sitewiy sh.

299
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Speaker 23: Jewish bokwards and.

300
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Speaker 6: Jewish Jewish.

301
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Speaker 1: Get you know, I feel like, uh that part of

302
00:22:56,160 --> 00:22:58,559
the story too. There's a cautionary tale there because obviously

303
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you always want to know who keys to your stuff,

304
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especially if someone might be delivering eggs.

305
00:23:04,240 --> 00:23:09,240
Speaker 3: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes,

306
00:23:10,359 --> 00:23:12,960
beware of the egg lady. Yes, the egg lady.

307
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Speaker 1: And that song to me, it's got kind of a

308
00:23:16,599 --> 00:23:17,680
rolling Stones vibe.

309
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Speaker 3: Which thank you, thank you. Yeah yeah, I like the

310
00:23:23,279 --> 00:23:25,599
I like the quicker, more fast stuff, the slower stuff

311
00:23:25,640 --> 00:23:28,839
on here. Big fan, yeah, big fan, big fan. But

312
00:23:29,559 --> 00:23:31,519
you know where my heart is? I do, I do?

313
00:23:31,799 --> 00:23:34,839
But you notice all the different lot of layers. Oh yes, yeah,

314
00:23:35,960 --> 00:23:38,079
way out of my wheelhouse. But again thank you to

315
00:23:38,079 --> 00:23:42,160
all those musicians that it's stuff on it. Absolutely. Let's

316
00:23:42,319 --> 00:23:46,799
let's go. So next we have flowers of flying rocking

317
00:23:46,880 --> 00:23:49,680
in the bread. Okay, so what happens now is the

318
00:23:49,759 --> 00:23:52,200
egg lady has walked in uh huh, and they are

319
00:23:52,359 --> 00:23:57,119
let's say, making yeast you would, all right, dev sure

320
00:23:57,440 --> 00:24:01,160
the egg lady walks in awkward situation. Yes, this is

321
00:24:01,200 --> 00:24:03,839
what the lady has to say about it. Oh my goodness.

322
00:24:03,880 --> 00:24:05,839
All right, let's find out.

323
00:24:13,799 --> 00:24:15,720
Speaker 2: What have I walked you on?

324
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Speaker 24: This cannot be here, it's the princess here, the backup

325
00:24:22,960 --> 00:24:28,799
one fine flower can't be seen. You're gonna have to

326
00:24:29,000 --> 00:24:34,440
pay me or I'll tell all the truth of you

327
00:24:34,640 --> 00:24:39,480
with the bickup God, not princess. I was fighting how

328
00:24:39,759 --> 00:24:50,920
fast two surpre How is the spire? Those flying all about?

329
00:24:52,160 --> 00:24:52,799
Full fly?

330
00:24:53,119 --> 00:24:53,480
Speaker 6: Mary?

331
00:24:53,960 --> 00:24:57,480
Speaker 2: Don't cow co hig lady?

332
00:24:58,640 --> 00:25:00,599
Speaker 19: No secret?

333
00:25:02,480 --> 00:25:04,680
Speaker 2: Now was flying here we go?

334
00:25:05,920 --> 00:25:10,680
Speaker 6: I was buying camp kind of funny?

335
00:25:12,240 --> 00:25:14,039
Speaker 16: How is flying?

336
00:25:15,559 --> 00:25:17,319
Speaker 6: Power is a fire?

337
00:25:19,279 --> 00:25:21,200
Speaker 12: It's knock.

338
00:25:23,119 --> 00:25:24,319
Speaker 6: Off gold.

339
00:25:26,039 --> 00:25:29,960
Speaker 15: Eighty At the time I say half.

340
00:25:29,799 --> 00:25:35,640
Speaker 19: A cat up to the time cap saw the flower flying.

341
00:25:35,799 --> 00:25:38,160
Speaker 2: The fire is a flying.

342
00:25:39,640 --> 00:25:42,440
Speaker 6: The flower is a flying.

343
00:25:57,400 --> 00:26:01,759
Speaker 3: Whoa whoa, whoa, whoa, whoa. Oh. I think the egg

344
00:26:01,839 --> 00:26:04,480
lady frankly should mind her own business. But that's what Well,

345
00:26:04,559 --> 00:26:07,559
if you picked up on the lyrics she said, you

346
00:26:07,680 --> 00:26:10,279
are gonna pay me, m h And I'm not gonna.

347
00:26:10,440 --> 00:26:13,480
I will not tell what's happening here right, So now

348
00:26:13,960 --> 00:26:17,720
the egg lady is now bribing the baker and the

349
00:26:17,839 --> 00:26:20,920
princess every time that we see. You're gonna pay up

350
00:26:21,160 --> 00:26:23,160
or I'm going to tell the king what's the story?

351
00:26:23,519 --> 00:26:30,000
Right right? Oh, hence the love triangle. Well, I don't

352
00:26:30,000 --> 00:26:33,160
think the egg lady is really interested in Oh no

353
00:26:33,400 --> 00:26:36,000
a baker boy, but she's she's as a subplot and

354
00:26:36,039 --> 00:26:39,079
a sub character. Oh okay, she's bribing.

355
00:26:39,400 --> 00:26:40,279
Speaker 25: Yes, yes she is.

356
00:26:40,480 --> 00:26:44,200
Speaker 3: She just doesn't know what she's walking into. Maybe maybe

357
00:26:45,759 --> 00:26:47,319
should we continue? Oh I think so.

358
00:26:47,440 --> 00:26:50,480
Speaker 1: I like the next the next song in our story

359
00:26:50,519 --> 00:26:52,680
here we should tell people too, if you're just joining us,

360
00:26:52,720 --> 00:26:55,920
we have Ricky Mapleton here and the uh this, did we.

361
00:26:56,000 --> 00:26:58,640
Speaker 3: Establish what this is? Is it a rock opera? Yeah? Yeah,

362
00:26:58,640 --> 00:27:01,160
I think, yeah, I like, yeah, I like. I think

363
00:27:01,200 --> 00:27:03,559
that was the original concept. It's kind of into more

364
00:27:03,640 --> 00:27:06,720
of a we want to do a play, yes, yes,

365
00:27:07,359 --> 00:27:10,680
broadway play. So if anybody wants to finance our Broadway play,

366
00:27:10,720 --> 00:27:13,599
I already have it envisioned in my mind. Really, oh my,

367
00:27:13,920 --> 00:27:16,759
come to be beautiful. Perhaps you could get a national

368
00:27:16,839 --> 00:27:21,079
bakery chain to sponsor you. Yes, absolutely, yes, let's go.

369
00:27:21,279 --> 00:27:24,200
Let's go Broadway. But for now, Yeah, that's the old

370
00:27:24,359 --> 00:27:26,640
yeah rock opera. Yeah, getting back getting back to the

371
00:27:26,720 --> 00:27:31,680
original question, rock oper I know that's pretty big shoulders

372
00:27:31,759 --> 00:27:37,759
I'm saying. But Quadrophenia Tommy twenty one twelve, Yes, hemispheres.

373
00:27:38,680 --> 00:27:40,680
I don't know if anybody knows the those kind of

374
00:27:41,559 --> 00:27:44,920
my dating myself on those, but yeah, yeah, yeah, a play.

375
00:27:45,640 --> 00:27:48,960
Speaker 1: Yeah, and the title is The bread Man a bread

376
00:27:49,039 --> 00:27:52,880
Time Story. The bread Man a bread Time Story. Well,

377
00:27:52,960 --> 00:27:55,960
let's uh, we'll go to the next part of our

378
00:27:56,000 --> 00:27:58,119
story here, and this one is called I Am the

379
00:27:58,160 --> 00:27:58,759
egg Lady.

380
00:27:58,839 --> 00:28:14,160
Speaker 3: Okay, all right, here we get two, three four, I'm mad.

381
00:28:14,680 --> 00:28:18,039
Speaker 12: Lady, No.

382
00:28:19,880 --> 00:28:28,960
Speaker 6: Second love plaid know your secret?

383
00:28:32,200 --> 00:28:33,640
Speaker 10: Let it would gold.

384
00:28:36,519 --> 00:28:43,000
Speaker 6: Stay sweet me. I laid to.

385
00:28:45,480 --> 00:28:47,519
Speaker 10: Know, y'all sick.

386
00:29:21,119 --> 00:29:25,599
Speaker 12: Cop that.

387
00:29:30,599 --> 00:29:32,720
Speaker 6: The bun COSI.

388
00:29:38,279 --> 00:29:49,400
Speaker 26: Lor secret, sonnoyal secret.

389
00:30:03,640 --> 00:30:04,920
Speaker 1: I feel at this one in the story of the

390
00:30:04,920 --> 00:30:09,759
egg Lady is really the antagonist. I think so I

391
00:30:09,839 --> 00:30:13,440
expected it to be the king well for his father.

392
00:30:14,759 --> 00:30:17,480
Speaker 3: I think we all have some egg ladies in everyone's life.

393
00:30:17,559 --> 00:30:26,000
Speaker 1: Sure, right, yeah, yeah, what's your thoughts? Are you connected

394
00:30:26,039 --> 00:30:28,319
with the story? I am, I'm very I'm very connected.

395
00:30:28,359 --> 00:30:33,000
I'm invested. I'm uh, you know, I'm a little uh bummed.

396
00:30:33,039 --> 00:30:34,640
I mean, I'm going to be a little sad next time,

397
00:30:35,160 --> 00:30:37,720
you know, I'm eating and you know, scrambled eggs or something,

398
00:30:37,759 --> 00:30:39,359
because I'm gonna be thinking about the egg Lady and

399
00:30:39,519 --> 00:30:42,160
uh and she's just uh, she's just mean.

400
00:30:43,240 --> 00:30:46,759
Speaker 3: Yeah. You know, how's that for a response? Yes, you

401
00:30:46,839 --> 00:30:47,640
are correct, Matt.

402
00:30:47,680 --> 00:30:50,279
Speaker 1: Connerton, because I'm looking at the title of the next

403
00:30:50,319 --> 00:30:54,000
part of the story and I realize exactly what's happening next,

404
00:30:54,079 --> 00:30:56,920
and I think it's wrong. What what a well, it's

405
00:30:57,319 --> 00:30:58,920
titled A Little White Envelope.

406
00:30:59,119 --> 00:31:05,440
Speaker 3: Okay, okay, so Little White Envelope not. This is one

407
00:31:05,480 --> 00:31:11,480
of the songs that was done before the actual project

408
00:31:11,559 --> 00:31:16,440
took place, was taken from another project. Interesting, we did

409
00:31:16,480 --> 00:31:18,960
it on a few songs here. We had some material

410
00:31:19,079 --> 00:31:23,720
that we fit in that went along with the tracks

411
00:31:23,759 --> 00:31:27,440
that we were working on. And this one is a

412
00:31:27,640 --> 00:31:29,960
very dear friend of mine. I'm gonna say his name,

413
00:31:30,039 --> 00:31:33,440
Chris Higgins. Okay, Chris Higgins school who who I may

414
00:31:33,480 --> 00:31:36,759
have upset? I knew. I've known Chris Higgins since high school.

