WEBVTT

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<v Speaker 1>Hello, and welcome to Mythic Mind. We pursue wisdom of

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<v Speaker 1>the past between primary secondary worlds. Madre Snyder and I'm

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<v Speaker 1>glad that you're here. Today we have our final patron

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<v Speaker 1>chat on the Poetic ed Up. But first I want

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<v Speaker 1>to make you aware some things. First of all, our

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<v Speaker 1>free book club on Augustin's Confessions will be beginning on

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<v Speaker 1>April twenty eighth, and then we're going to meet every

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<v Speaker 1>other Monday at nine pm Eastern for eight sessions. To enroll,

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<v Speaker 1>all you have to do is become a patron, whether

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<v Speaker 1>free or paid. And so again, you can sign on

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<v Speaker 1>just as a free member of the Mythic Mind community

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<v Speaker 1>at patreon dot com slash mythic Mind, and you can

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<v Speaker 1>participate with us, although some financial support is always appreciated,

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<v Speaker 1>but again not required for this. Next, my buddy Josh Traylor,

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<v Speaker 1>who you've heard from during some of the patron chats,

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<v Speaker 1>is leading a study on Paradise Loss that begins next month.

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<v Speaker 1>If you like C. S. Lewis or Tolkien, or actually

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<v Speaker 1>if you like just about anything in the Western canon

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<v Speaker 1>past the late seventeenth century, then this will be an

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<v Speaker 1>illuminating study for you. I know that epic poetry can

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<v Speaker 1>be a little bit daunting if you're not used to it,

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<v Speaker 1>if you never really try to engage with it on

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<v Speaker 1>your own yet, And so it's really helpful to have

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<v Speaker 1>a guide who has already spent some time working through

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<v Speaker 1>the text, and not to mention the value of having

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<v Speaker 1>other peers alongside you, and I really want for Mythic

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<v Speaker 1>Mind to continue offering these kinds of studies from a

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<v Speaker 1>diverse group of experts, so you have a range of

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<v Speaker 1>well basically so you have a large catalog to choose from,

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<v Speaker 1>and so your enrollment is going to benefit you now

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<v Speaker 1>by allowing you to participate in the study, but it's

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<v Speaker 1>also going to allow us to continue to move in

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<v Speaker 1>this direction. And you can find the link to Josh's

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<v Speaker 1>course in the show, and his standard price for this

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<v Speaker 1>course is only fifty dollars, which is very low already

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<v Speaker 1>for this kind of investment on his part, and Mythic

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<v Speaker 1>Mind patrons get a fifty percent discount on top of that,

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<v Speaker 1>bringing it down to just twenty five dollars for entire

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<v Speaker 1>course on Paradise Lost, that's insane. And so whether you

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<v Speaker 1>are able to actively participate in the discord and live meetings,

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<v Speaker 1>or you just want to have access to the material

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<v Speaker 1>to work through on your own time, by somebody who's

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<v Speaker 1>spent time with the text, somebody who loves the text

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<v Speaker 1>and who's able to share that value with you. Then

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<v Speaker 1>this is just it's a steal for twenty five dollars

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<v Speaker 1>or fifty dollars if you're not a patron, and so

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<v Speaker 1>go ahead and take advantage of that deal right now,

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<v Speaker 1>Go ahead and do that that way he knows to

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<v Speaker 1>expect you. Now, one more thing before we get started,

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<v Speaker 1>I have to mention the exciting release of the remastered Oblivion.

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<v Speaker 1>I'm a big fan of the Elder Scrolls series, specifically Morowind,

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<v Speaker 1>Oblivion and Skyrm. Spend a little bit time, like literally

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<v Speaker 1>like a few hours with the online game that just

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<v Speaker 1>didn't do it for me. But as with many others particular,

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<v Speaker 1>this Oblivion remastering is a really big deal for me.

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<v Speaker 1>Now I haven't actually played it yet because I'm being disciplined,

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<v Speaker 1>waiting for the semester to end in just a bit,

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<v Speaker 1>waiting for my ad money to come in, which is

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<v Speaker 1>my budget for such things. But this game, it looks

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<v Speaker 1>amazing and most players seem to have agreed. Well, this

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<v Speaker 1>is really good timing as later this year I'm leading

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<v Speaker 1>a course on the Elder Scrolls and philosophy, and is

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<v Speaker 1>this really works out here? This is a great opportunity.

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<v Speaker 1>This course is a great opportunity to demonstrate how a

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<v Speaker 1>medium such as video games, especially when they are done well,

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<v Speaker 1>can actually be an aid in the quest for wisdom

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<v Speaker 1>rather than a hindrance, which is, I mean, frankly, what

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<v Speaker 1>they often are, but they don't need to be. And

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<v Speaker 1>that's part of the thesis that I'm putting forward here.

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<v Speaker 1>This study will be a fun time, it should be

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<v Speaker 1>a meaningful time. Now. Ever, since I came up with

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<v Speaker 1>this idea, I've been toying around with whether or not

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<v Speaker 1>it should be six weeks or eight weeks, which is

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<v Speaker 1>why you may have seen some conflicting information. But I'm

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<v Speaker 1>currently leaning toward making it eight weeks to give some

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<v Speaker 1>special attention to Oblivion related content in light of this

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<v Speaker 1>new release. Now, enrollment numbers will help me to make

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<v Speaker 1>that decision more concrete to make of that eight weeks,

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<v Speaker 1>And so if you are interested, then please head over

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<v Speaker 1>right now to patreon dot com slash Mythic Mind and

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<v Speaker 1>check out the shop and enroll in the Elder Scrolls

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<v Speaker 1>in Philosophy or become a Tier three annual patron and

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<v Speaker 1>then I'll give you access to all courses that begin

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<v Speaker 1>in your term. And so that's currently a brief history

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<v Speaker 1>of ideas plato Stoicism until we have faces the Elder

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<v Speaker 1>Scrolls in Philosophy, and then at the beginning of twenty

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<v Speaker 1>twenty six we have the Silmarillion. It does four courses

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<v Speaker 1>for one discounted price, and at the time that this

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<v Speaker 1>is being posted, I've even upped that discount all the

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<v Speaker 1>way up to twenty percent for the annual annual patronage.

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<v Speaker 1>And again that gives you access to all its courses

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<v Speaker 1>and everything else Mythic Mind has to offer, and that

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<v Speaker 1>is a good deal. And by the way, if you

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<v Speaker 1>decide to do that now and renew next year, your

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<v Speaker 1>renewal price, I believe is actually going to be the

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<v Speaker 1>same as what you purchase on a disc count, and

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<v Speaker 1>so you can lock in that price. And definitely if

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<v Speaker 1>you go ahead and do that now, well you still

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<v Speaker 1>have the maximum discount. And also, as reminder, patrons of

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<v Speaker 1>Mythic Mind get fifty percent off the cost of courses

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<v Speaker 1>from other Fellowship creators. So there's there's a lot of

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<v Speaker 1>value packed into this, So go ahead and do that.

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<v Speaker 1>But for now, let's go ahead and jump into our

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<v Speaker 1>final conversation on the poetic Eda. All right, welcome back

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<v Speaker 1>to our final at a chat joined here with Thomas

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<v Speaker 1>and Chase to go through the last several texts here,

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<v Speaker 1>starting with the wedding of Gudrun, and so as a

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<v Speaker 1>review of where we've been recently, at least we've covered

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<v Speaker 1>a lot of ground obviously going through the Edda. But

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<v Speaker 1>you know, Gudrun is the widow of Ziggurd, who is

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<v Speaker 1>really the probably the the central figure of the vul

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<v Speaker 1>Song story. He's the one who killed the dragon Faffnir

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<v Speaker 1>and liberated the gold, which you know, as a dragon

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<v Speaker 1>horde it tends to do it carries a doom about it.

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<v Speaker 1>And so no matter what Ziggerd does, you know, in

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<v Speaker 1>his acts of valor, his bravery's heroism, there's always just

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<v Speaker 1>sort of this shadow over his life, very much giving

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<v Speaker 1>his connections with turn turnbar special helmet everything, so very

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<v Speaker 1>strong connections there. Well, Ziggard, after liberating this treasure from

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<v Speaker 1>the dragon, he gets betrothed to his valkyrie lover Brinheld,

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<v Speaker 1>but he's bewitched along the way forgets about her. Mauryes

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<v Speaker 1>Gudrun Brinhield doesn't forget about it, and so eventually she

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<v Speaker 1>conspires with Gudrun's brothers to have them kill off Ziggard,

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<v Speaker 1>and so then Gudrun goes off to the court of Atli,

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<v Speaker 1>where she marries Atli, who either is or leases inspired

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<v Speaker 1>by Attila the hun. But then she after killing her

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<v Speaker 1>children with Ally and then killing Ali, now she finds

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<v Speaker 1>herself in another court, married to another kid. So she

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<v Speaker 1>is now in her third court. Here. You think that

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<v Speaker 1>people would get the message here and maybe stop taking

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<v Speaker 1>her in, but here we are. And so while she's here,

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<v Speaker 1>she does have with her her daughter of Ziggurd, and

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<v Speaker 1>so her daughter is really the last direct tie to

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<v Speaker 1>the Volsung clan. But she gets married off to this

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<v Speaker 1>king see which she married Yorman Reck the Powerful. But

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<v Speaker 1>this guy Beki comes to his court and tells Randver,

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<v Speaker 1>the son of the king, that basically there's something going

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<v Speaker 1>on between zvon Hild and Randford the Prince, and so

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<v Speaker 1>then the king responds by having Randverord hanged and swan

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<v Speaker 1>Hild tramped by horses. So naturally good and doesn't take

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<v Speaker 1>too kindly to this. And so now she's gonna tell

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<v Speaker 1>her children of with with King Yonaker to basically go

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<v Speaker 1>off and get vengeance. And so that's kind of where

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<v Speaker 1>we are in the story moving into this poem. All right,

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<v Speaker 1>So what are your thoughts? Were some things that stood

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<v Speaker 1>out to you about the wedding of Gudrun.

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<v Speaker 2>One thing that set out to me in the beginning

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<v Speaker 2>was how reluctant the two sons were to go on

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<v Speaker 2>this vengeance mission. And they basically are like, Mom, you

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<v Speaker 2>know that you're asking us to essentially go on a

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<v Speaker 2>suicide mission and get killed. Right, you won't have any

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<v Speaker 2>kids left when we're done.

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<v Speaker 1>With this, right. And before that, they really dig in

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<v Speaker 1>that if you didn't kill off your last kids, and

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<v Speaker 1>maybe they can even help you with this, like we'd

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<v Speaker 1>have some more support here, but you've a tendency to

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<v Speaker 1>pretty cheap with the lives of your sons. Yeah, so

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<v Speaker 1>they definitely have this sense of doom about them. Dear,

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<v Speaker 1>one of these sons says that, let me treat this. Then,

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<v Speaker 1>said Hamdar, the strong minded one, so comes home to

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<v Speaker 1>visit his mother. The spear Lord brought low in the

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<v Speaker 1>land of the Goths, so that you may drink the

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<v Speaker 1>funeral ale for us, all for span Hild, and for

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<v Speaker 1>your sons. So she's saying, like, look, you're going to

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<v Speaker 1>lose all of your children if we do this yet

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<v Speaker 1>to go anyways, And it just kind of gets at

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<v Speaker 1>this theme of recognizing one's fate but moving forward anyways.

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<v Speaker 1>And that's something we've seen pretty repeatedly.

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<v Speaker 3>So interesting because you know, she, yeah, she loves cigarette

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<v Speaker 3>so much, and so losing him, it's kind of like

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<v Speaker 3>after that, all the kids are forfeit, Like she she

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<v Speaker 3>cared about swan Hild, but like everything else, like the

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<v Speaker 3>other four boys, it's like, mah, I don't really care.

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<v Speaker 3>You're just like tools from my revenge, you know.

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<v Speaker 1>Yeah, yeah, exactly. I mean with the kids that she

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<v Speaker 1>had with Atlee, I mean she literally killed them and

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<v Speaker 1>then fed them to Atlee. And now with these kids

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<v Speaker 1>that she has with this third third husband, you know,

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<v Speaker 1>now she just has no problem treating them as fodder

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<v Speaker 1>to throw at her vengeance, no real concern for them.

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<v Speaker 1>She only cares about her connection to Ziggard. In fact,

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<v Speaker 1>she sounds a lot like Brin Hill toward the end

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<v Speaker 1>of her life. When she starts going crazy at the

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<v Speaker 1>end when she says, Nobles, build the build high the

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<v Speaker 1>oak Wood pire, Let it be the highest among the princes.

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<v Speaker 1>They fire, burn up the breast, so full of wrongs,

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<v Speaker 1>may sorrows melt about my heart. And so just as

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<v Speaker 1>Brent Hill, do you have her at the end, just

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<v Speaker 1>falling into despair, I mean, just ready to die, ready

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<v Speaker 1>to go up in flames metaphorically as well as literally.

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<v Speaker 2>It's very denithor you know, build my pire, you know,

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<v Speaker 2>like we shall burn like the Heathen Kings and all

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<v Speaker 2>that stuff.

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<v Speaker 1>You know, Yeah, yeah, yeah, exactly right. And of course

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<v Speaker 1>has gained off response to that that they only did

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<v Speaker 1>so because they were under the sway of the Shadow essentially,

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<v Speaker 1>that they were you know, inspired by Satan essentially.

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<v Speaker 3>I feel like, uh, bicky uh in this like setup,

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<v Speaker 3>it's very like low key, like you know, like kind

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<v Speaker 3>of just like meddling and kind of like telling them

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<v Speaker 3>to like, oh, you're you're actually destined for each other,

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<v Speaker 3>and he's like, oops, I'm actually gonna get killed.

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<v Speaker 1>Yeah. We don't have a lot of his backstories as

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<v Speaker 1>far as what we're given. He definitely seems like just

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<v Speaker 1>this trickster type. He just wants to see things burn.

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<v Speaker 3>Yeah, a good pairing for Google, I would think, right right.

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<v Speaker 2>This also seems to be like a common, at least

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<v Speaker 2>in these stories, way to execute somebody is to have

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<v Speaker 2>them be trampled to death. That's come up a few

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<v Speaker 2>times now.

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<v Speaker 1>Hmm.

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<v Speaker 3>Yeah, it's just just like the kind of savage imagery

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<v Speaker 3>or just that was the cruelest of all my injuries.

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<v Speaker 3>When the white blonde hair of span Hill they trampled

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<v Speaker 3>in mud under her horse's hoofs. It's like, oh man, yeah,

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<v Speaker 3>I believe Swan Hill like basically like had come to

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<v Speaker 3>that island on her own, I think, or something, right.

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<v Speaker 3>I can't remember what Snory had said about it. It's

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<v Speaker 3>been too long since I've read that. It may have

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<v Speaker 3>differed slightly.

