WEBVTT

1
00:00:05.200 --> 00:00:08.119
<v Speaker 1>Hello, I'm welcaned stories all the time. The lad you

2
00:00:08.160 --> 00:00:11.039
<v Speaker 1>are here, Let's get into it. The book was a

3
00:00:11.039 --> 00:00:14.080
<v Speaker 1>stranger among the day's returns, bigger, heavier, and more battered

4
00:00:14.080 --> 00:00:16.079
<v Speaker 1>than the slain volumes of art history and the hope

5
00:00:16.160 --> 00:00:19.000
<v Speaker 1>l hardbacks on digital literacy that usually made the morning circuit.

6
00:00:19.600 --> 00:00:22.399
<v Speaker 1>Its cloth cover was worn almost smooth, the original color

7
00:00:22.440 --> 00:00:25.120
<v Speaker 1>something between navy and milty, rendered patchwork of stains by

8
00:00:25.120 --> 00:00:28.239
<v Speaker 1>time and careless hands. The spine bore a call number

9
00:00:28.239 --> 00:00:31.079
<v Speaker 1>and two layers of faded in itself, nearly rendered eligible

10
00:00:31.079 --> 00:00:33.280
<v Speaker 1>by a sticker corner that had long ago been removed.

11
00:00:33.960 --> 00:00:37.079
<v Speaker 1>Beneath both, pressed fatally into the fabric was a gold

12
00:00:37.119 --> 00:00:42.320
<v Speaker 1>title on Disputed Principles and Devices, below the author's name, E. D. Harrow.

13
00:00:43.119 --> 00:00:46.119
<v Speaker 1>I'd spend enough years in industrial design, first as an engineer,

14
00:00:46.280 --> 00:00:48.399
<v Speaker 1>then as a trouble shitter for other people's mistakes to

15
00:00:48.439 --> 00:00:51.600
<v Speaker 1>recognize shirley work when I saw it. But even at glance,

16
00:00:51.679 --> 00:00:54.520
<v Speaker 1>this was no slap dust treaders. The binding might have

17
00:00:54.520 --> 00:00:57.079
<v Speaker 1>gone soft at the edges, the pages yellowed and ballied,

18
00:00:57.079 --> 00:00:59.600
<v Speaker 1>but the proportions the squared corners in the heavy block

19
00:00:59.640 --> 00:01:02.560
<v Speaker 1>print all signaled a formal ambition. It was a but

20
00:01:02.679 --> 00:01:04.840
<v Speaker 1>meant to last by some one who believed in the

21
00:01:04.840 --> 00:01:08.519
<v Speaker 1>permanence of their ideas. It was a slow warning. Some

22
00:01:08.680 --> 00:01:12.040
<v Speaker 1>accession was between terms. The stacks droused. I sat behind

23
00:01:12.040 --> 00:01:13.760
<v Speaker 1>a battered cut at the end of the rare book's wing,

24
00:01:13.879 --> 00:01:17.000
<v Speaker 1>letting the musty come sink into my joints. Around me.

25
00:01:17.120 --> 00:01:19.439
<v Speaker 1>The air carried a gentle craft coming from somewhere back

26
00:01:19.439 --> 00:01:22.519
<v Speaker 1>among the sealed rooms. After a minute, I picked up

27
00:01:22.519 --> 00:01:25.159
<v Speaker 1>the Herrow volume, pressing down on the stens of call number,

28
00:01:25.319 --> 00:01:29.079
<v Speaker 1>feeling its resistance inside the front matter confirmed the promise

29
00:01:29.159 --> 00:01:31.719
<v Speaker 1>published in eighteen eighty seven for Education and the Improvement

30
00:01:31.760 --> 00:01:35.400
<v Speaker 1>of Inquiry at Edlington Press in Manchester. No less, only

31
00:01:35.439 --> 00:01:38.560
<v Speaker 1>the forward and the table of contents were typeset. The rest,

32
00:01:38.560 --> 00:01:41.480
<v Speaker 1>to my surprise, was a tidy but cramped hand, laboriously

33
00:01:41.480 --> 00:01:43.599
<v Speaker 1>blotting out most white space, and so black it nearly

34
00:01:43.640 --> 00:01:49.159
<v Speaker 1>gleaned the contents themselves. Seen spars nine chapters on experimental interventions,

35
00:01:49.400 --> 00:01:52.439
<v Speaker 1>the trials of contradictory phenomena. It tabled results and a

36
00:01:52.480 --> 00:01:56.120
<v Speaker 1>final one simply concluding devices. But when I turned to

37
00:01:56.159 --> 00:01:59.439
<v Speaker 1>the first chapter, I felt to napaus The main text,

38
00:01:59.480 --> 00:02:01.879
<v Speaker 1>for all its pretense, was briefer than I expected, a

39
00:02:01.920 --> 00:02:05.719
<v Speaker 1>less of materials, assertions about trials, brief promises of further

40
00:02:05.799 --> 00:02:10.000
<v Speaker 1>elucidation below every few sentences, blocky superscript numbers sent my

41
00:02:10.039 --> 00:02:12.240
<v Speaker 1>eyes down to footnotes. As long as the main paragraph

42
00:02:12.280 --> 00:02:16.159
<v Speaker 1>above these footnotes, when mere clarifications or commentary, the unspold,

43
00:02:16.159 --> 00:02:19.680
<v Speaker 1>meticulous instructions and augued points absent from the body sea

44
00:02:19.719 --> 00:02:23.159
<v Speaker 1>Fake nine, in which Accombe is demonstrated beyond accidental deviation.

45
00:02:23.360 --> 00:02:27.360
<v Speaker 1>One insisted further down. Another compared the resistance measured under

46
00:02:27.400 --> 00:02:30.120
<v Speaker 1>the third trial pp. One hundred ninety two, one hundred

47
00:02:30.159 --> 00:02:32.759
<v Speaker 1>ninety three to the contradictory outcome in Table A Wall

48
00:02:32.960 --> 00:02:36.520
<v Speaker 1>Roman three. But there was no figure nine, no Table A,

49
00:02:36.719 --> 00:02:38.759
<v Speaker 1>no volume rom In three. As far as I could tell,

50
00:02:38.759 --> 00:02:40.759
<v Speaker 1>this was the only book attributed to Harrow anywhere in

51
00:02:40.800 --> 00:02:43.759
<v Speaker 1>the Day's Returns, and the next chapters opening paginated straight

52
00:02:43.759 --> 00:02:46.800
<v Speaker 1>from fourteen to twenty, with nothing in between. For a while,

53
00:02:46.919 --> 00:02:50.000
<v Speaker 1>I flipped back and forth, searching for diagrams, appended tables,

54
00:02:50.039 --> 00:02:54.159
<v Speaker 1>or section breaks. Instead, a moonscape of barren margins, brief

55
00:02:54.199 --> 00:02:57.280
<v Speaker 1>peaks of maintext beside deep valors of densely reference detail

56
00:02:57.280 --> 00:03:00.639
<v Speaker 1>which footnotes. Somehow, the more I looked, the more elaborate

57
00:03:00.680 --> 00:03:03.120
<v Speaker 1>the interwoven commentary became, until it threatened to dwarf the

58
00:03:03.120 --> 00:03:06.360
<v Speaker 1>core argument itself. I wondered if pages had been torn out,

59
00:03:06.520 --> 00:03:09.960
<v Speaker 1>or perhaps misplaced somewhere in the rebinding process. But there

60
00:03:09.960 --> 00:03:12.759
<v Speaker 1>were no signs of excision, no rugged edges, no loose

61
00:03:12.759 --> 00:03:15.400
<v Speaker 1>stitches in the spine, no ghostly shadows where plates might

62
00:03:15.439 --> 00:03:18.000
<v Speaker 1>once have been pasted and removed. The book was as

63
00:03:18.000 --> 00:03:20.599
<v Speaker 1>it was last bound, and had perhaps always been. The

64
00:03:20.639 --> 00:03:23.800
<v Speaker 1>book seemed obsessed with thein scene. This book of experiments

65
00:03:23.800 --> 00:03:26.439
<v Speaker 1>refined in the supplemental Erada date of found, conclusive in

66
00:03:26.520 --> 00:03:30.080
<v Speaker 1>volumes not here reproduced, and methodologies presented only to the Academy.

67
00:03:30.719 --> 00:03:33.759
<v Speaker 1>Each footnote led to another, mapping a landscape of references

68
00:03:33.759 --> 00:03:36.479
<v Speaker 1>within a texo. Theen as to be nearly absent. If

69
00:03:36.520 --> 00:03:38.680
<v Speaker 1>I was being honest, it felt less and complete than

70
00:03:38.719 --> 00:03:41.919
<v Speaker 1>what intent On was holding. By the time the clock

71
00:03:41.960 --> 00:03:43.759
<v Speaker 1>up of the winchimed the hour, I realized I had

72
00:03:43.800 --> 00:03:46.439
<v Speaker 1>been stirring at the same two pages for almost fifteen minutes.

73
00:03:47.199 --> 00:03:48.919
<v Speaker 1>I checked the slips in the back, as if the

74
00:03:48.919 --> 00:03:52.240
<v Speaker 1>circulation history would solve the riddle. Each holder had signed

75
00:03:52.240 --> 00:03:54.919
<v Speaker 1>with the range of Viez nineteen eighteen, nineteen fifty two,

76
00:03:54.960 --> 00:03:58.240
<v Speaker 1>then nothing until nineteen eighty nine. Most recent was Massess

77
00:03:58.240 --> 00:04:01.840
<v Speaker 1>Bellamu's uncopperplate dated last week, with her initial sharp and formal.

78
00:04:02.360 --> 00:04:05.120
<v Speaker 1>I found myself wandering again, as in every puzzling repair

79
00:04:05.120 --> 00:04:07.000
<v Speaker 1>in my old work, not only what had been left out,

80
00:04:07.120 --> 00:04:10.240
<v Speaker 1>but why for a book so meticulously present, why go

81
00:04:10.319 --> 00:04:12.800
<v Speaker 1>to the trouble of mapping an entire architecture of reference,

82
00:04:12.800 --> 00:04:15.759
<v Speaker 1>only to leave it empty. I closed the volume gently

83
00:04:15.800 --> 00:04:18.199
<v Speaker 1>and set it aside, a faint tingle of purpose rising

84
00:04:18.199 --> 00:04:20.839
<v Speaker 1>through my morning gloom. When I brought my collection of

85
00:04:20.879 --> 00:04:24.160
<v Speaker 1>oddities for cataloging, Missess Bellamy was already hunched at her desk,

86
00:04:24.399 --> 00:04:27.560
<v Speaker 1>orthopedic shoes tucked precisely under her skirt, spectacles perched so

87
00:04:27.639 --> 00:04:29.399
<v Speaker 1>close to the bridge of her nose, the hinges all

88
00:04:29.399 --> 00:04:32.920
<v Speaker 1>but vanished. The piles beside her are one of accession forms,

89
00:04:33.040 --> 00:04:35.920
<v Speaker 1>one of returned donations, never seemed to shrink, only cycling

90
00:04:35.959 --> 00:04:38.879
<v Speaker 1>color and labeling. She glanced up as I place Harrow's

91
00:04:38.959 --> 00:04:41.800
<v Speaker 1>home in front of her emmel another stray from the

92
00:04:41.839 --> 00:04:44.839
<v Speaker 1>dark ages. Her voice was a mixture of dry sunlight

93
00:04:44.879 --> 00:04:48.480
<v Speaker 1>and unshakable formality. It was on the return cart I said,

94
00:04:49.120 --> 00:04:51.759
<v Speaker 1>have you cattaloged it before? She noticed it with the

95
00:04:51.800 --> 00:04:54.600
<v Speaker 1>tip of a pencil, eyeing the warp, spying with gentle disapproval.

