Speaker 1: Here we go, everybody, and welcome. We have entered our
number two New Marrow trace of Matt Connorton unleashed and we.
Speaker 2: Are live.
Speaker 1: From the studios of wm NH ninety five point three FM,
Inglorious and Snowy Manchester, New Hampshire. And of course you
can stream the show from anywhere. Go to Matt connorton
dot com slash live for all of your live streaming options,
social media links, contact infos, show archives, et cetera, et cetera.
Today is Saturday, February seven, twenty twenty six. Jenny is
here of course at the news table, and we have
returning to the show. And you've got to be in
the five timers club right now. Ricky Mapleton here with us. Hello, Hello, hello,
hello you. How many times have you been on.
Speaker 3: With us over the years? A half dozen? I thought
it was a five timer last time, but I'm not.
Oh you might be. Don't you have a historian on?
We may have forgotten to give you.
Speaker 4: I believe you are approaching the most visited guests.
Speaker 1: Come on, really, we may have forgotten to give you
the five timers tracket. Hence the confusion.
Speaker 3: How many how many think what I said? Sounded better.
How many years have you guys been doing this driverg
Oh boy?
Speaker 1: That well, so that gets complicated a little bit because no,
which version. Yeah, because it started there's been many iterations
of this program. It started as a podcast in twenty eleven.
In twenty seventeen, April of twenty seventeen, we won't be
April before long, we'll be approaching another anniversary.
Speaker 3: Oh my god.
Speaker 1: In April of twenty seventeen, we had the opportunity to
bring the show to wm and H ninety five point
three FM, where we continue to this day. But there's
also at one point there was a television version of
the show, and there's been all kinds of different versions
of the show. But it's been a while. It's been
a while, but it's amazing. Thank you, Thank you well.
It is wonderful to have you here. And we're doing
something unique this week because you are here with us,
not only for this hour, but the third hour of
the show as well, because you have this amazing new
project and we're going to uh, we're going to listen
to it today and we're gonna talk about it.
Speaker 3: As I appreciate you having me on.
Speaker 1: Absolutely absolutely, and and tell us what this is. Tell
us this is.
Speaker 3: Called the bread Man. A bread time story okay, okay,
so it is a Victorian setting m h story about
love triangle revolving around bread. Okay, a bread time story.
Speaker 5: Did you say bread?
Speaker 3: Bread as okay? Delicious bread? Oh? I thought so, I
thought so, mm hmm. It's uh, it's really I think
it's old school meets new school. We have some narration
between each song, okay, to set up the scene in
the listener's mind. Oh, listener's mind, okay. And that's kind
of the I think the unique fun part about listening
to this as a listener imagination as well as a
little direction, which I think we all need in life.
Speaker 1: Sure, sure, what inspired you to do this?
Speaker 3: And and oh and.
Speaker 1: Clarify for us too, Uh, what do you call this?
Is it a is it a concept album? Is it
a rock opera?
Speaker 3: Yes? Okay?
Speaker 1: And and why and why is it?
Speaker 6: And why?
Speaker 3: Bread? And a love triangle? The yeast knows no boundaries.
I'm just making that up. Its stemmed from an idea
during a musical jam session with some friends. In this concept,
I just started playing the riff. Like a lot of
people that do music and are creative. You get an idea, yes,
and you got to write it down. You gotta get it,
you got to put it somewhere. It vanishes. This idea
of the original riff of the Red Man fifteen years
ago really at my friend's house who I work with.
Doctor H is his name.
Speaker 1: I think you've mentioned doctor H.
Speaker 3: Doctor H. Fantastic Type A personality to the extreme. Oh,
meaning Type A is a person that is very structured, uniformed,
and when they get going on something, that's all that's happening,
and you just get you just absorb into it. Yeah. Yeah,
I'm what's the other what what are the other types?
I know this type A because the band is that
I'm not to band this project. It's called The bread Man,
a bread Time story band being type A. Okay, okay,
so Ricky Mapleton, of course myself is the I originated it.
I don't want to grab the whole thing, sure, but
the original concept of bread the bread Man coming coming
for you. Oh. A lot of different layers in all seriousness,
getting away from the money python esque of this. Yes,
but there's a lot of layers in this music. Be
careful what you wish for. Love may not conquer all,
there's just a lot of things that I think people
will get out of this if you give it a
just give it. I know it's hard to grab some time.
But if I think, if you, if you listen to this,
I think you'll hopefully be moved a little bit and
get you thinking about life in retrospective while we getting
heavy and there is there also a lot of money
Python to this. Okay, so on the other swing of
this money python Victorian hed there she's a witch burner. Okay,
I don't you know the money the holy grail sort
of goofiness abstract. Okay. Also, well that's I don't know
if I explained it correctly.
Speaker 1: Well that's uh but uh, we're going to of course
play the whole thing today. Uh so we're we're we're
the whole loaf.
Speaker 3: You might say, yes, yes, yes, And there are some
of those sort of ideas and jokes during this performance.
I believe, oh good, good, don't loaf around all sorts
of stuff a little in the window. I'm not intend
those little shots about talking about bread, okay, because bread
is the staff of life. M Okay, Gluten analogies are
not gluten analogies. Bread is been around for a long time.
I believe the gluten is uh. The rest song called
well I don't want to give away no, no, no no,
but it does. It does veer into the world of gluten,
red yeast flower, but it also involves around l O
V E. Love. I don't even know what gluten is.
I just like saying the word gluten basically is flower. Okay,
so something made of flower, it's gluten some water to it,
it's it's so people that have gluten allergies. Yeah, that's
a big catchphrase nowadays. Yes, okay, which I understand. But
we could talk about glue analogies for a long time. Yes,
I think we might talk about it. As we start
to start our rock opera excursion, I want to thank
all the musicians before we get started on this. I
maybe upset a few people along the way. Oh my,
I upset myself. A lot of tension happened throughout the
years with this. Really yeah, there was a whole beautiful
stuff with the mockumentary we're making. Okay, so in the world,
in my world, I want to thank all the musicians
though are on this. You guys are awesome, and the
listeners that are listening to you guys, and you Matt
fav me on. Of course, I really hope you guys
really like this, and just take five seconds, just sit
here for five minutes. Take out some bread. Listeners, sit
down for your favorite bread. Let's just listen, listen, and
get your imagination cap on.
Speaker 1: Well, very good, So we'll open with the prologue. Yes,
baking bread.
