Speaker 1: Ispet Archives has adult language and violence and is not
Speaker 1: suitable for children. Listener discretion is advised. Ispet Archives is
Speaker 1: a Creative Typo entertainment production. If you enjoy this show,
Speaker 1: we invite you to support us on Patreon at www
Speaker 1: dot patreon dot com forward slash Creative Typo. All levels
Speaker 1: of membership include ad free listening and our binge. Here
Speaker 1: includes access to this complete season. Thank you for listening.
Speaker 2: Chapter twenty three, Drip Drip.
Speaker 3: Detective George Bullard stood in the dining area of Amberlang's apartment.
Speaker 3: Although Amber wasn't home, the apartment was far from empty.
Speaker 3: He observed as Agent White of the Contra organization escorted
Speaker 3: Marcus across the room to sit next to Detective Davis. Meanwhile,
Speaker 3: Agent Brown of that same organization positioned himself by the
Speaker 3: apartment door, effectively cutting off any potential exit or Bullard.
Speaker 3: The pair of hitmen were unmistakenly professional, calm, calculated, and
Speaker 3: clearly experienced in these situations. Bullard had no intention of
Speaker 3: testing their aptitude for violence. Agent White had maintained a
Speaker 3: veneer of courtesy, if not outright friendliness, but he had
Speaker 3: no illusions that the kindness would be quickly abandoned should
Speaker 3: he make a run move. His gaze shifted from Agent
Speaker 3: White to Davis. He had gotten his partner into this mess,
Speaker 3: and he would get him out.
Speaker 2: Listen, I've done exactly as your boss at TCO Cleaning
Speaker 2: Supplies asked. I've held up my end. Now I'll go
Speaker 2: fetch Emily, but I need Davis to walk out with me.
Speaker 2: That's not the deal, detective.
Speaker 4: You want your partner out of here in one piece.
Speaker 2: You play by our.
Speaker 5: Rules, Detective, while your efforts are noted. You've only brought
Speaker 5: us one of the four people we require, and to
Speaker 5: be Frank Marcus Baker is the least important of the four.
Speaker 2: Don't get Emily. Fine, I'll bring her to you, but
Speaker 2: I need Davis to come with me. Now a fuck.
Speaker 2: We aren't gonna get anywhere at this rate.
Speaker 5: Here's a new plan. You fetch Emily and show her
Speaker 5: to us from across the hall. No need to bring
Speaker 5: her inside. Just let us verify she's with you, and
Speaker 5: we'll hand Davis over.
Speaker 2: Oh oh, even have him ready for you.
Speaker 4: We'll be saying right here at the door, waiting for
Speaker 4: you to get.
Speaker 2: Back, okay, and bring her back to you. And then
Speaker 2: you do what.
Speaker 5: We release Davis, simple as that.
Speaker 2: I mean, what do you do with Emily?
Speaker 6: Oh, for fuck's sake, man, she already told you.
Speaker 2: I'm old. You'll have to forgive my memory.
Speaker 5: We detain her until we can find September and Hastings,
Speaker 5: the other true targets of our investigation.
Speaker 2: September and Hastings.
Speaker 7: That's all, yeah, unless you suddenly remember where those two are,
Speaker 7: in which case you could just bring them to us
Speaker 7: and it'll all be over.
Speaker 2: I told you I don't know where they are.
Speaker 4: Sure, unless that old man's memory is failing you Again.
Speaker 2: I haven't forgotten, and I don't really give a damn
Speaker 2: what you do with them, But I honestly have no
Speaker 2: clue where they are.
Speaker 6: Hello, Amber, are you in there?
Speaker 2: You have got to be fucking kidding.
Speaker 5: Who is it.
Speaker 6: My name is September. I'm here with my buddy Hastings.
Speaker 6: We're friends of Emily.
Speaker 4: Oh honestly have no clue where they are.
Speaker 2: Huh, I swear I had no idea. Shut up.
Speaker 5: If you're friends with Emily, you can come on. The
Speaker 5: door's unlocked.
Speaker 6: How kind of you? We're coming in?