415
00:31:37,759 --> 00:31:41,000
Probably one of the best drummers in the area. Lifelong friends, yep.

416
00:31:41,359 --> 00:31:42,799
And I don't want to get into this big thing

417
00:31:42,839 --> 00:31:43,319
what happened.

418
00:31:43,359 --> 00:31:45,319
Speaker 1: But I interviewed Chris Higgins a long time. I forget

419
00:31:45,359 --> 00:31:45,759
what band he.

420
00:31:45,759 --> 00:31:49,000
Speaker 3: Was in, Rocket Waltz. I believe he was in that.

421
00:31:49,240 --> 00:31:50,359
Speaker 1: That was not the band he was in when I

422
00:31:50,440 --> 00:31:51,880
interviewed Lynn Band.

423
00:31:52,200 --> 00:31:52,240
Speaker 8: No.

424
00:31:54,920 --> 00:31:57,920
Speaker 3: So, Chris, if you're listening to this again, I apologize.

425
00:31:58,000 --> 00:32:01,640
He's he's he's on two tracks. Okay. He did a

426
00:32:01,759 --> 00:32:03,279
ton of work on it, and a lot of the

427
00:32:03,480 --> 00:32:06,359
material his drummings didn't make it on it. Oh okay, okay,

428
00:32:06,400 --> 00:32:09,519
but he's on two tracks. And Chriss, you're the best man.

429
00:32:09,599 --> 00:32:11,160
I love you, I love you. Yeah, okay. And this

430
00:32:11,440 --> 00:32:13,839
this is a nice updeat song. Quick. It's all about

431
00:32:13,839 --> 00:32:15,839
that little envelope that we all have up on the

432
00:32:15,920 --> 00:32:19,759
shelves lives all right. This is a little white envelope.

433
00:32:20,079 --> 00:32:23,000
Speaker 8: The princess and the bread man discuss payments with the

434
00:32:23,039 --> 00:32:26,880
egg lady. They make their first payment and send her off.

435
00:32:27,720 --> 00:32:31,160
The princess heads home to the castle. As soon as

436
00:32:31,200 --> 00:32:35,240
she arrives back at the castle, she gets the bad

437
00:32:35,359 --> 00:32:38,720
news that she is being forced to marry the Prince

438
00:32:38,920 --> 00:32:44,000
of yeast Land. This arranged marriage between our beloved Princess

439
00:32:44,599 --> 00:32:48,359
of Wheatland to the Prince of Yeastland will solidify the

440
00:32:48,480 --> 00:32:52,839
King's plans to form a super bread conglomerate. The princess,

441
00:32:53,680 --> 00:32:58,359
needless to say, is distraught. She eventually decides to write

442
00:32:58,359 --> 00:33:01,640
a letter to her bread man to break the bad

443
00:33:01,799 --> 00:33:05,160
news that she will no longer be able to spend

444
00:33:05,279 --> 00:33:08,359
time with him. She doesn't have the heart to send

445
00:33:08,440 --> 00:33:13,319
the letter, so it sits and awaits delivery inside its

446
00:33:13,440 --> 00:33:14,680
little white envelope.

447
00:33:27,759 --> 00:33:37,039
Speaker 6: Never thank you, just to gas dust.

448
00:33:38,920 --> 00:33:42,160
Speaker 26: Never never, never.

449
00:33:42,920 --> 00:33:44,640
Speaker 2: Say every weeks.

450
00:33:44,519 --> 00:33:57,160
Speaker 5: Yesterday, gad.

451
00:34:13,480 --> 00:34:13,519
Speaker 24: M.

452
00:34:14,519 --> 00:34:17,320
Speaker 1: Now that's interesting because I thought the little white envelope

453
00:34:17,440 --> 00:34:21,039
was going to refer to the envelope of money of

454
00:34:21,159 --> 00:34:23,920
payments made to the awful egg lady.

455
00:34:24,000 --> 00:34:26,320
Speaker 3: But it turns out no, yes, correct, you are corrector

456
00:34:26,960 --> 00:34:30,199
I am correct about what everything? Okay, thank you.

457
00:34:30,360 --> 00:34:30,400
Speaker 12: No.

458
00:34:31,519 --> 00:34:33,440
Speaker 3: I never really thought of it about the envelope with

459
00:34:33,519 --> 00:34:35,840
the money, and that's what I assumed this was. This

460
00:34:36,000 --> 00:34:39,239
is the letter sent by the princess saying, oh, low

461
00:34:39,360 --> 00:34:43,280
lover of mine, I have to I'm being forced to

462
00:34:43,519 --> 00:34:48,599
marry the Prince of yeast Land. Yes, because his father,

463
00:34:49,719 --> 00:34:56,960
the princess's father, all about the business, our business to

464
00:34:57,079 --> 00:35:02,519
yeast business. And I love the term international red conglomerate. Yes, yes,

465
00:35:03,800 --> 00:35:05,280
I love that. Yes, that's fun.

466
00:35:05,840 --> 00:35:08,320
Speaker 1: You would think anti trust laws would prevent that, you know,

467
00:35:08,440 --> 00:35:09,079
these mergers.

468
00:35:09,159 --> 00:35:12,920
Speaker 3: I don't know the monopoly trust laws during Victorian time. Oh,

469
00:35:13,559 --> 00:35:16,199
but it was. It was a different time. I think

470
00:35:16,239 --> 00:35:20,119
if you were the king, you could do what you wanted.

471
00:35:20,360 --> 00:35:22,760
That's true, that's probably we're gonna do a quick Python,

472
00:35:23,000 --> 00:35:27,320
what made you king? I can recite that whole thing. Really,

473
00:35:28,719 --> 00:35:33,760
strange women distributing solds is no basis for gombnance. It

474
00:35:33,840 --> 00:35:36,440
comes from a mandate from the masses. If I never mind,

475
00:35:36,480 --> 00:35:39,519
see that's that's from the holy ground. Yes. Yes, If

476
00:35:39,559 --> 00:35:41,840
I went around saying I was king because some moist

477
00:35:41,880 --> 00:35:43,800
and bean gave me a sword, they'd put me away.

478
00:35:44,559 --> 00:35:48,000
Strange women there ever, being sold there's no basis for government.

479
00:35:50,039 --> 00:35:52,119
It's not wrong. So it's that was kind of my

480
00:35:52,599 --> 00:35:55,320
that's kind of my headspace with this. I was burying

481
00:35:55,400 --> 00:35:58,320
mighty Python, and then the musicians came in this. They're like,

482
00:35:58,400 --> 00:36:02,440
let's go serious, okay, And I said, okay, And I

483
00:36:02,440 --> 00:36:04,960
hope everybody's enjoying this. I hope, so, I hope. So

484
00:36:05,679 --> 00:36:09,199
it's good seeing your two reactions, which makes me super happy. Yeah. Yeah,

485
00:36:09,679 --> 00:36:11,800
you guys are laughing and enjoying. I like it very much.

486
00:36:11,840 --> 00:36:12,559
I like it very much.

487
00:36:13,199 --> 00:36:15,320
Speaker 1: Let's see. So the next part of our story is

488
00:36:15,360 --> 00:36:16,880
called how could she Marry him?

489
00:36:16,920 --> 00:36:20,000
Speaker 3: Okay, so the marriage is going to take place now

490
00:36:20,599 --> 00:36:25,159
between the princess and the prince, and they're having this

491
00:36:25,519 --> 00:36:28,920
big like everybody else who may be going to the

492
00:36:29,000 --> 00:36:33,840
altar or maybe get into a relationship. Here's that moment?

493
00:36:34,840 --> 00:36:35,280
Speaker 10: Really?

494
00:36:35,559 --> 00:36:35,599
Speaker 27: What?

495
00:36:36,280 --> 00:36:36,320
Speaker 24: So?

496
00:36:36,920 --> 00:36:39,000
Speaker 3: Okay, there we go, all right, let's go all right?

497
00:36:39,079 --> 00:36:39,480
Here it is.

498
00:36:44,639 --> 00:36:49,039
Speaker 8: Finally, once the wedding date has been set, the princess

499
00:36:49,199 --> 00:36:51,880
has a little white envelope delivered to the bread man

500
00:36:52,480 --> 00:36:56,400
on the day of their next plant rendezvous, much to

501
00:36:56,480 --> 00:37:00,320
the bread man's chagrin. Instead of the princess said as door,

502
00:37:00,960 --> 00:37:05,480
he finds a delivery boy who hands him a letter.

503
00:37:06,840 --> 00:37:16,079
Speaker 16: How good she married? How good she married? How good

504
00:37:16,239 --> 00:37:17,559
she married?

505
00:37:20,000 --> 00:37:21,119
Speaker 2: How good she be?

506
00:37:22,159 --> 00:37:22,199
Speaker 12: So?

507
00:37:24,440 --> 00:37:25,599
Speaker 16: How good ship be?

508
00:37:26,679 --> 00:37:26,719
Speaker 12: So?

509
00:37:32,599 --> 00:37:39,639
Speaker 8: Today is the day of the big wedding. Princess. Here

510
00:37:39,760 --> 00:37:45,400
she is at the wedding, at the altar, getting ready

511
00:37:46,199 --> 00:37:51,079
to marry the prince from Yeastland. She just can't believe

512
00:37:51,239 --> 00:37:54,840
that it's happening. She missed the bread man.

513
00:37:59,360 --> 00:38:01,639
Speaker 23: How can na marry him?

514
00:38:03,559 --> 00:38:05,639
Speaker 8: How can I marry?

515
00:38:08,000 --> 00:38:10,320
Speaker 10: How can I marry him?

516
00:38:12,239 --> 00:38:13,360
Speaker 6: What can it be?

517
00:38:14,400 --> 00:38:14,440
Speaker 24: So?

518
00:38:16,679 --> 00:38:17,800
Speaker 2: What can I be?

519
00:38:18,840 --> 00:38:18,880
Speaker 12: So?

520
00:38:19,920 --> 00:38:29,880
Speaker 8: Bread The bread man arrives at the wedding. He's made

521
00:38:29,960 --> 00:38:35,199
the wedding cake. He's so sad, but he has to

522
00:38:35,320 --> 00:38:39,719
deliver the cake otherwise people might get suspicious.

523
00:38:40,760 --> 00:38:41,440
Speaker 25: And here he is.

524
00:38:43,119 --> 00:38:52,079
Speaker 8: Delivering the cake, looks over at the princess. How can she?

525
00:38:55,599 --> 00:39:05,000
Speaker 16: How could she marry? How good she marriage? How good

526
00:39:05,159 --> 00:39:12,519
ship be so? How good should be so bad?

527
00:39:30,920 --> 00:39:33,079
Speaker 8: How cann be so?

528
00:39:35,559 --> 00:39:37,800
Speaker 16: How cann be so?

529
00:39:39,039 --> 00:39:46,199
Speaker 1: B hmm, that is sad? How could she marry him?

