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Speaker 1: W m n H.

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Speaker 2: Rip the novels side.

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Speaker 3: This is Eleanor Langthorne from Vices, Inc.

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Speaker 4: And you're listening to Matt Connorton Unleashed on ninety five

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point three.

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Speaker 5: W m n H.

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Speaker 2: You are listening to w m n H.

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Speaker 6: Command God, don't get supreme Leada Maxwell coming.

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Speaker 7: And time traveling through the memories my may know to

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the Favery film and what at night to remember around

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the pain.

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Speaker 8: I can't forget the places.

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Speaker 9: How to face and again it takes me about when

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I was only five one, and across the house on

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the board of it built, calls were made to all

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the memories, and know I think to speak of things

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I would say.

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Speaker 8: On that uptil.

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Speaker 7: When we able to then that's hot of became of

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favorite as a first for a time, a furious go by.

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Speaker 10: Oh have I to relive all.

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Speaker 7: The smugs we took north and jils we spoke Pols

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are haunted by one of fame fall nine one was

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only twelve. Hebecames it's a channel Vermont.

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Speaker 10: A series of chaos came.

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Speaker 11: They never listening, and no I thing could speak the

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thing they would say. Put on the games, so was

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Ustad colored trees and on the stone.

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Speaker 12: A lot of.

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Speaker 7: Now they us wash away with the mermories we made.

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Speaker 8: They turned hand to pay it.

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Speaker 7: Okay, made noise until one hit made the last day

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in the place where.

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Speaker 8: Bill was now a long.

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Speaker 7: Good only twenty three saying goodbye the house Bill me

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seventeen years is that a birthdays place? Wanted to trace

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somewhere and no one thank the speak good thing now

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it's and.

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Speaker 8: Drove down off. Oh to never bead.

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Speaker 13: That's why I don't know boy speak.

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Speaker 8: Love fairy Ben.

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Speaker 14: What a beautiful song that is? Kat Ivy, who is

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with us in studio and we're gonna speak with in

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just a moment. Welcome I everybody. This is our number

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two New Marrow dose of Matt Connorton Unleashed, and we

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are live from the studios of wm NH ninety five

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point three FM on this glorious Saturday, February fifteen, twenty

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twenty five. Jenny is here as well, of course, at

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the news table and joining us in studio. Kat obvious

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here with us.

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Speaker 4: Good morning morning. Hi, are you very well?

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Speaker 14: Very well? You were saying off air, excuse me, I

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have my winter voice as many of us do. Oh yeah,

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so you were saying off air, So this is your

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your first time doing a radio interview.

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Speaker 4: It is, yeah, baby's first radio interview.

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Speaker 14: Oh, very cool, very cool. Well, welcome and is that

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the first Excuse me, Well, it's not the first thing

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that you've had on YouTube, obviously, but this is a

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brand news single, right, this is relatively Yes, this.

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Speaker 15: Was I released it back in November. Actually, I released

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this on my birthday November twenty eighth this past which

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is also Thanksgiving this year.

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Speaker 14: Okay, yeah, very cool. How long have you been? How

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long have you been active as a singer songwriter.

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Speaker 15: In the area, in the area, So honestly, it's funny

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because I started when I was eighteen, playing music around

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like the New England area.

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Speaker 4: Yeah, and for about.

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Speaker 15: Like maybe two years I did it, and then I

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took a hiatus and traveled and got married and moved

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to Hawaii, lived there for a little bit and then yeah,

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and then twenty twenty three I kind of started to

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back up again. Yeah, so I've been doing this, I

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guess now is like trying to be a full time

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career around New England since then.

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Speaker 14: Excellent, excellent. How did we how did we meet? You?

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Did did you come to us through Eric.

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Speaker 4: Yes, come out, Yes, I thought so.

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Speaker 14: Yeah. Yeah, he's been on the show a bunch of

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times and he's amazing.

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Speaker 15: Yeah, he's great. He's great. I'm actually going to play

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a show with him. Oh no, that's okay.

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Speaker 14: What's that? He sends me the most amazing artists. And

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your voice is just incredibly beautiful to listen to.

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Speaker 4: I really love you, thank you, thank you so much.

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Speaker 14: Absolutely. Where was that recorded?

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Speaker 15: By the way, So that's actually recorded in my home studio,

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which is just my house. And I worked with a

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producer in Nashville. Her name is Abby Lauren and worked

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on this with me, and she recorded the instruments for

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me at her home studio. Oh okidding, Yeah, so we

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collabed online. It was just all online.

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Speaker 14: So did you do you did the vocals and guitar,

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I assume yeah, and then she did everything else. Yeah. No,

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it's really cool and I would imagine too. I mean,

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with just the vocals and guitar, it would sound great,

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you know if it were you know, a little bit

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stripped down. But the but what she added to it,

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the texture is really cool, especially since when the song starts,

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this is just my obsor I overanalyze these things, but

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when the song starts, you don't necessarily expect to hear

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those additional elements, so then when they kind of come in,

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it's like, yeah, that's cool. Yeah, and it sort of

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elevates the song as it goes. So that's really nice. Now,

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how Abby Lauren that's her name? Yes, okay, And how

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did you come to work with her?

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Speaker 16: So?

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Speaker 15: Actually, I found her on a website called sound Better,

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and I was just trying to look for a producer

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for that song because that song is very obviously very

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personal to me, and for my other songs, I actually

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work with my dad, but this one was a little

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bit personal, so I wanted to get a little bit

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of an outside perspective on it, and so I went, Yeah,

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I went on the website sound Better, and I found

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her on there, and I messaged her to work with her,

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and she accepted, and we've collapsed and we're actually clabbing

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on a new song coming up hopefully soon the next

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couple of months right now.

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Speaker 4: So I'm excited. She's been great to work with.

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Speaker 14: Oh, excellent, Now sound Better. I feel like I've heard

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of sites like that, but I don't think i've heard

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of that one exactly. So is it is it a

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situation where like you go on there and you you

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present your music and different producers can kind of yeah.

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Speaker 15: Yeah, so it's kind of like, oh my god, I

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can't think of the other website that I want to

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think of right now.

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Speaker 14: I can't because I know the one I'm thinking. Yeah, yeah,

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it's if.

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Speaker 15: It's kind of like also if you try to find

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artists to do work for you. It's kind of something

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like that. And I had just came across it. I

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just hyped in on Google like producers near me in Boston,

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and that website came up and I was like, oh,

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let me check it out. And then her picture was

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one of the first ones I came up. And I

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was looking at other ones, but I really was drawn

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to her and her energy, so you know, I was like,

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you know what, I'm going to reach out to her

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and send her my demo and yeah, so if they

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accept it, they'll let you know and you kind of

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have to just work through the website. Okay, So that way,

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like you know, if anything weird happens, like there's some

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liability there.

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Speaker 14: Yeah, but yeah, yeah that makes sense. So you're gonna

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work with her on the next one as well.

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Speaker 4: Yes, okay, yes, I'm currently doing that right now.

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Speaker 14: Oh you are?

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Speaker 8: Yeah? Yeah?

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Speaker 14: Is it? Is it kind of a similar process where

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you're doing the vocals and guitar and then she's going

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to add elements.

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Speaker 4: Yeah, yeah, exactly.

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Speaker 15: We'd go on a zoom call beforehand and we kind

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of talk about, you know, go through the song and

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talk about like what we want in it and what

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how do you think it would sound?

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Speaker 14: And yeah, all that so outstanding. Yeah, you mentioned working

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with your dad, So has your dad also recorded some

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of your your previous songs.

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Speaker 15: Yes, so my songs Indiana Jones and Memory Lane that

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I have out as well. He was the one that

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produced with me on those songs. So he used to

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be a musician himself. His band in the eighties was

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called Explicit.

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Speaker 14: Okay, and I that name has come up on the

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show before.

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Speaker 1: Oh really, it's like Explicit Yeah, okay, there's somebody who

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has been on the show who either either was in

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that band.

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Speaker 14: Or had a probably more likely had a parent.

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Speaker 4: Yeah, yeah, okay, because.

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Speaker 14: I swear that name has come up before. That's interesting.

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Speaker 4: That's so funny.

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Speaker 15: That would be fun I mean, I know that some

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of the band members do live around here, so I'm

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not surprised.

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Speaker 4: That did come up.

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Speaker 14: It makes sense.

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Speaker 4: Yeah, yeah, so he used.

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Speaker 15: To be in that band, and then you know, I

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kind of came along and he stopped music for a

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while to you know, support the family. And when I, like,

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I had some interest in doing music, he was obviously

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super excited and he started working on these songs with

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me as well. And he also plays like the instruments

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and stuff too, and yeah, so it's been a learning

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process with us both for that as well.

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Speaker 14: What he does, he play guitar, he does, he.

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Speaker 15: Plays guitar, He does a lot of like keyboards. I

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was I think his main instrument was keyboard.

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Speaker 4: He was in the band. He doesn't do any of

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the singing, so I didn't get that from him.

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Speaker 15: I did get that from my mom, who's I think

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listening right now, So shout out to my mom. Okay,

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but yeah, I got my singing from her and the

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instruments from him.