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<v Speaker 1>Yeah, I don't remember Snory's version, I do know, I

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<v Speaker 1>mean for Gudrian, after the affair with Atli, after that

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<v Speaker 1>went down in flames, then she tried to cast herself

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<v Speaker 1>into the ocean, into the sea to kill herself, but

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<v Speaker 1>she was providentially prevented from doing so, and so then

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<v Speaker 1>she gets carried off to this island. I don't remember. Yeah,

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<v Speaker 1>I don't remember what story says, but and I mentioned

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<v Speaker 1>this last time, it very much reminds me of of

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<v Speaker 1>an elo wing. You know, she's got the summer casting

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<v Speaker 1>herself into the sea, and then you know the Dallar

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<v Speaker 1>protect her, and you know she actually turns into a

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<v Speaker 1>bird and flies away, and you know there's a Swan connection.

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<v Speaker 1>Even with van Hilt, even like the name, there's that

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<v Speaker 1>Swan connection there. And so I feel like it's not

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<v Speaker 1>a one to one, but there's definitely some inspiration at

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<v Speaker 1>play here for talking. Yeah, it's just I feel like

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<v Speaker 1>this is such a I mean, it's such a Norse

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<v Speaker 1>tale when we've been with the False Songs for so long,

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<v Speaker 1>we've been at this point with Gudrun for so long,

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<v Speaker 1>and it just ends in utter despair. Like there's no

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<v Speaker 1>EU catastrophe here, there's no hope, it's just despair, which

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<v Speaker 1>kind of again, it gives me the same feeling you

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<v Speaker 1>get at reading Children of Purin once you get to

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<v Speaker 1>the end.

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<v Speaker 2>Yeah, I have the same sort of feeling when I

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<v Speaker 2>read the Volsung saga on his own, and I was

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<v Speaker 2>just like, I don't think I like this. Someone really depressing.

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<v Speaker 2>I don't think I was. I was in the mood

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<v Speaker 2>for it a couple of years ago. When I read it,

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<v Speaker 2>I was just like, oh, I didn't like any of

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<v Speaker 2>the characters. I'm like, they're just all miserable and getting

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<v Speaker 2>revenge on one another. I'm like, hmm, maybe George R. R.

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<v Speaker 2>Martin took some inspiration. Everybody's miserable and killing one another.

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<v Speaker 1>Yeah, they're all just these pawns getting moved around essentially.

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<v Speaker 1>I mean, you know, in the Volsung saga, it really

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<v Speaker 1>kicks off with Odin. You're delivering the sword, and then

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<v Speaker 1>at the end it's Odin who leads to the death

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<v Speaker 1>of the folk songs. Uh So, which is what Odin does.

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<v Speaker 1>We've talked about this before, how he builds up these

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<v Speaker 1>great warriors so that he can kill them off in

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<v Speaker 1>battle and then recruit them into his army. Uh And

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<v Speaker 1>that's really what bookends the main part of the Volsung saga,

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<v Speaker 1>that they're just under the whims of the fate, that

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<v Speaker 1>are under the whims of Odin, who's just sort of

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<v Speaker 1>managing the whole situation. And it's there there is just

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<v Speaker 1>a great deal of despair about that. That is no

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<v Speaker 1>ultimate hope that's reaching out to them. Tolkien that most

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<v Speaker 1>definitely took the northern spirit and baptized it, giving us

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<v Speaker 1>that threat of hope.

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<v Speaker 3>Yeah. I think it's it's interesting with all three the works,

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<v Speaker 3>the pros at A, the Bolsing Sega, because you kind

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<v Speaker 3>of each one you kind of need to read the

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<v Speaker 3>other ones, but then you have to start somewhere, and

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<v Speaker 3>so it's kind of like, okay, well you start with

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<v Speaker 3>one and then you can just circle back and read it.

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<v Speaker 3>You've read everything else because this is like all the

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<v Speaker 3>notes are like, yeah, just check out Bolst.

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<v Speaker 2>It's like okay, right, yeah, So I think now like

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<v Speaker 2>the only one I I have left to read a

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<v Speaker 2>story then because I've I've read volsung Saga now this,

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<v Speaker 2>and so like that'll like complete the triptych.

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<v Speaker 1>Yeah. I definitely feel like returning to the other text

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<v Speaker 1>now more of it would stick with me. Uh. When

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<v Speaker 1>you read any of these for the first time, there's

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<v Speaker 1>just so much going on, so many names, so many

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00:16:27.799 --> 00:16:30.320
<v Speaker 1>things happening that things that kind of echo other things

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00:16:30.320 --> 00:16:32.399
<v Speaker 1>that have happened. It's hard to keep it. Kind of

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<v Speaker 1>reading this so early in right, Yeah, hard time through.

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<v Speaker 1>It's just you just have to push through and then

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<v Speaker 1>you have to go through it again. And more of

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00:16:38.639 --> 00:16:39.440
<v Speaker 1>it will settle down.

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<v Speaker 3>I was talking to my brother, He's gonna start reading

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<v Speaker 3>some early and I'm like, all right, man, the first

294
00:16:47.039 --> 00:16:49.559
<v Speaker 3>two chapters you just gotta push through. I was like,

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00:16:49.600 --> 00:16:51.720
<v Speaker 3>it's gonna make sense at the end. You can always

296
00:16:51.799 --> 00:16:55.720
<v Speaker 3>flip back. But when they're just listening out names and

297
00:16:55.759 --> 00:16:58.120
<v Speaker 3>here people are, You're like, okay, that that doesn't mean

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<v Speaker 3>anything until.

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<v Speaker 2>It's like I tell people, if you've read the Lord

300
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<v Speaker 2>of the Rings and then you read the silm Merillion,

301
00:17:05.279 --> 00:17:06.839
<v Speaker 2>what you do is that you go back and read

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00:17:06.880 --> 00:17:09.839
<v Speaker 2>Lord of the Rings again, because then all of those

303
00:17:10.039 --> 00:17:13.200
<v Speaker 2>references to the Silmarillion that are scattered throughout Lord of

304
00:17:13.200 --> 00:17:15.880
<v Speaker 2>the Rings, you'll have context for all of that, and

305
00:17:15.920 --> 00:17:18.759
<v Speaker 2>you'll be like, oh my gosh, that's referring to And

306
00:17:18.799 --> 00:17:21.200
<v Speaker 2>then it kind of makes reading Lord of the Rings

307
00:17:21.200 --> 00:17:23.319
<v Speaker 2>again so much of a richer experience.

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00:17:25.519 --> 00:17:27.920
<v Speaker 1>Yeah, I can testified to that. It really is like

309
00:17:28.000 --> 00:17:31.400
<v Speaker 1>reading it almost for the first time again, that you

310
00:17:31.440 --> 00:17:39.799
<v Speaker 1>get so much more context out of that reading absolutely well.

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00:17:40.400 --> 00:17:43.319
<v Speaker 1>It's not a big change in content here, but looking

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00:17:43.319 --> 00:17:46.880
<v Speaker 1>over at the lay of Humdir, it starts off the

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00:17:46.920 --> 00:17:48.920
<v Speaker 1>same way as the other poem, and basically the only

314
00:17:49.119 --> 00:17:51.960
<v Speaker 1>major difference is now it's going to continue on and

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<v Speaker 1>give us the the vengeance story of the Suns going

316
00:17:55.279 --> 00:18:01.440
<v Speaker 1>off to this king. Yes, it's basically the context here.

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<v Speaker 1>Anything in particular stand to you about this one.

318
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<v Speaker 2>Oh, this is the one where they kill their their

319
00:18:11.640 --> 00:18:16.119
<v Speaker 2>step brother or something by accident or maybe not by accident.

320
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<v Speaker 2>It wasn't that clear to me whether they knew who

321
00:18:18.480 --> 00:18:19.240
<v Speaker 2>he was or not.

322
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<v Speaker 1>Yeah, I think this is another one where Larrington, the

323
00:18:24.480 --> 00:18:28.799
<v Speaker 1>translator basically says some of it's kind of confusing, kind

324
00:18:28.799 --> 00:18:33.599
<v Speaker 1>of broken, sometimes probably missing. Uh, but yeah, because this

325
00:18:33.599 --> 00:18:36.240
<v Speaker 1>this guy, let's see who is it?

326
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<v Speaker 3>Ip?

327
00:18:37.240 --> 00:18:39.640
<v Speaker 1>I think that their half brother what a name?

328
00:18:40.119 --> 00:18:40.240
<v Speaker 3>Uh?

329
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<v Speaker 1>Think across that their half brother irp on the road,

330
00:18:44.960 --> 00:18:49.079
<v Speaker 1>who gives them some enigmatic wisdom, and they respond by

331
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<v Speaker 1>killing them for some reason, not entirely sure why, but

332
00:18:54.799 --> 00:18:58.240
<v Speaker 1>later they recognized that he was giving them the wisdom

333
00:18:58.240 --> 00:19:00.759
<v Speaker 1>that they needed to have in order to action secure

334
00:19:00.839 --> 00:19:04.079
<v Speaker 1>vengeance against the king. There's like, boops, I guess we

335
00:19:04.119 --> 00:19:08.400
<v Speaker 1>shouldn't have killed him. And I suppose there's a lesson

336
00:19:08.400 --> 00:19:13.440
<v Speaker 1>built in here about not being rash about stopping to

337
00:19:13.480 --> 00:19:18.400
<v Speaker 1>listen before acting so differently, some some kind of proverbial

338
00:19:18.400 --> 00:19:21.599
<v Speaker 1>wisdom built into this. But but yeah, not really clear

339
00:19:21.599 --> 00:19:22.559
<v Speaker 1>why they killed her.

340
00:19:23.319 --> 00:19:28.240
<v Speaker 3>That ties back to Hockney and uh, I already forgot

341
00:19:28.279 --> 00:19:35.759
<v Speaker 3>the names guthm uh No, it's uh Gunner and Hockey, right. Yeah.

342
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<v Speaker 3>They don't listen to their wives, who are like telling

343
00:19:39.720 --> 00:19:43.759
<v Speaker 3>them they each have bad dreams and I'm like describing

344
00:19:43.799 --> 00:19:46.079
<v Speaker 3>what the dream is meaning for you, and you're like,

345
00:19:47.440 --> 00:19:50.759
<v Speaker 3>I don't know. I think I'm gonna go ahead, and

346
00:19:50.799 --> 00:19:52.880
<v Speaker 3>it's just like, what are you doing?

347
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<v Speaker 1>Right? They basically say women say a lot of things,

348
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<v Speaker 1>just go.

349
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<v Speaker 3>You have quite an imagination there, honey, I'm gonna go

350
00:20:05.440 --> 00:20:06.319
<v Speaker 3>get slaughtered.

351
00:20:07.079 --> 00:20:12.079
<v Speaker 1>So yeah, I mean it kind of makes sense that

352
00:20:12.039 --> 00:20:14.160
<v Speaker 1>there are a lot of lessons in here about not

353
00:20:14.200 --> 00:20:16.400
<v Speaker 1>being impulsive, because a lot of people are just very impulsive.

354
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<v Speaker 1>They just do stuff right, like I've been dishonored, so

355
00:20:19.640 --> 00:20:22.160
<v Speaker 1>I'm going to go secure vengeance. It's like they don't

356
00:20:22.160 --> 00:20:24.759
<v Speaker 1>stop and think through what they're doing or even how

357
00:20:24.839 --> 00:20:27.799
<v Speaker 1>exactly to secure vengeance in the best way, like to

358
00:20:27.880 --> 00:20:28.880
<v Speaker 1>actually do what they want.

359
00:20:28.960 --> 00:20:29.000
<v Speaker 2>That.

360
00:20:29.079 --> 00:20:33.160
<v Speaker 1>They're very impulsive, and so there's definitely a lesson regarding

361
00:20:33.160 --> 00:20:38.640
<v Speaker 1>that built into this that they actually you know, burst

362
00:20:38.640 --> 00:20:45.559
<v Speaker 1>into this king's home and they cut off his feet

363
00:20:45.720 --> 00:20:50.480
<v Speaker 1>in his hands, but he's still able to use his

364
00:20:50.559 --> 00:20:53.640
<v Speaker 1>speech because they have some kind of magic about them

365
00:20:53.920 --> 00:20:56.400
<v Speaker 1>where they can only being stoned.

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<v Speaker 3>Yeah, the notes talk about this they had, I guess,

367
00:21:02.920 --> 00:21:05.359
<v Speaker 3>I don't know if it was from Sigurd. They had

368
00:21:05.400 --> 00:21:12.359
<v Speaker 3>a basically like magic mythril chain bl basically, and so

369
00:21:12.400 --> 00:21:14.839
<v Speaker 3>they couldn't be stabbed or heard or anything with those

370
00:21:14.960 --> 00:21:20.200
<v Speaker 3>with those on, but they could be stoned. I think

371
00:21:21.000 --> 00:21:22.720
<v Speaker 3>attention here because it kind of just gives like a

372
00:21:22.799 --> 00:21:25.759
<v Speaker 3>blip of like their interaction with the brother r I think,

373
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<v Speaker 3>And I think it's fulsome sega. It's a little more

374
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<v Speaker 3>like as like drawn out, I guess, and it shows

375
00:21:34.319 --> 00:21:37.039
<v Speaker 3>that he's like they think he's being arrogant or something,

376
00:21:37.079 --> 00:21:39.799
<v Speaker 3>and so they're just like, oh, we're gonna we don't

377
00:21:39.799 --> 00:21:40.200
<v Speaker 3>need you.

378
00:21:41.200 --> 00:21:44.759
<v Speaker 2>Oh yeah, he says here and stands at thirteen, you know,

379
00:21:44.799 --> 00:21:47.519
<v Speaker 2>he Herp's talking to them, and then it just says

380
00:21:47.680 --> 00:21:51.480
<v Speaker 2>they said that bastard was very bold, so they just

381
00:21:51.559 --> 00:21:55.319
<v Speaker 2>miss him as a bastard. Go away, stop talking to us,

382
00:21:55.400 --> 00:21:55.640
<v Speaker 2>you know.

383
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<v Speaker 1>Proverb in that same stanza, it's no good showing the

384
00:22:03.240 --> 00:22:04.480
<v Speaker 1>way to a cowardly man.

385
00:22:05.759 --> 00:22:11.640
<v Speaker 2>Hmmm, sounds like a very Norse proverb.

386
00:22:12.359 --> 00:22:13.759
<v Speaker 1>It does like a very Norse proverb.

387
00:22:16.359 --> 00:22:19.960
<v Speaker 2>Yes, Like it seems like their downfall was they you know,

388
00:22:20.119 --> 00:22:23.200
<v Speaker 2>like you said, they still left the king the ability

389
00:22:23.240 --> 00:22:25.480
<v Speaker 2>to speak, and I guess he cries out what their

390
00:22:25.519 --> 00:22:28.920
<v Speaker 2>weakness is, and so they get stoned to death.

391
00:22:30.839 --> 00:22:34.480
<v Speaker 1>Right, Whereas apparently if they picked up on whatever Earp

392
00:22:34.559 --> 00:22:35.960
<v Speaker 1>was telling them, they would have known to cut off

393
00:22:35.960 --> 00:22:39.640
<v Speaker 1>his head so he couldn't talk.