Speaker 3: The Contra agents swiftly drew their side arms and moved
Speaker 3: into positions that allowed them to aim at the door
Speaker 3: while keeping an eye on Bollard. Agent White slid half
Speaker 3: way into the bathroom, using the door frame as a
Speaker 3: makeshift shield. Agent Brown crouched on the far side of
Speaker 3: the living room, which would hide him from view as
Speaker 3: the door opened. It was the same tactic the man
Speaker 3: had used to surprise Bullard. The door handle turned slowly,
Speaker 3: each movement heavy with anticipation. Bullard's instincts screamed at him
Speaker 3: to draw his own weapon, but he knew that would
Speaker 3: only get him killed. He forced his panic to the
Speaker 3: back of his mind and held his breath, bracing for
Speaker 3: what was to come. The door swung open, and to
Speaker 3: Bullard's surprise, the threshold was empty. There was no one
Speaker 3: visible in the hallway at all, unseen by those inside.
Speaker 3: September pushed the door wide, then swiftly ducked back, concealing
Speaker 3: himself just out of the doorway. Peering briefly inside, he
Speaker 3: caught sight of Detective Bullard positioned near a dining area,
Speaker 3: and spotted in an armed contry agent lurking toward the
Speaker 3: rear of the apartment, setting the stage where a precarious standoff.
Speaker 6: George, Is that you, Uh, yeah, it's me. It's nice
Speaker 6: to see you again, Detective.
Speaker 2: It's nice to see you as well. Oh, I can't
Speaker 2: really see you.
Speaker 6: I think it's better we keep it that way for
Speaker 6: the time being. Are you working with the contray agent inside?
Speaker 2: I wouldn't say that I'm with them. I'm just trying
Speaker 2: to make a deal with the agents.
Speaker 5: That's enough. September present, what gave us away.
Speaker 6: Emily has told me quite a bit about Amber. She's
Speaker 6: not the type of person that would tell me to
Speaker 6: let myself in. In fact, I don't think she would
Speaker 6: let me in her house at all.
Speaker 5: I see, why don't you step inside and we can
Speaker 5: have a proper discussion face to face.
Speaker 6: I think that's a great idea. First, I will need
Speaker 6: you to disarm and hosh your weapons into the hall.
Speaker 5: Are you armed?
Speaker 6: I wouldn't tell you if I was.
Speaker 5: Is Hastings with you?
Speaker 6: I wouldn't tell you if he was.
Speaker 5: I think the neighbors might get concerned if they discover
Speaker 5: strangers shouting at one another from Amber's apartment.
Speaker 6: Probably right, I assume they might even phone the authorities.
Speaker 6: Maybe you should simply give yourselves up.
Speaker 5: I can't do that. September.
Speaker 6: Who else is in there with you?
Speaker 2: Marcus and my partner, Davis Board.
Speaker 6: If you don't shut the fuck up, I will shut
Speaker 6: you the fuck up.
Speaker 8: September.
Speaker 6: It sounds like things are a little hostile in there.
Speaker 8: September none at all.
Speaker 5: Come on in and we will treat you to tea
Speaker 5: and a friendly discourse.
Speaker 6: As tempting as that sounds, I think we'll have to
Speaker 6: maintain conversation at a slight distance.
Speaker 8: September.
Speaker 2: What is it, Hastings, Uh, excuse me?
Speaker 8: Oh shit, Amber is here?
Speaker 9: What are you doing in front of my house?
Speaker 6: Hastings? Mind the door.
Speaker 9: Seriously, I will call the police.
Speaker 6: Hello, Amber, I was sent here by Emily. My name's September.
Speaker 5: You where is Emily.
Speaker 6: I'll take you to her in a minute. But right now,
Speaker 6: you need to understand that there are a couple of
Speaker 6: very dangerous people in your apartment.
Speaker 9: Bullshit.
Speaker 6: I assure you, it is not bullshit. You cannot go
Speaker 6: in there.
Speaker 4: You stay fat.
Speaker 8: September.
Speaker 2: You keep away from me.
Speaker 6: Listen. Emily is just outside. She's in a car across
Speaker 6: the streets.
Speaker 8: September. What is that a shifter at the end of
Speaker 8: the hall. Look past Amber.
Speaker 6: Oh, no, Amber, you have to trust me. We have
Speaker 6: to run.
Speaker 9: What's going on?
Speaker 6: Run?
Speaker 3: Marcus heard the guide's urgent shout to run and seize
Speaker 3: the moment to snap the zip ties that bound his wrist.