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Speaker 14: Yeah. Well, coming from a musical family, yeah, it was

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bound to you know that, you would.

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Speaker 4: It was bound to stick at some point.

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Speaker 14: Yeah, No, that's cool. Did he teach you how to

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play guitar? Or did you take lessons or did you

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learn on your own?

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Speaker 4: So he bought me my first guitar when I was

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five years old.

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Speaker 15: There's some videos of me like trying to play obviously

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not doing it very well, like.

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Speaker 4: An electric little mini red Fender guitar.

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Speaker 15: Yeah, and then around twelve years old, since I was

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still expressing really interest in wanting to learn, they put

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me in some lessons.

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Speaker 14: Okay, yeah, okay, yeah. Do you like, when did you

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start writing your own songs? Do you know around what

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age you?

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Speaker 8: Yeah?

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Speaker 15: So around also twelve years old is when I started

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writing lyrics to songs. I was going through a lot

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of you know, just stuff in my home life and

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you know, in my personal life and everything, and I

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didn't really know how to express my feelings. So actually

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I learned from my favorite band, whose Life House, And

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they've been my favorite band for a long time. The

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singer would say that his therapy was writing music. Okay,

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So because they were such an idol to me, that

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was like, all right, let me try that. So I

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started writing lyrics just to kind of get my feelings

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out of like you know, home stuff, personal stuff, and

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then maybe like boys or whatever, you know, just like

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small twelve year old things, and it kind of grew

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with me as I got older, and it's now a

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therapy to me.

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Speaker 4: I don't think I could live without doing it.

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Speaker 14: Yeah, do you remember the first song you ever wrote?

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Speaker 15: Oh boy, I actually the first song I ever wrote

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with music attached to it, because I for a long

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time I just wrote lyrics and like, maybe someday I'll

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go back to those. But yeah, I think the first

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song I ever wrote with music was about a boy

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that I liked in eighth grade. And there's still a

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video of me, Like I didn't post it anywhere. Yeah,

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there's still a video I have of me on my

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computer singing that song because I was gonna try and be.

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Speaker 4: Brave, but I'm kind of glad I didn't.

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Speaker 14: Yeah, I'm trying to remember now Life House, what was

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their big breakout hit? When when they because I remember

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Life House or yeah, I can't, but I'm drawing a

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blank on what they what? When when did they get big?

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Like early two thousands?

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Speaker 15: Yeah, yeah, it was like the like two thousand, like

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two thousand and two thousand and one. Their first hit

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was Hanging by a Moment.

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Speaker 14: Oh yeah, yeah, yeah, oh yeah, yeah it was it

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was in It was in there, but I couldn't quite recall. Okay,

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so that was their big breakout, but they had they

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had other hits, right yeah.

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Speaker 4: They You and Me was another huge hit for them

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back in like two thousand and five.

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Speaker 14: Yeah yeah, okay.

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Speaker 4: Yeah yeah, First Time was a big hit.

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Speaker 14: Yep. I remember that one now.

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Speaker 8: Yeah.

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Speaker 15: Yeah, so very much like in the two thousand, between

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two thousand and twenty ten, like they had their like

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prime yeahs yeah yeah.

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Speaker 14: Are they still together?

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Speaker 15: No, I don't think they're like they never said they

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broke up per se. But I know the lead singer,

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Jason Wade, does do solo shows right now. I actually

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just went to his solo show back in November. I

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think he played in was its Massachusetts somewhere I forget

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exactly where it was, but it was awesome.

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Speaker 4: Honestly.

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Speaker 15: It was such an intimate show too, Like he just

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had him and his guitar and his other bandmate and

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his guitar and just oh cool saying songs that we

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knew and it was really awesome.

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Speaker 14: Do they do just Life House?

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Speaker 17: Yeah?

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Speaker 15: And then he has his own solo stuff as well

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that he's been doing.

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Speaker 14: So did you get to meet him.

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Speaker 4: I've met him a few times.

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Speaker 15: Actually, yeah, I have been able to tell him that

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he's been an inspiration to me and his songs have been,

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you know, helpful for me going through my life.

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Speaker 4: So that's awesome. And he's so nice, super nice. Yeah,

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that's cool, and that's.

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Speaker 15: Such an inspiration to me as well as being a

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musician myself, you know, like having those experiences and meeting

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your idols as musicians, because sometimes you know, it's not

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good to meet your idols, but I thankfully had such

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a great experience with them that it's shaped me for sure.

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Speaker 14: No, that's really good. Yeah, because they you know, they

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always say, don't meet your heroes. Yeah, but sometimes it

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actually does turn out well.

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Speaker 15: Yeah, so far I've had some good experiences, so hopefully

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that keeps going.

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Speaker 14: That's awesome. Now do you play? So you play guitar?

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Do you play anything in addition to guitar?

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Speaker 15: No, right now, just guitar. I am learning piano. I

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do wish I was better at piano. I kicked myself

304
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sometimes for not learning earlier. But yeah, yeah, so kind

305
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of just guitar, singing, writing, Yeah, yeah.

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Speaker 14: And when you play out, is it always just you

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or do you have does anyone join you?

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Speaker 4: No, it's it's just me.

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Speaker 15: Yeah, even like bringing my own equipment inside. Actually, I

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had some really nice people last night who I played

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at the steelhel Resort at their Tova tavern, the little

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bar area it's like up near Laconia. I had this

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really awesome group of people will help me bring my

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equipment outside after the show, because usually it's just me

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carrying all my heavy stuff. I'm just like, all right, yeah,

316
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I'm to go now, you know. But they were like,

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we can't watch you bring these out by yourself.

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Speaker 4: We're going to help you.

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Speaker 15: And I loved That's so so nice. I just I'm

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so thankful for people like that.

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Speaker 14: Yeah, that is really cool. How much how many songs

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do you have in terms of original material, like when

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you go to play live, how many do you have

324
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to play?

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Speaker 4: I've quite a bit.

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Speaker 15: I'd say I have probably like twelve ready. Obviously I

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don't have that many out right now as I'm like

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currently working on the process of recording those.

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Speaker 4: Yeah, but yeah, i'd say about twelve thirteen.

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Speaker 14: Maybe do you do you must do some covers you

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would imagine, Oh, of.

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Speaker 15: Course, yeah, I do definitely mostly covers just because you know,

333
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it's good to play what people know. Yeah, and then

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I try to put in at least like three or

335
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four of my original songs in there as well.

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Speaker 14: What do you do for covers? I'm always curious because

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I've always my theory has always been you can kind

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of learn a lot about someone's influences by the covers

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that they play.

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Speaker 4: Yeah, yeah, oh my god.

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Speaker 15: I'd say it's a range, but definitely early two thousands,

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00:17:14,559 --> 00:17:17,079
kind of like you know, the lifehouse type genre, you know,

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like stuff that was popular like Coldplay, Lifehouse, Nickelback, which

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I know people have some mixed feelings on Nicleback. I

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personally thought they were a great band. Yeah, Taylor Swift obviously,

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and like, you know, some of the new stuff from

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like Sabrina Carpenter and all that, and then some country

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in there as well. I try to really do a

349
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good mix, but a lot of popular songs that people

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will be like, oh, I forgot about this one.

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Speaker 14: Yeah. Yeah. Nickelback does get a lot of hate, and yeah,

352
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they have for a long time. And it's but it's

353
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almost like it's it's almost like it's not real, like

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like at a certain point it just became cool.

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Speaker 4: Yeah, Nickelback, it was a Vandwagon thing for sure.

356
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Speaker 14: Yeah. It's like, uh, but sometimes too, these things kind

357
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of come around. Like I remember, not not that long ago,

358
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when it was cool to hate to hate limp biscuit. Yeah, yeah,

359
00:18:03,160 --> 00:18:06,640
and now it's like cool to like limp biscuits. Yeah.

360
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Speaker 15: It's kind of like the trends right, Like they're clothing

361
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trends too, where something was cool back in the day

362
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and then people made fun of it and then it

363
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starts to get become cool again. It's in thrift stores

364
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and you know, everyone's like, oh, I need that new

365
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thing right right.

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Speaker 14: Yeah? Now, what are your kind of your your long

367
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term plans and goals have you Do you plan to tour?

368
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Do you plan to find that?

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Speaker 18: Yeah?

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Speaker 14: Yeah, I'm curious and I don't know if you've thought

371
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that far. I mean sometimes when you're you know, when

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you're working as a musician, sometimes you almost can't plan

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too far ahead because things are so unpredictable.

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Speaker 15: But yeah, yeah, honestly I do try to think about it,

375
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but then I also try not to think about it

376
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too much, yeah, because then I'll get in my own head.

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Speaker 4: If like maybe a timeline thing didn't happen quite yet. Yeah,

378
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but of course I would love to tour.

379
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Speaker 15: That's like my big goal is to tour on my

380
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original music and to have an audience for my original music.

381
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That's always been my goal since I started doing music. Yeah,

382
00:19:02,759 --> 00:19:05,039
so that would be awesome and amazing for sure.

