1 00:00:28,399 --> 00:00:34,960 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:35,200 --> 00:00:38,679 This is your host, Adam Graham. In a moment, we're 3 00:00:38,679 --> 00:00:41,960 going to bring you this week's episode of Broadways my Beat. 4 00:00:42,039 --> 00:00:44,759 But first I do want to encourage you. If you're 5 00:00:44,840 --> 00:00:49,560 enjoying the podcast, please follow us using your favorite podcast software. 6 00:00:50,000 --> 00:00:52,560 And today's program is brought to you in part by 7 00:00:52,560 --> 00:00:56,320 the financial support of our listeners. You can support the 8 00:00:56,359 --> 00:00:59,600 show on a one time basis using the zell app 9 00:00:59,640 --> 00:01:03,640 to buy Brooks thirteen at Great Detectives dot net, and 10 00:01:03,719 --> 00:01:07,120 you can become one of our ongoing Patreon supporters for 11 00:01:07,200 --> 00:01:11,200 as little as two dollars per month at Patreon dot 12 00:01:11,439 --> 00:01:18,000 Great Detectives dot net. Now from January twelfth, nineteen fifty two, 13 00:01:18,400 --> 00:01:21,640 here is the Larrymore murder case. 14 00:01:34,799 --> 00:01:39,560 Speaker 2: Broadways might be from Times Square to Columbus Circle, the Gaudius, 15 00:01:39,599 --> 00:01:48,560 the most violent, the lonesomest mile in the world. Broadways 16 00:01:48,640 --> 00:02:02,760 might be with Larry Door as Detective Danny Clover. The 17 00:02:02,840 --> 00:02:06,239 still brilliant light of a new January drifts down over Broadway, 18 00:02:06,359 --> 00:02:09,719 and the pattern it reveals is unchanged. The scalpeled edges 19 00:02:09,759 --> 00:02:14,120 of piled concrete are still defined against winter sky, glints. 20 00:02:13,759 --> 00:02:15,439 Speaker 3: Are struck off crom and steel. 21 00:02:16,199 --> 00:02:18,879 Speaker 2: The faces of the mob are already molded back into 22 00:02:18,879 --> 00:02:22,639 the old year's anguish, because still the vision of duty 23 00:02:22,719 --> 00:02:25,280 stands in a doorway at the end of night, and 24 00:02:25,319 --> 00:02:27,960 you walk toward it. You're stopped by the hawker who 25 00:02:28,000 --> 00:02:30,800 has another plan for you. You push him aside, keep walking. 26 00:02:31,360 --> 00:02:34,560 He stops you again, lays odd, you'll never make it, 27 00:02:35,319 --> 00:02:46,360 and you never do, and the light filters a card. 28 00:02:46,400 --> 00:02:47,840 Or you walk with a man who has just been 29 00:02:47,879 --> 00:02:51,240 acquitted of the murder of his wife, a man you arrested, 30 00:02:51,360 --> 00:02:56,280 testified against, watched as he was given the verdict of tretom. 31 00:02:55,280 --> 00:02:58,360 Speaker 3: And in his face no sign of release of joy, 32 00:02:58,560 --> 00:03:03,800 only a newer pallor sudden intense. He tried. 33 00:03:03,879 --> 00:03:07,919 Speaker 4: Then you didn't make my port found join us, mister Welcher. Yeah, 34 00:03:08,240 --> 00:03:13,800 didn't I know? You know something? Then what they say, 35 00:03:13,800 --> 00:03:18,039 I'm innocent, you say it me. I still don't know. 36 00:03:19,199 --> 00:03:20,599 I was out of the world at the time. 37 00:03:20,680 --> 00:03:21,240 Speaker 5: I was drunk. 38 00:03:21,759 --> 00:03:24,879 Speaker 3: That girl either Gray, Yeah. 39 00:03:24,439 --> 00:03:26,439 Speaker 4: Spunky kid to sit up there and tell it into 40 00:03:26,439 --> 00:03:27,840 the teeth of the world that I was with her 41 00:03:27,879 --> 00:03:28,360 at the time. 42 00:03:28,479 --> 00:03:28,919 Speaker 3: Fay was. 43 00:03:31,039 --> 00:03:35,680 Speaker 4: My wife was being killed. I wonder if I had fun. 44 00:03:37,599 --> 00:03:40,080 I wonder if I hadn't had fun while Fay was dying. 45 00:03:40,639 --> 00:03:43,240 She broke our case, saved your life. You want it, 46 00:03:44,520 --> 00:03:47,199 I give it to you. But whatever my life's worth, 47 00:03:47,240 --> 00:03:49,120 now take it, deal it out among your friends. Look, 48 00:03:49,240 --> 00:03:50,639 mister Welsh, a free man. 49 00:03:50,879 --> 00:03:54,159 Speaker 3: What's with this? Free? A man pronounces a word and 50 00:03:54,199 --> 00:03:56,199 that makes me free? 51 00:03:56,479 --> 00:04:01,680 Speaker 4: You Look, Fay's dead. The girl I loved is dead. 52 00:04:02,680 --> 00:04:08,000 A girl you know something then, but it's now the 53 00:04:08,080 --> 00:04:10,159 law of the land. And I didn't kill my wife. 54 00:04:11,319 --> 00:04:12,560 That means someone else did. 55 00:04:12,840 --> 00:04:13,280 Speaker 3: That's right. 56 00:04:14,280 --> 00:04:16,439 Speaker 4: I make your promise out of the goodness in my heart. 57 00:04:17,879 --> 00:04:21,680 I'll get to the killer before you do. Hope to die. 58 00:04:21,720 --> 00:04:24,240 Speaker 6: If I don't, we'll handle it. Mister Welch, you leave 59 00:04:24,279 --> 00:04:24,639 it all to. 60 00:04:26,560 --> 00:04:28,519 Speaker 3: Johnny. I want a picture you and I to hear 61 00:04:28,759 --> 00:04:30,680 and stand close to him mine. That's come on, come on, 62 00:04:30,759 --> 00:04:33,240 get close, touch his face or something. Get out of 63 00:04:33,319 --> 00:04:34,279 here before. 64 00:04:34,120 --> 00:04:36,879 Speaker 7: Oh, Johnny, either saved your don't have to, Johnny if 65 00:04:36,879 --> 00:04:38,480 you don't want to stay. 66 00:04:38,160 --> 00:04:38,480 Speaker 8: Out of it. 67 00:04:38,560 --> 00:04:40,439 Speaker 3: Ah, Hi, the baby, you just stay posed? 68 00:04:40,439 --> 00:04:43,680 Speaker 7: Where come on, Johnny, i'd to hear this pretty girl 69 00:04:43,720 --> 00:04:46,240 here handed your back, your life on a silver plotter. 70 00:04:46,360 --> 00:04:50,240 Speaker 2: I don't know what I'd did, all right, Okay, take 71 00:04:50,279 --> 00:04:56,519 your picture and step aside, so a picture could be made. 72 00:04:56,680 --> 00:05:00,759 A picture of a man Johnny Welch, his eyes dull, unfocused, 73 00:05:01,199 --> 00:05:04,439 the corner of his lips twitching somewhere between pain and hate, 74 00:05:05,000 --> 00:05:07,439 the girl looking up at him, unsmiling, and the man 75 00:05:07,480 --> 00:05:08,360 with the camera. 76 00:05:08,480 --> 00:05:10,639 Speaker 3: Right now try to look glad about him with. 77 00:05:11,000 --> 00:05:16,360 Speaker 2: Host smiles posed happiness for all the world at sea. Okay, 78 00:05:16,519 --> 00:05:19,160 got it, and turn the whole thing over to your memory. 