Speaker 1: Welcome to Universe Unveiled, the podcast where we explore the
Speaker 1: mystery so challenge our understanding of history and the universe.
Speaker 2: I'm Jacqueline and I'm Sarah. Today we have another u
Speaker 2: U Crew session. We have all of our friends here
Speaker 2: and Shaman Jason Huffman is going to make a presentation. Say,
Speaker 2: we're gonna go around and let everyone.
Speaker 3: What's my name?
Speaker 2: No Shaman? Okay, exactly, that's on your birth certificate.
Speaker 3: Right.
Speaker 2: We're gonna start with Ricardo. If you want to introduce
Speaker 2: yourself where people can find you and all that jazz, please.
Speaker 4: Sir, sure my name is and you can find me
Speaker 4: at the Tough callar One at X. I'm involved with
Speaker 4: the Institute for Natal Philosophy that you also mentioned for
Speaker 4: this podcast and you prout for bits and very excited
Speaker 4: to listen from Justin's presentation today and good day to
Speaker 4: all the participants.
Speaker 2: Very good, Tyrone, Tabin, Tyrone.
Speaker 5: Well, I am here. Thanks to you, guys. I appreciate it.
Speaker 6: Everything you can find on me is on rebirthword dot com.
Speaker 6: I also have a book that you can find on Amazon,
Speaker 6: Journey through the Origins of History. I do enjoy these
Speaker 6: conversations and I enjoy talking to each and every one
Speaker 6: of you guys, So thank you very much for having
Speaker 6: me today.
Speaker 2: Thank you, Thank you, and cousin Nicholas.
Speaker 5: Nicholas said, Nicholas.
Speaker 7: Fall It says when pissed the Occult Rejects, thank you
Speaker 7: very much for having for having me on to this.
Speaker 7: Uh yeah, Nick from the Occult Rejects. And you can
Speaker 7: find that a bit Shoot Rumble, Shoot Rumble YouTube and
Speaker 7: all major podcasts. Uh yeah, that's about it. Looking forward
Speaker 7: to this because I was there, Jason, I had a
Speaker 7: good time, and I kind of know what we're gonna
Speaker 7: be looking at.
Speaker 5: So thanks.
Speaker 2: All right, it's for sure going to be interesting. Can't
Speaker 2: wait to see you in the woods. And last but
Speaker 2: not least Shaman.
Speaker 3: And he was barefoot in the woods, wasn't he. Yeah, yeah,
Speaker 3: it was great stuff. So Jason Huffman, Yeah, you'll know
Speaker 3: me screen named Shaman seven eleven on YouTube where my
Speaker 3: newest series Anti Duluvian Alabama, where we start looking at
Speaker 3: all the rocks and the fun stuff is kind of
Speaker 3: what I've been working on there on YouTube and then
Speaker 3: on X where I've really been pushing you know, all
Speaker 3: of that research but also the Nobilla. It's Shaman's seven
Speaker 3: eleven underscore, So I guess we'll jump right into it.
Speaker 3: We can start with a congratulations to Jacqueline and Sarah
Speaker 3: and then of course myself here thanks to Ricardo, because
Speaker 3: now we're all board members of the Institute of the
Speaker 3: Natural Philosophy and happy to be here, Yeah, in partnership
Speaker 3: and moving forward with this group all around us. So
Speaker 3: congratulations everybody. That being said, I guess I will pop
Speaker 3: to screen share. Today we're going to explore Mabilla. You know,
Speaker 3: this has been a very personal journey for me, a
Speaker 3: very spiritual one. That's why you see the screen name
Speaker 3: Shaman seven eleven, and that's why what I lead with,
Speaker 3: right But you know, today we're really going to focus
Speaker 3: on the evidence, but also the picture and the way
Speaker 3: I hope the evidence starts to lead us. You know,
Speaker 3: everybody knows DeSoto, and we're going to start looking at
Speaker 3: a few maps to get intro here. Everybody sort of
Speaker 3: knows that story, was taught that story in high school,
Speaker 3: and everybody was sort of taught a certain story about
Speaker 3: the natives. Right now, as as I've gone through this process,
Speaker 3: what I've gotten in touch with is not only the
Speaker 3: spiritual aspect of what these native peoples here on this
Speaker 3: land we're walking around with, but also the physical evidence
Speaker 3: from the mounds, to the artifacts, to the geo engineering
Speaker 3: which we're going to look at here today that was
Speaker 3: taking place. That really shows that our understanding of the
Speaker 3: native capabilities, the way of life, and even the world
Speaker 3: as they saw it is grossly sort of underrepresented. So
Speaker 3: I hope through this process we really are start to
Speaker 3: open our eyes to that right to what was here,
Speaker 3: what Chief Tuscaloosa and the natives had here as de
Speaker 3: Soto came crumbling and stumbling in because thanks to those diseases,
Speaker 3: by the time you know, we came back through here
Speaker 3: one hundred or so years later, that civilization was eradicated.
Speaker 3: You know, it was like Anthony Fauci had got to
Speaker 3: go hog wild and had nobody to stand up to him.
Speaker 3: You know, just nothing, nothing left. So we just don't
Speaker 3: have a glimpse of these people. And part of this
Speaker 3: process has put me there on the ground in these creeks,
Speaker 3: on these mounds, in this earth, and I'm finding things
Speaker 3: that are just pretty incredible. So today we're gonna share.
Speaker 3: We're gonna start with a lecture that was recorded by
Speaker 3: Nick when he came down here to see us. It
Speaker 3: is essentially me telling the story of Mobila. So we're
Speaker 3: gonna get everybody familiar with what happened and what's going on,
Speaker 3: who the main characters were, and then what happened with
Speaker 3: DeSoto when he entered Chief Tuscaloosa's territory along the Cruser River.
Speaker 3: So with that, I'm gonna click us over to screen share.
Speaker 3: We're gonna keep our fingers crossed that all goes as
Speaker 3: it did in test. I'm gonna remember also share system audio,
Speaker 3: and there we go. I'm gonna get you out of
Speaker 3: the way, all right, so we can see me. We
Speaker 3: can see my screen. Okay, guys, So let's take a
Speaker 3: look as we introduce to a couple of maps here,
Speaker 3: So the DeSoto Route. Can you guys see this? Is
Speaker 3: this large enough?
Speaker 8: I can so?
Speaker 3: Traditionally this is sort of an accepted version of the
Speaker 3: DeSoto Route. Again, all of this, much of it rough,
Speaker 3: some of it anchored with evidence, but much of it
Speaker 3: based on the DeSoto chronicles right now here. If we
Speaker 3: look at this is an official This was a map
Speaker 3: a photograph taken of a trail marker for the official
Speaker 3: DeSoto trail. Now, what we're going to zoom in and
Speaker 3: look at here specifically is where we are on this
Speaker 3: generally accepted trail. Right, So the towns we're going to
Speaker 3: be talking about in pinpointing once DeSoto entered Chief Tuscaloos's
Speaker 3: territory are at a Hatchee, Piaccia and Mobila specifically, to
Speaker 3: note how traditionally, when trying to map this based solely
Speaker 3: on the chronicles right, you've got, however, many a good
Speaker 3: handful like seven or eight versions of this story that
Speaker 3: was either written firsthand or related firsthand of people who
Speaker 3: survived when they finally made it out down here in Mexico. Here,
Speaker 3: Notice the spread right, so where were there? They're nearly
Speaker 3: on right. This is the general area. In fact, right
Speaker 3: here is where Mobila is at. But this spread right
Speaker 3: is what they've really sort of been off on, and
Speaker 3: we can pinpoint that before a pinpoint that. Let me now,
Speaker 3: this is an example of what happens when you try
Speaker 3: to map this route based on the chronicles alone. You
Speaker 3: see here we have list of the different various students
Speaker 3: who meaning students of the chronicles right, who have gone
Speaker 3: through and tried to work out this route. I use
Speaker 3: this map to show you how difficult that is. Right,
Speaker 3: Just each of these presents a different attempt at trying
Speaker 3: to then reverse engineer a map. Right, Okay, that's what happens. Now,
Speaker 3: this is the area we're going to be zooming in
Speaker 3: on today, really right where this turn happens here right
Speaker 3: in through here. Okay, moving on to the map of
Speaker 3: the actual area, and then we'll get to the lecture.
Speaker 3: So here now Mobilla top left at Hatchie modern day Cusada,
Speaker 3: and this feature here I'm going to highlight in a
Speaker 3: second as the winged serpent feature. But let's point out
Speaker 3: our key features. So at Hatchie after crossing the Cusa
Speaker 3: Talapusa Mobila here. Now, this is what's going to shock
Speaker 3: a lot of people, is here, say here right, you're
Speaker 3: talking ten miles he take I walked in four and
Speaker 3: a half hours one night, unprepared Piaccia. Here, we're gonna
Speaker 3: talk about forty two one hundred foot bluffs. You can
Speaker 3: see these bluffs represented here. I'm gonna show you light
Speaker 3: ar of a platform mound which exists right around in
Speaker 3: here where this river bends. We're gonna have drone footage
Speaker 3: from Nick flying over this and almost losing our drone
Speaker 3: because this golf course right here, which now preserves many
Speaker 3: of the mounds, as we'll see from lightar, has a
Speaker 3: jamming system. So Nick's uh, poor drone got hung there
Speaker 3: for it was like twenty minutes to right, so it did.
Speaker 3: When that thing came down and landed, go I really
Speaker 3: for a second, I've never worked with a drone. It
Speaker 3: was like being in a Star Wars movie, and it
Speaker 3: was like D two land after it deadly mentioned because
Speaker 3: I was sitting there over a showtle the whole time going.
Speaker 8: No, well that thing came back.
Speaker 3: We're like cheering.
Speaker 6: I lost it, throne. I actually lost one of my drones.
Speaker 6: I was outside in front yard when popping fireworks with
Speaker 6: my kids and I have my drone right above it
Speaker 6: so I can record it, and one of them hit
Speaker 6: it by accident.
Speaker 3: Delibratory. Okay, so we've got let's do this real quick,
Speaker 3: Ada Hatchie, Mabela, and then we've got Piacha Now that
Speaker 3: is going to put your route once they meet at Adahatchie.
Speaker 3: Remember from our map I showed you in the route
Speaker 3: they go to Piachia. They mentioned a town on a
Speaker 3: peninsula a couple of at least one of the chroniclers
Speaker 3: do called Tuscaloosa. So if we're looking for a peninsula
Speaker 3: between here and here, we see one here. Now. They
Speaker 3: described the river this is the Alabama River, as being
Speaker 3: the river that ran by Callousy, which indeed this river,
Speaker 3: after snaking all the way up here, meets with the
Speaker 3: Cusa and Tallapoosa to form the Alabama River. Now, they
Speaker 3: said Ada Hatchie was at the highest navigable point of
Speaker 3: the Alabama River, which is right here. Right this area,
Speaker 3: Parker Island is the highest navitable area of the Alabama.
Speaker 3: So placing Atahatchie here, as I've confirmed with mounds and
Speaker 3: all sorts of artifacts, and Cusada is known for its
Speaker 3: for its presence, native presence is here. Meet here you
Speaker 3: track It takes them two days. You get through various
Speaker 3: towns and villages, through all these strange water features to
Speaker 3: a peninsula here running with the same river that was
Speaker 3: running by Tallasy. They then mentioned crossing a river here.
Speaker 3: If you here this appears to be a river, as
Speaker 3: nixt droned footage will show you. Right, you cross here
Speaker 3: over to Piacia and then you follow Pine Creek which
Speaker 3: empties into the Alabama River all the way up to
Speaker 3: the area of Mobila where the artifacts, the X tree
Speaker 3: and the crescent shaped mound are, all of which we
Speaker 3: will look at now light are press it shaped mound.
Speaker 3: This is quickly so you have a visual in your head.
Speaker 3: That's the creek that Nick and I will be walking
Speaker 3: in right here, and this is where it's being eroded.
Speaker 3: The construction that's taking place all over here. They've come
Speaker 3: and dumped their fill right along through here. Right. Wow,
Speaker 3: So this creek has been kicked over, right, and now
Speaker 3: as Nick and I's video showcases, this has been eroded.
Speaker 3: This used to come, you know, all the way and
Speaker 3: then these artifacts are pouring out and washing down the creek, right,
Speaker 3: so nothing has been excavated. You know, that's not what
Speaker 3: I do, right, I'm picking up in this creek what's
Speaker 3: being washed out thanks to construction, right yeah, right, moving on, okay,
Speaker 3: so a quick look and then we'll start our video
Speaker 3: at the winged Serpent. I have it here in two
Speaker 3: different seasons and it's best in fall. Okay, this water feature.
Speaker 3: So this feature here, guys, if you look here, you
Speaker 3: see what looks like a head right right here. Mouth okay,
Speaker 3: down here you see this. This is Goat Island. This
Speaker 3: if you picture as a wing, it also looks somewhat
Speaker 3: like an asteroid. This is the Alabama River replacing Atahatchie
Speaker 3: here right. Okay, Nope, something about this. When you zoom
Speaker 3: in you see these lines all right, this is an
Speaker 3: engineered swamp. I have video of being on the ground
Speaker 3: here in these rows you can jump between them. It's
Speaker 3: all old growth Cyprus. It's swamp. You can't hardly get
Speaker 3: into it, right, Definitely geo engineered, which is easily illustrated
Speaker 3: by looking back over here this map. Now, this is
Speaker 3: that same area I just showed you, and you will
Speaker 3: notice Berry Swamp right here takes this ninety degree turn
Speaker 3: and then is guided off over into these swamps with
Speaker 3: all these rows. So when you look you zoom in
Speaker 3: on your satellite, you can see that this creek is
Speaker 3: used to fill all of these rows to make permanent swamp.
Speaker 3: This is a geo engineered feature, right as I can
Speaker 3: prove of light art, and these features will explore later.
