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<v Speaker 1>Hi, a fab say how about ouch?

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<v Speaker 2>Does that answer your question? Buddy?

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<v Speaker 3>The Adventures of Mazie starring and Southern.

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<v Speaker 1>You all remember Metro Golden Mayor's famous Mazie picus Just

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<v Speaker 1>a moment you hear Mazy and Radio starring the same

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<v Speaker 1>glamorous star you all went to see and loved on

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<v Speaker 1>the screen.

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<v Speaker 4>And Southern.

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<v Speaker 1>But first you're an ouncer, and now here's Anne Southern

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<v Speaker 1>as Mazie.

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<v Speaker 2>Yep, I'm Mazie, like he said, Maizie Revere from Brooklyn.

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<v Speaker 2>I'm in show business.

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<v Speaker 5>You know.

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<v Speaker 2>If you're putting on a musical, I'll be glad to sing, dance,

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<v Speaker 2>tell funny stories, or even sweep up the place.

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<v Speaker 6>Yep.

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<v Speaker 2>The theater's in my blood. But if I don't start

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<v Speaker 2>eating more often, there'll be very little else in it.

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<v Speaker 2>I've always wanted a job with a little more security,

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<v Speaker 2>and I've thought about working in the post office, but

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<v Speaker 2>there's no future. Even after you learn the business. You

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<v Speaker 2>can't open your own post office. So I keep on

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<v Speaker 2>making the rounds of the book, an agent to producers,

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<v Speaker 2>and do a little phone slot feeling on the side.

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<v Speaker 2>Sometimes I pick up as much as a half a buck,

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<v Speaker 2>depends on how I'm feeling well today. I was just

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<v Speaker 2>about to leave Missus Kennedy's rooming house, where my boyfriend

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<v Speaker 2>Eddie Jordan and I live, when the phone rang. The

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<v Speaker 2>city editor of one of the newspapers wanted to see me,

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<v Speaker 2>so I hurried right down to a doctor. Did you

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<v Speaker 2>want to see me? Mister Krank?

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<v Speaker 5>Why do you think I sent for you? And I'll

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<v Speaker 5>sit down and.

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<v Speaker 2>Shut up, mister k This is going to hurt you

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<v Speaker 2>more than it does me. Oh you'll hit me, and

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<v Speaker 2>it's absolutely correct.

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<v Speaker 5>You're fired.

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<v Speaker 2>Okay, getting my two weeks pay and I'll go pick

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<v Speaker 2>it up at.

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<v Speaker 5>The cashier's opposite. Wait a minute, I haven't even hired you.

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<v Speaker 2>Yet, that's right. And nobody's going to insult mazy with

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<v Speaker 2>here without paying for it, either in cash or through

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<v Speaker 2>the nose.

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<v Speaker 5>Yeah, well, I prefer to bleed a little. I'm sorry

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<v Speaker 5>I yelled at you. Amazing. I get used to thinking everybody.

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<v Speaker 4>As a reporter.

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<v Speaker 2>Well that's all right.

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<v Speaker 7>You know.

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<v Speaker 5>I used to be a nice guy.

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<v Speaker 8>And then I saw a few movies were city editors

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<v Speaker 8>in them, and I realized I was completely on a character.

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<v Speaker 5>So I became a first class stinker.

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<v Speaker 2>Oh, I wouldn't say that. I think you're more of

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<v Speaker 2>a second class stinker.

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<v Speaker 4>Oh, thank you.

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<v Speaker 2>Oh that's all right. I'm always glad to say something nice,

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<v Speaker 2>even if it isn't true. Well, now let's get down

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<v Speaker 2>to business. What do you want to see me about it?

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<v Speaker 5>Will I?

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<v Speaker 7>Oh?

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<v Speaker 2>I better put my coat back on so you can

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<v Speaker 2>concentrate it is.

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<v Speaker 5>Thank you, Now let's see.

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<v Speaker 8>Oh of course, a maajee as I remember you conducted

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<v Speaker 8>our advice to the love law on column once when

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<v Speaker 8>Mary Jane was on vacation.

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<v Speaker 2>Oh sure, they don't be stupid ass, stupid column.