79 00:05:19,920 --> 00:05:30,399 Go away. Spend the next two days for routine, fill 80 00:05:30,439 --> 00:05:33,439 in spaces and report sheets. Sketch up on the paperwork, 81 00:05:34,279 --> 00:05:36,439 Shake a finger at a school teacher from the Midwest 82 00:05:36,439 --> 00:05:38,839 who was clapping her blackboard. E racers on the runway 83 00:05:38,839 --> 00:05:42,680 at Times Square. Speak of a boys club, lose three 84 00:05:42,680 --> 00:05:45,839 boxes of matches at the poker game the squadroom. Catch 85 00:05:45,920 --> 00:05:49,199 up on your reading at home. Then the call comes, 86 00:05:50,319 --> 00:05:51,759 Danny Clover speaking. 87 00:05:51,519 --> 00:05:54,319 Speaker 9: Danny, guy named Larry Wood just got some lips. 88 00:05:54,480 --> 00:05:55,720 Speaker 3: What are you talking about, Sagan? 89 00:05:56,040 --> 00:05:58,240 Speaker 9: Call her name, Larry Ward? Just got sluck? 90 00:05:58,600 --> 00:05:59,839 Speaker 3: All right? Why did you call me? 91 00:06:00,079 --> 00:06:03,199 Speaker 9: You know a guy that could ignore his named Johnny Welch. 92 00:06:03,800 --> 00:06:07,160 Speaker 3: Oh, you pick up Johnny. We're looking what are we 93 00:06:07,279 --> 00:06:08,240 flying with? Larry Moore? 94 00:06:08,480 --> 00:06:23,279 Speaker 9: Say where Johnny lives? For five honest? 95 00:06:23,279 --> 00:06:25,639 Speaker 2: See why you waste your time, mister Clover. I'm not 96 00:06:25,680 --> 00:06:28,519 going to bring chargers against Johnny. Looks like he went 97 00:06:28,519 --> 00:06:30,959 over a pretty good mister Moore. Can you see out 98 00:06:30,959 --> 00:06:33,360 of that left eye? What difference does it make? I'm 99 00:06:33,360 --> 00:06:37,439 not going to press chargers. Why did be champ between 100 00:06:37,439 --> 00:06:37,839 you and me? 101 00:06:38,000 --> 00:06:42,480 Speaker 3: That's all? Okay? He tried to make me confess to 102 00:06:42,560 --> 00:06:44,879 what that i'd killed his wife. 103 00:06:45,319 --> 00:06:48,120 Speaker 6: I see. I guess you want to know why Johnny 104 00:06:48,120 --> 00:06:50,199 would think a thing like that? Euh yeah, I would, 105 00:06:51,079 --> 00:06:54,920 I knew Fay Welch. No, we're well a lot of fellows. 106 00:06:55,360 --> 00:06:57,319 You know, the boys who hung around the bar where 107 00:06:57,360 --> 00:06:58,279 the Welches lived. 108 00:06:58,279 --> 00:06:59,839 Speaker 2: And this is well just to hang around with the 109 00:06:59,839 --> 00:07:03,399 bar pretty much. It came out at the trial. Your 110 00:07:03,600 --> 00:07:06,680 name didn't For what reason? I just played piano for 111 00:07:06,800 --> 00:07:10,839 cocktail hours. I did a request for a plaython. I 112 00:07:10,920 --> 00:07:13,079 just can't understand it this. Some more man comes into 113 00:07:13,120 --> 00:07:15,560 your room accuses you of murdered beats you and I 114 00:07:15,600 --> 00:07:18,879 don't get mad about it? Why should I a guy 115 00:07:18,959 --> 00:07:20,879 like Johnny, a guy like him. 116 00:07:21,000 --> 00:07:21,680 Speaker 3: He's upset. 117 00:07:22,240 --> 00:07:25,000 Speaker 5: He needs to be understood, mister Clover, not arrested. 118 00:07:25,879 --> 00:07:27,800 Speaker 3: What kind of a guy do you think I am? Anyhow? 119 00:07:34,040 --> 00:07:36,800 Speaker 2: And for a moment consider him, Consider the man whose 120 00:07:36,839 --> 00:07:40,000 reaction to the violence done him was compassion. 121 00:07:40,279 --> 00:07:40,839 Speaker 3: Understanding. 122 00:07:42,000 --> 00:07:44,240 Speaker 2: You have come out of a beating from an embittered man, 123 00:07:44,279 --> 00:07:46,439 a man on the prowl, dedicated to the killing of 124 00:07:46,480 --> 00:07:50,120 his wife's murderer, and still Larry Moore makes no charge 125 00:07:50,160 --> 00:07:54,360 against him. Wonder about it, and note your own shock 126 00:07:54,519 --> 00:07:58,600 that you've stained Larry Moore's compassion with suspicion, and leave 127 00:07:58,680 --> 00:08:01,480 with no answer to Larry Moore his question, mister, what 128 00:08:01,600 --> 00:08:02,639 kind of a man he was? 129 00:08:02,720 --> 00:08:03,120 Speaker 3: Anyhow? 130 00:08:09,439 --> 00:08:12,160 Speaker 2: At headquarters issue on all points bulletin for the pickup 131 00:08:12,160 --> 00:08:14,560 of Johnny Welch acquitted of the murder of his wife 132 00:08:14,600 --> 00:08:18,560 because where he walked walked violence and death and strip 133 00:08:18,600 --> 00:08:20,920 off the hours of waiting with routine was talk to 134 00:08:21,000 --> 00:08:21,759 Detective Mondum. 135 00:08:21,920 --> 00:08:24,480 Speaker 6: He isn't safe for the citizens with that guy loose, Danny, 136 00:08:24,519 --> 00:08:25,279 we'll find him. 137 00:08:25,519 --> 00:08:28,040 Speaker 3: He's a sick man right now. You can go so 138 00:08:28,120 --> 00:08:29,240 forest to call him crazy. 139 00:08:29,480 --> 00:08:32,000 Speaker 6: Maybe who knows who's going to choose out of the 140 00:08:32,000 --> 00:08:34,840 crowd to call his wife's murder. This time he just 141 00:08:34,879 --> 00:08:36,600 beats up on a man. Next time, maybe he'll be 142 00:08:36,639 --> 00:08:39,200 more thorough and a sick man turns into a killer. 143 00:08:39,279 --> 00:08:42,440 We'll find him. Sure, we will, mind if I open 144 00:08:42,480 --> 00:08:50,039 the window, Little Danny and stuck, go ahead. A lucky fella, 145 00:08:50,720 --> 00:08:54,559 lucky lucky fella. What you say, Johnny Welch, lucky boy 146 00:08:55,440 --> 00:09:00,440 teaches to know how lucky? No, sure, no, find him 147 00:09:00,440 --> 00:09:02,440 passed out on the floor, dead, drunk, with a bottle 148 00:09:02,480 --> 00:09:03,879 in one hand, a gun on the other. And his 149 00:09:03,960 --> 00:09:05,759 wife say, with a look on her face, the country 150 00:09:05,759 --> 00:09:06,519 being shot to death. 151 00:09:06,600 --> 00:09:08,200 Speaker 3: A real killer could a real killer? 152 00:09:08,519 --> 00:09:11,120 Speaker 2: The real killer could have killed Fay Welch planet the 153 00:09:11,120 --> 00:09:13,519 gun on Johnny because Johnny was two gun to know anything, 154 00:09:14,120 --> 00:09:15,120 it has to be like that. 155 00:09:15,440 --> 00:09:17,519 Speaker 3: Because the jury of his peers said so. 156 00:09:17,960 --> 00:09:18,200 Speaker 5: Well. 157 00:09:18,480 --> 00:09:20,320 Speaker 6: Because a girl, a miss I had a gray hops 158 00:09:20,320 --> 00:09:23,200 a boat from England arrives just in time to telecourt. 