Speaker 3: They go all along with these waterways. You can use
Speaker 3: light art to document this extremely odd geoengineering using mounds
Speaker 3: and whatnot and movement of creeks to get your effect.
Speaker 3: All right, and now I'm getting ahead of myself and
Speaker 3: let's start this twenty minute video and see where we
Speaker 3: end up. But I just wanted everyone to have that
Speaker 3: in their heads.
Speaker 8: I don't want to waste more time.
Speaker 3: Okay, No, your gogory of Mobila to what King serpent
Speaker 3: nick where these two people met the def where they
Speaker 3: crossed the Alabama already seeing if you've paid attention to
Speaker 3: the traditional story and the hunt that has been going
Speaker 3: on for Mobila to nail down the DeSoto route, is
Speaker 3: that these towns are close to each other at all? Right?
Speaker 3: How is everybody on audio sounds you guys, We're gonna
Speaker 3: let the story play. I may interrupt, but feel free
Speaker 3: if you have questions to pauls and we'll go from there. Enjoy.
Speaker 3: Thanks Sneck for this footage of a Hatchie. Where it
Speaker 3: sits is as the crow flies nine and a half
Speaker 3: miles to Mobilla.
Speaker 8: What Tuscaloosa did was take this.
Speaker 3: Man on a journey all the way down, tricked him,
Speaker 3: made him think he crossed a river. But it's a
Speaker 3: fake part of the river that bleeds up into a
Speaker 3: creek and a lake over to the forty foot cliffs
Speaker 3: of Piaccia where they rested, and then march right up
Speaker 3: to Mobilla Mobilla, and ada, hatchie, you can make on foot.
Speaker 8: I did it unprepared in four and a half hours.
Speaker 3: Sorry, guys, how quickly could they have done it? Trying
Speaker 3: to be fancy?
Speaker 8: That's how much.
Speaker 3: He tripped and laid out a plan to ensnare de Soto,
Speaker 3: beginning with sending his son to me the de Soto
Speaker 3: expedition before they left Kusa's territory. The way the chroniclers
Speaker 3: all agree it happened is Tuscaloosa's son comes in.
Speaker 8: He is already reportedly of giant stature.
Speaker 3: We say giant stature because he is described as a
Speaker 3: foot roughly over every other spaniard there, and he is
Speaker 3: well proportioned and handsome, to steal the chronicler's words, right, giant.
Speaker 3: He comes to De Soto and he says all the
Speaker 3: fine words indicating my father can't wait to serve you.
Speaker 8: But before you cross, there are two roads.
Speaker 3: So from the chroniclers, the build of Tuscaloosa was like
Speaker 3: that of his son, for he towered over all the
Speaker 3: others by more than half of Vara Avara is roughly
Speaker 3: a yard three feet and appeared to be a giant
Speaker 3: or was one. The rest of his body and his
Speaker 3: face were in proportion to his height. His countenance was
Speaker 3: handsome and habitually wore a severe expression that his aspect
Speaker 3: showed well the ferocity and the nobility of his spirit.
Speaker 3: His shoulders corresponded to his stature. His waist was a
Speaker 3: little more than two terracellas around. His arms and legs
Speaker 3: were straight, well set, and proportionate to his body. In short,
Speaker 3: he was the tallest Indian of the finest figure that
Speaker 3: these Castilians saw in all their travels through La Florida.
Speaker 3: There are two roads that lead to where my father waits.
Speaker 3: Please send your men down, one back the other Jews,
Speaker 3: which is safest and most comfortable for you.
Speaker 8: Well, De Soto sort of balks.
Speaker 3: He's encountered nothing but natives that want to rarely kiss
Speaker 3: his ass.
Speaker 8: Over Incus's territory.
Speaker 3: They were using him to fight battles, you know, little
Speaker 3: territorial squabbles they had.
Speaker 8: So he had been in peace, right, that's his mindset.
Speaker 3: When this big noble giant comes and says, my father
Speaker 3: wants you to feel comfortable and feel safe. But now
Speaker 3: in hindsight we can see what Tuscaloosa and why he
Speaker 3: sent his son on this important task, was to make
Speaker 3: sure De Soto trusted them to lead the rest.
Speaker 8: Of the way.
Speaker 3: He was at ease with them, because now that we
Speaker 3: know Adahatchie and Nobela were so close, we see how
Speaker 3: much Tuscalusa had at stake. They were everywhere around here,
Speaker 3: absolutely everywhere.
Speaker 8: This place was huge.
Speaker 3: He had his territory on the line, so he needed
Speaker 3: to Sodo to trust him.
Speaker 8: So De Soto listened. He sent the man down, he
Speaker 8: sent the man.
Speaker 3: Back, and they picked the road and they entered Tuscaloosa's territory.
Speaker 8: The meeting happened over here at Ada Hatchie.
Speaker 3: It says Tuscaloosa was up on a mound, covered on
Speaker 3: a small seat, with roughly one hundred of his nobles
Speaker 3: all around him, flumed to the hilt, painted calm. Said
Speaker 3: he had a banner behind him. All of the chronicles agreed.
Speaker 3: The Soto said he had not encountered banners, war banners
Speaker 3: until he got here, painted yellow in blue on deer skin. Now,
Speaker 3: the Soto and his six to nine hundred men, three
Speaker 3: hundred and fifty horses, various pigs, and all of the
Speaker 3: other attendants and men, from blacksmiths to clerics, to hunters
Speaker 3: to mappers. They come walking into this town parade fashion horses.
Speaker 3: These natives had never seen horses. It would be much
Speaker 3: like a UFO landing right here today, Nick, and you
Speaker 3: and I doing what Tuscaloosa did. He didn't move, he
Speaker 3: didn't even look at him. Armored men, weapons, banners, horses,
Speaker 3: he didn't even acknowledge them. From the chronicles. Near Tuscaloosa
Speaker 3: was a standard bearer carrying a large banner made of
Speaker 3: yellow deer skin with three blue bars dividing it from
Speaker 3: one side to the other. It was the same size
Speaker 3: and shape as the standard the companies of Cavalry and
Speaker 3: Spain would use. This was a new thing for the
Speaker 3: Spaniards to see military insignia. For up to that time
Speaker 3: they had not seen a standard, or a batter banner
Speaker 3: or a geddon.
Speaker 8: Until de Soto came in.
Speaker 3: De Soto came in, One chronicle says Tuscaloosa stayed seated
Speaker 3: and waited for de Soto to come. One chronicle says
Speaker 3: this is where Tuscalusa stood.
Speaker 8: And they meet at each other. They exchanged words. We'll
Speaker 8: keep it short.
Speaker 3: Basically, we'll describe what de Soto had done the whole
Speaker 3: time his mo and what he does here. He would
Speaker 3: take the chiefs captive by force when he entered their territory,
Speaker 3: Demand slaves, burden bearers to carry everything for his men,
Speaker 3: Demand sex slaves to gratify the needs.
Speaker 8: And requirements of his men.
Speaker 3: And then they would take all of the corn camp
Speaker 3: for twenty days, establish dominance, kidnapped the chief march through
Speaker 3: the rest of the territory, rents, repeat.
Speaker 8: When they got to a new territory.
Speaker 3: So here they are in this town with this giant man,
Speaker 3: they lay this on it.
Speaker 8: They say, we need burden.
Speaker 3: Slaves, we need sex slaves. He says, not here, he says,
Speaker 3: We're near to my main town, right. I want to
Speaker 3: protect this shit. I've got a satellite town, Mabila. I'll
Speaker 3: take you there, and there you will have your sex
Speaker 3: slaves and your slaves. So too agrees they had to
Speaker 3: find a horse to put this giant man on, and
Speaker 3: they can't find a horse.
Speaker 8: All the chronicles agree.
Speaker 3: They cannot find a horse to bear his weight until
Speaker 3: they find the largest pack you know, animal. They come
Speaker 3: and it can stand the weight of the man, there's
Speaker 3: still a problem because his feet are touching the ground,
Speaker 3: that his feet barely able to clear the ground. Describe
Speaker 3: De Soto Desto. Chroniclers described Tuscaloosa as eyes like oxen,
Speaker 3: a foot and a half to two feet above every
Speaker 3: other Spaniard, nearly a foot above every other native, well
Speaker 3: proportioned and handsome, more so than any other native they
Speaker 3: had encountered into this time, and they said that about
Speaker 3: all the people of this area and Tuscaloosa. In fact,
Speaker 3: we have a wife that was kidnapped from Mobila, and
Speaker 3: when she went down to Peru.
Speaker 8: I believe it was.
Speaker 3: From the chronicles. When the governor and Tuscaloosa entered Mobila,
Speaker 3: the natives came out to receive them with dances and ceremonies,
Speaker 3: so they were so taken by them. When the entertainment ended,
Speaker 3: another dance took place, performed marvelously by beautiful women. Because
Speaker 3: as I have said, those Indians are very well favored,
Speaker 3: and the women so much so that afterward, when we
Speaker 3: left the country and went to Mexico, Governor Morcas Morsaco
Speaker 3: Morcasso took an Indian from this province of Mobila, who
Speaker 3: was very handsome and a graceful woman. She could compare
Speaker 3: in beauty with the most elegant from Spain who were
Speaker 3: in all of Mexico. And thus, because of her extreme beauty,
Speaker 3: those ladies in Mexico sent to beg the governor to
Speaker 3: send her because they wished Zide to see her. He
Speaker 3: did so gladly, because it pleased him that they should
Speaker 3: envy her stolen bride. All of the wives of the
Speaker 3: captain and the kidnapped would demand she was sent to
Speaker 3: them so they could marvel over how charming, right, how
Speaker 3: well put together, and how beautiful she was. And then
Speaker 3: you have this giant chief of these noble, charming, beautiful people.
Speaker 3: Many of the descriptions in the DeSoto Chronicles, when they're
Speaker 3: speaking on the encounters with these people, they marvel over
Speaker 3: how well they conducted themselves, how they listened, how they
Speaker 3: took every point the Spanish had to make, conferred, returned,
Speaker 3: and spoke more clearly, they said, than any of the
Speaker 3: finest diplomats or court members in Europe. They also said,
Speaker 3: when they were at the Temple of Copa Cheque, that
Speaker 3: what they found there would rival even the Empire of Rome.
Speaker 3: So Ricardo. That's and everyone sorry, that's Vince Barrows is
Speaker 3: doing the work with the Episca figurines, and that ties
Speaker 3: into this story. The copa check way, that's what they're
Speaker 3: talking about here. They marveled over what they found here,
Speaker 3: and they marveled over this giant man they had now
Speaker 3: kidnapped to so Tuscaloosa, obviously having exhibited to us here
Speaker 3: now that this plan was in place, takes Soto and
Speaker 3: his men Oscaloosa on the peninsula crosses the river. There
Speaker 3: are forty foot bluffs on the other side, they say,
Speaker 3: there's Piachia.
Speaker 8: Now, I watched archaeologist Nick.
Speaker 3: They did a YouTube video where many years ago they
Speaker 3: all got on a party boat and they went.
Speaker 8: Up and down the Alabama River. They were looking for
Speaker 8: forty foot.
Speaker 3: Bluffs and they say in that video they could not
Speaker 3: find a suitable location. Well, I'm gonna take you to
Speaker 3: those forty foot cliffs and we're gonna stand on the river,
Speaker 3: and you're gonna ask the.
Speaker 8: Same question I asked, how did they not see this place?
Speaker 3: Okay, with the blid arm of the platform mounds and
Speaker 3: the golf course which is now you know, preserving all
Speaker 3: of these mountains Yachia.
Speaker 8: So they crossed the.
Speaker 3: River there, and right there at this location, the river
Speaker 3: as wide as it is.
Speaker 8: He's feed in from the north. That's a trick.
Speaker 3: The river doesn't continue wailing up, as our drone can
Speaker 3: hopefully show, and it's turned small into a creek.
Speaker 8: You see.
Speaker 3: So this whole time Soto had in him thinking thus loose,
Speaker 3: had the Sodo thinking.
Speaker 8: That he had left that, you know, that territory completely.
Speaker 3: What all he did was knut a little leg to
Speaker 3: come north, almost almost parallel, without a hat.
Speaker 8: It was a brilliant, brilliant plan.
Speaker 3: Now, Tuska, the chronicles tell us when they arrived at Mobila,
Speaker 3: the land had been cleared, meaning all of the brush
Speaker 3: was being pulled up by the root, flattened, ready for battle.
Speaker 3: They described Mobila as containing up to eighty houses. What
Speaker 3: do they mean by a house, You're talking native long houses,
Speaker 3: essentially one large room, a few little compartments broken off. Now,
Speaker 3: the chronicles described these houses as being able to contain
Speaker 3: six hundred the smaller ones, one thy to twelve hundred
Speaker 3: the larger ones. They described this city as just that
Speaker 3: the few horses that are able to go inside. They
Speaker 3: say the reason they couldn't take the horses in is
Speaker 3: they could not easily navigate the city streets and hints
Speaker 3: were prey to the arrows of the native. This was
Speaker 3: a big place. The fortifications, the walls they described were huge.
Speaker 3: They described ramparts that could hold eight men every twenty
Speaker 3: feet or so along this massive clay wall. This was
Speaker 3: a city, a fortified city. Tusked de Soto and his men.
Speaker 3: They were comfortable. I already described they'd encountered so much
Speaker 3: behavior from the natives, just kissing their ass, that that's
Speaker 3: what they were expecting.
Speaker 8: Here they kidnapped another cheek. So when they load up.
Speaker 3: To head to Mobila, de Soto heads on ahead, maybe
Speaker 3: a hundred men, it says, maybe a hundred horses, but
Speaker 3: also all of the slaves, all of the burden barriers, bears,
Speaker 3: and they carried everything that army had with it. Says
Speaker 3: many of the soldiers were not even wearing their arms,
Speaker 3: their armor or their arms.
Speaker 8: They wanted to.