Speaker 3: Now the prologue, there is about thirty seconds of somebody
making bread, sounds going into it, okay, before it breaks
into the music. So yeah, so I'm just gonna leave
it at that. Did I like that or not? I
think it's a it's a whole journey. Let's go. Yes,
let's go. Let's go break out some bread and get
some jam. And let's go. Let's make some bread. All right,
here we.
Speaker 7: Go, well to the show.
Speaker 8: Before we get started, to sit back, relax, grab some
of your favorite bread. Maybe put some butter, peanut, butter.
Speaker 9: Jee, it doesn't matter.
Speaker 8: Pick your favorite topping, put it on your bread, and
get ready for a journey back in time. This story,
though timeless, takes place about five hundred years ago. It's
a love story, a tragedy of a young baker. The
bread man who dreams about living in the castle up
on the hill, and a beautiful young princess who lives
in that castle and dreams about being with the baker boy.
This is their story.
Speaker 1: So there we there we have the prologue, yes, uh, prologue,
and we're by the way. I learned something there. I
didn't even know they had bread five hundred years ago.
One was bread invented. It's old than our country. I
just assumed it was invented by It.
Speaker 3: Was around during uh uh Romani even before that.
Speaker 1: Wow, that's amazing. So we've always had bread.
Speaker 3: We've always had that yeast of flower. It's been around
a long time. Wow, that's amazing. That's amazing.
Speaker 1: Uh should we go right to uh so this next part?
Uh someday I'm gonna live in the castle.
Speaker 3: Yes, yes, all right, here we go.
Speaker 10: Boy to work. Okay, father, you'll never mean nothing but
to make a boy.
Speaker 6: But make a boy. What what do you mean you're
gonna marry the princes?
Speaker 10: Like, well, you're gonna live in a castle.
Speaker 6: No, father, get back to work.
Speaker 8: Don't hit me, father to.
Speaker 6: Work, go to man, No, not the bag.
Speaker 11: Some them gonna live in a castle.
Speaker 6: Some them gonna live on hill.
Speaker 12: Someday. I'm gonna live in that castle.
Speaker 11: Someday, all making print for the father.
Speaker 2: No mo bacon the prince.
Speaker 13: Somedamn gonna some dal gonna some dam gonna lie.
Speaker 11: Back jor.
Speaker 12: Never never that castle down? Uti that gta's not again.
Speaker 10: What do you think you're gonna matter?
Speaker 2: The princess?
Speaker 14: No more begin No that.
Speaker 9: Gone this mandenste.
Speaker 15: Stall gonna live in the castle, Stall.
Speaker 6: Fail live in castle?
Speaker 16: Some them gone him.
Speaker 1: Uh so our hero, he's uh, he's got a lot
going on there.
Speaker 3: He doesn't clearly.
Speaker 1: He wants nothing to do with the family business, and
his father is u kind of a jerk. Wow, But
he wants to live in the castle. Why does he
want to Why does he want to live in the castle?
Speaker 3: I just he sees the castle from the bakery. Yes,
in the bakery. He's looking out the window, and he
sees the castle up on the hill. Yeah. And he's
just like a lot of us when we're younger, even
when we get older, we're dreaming about something else. Yes,
So he sees his life now, it's not very good.
He's making bread for his mean father who gets him
over the head with a bag at Oh my god. Okay,
that's just rude. Yeah. So he's has he's having a rough,
rough childhood. Yeah okay, and that's kind of so he's
having those dreams of some day. So that was that.
That gentleman's name was Ryan Fitzpatrick. Oh okay. He does
a lot of the singing on this. Oh okay, wonderful, wonderful.
All right.
Speaker 1: Uh so next we have let's see feeling low down?
Speaker 3: Is this track number three?
Speaker 1: Yes, feeling low down, feeling low down? All right, Let's
let's continue our story.
Speaker 3: Let's continue eating some nice bread here.
Speaker 8: The young baker spends his childhood dreaming about living in
the castle. At age ten, something magical happens. The princess
starts visiting the bakery. She's in charge of picking up
the weekly bread for the castle and making sure that
it gets delivered safely. She becomes quite smitten with the
baker boy. They begin to sneak off to spend time together.
The young Baker's father eventually decides to open a new
bakery and a far off land, and he leaves the
bakery to the young baker, who is now officially the
bread man. The princess is excited about being able to
visit without the old man around. However, the king decides
that he doesn't like her spending so much time away
from the castle, and he only allows her to visit
town once a month. It's been a month since she
last visited the bread man.
Speaker 6: Oh oh.
Speaker 17: Oh, common down the mountain, calm that mountain, very flow.
Speaker 12: Around the mountain.
Speaker 6: Around the mountain.
Speaker 18: As she's gone, well.
Speaker 15: I feel load down, so dyllod down value, but I
feel load down.
Speaker 6: So lload It's true.
Speaker 8: As the month waits, the bred man struggles with his
infatuation with the princess and his goal to someday live
in the castle. Will he find a way to marry
the princess? Will he be adored by the villagers? Will
he someday be the king?
Speaker 1: Interesting to me that, you know, I thought in the
beginning that he didn't want anything to do with the
family business. But it's not that he just wanted to
get away from his dad. He clearly he still wants
to make bread.
Speaker 3: I don't know, I'm not sure. I mean, that's what
it seems like. I don't think he likes his father
because he's abusing him, and I don't think he likes
making bread, pull up like it.
Speaker 1: And I don't think he likes making bread. Yeah, and
I don't think. But he is the bread man. I mean,
that's his whole identity, isn't not?
Speaker 3: No, that's sort of the identity that we're giving him.
Oh okay, I don't think he walks around with I
am the bread man. I love my bread, bread, my bakery. Yeah,
he's kind of born into that life. Okay, he's fighting, yes,
but he now is in love with the princess?
Speaker 19: Well?
Speaker 20: Is he?
Speaker 1: Is he in love with or infatuated? Whether at this point.
Speaker 3: Both well, I don't want to give stuff away, okay,
but right now, as far as the listener is concerned, yes,
he is infatuated. Okay, and as the dough rises, if
you would, ah, there we got so let's try it. Okay,
you're you're the first one, right. What did you say earlier?
The wow, the bread, the roll? I don't remember, so
we always want to throw in bread reference? Yes, yes,
so let's roll along with the well played sir, yep,
I get one a day. I like fun all right?
Track three? Track four? Track four? What is track four?
Awkward situation? Okay? Now the doe rises, Ah, were we go,
all right, let's make some toast.
Speaker 8: Finally, the princess arrives at the bakery after a month
long hiatus. They're both excited to be together at long last.
The bread man locks the door and the young lover's
head to the back room, not realizing that the baker's
father had given a key to the egg lady. The
egg lady arrives shortly after their rendezvous, only to find
the bakery locked up. She uses her key to unlock
the door and goes inside to drop off the eggs.