159 00:09:23,279 --> 00:09:25,600 Johnny was seeing her off to Europe from the hours 160 00:09:25,600 --> 00:09:27,399 of eleven to two the night his wife was killed. 161 00:09:27,600 --> 00:09:28,120 Speaker 3: This established. 162 00:09:28,159 --> 00:09:30,559 Speaker 6: Missus Welsch was killed around one o'clock that night. I'm 163 00:09:30,559 --> 00:09:34,559 not fighting anything, sure was established. Goes back to what 164 00:09:34,600 --> 00:09:38,279 I was saying. Johnny Welch is a lucky boy comes 165 00:09:38,279 --> 00:09:41,440 home from a party drunk. Stagger's down a hotel hall, 166 00:09:41,440 --> 00:09:44,759 meets an old girlfriend, Ida Grave. She takes him with 167 00:09:44,799 --> 00:09:48,000 it a bitter bomvoyage. This takes till two in the morning. 168 00:09:48,080 --> 00:09:53,360 She said, Alibi freedom. Johnny Welch walks the streets. 169 00:09:55,120 --> 00:09:56,440 Speaker 10: Good day a detective Margvern. 170 00:09:57,080 --> 00:09:58,639 Speaker 3: You know they found Johnny Welch. 171 00:09:58,639 --> 00:10:01,879 Speaker 10: They're keeping him there for you. Where Blossom's barn grew 172 00:10:01,919 --> 00:10:04,399 on Third Avenue, one of them Third Avenue joints at 173 00:10:04,399 --> 00:10:06,720 dispensement with Annie. 174 00:10:06,360 --> 00:10:08,720 Speaker 3: Button up your overcoat would catch gold. 175 00:10:33,759 --> 00:10:43,840 Speaker 6: Johnny, Hi, Johnny, I never said done. How do you feel? 176 00:10:45,120 --> 00:10:45,919 How do I feel? 177 00:10:46,200 --> 00:10:47,679 Speaker 5: Let's get out of here, Johnny. Come on, I want 178 00:10:47,679 --> 00:10:48,080 to talk to you. 179 00:10:48,440 --> 00:10:49,080 Speaker 3: I live here. 180 00:10:49,159 --> 00:10:51,279 Speaker 5: Come on, you have a nice place back at the hotel. 181 00:10:51,360 --> 00:11:00,480 Speaker 4: I live here, my home. Look, Johnny, I feel the 182 00:11:00,519 --> 00:11:05,840 man simple question and begs the simple And I could say, 183 00:11:06,480 --> 00:11:10,600 all right, I feel good. You would say not so good. 184 00:11:11,480 --> 00:11:11,840 Speaker 3: Stop me. 185 00:11:11,879 --> 00:11:14,279 Speaker 4: When I get to the answer to what they've been 186 00:11:14,279 --> 00:11:17,240 doing for the last matter. Don't you drink? Grab the 187 00:11:17,279 --> 00:11:21,240 bottle by the folk? Poor my, my home. 188 00:11:22,399 --> 00:11:24,919 Speaker 3: Drink drink. I'm working, Johnny. I'll do my eyes. So 189 00:11:26,720 --> 00:11:28,039 this is the way it's done. 190 00:11:29,159 --> 00:11:31,639 Speaker 4: Finish a bottle and hold it to the naked eye 191 00:11:32,240 --> 00:11:36,000 like this in a way. 192 00:11:37,799 --> 00:11:39,080 Speaker 3: The empty bottle. 193 00:11:40,240 --> 00:11:48,320 Speaker 4: Things inside. I can see dances, friends with people who smile, 194 00:11:48,480 --> 00:11:53,080 want you to come along. I got no more friends. 195 00:11:53,759 --> 00:11:56,720 What's happened to? No more friends? 196 00:11:57,000 --> 00:11:58,720 Speaker 6: What it will take them a little while to get 197 00:11:58,720 --> 00:12:02,519 your stock? That happened before? A man acquitted a murderous friends? 198 00:12:02,519 --> 00:12:05,799 Speaker 4: Really, I think maybe I did it. After all, they 199 00:12:05,960 --> 00:12:09,279 look at it. They just look at me with you 200 00:12:09,440 --> 00:12:11,919 killed your wife. They don't think that you were acquitted. 201 00:12:11,960 --> 00:12:12,799 Speaker 3: And Fay is dead. 202 00:12:14,960 --> 00:12:16,639 Speaker 4: She was once is nothing. 203 00:12:18,279 --> 00:12:19,240 Speaker 5: You never heard her laugh? 204 00:12:20,480 --> 00:12:20,919 Speaker 6: You talk? 205 00:12:22,799 --> 00:12:23,799 Speaker 3: You saw when. 206 00:12:25,840 --> 00:12:29,159 Speaker 5: John What do you want? I saw Larry Moore a 207 00:12:29,200 --> 00:12:29,919 little while ago. 208 00:12:30,159 --> 00:12:31,720 Speaker 4: I got it on the list. I'm going to see 209 00:12:31,919 --> 00:12:35,399 leave him alone, just to apologize. That's the only reason 210 00:12:35,399 --> 00:12:39,000 why I want to see lot anymore. Apologize because I 211 00:12:39,080 --> 00:12:44,960 slugged him. Apologize that this fee is dead. It's a 212 00:12:45,080 --> 00:12:47,559 tremendous loss to all of us. I'm gonna take it 213 00:12:47,600 --> 00:12:50,519 back to the hotel now. I don't know what I've 214 00:12:50,559 --> 00:12:53,639 been saying at all. Do you get your air out 215 00:12:53,639 --> 00:12:58,080 of the mud. Friend, No, say's something plain. I am 216 00:12:58,120 --> 00:13:02,360 here because Fay is dead. The twelve good men and Trusay. 217 00:13:02,440 --> 00:13:06,039 I didn't kill her, and that's good. If I killed her, 218 00:13:06,080 --> 00:13:09,879 I wouldn't want to live anymore. If I didn't kill her, 219 00:13:10,080 --> 00:13:13,039 someone else did. I told the police, will take care 220 00:13:13,080 --> 00:13:19,159 of it, Johnny Prize. Get out of here, friend, leave 221 00:13:19,200 --> 00:13:19,840 me alone. 222 00:13:21,440 --> 00:13:33,679 Speaker 2: Go on, get out, Leave him alone, Leave him to 223 00:13:33,720 --> 00:13:36,399 the life he wanted, because you have no reason to improve. 224 00:13:37,440 --> 00:13:37,960 Speaker 3: Out on the. 225 00:13:37,879 --> 00:13:41,159 Speaker 4: Street again and uptown, stop up for a sandwich, then 226 00:13:41,200 --> 00:13:43,919 back to work again. Back to headquarters, mark the car 227 00:13:44,000 --> 00:13:48,480 on the lot across from the emergency overhead Addie. 228 00:13:48,320 --> 00:13:51,120 Speaker 2: And the voice of stop she belongs to Detective Muggervan 229 00:13:51,240 --> 00:13:52,720 standing beside an ambulance. 230 00:13:53,919 --> 00:13:56,480 Speaker 3: What's up? Where have you been? What's the difference for 231 00:13:56,480 --> 00:13:58,399 if I've been? What's the matter? Caul came as soon 232 00:13:58,440 --> 00:13:59,559 as you left? And leave? 233 00:13:59,600 --> 00:14:00,279 Speaker 9: Word where be? 234 00:14:00,360 --> 00:14:03,679 Speaker 3: I took it for? What? Hold him? And the fellas? 