Speaker 3: Dally along this beautiful, beautiful countryside, hunting for squirrel, rabbit,
Speaker 3: drinking from the creeks. So they stayed behind De Soto
Speaker 3: in the front vanguard, and all of their stuff. Once
Speaker 3: inside Tuscaloosa, basically removes himself from De Soto. He excuses himself,
Speaker 3: these two men see through each other somewhat. They definitely
Speaker 3: don't trust each other. That when he arrives, not only
Speaker 3: is the land cleared, but he has reports that these
Speaker 3: houses are stuffed to the gills with soldiers and weapons.
Speaker 8: The guy that told him that asked him, you know, hey,
Speaker 8: let's stay out in the field.
Speaker 3: The Soda is so fucking bold, so full of his ability,
Speaker 3: as he said to lance the natives from his horse.
Speaker 8: Favorite fucking pastime of this, dudes. Okay, now his men
Speaker 8: have told him, Look, they've cleared the soil. These houses.
Speaker 3: They sent women out when they first arrived, right, and
Speaker 3: you've already heard how beautiful these women are. They sent
Speaker 3: the women out in the dancing, and the soldiers are
Speaker 3: just you know, paying attention to that shit.
Speaker 8: Right.
Speaker 3: Well, he's got a spy that comes and tells him,
Speaker 3: guess what, the houses are filled with men and weapons.
Speaker 8: Dude, come out of the field. The Soda says, I'm
Speaker 8: sick of sleep sleeping in the field. I'm sick of it.
Speaker 8: I'm all sleep in here. See how full of himself
Speaker 8: he is.
Speaker 3: Now Tuscaloosa removes himself, goes to another house where all
Speaker 3: of his men around, and according to to I guess info,
Speaker 3: they got torturing. After the battle, there was a discussion,
Speaker 3: do we go ahead and take these men now, this
Speaker 3: hundred that are in here, and then prepare for the
Speaker 3: ones that are coming, or is it more honorable to wait?
Speaker 3: Turns out it didn't matter. There supposedly was a back
Speaker 3: and forth. I don't know how much of that was
Speaker 3: spies feeding information, you know, to to Soto, just to
Speaker 3: satiate his what I'm sure was rage at what had happened.
Speaker 3: Point being, Tuscalooser removes himself. Comes dinner time. De Soto
Speaker 3: demands and has been always demanding, that these chiefs eat
Speaker 3: with him. So he's there at the table. He sends
Speaker 3: a guy. He says, go get Tuscaloos. Guy anael the door.
Speaker 3: One of the natives answers he asked for Tuscalus. He says, no,
Speaker 3: it's not coming out. By the way, who the fuck
Speaker 3: are you to be coming here? And using my Chiese
Speaker 3: names without all the proper titles. Shull I say door
Speaker 3: three times? This happens right three times.
Speaker 8: Picture De Soto there waiting table in front of him.
Speaker 8: Out here in the wild.
Speaker 3: He knows there's fucking men in every house, and he's
Speaker 3: demanding the chief come here. That's the scene after the
Speaker 3: third time. The Soto's punk ass tells this guy go
Speaker 3: ask another.
Speaker 8: One.
Speaker 3: Guy looks out and he sees a native walking. He
Speaker 3: grabs a native and he says, hey, go tell your
Speaker 3: fucking chief to get his ass in here.
Speaker 8: Food's cold, right. The guy basically shirts again.
Speaker 3: He gets the same response, the insolence, not only do
Speaker 3: I not respond to you, but for you to put
Speaker 3: my chief's name in your mouth. Write same story, long
Speaker 3: story short. That native gets cut wide open right there
Speaker 3: on the spot, down the back. One says down the front,
Speaker 3: the other says, either way, he's cut wide oak, all right.
Speaker 8: At that point, all of these men that.
Speaker 3: Are some chronicles say cut wide open. Some chronicles, oh,
Speaker 3: that echoes terrible, never mind. Some say he lost an
Speaker 3: arm cut. And these houses that are waiting on this
Speaker 3: rush arrows flying men out of the houses. Photo everybody
Speaker 3: in just a fucking field of men and flint arrows
Speaker 3: essentially pushed out the door. This town, it says, had
Speaker 3: two gates, one east, one west, only two ways in,
Speaker 3: so there's a soto.
Speaker 8: He gets out. One of the chroniclers say that when
Speaker 8: he took his stick he had like three cloaks on.
Speaker 3: When he took his cloak off, he had thirty something
Speaker 3: arrows in him, depending on the chronicler, depends on the injury.
Speaker 8: But supposedly with the barely with his life, he gets
Speaker 8: out that door. A couple of things happen. As soon
Speaker 8: as he's out that door.
Speaker 3: There's still a priest and two other people trapped inside
Speaker 3: that are part of his expedition. Everybody else is still
Speaker 3: fucking lollygaggon. Right, he's got to get a horse. He
Speaker 3: gets on his horse. Now there's confusion. Where are these slaves,
Speaker 3: where are these burden bears? And where is all this stuff? Well,
Speaker 3: all these natives are chained. They're chained right by the door.
Speaker 3: They didn't go in the door, and all of the
Speaker 3: belongings of the Desto expedition where they're with them. So
Speaker 3: in this confusion, while Desto is sorting out getting a horse,
Speaker 3: wondering where the fuck the rest of his fellows are,
Speaker 3: the natives grab those slaves and they grab all that
Speaker 3: stuff and they put inside the walls. They barricade the walls,
Speaker 3: they cut the chains off the slaves. Slaves start fighting
Speaker 3: with them. Meanwhile, all of this stuff is getting dispersed
Speaker 3: taken into the houses. There are stories of natives on
Speaker 3: the walls playing the Spanish war drums, showing them their.
Speaker 8: Weapons, just making fun of them, going we got all
Speaker 8: your shit.
Speaker 3: The stuff then gets put in these houses, these eighty
Speaker 3: large houses, with all of these men and these weapons.
Speaker 3: Soto sees all this, He knows all this by now
Speaker 3: he's got his men out here. They start showing up.
Speaker 3: He gets his horses. What does he order them to do?
Speaker 3: He orders the men on the horses, because they were
Speaker 3: the only ones that still had on their armor. Okay,
Speaker 3: all the other armors inside. He orders them to get
Speaker 3: off the horses, go take the door. So they do,
Speaker 3: they go take the door. Everybody's inside. The chronicles then
Speaker 3: tell us that they try to take the horses in,
Speaker 3: but realize that in this city they can't. They can't
Speaker 3: navigate the streets with these horses because these houses are
Speaker 3: full of assailants.
Speaker 8: Right.
Speaker 3: So Soto, in his rage, I'm sure at this point,
Speaker 3: in his confusion and understanding, the trap had gotten him
Speaker 3: and in his pride orders his men to take the
Speaker 3: town and burn it, because, as the chroniclers say, the
Speaker 3: injury that was waiting them in that town was far
Speaker 3: worse than losing whatever they.
Speaker 8: Had inside those houses. So they do it. They take
Speaker 8: the town numbers.
Speaker 3: What that means is they realized that they could not
Speaker 3: get their horses in there. They could not properly use
Speaker 3: their advantage as they had heretofore in this town. They
Speaker 3: were outnumbered, and everybody was well armed, and they knew
Speaker 3: how strong and intense they were, so this was their
Speaker 3: only option. Very depending on chroniclers, but thousands of natives
Speaker 3: slaughtered thousands, roughly twenty of De Soto's men.
Speaker 8: Right there was a beaver pond a creek near the site.
Speaker 8: I can take you.
Speaker 3: We'll go to it this afternoon, Nick, right near the
Speaker 3: ex marker tree. They say the battle lasted nine hours,
Speaker 3: and they say the men would go to this creek
Speaker 3: because they had to refresh themselves and wash the blood
Speaker 3: off from slaughtering these thousands of natives, so much so
Speaker 3: that the whole creek was red with blood right still
Speaker 3: there today.
Speaker 8: They slaughtered them. They used the horses, they used everything.
Speaker 8: The natives put on a good show.
Speaker 3: I think if you want to hear a story about
Speaker 3: what was on display, not only you know, with this
Speaker 3: plan a Sooto put in place, but the native bravery.
Speaker 3: You look to the end of the battle, they've basically
Speaker 3: eradicated all the men.
Speaker 8: The Spanish invaders. What was left was the women, and
Speaker 8: they were up against part of.
Speaker 3: This giant all feet thick, it's like nine feet to number,
Speaker 3: you know, unbelievable thick. That's important. They get all the
Speaker 3: women up against this wall. They start approaching the women,
Speaker 3: and naturally the women sort of take a defensive posture,
Speaker 3: and they expect the women to be surrendering, but instead
Speaker 3: the women attack. And what the chroniclers say about this
Speaker 3: encounter with the women was that they were harder to
Speaker 3: put down than the men.
Speaker 8: And the stories about the men blew to Soto's mind.
Speaker 3: When you hear how far these flint arrows went, all
Speaker 3: the way through a horse, all the way through the armor,
Speaker 3: and clean out the other side, De Soto would have
Speaker 3: them cut open study. He couldn't believe the strength and
Speaker 3: the displays of power you'd see. So for them to
Speaker 3: say that the women were harder to take down you
Speaker 3: understand that these women saw the town of fire, saw
Speaker 3: the men dead, and they had life no more, and
Speaker 3: their bodies were the weapons.
Speaker 8: They said.
Speaker 3: They fought without concern, no weapons, just fucking everything they had.
Speaker 8: So the Spanish just got to put down the women.
Speaker 8: There's a Native boy up on the wall, last one left.
Speaker 3: So the Spanish see this, as they say in the
Speaker 3: chronicles bravery, they don't want to kill the kid.
Speaker 8: Nice of him. They just killed everything he'd known, burned it,
Speaker 8: but they didn't want to kill the kid.
Speaker 3: The kid looses his last arrow, sees them encroaching, and
Speaker 3: he breaks his bow apart, and he takes the string
Speaker 3: of the bow. He ties it around his neck. And
Speaker 3: there's a tree they say, crowing out of the wall
Speaker 3: of the town, and he strings himself up around that
Speaker 3: tree and he jumps off, hangs himself. Tuscaloosa got away
Speaker 3: to the north. Now, he didn't escape. In fact, the
Speaker 3: stories that every single person they asked afterwards told was
Speaker 3: that they had to force him to leave over and
Speaker 3: over and over again. But they got him and a
Speaker 3: few men north that way. That whatever happened here today,
Speaker 3: there was still a leader in place. The sun, they
Speaker 3: say died there. Now this burial mound, Nick, we're gonna
Speaker 3: go look at this crescent burial mound with this artifact.
Speaker 3: I'll show you over there on the table marks what
Speaker 3: I believe is the burial mound of Chief Toscaloosa's son.
Speaker 8: Place just north of this X marker tree.
Speaker 3: When you see the way the creek thanks to the construction,
Speaker 3: has been altered and it's washing out the back of
Speaker 3: this crescent shape burial mound, you see this artifact washing
Speaker 3: out that represents this mound, this big X man marker tree.
Speaker 3: It's definitely a burial mound and it's definitely a memorial
Speaker 3: of Mobila, something they did after the battle. Today, there's
Speaker 3: a neighborhood being built as we speak, having been built
Speaker 3: for the past ten or fifteen years, throwing up mansions,
Speaker 3: you know, Mick, mansions is the term clearing what are mounds? Nick,
Speaker 3: I'll take you and show you it's fucking moundy territory
Speaker 3: and pushing all of this metal that was in all
Speaker 3: of these houses from this nine hundred to eleven hundred
Speaker 3: man squadron who had everything needed. The chroniclers describe it
Speaker 3: as being the best outfitted expedition to ever set foot
Speaker 3: in the New World. Hum Now every material possession that
Speaker 3: that expedition had burned inside of these eighty longhouses, metal melted,
Speaker 3: the rocks that it was stuck on, stuck to it.
Speaker 3: The carbon from the wood inside the blade is still inside.
Speaker 3: And these developers knowingly or unknowingly clearing this land, pushing
Speaker 3: all of this into this creek. So that when Jason Huffman,
Speaker 3: also known as Shaman seven eleven here goes down there
Speaker 3: practicing these shamanic connections because his life is going through
Speaker 3: the fucking ringer, he starts finding these artifacts in this
Speaker 3: metal and all the power that was in this place
Speaker 3: where this atrocity took place. But more so than the atrocity,
Speaker 3: And what we learn by now having mapped this stuff
Speaker 3: out is the genius plan that Tuscaloosa put in place.
Speaker 8: And he stopped him. He stopped the soda. What do
Speaker 8: I mean by that?
Speaker 3: After the battle, De Soto had a six day journey
Speaker 3: to certain resupply in the Gulf of Mexico, certain resupply
Speaker 3: fucking waiting.
Speaker 8: Now he's sitting here thirty days.
Speaker 3: They sit here on this land, says, they go around
Speaker 3: killing and burning everything.
Speaker 8: No questions. If it breathes, it's dead. If it stands,
Speaker 8: it's burned.
Speaker 3: Now Soto, all the pearls, everything he had burned, he
Speaker 3: was empty handed. And when he went back and found
Speaker 3: out a hatchie, because it burned. When he found out
Speaker 3: a hatchie, he knew what TuS Beloosa had done to him.
Speaker 3: So he sat and he bubbled in his rage. And
Speaker 3: they said they used the bodies of the natives. They
Speaker 3: were cutting them open for the fat to tend to
Speaker 3: their own wounds. Just death all around, natives moaning and screaming.
Speaker 3: When they came across them, boom dead. They wanted to
Speaker 3: know they could rest, and they dead for thirty days.
Speaker 3: Then de Soto made a faithful decision. He had already
Speaker 3: heard Tuscalusa went north. He decided to go north. What
Speaker 3: led him to that, Well, certainly if he got to resupply,
Speaker 3: his men were gonna say, fuck it, mutiny, they're heading
Speaker 3: back home.
Speaker 8: Right.