394
00:22:40.480 --> 00:22:43.160
<v Speaker 2>Yeah, they say, evil, you brought about brother when you

395
00:22:43.279 --> 00:22:46.559
<v Speaker 2>opened up that bag. For often from the bag comes

396
00:22:46.599 --> 00:22:50.200
<v Speaker 2>bad advice, from which they mean, you shouldn't have killed

397
00:22:50.240 --> 00:22:53.759
<v Speaker 2>that guy, because yeah, important information.

398
00:22:54.920 --> 00:22:55.160
<v Speaker 3>Right.

399
00:22:55.720 --> 00:22:58.720
<v Speaker 2>So they're like blaming each other as soon as things

400
00:22:58.759 --> 00:22:59.200
<v Speaker 2>go wrong.

401
00:23:00.400 --> 00:23:02.160
<v Speaker 3>And this is one of the oldest they said to

402
00:23:02.480 --> 00:23:06.279
<v Speaker 3>one of the oldest poems. So it's it's missing a

403
00:23:06.319 --> 00:23:08.279
<v Speaker 3>lot just from age, I think.

404
00:23:10.319 --> 00:23:13.079
<v Speaker 2>And they blame fate again, they they say. Then they

405
00:23:13.079 --> 00:23:19.400
<v Speaker 2>say that the dcer, who are like female ancestor spirits

406
00:23:19.400 --> 00:23:23.240
<v Speaker 2>of some kind, drove them to kill Arp is what

407
00:23:23.279 --> 00:23:23.680
<v Speaker 2>they said.

408
00:23:24.720 --> 00:23:29.559
<v Speaker 1>Yeah, And a little bit later, facing their death, they say,

409
00:23:29.960 --> 00:23:32.799
<v Speaker 1>no man outlast the evening after the norns had given

410
00:23:32.839 --> 00:23:35.599
<v Speaker 1>their verdict. So again we get this idea that we're

411
00:23:35.640 --> 00:23:38.079
<v Speaker 1>being driven by fate, that they didn't really have a

412
00:23:38.119 --> 00:23:41.039
<v Speaker 1>lot of choice in the matter. And so even their

413
00:23:42.480 --> 00:23:47.079
<v Speaker 1>their rash decision to kill off RP, as well as

414
00:23:47.119 --> 00:23:50.440
<v Speaker 1>just everything that leads to their demise here, it's all

415
00:23:50.519 --> 00:23:52.559
<v Speaker 1>ultimately led by fate. They don't have a whole lot

416
00:23:52.559 --> 00:23:53.480
<v Speaker 1>of agency in the matter.

417
00:23:58.400 --> 00:24:01.200
<v Speaker 2>I guess in a society where like this kind of

418
00:24:01.519 --> 00:24:05.799
<v Speaker 2>retributive violence was very endemic, it must have just been

419
00:24:05.920 --> 00:24:08.319
<v Speaker 2>kind of a way to make yourself feel better. Well, like,

420
00:24:08.400 --> 00:24:11.599
<v Speaker 2>none of this is my fault, I can just chalk

421
00:24:11.640 --> 00:24:14.720
<v Speaker 2>it up to or anybody's fault. I could just chalk

422
00:24:14.759 --> 00:24:17.759
<v Speaker 2>it up to fate. You know that we're all sort of,

423
00:24:18.359 --> 00:24:21.240
<v Speaker 2>you know, puppets of the of Oden the puppet Master.

424
00:24:23.640 --> 00:24:27.079
<v Speaker 1>Yeah, And so it definitely promotes a very stoic kind

425
00:24:27.119 --> 00:24:31.480
<v Speaker 1>of wisdom, a stoic understanding of wisdom that my chief

426
00:24:31.480 --> 00:24:34.519
<v Speaker 1>obligation is not necessarily to do this or that, but

427
00:24:34.559 --> 00:24:39.359
<v Speaker 1>it's simply accept fate to situate myself in relation to fortune.

428
00:24:39.559 --> 00:24:42.720
<v Speaker 1>So I am confident in who I am and where

429
00:24:42.759 --> 00:24:46.119
<v Speaker 1>I'm standing, no matter what's happening around me. And so

430
00:24:46.200 --> 00:24:48.440
<v Speaker 1>I mean, there is a kind of noble confidence in there,

431
00:24:48.480 --> 00:24:52.720
<v Speaker 1>but also obviously there's some limitations of the soul, So

432
00:24:52.799 --> 00:24:56.400
<v Speaker 1>like what this means you're definitely trapped in a kind

433
00:24:56.440 --> 00:25:04.960
<v Speaker 1>of despair? Well, any other thoughts before we leave the

434
00:25:05.119 --> 00:25:12.160
<v Speaker 1>Volk songs? All right? All right, moving on to Balder's dreams.

435
00:25:12.240 --> 00:25:15.920
<v Speaker 1>So we're moving back to the gods now, getting back

436
00:25:15.920 --> 00:25:19.519
<v Speaker 1>to more or less where things begin. So Balder has

437
00:25:19.720 --> 00:25:24.480
<v Speaker 1>been having some bad dreams. So Odin goes to Hell

438
00:25:24.559 --> 00:25:27.720
<v Speaker 1>to check it out again, not to be confused with

439
00:25:27.759 --> 00:25:30.160
<v Speaker 1>the Christian Hell. He's just going to the place of

440
00:25:30.200 --> 00:25:33.759
<v Speaker 1>the dead here who he summons up this seer to

441
00:25:33.960 --> 00:25:37.039
<v Speaker 1>get some information, and this is when he finds out

442
00:25:37.119 --> 00:25:41.079
<v Speaker 1>that Balder is going to die and that this is

443
00:25:41.119 --> 00:25:46.079
<v Speaker 1>going to be basically the first sign of Ragnarok. And

444
00:25:46.119 --> 00:25:48.880
<v Speaker 1>so we're back to Odin figuring out things about Ragnarok.

445
00:25:51.359 --> 00:25:52.640
<v Speaker 1>What's stuck to you from this one?

446
00:25:56.279 --> 00:25:58.640
<v Speaker 3>This is just the way that Odin prefers to talk

447
00:25:59.839 --> 00:26:03.839
<v Speaker 3>or conversation. He's just he likes to ask questions, leading

448
00:26:03.920 --> 00:26:07.599
<v Speaker 3>questions to get them to say something that ultimately he'll

449
00:26:07.599 --> 00:26:09.759
<v Speaker 3>never know exactly what he wants to know.

450
00:26:14.279 --> 00:26:18.160
<v Speaker 2>Yeah, that kind of riddling talk again that Odin seems

451
00:26:18.160 --> 00:26:20.599
<v Speaker 2>to be very fond of I.

452
00:26:20.559 --> 00:26:23.200
<v Speaker 1>Mean, I guess he's kind of like the Socrates of

453
00:26:23.200 --> 00:26:26.200
<v Speaker 1>the air. He's the god of wisdom. He's always asking questions.

454
00:26:26.759 --> 00:26:27.119
<v Speaker 2>Mm hmm.

455
00:26:31.519 --> 00:26:33.880
<v Speaker 1>Yeah. So he finds out that Balder is going to die.

456
00:26:34.079 --> 00:26:35.880
<v Speaker 1>He asked who's going to kill Balder. He finds out

457
00:26:35.880 --> 00:26:39.599
<v Speaker 1>it's going to be the god hold which and I

458
00:26:39.680 --> 00:26:44.480
<v Speaker 1>don't remember if this is explicitly described in the poetic

459
00:26:44.519 --> 00:26:46.559
<v Speaker 1>Adam maybe was earlier. I know it is in the

460
00:26:46.559 --> 00:26:54.279
<v Speaker 1>Prosta the Death of Balder when it's a Freaka or

461
00:26:55.039 --> 00:27:03.599
<v Speaker 1>Fred mixing up my god my gods. Now, basically there

462
00:27:03.720 --> 00:27:08.279
<v Speaker 1>there's a protection, you know, built on Balder where you know,

463
00:27:08.400 --> 00:27:10.319
<v Speaker 1>everything was made to give an oath that it couldn't

464
00:27:10.400 --> 00:27:14.640
<v Speaker 1>hurt Balder or something of that nature, except for one thing,

465
00:27:14.759 --> 00:27:17.160
<v Speaker 1>which is mistletoe, for whatever reason, didn't give its oath

466
00:27:17.200 --> 00:27:19.920
<v Speaker 1>that it was going to, you know, refrain from killing Balder.

467
00:27:19.920 --> 00:27:23.279
<v Speaker 1>And so Balder was basically invincible. And so the gods

468
00:27:23.640 --> 00:27:25.519
<v Speaker 1>developed this game where they were just like throw stuff

469
00:27:25.519 --> 00:27:30.039
<v Speaker 1>at Balder because nothing could hurt them, until finally Loki

470
00:27:31.960 --> 00:27:34.480
<v Speaker 1>sneaked in some mistletoe here to Hoad, who is a

471
00:27:34.480 --> 00:27:37.880
<v Speaker 1>blind god, and so he unwittingly, you know, threw the

472
00:27:37.920 --> 00:27:41.119
<v Speaker 1>one thing that could hurt Balder at him and ended

473
00:27:41.160 --> 00:27:47.079
<v Speaker 1>up killing him. And so then Odin finds out that

474
00:27:47.839 --> 00:27:49.599
<v Speaker 1>the one who's going to get vengeance is going to

475
00:27:49.599 --> 00:27:51.599
<v Speaker 1>be one of his children that he needs to go

476
00:27:51.640 --> 00:27:55.799
<v Speaker 1>and have so that will then have vengeance on Balder,

477
00:27:55.839 --> 00:27:58.319
<v Speaker 1>and so I know, it's we start to get kind

478
00:27:58.319 --> 00:28:07.079
<v Speaker 1>of soap opera here. Sounds very Greco Roman at this point.

479
00:28:04.640 --> 00:28:11.359
<v Speaker 3>Sephen crazy too, because like the like basically Volley won't

480
00:28:11.400 --> 00:28:15.160
<v Speaker 3>do anything until he like his son that's going to

481
00:28:15.240 --> 00:28:19.440
<v Speaker 3>be born, isn't really to do anything until he kills

482
00:28:21.279 --> 00:28:24.079
<v Speaker 3>hod like what his whole purpose was.

483
00:28:26.880 --> 00:28:30.519
<v Speaker 1>I am fascinated by the connections that have been made

484
00:28:30.720 --> 00:28:37.720
<v Speaker 1>between Balder and Christ when we're told that Balder is

485
00:28:38.200 --> 00:28:41.400
<v Speaker 1>going to die as like the beginning of essentially the

486
00:28:41.480 --> 00:28:43.160
<v Speaker 1>judgment on the gods, right at the beginning of the

487
00:28:44.079 --> 00:28:48.359
<v Speaker 1>Final Movement, and that following Ragnarok, he's actually going to

488
00:28:48.559 --> 00:28:50.079
<v Speaker 1>be resurrected and he's going to be one of the

489
00:28:50.079 --> 00:28:52.799
<v Speaker 1>gods that survives and lives into or it really kind

490
00:28:52.799 --> 00:28:56.319
<v Speaker 1>of ushers in the renewal of the cosmic order. And

491
00:28:56.319 --> 00:28:59.039
<v Speaker 1>in fact, even in verse nine here it says it

492
00:28:59.079 --> 00:29:02.920
<v Speaker 1>will dispatch the high glory tree, by which they means Balder,

493
00:29:02.920 --> 00:29:05.440
<v Speaker 1>and so Balder here is called the high Glory tree.

494
00:29:05.480 --> 00:29:07.480
<v Speaker 1>And so there are all these connections that can pretty

495
00:29:07.519 --> 00:29:11.920
<v Speaker 1>readily be made here symbolically speaking, between Balder and christ.

496
00:29:12.279 --> 00:29:14.119
<v Speaker 1>Not to say that was a one to one, but

497
00:29:15.279 --> 00:29:18.680
<v Speaker 1>I think that it is. You know, who's to say

498
00:29:18.720 --> 00:29:21.119
<v Speaker 1>how much of this has taken, you know, after the

499
00:29:21.200 --> 00:29:24.039
<v Speaker 1>Christian era versus before the Christian era. But you know,

500
00:29:24.079 --> 00:29:26.480
<v Speaker 1>you read someone like Lewis and he definitely thought that

501
00:29:26.880 --> 00:29:30.720
<v Speaker 1>what we have here is the pagan imagination approaching something real,

502
00:29:30.799 --> 00:29:32.079
<v Speaker 1>even if dim and distorted.

503
00:29:34.880 --> 00:29:40.799
<v Speaker 2>Yeah, and I've always been fascinated by this is slightly different.

504
00:29:40.839 --> 00:29:44.319
<v Speaker 2>But the pagan fascination of the hero who descends into

505
00:29:44.319 --> 00:29:49.759
<v Speaker 2>the underworld, that that is like this constantly recurring motif

506
00:29:49.880 --> 00:29:53.839
<v Speaker 2>from everybody from the Greeks to the Mayans, has the

507
00:29:53.880 --> 00:29:57.039
<v Speaker 2>hero or heroes who descend into the underworld to either

508
00:29:57.079 --> 00:30:01.119
<v Speaker 2>rescue a person or retrieve some boon. And of course,

509
00:30:01.240 --> 00:30:04.880
<v Speaker 2>you know, from Lewis's perspective, it's like, well, you know

510
00:30:04.960 --> 00:30:08.559
<v Speaker 2>that it's all for a pagan foreshadowing. Their imagination is

511
00:30:08.640 --> 00:30:12.359
<v Speaker 2>haunted by the future Harrowing of Hell by Christ.

512
00:30:13.599 --> 00:30:18.200
<v Speaker 1>Hm hm, yeah, I mean you can't escape it. That

513
00:30:18.480 --> 00:30:21.240
<v Speaker 1>death and resurrection. It's all over the pagan mythologies.

514
00:30:26.119 --> 00:30:28.799
<v Speaker 2>On a lighter note, I like that when Odin is

515
00:30:29.000 --> 00:30:32.079
<v Speaker 2>found out by this woman, he just gets peevish and

516
00:30:32.160 --> 00:30:34.799
<v Speaker 2>angry and says, you are not a serious nor a

517
00:30:34.799 --> 00:30:37.599
<v Speaker 2>wise woman. Rather, you are the mother of three ogres

518
00:30:38.559 --> 00:30:41.519
<v Speaker 2>got her, And it's like, well, there's no need for that.

519
00:30:43.279 --> 00:30:43.920
<v Speaker 2>I'm like, come on.

520
00:30:47.480 --> 00:30:51.319
<v Speaker 3>It's always interesting for people that nowadays latch onto this

521
00:30:51.400 --> 00:30:55.240
<v Speaker 3>stuff and like want to just believe all of this stuff,

522
00:30:55.279 --> 00:30:58.400
<v Speaker 3>and they don't really see, like you're saying some connections

523
00:30:58.440 --> 00:31:02.160
<v Speaker 3>to whether like the descent into the underworld or the

524
00:31:02.240 --> 00:31:05.240
<v Speaker 3>Christ figures, and it just seems like, you know, you

525
00:31:05.319 --> 00:31:08.640
<v Speaker 3>really didn't spend time like trying to read some other

526
00:31:08.680 --> 00:31:12.160
<v Speaker 3>stuff because there's just so much stuff. It's like ties

527
00:31:12.200 --> 00:31:14.160
<v Speaker 3>to it, just a little bit tweaked here and there

528
00:31:14.559 --> 00:31:15.200
<v Speaker 3>once in a while.