She hears a strange noise in the back of the
bakery and decides to investigate. She cracks open the back door,
and much to her surprise, she realizes what's happening.
Speaker 9: It was a very situation situation you.
Speaker 21: Listen situation, I'm listen to juist joustituation.
Speaker 6: I'm listen, Julis, I'm listen Juish. You ask me.
Speaker 2: Well Fleish Jewish Jewish.
Speaker 22: JEWI chek Jewish ship I am Jewish Winston chew awkward
sitewiy sh.
Speaker 23: Jewish bokwards and.
Speaker 6: Jewish Jewish.
Speaker 1: Get you know, I feel like, uh that part of
the story too. There's a cautionary tale there because obviously
you always want to know who keys to your stuff,
especially if someone might be delivering eggs.
Speaker 3: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes,
beware of the egg lady. Yes, the egg lady.
Speaker 1: And that song to me, it's got kind of a
rolling Stones vibe.
Speaker 3: Which thank you, thank you. Yeah yeah, I like the
I like the quicker, more fast stuff, the slower stuff
on here. Big fan, yeah, big fan, big fan. But
you know where my heart is? I do, I do?
But you notice all the different lot of layers. Oh yes, yeah,
way out of my wheelhouse. But again thank you to
all those musicians that it's stuff on it. Absolutely. Let's
let's go. So next we have flowers of flying rocking
in the bread. Okay, so what happens now is the
egg lady has walked in uh huh, and they are
let's say, making yeast you would, all right, dev sure
the egg lady walks in awkward situation. Yes, this is
what the lady has to say about it. Oh my goodness.
All right, let's find out.
Speaker 2: What have I walked you on?
Speaker 24: This cannot be here, it's the princess here, the backup
one fine flower can't be seen. You're gonna have to
pay me or I'll tell all the truth of you
with the bickup God, not princess. I was fighting how
fast two surpre How is the spire? Those flying all about?
Full fly?
Speaker 6: Mary?
Speaker 2: Don't cow co hig lady?
Speaker 19: No secret?
Speaker 2: Now was flying here we go?
Speaker 6: I was buying camp kind of funny?
Speaker 16: How is flying?
Speaker 6: Power is a fire?
Speaker 12: It's knock.
Speaker 6: Off gold.
Speaker 15: Eighty At the time I say half.
Speaker 19: A cat up to the time cap saw the flower flying.
Speaker 2: The fire is a flying.
Speaker 6: The flower is a flying.
Speaker 3: Whoa whoa, whoa, whoa, whoa. Oh. I think the egg
lady frankly should mind her own business. But that's what Well,
if you picked up on the lyrics she said, you
are gonna pay me, m h And I'm not gonna.
I will not tell what's happening here right, So now
the egg lady is now bribing the baker and the
princess every time that we see. You're gonna pay up
or I'm going to tell the king what's the story?
Right right? Oh, hence the love triangle. Well, I don't
think the egg lady is really interested in Oh no
a baker boy, but she's she's as a subplot and
a sub character. Oh okay, she's bribing.
Speaker 25: Yes, yes she is.
Speaker 3: She just doesn't know what she's walking into. Maybe maybe
should we continue? Oh I think so.
Speaker 1: I like the next the next song in our story
here we should tell people too, if you're just joining us,
we have Ricky Mapleton here and the uh this, did we.
Speaker 3: Establish what this is? Is it a rock opera? Yeah? Yeah,
I think, yeah, I like, yeah, I like. I think
that was the original concept. It's kind of into more
of a we want to do a play, yes, yes,
broadway play. So if anybody wants to finance our Broadway play,
I already have it envisioned in my mind. Really, oh my,
come to be beautiful. Perhaps you could get a national
bakery chain to sponsor you. Yes, absolutely, yes, let's go.
Let's go Broadway. But for now, Yeah, that's the old
yeah rock opera. Yeah, getting back getting back to the
original question, rock oper I know that's pretty big shoulders
I'm saying. But Quadrophenia Tommy twenty one twelve, Yes, hemispheres.
I don't know if anybody knows the those kind of
my dating myself on those, but yeah, yeah, yeah, a play.
Speaker 1: Yeah, and the title is The bread Man a bread
Time Story. The bread Man a bread Time Story. Well,
let's uh, we'll go to the next part of our
story here, and this one is called I Am the
egg Lady.
Speaker 3: Okay, all right, here we get two, three four, I'm mad.
Speaker 12: Lady, No.
Speaker 6: Second love plaid know your secret?
Speaker 10: Let it would gold.
Speaker 6: Stay sweet me. I laid to.
Speaker 10: Know, y'all sick.
Speaker 12: Cop that.
Speaker 6: The bun COSI.
Speaker 26: Lor secret, sonnoyal secret.
Speaker 1: I feel at this one in the story of the
egg Lady is really the antagonist. I think so I
expected it to be the king well for his father.
Speaker 3: I think we all have some egg ladies in everyone's life.
Speaker 1: Sure, right, yeah, yeah, what's your thoughts? Are you connected
with the story? I am, I'm very I'm very connected.
I'm invested. I'm uh, you know, I'm a little uh bummed.
I mean, I'm going to be a little sad next time,
you know, I'm eating and you know, scrambled eggs or something,
because I'm gonna be thinking about the egg Lady and
uh and she's just uh, she's just mean.
Speaker 3: Yeah. You know, how's that for a response? Yes, you
are correct, Matt.
Speaker 1: Connerton, because I'm looking at the title of the next
part of the story and I realize exactly what's happening next,
and I think it's wrong. What what a well, it's
titled A Little White Envelope.
Speaker 3: Okay, okay, so Little White Envelope not. This is one
of the songs that was done before the actual project
took place, was taken from another project. Interesting, we did
it on a few songs here. We had some material
that we fit in that went along with the tracks
that we were working on. And this one is a
very dear friend of mine. I'm gonna say his name,
Chris Higgins. Okay, Chris Higgins school who who I may
have upset? I knew. I've known Chris Higgins since high school.
Probably one of the best drummers in the area. Lifelong friends, yep.
And I don't want to get into this big thing
what happened.
Speaker 1: But I interviewed Chris Higgins a long time. I forget
what band he.
Speaker 3: Was in, Rocket Waltz. I believe he was in that.
Speaker 1: That was not the band he was in when I
interviewed Lynn Band.
Speaker 8: No.
Speaker 3: So, Chris, if you're listening to this again, I apologize.
