WEBVTT 1 00:00:00.080 --> 00:00:02.439 What's good? This Isbela mar said, and you're checking out 2 00:00:02.480 --> 00:00:06.559 the Cruise Show podcast. Make sure to subscribe, rate and share. 3 00:00:07.559 --> 00:00:08.800 Hi, how are you good? 4 00:00:09.839 --> 00:00:10.800 I'm happy to be here. 5 00:00:11.199 --> 00:00:13.759 Man, it's been it's been it's been a while. Yeah, right, 6 00:00:13.800 --> 00:00:15.039 but you've been busy, been working. 7 00:00:15.400 --> 00:00:17.679 Yeah. It honestly feel like it's been five minutes since 8 00:00:17.679 --> 00:00:18.320 I last saw you. 9 00:00:18.640 --> 00:00:23.519 I know, right, yo, Alien Romulus. This is a legendary franchise, right, 10 00:00:23.519 --> 00:00:24.719 what an honor to be a part of it? 11 00:00:24.760 --> 00:00:25.359 Do you like Horr? 12 00:00:25.640 --> 00:00:26.039 I do? 13 00:00:26.039 --> 00:00:26.559 Do you like her? 14 00:00:26.719 --> 00:00:26.920 Yeah? 15 00:00:27.120 --> 00:00:29.359 Anybody here doesn't like it, so it's like I have 16 00:00:29.399 --> 00:00:30.280 to watch it on my own. 17 00:00:30.399 --> 00:00:32.759 Well, I personally draw the line at like demonic stuff. 18 00:00:32.920 --> 00:00:34.399 That's when I'm like, I don't want to film it. 19 00:00:34.439 --> 00:00:36.240 I don't want to be a part. When I watch it, 20 00:00:36.280 --> 00:00:39.520 I'm missaging the house like That's that's where I draw 21 00:00:39.560 --> 00:00:42.200 the line. But anything else like Gore. I watched all 22 00:00:42.200 --> 00:00:44.200 the Saw movies in one night in seventh grade and 23 00:00:44.240 --> 00:00:45.880 on one night when I say one night in one 24 00:00:46.039 --> 00:00:49.439 winter break in seventh grade, so I'm a big fan 25 00:00:49.520 --> 00:00:51.159 of Gore and there's a lot of Gore in this 26 00:00:51.240 --> 00:00:53.240 as well, Like grow stuff that you're. 27 00:00:53.119 --> 00:00:54.880 Just very gory and very bloody. 28 00:00:54.920 --> 00:00:59.000 Yeah, that popcorn will start tasting weird, but hopefully you 29 00:00:59.000 --> 00:01:00.880 get the popcorn by using the popcorn bucket for it. 30 00:01:01.000 --> 00:01:01.640 Yeah, I have. 31 00:01:03.159 --> 00:01:05.640 Lately for popcorn buckets has been a. 32 00:01:05.640 --> 00:01:07.560 Crazy that's the way to go. 33 00:01:07.680 --> 00:01:09.319 I think it's safe to say going to the movies 34 00:01:09.400 --> 00:01:11.519 is officially back, like they're. 35 00:01:11.040 --> 00:01:11.840 Making it a back. 36 00:01:12.040 --> 00:01:14.439 Oh yeah, I love it. And you know, Latinos are 37 00:01:14.439 --> 00:01:15.319 the biggest immigrants. 38 00:01:16.200 --> 00:01:16.560 Come on. 39 00:01:17.239 --> 00:01:18.439 I like to do like the Tuesdays. 40 00:01:18.519 --> 00:01:19.519 It's like five dollars intry. 41 00:01:19.640 --> 00:01:21.959 Oh yeah, oh my god. And I got the dollar 42 00:01:22.000 --> 00:01:26.319 movies now that I got an American Express card, got 43 00:01:26.319 --> 00:01:27.359 them stuffs. 44 00:01:27.560 --> 00:01:28.000 That's right. 45 00:01:28.000 --> 00:01:30.400 And I feel so fancy because I'm like, I use 46 00:01:30.439 --> 00:01:33.239 all those rewards. And yesterday I got a large popcorn, 47 00:01:33.280 --> 00:01:35.599 I got a large drink, and I got candy because 48 00:01:35.599 --> 00:01:37.519 I put a bunch of crunch in my popcorn and 49 00:01:37.599 --> 00:01:38.640 it was all ten dollars. 50 00:01:38.920 --> 00:01:39.640 Is that amazing? 51 00:01:39.840 --> 00:01:42.000 And you get I got Gallidated parking. 52 00:01:43.519 --> 00:01:49.319 We big backing on a budget, back budget. 53 00:01:49.599 --> 00:01:51.439 I'm always on a budget. I'm from Ohio and the 54 00:01:51.519 --> 00:01:52.400 daughter of an immigrants. 55 00:01:53.760 --> 00:01:57.359 We grew up on a budget. We were born into. 56 00:01:57.159 --> 00:01:58.920 Budget, born into born to budget. 