Speaker 1: Hi, I'm Howard Crowhurst and these are the Karnak megaliths.
Speaker 1: I first started studying these monuments over thirty five years ago,
Speaker 1: and when I realized there was no official explanation for them,
Speaker 1: I dug deeper. What I've discovered over the years could
Speaker 1: change the paradigm of human history. All this went much
Speaker 1: further than I could ever have imagined.
Speaker 2: Let me put things back into perspective. We have all
Speaker 2: heard of Stonehenge, and maybe of other sites in England too.
Speaker 2: Karnak and its alignments are quite famous as well. But
Speaker 2: what we don't realize very often is that the entire
Speaker 2: world is covered with megaliths. Just in the British Isles
Speaker 2: of France there are over eight thousand monuments, and that's
Speaker 2: only for two countries. In Europe there are at least
Speaker 2: fifty thousand identified sites, and many more on every continent
Speaker 2: on the globe. The oldest megalithic site we know of
Speaker 2: is Goebekley Tepe in Turkey, which is a massive monument
Speaker 2: whose construction started around twelve thousand years ago, and since
Speaker 2: then our ancestors continued building megaliths up to one thousand
Speaker 2: years ago. So megaliths were being built for at least
Speaker 2: eleven thousand years. It makes one wonder why was so
Speaker 2: much effort put into building these spectacular monuments around the
Speaker 2: entire world for such a long time. But that's not
Speaker 2: the most incredible part. What I have discovered over the
Speaker 2: years is that there is a science unknown to us
Speaker 2: that lies behind the primitive aspect of these stones. They
Speaker 2: are perfectly orientated, use advanced geometry, they are linked to astronomy,
Speaker 2: they use precise measurements, they include symbols with deep meaning,
Speaker 2: and they are linked to each other over long distances.
Speaker 3: That's Howard Crowhurst introducing his YouTube channel and his various
Speaker 3: selection of megalithic presentations from around Europe and other parts
Speaker 3: of the world. Hey, this is Cliff your host, and
Speaker 3: welcome to another edition of Earth Ancients. This week we
Speaker 3: are featuring a outstanding documentary called Megalists Forgotten World, which
Speaker 3: was written and directed by Howard Crowhurst and also features
Speaker 3: some of the most magnificent megaliths in Europe. And this
Speaker 3: is at a place called Karnak which is in France,
Speaker 3: and Howard, which we'll learn about today, has lived there
Speaker 3: for almost forty years and chronicled in great detail what
Speaker 3: he believes is the purpose of these megalists and their
Speaker 3: role that was played during the Neolithic period and likely
Speaker 3: very very much earlier than those that date Neolithic is
Speaker 3: between the six and eight thousand years ago. And there's
Speaker 3: a lot of questions that people have, including Howard, on
Speaker 3: just what they were doing dragging these stone megalists, sometimes
Speaker 3: as much as ten miles from the quarries to this
Speaker 3: location in France, and what the alignments were all about,
Speaker 3: what the purpose was, and if you've been following the
Speaker 3: program for the last few months, our questions are now
Speaker 3: becoming more acute and more focused on not just the
Speaker 3: positioning of megalists and the question of how these stones
Speaker 3: were placed, but what the purpose was, what the energetics
Speaker 3: were all about, if people were using them for healing,
Speaker 3: if they were changing the environment, and if they were
Speaker 3: actually changing the physiology of those people that were interacting
Speaker 3: with them. Now we found that through different studies, some
Speaker 3: of these megalists are very good for raising consciousness, for
Speaker 3: shifting cognition. We don't know, actually, and we're getting to
Speaker 3: the point where we will know soon enough if they
Speaker 3: are changing the actual physical, mental, and spiritual mind of
Speaker 3: the of the people who lived in those areas. Now,
Speaker 3: if you remember, Lydia DeLong believes that there is a
Speaker 3: physical healing that takes place when you enter a temple
Speaker 3: or a magnetic anomaly like a Dolman, like a mayher,
Speaker 3: which is a standing stone, and you're there and you're
Speaker 3: in the presence of this energy for a period of time.
Speaker 3: Her belief is that over a period of time you
Speaker 3: cannot stay more than short period an hour or two.
Speaker 3: In the case of the Hathor temple in Dindera, Egypt,
Speaker 3: we now know that rooms were created in that temple
Speaker 3: for birthying for certain mental, emotional, spiritual alignments. I was
Speaker 3: there a couple of years ago and I actually used
Speaker 3: a EMF meter and found that some rooms actually had
Speaker 3: higher magnetic resonance than other rooms. And we don't know
Speaker 3: what that was for. We don't know, we don't know,
Speaker 3: we don't have an interest in that. And this is
Speaker 3: the problem right now is science doesn't care or they
Speaker 3: find it not of any benefit. And this for me
Speaker 3: is a problem because if we come full circle and
Speaker 3: we began looking at these subtle energies, these geomagnetic anomalies
Speaker 3: that are fine tuned in these temples for use. What
Speaker 3: was the purpose and what was the use, and what
Speaker 3: was the healing or inspiration or cognition or connection to
Speaker 3: the higher realm that was influenced by this energy. And
Speaker 3: this is a wonderful thought because I mean, my prediction is,
Speaker 3: and it may not be in my lifetime, is that
Speaker 3: archaeology will begin looking a little closer at these anomalies
Speaker 3: and these megalists. And I think, for the most part,
Speaker 3: and we'll hear about this today, these anomalies and these
Speaker 3: megalists that mark these anomalies are really in harmony with
Speaker 3: the natural influence of gaia of our planet. There's a
Speaker 3: lot of sensitives, psychics, people who are very in touch
Speaker 3: with nature, who believe that the planet is alive in
Speaker 3: some respect and it is doing its best to nourish us.
Speaker 3: It's funny too, because when we have people that remember
Speaker 3: or are interacting with off world types, many times they
Speaker 3: will tell those people that they have abducted or that
Speaker 3: they're interacting with, that we need to take better care
Speaker 3: of the planet because the planet is alive, and many
Speaker 3: of these interactions are like threatening almost because they're upset.
Speaker 3: There's different races that recognize that Earth is a breathe,
Speaker 3: a living, breathing entity, and that we are poisoning it
Speaker 3: or polluting it, and we can't do that anymore. And
Speaker 3: so when we hear something like that, of course, that's
Speaker 3: that's the far I mean, that's that's a real uh
Speaker 3: far left of the of the spectrum. I think that
Speaker 3: I think that the more we're aware of what we're
Speaker 3: doing to the planet, the greater the benefits are. I mean,
Speaker 3: I mean, we've all heard about global warming. There's a
Speaker 3: lot of people who feel that these Los Angeles fires
Speaker 3: were intensified because there hasn't been a lot of water
Speaker 3: or rain in Los Angeles for the last year and
Speaker 3: a half, and that there has been intense heat in
Speaker 3: the summertime, record heat. In fact, record heat in the
Speaker 3: United States has been going on for the last two years.
Speaker 3: Unusual heat, and there's unusual frost in the southwest of
Speaker 3: the United States. In the south too. Louisiana I heard
Speaker 3: the other day had snow in Missouri. Had snow that's
Speaker 3: like unheard of. And I think it was not a
Speaker 3: light dusting either. I think it was a couple of feet.
Speaker 3: So this may be the future. Are these extreme weather
Speaker 3: conditions and a lot of people feel, including scientists, that
Speaker 3: this is all because of our kind of casual polluting
Speaker 3: carbon monoxide from cars, industrial waste, poisoning our rivers with
Speaker 3: chemical dumps. And I think you know what I'm talking about.
Speaker 3: So these megal are very very important today. In this documentary,
Speaker 3: Megalais's Forgotten World is fabulous. I saw it an hour
Speaker 3: and thirty minutes in a premiered last May in France.
Speaker 3: There's a French version of it because Howard lives in France.
Speaker 3: That was seen in movie theaters and it has a
Speaker 3: high quality of production value. It's been seen over four
Speaker 3: hundred thousand times on the French Facebook page. I'm going
Speaker 3: to make it available on Facebook and also it's free
Speaker 3: if you go to the Howard Crowhurst YouTube channel. So
Speaker 3: I'll repeat that later and we can get the details
Speaker 3: of this but on this So, but this program is
Speaker 3: profound for me, it should be profound for you because
Speaker 3: we are beginning to learn earn the purpose of these megalists,
Speaker 3: and they're not just what some archaeologists believe were tombs.
Speaker 3: It's crazy to think that, but I mean, when you
Speaker 3: look at a Dolman, it's basically a little house. It's
Speaker 3: got slabs of granite or rock that are made up
Speaker 3: that make up the walls, and then it has a roof.
Speaker 3: In some places, like in northern Europe, there's holes in
Speaker 3: the front where some people could climb in, but it's
Speaker 3: not very rarely is it a burial, So I don't
Speaker 3: know where that's coming from. So there's a little bit
Speaker 3: of a pushback from the archaeological community when it comes
Speaker 3: to megalists. They think, you know, that they're just playing
Speaker 3: stone edifices and there's a lot more to them. You know,
Speaker 3: you guys have been listening to the last few shows
Speaker 3: and we're now learning that this stuff is. It is significant.
Speaker 3: Our ancestors were so much much more in harmony than
Speaker 3: we are with these geomagnetic anomalies and having to mark them.