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<v Speaker 8>Mary Jane is going to take another vacation, So we

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<v Speaker 8>need another substitute. Frankly, I didn't know whether I hire

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<v Speaker 8>you again or use our janitor. Then I decided we

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<v Speaker 8>needed the woman's touch.

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<v Speaker 2>Well, thanks for your confidence and my qualifications. I am

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<v Speaker 2>a woman.

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<v Speaker 5>Who needs to be told that. Do you want the job?

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<v Speaker 2>How about money?

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<v Speaker 8>Oh all right, we'll pay money. I was hoping you'd

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<v Speaker 8>take your salary and papers.

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<v Speaker 2>You think I got rocks in my head or reach

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<v Speaker 2>this paper?

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<v Speaker 5>I offened wonder myself. All right, I suppose I offer you.

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<v Speaker 6>It isn't enough, you know me pretty well, don't you.

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<v Speaker 2>You bet I do. Now, suppose you pay me a

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<v Speaker 2>salary of.

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<v Speaker 5>That that's too much?

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<v Speaker 2>Well, okay, suppose we compromise it fifty dollars a week.

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<v Speaker 5>It's a deal. Shall we shake on it?

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<v Speaker 2>No, let's put it in writing, coward.

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<v Speaker 5>Well, now you're working for me, aren't you?

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<v Speaker 6>Yes?

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<v Speaker 2>I am.

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<v Speaker 5>Then get a move on and get to work.

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<v Speaker 4>Yes, sir, Let's see what missus Kennedy's got in the refrigerator.

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<v Speaker 4>It's lock.

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<v Speaker 9>Get your grabby hands away from that refrigerator.

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<v Speaker 4>Missus Kennedy on behalf of all the inhabitants of your

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<v Speaker 4>rooming house. I resent you putting a lock on the refrigerator.

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<v Speaker 4>You think we weren't trustworthy.

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<v Speaker 9>Look here, ready, georgan, I know my rumors, and they're

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<v Speaker 9>the cheapest, ginziest, chiseliniest in their room.

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<v Speaker 7>Cooking this a bunch of burglars ever assembled under one roof?

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<v Speaker 3>Are you insinuating that I'm a burglar?

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<v Speaker 9>You bet you're the champion. What were you doing by

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<v Speaker 9>the refrigerator?

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<v Speaker 4>I was just admiring the lock. Of course, I am

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<v Speaker 4>a little hungry, so I thought i'd come in and

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<v Speaker 4>smell the food. A rouma that drifts out where the

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<v Speaker 4>door gas ethleiques.

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<v Speaker 7>Okay, I'll accept that.

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<v Speaker 4>Lie, all right, all right, So I was going to

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<v Speaker 4>snitch a chicken leg I can't help it, Missus Kennedy.

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<v Speaker 4>When I'm unhappy, I have to eat. You know how

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<v Speaker 4>long Maizie and I have been going together?

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<v Speaker 7>Sure, the poor girl.

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<v Speaker 4>Anyway, we've been fighting lately.

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<v Speaker 9>Congratulations, Eddie. That's the best part of being in love.

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<v Speaker 7>Oh.

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<v Speaker 9>When my boyfriend Lester and I feel that love is dying,

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<v Speaker 9>we stand toe to toe and slug it out. That

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<v Speaker 9>always warms up the old romance.

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<v Speaker 4>Not with me. I think my trouble is psychological.

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<v Speaker 7>Psychological.

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<v Speaker 4>Oh, I haven't had a regular job for a while,

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<v Speaker 4>and well, when we go out on a date, Maizie

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<v Speaker 4>usually has to pay my way. I feel bad about it,

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<v Speaker 4>but it passes. No, it doesn't. Things just aren't the

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<v Speaker 4>same as when I had a regular job. Then all

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<v Speaker 4>she had to do is pay her ownly.

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<v Speaker 7>Eddie.

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<v Speaker 9>I've got an idea. Why don't you write a letter

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<v Speaker 9>to the Don't be stupid, ask stupid column?

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<v Speaker 4>You think I get some good advice?