529
00:31:18.279 --> 00:31:22.960
<v Speaker 1>All right, well we'll come back around to Odin a

530
00:31:23.000 --> 00:31:26.519
<v Speaker 1>little bit. But now I guess moving on to the

531
00:31:26.559 --> 00:31:32.799
<v Speaker 1>list of rig also known as Himdahl and so Heimdahl

532
00:31:33.160 --> 00:31:35.759
<v Speaker 1>is we see going and basically we get him Dahal

533
00:31:35.839 --> 00:31:38.279
<v Speaker 1>being sort of like the progenitor of these three major

534
00:31:38.400 --> 00:31:44.759
<v Speaker 1>classes of people, different casts. You've got Thrall and Farmer

535
00:31:45.079 --> 00:31:47.319
<v Speaker 1>and Lord. So pretty on the nose here with what

536
00:31:47.400 --> 00:31:50.759
<v Speaker 1>we're talking about different you know, class of society. I

537
00:31:50.799 --> 00:31:58.799
<v Speaker 1>think it's interesting that the mother of Thrall is the

538
00:31:58.839 --> 00:32:02.279
<v Speaker 1>great is her name is great Grandmother, and then when

539
00:32:02.279 --> 00:32:05.920
<v Speaker 1>we moved to farmer, we go to grandmother, and then

540
00:32:06.000 --> 00:32:08.519
<v Speaker 1>for Lord we go to mother. And so it's like

541
00:32:08.519 --> 00:32:11.880
<v Speaker 1>we get this progression of time that as we get

542
00:32:12.160 --> 00:32:15.799
<v Speaker 1>you know, further and further in time, more and more recently,

543
00:32:15.839 --> 00:32:18.440
<v Speaker 1>I suppose that's when we get the newer cast being

544
00:32:18.480 --> 00:32:21.079
<v Speaker 1>developed up out of I suppose what came before it.

545
00:32:21.680 --> 00:32:26.599
<v Speaker 1>And so there's that kind of evolutionary sociology at play here.

546
00:32:30.440 --> 00:32:32.880
<v Speaker 3>It's kind of a weird take, maybe, but I like

547
00:32:33.519 --> 00:32:36.279
<v Speaker 3>kind of the hierarchy that it kind of gives because

548
00:32:36.319 --> 00:32:38.480
<v Speaker 3>it still shows the people that are the Thrall and

549
00:32:38.559 --> 00:32:41.680
<v Speaker 3>the Thrall women like a children they have, they lived

550
00:32:41.720 --> 00:32:44.559
<v Speaker 3>together and were happy and you know, like they're doing

551
00:32:45.119 --> 00:32:49.319
<v Speaker 3>their tasks or like not really like the most desired task.

552
00:32:49.440 --> 00:32:52.519
<v Speaker 3>But it's also like, you know, that's things that maybe

553
00:32:52.519 --> 00:32:56.200
<v Speaker 3>they're the extent of their abilities or the extent of

554
00:32:56.240 --> 00:33:03.519
<v Speaker 3>their like desire to do anything. But yeah, I enjoyed

555
00:33:03.519 --> 00:33:05.480
<v Speaker 3>this one because it's just interesting to see how it

556
00:33:05.839 --> 00:33:07.039
<v Speaker 3>described them differently.

557
00:33:08.559 --> 00:33:10.720
<v Speaker 2>Yeah, and like not not none of the three are

558
00:33:10.759 --> 00:33:15.319
<v Speaker 2>shown as unnecessary, right, you know that like even like it,

559
00:33:15.440 --> 00:33:17.839
<v Speaker 2>there seems to be a recognition here that like, okay,

560
00:33:17.920 --> 00:33:21.319
<v Speaker 2>even the people doing the most menial, undesirable tasks, well,

561
00:33:21.400 --> 00:33:24.000
<v Speaker 2>somebody's got to do it, you know. So it's like

562
00:33:24.480 --> 00:33:28.839
<v Speaker 2>the lords or the farmer, like their society couldn't function

563
00:33:29.079 --> 00:33:32.240
<v Speaker 2>without the people doing the work that nobody else wants

564
00:33:32.279 --> 00:33:33.440
<v Speaker 2>to do or can do.

565
00:33:38.680 --> 00:33:41.279
<v Speaker 1>Although at the same time, it's not super uplifting to

566
00:33:41.359 --> 00:33:46.039
<v Speaker 1>see like their names or it's like noisy cow, should boy, horsefly,

567
00:33:46.400 --> 00:33:53.640
<v Speaker 1>smelly fatty sluggard, it's.

568
00:33:49.359 --> 00:33:55.440
<v Speaker 2>Not their daughters are stumpy and dumpy and I'm like

569
00:33:55.839 --> 00:34:02.720
<v Speaker 2>what bulgie and Ash knows.

570
00:34:04.480 --> 00:34:13.679
<v Speaker 3>Yeah, not the I think it also like it's good

571
00:34:13.679 --> 00:34:15.599
<v Speaker 3>all the way at the end, but like forty seven

572
00:34:15.639 --> 00:34:19.519
<v Speaker 3>when he says because it has young kin, which I

573
00:34:19.559 --> 00:34:24.239
<v Speaker 3>guess when you're using the the original language, it's like

574
00:34:24.320 --> 00:34:26.840
<v Speaker 3>the young kin, so it's actually ends up being king

575
00:34:29.280 --> 00:34:32.000
<v Speaker 3>and him Deel asks like, why young king, are you

576
00:34:32.119 --> 00:34:35.199
<v Speaker 3>charming birds? Rather you could be riding horses, laying low

577
00:34:35.199 --> 00:34:38.400
<v Speaker 3>and army. Basically like he's he's doing things like where

578
00:34:38.559 --> 00:34:42.039
<v Speaker 3>he has like this draws back to the laf half

579
00:34:42.119 --> 00:34:44.880
<v Speaker 3>near where there he has the ability to talk to birds,

580
00:34:44.880 --> 00:34:46.840
<v Speaker 3>but he's kind of spending his time doing that rather

581
00:34:46.880 --> 00:34:49.599
<v Speaker 3>than like, you know, you're actually meant for greater things.

582
00:34:49.639 --> 00:34:56.320
<v Speaker 3>You need to get to it, man, because put in

583
00:34:56.360 --> 00:34:57.280
<v Speaker 3>all this work for him.

584
00:34:57.719 --> 00:35:03.519
<v Speaker 1>But yeah, yeah, and as he starts to embody his

585
00:35:04.079 --> 00:35:06.440
<v Speaker 1>role as king, it says he even got the right

586
00:35:06.519 --> 00:35:08.880
<v Speaker 1>to be called rig and to deploy runes, and he

587
00:35:08.880 --> 00:35:12.119
<v Speaker 1>gets like identified with Heimdahl essentially as he lives out

588
00:35:12.239 --> 00:35:13.400
<v Speaker 1>his destiny.

589
00:35:14.239 --> 00:35:17.320
<v Speaker 2>The kind of mine right of kings almost.

590
00:35:17.920 --> 00:35:21.280
<v Speaker 1>Right, right, he becomes like a stand in. He's the

591
00:35:21.960 --> 00:35:22.880
<v Speaker 1>vicar of Heimdahl.

592
00:35:25.480 --> 00:35:28.639
<v Speaker 2>Well, what's interesting is that each of these families of

593
00:35:28.719 --> 00:35:34.199
<v Speaker 2>people spring from an act of hospitality on the original

594
00:35:34.239 --> 00:35:38.559
<v Speaker 2>couple's part, where they show hospitality to rig Or Heimdall

595
00:35:38.679 --> 00:35:42.599
<v Speaker 2>by feeding him and speaking with him and how letting

596
00:35:42.639 --> 00:35:45.039
<v Speaker 2>him sleep in their bed essentially housing him for the

597
00:35:45.119 --> 00:35:49.840
<v Speaker 2>night and that and he blesses them with progeny based

598
00:35:49.960 --> 00:35:52.159
<v Speaker 2>on this, you know, and and this shows up in

599
00:35:52.239 --> 00:35:56.079
<v Speaker 2>multiple pagan mythologies that like when you show hospitality to

600
00:35:56.119 --> 00:36:00.559
<v Speaker 2>the stranger, you're potentially showing hospitality to the gods, and

601
00:36:00.679 --> 00:36:03.840
<v Speaker 2>you know that this could redound rebound to your good

602
00:36:03.960 --> 00:36:07.360
<v Speaker 2>I mean, and this goes this will linger all the

603
00:36:07.360 --> 00:36:11.760
<v Speaker 2>way into like early Saint higiographies like with you know,

604
00:36:12.079 --> 00:36:14.880
<v Speaker 2>I believe it's Martin of Tours who like shows hospitality

605
00:36:14.920 --> 00:36:17.559
<v Speaker 2>to a poor man and then has a dream where

606
00:36:17.639 --> 00:36:20.760
<v Speaker 2>Christ is like, well it was actually me or the

607
00:36:20.800 --> 00:36:23.320
<v Speaker 2>poor man was supposed to represent me and you gave

608
00:36:23.400 --> 00:36:24.880
<v Speaker 2>me your cloak. Here it is.

609
00:36:25.840 --> 00:36:26.039
<v Speaker 3>You know.

610
00:36:26.119 --> 00:36:29.119
<v Speaker 2>So this whole idea of you know, both in the

611
00:36:29.159 --> 00:36:33.679
<v Speaker 2>Pagan and Christian stories of showing you know, hospitality to

612
00:36:33.679 --> 00:36:37.440
<v Speaker 2>strangers because you never you never know, you know, you

613
00:36:37.519 --> 00:36:41.360
<v Speaker 2>might be showing hospitality to angels or gods or you.

614
00:36:41.280 --> 00:36:44.719
<v Speaker 1>Know, yeah they could.

615
00:36:46.400 --> 00:36:48.960
<v Speaker 3>I'm just gonna say they each of them is actually

616
00:36:49.039 --> 00:36:52.920
<v Speaker 3>like giving their best meal, you know, like the thralls

617
00:36:53.000 --> 00:36:58.360
<v Speaker 3>or giving like it's like a very desirable basically course

618
00:36:58.400 --> 00:37:03.440
<v Speaker 3>loaf with the broth from a calf that well, the

619
00:37:03.440 --> 00:37:06.360
<v Speaker 3>best of delicacies. We don't really get the far worst

620
00:37:06.840 --> 00:37:12.519
<v Speaker 3>kind of uh, it's left out. But then the other

621
00:37:12.559 --> 00:37:17.280
<v Speaker 3>one it's like silver dishes and all these different meats

622
00:37:17.320 --> 00:37:26.679
<v Speaker 3>and or or ornamented goblets. It's just like so exactly yeah, pointing.

623
00:37:26.360 --> 00:37:29.320
<v Speaker 1>Out Yeah, And I mean I think of this hospitality

624
00:37:29.320 --> 00:37:31.920
<v Speaker 1>idea that we see here and elsewhere, and it's this

625
00:37:31.960 --> 00:37:37.199
<v Speaker 1>idea that when you are holding out your hand to others, well,

626
00:37:37.280 --> 00:37:39.599
<v Speaker 1>now you're holding out your hand, and so now you're

627
00:37:39.639 --> 00:37:42.679
<v Speaker 1>able to receive right versus keeping what you have in

628
00:37:42.719 --> 00:37:45.039
<v Speaker 1>the closed hand. Well, now you're not in a posture

629
00:37:45.079 --> 00:37:49.960
<v Speaker 1>to receive anything else divine blessing, whatever, grace, mercy, and

630
00:37:50.039 --> 00:37:52.679
<v Speaker 1>so you need to be able to extend that hand out, brothers,

631
00:37:52.800 --> 00:37:56.719
<v Speaker 1>if you're going to receive yourself. I do think it's

632
00:37:56.719 --> 00:38:00.360
<v Speaker 1>interesting also how we see the advancement of society with

633
00:38:00.400 --> 00:38:04.920
<v Speaker 1>each of these casts. Where with Thrall, we don't get

634
00:38:04.960 --> 00:38:08.199
<v Speaker 1>any kind of marriage ceremony or anything. They're just together,

635
00:38:08.760 --> 00:38:11.239
<v Speaker 1>whereas once we go to Farmer, well, now there's an

636
00:38:11.280 --> 00:38:15.079
<v Speaker 1>exchanging of rings. Now there's actually a ceremony that's happening here.

637
00:38:15.159 --> 00:38:17.280
<v Speaker 1>That there there's a society is being raised to a

638
00:38:17.360 --> 00:38:22.199
<v Speaker 1>higher level. And then when you get to the Lord family,

639
00:38:23.800 --> 00:38:28.199
<v Speaker 1>now it's emphasized that they couple sat together gazing into

640
00:38:28.199 --> 00:38:32.119
<v Speaker 1>one another's eyes. Now we get romance, uh, something that

641
00:38:32.280 --> 00:38:36.800
<v Speaker 1>is a benefit of aristocracy compared to everyone else. You

642
00:38:36.960 --> 00:38:40.119
<v Speaker 1>just they just got to get paired up. Now we

643
00:38:40.119 --> 00:38:43.360
<v Speaker 1>can actually afford to have something like romantic love. And

644
00:38:43.599 --> 00:38:46.599
<v Speaker 1>so with each step there's allst more freedom.

645
00:38:50.360 --> 00:38:55.960
<v Speaker 3>Yeah. And uh and with the with the king, or

646
00:38:55.960 --> 00:39:01.760
<v Speaker 3>I guess with the with the Lord, it says then

647
00:39:01.840 --> 00:39:05.400
<v Speaker 3>he alone ruled eighteen settlements. He started to share his wealth,

648
00:39:06.000 --> 00:39:09.960
<v Speaker 3>offered to everyone's treasures and precious things, slim rope horses,

649
00:39:10.039 --> 00:39:14.760
<v Speaker 3>He scattered rings, hacked up our rings. Which all this

650
00:39:15.000 --> 00:39:17.800
<v Speaker 3>is like he's building them up to be good kings

651
00:39:17.920 --> 00:39:22.280
<v Speaker 3>and not to be tyrants, or building them up just

652
00:39:22.320 --> 00:39:25.800
<v Speaker 3>because like they're they have more wealth or more light

653
00:39:26.079 --> 00:39:29.079
<v Speaker 3>than they should just roll over everyone with the iron fist.

654
00:39:33.960 --> 00:39:39.320
<v Speaker 2>Yeah, there's that thing of like a good king is generous.

655
00:39:40.119 --> 00:39:43.199
<v Speaker 1>Yeah, we saw that in one of the poems and

656
00:39:43.639 --> 00:39:47.960
<v Speaker 1>a few sessions ago, where there was that like competition

657
00:39:48.039 --> 00:39:50.880
<v Speaker 1>between two different kings. I can't read the details. Let's

658
00:39:50.880 --> 00:39:55.559
<v Speaker 1>say the gods and goddesses were, you know, basically each

659
00:39:55.599 --> 00:39:57.599
<v Speaker 1>kind of pitch and eyed different king, and you know,

660
00:39:57.679 --> 00:39:59.400
<v Speaker 1>one of them was really cruel and stingy, and you

661
00:39:59.480 --> 00:40:01.559
<v Speaker 1>heat it up falling on his own sword, I believe.