96
00:04:55.319 --> 00:04:58.439
<v Speaker 1>Likely one of our more enigmatic donations, she said, we

97
00:04:58.480 --> 00:05:01.720
<v Speaker 1>have dozens, hundreds, perhaps of some orphans, more material than subject,

98
00:05:01.800 --> 00:05:06.600
<v Speaker 1>less content than chronology. Page is missing, I offered. She

99
00:05:06.720 --> 00:05:09.480
<v Speaker 1>peered down, leaping swiftly through the volume, then closing it

100
00:05:09.480 --> 00:05:13.079
<v Speaker 1>with an uncharacteristic tap, as if sealing away the oddness. No,

101
00:05:13.279 --> 00:05:16.240
<v Speaker 1>people sometimes expect gapt but as I usually say, most

102
00:05:16.240 --> 00:05:18.360
<v Speaker 1>of these texts were never as linear as one might hope.

103
00:05:18.399 --> 00:05:21.959
<v Speaker 1>Adenda adenda always more. I must have looked puzzled, because

104
00:05:22.000 --> 00:05:24.519
<v Speaker 1>she added, they belong here, if anywhere. Some books are

105
00:05:24.560 --> 00:05:27.639
<v Speaker 1>mostly scaffolding. You know, a skeleton in the shape of scholarship,

106
00:05:28.199 --> 00:05:30.040
<v Speaker 1>I smiled, though the joke sat on my lips like

107
00:05:30.079 --> 00:05:33.079
<v Speaker 1>a pebble. She gestured for the accession slapper neatly slid

108
00:05:33.120 --> 00:05:35.279
<v Speaker 1>the book on to her own categorized shelf, where the

109
00:05:35.279 --> 00:05:37.480
<v Speaker 1>detritus of centuries waited for some one with the time

110
00:05:37.560 --> 00:05:40.199
<v Speaker 1>or curiosity to plot their coordinates and a chaos. The

111
00:05:40.279 --> 00:05:43.560
<v Speaker 1>rare books were in sprawled through three labyrinthine rooms, each

112
00:05:43.600 --> 00:05:46.279
<v Speaker 1>section by sated by cathedral. Tall shelves of Oku's green

113
00:05:46.319 --> 00:05:48.879
<v Speaker 1>curl into knotsle like storm clouds, seemed to exist in

114
00:05:48.879 --> 00:05:52.240
<v Speaker 1>perpetual dusk. The university library as a whole was a

115
00:05:52.240 --> 00:05:55.720
<v Speaker 1>living palimpsist cram floor gleaming with Tomorrow's technology. The rare

116
00:05:55.720 --> 00:05:58.160
<v Speaker 1>books wing left mostly to dustin in erection. More haunted

117
00:05:58.160 --> 00:06:00.720
<v Speaker 1>by the past than curated by This was a world

118
00:06:00.720 --> 00:06:03.319
<v Speaker 1>of tactile details, the gentle rasp of a cart's wheels

119
00:06:03.319 --> 00:06:06.079
<v Speaker 1>across ancient carpet, the dry peppers, mell of ink and mold.

120
00:06:06.240 --> 00:06:08.399
<v Speaker 1>When thows whose diamond pins shivered in their leads were

121
00:06:08.439 --> 00:06:11.240
<v Speaker 1>never the wind rows. Some shelves grew so tall that

122
00:06:11.319 --> 00:06:14.199
<v Speaker 1>only the ladders, with their brush rails, permitted even assess

123
00:06:14.199 --> 00:06:17.439
<v Speaker 1>bellamy dust the upper reaches. The card catalogs here were

124
00:06:17.439 --> 00:06:20.199
<v Speaker 1>hand written, sometimes in old gem script, sometimes in the

125
00:06:20.199 --> 00:06:23.519
<v Speaker 1>block capitals of the nineteen twenties clerical tradition into leaf

126
00:06:23.519 --> 00:06:28.399
<v Speaker 1>cards misletters miscataloged authors, or referenced works transferred missing or pending.

127
00:06:28.959 --> 00:06:30.959
<v Speaker 1>On one row, I'd found a drawer with a single

128
00:06:31.000 --> 00:06:34.120
<v Speaker 1>trembling card written entirely in pencil. See also Shelf nineteen,

129
00:06:34.160 --> 00:06:37.519
<v Speaker 1>Item four, possibly removed in nineteen fifty four. No Shelf

130
00:06:37.600 --> 00:06:41.199
<v Speaker 1>nineteen remained in the maze of shelving. Interns and professors

131
00:06:41.279 --> 00:06:45.040
<v Speaker 1>chased their own morosers. Some undergraduates on Fienfield quests would

132
00:06:45.079 --> 00:06:47.160
<v Speaker 1>dash in on a rumor of a lost letter from Newton,

133
00:06:47.279 --> 00:06:49.839
<v Speaker 1>treat the rarities as mus or scavenger hunt, and vanished

134
00:06:49.920 --> 00:06:53.519
<v Speaker 1>just as quickly. Others, older regulars moved through the outlines

135
00:06:53.560 --> 00:06:55.560
<v Speaker 1>of the stacks like monks. He'd long ago committed every

136
00:06:55.600 --> 00:06:59.319
<v Speaker 1>piffole to memory. One in particular, Doctor Rum Sen middle

137
00:06:59.319 --> 00:07:01.720
<v Speaker 1>age theory or physics, subject for whom office hours were

138
00:07:01.759 --> 00:07:04.480
<v Speaker 1>a polite fiction. Whom senne ambled through the rare books,

139
00:07:04.480 --> 00:07:07.639
<v Speaker 1>wing almost daily, batting abstractly at the past for applications

140
00:07:07.639 --> 00:07:10.199
<v Speaker 1>he could mine for a paper, or discussing old disputes

141
00:07:10.240 --> 00:07:12.800
<v Speaker 1>purely for their charm. I'd met him in my first

142
00:07:12.800 --> 00:07:15.079
<v Speaker 1>month as a volunteer. He'd asked if anyone had yet

143
00:07:15.079 --> 00:07:19.319
<v Speaker 1>written a satisfactory history of hyperbolic entropeneus calculations. Then there

144
00:07:19.360 --> 00:07:22.480
<v Speaker 1>was Leel, a graduate student in library science, sharp but reserved,

145
00:07:22.519 --> 00:07:25.040
<v Speaker 1>who had somehow appointed herself guardian of the fragile indexes

146
00:07:25.079 --> 00:07:28.319
<v Speaker 1>and broken my crowfiche Leila seemed to divide her attention

147
00:07:28.399 --> 00:07:31.600
<v Speaker 1>between digitization work and quietly challenging the metadated conventions of

148
00:07:31.639 --> 00:07:34.879
<v Speaker 1>centuries old cataloging. Only on the rare occasions when she

149
00:07:34.920 --> 00:07:37.399
<v Speaker 1>spotted a crucial contradiction would I ever see her truly

150
00:07:37.439 --> 00:07:42.000
<v Speaker 1>animated routines were everything here my own ran on rails, morning,

151
00:07:42.040 --> 00:07:45.800
<v Speaker 1>shelving afnians, helping Missess bell Emmy with new donations, intermittent

152
00:07:45.879 --> 00:07:49.639
<v Speaker 1>help to lead a deciphering palaeography or wrangling legacy date bisfields.

153
00:07:50.120 --> 00:07:52.839
<v Speaker 1>Every week, someone usually an undergraduate, would show a basking

154
00:07:52.839 --> 00:07:55.360
<v Speaker 1>for that volume on cold fusion, the one published before

155
00:07:55.360 --> 00:07:57.879
<v Speaker 1>Cold Fusion existed, or copy of Jewel's letters with the

156
00:07:57.879 --> 00:08:01.000
<v Speaker 1>MARGINALI you can only read under blue life. The boundary

157
00:08:01.079 --> 00:08:03.879
<v Speaker 1>between scientific history and campus Foulkhoors was as thin as

158
00:08:03.879 --> 00:08:07.480
<v Speaker 1>a leaf of onion skin. I like disorder, Unlike the

159
00:08:07.519 --> 00:08:10.480
<v Speaker 1>noisy and determinacy of engineering oddities here emerged one at

160
00:08:10.480 --> 00:08:12.600
<v Speaker 1>a time, and with enough time an effort, most could

161
00:08:12.639 --> 00:08:16.439
<v Speaker 1>be reason through, except Harrow's book. The next day I

162
00:08:16.519 --> 00:08:18.759
<v Speaker 1>returned to the rare book's wing. The hairrow volumes still

163
00:08:18.759 --> 00:08:22.040
<v Speaker 1>on my mind. Something about the architecture of its citations

164
00:08:22.040 --> 00:08:25.439
<v Speaker 1>tugged at me. Lines thrown into empty space. After lunch,

165
00:08:25.680 --> 00:08:28.519
<v Speaker 1>I retrieved it from Missus Bellamy's shoving pile, ignoring her

166
00:08:28.600 --> 00:08:31.800
<v Speaker 1>raised ibra. I settled at the same window, light filtered

167
00:08:31.800 --> 00:08:34.360
<v Speaker 1>through frosted glass, battering the page in soft gold, and

168
00:08:34.440 --> 00:08:38.960
<v Speaker 1>began to chart footnotes against the opposed targets. The contradictions proliferated.

169
00:08:39.480 --> 00:08:42.039
<v Speaker 1>Footnotes cross referenced each other in ways that formed lips.

170
00:08:42.039 --> 00:08:44.120
<v Speaker 1>One would direct me to a scene in note eighteen p. P.

171
00:08:44.279 --> 00:08:47.320
<v Speaker 1>Fifty four, only to find eighteen, redirecting two steps later

172
00:08:47.399 --> 00:08:51.039
<v Speaker 1>to an absent diagram clarified in footnote twenty two. Sometimes

173
00:08:51.200 --> 00:08:53.159
<v Speaker 1>and knot of references would tangle up in a self

174
00:08:53.200 --> 00:08:56.559
<v Speaker 1>referential spiral. This is merely the preliminary form of the result,

175
00:08:56.639 --> 00:08:58.960
<v Speaker 1>subject to revision, as by the findings established in the

176
00:08:58.960 --> 00:09:02.440
<v Speaker 1>missing appendix. Everything invited pursuit and then denied it. The

177
00:09:02.440 --> 00:09:06.120
<v Speaker 1>specificity both tantalizing and infuriating. I wondered if Harrow was

178
00:09:06.200 --> 00:09:08.799
<v Speaker 1>some crank, one of those nineteenth century self taught inventors

179
00:09:08.799 --> 00:09:11.879
<v Speaker 1>who scattered Granio's claims and references like a trail of breadcrumbs,

180
00:09:11.960 --> 00:09:14.639
<v Speaker 1>confident no one would ever bother to check. But the

181
00:09:14.679 --> 00:09:19.039
<v Speaker 1>craftsmanship was too precise. Somehow, the footnotes toned pedantic, perhaps

182
00:09:19.039 --> 00:09:21.600
<v Speaker 1>even Attachedmoker suggested an audience that would be equipped to

183
00:09:21.679 --> 00:09:24.399
<v Speaker 1>understand if only access to the sight of diagrams or

184
00:09:24.480 --> 00:09:27.360
<v Speaker 1>volumes could be obtained. By this point, I wanted to

185
00:09:27.399 --> 00:09:29.799
<v Speaker 1>check not just Harrer's work, but the sources he cited.