Speaker 3: And there's also a good bit of a belief that
Speaker 3: these megalists may have enhanced and distributed the energy. If
Speaker 3: you remember, a few years ago, we had Muhammed Embrahem
Speaker 3: present a talk or a interview regarding the obelisks, which
Speaker 3: are granite stone spears facing the sky, and it was
Speaker 3: handed down to them that these modern megalists, well modern
Speaker 3: in terms of dynastic Egyptians were used to distribute energy.
Speaker 3: We're used to distribute energy into the atmosphere, so they
Speaker 3: drew it from the ground and transmuted it and then
Speaker 3: distributed it. We are likely seeing this in these megalists,
Speaker 3: some weighing as much as three hundred tons. So we'll
Speaker 3: learn more about it today. So we'll give more details
Speaker 3: on this documentary and present access to it right after
Speaker 3: this interview. So today's program is Megalists Forgotten World, and
Speaker 3: my guest is Howard Crowhurst. You know, it's really tough
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Speaker 3: I'm always looking for new films documentaries. We promoted Ancient
Speaker 3: Apocalypse with Graham Hancock, which continues to be a phenomenon.
Speaker 3: I think he's up to thirty million people have seen
Speaker 3: this part two on the Americas. But I have found
Speaker 3: a fabulous and very very well done documentary called Megalists
Speaker 3: Forgotten World. It came out last May, and I didn't
Speaker 3: know anything about it until Hugh Newman said, you got
Speaker 3: to check out Howard Crowhurst because he has done some
Speaker 3: great work. I actually came across Howard's book Karnik TwixT
Speaker 3: Heaven and Earth about a year ago, and I wanted
Speaker 3: him on the program. But I got to tell you
Speaker 3: this documentary on Megalists is not only extremely well done
Speaker 3: to high quality, but the data and the sites that
Speaker 3: my guest today has included in this documentary are world class.
Speaker 3: Let me tell you about Howard. Howard Crowhurst has been
Speaker 3: living in Karnak for about forty years. He actually is
Speaker 3: the director of a forty minute documentary about some of
Speaker 3: the discoveries in the area. He's also the author of
Speaker 3: the book called Karnak Twists Heaven and Earth, the nebra
Speaker 3: Sky disc cycles in the Cosmos, and he was the
Speaker 3: writer and the director of this megalist Forgotten World that
Speaker 3: was released last year and I took a look at
Speaker 3: it and it's on YouTube. Will tell you how to
Speaker 3: get a hold of it after this interview. But at
Speaker 3: this point he's had about one hundred thousand viewers and
Speaker 3: it continues to grow. I would imagine it's going to
Speaker 3: grow even further. So, Hey, Howard, Welcome to Earth Ancient.
Speaker 3: Is really great to have you on the program.
Speaker 2: Yeah, pleased to meet you. Chris.
Speaker 3: Tell us about making this megalithic movie documentary. You had
Speaker 3: done documentaries perform, but not on this scale, right, I
Speaker 3: mean you're you're actually pulling in a lot of camera
Speaker 3: work in drawing footage. That's fabulous.
Speaker 2: Yeah. I did a first version of this film actually actors,
Speaker 2: so it was actually a movie. It was a story
Speaker 2: about these people, this couple that knew nothing about the
Speaker 2: megalitz and started discovering them and went to different sites,
Speaker 2: and so it was a really fully fledged sort of movie.
Speaker 2: And then I did the version which is that was
Speaker 2: in French, you see, because living in France. I've been
Speaker 2: working in French and then I did this new version
Speaker 2: which is a real documentary with voiceover and music, its
Speaker 2: original music as well, and it's last an hour and
Speaker 2: a half. And I did a crowd funding for that
Speaker 2: to get the finance to do that, and so I'm
Speaker 2: quite well known in France and the film in France
Speaker 2: on the YouTube channel has over four hundred thousand views.
Speaker 3: Wow.
Speaker 2: But people actually, yeah, put their hands in their pockets
Speaker 2: and paid up front to finance the film, and so
Speaker 2: that was I was very touched by that, the fact
Speaker 2: that people were willing, they wanted to see my work
Speaker 2: get out to a larger public, and so they were
Speaker 2: willing to participate in that, and that was some I
Speaker 2: had some companies as well put in quite a lot
Speaker 2: of money, so I managed to finance it correctly. Yeah,
Speaker 2: and I've got some really good animations, three D animations,
Speaker 2: and I've modelized site, made three D modeling of sites
Speaker 2: so that we can turn around them and all that.
Speaker 2: So it's very it was a lot of work, but
Speaker 2: thanks to COVID, you know, I've got through it.
Speaker 3: So was this a work that took a year? Two years?
Speaker 3: How long did it take to from start to finish.
Speaker 3: I mean you must have written.
Speaker 2: No, it took well, it depends when you started, because
Speaker 2: I made my first work on this film in two
Speaker 2: thousand and seven, oh okay, And I signed a contract
Speaker 2: in two thousand and seven for this film with Europa Corp,
Speaker 2: which is Luke Besson's company, because his partner a guy
Speaker 2: called Pierre Ange Lapaul gam who was head of Disney
Speaker 2: for Europe. He actually lives in the area here and
Speaker 2: he's a keen fan of megaliths, and so in two
Speaker 2: thousand and seven I signed a contract with them do
Speaker 2: this film, and unfortunately we signed a contract with major
Speaker 2: French TV channel to get it out on TV and
Speaker 2: and in fact that was canceled without any explanation. And
Speaker 2: then I went through a series like that of signing
Speaker 2: these deals with the producers and the TV diffusion companies
Speaker 2: and then getting them just canceled.
Speaker 3: Why do you think that happens? Because maybe they realized
Speaker 3: that you were presenting some narratives that were perhaps a
Speaker 3: little alternative to the theories of some of the scientist.
Speaker 2: Yes. Well, basically, you see, there are a lot of
Speaker 2: theories about things, but my work has been putting forward
Speaker 2: a lot of fact. Yeah, so I I would say
Speaker 2: my major quality is being dubb that I've sort of
Speaker 2: kept at it for years and years with nobody actually
Speaker 2: really believing about it. But it is actual fact. I mean,
Speaker 2: the megaliths here, they were put here seven thousand years
Speaker 2: ago in Karnak, in the Karnak area, much long before that,
Speaker 2: in go Beckley Tepe of course. Yeah, but they are here.
Speaker 2: And instead of imagining a whole lot of things about
Speaker 2: who put them there and why did they do it,
Speaker 2: what's interesting is to check up exactly on what they did,
Speaker 2: you know, geometrically what they were doing. I realized fairly
Speaker 2: quickly that there were very clear geometrical relationships between very
Speaker 2: important sites, and that the measurements that were involved in these,
Speaker 2: in the positioning of these major sites, we're giving clues
Speaker 2: to the existence of a much greater ancient civilization than
Speaker 2: we imagine. I mean, this image we have of the
Speaker 2: kind of first peasant farmers erecting stones is totally totally wrong.
Speaker 2: And so of course there was a lot of opposition
Speaker 2: to the fact that I should put this stuff forward.
Speaker 2: I remember once well, I was trying to get recognition
Speaker 2: for the film through archaeological circles. And I had this
Speaker 2: chief archaeologist who was sitting in front of me, and
Speaker 2: she looked to me in the eyes and she said,
Speaker 2: dolmonds are tombs, as if there was no discussion, that
Speaker 2: there was no way that there could be any other
Speaker 2: explanation about what was happening. And so I said, do well,
Speaker 2: people are buried in cathedrals. Does that make cathedrals tombs?
Speaker 3: Oh Jesus, good for you.
Speaker 2: So it was quite It did get quite aggressive at
Speaker 2: some point, but I mean, you know, that's life. Yeah,
Speaker 2: but I've definitely come up with a lot of opposition
Speaker 2: about my work getting out, and I've just kept plodding
Speaker 2: on basically. Yeah.
Speaker 3: No, the documentary is high level. Of course, before we started,
Speaker 3: we're going to be engaged with Gaya that didn't happen,
Speaker 3: which I think may have been a blessing in some
Speaker 3: ways because they're not the greatest of a lot of areas.
Speaker 3: But although you go through the entire planet and touch
Speaker 3: on megalis in Mexico and America, even in Asia, your
Speaker 3: main focus is on France in this carnac region. Because
Speaker 3: you're kind of an expert on that. One of the
Speaker 3: things that you brought up that I'd like your opinion
Speaker 3: on is You mentioned that this megalithic mindset is from
Speaker 3: some culture, a lost culture, as that go for all
Speaker 3: these megalithic sites, So you think that there's a kind
Speaker 3: of a blueprint for all of.
Speaker 2: The world over what I discovered in Karnak in France
Speaker 2: over the years. You know, basically, I was studying the
Speaker 2: Megalia for about eighteen years before I actually understood something.
Speaker 2: And one day I suddenly understood something. I suddenly realized
Speaker 2: something about the geometry how the sites were positioned. It
Speaker 2: suddenly sort of the penny dropped. And once I'd understood that,
Speaker 2: I then started realizing that the same print simple was
Speaker 2: used all over the world according to the different latitudes
Speaker 2: the different places where the sacred sites have been placed.
Speaker 2: But the same principles were used all over the world.