Speaker 3: Sure, that played it, probably a part in it, But
Speaker 3: I think the madness that overtook him in his time here,
Speaker 3: in his slaughtering these natives, burning everything they had, and
Speaker 3: realizing that this man Tuscalosa had done this to him,
Speaker 3: and he was gonna chase him, and he did to
Speaker 3: his death, died over on the Mississippi River. They had
Speaker 3: to they had to weigh his body down and sink
Speaker 3: it in the river so that they knew the natives
Speaker 3: couldn't find it. Because of the horrors that that man
Speaker 3: had brought upon this country, God's country. These people that
Speaker 3: lived in connection with spirit and with nature lived in
Speaker 3: ways today as we can showcase with some of these
Speaker 3: mounds and some of these artifacts that we are just
Speaker 3: beginning to comprehend today, and we see it finally illustrated
Speaker 3: here and when we learn precisely what Tuscaloosa did to
Speaker 3: overcome De Soto and send that devil to his ruin
Speaker 3: on the Mississippi River. By the way, Nick, last time
Speaker 3: I went over the Mississippi River, I was heading up
Speaker 3: to Dallas. I took some of De Soto shit with me,
Speaker 3: and as I'm over the river, I throw it off
Speaker 3: into it said there's your shit back and.
Speaker 8: Wherever you are Hernando hook you, I guess Tuscaloosa wan
Speaker 8: that plan put place one.
Speaker 3: Yeah, you want to look at some of these artifacts time, dude,
Speaker 3: you go to keep talking, Yo, that ship was deep.
Speaker 2: He did throw that off the bridge too, because he
Speaker 2: sent me a video of it.
Speaker 3: I saw that was that was deep. That was contemplated
Speaker 3: it a few times, and I always traveled with with
Speaker 3: a little but but this last time, as it happened, Uh,
Speaker 3: the conditions were perfect. There was no traffic, you know,
Speaker 3: there was nothing on the river, and so I took advantage.
Speaker 3: Here's your ship back.
Speaker 5: It's funny that.
Speaker 6: Because I went to I think it was either Fort
Speaker 6: Mcallisto or Fort More's here in Georgia, and they had
Speaker 6: a little snippet about him too in there.
Speaker 3: Yeah, yeah, most definitely a few things we mentioned just
Speaker 3: to show you before we break loose into whatever. Let
Speaker 3: me see if you guys can see my ex feed.
Speaker 3: Is this on your screens? Yep? Okay, cool, yep, yep,
Speaker 3: I can see it. Okay. So I mentioned a clay
Speaker 3: mound with an artifact. This is that artifact here with
Speaker 3: the representation of the mound in the middle. This is
Speaker 3: the crescent mound. I already showed you right that it
Speaker 3: represents with the creek washing out the back of it.
Speaker 3: So you have visuals on both of these. Now. Now
Speaker 3: at this point I have video of Nick and I
Speaker 3: going here and looking at this. We could do that next.
Speaker 3: I also have video of Nick and I looking at
Speaker 3: the artifact table and sort of just dissecting and showing
Speaker 3: those and some good high depth. So after that that
Speaker 3: twenty five minutes sits still I'm gonna sort of see
Speaker 3: which way you guys want to go. Well, here, let
Speaker 3: me show you. Let's go ahead show you this. So
Speaker 3: we did accent the earthworks right that we can barely comprehend.
Speaker 3: Now this mound shows that feature. Because if you see
Speaker 3: this creek, look over here on this you see this
Speaker 3: lion coming in. Okay, now that represents over here this waterway. Now,
Speaker 3: when all of this floods, as Nick and I showed,
Speaker 3: this water comes into this bowl right and fills it in,
Speaker 3: they're showing they can use the water flow to effect,
Speaker 3: just as we saw over here on this wing serpent
Speaker 3: where they use the water flow to effect to create
Speaker 3: this swamp. This is also evident around Mortar Creek. So
Speaker 3: I have several examples just real quick to show you
Speaker 3: this earthwork movement. So if I look at the USGS
Speaker 3: map here, okay, I have all of these waterways, I
Speaker 3: see the creek. This is Mortar Creek, and I have
Speaker 3: what are marked as ponds. They look like lakes. Well,
Speaker 3: I'm going to tell you that when you go into
Speaker 3: these it is a swamp. Right, it is a swamp that,
Speaker 3: as you can see on light are here lit. An
Speaker 3: image for you is made up of these roads right now.
Speaker 3: You cannot get in here, guys, unless you're a crazy
Speaker 3: tall guy on a mission to trace what these natives
Speaker 3: were doing. This is snake infested, tall cypress tree things
Speaker 3: falling down and in between these rows is just it's swamp.
Speaker 3: I mean, you either jump over it or you're good
Speaker 3: with three feet of snaky water. Right. Okay, so this
Speaker 3: is not modern engineering, right, this is native engineering, which
Speaker 3: you can see on scale. Now here I show you
Speaker 3: the whole thing. So what looked like a swamp. I
Speaker 3: want you to see what they've done with the creeks. Okay,
Speaker 3: So here comes this creek flowing in Mortar Creek. You
Speaker 3: look at that map, you saw what looked like a
Speaker 3: lake next to it. Right, it's this geo engineered swamp
Speaker 3: that has even been flooded a little more so much
Speaker 3: of these ridges are now you know, under underwater. You
Speaker 3: can see the deep part right, here right, So you're
Speaker 3: you're seeing geoengineering swamp that took place a long time ago,
Speaker 3: as verified by my video of going in here. This
Speaker 3: exhibits itself all over this area. When we look back
Speaker 3: at our main map here right, look over here. Now
Speaker 3: I can pull up light ar and I don't want
Speaker 3: to take up too much of our time, but if
Speaker 3: you zoom in here, you can even on straight regular map,
Speaker 3: see the land the ridges right now again, go in here,
Speaker 3: and this is like old gross swamp and when you
Speaker 3: look at light ar, these ridges are the same. Right now,
Speaker 3: I'm not the expert. I'm the guy on the ground
Speaker 3: that's been looking at the map and jumping in there
Speaker 3: and seeing what the heck is this? Right, So let
Speaker 3: me just put that out there for you. That's how
Speaker 3: I'm reporting. I've gone in the ground and I've seen
Speaker 3: that what I found on the map here right, I'm
Speaker 3: looking at it and I'm going, wow, that looks like
Speaker 3: the wing of a serpent or a space thing. Who
Speaker 3: made that island? I've got a video going to goat
Speaker 3: island on my X speed right tour this right, but
Speaker 3: you zoom in here and you go what are these rows? Why?
Speaker 8: Right?
Speaker 3: And then you jump in because you have been following
Speaker 3: this creek the whole time here, and you realize that
Speaker 3: this creek has been diverted. These two merge. As soon
Speaker 3: as they merge, and you've got water flow. What happens.
Speaker 3: It's diverted to a ninety and you get Berry Swamp
Speaker 3: with a lake right where the eye should go right,
Speaker 3: and you get the winged serpent. Okay, now, guys, should
Speaker 3: I pull up video of the artifact table with Nick
Speaker 3: or should we venture to the field and look at
Speaker 3: video of this mound?
Speaker 6: Hey, let's look at the field at the mount, because
Speaker 6: I got like fifteen more minutes before I have at
Speaker 6: least I want to see that mound footage ten four.
Speaker 3: Okay, So that's woods and mounds. That's one video, and
Speaker 3: we can fast forward through that stuff to where we Yes,
Speaker 3: let's look at the tree. So we're standing at what
Speaker 3: I often call the southern end of the Mobilla complex, right,
Speaker 3: So you've got the dune branch here flowing in where
Speaker 3: it meets the Pine Creek branch, which is where all
Speaker 3: the metal is flowing in from where the construction in
Speaker 3: the neighborhood has pushed it into this branch's this branch.
Speaker 3: So here were these two meets Nick. The burial mound,
Speaker 3: the Crescent burial mound. We didn't bring that peace with us.
Speaker 3: I wanted to bring it with us. Is directly north
Speaker 3: of here. So I took myself one day again to
Speaker 3: show you how I was learning these shamanic exploration tools.
Speaker 8: I went from here to that mound right.
Speaker 3: Was from there's a tree.
Speaker 8: That's the philosophy, he said.
Speaker 3: It looks kind of like a man because in that
Speaker 3: nobule you know a little bit, but what we definitively
Speaker 3: do have so quickly, this is one tree. I'm just
Speaker 3: going to show you the visual and skip to the
Speaker 3: mound that has has been worked into this cross or
Speaker 3: which Nick noted on the way out. It kind of
Speaker 3: looks like an orangutan face in here, and this leg
Speaker 3: looks like it's bending. Now I'll take a second, just
Speaker 3: let you see this tree.
Speaker 8: And one tree if I can move these ford one tree.
Speaker 3: Split into two a foot and a half two feet up.
Speaker 3: Those two portions were then wrapped back around each other.
Speaker 3: As you can well see over here, you can see
Speaker 3: the decision, the whole Yeah, coming back, I got a
Speaker 3: full place, Yeah, yeah, the super takes to the car
Speaker 3: and walk up a strip of land to see, Yeah,
Speaker 3: there's a frog. So now we'll just skip ahead. Guys,
Speaker 3: I'll tell you what we're gonna do. Since our time
Speaker 3: is quick. Looks like we have fifteen minutes, so I'll
Speaker 3: just skip ahead for a second. You can see Nick
Speaker 3: and I walking through the creek. What I want you
Speaker 3: to see is how all of the artifacts are collected.
Speaker 3: They're just being washed down right there in the creek.
Speaker 3: And then we'll skip up to our mound forty thirty
Speaker 3: forty feet and then in this straight line, little.
Speaker 8: And often bad people see the amount. And I had
Speaker 8: a few nameless you know, So.
Speaker 3: Guys, all of this right so here, here, here, here, here,
Speaker 3: here is the amount of this metal you're getting. It's everywhere,
Speaker 3: faceless twitter accusations thrown at me, like, oh, it's one
Speaker 3: thing to find a relic, but it's another to strip
Speaker 3: mine it for archaeologists. You know, what I think people
Speaker 3: don't gather is just how I'm finding this stuff. You know,
Speaker 3: it's not a digging up at all of making sure
Speaker 3: it gets saved, because of each subsequent.
Speaker 8: Rain, it gets washed down.
Speaker 3: Okay, let's get to our mound metal. Yeah okay, So here, guys,
Speaker 3: we're at the mound, and I'll guide us through it quickly.
Speaker 3: Here you can see the ridge start deforming of this mound. Right,
Speaker 3: I'm gonna walk up fast, forward us up here, and
Speaker 3: you will see what I mean by the creek. You
Speaker 3: see all this concrete block and stuff. This is backfill
Speaker 3: from the construction that's happening over here. So they bring
Speaker 3: it down here and dump it. And this creek which
Speaker 3: was running over here is now pushed over as you'll
Speaker 3: see in a second.
Speaker 8: Oh shit, yeah, okay.
Speaker 3: See here's another piece of clay.
Speaker 8: There's palace through there. All of this land is part
Speaker 8: of the development. And you can see where they throw
Speaker 8: their junk over here and they can push the top.
Speaker 3: And here's the mount of the burial mound, the backside
Speaker 3: of this cresson right here, guys, this is where it's
Speaker 3: washing out.
Speaker 8: Now.
Speaker 3: If you see all of this hanging down, this was groundcover.
Speaker 3: This is moss grass roots, right, So the mound was
Speaker 3: originally out to here, and all of this has been
Speaker 3: washed and is being carved out by this creek shape
Speaker 3: burial mound. I've already showcased the clay back, which is
Speaker 3: memorializes this same mound. Now we're gonna walk up it
Speaker 3: and you'll see that, as I demonstrated earlier, the water
Speaker 3: trickles in and will fill this crescent when the water's high.
Speaker 8: But what's easy to see here. You can see from
Speaker 8: the top soil to the mat right it's loose.
Speaker 3: All of this is being washed out because if you
Speaker 3: can see right here the original creek line here, go
Speaker 3: down here and do it. Nixt taking the shoes off. Now, hey,
Speaker 3: we're out. Hey, guys, we're out there barefoot, and Nick
Speaker 3: was barefoot too, and you saw the ground with the
Speaker 3: leaves on the trees. I'll probably have to walk you
Speaker 3: along it, but you see all the way down there,
Speaker 3: it dives back around and we'll meet here. So right now,
Speaker 3: if you're looking at that crescent, that horseshoe, we're in
Speaker 3: the We're at the top high point right at the
Speaker 3: bottom of the bowl.
Speaker 8: Here, let's take ourselves up to the high ground in
Speaker 8: the leaves, okay, and.
Speaker 3: We're walking to the edge of the bowl. Now, yeah,
Speaker 3: spider webs, Okay, you want to stay here and I'll
Speaker 3: get down in the bowl. So what you're gonna notice
Speaker 3: here is that this mound, though you saw the slope
Speaker 3: as we walked up. Once you get to the bowl,
Speaker 3: it's straight down and you know, somewhere between what Nick
Speaker 3: ten and twenty feet we can get some perspectacle on
Speaker 3: how tall this thing is.
Speaker 5: Yeah much?
Speaker 3: Oh, you're crazy. So you're essentially at the high point, Nick,
Speaker 3: of this whole crescent shape aerial right.
Speaker 2: Can you run back that, Georgia, the jungle move you
Speaker 2: just did.
Speaker 3: Can you replay that?
Speaker 8: You'd see?
Speaker 3: You see this back here, guys, this is water. Okay,
Speaker 3: So this bowl, you know, forms and when the water recedes,
Speaker 3: there's still some left back here where it comes in.
Speaker 3: To illustrate what I mean, this bowl fills with water.
Speaker 8: Okay, I don't know what are you fifteen feet above me? Yeah,
Speaker 8: I would say so, yeah, now I go another three
Speaker 8: feet down. I don't know.