383
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Speaker 14: Yeah. Who is kind of your your dream like national

384
00:19:10,720 --> 00:19:12,480
act to tour with? Like do you have do you

385
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have somebody in mind who you'd really love to open for?

386
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Speaker 4: Noa Kan for sure?

387
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Speaker 14: I'm not sure who that is.

388
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Speaker 15: Oh, he's from Vermont and New Hampshire. Actually he grew

389
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up in oh, I think Upward, New Hampshire, I forget

390
00:19:24,200 --> 00:19:27,079
the town. But then he moved to Vermont and his

391
00:19:27,599 --> 00:19:30,400
newest album is called Sixth Season and it's talking about

392
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basically living in New England and living in Vermont and stuff, and.

393
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Speaker 14: Oh, we gotta get him on the show. Noa Khan I.

394
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Speaker 15: Mean yeah, he's gotten pretty big recently. He actually played

395
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at Fenway last year. Yeah, and it was an amazing show.

396
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I went to that.

397
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Speaker 4: But yeah, oh my god, if I could open for

398
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Noa Kon that would be great.

399
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Speaker 9: Yeah.

400
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Speaker 14: Uh, any anybody else you kind of have in mind?

401
00:19:50,079 --> 00:19:51,400
Who you'd like to open for.

402
00:19:52,720 --> 00:19:53,279
Speaker 4: Oh, I don't know.

403
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Speaker 15: I mean obviously there's some amazing you know musicians around

404
00:19:56,920 --> 00:19:58,440
New Hampshire as well, Like I would love to play

405
00:19:58,440 --> 00:20:01,000
a show with like Rebecca Termol. You know, I'm gonna

406
00:20:01,000 --> 00:20:02,759
be I think playing a show with Katie Dobbins because

407
00:20:02,759 --> 00:20:03,759
I know she's awesome too.

408
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Speaker 14: Oh very cool. Yeah, she's she's been so I haven't

409
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seen her in probably two or three years, but she's

410
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she's been on the show a couple of times. And

411
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Rebecca Turmel she was on maybe six months ago, okay,

412
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and she's yeah, she's amazing.

413
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Speaker 15: Yeah, And I think I'm playing a show in April

414
00:20:18,680 --> 00:20:20,680
Aprily Teeth. I want to say, with Temple Mountain too,

415
00:20:20,799 --> 00:20:23,480
so I'll be opening for an active HST.

416
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Speaker 4: So that'll be cool.

417
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Speaker 15: But any like national ones, I don't know. I feel

418
00:20:27,440 --> 00:20:29,680
like I like a lot of people that are really big.

419
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I guess I could dream big, but you know, sometimes

420
00:20:33,039 --> 00:20:35,279
like I don't know, but I know there's this artist

421
00:20:35,480 --> 00:20:37,480
in uh I think based in Los Angeles.

422
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Speaker 4: Her name is Blue Eyes, Okay, and I get a.

423
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Speaker 15: Lot of my inspiration from her music too, And I

424
00:20:42,920 --> 00:20:45,599
you know, she was doing some tour with Hunter Hayes.

425
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I want to say opening for him, So, I mean

426
00:20:48,680 --> 00:20:50,519
that would be really cool because I love her stuff too.

427
00:20:50,680 --> 00:20:53,200
Speaker 14: Yeah, when you do play out, do you are you

428
00:20:53,359 --> 00:20:55,599
able to, like, do you get out of New England

429
00:20:55,680 --> 00:20:56,039
at all?

430
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Speaker 4: Or are you not yet? I would love to.

431
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Speaker 15: I've been looking at actually recently and like obviously Nashville

432
00:21:02,799 --> 00:21:04,799
to see if there's like some things I could try

433
00:21:04,960 --> 00:21:07,440
and you know, kind of dip my toes in in there.

434
00:21:07,519 --> 00:21:09,720
I know it's a huge, big world over there. Yeah,

435
00:21:09,720 --> 00:21:12,400
but I would love to go down in Nashville.

436
00:21:12,759 --> 00:21:15,680
Speaker 14: Yeah, a lot of our guests have done that, and

437
00:21:15,680 --> 00:21:19,200
and the stories and the experiences they have are generally positive,

438
00:21:19,200 --> 00:21:23,240
because I would imagine it would be intimidating, you know, yeah,

439
00:21:23,440 --> 00:21:28,720
oh yeah, but most people seem to find it pretty

440
00:21:28,720 --> 00:21:32,720
more welcoming than they necessarily expect. And I would yeah. Yeah.

441
00:21:32,759 --> 00:21:35,440
And the producer that that you're you've been working, I'm sorry,

442
00:21:35,480 --> 00:21:36,319
what was her name?

443
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Speaker 8: Abby?

444
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Speaker 4: Lauren?

445
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Speaker 14: Abby Lauren?

446
00:21:37,960 --> 00:21:38,119
Speaker 19: Yes?

447
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Speaker 14: Has she has? She talked to you about that, like

448
00:21:40,240 --> 00:21:41,920
trying to get you to go down there a little bit.

449
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Speaker 4: Yeah, I mean she's definitely.

450
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Speaker 15: I asked her some advice, you know, and she said

451
00:21:47,359 --> 00:21:49,200
that I you know to do a lot more like

452
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Singer Songwriter Nights and a lot more of that kind

453
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of stuff. And yeah, I haven't asked her the exact places,

454
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but I probably should, yeah, to see, like if she

455
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recommends anywhere I can try, you gotta go.

456
00:22:01,000 --> 00:22:04,319
Speaker 14: Yeah, yeah, no doubt. I think we should play. So

457
00:22:04,599 --> 00:22:08,039
you've got more. You've got a couple of other songs online,

458
00:22:08,039 --> 00:22:11,039
and I think we should play this because partly because

459
00:22:11,039 --> 00:22:16,160
I'm curious to ask you about it. Sure, Indiana Jones, Yeah,

460
00:22:16,279 --> 00:22:19,480
tell us about this song because obviously, you know, people

461
00:22:19,480 --> 00:22:22,000
know Indiana Jones before the movie. And yeah, you know,

462
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I'm old enough to remember when I was a kid,

463
00:22:23,920 --> 00:22:26,640
my dad took me to see the original Indiana Jones

464
00:22:26,680 --> 00:22:30,359
movie Lot of Stark. Yeah, yeah, but tell us about

465
00:22:30,400 --> 00:22:30,839
this song.

466
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Speaker 15: So, yeah, Indiana Jones. Well, you know the name is

467
00:22:34,400 --> 00:22:37,559
has the movie involved. It is not really about the movie,

468
00:22:37,599 --> 00:22:40,200
but it did take inspiration from the movie. Okay, So

469
00:22:40,759 --> 00:22:43,000
the the part of the movie which is the most

470
00:22:43,039 --> 00:22:45,279
popular part where you know, Indy goes into the tomb

471
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and he takes the artifact and he replaces it with

472
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the bag.

473
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Speaker 4: Of sand yep.

474
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Speaker 15: I kind of related that to how time takes things

475
00:22:51,000 --> 00:22:53,680
from people in your life and tries to kind of

476
00:22:53,680 --> 00:22:56,359
replace it with something else, but nothing could ever truly

477
00:22:56,440 --> 00:22:57,519
fill that void.

478
00:22:58,039 --> 00:22:58,279
Speaker 4: You know.

479
00:22:58,319 --> 00:23:01,440
Speaker 15: It's like if someone from your life, right and maybe

480
00:23:01,440 --> 00:23:03,559
like a friend or something, and maybe you meet another

481
00:23:03,599 --> 00:23:06,519
friend later on in life, they kind of remind you

482
00:23:06,559 --> 00:23:08,279
of that friend. They kind of start feeling that, not

483
00:23:08,559 --> 00:23:11,160
say feeling the place, but you know, kind of reminding

484
00:23:11,160 --> 00:23:12,519
you of how that friend made you feel.

485
00:23:12,680 --> 00:23:14,440
Speaker 4: But it's never going to truly feel that void.

486
00:23:14,480 --> 00:23:16,000
Speaker 15: And I feel like time does that with a lot

487
00:23:16,079 --> 00:23:18,119
of things, where it takes things from you and a

488
00:23:18,119 --> 00:23:22,440
lot of things change. And during that I thought that

489
00:23:22,519 --> 00:23:24,799
it's always nice to kind of think of things that

490
00:23:24,880 --> 00:23:26,920
say the same, like it's always going to rain, the

491
00:23:26,920 --> 00:23:28,559
sun's always going to come out in the same way.

492
00:23:29,359 --> 00:23:31,240
The song that you heard back in nineteen ninety nine

493
00:23:31,279 --> 00:23:33,640
still sounds the same to this day, you know, so

494
00:23:33,880 --> 00:23:36,680
you kind of have to pick out the things that

495
00:23:37,359 --> 00:23:39,480
are saying the same to help you go through the

496
00:23:39,559 --> 00:23:40,359
change in your life.

497
00:23:40,480 --> 00:23:42,640
Speaker 4: Yeah, kind of what that's about, No.