662
00:40:02.639 --> 00:40:05.320
<v Speaker 1>And so there's that warning about like, you know, powerself,

663
00:40:05.400 --> 00:40:08.400
<v Speaker 1>like being a king is potentially a good thing, and

664
00:40:08.440 --> 00:40:11.599
<v Speaker 1>that there's nothing wrong with executing that kind of dominion

665
00:40:11.760 --> 00:40:14.719
<v Speaker 1>if you do it in the right manner. But the

666
00:40:14.719 --> 00:40:17.519
<v Speaker 1>one who is the king is just cruel and bloodthirsty

667
00:40:17.559 --> 00:40:24.800
<v Speaker 1>that he's inevitably going up falling on his own sword.

668
00:40:25.880 --> 00:40:31.559
<v Speaker 1>All right, Moving on to this song of Hindla, I

669
00:40:31.559 --> 00:40:37.239
<v Speaker 1>suppose Heindler maybe. So in the song of Heindler, we

670
00:40:37.360 --> 00:40:40.519
<v Speaker 1>have Freya who is trying to assist her protege o

671
00:40:40.719 --> 00:40:44.320
<v Speaker 1>Tar in gaining his inheritance against competing claims of someone

672
00:40:44.519 --> 00:40:49.400
<v Speaker 1>called h I'm I'm gone a tear. IM probably put

673
00:40:49.440 --> 00:40:54.840
<v Speaker 1>that terribly, and so she has to go to this

674
00:40:55.800 --> 00:41:00.559
<v Speaker 1>giantess to get some information out of her. I struggled

675
00:41:00.559 --> 00:41:02.519
<v Speaker 1>a little bit with this one, trying to figure out

676
00:41:02.920 --> 00:41:06.440
<v Speaker 1>exactly what's going on. So I'll for do you guys

677
00:41:06.480 --> 00:41:09.840
<v Speaker 1>to start us off here. What's something that stood out

678
00:41:09.840 --> 00:41:10.519
<v Speaker 1>to you from this one?

679
00:41:15.920 --> 00:41:19.239
<v Speaker 3>Yes, this is like a definitely a later or at

680
00:41:19.320 --> 00:41:23.000
<v Speaker 3>least the only existing ones, like a fourteenth century Icelandic codex,

681
00:41:23.599 --> 00:41:28.400
<v Speaker 3>so it could be later Yeah, there's a lot in

682
00:41:28.480 --> 00:41:29.280
<v Speaker 3>here that I feel.

683
00:41:30.199 --> 00:41:35.559
<v Speaker 1>See, it's like I just tell genealogical kind of stuff.

684
00:41:36.679 --> 00:41:38.599
<v Speaker 3>Yeah, And then it breaks in the middle and kind

685
00:41:38.599 --> 00:41:44.320
<v Speaker 3>of like talks about the gods side, which I I

686
00:41:44.320 --> 00:41:45.320
<v Speaker 3>think I liked better.

687
00:41:47.159 --> 00:41:51.159
<v Speaker 2>I see they seem to be trying to prove that

688
00:41:51.480 --> 00:41:57.159
<v Speaker 2>o Tar has like this great lineage that like into

689
00:41:57.239 --> 00:42:02.920
<v Speaker 2>like by somehow educating o Tar about his lineage, that's

690
00:42:02.920 --> 00:42:06.760
<v Speaker 2>going to help him somehow, Because there's a note because

691
00:42:06.800 --> 00:42:09.960
<v Speaker 2>like they call him Otar the simpleton. But if I

692
00:42:10.000 --> 00:42:12.719
<v Speaker 2>remember the note correctly in the back of the book

693
00:42:12.760 --> 00:42:15.880
<v Speaker 2>says like it's not that he's stupid, he's a simpleton

694
00:42:15.920 --> 00:42:18.559
<v Speaker 2>in the fact that he doesn't know. He's literally lacking

695
00:42:18.639 --> 00:42:24.679
<v Speaker 2>knowledge about his illustrious lineage, and somehow possessing the knowledge

696
00:42:24.719 --> 00:42:31.559
<v Speaker 2>about his family is going to be to his advantage.

697
00:42:32.000 --> 00:42:36.079
<v Speaker 2>Oh and this one had the very interesting reference in

698
00:42:36.159 --> 00:42:39.360
<v Speaker 2>that god list of one who is greater than all,

699
00:42:39.760 --> 00:42:42.239
<v Speaker 2>who will come after Odin, who, it says here in

700
00:42:42.280 --> 00:42:46.480
<v Speaker 2>the introduction, is conceivably an allusion to Jesus Christ.

701
00:42:48.320 --> 00:42:51.639
<v Speaker 1>Right, then it'll come another even mightier, though I dare

702
00:42:51.679 --> 00:42:54.360
<v Speaker 1>not say his name. You can see further than when

703
00:42:54.360 --> 00:43:00.880
<v Speaker 1>Odin has to meet the wolf, so there's some anticipation

704
00:43:01.360 --> 00:43:07.239
<v Speaker 1>of someone greater coming about after Odin's judgment essentially.

705
00:43:09.760 --> 00:43:16.519
<v Speaker 3>Yeah, So the whole setting of this was that Freya

706
00:43:16.719 --> 00:43:23.559
<v Speaker 3>is showing Odar that basically he's gonna he has the

707
00:43:23.639 --> 00:43:28.599
<v Speaker 3>lineage lineage the for claims to an inheritance that is

708
00:43:28.639 --> 00:43:32.840
<v Speaker 3>being contested against him. Mm hmmm, and he ends up

709
00:43:32.880 --> 00:43:37.000
<v Speaker 3>having it. Yeah. I thought that that was the line

710
00:43:37.039 --> 00:43:39.000
<v Speaker 3>that stuck out the most of me as well for

711
00:43:39.119 --> 00:43:44.320
<v Speaker 3>one that was to come later. Makes you wonder if

712
00:43:44.320 --> 00:43:48.119
<v Speaker 3>like they were hearing this from traders or from different

713
00:43:48.159 --> 00:43:50.760
<v Speaker 3>travelers at the time. I don't know.

714
00:43:51.920 --> 00:43:55.679
<v Speaker 1>Yeah, it's interesting because there's that, and then you know,

715
00:43:56.440 --> 00:43:59.440
<v Speaker 1>I don't spoil it. Yeah, when a couple of texts

716
00:43:59.800 --> 00:44:01.880
<v Speaker 1>that down the road that we're about to get to

717
00:44:02.239 --> 00:44:08.519
<v Speaker 1>and there's a mention of like a Christian woman and specifically,

718
00:44:08.880 --> 00:44:11.000
<v Speaker 1>and so we're definitely in an era. Now there's some

719
00:44:11.079 --> 00:44:16.360
<v Speaker 1>overlap here between Christian influence or at least recognition of Christians.

720
00:44:16.639 --> 00:44:20.599
<v Speaker 1>You know, whether this is you know, pre pre conversion

721
00:44:21.360 --> 00:44:23.800
<v Speaker 1>relations with Christians, I don't really know, but it's just

722
00:44:24.000 --> 00:44:26.960
<v Speaker 1>it's interesting here that now we're coming into some direct

723
00:44:27.000 --> 00:44:34.440
<v Speaker 1>connections between the Northern Mind and Christianity.

724
00:44:34.920 --> 00:44:38.679
<v Speaker 2>Yeah, and there seems to be this this understanding that

725
00:44:40.800 --> 00:44:45.239
<v Speaker 2>there is an order of being, like much greater than

726
00:44:45.239 --> 00:44:49.360
<v Speaker 2>the Acier, that the Acier or not the end all

727
00:44:49.719 --> 00:44:53.159
<v Speaker 2>be all there, that they are small g gods like

728
00:44:53.199 --> 00:44:56.320
<v Speaker 2>there there seems to be this understanding that there's some reality,

729
00:44:57.199 --> 00:45:00.519
<v Speaker 2>you know, and you know, like even above know, the

730
00:45:00.559 --> 00:45:03.719
<v Speaker 2>fate that seems to control all the asier and their actions,

731
00:45:04.280 --> 00:45:08.119
<v Speaker 2>that that there's you know, that that they are still

732
00:45:08.159 --> 00:45:13.239
<v Speaker 2>themselves contingent beings who are immeshed in the same fate

733
00:45:13.360 --> 00:45:16.239
<v Speaker 2>as all the mortals are. So it's like they're only

734
00:45:16.280 --> 00:45:20.079
<v Speaker 2>gods in the sense that they are superhuman, but they

735
00:45:20.199 --> 00:45:23.159
<v Speaker 2>you know, like they don't rule the world in the

736
00:45:23.239 --> 00:45:26.039
<v Speaker 2>sense that you know, they didn't make it. It was

737
00:45:26.079 --> 00:45:28.719
<v Speaker 2>there before them, it's going to be there after they're gone.

738
00:45:29.480 --> 00:45:35.400
<v Speaker 2>So it's like it's a completely different conception of the

739
00:45:35.519 --> 00:45:40.159
<v Speaker 2>Christian understanding or the Judeo Christian understanding of God as

740
00:45:40.360 --> 00:45:43.159
<v Speaker 2>the transcendent, omnipotent creator God.

741
00:45:44.280 --> 00:45:47.320
<v Speaker 1>Yeah, and that the gods experienced time essentially the same

742
00:45:47.320 --> 00:45:50.519
<v Speaker 1>way we do. They just live longer and you know,

743
00:45:50.519 --> 00:45:56.719
<v Speaker 1>they're they're stronger, obviously, but yeah, even the gods operate

744
00:45:56.760 --> 00:46:00.760
<v Speaker 1>according to fate, but even there's question regarding where did

745
00:46:00.800 --> 00:46:04.000
<v Speaker 1>the norms come from? Like what what what fate are

746
00:46:04.039 --> 00:46:07.840
<v Speaker 1>they working with? And so there is room for asking

747
00:46:08.440 --> 00:46:11.239
<v Speaker 1>what's at the top of things here, and they never

748
00:46:11.280 --> 00:46:11.920
<v Speaker 1>write into that.

749
00:46:12.599 --> 00:46:13.000
<v Speaker 3>Mm hmm.

750
00:46:15.360 --> 00:46:17.159
<v Speaker 1>So I do wonder where that line and it just

751
00:46:17.239 --> 00:46:19.039
<v Speaker 1>keeps standing out to me that that stands it from

752
00:46:19.079 --> 00:46:21.719
<v Speaker 1>forty four where it talks about someone coming after Odin

753
00:46:22.719 --> 00:46:25.079
<v Speaker 1>who's even greater in the name they can't mention, Like I,

754
00:46:25.239 --> 00:46:31.000
<v Speaker 1>I wonder when exactly that stands that it came into play.

755
00:46:30.800 --> 00:46:37.880
<v Speaker 2>Here, right it's or yeah, if this is.

756
00:46:38.199 --> 00:46:42.920
<v Speaker 1>You know, built into the actual pagan writing, then it's

757
00:46:43.280 --> 00:46:44.199
<v Speaker 1>very interesting.

758
00:46:44.480 --> 00:46:52.000
<v Speaker 2>Yeah, I don't know. Yeah. One modern, more modern fantasy

759
00:46:52.000 --> 00:46:55.440
<v Speaker 2>book that I've been reading through recently is Gene Wolf's

760
00:46:55.480 --> 00:46:58.719
<v Speaker 2>The Wizard Night. It's actually two books, and in that

761
00:46:59.280 --> 00:47:02.280
<v Speaker 2>he liked Tolkien takes a lot from the Norse, and

762
00:47:02.320 --> 00:47:07.480
<v Speaker 2>he has an analog to the Acier. He calls them

763
00:47:07.519 --> 00:47:10.719
<v Speaker 2>something different, but they are basically like the Norse gods,

764
00:47:10.840 --> 00:47:13.280
<v Speaker 2>like the one who's in charge is even called the

765
00:47:13.360 --> 00:47:17.760
<v Speaker 2>All Father. But there's like but there's even a recognition

766
00:47:17.880 --> 00:47:21.119
<v Speaker 2>among them that oh we're not the top of the heap,

767
00:47:21.559 --> 00:47:25.800
<v Speaker 2>and there's these beings above them who are essentially Judeo

768
00:47:25.920 --> 00:47:30.280
<v Speaker 2>Christian angels, and then above them is like the most

769
00:47:30.360 --> 00:47:33.639
<v Speaker 2>High God. So it's like you've got the acier sort

770
00:47:33.679 --> 00:47:38.800
<v Speaker 2>of nestled you know, between humans and angels essentially in

771
00:47:38.840 --> 00:47:43.199
<v Speaker 2>that conception and in this kind of nested doll relationship,

772
00:47:43.639 --> 00:47:47.159
<v Speaker 2>which is I thought was an interesting way of sort

773
00:47:47.159 --> 00:47:51.880
<v Speaker 2>of in this fantasy universe, kind of reconciling these two

774
00:47:51.960 --> 00:47:56.519
<v Speaker 2>different ideas, the two different cosmologies of Judeo Christian you know,

775
00:47:56.559 --> 00:48:01.039
<v Speaker 2>cosmology and the and the Norse one.

776
00:48:01.199 --> 00:48:05.199
<v Speaker 1>Yeah, and even in you know, with Tolkien's mythos, you know,

777
00:48:05.280 --> 00:48:09.199
<v Speaker 1>his valor are definitely I would say they're kind of

778
00:48:09.199 --> 00:48:13.239
<v Speaker 1>a blend almost between this year and angels. And you know,

779
00:48:13.280 --> 00:48:17.960
<v Speaker 1>in a in a BBC interview that he did that

780
00:48:18.039 --> 00:48:21.920
<v Speaker 1>Tolkien did, he's asked about his religion in his world

781
00:48:22.199 --> 00:48:25.400
<v Speaker 1>and the BBC Journal's camera who it is offhand, but

782
00:48:25.880 --> 00:48:29.400
<v Speaker 1>says that your people never call out the names of gods.

783
00:48:29.400 --> 00:48:32.800
<v Speaker 1>They call out like their ancestors or where they're from

784
00:48:32.880 --> 00:48:34.920
<v Speaker 1>or something I can battle, but they never call out

785
00:48:34.920 --> 00:48:36.920
<v Speaker 1>the names of gods. You know, why is that? And

786
00:48:37.079 --> 00:48:41.880
<v Speaker 1>Tolkien says that there's no place for something like Asgard

787
00:48:42.400 --> 00:48:45.480
<v Speaker 1>in my world, and so he's kind of quick to

788
00:48:45.559 --> 00:48:48.599
<v Speaker 1>on one hand, obviously this year are inspired by the

789
00:48:48.599 --> 00:48:51.960
<v Speaker 1>mythology that he loved, or the Valor are inspired by

790
00:48:52.000 --> 00:48:54.320
<v Speaker 1>the mythology that he loved. But at the same time he

791
00:48:54.400 --> 00:48:58.360
<v Speaker 1>sees them as something else, and so they take much

792
00:48:58.400 --> 00:49:00.679
<v Speaker 1>more angelic kind of role there, and so he kind

793
00:49:00.719 --> 00:49:07.119
<v Speaker 1>of conflates the two almost The Elder Scrolls in Philosophy,

794
00:49:07.559 --> 00:49:10.800
<v Speaker 1>a six week course beginning in September twenty twenty five.