Speaker 2: So Karnak in Egypt, for example, which has the same name,
Speaker 2: uses exactly the same principles. So I coined a term
Speaker 2: called astrogeometry, which is the idea that the Sun and
Speaker 2: the moon mark out certain at specific given latitudes. They
Speaker 2: mark out specific geometry, and sacred places are always placed
Speaker 2: according to those principles. So you can take the Gizer Plateau,
Speaker 2: you can take Karnak in you can take even the
Speaker 2: taj Mahal lots of megalithic sites, all the megalithic sites
Speaker 2: around the world, they are all orientated, all positioned according
Speaker 2: to this same principle. So in this first film that
Speaker 2: I've made, called Megalists Forgotten World, my goal here is
Speaker 2: to put forward the principle and I show it a
Speaker 2: lot in Karnak, because in Karnak it's very very clear,
Speaker 2: because the geometry used in Karnak is very simple geometry.
Speaker 2: It's the three four five triangle, which is a very
Speaker 2: simple geometrical shape, a right angled triangle, and the sun
Speaker 2: that solstices actually comes down according to cardinal directions, it
Speaker 2: comes down the diagonal of that triangle basically. And so
Speaker 2: I wanted to put out these principles in Karnak in
Speaker 2: the first film, and the second film I'm working on
Speaker 2: is called megalitz Unified World, Okay, And in that film,
Speaker 2: I'm going to be showing how I'm going to be
Speaker 2: showing sites all over the world, in Japan, in Kazakhstan,
Speaker 2: in all over the world which are built using the
Speaker 2: same principles. So it becomes perfectly clear that there was
Speaker 2: the same kind of language language the world over, the
Speaker 2: same principles we use the world over to create harmony.
Speaker 3: But what do you think, uh, the same using the
Speaker 3: same right angles square says to you on an into
Speaker 3: intuitive low, we don't have the blueprint, the master plan
Speaker 3: that would be presented to these different indigenous people. They
Speaker 3: just they just I mean, you've shown your video that
Speaker 3: this angle was used not only for marking, but perhaps
Speaker 3: energy lines. And you know, when you use this sacred geometry,
Speaker 3: it allows for things to occur naturally, and it's the
Speaker 3: most health wise, so forth and so on. But I
Speaker 3: guess what I'm trying to ask you is, do you
Speaker 3: have a sense of what the mother culture is? Is
Speaker 3: this Atlantis? Is this just our mother race? Do we
Speaker 3: have any kind of way to decode what you're presenting
Speaker 3: in the form of a geomety.
Speaker 2: I've been very careful over the years not to like
Speaker 2: I said, I put forward. Ever the fact I've shown
Speaker 2: a lot of fact it's quite can be a bit
Speaker 2: difficult for people because I use geometry, and for some
Speaker 2: people it kind of turns them off. But you shouldn't
Speaker 2: be turned off because it's very simple geometry. And I
Speaker 2: have a lot of people who contact me on my
Speaker 2: website and say thank you so much. I've learned now
Speaker 2: how to understand geometry, which I never managed to learn
Speaker 2: in school, etc. It's very simple in fact, but a
Speaker 2: lot of people have a kind of mind block as
Speaker 2: soon as we talk about these questss. Something sort of
Speaker 2: connects with suffering in school and mathematics, and people, yes, exactly,
Speaker 2: and people turn off. And I've I've definitely tried to
Speaker 2: make things as simple and to show how mathematics is
Speaker 2: not a sort of dry intellectual subject. It's actually linked
Speaker 2: to life itself, the shape of the universe and the
Speaker 2: form and energy, and how harmonious geometrical shapes create harmonious energy.
Speaker 2: I call them shape waves. They kind of I've show
Speaker 2: actually in the film I have, I actually show how
Speaker 2: blindfolded dowsers can detect a simple geometrical shape which is
Speaker 2: traced on the beach. They were really surprised, you know,
Speaker 2: they were really surprised. They didn't think at all. I mean,
Speaker 2: they didn't know what they were doing. I just said,
Speaker 2: come along, I'm going to blindfold you and ask you
Speaker 2: to test something. And before they got there. We traced
Speaker 2: out these big, perfectly orientated and organized geometrical shapes and
Speaker 2: then they were blindfolded. We took them there and then
Speaker 2: as you see in the film, the man just stops
Speaker 2: on the line. He stops his walking along and he
Speaker 2: stops on the line, and it's just a line traced
Speaker 2: in the sand. And yeah, and it's to show how
Speaker 2: these shapes actly give off waves. And it was something
Speaker 2: which was very well known in Egypt, you know, and
Speaker 2: is not at all considered today. So today in our
Speaker 2: world people know about like false notes, like if music
Speaker 2: is off key, people can hear it, but people don't
Speaker 2: realize that when shapes are not in harmony, it creates
Speaker 2: tension as well. And when people build their houses or
Speaker 2: build things, it's often done for practical reasons and it's
Speaker 2: not done for people's well being. And that's something we
Speaker 2: have to kind of put into question and come back.
Speaker 2: So there's a lot to be learned from these ancient
Speaker 2: techniques you.
Speaker 3: Bring up go Beckley, Teppie, Carahan Teppie. You don't really
Speaker 3: go into the right angles there, but you do go
Speaker 3: into the t shaped pillars. And I have recently discovered
Speaker 3: that in Spain, Majorca and Minorca. Those two islands, they
Speaker 3: have similar T shaped pyramids columns. Is like, wow, do
Speaker 3: we find those anyplace else in.
Speaker 2: The world, primarily in Minorca. There are many of these
Speaker 2: T shaped pillars. I show them in the film. I
Speaker 2: compare go Beechley Teppe and Minorca now Mexico. In the
Speaker 2: Mayan culture, the T shape was very important. It's the
Speaker 2: symbol for the tree and it's the symbol of life itself.
Speaker 2: But as far as megalists, T shaped megalists are concerned,
Speaker 2: I think Minorca and Goebecley Teppe, well, the Gobectley Teppe area. Yeah.
Speaker 2: I've done a lot of videos on my YouTube channel
Speaker 2: about Gobecley Teppe and Cara Tep things that are not
Speaker 2: in the film, right, So I've done a lot of
Speaker 2: work about those T shaped pillars and the geometry.
Speaker 3: Would you say that the people who built go Beckley Teppee,
Speaker 3: Krahan Teppee and then right all the way up to
Speaker 3: the Neolithic period, they were much more in tune with
Speaker 3: earth energetics. Yeah, so they were naturally they they.
Speaker 2: Had this cosmic energetics yeah, him cosmos yeah.
Speaker 3: Yeah, And so they would take I'm just gonna say
Speaker 3: some kind of a blueprint, use that and then using
Speaker 3: their own senses kind of plot out some of these
Speaker 3: Karnak locations.
Speaker 4: Is that what you're suggesting, well, it has to be
Speaker 4: linked to the latitude, it has to be linked to
Speaker 4: the position you are on Earth, because of according to
Speaker 4: where you are on Earth, then the Sun's angle won't
Speaker 4: be the same and the natural geometry won't be the same.
Speaker 2: So that was really my first major discovery many years ago,
Speaker 2: is when I discovered the principle of natural geometry and
Speaker 2: how it's linked to sacred space, how certain places the
Speaker 2: sun and all the moon at certain places have give
Speaker 2: out natural harmonious geometry, and that's what makes those places
Speaker 2: special places where people will then build temples. And that's
Speaker 2: why we come back to the same places when the
Speaker 2: Christians came into Brittany, for example in France, where they
Speaker 2: built their churches at the same places where they were
Speaker 2: the megallits before that. And if you look at Egypt,
Speaker 2: you can see that the initial temple of Denderah was
Speaker 2: built three thousand BC, and then and then it was
Speaker 2: rebuilt and rebuilt over over thousands of years. Because it's
Speaker 2: the place itself, which is important, right, yeah, And the
Speaker 2: Temple of Karnak. I'm in Karnak. Its name in Egyptian Petsu,
Speaker 2: I think it is in Egyptian it means the place
Speaker 2: of very high esteem. So the name is that they're
Speaker 2: saying that the place itself is of great importance. And
Speaker 2: what is the specific specific case of Karnak in South
Speaker 2: Egypt is that the solstice angle, and it's a major
Speaker 2: angle of Karnak Temple is on a special angle, which
Speaker 2: is two squares place side by side. So if you
Speaker 2: on the cardinal direction, so you have the north southeast west,
Speaker 2: you put two squares, you trace the diagonal and while
Speaker 2: the sum will go down that diagonal at solstice when
Speaker 2: it's at its extreme position. And at Karanak in France
Speaker 2: it's the same principle, but on a three four five triangle.
Speaker 2: So according to where you are on Earth, the angle changes,
Speaker 2: and certain places are sacred spaces naturally and others are not.
Speaker 2: And so that's why that's why people will even fight
Speaker 2: for centuries or millennia to have Jerusalem, for example, or
Speaker 2: specific places because those places have specific natural, harmonious characteristics.
Speaker 3: We're going to take a short commercial break to allow
Speaker 3: our sponsors to identify themselves, and we will return shortly
Speaker 3: with my guest today. How are Crow first discussing his
Speaker 3: new documentary, Megalists Forgotten World. We'll be right back. The
Speaker 3: documentary we're talking about today is Megalists Forgotten World. It
Speaker 3: was released last May in France and throughout Europe to
Speaker 3: very very high approval ratings, and it has been seen
Speaker 3: on the Facebook page over four hundred thousand different times.
Speaker 3: And we're highlighting this program this week and giving you
Speaker 3: a chance to see it for free, and we'll give
Speaker 3: you details shortly on how to do that. So if
Speaker 3: we look at Carnac, yeah, exactly, we're gonna get too rough. Uh.
Speaker 3: You describe men hers which are standing stones, and of course, uh,
Speaker 3: the small dolmen which aren't that small.