498
00:23:42,640 --> 00:23:44,599
Speaker 14: And that's very relatable. And I think too, you know,

499
00:23:44,680 --> 00:23:46,680
you mentioned like a song you heard back in ninety nine.

500
00:23:46,680 --> 00:23:48,799
I mean, that's that's very relatable for people. I think

501
00:23:48,880 --> 00:23:52,880
that's a big part of why. I mean, it's funny.

502
00:23:52,920 --> 00:23:55,559
I was saying to somebody just recently. There are some

503
00:23:55,599 --> 00:23:59,599
things I'll hear that I liked a long time ago,

504
00:24:00,440 --> 00:24:02,440
and some things I'll hear that I liked a long

505
00:24:02,480 --> 00:24:04,799
time ago, and I'll go, wow, I used to like that, really,

506
00:24:05,079 --> 00:24:07,920
but yeah, But then there's other things you know, that

507
00:24:08,000 --> 00:24:09,599
I'll hear that I liked a long time ago, that

508
00:24:09,640 --> 00:24:11,400
I'll hear them now and I love them as much

509
00:24:11,440 --> 00:24:13,400
as the first time I heard them, Right, And I

510
00:24:13,400 --> 00:24:15,720
think that, and I think that's kind of part of what.

511
00:24:16,319 --> 00:24:17,720
Speaker 4: You're Oh, yeah exactly.

512
00:24:17,480 --> 00:24:20,279
Speaker 14: Yeah, I think, And I think music is probably the

513
00:24:20,319 --> 00:24:22,799
single greatest example of that. You know, you hear, you

514
00:24:22,880 --> 00:24:25,279
hear something you love from a long time ago, and

515
00:24:25,319 --> 00:24:27,400
it's it's there's almost a comfort to it.

516
00:24:27,640 --> 00:24:28,359
Speaker 4: Yeah exactly.

517
00:24:28,440 --> 00:24:29,920
Speaker 15: And that's kind of what that's about, just kind of

518
00:24:29,960 --> 00:24:30,799
find comfort in that.

519
00:24:31,039 --> 00:24:32,960
Speaker 14: Very cool, very cool. All right, So let's give this

520
00:24:33,039 --> 00:24:36,160
a spin. So this is called Indiana Jones And if

521
00:24:36,160 --> 00:24:38,119
you are just joining us, kat Ivy is here with

522
00:24:38,200 --> 00:24:41,880
us live in studio, and uh, let's give this a listen.

523
00:25:00,759 --> 00:25:02,119
Speaker 8: To manage.

524
00:25:03,720 --> 00:25:09,319
Speaker 7: Everything, Rolly knows a nice.

525
00:25:10,920 --> 00:25:11,359
Speaker 20: Finish.

526
00:25:13,559 --> 00:25:19,000
Speaker 8: I drink juice and ore.

527
00:25:18,960 --> 00:25:31,279
Speaker 21: Of Bama friends out of Maria School now drink why

528
00:25:31,680 --> 00:25:41,200
World and worriobarmon bensas Ale.

529
00:25:43,880 --> 00:25:49,519
Speaker 22: St count on the rind and staying in the say.

530
00:25:50,759 --> 00:26:00,799
Speaker 23: Or the song of old bird Jo was s safe.

531
00:26:01,039 --> 00:26:03,359
So those I'm.

532
00:26:03,240 --> 00:26:08,400
Speaker 22: Sailing things be you trying to place the.

533
00:26:13,680 --> 00:26:35,759
Speaker 12: Draw wonder thing, all the new experiences, tay those are

534
00:26:35,920 --> 00:26:37,400
way the.

535
00:26:39,960 --> 00:26:40,400
Speaker 8: Change.

536
00:26:42,599 --> 00:26:48,319
Speaker 13: I will not you se the sports.

537
00:26:47,920 --> 00:27:03,559
Speaker 23: Out by swear how the rea We're sad.

538
00:27:04,799 --> 00:27:07,359
Speaker 22: There's a bass o.

539
00:27:12,200 --> 00:27:15,240
Speaker 8: This stay come on.

540
00:27:16,720 --> 00:27:23,480
Speaker 7: And stay and say all the songs I thought over bad.

541
00:27:24,680 --> 00:27:29,759
Speaker 10: Bencious and we still safe?

542
00:27:30,119 --> 00:27:30,759
Speaker 22: So good.

543
00:27:31,920 --> 00:27:35,599
Speaker 13: So I'm still bag and you're trying.

544
00:27:35,440 --> 00:27:37,480
Speaker 8: To place the.

545
00:27:42,079 --> 00:27:58,240
Speaker 23: Near draw. If there's a wood, then I can go back.

546
00:27:58,240 --> 00:28:00,920
Speaker 13: To a moment along for.

547
00:28:04,279 --> 00:28:05,160
Speaker 2: The s.

548
00:28:06,680 --> 00:28:29,240
Speaker 8: Say said and this star count all the way stay

549
00:28:30,240 --> 00:28:30,839
the same.

550
00:28:33,920 --> 00:28:41,440
Speaker 10: Also I thought, oh okay the man just and.

551
00:28:43,119 --> 00:28:45,079
Speaker 8: Still say so cool.

552
00:28:46,200 --> 00:28:49,240
Speaker 13: Tom says as long that you could.

553
00:28:49,400 --> 00:28:58,960
Speaker 3: Besides that, I'm gonna take where begging out still things

554
00:28:59,039 --> 00:28:59,559
from me.

555
00:29:00,240 --> 00:29:07,480
Speaker 8: Joy Joe.

556
00:29:31,000 --> 00:29:33,200
Speaker 14: And that is kat Ivy who is here with us

557
00:29:33,240 --> 00:29:37,119
in studio on this Saturday morning. And yeah, very cool song.

558
00:29:37,839 --> 00:29:38,799
Are people able to.

559
00:29:40,319 --> 00:29:40,359
Speaker 16: Do?

560
00:29:40,519 --> 00:29:43,359
Speaker 14: People ever talk to you about the song and kind

561
00:29:43,400 --> 00:29:45,119
of know without you explaining it.

562
00:29:45,240 --> 00:29:45,559
Speaker 19: What the.

563
00:29:47,480 --> 00:29:48,519
Speaker 23: You know, I don't really know.

564
00:29:48,720 --> 00:29:50,839
Speaker 15: I do when I play out, I like to kind

565
00:29:50,880 --> 00:29:53,240
of give a little brief of, you know, what I'm singing,

566
00:29:53,359 --> 00:29:56,720
especially since people don't know my music mostly, and I

567
00:29:56,799 --> 00:29:59,279
want to give away for them to connect to it,

568
00:29:59,559 --> 00:30:01,920
you know, especially if they're hearing it for the first time. Yeah,

569
00:30:02,759 --> 00:30:05,160
but I also love to leave it up to interpretation,

570
00:30:05,440 --> 00:30:07,720
you know. I would love to have someone listen to

571
00:30:07,759 --> 00:30:09,960
my song and maybe put it into their own life,

572
00:30:10,000 --> 00:30:12,119
even if it's not at all what I wrote it about,

573
00:30:12,160 --> 00:30:13,559
if they can relate to it in any way.

574
00:30:13,920 --> 00:30:16,039
Speaker 4: Yeah, that's that's my you know, that's my dream.

575
00:30:16,319 --> 00:30:20,319
Speaker 14: No, that's cool. I've always thought when uh, you know,

576
00:30:20,359 --> 00:30:22,240
if I really, if I really love a song and

577
00:30:22,319 --> 00:30:24,319
it means something to me, and then I hear I

578
00:30:24,359 --> 00:30:25,720
don't know if this has ever happened to you, But

579
00:30:25,920 --> 00:30:28,519
when I hear that, I hear the person who wrote

580
00:30:28,519 --> 00:30:30,839
it explain it, and it turns out that what they

581
00:30:30,880 --> 00:30:33,759
had in mind was something completely different from what it

582
00:30:33,880 --> 00:30:36,640
means to me. There's that there's that weird sensation of

583
00:30:37,119 --> 00:30:39,960
oh right, you know, and then and it shouldn't be

584
00:30:40,079 --> 00:30:43,680
like that because it doesn't matter because art is subjective anyway.

585
00:30:43,759 --> 00:30:44,160
Speaker 4: Exactly.

586
00:30:44,359 --> 00:30:46,279
Speaker 14: Everything is whatever it means to you. That's what it

587
00:30:46,359 --> 00:30:48,599
means to you, exactly. But I but I've always kind

588
00:30:48,640 --> 00:30:50,160
of had that since I was a kid, like on

589
00:30:50,240 --> 00:30:52,640
the and it's not like it happens much, but on

590
00:30:52,720 --> 00:30:55,640
those rare occasions where someone explains the song and it's like,

591
00:30:55,759 --> 00:30:56,880
oh really.

592
00:30:56,960 --> 00:30:59,599
Speaker 15: Yeah, you're like, wait a minute, that wasn't at all

593
00:30:59,680 --> 00:31:02,079
what I thought that was, and you know, it does.