Speaker 3: It was George's idea to slice the zip ties but
Speaker 3: lead them in place. He reasoned that the country would
Speaker 3: be more likely to discount Marcus as a threat if
Speaker 3: they believed he was restrained, a foresight mar Marcus now
Speaker 3: deeply appreciated. With his new found freedom, Marcus quickly closed
Speaker 3: the distance to Detective Davis with the intention of untying
Speaker 3: the ropes that held him. As he maneuvered, his gaze
Speaker 3: swept across the chaotic scene unfolding at the apartment's entrance.
Speaker 3: September and Hastings blurred past the entrance of the apartment,
Speaker 3: running as fast as they could and dragging behind them
Speaker 3: a woman who could only be Amberling. Marcus had never
Speaker 3: seen the woman in person, but the photos he saw
Speaker 3: in the file were recent enough to identify her. As
Speaker 3: she raced by in a blur, the male contra agent,
Speaker 3: the one that called himself Agent Brown, also noticed the
Speaker 3: fleeing trio. He raised his side arm and stepped into
Speaker 3: the hallway, first glancing to his right and then his left.
Speaker 3: His firearm was initially aimed to the right, the way
Speaker 3: that September and Hastings had fled with Amber, leaving him
Speaker 3: unprepared for the threat. Charging from the left, a monstrous
Speaker 3: figure resembling a sasquatch, with its fur covered body arched
Speaker 3: back and massive limbs, barreled into Brown. The impacts sent
Speaker 3: both the agent and the beast tumbling down the hallway,
Speaker 3: disappearing from view. Back in the apartment, Detective Bullard and
Speaker 3: Agent White were momentarily frozen, each processing what they had
Speaker 3: both just witnessed. Marcus used those critical moments to loosen
Speaker 3: one of the knots that bound Davis, but it wasn't
Speaker 3: enough time to completely free the men. As reality snapped back,
Speaker 3: Agent White was the first to act, drawing her weapon
Speaker 3: but aiming it at the door where the shifter had
Speaker 3: just passed. Bullard drew his own gun, pointing it not
Speaker 3: toward the shifter but at Agent White. Marcus expected Bullard
Speaker 3: to shoot and eliminate the immediate threat, but he didn't. Instead,
Speaker 3: the detective cautiously retreated toward his partner. To Marcus's absolute amazement.
Speaker 3: White didn't turn and fire either. She simply ducked into
Speaker 3: the bathroom for cover and slammed the door shut. Confusion reigned.
Speaker 3: What in the hell was going on? Muffled sounds came
Speaker 3: from the bathroom where Agent White was hold up, but
Speaker 3: Marcus couldn't decipher her words. It hardly mattered. He was
Speaker 3: almost done on tying Davis. The knots familiar from his
Speaker 3: recent camping preparations, included the top line, hitch and constrictor not.
Speaker 3: What were the chances? Marcus couldn't help, But wonder was
Speaker 3: this stroke of luck somehow influenced by Emily.
Speaker 2: Hurry up? I don't know how long she'll stay in there.
Speaker 8: Yeah, I'm trying.
Speaker 2: Oh lord, is that you. I'm here, buddy, I'm gonna
Speaker 2: get you out of here.
Speaker 1: Jesus suck and my head is swimming.
Speaker 4: Oh god, the boss gonna be pissed.
Speaker 2: You just worry about getting out of here. I'll worry
Speaker 2: about the captain. M No, not now, your boss, my boss.
Speaker 7: Your boss, and got it all right. Let's get you up,
Speaker 7: Marcus grab his other side.
Speaker 2: We need to move left, but let's make sure Brown's
Speaker 2: not still in the hall first. George.
Speaker 7: Georgey, Okay, go left and then down to the end
Speaker 7: of the hall. Let's try to find a way out.
Speaker 4: You're in deep shit, George.
Speaker 2: We all are. But I'm getting this out of it
Speaker 2: right now. Okay, I don't see Brown. I think we're good.
Speaker 4: I'm gonna throw up.
Speaker 8: Please don't.
Speaker 2: If you throw up, I'll throw up. Hang in there, Davis,
Speaker 2: We're almost in the corner, and then we can collect ourselves. George. Listen,
Speaker 2: this soul whole thing, it's a setup. Okay, contra.
Speaker 4: Where surrounded.
Speaker 2: They're gonna be covering.
Speaker 8: All these exits.
Speaker 2: I got it. Do you know how many?
Speaker 6: Twelve?