Speaker 2: Uh.
Speaker 3: They they're in this one area of Karnak that you
Speaker 3: are highlighting. Is other than being a marker for the
Speaker 3: various solstices, equinoxes and so and and so on, is
Speaker 3: there something else that is important about these positioned stones megaliths?
Speaker 2: You mean Pacific stones or energetics? Yeah, you linked to
Speaker 2: the earth itself. What I've come to understand is that
Speaker 2: the people who placed them, all the beings. I mean,
Speaker 2: I don't know who did this. There's no explanation to
Speaker 2: how the biggest stones were moved. In case it's something
Speaker 2: you have to understand. There's a massive giant standing stone
Speaker 2: near Karanak called the Graminea, which weighs in its three
Speaker 2: hundred and fifty tons. I showed it at the end
Speaker 2: of I showed it at the end of the film.
Speaker 2: Now that is much smaller than the Colossi of Memnon
Speaker 2: and some of the obelisk in Egypt. But we're talking
Speaker 2: officially about a much older period. We're talking about seven
Speaker 2: thousand years ago. The Grand Menir has been dated to
Speaker 2: four thousand, seven hundred BC. So, and it's three hundred
Speaker 2: and fifty tons, and it's not local stone, okay. So
Speaker 2: it was on the It's on a kind of peninsula,
Speaker 2: and it's made from a stone called orthogonized, and there
Speaker 2: is no orthogonize on that peninsula. And so that stone
Speaker 2: was quarried. The nearest possible place is about twelve miles
Speaker 2: away as the crow flies, okay, And no one is
Speaker 2: suggesting that it was brought by crows. Okay, So it
Speaker 2: was brought over valleys or hills or whatever. There is
Speaker 2: no explanation. I mean, you can't do this with the rollers.
Speaker 2: It goes down valleys, across rivers up the other side,
Speaker 2: three hundred and fifty tons. I've also worked on the
Speaker 2: population at the time, the dense where there are very
Speaker 2: few human remains have been found in the area, and
Speaker 2: so the density of population at the town time was
Speaker 2: considered to be zero point eight people per square kilometer. Okay,
Speaker 2: so less than one person per square kilometer. And just
Speaker 2: to move that the stone is on the top of
Speaker 2: the hill, so just to move it up to the
Speaker 2: top of that hill, it was estimated it would have
Speaker 2: required three thousand strong men over a period of three
Speaker 2: months just to move it up the hill, without talking
Speaker 2: about carrying it. That's the entire population of Brittany. So
Speaker 2: who was feeding them? Who paid for this? You know?
Speaker 2: If they were all If the whole population of Brittany
Speaker 2: was grouped together to move this one stone, that means
Speaker 2: they had calendar. They were all there at the same time,
Speaker 2: they were all believed the same things because they were
Speaker 2: all linked together to do this. But there is no
Speaker 2: talk about a civilization in Brittany at that time. There's
Speaker 2: no question when people talk about Britney in France in
Speaker 2: five thousand BC, we're talking about the first peasant farmers.
Speaker 2: You know, there is no question of kind of highly
Speaker 2: advanced civilization with calendar and organization and leaders and stuff.
Speaker 2: So there's a very big problem. Yeah. Another piece of orthorganized,
Speaker 2: twenty five tons of orthorganized, has actually been found on
Speaker 2: an island which is thirty five kilometers off off the coast.
Speaker 3: So I didn't hear you how far was the quarry
Speaker 3: of that large megalith from the actual.
Speaker 2: Twelve miles as the crow flies, at least twelve miles
Speaker 2: in a straight line. Okay, amazing, but you would have
Speaker 2: to have gone downhill at uphill across valleys, and there's
Speaker 2: no explanation of how that could have been done.
Speaker 3: Yeah. Now, your documentary is mostly on alignments, sacred geometry
Speaker 3: and such. You don't bring up stuff like Paul Devereaux
Speaker 3: researching the energetics of it. But does Paul Devereaux even
Speaker 3: talk about Karnak? I think he breaches it a little bit.
Speaker 3: You're familiar with Mod's.
Speaker 2: Work, Yeah, I am, Yeah, I haven't haven't read what
Speaker 2: he's been doing for a for some time. But no,
Speaker 2: I don't. I don't know of him having any done
Speaker 2: anything on Karnac in particular. Maybe some years ago he
Speaker 2: talked about the electrical properties of alignments, because one thing
Speaker 2: that should be known is that under all these standing stones,
Speaker 2: because you have these massive alignments, what is very particular
Speaker 2: to Karnak is the alignments of stones. So you have
Speaker 2: these rows of stones over four kilometers. The Karnak alignments
Speaker 2: run for about four kilometers and these lines and lines
Speaker 2: of stones, and most of these stones actually have a
Speaker 2: charcoal in the hole under a hole was dug, charcoal
Speaker 2: was put in the hole, and then the stones were erected.
Speaker 2: And I believe Paul Devil spoke about the idea that
Speaker 2: that was probably linked to some sort of electrical insulation
Speaker 2: of some kind. Yes, yes, yeah, yeah.
Speaker 3: So I mean, I don't want to get too much
Speaker 3: into the energety, so I want to get into your
Speaker 3: theories and your work on this documentary. I just think
Speaker 3: that a lot of people are moving towards the Dowser's
Speaker 3: point of view, which is there's a sensitivity that we're
Speaker 3: not paying attention to built into these sites. There are
Speaker 3: sitting sacred geometry or land lay lines and they are
Speaker 3: energy centers, you know. I mean you say it in
Speaker 3: the documentary you call Karnak the Garden of Eden, which
Speaker 3: I thought was interesting, Tom. Why do you consider it
Speaker 3: a garden of Eden?
Speaker 2: Well, because it's on a massive scale, the Karnak area,
Speaker 2: because people talk about Stonehenge for exams. So you go
Speaker 2: to stone Engine, you have a monument, then you have
Speaker 2: a few things around it, and that's it. The Karnak area.
Speaker 2: There are thousands of megalithic sites in a very small area. Okay.
Speaker 2: So it was estimated that initially quite a lot of
Speaker 2: stones were destroyed after the French Revolution. It's estimated that
Speaker 2: initially there were seventy thousand standing stones in the Karnak area. Wow,
Speaker 2: approximately ten thousand remain standing today. Okay. There are over
Speaker 2: two hundred dolmens, two hundred and twenty dolmens in the area.
Speaker 2: And when we talk about dolmans, these are large stone blocks,
Speaker 2: which are you know, it's a big mystery as just
Speaker 2: how some of these monuments were constructed. And so there's
Speaker 2: a very dense population of monuments. You know, you could
Speaker 2: easily spend a week in Karnak and see different sites
Speaker 2: from morning till night without any difficulty. And there's a
Speaker 2: i'd say two hundred square kilometers which which is densely
Speaker 2: populated with different megalithic science. And so what was the question?
Speaker 3: Sorry, well, I was just talking about the sensitivity. We
Speaker 3: can let's move on.
Speaker 2: Oh yeah, yeah. What I wanted to say is you
Speaker 2: see that. What I wanted to say is I think
Speaker 2: that the megalist builders were very sensitive to everything. They
Speaker 2: were sensitive to what the sun and the moon were doing.
Speaker 2: They were sensitive to what was going on in the earth.
Speaker 2: How all the high points are used, All the high
Speaker 2: points in the landscape are used. They all have something
Speaker 2: on them. And because high points seem to be energy
Speaker 2: comes up onto the high points, onto the hilltops. Okay,
Speaker 2: they're called Saint Michael. Saint Michael is the patron saint
Speaker 2: of high points, and a lot of them are called
Speaker 2: Saint Michael. The major humulus in Krnak it's called Saint
Speaker 2: Michael's tumulus, tumulus Saint Michel, and the like the moon
Speaker 2: Saint Michel, you know, and these these high points are
Speaker 2: all integrated. And what's astounding, you see is that, and
Speaker 2: this is what's mind blowing and what makes it difficult
Speaker 2: to people, for people to kind of embrace it because
Speaker 2: it's possible to go to one site and dowse and
Speaker 2: feel the energy. And but when you have hundreds of
Speaker 2: sites that are all linked together, Okay, they are all linked,
Speaker 2: and it's not possible to understand things by just studying
Speaker 2: one site. It's you know, you can understand what's going
Speaker 2: on that particular site as far as earth energies and
Speaker 2: underground war and orientational things are concerned, but you have
Speaker 2: to know what other sites this is linked to. I
Speaker 2: can take people on site and say, now, this site
Speaker 2: is linked to such and such a site. It's corridor
Speaker 2: is pointing for example, this this Dolman, it's corridor is
Speaker 2: pointing to another dormant. And I get people to put
Speaker 2: their hands like that down there and they can feel
Speaker 2: their hands tingling, Oh, in the dormant on the lines
Speaker 2: between the dolmens.
Speaker 3: Oh you mean that it could be like a mile
Speaker 3: or away.
Speaker 2: You have a dolmin with a corridor corridor is pointing
Speaker 2: to another dolmen, and if you go along the line
Speaker 2: between those two dorments, you can actually feel the line
Speaker 2: of energy which is running between them.
Speaker 3: See that's huge. That is really huge. You know that
Speaker 3: one of the things that you haven't brought up is
Speaker 3: any kind of light anomalies or light phenomenon or energy
Speaker 3: phenomenon in Karnak that's been recorded, you know. And I'm
Speaker 3: sure if this is a big battery or a big
Speaker 3: energy center of some kind that's been marked by the ancestors,
Speaker 3: there's probably all kinds of unusual phenomenon, even perhaps theos
Speaker 3: and stuff.