235 00:14:06,000 --> 00:14:11,240 Take a look? Oh no, Larry Moore, Danny in the morning, 236 00:14:11,279 --> 00:14:14,879 he's beat up. An evening he's dead. 237 00:14:14,879 --> 00:14:18,279 Speaker 4: You see it, Danny, Yeah, I'll see it. Look at 238 00:14:18,799 --> 00:14:21,519 stabbed to death, Danny murdered. 239 00:14:33,600 --> 00:14:34,360 Speaker 3: You are listening to. 240 00:14:34,480 --> 00:14:38,159 Speaker 4: Broadways might be written by Martin Fine and David Friedkin 241 00:14:38,320 --> 00:14:42,759 and starring Larry Thor as Detective Danny Clover. Instead of 242 00:14:42,799 --> 00:14:45,559 going down, the annual rate of polio cases in this 243 00:14:45,679 --> 00:14:49,159 country is going up. Instead of growing panicky with fear 244 00:14:49,200 --> 00:14:51,799 in the face of such an unwelcome fact, there is 245 00:14:51,840 --> 00:14:54,120 a way in which we all can join the army 246 00:14:54,159 --> 00:14:57,039 which is fighting to check this trend and ultimately defeat 247 00:14:57,080 --> 00:15:00,759 infantile paralysis. We can contribute to the Mark of Dimes, 248 00:15:01,279 --> 00:15:04,200 give today, so that the nineteen fifty two March of 249 00:15:04,240 --> 00:15:07,320 Dimes will be the biggest ever and a really potent 250 00:15:07,440 --> 00:15:08,960 fighting force against polio. 251 00:15:19,000 --> 00:15:22,679 Speaker 2: When it's January on Broadway, the darkness drains through the 252 00:15:22,720 --> 00:15:26,440 scarlet of neon before it's called night, and the dreams 253 00:15:26,480 --> 00:15:29,200 that are dreamed, Or a street corner touches the edge 254 00:15:29,200 --> 00:15:31,679 of evening drift away on the black wind. 255 00:15:32,399 --> 00:15:33,799 Speaker 3: The whirlpool of color. 256 00:15:33,840 --> 00:15:37,879 Speaker 2: Flung skyward by the spectacular's dips becomes a riot of 257 00:15:37,919 --> 00:15:41,279 shadows when it touches the street. It's the once upon 258 00:15:41,360 --> 00:15:44,320 a time land wrapped in winter's mists, gray and cold. 259 00:15:45,200 --> 00:15:46,840 The laughter's always at the other end. 260 00:15:46,879 --> 00:15:47,320 Speaker 5: Of the block. 261 00:15:47,960 --> 00:15:59,440 Speaker 2: It's nighttime, crowd time, the lonely time. And consider this 262 00:15:59,559 --> 00:16:02,879 night the playing of a man. Consider facts that man 263 00:16:02,960 --> 00:16:08,600 Larry Moore, suspect Johnny Welch, nighttime work time. Go back 264 00:16:08,639 --> 00:16:11,039 to the bar that Johnny called home. He's not there. 265 00:16:11,759 --> 00:16:15,399 Check his hotel not there, So issue an all points 266 00:16:15,440 --> 00:16:16,679 bullet and again on Johnny. 267 00:16:17,279 --> 00:16:19,519 Speaker 4: It's not to be found. So next morning, go to 268 00:16:19,559 --> 00:16:22,440 a friend of his. I'da Gray, a young woman who 269 00:16:22,440 --> 00:16:23,200 once helped him. 270 00:16:23,639 --> 00:16:25,960 Speaker 8: I can't understand why they didn't announce you down at 271 00:16:26,000 --> 00:16:26,840 the desk, mister Clover. 272 00:16:27,000 --> 00:16:28,759 Speaker 3: I told him I was a policeman. I told him 273 00:16:28,759 --> 00:16:31,840 not to announce. You're afraid i'd fly the crew. 274 00:16:32,399 --> 00:16:33,480 Speaker 8: Am I that important? 275 00:16:33,720 --> 00:16:35,360 Speaker 3: What do you do for a living? Mis Gray? 276 00:16:35,759 --> 00:16:37,559 Speaker 8: I could have told you that over the house phone. 277 00:16:37,679 --> 00:16:41,399 Tell me now, May I be technically right ahead. I'm 278 00:16:41,399 --> 00:16:44,360 a technician, mister Clover. I assist in the preparation of 279 00:16:44,360 --> 00:16:45,519 anti biotic cultures. 280 00:16:46,320 --> 00:16:48,840 Speaker 3: Do I stai you? May I ask you why you 281 00:16:48,919 --> 00:16:51,600 went to your vacation. Not at all work. 282 00:16:52,200 --> 00:16:54,919 Speaker 8: I went over to abserve technique in the manufacture of 283 00:16:54,919 --> 00:17:00,000 antibiotics in England. The Deer reports free exchange of scientific mind. 284 00:17:00,039 --> 00:17:01,639 Speaker 3: I think that was my job. 285 00:17:01,759 --> 00:17:04,359 Speaker 4: And you left for England the night of missus Welcher's 286 00:17:04,440 --> 00:17:08,160 murder and came home during the trial. Fortunate for Johnny, 287 00:17:08,160 --> 00:17:09,960 mister I known. 288 00:17:09,799 --> 00:17:10,359 Speaker 3: Of the murder. 289 00:17:10,359 --> 00:17:15,160 Speaker 8: I would have returned much sooner, honor brother, Poor Johnny. 290 00:17:15,480 --> 00:17:16,440 Speaker 3: You feel sorry for him? 291 00:17:17,680 --> 00:17:19,599 Speaker 8: Just bring him to me, Just going to get my 292 00:17:19,640 --> 00:17:22,200 hands on him, and what I'd never take them away? 293 00:17:25,119 --> 00:17:28,400 Not very scientific talk for a technician like me, is it? 294 00:17:28,960 --> 00:17:32,119 Speaker 4: He killed a man last night, stabbed him to death, 295 00:17:32,119 --> 00:17:34,720 a man named Larry Moore. First Johnny threatened them money. 296 00:17:34,599 --> 00:17:35,960 Speaker 3: Killed him Larry Moore. 297 00:17:35,960 --> 00:17:38,440 Speaker 6: You've probably seen him. Larry Moore played piano downstairs in 298 00:17:38,480 --> 00:17:39,079 a lama. 299 00:17:38,920 --> 00:17:40,400 Speaker 8: And Larry killed Johnny's wife? 300 00:17:40,440 --> 00:17:44,880 Speaker 3: Is that? And who killed Larry? Do you know where 301 00:17:44,960 --> 00:17:45,559 Johnny is? 302 00:17:46,200 --> 00:17:48,119 Speaker 8: Do you find out where it's taken to him? 303 00:17:48,160 --> 00:17:50,480 Speaker 5: Will you'll be here, Missner? 304 00:17:50,960 --> 00:17:53,240 Speaker 8: As a matter of fact, no, I have a date 305 00:17:53,400 --> 00:17:57,039 with a scientific fella. We're going to discuss variable hydrogen 306 00:17:57,079 --> 00:18:01,960 iron concentrations in a amias and culture. God boy, you 307 00:18:02,039 --> 00:18:02,519 might as well. 308 00:18:02,599 --> 00:18:14,480 Speaker 11: Good morning, Manny. 309 00:18:14,960 --> 00:18:18,480 Speaker 3: And something else, Danny, do you want something to You know, 310 00:18:18,880 --> 00:18:19,759 it's not a question. 