He's he's he's on two tracks. Okay. He did a
ton of work on it, and a lot of the
material his drummings didn't make it on it. Oh okay, okay,
but he's on two tracks. And Chriss, you're the best man.
I love you, I love you. Yeah, okay. And this
this is a nice updeat song. Quick. It's all about
that little envelope that we all have up on the
shelves lives all right. This is a little white envelope.
Speaker 8: The princess and the bread man discuss payments with the
egg lady. They make their first payment and send her off.
The princess heads home to the castle. As soon as
she arrives back at the castle, she gets the bad
news that she is being forced to marry the Prince
of yeast Land. This arranged marriage between our beloved Princess
of Wheatland to the Prince of Yeastland will solidify the
King's plans to form a super bread conglomerate. The princess,
needless to say, is distraught. She eventually decides to write
a letter to her bread man to break the bad
news that she will no longer be able to spend
time with him. She doesn't have the heart to send
the letter, so it sits and awaits delivery inside its
little white envelope.
Speaker 6: Never thank you, just to gas dust.
Speaker 26: Never never, never.
Speaker 2: Say every weeks.
Speaker 5: Yesterday, gad.
Speaker 24: M.
Speaker 1: Now that's interesting because I thought the little white envelope
was going to refer to the envelope of money of
payments made to the awful egg lady.
Speaker 3: But it turns out no, yes, correct, you are corrector
I am correct about what everything? Okay, thank you.
Speaker 12: No.
Speaker 3: I never really thought of it about the envelope with
the money, and that's what I assumed this was. This
is the letter sent by the princess saying, oh, low
lover of mine, I have to I'm being forced to
marry the Prince of yeast Land. Yes, because his father,
the princess's father, all about the business, our business to
yeast business. And I love the term international red conglomerate. Yes, yes,
I love that. Yes, that's fun.
Speaker 1: You would think anti trust laws would prevent that, you know,
these mergers.
Speaker 3: I don't know the monopoly trust laws during Victorian time. Oh,
but it was. It was a different time. I think
if you were the king, you could do what you wanted.
That's true, that's probably we're gonna do a quick Python,
what made you king? I can recite that whole thing. Really,
strange women distributing solds is no basis for gombnance. It
comes from a mandate from the masses. If I never mind,
see that's that's from the holy ground. Yes. Yes, If
I went around saying I was king because some moist
and bean gave me a sword, they'd put me away.
Strange women there ever, being sold there's no basis for government.
It's not wrong. So it's that was kind of my
that's kind of my headspace with this. I was burying
mighty Python, and then the musicians came in this. They're like,
let's go serious, okay, And I said, okay, And I
hope everybody's enjoying this. I hope, so, I hope. So
it's good seeing your two reactions, which makes me super happy. Yeah. Yeah,
you guys are laughing and enjoying. I like it very much.
I like it very much.
Speaker 1: Let's see. So the next part of our story is
called how could she Marry him?
Speaker 3: Okay, so the marriage is going to take place now
between the princess and the prince, and they're having this
big like everybody else who may be going to the
altar or maybe get into a relationship. Here's that moment?
Speaker 10: Really?
Speaker 27: What?
Speaker 24: So?
Speaker 3: Okay, there we go, all right, let's go all right?
Here it is.
Speaker 8: Finally, once the wedding date has been set, the princess
has a little white envelope delivered to the bread man
on the day of their next plant rendezvous, much to
the bread man's chagrin. Instead of the princess said as door,
he finds a delivery boy who hands him a letter.
Speaker 16: How good she married? How good she married? How good
she married?
Speaker 2: How good she be?
Speaker 12: So?
Speaker 16: How good ship be?
Speaker 12: So?
Speaker 8: Today is the day of the big wedding. Princess. Here
she is at the wedding, at the altar, getting ready
to marry the prince from Yeastland. She just can't believe
that it's happening. She missed the bread man.
Speaker 23: How can na marry him?
Speaker 8: How can I marry?
Speaker 10: How can I marry him?
Speaker 6: What can it be?
Speaker 24: So?
Speaker 2: What can I be?
Speaker 12: So?
Speaker 8: Bread The bread man arrives at the wedding. He's made
the wedding cake. He's so sad, but he has to
deliver the cake otherwise people might get suspicious.
Speaker 25: And here he is.
Speaker 8: Delivering the cake, looks over at the princess. How can she?
Speaker 16: How could she marry? How good she marriage? How good
ship be so? How good should be so bad?
Speaker 8: How cann be so?
Speaker 16: How cann be so?
Speaker 1: B hmm, that is sad? How could she marry him?
From The bread Man A Bread Time Story? And Ricky
Mapleton is here with us.
Speaker 3: Thank you.
Speaker 1: Well, we are approaching for our live listeners the top
of the hour, so we do need to take a
break and show some love to our amazing sponsors. But
if you are listening lot on Saturday, coming up in
the third hour, we're going to continue listening and talking
about The brad Man, A Bread Time Story, the new
rock opera from Ricky Mapleton, and many others. So you
mentioned many of this contributed to this.
Speaker 3: Is that is that the good volume right there for you?
Speaker 8: Right there?
Speaker 3: Yeah? Yeah, okay, okay, yeah again, I just want to
reiterate that's my big word of the day. Yes again,
thank you everybody that took part in this, probably twenty
different musicians. Oh no, finally, the core base was myself,
doctor h and Ryan Fitzpatrick with a three that started this.
But there's probably I would say, twenty twenty thirty musicians
on this and again, thank you guys for doing it. Oh, absolutely,
I want to thank the musicians for doing it. Yeah.
Just I'm hearing it here on different headphones, Yeah, different thing,
and I haven't listened to it in probably a week.
Yeah you know, Yeah, I've heard it thousands of times. Yeah,
you know, preparing this, but just tearing it fresh on
this just and watching you guys reacting. Hope everybody's really yeah,
getting something out of it on this snowy on the
snowy Saturday.
Speaker 1: I sure hope, So, I sure hope. So all right
for our live listeners, stick around. Coming on an hour
number three, we will continue with our story Don't go Anywhere.
Speaker 25: Nana's Kitchen and Pizza.
Speaker 18: Reeve from Nana's hands to your plate tradition, love and taste.
Speaker 16: That's great, so fermented dough flavor, so true.
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Speaker 3: All right, here we go. Hello everybody.
Speaker 1: We have entered our three nu marrow trace of Matt
Connorton unleashed, and we are live from the studios of
w m n H ninety five point three FM and
Glorious Manchester, New Hampshire. Of course, you can stream the
show from anywhere. Go to Matt Connorton dot com, slash
live for all your live streaming options, social media links,
contact infosho, archives, et cetera, et cetera. Today is Saturday,
February seven, twenty twenty six. Jenny is here, of course
at the news table, present account of and also with us.