Speaker 2: Yeah, yeah, yeah, Well I do have videos. I do
Speaker 2: have videos, but I share them more privately because it's
Speaker 2: a totally different subject and I don't want things to
Speaker 2: get to mixed up. I want people to sort of
Speaker 2: understand that there is science behind this, right, that these
Speaker 2: monuments were actually placed, and that the ancients who did this,
Speaker 2: whoever did this, understood how the planet Earth, how planet
Speaker 2: Earth works. They understood how it works. They considered it
Speaker 2: to be a kind of body, and they understood where
Speaker 2: sensitive places were. And yes, and so there's a science
Speaker 2: behind it. And what I've been trying to do is
Speaker 2: to show that science because because lots of theories, people
Speaker 2: have all sorts of theories, and I believe this, and
Speaker 2: I believe that, and what I want to show is
Speaker 2: that you don't have to believe things. You can check
Speaker 2: up on them. Everything I show, which I use on
Speaker 2: Google Earth, I show over long distances relationships between sites
Speaker 2: which are precise to one hundredths of the degree using
Speaker 2: this specific geometry.
Speaker 3: Let's talk about the check up. Let's talk about the
Speaker 3: foundation of this documentary, which is the three four five triangle,
Speaker 3: as you explain it, because this is a theme that
Speaker 3: is carried from the beginning to the end.
Speaker 2: Yeah, yeah, I pointed out that the three four five
Speaker 2: triangle was considered to be the most sacred form in Egypt.
Speaker 2: Herodotus mentions that the Egyptians considered it to be similar
Speaker 2: to the very nature of the universe, so that positions
Speaker 2: the idea, and they placed Asais was three, Isis was four,
Speaker 2: and Horus was five, Okay, and so it was considered
Speaker 2: to be very important. And what I discovered many years ago,
Speaker 2: well I didn't actually discover this. Somebody else discovered this.
Speaker 2: I read about this in an old book from nineteen
Speaker 2: thirty five. Somebody wrote about this, that the solstices were
Speaker 2: orientated on a three four five triangle. Readen in a
Speaker 2: little book written by a guy, and he said these
Speaker 2: solstice angles, you know, like so at equinoxes, the sun
Speaker 2: rises and sets on the east west line. And then
Speaker 2: according to where you are on Earth, according to your latitude,
Speaker 2: then the movement of the sun on the horizon over
Speaker 2: the year can be greater or smaller. The closer you
Speaker 2: get to the equator, the smaller the Earth's movement. So
Speaker 2: there's little difference between the length of the days in
Speaker 2: winter and summer. Whereas when you go much further north,
Speaker 2: if you go up to Sweden, then you can actually
Speaker 2: have the midnight sun where you get the day's were
Speaker 2: to night all the time and day all the time,
Speaker 2: and the angle of the sun on the horizon changes
Speaker 2: enormously according to the latitude. And so when I read
Speaker 2: this right at the beginning, when I first moved here,
Speaker 2: because I was really really there was no explanation about
Speaker 2: the Carnack alignments. Really, and when I first moved here,
Speaker 2: I didn't move here because of that. I moved here
Speaker 2: for other reasons. And when I discovered them, and when
Speaker 2: I heard what was being said about them, this is ridiculous.
Speaker 2: You know, who's going to believe this? You know there
Speaker 2: must be some other sort of reason. So seeing as
Speaker 2: I was a maths guy, I've always liked solving problems,
Speaker 2: so I put myself to solving this one and took me,
Speaker 2: you know, many, many many years to start opening into it.
Speaker 2: But basically, so I read that the solstice angle at
Speaker 2: the latitude of Karnak was a three four five triangle,
Speaker 2: and that really got me thinking because either people had
Speaker 2: come there on purpose knowing that this place had this
Speaker 2: specific characteristic, So what does this mean? Basically, what it
Speaker 2: means is that if you look at say sunrise on
Speaker 2: summer solstice, it's easy then to trace an angle when
Speaker 2: you see the sun rising at its most northerly position
Speaker 2: and the day is the longest twenty first of June,
Speaker 2: you see the sunrise and you mark that axis. Then
Speaker 2: if you then take a three four five triangle, so
Speaker 2: you can get a rope which you split into three parts,
Speaker 2: four parts and five parts. If you put the five
Speaker 2: parts along your solstice angle, then three will be north
Speaker 2: south and four will be east west. So you can
Speaker 2: perfectly determine that the cardinal directions at the latitude of
Speaker 2: Karnak like that, whereas it's very difficult different at other latitudes,
Speaker 2: it's very difficult to know exactly what's exactly east west.
Speaker 2: It's difficult. It's not an easy thing because the sun
Speaker 2: moves very fast that the equinox is. It's not an
Speaker 2: easy thing to do with great precision, whereas there it's
Speaker 2: very easy to do. And then I discovered that monuments
Speaker 2: were built using that. So there's a rectangle called the
Speaker 2: Krucunot rectangle, the Krucuno rectangle in plan, which is a
Speaker 2: rectangle with three units by four units, and it's diagonal.
Speaker 2: It's orientated on the cardinal directions, and it's diagonals point
Speaker 2: towards the sunrises and sunsets at winter solstice and summer solstice.
Speaker 2: So if you stand in the middle, you can watch
Speaker 2: the sunrise and set all through the year inside that rectangle.
Speaker 3: That why that matter, though, Howard? Why why would they
Speaker 3: build these megalists to track the solstices and what was
Speaker 3: the importance of that.
Speaker 2: I don't I don't believe that. I'd think that they
Speaker 2: knew about it before they moved there. Okay, yes, I
Speaker 2: think yes. I don't think it was local people who
Speaker 2: suddenly realized that this was the three four five triangle.
Speaker 2: I don't think that because this same principle can be
Speaker 2: found all over the world. And in my next film,
Speaker 2: I'll be showing that ti one Aku for example, Right,
Speaker 2: how exactly the same principles are used in tijuan Aku
Speaker 2: as those used in kanak In and and these principles
Speaker 2: are universal, And so I don't think that these were local.
Speaker 2: I think people moved a lot in the past. People
Speaker 2: moved around a lot.
Speaker 3: My point though, is my question though, is this is
Speaker 3: sacred geometry, and this three four five triangle measures a
Speaker 3: unit of space that must be sacred length like you
Speaker 3: call it. You call it the garden of Eden. Well,
Speaker 3: there must be space, must be a place that that
Speaker 3: place is marked because it is the most harmonic yeah,
Speaker 3: for biology, for humans, animals and plants to live.
Speaker 2: Not only biology, but consciousness. Okay, so I believe that
Speaker 2: the principle of sacred space, it's not that I believe.
Speaker 2: I mean, that's what it's about. The principle of sacred
Speaker 2: space is that it helps people raise their level of consciousness.
Speaker 2: That's what it's all about. When people go into church, normally,
Speaker 2: they don't behave in the same way as when they're outside. Normally,
Speaker 2: they're not supposed to, right, and and a sacred space
Speaker 2: is linked to recreate a kind of harmony in your
Speaker 2: function and help you to attain relationships with higher levels
Speaker 2: of consciousness, things that exist on a higher level. And
Speaker 2: so it's not just about being in good health. I mean,
Speaker 2: being in good health is important, but it's also about
Speaker 2: opening your mind to higher things. That's why they call
Speaker 2: sacred spaces. It's their linked. This is all very interesting.
Speaker 2: I've been working on this for years and I've tested it.
Speaker 2: I haven't put any of this in the film, but
Speaker 2: I've done all kinds of testing on people who spend
Speaker 2: time in these monuments. I've done measurements with actual material
Speaker 2: that measures negative ions, for example, and how you can
Speaker 2: get high density of negative ions in these dolmens, much
Speaker 2: higher than what you're getting outside, And how radioactivity inside
Speaker 2: the monuments is lower than outside, so that inside these
Speaker 2: monuments radioactivity is actually being transformed into negative irons, so
Speaker 2: things that something which could be seen as negative and
Speaker 2: destructive for the human body becomes something which is positive
Speaker 2: for the human body. But I think that is a
Speaker 2: side effect. I believe that is a side effect, and
Speaker 2: that these places are not built as sort of healing places.
Speaker 2: I believe that they are sacred spaces and they're built
Speaker 2: for raising consciousness. So I talk about that in the
Speaker 2: film because in the Hebrew Bible, or what we call
Speaker 2: the Old Testament, there is the first writing about sacred space,
Speaker 2: and it's God himself in the Old Testament who actually
Speaker 2: talks to Moses and says, if you build this building,
Speaker 2: the Tabernacle, exactly with the according to instructions I'm going
Speaker 2: to be giving to you, then I will come and
Speaker 2: dwell in it, okay. So basically what he's saying is
Speaker 2: that if it's constructed with exactly the correct science, then
Speaker 2: it will become a sacred space. He will actually dwell
Speaker 2: in there, okay. So which means whatever you understand by that,
Speaker 2: but basically it means it becomes a meeting place with
Speaker 2: things of a higher level, basically. And he gives the
Speaker 2: instructions and he talks about the cardinal directions. It has
Speaker 2: to be placed north south, east west, it has to replaced,
Speaker 2: and the proportions of it is one by three what's
Speaker 2: called the triple square. And I show how that is
Speaker 2: the exact u that is the exact angle of the
Speaker 2: Carnac alignments. Those lines are going right along the diagonal
Speaker 2: of a triple square which is placed on the car directions.