186
00:09:30.600 --> 00:09:33.799
<v Speaker 1>I tried the digital library catalog no luck search and

187
00:09:33.840 --> 00:09:37.679
<v Speaker 1>consolidated tables of barometric experiments. While three Appendix Roman two

188
00:09:37.960 --> 00:09:41.679
<v Speaker 1>I received exactly zero returns from any online holdings. A

189
00:09:41.759 --> 00:09:44.759
<v Speaker 1>generic websitch yielded only pay wal pds of Doctor the Seas.

190
00:09:45.440 --> 00:09:47.759
<v Speaker 1>Back in the real world, I sought the old Marston Index,

191
00:09:47.840 --> 00:09:50.759
<v Speaker 1>kept in cold storage beneath the periodicals, now digitized in

192
00:09:50.799 --> 00:09:53.879
<v Speaker 1>part and just as incomplete. No mention of Harrow, no

193
00:09:54.039 --> 00:09:56.840
<v Speaker 1>volumes matching the publisher or the supplemental treatise is named

194
00:09:56.840 --> 00:10:00.240
<v Speaker 1>obliquely in the footnotes. I flagged Dan Leela as he

195
00:10:00.240 --> 00:10:03.440
<v Speaker 1>transcribe me some Latin titles. You ever see anything like this,

196
00:10:04.279 --> 00:10:07.360
<v Speaker 1>I asked, holding out the book. She adjusted her glasses

197
00:10:07.360 --> 00:10:10.159
<v Speaker 1>and flicked through the pages with practice speed. Her eyes

198
00:10:10.240 --> 00:10:13.799
<v Speaker 1>narrowed slightly, harrow that's not in the main catalog. These

199
00:10:13.840 --> 00:10:17.000
<v Speaker 1>citations all look fabricated. She held up a hand before

200
00:10:17.039 --> 00:10:20.440
<v Speaker 1>I could object. I mean, not in the completely faked sense.

201
00:10:20.480 --> 00:10:22.480
<v Speaker 1>But we've got a few books like this. Mostly it's

202
00:10:22.519 --> 00:10:25.559
<v Speaker 1>just patting. Authors back then cited one another to sound authoritative.

203
00:10:25.720 --> 00:10:30.320
<v Speaker 1>If you check, most are dead ends. But these reference specifics, diagrams.

204
00:10:30.360 --> 00:10:33.919
<v Speaker 1>Surely an author wouldn't invent her, she shrugged. In the

205
00:10:34.000 --> 00:10:37.240
<v Speaker 1>nineteenth century, peer review is piecemeal. You published, you claimed

206
00:10:37.240 --> 00:10:39.639
<v Speaker 1>what you needed, and by the time anyone challenged your reference,

207
00:10:39.720 --> 00:10:41.919
<v Speaker 1>the next edition would quietly omit the error. You'd be

208
00:10:41.960 --> 00:10:44.879
<v Speaker 1>surprised how much early scigns were smoke and mirrors. I

209
00:10:44.960 --> 00:10:47.080
<v Speaker 1>thanked her and brought the book to Missess Bellamy, who

210
00:10:47.080 --> 00:10:49.240
<v Speaker 1>offered the professional equivalent of a pat on the shoulder.

211
00:10:49.399 --> 00:10:51.759
<v Speaker 1>Many of our older holdings of patch those footboats are

212
00:10:51.759 --> 00:10:54.879
<v Speaker 1>probably just obsolete Citaians best not to loose sleep over them.

213
00:10:55.360 --> 00:10:58.320
<v Speaker 1>But I did not in the frantic personal way I

214
00:10:58.399 --> 00:11:01.080
<v Speaker 1>used to let all quotechical mysteries of my evenings, but

215
00:11:01.159 --> 00:11:03.279
<v Speaker 1>in a lighter, more insistent weaight, as if the book

216
00:11:03.320 --> 00:11:05.919
<v Speaker 1>itself was daring me to spot its game. Footnotes are

217
00:11:05.919 --> 00:11:09.360
<v Speaker 1>supposed to clarify, not obscure, I thought, But here they

218
00:11:09.360 --> 00:11:13.559
<v Speaker 1>erected a whole palace of specificity, experiments, figures, observations where

219
00:11:13.559 --> 00:11:17.840
<v Speaker 1>no such rooms existed. The contradiction was almost enjoyable, so

220
00:11:18.000 --> 00:11:21.240
<v Speaker 1>I changed tack. Instead of treating the missing content as

221
00:11:21.279 --> 00:11:23.639
<v Speaker 1>mere absence, I followed the footnotes as if they were real.

222
00:11:24.240 --> 00:11:27.600
<v Speaker 1>I made a notebook listing each one, summarizing the supposed content,

223
00:11:27.799 --> 00:11:30.000
<v Speaker 1>note and cross references, and which the results seemed to

224
00:11:30.000 --> 00:11:32.720
<v Speaker 1>defy the usual rules. Then I set out to find

225
00:11:32.720 --> 00:11:35.840
<v Speaker 1>their neighbors. Near Harrow's tomb, I found a shelf of

226
00:11:35.879 --> 00:11:38.159
<v Speaker 1>science texts from the same era, each bearing layers of

227
00:11:38.159 --> 00:11:42.559
<v Speaker 1>accession slips, bookmarks, and in several cases more elaborate footnote chains.

228
00:11:43.200 --> 00:11:44.840
<v Speaker 1>The next run up was to treat his on Light

229
00:11:44.919 --> 00:11:48.399
<v Speaker 1>Unreversible Processes dated eighteen ninety one, whose furtnotes referenced not

230
00:11:48.440 --> 00:11:51.200
<v Speaker 1>only diegrounds but entire experiments that could not possibly fit

231
00:11:51.279 --> 00:11:54.279
<v Speaker 1>within its slen account of pages. One sided, they lost

232
00:11:54.279 --> 00:11:58.879
<v Speaker 1>appendix on thermal inversion available on consultation. Another more obscure

233
00:11:58.919 --> 00:12:02.000
<v Speaker 1>advised the reader to compare with the unratified plates item nine.

234
00:12:02.399 --> 00:12:04.440
<v Speaker 1>In half a dozen books have found the same pattern,

235
00:12:04.600 --> 00:12:07.679
<v Speaker 1>elaborate for notes leading not just to imaginary diagrams, but

236
00:12:07.759 --> 00:12:11.840
<v Speaker 1>to unpublished tables lost erada, supplemental data correspondence with the

237
00:12:11.919 --> 00:12:15.960
<v Speaker 1>name societies, pending reviews, conclusive observations literally know where to

238
00:12:15.960 --> 00:12:20.440
<v Speaker 1>be found. In nineteen thirties monographam thermodynamics proclaim in footnote

239
00:12:20.480 --> 00:12:22.960
<v Speaker 1>seven the frost effect, which heat migrates from cold to

240
00:12:22.960 --> 00:12:26.799
<v Speaker 1>hot under non differentiable conditions, is illustrated involved seventeen appendix

241
00:12:26.879 --> 00:12:31.240
<v Speaker 1>D with all diagrams extant. I checked no such volume,

242
00:12:31.440 --> 00:12:34.360
<v Speaker 1>no Appendix D, and no library records indicating any such

243
00:12:34.360 --> 00:12:38.320
<v Speaker 1>collections had ever circulated. Returning again to Leelah, I asked,

244
00:12:38.440 --> 00:12:41.519
<v Speaker 1>you mentioned academic bluffing, but the details here theresore deliberate,

245
00:12:41.559 --> 00:12:44.159
<v Speaker 1>the diagrams, the fonotes crossing into other books, even the

246
00:12:44.240 --> 00:12:47.919
<v Speaker 1>names too consistent for sloppiness. She balanced two volumes under

247
00:12:47.919 --> 00:12:50.679
<v Speaker 1>her arm her postuary for it's an art effect of

248
00:12:50.679 --> 00:12:52.799
<v Speaker 1>how they wrote back then. Self reference made you sound

249
00:12:52.960 --> 00:12:55.080
<v Speaker 1>like part of a scholarly debate, even if you were alone.

250
00:12:55.120 --> 00:12:57.080
<v Speaker 1>I doubt any of these false references were meant to

251
00:12:57.120 --> 00:13:00.559
<v Speaker 1>be actually followed. Doctor room Sen passing by and catching

252
00:13:00.559 --> 00:13:03.720
<v Speaker 1>the last of my question, grinned. All researchers got it

253
00:13:03.759 --> 00:13:06.879
<v Speaker 1>wrong all the time. Nineteenth century physics. Half the footnotes

254
00:13:06.879 --> 00:13:09.519
<v Speaker 1>and nonsense half were scholarly in jokes. My favorite is

255
00:13:09.559 --> 00:13:12.440
<v Speaker 1>as demonstrated by the experiments in Smidley's revised edition. No

256
00:13:12.480 --> 00:13:15.600
<v Speaker 1>one's ever found a Smidley or revision. It was, if

257
00:13:15.639 --> 00:13:18.080
<v Speaker 1>nothing else, a comfort to see that the phenomenon was noted,

258
00:13:18.120 --> 00:13:20.960
<v Speaker 1>if not worried over. But something in me resisted these

259
00:13:20.960 --> 00:13:24.679
<v Speaker 1>easy explanations. With my engineers itch for order and mapped

260
00:13:24.679 --> 00:13:27.360
<v Speaker 1>the pattern in a spiral bound noteok. The footnotes, their recursion,

261
00:13:27.360 --> 00:13:29.320
<v Speaker 1>the web of references from one book to the next.

262
00:13:29.879 --> 00:13:31.799
<v Speaker 1>It was less a less than a kind of architectural

263
00:13:31.879 --> 00:13:35.960
<v Speaker 1>drawing arrows looping back dotted lines, crossing centuries, curving around

264
00:13:35.960 --> 00:13:38.679
<v Speaker 1>the empty harp of each text. And what nagged at

265
00:13:38.679 --> 00:13:41.080
<v Speaker 1>me was this the granularity, at the specificity, the feeling

266
00:13:41.080 --> 00:13:44.240
<v Speaker 1>that these absent experiments, if false or omitted or apocryphal,

267
00:13:44.320 --> 00:13:47.720
<v Speaker 1>were meant to be chased. Something more complicated than scholarly

268
00:13:47.720 --> 00:13:50.639
<v Speaker 1>neglect had left these footprints. But to what end I

269
00:13:50.639 --> 00:13:53.080
<v Speaker 1>couldn't say. I spent the better part of a week

270
00:13:53.080 --> 00:13:55.840
<v Speaker 1>tracing more footnote trails. There was a kind of thrill

271
00:13:55.879 --> 00:13:58.080
<v Speaker 1>in each new revelation, since that the rare books wing

272
00:13:58.080 --> 00:14:00.600
<v Speaker 1>itself harbored not a single mystery, but a word of

273
00:14:00.639 --> 00:14:03.399
<v Speaker 1>denials and echoes its way, pressing with invisible hands from

274
00:14:03.399 --> 00:14:06.360
<v Speaker 1>every side. My notebook filled with trails, a footnote in

275
00:14:06.399 --> 00:14:09.120
<v Speaker 1>one volume withly by author, date or technical tempt, or

276
00:14:09.200 --> 00:14:11.799
<v Speaker 1>reference in another book across the stacks, and that in

277
00:14:11.840 --> 00:14:15.279
<v Speaker 1>turn reference yet a third whose claimed supplement no longer existed.