57 00:02:00.040 --> 00:02:03.359 But movies are still a magical thing, going to the movies, 58 00:02:03.400 --> 00:02:06.079 grabbing the popcorn and red vines, not Twizzlers red vines. 59 00:02:07.000 --> 00:02:09.439 Okay, okay, you said that really controversial. 60 00:02:08.879 --> 00:02:12.560 Tape because I want it with anyone who likes Twizzlers. 61 00:02:12.560 --> 00:02:15.840 You feel me like you. 62 00:02:17.520 --> 00:02:21.439 Know what it is, you know, I like to say 63 00:02:21.479 --> 00:02:26.759 it's a plastic I like it. I'm full of microplastics, 64 00:02:27.879 --> 00:02:32.000 I guess so I guess I like myself then. 65 00:02:33.759 --> 00:02:36.599 But yeah, like going to the movies with your family 66 00:02:36.719 --> 00:02:39.039 or even solo, right, Like I've done that before, Nothing 67 00:02:39.080 --> 00:02:41.560 wrong with that that because you're in a different world. 68 00:02:41.919 --> 00:02:43.840 Well, what's interesting about going to the movies with people? 69 00:02:43.879 --> 00:02:46.400 I think you absorb their sort of energy while watching it. 70 00:02:46.520 --> 00:02:48.479 Like like just when you show somebody your favorite movie, 71 00:02:48.479 --> 00:02:51.159 you're sort of halfway watching their reaction. You're sort of 72 00:02:51.199 --> 00:02:53.759 taking the cue from other people when to laugh. Sometimes 73 00:02:54.000 --> 00:02:55.960 I'll start to laugh a lot of times in theaters. 74 00:02:56.199 --> 00:02:58.120 Maybe it's not even supposed to be funny, but I'll 75 00:02:58.159 --> 00:03:00.400 just do it because it's like a social experiment because 76 00:03:00.400 --> 00:03:03.159 slowly everybody lasts with you. If you clap, somebody will 77 00:03:03.199 --> 00:03:06.000 clap with you. Sometimes there's that one loan clapper. Oh god, 78 00:03:06.000 --> 00:03:07.800 I guess what we're second hand embarrass that's tough. 79 00:03:07.960 --> 00:03:10.520 But literally, my boyfriend, I'm like, I was like, I 80 00:03:10.520 --> 00:03:12.039 can't know that, and I didn't like. 81 00:03:12.039 --> 00:03:14.599 I didn't come with this, man, I didn't. 82 00:03:14.400 --> 00:03:14.759 Come with this. 83 00:03:15.120 --> 00:03:16.520 Yeah, a lot of people are scared to go along 84 00:03:16.560 --> 00:03:17.080 to the theaters. 85 00:03:17.240 --> 00:03:19.639 Yeah, that's all the time. That's silly. Yeah, you should 86 00:03:19.759 --> 00:03:24.840 enjoy it. You know, it's cheaper. It's cheaper, you feel me? 87 00:03:25.120 --> 00:03:26.960 Why is your chair so low today? 88 00:03:27.039 --> 00:03:27.879 My standards are. 89 00:03:30.400 --> 00:03:31.000 And that's why he. 90 00:03:31.039 --> 00:03:34.759 Goes he goes alone. You know. Wow, I don't know. 91 00:03:38.199 --> 00:03:40.840 I observed something actually today and it was that all 92 00:03:40.879 --> 00:03:43.400 of you guys have J in your names, that right 93 00:03:43.520 --> 00:03:45.400 or also if you don't have Jay, your names is DJ. 94 00:03:46.159 --> 00:03:49.639 Yeah, like the shatto is just well he was DJ. 95 00:03:49.319 --> 00:03:53.919 No longer Djattle my middle name, so there is okay. 96 00:03:54.000 --> 00:03:57.919 So I was wondering if the j's were requiring Jeff Garcia, yeah, 97 00:03:58.080 --> 00:03:58.719 Jackie JJ. 98 00:03:59.080 --> 00:03:59.240 Yeah. 99 00:03:59.280 --> 00:04:01.960 I didn't know. I tell you to put the DJ 100 00:04:02.120 --> 00:04:06.240 because you needed a Jay still, like you know DJ fuse. Yeah, 101 00:04:07.240 --> 00:04:08.159 I don't know, just wondering. 102 00:04:08.240 --> 00:04:11.639 You're just loving to have a job at the end 103 00:04:11.680 --> 00:04:12.120 of the day. 104 00:04:15.400 --> 00:04:16.040 That's so true. 105 00:04:18.399 --> 00:04:22.519 Like, you, guys, how important is work right, Like to 106 00:04:22.639 --> 00:04:24.079 have a job and to be working right. 107 00:04:24.199 --> 00:04:27.120 That's that's especially as a Latina because when you're not working, 108 00:04:27.160 --> 00:04:28.759 you feel like you're not doing anything. 