Speaker 2: So that's what we have to understand, is that this
Speaker 2: information that was put down in the Sacred Text many
Speaker 2: many years ago probably came from a much older origin
Speaker 2: and it was written down at that time. But it's
Speaker 2: the remains the small fragments of an ancient science which
Speaker 2: is linked to something else, in other words, linked to
Speaker 2: human evolution. And I having studied these megalithic monuments over
Speaker 2: all these years, then little by little I've been kind
Speaker 2: of discovering, revealing more and more of the fragments of
Speaker 2: this ancient science.
Speaker 3: We're going to take a short commercial break to allow
Speaker 3: our sponsors to identify themselves and will return shortly with
Speaker 3: my guest today, Howard Crowhurst, discussing his new documentary Megalists
Speaker 3: Forgotten World. Will rejoin you shortly. We're highlighting the documentary
Speaker 3: Megalists Forgotten World this week. The writer director Howard Crowhurst
Speaker 3: is with us. He has been studying megalists for over
Speaker 3: forty years and he he has written a number of books.
Speaker 3: But this documentary is fabulous and I hope each of
Speaker 3: you can see it. Will give information shortly on how
Speaker 3: to access for free, a chance to see it for yourself.
Speaker 3: Would you say that this is all linked to an
Speaker 3: earlier age. I mean you just gave us a hint
Speaker 3: of it. Whereas Earth was more of a harmonic people
Speaker 3: were more in touch with the earth, and through perhaps
Speaker 3: lost documents or oral traditions, this has been handed down
Speaker 3: to this Neolithic period and before Neolithic period. Beckley Teppe.
Speaker 3: I mean, this is why we don't have any blueprints,
Speaker 3: any writing about this at all, because probably they didn't write.
Speaker 3: They didn't have any writing. It's an innate ability to
Speaker 3: understand these sacred sites, right.
Speaker 2: You know, for example, on the walls in the pyramids,
Speaker 2: on the oldest pyramids in Sakhara, all these engravings showing
Speaker 2: people making sandals or cutting wheat, there are no engravings
Speaker 2: showing people building pyramids. Yeah, and it seems rather strange
Speaker 2: that they would do all these drawings showing all the
Speaker 2: sort of you know, day to day techniques and nothing
Speaker 2: showing this incredible structures. And it definitely points to the
Speaker 2: idea that they didn't build them, that they were already there,
Speaker 2: and that they they were showing things about their life
Speaker 2: and not things that had come down from an ancient period.
Speaker 2: I mean, let's be obvious, if the people from that
Speaker 2: time had been building the pyramids, then they would have
Speaker 2: represented it on their drawings like they did all the
Speaker 2: other stuff. Yeah, but anyway, a lot of quite sorry.
Speaker 3: Yeah, a lot of thes are you know. Graham Hancocks
Speaker 3: in this new Ancient Apocalypse, he brings up the same story.
Speaker 3: It's like, there's no record of these earlier people except
Speaker 3: we likely have physical land based remains. And you know,
Speaker 3: there's some new theories that some of these temples were
Speaker 3: likely reused, left empty after the big deluge of the
Speaker 3: earth or whatever happened, and then reused by the early
Speaker 3: pre Dynastics, you know.
Speaker 2: So yeah, exactly, and reuse the doomens we reused as
Speaker 2: tombs by people who came later, because sacred spaces were
Speaker 2: very often associated to places where we bury the dead,
Speaker 2: you know, because those you know, your respect in the ancients.
Speaker 2: But yes, the thing is, you see, we do have
Speaker 2: elements of proof. That's what that's what I've been trying
Speaker 2: to put forward. You see, we do have elements, clear
Speaker 2: elements of proof that specific high level geometry on a
Speaker 2: massive scale was being used. I prove on quite a
Speaker 2: lot of different occasions quite conclusively that the people knew
Speaker 2: the size of the Earth. Yes, that the size of
Speaker 2: the Earth is perfectly well known. In my book, I
Speaker 2: wrote a book called the Megalithic Plan which is in
Speaker 2: English here right. This book it's I don't have a
Speaker 2: publisher in the United States for the time being, but
Speaker 2: it's on Amazon. But it's very expensive on Amazon. But anyway,
Speaker 2: in this book, I show how on the Giza Plateau,
Speaker 2: well it's the Great Pyramid and then beside it the
Speaker 2: Kefrind Pyramid, and their diagonals are aligned. So if you
Speaker 2: draw the line through those two diagonals, they are aligned.
Speaker 2: But if you continue that line, you come to an
Speaker 2: obelisk on the other side of Egypt, on the other
Speaker 2: side of Cairo, called the Heliopolis Obelisk. Now, nobody ever
Speaker 2: goes to visit it because it's very heavy traffic. It
Speaker 2: takes you all day to get there. People get blocked
Speaker 2: up in traffic jams, it's very hot, there's no so
Speaker 2: nobody ever goes to visit this obelisk. It happens to
Speaker 2: be the oldest standing obelisk in Egypt. It was re
Speaker 2: erected right at the start of the Middle Empire on
Speaker 2: the spot it had been before that. It was there
Speaker 2: in the Ancient Empire, and it's still on the same spot.
Speaker 2: And the first thing that the new pharaoh did when
Speaker 2: the Middle Empire restarted after the Intermediate Chaos period was
Speaker 2: to re erect this obelisk which have been smashed. And
Speaker 2: this obelisk with respect to the pyramids, is exactly at
Speaker 2: forty five point zero zero degrees according to the cardinal direction.
Speaker 2: So if you put a point on the obelisk itself,
Speaker 2: right on the obelisk, you can see it, and you
Speaker 2: draw that line right down the diagonal of the Great Pyramid,
Speaker 2: you get exactly two hundred and twenty five point zero
Speaker 2: zero degrees over a distance of over twenty three kilometers. Wow. Okay,
Speaker 2: now that is exact to one hundred to a degree,
Speaker 2: and it goes right down the diagonal of the Great Pyramid. Now,
Speaker 2: what I show is that that the pyramid is in
Speaker 2: a square. So the pyramid is a square placed on
Speaker 2: the cardinal directions. The obelisk comes down the diagonal of that.
Speaker 2: You could draw a big square which goes from the
Speaker 2: obelisk in one corner to the corner of the Great
Speaker 2: pyramid in the other corner right, and that's the size
Speaker 2: of the square. If you add up the lengths of
Speaker 2: the size of that square, it is exactly the difference
Speaker 2: between the circumference of the Earth going through the poles
Speaker 2: and the circumference of the Earth going through the equator. Wow,
Speaker 2: exact difference between those two measurements, which shows a perfect precise,
Speaker 2: perfectly precise knowledge of the size of the Earth. The
Speaker 2: fact that it's flattened at the poles, and that the
Speaker 2: exact size of the Earth was perfectly known, and that
Speaker 2: anybody can check up on that. You know, because on
Speaker 2: Google Earth you can see the obelisk, you can see
Speaker 2: the Great Pyramid, you can measure the distance.
Speaker 5: You can you work out that's the diagonal forty five
Speaker 5: degrees of the square, so you can easily calculate the distance,
Speaker 5: and then you can find out that it's exactly the
Speaker 5: difference between those two measurements, which are the major measurements
Speaker 5: on Earth, the Earth's equator and the Earth's polar circumference.
Speaker 2: So that the merid.
Speaker 3: That obelisk was a very important marker of some.
Speaker 2: Kind, I guess, very very important market. And all the
Speaker 2: pyramids are linked to it geometrically.
Speaker 3: Never heard of that. How big is this obelisk? Is
Speaker 3: like half a ton or is it smaller?
Speaker 2: Oh, it's a big obelisk. It's twenty meters high.
Speaker 3: Oh it's big.
Speaker 2: Yeah, twenty meters twenty point four meters high. Wow, so
Speaker 2: it's a very big obelisk. Yeah, amazing.
Speaker 3: There's so much to talk about this documentary. We could
Speaker 3: go on forever. I want to cover a couple of
Speaker 3: more points, and then I want to give our listeners
Speaker 3: the links to see this. You've made it available for free,
Speaker 3: and I'll let my listeners hear that again for free.
Speaker 3: The whole documentary is available from start to finish for free,
Speaker 3: and we'll give you the details shortly. But in this presentation, Howard,
Speaker 3: you talk about a guy named Alexander Tom who developed
Speaker 3: the megalithic Yard. What is the importance of the megalithic yard.
Speaker 2: Wow, that's a very big question. Yeah, he developed the
Speaker 2: megalithic Yard statistically. So Alexander Tom was a professor. He
Speaker 2: was an engineer. He was professor at Oxford University, Bracenose
Speaker 2: College at Oxford University, and he was considered to be
Speaker 2: one of the biggest brains in Britain. Okay, he invented
Speaker 2: the wind tunnel for aviation. Okay, So he was somebody
Speaker 2: who was a very very well known engineer, but he
Speaker 2: was Scott and he was also very interested in the
Speaker 2: megalits and he studied the megalitz as a hobby for many,
Speaker 2: many years, and he was convinced that there must have
Speaker 2: been some sort of measurement system, and so he measured.
Speaker 2: He he was a surveyor, a very very good surveyor.