Of course, we have Ricky Mapleton and today we are
featuring his new his rock opera bread Man A bread
Time Story.
Speaker 3: Did I get the title?
Speaker 1: Right, tod et cetera.
Speaker 3: Yes, I did. Yes.
Speaker 1: Now, if you are listening live on Saturday, you might
have heard in the second hour of today's show, we've
been playing songs in order from the Rock Opera and
talking about each one, and we're going to continue to that.
We've never continued that in the third hour. We've never
done that before on this show. But this project I
think deserves Thank you, Merrit's the attention. Absolutely absolutely, we're
really enjoying it. So when we left off in our story,
how can she Marry Him? Was the last last song
that we played, and then the next one is King's
speech hip hop comedy song.
Speaker 3: Okay, So now the wedding has taken place, the wedding
is done, and the king is going to give his speech. Okay,
much like the title.
Speaker 1: Yes and enjoy, all right, the King enters the story.
Speaker 3: Here here we go.
Speaker 8: The princess for Pieter vows and reluctantly says yes to
the Prince of Yeastland. The King steps forward to give
a celebrations speech.
Speaker 34: We are here to celebrate the mixing of wheatland with yeastland.
This was truly needed to help create the best bread
in the land. Let us raise our bread and with
warmth in our hearts, toast the Prince and princess, who,
with help from the prince, will soon have a bun
in the oven, and the next heir to the kingdom
long lives the prince.
Speaker 8: Long the king, and the feast begins. Now it's time
to dance.
Speaker 2: Well, it's a here Bob karm, I'll say, pop.
Speaker 35: Outside, don't, I'll says a head of counting them.
Speaker 2: Hit comedy song, Why don't you'll sing along? It's a
hit by comedy comedy song.
Speaker 6: What you great buck?
Speaker 22: I told you once, I told you twice, won way
I feel. Here's my advice, mother drug, just keep it cool,
keep it d keep that next.
Speaker 2: To Michelle, do see, don't.
Speaker 23: Be afraid that you got the rock.
Speaker 2: I have to break out that god, break out that
break out that.
Speaker 26: It's a hit, mark out the song that's sang the.
Speaker 23: Breaking out.
Speaker 2: A hit bat comy song. I'll say it's a hair
Brock com comy song. Break out the time out nine.
Speaker 23: Then there man.
Speaker 2: Stiff there here man pants, it's time.
Speaker 23: It's a man a man here we go in here
there there man.
Speaker 12: Man.
Speaker 2: It's a hip hop comedy song. But don't you all
saying a lot? It's a hip hop comic comedy song.
Speaker 10: What part to you?
Speaker 19: Once?
Speaker 3: Two to twice one? Where I fee here's my.
Speaker 1: Comedy all right, the King's speech and hip hop comedy song.
The next part of our story here and the bread
Man bread time story. Yes, so why why is uh?
Does the King just really like a humorous hip hop or.
Speaker 3: I love the kind of change we've done very slow
melodic stuff on this hip hop comedy song was a
song that was not originally made for this and we
found a great spot for it where it kind of
changes the whole Now we're hip hop and where it
kind of goes away from the Victorian thing. It's okay,
this was this is happening at the reception. Yes, yes,
we're we're dancing, we're singing, we're having fun. Okay, little
hip hop comedy song going on, all right, but not
everyone is having fun? Well it depends in theory, right, Yes,
very insightful, sir, Thank you, thank you. Well.
Speaker 1: Next, so we have more plastic in the ocean than fish.
One ain't what it seems. I'm very curious where this
part of the story is going.
Speaker 3: Here we go.
Speaker 8: The wedding is over. Weeks have passed since the bread
Man has last seen the princess. The princess takes a
huge risk and visits the bread Man late one evening.
Draped in peasants clothing, she knocks at the bakery door.
The bread man slowly opens the door. He's a mixed
bag of emotions, sad, angry, befuddled, and elated all at once.
He beckons her to the back room. He quietly murmurs,
how could you marry him? At first, she's apologetic, but
soon they begin to argue about everything and how it
all went down, how she had no choice in the matter.
The bread man, he disagrees, and the princess is no
longer sure that it was a good idea to visit
the bread man. Well, the bread Man and the princess,
they begin to argue. They tell each other how they feel,
and things get pretty heated. All the pieces they don't fit.
Speaker 14: Maybe we just need to quit.
Speaker 8: Sometimes I don't give it, ish, What do you think
I love should be?
Speaker 9: Things ain't always what they see.
Speaker 6: You see blue and I sea green.
Speaker 9: When you laugh, it.
Speaker 14: Makes me scream.
Speaker 36: Just keep chasing those dreams, You just keep chasing those dreams.
Speaker 8: I can't recall what you said.
Speaker 14: I wish we could just stay in bed.
Speaker 37: Sometimes that's just regret all the things that you have done, things.
Speaker 14: Saying always what they see.
Speaker 2: You see Lou and I.
Speaker 37: See green When you're laugh it makes me scream.
Speaker 14: And you just keep.
Speaker 8: Chasing those dreams. Yeah, you just keep chasing those dreams.
Speaker 2: And don't care if you stay or go.
Speaker 37: You put on a real good show. Sometimes you just
don't know what it is that you need. Things ain't
always what they see. You see blue and I see green.
When you laugh, it makes me scream.
Speaker 10: Don't make no sense to me.
Speaker 14: Your vision on what we should be.
Speaker 38: Why can't you just let me be? Why can't you
just let me be? Why can't you just said me be? Oh,
why can you just let me be?
Speaker 1: So things that not go as planned for the no
no no process and no no no.
Speaker 3: I do have a question. Why is it?
Speaker 1: Why is it called more plastic in the ocean than fish?
Speaker 3: I did not name that song. I think it's cool.
That's a very good question. I questioned that myself. When
I see it, I believe one of my fabulous people
that I worked with. I think either doctor H. Or
Ryan f and I have learned when you work with
other creative people, you need to be understanding of their thoughts.
There and okay, yeah, there's a lot of backstory to
any project. This one had. This project had many backstories
as far as getting along with people getting on, of
musicians getting along, understanding other musicians and creative people. And again,
I just want to say again thank you for all
the musicians that are on. Here's the pedal steel that
was just on there. Oh yeah that was great. It's
just guys, thank thank you again for the musicians that
we're on here.
Speaker 1: We love doing this. Does does bread cause great at tension?
