1 00:00:00,320 --> 00:00:02,480 Speaker 1: Uh, one of the members couldn't make it, but we've 2 00:00:02,480 --> 00:00:05,400 got congregation exis here. Welcome everybody. 3 00:00:05,679 --> 00:00:09,880 Speaker 2: Hey, thanks for having user excited to be here. 4 00:00:09,919 --> 00:00:14,279 Speaker 1: Good good, Yeah, so we've got let's see parish Jake, Alexandria, 5 00:00:14,480 --> 00:00:17,920 and Josh. I get it, Okay, nailed it. Bad with names. 6 00:00:17,920 --> 00:00:19,559 I've been doing this so long, I met so many people. 7 00:00:19,600 --> 00:00:20,879 I'm terrible with names. 8 00:00:21,000 --> 00:00:22,600 Speaker 2: But yeah, I mean that was the first try. You 9 00:00:22,679 --> 00:00:23,039 killed it. 10 00:00:23,079 --> 00:00:26,079 Speaker 1: So and Nevian is not here. Nevin's name is easy 11 00:00:26,120 --> 00:00:27,800 to remember because that's a name you don't hear all 12 00:00:27,839 --> 00:00:30,160 the time, you know what I mean. So, is he 13 00:00:30,239 --> 00:00:32,200 the only Nevin all of you have ever met? 14 00:00:32,399 --> 00:00:32,560 Speaker 2: Oh? 15 00:00:32,640 --> 00:00:37,280 Speaker 3: Yeah, actually no, no, high school. 16 00:00:37,439 --> 00:00:39,640 Speaker 1: You knew a Evan in high school? All right, all right, 17 00:00:39,799 --> 00:00:42,159 very good. Well, so you've got some new music, some 18 00:00:42,399 --> 00:00:44,560 studio tracks. I think the last time we had you 19 00:00:44,600 --> 00:00:46,320 on the show, if I remember correctly, you didn't have 20 00:00:46,359 --> 00:00:48,880 any studio tracks yet, right you You played live because 21 00:00:48,920 --> 00:00:49,679 you didn't have any. 22 00:00:50,520 --> 00:00:51,840 Speaker 3: Yeah, and it was great. 23 00:00:51,960 --> 00:00:54,600 Speaker 2: But so we uh, we came in and we did 24 00:00:54,640 --> 00:00:56,640 like our whole five piece in here live and it 25 00:00:56,679 --> 00:00:59,920 was it was a really big fun thing. But Resa, 26 00:01:00,159 --> 00:01:03,799 we played a show that we actually live recorded and 27 00:01:04,159 --> 00:01:05,799 got some great tracks out of that. 28 00:01:05,799 --> 00:01:05,879 Speaker 4: That. 29 00:01:06,280 --> 00:01:07,239 Speaker 2: Yeah, we'd love to share. 30 00:01:07,359 --> 00:01:09,840 Speaker 1: Oh, excellent, excellent. So that's what these are the ones 31 00:01:09,840 --> 00:01:11,840 that we're hearing today. That's what yews are from. And 32 00:01:11,959 --> 00:01:13,359 what did we say we want to start with was 33 00:01:13,400 --> 00:01:14,000 that have you ever? 34 00:01:14,200 --> 00:01:14,760 Speaker 2: Have you ever? 35 00:01:14,840 --> 00:01:15,319 Speaker 1: Have you ever? 36 00:01:15,400 --> 00:01:16,640 Speaker 3: And this and these? 37 00:01:17,319 --> 00:01:18,959 Speaker 1: I think I remember that one right, you played that 38 00:01:19,000 --> 00:01:21,480 one live when you were here before we did at Okay, okay, 39 00:01:21,760 --> 00:01:23,439 so this is now where were these recorded? 40 00:01:23,760 --> 00:01:26,480 Speaker 2: So? These were recorded at a house show at the 41 00:01:26,480 --> 00:01:29,280 Amp in Barrington. Okay, yep. It was a part of 42 00:01:29,319 --> 00:01:32,719 the Harmonium Circuit, which is a really cool little house 43 00:01:32,719 --> 00:01:34,439 show circuit that we did over the summer. 44 00:01:34,560 --> 00:01:37,079 Speaker 1: Oh interesting, Okay, after the song, I want to hear 45 00:01:37,079 --> 00:01:38,719 more about that. That sounds really interesting. 46 00:01:38,760 --> 00:01:39,200 Speaker 2: You got it. 47 00:01:39,239 --> 00:01:42,359 Speaker 1: But let's give this a spin. The band is Congregation 48 00:01:42,599 --> 00:01:43,840 X and this is have you ever? 49 00:01:53,680 --> 00:01:58,640 Speaker 5: Have you ever? What could this be? 50 00:02:00,799 --> 00:02:02,159 Speaker 6: Standing over there? 51 00:02:02,319 --> 00:02:05,439 Speaker 7: But I can feel your eyes some me. 52 00:02:07,280 --> 00:02:10,240 Speaker 5: I can't do it. 53 00:02:10,400 --> 00:02:16,719 Speaker 7: Some things about you. You carry yourself in a way 54 00:02:16,840 --> 00:02:24,000 that I'm so drunk, I assume you my brains. 55 00:02:24,080 --> 00:02:27,479 Speaker 5: That's too much, you said, I am my God to 56 00:02:27,719 --> 00:02:28,240 think that. 57 00:02:28,639 --> 00:02:33,000 Speaker 7: I believe me the right kind of said. 58 00:02:34,439 --> 00:02:40,960 Speaker 8: Have you ever thought can you see what I said? 59 00:02:39,960 --> 00:02:42,520 Speaker 5: It's your fishing? 60 00:02:43,240 --> 00:02:46,560 Speaker 9: Can't you feel that you're like dressing. 61 00:02:48,360 --> 00:02:49,360 Speaker 5: By w. 62 00:02:51,840 --> 00:03:02,439 Speaker 7: So you get cause I'm just ball your mind you. 63 00:03:02,800 --> 00:03:05,199 Speaker 3: Every time I see your face. 64 00:03:05,719 --> 00:03:13,560 Speaker 5: That myself on in my friend that you're going to me? 65 00:03:42,840 --> 00:03:50,919 So delicas, come away, baby is. Let know that you 66 00:03:51,159 --> 00:03:51,680 see the. 67 00:03:51,919 --> 00:03:55,800 Speaker 7: Way I now I'll go next to you. 68 00:03:56,560 --> 00:03:58,800 Speaker 5: All that I have got children. 69 00:03:59,039 --> 00:04:03,800 Speaker 7: Let you up with trueing that to tend How would 70 00:04:04,000 --> 00:04:05,840 like to spend some time with. 71 00:04:12,159 --> 00:04:24,800 Speaker 5: Eno birth stories? Teach that to you to your time 72 00:04:24,959 --> 00:04:28,519 yours as I've been listen to love. 73 00:04:30,319 --> 00:04:30,360 Speaker 7: O. 74 00:04:31,600 --> 00:04:40,160 Speaker 5: Let you go on your food to be mad, I 75 00:04:40,319 --> 00:04:41,600 could teach your soul. 76 00:04:42,079 --> 00:04:49,240 Speaker 7: May show your other d words slily. 