795
00:49:13.039 --> 00:49:15.360
<v Speaker 1>I don't play many video games these days, but there

796
00:49:15.360 --> 00:49:18.079
<v Speaker 1>are certain titles that have stuck with me, enchanting the

797
00:49:18.079 --> 00:49:21.320
<v Speaker 1>mind of my youth and never entirely fading away. One

798
00:49:21.320 --> 00:49:24.000
<v Speaker 1>of the chiefs among these titles is The Elder Scrolls,

799
00:49:24.360 --> 00:49:29.159
<v Speaker 1>namely Marowin Oblivion and Skyrim. The level of artistry, mythology,

800
00:49:29.400 --> 00:49:32.199
<v Speaker 1>and lore of this universe is vast and provides a

801
00:49:32.199 --> 00:49:35.320
<v Speaker 1>strong representative for asking the question as to how video

802
00:49:35.360 --> 00:49:38.480
<v Speaker 1>games might relate to literature as an art form. Where

803
00:49:38.559 --> 00:49:41.239
<v Speaker 1>might it rise to such a level, where must it

804
00:49:41.320 --> 00:49:44.760
<v Speaker 1>fall short? And what unique advantages does it possess. For

805
00:49:44.840 --> 00:49:47.280
<v Speaker 1>this eight week study, we'll be seeking to answer these

806
00:49:47.360 --> 00:49:51.519
<v Speaker 1>questions while analyzing various elements of this franchise, specifically focusing

807
00:49:51.599 --> 00:49:55.159
<v Speaker 1>on content related to Morow and Oblivion and Skyrim. Will

808
00:49:55.159 --> 00:49:57.719
<v Speaker 1>be taking a look at the philosophy of RPGs and

809
00:49:57.920 --> 00:50:02.400
<v Speaker 1>considering the philosophical implications character creation and formation in an

810
00:50:02.400 --> 00:50:05.039
<v Speaker 1>open ended series such as this, and we'll be looking

811
00:50:05.079 --> 00:50:08.920
<v Speaker 1>at the relationship between in game religion, lore, and ideas

812
00:50:09.000 --> 00:50:13.199
<v Speaker 1>with our primary world philosophical and religious concepts. Each week

813
00:50:13.239 --> 00:50:16.519
<v Speaker 1>will include one to two videos addressing these topics, ongoing

814
00:50:16.519 --> 00:50:20.079
<v Speaker 1>discord conversations, and live meetings. You are also encouraged to

815
00:50:20.079 --> 00:50:22.079
<v Speaker 1>spend at least a little time playing one of these

816
00:50:22.079 --> 00:50:26.320
<v Speaker 1>titles each week as a launching pad for conversation. Join

817
00:50:26.400 --> 00:50:29.159
<v Speaker 1>us in Tamreil that we might better understand our primary

818
00:50:29.199 --> 00:50:32.360
<v Speaker 1>life here on Munda's enrolled today by going to patreon

819
00:50:32.400 --> 00:50:35.000
<v Speaker 1>dot com slash Mythic Mind and checking out the shop,

820
00:50:35.599 --> 00:50:38.519
<v Speaker 1>or you can access all courses at begin during your

821
00:50:38.559 --> 00:50:42.679
<v Speaker 1>subscription period. If you purchase a Tier three annual subscription,

822
00:50:43.320 --> 00:50:45.639
<v Speaker 1>get that Tier three annual subscription and I'll give you

823
00:50:45.639 --> 00:50:48.639
<v Speaker 1>that special code for your all access pass. I hope

824
00:50:48.679 --> 00:51:02.639
<v Speaker 1>to see you there, which it is kind of interesting that,

825
00:51:02.960 --> 00:51:06.840
<v Speaker 1>you know, if you look at just how the mythologies

826
00:51:07.039 --> 00:51:11.159
<v Speaker 1>were adapted from the old pagan world into like medieval Christianity,

827
00:51:11.920 --> 00:51:14.519
<v Speaker 1>that in large part, in fact, even Plato himself did

828
00:51:14.559 --> 00:51:17.320
<v Speaker 1>this where he would take the gods and he basically

829
00:51:17.360 --> 00:51:21.559
<v Speaker 1>relegated them to a lower kind of position, where he

830
00:51:21.639 --> 00:51:24.440
<v Speaker 1>basically took what we think of as the Greco Roman

831
00:51:24.519 --> 00:51:27.800
<v Speaker 1>pantheon they're the Greek pantheon for him, and made them

832
00:51:28.320 --> 00:51:33.519
<v Speaker 1>like well, damons, He made them lesser beings, whereas he

833
00:51:33.639 --> 00:51:37.480
<v Speaker 1>had something like a monotheistic creator God who is ultimately,

834
00:51:37.719 --> 00:51:39.760
<v Speaker 1>you know, in charge of putting things into order, but

835
00:51:39.840 --> 00:51:42.960
<v Speaker 1>he downgrades them. And the medieval Christians larger took that position,

836
00:51:43.000 --> 00:51:45.239
<v Speaker 1>which is why they're okay talking about, well why we

837
00:51:45.239 --> 00:51:48.360
<v Speaker 1>still call the planets by their you know, Roman god names,

838
00:51:48.480 --> 00:51:50.400
<v Speaker 1>because they're very much okay with that just kind of

839
00:51:50.400 --> 00:51:53.000
<v Speaker 1>moving the context around a little bit and downgrading what

840
00:51:53.039 --> 00:51:54.039
<v Speaker 1>it is that we're talking about.

841
00:51:55.119 --> 00:51:59.119
<v Speaker 2>And they kept the names of months and days. They

842
00:51:59.119 --> 00:52:00.480
<v Speaker 2>didn't try to Christian eyes.

843
00:52:00.360 --> 00:52:07.239
<v Speaker 4>Them, right, They basically treated the old gods as misunderstood

844
00:52:07.920 --> 00:52:12.719
<v Speaker 4>angelic powers don't have a seguay.

845
00:52:13.639 --> 00:52:19.519
<v Speaker 1>Moving to I suppose the Song of Grotty. So in

846
00:52:19.800 --> 00:52:24.320
<v Speaker 1>this song and the poem, the Danish king Frodie acquires

847
00:52:24.360 --> 00:52:27.559
<v Speaker 1>on a visit to Sweden two female slaves whom he

848
00:52:27.599 --> 00:52:31.119
<v Speaker 1>takes home to grind with the magic millstone Grotty and

849
00:52:32.800 --> 00:52:36.760
<v Speaker 1>this magic stone with millstone would grind out whatever the

850
00:52:36.800 --> 00:52:40.480
<v Speaker 1>grinder is asking for, and so he puts these slaves

851
00:52:40.480 --> 00:52:43.679
<v Speaker 1>to work. We find out eventually that they actually made

852
00:52:43.679 --> 00:52:47.880
<v Speaker 1>this thing once upon a time. Yeah, and you know,

853
00:52:48.000 --> 00:52:50.679
<v Speaker 1>at first, they're willing to go along with whatever he

854
00:52:50.719 --> 00:52:53.320
<v Speaker 1>tells them to do, but he just drives them too far,

855
00:52:53.440 --> 00:52:56.639
<v Speaker 1>doesn't let them sleep. He's just so abusive and driving

856
00:52:56.679 --> 00:53:00.760
<v Speaker 1>toward them that eventually they grind out and army to

857
00:53:00.800 --> 00:53:06.960
<v Speaker 1>attack him. And that's where it ends anything at from this.

858
00:53:09.119 --> 00:53:13.360
<v Speaker 3>Yeah, I mean, just maybe maybe this is just like

859
00:53:13.400 --> 00:53:19.639
<v Speaker 3>a lesson to not drive your slaves basically to exhaustion

860
00:53:19.800 --> 00:53:20.159
<v Speaker 3>or death.

861
00:53:23.599 --> 00:53:23.800
<v Speaker 1>Yeah.

862
00:53:23.800 --> 00:53:26.119
<v Speaker 2>It reminds me what is it from the movie The

863
00:53:26.199 --> 00:53:32.159
<v Speaker 2>Ten Commandments? Charlton Hessen's Moses tells Pharaoh at some point like,

864
00:53:32.239 --> 00:53:35.480
<v Speaker 2>you know, hell, you know, well, fed slaves make many bricks,

865
00:53:35.559 --> 00:53:41.760
<v Speaker 2>Starving slaves make nons. So I think at one point,

866
00:53:41.920 --> 00:53:45.199
<v Speaker 2>don't they mentioned that the two women are also giantesses.

867
00:53:45.679 --> 00:53:47.480
<v Speaker 2>Am I misremembering that.

868
00:53:48.480 --> 00:53:50.280
<v Speaker 1>I think that's.

869
00:53:51.400 --> 00:53:58.320
<v Speaker 2>Right because they mentioned giants as they're close kinsmen, right,

870
00:53:58.360 --> 00:54:01.800
<v Speaker 2>and that they're descended from them.

871
00:54:01.920 --> 00:54:02.679
<v Speaker 3>Yeah, you're right.

872
00:54:07.519 --> 00:54:10.920
<v Speaker 1>Yeah, probably not a good idea to enslave giantesses.

873
00:54:16.280 --> 00:54:19.320
<v Speaker 3>But they can push a mill man, they can do it. Yeah.

874
00:54:22.719 --> 00:54:24.920
<v Speaker 1>Yeah, This one I think is a pretty obvious lesson

875
00:54:25.239 --> 00:54:29.360
<v Speaker 1>in treating your people well, Like, even if you know

876
00:54:29.400 --> 00:54:32.119
<v Speaker 1>they're they're slaves, don't don't overdo it. Don't consume them,

877
00:54:32.280 --> 00:54:33.639
<v Speaker 1>or you turn will be consumed.

878
00:54:34.000 --> 00:54:37.880
<v Speaker 2>They're they're given an animal's job, you know, to turn

879
00:54:37.960 --> 00:54:42.400
<v Speaker 2>a millstone. And so it's almost like if you degrade

880
00:54:42.519 --> 00:54:46.320
<v Speaker 2>people in this way, it won't end well for you.

881
00:54:47.639 --> 00:54:50.800
<v Speaker 1>Right, And so even though they have this firm castastem,

882
00:54:50.840 --> 00:54:55.840
<v Speaker 1>there's a clear social hierarchy that, for no other reason

883
00:54:55.840 --> 00:54:59.599
<v Speaker 1>than just pragmatic reasons, there's a reason for the lords

884
00:54:59.599 --> 00:55:01.960
<v Speaker 1>to treat their people well for no other reason than

885
00:55:02.000 --> 00:55:04.679
<v Speaker 1>simply because that's going to help them to get more

886
00:55:04.679 --> 00:55:09.039
<v Speaker 1>of what they want. I don't have anything else from

887
00:55:09.079 --> 00:55:12.000
<v Speaker 1>this one, unless yere Okay, I think it's pretty straightforard

888
00:55:12.039 --> 00:55:15.280
<v Speaker 1>lest on that one, all right, Next one grow his

889
00:55:15.559 --> 00:55:21.400
<v Speaker 1>chant to these This is what's this one? Okay, So

890
00:55:21.440 --> 00:55:31.960
<v Speaker 1>this one is Zip Dugger is going to his dead

891
00:55:32.039 --> 00:55:36.960
<v Speaker 1>mom to get some kind of blessing to go off

892
00:55:37.000 --> 00:55:43.599
<v Speaker 1>on this impossible wooing mission he's been given. Is basically

893
00:55:43.599 --> 00:55:44.440
<v Speaker 1>what's going on here.

894
00:55:47.519 --> 00:55:50.519
<v Speaker 3>From the you know it was. It was a later

895
00:55:50.559 --> 00:55:53.360
<v Speaker 3>written one to try and kind of like build it

896
00:55:53.440 --> 00:55:57.519
<v Speaker 3>up again, and I actually had some I think irish

897
00:55:57.559 --> 00:56:03.599
<v Speaker 3>connections just in somebody like the myth mm hmm type

898
00:56:03.639 --> 00:56:05.559
<v Speaker 3>things that was interesting.

899
00:56:09.400 --> 00:56:11.760
<v Speaker 2>This is the one you mentioned earlier. Andrew with the

900
00:56:11.880 --> 00:56:15.360
<v Speaker 2>it mentions the Christian woman and stands at thirteen you know.

901
00:56:15.400 --> 00:56:19.440
<v Speaker 2>She she's giving her son advice the U and says

902
00:56:19.840 --> 00:56:22.239
<v Speaker 2>this eighth one, I will chant for you less to night,

903
00:56:22.400 --> 00:56:25.519
<v Speaker 2>overtake you in the open, out on a misty path,

904
00:56:26.119 --> 00:56:28.920
<v Speaker 2>so that it's inconceivable that she might do you harm

905
00:56:29.079 --> 00:56:30.320
<v Speaker 2>a dead Christian woman.

906
00:56:31.880 --> 00:56:33.400
<v Speaker 1>I'm not really sure what to make of that, but

907
00:56:33.519 --> 00:56:37.519
<v Speaker 1>it seems interesting. Yeah, by a dead Christian woman would

908
00:56:37.639 --> 00:56:38.559
<v Speaker 1>pose a threat to him.

909
00:56:39.119 --> 00:56:41.519
<v Speaker 2>I like the imagery though, you know, less night overtake

910
00:56:41.599 --> 00:56:43.920
<v Speaker 2>you in the open. So maybe it's this idea that like,

911
00:56:44.360 --> 00:56:46.639
<v Speaker 2>if you're caught out in the open after dark, you

912
00:56:46.679 --> 00:56:52.559
<v Speaker 2>could encounter like the vengeful dead or something like that. Interesting,

913
00:56:52.920 --> 00:56:55.320
<v Speaker 2>a banshee of some kind, you know, the kind of

914
00:56:56.320 --> 00:56:58.320
<v Speaker 2>vengeful spirit of right.

915
00:56:58.679 --> 00:57:07.719
<v Speaker 1>So maybe yeah, so with Christian representing a hostile spiritual power,

916
00:57:07.760 --> 00:57:11.559
<v Speaker 1>perhaps that maybe hey, maybe Christian ghosts or something like

917
00:57:11.599 --> 00:57:17.119
<v Speaker 1>Bookiyman to the to the north Pagans. Yeah, so she

918
00:57:17.599 --> 00:57:20.400
<v Speaker 1>gives him all these well, she chants all these things

919
00:57:20.400 --> 00:57:25.360
<v Speaker 1>over him that just provide different kinds of protection, very

920
00:57:25.440 --> 00:57:30.199
<v Speaker 1>much in line with the kind of runic wisdom text

921
00:57:30.239 --> 00:57:33.920
<v Speaker 1>that we've seen previously. We'll just go through saying what

922
00:57:34.079 --> 00:57:40.039
<v Speaker 1>different I don't know, different ways to get power, I guess, Yeah,

923
00:57:40.039 --> 00:57:41.440
<v Speaker 1>I don't have anything else to say about that.