Speaker 2: Maybe fifteen?
Speaker 6: Fuck?
Speaker 2: Fuck fuck fuck deep shit. Like I said, don't worry, Davis,
Speaker 2: I'm not letting this go down here.
Speaker 3: Hastings followed behind September and Amber as they raced down
Speaker 3: the hallway. The shifter had broken pursuit, but the chronicler
Speaker 3: knew the reprieve would be brief. Once a shifter had
Speaker 3: their target in sight, they weren't likely to lose them.
Speaker 3: He came to a halt next to Amber as September
Speaker 3: gestured for them to wait, then moved into the stairway
Speaker 3: discout for danger. It was reassuring for Hastings to see
Speaker 3: September operate with such proficiency again. His friend had been
Speaker 3: out of sorts lately, and this return to normal was
Speaker 3: a welcome sight. In a moment of situational awareness, Hastings
Speaker 3: turned to Amber, who was visibly shaking, probably from terror.
Speaker 3: Terror makes sense between the armed assassins in her apartment
Speaker 3: and the monstrous shape shifter that had been in hot pursuit,
Speaker 3: anyone would be shaken. He asked himself what said Timber
Speaker 3: would do in this scenario, then placed his hand on
Speaker 3: Amber's shoulder.
Speaker 8: Amber, we will do our best to keep you so,
Speaker 8: don't fucking touch me. Oh no, I apologize.
Speaker 9: I thought, think all you want, but keep your hands
Speaker 9: to yourself.
Speaker 8: It's just this is what I've seen September do it
Speaker 8: often helps.
Speaker 9: I'm sure it does, and I'm sure he drugs his
Speaker 9: victims first.
Speaker 8: I am confused. Are you wanting to be drugged?
Speaker 4: What?
Speaker 2: No, Just don't fucking touch me.
Speaker 6: Hey, try to keep it down.
Speaker 2: Fuck off.
Speaker 6: Okay, September, there are at least two, maybe three contra
Speaker 6: coming up the stairs.
Speaker 8: It appears that we have walked into a track.
Speaker 6: We assume that would be the case. Let's start walking, Amber.
Speaker 6: Can you tell me how many elevators are in the building.
Speaker 9: Yeah, there's an elevator down the hall where I came from,
Speaker 9: and there's another down this hall into the right, and
Speaker 9: then there's a freight elevator on the south side of
Speaker 9: the building, but you know to have a staff badge.
Speaker 2: For that one though.
Speaker 6: And stairwells.
Speaker 9: There's the one we just left, and then there's another
Speaker 9: near the first set of elevators.
Speaker 6: We'll make our way to the second set of elevators
Speaker 6: and see if we can get down from there.
Speaker 2: What is going on?
Speaker 8: There are individuals with guns that are trying to capture
Speaker 8: and or kill us, and a shifter has been sent
Speaker 8: to hunt someone here most likely to kill them. Hastings,
Speaker 8: I've got this, okay, September. Amber, It's well, mostly it's
Speaker 8: just as Hastings said. But we are going to get
Speaker 8: you out of here.
Speaker 9: I'm not going anywhere with you. As soon as we
Speaker 9: get downstairs, I'm calling the police.
Speaker 6: That is well and good. You can call the police
Speaker 6: if you choose, but first let's get you outside into
Speaker 6: safety and to Emily.
Speaker 9: Fine, just take me to Emily.
Speaker 8: September It would be better for us to have a
Speaker 8: weapon or two.
Speaker 6: You're not wrong, but I think our main priority is
Speaker 6: to get Amber out of here and warn Emily.
Speaker 9: The elevators are right here, around the right.
Speaker 6: No one's here. We're good.
Speaker 8: It seems strange that this elevator would not be guarded.
Speaker 8: Do you think there is a trap at the bottom?
Speaker 6: I doubt it. They would have to secure the main floor,
Speaker 6: and I think that would be a little too suspicious.
Speaker 6: The police would already be on their way if a
Speaker 6: group of armed individuals took over the main floor.
Speaker 8: Maybe local law enforcement is on the way.
Speaker 2: I hope they are.
Speaker 6: We will find out when we get down there September
Speaker 6: what hastings. I don't think Emily is going to let
Speaker 6: us leave without Marcus. I don't think she will like it.
Speaker 6: But now that we have Amber with us, I don't
Speaker 6: think she will risk waiting the elevator.