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<v Speaker 5>Sure, Merton Fallsgruber.

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<v Speaker 7>Get away from that ice botel.

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<v Speaker 10>Oh, Hello, Eddie. Hello, Missus Kennedy. Hey gee, not usually

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<v Speaker 10>in the kitchen at this hour.

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<v Speaker 9>I'll bet it's you who's been drinking the cream off

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<v Speaker 9>the top of the milk.

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<v Speaker 10>Oh no, Missus Kennedy murin, yeah, I've done it.

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<v Speaker 6>And what are you people doing out here? Anyway?

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<v Speaker 3>Nothing, I'm willing please, Missus Kennedy.

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<v Speaker 7>Well I'm not too old for it, you know.

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<v Speaker 6>That's what Eddie was telling me the other day.

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<v Speaker 10>There's a lot of life in the old Turkey, he said,

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<v Speaker 10>So what were you doing here?

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<v Speaker 9>So Eddie was just telling me that he and mad

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<v Speaker 9>Missus Kennedy.

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<v Speaker 6>Oh gee, Eddie, I'm sorry to hear.

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<v Speaker 4>That white that smirk off your face.

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<v Speaker 10>Maybe Mayzee, you'd like a younger and more interesting man

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<v Speaker 10>who isn't as beat up as you.

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<v Speaker 4>Do me a favor. Will you get down to the

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<v Speaker 4>east Riverend pull a wave over your head.

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<v Speaker 9>Oh yeah, boys, Personally, I don't mind if you both

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<v Speaker 9>shoot each other, but I don't want to break in

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<v Speaker 9>two new rumors.

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<v Speaker 4>Well, Missus Kennedy, can you imagine Mazie having any interest

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<v Speaker 4>whatsoever in this rebolding little character?

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<v Speaker 7>Oh yeah, you can't tell Eddie. He's got a certain charm.

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<v Speaker 6>That's me Gal.

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<v Speaker 9>Maybe now that Eddie's losing out, you've got a chance.

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<v Speaker 4>Yeah. Well, I'm going to write into the Don't be

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<v Speaker 4>stupid ass cupid color. I'm gonna get some advice on

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<v Speaker 4>how to keep Mazie interested in me?

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<v Speaker 10>All right, And I'll write in and get some advice

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<v Speaker 10>on how to win a girl who's slightly older than me.

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<v Speaker 10>Are you going to sign your own names lot and

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<v Speaker 10>have everybody in the shipping room laughing at me?

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<v Speaker 4>Uh huh.

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<v Speaker 6>I'm gonna write it under another name.

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<v Speaker 4>I think I'll use the name of Hm Handsome. Oh,

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<v Speaker 4>and I'll.

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<v Speaker 6>Be known as sophisticated.

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<v Speaker 11>Oh, poor cupid, amazy?

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<v Speaker 2>Oh, good morning, mister kunch. How's that jolly old, happy,

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<v Speaker 2>go lucky city Edico?

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<v Speaker 5>Oh, spare me your witnesses. And I don't feel good?

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<v Speaker 2>What's wrong? Everything going too smoothly? You look like you

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<v Speaker 2>had a glass of vinegar for breakfast.

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<v Speaker 5>I ate something.

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<v Speaker 4>They didn't agree with me.

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<v Speaker 2>Well, what do you want?

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<v Speaker 8>I thought I told you not to tell anybody you

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<v Speaker 8>were substituting on the Don't be stupid ask you but

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<v Speaker 8>got them.

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<v Speaker 5>There's a tired old tomato outside and wants to see you.

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<v Speaker 2>Oh well, that must be my landlady, missus Kennedy. I

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<v Speaker 2>told her if she came down to paper, i'd pair

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<v Speaker 2>the rand. Ioway, I knew.

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<v Speaker 5>I could have got you for thirty five.

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<v Speaker 2>Well, I save your tears and tell missus Kenny to

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<v Speaker 2>come in here now, hop do it, okay.

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<v Speaker 5>Right away? Who are you ordering around?

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<v Speaker 2>You get going already? I want a boss. He's got

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<v Speaker 2>a personality like a temporary feeling. Well, missus Kennedy, I'll

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<v Speaker 2>keep this a secret. I'm sure. Let's see how I'll

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<v Speaker 2>get the red money out.