530
00:39:46,199 --> 00:39:49,400
From The bread Man A Bread Time Story? And Ricky

531
00:39:49,440 --> 00:39:50,440
Mapleton is here with us.

532
00:39:50,800 --> 00:39:51,079
Speaker 3: Thank you.

533
00:39:51,840 --> 00:39:54,800
Speaker 1: Well, we are approaching for our live listeners the top

534
00:39:54,840 --> 00:39:56,159
of the hour, so we do need to take a

535
00:39:56,199 --> 00:39:58,400
break and show some love to our amazing sponsors. But

536
00:39:58,960 --> 00:40:02,119
if you are listening lot on Saturday, coming up in

537
00:40:02,199 --> 00:40:06,519
the third hour, we're going to continue listening and talking

538
00:40:06,559 --> 00:40:09,000
about The brad Man, A Bread Time Story, the new

539
00:40:09,079 --> 00:40:11,840
rock opera from Ricky Mapleton, and many others. So you

540
00:40:11,920 --> 00:40:14,159
mentioned many of this contributed to this.

541
00:40:14,519 --> 00:40:16,039
Speaker 3: Is that is that the good volume right there for you?

542
00:40:16,159 --> 00:40:16,400
Speaker 8: Right there?

543
00:40:16,480 --> 00:40:19,000
Speaker 3: Yeah? Yeah, okay, okay, yeah again, I just want to

544
00:40:19,280 --> 00:40:23,079
reiterate that's my big word of the day. Yes again,

545
00:40:23,320 --> 00:40:27,000
thank you everybody that took part in this, probably twenty

546
00:40:27,079 --> 00:40:32,000
different musicians. Oh no, finally, the core base was myself,

547
00:40:33,159 --> 00:40:36,480
doctor h and Ryan Fitzpatrick with a three that started this.

548
00:40:36,599 --> 00:40:40,679
But there's probably I would say, twenty twenty thirty musicians

549
00:40:41,280 --> 00:40:44,400
on this and again, thank you guys for doing it. Oh, absolutely,

550
00:40:45,039 --> 00:40:47,599
I want to thank the musicians for doing it. Yeah.

551
00:40:47,760 --> 00:40:52,119
Just I'm hearing it here on different headphones, Yeah, different thing,

552
00:40:52,199 --> 00:40:54,480
and I haven't listened to it in probably a week.

553
00:40:54,760 --> 00:40:57,559
Yeah you know, Yeah, I've heard it thousands of times. Yeah,

554
00:40:58,039 --> 00:41:01,280
you know, preparing this, but just tearing it fresh on

555
00:41:01,400 --> 00:41:04,480
this just and watching you guys reacting. Hope everybody's really yeah,

556
00:41:04,559 --> 00:41:06,320
getting something out of it on this snowy on the

557
00:41:06,360 --> 00:41:07,079
snowy Saturday.

558
00:41:07,159 --> 00:41:08,920
Speaker 1: I sure hope, So, I sure hope. So all right

559
00:41:08,960 --> 00:41:10,800
for our live listeners, stick around. Coming on an hour

560
00:41:10,880 --> 00:41:14,119
number three, we will continue with our story Don't go Anywhere.

561
00:41:18,599 --> 00:41:20,320
Speaker 25: Nana's Kitchen and Pizza.

562
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Speaker 18: Reeve from Nana's hands to your plate tradition, love and taste.

563
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Speaker 16: That's great, so fermented dough flavor, so true.

564
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Speaker 14: Each bite, the.

565
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Speaker 16: Story made just for you.

566
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Speaker 25: Six O three two three two nine three six six

567
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Nana's Kitchen and Pizza Reve fifteen Dartmouth Dry Auburn, New.

568
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Speaker 6: Hampshire Kitchen and Hisser.

569
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570
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Speaker 2: By one lets phrases lies on lide with top and.

571
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Speaker 6: Toll the round. It's a pizza.

572
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Speaker 28: Barr line Luigi's Pizza Bar and Grill, seven to twelve

573
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Valley Street, Manchester. Come on in or call six two

574
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two one zero two one Luigi keeping the tradition alive

575
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since nineteen seventy five.

576
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Speaker 29: Pizza for every one, Come join a piece too, nights

577
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with each lye sense of it.

578
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Speaker 2: Everything feels so right.

579
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Speaker 28: In times of crisis.

580
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Speaker 30: You need a law firm that stands by your side.

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With over forty years of experience, Craig and Gatzulis is

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dedicated to fighting for your rights. As former state prosecutors,

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our attorneys have the knowledge and trial experience to provide

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an aggressive defense against any charge, from DUIs to homicides.

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case and fight for the compensation you deserve. Serving all

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of New Hampshire. Craigan Getzulis is here when you need

588
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us most. Visit Craigatzulis dot com for a free consultation.

589
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Craigan getsulus, your advocates, your.

590
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Speaker 31: Allies bring your kitchen to life with Queen Citycabinetry, located

591
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at eighty seven Elm Street in the historic Sunbeam Law

592
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in Manchester.

593
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Speaker 3: Open Monday through Friday nine.

594
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Speaker 31: Am to five thirty pm, in Saturdays ten am to

595
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two pm.

596
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Speaker 3: They can be reached at.

597
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Speaker 31: Six oh three two two two to zero zero seven

598
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or on the web at Queen citycabinatree nh dot com.

599
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Come see the possibilities Queen Citycabinetry another crowd sponsor of

600
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w MNH.

601
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Speaker 4: Hey everyone, there's Rob Azevido, host of Grantite State of Mind,

602
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and I want to tell you about Pembroke City Limits

603
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in the historic Suncook Village. PCL's an award winning bar,

604
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restaurant and music venue where there's live music five days

605
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a week and twice on Saturdays, everything from blues, country, folk, funk,

606
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and a whole lot of jazz. We have twelve craft

607
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beers on tap dedicated the local brewers in the area

608
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with some of the friendliest bartenders around. Please come visit

609
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Pembrook City Limits at one thirty four Main Street, the

610
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historic sunk Cook Village, only six miles outside of Manchester.

611
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Open Tuesdays to Wednesdays four to ten. Thursday's a Sunday

612
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eleven to ten Pembrook City Limits where it's all about

613
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the music.

614
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Speaker 28: Disneys Cafe is the place to put a smile on

615
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your face. Judy and the crew will take care of you,

616
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bring your appetite and treat your taste.

617
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Speaker 3: Bus right.

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Speaker 28: Disney's Cafe is always a winning choice. Breakfast, lunch or

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supper Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

620
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Dine in, take out or make a reservation call six

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oh three, six oh six two five three two, Eat,

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drink and be happy Dizzney's Cafe.

623
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Speaker 32: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust Groland Computers

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located on Elm Street in Manchester. Groll and handle computer repair,

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Speaker 24: Midnight seven times out of ten we've listened to our

633
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music at night.

634
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Speaker 10: Don titled Boss.

635
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Speaker 31: Program Late Night to Light with DJ Midas right here

636
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on WMNH Manchester.

637
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Speaker 2: Do you want to know why?

638
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Speaker 19: Because Saturdays and Sunday nights midnight to four am.

639
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Speaker 25: This hour on wm NH is sponsored by CGI Business Solutions,

640
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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight sixty six eight four one

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solutions dot com.

646
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Speaker 33: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP. Their sonic cardigas

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of Manchester, transcending through the ether at ninety five point

649
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three megahertz frequency modulation or transmissions emanate from the z

650
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at one thousand Elm Streets, insur into the hearts of

651
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our creative realm at one nineteen Canal Street, where innovation

652
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and sound coluge. They're the improm mod of Manchester Public

653
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Television Service in the venerable city of Manchester, New Hampshire, USA.

654
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Enrich your auditory jourity with the depth of our license

655
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to Wesdent wes spet your missives do w MNH ninety

656
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five three at gmail dot com or traverse the virtual

657
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corridors of w m n Hradio dot org. Engage with

658
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our sonic vibrations by communting with us through the digital

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channels or radio records. Eager to enthrall you with its

660
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mesmerizing cadence and envillap you boundless ones one d.

661
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Speaker 19: W m n H rip the novels.

662
00:47:49,599 --> 00:47:51,119
Speaker 3: All right, here we go. Hello everybody.

663
00:47:51,239 --> 00:47:54,360
Speaker 1: We have entered our three nu marrow trace of Matt

664
00:47:54,440 --> 00:47:58,280
Connorton unleashed, and we are live from the studios of

665
00:47:58,480 --> 00:48:00,679
w m n H ninety five point three FM and

666
00:48:00,719 --> 00:48:03,239
Glorious Manchester, New Hampshire. Of course, you can stream the

667
00:48:03,239 --> 00:48:05,760
show from anywhere. Go to Matt Connorton dot com, slash

668
00:48:05,920 --> 00:48:09,119
live for all your live streaming options, social media links,

669
00:48:09,159 --> 00:48:12,880
contact infosho, archives, et cetera, et cetera. Today is Saturday,

670
00:48:12,960 --> 00:48:15,840
February seven, twenty twenty six. Jenny is here, of course

671
00:48:15,880 --> 00:48:19,320
at the news table, present account of and also with us.

672
00:48:19,400 --> 00:48:22,960
Of course, we have Ricky Mapleton and today we are

673
00:48:23,079 --> 00:48:27,880
featuring his new his rock opera bread Man A bread

674
00:48:27,960 --> 00:48:28,559
Time Story.

675
00:48:28,639 --> 00:48:29,280
Speaker 3: Did I get the title?

676
00:48:29,360 --> 00:48:29,960
Speaker 1: Right, tod et cetera.

677
00:48:30,039 --> 00:48:31,000
Speaker 3: Yes, I did. Yes.

678
00:48:31,320 --> 00:48:34,280
Speaker 1: Now, if you are listening live on Saturday, you might

679
00:48:34,360 --> 00:48:37,360
have heard in the second hour of today's show, we've

680
00:48:37,400 --> 00:48:40,920
been playing songs in order from the Rock Opera and

681
00:48:41,199 --> 00:48:43,079
talking about each one, and we're going to continue to that.

682
00:48:43,119 --> 00:48:45,639
We've never continued that in the third hour. We've never

683
00:48:45,719 --> 00:48:48,599
done that before on this show. But this project I

684
00:48:48,679 --> 00:48:52,239
think deserves Thank you, Merrit's the attention. Absolutely absolutely, we're

685
00:48:52,280 --> 00:48:56,559
really enjoying it. So when we left off in our story,

686
00:48:57,039 --> 00:49:01,159
how can she Marry Him? Was the last last song

687
00:49:01,239 --> 00:49:04,400
that we played, and then the next one is King's

688
00:49:04,400 --> 00:49:06,039
speech hip hop comedy song.

689
00:49:06,159 --> 00:49:10,880
Speaker 3: Okay, So now the wedding has taken place, the wedding

690
00:49:11,039 --> 00:49:17,440
is done, and the king is going to give his speech. Okay,

691
00:49:17,840 --> 00:49:19,320
much like the title.

692
00:49:19,360 --> 00:49:24,480
Speaker 1: Yes and enjoy, all right, the King enters the story.