924
00:57:42.599 --> 00:57:45.920
<v Speaker 3>Yeah, this one's kind of just straightforward, Champion.

925
00:57:46.679 --> 00:57:50.159
<v Speaker 2>It's set up for the next one too, right, Yeah,

926
00:57:50.320 --> 00:57:58.360
<v Speaker 2>because with the circular quest for the.

927
00:57:56.639 --> 00:58:01.679
<v Speaker 1>The rooster, right, yeah, so this is the one where

928
00:58:04.599 --> 00:58:06.519
<v Speaker 1>Zip Dog that that P and the D right next

929
00:58:06.559 --> 00:58:10.719
<v Speaker 1>each other, throws me off that Zip Dog finally goes

930
00:58:10.760 --> 00:58:17.199
<v Speaker 1>off for his quest here to wed see me glowed.

931
00:58:18.880 --> 00:58:22.320
<v Speaker 1>But he meets with this giant on the pathway and

932
00:58:22.599 --> 00:58:26.599
<v Speaker 1>he's given yeah, the circular requests of let's see who

933
00:58:27.159 --> 00:58:28.719
<v Speaker 1>I don't know, can you can you remember offhand what

934
00:58:28.760 --> 00:58:29.360
<v Speaker 1>he had to do.

935
00:58:31.440 --> 00:58:31.599
<v Speaker 3>Here.

936
00:58:32.000 --> 00:58:34.639
<v Speaker 2>Yeah, it's like he needs to get into this meat

937
00:58:34.679 --> 00:58:37.559
<v Speaker 2>hall or whatnot. But to get past the gates, he

938
00:58:37.639 --> 00:58:42.679
<v Speaker 2>needs to give the guard dogs meat from this rooster cock.

939
00:58:43.840 --> 00:58:46.360
<v Speaker 2>But the the only weapon that can kill the bird

940
00:58:46.639 --> 00:58:48.519
<v Speaker 2>is I think a scythe or something, but it's in

941
00:58:48.559 --> 00:58:51.519
<v Speaker 2>the possession of a giantess and she will only yield

942
00:58:51.559 --> 00:58:56.159
<v Speaker 2>the weapon. Oh, because the side is inside the rooster's body.

943
00:58:56.840 --> 00:59:00.559
<v Speaker 2>So you and then well, you know, I was, yeah, circuit,

944
00:59:00.599 --> 00:59:02.679
<v Speaker 2>and when I was reading this too, it reminds me

945
00:59:02.800 --> 00:59:07.360
<v Speaker 2>of those like really strong out video game quests where

946
00:59:07.360 --> 00:59:09.920
<v Speaker 2>you're trying to do something simple like get into a

947
00:59:10.000 --> 00:59:12.199
<v Speaker 2>place and they're like, well, you got to get this

948
00:59:12.400 --> 00:59:15.159
<v Speaker 2>key from this guy. Oh, I'll only give you the

949
00:59:15.280 --> 00:59:19.239
<v Speaker 2>key if you bring me you know, twenty seven nern

950
00:59:19.360 --> 00:59:21.280
<v Speaker 2>roots or something like that, And then you go off

951
00:59:21.280 --> 00:59:23.400
<v Speaker 2>and do that, and then it turn out you got

952
00:59:23.400 --> 00:59:27.159
<v Speaker 2>to do something else. You've spent like three hours just

953
00:59:27.159 --> 00:59:28.320
<v Speaker 2>trying to open a door.

954
00:59:30.360 --> 00:59:33.119
<v Speaker 3>Thomist has still burned from the one small favorite quest

955
00:59:33.159 --> 00:59:36.960
<v Speaker 3>from Real Escape, just non stop go.

956
00:59:41.920 --> 00:59:44.199
<v Speaker 1>And then after all that, he just says who he is,

957
00:59:44.280 --> 00:59:45.800
<v Speaker 1>and then we just bypassed the whole thing.

958
00:59:46.199 --> 00:59:48.440
<v Speaker 2>Yeah, he's like, oh, well, if you had just said so,

959
00:59:48.760 --> 00:59:51.079
<v Speaker 2>I would, But.

960
00:59:51.159 --> 00:59:54.320
<v Speaker 3>I think that's what he recognizes. He's like, yeah, that's

961
00:59:54.519 --> 00:59:57.000
<v Speaker 3>that's not gonna happen, Like it's impossible. I'm just gonna

962
00:59:57.000 --> 01:00:00.199
<v Speaker 3>like fruit force my I have all these like all

963
01:00:00.239 --> 01:00:06.639
<v Speaker 3>this protection on, I'll just force my way in. Yeah.

964
01:00:06.679 --> 01:00:09.519
<v Speaker 2>Like I get the idea that this one was written

965
01:00:09.639 --> 01:00:13.440
<v Speaker 2>with the intent to be funny because of the absurdity

966
01:00:13.559 --> 01:00:17.719
<v Speaker 2>of the ridiculous quest that's impossible to fulfill. And then

967
01:00:18.119 --> 01:00:20.079
<v Speaker 2>all he had to do was say his name in

968
01:00:20.119 --> 01:00:27.199
<v Speaker 2>the first place to get in, because yeah, I guess

969
01:00:27.199 --> 01:00:33.880
<v Speaker 2>he's been prophesied to like come there, because the lady

970
01:00:33.920 --> 01:00:36.440
<v Speaker 2>of the house is like, oh, is he really here?

971
01:00:36.760 --> 01:00:39.840
<v Speaker 2>You know, like she's you know, she she almost doesn't

972
01:00:39.840 --> 01:00:42.119
<v Speaker 2>believe that he's he's shown up.

973
01:00:46.159 --> 01:00:47.480
<v Speaker 3>And I thought it was in this one where it

974
01:00:47.519 --> 01:00:51.000
<v Speaker 3>was actually in Balder's dreams with garm the dog that

975
01:00:51.079 --> 01:00:57.440
<v Speaker 3>basically was like reminded me of the guard dog at

976
01:00:55.079 --> 01:00:58.599
<v Speaker 3>a tumbno or whatever.

977
01:01:02.599 --> 01:01:11.159
<v Speaker 1>Yeah, right, definitely definitely some Cerberus vibes as well. I mean,

978
01:01:11.199 --> 01:01:17.000
<v Speaker 1>this idea of the Underworld guard dog. But yeah, I mean,

979
01:01:17.039 --> 01:01:20.000
<v Speaker 1>as you said that, it's like they're like prophesider they're're

980
01:01:20.039 --> 01:01:25.079
<v Speaker 1>fated to be together. So again we get this idea

981
01:01:25.159 --> 01:01:28.199
<v Speaker 1>that no matter how complicated things are, things are going

982
01:01:28.239 --> 01:01:29.599
<v Speaker 1>to turn out the way that they're going to turn out,

983
01:01:29.880 --> 01:01:31.280
<v Speaker 1>the way that they're supposed to turn out, the way

984
01:01:31.320 --> 01:01:34.440
<v Speaker 1>that they're written to turn out, and so in the end,

985
01:01:34.519 --> 01:01:35.960
<v Speaker 1>the norms always win.

986
01:01:36.719 --> 01:01:39.239
<v Speaker 2>Oh yeah, he explicitly says this is no man can

987
01:01:39.280 --> 01:01:44.440
<v Speaker 2>overcome URD's decree, and Urge is one of the three Norns.

988
01:01:44.199 --> 01:01:44.599
<v Speaker 3>Right.

989
01:01:49.519 --> 01:01:52.679
<v Speaker 1>Right, No one can overturn Urg's decree, even if it's

990
01:01:52.719 --> 01:01:58.840
<v Speaker 1>been shamefully laid down. And so I guess that's even

991
01:01:59.159 --> 01:02:02.480
<v Speaker 1>It's like fate is written out, or at least revealed

992
01:02:02.639 --> 01:02:07.039
<v Speaker 1>by the Norns, and you know, the way that it

993
01:02:07.079 --> 01:02:10.400
<v Speaker 1>is carried out can have nobility or shame depending on

994
01:02:10.480 --> 01:02:13.480
<v Speaker 1>how you are conducting yourself, but in the end, the

995
01:02:13.719 --> 01:02:15.000
<v Speaker 1>end result is going to be the same.

996
01:02:18.400 --> 01:02:21.280
<v Speaker 2>It's like the whole time travel trope in science fiction.

997
01:02:21.519 --> 01:02:25.199
<v Speaker 2>You know, you you'll cause the very thing you're trying

998
01:02:25.199 --> 01:02:26.559
<v Speaker 2>to prevent, you.

999
01:02:26.559 --> 01:02:30.960
<v Speaker 1>Know, right, like in a Futurama where Fry becomes his

1000
01:02:31.000 --> 01:02:31.639
<v Speaker 1>own grandmother.

1001
01:02:36.280 --> 01:02:37.960
<v Speaker 2>I was thinking of Terminator, but that.

1002
01:02:44.679 --> 01:02:47.400
<v Speaker 1>All right, well, I guess now moving on to the

1003
01:02:47.519 --> 01:02:53.079
<v Speaker 1>last one, the waking of I'm Got I'm Gone to here,

1004
01:02:53.119 --> 01:02:54.400
<v Speaker 1>I'm gone to here. We'll get that.

1005
01:02:54.840 --> 01:02:58.000
<v Speaker 2>This one was my favorite, and the whole book. I

1006
01:02:58.039 --> 01:03:03.840
<v Speaker 2>loved this one. It was just so I just love

1007
01:03:03.920 --> 01:03:07.400
<v Speaker 2>this idea of this girl like going to like you know,

1008
01:03:08.639 --> 01:03:11.800
<v Speaker 2>essentially converse with the spirit of her dead father and

1009
01:03:11.840 --> 01:03:14.199
<v Speaker 2>they keep you know, you know. It was it was

1010
01:03:14.280 --> 01:03:17.599
<v Speaker 2>very dramatic and you could get a lot of feel

1011
01:03:17.679 --> 01:03:19.360
<v Speaker 2>for the two characters.

1012
01:03:19.480 --> 01:03:19.679
<v Speaker 3>You know.

1013
01:03:21.280 --> 01:03:25.280
<v Speaker 1>Yeah, And so she's trying to if I call correctly,

1014
01:03:25.280 --> 01:03:28.159
<v Speaker 1>she's trying to get like this sword from him, right, yes,

1015
01:03:29.519 --> 01:03:32.599
<v Speaker 1>and he's very reluctant to give it to her because

1016
01:03:32.639 --> 01:03:39.119
<v Speaker 1>he says it's cursed, which also reminds me of Turin

1017
01:03:39.480 --> 01:03:46.280
<v Speaker 1>Turnbar and his her sword. And so yeah, and the

1018
01:03:46.360 --> 01:03:51.159
<v Speaker 1>whole environment is very kind of haunting here. When you

1019
01:03:51.239 --> 01:03:54.920
<v Speaker 1>see the shepherd here who's initially trying to turn her away,

1020
01:03:55.639 --> 01:03:58.960
<v Speaker 1>says foolish. Seems to me anyone who journeys here, a

1021
01:03:59.000 --> 01:04:02.440
<v Speaker 1>person alone in dark shadows of night. Flames are flickering,

1022
01:04:02.480 --> 01:04:06.719
<v Speaker 1>the mounds are opening, solid ground and marshland burning. Let's

1023
01:04:06.760 --> 01:04:11.960
<v Speaker 1>go more swiftly. Still, it's really this just hellish kind

1024
01:04:12.000 --> 01:04:14.159
<v Speaker 1>of environment. Like the mounds are opening. It's like that

1025
01:04:14.199 --> 01:04:16.760
<v Speaker 1>the dead are coming away here. Everything's on fire, the

1026
01:04:16.760 --> 01:04:20.559
<v Speaker 1>marsh lands on fire, which when you read Beowulf, this

1027
01:04:20.639 --> 01:04:25.559
<v Speaker 1>is basically the Grendel's Layer, you know, Grendel's mother. This,

1028
01:04:25.559 --> 01:04:28.199
<v Speaker 1>this environment is very much described this way of like

1029
01:04:28.280 --> 01:04:34.280
<v Speaker 1>burning marshland, because this brings up something like the Norse

1030
01:04:34.840 --> 01:04:37.320
<v Speaker 1>vision of hell or sort of like a haunting kind

1031
01:04:37.360 --> 01:04:40.199
<v Speaker 1>of environment. And so we see this come up even

1032
01:04:40.239 --> 01:04:44.000
<v Speaker 1>in you know, the Baywell story, which is at least

1033
01:04:44.400 --> 01:04:51.840
<v Speaker 1>culturally connected, and it.

1034
01:04:51.760 --> 01:04:55.360
<v Speaker 2>Brings to mind the marsh fires in the dead marshes,

1035
01:04:56.119 --> 01:04:57.800
<v Speaker 2>right and all the dead you.

1036
01:04:57.760 --> 01:04:59.559
<v Speaker 1>Know, right, same idea.

1037
01:05:02.920 --> 01:05:06.679
<v Speaker 2>And also the barrows too, there's kind of a barrow

1038
01:05:06.760 --> 01:05:11.039
<v Speaker 2>white feel to all this. And the sword that she

1039
01:05:11.119 --> 01:05:15.079
<v Speaker 2>gets out of the mound, like the three Hobbits get

1040
01:05:15.079 --> 01:05:23.760
<v Speaker 2>their get magic swords from the mounds. I mean, I

1041
01:05:23.840 --> 01:05:28.039
<v Speaker 2>like that even her dead father understands like she shouldn't

1042
01:05:28.119 --> 01:05:31.039
<v Speaker 2>be doing this, you know, Harvore, daughter, why do you

1043
01:05:31.119 --> 01:05:34.159
<v Speaker 2>call out so risking danger runs? You are heading for

1044
01:05:34.199 --> 01:05:37.199
<v Speaker 2>a disaster, You are mad, you are out of your wits,

1045
01:05:37.280 --> 01:05:43.039
<v Speaker 2>your thinkings awry to awaken dead men. So he's like, yeah,

1046
01:05:43.079 --> 01:05:46.159
<v Speaker 2>like don't practice necromancy, don't talk to the dead. This

1047
01:05:46.280 --> 01:05:49.199
<v Speaker 2>isn't gonna end. Well, there's nothing I could give you

1048
01:05:49.280 --> 01:05:50.920
<v Speaker 2>that is going to help you.

1049
01:05:54.039 --> 01:05:54.320
<v Speaker 4>Huh.

1050
01:05:54.400 --> 01:05:54.719
<v Speaker 1>Yeah.

1051
01:05:55.559 --> 01:05:56.400
<v Speaker 4>And then.