109 00:04:29.240 --> 00:04:31.839 Oh yeah, no, there's definitely this thing called actors guilt 110 00:04:32.439 --> 00:04:34.480 where you're guilt. You feel guilty when you are working 111 00:04:34.480 --> 00:04:36.120 because you don't have a personal life and your families 112 00:04:36.199 --> 00:04:39.199 and friends are some somewhat neglected. And then you also 113 00:04:39.240 --> 00:04:42.680 feel guilty when you're not working because you're not making 114 00:04:42.720 --> 00:04:43.160 any money. 115 00:04:43.160 --> 00:04:45.279 You're not You kind of feel like you hear the 116 00:04:45.360 --> 00:04:47.000 voice of your ancestors in the back of your head. 117 00:04:47.000 --> 00:04:48.279 You lazy, you're lazy. 118 00:04:48.600 --> 00:04:51.759 It's usually my own voice. Actually, I'm my own biggest hater. 119 00:04:52.519 --> 00:04:54.560 So okay, I gotta work on it. 120 00:04:54.920 --> 00:04:57.399 What are the nicest things you're you tell yourself. 121 00:04:57.079 --> 00:05:00.800 Internally, the nicest things. That's That's the thing that when 122 00:05:00.800 --> 00:05:03.759 I was talking about earlier with Mama Yaasca, what I 123 00:05:03.839 --> 00:05:05.959 repeat now is what she told me, Like it's kind 124 00:05:06.000 --> 00:05:08.519 of her voice. Whenever I feel like too much pressure 125 00:05:08.560 --> 00:05:13.319 for myself is like I get the resounding this gunsa 126 00:05:13.639 --> 00:05:17.600 hita like rests. You know, you're just you're just a baby. 127 00:05:18.279 --> 00:05:21.480 That's literally what it is like. In that experience, I 128 00:05:21.600 --> 00:05:23.959 was also taken kind of into the womb of some 129 00:05:24.199 --> 00:05:26.240 sort like it was very it was very cool to 130 00:05:27.000 --> 00:05:29.600 that was a very unique experience that I always go back. 131 00:05:29.480 --> 00:05:31.439 To when I'm stressed out right right right right, you 132 00:05:31.519 --> 00:05:32.040 tap into it. 133 00:05:32.319 --> 00:05:34.680 Yeah, it's a very like and something about the whole 134 00:05:34.800 --> 00:05:36.800 like I'm just a baby thing. I'm not trying to 135 00:05:36.839 --> 00:05:40.040 be infantalizing. I just mean there's something about that takes 136 00:05:40.079 --> 00:05:42.360 the pressure off your new spirit, your new soul on 137 00:05:42.480 --> 00:05:44.759 this earth. Therefore you can take it a little bit 138 00:05:44.800 --> 00:05:47.319 easier on yourself. You don't have to know so many things. 139 00:05:47.680 --> 00:05:50.480 You can still be wide eyed and absorb the world 140 00:05:50.560 --> 00:05:54.040 as like a newcomer and free. Yeah, less less burdens 141 00:05:54.079 --> 00:05:55.199 when you're when you're new here. 142 00:05:55.240 --> 00:05:57.399 And I think when you're a baby, your sponge you absorb, 143 00:05:57.560 --> 00:05:59.720 so I think I think it's also looking at that way, 144 00:05:59.800 --> 00:06:03.759 like mm hmm, you got a whole new learn so. 145 00:06:03.879 --> 00:06:05.879 No pressure, do you know what I mean? Like be 146 00:06:06.000 --> 00:06:08.600 open to whatever, because I truly believe like whatever you're 147 00:06:08.600 --> 00:06:10.319 meant to learn, you will learn. You don't have to 148 00:06:10.360 --> 00:06:11.959 go out of your way to do it. Yeah. 149 00:06:12.480 --> 00:06:18.600 Ye Alien Romulus out Friday, scary ass movie. Yeah, yeah, 150 00:06:18.800 --> 00:06:21.759 there's there's some moments. I've seen so much of it 151 00:06:21.800 --> 00:06:24.360 I believe I've seen it all. Okay, at this point, 152 00:06:24.399 --> 00:06:24.920 you know what I mean. 153 00:06:24.839 --> 00:06:28.920 But doesn't like Fedna doesn't like spoilers FETI the director. 