693
00:49:24,519 --> 00:49:25,079
Speaker 3: Here here we go.

694
00:49:25,639 --> 00:49:29,920
Speaker 8: The princess for Pieter vows and reluctantly says yes to

695
00:49:30,000 --> 00:49:33,880
the Prince of Yeastland. The King steps forward to give

696
00:49:33,960 --> 00:49:35,440
a celebrations speech.

697
00:49:44,960 --> 00:49:50,320
Speaker 34: We are here to celebrate the mixing of wheatland with yeastland.

698
00:49:51,199 --> 00:49:55,880
This was truly needed to help create the best bread

699
00:49:56,039 --> 00:49:59,159
in the land. Let us raise our bread and with

700
00:49:59,360 --> 00:50:03,519
warmth in our hearts, toast the Prince and princess, who,

701
00:50:03,800 --> 00:50:07,000
with help from the prince, will soon have a bun

702
00:50:07,119 --> 00:50:10,199
in the oven, and the next heir to the kingdom

703
00:50:11,239 --> 00:50:13,079
long lives the prince.

704
00:50:13,880 --> 00:50:28,679
Speaker 8: Long the king, and the feast begins. Now it's time

705
00:50:28,760 --> 00:50:29,239
to dance.

706
00:50:30,119 --> 00:50:36,320
Speaker 2: Well, it's a here Bob karm, I'll say, pop.

707
00:50:39,880 --> 00:50:57,559
Speaker 35: Outside, don't, I'll says a head of counting them.

708
00:51:00,119 --> 00:51:04,880
Speaker 2: Hit comedy song, Why don't you'll sing along? It's a

709
00:51:04,960 --> 00:51:07,480
hit by comedy comedy song.

710
00:51:08,559 --> 00:51:09,800
Speaker 6: What you great buck?

711
00:51:10,599 --> 00:51:17,840
Speaker 22: I told you once, I told you twice, won way

712
00:51:18,239 --> 00:51:27,239
I feel. Here's my advice, mother drug, just keep it cool,

713
00:51:27,719 --> 00:51:29,920
keep it d keep that next.

714
00:51:29,760 --> 00:51:31,800
Speaker 2: To Michelle, do see, don't.

715
00:51:31,679 --> 00:51:33,280
Speaker 23: Be afraid that you got the rock.

716
00:51:34,119 --> 00:51:37,800
Speaker 2: I have to break out that god, break out that

717
00:51:38,440 --> 00:51:39,119
break out that.

718
00:51:40,719 --> 00:51:44,519
Speaker 26: It's a hit, mark out the song that's sang the.

719
00:51:48,639 --> 00:51:49,360
Speaker 23: Breaking out.

720
00:51:50,760 --> 00:51:55,960
Speaker 2: A hit bat comy song. I'll say it's a hair

721
00:51:56,119 --> 00:52:00,719
Brock com comy song. Break out the time out nine.

722
00:52:01,320 --> 00:52:02,320
Speaker 23: Then there man.

723
00:52:03,400 --> 00:52:08,280
Speaker 2: Stiff there here man pants, it's time.

724
00:52:08,320 --> 00:52:37,880
Speaker 23: It's a man a man here we go in here

725
00:52:38,039 --> 00:52:38,960
there there man.

726
00:52:40,440 --> 00:52:40,559
Speaker 12: Man.

727
00:52:41,920 --> 00:52:45,159
Speaker 2: It's a hip hop comedy song. But don't you all

728
00:52:45,239 --> 00:52:49,559
saying a lot? It's a hip hop comic comedy song.

729
00:52:50,639 --> 00:52:53,880
Speaker 10: What part to you?

730
00:52:54,159 --> 00:52:54,440
Speaker 19: Once?

731
00:52:55,880 --> 00:53:01,159
Speaker 3: Two to twice one? Where I fee here's my.

732
00:53:08,679 --> 00:53:17,039
Speaker 1: Comedy all right, the King's speech and hip hop comedy song.

733
00:53:17,519 --> 00:53:19,159
The next part of our story here and the bread

734
00:53:19,199 --> 00:53:24,320
Man bread time story. Yes, so why why is uh?

735
00:53:24,920 --> 00:53:28,360
Does the King just really like a humorous hip hop or.

736
00:53:29,679 --> 00:53:32,360
Speaker 3: I love the kind of change we've done very slow

737
00:53:32,599 --> 00:53:37,400
melodic stuff on this hip hop comedy song was a

738
00:53:37,559 --> 00:53:42,199
song that was not originally made for this and we

739
00:53:42,280 --> 00:53:43,880
found a great spot for it where it kind of

740
00:53:44,000 --> 00:53:46,760
changes the whole Now we're hip hop and where it

741
00:53:47,000 --> 00:53:49,440
kind of goes away from the Victorian thing. It's okay,

742
00:53:49,519 --> 00:53:53,039
this was this is happening at the reception. Yes, yes,

743
00:53:53,639 --> 00:53:57,360
we're we're dancing, we're singing, we're having fun. Okay, little

744
00:53:57,440 --> 00:54:00,039
hip hop comedy song going on, all right, but not

745
00:54:00,159 --> 00:54:03,880
everyone is having fun? Well it depends in theory, right, Yes,

746
00:54:04,440 --> 00:54:08,599
very insightful, sir, Thank you, thank you. Well.

747
00:54:08,719 --> 00:54:11,639
Speaker 1: Next, so we have more plastic in the ocean than fish.

748
00:54:11,880 --> 00:54:15,719
One ain't what it seems. I'm very curious where this

749
00:54:16,000 --> 00:54:16,920
part of the story is going.

750
00:54:18,280 --> 00:54:18,719
Speaker 3: Here we go.

751
00:54:22,679 --> 00:54:26,199
Speaker 8: The wedding is over. Weeks have passed since the bread

752
00:54:26,320 --> 00:54:30,360
Man has last seen the princess. The princess takes a

753
00:54:30,480 --> 00:54:34,440
huge risk and visits the bread Man late one evening.

754
00:54:36,159 --> 00:54:39,760
Draped in peasants clothing, she knocks at the bakery door.

755
00:54:44,760 --> 00:54:49,960
The bread man slowly opens the door. He's a mixed

756
00:54:50,039 --> 00:54:57,559
bag of emotions, sad, angry, befuddled, and elated all at once.

757
00:55:01,039 --> 00:55:05,400
He beckons her to the back room. He quietly murmurs,

758
00:55:07,320 --> 00:55:12,920
how could you marry him? At first, she's apologetic, but

759
00:55:13,119 --> 00:55:16,280
soon they begin to argue about everything and how it

760
00:55:16,400 --> 00:55:19,920
all went down, how she had no choice in the matter.

761
00:55:21,400 --> 00:55:24,920
The bread man, he disagrees, and the princess is no

762
00:55:25,079 --> 00:55:28,440
longer sure that it was a good idea to visit

763
00:55:29,480 --> 00:55:36,559
the bread man. Well, the bread Man and the princess,

764
00:55:36,719 --> 00:55:40,599
they begin to argue. They tell each other how they feel,

765
00:55:40,719 --> 00:55:48,119
and things get pretty heated. All the pieces they don't fit.

766
00:55:48,440 --> 00:55:49,960
Speaker 14: Maybe we just need to quit.

767
00:55:50,320 --> 00:55:52,800
Speaker 8: Sometimes I don't give it, ish, What do you think

768
00:55:52,920 --> 00:55:53,719
I love should be?

769
00:55:54,079 --> 00:55:55,760
Speaker 9: Things ain't always what they see.

770
00:55:55,920 --> 00:55:57,679
Speaker 6: You see blue and I sea green.

771
00:55:57,920 --> 00:55:58,760
Speaker 9: When you laugh, it.

772
00:55:58,920 --> 00:55:59,679
Speaker 14: Makes me scream.

773
00:56:00,280 --> 00:56:06,159
Speaker 36: Just keep chasing those dreams, You just keep chasing those dreams.

774
00:56:23,079 --> 00:56:24,840
Speaker 8: I can't recall what you said.

775
00:56:24,880 --> 00:56:26,639
Speaker 14: I wish we could just stay in bed.

776
00:56:27,000 --> 00:56:31,280
Speaker 37: Sometimes that's just regret all the things that you have done, things.

777
00:56:31,079 --> 00:56:32,440
Speaker 14: Saying always what they see.

778
00:56:32,639 --> 00:56:33,719
Speaker 2: You see Lou and I.

779
00:56:33,880 --> 00:56:36,440
Speaker 37: See green When you're laugh it makes me scream.

780
00:56:36,519 --> 00:56:37,679
Speaker 14: And you just keep.

781
00:56:37,639 --> 00:56:43,480
Speaker 8: Chasing those dreams. Yeah, you just keep chasing those dreams.

782
00:56:45,840 --> 00:57:17,559
Speaker 2: And don't care if you stay or go.

783
00:57:18,039 --> 00:57:20,960
Speaker 37: You put on a real good show. Sometimes you just

784
00:57:21,119 --> 00:57:24,199
don't know what it is that you need. Things ain't

785
00:57:24,239 --> 00:57:27,320
always what they see. You see blue and I see green.

786
00:57:27,599 --> 00:57:29,280
When you laugh, it makes me scream.

787
00:57:29,480 --> 00:57:30,960
Speaker 10: Don't make no sense to me.

788
00:57:31,159 --> 00:57:32,920
Speaker 14: Your vision on what we should be.

789
00:57:33,320 --> 00:57:36,039
Speaker 38: Why can't you just let me be? Why can't you

790
00:57:36,360 --> 00:57:42,719
just let me be? Why can't you just said me be? Oh,

791
00:57:42,960 --> 00:57:45,039
why can you just let me be?

792
00:57:49,639 --> 00:57:51,840
Speaker 1: So things that not go as planned for the no

793
00:57:51,960 --> 00:57:53,760
no no process and no no no.

794
00:57:55,360 --> 00:57:56,480
Speaker 3: I do have a question. Why is it?

795
00:57:56,559 --> 00:57:58,599
Speaker 1: Why is it called more plastic in the ocean than fish?

796
00:58:02,480 --> 00:58:05,679
Speaker 3: I did not name that song. I think it's cool.

797
00:58:07,000 --> 00:58:09,199
That's a very good question. I questioned that myself. When

798
00:58:09,199 --> 00:58:12,719
I see it, I believe one of my fabulous people

799
00:58:12,800 --> 00:58:14,960
that I worked with. I think either doctor H. Or

800
00:58:15,079 --> 00:58:20,519
Ryan f and I have learned when you work with

801
00:58:20,800 --> 00:58:27,559
other creative people, you need to be understanding of their thoughts.