594
00:31:02,200 --> 00:31:03,960
I feel, as much as you don't want it to,

595
00:31:04,200 --> 00:31:06,200
it does kind of tarnish it a little bit for you,

596
00:31:06,880 --> 00:31:09,640
you know, and you know that's not what I want

597
00:31:09,680 --> 00:31:12,279
to do. But you know, being such a smaller artist

598
00:31:12,400 --> 00:31:14,759
right now, I think it's important to kind of try

599
00:31:14,880 --> 00:31:17,400
and make those connections with people, explaining where I'm coming

600
00:31:17,440 --> 00:31:20,680
from and hoping that you know, I don't.

601
00:31:20,519 --> 00:31:24,079
Speaker 14: Have to do it so much soon, right right right exactly.

602
00:31:25,160 --> 00:31:28,200
So you're working on so do you have plans to

603
00:31:28,480 --> 00:31:30,480
I know, because you're already working on the that's in

604
00:31:30,599 --> 00:31:34,279
progress right the next song that you're doing. Yeah, I

605
00:31:34,319 --> 00:31:37,960
have a mental Lauren Abby, Lauren have this mental block

606
00:31:38,000 --> 00:31:40,720
with her name. Do you have what's kind of the

607
00:31:40,799 --> 00:31:42,720
long term plan as far as releasing music, Do you

608
00:31:42,799 --> 00:31:44,640
plan to do an album or are you gonna keep

609
00:31:44,720 --> 00:31:45,319
doing singles?

610
00:31:45,599 --> 00:31:45,799
Speaker 8: Yeah?

611
00:31:46,039 --> 00:31:49,359
Speaker 15: So actually I'm hoping to you know, the songs that

612
00:31:49,400 --> 00:31:52,440
I have Indiana Jones, Memory, Lan and Autumn, and then

613
00:31:52,480 --> 00:31:55,319
the songs that I'm currently working on. I'm hoping to

614
00:31:55,440 --> 00:31:59,240
create an EP called Nostalgia, okay, and I have about

615
00:31:59,279 --> 00:32:01,440
I think two more, so I'm working on one with

616
00:32:01,519 --> 00:32:03,359
her and I'm working on one with my dad currently,

617
00:32:03,480 --> 00:32:05,880
so I'm working on two right now. Yeah, and those

618
00:32:05,920 --> 00:32:08,880
two are going to complete the EP called Nostalgia, which

619
00:32:09,400 --> 00:32:12,119
you know, nostalgia has been a huge part of my life,

620
00:32:12,200 --> 00:32:14,440
like growing up, especially being in your twenties. It's kind

621
00:32:14,480 --> 00:32:18,119
of that weird transition from being a younger kid to adulthood,

622
00:32:18,200 --> 00:32:20,400
so you're like, what do I do now, you know,

623
00:32:20,599 --> 00:32:22,880
and you have a lot of like, oh, I miss

624
00:32:23,000 --> 00:32:23,720
those times when I.

625
00:32:23,759 --> 00:32:24,079
Speaker 14: Was a kid.

626
00:32:24,160 --> 00:32:27,359
Speaker 15: Things were easier, you know, especially in the world right now.

627
00:32:27,480 --> 00:32:30,079
Sometimes it's like you go to a nostalgia for a

628
00:32:30,119 --> 00:32:31,839
comfort a lot, and I feel like that happened to me.

629
00:32:32,759 --> 00:32:35,680
So that's why I am naming this one nostalgia.

630
00:32:35,359 --> 00:32:40,359
Speaker 14: Okay, Okay, Yeah, No, that's cool. Do you are you

631
00:32:40,480 --> 00:32:45,160
also planning to continue to do the solo acoustic performances

632
00:32:45,319 --> 00:32:48,519
or do you ever think about maybe having a some

633
00:32:48,680 --> 00:32:50,119
sort of backup band or anything like.

634
00:32:50,160 --> 00:32:52,759
Speaker 15: That, or yeah, I mean, of course, you know, solo

635
00:32:53,240 --> 00:32:56,160
is where I do thrive. But I would love to

636
00:32:56,279 --> 00:32:58,559
have a backup band. I would love to, especially like

637
00:32:58,680 --> 00:33:00,599
going on a tour or something. I would love to

638
00:33:00,640 --> 00:33:03,640
have a little bit of extra support and you know,

639
00:33:03,799 --> 00:33:05,160
to be able to kind of put on a show,

640
00:33:05,240 --> 00:33:08,519
because you do get a little limited when it's just you, right, right,

641
00:33:08,759 --> 00:33:10,359
And I think that would be so fun.

642
00:33:10,359 --> 00:33:11,599
Speaker 4: I would love to have a band to go on

643
00:33:11,640 --> 00:33:13,119
tour withs But it looks like too.

644
00:33:13,240 --> 00:33:15,160
Speaker 14: It's liberating in a way at the same time when

645
00:33:15,200 --> 00:33:17,960
it's just you because you don't have to worry about

646
00:33:17,960 --> 00:33:19,599
anybody else's schedule.

647
00:33:19,480 --> 00:33:22,480
Speaker 4: Right and all that, right, and it is just relying

648
00:33:22,519 --> 00:33:23,000
on yourself.

649
00:33:23,559 --> 00:33:25,480
Speaker 14: I've always wondered what that would be like because I

650
00:33:25,640 --> 00:33:28,119
used to you know, like you know, your dad played

651
00:33:28,160 --> 00:33:29,880
in a band. I used to play in a lot

652
00:33:29,920 --> 00:33:31,839
of bands, but I never I was never in a

653
00:33:31,880 --> 00:33:34,319
situation where I just did a solo thing, so I've

654
00:33:34,400 --> 00:33:36,880
never experienced what it's like when you're just kind of

655
00:33:37,279 --> 00:33:39,440
when when you you know, not having to check with

656
00:33:39,960 --> 00:33:42,920
you know, okay, is this person available for this show?

657
00:33:43,079 --> 00:33:46,200
All that, and you know, and of course too when

658
00:33:46,200 --> 00:33:48,960
it's just you, it opens up I think more places

659
00:33:49,039 --> 00:33:51,480
that you can play because obviously a lot of places

660
00:33:51,559 --> 00:33:52,599
you can't have a full.

661
00:33:52,480 --> 00:33:53,240
Speaker 4: Band, of course.

662
00:33:53,400 --> 00:33:53,599
Speaker 5: Yeah.

663
00:33:53,720 --> 00:33:57,839
Speaker 15: And you know, obviously being in yourself, you make the decisions,

664
00:33:57,920 --> 00:34:00,319
and you know, it's like if something goes bad on you,

665
00:34:00,880 --> 00:34:03,200
you know, or something goes great, it's on you too.

666
00:34:03,359 --> 00:34:06,960
And you know, but I would also sometimes going into

667
00:34:07,599 --> 00:34:10,519
performances or anything like that, sometimes like oh I kind

668
00:34:10,559 --> 00:34:12,239
of wish I had like a partner, yeah, you know,

669
00:34:12,440 --> 00:34:13,840
just to be like if I'm nervous, at least I

670
00:34:13,880 --> 00:34:16,320
have a little bit of like a support or someone there.

671
00:34:16,519 --> 00:34:19,840
But I think it feels character to do it by yourself.

672
00:34:20,159 --> 00:34:24,880
Speaker 14: Yeah, yeah, no doubt. When you uh, do you do

673
00:34:25,079 --> 00:34:27,519
long like three hour shows where you do a lot

674
00:34:27,559 --> 00:34:28,159
a lot of covers?

675
00:34:28,280 --> 00:34:31,360
Speaker 4: Yeah, yeah, yeah, that's that's mostly that's mostly.

676
00:34:31,119 --> 00:34:31,559
Speaker 8: What you're doing.

677
00:34:31,679 --> 00:34:34,719
Speaker 14: Yeah, No, that's good though. It's good experience and it's yeah,

678
00:34:34,920 --> 00:34:38,400
you make some good money doing that, so that's that's excellent.

679
00:34:39,840 --> 00:34:41,760
Do you do you ever have an opportunity to do

680
00:34:41,880 --> 00:34:44,400
shows where it's more like almost like a listening room

681
00:34:44,519 --> 00:34:46,559
type thing. We're we're able to just focus on the

682
00:34:46,599 --> 00:34:47,280
original music.

683
00:34:47,480 --> 00:34:49,239
Speaker 15: Yeah, so that's what I'm doing with Temple Mountain. On

684
00:34:49,320 --> 00:34:52,960
April eighteenth, We're doing I think the Prayers of Nature

685
00:34:53,159 --> 00:34:53,760
listening room.

686
00:34:53,920 --> 00:34:56,119
Speaker 14: Fantastic, they were they were here last week.

687
00:34:56,239 --> 00:34:57,400
Speaker 4: Okay, that's awesome.

688
00:34:57,480 --> 00:35:00,679
Speaker 15: Yeah, we're doing that on April eighteenth, so that'll be exciting, excellent.

689
00:35:01,000 --> 00:35:03,639
Speaker 4: Yeah, and then some.