154 00:06:29.000 --> 00:06:32.720 Sorry he I'm sure the studio is probably pushing him 155 00:06:32.759 --> 00:06:36.040 to release more. But at the same time, I think, what, 156 00:06:36.160 --> 00:06:38.160 at least my favorite moments of the movie aren't in 157 00:06:38.279 --> 00:06:41.360 the spoiler or like aren't in the teasers or the trailers, 158 00:06:41.480 --> 00:06:45.120 or like what people are saying are spoilers. But I really, 159 00:06:45.279 --> 00:06:51.240 I really think this happens every time a movie comes out. Absolutely, yeah, 160 00:06:51.319 --> 00:06:53.519 I know a few, a few, yeah. 161 00:06:53.639 --> 00:06:53.839 Yeah. 162 00:06:54.720 --> 00:06:56.399 There was a jump scare that I didn't even know 163 00:06:56.600 --> 00:06:58.759 was coming because I wasn't you know, I wasn't in 164 00:06:58.879 --> 00:07:03.519 that particular scene, and I, oh my god, I jumped 165 00:07:03.560 --> 00:07:06.759 out of my seat, like physically out of my seat, 166 00:07:06.800 --> 00:07:08.680 and that I don't think I remember the last time 167 00:07:08.759 --> 00:07:11.160 a movie has done that to me, right right, Yeah, 168 00:07:11.360 --> 00:07:14.600 I'm pretty like used to it at this point. I guess. 169 00:07:14.759 --> 00:07:17.519 I guess because I like scary stuff and I'm usually 170 00:07:17.560 --> 00:07:19.600 the in a haunted house I'm the first one that 171 00:07:19.720 --> 00:07:21.920 leads the group, you know, like I'm ready, I'm like, 172 00:07:21.959 --> 00:07:26.000 give it to me, make my heart race. Yeah, but yeah, 173 00:07:26.040 --> 00:07:26.680 that on't got me. 174 00:07:27.120 --> 00:07:28.759 Yeah no, I mean that's great, right when you can 175 00:07:28.800 --> 00:07:31.360 be surprised by your own work or the work that 176 00:07:31.439 --> 00:07:32.279 you're a part of. 177 00:07:32.920 --> 00:07:34.680 Yeah, A lot of that's props to Fede though. Like 178 00:07:34.759 --> 00:07:38.399 he he's very in charge, very like hands on. He 179 00:07:38.720 --> 00:07:42.079 edits the trailers, he edits the tasers, edit, he put 180 00:07:42.160 --> 00:07:44.199 together you know, a lot of the San Diego Comic 181 00:07:44.279 --> 00:07:47.600 Con experience as well. I think we're dealing with somebody 182 00:07:47.600 --> 00:07:50.199 who works really, really hard, and he's Latinos, so I'm 183 00:07:50.279 --> 00:07:53.720 rooting for him and was the DP and so there 184 00:07:53.800 --> 00:07:56.199 was a lot of like dialogue on set that was 185 00:07:56.279 --> 00:07:58.319 like in Spanish. So that was pretty cool. 186 00:07:59.279 --> 00:08:02.519 He would give you my Spanish. Yeah, yeah, that was cool. 187 00:08:02.639 --> 00:08:05.199 I never had that experience. 188 00:08:05.319 --> 00:08:07.680 Like, I guess, it's got to make you feel seen 189 00:08:08.040 --> 00:08:08.959 and included. 190 00:08:09.639 --> 00:08:14.120 That's that's kind of what it is. Yeah, I think 191 00:08:14.319 --> 00:08:16.800 it was. It also has the opposite effect, sorry, not 192 00:08:16.839 --> 00:08:19.839 the opposite effect, but the same effect on the other person. 193 00:08:20.000 --> 00:08:25.040 I think suddenly certain barriers are down, like the ability 194 00:08:25.120 --> 00:08:28.959 to communicate. I know they're fitted and Gallo's first languages 195 00:08:29.000 --> 00:08:32.799 are Spanish, so you know, there's a sort of switch 196 00:08:32.879 --> 00:08:34.600 that happens when they realized like, oh, this is one 197 00:08:34.639 --> 00:08:37.240 of my people, like I could be comfortable with open. 198 00:08:37.399 --> 00:08:40.919 So a few sentences back, you mentioned like, uh, I 199 00:08:41.039 --> 00:08:44.600 guess movie terms, like certain things can you allow, like 200 00:08:44.759 --> 00:08:47.600 can you teach us like movie set LINGO. 