802
00:58:28,000 --> 00:58:33,360
There and okay, yeah, there's a lot of backstory to

803
00:58:33,440 --> 00:58:37,280
any project. This one had. This project had many backstories

804
00:58:37,800 --> 00:58:40,719
as far as getting along with people getting on, of

805
00:58:40,840 --> 00:58:46,920
musicians getting along, understanding other musicians and creative people. And again,

806
00:58:46,960 --> 00:58:49,880
I just want to say again thank you for all

807
00:58:49,960 --> 00:58:53,480
the musicians that are on. Here's the pedal steel that

808
00:58:53,639 --> 00:58:56,559
was just on there. Oh yeah that was great. It's

809
00:58:56,719 --> 00:59:01,280
just guys, thank thank you again for the musicians that

810
00:59:01,320 --> 00:59:01,760
we're on here.

811
00:59:02,320 --> 00:59:05,239
Speaker 1: We love doing this. Does does bread cause great at tension?

812
00:59:05,599 --> 00:59:09,320
Speaker 3: You think, yes, it could be a twist.

813
00:59:09,679 --> 00:59:10,559
Speaker 5: It's the yeast.

814
00:59:10,679 --> 00:59:11,920
Speaker 3: Aren't you paying attention?

815
00:59:12,199 --> 00:59:12,480
Speaker 6: East?

816
00:59:14,599 --> 00:59:15,320
Speaker 14: It's the yeast?

817
00:59:16,840 --> 00:59:19,079
Speaker 1: Well our next uh, our next song in the story?

818
00:59:19,159 --> 00:59:23,719
Here is uh more plastic in the ocean than fish

819
00:59:23,800 --> 00:59:24,960
to the plan.

820
00:59:25,480 --> 00:59:28,599
Speaker 3: Okay, so now the plot, now they're gonna make okay, well,

821
00:59:29,119 --> 00:59:29,639
let's can take it.

822
00:59:29,840 --> 00:59:32,400
Speaker 1: I feel like there's a twist coming. Very good, All right,

823
00:59:32,519 --> 00:59:34,400
very good. Let's see a braided issue.

824
00:59:36,400 --> 00:59:40,719
Speaker 8: The princess hastily leaves the bakery and heads back to

825
00:59:40,840 --> 00:59:45,920
the castle. A month passes by both the bread Man

826
00:59:46,800 --> 00:59:51,840
and the princess agonize over their last meeting, each trying

827
00:59:51,920 --> 00:59:58,480
to rationalize their position. Suddenly, simultaneously, the princess and the castle,

828
00:59:59,159 --> 01:00:01,679
the bread Man, and the bakery come up with a

829
01:00:01,760 --> 01:00:06,159
plan to overcome the obstacles and to finally be together

830
01:00:06,280 --> 01:00:09,960
at last. First, they'll need to get rid of the prince,

831
01:00:10,960 --> 01:00:17,000
but that still leaves the egg lady. Then, under the

832
01:00:17,400 --> 01:00:20,920
cover of night, the princess sneaks off to the bakery

833
01:00:21,480 --> 01:00:25,840
to share her plan with the bread man. The bread

834
01:00:25,920 --> 01:00:28,960
Man is ecstatic to see the princess, and he can't

835
01:00:29,000 --> 01:00:31,960
wait to share his plan with her. As soon as

836
01:00:32,039 --> 01:00:37,239
they see each other, they warmly embrace and begin excitedly

837
01:00:37,480 --> 01:00:58,880
to share the same exact plan. Wow, don't we just

838
01:01:00,159 --> 01:01:01,840
poison the prince?

839
01:01:03,000 --> 01:01:05,119
Speaker 2: I was thinking the same thing?

840
01:01:06,039 --> 01:01:09,320
Speaker 12: Why care of dreams come true?

841
01:01:11,840 --> 01:01:20,920
Speaker 6: Will go around? It's time all to come.

842
01:01:23,239 --> 01:01:26,159
Speaker 12: And we all go round, and.

843
01:01:29,079 --> 01:01:41,079
Speaker 11: It's all the poorson and.

844
01:01:49,639 --> 01:01:51,559
Speaker 27: Of the lady.

845
01:01:52,360 --> 01:01:54,159
Speaker 14: She knows the truth?

846
01:01:55,280 --> 01:01:56,639
Speaker 23: Do you know what to do?

847
01:01:57,639 --> 01:02:01,559
Speaker 12: If you want? Don't you come true?

848
01:02:03,880 --> 01:02:07,719
Speaker 2: You will go around in the game.

849
01:02:16,039 --> 01:02:17,760
Speaker 6: Real out?

850
01:02:32,840 --> 01:02:35,840
Speaker 1: My goodness, I knew it, I knew it.

851
01:02:36,199 --> 01:02:40,519
Speaker 3: It was the well will they succeed?

852
01:02:41,840 --> 01:02:42,000
Speaker 20: Mm?

853
01:02:42,079 --> 01:02:45,480
Speaker 3: Hmm, good question. Good question.

854
01:02:46,440 --> 01:02:49,679
Speaker 1: I didn't expect it. I didn't expect bread bacon to

855
01:02:49,800 --> 01:02:52,920
lead to murder. My goodness, I know, squie a twist,

856
01:02:52,960 --> 01:02:53,280
all right?

857
01:02:53,440 --> 01:02:56,079
Speaker 3: I believe it is the last song and scene one?

858
01:02:57,199 --> 01:02:57,599
What is what?

859
01:02:57,840 --> 01:02:58,239
Speaker 39: What is this?

860
01:02:58,519 --> 01:03:01,760
Speaker 3: Silver fox? The silver far? Okay, so this ends scene

861
01:03:01,840 --> 01:03:07,400
one of our fabulous journey into bread. Yes, again, thank

862
01:03:07,440 --> 01:03:09,599
you all the musicians that did this. Thank you. I

863
01:03:09,679 --> 01:03:13,199
can't thank you guys enough. Yes, I hope you all

864
01:03:13,280 --> 01:03:14,519
enjoying this listening. Thank you.

865
01:03:15,360 --> 01:03:18,639
Speaker 1: Question in regards to that the music itself, did all

866
01:03:18,719 --> 01:03:21,679
of the artists work with you to develop the music

867
01:03:21,800 --> 01:03:23,920
or was this something that you wrote and then taught

868
01:03:23,960 --> 01:03:24,480
them to play?

869
01:03:25,320 --> 01:03:31,000
Speaker 3: Both? Okay, both. Some of this was done even without me,

870
01:03:31,119 --> 01:03:36,039
even was drawn from different projects. There's something called the

871
01:03:36,159 --> 01:03:41,440
family album that doctor h or doctor Holton has and

872
01:03:41,599 --> 01:03:44,920
he's the type A of of type the band type A,

873
01:03:45,159 --> 01:03:47,679
which is kind of the moniker of this. It's the

874
01:03:47,719 --> 01:03:51,639
bread Man a bread story type A because Larry Holton

875
01:03:52,280 --> 01:03:55,239
type A took this, ran with it and did all

876
01:03:55,360 --> 01:04:00,360
these amazing overdubs and put the whole thing together. And yeah,

877
01:04:00,480 --> 01:04:04,719
so I forgot what the original question was, but you

878
01:04:04,840 --> 01:04:12,239
answered thank you. So here is the climax of scene one.

879
01:04:12,519 --> 01:04:19,079
Speaker 8: All right, weeks go by and no one's getting their eggs.

880
01:04:19,599 --> 01:04:24,800
Everyone's wondering, where's the ugly Finally someone goes to the

881
01:04:24,920 --> 01:04:27,440
sheriff the silver fox.

882
01:04:29,559 --> 01:04:36,000
Speaker 29: He comes to the silver fox, Silver Fox. The runs

883
01:04:36,039 --> 01:04:39,679
to night, comes fox.

884
01:04:41,400 --> 01:04:45,400
Speaker 8: The sheriff decides invest gate. He gets his hounds and

885
01:04:45,519 --> 01:04:49,280
he begins to search the outskirts of town. He searches

886
01:04:49,480 --> 01:04:53,400
night and day. It's getting dark and the fox pouring in.

887
01:04:54,239 --> 01:04:58,280
The silver fox continues to hunt for the ugly silver fox.

888
01:04:58,719 --> 01:04:59,719
Now by lantern.

889
01:05:00,800 --> 01:05:02,360
Speaker 12: He's on the hunts.

890
01:05:18,719 --> 01:05:19,639
Speaker 6: Silver fox.

891
01:05:20,440 --> 01:05:24,280
Speaker 40: He's on the runs at night he comes the silver fox.

892
01:05:34,000 --> 01:05:41,239
Comes a silver fox. It comes a silver fox. It

893
01:05:41,440 --> 01:05:47,360
comes the silver fox. It comes a silver fox.

894
01:06:03,440 --> 01:06:09,360
Speaker 26: Pelophox, all the frons a silver fox.

895
01:06:10,679 --> 01:06:13,639
Speaker 6: Silver fox. He's on the us tonight.

896
01:06:14,360 --> 01:06:21,960
Speaker 26: He splopho.

897
01:06:25,239 --> 01:06:30,039
Speaker 23: Loved not Christ, look right, comes.

898
01:06:29,719 --> 01:06:30,800
Speaker 12: A silver fox.

899
01:06:47,119 --> 01:06:48,760
Speaker 6: It comes a silbophox.

900
01:06:50,719 --> 01:06:51,480
Speaker 12: It comes a.

901
01:06:51,559 --> 01:06:52,559
Speaker 11: Silver fog.

902
01:06:54,239 --> 01:06:56,719
Speaker 6: And CON's so fox.

903
01:06:57,920 --> 01:06:59,519
Speaker 2: It comes a silver fall.

904
01:07:01,239 --> 01:07:02,280
Speaker 14: He's coming to kitchen.

905
01:07:04,840 --> 01:07:05,840
Speaker 12: He's coming to kitchen.

906
01:07:08,199 --> 01:07:09,239
Speaker 6: He's coming to kitchen.

907
01:07:15,440 --> 01:07:16,800
Speaker 2: Go away, man.

908
01:07:19,480 --> 01:07:21,440
Speaker 14: Away the chickens.

909
01:07:23,239 --> 01:07:24,920
Speaker 2: Way acrost.

910
01:07:28,559 --> 01:07:29,960
Speaker 6: Runs.

911
01:07:42,559 --> 01:07:43,719
Speaker 2: He's coming to catch.

912
01:07:48,719 --> 01:07:49,519
Speaker 3: So fox.

913
01:07:50,440 --> 01:07:53,559
Speaker 8: He finds his way to the swamp from the outskirts

914
01:07:53,639 --> 01:08:05,440
of town, Fog rolling in pitch, black dogs barking, barking, barking. Finally,

915
01:08:05,800 --> 01:08:08,599
he holds his lamp up and he looks down on

916
01:08:08,719 --> 01:08:14,159
the shore of the water. Astonished, he sees the egg

917
01:08:14,280 --> 01:08:18,119
Lady dead, their mouths stuffed with bread.

918
01:08:24,800 --> 01:08:26,800
Speaker 3: So that is the end of scene one. Scene one

919
01:08:26,920 --> 01:08:30,640
is done. The egg Lady has been murdered. Oh my goodness,

920
01:08:31,600 --> 01:08:34,399
there we go. Let's be ready to jump right into

921
01:08:34,479 --> 01:08:34,920
scene too.