Speaker 3: You think, yes, it could be a twist.
Speaker 5: It's the yeast.
Speaker 3: Aren't you paying attention?
Speaker 6: East?
Speaker 14: It's the yeast?
Speaker 1: Well our next uh, our next song in the story?
Here is uh more plastic in the ocean than fish
to the plan.
Speaker 3: Okay, so now the plot, now they're gonna make okay, well,
let's can take it.
Speaker 1: I feel like there's a twist coming. Very good, All right,
very good. Let's see a braided issue.
Speaker 8: The princess hastily leaves the bakery and heads back to
the castle. A month passes by both the bread Man
and the princess agonize over their last meeting, each trying
to rationalize their position. Suddenly, simultaneously, the princess and the castle,
the bread Man, and the bakery come up with a
plan to overcome the obstacles and to finally be together
at last. First, they'll need to get rid of the prince,
but that still leaves the egg lady. Then, under the
cover of night, the princess sneaks off to the bakery
to share her plan with the bread man. The bread
Man is ecstatic to see the princess, and he can't
wait to share his plan with her. As soon as
they see each other, they warmly embrace and begin excitedly
to share the same exact plan. Wow, don't we just
poison the prince?
Speaker 2: I was thinking the same thing?
Speaker 12: Why care of dreams come true?
Speaker 6: Will go around? It's time all to come.
Speaker 12: And we all go round, and.
Speaker 11: It's all the poorson and.
Speaker 27: Of the lady.
Speaker 14: She knows the truth?
Speaker 23: Do you know what to do?
Speaker 12: If you want? Don't you come true?
Speaker 2: You will go around in the game.
Speaker 6: Real out?
Speaker 1: My goodness, I knew it, I knew it.
Speaker 3: It was the well will they succeed?
Speaker 20: Mm?
Speaker 3: Hmm, good question. Good question.
Speaker 1: I didn't expect it. I didn't expect bread bacon to
lead to murder. My goodness, I know, squie a twist,
all right?
Speaker 3: I believe it is the last song and scene one?
What is what?
Speaker 39: What is this?
Speaker 3: Silver fox? The silver far? Okay, so this ends scene
one of our fabulous journey into bread. Yes, again, thank
you all the musicians that did this. Thank you. I
can't thank you guys enough. Yes, I hope you all
enjoying this listening. Thank you.
Speaker 1: Question in regards to that the music itself, did all
of the artists work with you to develop the music
or was this something that you wrote and then taught
them to play?
Speaker 3: Both? Okay, both. Some of this was done even without me,
even was drawn from different projects. There's something called the
family album that doctor h or doctor Holton has and
he's the type A of of type the band type A,
which is kind of the moniker of this. It's the
bread Man a bread story type A because Larry Holton
type A took this, ran with it and did all
these amazing overdubs and put the whole thing together. And yeah,
so I forgot what the original question was, but you
answered thank you. So here is the climax of scene one.
Speaker 8: All right, weeks go by and no one's getting their eggs.
Everyone's wondering, where's the ugly Finally someone goes to the
sheriff the silver fox.
Speaker 29: He comes to the silver fox, Silver Fox. The runs
to night, comes fox.
Speaker 8: The sheriff decides invest gate. He gets his hounds and
he begins to search the outskirts of town. He searches
night and day. It's getting dark and the fox pouring in.
The silver fox continues to hunt for the ugly silver fox.
Now by lantern.
Speaker 12: He's on the hunts.
Speaker 6: Silver fox.
Speaker 40: He's on the runs at night he comes the silver fox.
Comes a silver fox. It comes a silver fox. It
comes the silver fox. It comes a silver fox.
Speaker 26: Pelophox, all the frons a silver fox.
Speaker 6: Silver fox. He's on the us tonight.
Speaker 26: He splopho.
Speaker 23: Loved not Christ, look right, comes.
Speaker 12: A silver fox.
Speaker 6: It comes a silbophox.
Speaker 12: It comes a.
Speaker 11: Silver fog.
Speaker 6: And CON's so fox.
Speaker 2: It comes a silver fall.
Speaker 14: He's coming to kitchen.
Speaker 12: He's coming to kitchen.
Speaker 6: He's coming to kitchen.
Speaker 2: Go away, man.
Speaker 14: Away the chickens.
Speaker 2: Way acrost.
Speaker 6: Runs.
Speaker 2: He's coming to catch.
Speaker 3: So fox.
Speaker 8: He finds his way to the swamp from the outskirts
of town, Fog rolling in pitch, black dogs barking, barking, barking. Finally,
he holds his lamp up and he looks down on
the shore of the water. Astonished, he sees the egg
Lady dead, their mouths stuffed with bread.
Speaker 3: So that is the end of scene one. Scene one
is done. The egg Lady has been murdered. Oh my goodness,
there we go. Let's be ready to jump right into
scene too.
Speaker 1: Let's go right into scene two. Okay, we're starting with
a seaweed instrumental poison yeasts.
Speaker 3: Okay, oh my goodness. All right, let's see. Joy, let's
see where we go.
Speaker 8: In scene two, the Princess and the bread Man sneak
off to the beach to discuss their plan further. Though
the plan has many, many parts, it has become abundantly
clear that with the egg Lady out of the picture,
it's going to be all about the poison yeast. After
a long discussion and walk on the beach, finally feeling
like things are going to be the way they've always hoped,
it's time for the bread Man to head back to
the bakery and begin preparing the bread for the castle
for the prince. The plan is quick to rise now
that the poison yeast is fully prepared and active. Beware
the poison yeast.
Speaker 6: East two yeast on the east, the east past.
Speaker 41: Tweas, yes, yeasts, ye beware of the poison.
Speaker 1: Well, now we know what poison yeast sounds like. And
then let's see the next part of our story. King
up in the castle, bad bread shoot.
Speaker 8: As the princess rises from the baker's bed, they begin
to make the poison bread. Add the flour, add the sugar,
don't forget the poison yeast. Soon the prince will be dead.
Speaker 6: Down sEH, just.
Speaker 12: Just king up in that castle, Princess to the got so, sash,
got so, sash.
Speaker 2: Thou show good water.
Speaker 6: Soon we'll s's just.
Speaker 23: Yes, just.
Speaker 8: The bread man's plan begins to rise. Soon the prince
will die.
Speaker 6: The bread is man.
Speaker 36: The prid mens coming, the prid mens coming, He's coming
for you. The brids coming, The bred Man's coming, the
breds coming.
Speaker 8: He's coming for you.
Speaker 38: Put away that sugar, put away the yeast, away the flower.