77 00:04:51,920 --> 00:04:56,680 Speaker 5: You wanted you and not but one? And I got 78 00:04:56,680 --> 00:05:13,920 the fl go hook through my mind, wadering if you're 79 00:05:14,040 --> 00:05:18,360 the one? Are you believe enough to find out? 80 00:05:20,519 --> 00:05:22,639 Speaker 2: Do you think me like this? 81 00:05:23,000 --> 00:05:36,279 Speaker 5: To me? You just don't your you're picking up other 82 00:05:37,560 --> 00:05:40,160 I'm picking up when. 83 00:05:41,519 --> 00:05:51,160 Speaker 7: When if you're home, you'll clear my mind? 84 00:05:51,480 --> 00:05:56,040 Speaker 5: Well what you're doing? Have you wonder that? 85 00:06:04,360 --> 00:06:17,759 Speaker 6: My thank you? 86 00:06:33,800 --> 00:06:34,240 Speaker 4: Have you? 87 00:06:42,959 --> 00:06:43,480 Speaker 10: Have you ever? 88 00:06:45,480 --> 00:06:45,839 Speaker 5: I love it? 89 00:06:45,920 --> 00:06:48,399 Speaker 1: That is so good? Have you ever? That was recorded 90 00:06:48,399 --> 00:06:51,920 live the band is Congregation X and we've got four 91 00:06:51,959 --> 00:06:55,199 of the members here with us live in studio, and yeah, 92 00:06:55,240 --> 00:06:57,600 that is so good. Parents. You started to talk before 93 00:06:57,600 --> 00:07:00,000 about the what is it called the Harmonium Circuit. 94 00:06:59,680 --> 00:07:02,160 Speaker 2: So the Harmonium Circuit. This was the first year of 95 00:07:02,199 --> 00:07:06,399 it running, and it's just it's a collection of house shows, 96 00:07:07,360 --> 00:07:09,839 a bunch of you know, over the summer people have 97 00:07:10,319 --> 00:07:13,240 the outdoor amphitheaters behind their house or something like that. 98 00:07:13,319 --> 00:07:15,879 We it's all about supporting local music. 99 00:07:16,040 --> 00:07:19,399 Speaker 1: Yeah, yeah, no, that's really cool when you say for 100 00:07:19,439 --> 00:07:21,040 people who don't know, like what is a house show? 101 00:07:21,399 --> 00:07:24,480 Speaker 2: So a house show in this sense, like we went 102 00:07:24,519 --> 00:07:27,000 to U We have a friend who is a very 103 00:07:27,040 --> 00:07:31,639 big friend of the arts in Barrington who invited us 104 00:07:31,720 --> 00:07:34,759 and many other musicians over to his house to play 105 00:07:34,800 --> 00:07:38,800 a show he's built out. I mean this almost doesn't 106 00:07:38,800 --> 00:07:41,000 even to meet classify as the house show because he's 107 00:07:41,000 --> 00:07:44,680 built this big, beautiful amphitheater in his backyard that could 108 00:07:45,040 --> 00:07:47,639 probably support like, wow, two hundred, yeah, one or two 109 00:07:47,680 --> 00:07:50,680 hundred people, So oh wow, yeah, it was all very cool. 110 00:07:50,800 --> 00:07:52,279 Speaker 3: Wow beautiful sound too. 111 00:07:52,560 --> 00:07:55,680 Speaker 11: Really is just the second year that happened, actually, isn't it. 112 00:07:56,120 --> 00:07:58,360 Speaker 2: So this would be the first year that the harmonium 113 00:07:58,439 --> 00:08:02,560 circuit itself has happened. But yeah, we did like a 114 00:08:02,560 --> 00:08:05,160 couple house shows, or we did a house show or 115 00:08:05,199 --> 00:08:08,879 something last year as well. But okay, yeah, yeah, all 116 00:08:08,920 --> 00:08:12,839 about kind of just organizing people together and giving local 117 00:08:12,879 --> 00:08:15,439 original artists a chance to you know, take the stage 118 00:08:15,439 --> 00:08:15,800 and play. 119 00:08:15,879 --> 00:08:19,639 Speaker 1: Okay, okay, excellent, And you all were talking off air 120 00:08:19,639 --> 00:08:23,800 too about so Josh, this was your not because when 121 00:08:23,839 --> 00:08:25,920 you were here before, you had the upright bass. 122 00:08:26,680 --> 00:08:29,759 Speaker 3: I had the big the big dog, yeah, upright bas 123 00:08:29,800 --> 00:08:33,000 the stand up, the big wooden instrument. But on that 124 00:08:33,080 --> 00:08:36,240 track right there in that show, that was actually the 125 00:08:36,279 --> 00:08:38,879 first time we had all played together where I was 126 00:08:38,919 --> 00:08:41,720 on electric bass, okay and playing in front of people. 127 00:08:41,919 --> 00:08:45,840 So it was a great change of feel, a change 128 00:08:45,840 --> 00:08:47,919 of vibe, and I think we all just we all 129 00:08:47,960 --> 00:08:48,720 had a great time. 130 00:08:48,759 --> 00:08:51,399 Speaker 10: As you can hear you kill it with all the bases. 131 00:08:51,519 --> 00:08:54,360 Speaker 1: Oh yeah, yeah, Well I remember when you were here before, 132 00:08:54,399 --> 00:08:56,600 like because I'm a bass player, but I've never played 133 00:08:56,600 --> 00:08:58,600 an upright bass, so I just remember just kind of 134 00:08:58,600 --> 00:09:00,440 watching like I was watching you the whole time because 135 00:09:00,440 --> 00:09:04,639 I'm just fascinated by by watching you play. So I'm 136 00:09:04,679 --> 00:09:08,399 super curious, like, why why move away from that for 137 00:09:08,480 --> 00:09:10,039 at least for this? I mean, is this like a 138 00:09:10,039 --> 00:09:11,240 permanent transition, do you think? 139 00:09:11,320 --> 00:09:11,759 Speaker 4: Or no? 140 00:09:11,960 --> 00:09:14,960 Speaker 3: It was just for ease of travel sometimes I'm lazy. 141 00:09:15,679 --> 00:09:16,519 Speaker 5: That makes well. 142 00:09:16,720 --> 00:09:20,639 Speaker 3: Now, if you show up to the press rooms coming Wednesday, 143 00:09:21,360 --> 00:09:24,519 both the big dog and the little tiny electric bass, 144 00:09:25,799 --> 00:09:26,360 I'll have both. 145 00:09:26,440 --> 00:09:29,720 Speaker 11: Thanks, got an acoustic electric bass for you to try to. 146 00:09:30,759 --> 00:09:33,440 Speaker 3: Oh yeah, oh wow, all right, I can't wait to 147 00:09:33,840 --> 00:09:36,080 try that. Yeah, okay, those things are fun. 148 00:09:36,159 --> 00:09:39,000 Speaker 1: Okay, okay, so you're gonna be you're gonna be traveling heavy. 149 00:09:39,000 --> 00:09:42,559 Then you're gonna bring uh my, might just have the 150 00:09:42,600 --> 00:09:49,120 full trio, right, bring all the basses. Was it strange though, 151 00:09:49,519 --> 00:09:51,759 not playing the upright when when you're used to playing 152 00:09:51,759 --> 00:09:52,919 it with congregation X. 153 00:09:53,480 --> 00:09:56,399 Speaker 3: It's a bit of an adjustment, and you know, we 154 00:09:56,480 --> 00:09:59,039 have to maybe be on our toes a little bit more. Yeah, 155 00:09:59,080 --> 00:10:01,639 but that's not a bad thing. It was a good change. 