311 00:18:19,839 --> 00:18:22,000 Speaker 10: Do I want something? Let us say rather it. There's 312 00:18:22,039 --> 00:18:24,799 a question. Do the gentle lady waiting outside your office 313 00:18:24,839 --> 00:18:27,039 wants something? They wish to see you and then the 314 00:18:27,119 --> 00:18:28,839 late to see Sclarry Moore or. 315 00:18:28,759 --> 00:18:29,240 Speaker 3: Bring them in? 316 00:18:29,400 --> 00:18:33,519 Speaker 9: You know they tell me? Who cares what? 317 00:18:33,720 --> 00:18:34,559 Speaker 3: People tell me? 318 00:18:35,599 --> 00:18:37,160 Speaker 9: This way to see Danny Bob. 319 00:18:39,279 --> 00:18:42,119 Speaker 3: If I am needed Danny, you know where to reach me. 320 00:18:43,000 --> 00:18:45,440 The sergeant said, you wanted to see me about Larry Moore. 321 00:18:45,799 --> 00:18:48,759 Speaker 12: Yeah, I'm Chet Tugger from chatting her, miss Hampstead of 322 00:18:49,519 --> 00:18:50,799 And where are you from, honey? 323 00:18:50,880 --> 00:18:54,000 Speaker 3: You never did get around at geography. Where you're from? 324 00:18:54,200 --> 00:18:57,240 Tell us, honey? How are the kids scared? Mister Clover, 325 00:18:57,519 --> 00:19:00,160 that's why she's clammed up. If you knew what I 326 00:19:00,200 --> 00:19:01,759 went through to get her to come down here with 327 00:19:02,359 --> 00:19:04,960 don't be scared, honey, Just come here, mister Duggan. 328 00:19:05,599 --> 00:19:08,599 Speaker 12: Larry and Miss Hampstead and meet Chet Duggart. We were 329 00:19:08,599 --> 00:19:11,240 a happy threesome until it comes a knock on Larry's 330 00:19:11,279 --> 00:19:14,400 hotel room. Larry gets up from the piano to answer it, 331 00:19:14,440 --> 00:19:18,039 so he says to someone, oh, what a pleasant surprise. 332 00:19:18,559 --> 00:19:21,200 Speaker 3: Then he grunts walks back into the room. Can't play 333 00:19:21,200 --> 00:19:22,079 the piano anymore. 334 00:19:22,720 --> 00:19:25,039 Speaker 2: The knife in his chest makes him all thumbs and 335 00:19:25,119 --> 00:19:26,839 you want to tell me you saw who it was 336 00:19:27,400 --> 00:19:29,480 all miss Hampstead, and me want to tell you is 337 00:19:30,000 --> 00:19:32,640 we were there in Larry's hotel room because. 338 00:19:32,319 --> 00:19:34,559 Speaker 12: It got gay and the cocktail arms, didn't it, honey? 339 00:19:34,920 --> 00:19:37,160 And Larry invited us up to hisself for more of 340 00:19:37,200 --> 00:19:40,200 his piano, and we were getting around to the oldies. 341 00:19:40,240 --> 00:19:42,839 Speaker 3: Why didn't you come here before? Oh? Didn't I tell you? 342 00:19:43,400 --> 00:19:44,359 We're from out of town. 343 00:19:44,400 --> 00:19:46,759 Speaker 12: The etiquette of what to do when the piano player 344 00:19:46,839 --> 00:19:50,039 dies is well unknown to us, isn't it? Honey? 345 00:19:50,880 --> 00:19:54,079 Speaker 3: Then comes the down and the etiquette is, oh, pardon 346 00:19:54,079 --> 00:19:54,880 me your phone? 347 00:19:55,559 --> 00:20:00,880 Speaker 2: Danny Clover speaking downstairs in the Bryan and I you 348 00:20:00,920 --> 00:20:03,640 were worried about etique, mister Dugger stuck around. 349 00:20:03,640 --> 00:20:04,799 Speaker 3: We'll try to clear it up for you. 350 00:20:16,319 --> 00:20:18,759 Speaker 4: This gray is going to recover, Danny, so you don't 351 00:20:18,799 --> 00:20:22,039 have to worry about that. Probably concussion bruises. 352 00:20:22,079 --> 00:20:22,799 Speaker 3: Where was she found? 353 00:20:22,839 --> 00:20:27,160 Speaker 6: Like kid In and Aaley, Danny Offwest sixteenth. Here here's 354 00:20:27,200 --> 00:20:31,960 the officer's report. No, I'm trying to look at the start. 355 00:20:32,759 --> 00:20:34,359 Speaker 3: What'd you say? Nothing? 356 00:20:34,720 --> 00:20:37,200 Speaker 5: Just reading the report? That's her room, Danny. You want 357 00:20:37,240 --> 00:20:38,359 to see she conscious? 358 00:20:38,839 --> 00:20:38,920 Speaker 11: No? 359 00:20:39,880 --> 00:20:49,400 Speaker 5: She keeps saying something over and over going what she's saying. 360 00:20:50,079 --> 00:20:57,759 Get close to her, Danny puts your here, close you here, No, 361 00:21:05,880 --> 00:21:06,680 do you understand it? 362 00:21:07,039 --> 00:21:07,119 Speaker 6: Uh? 363 00:21:07,200 --> 00:21:07,319 Speaker 3: Huh? 364 00:21:07,599 --> 00:21:11,119 Speaker 6: You said there wasn't any use bring this in here 365 00:21:11,160 --> 00:21:14,960 with her that case? Yeah, Denny, why do you be 366 00:21:15,000 --> 00:21:15,359 a doctor? 367 00:21:15,440 --> 00:21:15,559 Speaker 9: Huh? 368 00:21:15,640 --> 00:21:18,000 Speaker 3: Doctor? This is the way policeman works. 369 00:21:18,680 --> 00:21:24,680 Speaker 4: Mm's it is, he's Tom Wallets bank book. 370 00:21:25,160 --> 00:21:27,599 Speaker 6: I don't envy you one, did Denny to have to 371 00:21:27,640 --> 00:21:29,799 pick the little things, to have to pry like that? 372 00:21:29,920 --> 00:21:31,000 Speaker 3: Sometimes? Little things? 373 00:21:31,000 --> 00:21:33,440 Speaker 6: Doctor? Would you say? This was a little thing? Well 374 00:21:33,440 --> 00:21:37,440 at this entry and miss Gray's bank book. So she 375 00:21:37,519 --> 00:21:40,559 made it withdrawal and closed her account. Maybe she needed 376 00:21:40,559 --> 00:21:43,680 the money. I found myself face to face with needed money. 377 00:21:43,720 --> 00:21:45,279 But you never have the reason miss Gray? 378 00:21:45,319 --> 00:21:46,960 Speaker 3: Did doctor? Take care of her? 379 00:21:47,240 --> 00:22:01,960 Speaker 13: Don't let her out of your sight? 380 00:22:05,799 --> 00:22:09,920 Speaker 4: Come in Yeah, sure, sure, Danny, we're coming. 381 00:22:10,240 --> 00:22:17,519 Speaker 2: Yeah, shut the door. Are you been muggamon? That's an answer, Yeah, 382 00:22:17,599 --> 00:22:18,759 I consider it an answer. 383 00:22:18,759 --> 00:22:19,279 Speaker 9: What do you want? 384 00:22:19,480 --> 00:22:24,440 Speaker 10: Boys, Boys, Before our lips get pulled any tighter, what's considered? 385 00:22:24,519 --> 00:22:26,960 We have all been chums together for a long time now. 386 00:22:27,000 --> 00:22:29,039 Speaker 2: Donny Welch has been hammering his way through Alley's give 387 00:22:29,079 --> 00:22:30,680 him a little more time. We'll have more debt on 388 00:22:30,680 --> 00:22:32,200 our hands. When are you going to get her out 389 00:22:32,240 --> 00:22:33,079 of finding and muggovin? 