Speaker 8: Because you're not gonna kill the beast.
Speaker 36: Because the bridman coming the Pridmn's coming, the brand Man's coming.
He's coming for you. He's coming for you, He's.
Speaker 6: Coming for you.
Speaker 1: Well, that song is kind of taking a different taking
on a different meaning in the scene too. Now you
know he's coming for you. He's coming to kill you.
I guess right, Well, that's how you interpret That's how
I take that, all right. The next part of our
story is saying do.
Speaker 8: Over time, the poison yeast begins to take its toll
on all those who consume the royal bread. The poison
quickly overtakes the Prince of Yeastland due to his bread gluttony,
and he expires like stale, outdated bread. The servants find
him on the floor, stiff as a weak old baguette.
The King himself too feels the effects of the poison yeast. However,
due to his slight gluten allergies, he consumes bread only
on special occasions, though over time he becomes frail. A
funeral is held for the Prince and the princess and
the baker the bread man starts sneaking off together more often.
Rumors are abound. The princess and the bred man begin
to spend a lot of time with each other, and
they don't really care what other people think. At this point,
the prince is dead and it's their time to be together.
Speaker 20: It doesn't really mad what this sabout me and you.
Speaker 42: He doesn't rely mad even it's all true.
Speaker 12: We can have just this mom.
Speaker 14: Together.
Speaker 39: Yes, differs, get sa win the good fall each other.
Speaker 6: That we could have had.
Speaker 12: Been. People say down long together, that.
Speaker 20: We can't.
Speaker 2: All the albums.
Speaker 6: Look out, said.
Speaker 43: Said, said, said, saved, said, said.
Speaker 20: Said.
Speaker 8: Things are really looking up for the Princess and the
brad Man. It turns out out that the bread Man's
father has died and left a fortune of yeast to
the bread Man. Where and how his father accumulated his
vast scores of yeast his only rumor at this point,
but it is believed that when the bread Man was young,
he sold off the baker boy's mother and gained a
fortune and yeast. Granted, this is only speculation regardless. In
return for the Princess's hand in marriage, the bread Man
offers the frail king a promise to supply all of
wheatland with his yeast import and export monopoly on the
worldwide bread market. Of course, with recent death of the prince.
The king has no choice but to accept, as he
no longer has access to yeast from the prince's family
in Yeastland. The King agrees to let them get married.
The princess and the bread man get married. It seems
as though both of their dreams finally come true. And
the bread man is in the.
Speaker 44: Castle, smelled the fum and that cry, I said, and
that's why.
Speaker 14: Take it?
Speaker 10: And so high.
Speaker 6: I sail said, freeing.
Speaker 14: The question why.
Speaker 10: Not nine.
Speaker 14: M If you try, won't make you.
Speaker 12: Tell me?
Speaker 10: That man smell and the dull.
Speaker 8: After the wedding celebration, the princess and the bread man
ride in a carriage down the cobblestone streets of the
Wheatland village, and when they pass through the village, the
villagers half heartedly celebrate. They seem jealous. They seem to
think that the princess thinks a little too highly of
her so and that the bread man, coming from the
bakery on the streets, maybe he's a little too uh,
he's risen a little too high for them, And so
they start to sink.
Speaker 6: You develop me in.
Speaker 23: The eye, turn your head when I walk by, your.
Speaker 45: Perfect, so perfect, You develop me in the eye, turn
your head when I walk by your purpose, I.
Speaker 6: Don't look a.
Speaker 2: Perfect You're not that.
Speaker 45: Purpose so purpose. You're not that perfect perfect. You're not
that perfect so perfect.
Speaker 6: Perfect. I'm not so perfect perfect. I'm just so perfect perfect.
Speaker 2: Not just so perfect perfect. I'm just a purpose.
Speaker 12: Yeah.
Speaker 6: Give it be canedy, Yeah.
Speaker 2: Give me see see.
Speaker 45: I'm perfect. You get your son, perdet perfect. You got
that perfect perfect, so.
Speaker 26: Perfect perfect, so perfect.
Speaker 2: Excuse made me walking down the street. Don't well, no.
Speaker 6: You're perfect.
Speaker 2: You see me walking down the street. You just not
leave me on purpose?
Speaker 45: Connect your daughter so perfect, so perfectly is not so perfect?
Speaker 12: M m m hm hm hm.
Speaker 37: Not so.
Speaker 1: All right if you are just joining us. This is
the bread Man a bread Time Story? Or is it
the bread Man or just bread Man?
Speaker 3: The bread Man a bread Time Story? Yes? Again, thank
you all the musicians and everybody digging this who had
a part of it. Let's let's go. Let's go man
click click.
Speaker 1: Yeah, we're gonna We're not gonna be able to get
the whole thing in I'm looking at the time, and
I'm not good at math, but I know we cannot
get the whole thing, and we will, we will play
a little bit more. But I want to make sure,
especially for people who are just joining us who don't
know that, you know, you can get the whole thing.
Where should people go to listen to the entire.
Speaker 3: It's on YouTube, Spotify, all our any digital platform. It's
up to you for you to enjoy.
Speaker 1: Yes, the entire rock opera and its entirety. And what
is happening at this point in the story that we
just heard that that song perfect.
Speaker 3: There's a lot going on. I think we just click
a click ahead, the narration will take us home. Okay,
all right?
Speaker 1: So this next song is called the next part of
the story is called coming Home.
Speaker 3: So let's see.
Speaker 8: The princess and the bread man are so enamored with
each other that they don't even notice that the townspeople
are singing or what they're singing. They only have eyes
for each other. And they finally arrive back at the castle.
The bread man expresses his love for princess insult.
Speaker 27: Come in, Oh dear, oh, oh dear, No, lady, you're
a you're all lady.
Speaker 6: You're old.
Speaker 23: God said God, you.
Speaker 6: Come home, God.
Speaker 27: Come home to.
Speaker 6: Jas said.
Speaker 37: I ever saw.
Speaker 6: It was your sweet face. Then I open the dome.
Speaker 4: Zach got you.
Speaker 6: To come on, Yeah, got.
Speaker 23: To come on.
Speaker 8: Not long after, the princess and the bread man are married,
living up in the castle. The frail king, who still
occasionally he eats his bread, the poison bread, finally dies
and at the funeral there's a lot of sadness from
the villagers. Everyone's a little bit concerned that the princess
and the bread man will be taking over, and they're
really quite concerned. Nevertheless, they hold this beautiful funeral procession
for the king, and off in the distance you can
hear the sounds of ancient river.
Speaker 1: I have to just comment that that's a beautiful song.