278
00:14:15.919 --> 00:14:18.519
<v Speaker 1>Once tracing a chain that ran through nineteen eleven volume

279
00:14:18.519 --> 00:14:21.039
<v Speaker 1>on electro Chemistry, I found a footnote detailing in doctor

280
00:14:21.080 --> 00:14:25.480
<v Speaker 1>Beckett's negative resissors illustrated in the registered appendices. That phrase

281
00:14:25.559 --> 00:14:29.639
<v Speaker 1>negative resistance stood out. Curious, I looked for similar references

282
00:14:29.639 --> 00:14:32.639
<v Speaker 1>in the index, but only more spirals emerred sea appendix,

283
00:14:32.879 --> 00:14:36.639
<v Speaker 1>registered devices, is seareum sends treaties, fall Roman I none

284
00:14:36.720 --> 00:14:40.440
<v Speaker 1>captured by any database or shelf. Undergraduate students and visiting

285
00:14:40.519 --> 00:14:43.759
<v Speaker 1>fellows flooded in an oblivious to my growing obsession. On

286
00:14:43.799 --> 00:14:46.080
<v Speaker 1>a Tuesday, I joined Missus Bellamy again with a fresh

287
00:14:46.120 --> 00:14:50.120
<v Speaker 1>pile of footnoted oddities. She sniffed at one. I suppose

288
00:14:50.120 --> 00:14:53.279
<v Speaker 1>you are assembling a new collection of unresolved problems, she remarked,

289
00:14:53.279 --> 00:14:55.759
<v Speaker 1>but her tone was more be amused than dismissive. By

290
00:14:55.799 --> 00:14:58.840
<v Speaker 1>now I was documenting the phenomenon in earnest charting footnotes,

291
00:14:58.840 --> 00:15:01.200
<v Speaker 1>the claims which one spiraled out of the text into

292
00:15:01.240 --> 00:15:05.360
<v Speaker 1>loss research which doubled back on themselves recussively. Not just Harrow,

293
00:15:05.480 --> 00:15:07.639
<v Speaker 1>but a subtle spectrum of authors, each with their own

294
00:15:07.679 --> 00:15:11.200
<v Speaker 1>strategies for referencing the unseen. It was on Thursday afternoon

295
00:15:11.240 --> 00:15:13.399
<v Speaker 1>that I stumbled into a new contradiction of physical One

296
00:15:13.960 --> 00:15:17.000
<v Speaker 1>buried in Harrow's chapter on the atmospheric pressure was the

297
00:15:17.039 --> 00:15:19.720
<v Speaker 1>reversal of indicated pressure may be easily demonstrated by the

298
00:15:19.720 --> 00:15:22.320
<v Speaker 1>procedure outlined in foot of twelve, using a paper funnel,

299
00:15:22.360 --> 00:15:25.799
<v Speaker 1>glass of water, and convex miracy available figures. There were

300
00:15:25.799 --> 00:15:28.639
<v Speaker 1>no figures, but the materials listed were all on hand,

301
00:15:28.799 --> 00:15:32.000
<v Speaker 1>scattered about the reading room for displays or maintenance. It

302
00:15:32.039 --> 00:15:34.399
<v Speaker 1>struck me as enough of an engineering challenge to provide

303
00:15:34.399 --> 00:15:38.960
<v Speaker 1>a small distraction assembled the apparatuss described glass water, simple

304
00:15:38.960 --> 00:15:42.559
<v Speaker 1>paper funnel, borrowed mirror. The experiment called for observing a

305
00:15:42.600 --> 00:15:45.600
<v Speaker 1>barometer reading through the reflection measured as water were slowly

306
00:15:45.639 --> 00:15:49.000
<v Speaker 1>poured with standard environmental pressure. According to the note, the

307
00:15:49.000 --> 00:15:51.159
<v Speaker 1>pressure reading should invet when the funnel sage pass a

308
00:15:51.159 --> 00:15:54.679
<v Speaker 1>certain angle and nabcome. I filed as impossible. Atmospheric pressure

309
00:15:54.679 --> 00:15:57.840
<v Speaker 1>doesn't reverse. But when I tried it within the quiet

310
00:15:57.919 --> 00:16:00.960
<v Speaker 1>wood paneled reading room, the barometer needleedst left, then briefly

311
00:16:01.000 --> 00:16:05.639
<v Speaker 1>fractionally snapped right, just as the footnote predicted. I stood still, stirring,

312
00:16:05.679 --> 00:16:08.960
<v Speaker 1>then repeated it same anomalous wing. For the third trial,

313
00:16:09.000 --> 00:16:10.679
<v Speaker 1>I moved the whole set up to the main corridor

314
00:16:10.720 --> 00:16:14.559
<v Speaker 1>outside the rare book stacks. The results were ordinary, no wiggle,

315
00:16:14.639 --> 00:16:17.559
<v Speaker 1>no reversal, just the ordinary sway of liquid and needle.

316
00:16:18.120 --> 00:16:20.799
<v Speaker 1>I brought the equipment back to the original table, this

317
00:16:20.960 --> 00:16:24.200
<v Speaker 1>time with careful attention. The effect repeated, not dramatic and

318
00:16:24.279 --> 00:16:26.720
<v Speaker 1>not easily captured on my phone's grainy camera, but there

319
00:16:26.720 --> 00:16:29.679
<v Speaker 1>impossible according to my training, and yet enacted precisely as

320
00:16:29.720 --> 00:16:32.639
<v Speaker 1>written in a footnote. I tried a new experiment from

321
00:16:32.639 --> 00:16:35.559
<v Speaker 1>a different books footnote, something involving placing a mercury thermometer

322
00:16:35.639 --> 00:16:38.840
<v Speaker 1>against a tipped mankjustup of ambient in the reading room.

323
00:16:39.039 --> 00:16:42.679
<v Speaker 1>The thermometer, against all logic, colled perceptibly with contact rather

324
00:16:42.720 --> 00:16:46.679
<v Speaker 1>than warming in the corridor. Nothing. I ran these experiments

325
00:16:46.679 --> 00:16:49.399
<v Speaker 1>twice more before the hour turned, enough to convince myself

326
00:16:49.399 --> 00:16:52.799
<v Speaker 1>this wasn't mere equipment error or random variants. Only within

327
00:16:52.840 --> 00:16:55.320
<v Speaker 1>the rare books wing, more specifically, within the bands of

328
00:16:55.320 --> 00:16:57.559
<v Speaker 1>the reading room and the oldest stacks did the footnote

329
00:16:57.600 --> 00:17:00.639
<v Speaker 1>a absurdities manifest. I shared my fe findings in half

330
00:17:00.639 --> 00:17:03.200
<v Speaker 1>of spertones with Leela, who raised both eyebrows above her

331
00:17:03.240 --> 00:17:06.480
<v Speaker 1>note book temperature readings going backwards in the reading room.

332
00:17:06.599 --> 00:17:10.640
<v Speaker 1>She repeated, impossible. He tried it outside the wing twice,

333
00:17:10.799 --> 00:17:13.759
<v Speaker 1>only happens back here. I felt the familiar twinge of

334
00:17:13.799 --> 00:17:15.759
<v Speaker 1>self doubt. He never want to be the person reporting

335
00:17:15.799 --> 00:17:20.359
<v Speaker 1>control to possibilities. Lila frowned, her skepticism shifted, not dismissed,

336
00:17:20.400 --> 00:17:22.440
<v Speaker 1>but filed our new watch and sy maybe the readings

337
00:17:22.440 --> 00:17:25.559
<v Speaker 1>are off bad equipment. I showed her the repeated trials.

338
00:17:25.640 --> 00:17:28.680
<v Speaker 1>Eventually her reluctance softened into thought, you should try other

339
00:17:28.680 --> 00:17:32.680
<v Speaker 1>footnotes see if any more work. So I did, cautiously methodically,

340
00:17:32.720 --> 00:17:36.720
<v Speaker 1>always tracking which room, which table, which materials each time

341
00:17:36.799 --> 00:17:40.599
<v Speaker 1>anomalies clustered within the original parts of the library, never outside.

342
00:17:41.119 --> 00:17:42.920
<v Speaker 1>It was as if the room itself honored the phantom

343
00:17:43.000 --> 00:17:46.079
<v Speaker 1>logic embedded in the footnotes, briefly allowing their impossible effects

344
00:17:46.119 --> 00:17:50.119
<v Speaker 1>to surface. My curiosity overtook any lingering doubts. If these

345
00:17:50.160 --> 00:17:52.759
<v Speaker 1>footnoted experiments could be enacted to f onely in this space,

346
00:17:52.880 --> 00:17:54.799
<v Speaker 1>and only in this peculiar way, what did that mean

347
00:17:54.839 --> 00:17:57.640
<v Speaker 1>for the hundreds of other footnotes leading nowhere? Had any

348
00:17:57.640 --> 00:18:01.640
<v Speaker 1>one else noticed? My approach shifted. The mystery was no

349
00:18:01.720 --> 00:18:05.279
<v Speaker 1>longer simply about missing diagrams or apocryphal citations, but about

350
00:18:05.279 --> 00:18:08.400
<v Speaker 1>the effect of generations worth of references, physical, logical or

351
00:18:08.400 --> 00:18:11.960
<v Speaker 1>otherwise on what could transpire inside this room. If impossibilities

352
00:18:12.000 --> 00:18:14.519
<v Speaker 1>could lurk in the scaffolding of these footnotes, perhaps there

353
00:18:14.559 --> 00:18:16.799
<v Speaker 1>was more architecture yet above and below, a hidden logic

354
00:18:16.839 --> 00:18:19.519
<v Speaker 1>deep inside the library. Skin with my note, but now

355
00:18:19.519 --> 00:18:22.680
<v Speaker 1>bristling with experiments failed and successful, I allowed myself to

356
00:18:22.680 --> 00:18:25.640
<v Speaker 1>circle back to Harrow's book. If the footnotes were not

357
00:18:25.680 --> 00:18:29.160
<v Speaker 1>simply referencing non existent diagrams, but inviting readers to enact

358
00:18:29.200 --> 00:18:32.160
<v Speaker 1>the absent, what else might be found were triggered within

359
00:18:32.240 --> 00:18:35.960
<v Speaker 1>these shelves. I spent the next week investigating further. Upon

360
00:18:36.039 --> 00:18:39.839
<v Speaker 1>whispering of ardities, Massess Bellamy gracefully deflected, and Doctor Rumsen

361
00:18:39.960 --> 00:18:42.119
<v Speaker 1>only gladly cautioned in ever or tribute to madness what

362
00:18:42.119 --> 00:18:45.480
<v Speaker 1>can be explained by humidity and tradition. With each new attempt,

363
00:18:45.480 --> 00:18:48.960
<v Speaker 1>my fascination grew. It no longer felt like solving a puzzle,

364
00:18:48.960 --> 00:18:51.039
<v Speaker 1>but more like tracing the rules of a territory that,

365
00:18:51.160 --> 00:18:54.559
<v Speaker 1>by rights shouldn't exist. One evening, as clouds drew the

366
00:18:54.640 --> 00:18:57.160
<v Speaker 1>last light through the frosted windows, I found myself drawn

367
00:18:57.200 --> 00:18:59.519
<v Speaker 1>to a locked cabinet behind Massess Bellamy's desk, a heavy