Speaker 3: All right now the design fills the fuck that to me,
Speaker 3: it almost echoes the abilities we see over there in
Speaker 3: the Winged Serpent where they were taking a creek creating
Speaker 3: a swamp in order to make ahead. It shows an
Speaker 3: understanding of not only earthworks, but also of using water,
Speaker 3: you know, not only using it, but incorporating it into
Speaker 3: the design. As they exhibited here. That to me is
Speaker 3: extremely impressive. Correct, all right, Now we're gonna walk down
Speaker 3: around where that's the high point, really soft ground here,
Speaker 3: you see the bowl edge. Now we're gonna start walking
Speaker 3: down the ramp. It's a ramp. It doesn't stay the
Speaker 3: same height until you get down to the bottom. Somebody
Speaker 3: got a machete over there there?
Speaker 8: What didn't.
Speaker 3: But I heard some machette over twelve or so feet. See,
Speaker 3: we're starting to slope down doing great balance great. See
Speaker 3: now we're down to four or five feet right.
Speaker 8: And we're essentially there.
Speaker 3: You can start to see this other creek that's represented
Speaker 3: on the clay piece and the light are right here
Speaker 3: behind this mound.
Speaker 8: When this water is up, it flows into here, creating
Speaker 8: finishing the bowl.
Speaker 3: H and then this is us at the bottom and
Speaker 3: the mall.
Speaker 8: Fucking mountain. It's like a hole in the old almost
Speaker 8: like a horse really yeah, like half creata. So, I
Speaker 8: mean that's it's quite obvious you stay where you.
Speaker 3: Are, but perspective, this is really soggy down here. Right
Speaker 3: right back there, you can see water, and that creek
Speaker 3: behind you flows in right there bide design it's a
Speaker 3: big thorn.
Speaker 8: Yeah, I propose it's it's the sun. I think, Yeah,
Speaker 8: I propose it's it's the sun. I think.
Speaker 3: There you go.
Speaker 8: You gotta think. You know they they went so much
Speaker 8: trouble to memorialize it.
Speaker 3: This mound is this complicated piece of engineering, not only
Speaker 3: to tolprate the water, but you know, look at the
Speaker 3: grave man slants and everything that went into Then you
Speaker 3: have a north mark or tree bygan south. You have
Speaker 3: an ex marker tree just south of here. You then
Speaker 3: have clay representations with this mound represented on it. All
Speaker 3: of that put together shows me great ceremony. You know
Speaker 3: that happened afterwards, just as we would really great person
Speaker 3: we'd go to ever. Right, So when you put all
Speaker 3: of the pieces together, the one that died that day
Speaker 3: that you would do that for was the chief's son.
Speaker 8: That's what gets me to burial plays.
Speaker 3: And there's your mound tyrone, and you have six minutes
Speaker 3: to spare not again. And this is the memorial clay
Speaker 3: piece which I found in the creek. And that's the
Speaker 3: creek flowing end that fills that bowl with water. And
Speaker 3: you just saw video of it. That's a crazy So
Speaker 3: we didn't get everywhere there I planned on getting but
Speaker 3: I think we we got a good bit out there. Yeah, okay,
Speaker 3: are we gonna hang up? Should I stop screen share
Speaker 3: and bring it back to Maine? Or do we have
Speaker 3: time to look at anything else? What do you guys
Speaker 3: want to do?
Speaker 2: I mean we can let tyro own do is his
Speaker 2: doctor's thing, and we can continue if you want.
Speaker 3: I mean, I'm fine with looking at you show.
Speaker 9: Jason, can you show them those rows again? On on onlither?
Speaker 3: Sure? So the Mortar Creek rose?
Speaker 8: Yeah?
Speaker 3: Right, okay, so you've got your map here, right, this
Speaker 3: is the area where the rows appear, right, and let's
Speaker 3: click over. Oh, these are mounds that are further south.
Speaker 3: This is still the same creek, and the lines are
Speaker 3: up north. Okay, so here you go. Here's where it
Speaker 3: transfers over. And you know, to light R two from
Speaker 3: lighter to map. I did that just so you could see.
Speaker 3: It's showing you water, but it's showing you swamp. You know,
Speaker 3: these are swamp representations. But what it actually is is this, right.
Speaker 9: But when when you when you when you look at this,
Speaker 9: it looks like artificial reservoir, right, But when you go
Speaker 9: to the fool, it's like walking into a swamp. Yeah,
Speaker 9: but when you go to the full lighter one, you
Speaker 9: see what I read here. I might be reading wrongly,
Speaker 9: but what I read here is that the rose precede
Speaker 9: the that flow of water. It's like that flow of
Speaker 9: water came when the whatever was maintaining these reservoirs caved
Speaker 9: in and the water rushed in and erased some of
Speaker 9: the rows.
Speaker 3: Yeah, it's quite possible, because you see the rows are
Speaker 3: moving horizontal here and vertical here.
Speaker 1: Yeah.
Speaker 3: Right edge, like when you go jumping off in here,
Speaker 3: you see this edge right here. I mean that's like
Speaker 3: a mound, and all these little dots through there are like,
Speaker 3: you know, little high points on the mound. It's just
Speaker 3: extremely strange territory that it is not modern, as is
Speaker 3: easily discernible by the age of all these cypress trees
Speaker 3: and stuff from here.
Speaker 9: And the drology of the place. Because you see the river.
Speaker 9: He's whining he couldn't go into the reservoir, so he
Speaker 9: just nicked it a bit and then went around it, right,
Speaker 9: you know.
Speaker 3: And when you look at this the map Ricardo, the
Speaker 3: big one, the whole picture you see through here right,
Speaker 3: all of these creeks, the one you were looking at.
Speaker 3: Just there is a Mortar Creek which flows right here,
Speaker 3: but all of these creeks, you know, are diverted in
Speaker 3: some way. Look at all of these bodies of water
Speaker 3: through here. You know, it's like the creeks somehow create
Speaker 3: go ahead.
Speaker 9: It looks like not only it's very old, and it
Speaker 9: was different then, probably not swampy as it is for
Speaker 9: the last three hundred or four hundred years, I don't know,
Speaker 9: maybe more, but it looks like whatever they were doing,
Speaker 9: they were controlling, nuraling the courses of water, but they
Speaker 9: were staring water in it somewhere. So if you remember
Speaker 9: the gardens, I think I'm not sure if it is
Speaker 9: poverty point. I might be saying it wrong because I'm
Speaker 9: not very versed in this, but I know that there
Speaker 9: is a lot of indigenous peoples from the area that
Speaker 9: were very wise in making production of food and maintaining
Speaker 9: of water, and.
Speaker 3: So right, it looks like the natives said they made
Speaker 3: terrible slaves Ricardo, simply because of this. Everything they had
Speaker 3: they didn't want for anything. I mean, we could propose
Speaker 3: all day. I don't know, once you get on the
Speaker 3: ground and start looking at these things, but it could
Speaker 3: even be a micro environment. You know, maybe there was
Speaker 3: a reason that swamps were beneficial because of the floor
Speaker 3: or fauna right that was drawn to it. It could
Speaker 3: be all kinds of things, man, But.
Speaker 9: The swampy may have come later because of that excess
Speaker 9: of water, right, because if it was maintained, you wouldn't
Speaker 9: have a swamp.
Speaker 3: It's very true, exactly, very true, tyrone. Do you need
Speaker 3: to sign off? I don't want to run past your
Speaker 3: time without giving you a chance to hop in for
Speaker 3: a second.
Speaker 6: No, I'm good for another five minutes. It's just interesting
Speaker 6: because I'm looking at this light. R. I got the
Speaker 6: USGS on my other screen over here too, and I'm
Speaker 6: looking at him, and it's actually pretty interesting, bro, Like
Speaker 6: this light Our shit is crazy?
Speaker 3: Like how did you find his mound?
Speaker 5: You was just walking through the woods.
Speaker 8: Or something like?
Speaker 3: It all started on the ground, man, right. So I
Speaker 3: go in and I find these places.
Speaker 8: You know.
Speaker 3: One of the first things I find is this just
Speaker 3: on the map, because I'm looking on the map because
Speaker 3: I'd already located what I'm certain is that of Hatchee
Speaker 3: up around it here. So I'm looking at the map, right,
Speaker 3: and I zoom out and I see this, and I go,
Speaker 3: what the right?
Speaker 5: You want to know this road?
Speaker 3: I've driven that road, that swamp. Why do I see
Speaker 3: these ridges? Right? So you go in and you're verified,
Speaker 3: you go, yeah, this is the same swamp I was
Speaker 3: in last year. Right. Let me go look at this
Speaker 3: light ar and you see all these ridges, you.
Speaker 6: Know, oh, you know here, the more I look at it,
Speaker 6: it looks like a boarhead.
Speaker 3: It looks like you know, at first I saw a jackal.
Speaker 3: The reason I say wing serpent is this actually ties
Speaker 3: into much of the antidiluvian stuff I found in North Alabama. Right,
Speaker 3: we have a big star wound and impact crater, which
Speaker 3: some say is like millions of years old. You know
Speaker 3: who knows here in we Tonko, right. My point being,
Speaker 3: they picked this location to demonstrate what caused the destruction
Speaker 3: of the younger dryas, Right, what brought the flood the
Speaker 3: stuff that destroyed everything I found in North Alabama. I
Speaker 3: believe that's where this echo of this geo engineering comes from.
Speaker 3: It's like the pyramids in Egypt.
Speaker 8: Right.
Speaker 3: You see it on this large scale here, and then
Speaker 3: I found it echoed all across what we call Tuscaloosi's territory,
Speaker 3: like I was showing you Mortar Creek, right, It's like, so,
Speaker 3: you know, the theory is that the Antidiluvians created this, right,
Speaker 3: or the survivors, not the Antidiluvians, but whatever connected spiritual
Speaker 3: remnant right was around here, had something to do with this. Right.
Speaker 3: There's a reason that Chief Tuscaloosa was known as the
Speaker 3: last mound builder, see Adahatchie. Adahatchie was known as a
Speaker 3: new town. That's how they described it. So he's the
Speaker 3: last verifiable chief that were building new mounds all the
Speaker 3: other territories that wasn't happening. Why is all of this
Speaker 3: echoed here? Well? What is does the wing serpent mean
Speaker 3: to us? In every other culture around the planet where
Speaker 3: it appears, it means comet green and the sky flying destruction,
Speaker 3: the winged serpent from heaven. Right, So all of what
Speaker 3: I found in north and central Alabama there was evidence
Speaker 3: of destruction. My I sees winged serpent when I look
Speaker 3: in here, right, because I see that that a message
Speaker 3: saying all this destruction you see north of here, this
Speaker 3: winged serpent. That's why I see that. But I also
Speaker 3: a first saw the jackal, you know, the Egyptian it
Speaker 3: was a knowledge or wisdom bringer.
Speaker 6: Yeah, I was looking at I was just looking at
Speaker 6: boar's head. Yeah, it does look like a boar's head
Speaker 6: to me. It came out as I wanted to make sure,
Speaker 6: but it definitely does. So, I mean, that's pretty interesting
Speaker 6: because when I look at it, I was like, I mean,
Speaker 6: I'm from the South man, I'm in Georgia too, brouh.
Speaker 8: I know.
Speaker 6: I'm in the woods a lot myself, and we see
Speaker 6: that running around a lot and.
Speaker 3: I was like, yeah, that shit like you do. Man,
Speaker 3: the triangular It's funny said that the triangular mound of
Speaker 3: antidiluvian rubble on the cahaba right, which to me is
Speaker 3: the light switch. It's got the drill holes all that
Speaker 3: on it, right. You can't explain it naturally. The way
Speaker 3: I first got onto the top of it was a
Speaker 3: wild boar.
Speaker 8: Man.
Speaker 3: You see how I'm out there barefoot right with my stick,
Speaker 3: and I'm walking along this mound trying to sort it out.
Speaker 3: And I hear a wild boar up over there, and
Speaker 3: I was on top of that mounts.
Speaker 6: Bring my forty five, I go out, bro, I go,
Speaker 6: I bring my forty five out because they're really bad
Speaker 6: out here man.
Speaker 8: And like I like it.
Speaker 3: They're glad, you know I feel on the forty five
Speaker 3: I bring. Look, man, the places I go and the
Speaker 3: way I learned to go there. You know, you connect
Speaker 3: with nature and you want to be at one with
Speaker 3: it and you want it to be at peace with you.
Speaker 3: So I definitely don't mind my partners having a forty five,
Speaker 3: but I try to walk out there as the natives
Speaker 3: would you know, well prepared are very bad man. I
Speaker 3: had to respect it. I had one of my buddies.
Speaker 6: Yeah, my buddy was in the ATV and he actually
Speaker 6: got attacked. Why I want they actually uh yeah they're nuts, dude, Yeah,
Speaker 6: they they're bad, but that's only when that really when
Speaker 6: when the food is very low.
Speaker 3: So they go, they go ito's low or younger being protected, right, yeah,
Speaker 3: they go.
Speaker 5: Really they go really really guys are and it's it's interesting.
Speaker 5: I'm in the woods a lot. I enjoyed.
Speaker 6: I have a kayak and I have a seventeen foot
Speaker 6: bass boat that I like to go out there. So
Speaker 6: where I can never take my bass boat, I'll take
Speaker 6: my kayak at and I go on through a lot of.
Speaker 5: Uh you know, little rivers and dreams and stuff like that,
Speaker 5: and you're.
Speaker 6: Fine, and you're right. I don't understand why people people
Speaker 6: don't understand. You can find artifacts anywhere. It's very easy.
Speaker 6: There is there's a spot right here everywhere. Yeah, yeah,
Speaker 6: there's a spot here that I'm like thirty minutes away
Speaker 6: from Reidsville. If I have some arrowheads over there, you
Speaker 6: can go right down there, man. And in the backwoods,
Speaker 6: bro and they got they got arrowheads and all kinds
Speaker 6: of flint and all kinds of stuff out there just
Speaker 6: laying on the ground.