I mean, that's one of the standout moments. And you know,
just in terms of the artistry in the in the
entire thing, that's that's really nice.
Speaker 3: Again, again, thank you for all the musicians. Now we're
on This kind of gave me a.
Speaker 1: Chill, absolutely really incredible. We do have a little bit
of time left.
Speaker 3: Let's go to it.
Speaker 1: Because he does the narrator, does mention it? And did
Ryan do the narration?
Speaker 12: No?
Speaker 3: Doctor doctor oh doctor h doctor eight ah, very good,
very good master mind behind this whole thing. The producer, Yeah,
let's let's go man all.
Speaker 1: Right, so this is uh, we'll go ahead and because
again the narrator mentions this, this is ancient river.
Speaker 3: The next part of our story.
Speaker 6: We have a stake and you were taken.
Speaker 12: You went the.
Speaker 21: Spat hours often new agent filmer perfectly mol meeds them
like you mean nothing.
Speaker 2: Ch from most fi.
Speaker 6: Got er just.
Speaker 12: Be as Oh the.
Speaker 46: All the huschool we battland asking of it time.
Speaker 3: Ooh that's cool. I like that a lot too. That's
really good.
Speaker 1: Ancient river from the bread Man a bread Time Story.
Ricky Mapleton is here with us. We are approaching the
top of the hour. So again if people want to know,
because I'm really curious to know what happens next. Now,
we're not gonna have time to share the rest of it,
but people should go online and check it out. Yes,
remind people again where they can find it.
Speaker 3: You can find The Breadman a bread Time Story. Go
to Ricky Mapleton or just go The bread Man a
bread Time Story on YouTube, Spotify, any digital platform. It's
out there. Yes, how many more tracks are left in
this fabulous story? A bunch? Can we do another one?
Speaker 1: Oh, We're gonna do another one to close out. Yeah,
we got one, two, three, four, five, six seven. So
there's still a bunch of story to go. So if
you want to hear how it ends, you got to
go online and check it out. And I encourage people
to do that, really really good stuff.
Speaker 3: What are you taking away from this right now? What
do you what's your Well?
Speaker 1: I'm curious how it all ends up, because you know,
the the main the heroes here quote unquote anti heroes,
I suppose are protagonists because they are murderers. They've poisoned people,
and they you know, and they've done it for love.
It's a crime of passion. But they have poisoned people. Yes,
so they are morally uh compromised severely.
Speaker 3: Beautifully said, thank you.
Speaker 1: Yeah, Beautifully said, yes, I mean you can sympathize with them, but.
Speaker 3: It's some more twist and turns coming down the pipe.
Very good, very good. I always said it's a million times.
But thank you Matt for having us on. All the musicians.
You know, be creative. I want to thank family, my wife.
Just be creative. People, get out there and be creative.
Can we we do another one?
Speaker 34: Yeah?
Speaker 1: Yeah, we're gonna We're gonna do one more in a moment,
but actually, well maybe a couple more. What I'm gonna
do is I'm gonna to end the show. I'm just
going to see what we can cram in. But because
we want to make both again, I definitely encourage everyone
go check out the story online. And that's really the
best way to support your work anyway. Sure is just
you know, through plays Spotify plays and so, you.
Speaker 3: Know, making money off of this not really my goal,
I know, you know, I just want to. I think
this is this project is in spot hopefully inspires.
Speaker 1: Yeah, love me, love love and you got to get
in that algorithm, right, So we so we will do
that in just a moment. But I do want to
quickly thank everyone who participated in today's show today and
of course hush Money who was with us in the
first hour. If you missed anything that we did today,
you can go to Matt Conorton dot com and of
course Wmnhradio dot org to get the show. You can
learn more about me at Matt Connorton dot com. Jenny,
thank you, thank you. Want to mention your website, Jenny.
Speaker 4: Absolutely, you can check out all the good trouble I
get into at Jencoffee dot com.
Speaker 1: J E N N C O F f e y
dot com.
Speaker 3: And there is a new video from this week and
the things if you guys do for society as a whole,
getting artist on here, what you do as far as
working with all your projects, that's what life's about, right.
Speaker 1: Absolutely well, thank you, thank you, and humans for humanity.
Speaker 3: Human that's right, that's right. My phone number is six
oh three seven eight five oh two five nine. Call
me today say you dug it? Okay, all right, and
I hope everybody can maybe finish it up on the
snowy day maybe yeah, finished listening to it. But let's
let's do another one.
Speaker 1: Absolutely absolutely so we will. Let's see this next one
is a drunk and disillusion What about me? I have
a feeling another dark turn is coming.
Speaker 3: Indeed it is. We'll see check this out and thanks everybody.
Speaker 8: With the death of the king, the princess becomes the queen.
She's in charge, and everyone seems to be respecting queen,
and really the bread man is in the back of
the scenes. Nobody's really paying attention to the bread man.
He's getting a little frustrated that even the queen is
not taking his advice. He's become jealous, and he's losing
affection for the queen. The bread man stares into the mirror.
He looks at himself, perplexed, wondering why the queen is
getting so much attention and none for him.
Speaker 14: I know, will beautiful?
Speaker 6: Every one gainsy.
Speaker 14: I know, will beautiful?
Speaker 6: What about me?
Speaker 2: What about me?
Speaker 23: What about me?
Speaker 35: About me?
Speaker 46: What about me?
Speaker 23: What about me?
Speaker 14: What about me?
Speaker 12: What about me?
Speaker 24: I know?
Speaker 6: More beautiful?
Speaker 12: Everyone can see?
Speaker 14: No beautiful?
Speaker 2: What about see? We're bouncy?
Speaker 27: Are abound me?
Speaker 12: For about me?
Speaker 23: For abound me?
Speaker 1: For bounding?
Speaker 5: What a boucy?
Speaker 6: For a bound?
Speaker 12: Bound?
Speaker 6: Bounding?
Speaker 2: What bound me?
Speaker 6: What bound? You are abounding?
Speaker 39: What bout me?
Speaker 8: The bread Man's mental health continues to decline. He doesn't
know what to do.
Speaker 19: Thoughts are taking over seeking cortroll.
Speaker 10: No never long term.
Speaker 22: Let's make my.
Speaker 10: Little man.
Speaker 19: Ri from raw.
Speaker 12: On me.
Speaker 19: TOCs the no.
Speaker 28: Think it strange, so.
Speaker 23: In the word, let take.
Speaker 14: A thinking strange.
Speaker 8: As the bread Man's jealousy of the Queen consumes him,
he decides that it's time to break bread with the
Queen to discuss his role in the kingdom.