922
01:08:35,560 --> 01:08:39,279
Speaker 1: Let's go right into scene two. Okay, we're starting with

923
01:08:39,399 --> 01:08:42,560
a seaweed instrumental poison yeasts.

924
01:08:42,680 --> 01:08:45,960
Speaker 3: Okay, oh my goodness. All right, let's see. Joy, let's

925
01:08:45,960 --> 01:08:46,760
see where we go.

926
01:08:46,880 --> 01:09:00,479
Speaker 8: In scene two, the Princess and the bread Man sneak

927
01:09:00,560 --> 01:09:06,359
off to the beach to discuss their plan further. Though

928
01:09:06,439 --> 01:09:10,600
the plan has many, many parts, it has become abundantly

929
01:09:10,680 --> 01:09:13,199
clear that with the egg Lady out of the picture,

930
01:09:14,079 --> 01:09:19,119
it's going to be all about the poison yeast. After

931
01:09:19,279 --> 01:09:24,119
a long discussion and walk on the beach, finally feeling

932
01:09:24,399 --> 01:09:28,319
like things are going to be the way they've always hoped,

933
01:09:29,319 --> 01:09:31,800
it's time for the bread Man to head back to

934
01:09:31,880 --> 01:09:36,520
the bakery and begin preparing the bread for the castle

935
01:09:37,399 --> 01:09:43,479
for the prince. The plan is quick to rise now

936
01:09:43,560 --> 01:09:48,640
that the poison yeast is fully prepared and active. Beware

937
01:09:49,279 --> 01:09:50,359
the poison yeast.

938
01:10:02,479 --> 01:10:39,640
Speaker 6: East two yeast on the east, the east past.

939
01:10:34,439 --> 01:10:50,479
Speaker 41: Tweas, yes, yeasts, ye beware of the poison.

940
01:10:53,399 --> 01:10:57,560
Speaker 1: Well, now we know what poison yeast sounds like. And

941
01:10:57,680 --> 01:10:59,640
then let's see the next part of our story. King

942
01:10:59,720 --> 01:11:02,479
up in the castle, bad bread shoot.

943
01:11:05,439 --> 01:11:09,239
Speaker 8: As the princess rises from the baker's bed, they begin

944
01:11:09,439 --> 01:11:13,399
to make the poison bread. Add the flour, add the sugar,

945
01:11:13,600 --> 01:11:18,560
don't forget the poison yeast. Soon the prince will be dead.

946
01:11:20,000 --> 01:11:27,079
Speaker 6: Down sEH, just.

947
01:11:31,680 --> 01:11:42,720
Speaker 12: Just king up in that castle, Princess to the got so, sash,

948
01:11:46,239 --> 01:11:47,880
got so, sash.

949
01:12:04,159 --> 01:12:07,319
Speaker 2: Thou show good water.

950
01:12:08,239 --> 01:12:11,319
Speaker 6: Soon we'll s's just.

951
01:12:13,960 --> 01:12:16,039
Speaker 23: Yes, just.

952
01:12:17,920 --> 01:12:23,279
Speaker 8: The bread man's plan begins to rise. Soon the prince

953
01:12:23,720 --> 01:12:24,279
will die.

954
01:12:57,920 --> 01:13:00,199
Speaker 6: The bread is man.

955
01:13:00,760 --> 01:13:07,239
Speaker 36: The prid mens coming, the prid mens coming, He's coming

956
01:13:07,479 --> 01:13:14,920
for you. The brids coming, The bred Man's coming, the

957
01:13:15,279 --> 01:13:17,119
breds coming.

958
01:13:17,720 --> 01:13:19,119
Speaker 8: He's coming for you.

959
01:13:21,319 --> 01:13:28,800
Speaker 38: Put away that sugar, put away the yeast, away the flower.

960
01:13:28,560 --> 01:13:31,199
Speaker 8: Because you're not gonna kill the beast.

961
01:13:31,319 --> 01:13:39,840
Speaker 36: Because the bridman coming the Pridmn's coming, the brand Man's coming.

962
01:13:40,479 --> 01:13:46,880
He's coming for you. He's coming for you, He's.

963
01:13:46,840 --> 01:13:48,279
Speaker 6: Coming for you.

964
01:13:53,560 --> 01:13:56,640
Speaker 1: Well, that song is kind of taking a different taking

965
01:13:56,680 --> 01:14:00,359
on a different meaning in the scene too. Now you

966
01:14:00,399 --> 01:14:01,880
know he's coming for you. He's coming to kill you.

967
01:14:01,960 --> 01:14:06,640
I guess right, Well, that's how you interpret That's how

968
01:14:06,680 --> 01:14:09,680
I take that, all right. The next part of our

969
01:14:09,760 --> 01:14:11,079
story is saying do.

970
01:14:12,119 --> 01:14:14,840
Speaker 8: Over time, the poison yeast begins to take its toll

971
01:14:14,960 --> 01:14:18,600
on all those who consume the royal bread. The poison

972
01:14:18,720 --> 01:14:23,359
quickly overtakes the Prince of Yeastland due to his bread gluttony,

973
01:14:23,880 --> 01:14:28,159
and he expires like stale, outdated bread. The servants find

974
01:14:28,239 --> 01:14:32,319
him on the floor, stiff as a weak old baguette.

975
01:14:33,840 --> 01:14:38,640
The King himself too feels the effects of the poison yeast. However,

976
01:14:38,880 --> 01:14:43,000
due to his slight gluten allergies, he consumes bread only

977
01:14:43,079 --> 01:14:49,159
on special occasions, though over time he becomes frail. A

978
01:14:49,239 --> 01:14:53,079
funeral is held for the Prince and the princess and

979
01:14:53,159 --> 01:14:57,319
the baker the bread man starts sneaking off together more often.

980
01:14:58,119 --> 01:15:05,800
Rumors are abound. The princess and the bred man begin

981
01:15:05,920 --> 01:15:08,079
to spend a lot of time with each other, and

982
01:15:08,199 --> 01:15:10,680
they don't really care what other people think. At this point,

983
01:15:10,880 --> 01:15:14,760
the prince is dead and it's their time to be together.

984
01:15:15,680 --> 01:15:27,760
Speaker 20: It doesn't really mad what this sabout me and you.

985
01:15:30,479 --> 01:15:41,720
Speaker 42: He doesn't rely mad even it's all true.

986
01:15:44,159 --> 01:15:47,640
Speaker 12: We can have just this mom.

987
01:15:50,319 --> 01:15:50,720
Speaker 14: Together.

988
01:16:00,119 --> 01:16:22,920
Speaker 39: Yes, differs, get sa win the good fall each other.

989
01:16:25,279 --> 01:16:26,760
Speaker 6: That we could have had.

990
01:16:28,159 --> 01:16:38,800
Speaker 12: Been. People say down long together, that.

991
01:16:38,960 --> 01:16:39,760
Speaker 20: We can't.

992
01:16:41,279 --> 01:16:42,399
Speaker 2: All the albums.

993
01:16:48,279 --> 01:17:02,560
Speaker 6: Look out, said.

994
01:17:05,000 --> 01:17:26,239
Speaker 43: Said, said, said, saved, said, said.

995
01:17:29,079 --> 01:17:29,359
Speaker 20: Said.

996
01:17:55,960 --> 01:17:58,319
Speaker 8: Things are really looking up for the Princess and the

997
01:17:58,399 --> 01:18:01,159
brad Man. It turns out out that the bread Man's

998
01:18:01,239 --> 01:18:04,119
father has died and left a fortune of yeast to

999
01:18:04,199 --> 01:18:08,119
the bread Man. Where and how his father accumulated his

1000
01:18:08,319 --> 01:18:12,159
vast scores of yeast his only rumor at this point,

1001
01:18:12,680 --> 01:18:15,319
but it is believed that when the bread Man was young,

1002
01:18:16,079 --> 01:18:20,039
he sold off the baker boy's mother and gained a

1003
01:18:20,199 --> 01:18:27,439
fortune and yeast. Granted, this is only speculation regardless. In

1004
01:18:27,560 --> 01:18:31,359
return for the Princess's hand in marriage, the bread Man

1005
01:18:31,600 --> 01:18:35,359
offers the frail king a promise to supply all of

1006
01:18:35,720 --> 01:18:39,239
wheatland with his yeast import and export monopoly on the

1007
01:18:39,319 --> 01:18:44,039
worldwide bread market. Of course, with recent death of the prince.

1008
01:18:44,600 --> 01:18:48,199
The king has no choice but to accept, as he

1009
01:18:48,359 --> 01:18:51,399
no longer has access to yeast from the prince's family

1010
01:18:51,479 --> 01:18:56,039
in Yeastland. The King agrees to let them get married.

1011
01:19:03,960 --> 01:19:09,840
The princess and the bread man get married. It seems

1012
01:19:09,920 --> 01:19:15,600
as though both of their dreams finally come true. And

1013
01:19:15,720 --> 01:19:17,199
the bread man is in the.

1014
01:19:17,279 --> 01:19:53,000
Speaker 44: Castle, smelled the fum and that cry, I said, and

1015
01:19:53,399 --> 01:19:54,279
that's why.

1016
01:20:00,239 --> 01:20:00,640
Speaker 14: Take it?

1017
01:20:06,520 --> 01:20:07,840
Speaker 10: And so high.

1018
01:20:12,960 --> 01:20:17,039
Speaker 6: I sail said, freeing.

1019
01:20:20,000 --> 01:20:21,760
Speaker 14: The question why.

1020
01:20:27,319 --> 01:20:28,319
Speaker 10: Not nine.

1021
01:20:30,399 --> 01:20:41,319
Speaker 14: M If you try, won't make you.

1022
01:20:53,600 --> 01:20:54,000
Speaker 12: Tell me?

1023
01:20:54,239 --> 01:22:09,720
Speaker 10: That man smell and the dull.

1024
01:22:29,920 --> 01:22:32,960
Speaker 8: After the wedding celebration, the princess and the bread man

1025
01:22:34,159 --> 01:22:37,640
ride in a carriage down the cobblestone streets of the

1026
01:22:37,960 --> 01:22:43,159
Wheatland village, and when they pass through the village, the

1027
01:22:43,359 --> 01:22:50,319
villagers half heartedly celebrate. They seem jealous. They seem to

1028
01:22:50,439 --> 01:22:53,560
think that the princess thinks a little too highly of

1029
01:22:53,640 --> 01:22:57,600
her so and that the bread man, coming from the

1030
01:22:57,720 --> 01:23:02,000
bakery on the streets, maybe he's a little too uh,

1031
01:23:02,199 --> 01:23:05,720
he's risen a little too high for them, And so

1032
01:23:05,960 --> 01:23:08,000
they start to sink.

1033
01:23:08,520 --> 01:23:09,640
Speaker 6: You develop me in.

1034
01:23:09,720 --> 01:23:12,520
Speaker 23: The eye, turn your head when I walk by, your.