Speaker 5: And like you said, it does get washed up.
Speaker 3: It's a lot.
Speaker 6: It's pretty interesting because where I'm at is there was
Speaker 6: a lot of the Native Americans around here.
Speaker 5: Also, and it's big for the history about this place.
Speaker 6: Also they actually built some Savannah, actually built some of
Speaker 6: their their stuff over.
Speaker 5: The Native American history. So yeah, yeah, yeah, it's pretty interesting.
Speaker 6: But yeah, I'm wanner. I'm gonna jump out of here, Guys.
Speaker 6: I appreciate it. I'm gonna go take care of this business.
Speaker 6: This was always a pleasure, Seanan. Man, you gave me
Speaker 6: a lot of information. I'm gona look at that. Like
Speaker 6: I told you before, Man, I need to come and
Speaker 6: check you out because I actually have family and in Aniston, Alabama.
Speaker 3: You told me that.
Speaker 6: Yeah, my popsa is from there. So Nick, if you
Speaker 6: ever make another trip up there anytime soon, let me know.
Speaker 1: Bro.
Speaker 5: I'm only about if you want to go anyway.
Speaker 6: So yeah, man, we can do that time, bro, Yeah,
Speaker 6: we'll do it after these conferences because I'm already I'm
Speaker 6: already gassed up and ready for these conferences.
Speaker 3: To do with what you're doing. And everybody that's uh.
Speaker 3: I called you, you know, in the little ad I
Speaker 3: put out for this, I called you rebirth of the world,
Speaker 3: but it's rebirth of the word, right.
Speaker 6: Yeah, yeah, yeah, yeah, yeah, word yeah word word. Y'all,
Speaker 6: y'all have a good afternoon now, because it's afternoon for
Speaker 6: me at least. Y'all chill out a be alive, be happy,
Speaker 6: be blessed, and always learn something new.
Speaker 5: Knowledge is power, y'all. Take it easy.
Speaker 1: Thanks for coming.
Speaker 5: Hey, y'all, take care, Broke.
Speaker 3: I just pulled this up because the ridges you're asking
Speaker 3: about Ricardo, So here you can see if we're at
Speaker 3: this wing serpent. You know, I already showed you the map,
Speaker 3: you know, showing this you can see the ridges, but
Speaker 3: that really shows it. There all these old cypress trees
Speaker 3: and stuff in here, you know, to create this whole
Speaker 3: very geo engineered seeing area. You see all these little
Speaker 3: strange lakes. You know, I see that's a little snake.
Speaker 3: It's just it's just a very intriguing area. Guys, once
Speaker 3: you h you start getting into it, you know.
Speaker 9: All of it looks heavily geoengineered, all of it and
Speaker 9: heavily destried bywater.
Speaker 3: After right, that's that's my guests, So guys, I'm I'm
Speaker 3: open for exploring a little bit more if there's anything
Speaker 3: of note you want to check out. I did make
Speaker 3: video of the stuff I found in the Couser River.
Speaker 3: I just put it on X last night, showcasing that
Speaker 3: this island in the Couser River is in fact an
Speaker 3: island of artifacts. So you know, if you see X
Speaker 3: put out a video before trying to imagine what this
Speaker 3: place looked like. Right, And that's another example of let's
Speaker 3: of us a mistaking landscape, right for what is evidence
Speaker 3: of geo engineering. You know, this island out there that's
Speaker 3: just a pile of rocks, and because it's been flooded,
Speaker 3: it all looks gray and bilgy. You bring it home,
Speaker 3: clean it off, and you realize that it's its artifacts
Speaker 3: of quartz. So that would be such a sacred place, right,
Speaker 3: And that's what I hope to get out of all this.
Speaker 3: We can take a minute and look at the of
Speaker 3: course the Mobila artifacts, just because Nick's in it and
Speaker 3: he can comment some. But you know what I really
Speaker 3: hope overarching we guide this whole thing towards is appreciating
Speaker 3: what was here that we have yet to appreciate. Right,
Speaker 3: not only with this plan the Tuscaloosa put in place.
Speaker 3: You know, we review that map one more time and
Speaker 3: we see that he had had a hatchee here, Mobila here, right,
Speaker 3: and he brings Tuscaloosa down into here, cross is here,
Speaker 3: I mean Soto here, and they even delay them here.
Speaker 3: They tell them we don't have enough canoes. You know,
Speaker 3: they have to build their own, right, And it's water
Speaker 3: all sides. You've been brought in here. You're gonna cross
Speaker 3: this and think you've crossed a river, right, and then
Speaker 3: hear the remains of the town. I showed you the
Speaker 3: platform mound. What we can do is just give everybody
Speaker 3: a visual of this place. Nick, I think it was
Speaker 3: the last drone video probably Okay, so Nick and I
Speaker 3: are standing over here. You see the bluffs. Okay, these
Speaker 3: are the bluffs they talked about, forty two one hundred
Speaker 3: foot bluffs, and that ridge runs all through here. Now
Speaker 3: the drones coming back to Nick and I standing right
Speaker 3: there in this video. Let me pull up the other
Speaker 3: one and we'll get an idea. See when I showed
Speaker 3: you the map yet, so see this is the water flow.
Speaker 3: Now if we're saying they were brought in from from
Speaker 3: Atta Hatchie over here somewhere into this region right and
Speaker 3: then cross this thing. Now, all you would have to
Speaker 3: describe what you just did is crossing a river, because
Speaker 3: here's the river right, The river flows right by this.
Speaker 3: Nick's still heading north. Here's the golf course. You again
Speaker 3: see the forty two one hundred foot you know, embankment,
Speaker 3: and it runs over here as well. Really starting to
Speaker 3: show the embankment. There we go. So this is all
Speaker 3: what would have been described. These trees would have been gone.
Speaker 3: All of this is mounds up here. They built a
Speaker 3: Scottish Lynx style golf course right now. If you don't
Speaker 3: know what that means, what that means is it's full
Speaker 3: of mountains right, all these little hillocks. Here's the light
Speaker 3: are of the golf course. Right, here's your ridge, and
Speaker 3: here's all these mounds and mounds and mounds. Now where
Speaker 3: did the dirt come from? Or why did they bring
Speaker 3: in the dirt to turn this into a Scottish link
Speaker 3: style golf course? If this were all flat terrain like
Speaker 3: the rest, I propose they didn't. I propose a lot
Speaker 3: of this was already here.
Speaker 1: It's easier just to roll with it.
Speaker 2: Not only that they did not want to start digging
Speaker 2: to try and level that in then article fine.
Speaker 3: I went to a guy. I went to Dollar General
Speaker 3: last night, and the guy checking it out just you know,
Speaker 3: good old local, down home boy, right, and he likes
Speaker 3: to tell me about his day when I when I
Speaker 3: pop in there and he said, yeah, I'm slow today.
Speaker 3: He said, I got popped for almost trespassing in a
Speaker 3: creek yesterday. And you know me what creek? And he
Speaker 3: said over here at Cooter's Pond. Now, Nick, when you
Speaker 3: and I went, I pointed out the creek we crossed over,
Speaker 3: and I said, look, they put up no trespassing. Somebody's
Speaker 3: bought all of that property. But the reason is surface finds,
Speaker 3: and like this guy was telling me, I said, I
Speaker 3: think that's where De Soto crossed the river. He said
Speaker 3: me too, What said you were saying? He said, you
Speaker 3: can find surface finds.
Speaker 1: Man.
Speaker 3: I was like, I know, I know, I'll come talk
Speaker 3: to you a bit, But this this would be the area.
Speaker 3: Then there's that bridge is the golf course, and that
Speaker 3: water just continues as you saw on the map all
Speaker 3: through here. And if we fast forward to where Nick
Speaker 3: turns around, here's your ridge line again. Let's keep jumping,
Speaker 3: and there you go. You're showing the whole ridge line
Speaker 3: they would have crossed like this is basically the view
Speaker 3: they'd have had crossing right here. Right now, over to
Speaker 3: their left is the Alabama River. But when you cross
Speaker 3: this and the water goes as far as you can
Speaker 3: see to the right and to the left this river
Speaker 3: you've been following the whole time, right, What are you
Speaker 3: going to write down in fourteen fifty three that you
Speaker 3: I mean, uh, sorry, fifteen forty that you just did
Speaker 3: right right? Okay, So last of the drone. Let's see
Speaker 3: it's back up here. I just want to see if
Speaker 3: you guys can really get the understanding of the river.
Speaker 3: So here's Nick over the golf course where he got stuck.
Speaker 3: Look at all the mounds out here, guys out there. Now,
Speaker 3: let's see if you turn around, see all this water.
Speaker 3: It just keeps going here. This is the Alabama River
Speaker 3: right here, right. So if you're crossing from a peninsula
Speaker 3: right here, right, how do you describe what you just crossed?
Speaker 3: Because this is the river Montgomery is right here right.
Speaker 3: The river winds all the way down and back to
Speaker 3: this point.
Speaker 1: Mm hm.
Speaker 3: So that's the proposal there. Not only do you very
Speaker 3: look at this jay shaped island. Remember that that's a
Speaker 3: strange one on the map again, g you engineered.
Speaker 1: Oh it's a weird way for the land to.
Speaker 3: It's like so much of this was was somehow engineered,
Speaker 3: especially when and here's where right the currents. Here's where
Speaker 3: the river flows in. Nick's about to show you down
Speaker 3: river here and so it's it's just all flowing and
Speaker 3: this flow is sucking this flow right physics, So it's
Speaker 3: all flowing. And there's Montgomery off from the distance. This
Speaker 3: is the river at a Hatchee would be back over here,
Speaker 3: Tallasey the Coosa River where they crossed right over and here,
Speaker 3: and that is the impact crater ridgeline. You're starting to
Speaker 3: see form as he's looking over towards we tanka. All
Speaker 3: right there, that's all impact crater ridge, the star wound
Speaker 3: as they call it, right, and this is the river
Speaker 3: flowing in. So they came from over here by the
Speaker 3: star wounds to this peninsula, crossed here you've got your
Speaker 3: mounds and your forty foot bluff. And then they continued
Speaker 3: their march. See here we are on the map. Here's
Speaker 3: where we were just showing you the river flowing in.
Speaker 3: Here's a peninsula they were led to. Here's the J
Speaker 3: shaped island right there right, and they cross over to
Speaker 3: these bluffs, which are well described in the chronicles, and
Speaker 3: then up to Mobila. They were described as camping nearby
Speaker 3: and then making a very short it was a very
Speaker 3: short marshal Mobilla. They arrived. The lead vanguard was there
Speaker 3: by nine am. They said. And when you see they
Speaker 3: started here with meeting Tuscaloosa, you understand the genius of
Speaker 3: the plant. You see, he tells them I'm taking you
Speaker 3: to a town far away. He leads them down here
Speaker 3: in two days. Comes here. They don't know where they are.
Speaker 3: They see water, they recognize the river. They cross it.
Speaker 3: Now Tuscaloosa knows, okay, they're not going to go back there.
Speaker 3: Whatever happened. By the time I get them here to Mobila,
Speaker 3: they're not going to realize, you know, they will think
Speaker 3: there's a river between us. Right now, when I was
Speaker 3: here working on a piece of property, there's a mound
Speaker 3: in the back that a house SIT's on. I've talked
Speaker 3: to the owners, They've described everything around. I was having
Speaker 3: to dig what I knew to be an earthwork, about
Speaker 3: two feet of it.
Speaker 8: Right.
Speaker 3: I didn't even want to do it. I put the
Speaker 3: guy there that was working with me on the tractor
Speaker 3: in charge. I did all the work in the front, right,
Speaker 3: I still want to be part of it. I go
Speaker 3: back the next days and I see the burnt the
Speaker 3: charcoal from the posts, right, it's in there. And then
Speaker 3: the creek running between the large mound and this earthwork,
Speaker 3: which would appear to have been because it's all red.
Speaker 3: It's full of daub a burnt wall. In that little creek,
Speaker 3: you find pottery, you know, all the necessary native artifacts
Speaker 3: to prove presence. And that's here, you see. So TEUs
Speaker 3: Lisa had his new town here, his big four to
Speaker 3: five town here. Now, instead of taking him straight there,
Speaker 3: what does he do? He wastes time. He takes them
Speaker 3: all the way down and through, giving these guys time
Speaker 3: to prepare, but also making sure whatever goes down the
Speaker 3: rest of his stuff, his new town is safe over here.
Speaker 3: And what we now know had to be a sacred
Speaker 3: area because of all these earthworks, which they certainly would
Speaker 3: have recognized at the time as something even though they
Speaker 3: couldn't see them from above. You know, the fact that
Speaker 3: they they made this this crescent mound. You know, it's
Speaker 3: not could they see it from above. They obviously understood,
Speaker 3: you know, shaping right the landscape for an effect. Okay,
Speaker 3: so I think we have the artifact table. I don't
Speaker 3: know if there's any interest to take a peek of
Speaker 3: that real quick, or if we need to go ahead
Speaker 3: and wrap. I want to be respectful of where we're
Speaker 3: at here. Okay.
Speaker 2: If it's.
Speaker 3: So, let's go here. Okay, there's been uther was inside
Speaker 3: the eighty houses that Soto decided to set fire to,
Speaker 3: burning everything they had with them, priests, everything you need
Speaker 3: for communion, blacksmiths, keep the three hundred and fifty horses shoed.
Speaker 3: We had hundreds of pigs, we had cooks, we had cutlery,
Speaker 3: we had metal, we had armor. None of it was
Speaker 3: on them, right, the slaves carried everything to stress inside.
Speaker 3: So what do you expect to find when an entire
Speaker 3: town is burned and all of this Spanish metal has
Speaker 3: been on the inside, has seen that heat, has melted,
Speaker 3: has been there, tossed around and underground for hundreds of
Speaker 3: years until development pushes it all into a creek. What
Speaker 3: would you expect to find, say, a look here, we
Speaker 3: have laid out next since your mobile, let's first give
Speaker 3: them an idea of what we're talking about in quantity.