690
00:35:03,719 --> 00:35:06,119
Speaker 15: Maybe singer songwriter things come in the way. You know,

691
00:35:06,320 --> 00:35:08,400
it hasn't been announced yet, so I don't want to

692
00:35:08,400 --> 00:35:09,079
say it pretty mamture.

693
00:35:09,119 --> 00:35:12,760
Speaker 14: Oh okay, okay, but some good stuff coming, yeah, I'm hoping.

694
00:35:12,840 --> 00:35:16,920
So yeah, excellent, excellent. Where should people go online to

695
00:35:16,960 --> 00:35:18,320
keep up with everything that you're doing?

696
00:35:18,679 --> 00:35:21,840
Speaker 15: So I'm on all the socials cat ivy Music with

697
00:35:21,920 --> 00:35:25,480
a K. I like to do you know, some daily

698
00:35:25,559 --> 00:35:27,920
v logs too. When I play gigs, I like to

699
00:35:28,000 --> 00:35:29,760
kind of show my like day in the life of

700
00:35:30,000 --> 00:35:31,400
singer songwriter in New Hampshire.

701
00:35:31,480 --> 00:35:33,199
Speaker 4: You know, those are fun to do.

702
00:35:33,400 --> 00:35:36,320
Speaker 15: And then you know on Facebook, I have my own

703
00:35:36,360 --> 00:35:38,760
website cativymusic dot com as well.

704
00:35:39,039 --> 00:35:42,360
Speaker 14: Yeah, excellent, excellent. Do you have anything this weekend that

705
00:35:42,400 --> 00:35:43,760
you're playing that that we should.

706
00:35:43,559 --> 00:35:47,840
Speaker 4: Plug or I don't this weekend, but I do next Saturday.

707
00:35:48,440 --> 00:35:52,559
Speaker 15: I'm playing at twin Barnes Brewery in north Woodstock in

708
00:35:52,599 --> 00:35:56,239
New Hampshire. So I'll be up by the mountains. Oh yeah,

709
00:35:56,280 --> 00:35:59,400
I'll be playing there. I leave it's five o'clock, five

710
00:35:59,480 --> 00:36:03,039
to eight five, I have to check. Oh okay, and

711
00:36:03,280 --> 00:36:05,840
what is the name of the place again, twin Barnes Brewery.

712
00:36:06,800 --> 00:36:10,559
They have two locations, ones in Meredith and this one's

713
00:36:10,559 --> 00:36:13,920
in northwood Sock. And there got that from New Hampshire

714
00:36:13,960 --> 00:36:14,639
Music Collective.

715
00:36:14,760 --> 00:36:17,440
Speaker 14: Oh okay, very good. Now do you work with the

716
00:36:17,639 --> 00:36:19,719
Music Collective? Excellent?

717
00:36:19,840 --> 00:36:20,639
Speaker 4: Just started this year.

718
00:36:20,920 --> 00:36:24,400
Speaker 14: Oh very good. Yeah, yeah, that's that's that's excellent. That's

719
00:36:25,920 --> 00:36:31,679
we had on John. I'm having trouble with names this morning.

720
00:36:32,079 --> 00:36:32,599
Speaker 4: It happens.

721
00:36:33,559 --> 00:36:36,000
Speaker 14: What's his name? John from the Music Collective?

722
00:36:36,199 --> 00:36:38,800
Speaker 15: Oh yeah, yeah, Oh my god, don't ask me because

723
00:36:38,800 --> 00:36:40,480
now my brain's like I forgot everything I've ever known.

724
00:36:40,599 --> 00:36:40,800
Speaker 24: I know.

725
00:36:42,800 --> 00:36:48,800
Speaker 14: It's I blame the weather. John MacArthur. Yes, yeah, we

726
00:36:48,880 --> 00:36:51,559
had John on the show a while ago, and you know,

727
00:36:51,639 --> 00:36:53,719
talking all about the collective and everything, and wow, that

728
00:36:53,800 --> 00:36:57,400
guy's busy. Like when he was oh yeah, when he

729
00:36:57,480 --> 00:36:59,559
was talking about the number of events that he like

730
00:36:59,679 --> 00:37:02,679
that he himself has to run over the course of

731
00:37:02,679 --> 00:37:02,960
a year.

732
00:37:02,960 --> 00:37:06,079
Speaker 15: We we're like, wow, yeah, And I think they just

733
00:37:06,159 --> 00:37:08,480
got some more too recently, so he's been he's been

734
00:37:08,519 --> 00:37:09,000
a busy guy.

735
00:37:09,119 --> 00:37:11,639
Speaker 14: Yeah, they're doing great stuff. Yeah, New Hampshire Music Collective.

736
00:37:11,679 --> 00:37:15,880
Absolutely we support them. And yeah, we got to get

737
00:37:15,920 --> 00:37:17,639
him back on because I'm sure he has a ton

738
00:37:17,719 --> 00:37:19,239
of new stuff to talk about.

739
00:37:19,360 --> 00:37:21,280
Speaker 4: Oh yeah, yeah, oh yeah, you can get him going.

740
00:37:21,320 --> 00:37:21,639
I'm sure.

741
00:37:22,119 --> 00:37:24,199
Speaker 14: No, that's great that you're working with them. That's fantastic.

742
00:37:24,320 --> 00:37:26,360
Speaker 4: Yeah, they're awesome, you know, John and Reva, they're great.

743
00:37:26,719 --> 00:37:30,159
Speaker 14: Absolutely, absolutely, Well, I think we should We'll close out

744
00:37:30,199 --> 00:37:34,599
the segment with another song here, memory Lane. Anything we

745
00:37:34,639 --> 00:37:35,519
should know about.

746
00:37:35,320 --> 00:37:38,039
Speaker 15: This or that you want to well, I mean memory

747
00:37:38,119 --> 00:37:41,239
Lane does kind of say what it is in its title.

748
00:37:41,360 --> 00:37:43,679
You know, it is about going down memory lane and

749
00:37:43,800 --> 00:37:45,840
kind of having all of the good and the bad

750
00:37:46,480 --> 00:37:48,840
things in your life create you to who you are,

751
00:37:48,960 --> 00:37:51,440
whether you like it or not, you know, and underlyingly,

752
00:37:51,559 --> 00:37:54,440
I did write it about how me and my husband

753
00:37:54,719 --> 00:37:58,000
met in my own memory lane and how I've gone

754
00:37:58,079 --> 00:38:00,639
down that a lot in my life, those moments and

755
00:38:00,679 --> 00:38:03,440
you're living those really happy, fun moments when you need

756
00:38:03,480 --> 00:38:04,360
to Yeah.

757
00:38:04,320 --> 00:38:08,199
Speaker 14: Yeah, very cool, very cool, very positive, excellent, excellent, So

758
00:38:08,320 --> 00:38:11,000
we will we will end the segment with this, and

759
00:38:11,480 --> 00:38:13,440
if you are listening live on Saturday, of course we

760
00:38:13,519 --> 00:38:17,079
have the Two's coming up next, but we'll give this

761
00:38:17,199 --> 00:38:19,440
a spin. And kat Ivy, thank you again so.

762
00:38:19,559 --> 00:38:22,039
Speaker 4: Much, thank you for having me absolutely much fun.

763
00:38:22,119 --> 00:38:23,880
Speaker 14: Absolutely we'll do this again in the future as you

764
00:38:23,920 --> 00:38:27,000
have new music coming out and we'll definitely have you back.

765
00:38:27,280 --> 00:38:29,199
And so we'll wrap up this segment with this. This

766
00:38:29,360 --> 00:38:30,400
is called memory Lane.

767
00:38:50,039 --> 00:39:05,840
Speaker 8: Get it way okay, So to have some more.

768
00:39:07,199 --> 00:39:15,800
Speaker 25: Sweet psh me into my pol got the memories of

769
00:39:15,920 --> 00:39:19,039
thats me and I can bot it to first.

770
00:39:18,800 --> 00:39:30,920
Speaker 10: Born back in the foot about they come. Stays runs

771
00:39:31,079 --> 00:39:43,440
made selling your time, slonium, sold to sweets.

772
00:39:44,880 --> 00:39:44,960
Speaker 22: Have.

773
00:39:50,280 --> 00:39:53,360
Speaker 8: Tag dry.

774
00:39:57,920 --> 00:40:12,320
Speaker 13: Bo time, drive to see what's called the best.

775
00:40:15,599 --> 00:40:35,039
Speaker 24: Resting coffee, looking away to go to my bad change.

776
00:40:35,440 --> 00:40:41,039
Speaker 7: For voices of birds, start using luck, but you just

777
00:40:41,239 --> 00:40:42,400
getting touched.

778
00:40:43,320 --> 00:40:44,519
Speaker 23: Driving so fast?

779
00:40:45,519 --> 00:40:49,840
Speaker 8: Know you bad? It doesn't bad.

780
00:40:51,400 --> 00:41:07,239
Speaker 23: For yourself. Your first Stays run is one for seventy your.

781
00:41:07,280 --> 00:41:09,360
Speaker 2: Toes wasn't a orny.

782
00:41:09,239 --> 00:41:09,719
Speaker 16: Of it.