1052
01:05:57.719 --> 01:06:00.719
<v Speaker 1>We're told here in the intro I guess probably in

1053
01:06:00.920 --> 01:06:04.440
<v Speaker 1>the text as well, that her voard that she dresses

1054
01:06:04.480 --> 01:06:06.760
<v Speaker 1>as a man and calls herself by a man's name,

1055
01:06:06.840 --> 01:06:10.360
<v Speaker 1>her Vard, and she leads a band of vikings out

1056
01:06:10.400 --> 01:06:13.360
<v Speaker 1>and so she adopts the role of a man in

1057
01:06:13.440 --> 01:06:17.440
<v Speaker 1>order to charge off into war very aoin, you know,

1058
01:06:17.440 --> 01:06:22.199
<v Speaker 1>even changing her name to do so. And then at

1059
01:06:22.239 --> 01:06:26.920
<v Speaker 1>least tangential connection here, you've got this Aoin kind of vibe.

1060
01:06:27.320 --> 01:06:30.559
<v Speaker 1>We also get communicating with the dead, and so you know,

1061
01:06:30.639 --> 01:06:35.000
<v Speaker 1>it's kind of there's there's some general vague connections here

1062
01:06:35.440 --> 01:06:37.480
<v Speaker 1>with that part in Lord of the Rings.

1063
01:06:37.880 --> 01:06:41.199
<v Speaker 3>Right, I think it's easy to say that he probably

1064
01:06:41.239 --> 01:06:41.920
<v Speaker 3>liked this story.

1065
01:06:42.800 --> 01:06:44.480
<v Speaker 1>Yeah, there's a lot.

1066
01:06:44.320 --> 01:06:45.920
<v Speaker 3>Of a lot of stuff from here.

1067
01:06:48.599 --> 01:06:52.559
<v Speaker 2>Oh and it even says that the sword Tearfing is

1068
01:06:52.599 --> 01:06:54.519
<v Speaker 2>a dwarf crafted weapon.

1069
01:06:55.280 --> 01:06:57.119
<v Speaker 1>Right by Dvalin.

1070
01:06:58.519 --> 01:06:59.320
<v Speaker 2>Oh that's right.

1071
01:06:59.440 --> 01:07:05.960
<v Speaker 1>Yeah, yeah, And so we're continuing this theme that we've

1072
01:07:05.960 --> 01:07:10.360
<v Speaker 1>seen in a lot of the female leads of these stories,

1073
01:07:10.719 --> 01:07:15.800
<v Speaker 1>where she's doing something really rash, you're not thinking through

1074
01:07:15.920 --> 01:07:18.119
<v Speaker 1>things clearly, and that it's going to end in disaster

1075
01:07:18.400 --> 01:07:22.320
<v Speaker 1>because her father says that the sword will, if you

1076
01:07:22.360 --> 01:07:26.079
<v Speaker 1>may believe it, destroy your kindred girl utterly. And so

1077
01:07:26.559 --> 01:07:30.000
<v Speaker 1>this quest for vengeance, for power, whatever it is that

1078
01:07:30.039 --> 01:07:33.159
<v Speaker 1>you're going to do with this is going to consume

1079
01:07:33.239 --> 01:07:37.840
<v Speaker 1>you and your kindred utterly, so like completely, which again

1080
01:07:37.880 --> 01:07:42.840
<v Speaker 1>gives me turn and turn bar vibes as well as

1081
01:07:43.280 --> 01:07:47.239
<v Speaker 1>again just continue this theme of women throwing themselves off

1082
01:07:47.239 --> 01:07:51.079
<v Speaker 1>in vengeance or passion or whatever and it not going well.

1083
01:07:53.400 --> 01:07:57.199
<v Speaker 2>I love the ending Stanza too. You know, she's leaving

1084
01:07:57.239 --> 01:08:00.480
<v Speaker 2>the island with the sword and says to the the

1085
01:08:00.599 --> 01:08:02.840
<v Speaker 2>shade of her father, you know, may you all dwell,

1086
01:08:03.320 --> 01:08:06.000
<v Speaker 2>I'm off alway now, safe in the mound. I'll go

1087
01:08:06.079 --> 01:08:09.199
<v Speaker 2>quickly for now. I thought most of all that I

1088
01:08:09.360 --> 01:08:13.079
<v Speaker 2>was between worlds when these flames blazed all about me,

1089
01:08:16.159 --> 01:08:19.199
<v Speaker 2>the whole between worlds. Like she's in a liminal space,

1090
01:08:20.239 --> 01:08:22.479
<v Speaker 2>you know, between the world of the living and the

1091
01:08:22.479 --> 01:08:23.560
<v Speaker 2>world of the dead.

1092
01:08:25.000 --> 01:08:27.840
<v Speaker 1>Right, and so I mean it's again a kind of

1093
01:08:28.239 --> 01:08:33.760
<v Speaker 1>descent into the underworld of sorts to recover something of desire.

1094
01:08:36.199 --> 01:08:40.119
<v Speaker 1>And before that she says when she's still trying to

1095
01:08:40.359 --> 01:08:43.520
<v Speaker 1>get the sword, she says, I determine it thus worthy

1096
01:08:43.560 --> 01:08:46.079
<v Speaker 1>dead men that you will never vanish to lie quietly

1097
01:08:46.319 --> 01:08:49.199
<v Speaker 1>dead with the ghost decaying in the mound unless you

1098
01:08:49.239 --> 01:08:51.600
<v Speaker 1>give me out of the grave the danger to shields

1099
01:08:51.800 --> 01:08:55.279
<v Speaker 1>he Almar's killer. So say she has some kind of

1100
01:08:55.680 --> 01:08:59.800
<v Speaker 1>power over her father and her brothers, over their ghosts

1101
01:08:59.800 --> 01:09:02.239
<v Speaker 1>to decide whether or not they're going to rest in

1102
01:09:02.279 --> 01:09:05.640
<v Speaker 1>peace or not. It's like she's going to keep them

1103
01:09:05.680 --> 01:09:08.159
<v Speaker 1>from having the kind of rest that the dead should

1104
01:09:08.159 --> 01:09:11.920
<v Speaker 1>experience if they don't provide what she wants. And so

1105
01:09:12.359 --> 01:09:16.119
<v Speaker 1>again we get an application of an oath over against

1106
01:09:16.159 --> 01:09:16.800
<v Speaker 1>the dead.

1107
01:09:17.079 --> 01:09:22.279
<v Speaker 2>Mm hmm, yeah, Like it very much left me at

1108
01:09:22.279 --> 01:09:25.039
<v Speaker 2>the end being like, well, what's the rest of that story?

1109
01:09:25.319 --> 01:09:33.279
<v Speaker 3>Like, yeah, y'all may have already touched on this. If

1110
01:09:33.359 --> 01:09:38.000
<v Speaker 3>you did, versus so may the god then leave you

1111
01:09:38.239 --> 01:09:42.119
<v Speaker 3>safe inside of the mountain. It's like an unnamed god,

1112
01:09:42.399 --> 01:09:43.239
<v Speaker 3>which is interesting.

1113
01:09:45.640 --> 01:09:50.079
<v Speaker 1>It definitely feel for her her dead father here, who

1114
01:09:50.199 --> 01:09:55.119
<v Speaker 1>obviously wants to protect her, but she is just intent

1115
01:09:55.279 --> 01:09:59.640
<v Speaker 1>on this quest that she's on and won't be turned away. Well,

1116
01:10:00.880 --> 01:10:09.520
<v Speaker 1>any other thoughts, questions, concerns, plans, to complete these stories,

1117
01:10:09.600 --> 01:10:16.800
<v Speaker 1>but not your ethic fan fictions.

1118
01:10:16.079 --> 01:10:19.920
<v Speaker 3>That son is good. This is definitely it's tied in

1119
01:10:19.960 --> 01:10:24.560
<v Speaker 3>a lot to other readings already excuse the basis.

1120
01:10:25.079 --> 01:10:28.239
<v Speaker 1>Yeah, it is good. I definitely enjoyed this, and I

1121
01:10:28.279 --> 01:10:30.560
<v Speaker 1>definitely need to return to some of the other related

1122
01:10:30.640 --> 01:10:33.399
<v Speaker 1>texts now that we've been through this, and I guessid

1123
01:10:33.399 --> 01:10:36.520
<v Speaker 1>I think more well, I'll build a hold on to

1124
01:10:36.600 --> 01:10:39.000
<v Speaker 1>more of it and sort of piece together different traditions.

1125
01:10:39.039 --> 01:10:41.680
<v Speaker 1>I think it's really interesting. You know, we talked about

1126
01:10:41.720 --> 01:10:44.119
<v Speaker 1>I think this last time that they obviously don't have

1127
01:10:44.159 --> 01:10:49.079
<v Speaker 1>a firm canon, that we have several different traditions that

1128
01:10:49.199 --> 01:10:50.800
<v Speaker 1>sort of overlap with each other, and so it's very

1129
01:10:50.840 --> 01:10:55.439
<v Speaker 1>interesting to see which traditions emphasize different roles, different people,

1130
01:10:55.479 --> 01:11:00.359
<v Speaker 1>different actions, different virtues even, and so it's it's definitely

1131
01:11:00.399 --> 01:11:03.159
<v Speaker 1>worth going back to some of that now. As we've

1132
01:11:03.199 --> 01:11:07.520
<v Speaker 1>talked before, I would like to, in the relatively near future,

1133
01:11:08.039 --> 01:11:10.399
<v Speaker 1>jump into the Children of Furin as sort of a

1134
01:11:10.479 --> 01:11:14.640
<v Speaker 1>follow up to this. You know, next next month we're

1135
01:11:14.920 --> 01:11:17.720
<v Speaker 1>doing a co tour series. But then after that when

1136
01:11:17.720 --> 01:11:19.920
<v Speaker 1>we get back to the text, and I think Children

1137
01:11:19.960 --> 01:11:21.640
<v Speaker 1>of Short will be the next one to go and

1138
01:11:21.680 --> 01:11:25.159
<v Speaker 1>so hopefully you'll be able to join us again. Maybe

1139
01:11:25.159 --> 01:11:26.680
<v Speaker 1>we'll be able to pull in some others who are

1140
01:11:27.000 --> 01:11:31.079
<v Speaker 1>you know with the Tolkien connection, But otherwise I definitely

1141
01:11:31.119 --> 01:11:34.039
<v Speaker 1>appreciate you guys coming along for this journey.

1142
01:11:34.239 --> 01:11:34.560
<v Speaker 2>Thank you.

1143
01:11:34.640 --> 01:11:37.520
<v Speaker 3>Yeah, it's great, Pans, this is great, absolutely.

1144
01:11:42.960 --> 01:11:45.279
<v Speaker 1>Thank you for listening. And next month we're going to

1145
01:11:45.279 --> 01:11:47.800
<v Speaker 1>be getting into our Star Wars series, which would be fun,

1146
01:11:47.840 --> 01:11:51.000
<v Speaker 1>good summer series, maybe a little bit beyond. Mark your

1147
01:11:51.000 --> 01:11:54.359
<v Speaker 1>calendars for May fourth, May the fourth, at nine pm,

1148
01:11:54.840 --> 01:11:57.319
<v Speaker 1>as we get things started with a live stream general

1149
01:11:57.359 --> 01:12:01.600
<v Speaker 1>conversation about Star Wars and of our our experience with

1150
01:12:01.600 --> 01:12:04.199
<v Speaker 1>Star Wars, our history with Star Wars, our view on

1151
01:12:04.279 --> 01:12:07.119
<v Speaker 1>sort of some broad level topics before we get into

1152
01:12:07.159 --> 01:12:10.840
<v Speaker 1>the series of looking at some specific media. But now

1153
01:12:10.880 --> 01:12:13.479
<v Speaker 1>before we go, I want to thank all patrons who

1154
01:12:13.479 --> 01:12:16.159
<v Speaker 1>make things like this possible, and by name, I would

1155
01:12:16.159 --> 01:12:20.640
<v Speaker 1>look to thank all Tier three patrons, So that's Samanda, Chase, Chads, Clinton,

1156
01:12:20.720 --> 01:12:25.239
<v Speaker 1>Aaron Evy, Jamie, Justin, Justin, Kyle, Mariah, Roger Tyler and

1157
01:12:25.279 --> 01:12:28.920
<v Speaker 1>William and many extra. Most of these Tier three patrons

1158
01:12:28.960 --> 01:12:31.840
<v Speaker 1>have purchased an annual subscription, which means that they'll be

1159
01:12:31.880 --> 01:12:34.920
<v Speaker 1>able to access all four of my upcoming courses currently

1160
01:12:34.960 --> 01:12:38.239
<v Speaker 1>on the schedule. Go ahead and join this growing community

1161
01:12:38.279 --> 01:12:41.800
<v Speaker 1>today at patreon dot com slash Mythic Mind and be

1162
01:12:41.800 --> 01:12:44.920
<v Speaker 1>sure to sign up for Josh's Paradise Lost class. That's

1163
01:12:44.960 --> 01:13:03.239
<v Speaker 1>it for now, until next time, godspeed. The realms of

1164
01:13:03.319 --> 01:13:06.199
<v Speaker 1>fairy are wild and often dangerous, and one should never

1165
01:13:06.239 --> 01:13:09.920
<v Speaker 1>embark on a quest unprepared and unarmed. Middleborn Arms is

1166
01:13:09.920 --> 01:13:12.760
<v Speaker 1>a family business that uses the best quality materials in

1167
01:13:12.760 --> 01:13:16.279
<v Speaker 1>crafting the finest wooden swords on the market. Their Squirely

1168
01:13:16.439 --> 01:13:19.840
<v Speaker 1>Armed swords are handcrafted entirely from hickory for the young

1169
01:13:19.880 --> 01:13:23.239
<v Speaker 1>princesses and knights in training. Their Knightly Armed swords use

1170
01:13:23.279 --> 01:13:26.640
<v Speaker 1>hickory and walnut to replicate historical weapons in a marriage

1171
01:13:26.680 --> 01:13:29.800
<v Speaker 1>of beauty and function. They also take custom requests and

1172
01:13:29.840 --> 01:13:33.439
<v Speaker 1>can use exotic woods like bloodwood or purple heart. Every

1173
01:13:33.479 --> 01:13:36.439
<v Speaker 1>item for middle Born Arms is unique and equally at

1174
01:13:36.439 --> 01:13:39.840
<v Speaker 1>home on the mantelpiece or sparring against a dreadful foe.

1175
01:13:40.239 --> 01:13:42.640
<v Speaker 1>For those who wish to simply adventure within the bounds

1176
01:13:42.640 --> 01:13:46.840
<v Speaker 1>of a tome, they offer beautiful laser etched hardwood bookmarks.

1177
01:13:46.920 --> 01:13:51.119
<v Speaker 1>You can choose from growing selection designs on exotic purple heart, walnut, o,

1178
01:13:51.279 --> 01:13:53.960
<v Speaker 1>Sage orange, or bloodwood. Or if they don't have a

1179
01:13:54.000 --> 01:13:55.840
<v Speaker 1>design you like, they would love to work with you

1180
01:13:55.920 --> 01:13:58.560
<v Speaker 1>on a custom design. Order a sword or a bookmark

1181
01:13:58.600 --> 01:14:01.199
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1182
01:14:01.239 --> 01:14:03.760
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1183
01:14:03.920 --> 01:14:08.079
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1184
01:14:08.439 --> 01:14:11.079
<v Speaker 1>Don't go it alone, take a middle Born Arms sword

1185
01:14:11.159 --> 01:14:12.039
<v Speaker 1>or bookmark with you