Speaker 8: I think. So they say, when you're looking for Magilla,
Speaker 8: what are the experts say?
Speaker 3: How will you know? Well, you will have more metal
Speaker 3: than you know what to do with. The official academics
Speaker 3: who are hunting for Mobila sixty miles that way have
Speaker 3: found a quarter of a horse shoe. Okay, correction right here,
Speaker 3: that's the biggest piece they found is a quarter of
Speaker 3: the horseshoe, not the only piece. And what I believe
Speaker 3: it establishes, because it's a good hour or so west
Speaker 3: of here, is that is the route Tuscaloosa took out
Speaker 3: and they did a winter encapment that year after they
Speaker 3: took off, because they ran into a lot of native resistance.
Speaker 3: And that's probably what we're looking at with those guys. Okay,
Speaker 3: now what I've found. I've laid out a few pieces
Speaker 3: here on this table so you get an idea of
Speaker 3: the different types, and we'll review the table.
Speaker 8: But Nick, if you want to give everybody an idea.
Speaker 3: I have examples.
Speaker 8: But these buckets are full of metal. I have one more.
Speaker 9: Here.
Speaker 8: I have the last bucket, which was brought up a
Speaker 8: couple of weeks ago.
Speaker 3: I left here so you could see the.
Speaker 8: Randomness, the different types of metal.
Speaker 3: How these sheets have the quartz rocks stuck in them
Speaker 3: from where they were lying on the ground when they burned.
Speaker 3: Here with the clay, this big hunk with the various
Speaker 3: quartz pieces stuck inside, and all the other features I'll
Speaker 3: show you.
Speaker 8: On the table.
Speaker 3: But this is a random bucket. Last one gathered again
Speaker 3: quantity we go here, same thing.
Speaker 8: A little bit more than a horsehe right, a little
Speaker 8: bit more than horseshoe bro And this is what one
Speaker 8: man with these buckets has brought up over the past
Speaker 8: few years. Right here. We're not done yet, Oh, yeah, here.
Speaker 3: Full to the brim, all it, brother, because you will
Speaker 3: come back with this much inside as we go through.
Speaker 3: This is just the multiplicity of types of metal that
Speaker 3: you see exhibited.
Speaker 8: Right.
Speaker 3: There is not just iron. There is not just one type.
Speaker 3: The only way I really noticed start is to dig in.
Speaker 3: So first things I put my hands on. Usually I
Speaker 3: like to display the hollow nature of a lot of this. Right,
Speaker 3: this is a striking piece. You can see these bubbles
Speaker 3: represented here. I like these pieces. I've got several to
Speaker 3: show you because no carbon. Whatever this was dropped on
Speaker 3: was not metal, as exhibited by the fact that I
Speaker 3: can stick my finger in there and pulled out the
Speaker 3: carbon from the fire. Okay, now you'll see this carbon
Speaker 3: present on many of these pieces. This odd looking thing
Speaker 3: which had something in here, right, You see the carbon
Speaker 3: starting here you flip it around.
Speaker 8: That was the case.
Speaker 3: This was obviously on a stick, a pole, something which
Speaker 3: carbonized when it all burned. So the carbon feature exhibits
Speaker 3: on a lot of these pieces. What I've tried to
Speaker 3: do is just group them roughly so you can get
Speaker 3: an idea for the different types. Nick, you like this
Speaker 3: piece because it exhibits you imagine a hunk armor or
Speaker 3: a horse armor or who knows. You can see these
Speaker 3: holes obviously there and designated on the back where it burned.
Speaker 8: Right here close.
Speaker 3: Man, we have this. I call this first piece. That's
Speaker 3: how I referred to it before, because I was after
Speaker 3: gathering all of this, you know, you start picking up
Speaker 3: these pieces, and I wasn't looking for Mobila. Right I'm
Speaker 3: down there on this creek, connecting with God, trying to
Speaker 3: you know, sort my own sort of stuff out. But
Speaker 3: I start finding all this metal, and so then I
Speaker 3: learned about a story about Mabila.
Speaker 8: Now I was holding this piece.
Speaker 3: In my hand. I was in like the outside of
Speaker 3: the ups waiting for someone over here in town in
Speaker 3: a parking lot.
Speaker 9: I was telling you that you should do a soft
Speaker 9: print of those writings, a soft print of the what
Speaker 9: so either use a blasto scene or or just ink
Speaker 9: and then roll it in a in a parchment, or
Speaker 9: just put vegetable paper on top of it and and
Speaker 9: and scratch it. You have the themprint, so because it's
Speaker 9: much easier if you only have the symbols.
Speaker 3: That's a brilliant idea. Man, I'd love to see what
Speaker 3: comes out. Okay, I'm gonna click it off and ask
Speaker 3: for questions real quick, and on and on. You can
Speaker 3: check the video online. But you're seeing my point now.
Speaker 3: This entire island is some sort of a sanctuary. Nice
Speaker 3: petrified wood piece here that's been worked, and that is
Speaker 3: the last what I was hoping to get edited about,
Speaker 3: you know, trying to paint this picture of what was
Speaker 3: really going on here. We've covered the mounds, we've covered.
Speaker 3: I wanted to cover that bucket just to really showcase
Speaker 3: that this island in the middle of this sacred river,
Speaker 3: formed by this star wound, was in fact an island
Speaker 3: of quarts, all of it obviously manufactured in some way
Speaker 3: touched by the hands of man. Yeah, that really opened
Speaker 3: my eyes and it revealed to me why I've always
Speaker 3: felt drawn to that place, and it was so special.
Speaker 3: That's all I wanted to cram in. Guys, I'm gonna
Speaker 3: leave it to y'all now as to what we do.
Speaker 2: Have you have you done any research on that golf course?
Speaker 2: Like how far back can we see as far as
Speaker 2: the landscape there?
Speaker 3: What do you mean? How far back like can we
Speaker 3: see it like.
Speaker 2: Ten years ago, twenty years ago? How long's it been there?
Speaker 3: Yeah, so that course was built when I was in
Speaker 3: high school or so maybe junior high, right, so you're
Speaker 3: talking late nineties, So could we find archived footage?
Speaker 2: I would think, so, yeah, that would be interesting to see.
Speaker 3: I would think, yeah, see, you know, things just things
Speaker 3: stuck in your mind. And what stuck in my mind
Speaker 3: as a child. You know, my father watched a golful lot.
Speaker 3: I played a little bit, took some lessons, so I
Speaker 3: had it into my periphery. And when a Robert Trent
Speaker 3: Jones golf trail was opening in private, it was sort
Speaker 3: of big news, you know. And one of my professors
Speaker 3: at Aum Theater professors, he was huge in the golf,
Speaker 3: and so he was informing me, you know, it's gonna
Speaker 3: be a Scottish Links golf course course, you know, And
Speaker 3: I'm playing back the pictures in my head when I
Speaker 3: watch TV with my dad, I'm seeing the Scottish Links
Speaker 3: and I'm going, what why why are they moving all
Speaker 3: that earth? You know, that was just the thought I
Speaker 3: had in nineteen whatever ninety five, you know, when this
Speaker 3: place was getting up and going. And then so here
Speaker 3: today when I'm drawn to Fiacia and I see these cliffs,
Speaker 3: you know, and I find this mound, this, this platform
Speaker 3: light are then I'm able to connect the dots and
Speaker 3: go right the Scottish Lakes because it was there Scottish
Speaker 3: already there terrain right here on the Alabama River. Wonder
Speaker 3: what that was? Mounds maybe gotta be.
Speaker 1: I have a question.
Speaker 3: Then you just go walk and you can be anybody
Speaker 3: walking your fricking dog here in Cooter's pond and you
Speaker 3: can pick up artifacts.
Speaker 8: Yeah.
Speaker 1: I have a question Jason about when you guys were
Speaker 1: filming at the like the mound, at the Mound earthworks. Well,
Speaker 1: you said the development is basically border right up along
Speaker 1: the river, and they're pushing, you know, essentially pushing all
Speaker 1: their jump into the river and sort of diverting it,
Speaker 1: which is undercutting the mound.
Speaker 2: Do you know.
Speaker 1: Specifically if the development has plans to expand past the
Speaker 1: river line or like?
Speaker 3: It's okay, so here's what's happening. If I pull up
Speaker 3: my map here all right, And and in order for
Speaker 3: Nathan to try to get the whole scene on, he
Speaker 3: had to load other county path maps and I didn't
Speaker 3: want him to take the time. So this as far
Speaker 3: as we went. But you're talking this region here right
Speaker 3: now you see all these streets right, but now this
Speaker 3: this neighborhood is continued. Here's this road, this road right,
Speaker 3: it moves up right here, right, comes up off your
Speaker 3: screen over back around here. Now this neighborhood has already cleared.
Speaker 3: All of this right, you don't see it on this map.
Speaker 3: All of this is now neighborhood. Okay, all of this
Speaker 3: on this side of the road right here, neighborhood, right,
Speaker 3: all of this being cleared now all through here. Now.
Speaker 3: The tricky part about all of this, and I've really
Speaker 3: had no choice but to, you know, kind of keep pushing,
Speaker 3: is currently all of this is for sale. Okay, Now
Speaker 3: the development has not encroached. If you basically followed this square,
Speaker 3: this red square line here right, and then this creek
Speaker 3: that I'm following is the property line right. And this
Speaker 3: creek right here is where the X marker mound is, right,
Speaker 3: I mean the X tree and then the marker the
Speaker 3: crescent mound is right here. All right. Now, all of
Speaker 3: this is currently for sale. It has been for years
Speaker 3: because of all these creeks and this little beaver pond
Speaker 3: right in here, which makes this swamp look like a pond.
Speaker 3: It's the beaver Pond dimensioned in the chronicles, right, Okay,
Speaker 3: so it can't it can't readily be developed. And that's
Speaker 3: what's saving is it's on the market and can't really
Speaker 3: be developed. So these people aren't snatching.
Speaker 1: It up, right, just kind of buying up all around
Speaker 1: it all.
Speaker 3: Completely completely, it's completely encircled. And then it even carries
Speaker 3: on the mound structures carry on back over and here,
Speaker 3: you know, in very old neighborhood, back on this side
Speaker 3: of the road. But this entire area, you know, is
Speaker 3: eat up with it. But yes, so right now we
Speaker 3: have the Crescent Mound, the both the marker trees and
Speaker 3: all encompassing territory for sale, right and then this here,
Speaker 3: so you jump in right here at the beaver pond,
Speaker 3: and I traced the metal. It doesn't come out of
Speaker 3: this creek, right, it's coming out of these right here. Okay,
Speaker 3: like the little subsiduary clearing the original sections here, this
Speaker 3: is original. So this, this was your first bit of neighborhood,
Speaker 3: and then this and now it's just womb circling all
Speaker 3: around this, right. So obviously the battle site in the
Speaker 3: town proper is somewhere probably in this area. And when
Speaker 3: you take this road. I used to have a converbile
Speaker 3: as a kid, and I drove this road and before
Speaker 3: they cleared it, it was my favorite drive because it's
Speaker 3: just beautiful rolling hills and plains, just as described in
Speaker 3: the chronicles. But it's neighborhood.
Speaker 2: Now, okay, does anybody else have any questions? Nick Ricardo?
Speaker 3: Nick, what are your thoughts? You still with us? You
Speaker 3: were here?
Speaker 9: Uh?
Speaker 5: Yeah, golf course is really interesting.
Speaker 9: I would have liked to have been able to see
Speaker 9: more of that area.
Speaker 5: And I really thought that was interesting to think about
Speaker 5: what it was prior.
Speaker 3: I really I was even thinking myself I wanted to
Speaker 3: start looking that up. It was it was the end
Speaker 3: of the day, so we when we were leaving Cooter's Pond,
Speaker 3: I tried to point out to Nick the entrance to
Speaker 3: this area has a really big mound that they've now
Speaker 3: put a clock tower on. You know, So again all
Speaker 3: of this I've put forward the reason I'm positing this
Speaker 3: because you know, it looks like mountains. It's right where
Speaker 3: you find all the surface fines and with the light
Speaker 3: r you know the fact that so just south of
Speaker 3: the golf course, So where Nick and I were standing
Speaker 3: with the drone footage. To our left is the golf course.
Speaker 3: Right to our right is the peninsula where when I
Speaker 3: looked at light ar I pulled.
Speaker 8: This up.
Speaker 3: I've had you know, Maldlore, a few other I don't
Speaker 3: want to say anybody's name to get them messed up,
Speaker 3: but you know, I've had people look at this and
Speaker 3: you can look at it, and that's platform mound. When
Speaker 3: you look at the map, this is all wooded. It's
Speaker 3: all old growth forest. This is not a new structure.
Speaker 3: And that sits right there, you see. So there's that mound.
Speaker 3: Here's these the bluffs, golf course all up here right.
Speaker 3: Nick and I were standing here filming, and here's where
Speaker 3: the river flows in and the part where they crossed.
Speaker 3: So this area is eat up with all the signatures
Speaker 3: little mounds. When it came in. I remember, I pointed
Speaker 3: to you Nick where the bluff started. And this is
Speaker 3: an old neighborhood right here, these lines you see, so
Speaker 3: this is has been developed, you know, for a while.
Speaker 3: And you can see little mound structures when you drive
Speaker 3: up in there. But yeah, the golf course is uh
Speaker 3: is right up there. Okay, anybody else next.
Speaker 2: Sorry, I'm good. Anybody else got questions.
Speaker 3: I think we're pushing some folks got family matters to
Speaker 3: see too.
Speaker 1: No, yeah, I love this story and I love your enthusiasm,
Speaker 1: and I really yeah it's out there.