Speaker 2: The plan of Stonehenge which is used today is Professor
Speaker 2: Tom's Plan of Stonehenge. He did a perfect surveyor's job
Speaker 2: of surveying Stonehenge, and he surveyed over six hundred megalithic
Speaker 2: stone circles. Talk about that in the British Isles.
Speaker 3: Yeah, six hundred.
Speaker 2: Measured them all with metal tapes, very very precise, and
Speaker 2: he well, there weren't computers in those days, but he
Speaker 2: computed with his calculations and he came up with a
Speaker 2: measurement called which he called the megalithic yard, and which
Speaker 2: he determined statistically to be in meters eight point zero
Speaker 2: point eight two nine meters. And he presented his work
Speaker 2: to the British Statistical Society in nineteen fifty five. They
Speaker 2: asked him to reorganize the data in a certain way.
Speaker 2: They wanted him to separate the monuments in Scotland and
Speaker 2: Wales and do things, which he did. He then represented
Speaker 2: the data and the British Royal Society of Statisticians actually
Speaker 2: validated his megalithic yard and said that it could not
Speaker 2: possibly be accidental. Unfortunately, although it was proven to be existing,
Speaker 2: that didn't fit in with the archaeologist's ideas of the
Speaker 2: first peasant farmers and all this stuff, and so basically
Speaker 2: they just squeezed him out.
Speaker 6: So he's an engineer, he's a professor, he was head
Speaker 6: of professor, he was the leading professor at Oxford University.
Speaker 3: So because it didn't follow the archaeological narrative of our
Speaker 3: ancient past, his theories were not validated.
Speaker 2: No, no, they were validated by the Statistical Society and
Speaker 2: then they were squeezed out of archaeology.
Speaker 3: What does that mean we squeezed out?
Speaker 2: Well, they just stopped talking about it. And then somebody
Speaker 2: who was much less of a brain than Professor Tom
Speaker 2: came up with some sort of stupid reason to say
Speaker 2: that he'd made a mistake somewhere and they invalidated it,
Speaker 2: which was it was obviously, obviously, you know, a botched
Speaker 2: up thing. Professor Tom was a very a very honest man,
Speaker 2: and very honest and intelligent man, and he certainly did
Speaker 2: not make massive mistakes as is suggested. So he came
Speaker 2: up with this megalithic yard of zero point eight two nine.
Speaker 2: Now when he came to Karnak, he'd never been to Karnak,
Speaker 2: And the BBC did a documentary about Professor Tom and
Speaker 2: his megalithic yard in nineteen seventy one with Magnus Magnuson
Speaker 2: on a program called Chronicle. And to do that documentary,
Speaker 2: they brought him to Karnak so he could check up
Speaker 2: in Karnak in the alignments to see if he discovered
Speaker 2: his megalitic guard, and sure enough he did. The rectangle
Speaker 2: I talked to about the Kuruculer rectangle, which is oriented
Speaker 2: on the sausage. The three four five triangle is thirty
Speaker 2: by forty by fifty megalitic yards. It's a three four
Speaker 2: five triangle by thirty by forty by fifty megalitic guards.
Speaker 2: So that was absolute conclusive proof. But no, that was
Speaker 2: not good enough, but he actually managed to refine his
Speaker 2: measurement for the megalitic yard in Karnak. He said it
Speaker 2: was zero point eight two nine three plus or minus
Speaker 2: zero point zero zero zero four. Okay, basically is average
Speaker 2: measurement with zero eight two nine three. And I have
Speaker 2: managed to make it even more precise since and I
Speaker 2: have defined it as zero point eight two nine four four,
Speaker 2: and I have shown how exactly ten thousand of those
Speaker 2: units separate a specific stone which has the measurement of
Speaker 2: the megalithic yard on it, from the giant standing stone.
Speaker 2: The base of the giant standing stone, it is exactly
Speaker 2: eight nine hundred eight two hundred and ninety four point
Speaker 2: four meters between those two stones with is exactly ten
Speaker 2: thousand megalithic yards. So the and I mean this could
Speaker 2: go on for some time. I've done a video on
Speaker 2: my YouTube channel called the World's Oldest measure where I
Speaker 2: go into this and much greater detail, and where I
Speaker 2: show an engraving on a stone in an old tumulus
Speaker 2: and Karnak where you can actually find a megalithic yard
Speaker 2: engraved on the stone.
Speaker 3: Oh my god, really, so it was he just rediscovered
Speaker 3: a unit of measure that had been in place for
Speaker 3: a while.
Speaker 2: Well yeah, yeah, yeah, he rediscovered it statistically, but it
Speaker 2: was definitely used. I've shown it in all kinds of
Speaker 2: different usages. But this goes a lot deeper because it
Speaker 2: wasn't the only measurement that was used.
Speaker 3: Is he recognized by the Egyptological community as somebody who
Speaker 3: rediscovered this unit of measure?
Speaker 2: No, I say he's been squeezed out. Oh, he's considered
Speaker 2: he's considered to be a kind of pseudo scientist, although
Speaker 2: he was an engineering professor from ox for University. It's
Speaker 2: really quite astounding, you know.
Speaker 3: It's amazing.
Speaker 2: Yeah, well we've seen things like that.
Speaker 3: It seems to be pretty prevalent right now. The documentary
Speaker 3: is called Megalis Forgotten World. My guess today has been
Speaker 3: Howard Crowhurst. Ah, what would you like the viewer to
Speaker 3: get from this documentary? And of course it's one of two.
Speaker 3: Perhaps you have another one after that. We don't know
Speaker 3: how energetic you are, but what would you like.
Speaker 2: The view You have to find the money for the
Speaker 2: second one. I have to find the money.
Speaker 3: Yeah, no, well get you know, get a crowdfunding and
Speaker 3: we'll post it. But talk about Howard talk about your
Speaker 3: intent for the viewer. The message you would like to convey.
Speaker 2: Yeah, well, I'd like to convey is the fact that
Speaker 2: you don't have to think ariz about the existence of
Speaker 2: high culture and high knowledge in the far distant past.
Speaker 2: We actually have proof of it. We have proof of it,
Speaker 2: and modern technology like satellites, GPS's computers, modern technology is
Speaker 2: enabling us now to measure that and to understand it
Speaker 2: in a way that we couldn't possibly have done thirty
Speaker 2: or forty years ago. Right, Okay, So we have to
Speaker 2: wake up to that. We have to wake up to
Speaker 2: the fact that what was seen as kind of theory
Speaker 2: is not theory. It can be proven. And I put
Speaker 2: forward in the film a lot of elements of proof
Speaker 2: showing with the monuments, with the stones, showing the geometry,
Speaker 2: the precise angles, precise to one hundred degree, showing all
Speaker 2: the proof of it that people can actually check up on.
Speaker 2: And so that's what I would like to get across,
Speaker 2: is the fact that you don't have to believe this stuff.
Speaker 2: You should check up on it. And when you check
Speaker 2: up on it for yourself, then you realize just how
Speaker 2: outstanding it is. You know, when you draw a line
Speaker 2: between two things and you get the exact angle and
Speaker 2: the exact measurement. Then you realize that you don't have
Speaker 2: to believe this, you can actually just see it, and
Speaker 2: that changes things. That changes things because you don't have doubt.
Speaker 2: You see, there's no doubt anymore because you actually conceive
Speaker 2: the things, you can check up on it. It's not theory.
Speaker 2: So people often talk to me about my theories, and
Speaker 2: I said, and op theories, this is fact. These are
Speaker 2: all facts. And actually, you know, I could say an
Speaker 2: awful lot more about my findings and things I've understood
Speaker 2: through them, which I don't say because I just want people.
Speaker 2: I don't want people to reject my work from things
Speaker 2: I hypothesize. I want them to check up on the
Speaker 2: facts what I found out. Though apparently what I found
Speaker 2: out is that a lot of people don't have the
Speaker 2: sort of basics to be able to do that. So
Speaker 2: in the film, I in the film, I put out
Speaker 2: a lot of basics. I expleep I explain what cardinal
Speaker 2: directions are, what's the difference between magnetic north and geographical north?
Speaker 2: And I explain a lot of things which I deem
Speaker 2: necessary to explain and I do animation, and I try
Speaker 2: and make it as fun as possible, because what I
Speaker 2: want is for people to underst done for themselves. I
Speaker 2: don't want them to believe things. I want them to
Speaker 2: understand for themselves. That's the very important thing. When you
Speaker 2: understand something for yourself, then no one can take it
Speaker 2: away from you.
Speaker 3: Right now, the documentary is extremely well done, and you
Speaker 3: have made it quite accessible to everybody with the explanations
Speaker 3: that you give, not only for this sacred geometry in
Speaker 3: this right angle, but also just measurements in general. The
Speaker 3: animation that supports that is excellent, so really, really excellent,
Speaker 3: and we're looking forward to the part two. When do
Speaker 3: you think it's going to be out, Howard.
Speaker 2: Well, I'm working on quite a lot of other things.
Speaker 2: I'm pushing out a lot of videos on my YouTube channel,
Speaker 2: on my Patreon page, putting out a lot of videos
Speaker 2: to do all the to show the kind of principles
Speaker 2: and details so that people will be ready for the
Speaker 2: next film. Basically, so, I don't know. I would say
Speaker 2: in the next couple of years the next film will
Speaker 2: be out.