156 00:10:01,759 --> 00:10:03,840 Speaker 1: Yeah, one, Yeah, excellent, excellent. 157 00:10:03,919 --> 00:10:07,159 Speaker 2: Yeah. You feel the difference in like the energy, because 158 00:10:07,200 --> 00:10:09,600 I feel like on upright you tend to lay back 159 00:10:09,639 --> 00:10:11,600 and hang out, but then like when you were on 160 00:10:11,639 --> 00:10:13,720 the electric base, you were right out there. It was 161 00:10:13,759 --> 00:10:17,399 super fun. I mean that that day, I remember we 162 00:10:17,399 --> 00:10:20,080 were talking about this in the practice after we all 163 00:10:20,200 --> 00:10:23,919 just felt really loose and just really chilled, like we 164 00:10:23,919 --> 00:10:27,000 were just we were just vibing and it was so fun. 165 00:10:27,080 --> 00:10:28,799 I mean, that was the kind of fun part about 166 00:10:28,799 --> 00:10:31,879 those shows that just we were all so relaxed through it. 167 00:10:31,960 --> 00:10:34,559 Speaker 10: Yeah, except that it was really cold and. 168 00:10:36,039 --> 00:10:38,679 Speaker 11: Like I had to fight through that with my vocals 169 00:10:39,120 --> 00:10:40,159 because I was like shivering. 170 00:10:40,360 --> 00:10:40,759 Speaker 2: Yeah. 171 00:10:40,759 --> 00:10:42,879 Speaker 10: So I'm actually really proud of how that came out. 172 00:10:43,039 --> 00:10:45,200 Speaker 2: Yeah we oh really yeah? 173 00:10:45,200 --> 00:10:46,960 Speaker 1: Oh yeah, how cold was it that day? 174 00:10:47,039 --> 00:10:49,720 Speaker 2: Like it was one of the first days where I 175 00:10:49,759 --> 00:10:52,240 think it got down into like the what mid to 176 00:10:52,279 --> 00:10:58,200 low fifties. Yeah, yeah, cold in the sixties, right right, Yeah, 177 00:10:58,279 --> 00:11:01,080 it got it got down there really uh yeah. 178 00:11:01,559 --> 00:11:05,440 Speaker 1: Oh really yeah, yeah, that's that's cold. And then so 179 00:11:06,080 --> 00:11:07,840 did you, like, how long of a set did you 180 00:11:07,840 --> 00:11:09,960 play because I assumed did you record everything or. 181 00:11:10,240 --> 00:11:13,200 Speaker 2: Yeah, we recorded the whole thing, whole kit and kaboodle. 182 00:11:13,240 --> 00:11:16,960 I believe we played what an hour or so it 183 00:11:17,039 --> 00:11:19,120 was roughly forty five to it roughly forty five to 184 00:11:19,200 --> 00:11:20,679 an hour, yeah, okay, okay. 185 00:11:21,039 --> 00:11:23,559 Speaker 1: And then so the these songs that you recorded are 186 00:11:23,600 --> 00:11:25,799 these on an album that you're you've released or is 187 00:11:25,799 --> 00:11:26,399 coming out. 188 00:11:26,279 --> 00:11:29,919 Speaker 2: Or it's so we're actually this next show we're playing, 189 00:11:29,960 --> 00:11:33,399 we're raising funds to go into the studio, and okay, 190 00:11:34,279 --> 00:11:37,519 we have we've talked about, especially like with this show, 191 00:11:37,639 --> 00:11:41,600 putting out live tracks, and this is uh, these are 192 00:11:41,639 --> 00:11:43,840 these are some of the really really strong contenders for 193 00:11:43,879 --> 00:11:47,759 that because yeah, we we were so locked in that night. 194 00:11:47,799 --> 00:11:49,639 We just want to you know, have fun with these 195 00:11:49,679 --> 00:11:52,000 tracks and like people enjoy them, relive that moment. 196 00:11:52,240 --> 00:11:55,399 Speaker 1: Yeah, yeah, when you when you decided to record the 197 00:11:55,519 --> 00:11:58,600 set that night, was that I mean, what were your 198 00:11:58,600 --> 00:12:01,480 expectations did did you expect did you expect it all? 199 00:12:01,480 --> 00:12:03,440 Because as a risk when you're recording live, did you 200 00:12:03,480 --> 00:12:04,919 expect it all to come out as well as it 201 00:12:04,919 --> 00:12:06,639 did or were you surprised at all? 202 00:12:06,799 --> 00:12:09,559 Speaker 11: We're hoping, I mean, we always hope to have like 203 00:12:09,639 --> 00:12:13,360 a little something we can put on the internet, yeah, 204 00:12:13,440 --> 00:12:15,480 you know, as an advertisement or just. 205 00:12:15,399 --> 00:12:18,080 Speaker 10: To share with people that we care about. 206 00:12:17,840 --> 00:12:21,399 Speaker 11: And fans that we have, like yeah, you know, and 207 00:12:21,399 --> 00:12:24,679 and sometimes sometimes we get recordings that are not so great. 208 00:12:24,879 --> 00:12:27,240 This time it happened to work out really well, like 209 00:12:27,519 --> 00:12:30,679 it was planned ahead of time. We had multiple angles, 210 00:12:30,679 --> 00:12:33,840 although I don't know I had it from a different angle. 211 00:12:33,879 --> 00:12:35,799 I don't know if I actually sent it to you guys. 212 00:12:36,080 --> 00:12:38,600 Speaker 2: Oh oh yeah, we're getting all kinds of video of 213 00:12:38,600 --> 00:12:41,519 it too, Like it was. There's definitely I would say 214 00:12:41,519 --> 00:12:44,799 that fear of like, I don't know, it's it's definitely. 215 00:12:44,919 --> 00:12:47,320 It feels like a commitment, like everything you know is 216 00:12:47,320 --> 00:12:50,919 being committed to recording. But you're playing live, so the 217 00:12:51,039 --> 00:12:53,320 second you start, that's out of your mind because you're 218 00:12:53,360 --> 00:12:58,399 engaging with the crowd and you're having fun. And yeah, 219 00:12:58,519 --> 00:13:00,960 I had the I had fun where like, I was 220 00:13:01,000 --> 00:13:03,159 also the sound engineer that night, so I was kind 221 00:13:03,159 --> 00:13:05,919 of placing the mics on everybody and making sure that like, oh, okay, 222 00:13:06,000 --> 00:13:09,519 you know it's gonna sound It's gonna sound fine. And 223 00:13:09,559 --> 00:13:12,720 then during our show, my good friend John Eric was 224 00:13:12,759 --> 00:13:16,559 actually mixing us, and yeah, I mean the recording came out. 225 00:13:16,720 --> 00:13:17,879 It came out phenomenal. 