201 00:08:47.559 --> 00:08:51.639 Like like yeah, yeah, okay, So ten one means I 202 00:08:51.639 --> 00:09:02.320 gotta go pee? Yeah, okay, And then can I say 203 00:09:02.360 --> 00:09:02.679 what I say? 204 00:09:02.720 --> 00:09:03.080 I say. 205 00:09:09.720 --> 00:09:09.759 No. 206 00:09:10.440 --> 00:09:13.759 They got like my favorite thing to hear is Martini 207 00:09:14.320 --> 00:09:16.720 BRKINI because that means that's the last shot of the day. 208 00:09:17.360 --> 00:09:22.759 But I call it margarita margarito, and I'm trying to 209 00:09:22.799 --> 00:09:24.440 let it catch on to other people because that's way 210 00:09:24.480 --> 00:09:27.159 more fun than a martinie, Like you're trying to make 211 00:09:27.200 --> 00:09:31.120 fetch happen there. Yeah, it works. It works on a Friday. 212 00:09:31.519 --> 00:09:34.519 On a Friday, everybody's like, yeah, the margarita. But the 213 00:09:34.639 --> 00:09:35.879 other day of the week they're like, we still got 214 00:09:35.960 --> 00:09:36.799 to go to work tomorrow. 215 00:09:37.279 --> 00:09:40.639 Yeah it's a school night. Yeah that's cool. I don't 216 00:09:40.639 --> 00:09:42.919 know that Martini. Yeah. What else? 217 00:09:43.480 --> 00:09:46.679 There's the Abbey, which is the second to last shot 218 00:09:47.159 --> 00:09:50.960 or second last setup. I guess, sorry, second last setup, 219 00:09:50.960 --> 00:09:54.759 because you have different setups and then within that you have, 220 00:09:55.039 --> 00:09:59.320 however many shots until you get that set up. What's 221 00:09:59.399 --> 00:10:03.000 another thing that pertains to film? I swear I make movies. 222 00:10:04.720 --> 00:10:06.600 I mean, you're a part of it every day, right, 223 00:10:06.720 --> 00:10:08.799 so a lot of this stuff is just second nature 224 00:10:08.799 --> 00:10:09.799 and it's just common to you. 225 00:10:10.000 --> 00:10:11.960 I guess what does that mean? 226 00:10:12.240 --> 00:10:12.399 Right? 227 00:10:12.919 --> 00:10:13.159 Yeah? 228 00:10:13.200 --> 00:10:15.399 I think the coolest thing for me on this one, 229 00:10:15.600 --> 00:10:17.720 at least that I'd never experienced before, was all the 230 00:10:17.799 --> 00:10:20.360 practical effects that I got to see, Like they built 231 00:10:20.399 --> 00:10:22.799 a spaceship inside of the sound stages. 232 00:10:24.559 --> 00:10:24.879 A lot. 233 00:10:25.039 --> 00:10:28.360 I mean, all the monsters that you see in Miss 234 00:10:28.879 --> 00:10:31.879 we saw all of it. Like, it's not CGI in 235 00:10:31.960 --> 00:10:35.039 that aspect space Obviously it has to be CGI for sure, 236 00:10:35.559 --> 00:10:37.960 unless they that Disney can afford that. Maybe they did, 237 00:10:38.000 --> 00:10:40.679 I don't know, maybe they don't they could, but even 238 00:10:40.799 --> 00:10:44.720 the even the VFX, the CGI have the space like 239 00:10:45.320 --> 00:10:49.559 it's just beautiful. The visuals are incredible. Anyways, I'm getting distracted. 240 00:10:50.159 --> 00:10:52.080 Did you see stuff for the first time in your 241 00:10:52.120 --> 00:10:53.720 career making this movie? Yeah? 242 00:10:53.919 --> 00:10:56.399 Yeah, yeah, I mean my career is not that long. 243 00:10:56.559 --> 00:11:02.000 In retrospect, but I do feel like, uh, like yeah, 244 00:11:02.240 --> 00:11:05.120 very new to this in the sense that I hopefully 245 00:11:05.279 --> 00:11:10.440 maybe this will start a trend of bringing back practical effects. 246 00:11:10.759 --> 00:11:13.559 You know, I think it's a lost art form. 247 00:11:13.639 --> 00:11:17.320 I think sometimes CGI it's great, right, but you can 248 00:11:17.399 --> 00:11:19.000 tell sometimes well. 249 00:11:19.559 --> 00:11:22.159 Also as an actor, in my personal experience, you can 250 00:11:22.279 --> 00:11:25.360 feel the presence of something. In that specific trailer shot 251 00:11:25.399 --> 00:11:27.559 that I was talking about where I'm crawling on the 252 00:11:27.639 --> 00:11:31.240 crates and he's above me, I felt that weight and 253 00:11:31.399 --> 00:11:35.919 that body of this creature over me, and you hear 254 00:11:36.039 --> 00:11:38.600 it and it rattles the room around you, and it's 255 00:11:38.639 --> 00:11:41.559 not just like a crew member. That's you know what 256 00:11:41.639 --> 00:11:45.159 I mean, like yeah, and you yeah, and you look 257 00:11:45.240 --> 00:11:48.000 up and you see the shadows of the light hitting 258 00:11:48.039 --> 00:11:50.279 the claws of the creature and I see it right 259 00:11:50.320 --> 00:11:52.399 in front of me, and the the audience might not 260 00:11:52.480 --> 00:11:56.159 see it. But as an actor it's so oh, it's 261 00:11:56.200 --> 00:11:57.519 so beneficial. And then there's a. 262 00:11:57.559 --> 00:12:03.200 Tool you get more natural reaction. Yeah, a movie feeling. 