783
00:41:13,679 --> 00:41:31,519
Speaker 23: Sold it sways well take you joy, but.

784
00:41:51,679 --> 00:41:55,559
Speaker 8: You could that's your next up.

785
00:42:01,760 --> 00:42:06,480
Speaker 13: Person or lane doesn't wear for.

786
00:42:06,639 --> 00:42:16,679
Speaker 26: A drive another rock see seventy of your toes in

787
00:42:16,800 --> 00:42:17,440
a way.

788
00:42:18,199 --> 00:42:40,000
Speaker 23: Your head so dam say alright to enjoy hand bad

789
00:42:59,719 --> 00:43:18,719
boosos the full bo boost folds.

790
00:43:19,960 --> 00:43:27,880
Speaker 19: Boostop us folds pool fool spot us fols polows.

791
00:43:27,719 --> 00:43:33,320
Speaker 2: Playing on the bench, scribble down between.

792
00:43:33,039 --> 00:43:37,440
Speaker 22: My face and washing in the back.

793
00:43:38,760 --> 00:43:43,199
Speaker 6: It's time for a yellow car summer song.

794
00:43:45,599 --> 00:43:54,400
Speaker 23: Boo ausholes the fall bo boost folds Foo boosto us.

795
00:43:54,480 --> 00:44:02,559
Speaker 19: Folds the bospop us fo Polo signed for our corner,

796
00:44:02,960 --> 00:44:04,840
kick ball.

797
00:44:04,760 --> 00:44:12,400
Speaker 6: Flash up in the air to hits, collide, red card

798
00:44:12,559 --> 00:44:31,280
comes out. Sign for up corner Cats, Boho.

799
00:44:33,679 --> 00:44:34,559
Speaker 2: Slid it up.

800
00:44:37,320 --> 00:44:38,599
Speaker 23: Hits and square.

801
00:44:41,159 --> 00:44:43,039
Speaker 4: Up right corner.

802
00:44:44,559 --> 00:44:46,360
Speaker 14: The shoots a storm.

803
00:45:35,239 --> 00:45:42,199
Speaker 2: When I was a boy, all I think.

804
00:45:42,079 --> 00:45:43,400
Speaker 8: God about this one.

805
00:45:43,519 --> 00:45:46,079
Speaker 2: A stupid boy that I was.

806
00:45:46,519 --> 00:45:50,920
Speaker 17: When I was a kid, I got my face up, damn.

807
00:45:51,199 --> 00:45:55,639
Speaker 2: Not a toilets with the deeps out Damn. I wasn't

808
00:45:55,840 --> 00:46:02,119
always a stop. But when I I what's a jump?

809
00:46:03,159 --> 00:46:07,679
I didn't always look can some I used to have

810
00:46:08,199 --> 00:46:14,559
and go fill man bus I remember roll the Mad

811
00:46:15,039 --> 00:46:22,000
Times and picks member long. It feels like someone they

812
00:46:22,239 --> 00:46:23,280
humping their.

813
00:46:23,280 --> 00:46:25,880
Speaker 8: Say fuck call of my bar.

814
00:46:28,039 --> 00:46:33,239
Speaker 2: The right mess side go where no scene down.

815
00:46:33,119 --> 00:46:34,880
Speaker 23: No bomb Me roll the live.

816
00:46:35,719 --> 00:46:42,239
Speaker 2: I rhyme miss side go where no scene down the bomb.

817
00:46:42,039 --> 00:46:44,039
Speaker 23: Me roll up live.

818
00:46:51,480 --> 00:46:51,679
Speaker 8: Yes.

819
00:46:59,719 --> 00:47:04,480
Speaker 2: When I was in school, didn't make good grades. I

820
00:47:04,800 --> 00:47:09,440
was yes, still being numb fool. When I was still young.

821
00:47:10,760 --> 00:47:14,599
All I cared out proud was girls. But they didn't

822
00:47:14,880 --> 00:47:18,159
like my pimples. I used to be such a a

823
00:47:18,320 --> 00:47:23,719
wool before day as night, crying on the floor.

824
00:47:24,440 --> 00:47:28,280
Speaker 17: They used to wear a fans read me of my

825
00:47:28,480 --> 00:47:35,480
milk money taking. When I was growing up, I remember the.

826
00:47:35,639 --> 00:47:43,440
Speaker 2: Van Nimes and pick them along. It feels like someone.

827
00:47:43,280 --> 00:47:47,079
Speaker 14: Is shoving the same long of my heart.

828
00:47:49,000 --> 00:47:54,400
Speaker 16: I ride done your ness, I go no sing down

829
00:47:54,519 --> 00:48:00,119
the bomby all alive, I ride down your mess, I

830
00:48:00,320 --> 00:48:02,719
go win no see got.

831
00:48:02,639 --> 00:48:05,360
Speaker 23: No bobby up live.

832
00:48:21,840 --> 00:48:24,400
Speaker 2: You know when I was a boy and my.

833
00:48:24,599 --> 00:48:28,159
Speaker 17: Father used to look down at me insane, What god

834
00:48:28,280 --> 00:48:31,599
hell is even go outside.

835
00:48:31,159 --> 00:48:32,320
Speaker 2: And cut some grass?

836
00:48:33,239 --> 00:48:34,719
Speaker 22: Why don't you go kids a girl?

837
00:48:34,760 --> 00:48:36,079
Speaker 2: You stupid losers.

838
00:49:48,519 --> 00:49:50,719
Speaker 5: In times of crisis, you need a law firm that

839
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stands by your side. With over forty years of experience,

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Craig and Gatsulis is dedicated to fighting for your rights.

841
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As former state prosecutors, our attorneys have knowledge and trial

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will assess your case and fight for the compensation you deserve.

845
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Serving all of New Hampshire, Craigan Getzulis is here when

846
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you need us most. Visit Craigatzulis dot com for a

847
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free consultation. Craigan getsulus, your advocates, your.

848
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Speaker 20: Allies, bring your kitchen to life with Queen Citycabinetry, located

849
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at eighty seven Elm Street in the historic Sunbeam Wall

850
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thirty pm, in Saturdays ten am to two pm. They

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can be reached at six h three two two two

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Citycabinatree NH dot com. Come see the possibilities. Queen Citycabinatry,

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another crowd sponsor of WMNH Business.

856
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Speaker 18: Cafe is the place to put a smile on your face.

857
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Speaker 8: Judy in the crew.

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Speaker 18: We'll take care out of you. Bring your appetite and

859
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865
00:51:25,159 --> 00:51:27,880
Speaker 27: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust growl In

867
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874
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Speaker 3: Midnight seven times out of ten we listened to our

875
00:52:08,239 --> 00:52:09,639
music at night.

876
00:52:11,400 --> 00:52:14,559
Speaker 2: Don titled Business program.

877
00:52:14,440 --> 00:52:16,840
Speaker 28: Late Night to Light with DJ Midas right here on

878
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WMNH Manchester.

879
00:52:18,719 --> 00:52:20,320
Speaker 2: You want to lie because.

880
00:52:21,960 --> 00:52:24,360
Speaker 18: Saturdays and Sunday nights midnight to four am.

881
00:52:25,679 --> 00:52:31,159
Speaker 29: This hour on WMNH is sponsored by CGI Business Solutions,

882
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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight sixty six eighty four to

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business Solutions dot com.

888
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Speaker 28: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP, the sonic heartbeats

890
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of Manchester transcending through the ether at ninety five point

891
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three megahertz frequency modulation or transmissions M and E from

892
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the zedith of one thousand doll Streets insure into the

893
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hearts of our creative realm at one nineteen Canal Street,

894
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where innovation and sound collode. They're the impro moder of

895
00:53:23,000 --> 00:53:26,559
Manchester Public Television Service in the venerable City of Manchester,

896
00:53:26,679 --> 00:53:30,440
New Hampshire, USA. Enrich your auditory journey with the depth

897
00:53:30,480 --> 00:53:33,920
of our license to WESDENSSPT. Your missives to w m

898
00:53:34,000 --> 00:53:36,880
n H ninety five three at gmail dot com. Or

899
00:53:37,000 --> 00:53:41,360
traverse the virtual corridors of Wmnhradio dot org. Engage with

900
00:53:41,480 --> 00:53:44,239
our sonic vibrations by communing with us through the digital

901
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channels or radio beckons eager to enthrall you with its

902
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mesmerizing cadence and envelop you with a symphony of boundless

903
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auditories won due.

904
00:53:56,679 --> 00:53:59,079
Speaker 2: WMNH rip the domals.

905
00:54:00,519 --> 00:54:05,000
Speaker 30: Don't touch this and don't touch that. Don't touch it again.

906
00:54:05,320 --> 00:54:10,719
That's cross contamination. Don't touch this and touch that.

907
00:54:11,760 --> 00:54:15,880
Speaker 2: Don't touch it again. That's cross conxamination.

908
00:54:15,519 --> 00:54:22,400
Speaker 31: Cross cross cross cross contamination, cross cross cross cross contamination.

909
00:54:23,599 --> 00:54:24,320
Speaker 2: Don't touch it.