226 00:13:17,960 --> 00:13:18,240 Speaker 1: It did. 227 00:13:18,320 --> 00:13:21,039 Speaker 2: Yeah, yeah, very easy to mix, very easy to just 228 00:13:21,039 --> 00:13:22,159 sit down and work with. 229 00:13:22,120 --> 00:13:25,159 Speaker 1: So outstanding, outstanding. Well, we should play another track? What 230 00:13:25,159 --> 00:13:26,720 should what should we play next? 231 00:13:27,360 --> 00:13:30,440 Speaker 10: Show you were twenty four, let's just show. 232 00:13:30,279 --> 00:13:33,519 Speaker 2: You show you. Yeah, okay, dive into some relaxation. 233 00:13:33,960 --> 00:13:36,960 Speaker 1: Excellent, excellent if you're just joining us congregation excess here 234 00:13:36,960 --> 00:13:39,399 with us live in studio. And this next track this 235 00:13:39,519 --> 00:13:41,320 was recorded live. Where was this again? 236 00:13:41,879 --> 00:13:43,159 Speaker 2: Barrington in Barrington? 237 00:13:43,840 --> 00:13:43,960 Speaker 9: Uh? 238 00:13:44,159 --> 00:13:46,279 Speaker 1: This is this is another great one. This is called 239 00:13:46,320 --> 00:13:47,320 show you check this out? 240 00:13:53,600 --> 00:13:55,320 Speaker 10: Okay, this is a love song. 241 00:13:56,799 --> 00:13:57,440 Speaker 3: No see. 242 00:14:04,960 --> 00:14:07,799 Speaker 4: You won't you he. 243 00:14:12,200 --> 00:14:12,799 Speaker 5: A you? 244 00:14:12,840 --> 00:14:15,320 Speaker 10: Will you need. 245 00:14:17,720 --> 00:14:19,279 Speaker 5: Love it when you hold me? 246 00:14:24,840 --> 00:14:34,799 Speaker 7: I really wanna show you. I'm gonna show you whatta thye. 247 00:14:36,159 --> 00:14:42,200 Speaker 5: To be with that a thie. I won't treat you 248 00:14:42,279 --> 00:14:49,519 as you feel so different from the wrast has. 249 00:14:49,440 --> 00:14:56,840 Speaker 12: Nobody told you? I want to set you free? Take 250 00:14:56,879 --> 00:14:59,679 you there, Come on, lay for dawn. 251 00:15:02,679 --> 00:15:03,799 Speaker 10: I want to give you. 252 00:15:03,879 --> 00:15:09,039 Speaker 7: See this day you have been listening. 253 00:15:15,000 --> 00:15:17,919 Speaker 5: You've been spending your whole life. 254 00:15:18,399 --> 00:15:20,799 Speaker 7: Helping everybody fly. 255 00:15:22,200 --> 00:15:25,120 Speaker 5: Come over here with us ratched noise. 256 00:15:25,759 --> 00:15:28,120 Speaker 9: I guess somebody chase. 257 00:15:29,399 --> 00:15:30,960 Speaker 5: Love to give you a bag? 258 00:15:35,360 --> 00:15:37,039 Speaker 12: How won can you seek? 259 00:15:37,320 --> 00:15:45,000 Speaker 5: See this? Make you smile? Give him the chase I 260 00:15:45,039 --> 00:15:57,399 want to show I want you. I won't thank you. 261 00:16:07,039 --> 00:16:11,159 Speaker 1: Sixty sixty. 262 00:16:16,960 --> 00:17:27,119 Speaker 7: Mister, you've been spending your whole life helping everybody fly. 263 00:17:28,480 --> 00:17:33,480 Speaker 4: Come over here with those fractionalis. I've guests some visit 264 00:17:33,680 --> 00:17:44,720 chers I love to give you, fir, hope you understand messy. 265 00:17:44,640 --> 00:17:45,920 Speaker 6: The bl you. 266 00:17:47,799 --> 00:17:53,279 Speaker 8: You want to shure you wise life to be right over, 267 00:17:56,400 --> 00:18:00,279 I'll give you sweet be than you us. 268 00:18:04,839 --> 00:18:20,519 Speaker 5: Show you won't thank you? Oh want you love it 269 00:18:20,640 --> 00:18:29,640 when you hold me a really one show. 270 00:18:52,319 --> 00:18:52,640 Speaker 7: Thank you? 271 00:18:54,160 --> 00:18:54,920 Speaker 3: Oh that's nice. 272 00:18:54,960 --> 00:18:57,519 Speaker 1: That is show you. The band is Congregation X and 273 00:18:57,599 --> 00:18:59,359 we have four of the members here with us in 274 00:18:59,559 --> 00:19:01,400 studio and yeah that sounds really good. 275 00:19:01,440 --> 00:19:01,559 Speaker 4: Now. 276 00:19:02,039 --> 00:19:03,720 Speaker 1: When you were talking off air, did I hear the 277 00:19:04,079 --> 00:19:06,960 term ukulele base or base ukulele? 278 00:19:07,640 --> 00:19:07,839 Speaker 2: Yes? 279 00:19:08,079 --> 00:19:08,599 Speaker 7: So, uh. 280 00:19:10,440 --> 00:19:11,200 Speaker 2: Yeah, that's true. 281 00:19:11,359 --> 00:19:12,880 Speaker 1: Yeah, there you go, all the bases. 282 00:19:13,279 --> 00:19:17,559 Speaker 2: So when I first joined this group, when it was 283 00:19:17,759 --> 00:19:22,839 just Alexandria and Nevin, I was seeing them at an 284 00:19:22,839 --> 00:19:25,559 open mic all the time and I thought they were amazing. 285 00:19:25,839 --> 00:19:29,119 And at one point they invited me to sit in 286 00:19:29,240 --> 00:19:31,920 with them and I was like, oh, yeah, let's do it. 287 00:19:32,000 --> 00:19:34,960 And I had again, it's a little ukulele base where 288 00:19:35,000 --> 00:19:38,160 it's like it's the whole thing is maybe two feet long, 289 00:19:38,519 --> 00:19:41,519 and it's but it has when you plug it in, 290 00:19:41,640 --> 00:19:44,680 it has a really full base tone. It's a bait. 291 00:19:44,920 --> 00:19:48,839 It's a ukulele strung as a base. Okay, And I 292 00:19:48,920 --> 00:19:52,000 sit in with them and there. I guess that was 293 00:19:52,000 --> 00:19:55,880 apparently my audition, because next thing, you know, they're like, hey, yeah, 294 00:19:55,920 --> 00:19:58,720 you should come over to the Danger room, which is 295 00:19:59,359 --> 00:20:02,079 where we and do all of the things and video. Yeah, 296 00:20:02,160 --> 00:20:07,839 the studio we practice in. And I was kind of 297 00:20:08,200 --> 00:20:10,400 suddenly thinking, oh, I'm gonna be thrown in on like 298 00:20:10,480 --> 00:20:12,359 bass or something like that, which okay, but I'm kind 299 00:20:12,400 --> 00:20:14,160 of a keys guy. And then I get to the 300 00:20:14,240 --> 00:20:16,079 Danger room and there's a piano. I'm like, all right, cool, 301 00:20:16,160 --> 00:20:17,440 we're in. Let's go, let's have fun. 302 00:20:17,680 --> 00:20:19,680 Speaker 10: Think a little bit of an everything guy. 303 00:20:20,200 --> 00:20:23,039 Speaker 11: Honestly, I need I actually went and saw you as 304 00:20:23,079 --> 00:20:25,720 an individual artist and like scoped you out and was like, 305 00:20:25,839 --> 00:20:26,440 we need him. 306 00:20:28,960 --> 00:20:32,680 Speaker 1: Yeah, so Alexandria. So I started with a congregation, IX 307 00:20:32,759 --> 00:20:35,720 started with you and Nevin and then and then Perish. 