263 00:12:03.799 --> 00:12:06.200 Yeah, yeah, every day was like that. I mean, eventually 264 00:12:06.240 --> 00:12:08.360 walking onto the spaceship and like seeing all the buttons 265 00:12:08.519 --> 00:12:10.759 and the I call it the boot boop bee boop like, 266 00:12:11.159 --> 00:12:14.039 like you just all the technology that's there, you know, 267 00:12:15.120 --> 00:12:15.960 it's very cool. 268 00:12:16.120 --> 00:12:19.159 How did you prepare personally for this kind of movie. 269 00:12:21.679 --> 00:12:24.919 When mentally right, because you don't really I didn't really 270 00:12:24.919 --> 00:12:26.799 know what I was getting into, to be honest. I mean, 271 00:12:26.840 --> 00:12:29.960 you have this script, but there's so many other elements 272 00:12:30.039 --> 00:12:33.240 that you're sort of thrown into. I think I think 273 00:12:33.360 --> 00:12:35.759 kay my character was the most work I did, where 274 00:12:35.840 --> 00:12:39.919 she's like very she's very innocent, she's very young, and 275 00:12:40.600 --> 00:12:43.840 she's just she's literally just a baby and she's the 276 00:12:43.879 --> 00:12:46.120 youngest crewmember on on board. 277 00:12:46.320 --> 00:12:46.519 Yeah. 278 00:12:47.720 --> 00:12:49.519 So I thought that was really fun because I've never 279 00:12:49.600 --> 00:12:51.480 gotten to play like that vulnerable of a character. I 280 00:12:51.519 --> 00:12:54.639 think I played generally strong characters that can hold their 281 00:12:54.720 --> 00:12:57.600 own or for some reason can beat up like sixty 282 00:12:57.679 --> 00:13:01.120 grown men. So I'm like, I'm I'm really honored to 283 00:13:01.240 --> 00:13:04.600 be able to represent somebody who's so vulnerable and like 284 00:13:04.759 --> 00:13:06.960 who is sort of a vessel for the audience. And 285 00:13:08.120 --> 00:13:10.240 I think I would react similarly to her in a 286 00:13:10.279 --> 00:13:11.399 lot of these situations. 287 00:13:11.519 --> 00:13:13.879 Ah yeah, so you put yourself in that position, and. 288 00:13:13.919 --> 00:13:16.120 It's interesting because like the fear, I've never had to 289 00:13:16.519 --> 00:13:19.240 like feel fear throughout a whole production, Right, it has 290 00:13:19.320 --> 00:13:21.480 to go somewhere, so like it started, it has to 291 00:13:21.519 --> 00:13:23.720 start at level one and the eventually end on ten, 292 00:13:24.720 --> 00:13:27.559 so that exploration of it. Luckily, we shot it chronologically, 293 00:13:27.600 --> 00:13:30.000 so I didn't have to keep track of which levels 294 00:13:30.039 --> 00:13:32.360 I was at an each scene. It's sort of like progressively, 295 00:13:32.440 --> 00:13:35.799 I had to just explore fear in ways that I 296 00:13:35.919 --> 00:13:38.320 never have before, and like different levels of it and 297 00:13:38.840 --> 00:13:40.000 different reactions to it. 298 00:13:40.159 --> 00:13:42.399 Yeah, with that kind of intensity and fear in the 299 00:13:42.480 --> 00:13:43.600 air right. 300 00:13:43.559 --> 00:13:47.000 And in the script and yeah, Welle would also play 301 00:13:47.000 --> 00:13:49.279 pranks on us, like not not funny pranks, like it 302 00:13:49.399 --> 00:13:51.039 was very scary. It's just scare. 