368
00:18:59.519 --> 00:19:03.119
<v Speaker 1>glass from with doors that stuck odibly when opened. Missus

369
00:19:03.200 --> 00:19:05.039
<v Speaker 1>Bellamy had given me a key earlier in the wheat

370
00:19:05.039 --> 00:19:07.319
<v Speaker 1>for a different errand in a rare moment of indulgence,

371
00:19:07.359 --> 00:19:09.799
<v Speaker 1>she'd said, if you find anything that needs for furbishing,

372
00:19:09.920 --> 00:19:12.799
<v Speaker 1>be my guess, but mind the accession order. The bottom

373
00:19:12.880 --> 00:19:16.400
<v Speaker 1>shelf stalled pamphlets by century thick with dust, the top

374
00:19:16.559 --> 00:19:19.359
<v Speaker 1>row of anonymous brown bindings with critic mocks Edenda VI

375
00:19:19.559 --> 00:19:22.839
<v Speaker 1>two A Erada Engineers add a chain of devices nineteen

376
00:19:22.839 --> 00:19:26.839
<v Speaker 1>o two Handriton one bound only with linen thread, was

377
00:19:26.920 --> 00:19:30.759
<v Speaker 1>bulky despite its slimness. On closer inspection, I realized it

378
00:19:30.799 --> 00:19:33.559
<v Speaker 1>was almost entirely composed of the notes, page after page,

379
00:19:33.720 --> 00:19:37.759
<v Speaker 1>densely packed referencing passages not only within itself but also crossed,

380
00:19:37.759 --> 00:19:40.759
<v Speaker 1>preferencing other volumes, forming intertwining paths that went threw the

381
00:19:40.759 --> 00:19:43.680
<v Speaker 1>book and back out again. Curious, I sat down at

382
00:19:43.720 --> 00:19:46.480
<v Speaker 1>the nearest table, balancing the fragile binding across my knees.

383
00:19:47.160 --> 00:19:50.119
<v Speaker 1>The footnotes form chains. See footnote eleven, pg. Eighteen for

384
00:19:50.200 --> 00:19:53.640
<v Speaker 1>commentary on the anomalous prime flicking to eleven every as

385
00:19:53.680 --> 00:19:56.880
<v Speaker 1>counterdemonstrated in fourth supplement entry seven versible factors in the

386
00:19:56.880 --> 00:19:59.680
<v Speaker 1>odd prime sea faked three not included. It was a

387
00:19:59.759 --> 00:20:01.880
<v Speaker 1>ciss um of self referral, ultimately leading not to a

388
00:20:01.920 --> 00:20:04.839
<v Speaker 1>clarifying origin, but into a kind of infinite regression of strange,

389
00:20:04.839 --> 00:20:08.000
<v Speaker 1>outdated labyrinth whose substance was all connective tissue, no core.

390
00:20:08.599 --> 00:20:11.359
<v Speaker 1>Other fruitnetetexts in the Cabinet doubled down on the extraordinary

391
00:20:11.559 --> 00:20:14.599
<v Speaker 1>marginal notes talked of negative resistance achieved in the reading

392
00:20:14.680 --> 00:20:18.119
<v Speaker 1>room under particular annotation, entropy reversed in Cocoy's wiring a

393
00:20:18.319 --> 00:20:22.400
<v Speaker 1>like counterpropagating in the reflection of missing diagraund mathematics volumes

394
00:20:22.440 --> 00:20:25.640
<v Speaker 1>referenced prime numbers discovered with non integer factist pending review.

395
00:20:26.200 --> 00:20:28.720
<v Speaker 1>I took one of these volumes, still mostly footnotes, and

396
00:20:28.759 --> 00:20:31.400
<v Speaker 1>selected a simple experiment, wiring a closed circuit on the

397
00:20:31.400 --> 00:20:34.160
<v Speaker 1>reading room table as described reversing the current direction a

398
00:20:34.200 --> 00:20:38.200
<v Speaker 1>measuring voltage. The analog meter patched together but routinely calibrated

399
00:20:38.200 --> 00:20:42.039
<v Speaker 1>a clicked upward, then impossibly backward. The anomalies could be tiny,

400
00:20:42.079 --> 00:20:46.319
<v Speaker 1>hairlined deviations, but matched the footnote. Bizarre claianes. Scattered through

401
00:20:46.359 --> 00:20:49.559
<v Speaker 1>the margins were annotations and varying hands of old fading ink,

402
00:20:49.720 --> 00:20:52.519
<v Speaker 1>rushed pencil, the blockie, and a lining of library staff

403
00:20:53.079 --> 00:20:57.319
<v Speaker 1>repeat every five years. One noted marginalia fade effect weakens,

404
00:20:57.440 --> 00:21:01.200
<v Speaker 1>Another warned one hand recorded see also nineteen twenty two

405
00:21:01.240 --> 00:21:05.200
<v Speaker 1>tests effect persistsive references maintained the phenomenon echo through more

406
00:21:05.200 --> 00:21:07.720
<v Speaker 1>than just texts. Seemed all keepers of the library have

407
00:21:07.839 --> 00:21:10.279
<v Speaker 1>been aware, if only in passing the footnote. A effects

408
00:21:10.319 --> 00:21:14.359
<v Speaker 1>coat under the right circumstances materialized within these walls. I

409
00:21:14.440 --> 00:21:16.680
<v Speaker 1>charted the growing web in my private noteook footnote to

410
00:21:16.680 --> 00:21:20.200
<v Speaker 1>footnote hand notation to annotation. The logic was unmistakable. The

411
00:21:20.200 --> 00:21:22.920
<v Speaker 1>footnote labyrinth supported a kind of alternate world, as self

412
00:21:22.960 --> 00:21:26.359
<v Speaker 1>sustaining realm of references where effects other spaces. Although libraries

413
00:21:26.400 --> 00:21:29.200
<v Speaker 1>could never hope to host, this was more than error

414
00:21:29.319 --> 00:21:31.960
<v Speaker 1>or overgrown tradition. By the time the last of the

415
00:21:32.000 --> 00:21:34.480
<v Speaker 1>evening light dimmed, I felt my sense of certainty settle

416
00:21:34.519 --> 00:21:37.599
<v Speaker 1>quietly into a new spellband register. I stared down at

417
00:21:37.640 --> 00:21:40.960
<v Speaker 1>my maps, the lines curling, crossing, leaping around the invisible void.

418
00:21:41.640 --> 00:21:44.400
<v Speaker 1>The library, I now realized, was a machine for inviting

419
00:21:44.400 --> 00:21:47.079
<v Speaker 1>the impossible. I hid an ecosystem of thinking and annotation

420
00:21:47.240 --> 00:21:50.319
<v Speaker 1>where the unwritten could, for a moment, almost be I

421
00:21:50.400 --> 00:21:52.559
<v Speaker 1>closed my notebook, feeling as if I was laying the

422
00:21:52.559 --> 00:21:55.359
<v Speaker 1>first stone on a vasperridge. For the first time in

423
00:21:55.400 --> 00:21:57.799
<v Speaker 1>my many years of solving broken systems, I felt less

424
00:21:57.839 --> 00:22:00.200
<v Speaker 1>like a mechanic and more like an explorer, charting not

425
00:22:00.240 --> 00:22:03.440
<v Speaker 1>an error but a living structure of possibility. Lea called

426
00:22:03.440 --> 00:22:05.759
<v Speaker 1>my name twice before I noticed her voice softened the

427
00:22:05.799 --> 00:22:08.480
<v Speaker 1>evening hush. I looked up from the tangle of our

428
00:22:08.559 --> 00:22:10.519
<v Speaker 1>rows and notations. Where to cross my notebook and the

429
00:22:10.519 --> 00:22:12.640
<v Speaker 1>footnote lad and volume. I popped open on the table.

430
00:22:13.240 --> 00:22:16.000
<v Speaker 1>She hesitated by the reading room threshold, a battered box

431
00:22:16.079 --> 00:22:18.119
<v Speaker 1>under one arm, and what looked like a ledger pressed

432
00:22:18.119 --> 00:22:21.000
<v Speaker 1>to her chest. Here here later than usual, she said,

433
00:22:21.160 --> 00:22:24.160
<v Speaker 1>letting the door side close behind her. The oscillating fan

434
00:22:24.240 --> 00:22:27.119
<v Speaker 1>shaddered above us, rattling the gas fixtures, the steady drawne

435
00:22:27.119 --> 00:22:29.960
<v Speaker 1>comforting in its tedium. I was charting, I admit it,

436
00:22:30.000 --> 00:22:32.480
<v Speaker 1>though I suspected my expression betrayed more all than rigor.

437
00:22:33.079 --> 00:22:35.440
<v Speaker 1>She accepted this as sufficient, setting down the box and

438
00:22:35.480 --> 00:22:38.079
<v Speaker 1>drawing a battered chair across the floor. With careft's age,

439
00:22:38.599 --> 00:22:42.119
<v Speaker 1>we saw our mutual silence, not quite companionable, but certainly complicit.

440
00:22:42.720 --> 00:22:45.119
<v Speaker 1>I think there's a pattern, I said, voice pitched low,

441
00:22:45.160 --> 00:22:48.200
<v Speaker 1>as though the stacks might overhear the footnotes, especially the

442
00:22:48.240 --> 00:22:51.359
<v Speaker 1>recursive ones there, almost like circuits themselves. The more interwoven,

443
00:22:51.440 --> 00:22:54.400
<v Speaker 1>the more likely something awful happen in this room. Leah

444
00:22:54.400 --> 00:22:58.480
<v Speaker 1>listened without skepticism, this time, only thoughtfulness. She pulled a small,

445
00:22:58.480 --> 00:23:00.759
<v Speaker 1>bound loud book from the box and slid it toward me.

446
00:23:01.359 --> 00:23:04.559
<v Speaker 1>Pages bristled with colored sticky tabs and erratic, leaping handwriting,

447
00:23:04.599 --> 00:23:08.680
<v Speaker 1>none of it her own marginalia. She said, all mostly

448
00:23:08.759 --> 00:23:11.480
<v Speaker 1>some from the last twenty years, readers annotating where references

449
00:23:11.519 --> 00:23:14.119
<v Speaker 1>go nowhere, or the footnotes point at nothing, complaint theory,

450
00:23:14.279 --> 00:23:17.960
<v Speaker 1>sometimes a little joke. She turned toward a flight page hoofinger,

451
00:23:18.079 --> 00:23:20.440
<v Speaker 1>lingering on a blunt graphite skull. If any leeberer in

452
00:23:20.519 --> 00:23:24.039
<v Speaker 1>fines the missing diagram by the next round underneath in

453
00:23:24.079 --> 00:23:27.200
<v Speaker 1>blue ink, our rejoinder, suppose the diagram finds us first.

454
00:23:27.799 --> 00:23:30.319
<v Speaker 1>On the opposing leaf, an older hand wrote in faded green,

455
00:23:30.480 --> 00:23:33.680
<v Speaker 1>do not erase? Absence is instructive. Have you tracked who

456
00:23:33.759 --> 00:23:37.000
<v Speaker 1>left these? I asked, Running my thumb down columns of

457
00:23:37.079 --> 00:23:40.640
<v Speaker 1>notations and counter notations, the living pass compressed into margin space.

458
00:23:41.279 --> 00:23:44.759
<v Speaker 1>The ealer shook her head. No names. I've compared some handwriting,

459
00:23:44.839 --> 00:23:47.440
<v Speaker 1>but they are all fragments. What stands out though, See here.