308 00:20:36,200 --> 00:20:38,480 Speaker 11: Okay, well it's kind of It's kind of funny because 309 00:20:38,839 --> 00:20:41,920 I started playing at open mics because of Jake, because 310 00:20:41,960 --> 00:20:43,440 he was in my house all the time and it 311 00:20:43,480 --> 00:20:45,759 was twenty twenty yeah, and he was like, you should 312 00:20:45,839 --> 00:20:49,319 do this, and then Nevin and I met through that, 313 00:20:49,799 --> 00:20:52,079 and then him and I started working together. Jake was 314 00:20:52,160 --> 00:20:57,599 doing his own thing. I we worked with a different basis. First, 315 00:20:57,759 --> 00:21:01,720 it just didn't work out, you know, not for anything bad, 316 00:21:01,839 --> 00:21:03,079 bad reasons, but that's good. 317 00:21:03,200 --> 00:21:03,400 Speaker 2: Yeah. 318 00:21:03,720 --> 00:21:05,640 Speaker 3: It just texted me up off all the street. They 319 00:21:05,680 --> 00:21:07,519 found me on the street corner I had my base. 320 00:21:07,640 --> 00:21:12,480 They just called me on No, I'm back back maybe 321 00:21:12,640 --> 00:21:14,000 six years ago. 322 00:21:14,279 --> 00:21:15,640 Speaker 10: Yeah, I met you through theater. 323 00:21:16,200 --> 00:21:18,559 Speaker 3: Yeah, so we were both kind of like involved with 324 00:21:18,720 --> 00:21:22,240 the Northern Essex Community College theater program, which I'm so 325 00:21:22,400 --> 00:21:27,279 thankful for. Shout out to Brian Beatrice. She's an excellent professor. Anyway, 326 00:21:28,240 --> 00:21:30,440 through that program, I learned so much about you know, 327 00:21:30,680 --> 00:21:34,400 just like and I met so many, so many great 328 00:21:34,400 --> 00:21:37,599 people in Alexandria was one of them. And so Action, 329 00:21:39,359 --> 00:21:42,039 a mutual friend from both of you know, from that 330 00:21:42,359 --> 00:21:45,839 past of hours, reached out and asked me if i'd 331 00:21:45,839 --> 00:21:49,559 be interested and uh and in checking out what they 332 00:21:49,640 --> 00:21:53,559 have going Nevin and and Alexandria and uh and so 333 00:21:53,640 --> 00:21:57,039 I walked in and sat in in the danger room 334 00:21:57,119 --> 00:21:59,160 and kind of checked out see what they had going. 335 00:21:59,440 --> 00:22:04,039 And you know Nevin, you know his he just always 336 00:22:04,079 --> 00:22:07,640 plays the right thing. And Alexandria has the golden pipe. 337 00:22:07,680 --> 00:22:10,200 So I was just I was sold right from the beginning. 338 00:22:10,440 --> 00:22:12,759 Speaker 1: There I am, and then and then so Jake, how 339 00:22:12,799 --> 00:22:14,920 did you become a part of congregation X? 340 00:22:16,079 --> 00:22:17,880 Speaker 2: I just actually showed up one day. 341 00:22:18,079 --> 00:22:21,640 Speaker 1: Yeah, he actually he was always okay, okay. 342 00:22:22,200 --> 00:22:25,960 Speaker 13: They had been wanting or asking me to potentially play 343 00:22:26,480 --> 00:22:31,440 uh for a while, and and I was being lame 344 00:22:31,720 --> 00:22:34,240 and holding off and like I got too much going on. 345 00:22:34,440 --> 00:22:37,039 Speaker 10: Sorry, Yeah, everything in divine timing. 346 00:22:37,160 --> 00:22:39,640 Speaker 2: Well, you know, when you're also a frontman of a 347 00:22:40,039 --> 00:22:42,799 like a hardcore band at the same time as somebody 348 00:22:42,839 --> 00:22:45,839 else asking you to come play drums on something. He 349 00:22:46,000 --> 00:22:47,279 kind of got a stick to be in a front 350 00:22:47,319 --> 00:22:47,880 man at first. 351 00:22:48,200 --> 00:22:52,279 Speaker 13: Yeah, I had my priorities with as the frontman initially, 352 00:22:52,559 --> 00:22:54,720 and then we we had we had a moment in 353 00:22:54,799 --> 00:22:59,160 time in my band where I front that we were 354 00:22:59,240 --> 00:23:01,359 kind of taken a bit of a break. 355 00:23:01,759 --> 00:23:04,400 Speaker 5: Is that is is that the name? 356 00:23:04,440 --> 00:23:04,680 Speaker 1: Okay? 357 00:23:04,759 --> 00:23:04,960 Speaker 3: Yeah? 358 00:23:05,119 --> 00:23:10,960 Speaker 13: Prom so good. Yeah you'll check it out, shameless plug 359 00:23:11,079 --> 00:23:11,720 check out my band. 360 00:23:11,759 --> 00:23:14,880 Speaker 10: It's very different from this music. Yeah, yeah, you love metal. 361 00:23:15,640 --> 00:23:16,559 Speaker 2: It nice. Nice. 362 00:23:17,759 --> 00:23:21,640 Speaker 13: And then I just one day I was I was 363 00:23:21,759 --> 00:23:24,160 asked if I wanted to sit in, and I showed 364 00:23:24,279 --> 00:23:27,119 up and we played a couple of songs. 365 00:23:26,960 --> 00:23:30,279 Speaker 3: And I just it's been coming back. He's been sitting 366 00:23:30,359 --> 00:23:30,880 ever since. 367 00:23:31,039 --> 00:23:34,519 Speaker 2: Yeah, it was so cool because like its flat we 368 00:23:34,640 --> 00:23:38,279 were when when Jake first came in, I was it 369 00:23:38,400 --> 00:23:40,599 was like our stuff was really chill and kind of 370 00:23:40,680 --> 00:23:43,400 like down down in wavy, you know, we were we 371 00:23:43,640 --> 00:23:46,319 had a really cool flow state. And then Jake comes 372 00:23:46,400 --> 00:23:50,119 in and he's got this really cool high energy where 373 00:23:50,119 --> 00:23:51,759 it's like, oh, you can tell he comes from a 374 00:23:51,799 --> 00:23:57,200 really high energy background. Yeah, and he a lot of 375 00:23:57,240 --> 00:24:00,319 the time, like he'll keep us from getting very like 376 00:24:00,359 --> 00:24:03,759 a little almost too quiet because then like his energy 377 00:24:03,920 --> 00:24:07,240 just picks everybody up and it gives It's a huge 378 00:24:07,319 --> 00:24:11,440 part of what makes Congregation x is sound really unique 379 00:24:11,480 --> 00:24:14,960 from other bands, Yeah, because it has this very like 380 00:24:16,279 --> 00:24:17,759 how Yeah. 381 00:24:17,960 --> 00:24:22,319 Speaker 13: Yeah, I find that I I had I I learned 382 00:24:22,400 --> 00:24:25,839 how to drum based off of like early two thousands 383 00:24:25,920 --> 00:24:29,720 butt rock and like pop rock music. Yeah, but my 384 00:24:30,160 --> 00:24:33,640 metal influence still comes out these days with like changing 385 00:24:33,680 --> 00:24:36,279 to cut time and some spots and going a little 386 00:24:36,319 --> 00:24:38,240 bit quicker, hitting a little bit harder and whatnot. But 387 00:24:38,920 --> 00:24:43,319 but the the overall I guess consensus from the audience 388 00:24:44,039 --> 00:24:49,559 is that my supposedly my drumming adds a pop aspect 389 00:24:49,720 --> 00:24:54,960 to the more the more jazzy classical style of the band. Yeah, yeah, 390 00:24:55,440 --> 00:24:57,960 it yeah, spices it up a little bit. 391 00:24:58,359 --> 00:24:59,119 Speaker 1: Yeah excellent. 