303 00:13:51.200 --> 00:13:52.639 I was gonna say, was there a lot of method 304 00:13:52.799 --> 00:13:53.399 acting going on? 305 00:13:53.759 --> 00:13:56.240 And maybe on accident? I don't know, I'd never met 306 00:13:56.279 --> 00:13:58.440 that on. Yeah, I don't method on purpose, but I 307 00:13:58.519 --> 00:14:00.960 do feel like I saw times I'll read about a 308 00:14:00.960 --> 00:14:02.639 certain method Actually I'm like, wait, I do that, And 309 00:14:02.720 --> 00:14:07.759 I'm like, oh, maybe I'm on accidentally doing method. 310 00:14:10.840 --> 00:14:22.600 And I'm glad. I love Kaylee Spainey. I think she's 311 00:14:22.679 --> 00:14:25.559 had to pronounce her name right. Yeah, she's a great actress. 312 00:14:25.559 --> 00:14:28.600 I think both of you have a great opportunity with 313 00:14:28.679 --> 00:14:30.360 this movie, and you guys seem to vibe really well 314 00:14:30.399 --> 00:14:32.039 to you guys have been seeing some of the social 315 00:14:32.120 --> 00:14:33.320 from Comic Con and stuff like that. 316 00:14:33.639 --> 00:14:35.159 Was it cool working with her? Yeah? 317 00:14:35.320 --> 00:14:39.639 Yeah, No, she's a pro. She's had a lot of 318 00:14:39.799 --> 00:14:42.360 time in this industry as well, and like her career 319 00:14:42.399 --> 00:14:44.759 has been a slow bird as well. You know, she's 320 00:14:44.960 --> 00:14:46.360 she's been doing it for a long time with people 321 00:14:46.559 --> 00:14:48.960 you know, are just now kind of giving her the 322 00:14:49.000 --> 00:14:53.559 hype that I think she deserves. She had probably the 323 00:14:53.600 --> 00:14:57.320 most difficult, challenging sequences in this movie that were a 324 00:14:57.399 --> 00:15:02.480 lot more physically demanding than mine. So I think this 325 00:15:02.600 --> 00:15:05.200 will really hopefully prove to people you know that she 326 00:15:05.360 --> 00:15:09.559 deserves to be a star. Yeah. It's very disciplined, very disciplined. 327 00:15:12.159 --> 00:15:15.200 I don't know a lot of disciplined actors actually, unless 328 00:15:15.320 --> 00:15:19.799 they're like Broadway. I feel like stage actors are very 329 00:15:19.960 --> 00:15:23.080 disciplined and they write their notes, and maybe I lack 330 00:15:23.159 --> 00:15:26.080 discipline at certain times, perhaps, but I have my own 331 00:15:26.120 --> 00:15:28.159 ways that work for me. It's it's really interesting. Everybody 332 00:15:28.200 --> 00:15:30.639 has their own method, but like real recognize real. So 333 00:15:31.039 --> 00:15:33.759 when I see somebody working hard, it's no matter what 334 00:15:33.840 --> 00:15:35.960 they're doing, whether it's taking notes or like really throwing 335 00:15:36.000 --> 00:15:38.720 themselves into it. You kind of you see it, and 336 00:15:38.919 --> 00:15:41.919 I think it usually translates unless there's a bad editor. 337 00:15:41.840 --> 00:15:44.519 Behind the movie, you know, which happens. 338 00:15:44.639 --> 00:15:45.960 Yeah, absolutely a lot. 339 00:15:46.279 --> 00:15:48.320 Yeah, what's up Jack? 340 00:15:48.679 --> 00:15:52.840 Before you know you started interviews and your career, did 341 00:15:52.919 --> 00:15:55.360 you ever do like fake interviews with yourself? 342 00:15:55.559 --> 00:15:58.840 Yeah, all the time. Yeah, absolutely, Like I'm weird as shit. 343 00:16:00.039 --> 00:16:00.960 What would you ask yourself? 344 00:16:01.679 --> 00:16:04.639 Well, it's interesting. I would explore different professions, right, So, 345 00:16:04.759 --> 00:16:07.519 like I would explore makeup artists, I would explore like 346 00:16:07.720 --> 00:16:11.559 singer I was rarely. Rarely I would do the actor 347 00:16:11.639 --> 00:16:16.919 thing honestly, really like it was very much. I don't know, 348 00:16:17.039 --> 00:16:18.759 Like I would see other people's interviews that start to 349 00:16:18.840 --> 00:16:20.759 mimic them, And I think a lot of a lot 350 00:16:20.799 --> 00:16:22.200 of why I became an actors because I like to 351 00:16:22.240 --> 00:16:24.039 mimic people. So I would I would mimic like a 352 00:16:24.120 --> 00:16:26.639 makeup artist getting interviewed, Yeah, like a singer. 