460
00:23:48.119 --> 00:23:50.599
<v Speaker 1>She thumbed to a spread marked in multiple colors, where

461
00:23:50.599 --> 00:23:55.200
<v Speaker 1>a footnote references applicability and non ordinary media had been overwritten, erased, annotated,

462
00:23:55.319 --> 00:23:57.880
<v Speaker 1>and at last crossed her with a heavy line. When

463
00:23:57.920 --> 00:24:00.559
<v Speaker 1>marginally get dense the footnotes themselves, it seemed who she

464
00:24:00.559 --> 00:24:03.559
<v Speaker 1>greped for a word accrete, power or at least strangeness.

465
00:24:04.119 --> 00:24:08.400
<v Speaker 1>Have you tested that? I asked, slightly startled, whether annotation

466
00:24:08.519 --> 00:24:12.440
<v Speaker 1>changes the phenomenon. She smiled at pragmatic graduate student smile.

467
00:24:13.079 --> 00:24:15.680
<v Speaker 1>I've tested all sorts of things on these volumes. Digital

468
00:24:15.720 --> 00:24:17.680
<v Speaker 1>notes don't seem to have any effect, but the ones

469
00:24:17.720 --> 00:24:19.799
<v Speaker 1>written in the book, especially in pencil, some time, make

470
00:24:19.839 --> 00:24:22.000
<v Speaker 1>a difference, though I can't say how much is suggestion

471
00:24:22.279 --> 00:24:25.319
<v Speaker 1>and how much is cause. I don't think it's only suggestion,

472
00:24:25.559 --> 00:24:27.640
<v Speaker 1>I said, and gingerly filled her in on the artiffects

473
00:24:27.640 --> 00:24:31.000
<v Speaker 1>from the afternoon, the circuit experiment, the biometric reversal, the chilling,

474
00:24:31.079 --> 00:24:33.400
<v Speaker 1>the moment of all inexplicable save for the holding shell

475
00:24:33.440 --> 00:24:37.440
<v Speaker 1>of these recurssive referential quigemires. She listened and for once

476
00:24:37.559 --> 00:24:41.200
<v Speaker 1>said nothing. The silence confirmed were as suspected as skeptical.

477
00:24:41.200 --> 00:24:44.480
<v Speaker 1>Boundary had shifted from the next table. Theo leaned in.

478
00:24:45.079 --> 00:24:47.880
<v Speaker 1>I'd nearly forgotten he was there, the undergraduate, obsessed with

479
00:24:47.920 --> 00:24:51.920
<v Speaker 1>mathematical paradoxes and more perdinently, proof of gaps, he had

480
00:24:51.960 --> 00:24:54.000
<v Speaker 1>spent the better part of the week extracting book data

481
00:24:54.000 --> 00:24:56.960
<v Speaker 1>for a term project, periodically peppering Lelo with questions about

482
00:24:57.000 --> 00:25:00.359
<v Speaker 1>department policies and obscure shelf marks. Did you say something

483
00:25:00.400 --> 00:25:03.000
<v Speaker 1>about effects only happening in certain rooms? Is foys cut

484
00:25:03.079 --> 00:25:06.160
<v Speaker 1>cross our low dialog? I hesitated, But leel has not

485
00:25:06.160 --> 00:25:09.839
<v Speaker 1>emboldened me. Only in original spaces, the oldest reading rooms

486
00:25:09.880 --> 00:25:13.240
<v Speaker 1>and sacks. That's were the footnotes manifest I suppose his

487
00:25:13.319 --> 00:25:16.400
<v Speaker 1>eyes widened fractionally. They don't work in the modern wings,

488
00:25:16.440 --> 00:25:19.079
<v Speaker 1>not with the glass walls or new lighting there. Straight

489
00:25:19.119 --> 00:25:22.480
<v Speaker 1>and chewing on the idea, Let's check boundaries, he said,

490
00:25:23.039 --> 00:25:25.640
<v Speaker 1>if there's a spatial pattern, we could map it. He

491
00:25:25.720 --> 00:25:28.440
<v Speaker 1>RUMs through his butted backpack and drew out a fistful

492
00:25:28.440 --> 00:25:30.960
<v Speaker 1>of posted notes, snatched a pencil stop from the shared

493
00:25:31.000 --> 00:25:33.519
<v Speaker 1>desk supply, and started flagging a cluster of pages in

494
00:25:33.519 --> 00:25:36.440
<v Speaker 1>a book I'd left open. Each note he labeled with

495
00:25:36.440 --> 00:25:38.839
<v Speaker 1>the present time, type of annotation, and a brief phrase

496
00:25:39.000 --> 00:25:41.920
<v Speaker 1>tests a cross ref enal. I was too curious not

497
00:25:41.960 --> 00:25:45.079
<v Speaker 1>to join him. We'll need a control experiment, I said.

498
00:25:45.240 --> 00:25:48.599
<v Speaker 1>Engineer's imple slotting in the habit, same book, same set

499
00:25:48.680 --> 00:25:51.119
<v Speaker 1>up here, and then in the next room over ten

500
00:25:51.160 --> 00:25:53.839
<v Speaker 1>minutes later. Our initial test greud state doubt. We ran

501
00:25:53.880 --> 00:25:56.559
<v Speaker 1>the footnote circuit in the barometric reversal in three contiguous

502
00:25:56.559 --> 00:25:59.160
<v Speaker 1>spaces the original reading room. The corridor just passed the

503
00:25:59.200 --> 00:26:02.079
<v Speaker 1>oak arch and finally beside the catalog terminal in one

504
00:26:02.079 --> 00:26:05.160
<v Speaker 1>of the modern wings, two anomalies in the first location

505
00:26:05.279 --> 00:26:08.480
<v Speaker 1>settled but clear nothing outside. In the second, the air

506
00:26:08.519 --> 00:26:12.720
<v Speaker 1>felt almost expectant, but only produce normal measurements. Theogrin the

507
00:26:12.759 --> 00:26:15.799
<v Speaker 1>way undergraduates do when the world refuses to be entirely rational.

508
00:26:16.359 --> 00:26:18.799
<v Speaker 1>It's as if the phenomena have a hard border, he said,

509
00:26:19.279 --> 00:26:22.240
<v Speaker 1>weave in the thermometer like a divining rod. But why

510
00:26:22.240 --> 00:26:26.000
<v Speaker 1>does annotation alter anything? Why not proximity? Why about presence?

511
00:26:26.519 --> 00:26:29.319
<v Speaker 1>We poured over the volumes, cross referencing date stamps and

512
00:26:29.319 --> 00:26:33.440
<v Speaker 1>staff handwriting, looking for some correlation. Leela, pragmatic as ever,

513
00:26:33.599 --> 00:26:36.400
<v Speaker 1>wandered aloud. If marginalia can shape or enhance the effect,

514
00:26:36.519 --> 00:26:38.559
<v Speaker 1>does that mean the whole thing is just embedded tradition.

515
00:26:38.640 --> 00:26:41.079
<v Speaker 1>Do the rules only persist as long as people play along?

516
00:26:41.680 --> 00:26:44.279
<v Speaker 1>Not just tradition, I said, thinking of the recursion, the

517
00:26:44.319 --> 00:26:47.720
<v Speaker 1>echoing architecture of errors nested into errors, or perhaps potential

518
00:26:47.720 --> 00:26:51.440
<v Speaker 1>into potential. It's more like intellectual attention, like the library

519
00:26:51.440 --> 00:26:55.680
<v Speaker 1>itself accumulates. In ten THEO took another tact, then let's

520
00:26:55.720 --> 00:26:58.559
<v Speaker 1>test for performance to get annotate measure or race measure.

521
00:26:58.799 --> 00:27:00.880
<v Speaker 1>Leave for a few hours, come back. It'll be like

522
00:27:00.960 --> 00:27:04.079
<v Speaker 1>tracking radio act of half life, only with footnotes. This

523
00:27:04.200 --> 00:27:06.079
<v Speaker 1>was how the next phase of our inquirium one, a

524
00:27:06.079 --> 00:27:08.960
<v Speaker 1>spiral in descent into control of confusion. We spent the

525
00:27:09.039 --> 00:27:12.640
<v Speaker 1>ensuing days sketching flour plans, noting anomaly boundaries, and testing

526
00:27:12.680 --> 00:27:16.720
<v Speaker 1>each variant in methodical, if sometimes gerrilea fashion. As we worked,

527
00:27:16.759 --> 00:27:20.319
<v Speaker 1>the library's rhythms folded around us, Missess Bellamy's steady stride

528
00:27:20.319 --> 00:27:24.480
<v Speaker 1>between accession and reference desks, corraduate students passing in murmured pays,

529
00:27:24.720 --> 00:27:28.640
<v Speaker 1>visiting faculty, navigating for tangled carts. Not one present, save

530
00:27:28.759 --> 00:27:30.720
<v Speaker 1>Leelah and THEO, gave more than a passing, not to

531
00:27:30.759 --> 00:27:33.559
<v Speaker 1>our eccentric endeavors. But when I pressed one or two

532
00:27:33.640 --> 00:27:38.160
<v Speaker 1>regulars mister gun A noctgenarian who haunted social sciences and Vera,

533
00:27:38.279 --> 00:27:41.200
<v Speaker 1>the Power Time Classics catalog about oddities or curious effects,

534
00:27:41.319 --> 00:27:43.559
<v Speaker 1>I got raised ivers A first, and then from gun

535
00:27:43.599 --> 00:27:46.319
<v Speaker 1>a nonchalant wave old rooms, two strange things. I once

536
00:27:46.400 --> 00:27:48.720
<v Speaker 1>left a letter here for my wife in nineteen seventy two,

537
00:27:48.839 --> 00:27:50.680
<v Speaker 1>and had arrived home with her reward a day later,

538
00:27:50.799 --> 00:27:54.440
<v Speaker 1>goes tradition. Who's to say there meanwhile simply shrugged. Some

539
00:27:54.440 --> 00:27:56.319
<v Speaker 1>books don't like to be read straight through. It's the

540
00:27:56.359 --> 00:28:00.240
<v Speaker 1>library's way of keeping the place interesting. No sense of impossibility,

541
00:28:00.319 --> 00:28:03.440
<v Speaker 1>no superstition. Oddness, yes, but only by grand oddness, the

542
00:28:03.519 --> 00:28:06.240
<v Speaker 1>kind that cruis to any space older than its current occupants.

543
00:28:06.720 --> 00:28:09.839
<v Speaker 1>No one owned the mystery. Only those who actively courted

544
00:28:09.839 --> 00:28:13.240
<v Speaker 1>it were drawn inside back in my notebooks, the patterns multiply.