392 00:24:59,799 --> 00:25:02,680 Speaker 3: I I think something that's been so fun about, just 393 00:25:02,799 --> 00:25:06,039 like since the start of this band has been the 394 00:25:06,119 --> 00:25:08,799 fact that our sound has been something that we've been 395 00:25:09,799 --> 00:25:12,559 you know, having to work towards, having to meet in 396 00:25:12,599 --> 00:25:15,880 the middle between all of these different styles to be 397 00:25:15,920 --> 00:25:19,000 able to you know, create something that's cohesive hopefully that 398 00:25:19,200 --> 00:25:21,559 something that people want to listen to, right right exactly. 399 00:25:21,720 --> 00:25:21,880 Speaker 1: Yeah. 400 00:25:21,920 --> 00:25:23,720 Speaker 2: I mean Josh has made me so much of a 401 00:25:23,759 --> 00:25:26,920 better pianist just by you know, me being able to 402 00:25:27,000 --> 00:25:30,319 listen to him as a bassis playing and like when 403 00:25:30,400 --> 00:25:32,359 he whenever he does sit down at the piano, he 404 00:25:32,400 --> 00:25:34,480 always blows me away and there's always something I'm like, 405 00:25:34,799 --> 00:25:35,519 I should learn that. 406 00:25:35,720 --> 00:25:38,200 Speaker 3: Yeah, it works both ways, and it works. We're all 407 00:25:38,359 --> 00:25:40,559 we're all kind of like we all have interests in 408 00:25:40,599 --> 00:25:44,039 a lot of these different styles instruments, and yeah, so 409 00:25:44,160 --> 00:25:46,920 it's it's a really great exchange of our interests. 410 00:25:47,200 --> 00:25:50,799 Speaker 1: Yeah, yeah, excellent, excellent. Yeah, well we should, Uh what 411 00:25:50,920 --> 00:25:52,200 did you want to play next? Do you want to 412 00:25:52,240 --> 00:25:52,920 play Evergreen? 413 00:25:52,960 --> 00:25:53,079 Speaker 3: Oh? 414 00:25:53,119 --> 00:25:55,880 Speaker 2: Yeah, let's hit Evergreen? Get to get into the trenches 415 00:25:55,880 --> 00:25:56,440 a little bit. 416 00:25:56,400 --> 00:25:58,519 Speaker 1: If you're just joining us Congregation acts. Oh by the way, 417 00:25:58,519 --> 00:26:00,359 so before I play this, and I know I asked 418 00:26:00,359 --> 00:26:02,920 you this last time you're here, But where does a 419 00:26:03,000 --> 00:26:04,240 name come from? Congregation X? 420 00:26:04,319 --> 00:26:09,000 Speaker 11: Because it's so Actually it's really funny that, like our 421 00:26:09,119 --> 00:26:11,880 name story is kind of funny because it was really 422 00:26:12,039 --> 00:26:14,559 just that Nevin kept putting us in the Google Google 423 00:26:14,680 --> 00:26:18,039 calendar as Congregation X because we didn't have a name, okay, 424 00:26:18,559 --> 00:26:21,640 And eventually we decided that that was actually the perfect 425 00:26:21,720 --> 00:26:25,000 name because originally him and I wanted to start a 426 00:26:25,119 --> 00:26:30,440 band that was like, you know, had more like rotating artists, 427 00:26:30,519 --> 00:26:32,240 like whoever was in on the project was in the 428 00:26:32,440 --> 00:26:33,039 on the project. 429 00:26:33,119 --> 00:26:33,759 Speaker 10: And then we just so. 430 00:26:33,920 --> 00:26:39,079 Speaker 11: Happened to organically, you know, find the everybody here that 431 00:26:39,319 --> 00:26:43,559 is actually now like a fixture. But it happened very naturally, 432 00:26:43,680 --> 00:26:46,480 you know, Like so we wanted it to be a 433 00:26:46,640 --> 00:26:50,759 name that kind of suited whatever vibe we were going 434 00:26:50,839 --> 00:26:54,559 for whenever we wanted to you know, like and who 435 00:26:54,960 --> 00:26:58,079 like because sometimes we would have one artist working with 436 00:26:58,240 --> 00:27:00,720 us and then we'd have another one, and like there 437 00:27:00,839 --> 00:27:04,519 was a it was never the same in the beginning. 438 00:27:04,799 --> 00:27:07,839 But now we have all five of us, and if 439 00:27:07,880 --> 00:27:10,079 we have somebody sit in with us, they're just our guests. 440 00:27:10,160 --> 00:27:13,279 So yeah, yeah, yeah, yeah yeah, that's where it came from. 441 00:27:13,359 --> 00:27:17,640 It literally was just a silly like fill in name 442 00:27:18,119 --> 00:27:20,160 because we didn't have a name, and now. 443 00:27:21,519 --> 00:27:22,200 Speaker 10: That's our name, man. 444 00:27:22,359 --> 00:27:23,519 Speaker 1: Yeah, yeah, yeah, I remember. 445 00:27:23,720 --> 00:27:26,160 Speaker 2: There was one practice it was I think right before 446 00:27:26,200 --> 00:27:28,079 we played the Stone Church where we all sit down 447 00:27:28,079 --> 00:27:30,079 and we're like, so do we want to change the name, 448 00:27:30,640 --> 00:27:32,759 And it felt like the one time that we had 449 00:27:32,839 --> 00:27:34,680 to be like, all right, let's try and throw other 450 00:27:34,720 --> 00:27:36,880 things out, and we all just sit there silently like 451 00:27:37,640 --> 00:27:40,240 is there something Nah, No, we're Congregation acts. 452 00:27:40,359 --> 00:27:43,319 Speaker 1: Yeah yeah, very cool. All right, so let's give this 453 00:27:43,440 --> 00:27:46,240 a spin. This was recorded live, of course. This is 454 00:27:46,359 --> 00:27:49,200 Congregation X and the track is Evergreen. 455 00:28:01,519 --> 00:28:12,160 Speaker 14: Street Signs every Green Now it turning good, sis other night, 456 00:28:12,519 --> 00:28:14,160 split a sirey, hands. 457 00:28:13,920 --> 00:28:15,480 Speaker 5: On the way here to find you. 458 00:28:20,200 --> 00:28:25,680 Speaker 2: Be blinds glassy. I stand out in the street. 