390 00:22:33,240 --> 00:22:35,359 Speaker 6: What I do, you'll be the first to know. I 391 00:22:35,440 --> 00:22:37,160 say it in the presence of a wed when I. 392 00:22:37,119 --> 00:22:40,160 Speaker 10: Look as we are all at NERD's edge here a 393 00:22:40,319 --> 00:22:42,000 patience exhausted to the raw. 394 00:22:42,119 --> 00:22:45,599 Speaker 2: Quick How about you, t How does a police sergeant 395 00:22:45,640 --> 00:22:46,559 pass his time. 396 00:22:46,359 --> 00:22:48,960 Speaker 10: Before you say something for which we will all be 397 00:22:49,039 --> 00:22:51,880 ashamed in the morning, Danny, let me tell you what a. 398 00:22:51,839 --> 00:22:53,440 Speaker 3: Police sergeant has been doing. 399 00:22:53,680 --> 00:22:56,400 Speaker 10: He has been helping and scaltering up the nooks and 400 00:22:56,440 --> 00:22:59,920 down the crannies of police doing what is good Lieute 401 00:23:00,079 --> 00:23:02,799 and has ordered him to do. Checking the bank account 402 00:23:02,839 --> 00:23:05,880 of the Lake to see Sally Moore against the aforementioned 403 00:23:05,960 --> 00:23:08,720 same of miss Eiga Gray, who was lately assailed by 404 00:23:08,799 --> 00:23:11,839 person or personal in your found, what I found is 405 00:23:11,839 --> 00:23:14,279 what I hope will make us all friendly once more. 406 00:23:15,000 --> 00:23:17,480 In these two bank books is what I found. He 407 00:23:17,720 --> 00:23:22,599 put your heads together allver than class pains. 408 00:23:24,839 --> 00:23:34,680 Speaker 3: Argument, Yeah, Dan, take a look, do anything too? Yeah? 409 00:23:34,799 --> 00:23:38,039 Speaker 6: Yesterday Larry Moore deposited in his bank the exact amount 410 00:23:38,039 --> 00:23:41,119 Ida Gray withdrew from hers. 411 00:23:40,799 --> 00:23:43,319 Speaker 3: That is what it does to me, Danny blackmail. 412 00:23:43,680 --> 00:23:47,160 Speaker 2: Yeah, doctor Sinsky's with a girl named Ida Gray at 413 00:23:47,160 --> 00:23:48,319 the emergency hospital. 414 00:23:49,200 --> 00:23:51,640 Speaker 3: I want that girl. Book Roger Lokoche, what do you 415 00:23:51,640 --> 00:23:52,119 want to book? 416 00:23:53,039 --> 00:23:54,279 Speaker 9: Hey? Look you what's your idea? 417 00:23:54,319 --> 00:23:55,160 Speaker 3: Tell them who I am? 418 00:23:55,279 --> 00:23:55,559 Speaker 6: Danny? 419 00:23:55,640 --> 00:23:56,519 Speaker 9: They should just start. 420 00:23:56,359 --> 00:23:59,279 Speaker 2: Roughing me forever and without a fat Mardy, you and 421 00:23:59,359 --> 00:24:01,960 bride mag You know a friend of mine. 422 00:24:01,480 --> 00:24:04,000 Speaker 7: In cat You ever afford a cab I hack on 423 00:24:04,079 --> 00:24:05,480 forty thirty Broadways? 424 00:24:05,480 --> 00:24:07,519 Speaker 3: Pleased to meet you, fellow. What's in your mind? Marty? 425 00:24:07,720 --> 00:24:07,920 Speaker 9: Hey? 426 00:24:07,960 --> 00:24:10,200 Speaker 7: Remember the blintes my wife said he made for your 427 00:24:10,240 --> 00:24:11,160 last holidays? 428 00:24:11,319 --> 00:24:12,680 Speaker 3: Remember how you enjoyed them? 429 00:24:12,720 --> 00:24:15,039 Speaker 7: You told me I did enjoy them, Miny, Well, I 430 00:24:15,079 --> 00:24:17,839 got now something you will enjoy even more, and without 431 00:24:17,880 --> 00:24:21,319 sour cream. The whereabouts of the fugitive name of Johnny 432 00:24:21,319 --> 00:24:25,119 Welch where I spotted him sneaking into a flea bag 433 00:24:25,160 --> 00:24:27,839 hotel down to the Bowery, saw the light going on 434 00:24:27,920 --> 00:24:31,319 second floor front, broke a few traffic manifestos getting it 435 00:24:31,359 --> 00:24:31,519 to you. 436 00:24:31,640 --> 00:24:35,319 Speaker 6: Danny, however, take me there, Marty, Danny, Yeah, what do 437 00:24:35,359 --> 00:24:36,640 you want that girl? 438 00:24:36,759 --> 00:24:39,160 Speaker 3: Doctor Sinsky? What do we book it for? For murder? 439 00:24:39,640 --> 00:24:41,240 Come on, Marty, take me to Johnny Welch. 440 00:24:48,720 --> 00:24:51,559 Speaker 6: So going down to a familiar place, familiar because it's 441 00:24:51,559 --> 00:24:55,599 called the Bowery, because it's the place where dreams are lost. 442 00:24:55,440 --> 00:24:59,720 Speaker 3: And violence is born. That one, Danny, that one. 443 00:24:59,759 --> 00:24:59,960 Speaker 9: Right now. 444 00:25:01,799 --> 00:25:04,480 Speaker 3: The air is chilled with many things. 445 00:25:04,519 --> 00:25:08,519 Speaker 2: The figure huddled against the night wind, cold, chuck scratched 446 00:25:08,519 --> 00:25:11,039 on a brick wall, dampness on lips, as a woman 447 00:25:11,119 --> 00:25:14,759 watches you walk by and into the derelict hotel and 448 00:25:14,920 --> 00:25:18,799 up the steps, and think, briefly, this is the sound. 449 00:25:18,559 --> 00:25:24,519 Speaker 3: Of a winter's grave, Danny. 450 00:25:25,359 --> 00:25:31,400 Speaker 6: That's right, Johnny. And the face of Johnny Welch is 451 00:25:31,440 --> 00:25:34,000 the face of the grave without. 452 00:25:33,720 --> 00:25:36,359 Speaker 5: Me, not expression, lifeless. 453 00:25:36,640 --> 00:25:39,640 Speaker 4: I've been waiting for you, Danny. Oh, I thought you 454 00:25:39,640 --> 00:25:43,720 were hiding, hiding, that's what you did, Johnny. No, No, 455 00:25:43,880 --> 00:25:44,759 you've got it all wrong. 456 00:25:45,519 --> 00:25:46,400 Speaker 3: Tell me about. 