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<v Speaker 9>Hello, Maze, I just dropped in the chat for a moment.

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<v Speaker 9>Where's the money right here? Missus Kennedy? Thank you?

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<v Speaker 7>What are you doing here? Well?

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<v Speaker 2>Can you keep a secret?

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<v Speaker 7>Amazing? You know me?

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<v Speaker 2>Yeah, but I'll tell you anyway. I'm conducting that. Don't

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<v Speaker 2>be stupid as cupid column you hard? What's funny?

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<v Speaker 5>I don't know, No, no, no, no, Mazy, it's just honey.

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<v Speaker 9>It's just that i'd expect the person who answers those

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<v Speaker 9>letters to be older and more experienced.

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<v Speaker 2>Well, I'm old enough, and I'm experienced as a girl

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<v Speaker 2>can be without getting arrested. Yeah, now, now listen to

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<v Speaker 2>some of these letters. Well, now here's one, Dear Cupid.

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<v Speaker 2>The man I'm going with is very nice, but occasionally

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<v Speaker 2>I find out he has lied to me about something.

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<v Speaker 2>Is it all right to marry a man who lies?

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<v Speaker 2>Signed Anxious?

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<v Speaker 7>What are you gonna say?

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<v Speaker 2>Oh, Sezy, Dear Anxious, There isn't any other kind signed Cupid?

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<v Speaker 7>How true?

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<v Speaker 5>How true?

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<v Speaker 7>Oh?

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<v Speaker 9>Here's one, Dear Cupid. Is it proper for a girl

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<v Speaker 9>to put her arms around a man's waist while they're

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<v Speaker 9>out walking?

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<v Speaker 6>Signed Eager?

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<v Speaker 2>Well, I think I'll say, Dear Eager, No, it is

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<v Speaker 2>not proper unless his arms are full of bundles and

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<v Speaker 2>his pants are coming down.

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<v Speaker 7>Very logical. Oh, here's one you've got to answer. It's

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<v Speaker 7>signed sign Handsome.

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<v Speaker 6>What to say?

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<v Speaker 9>He says that, Dear Cupid, I have been going steady

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<v Speaker 9>with a girl for a couple of years, but lately

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<v Speaker 9>I haven't been making very much money, and she started

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<v Speaker 9>brushing me off. Well, now there's a girl who's a

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<v Speaker 9>real rat.

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<v Speaker 7>What a wonderful judge of character you are.

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<v Speaker 9>Since she pays the check when we go out, she

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<v Speaker 9>thinks she owns me and is entitled to boss me around.

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<v Speaker 9>She's breaking my spirits graceful Nowadays I have to say,

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<v Speaker 9>how's about a kiss?

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<v Speaker 7>Baby? Please?

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<v Speaker 2>But it's girls like this who ruin guys for girls

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<v Speaker 2>like me?

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<v Speaker 7>Where you should know, Basie.

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<v Speaker 9>Here's the rest of it. How can I get her

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<v Speaker 9>interested in me again? What can I do to keep

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<v Speaker 9>her from taking me for granted? Sign Handsome?

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<v Speaker 2>Of course, I don't see why the guy pays any

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<v Speaker 2>attention to that girl.

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<v Speaker 7>Oh, Mazy, don't be too hard on the girl. If

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<v Speaker 7>you knew her, you might like her.

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<v Speaker 2>Ugh, it's not possible. Well let's see, I'll say, Dear Handsome. Personally,

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<v Speaker 2>I think your girl sounds like a turkey. But if

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<v Speaker 2>you insist on her, why not try being the rough, tough,

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<v Speaker 2>hard boiled type. Kick her around a little, show her

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<v Speaker 2>you're the boss and she won't take you for granted.

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<v Speaker 2>Let me know how you make out, Sign Cupid. I'll

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<v Speaker 2>show them how to handle that girl.

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<v Speaker 4>Show her you're the boss and she won't take you

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<v Speaker 4>for granted. Let me know how you make out, Signed Cupid. Yep,

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<v Speaker 4>what's in the paper? Missus Kennedy?