545
00:28:13.960 --> 00:28:16.160
<v Speaker 1>The original map of footnote chains had swelled into a

546
00:28:16.160 --> 00:28:19.039
<v Speaker 1>thicket lines, some fleeting, some deeply recursive, vetching out a

547
00:28:19.079 --> 00:28:21.880
<v Speaker 1>multi dimensional logic. In the margins of the collection, we

548
00:28:21.960 --> 00:28:25.039
<v Speaker 1>mapped hotpots for phenomena, never in new walls or reinforced floors,

549
00:28:25.160 --> 00:28:28.079
<v Speaker 1>always in the oldest word, original plaster, deep ouchos left

550
00:28:28.119 --> 00:28:31.680
<v Speaker 1>un touched by renovations. Oddly, tests new spaces were modeled

551
00:28:31.680 --> 00:28:35.119
<v Speaker 1>within the last fifty years were uniformly dead zones. Even

552
00:28:35.119 --> 00:28:37.599
<v Speaker 1>minor changes a shift to shelf or a repainted wall

553
00:28:37.680 --> 00:28:41.240
<v Speaker 1>seemed to mute the effect theo. Emboldened by these discoveries,

554
00:28:41.319 --> 00:28:43.720
<v Speaker 1>theorized allowed one afternoon, as he adjusted a cable for

555
00:28:43.759 --> 00:28:47.400
<v Speaker 1>another circuit test Suppose the phenomena are added, like each

556
00:28:47.480 --> 00:28:49.640
<v Speaker 1>notation or footnote as a weight on a scale, and

557
00:28:49.720 --> 00:28:53.319
<v Speaker 1>at some point the room tips over into something more uporous. Leela,

558
00:28:53.400 --> 00:28:55.000
<v Speaker 1>who had started to treat the low book like a

559
00:28:55.000 --> 00:28:57.759
<v Speaker 1>living art of act, shook her head. Where the opposite

560
00:28:57.880 --> 00:29:00.000
<v Speaker 1>may be. The more attention, the more defined the network,

561
00:29:00.079 --> 00:29:03.559
<v Speaker 1>people forget or stop bundating the phenomena fade. I watched

562
00:29:03.559 --> 00:29:06.119
<v Speaker 1>them volly, these two ideas neither right or wrong, the

563
00:29:06.160 --> 00:29:09.279
<v Speaker 1>tidy binary dissolving in our hands. By now our focus

564
00:29:09.279 --> 00:29:11.680
<v Speaker 1>had shifted. The contradictions were not only in the books,

565
00:29:11.839 --> 00:29:15.000
<v Speaker 1>but also in our explanations. If the network of absent

566
00:29:15.000 --> 00:29:17.759
<v Speaker 1>footnotes was a function of collective attention, then why did

567
00:29:17.839 --> 00:29:19.599
<v Speaker 1>only a handful of us perceive or care about the

568
00:29:19.599 --> 00:29:23.960
<v Speaker 1>effects themselves. If spatial boundaries governed the phenomena, then by

569
00:29:24.039 --> 00:29:26.480
<v Speaker 1>history or purpose, lock these rooms to their improbable logic.

570
00:29:27.200 --> 00:29:29.920
<v Speaker 1>One gray Wednesday is rain hammered the leaded pains. I

571
00:29:29.960 --> 00:29:33.079
<v Speaker 1>found myself scouring old accession ledgers in the Cesspelami's office,

572
00:29:33.279 --> 00:29:35.480
<v Speaker 1>looking for traces of prior scholars who might have chased

573
00:29:35.519 --> 00:29:38.960
<v Speaker 1>the same threads. Half a dozen yellowed lobooks revealed names,

574
00:29:39.079 --> 00:29:42.160
<v Speaker 1>some fainty, familiar from family bequests or dedication plaques, but

575
00:29:42.240 --> 00:29:46.200
<v Speaker 1>with one adult Faraday mk Head Librarian nineteen twenty three

576
00:29:46.319 --> 00:29:49.160
<v Speaker 1>nineteen thirty initiated reading group on the unwridden Tuesdays, eight

577
00:29:49.200 --> 00:29:52.559
<v Speaker 1>p m. The record was then no details, just the note,

578
00:29:53.000 --> 00:29:55.000
<v Speaker 1>but a rush of association came as I flicked through

579
00:29:55.000 --> 00:29:58.400
<v Speaker 1>the Lopocalila had compiled there squeezed in nearly allegible pencil,

580
00:29:58.440 --> 00:30:01.839
<v Speaker 1>A marginal note Tuesday examin Lemons, footnotes to nothing, seekers

581
00:30:01.839 --> 00:30:05.480
<v Speaker 1>of the void, speculative, not superstitious, no names, but the

582
00:30:05.519 --> 00:30:08.480
<v Speaker 1>date matched. I brought this to Leelah and THEO at

583
00:30:08.519 --> 00:30:11.079
<v Speaker 1>our command's center. The old north West table sunk between

584
00:30:11.119 --> 00:30:15.880
<v Speaker 1>the original stacks. Theogrin delighted. So this isn't new. Whole

585
00:30:15.920 --> 00:30:19.559
<v Speaker 1>generations have played this game. Leelah's lips curved in my appreciation,

586
00:30:20.160 --> 00:30:22.440
<v Speaker 1>A run table society for chasing gaps in the record

587
00:30:22.519 --> 00:30:24.319
<v Speaker 1>I supposed to date. We call it a folks group.

588
00:30:24.799 --> 00:30:27.680
<v Speaker 1>Our next step was clear connected pattern of historical engagement

589
00:30:27.680 --> 00:30:31.359
<v Speaker 1>to the present phenomena. If documentation and annotation could ignite

590
00:30:31.400 --> 00:30:34.880
<v Speaker 1>were alter effects, perhaps the raw accumulation of curiosity folded

591
00:30:34.880 --> 00:30:38.119
<v Speaker 1>and refolded overgenerations had laid something unique into the foundation

592
00:30:38.160 --> 00:30:41.000
<v Speaker 1>of the library. This idea was less a conclusion than

593
00:30:41.000 --> 00:30:44.359
<v Speaker 1>a working hypothesis. Facts, after all, were hard to come by.

594
00:30:45.039 --> 00:30:47.319
<v Speaker 1>But the more we track the phenomena, measured their amplitude,

595
00:30:47.319 --> 00:30:50.079
<v Speaker 1>mapped the decay at various thresholds, the clearer the pattern became.

596
00:30:50.200 --> 00:30:53.039
<v Speaker 1>Only the effects that attracted continued speculation that lingered in

597
00:30:53.079 --> 00:30:56.240
<v Speaker 1>marginalia and cross reference retained any anomalous influence at all.

598
00:30:56.799 --> 00:30:59.799
<v Speaker 1>The next leap was Steve's. He approached as I finished

599
00:30:59.880 --> 00:31:02.000
<v Speaker 1>day aating a float job of references on group paper.

600
00:31:02.119 --> 00:31:05.319
<v Speaker 1>Waving a folded she, I tried copying a recursive footnote

601
00:31:05.400 --> 00:31:07.160
<v Speaker 1>chained on to a blunt page, just the text, no

602
00:31:07.200 --> 00:31:09.839
<v Speaker 1>annotation ran the null circuit here with and without the

603
00:31:09.839 --> 00:31:12.559
<v Speaker 1>coppered page nearby, no weird readings. But when I recopied

604
00:31:12.599 --> 00:31:14.640
<v Speaker 1>the marginalia as well, not just the footnotes but the

605
00:31:14.640 --> 00:31:17.119
<v Speaker 1>speculative notes, the crossed added in and then switched to

606
00:31:17.119 --> 00:31:19.200
<v Speaker 1>the oldest table, got a half tick backward on the meter.

607
00:31:19.279 --> 00:31:22.240
<v Speaker 1>Told myself it was a fluke. Did again, annotation included

608
00:31:22.359 --> 00:31:24.920
<v Speaker 1>and got the same blip. Leo broke into laughter out

609
00:31:24.920 --> 00:31:26.920
<v Speaker 1>of pure delight. A sound that caught me off guard.

610
00:31:27.480 --> 00:31:30.960
<v Speaker 1>It's the marginalia, she said, phee beck loop. The footnote

611
00:31:30.960 --> 00:31:34.519
<v Speaker 1>makes the absence visible. The adoptation cements the possibility, I

612
00:31:34.599 --> 00:31:38.240
<v Speaker 1>pondered aloud. Its like information wants to be realized, but

613
00:31:38.319 --> 00:31:40.960
<v Speaker 1>it only becomes tangible within this peculiar shell. The unchanged

614
00:31:40.960 --> 00:31:44.160
<v Speaker 1>physical context plus the intellectual attention couldn't build this from scratch.

615
00:31:44.240 --> 00:31:46.839
<v Speaker 1>You'd need both the architecture and the centuries of curiosity.

616
00:31:47.400 --> 00:31:50.599
<v Speaker 1>Over the next days, the pattern replicated, never quite consistently,

617
00:31:50.640 --> 00:31:52.880
<v Speaker 1>always a little slippery, but enough to show a new rule.

618
00:31:52.920 --> 00:31:55.359
<v Speaker 1>Every anomally depended not just on the presence of ricus

619
00:31:55.440 --> 00:31:58.279
<v Speaker 1>o missing references, but on the active physical record of

620
00:31:58.319 --> 00:32:02.079
<v Speaker 1>readers grappling with those gaps. It was a fragile, temporary ecology.

621
00:32:02.680 --> 00:32:05.599
<v Speaker 1>In places where marginalia had been a raised, the effect weakened.

622
00:32:06.240 --> 00:32:09.279
<v Speaker 1>Where fresh notes had recently accumulated, the effect briefly surged.

623
00:32:09.880 --> 00:32:13.000
<v Speaker 1>We speculated feverishly through lunch hours, catching out glances from

624
00:32:13.039 --> 00:32:16.359
<v Speaker 1>other patrons, but undeterred at last determined to see whether

625
00:32:16.359 --> 00:32:19.160
<v Speaker 1>the chain could be deliberately manipulated. Its amplitude increased, its

626
00:32:19.200 --> 00:32:21.759
<v Speaker 1>boundaries shifted, had devised an experiment using one of the

627
00:32:21.759 --> 00:32:25.119
<v Speaker 1>most stable anomalous chains, the so called law of chronological inversion.

628
00:32:25.680 --> 00:32:28.599
<v Speaker 1>In a battered mathematics folio for No. Four points, Evan read,

629
00:32:28.759 --> 00:32:31.079
<v Speaker 1>a simple pendulum measured in the negative shall reflect the

630
00:32:31.119 --> 00:32:33.799
<v Speaker 1>anticipated outcome if and only if attended an annotation above

631
00:32:33.839 --> 00:32:37.279
<v Speaker 1>pre and post oscillations. He fixed none extant the eogrin

632
00:32:37.319 --> 00:32:39.279
<v Speaker 1>at the challenge, quickly looping all length of string and

633
00:32:39.400 --> 00:32:41.720
<v Speaker 1>washer from the suppli's box, his hands steady, with the

634
00:32:41.720 --> 00:32:45.079
<v Speaker 1>accustomed enthusiasm of youth, we placed the rig on the libraries,

635
00:32:45.079 --> 00:32:48.160
<v Speaker 1>all this marble top stand beneath the only gascon still functional.

636
00:32:48.759 --> 00:32:51.519
<v Speaker 1>Leal annotated the margin before and after as precisely as

637
00:32:51.559 --> 00:32:55.759
<v Speaker 1>legibility allowed. I measured stop ortion in hand. The pendulum

638
00:32:55.799 --> 00:32:58.039
<v Speaker 1>clicked sway, then stalled on for a moment, just as

639
00:32:58.039 --> 00:33:00.759
<v Speaker 1>the motion seemed about to conclude, reverse ever so slightly

640
00:33:00.759 --> 00:33:04.759
<v Speaker 1>against the expected arc. Twice more, each time the same

641
00:33:04.839 --> 00:33:08.279
<v Speaker 1>faint physically and tagable reversal, never outside the annotated context,

642
00:33:08.480 --> 00:33:12.720
<v Speaker 1>never outside the core room. We left fresh marginalia, returning

643
00:33:12.720 --> 00:33:15.039
<v Speaker 1>two hours later. The in fact, though faints still echoed.