457 00:25:46,119 --> 00:25:50,319 Speaker 4: Her, the reason why I am here, That's right. I 458 00:25:50,400 --> 00:25:53,440 don't know any other place for me. It's no other 459 00:25:53,480 --> 00:25:57,240 place left on it. Even the people in the bottom 460 00:25:57,240 --> 00:26:00,440 of the bottle days the way Barrymore, they're not in 461 00:26:00,519 --> 00:26:07,000 your life anymore, Larry, he's dead. I didn't know i'd 462 00:26:07,000 --> 00:26:13,559 be making Ida Ida always Ida. I saw her a 463 00:26:13,559 --> 00:26:16,720 while ago. She rubbed her cheek against me and said 464 00:26:16,720 --> 00:26:21,079 things she'd never believe to me. She said she loved me. 465 00:26:23,039 --> 00:26:23,480 Speaker 5: You find it? 466 00:26:24,000 --> 00:26:28,880 Speaker 3: H huh? She killed Larry Man. She didn't tell me. 467 00:26:29,519 --> 00:26:32,119 Speaker 4: Maybe you didn't give her a chance. I gave her 468 00:26:32,119 --> 00:26:36,359 all the time she needed. She talked and talked things 469 00:26:36,359 --> 00:26:38,200 she told me. Did she tell you how she parjured 470 00:26:38,240 --> 00:26:40,160 herself for you? How you were never with her the 471 00:26:40,240 --> 00:26:43,559 night of your wife's Murther, she told me you almost 472 00:26:43,640 --> 00:26:46,359 killed Ida for it. I told you something once, Danny, 473 00:26:46,880 --> 00:26:49,039 I told you if I killed my wife, I didn't want. 474 00:26:48,920 --> 00:26:52,599 Speaker 3: To live anymore. I meant, now you know you killed her? 475 00:26:52,599 --> 00:26:53,359 Don't you that. 476 00:26:55,000 --> 00:26:57,480 Speaker 4: You can't touch me for her? Because I was acquitted 477 00:26:58,799 --> 00:27:02,160 double jeopardy. State can't try a man twice for the 478 00:27:02,200 --> 00:27:05,519 same crime. That's right, Johnny. We can't hold you for 479 00:27:05,559 --> 00:27:07,559 a sulf with intent to kill her for a long 480 00:27:07,640 --> 00:27:11,400 time intent, didn't I make it? 481 00:27:11,759 --> 00:27:12,039 Speaker 3: No? 482 00:27:13,799 --> 00:27:16,680 Speaker 4: What's gonna happen to either? You know should be tried 483 00:27:16,720 --> 00:27:21,200 for murder? Why'd she kill him? Mary Moore must have 484 00:27:21,279 --> 00:27:23,240 known she was lying on the stand at the trial. 485 00:27:23,839 --> 00:27:25,440 He worked at the hotel. He saw I had to 486 00:27:25,519 --> 00:27:27,240 leave for the boat by herself. 487 00:27:26,960 --> 00:27:27,400 Speaker 3: Not for you. 488 00:27:28,279 --> 00:27:33,000 Speaker 6: But he was blackmailinger wisdom. Yeah, and all she wanted 489 00:27:33,119 --> 00:27:36,000 was you. That's why she fortured herself, got you off. 490 00:27:37,240 --> 00:27:39,160 I asked you before, Johnny, why'd you beat her up? 491 00:27:40,039 --> 00:27:43,319 Save in my life? He told you, I don't want 492 00:27:43,319 --> 00:27:44,279 to live now that I know. 493 00:27:44,279 --> 00:27:44,759 Speaker 11: What I did. 494 00:27:45,799 --> 00:27:51,160 Speaker 4: You'll live prison, Johnny should. He'd install it for a while, Dannie, 495 00:27:51,839 --> 00:27:55,160 And then I'll come back here, look at this place, 496 00:27:56,240 --> 00:27:59,720 and go over to the wind and look outside, got 497 00:27:59,720 --> 00:28:03,599 it and top to bottom all oh me as long 498 00:28:03,640 --> 00:28:07,839 as you want. And then I'm coming back to why 499 00:28:09,000 --> 00:28:12,680 why let's be in dead got that this hasn't yet. 500 00:28:31,119 --> 00:28:32,599 Speaker 3: It's a panic in neon. 501 00:28:32,720 --> 00:28:36,759 Speaker 4: That's Broadway, where pleasure is a package commodity like pain, 502 00:28:37,519 --> 00:28:40,839 where bargain prices prevail for numbness in the half hour. 503 00:28:40,720 --> 00:28:42,920 Speaker 3: Smile sometimes on installments. 504 00:28:44,480 --> 00:28:47,319 Speaker 2: It's the place that dares you, and one way or 505 00:28:47,359 --> 00:28:53,200 another it'll rock you asleep. It's Broadways, the gaudiest, the 506 00:28:53,279 --> 00:28:59,240 most violent, the lonesomest mile in the one Broadway. 507 00:29:00,519 --> 00:29:01,000 Speaker 3: My feet. 508 00:29:16,799 --> 00:29:20,799 Speaker 4: Broadway's My Beat stars Larry Thor as Detective Danny Clover, 509 00:29:21,240 --> 00:29:24,799 with Charles Calvert asta Taglia and Jack Krushian as Magavan. 510 00:29:25,480 --> 00:29:28,400 The program was produced and directed by Elliot Lewis, with 511 00:29:28,599 --> 00:29:33,319 musical store composed and conducted by Alexander Courage. End tonight's story, 512 00:29:33,359 --> 00:29:36,440 Harry Bartel was heard as Johnny Welch. Featured in the 513 00:29:36,519 --> 00:29:44,559 cast were Mary Shipp, Sheppard, Menken, Steve Roberts, and Jerry Hausner. All, 514 00:29:44,680 --> 00:29:47,880 Miss Brooks is your Miss Brooks every Sunday evening over 515 00:29:47,960 --> 00:29:52,160 most of these same CBS Radio stations. CBS comedy fans, No, 516 00:29:52,319 --> 00:29:56,359 she's really the sparkling comedian Eve Arden, Folks who haven't 517 00:29:56,400 --> 00:30:00,240 met mister Boynton education slinging, Eve's bashful boyfriend, and the 518 00:30:00,240 --> 00:30:03,160 rest of our Miss Brooks laugh mates shouldn't let another 519 00:30:03,279 --> 00:30:10,920 Sunday pass without enjoying this refreshing CBS Last Spreader, Bill 520 00:30:11,000 --> 00:30:14,759 Andrews speaking, And remember those lovable rascals, Amos and Andy are 521 00:30:14,799 --> 00:30:18,480 here every Sunday on the CBS Radio Network. 522 00:31:13,400 --> 00:31:18,079 Speaker 1: Welcome back as always. I really tend to find the 523 00:31:18,279 --> 00:31:23,559 interpersonal relationship part of these episodes to me somewhat of 524 00:31:23,599 --> 00:31:28,160 an interesting window. And it's nice to hear Gino being 525 00:31:28,200 --> 00:31:31,599 the one to make some peace. And you have a 526 00:31:31,720 --> 00:31:36,160 situation here with Danny and you would experience and all 527 00:31:36,599 --> 00:31:41,920 other programs, but technically the protagonist is on the receiving 528 00:31:42,240 --> 00:31:48,680 end of the senior officers, usually a captain, complaining about 529 00:31:48,720 --> 00:31:53,519 the lack of progress. It's not particularly constructive, but you 530 00:31:53,559 --> 00:31:58,480 have any doing it and Muggavan pushing back and artagonally 531 00:31:58,519 --> 00:32:01,519 out trying to head off the and I appreciated the 532 00:32:01,519 --> 00:32:06,119 part where he stopped Denny's coming stream of insults and 533 00:32:06,200 --> 00:32:10,480 questions like yo, you're gonna regret that, getting things into 534 00:32:10,640 --> 00:32:14,960 a more productive direction. All right, well, now it's time 535 00:32:15,000 --> 00:32:18,880 to think. Our Patreon supporter of the day. Thank you 536 00:32:19,000 --> 00:32:24,240 to Patrick, Patreon supporter since October twenty twenty three, currently 537 00:32:24,279 --> 00:32:28,720 supporting me podcast at the Master Detective level of fifteen 538 00:32:28,759 --> 00:32:31,960 dollars or more per month. Thanks so much for your support, Patrick, 539 00:32:32,480 --> 00:32:35,119 and that will do it for today. If you're enjoying 540 00:32:35,160 --> 00:32:39,799 the podcast, please follow us using your favorite podcast software 541 00:32:40,440 --> 00:32:43,039 and be sure to rate and review the podcast wherever 542 00:32:43,079 --> 00:32:47,279 you download it from. We'll be back next Wednesday with 543 00:32:47,400 --> 00:32:51,559 another episode of Broadways My Beat, but join us back 544 00:32:51,599 --> 00:32:55,960 here tomorrow for Dragnet Where Oh Went? 545 00:32:56,000 --> 00:32:57,640 Speaker 14: I found the girl and two men in the room 546 00:32:57,640 --> 00:33:00,519 facing on the street. Girl was fixing upon for herself 547 00:33:00,519 --> 00:33:02,960 when I came in, two caps of heroin on the table. 