1035
01:23:12,439 --> 01:23:18,079
Speaker 45: Perfect, so perfect, You develop me in the eye, turn

1036
01:23:18,159 --> 01:23:20,680
your head when I walk by your purpose, I.

1037
01:23:20,800 --> 01:23:21,439
Speaker 6: Don't look a.

1038
01:23:23,319 --> 01:23:24,800
Speaker 2: Perfect You're not that.

1039
01:23:25,119 --> 01:23:31,680
Speaker 45: Purpose so purpose. You're not that perfect perfect. You're not

1040
01:23:32,039 --> 01:23:35,119
that perfect so perfect.

1041
01:23:37,960 --> 01:23:46,079
Speaker 6: Perfect. I'm not so perfect perfect. I'm just so perfect perfect.

1042
01:23:46,000 --> 01:23:52,039
Speaker 2: Not just so perfect perfect. I'm just a purpose.

1043
01:23:59,760 --> 01:23:59,920
Speaker 12: Yeah.

1044
01:24:01,279 --> 01:24:07,239
Speaker 6: Give it be canedy, Yeah.

1045
01:24:10,000 --> 01:24:12,239
Speaker 2: Give me see see.

1046
01:24:13,640 --> 01:24:18,760
Speaker 45: I'm perfect. You get your son, perdet perfect. You got

1047
01:24:18,960 --> 01:24:24,199
that perfect perfect, so.

1048
01:24:24,600 --> 01:24:32,119
Speaker 26: Perfect perfect, so perfect.

1049
01:24:34,840 --> 01:24:38,239
Speaker 2: Excuse made me walking down the street. Don't well, no.

1050
01:24:38,600 --> 01:24:39,279
Speaker 6: You're perfect.

1051
01:24:42,159 --> 01:24:44,560
Speaker 2: You see me walking down the street. You just not

1052
01:24:45,119 --> 01:24:46,319
leave me on purpose?

1053
01:24:49,439 --> 01:24:55,159
Speaker 45: Connect your daughter so perfect, so perfectly is not so perfect?

1054
01:25:00,039 --> 01:25:40,479
Speaker 12: M m m hm hm hm.

1055
01:25:42,920 --> 01:25:43,439
Speaker 37: Not so.

1056
01:25:46,640 --> 01:25:48,960
Speaker 1: All right if you are just joining us. This is

1057
01:25:49,319 --> 01:25:52,079
the bread Man a bread Time Story? Or is it

1058
01:25:52,159 --> 01:25:53,640
the bread Man or just bread Man?

1059
01:25:53,800 --> 01:25:57,159
Speaker 3: The bread Man a bread Time Story? Yes? Again, thank

1060
01:25:57,199 --> 01:25:59,279
you all the musicians and everybody digging this who had

1061
01:25:59,279 --> 01:26:01,159
a part of it. Let's let's go. Let's go man

1062
01:26:01,319 --> 01:26:01,840
click click.

1063
01:26:02,079 --> 01:26:03,920
Speaker 1: Yeah, we're gonna We're not gonna be able to get

1064
01:26:03,960 --> 01:26:06,600
the whole thing in I'm looking at the time, and

1065
01:26:06,840 --> 01:26:09,319
I'm not good at math, but I know we cannot

1066
01:26:09,319 --> 01:26:10,800
get the whole thing, and we will, we will play

1067
01:26:10,800 --> 01:26:12,640
a little bit more. But I want to make sure,

1068
01:26:12,720 --> 01:26:14,560
especially for people who are just joining us who don't

1069
01:26:14,600 --> 01:26:17,359
know that, you know, you can get the whole thing.

1070
01:26:17,359 --> 01:26:19,760
Where should people go to listen to the entire.

1071
01:26:19,760 --> 01:26:24,439
Speaker 3: It's on YouTube, Spotify, all our any digital platform. It's

1072
01:26:24,560 --> 01:26:25,560
up to you for you to enjoy.

1073
01:26:25,760 --> 01:26:28,720
Speaker 1: Yes, the entire rock opera and its entirety. And what

1074
01:26:28,880 --> 01:26:30,680
is happening at this point in the story that we

1075
01:26:30,840 --> 01:26:32,720
just heard that that song perfect.

1076
01:26:33,560 --> 01:26:36,239
Speaker 3: There's a lot going on. I think we just click

1077
01:26:36,279 --> 01:26:38,920
a click ahead, the narration will take us home. Okay,

1078
01:26:39,279 --> 01:26:39,600
all right?

1079
01:26:39,680 --> 01:26:41,880
Speaker 1: So this next song is called the next part of

1080
01:26:41,920 --> 01:26:43,239
the story is called coming Home.

1081
01:26:44,199 --> 01:26:44,880
Speaker 3: So let's see.

1082
01:26:46,640 --> 01:26:49,800
Speaker 8: The princess and the bread man are so enamored with

1083
01:26:49,920 --> 01:26:53,640
each other that they don't even notice that the townspeople

1084
01:26:53,680 --> 01:26:57,359
are singing or what they're singing. They only have eyes

1085
01:26:57,439 --> 01:27:01,039
for each other. And they finally arrive back at the castle.

1086
01:27:01,319 --> 01:27:05,800
The bread man expresses his love for princess insult.

1087
01:27:15,159 --> 01:27:54,039
Speaker 27: Come in, Oh dear, oh, oh dear, No, lady, you're

1088
01:27:54,039 --> 01:27:59,439
a you're all lady.

1089
01:28:02,439 --> 01:28:02,960
Speaker 6: You're old.

1090
01:28:03,720 --> 01:28:08,119
Speaker 23: God said God, you.

1091
01:28:11,239 --> 01:28:16,720
Speaker 6: Come home, God.

1092
01:28:19,840 --> 01:28:20,960
Speaker 27: Come home to.

1093
01:28:58,199 --> 01:28:59,760
Speaker 6: Jas said.

1094
01:29:02,319 --> 01:29:03,960
Speaker 37: I ever saw.

1095
01:29:06,399 --> 01:29:12,600
Speaker 6: It was your sweet face. Then I open the dome.

1096
01:29:15,359 --> 01:29:16,479
Speaker 4: Zach got you.

1097
01:29:19,439 --> 01:29:25,039
Speaker 6: To come on, Yeah, got.

1098
01:29:28,039 --> 01:29:28,840
Speaker 23: To come on.

1099
01:29:50,600 --> 01:29:54,159
Speaker 8: Not long after, the princess and the bread man are married,

1100
01:29:55,079 --> 01:29:59,279
living up in the castle. The frail king, who still

1101
01:29:59,319 --> 01:30:04,720
occasionally he eats his bread, the poison bread, finally dies

1102
01:30:06,319 --> 01:30:11,199
and at the funeral there's a lot of sadness from

1103
01:30:11,279 --> 01:30:17,439
the villagers. Everyone's a little bit concerned that the princess

1104
01:30:17,600 --> 01:30:22,399
and the bread man will be taking over, and they're

1105
01:30:22,479 --> 01:30:29,520
really quite concerned. Nevertheless, they hold this beautiful funeral procession

1106
01:30:29,760 --> 01:30:32,880
for the king, and off in the distance you can

1107
01:30:32,960 --> 01:30:34,840
hear the sounds of ancient river.

1108
01:30:36,840 --> 01:30:39,880
Speaker 1: I have to just comment that that's a beautiful song.

1109
01:30:39,920 --> 01:30:41,800
I mean, that's one of the standout moments. And you know,

1110
01:30:41,960 --> 01:30:44,159
just in terms of the artistry in the in the

1111
01:30:44,359 --> 01:30:46,079
entire thing, that's that's really nice.

1112
01:30:46,399 --> 01:30:48,359
Speaker 3: Again, again, thank you for all the musicians. Now we're

1113
01:30:48,399 --> 01:30:50,319
on This kind of gave me a.

1114
01:30:50,439 --> 01:30:53,239
Speaker 1: Chill, absolutely really incredible. We do have a little bit

1115
01:30:53,279 --> 01:30:53,760
of time left.

1116
01:30:53,800 --> 01:30:55,039
Speaker 3: Let's go to it.

1117
01:30:55,159 --> 01:30:57,520
Speaker 1: Because he does the narrator, does mention it? And did

1118
01:30:57,640 --> 01:30:58,680
Ryan do the narration?

1119
01:30:59,520 --> 01:30:59,560
Speaker 12: No?

1120
01:31:00,159 --> 01:31:04,039
Speaker 3: Doctor doctor oh doctor h doctor eight ah, very good,

1121
01:31:04,159 --> 01:31:08,159
very good master mind behind this whole thing. The producer, Yeah,

1122
01:31:08,960 --> 01:31:10,279
let's let's go man all.

1123
01:31:10,239 --> 01:31:12,279
Speaker 1: Right, so this is uh, we'll go ahead and because

1124
01:31:12,279 --> 01:31:14,800
again the narrator mentions this, this is ancient river.

1125
01:31:14,960 --> 01:31:16,239
Speaker 3: The next part of our story.

1126
01:32:02,920 --> 01:32:06,159
Speaker 6: We have a stake and you were taken.

1127
01:32:06,279 --> 01:32:08,520
Speaker 12: You went the.

1128
01:32:15,479 --> 01:32:46,479
Speaker 21: Spat hours often new agent filmer perfectly mol meeds them

1129
01:32:53,239 --> 01:32:55,840
like you mean nothing.

1130
01:33:08,800 --> 01:33:19,319
Speaker 2: Ch from most fi.

1131
01:33:22,760 --> 01:33:31,920
Speaker 6: Got er just.

1132
01:33:57,920 --> 01:34:00,600
Speaker 12: Be as Oh the.

1133
01:34:07,399 --> 01:34:21,880
Speaker 46: All the huschool we battland asking of it time.

1134
01:35:06,600 --> 01:35:10,640
Speaker 3: Ooh that's cool. I like that a lot too. That's

1135
01:35:10,760 --> 01:35:11,119
really good.

1136
01:35:11,199 --> 01:35:14,520
Speaker 1: Ancient river from the bread Man a bread Time Story.

1137
01:35:15,039 --> 01:35:18,239
Ricky Mapleton is here with us. We are approaching the

1138
01:35:18,359 --> 01:35:21,079
top of the hour. So again if people want to know,

1139
01:35:21,119 --> 01:35:22,960
because I'm really curious to know what happens next. Now,

1140
01:35:23,000 --> 01:35:25,119
we're not gonna have time to share the rest of it,

1141
01:35:25,199 --> 01:35:27,279
but people should go online and check it out. Yes,

1142
01:35:28,279 --> 01:35:30,000
remind people again where they can find it.

1143
01:35:30,199 --> 01:35:33,439
Speaker 3: You can find The Breadman a bread Time Story. Go

1144
01:35:33,600 --> 01:35:36,760
to Ricky Mapleton or just go The bread Man a

1145
01:35:36,800 --> 01:35:40,640
bread Time Story on YouTube, Spotify, any digital platform. It's

1146
01:35:40,720 --> 01:35:43,840
out there. Yes, how many more tracks are left in

1147
01:35:43,880 --> 01:35:47,880
this fabulous story? A bunch? Can we do another one?