459 00:28:29,799 --> 00:28:34,119 Speaker 5: Room, I mean gritty ways. It's nothing that I could 460 00:28:34,240 --> 00:28:34,880 have seen. 461 00:28:38,640 --> 00:28:40,799 Speaker 3: We got down into. 462 00:28:40,640 --> 00:28:45,000 Speaker 15: The river to wash ourselves clean and thee I swear 463 00:28:45,200 --> 00:28:50,359 to tea get all in me ohever in mind. 464 00:28:50,519 --> 00:28:53,160 Speaker 5: Hold you by the trouble that you've seen? 465 00:28:53,720 --> 00:28:55,680 Speaker 2: Won't you be green? 466 00:28:55,839 --> 00:28:57,279 Speaker 5: Won't you be over? 467 00:29:17,640 --> 00:29:18,920 Speaker 6: They do? 468 00:29:19,960 --> 00:29:22,559 Speaker 2: But always see he's the cracks you may. 469 00:29:27,720 --> 00:29:32,799 Speaker 15: Find the glass in the alan when I fast through 470 00:29:38,759 --> 00:29:48,119 deciding where you fire the one around you? Funny laying 471 00:29:48,640 --> 00:29:50,720 on the ground last week. 472 00:29:51,039 --> 00:29:53,039 Speaker 5: And we didn't tell the trees. 473 00:29:56,839 --> 00:30:01,759 Speaker 15: We go downtil the river to wash yourselves clean? 474 00:30:01,960 --> 00:30:08,200 Speaker 5: And has worn't you to get old? And meet me away? 475 00:30:08,680 --> 00:30:12,680 My old you? But the trouble you see, won't you 476 00:30:12,839 --> 00:30:15,319 be heather cream? Won't you be. 477 00:30:27,839 --> 00:30:28,079 Speaker 6: There? 478 00:30:32,839 --> 00:31:06,039 Speaker 5: There? Day? Go down into the river to wash yourselves clean? 479 00:31:06,799 --> 00:31:09,720 The ice weren't too deep to get all. 480 00:31:10,319 --> 00:31:14,319 Speaker 2: We need hope, Heaven and I hold you for the 481 00:31:14,440 --> 00:31:15,880 trouble that you've seen. 482 00:31:16,440 --> 00:31:17,000 Speaker 6: Won't you be. 483 00:31:17,279 --> 00:31:22,519 Speaker 5: Over, queen? Won't you be over? We got down to 484 00:31:22,799 --> 00:31:27,599 the river to wash yourselves clean. Andy ice weren't too 485 00:31:27,880 --> 00:31:29,519 deep to get hold. 486 00:31:29,960 --> 00:31:33,960 Speaker 15: We need honk, Heaven and mind hold you for the 487 00:31:34,079 --> 00:31:35,519 trouble that you've seen. 488 00:31:36,119 --> 00:31:38,079 Speaker 1: Won't you be ever green? 489 00:31:38,279 --> 00:31:40,000 Speaker 5: Won't you be ever. 490 00:32:07,400 --> 00:32:07,680 Speaker 2: Thank you? 491 00:32:09,480 --> 00:32:09,640 Speaker 3: Oh? 492 00:32:09,720 --> 00:32:12,640 Speaker 1: That is nice? That is evergreen? Recorded live? Of course. 493 00:32:12,720 --> 00:32:15,880 The band is Congregation X, and we've got four of 494 00:32:15,880 --> 00:32:18,599 the five members here in studio with us, and yeah, 495 00:32:18,640 --> 00:32:21,200 another another gray track. You kind of you kind of 496 00:32:21,240 --> 00:32:24,319 pull off. Uh it's kind of a live fade out 497 00:32:24,559 --> 00:32:26,559 like you would hear on a studio track, but you 498 00:32:26,640 --> 00:32:29,440 pulled it off live really well. It's really good. 499 00:32:29,680 --> 00:32:31,519 Speaker 2: That was a random idea that just kind of came 500 00:32:31,599 --> 00:32:33,720 to us in the studio. We didn't know how to 501 00:32:34,319 --> 00:32:37,319 how to end it, and then you, Josh just started 502 00:32:37,359 --> 00:32:40,319 playing these awesome harmonics on the upright, and I was like, oh, yeah, 503 00:32:40,400 --> 00:32:40,640 that's it. 504 00:32:40,880 --> 00:32:44,119 Speaker 13: Yeah, like, yeah, they rang through so beautifully with the 505 00:32:44,440 --> 00:32:46,559 with the electric bass in that cut right there. 506 00:32:46,799 --> 00:32:48,440 Speaker 2: Yeah, I hadn't heard that cup before. 507 00:32:48,599 --> 00:32:50,720 Speaker 1: Oh really it's so good though, Oh yeah, really good, 508 00:32:50,880 --> 00:32:54,119 really good. So what is what does the future hold 509 00:32:54,200 --> 00:32:56,640 for Congregation X? What are your next You kind of 510 00:32:56,839 --> 00:33:00,799 told me a little bit off there, but yes, Wolpe. 511 00:33:02,519 --> 00:33:04,839 Speaker 2: So Josh had alluded to this a little bit at 512 00:33:04,880 --> 00:33:09,240 the start of this. This coming Wednesday, we have our 513 00:33:09,359 --> 00:33:13,200 last show for probably the next couple months in southern 514 00:33:13,279 --> 00:33:16,440 New Hampshire and we'll be playing opening for Soul Color 515 00:33:16,519 --> 00:33:19,960 and Friends at the press Room. And that's this Wednesday, 516 00:33:20,640 --> 00:33:25,559 November twelfth, and yeah, doors at six, show at seven. 517 00:33:25,839 --> 00:33:29,440 If you find us on Instagram at Congregation X all 518 00:33:29,519 --> 00:33:31,160 the ticket links and things like that are going to 519 00:33:31,200 --> 00:33:34,000 be there. We'll be debuting some new music there. We're 520 00:33:34,039 --> 00:33:38,119 going to be selling merch and I mean, anybody who's 521 00:33:38,160 --> 00:33:41,559 been to the press room knows that, like that's it's 522 00:33:41,640 --> 00:33:44,079 hallowed ground for an up and comer. 523 00:33:44,480 --> 00:33:48,359 Speaker 3: Yeah, there's awesome drinks, awesome food, great service, the vibees. Right, 524 00:33:48,400 --> 00:33:49,519 oh yeah, it's a great place. 525 00:33:49,599 --> 00:33:54,920 Speaker 2: But absolutely, But after that, I think I'd said this 526 00:33:55,200 --> 00:33:57,279 before we started, we're kind of just going into a 527 00:33:57,359 --> 00:33:59,720 bit of a hibernation. We're going to be working on 528 00:33:59,799 --> 00:34:03,799 some new music and really hitting the songwriting hard hitting 529 00:34:04,799 --> 00:34:08,280 hitting the studio too as well, really going in and 530 00:34:08,840 --> 00:34:12,159 we're making new music exactly. We're getting ready to hit 531 00:34:12,239 --> 00:34:13,599 twenty twenty six like a bus. 532 00:34:13,800 --> 00:34:17,800 Speaker 1: Excellent, so excellent, very good, very good. Are so are 533 00:34:17,840 --> 00:34:20,079 you going to be doing a studio album with the 534 00:34:20,239 --> 00:34:21,000 with these songs? 