353 00:16:26.799 --> 00:16:26.960 You know. 354 00:16:28.399 --> 00:16:32.039 I feel like with the younger like generation of actors now, 355 00:16:32.840 --> 00:16:35.440 like you guys, don't take yourself too seriously, Like I 356 00:16:35.519 --> 00:16:37.559 feel like there's so much more behind the scenes that 357 00:16:37.960 --> 00:16:40.039 are is shown on social media that you guys are 358 00:16:40.120 --> 00:16:44.480 just literally like making content and everyone loves to see that. 359 00:16:44.600 --> 00:16:46.759 I feel like this younger group of actors is just 360 00:16:47.159 --> 00:16:48.279 completely different now. 361 00:16:49.000 --> 00:16:51.240 I think what's cool about it is I think there's 362 00:16:51.519 --> 00:16:56.559 less I think there's a lot at least in my 363 00:16:56.720 --> 00:16:59.120 experience from the actors that I worked with, there's a 364 00:16:59.200 --> 00:17:04.519 lot more like homegrown, blue collar family like hard workers 365 00:17:05.079 --> 00:17:07.319 that really work their way to get here. There's less, 366 00:17:07.440 --> 00:17:11.319 like there's actually more options and more availability in this 367 00:17:11.480 --> 00:17:13.519 industry for people to find a space. I think people 368 00:17:13.559 --> 00:17:15.599 are looking for fresh new faces and there's less like 369 00:17:15.839 --> 00:17:18.880 in the like the nebel babies, like I don't see 370 00:17:18.920 --> 00:17:21.079 that many that are like my age. To be honest, 371 00:17:21.599 --> 00:17:23.720 I haven't worked with them, so I'm like, I think 372 00:17:23.880 --> 00:17:27.680 that sort of. I think I've seen people feel the pressure. 373 00:17:29.279 --> 00:17:30.920 It is interesting. I think it's a really cool thing 374 00:17:31.000 --> 00:17:32.759 that I have noticed, like people really go out of 375 00:17:32.799 --> 00:17:35.400 their way to seem silly or like they're having fun. 376 00:17:35.599 --> 00:17:39.279 And I think also maybe because I've worked with mostly 377 00:17:39.319 --> 00:17:42.839 young people, that's the case. But also social media didn't 378 00:17:42.839 --> 00:17:45.799 exist very much back then so at all. Actually back then, 379 00:17:46.200 --> 00:17:49.519 so they were actually getting they were very nefarious up 380 00:17:49.559 --> 00:17:51.240 to no good. I mean I hear all these stories 381 00:17:51.279 --> 00:17:58.200 about yeah, like just just chaotic and dark. Yeah, like 382 00:17:58.279 --> 00:18:00.599 they were up to no good back that you just document. 383 00:18:00.720 --> 00:18:02.519 And I think I'm really happy to be in this 384 00:18:02.640 --> 00:18:05.480 industry because it's it's growing, and it's like HR is 385 00:18:05.519 --> 00:18:10.160 really incredible and like they're really hopefully you know, it 386 00:18:10.240 --> 00:18:12.519 will improve on the crew side of things too, because 387 00:18:12.559 --> 00:18:14.799 like I know, the crew is getting screwed over and 388 00:18:15.079 --> 00:18:17.119 I want I want people to you know, get paid 389 00:18:17.119 --> 00:18:20.200 what they deserve. But I think it's becoming a really 390 00:18:20.240 --> 00:18:22.680 safe space and I think that's why actors feel comfortable 391 00:18:22.759 --> 00:18:23.559 enough to be silly. 392 00:18:23.960 --> 00:18:27.079 That's right. Yeah, Isabelle, according to you, your favorite scene 393 00:18:27.119 --> 00:18:28.599 in this movie Alien? 394 00:18:30.079 --> 00:18:33.759 I can't say. It's at the end, and I think 395 00:18:33.839 --> 00:18:37.680 everybody will mostly everybody will agree. I think it's at 396 00:18:37.680 --> 00:18:38.680 the end, and it's. 397 00:18:39.960 --> 00:18:41.759 It's so messed up. 398 00:18:41.880 --> 00:18:43.799 Yeah, it's so messed up. 399 00:18:45.039 --> 00:18:46.160 M M. Yeah. 400 00:18:48.000 --> 00:18:50.039 Yeah, that's why I'm like, I don't think they're spoiling 401 00:18:50.160 --> 00:18:56.759