Speaker 9: It's almost here.
Speaker 6: Okay. When we get in, Amber, get to the right
Speaker 6: and hide as much as possible to the side of
Speaker 6: the elevator. That way, when we reach the main floor,
Speaker 6: if there are people with guns, you'll be tucked away.
Speaker 6: Do you understand.
Speaker 2: Okay?
Speaker 6: Okay?
Speaker 3: Amber watched as the elevator doors opened. Emily stood frozen,
Speaker 3: her expression etched with terror, while behind her, a contra
Speaker 3: agent held a gun to the back of her head.
Speaker 3: The group instinctively stepped back into the hallway they had
Speaker 3: just left. The contra agent shoved Emily forward, using her
Speaker 3: as a shield. The agent wore a black helmet and
Speaker 3: appeared to be speaking quietly over radio, likely communicating with
Speaker 3: other agents. Amber noticed a shadowy movement behind the armed man,
Speaker 3: but her view was obstructed, leaving her unable to discern
Speaker 3: what lurked in the distance. While September attempted to diffuse
Speaker 3: the situation and the agent barked orders at the group,
Speaker 3: Amber could not break her attention away from whatever was
Speaker 3: down the hall. The thing was getting closer fast. Taking
Speaker 3: several steps back, Amber distanced herself from the agent in Emily.
Speaker 3: The agent's order to remain still sounded distant and distorted,
Speaker 3: drowned out by the ominous figure drawing nearer. It was
Speaker 3: a grotesque sight, with long, slender arms that ended with
Speaker 3: sharp claws, a distended belly that looked as if it
Speaker 3: were about to burst, and most unnerving of all, a
Speaker 3: faceless head with skin pulled taut. Like a mask over
Speaker 3: whatever horror lay beneath. Deep inside, Amber knew the true
Speaker 3: terror was not what was visible, but what was hidden
Speaker 3: just under that ghastly facade, something malevolent that sought to
Speaker 3: devour her body, mind, and soul. The agent finally recognized
Speaker 3: that the horror painted on Amber's face was not because
Speaker 3: of him, but instead something behind him. He turned around
Speaker 3: just as the creature morphed back into its Sasquatch form,
Speaker 3: a monstrosity now charging toward them. Overwhelmed with panic, Amber
Speaker 3: acted on instinct, fleeing toward the only place she felt
Speaker 3: could offer refuge, the place she felt the safest, her home.
Speaker 6: Ever.
Speaker 8: Wait, it doesn't appear she's going to stop.
Speaker 6: Emily, what were you doing in that elevator with the contract?
Speaker 5: They grabbed me as I was coming into the lobby.
Speaker 6: Didn't I tell you to stay in the car, Yes,
Speaker 6: you did.
Speaker 5: I stayed in the car until I saw Amber. I
Speaker 5: tried to catch her before she made it upstairs.
Speaker 6: It's done. We need to get you out of here.
Speaker 6: Follow Amber, I'll be right behind you.
Speaker 2: Where are you going?
Speaker 6: I need to grab something. Stay with Hastings and Amber.
Speaker 6: I'll catch up.
Speaker 8: Come on, Emily, we need to get to Amber's apartment
Speaker 8: before she gets inside. Why because that's where Marcus and
Speaker 8: Bullerd were being held by the contra.
Speaker 3: As Natalie White sat and closed in the bathroom of
Speaker 3: Amber Lang's apartment, a droplet of water splashed onto her
Speaker 3: shoulder from above. She had hastily shut herself in there after,
Speaker 3: the detective brandished his weapon, slamming the door and readying
Speaker 3: her rifle for an anticipated confrontation with either Bullard or
Speaker 3: the Shifter. Yet, as silence stretched on and no attack came,
Speaker 3: Natalie relaxed her grip on the rifle earned her attention
Speaker 3: to the radio. Reports cracked through the device. An assault
Speaker 3: group was here to aid in capturing September and Hastings,
Speaker 3: but they would not be expecting the Shifter. Natalie listened
Speaker 3: intently as agent Stanley and Richards engaged the creature by
Speaker 3: the freight elevator. The encounter was brief but brutal. Richards
Speaker 3: was killed immediately, while Stanley was alive but severely incapacitated,
Speaker 3: with both hands broken and a shattered ankle. Stanley was
Speaker 3: barely managing to report in over the radio, contemplating the
Speaker 3: shifter's possible motives, Natalie's focus shifted when Agent Pavo broke
Speaker 3: through the static, declaring that he had captured Emily and
Speaker 3: was bringing her upstairs.