644
00:33:15.079 --> 00:33:18.640
<v Speaker 1>Then less on further trials with neither annotation nor attention

645
00:33:18.880 --> 00:33:23.599
<v Speaker 1>if rapidly faded, we're cultivating possibilities. He ammoveled, wriggling the

646
00:33:23.599 --> 00:33:27.519
<v Speaker 1>strain in disbelief. We're not discovering physical laws, were tending

647
00:33:27.559 --> 00:33:31.799
<v Speaker 1>a fragile ecosystem. Leela leaned in brow thoughtful. Maybe the

648
00:33:31.839 --> 00:33:33.960
<v Speaker 1>point was never about the experiments as such, but about

649
00:33:34.000 --> 00:33:37.519
<v Speaker 1>the scaffolding. The active inquiry becomes generative, not just interpretive.

650
00:33:38.079 --> 00:33:40.559
<v Speaker 1>I pushed the idea further. What if this library hosts

651
00:33:40.599 --> 00:33:44.240
<v Speaker 1>quite literally a realm where all these hypotheses, these fail experiments,

652
00:33:44.279 --> 00:33:47.319
<v Speaker 1>these improvable assertions become for a flicker, almost real, not

653
00:33:47.440 --> 00:33:49.839
<v Speaker 1>because of what they claim, but because generations have chased

654
00:33:49.839 --> 00:33:52.680
<v Speaker 1>their meaning in good faith, annotating absence, sustaining them by

655
00:33:52.680 --> 00:33:55.720
<v Speaker 1>force of communal attention. The references don't produce knowledge, per se,

656
00:33:55.720 --> 00:33:59.240
<v Speaker 1>they produce possibility. Lela's lips turned up at the corner's eyes,

657
00:33:59.240 --> 00:34:03.480
<v Speaker 1>shining a locally realized web of danda reality on loan extended,

658
00:34:03.519 --> 00:34:06.279
<v Speaker 1>so long as the community will defer closure, the library

659
00:34:06.319 --> 00:34:10.400
<v Speaker 1>as a living incubator for intellectual superpositions. Theo never one

660
00:34:10.480 --> 00:34:12.360
<v Speaker 1>to leave, the part of Haying added, it means it

661
00:34:12.360 --> 00:34:14.400
<v Speaker 1>all could go silent to morrow if no one bothered

662
00:34:14.400 --> 00:34:16.639
<v Speaker 1>to pursue a single and moriten footner. The possibility web

663
00:34:16.679 --> 00:34:20.760
<v Speaker 1>collapses if curiosity dies. This, finally was the axis around

664
00:34:20.760 --> 00:34:23.440
<v Speaker 1>which all the prior mysteries rotated, the critical mass of attention,

665
00:34:23.519 --> 00:34:26.599
<v Speaker 1>its ongoing negotiation for annotation debate, and the living tradition

666
00:34:26.679 --> 00:34:30.360
<v Speaker 1>of not just reading but interrogating absence. The library was

667
00:34:30.440 --> 00:34:32.800
<v Speaker 1>less a building than a standing wave of speculation, a

668
00:34:32.880 --> 00:34:36.800
<v Speaker 1>lattice of half glimpse logic, mapped, maintained, and sometimes if

669
00:34:36.840 --> 00:34:39.960
<v Speaker 1>only briefly, made palpable. We let the idea settle among

670
00:34:40.000 --> 00:34:43.599
<v Speaker 1>our notes, no longer urgent, just profound. In the following days,

671
00:34:43.599 --> 00:34:46.320
<v Speaker 1>my volunteering took on a lighter grace. I watched the

672
00:34:46.360 --> 00:34:49.519
<v Speaker 1>gentle ballet of library life, the students scuffing over reserved tables,

673
00:34:49.599 --> 00:34:52.800
<v Speaker 1>assessed Bellamy's habitual straightening of then categorized shelf, the echoing

674
00:34:52.800 --> 00:34:55.719
<v Speaker 1>footfuls acosso complants with a new kind of wonder. The

675
00:34:55.760 --> 00:34:58.480
<v Speaker 1>place hadn't changed, but my frame for its contradictions had.

676
00:34:59.119 --> 00:35:00.960
<v Speaker 1>I now saw the rare books waring as more than

677
00:35:00.960 --> 00:35:04.199
<v Speaker 1>a mascleum for outdated scholarship. It was a quietly humming

678
00:35:04.239 --> 00:35:06.440
<v Speaker 1>machine for the cultivation of the possible, a place where

679
00:35:06.440 --> 00:35:09.039
<v Speaker 1>no answer was ever final, and no absence remained merely

680
00:35:09.119 --> 00:35:12.360
<v Speaker 1>empty so long as someone somewhere cared enough to question it.

681
00:35:12.960 --> 00:35:16.280
<v Speaker 1>I continued helping with donations, shelving, and the inevitable requests

682
00:35:16.320 --> 00:35:19.400
<v Speaker 1>for books with the most ridiculous footnotes. Some days this

683
00:35:19.480 --> 00:35:21.960
<v Speaker 1>meant reunited a classic's major with a treatise on mystery

684
00:35:22.000 --> 00:35:25.360
<v Speaker 1>cult ritual containing thirty pages of cryptic cross reference. Other

685
00:35:25.480 --> 00:35:28.199
<v Speaker 1>days it was just rendering visible quietly the human chain

686
00:35:28.199 --> 00:35:31.760
<v Speaker 1>that animated the library's peculiar genius. Everywhere I looked, a

687
00:35:31.800 --> 00:35:34.639
<v Speaker 1>culture of annotation felt nearly alive. At the study carols,

688
00:35:34.679 --> 00:35:36.760
<v Speaker 1>a pair of students bickered over a footnoted error in

689
00:35:36.800 --> 00:35:39.760
<v Speaker 1>a translated text, earnest the scrupling rebuffles in faint pencil.

690
00:35:40.400 --> 00:35:42.440
<v Speaker 1>Down the hall, Leo led a small group for a

691
00:35:42.480 --> 00:35:45.400
<v Speaker 1>shelf of problem titles, laughing gently each time a student

692
00:35:45.440 --> 00:35:49.159
<v Speaker 1>found themselves hot by an unresolved contradiction. Even Miss as Bellamy,

693
00:35:49.280 --> 00:35:51.719
<v Speaker 1>when she caught me pausing over Harrow's volume once more,

694
00:35:51.920 --> 00:35:55.360
<v Speaker 1>only said, found your way back to the unfinished? This time,

695
00:35:55.480 --> 00:35:57.559
<v Speaker 1>I answered, perhaps had found its way to me. That

696
00:35:57.679 --> 00:36:00.400
<v Speaker 1>seems to be the library specialty from and then on.

697
00:36:00.679 --> 00:36:03.280
<v Speaker 1>My work here was touched with the quiet contentment. I

698
00:36:03.320 --> 00:36:06.920
<v Speaker 1>no longer felt the urge to force every puzzle to conclusion. Instead,

699
00:36:07.079 --> 00:36:10.400
<v Speaker 1>I cherished the process, the provisional, the ambiguous, the gently inexplicable.

700
00:36:10.960 --> 00:36:13.159
<v Speaker 1>The act of tending to these overlooked footnotes and their

701
00:36:13.199 --> 00:36:17.360
<v Speaker 1>possible consequences was reward enough. A few afternoons later, assisting

702
00:36:17.360 --> 00:36:19.760
<v Speaker 1>a new undergraduate with her research, I watched her brow

703
00:36:19.800 --> 00:36:22.119
<v Speaker 1>crease as she paged through battered volume filled with Esu's

704
00:36:22.119 --> 00:36:25.480
<v Speaker 1>footnotes for with real and fantastically referential She tapped a

705
00:36:25.480 --> 00:36:28.719
<v Speaker 1>pencil against the margin, frowning. Why would anyone write so

706
00:36:28.760 --> 00:36:31.320
<v Speaker 1>many notes about things that aren't even there? She asked

707
00:36:31.400 --> 00:36:35.239
<v Speaker 1>the question, genuine, not skeptical. I smiled, an old engineer's smile,

708
00:36:35.280 --> 00:36:38.280
<v Speaker 1>now mellowed by a kind of hard, darned humility. Maybe

709
00:36:38.320 --> 00:36:40.719
<v Speaker 1>it's less about what's missing and more about the possibilities

710
00:36:40.719 --> 00:36:44.440
<v Speaker 1>those gaps keep open. She hesitated, then nodded, returning to

711
00:36:44.480 --> 00:36:47.679
<v Speaker 1>her book. Somewhere behind us, the old clock chimed its

712
00:36:47.719 --> 00:36:50.880
<v Speaker 1>batter gives, ticking onward that evening, as I rolled the

713
00:36:50.880 --> 00:36:53.480
<v Speaker 1>shoving cat along one last time, as their modern books

714
00:36:53.480 --> 00:36:55.760
<v Speaker 1>thlid from the pile and landed open by my hip.

715
00:36:56.280 --> 00:36:58.599
<v Speaker 1>Half upsent mindedly, I've bent to pick it up, pausing

716
00:36:58.599 --> 00:37:00.679
<v Speaker 1>a fraction to long. At the bottom of the page,

717
00:37:01.280 --> 00:37:05.920
<v Speaker 1>there alone floated a footnote mark simply see elsewhere, see elsewhere,

718
00:37:06.639 --> 00:37:10.320
<v Speaker 1>not see also, or see above, or see diagram elsewhere.

719
00:37:10.320 --> 00:37:13.119
<v Speaker 1>As if the world of reference had no boundaries. I

720
00:37:13.199 --> 00:37:15.440
<v Speaker 1>glanced around the stacks of a renewed sense of gentle

721
00:37:15.480 --> 00:37:18.559
<v Speaker 1>awe award that behind every book, every annotation, every carefully

722
00:37:18.599 --> 00:37:21.920
<v Speaker 1>tended absence, possibility still gathered thick as the dust beneath

723
00:37:21.960 --> 00:37:25.360
<v Speaker 1>the shelves. Perhaps all libraries above and below their cataloged

724
00:37:25.400 --> 00:37:28.480
<v Speaker 1>surfaces were composites of knowledge in its after images, tending

725
00:37:28.639 --> 00:37:31.840
<v Speaker 1>always and forever toward worlds and explanations not quite realized.

726
00:37:32.440 --> 00:37:35.960
<v Speaker 1>Corridors and citations. When followed didn't resolve to closure. They

727
00:37:36.039 --> 00:37:38.719
<v Speaker 1>forked and forked again, each new absence, holding open the

728
00:37:38.719 --> 00:37:41.239
<v Speaker 1>promise of something just on the edge of becoming. I

729
00:37:41.280 --> 00:37:43.880
<v Speaker 1>wheeled the cart to its resting place, like gathering outside

730
00:37:43.920 --> 00:37:46.559
<v Speaker 1>the leaded glass, and as the door softly closed behind me,

731
00:37:46.760 --> 00:37:49.599
<v Speaker 1>I thought, perhaps our understanding of reality is always bounded

732
00:37:49.719 --> 00:37:51.599
<v Speaker 1>not by what we know, but by the footnotes we

733
00:37:51.639 --> 00:37:56.400
<v Speaker 1>have not yet begun to follow, and that is the end.

734
00:37:57.000 --> 00:37:58.719
<v Speaker 1>Thank you for listening, and I will see you in

735
00:37:58.719 --> 00:38:11.760
<v Speaker 1>the next one.