548 00:33:02,720 --> 00:33:04,359 Speaker 3: In front of her. What'd you do? Then? 549 00:33:05,119 --> 00:33:06,759 Speaker 14: I made a grab for the two caps. One of 550 00:33:06,799 --> 00:33:08,680 the guys beat me to it. He got him, ran 551 00:33:08,720 --> 00:33:10,319 to the next room and tried to flush him down 552 00:33:10,319 --> 00:33:12,759 the drain. He didn't quite make it, though, I got 553 00:33:12,759 --> 00:33:14,240 one of the caps before he could get rid of it. 554 00:33:14,359 --> 00:33:14,960 Speaker 3: What'd you do? Then? 555 00:33:15,000 --> 00:33:17,680 Speaker 14: Blanted and I sat the three of them down, called 556 00:33:17,680 --> 00:33:20,119 into the office. I checked the room over while we 557 00:33:20,119 --> 00:33:22,920 were waiting, found two more caps of heroin, usual equipment 558 00:33:22,960 --> 00:33:23,440 to go with it. 559 00:33:24,400 --> 00:33:25,279 Speaker 3: When the radio car. 560 00:33:25,160 --> 00:33:26,839 Speaker 14: Showed up, the three of them were taking Downtown and 561 00:33:26,920 --> 00:33:28,079 Narcotic squad and booked. 562 00:33:28,519 --> 00:33:29,640 Speaker 5: It's all I can tell you about it. 563 00:33:29,880 --> 00:33:32,440 Speaker 15: Well, during the time you were waiting there in the room, Blanche, 564 00:33:32,559 --> 00:33:34,319 did you have any trouble with this aspects at all? 565 00:33:35,079 --> 00:33:36,640 Speaker 14: I got a lot of talk from one of the men, 566 00:33:36,720 --> 00:33:38,960 fellow by the name of Evans, he's supposed to run 567 00:33:39,000 --> 00:33:41,400 the boarding house, claims he didn't have anything to do 568 00:33:41,519 --> 00:33:41,680 with it. 569 00:33:41,759 --> 00:33:43,359 Speaker 3: He didn't know the girl was a hype, you know, 570 00:33:43,440 --> 00:33:45,119 the usual stuff, and that was the extent of it. 571 00:33:45,240 --> 00:33:46,640 Just tough, sure, that's all. 572 00:33:46,799 --> 00:33:49,640 Speaker 15: Why, Well, that's not the story According to Evans, he 573 00:33:49,680 --> 00:33:51,480 had his lawyer bailed him out last night. He was 574 00:33:51,519 --> 00:33:52,839 in the file charges against you. 575 00:33:53,440 --> 00:33:54,880 Speaker 3: Huh, what do you mean? 576 00:33:54,960 --> 00:33:55,720 Speaker 5: Salt and battery? 577 00:33:55,920 --> 00:33:57,720 Speaker 15: He claims that you worked him over for no reason 578 00:33:57,720 --> 00:33:59,799 at Allway says you beat him up and dislocated his shoulder. 579 00:34:00,039 --> 00:34:02,440 Speaker 5: Oh, he's crazy. He's lying. I didn't work him over 580 00:34:02,519 --> 00:34:03,000 at he says. 581 00:34:03,000 --> 00:34:05,079 Speaker 15: He's got witnesses to prove it. Blanchard. The two people 582 00:34:05,079 --> 00:34:07,000 who were with him, the woman the other man, he 583 00:34:07,039 --> 00:34:09,119 says elsewhere, that's what you did, But. 584 00:34:09,079 --> 00:34:11,360 Speaker 14: It's not true. They're trying to cook up a frame. 585 00:34:11,400 --> 00:34:13,199 I didn't touch any of them. Well, Evans looked like 586 00:34:13,199 --> 00:34:15,400 he's been messed up, cuts and bruises all over his face, 587 00:34:15,400 --> 00:34:18,000 his shoulders fairly recent too. I know that, but I 588 00:34:18,039 --> 00:34:20,039 didn't do it. He was in the same shape when 589 00:34:20,039 --> 00:34:22,360 I found him up in that room yesterday. Matter of fact, 590 00:34:22,400 --> 00:34:24,559 I asked him about it. He wouldn't tell me. It's 591 00:34:24,559 --> 00:34:26,280 the truth, Sergeant so helped me. All three of them 592 00:34:26,320 --> 00:34:27,559 are lying I didn't beat him up. 593 00:34:27,639 --> 00:34:29,920 Speaker 15: Well, it's your word against theirs. Blanchard, the fact scene 594 00:34:29,920 --> 00:34:31,000 the favor Evans. 595 00:34:31,360 --> 00:34:32,400 Speaker 5: I don't get this at all. 596 00:34:32,639 --> 00:34:34,800 Speaker 14: Two of those people are known hype states, whear anything 597 00:34:34,840 --> 00:34:36,679 for a free cap. You know that what good is 598 00:34:36,719 --> 00:34:37,079 their word? 599 00:34:37,199 --> 00:34:38,800 Speaker 3: Maybe no good at all. It's not up to us 600 00:34:38,840 --> 00:34:41,079 to decide. Evans failed to complaint to our job to 601 00:34:41,079 --> 00:34:41,639 follow through. 602 00:34:42,199 --> 00:34:43,880 Speaker 15: Now you're sure about the shape Evans was in when 603 00:34:43,880 --> 00:34:45,800 you found him up in that room yesterday? Blanched. He 604 00:34:45,840 --> 00:34:46,599 was already marked up? 605 00:34:46,639 --> 00:34:48,400 Speaker 3: Is that right? I'm sure he was. I told you 606 00:34:48,440 --> 00:34:50,039 I asked him about it. He wouldn't answer me. 607 00:34:50,119 --> 00:34:51,800 Speaker 15: But you had no way of proving that you couldn't 608 00:34:51,800 --> 00:34:53,360 possibly have been responsible for it. 609 00:34:53,760 --> 00:34:55,440 Speaker 5: Well, it's up to him, isn't it, Evans? 610 00:34:55,840 --> 00:34:56,800 Speaker 14: He says, I worked him over. 611 00:34:56,880 --> 00:34:58,920 Speaker 3: Let him prove it. Well'm praid he's got the jump. There, 612 00:34:58,920 --> 00:34:59,639 two witnesses. 613 00:35:00,000 --> 00:35:02,239 Speaker 1: I hope you'll be with us then in the meantime. 614 00:35:02,559 --> 00:35:07,519 Send your comments to Box thirteen at Great Detectives dot net, 615 00:35:07,920 --> 00:35:11,719 follow us on Twitter at Radio Detectives, and check us 616 00:35:11,719 --> 00:35:17,719 out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho. 617 00:35:17,920 --> 00:35:20,760 This is your host, Adam Graham signing off.