Speaker 2: Just as Natalie was about.
Speaker 3: To tell him to reverse course, she heard the young
Speaker 3: agent say that he now had September and Hastings as well.
Speaker 3: Natalie considered leaving her makeshift command center and running to
Speaker 3: help when Pabo's voice spiked with terror before cutting off abruptly.
Speaker 3: It was it was impossible to determine what killed him.
Speaker 3: Whether the cause had been September, Hastings, Emily, or the Shifter,
Speaker 3: all were dangerous. Her tactical calculations grew grim as she
Speaker 3: tallied her rapidly diminishing team. Richard's, Stanley, Pabo, and most
Speaker 3: likely Brown were all down. She counted seven dead or incapacitated.
Speaker 3: Another drop of water fell from the ceiling. The apartment
Speaker 3: complex must have been a real shithole. She moved from
Speaker 3: where she sat on the edge of the tub and
Speaker 3: positioned herself against the wall opposite the mirror, strategizing her
Speaker 3: next move. Another urgent call rang through the radio, shouting
Speaker 3: for help in the stairwell. It was Gibbs, reporting this
Speaker 3: September had ambushed him and Taylor. Taylor was now dead
Speaker 3: and his weapon was missing. The situation was spiraling out
Speaker 3: of control, and Natalie felt the weight of command heavy
Speaker 3: upon her as chaos rained around her team.
Speaker 5: This is Agent White and taking control of this operation.
Speaker 5: We're losing too many people too quickly, and it's opening
Speaker 5: gaps in our coverage. I want everyone to fall back
Speaker 5: to the fourth floor barricade, the stairwells, and the elevators.
Speaker 5: They'll have to get through us to escape.
Speaker 4: Agent White. Is that you, Boston? People around Brown?
Speaker 5: You're okay?
Speaker 4: Oh, I'm alive. Okay is kind of stretching it.
Speaker 5: What's your status?
Speaker 4: Oh? You know? I got a couple broken ribs. I'm
Speaker 4: pretty sure my collar bones fractured, and the fucker took
Speaker 4: a chunk out of my left hand string.
Speaker 5: I'm sure you'll survive. Are you still on the fifth floor?
Speaker 4: No, I'm on the fourth hole in the lobby elevators here.
Speaker 4: I got Romero and Naylor with me.
Speaker 5: Okay, good stay there. If we can get everyone in position,
Speaker 5: we can end this.
Speaker 4: And what if the inhumans go upstairs?
Speaker 5: I have snipers outside, one on each side of the building.
Speaker 4: Good fuck them.
Speaker 5: Any sign of the Shifter.
Speaker 4: No, not from us. It seems like it's staying. I'm
Speaker 4: a fifth.
Speaker 5: Great. If you see the Shifter or September shoot to kill.
Speaker 5: I think September is now armed. You got it, Boss,
Speaker 5: Have Romero radio in more reinforcements if you.
Speaker 4: Can, well do you probably on joining us on the fourth.
Speaker 5: Maybe I have to go. I think someone just came
Speaker 5: into the apartment.
Speaker 4: Natalie. If you see someone butt them down, no hesitation.
Speaker 3: Emily Swanson is voiced by Tisha Zang. Hastings is voiced
Speaker 3: by Adam Culbertson. September is voiced by Richard Collins. Detective
Speaker 3: Bullard is voiced by Tony Kinney. Detective Mariano Davis is
Speaker 3: voiced by Glenn Michael Saxton. Marcus Baker is voiced by
Speaker 3: Nico Rodriguez. Amber Lang is voiced by Narri Quock. Agent
Speaker 3: Victor Brown is voiced by t Alexander Saxton. Agent Natalie
Speaker 3: White is voiced by Sarah Callahan and narrated by Michael cole.
Speaker 3: Isfet Archives was written by Nico Rodriguez in collaboration with
Speaker 3: Hissha zang Espet Archives is a creative Typo entertainment production.
Speaker 3: Find Out more about our show at www dot creative
Speaker 3: typo dot com.
Speaker 4: A very special thank you to our executive producers from Patreon,
Speaker 4: Nick Mead and Patrick t Arsenal