535 00:34:21,039 --> 00:34:24,920 Speaker 2: Are yep? Oh definitely, Oh yeah so the lie We 536 00:34:25,079 --> 00:34:28,119 love the live versions because our energy is very live. 537 00:34:28,880 --> 00:34:30,519 But yeah, we are going to be sitting down in 538 00:34:30,559 --> 00:34:35,440 the studio very soon and uh, well congregating, I guess. 539 00:34:35,320 --> 00:34:39,400 Speaker 1: Yeah, there you go, there you go outstanding. Where's the 540 00:34:39,440 --> 00:34:40,920 best place too for people to go? Online to keep 541 00:34:41,000 --> 00:34:41,880 up with everything that you're doing. 542 00:34:42,239 --> 00:34:45,199 Speaker 2: So you can find us on Facebook or on Instagram 543 00:34:45,320 --> 00:34:48,679 at Congregation X. Ok those are our two most easily 544 00:34:48,760 --> 00:34:52,960 accessible and most active places that we're hanging out. 545 00:34:53,079 --> 00:34:55,920 Speaker 1: Okay, okay, outstanding. Uh So, in a moment, we're going 546 00:34:55,960 --> 00:34:58,119 to play this track twenty four hours. That's the that's 547 00:34:58,119 --> 00:34:59,840 why we haven't played yet, right, So we'll do that 548 00:35:00,079 --> 00:35:02,159 and the segment. By the way, if you are listening 549 00:35:02,280 --> 00:35:06,000 live on Saturday, stick around. We've got Gnarley Darling. They're 550 00:35:06,000 --> 00:35:07,639 going to play live in the second hour and then 551 00:35:07,679 --> 00:35:10,119 the third hour, Volley is returning to the show. So 552 00:35:10,760 --> 00:35:15,039 looking forward to seeing those guys. But we're gonna close 553 00:35:15,079 --> 00:35:17,599 out this segment with this track twenty four hours. Anything 554 00:35:17,599 --> 00:35:19,079 we should know about this one before we play it. 555 00:35:19,280 --> 00:35:22,639 Speaker 10: The first song that was ever written by Congregation X. 556 00:35:22,719 --> 00:35:23,360 Speaker 1: Oh no kidding. 557 00:35:23,400 --> 00:35:25,679 Speaker 11: It's actually the first song I've ever written in my life. 558 00:35:25,920 --> 00:35:27,599 I wrote it on my thirtieth birthday. 559 00:35:27,760 --> 00:35:28,199 Speaker 3: Oh okay. 560 00:35:28,440 --> 00:35:32,039 Speaker 10: Nevin stayed up super late and just like got it out. 561 00:35:32,280 --> 00:35:33,280 Speaker 1: Yeah oh wow. 562 00:35:34,000 --> 00:35:36,079 Speaker 10: And then these guys enhance the out of it. 563 00:35:36,159 --> 00:35:40,639 Speaker 1: Oh that's okay, we got we got the delay, I 564 00:35:40,719 --> 00:35:41,400 got it, don't worry. 565 00:35:41,679 --> 00:35:44,800 Speaker 10: Sorry, these guys enhanced it quite a lot. 566 00:35:45,000 --> 00:35:48,320 Speaker 1: Yeah, quite a lot, quite a lot, quite a lot. 567 00:35:49,280 --> 00:35:51,760 Speaker 2: Oh my god, Andrew Y that's okay out of all 568 00:35:51,840 --> 00:35:53,880 of us too, my birthday. 569 00:35:54,679 --> 00:35:57,239 Speaker 3: It's the song that we've worked on the longest, and 570 00:35:57,400 --> 00:35:59,719 like we had said, we're kind of figuring out our 571 00:35:59,760 --> 00:36:02,519 sound as time goes by. So I think maybe of 572 00:36:02,679 --> 00:36:05,159 all the songs that we play, this might be the 573 00:36:05,239 --> 00:36:09,039 most representative of our sound as Congregation X. 574 00:36:09,199 --> 00:36:13,239 Speaker 1: Okay, Okay, very cool. I like that, Joshua, Yeah, absolutely, okay. 575 00:36:13,280 --> 00:36:15,199 So we will end, Uh, we'll end the segment with this, 576 00:36:15,360 --> 00:36:19,320 but again, thank you all all four of you, Parish, Jake, Alexandria, 577 00:36:19,440 --> 00:36:22,519 josh really appreciate you coming in. Yeah, have you and 578 00:36:22,559 --> 00:36:25,360 hello to Nevan if you're listening, and uh, we're gonna 579 00:36:25,400 --> 00:36:27,000 hit this track. Okay, here it is. This is twenty 580 00:36:27,000 --> 00:36:28,800 four hours Congregation X. 581 00:36:47,880 --> 00:36:54,880 Speaker 7: Guys, fool of Motion, taking Honor in. 582 00:36:57,599 --> 00:36:58,000 Speaker 5: Heaven. 583 00:37:00,199 --> 00:37:05,760 Speaker 7: Everything's so sweet, I falling down. 584 00:37:08,159 --> 00:37:19,480 Speaker 9: Again and again and also wat to finally complete. 585 00:37:20,559 --> 00:37:21,760 Speaker 12: Seems about best. 586 00:37:22,039 --> 00:37:31,960 Speaker 5: Hi, twenty four hours just ain't. 587 00:37:40,840 --> 00:37:41,760 Speaker 12: It's like time. 588 00:37:41,920 --> 00:37:43,039 Speaker 5: I'm just against me. 589 00:37:46,360 --> 00:37:46,679 Speaker 6: Close. 590 00:37:47,400 --> 00:37:48,639 Speaker 5: You'll see. 591 00:37:49,760 --> 00:37:52,119 Speaker 8: I would these and moments passed by I can in 592 00:37:52,239 --> 00:37:53,920 motivationally dry. 593 00:37:58,079 --> 00:38:03,000 Speaker 5: All to the pas too. I don't thank you for 594 00:38:03,199 --> 00:38:07,559 sure and me away a beautiful lesson. 595 00:38:07,679 --> 00:38:09,199 Speaker 6: Every day life is like the. 596 00:38:09,280 --> 00:38:10,280 Speaker 5: Ocean right away. 597 00:38:14,440 --> 00:38:16,360 Speaker 10: Sometimes it feels so tired. 598 00:38:18,679 --> 00:38:23,360 Speaker 5: The end of the day comes too fast. When times 599 00:38:23,400 --> 00:38:28,239 it's a kid dreams, who gets haird on this las? 600 00:38:28,400 --> 00:38:33,400 Week by week seems I got this time. 601 00:38:35,719 --> 00:38:37,000 Speaker 6: The more us. 602 00:38:39,800 --> 00:38:43,000 Speaker 12: Twenty four hours just ain't know. 603 00:39:00,280 --> 00:39:05,719 Speaker 5: So thank you for all the love you got through 604 00:39:06,280 --> 00:39:12,920 the time. Yeah, we've been through. Oh, I'm so grateful you. 605 00:39:17,000 --> 00:39:18,840 Speaker 10: I'm proud of you have have to come. 606 00:39:21,239 --> 00:39:29,639 Speaker 5: I fanni f I beloved your lessons, like me to 607 00:39:29,920 --> 00:39:32,880 live my life in love so free. 608 00:39:40,400 --> 00:39:42,519 Speaker 3: It seems a lot first time. 609 00:39:48,920 --> 00:39:54,760 Speaker 8: Twenty four hours, It just doesn't seems to got last time. 610 00:39:55,079 --> 00:40:04,880 Speaker 5: Dat you be here twenty four hours? It just taken loa, 611 00:40:13,840 --> 00:40:15,079 It just ain't