1148
01:35:48,239 --> 01:35:50,479
Speaker 1: Oh, We're gonna do another one to close out. Yeah,

1149
01:35:50,520 --> 01:35:54,319
we got one, two, three, four, five, six seven. So

1150
01:35:54,439 --> 01:35:56,920
there's still a bunch of story to go. So if

1151
01:35:56,960 --> 01:35:58,479
you want to hear how it ends, you got to

1152
01:35:58,520 --> 01:36:01,119
go online and check it out. And I encourage people

1153
01:36:01,159 --> 01:36:03,520
to do that, really really good stuff.

1154
01:36:04,439 --> 01:36:06,079
Speaker 3: What are you taking away from this right now? What

1155
01:36:06,159 --> 01:36:07,279
do you what's your Well?

1156
01:36:07,439 --> 01:36:09,319
Speaker 1: I'm curious how it all ends up, because you know,

1157
01:36:09,560 --> 01:36:13,239
the the main the heroes here quote unquote anti heroes,

1158
01:36:13,239 --> 01:36:18,159
I suppose are protagonists because they are murderers. They've poisoned people,

1159
01:36:18,319 --> 01:36:19,880
and they you know, and they've done it for love.

1160
01:36:19,960 --> 01:36:23,319
It's a crime of passion. But they have poisoned people. Yes,

1161
01:36:23,600 --> 01:36:29,680
so they are morally uh compromised severely.

1162
01:36:29,800 --> 01:36:31,079
Speaker 3: Beautifully said, thank you.

1163
01:36:31,239 --> 01:36:34,600
Speaker 1: Yeah, Beautifully said, yes, I mean you can sympathize with them, but.

1164
01:36:35,359 --> 01:36:37,920
Speaker 3: It's some more twist and turns coming down the pipe.

1165
01:36:38,199 --> 01:36:40,720
Very good, very good. I always said it's a million times.

1166
01:36:40,800 --> 01:36:44,600
But thank you Matt for having us on. All the musicians.

1167
01:36:45,079 --> 01:36:49,319
You know, be creative. I want to thank family, my wife.

1168
01:36:49,960 --> 01:36:51,960
Just be creative. People, get out there and be creative.

1169
01:36:52,239 --> 01:36:53,800
Can we we do another one?

1170
01:36:53,920 --> 01:36:54,119
Speaker 34: Yeah?

1171
01:36:54,159 --> 01:36:55,840
Speaker 1: Yeah, we're gonna We're gonna do one more in a moment,

1172
01:36:55,920 --> 01:36:58,560
but actually, well maybe a couple more. What I'm gonna

1173
01:36:58,560 --> 01:37:00,279
do is I'm gonna to end the show. I'm just

1174
01:37:00,279 --> 01:37:02,720
going to see what we can cram in. But because

1175
01:37:02,720 --> 01:37:05,399
we want to make both again, I definitely encourage everyone

1176
01:37:05,520 --> 01:37:07,279
go check out the story online. And that's really the

1177
01:37:07,319 --> 01:37:09,720
best way to support your work anyway. Sure is just

1178
01:37:10,039 --> 01:37:12,560
you know, through plays Spotify plays and so, you.

1179
01:37:12,600 --> 01:37:17,199
Speaker 3: Know, making money off of this not really my goal,

1180
01:37:17,439 --> 01:37:19,199
I know, you know, I just want to. I think

1181
01:37:19,239 --> 01:37:22,479
this is this project is in spot hopefully inspires.

1182
01:37:22,840 --> 01:37:25,479
Speaker 1: Yeah, love me, love love and you got to get

1183
01:37:25,520 --> 01:37:29,840
in that algorithm, right, So we so we will do

1184
01:37:29,960 --> 01:37:32,680
that in just a moment. But I do want to

1185
01:37:32,720 --> 01:37:35,560
quickly thank everyone who participated in today's show today and

1186
01:37:35,600 --> 01:37:37,279
of course hush Money who was with us in the

1187
01:37:37,359 --> 01:37:40,039
first hour. If you missed anything that we did today,

1188
01:37:40,119 --> 01:37:42,119
you can go to Matt Conorton dot com and of

1189
01:37:42,159 --> 01:37:45,880
course Wmnhradio dot org to get the show. You can

1190
01:37:45,960 --> 01:37:48,399
learn more about me at Matt Connorton dot com. Jenny,

1191
01:37:49,119 --> 01:37:51,520
thank you, thank you. Want to mention your website, Jenny.

1192
01:37:51,640 --> 01:37:53,920
Speaker 4: Absolutely, you can check out all the good trouble I

1193
01:37:54,039 --> 01:37:55,960
get into at Jencoffee dot com.

1194
01:37:56,439 --> 01:37:58,560
Speaker 1: J E N N C O F f e y

1195
01:37:58,680 --> 01:37:59,039
dot com.

1196
01:37:59,359 --> 01:38:01,640
Speaker 3: And there is a new video from this week and

1197
01:38:01,720 --> 01:38:04,439
the things if you guys do for society as a whole,

1198
01:38:04,840 --> 01:38:07,880
getting artist on here, what you do as far as

1199
01:38:08,439 --> 01:38:11,840
working with all your projects, that's what life's about, right.

1200
01:38:12,199 --> 01:38:15,800
Speaker 1: Absolutely well, thank you, thank you, and humans for humanity.

1201
01:38:16,000 --> 01:38:18,760
Speaker 3: Human that's right, that's right. My phone number is six

1202
01:38:19,039 --> 01:38:24,800
oh three seven eight five oh two five nine. Call

1203
01:38:25,000 --> 01:38:28,520
me today say you dug it? Okay, all right, and

1204
01:38:28,600 --> 01:38:30,920
I hope everybody can maybe finish it up on the

1205
01:38:30,960 --> 01:38:34,800
snowy day maybe yeah, finished listening to it. But let's

1206
01:38:35,079 --> 01:38:36,239
let's do another one.

1207
01:38:36,319 --> 01:38:39,760
Speaker 1: Absolutely absolutely so we will. Let's see this next one

1208
01:38:39,920 --> 01:38:42,720
is a drunk and disillusion What about me? I have

1209
01:38:42,800 --> 01:38:44,560
a feeling another dark turn is coming.

1210
01:38:45,079 --> 01:38:48,600
Speaker 3: Indeed it is. We'll see check this out and thanks everybody.

1211
01:38:49,760 --> 01:38:54,119
Speaker 8: With the death of the king, the princess becomes the queen.

1212
01:38:55,039 --> 01:39:00,359
She's in charge, and everyone seems to be respecting queen,

1213
01:39:01,359 --> 01:39:04,920
and really the bread man is in the back of

1214
01:39:05,000 --> 01:39:08,159
the scenes. Nobody's really paying attention to the bread man.

1215
01:39:09,239 --> 01:39:13,640
He's getting a little frustrated that even the queen is

1216
01:39:13,760 --> 01:39:18,760
not taking his advice. He's become jealous, and he's losing

1217
01:39:18,840 --> 01:39:59,479
affection for the queen. The bread man stares into the mirror.

1218
01:40:00,920 --> 01:40:06,720
He looks at himself, perplexed, wondering why the queen is

1219
01:40:06,760 --> 01:40:09,479
getting so much attention and none for him.

1220
01:40:10,479 --> 01:40:13,560
Speaker 14: I know, will beautiful?

1221
01:40:14,880 --> 01:40:16,880
Speaker 6: Every one gainsy.

1222
01:40:18,359 --> 01:40:21,560
Speaker 14: I know, will beautiful?

1223
01:40:22,560 --> 01:40:24,640
Speaker 6: What about me?

1224
01:40:26,079 --> 01:40:27,399
Speaker 2: What about me?

1225
01:40:28,079 --> 01:40:29,439
Speaker 23: What about me?

1226
01:40:30,479 --> 01:40:31,439
Speaker 35: About me?

1227
01:40:32,159 --> 01:40:33,399
Speaker 46: What about me?

1228
01:40:34,159 --> 01:40:35,399
Speaker 23: What about me?

1229
01:40:36,159 --> 01:40:37,520
Speaker 14: What about me?

1230
01:40:38,760 --> 01:40:40,640
Speaker 12: What about me?

1231
01:40:58,319 --> 01:40:58,640
Speaker 24: I know?

1232
01:41:00,159 --> 01:41:01,479
Speaker 6: More beautiful?

1233
01:41:02,800 --> 01:41:05,000
Speaker 12: Everyone can see?

1234
01:41:06,880 --> 01:41:09,600
Speaker 14: No beautiful?

1235
01:41:10,840 --> 01:41:15,520
Speaker 2: What about see? We're bouncy?

1236
01:41:16,199 --> 01:41:17,520
Speaker 27: Are abound me?

1237
01:41:18,239 --> 01:41:19,560
Speaker 12: For about me?

1238
01:41:20,279 --> 01:41:21,520
Speaker 23: For abound me?

1239
01:41:22,239 --> 01:41:23,520
Speaker 1: For bounding?

1240
01:41:24,279 --> 01:41:25,520
Speaker 5: What a boucy?

1241
01:41:26,239 --> 01:41:27,199
Speaker 6: For a bound?

1242
01:41:28,840 --> 01:41:29,239
Speaker 12: Bound?

1243
01:41:30,920 --> 01:41:31,600
Speaker 6: Bounding?

1244
01:41:32,279 --> 01:41:33,560
Speaker 2: What bound me?

1245
01:41:34,279 --> 01:41:37,680
Speaker 6: What bound? You are abounding?

1246
01:41:38,840 --> 01:41:40,920
Speaker 39: What bout me?

1247
01:41:53,359 --> 01:41:59,720
Speaker 8: The bread Man's mental health continues to decline. He doesn't

1248
01:41:59,760 --> 01:42:00,359
know what to do.

1249
01:42:02,239 --> 01:42:07,880
Speaker 19: Thoughts are taking over seeking cortroll.

1250
01:42:11,640 --> 01:42:14,600
Speaker 10: No never long term.

1251
01:42:25,439 --> 01:42:26,359
Speaker 22: Let's make my.

1252
01:42:32,840 --> 01:42:36,840
Speaker 10: Little man.

1253
01:42:42,039 --> 01:42:44,399
Speaker 19: Ri from raw.

1254
01:42:47,399 --> 01:42:47,840
Speaker 12: On me.

1255
01:42:54,520 --> 01:43:05,319
Speaker 19: TOCs the no.

1256
01:43:11,000 --> 01:43:12,439
Speaker 28: Think it strange, so.

1257
01:43:16,039 --> 01:43:23,880
Speaker 23: In the word, let take.

1258
01:43:23,800 --> 01:44:35,199
Speaker 14: A thinking strange.

1259
01:44:50,359 --> 01:44:54,039
Speaker 8: As the bread Man's jealousy of the Queen consumes him,

1260
01:44:54,640 --> 01:44:57,319
he decides that it's time to break bread with the

1261
01:44:57,439 --> 01:45:01,560
Queen to discuss his role in the kingdom.