Speaker 3: I discovered, you know, the native spirit first, you know,
Speaker 3: and I hint at when the chroniclers, you know, when
Speaker 3: they when they come through here, they don't understand, you know,
Speaker 3: not only where all this material stuff is coming from,
Speaker 3: right that they see everywhere when they're describing these temples
Speaker 3: and these statues and all of this, right, these giant people,
Speaker 3: but the way these people behaved and conducted themselves, right, Yeah,
Speaker 3: they the Spanish couldn't represent it. They didn't see schools,
Speaker 3: they didn't see you know what I mean. Their eyes
Speaker 3: could not grasp where this was coming from. And as
Speaker 3: I was discovering spirit first, right, God first, and then
Speaker 3: he's guiding, you know, we're going through all this. As
Speaker 3: I'm just popping around discovering all this native stuff, you
Speaker 3: know that I suddenly start feeling and realizing a connection
Speaker 3: to and that became a through line for the story.
Speaker 3: As I started discovering, you know, these earthworks and what
Speaker 3: they were really up to in these islands. Of course,
Speaker 3: right that really just started to make sense, as that's
Speaker 3: that's the way to go is first of all, I
Speaker 3: can start to explain and understand that these people were
Speaker 3: in touch with spirit because my own experience has taught
Speaker 3: me and that that's real. Right, you can be leded
Speaker 3: and guided and taught and commune with a live and acting,
Speaker 3: active presence. Right. So this all started making so much
Speaker 3: more sense to me from that angle when I started
Speaker 3: reading these descriptions of them marveling at where these ethics,
Speaker 3: these morals and this ability to communicate as though they
Speaker 3: had AI running through their brain. You know, really that
Speaker 3: is because they were so in touch with that. So yeah,
Speaker 3: I am excited about it, I really am. Yeah, thank you.
Speaker 1: Yeah, you're such a great story.
Speaker 2: Tell her too that too, you really are. You've done
Speaker 2: a great job. You've done a great job with this presentation.
Speaker 1: And yeah, yes I knew you were working hard.
Speaker 3: Yes, the work is. The work is out in the fields,
Speaker 3: you know, And that's the fun. I had to sit
Speaker 3: there for two days and had I set all this
Speaker 3: up its new computer side and everything, you know, refreshing
Speaker 3: because it's been probably ten years since I really sat
Speaker 3: down to a PC and broke anything open. So yeah,
Speaker 3: it's it's what I love and going out and doing it.
Speaker 3: You guys see my videos as I post them. You know,
Speaker 3: I'm spending all day out there communing and gathering these
Speaker 3: rocks and artifacts that people just see as junk because
Speaker 3: we've damned it at Ruver. But it doesn't equate to work.
Speaker 3: Jacquelin and I started the day with a quote. She
Speaker 3: said it, I see you've been doing a lot of work.
Speaker 3: I said, well, when you're doing what you're passionate about,
Speaker 3: you never work a day in your life. And that's
Speaker 3: the truth, perpose.
Speaker 1: That's very true for you, I think, very true for you. Yeah,
Speaker 1: very true for.
Speaker 3: All of us. I can't see you guys stood up
Speaker 3: my share screen on. I guess I can pop it off.
Speaker 3: I don't want to mess up our sound. But very
Speaker 3: true for all of us, you know, absolutely all of us.
Speaker 3: That's what I love about this group. You know, we
Speaker 3: all have such extraordinary things and extraordinary talents and and
Speaker 3: and our own things going on. And when I start
Speaker 3: seeing those type people group together, you know there's nothing
Speaker 3: you can do but be excited about what's building there.
Speaker 3: Shout out Institute of Natural Philosophy, right, that's the name
Speaker 3: of the game, right there. Yeah, right, that's the end
Speaker 3: of it. There we go. Hey, Charlotte's coming down. It
Speaker 3: must be late. You're falling waking up. I've had both
Speaker 3: the girls here home sick.
Speaker 2: Uh the season.
Speaker 3: Stup?
Speaker 1: There is there?
Speaker 8: Yeah?
Speaker 2: All right?
Speaker 1: Well, if no one has any more, Nick, thank you
Speaker 1: for getting out there and getting the footage and cooking
Speaker 1: up with Jason and the droom footage. I appreciate all that.
Speaker 2: I like that.
Speaker 1: I love that overview. I need to see that in
Speaker 1: order to put everything into perspective. So that's very helpful.
Speaker 8: Same.
Speaker 3: Yeah, Ricardo, how are you feelings? Jacqueline had to reach
Speaker 3: over and slap you any Have you been behaving yourself?
Speaker 9: Yeah, I'm very well behaved.
Speaker 3: I'm very well behaved. I know you are. Yeah.
Speaker 9: I was wondering because the way you are finding all
Speaker 9: of that, it's it's kind of after you show the
Speaker 9: urban development. I wonder if those bulldozers that they were
Speaker 9: farming the area and planing it all out and pushing
Speaker 9: it to the edges, then wouldn't allow you to find
Speaker 9: all of that stuff that you've been finding.
Speaker 3: So correct. Part of the story is, you know that's
Speaker 3: why you know, you see me approaching it very neutrally, right,
Speaker 3: because if that hadn't have transpired, it would not have
Speaker 3: been in this creek that I was going to pray
Speaker 3: and can act right.
Speaker 9: Sure, But to them probably they couldn't see anything because
Speaker 9: if it was burned to the ground, all was mixed up.
Speaker 9: It just rubbled to their eyes, right, and make it
Speaker 9: these woods?
Speaker 3: You see these woods, you know, they're covered in these
Speaker 3: thorns and and this this brush. And that's the way
Speaker 3: they were until the developers came in, you know, so
Speaker 3: they just come in and mass cut these trees. I mean,
Speaker 3: I'm watching them do it behind me, you know, and
Speaker 3: then push their bulldozers and get it all out. The
Speaker 3: fact that the metal ended up in the creek is
Speaker 3: a little suspicious, right, a little suspicious. But I stopped
Speaker 3: with that because I'm grateful it did, because we wouldn't
Speaker 3: be sitting here today, you know, if we.
Speaker 9: Had and and that massive mount. Because the difference of
Speaker 9: height between the top and the bottom on the the
Speaker 9: questioned mound, I was.
Speaker 3: Not expecting it to be sorry speakable. I think it's
Speaker 3: my boume it'siz and go. But I can't hear you.
Speaker 9: Oh so I was saying that I was impressed by
Speaker 9: the height of the mound. I was not expecting it
Speaker 9: to be that that big. The problem is, if you,
Speaker 9: for instance, put a team there to try and clean
Speaker 9: it and try to recover its former a little bit
Speaker 9: of its former glory, you're going to destroy it because
Speaker 9: of all of those trees, all those roots going in.
Speaker 9: I don't I don't think it's possible to recover that,
Speaker 9: at least not easy.
Speaker 3: There's without damage from where trees, say pine trees have grown,
Speaker 3: you know, and then when they die, they make the
Speaker 3: fat wood, you know, because all the suercettles, and then
Speaker 3: over time those become loose and people pull them out,
Speaker 3: and those exists on the mound and I shot neck
Speaker 3: one or two. You put your hand down in it,
Speaker 3: and oh the GPS, you know.
Speaker 9: Yeah, it's it's it's a shame because it must be
Speaker 9: a beautiful place if we managed to recover it.
Speaker 3: Yeah, indeed, it's it's the prayer. It's the hope too.
Speaker 9: I think both of you are are congratulations are in
Speaker 9: art because you did a great job.
Speaker 3: Indeed, I appreciate that. I mean that other thing. Yeah, yeah,
Speaker 3: Nick did great. I can't wait to see him back
Speaker 3: down here. You know, we had a lot of fun.
Speaker 3: We crammed a lot into We did Moss Rock in
Speaker 3: a day, which was an hour and a half drive
Speaker 3: for both of us, and then we did all of
Speaker 3: this down here in a day. It was just go, go, go, go,
Speaker 3: go looking for it. We got all some money to
Speaker 3: the institute, so we can just send him back down
Speaker 3: here and we can both stay in hotels and eat
Speaker 3: comfortably and go film the rest of what we've got
Speaker 3: down here working on it.
Speaker 9: We we need we need Steve to to put this
Speaker 9: this stuff together.
Speaker 3: Hey, Nathan's hard at work too, man, putting together an
Speaker 3: episode out of all of this, and uh, you know,
Speaker 3: hopefully we can we can push this somewhere and carry
Speaker 3: everybody you know to a to a higher plane. Because
Speaker 3: the mission is simple. It's getting this truth out there.
Speaker 3: No matter which category we all are focused on, you know,
Speaker 3: it's all about pursuing truth of the information of this
Speaker 3: universe we live in.
Speaker 9: You know, I'm very confident that the product will generate
Speaker 9: enough revenue for for both of you continue this adventure
Speaker 9: and and do it in a much more comfortable way
Speaker 9: and without being in fashion.
Speaker 3: As long as as long as Nick doesn't smoke everything.
Speaker 1: And yet Nick some water shoes.
Speaker 2: I was like, I'm getting now, we got to toughen
Speaker 2: up his feet.
Speaker 3: He did great. Most people balk at that because of
Speaker 3: the sensity, and Nick didn't even check up. I didn't
Speaker 3: even mention it. He just did it because as he
Speaker 3: saw me and we were starting to get a little.
Speaker 2: Trooper, well those were smooth rocks. Yeah, we're own, sir.
Speaker 1: That was the easy route, Nick, It.
Speaker 3: Really was, guys. I went like a year and a
Speaker 3: half without shoes, you know, when I was starting the
Speaker 3: shamanic calling and then just waking up to everything I
Speaker 3: was doing, and uh yeah, I went everybody these swamps
Speaker 3: with these these you know ridges we were talking about, Yeah,
Speaker 3: just all barefoot, because you know, I said, the natives
Speaker 3: can do it, I can do it.
Speaker 1: You know, sure, sure, yeah, Jason, we really really really
Speaker 1: deeply appreciate all the work that you put into this.
Speaker 1: And I can listen to this story continuously because I
Speaker 1: just I just love the dynamics of it. It's a
Speaker 1: great story and probably one that needs to be told
Speaker 1: more broadly, for sure, So get much much richer.
Speaker 2: Every time he tells it like we take something else
Speaker 2: away from it to where now it's just this huge
Speaker 2: thing and like we're enjoying the.
Speaker 8: Ride with you.
Speaker 3: Yeah, definitely, I'm enjoying the ride with you, guys. You
Speaker 3: know I said it best, har Ricardo, how we put it.
Speaker 3: I love watching a plan fall in place, especially when
Speaker 3: I had nothing to do with it, you know, So
Speaker 3: thank all abuse, sincerely. I send that right back to you,
Speaker 3: each and every one of you.
Speaker 1: Yes, many hearts, all the hearts.
Speaker 2: Hey yeah, hey, yeah.
Speaker 9: So I heard an expression that is now I've got
Speaker 9: you exactly what you want me.
Speaker 3: I see what you were doing now. I love you, guys.
Speaker 3: We're gonna do a sign off.
Speaker 1: We are we are? Anyone does anyone? Does anyone want
Speaker 1: to plug their website their podcast Nicholas One.
Speaker 5: Research Institute dot org.
Speaker 7: That's our website.
Speaker 3: If you like to read a lot, there's a bunch
Speaker 3: of stuff on there to read.
Speaker 7: And you have the cult rejects on Bishop Brumble, uh
Speaker 7: Bitchup Brumble YouTube and all major podcasts.
Speaker 8: Thank you.
Speaker 1: Yes, And I just want to say I finally got
Speaker 1: my T shirt and my sticker.
Speaker 7: Awesome.
Speaker 3: Listen, yeah, that's you. Send me the picture. It's forget.
Speaker 1: Yeah, so I can't wait to bust that out word
Speaker 1: to the gym.
Speaker 8: There.
Speaker 3: I told him to save me one, so I got
Speaker 3: a bunch of them.
Speaker 1: Yeah, so appreciate it. Thank you very much, thank you,
Speaker 1: Thank you me and my day when I got home
Speaker 1: and popped it out of the mailbox. It's beauty, yeah, Sarah, ma'am.
Speaker 1: Where can all the lovely viewers find? Universe Unveiled.
Speaker 2: YouTube, x Rumble, Spotify, Spreaker. What am I forgetting?
Speaker 1: Instagram?
Speaker 2: Instagram? Well, I don't ever go on the Instagram.
Speaker 1: That's my domain.
Speaker 2: Yeah, that's Jackline's territory.
Speaker 8: Yeah. Yeah.
Speaker 1: And also link in description below you can catch our
Speaker 1: emerged shop and help support the podcast, and also visit
Speaker 1: else we'd like them to visit, Sarah.
Speaker 2: Institute for Natural Philosophy.
Speaker 1: That's it, Okay, really appreciate it. Coffee, Yeah, buy me
Speaker 1: a coffee. Yes, thank you so much, Shaman. Thank you
Speaker 1: Nick for video assistance and for being part of the
Speaker 1: UU crew. And thank you Padre.
Speaker 2: The podfather himself.
Speaker 1: Indeed, and most of my thanks go sorry boys, but
Speaker 1: to my sweet dolly Sarah, because I would like to
Speaker 1: publicly announce how much work she puts into the editing
Speaker 1: and the production of our videos, all of our videos.
Speaker 1: Ah shucks, she's gonna say that, but I need her
Speaker 1: to know how important that is to me and what
Speaker 1: great work she does. So thank you, Sarah.
Speaker 2: It takes two.
Speaker 1: It's twins, It takes two, the twins, the twins. Yeah, boys, thank.
Speaker 3: You Carlin with the go check out the Institute of
Speaker 3: Natural Philosophy and the Truth No, what is that? Our
Speaker 3: best future requires the truth of our past. Been a blast, guys, Yeah,
Speaker 3: thank you Dreson.
Speaker 1: All right, that's all starting off. Thanks everyone for watching
Speaker 1: Second u U cru Sash in the Bank audio site.
Speaker 3: Guys,