910
00:54:26,480 --> 00:54:31,159
Speaker 31: This is where the chicken stays away from the vegetables.

911
00:54:31,280 --> 00:54:32,960
Speaker 2: Cross cross cross.

912
00:54:32,679 --> 00:54:40,239
Speaker 31: Cross contamination, cross cross gross cross contamination to things that

913
00:54:40,400 --> 00:54:41,719
don't belong together.

914
00:54:43,039 --> 00:54:49,800
Speaker 2: Cheos from the chicken and the carrot. Keep them sepper separated.

915
00:54:50,920 --> 00:54:56,079
Speaker 31: You will not get cross contamination cross cross gross cross

916
00:54:56,239 --> 00:54:57,519
gross contamination.

917
00:54:58,119 --> 00:54:59,400
Speaker 18: Cross okay to.

918
00:55:01,559 --> 00:55:09,480
Speaker 31: Cross cross cross condamn, cross cross cross cross contamination, cross

919
00:55:10,199 --> 00:55:16,159
cross cross condamn cross cross cross cross contamination.

920
00:55:18,760 --> 00:55:21,639
Speaker 14: Welcome back, everybody. We have entered our number three new

921
00:55:21,719 --> 00:55:24,880
marrow trace of Matt Connorton unleashed, and we are live

922
00:55:25,559 --> 00:55:28,320
from these studios of w m n H ninety five

923
00:55:28,360 --> 00:55:32,039
point three FM and Glorious Manchester, New Hampshire. Of course,

924
00:55:32,199 --> 00:55:35,400
UH also streaming at Wmnhradio dot org and you can

925
00:55:35,440 --> 00:55:38,159
go to my website Matt connorton dot com slash live

926
00:55:38,400 --> 00:55:41,199
for all your streaming options. Unfortunately, we do not have

927
00:55:41,360 --> 00:55:45,039
a video stream today. The software has failed us, but

928
00:55:45,159 --> 00:55:48,280
that happens with technology from time to time. But it

929
00:55:48,400 --> 00:55:50,679
is first and foremost of radio show, and of course

930
00:55:50,719 --> 00:55:52,519
you can stream the audio from anywhere. Go to Matt

931
00:55:52,559 --> 00:55:55,440
connorton dot com slash live and you can see how

932
00:55:55,480 --> 00:55:57,519
to interact with the program as well. If you are

933
00:55:57,639 --> 00:56:01,760
listening live. Today is Saturday, February fifteen, twenty twenty five.

934
00:56:02,159 --> 00:56:05,760
Jenny is here at the news table and we have

935
00:56:05,880 --> 00:56:08,960
joining us, so we're gonna kind of test these mics

936
00:56:09,159 --> 00:56:12,480
live on the air. But we have the twos. We

937
00:56:12,559 --> 00:56:15,559
have Emma and Philip. Do you prefer Philip or Philip?

938
00:56:16,079 --> 00:56:17,840
Philip Philip Philip.

939
00:56:17,920 --> 00:56:18,320
Speaker 8: That's right.

940
00:56:18,400 --> 00:56:19,199
Speaker 14: I forgot about that.

941
00:56:19,360 --> 00:56:20,119
Speaker 22: Yeah, about that.

942
00:56:20,400 --> 00:56:22,400
Speaker 14: So the last time you were here, I was with

943
00:56:22,760 --> 00:56:25,360
Glitter Tooth, right, correct, Yeah, indeed that was a why

944
00:56:25,440 --> 00:56:28,519
that must have been what two years ago something like that? Yeah, yeah,

945
00:56:28,679 --> 00:56:30,400
totally different space, that's for sure.

946
00:56:30,559 --> 00:56:30,800
Speaker 8: Yeah.

947
00:56:30,960 --> 00:56:34,239
Speaker 14: Absolutely, that mic sounds pretty good, am I go ahead

948
00:56:34,239 --> 00:56:35,599
and uh, go ahead.

949
00:56:35,360 --> 00:56:37,599
Speaker 4: And say something hello, Hello, nice to be here again.

950
00:56:37,719 --> 00:56:41,480
Speaker 14: Oh good, Okay, I can definitely hear you and both microphones.

951
00:56:41,519 --> 00:56:44,039
That is good. The reason this is so important, of course,

952
00:56:44,159 --> 00:56:47,599
is because the twos are going to play live. And

953
00:56:47,960 --> 00:56:49,559
of course, Emma, for those who don't know you were

954
00:56:49,599 --> 00:56:51,199
just was it last week? It was last week, right,

955
00:56:51,280 --> 00:56:54,679
four weeks ago, two weeks ago, you were here with

956
00:56:54,800 --> 00:56:55,360
veils end.

957
00:56:55,519 --> 00:56:55,880
Speaker 16: I was.

958
00:56:56,239 --> 00:56:58,679
Speaker 14: And oh, by the way, so I went and looked

959
00:56:58,760 --> 00:57:01,599
up because I was curious about the cemetery. Oh, so

960
00:57:02,239 --> 00:57:05,519
I did some research and uh, I'm always curious about

961
00:57:05,519 --> 00:57:06,880
that kind of thing. I was hoping there were some

962
00:57:07,000 --> 00:57:08,159
pictures of the Blue Lady.

963
00:57:08,360 --> 00:57:09,480
Speaker 1: I know there aren't too many.

964
00:57:09,920 --> 00:57:13,159
Speaker 14: Fortunately, there's a few pictures of orbs, but I want

965
00:57:13,159 --> 00:57:15,079
to see the actual Blue Lady. But I got a

966
00:57:15,199 --> 00:57:17,639
lot of feedback on you being here before.

967
00:57:17,840 --> 00:57:19,880
Speaker 4: In fact, my best friend fell in love with your voice.

968
00:57:19,920 --> 00:57:21,719
Speaker 8: Oh that's amazing. I love to hear that.

969
00:57:22,360 --> 00:57:23,679
Speaker 4: Her voice is pretty awesome.

970
00:57:24,079 --> 00:57:26,880
Speaker 14: Absolutely, guys have an incredible harmony together.

971
00:57:27,400 --> 00:57:28,719
Speaker 2: Excited for people to get to hear it.

972
00:57:29,079 --> 00:57:31,599
Speaker 14: Yeah, absolutely, Uh do you want to go in and

973
00:57:31,719 --> 00:57:34,760
uh we'll play something and I'll make sure the levels

974
00:57:34,760 --> 00:57:38,559
are are good and uh but uh yeah, let's hear

975
00:57:38,639 --> 00:57:40,400
so I'm down here. You play live and we'll then

976
00:57:40,440 --> 00:57:42,679
we'll come back and chat for a bit. All right, cool,

977
00:57:42,920 --> 00:57:45,280
We'll start off with a grateful dead song. All right?

978
00:58:00,559 --> 00:58:05,320
Speaker 1: I let out from Reno. I was shrilled about twenty hounds.

979
00:58:06,599 --> 00:58:11,199
Didn't get to sleep last night till the morning came around.

980
00:58:12,599 --> 00:58:16,159
Set out running, better take my time. A friend of

981
00:58:16,320 --> 00:58:19,280
the devil is a friend of mine. If I get

982
00:58:19,360 --> 00:58:25,079
home before DAYLIGHTAD just might get some sleep. To night,

983
00:58:31,000 --> 00:58:37,199
went into the devil baby below me twenty bills. Spent

984
00:58:37,400 --> 00:58:39,280
the night in Utah.

985
00:58:39,320 --> 00:58:41,920
Speaker 8: In a cave up in the hills.

986
00:58:43,000 --> 00:58:46,440
Speaker 1: Set out running, but to take my time. A friend

987
00:58:46,559 --> 00:58:48,679
of the devil is a friend of mine.

988
00:58:49,039 --> 00:58:52,159
Speaker 14: If I get home before daylight, I.

989
00:58:52,440 --> 00:59:03,199
Speaker 1: Just might get some sleep. Tonight ran down to your eleven,

990
00:59:03,599 --> 00:59:10,000
but the devil cofty there took my twenty dollar bill.

991
00:59:10,039 --> 00:59:12,000
Speaker 8: And he vanished in the air.

992
00:59:13,400 --> 00:59:16,760
Speaker 1: Set out running by to take my time. A friend

993
00:59:16,880 --> 00:59:18,920
of the devil is a friend of mine.

994
00:59:19,320 --> 00:59:22,760
Speaker 4: If I get home before day line, it just.

995
00:59:23,000 --> 00:59:24,360
Speaker 1: Might get some sleep.

996
00:59:25,199 --> 00:59:36,199
Speaker 32: Tonight got to Reason's wide away, slowly night.

997
00:59:37,599 --> 00:59:39,960
Speaker 4: First one's name, sweet Hemery.

998
00:59:40,440 --> 00:59:42,239
Speaker 20: She's my heart to life.

999
00:59:43,679 --> 00:59:48,440
Speaker 32: Second one, this prison baby, Chevy's on my trail.

1000
00:59:49,679 --> 00:59:53,880
Speaker 13: If he catches up with me, I'll spend my ching

1001
00:59:54,159 --> 00:59:54,440
jail