Speaker 3: It takes time, okay for those of you who want
Speaker 3: to see next time, it takes time and money. Those
Speaker 3: of you who want to see Megalists Forgotten World, you
Speaker 3: can either go to Earth Ancient's Facebook page and see
Speaker 3: it on either the international or the group page, or
Speaker 3: you can go directly to the YouTube channel and look
Speaker 3: up Howard Crowhurst at cr ow hr st. He's got
Speaker 3: his own channel. You can find it there and it's
Speaker 3: roughly an hour and thirty minutes is the time that
Speaker 3: I discovered. And Howard give us your website and other
Speaker 3: ways to contact you.
Speaker 2: Well, website is Howard Crowhurst dot com. That's easy, okay,
Speaker 2: So Howard Crowers dot com. You've got all the the
Speaker 2: links to the videos. It's the best place to go
Speaker 2: because you get links to books, books and videos, and
Speaker 2: you have even my email address if you want to
Speaker 2: contact me for some reason. I can't guarantee that I
Speaker 2: will answer fast to everybody, but yeah, yeah, I try. Yeah,
Speaker 2: so I would say, Howard Crowers dot com is a good,
Speaker 2: good thing. And then they're all the links. I have
Speaker 2: a link tree, and so if you go there, we'll
Speaker 2: then link to all the different all the different places.
Speaker 3: So you've expended a great deal of energy for this
Speaker 3: YouTube channel. Are you on Instagram? With photographs. Are you
Speaker 3: on Facebook with stuff?
Speaker 2: Well, I yeah, I've been on Facebook for many years
Speaker 2: with a personal page, but a lot of it's in French. Right,
Speaker 2: it's blocked to five thousand people. So I've started a
Speaker 2: new Facebook page in English which I use make it
Speaker 2: in English, which is not a personal page, though I
Speaker 2: can build up followers on that, so I do post
Speaker 2: stuff on that.
Speaker 3: Yeah, wow, fantastic. Well, I want to tell you if
Speaker 3: Earth the Ancients give out an award, I would give
Speaker 3: you a Best of show for your documentary. It's well done,
Speaker 3: it's excellent, and I was extremely impressed and informed. So
Speaker 3: congratulations on that.
Speaker 2: Thank you very much, Thank you.
Speaker 3: All right, well, hey, thank you for joining me. I
Speaker 3: really appreciate it, and I want to have you come
Speaker 3: back and talk about Karnak the books called TwixT Heaven
Speaker 3: and Earth, and I found out just an amazing book.
Speaker 3: So I look forward to speaking with you in the
Speaker 3: near future.
Speaker 2: Okay, good, Yeah, my pleasure.
Speaker 3: I rarely have time to watch documentaries all the way through,
Speaker 3: but this one was so well done and so compelling,
Speaker 3: and the sites that he visits are just amazing that
Speaker 3: I watched the whole one hour thirty minute presentation from
Speaker 3: start to finish, and it was you got to see
Speaker 3: it's very well done. It's Netflix level stuff. And I'm
Speaker 3: working right now to help him get the word out
Speaker 3: because it wasn't really well released in the United States
Speaker 3: or anyplace else other than parts of Europe and France.
Speaker 3: I mean, it had a major unveiling in France, and
Speaker 3: you know, it's tough because the budgets are such that
Speaker 3: if you don't have a huge marketing budget, then it's
Speaker 3: hard to get it out there. But I want to
Speaker 3: do my thing, and it's free, and if you want
Speaker 3: to see it, you can go to You can do
Speaker 3: two things. You can go to Facebook and see it there.
Speaker 3: I'll have it posted on the Earth Ancients page. Or
Speaker 3: you can go to YouTube and go to Howard Crowhurst
Speaker 3: c R O W h U r ST and go
Speaker 3: to his page and scroll down. You'll see it there
Speaker 3: and it's entirety except that it has advertising. And if
Speaker 3: you want to avoid the ads, you can go to
Speaker 3: his Patreon page. Just type in go to Patreon p
Speaker 3: A T R E O N. You can go to
Speaker 3: his page type in Howard Crowhurst and you can just
Speaker 3: sign up and be a Patreon and you'll see the
Speaker 3: He'll give you access to the version of the documentary
Speaker 3: that doesn't have ads, so but I really urge you
Speaker 3: to see it. It's very very well done. He uses
Speaker 3: drones with cameras to capture a lot of the long
Speaker 3: alignments in Karnak and in other parts of the world.
Speaker 3: He's he's in Bolivia at Tiwanaku and covers that aerial
Speaker 3: as well as well. So it's very well done, very professional,
Speaker 3: and of course now that we know how, we're going
Speaker 3: to have it back later this year to talk about Karnak.
Speaker 3: His book TwixT Heaven and Earth, which is a collection
Speaker 3: of photographs taken over a period of thirty years showing
Speaker 3: the various alignments, the equinoxes and the solstices, the sunsets,
Speaker 3: the moon rises and so forth and so on, just
Speaker 3: to give you a visual to show you the visual
Speaker 3: evidence of how these megalists work. This is really amazing
Speaker 3: that this is coming up now, because again most archaeologists
Speaker 3: do not refer to these as anything more than just
Speaker 3: Neolithic people dumping these rocks in various places. This is
Speaker 3: very very important material and as he mentioned, as we
Speaker 3: talked about the Professor Alexander Tom developed the Megalithic Yard
Speaker 3: and began measuring these sites. So this is important. This
Speaker 3: is very good to have as your reference material as
Speaker 3: these programs keep getting more involved. And it's funny because
Speaker 3: we're finding more and more people who are associated with
Speaker 3: megalists and what they are all about. Now this covers
Speaker 3: the gamut, as you can imagine, so stay tuned for more.
Speaker 3: So that was fun. Hey, we are promoting and featuring
Speaker 3: and sponsoring Graham Hancock, who will be in the United
Speaker 3: States in April to do a talk. This is a
Speaker 3: one time event. He's only going to be in the
Speaker 3: United States once this year, April nineteenth to the twentieth.
Speaker 3: He'll be in Sedona, Arizona. For more information, go to
Speaker 3: worldviewsmedia dot com. It's Worldviews with a Z media dot com.
Speaker 3: To see the entire show. We're giving away a pair
Speaker 3: of tickets. If you would like to be considered, send
Speaker 3: me an email, send it to Earth Ancients for you
Speaker 3: dot com and I will put you in the raffle.
Speaker 3: Will raffle the tickets off in March before we leave
Speaker 3: for the trip on Repanui, and you have a chance.
Speaker 2: Again.
Speaker 3: This is a special talk on the past it's a
Speaker 3: two day program. Tickets are around three point fifty a piece.
Speaker 3: They're not cheap, but it is worth seeing him. If
Speaker 3: you ever have a chance to see Graham Hancock live,
Speaker 3: you should do it. His presentations are just profound. They're
Speaker 3: very good. Again, Graham Hancock, Sedona, Arizona, April nineteenth through twentieth.
Speaker 3: If you want to be considered for the Raffle, send
Speaker 3: me a email at Earth Ancients the number four of
Speaker 3: the letter you at gmail dot com and we will
Speaker 3: put you in the drawing to see who wins. I
Speaker 3: want to mention also, Earth Ancients is doing a tour
Speaker 3: in Turkey. It's our June Grand Turkey Tour number two
Speaker 3: June twenty second through July second. For more information, go
Speaker 3: to Earth Ancients dot com forward slash Tours. This is
Speaker 3: filing up fast. This is a solid eleven days of
Speaker 3: sites that includes Quebecley Teppee, Carahanteppee, Darren Kuru, Cappadocia and
Speaker 3: so much more. We really pack it in. We take
Speaker 3: a bus. It is five star champagne tour for a
Speaker 3: beer budget. I'll tell you it really is. We really
Speaker 3: make it worth your while. Again. For more information, go
Speaker 3: to Earth Ancients dot com, Forward Slash Tours. You'll see
Speaker 3: the banner for Turkey. Click it you'll get all the details. Hey,
Speaker 3: and finally, for this show, I could really use your help.
Speaker 3: You know, it takes a lot of energy and expense
Speaker 3: and teamwork to pull these podcasts together. If you're listening
Speaker 3: to Destiny Earth Ancients, we got an Earth Ancients special
Speaker 3: edition coming up next week, and we'd really like you
Speaker 3: to become a subscriber. For as little as five dollars
Speaker 3: a month, you can support the work we do here
Speaker 3: on these podcasts. And to become a subscriber, go to
Speaker 3: Patreon dot com, Forward Slash Earth Angents and become a subscriber.
Speaker 3: It really helps. Five ten, fifteen, even twenty dollars a
Speaker 3: month really really is supportive. We have some presence for
Speaker 3: you for thank you in the form of digital books PDF.
Speaker 3: Some of them are some of the more digital books
Speaker 3: from many of our guests on the program. They've graciously
Speaker 3: allowed us to post these just for the Patreon members
Speaker 3: who are subscribing to the program. So again, to become
Speaker 3: a subscriber of Earth Ancients, Destiny and the Special editions programs,
Speaker 3: go to Patreon. That's PA t R e o N
Speaker 3: dot com, Forward Slash Earth Ancients and subscribe. They deduct
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Speaker 3: makes a huge difference. So help us out. Really appreciate
Speaker 3: anything you can give us. All right, that's it for
Speaker 3: this program. I want to thank my guest today, Howard Crowhurst,
Speaker 3: coming to us from France. As always, the team of
Speaker 3: Gail tour, Mark Foster and everyone who makes this thing happen.
Speaker 3: You guys rock, all right, take care of you well
Speaker 3: and we will talk to you next time.
Speaker 2: Protection Protect, Protection, Protect, detect Protect Cott