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<v Speaker 7>Are you going to try being the rough, hard boiled type?

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<v Speaker 5>Eddy?

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<v Speaker 4>Sure, but don't tell Mazie anything about me writing the Cupid.

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<v Speaker 4>She's coming up the steps right now.

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<v Speaker 9>Oh but I'll be interested to hear how Cuba's advice

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<v Speaker 9>works on Maze.

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<v Speaker 4>Yeah, I feel better already. Remember, Eddie Jordan, you got

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<v Speaker 4>Cupid on your side and you can't lose.

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<v Speaker 2>What a day?

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<v Speaker 4>Hello, babe, I'll give you exactly five seconds to start

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<v Speaker 4>making mad love to me.

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<v Speaker 2>Are you for real?

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<v Speaker 4>No wise cracks, good looking Cameron and tell me you're

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<v Speaker 4>crazy about me? Or I may have to get rough

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<v Speaker 4>with you.

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<v Speaker 2>Okay, I'm crazy about you. Now go scratch yourself with

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<v Speaker 2>a broken bottle and don't bother me. I'm tired of it

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<v Speaker 2>and I don't want to wrestle.

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<v Speaker 4>Kamier and kiss me, you gorgeous thing, and hurry it up.

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<v Speaker 2>Are you still here now, Eddie? I'm warning you.

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<v Speaker 5>I got you.

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<v Speaker 4>Try and get away now me, Eddie, I love it.

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<v Speaker 2>Not No, Eddie, Eddie, are you forgetting that I won

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<v Speaker 2>my second black belted Judo.

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<v Speaker 4>I'll handle you with a flash of strength.

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<v Speaker 2>Cut it out, Eddie. I told you I don't want

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<v Speaker 2>to smooth.

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<v Speaker 4>Stop struggling and put your arms around me.

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<v Speaker 2>Okay, you asked for it. I'm put my arms around

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<v Speaker 2>you like this, It's more like and I get you

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00:14:52.360 --> 00:14:55.639
<v Speaker 2>off balance. I pick look out and over your goat,

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00:14:59.679 --> 00:15:01.399
<v Speaker 2>right into the Umbelastine.

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<v Speaker 9>Kenny Jordan, get up off my cream floor?

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<v Speaker 3>Razy what you do to him?

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<v Speaker 2>He was going to handle me with a flash of strength.

295
00:15:08.759 --> 00:15:09.480
<v Speaker 7>What happened?

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<v Speaker 2>The spirit was willing, but the flash was weak. I've

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00:15:13.000 --> 00:15:16.159
<v Speaker 2>got other things on my mind, my god, and I

298
00:15:16.240 --> 00:15:18.279
<v Speaker 2>keep wondering how handsome it is going to make out

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<v Speaker 2>with that girl.

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<v Speaker 1>The Adventures of Mazie starring and Southern will continue in

301
00:15:38.080 --> 00:15:38.600
<v Speaker 1>just a moment.

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<v Speaker 3>And now back to Mansie.

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<v Speaker 2>And so remember that it's just as easy to fall

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<v Speaker 2>in love with a rich man as a poor one.

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00:16:29.200 --> 00:16:33.799
<v Speaker 2>So good luck and may all your children be wealthy. Hey,

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<v Speaker 2>would you mind knocking first, mister Crown's it's me?

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00:16:38.639 --> 00:16:41.039
<v Speaker 8>And after this, when your city editor comes in, snap

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<v Speaker 8>to attention and salute, yes, sir very, are you responsible

309
00:16:46.639 --> 00:16:49.080
<v Speaker 8>for this item? And that don't be stupid ass. Cuban, Gollumn,

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00:16:49.840 --> 00:16:52.759
<v Speaker 8>dear Cuban. Every morning when I come to work, my

311
00:16:52.879 --> 00:16:55.399
<v Speaker 8>boss kisses me. How can I avoid this?

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00:16:55.720 --> 00:16:59.879
<v Speaker 5>Sign? Chapped lips? Answer? Come to work in the afternoons?

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00:17:00.519 --> 00:17:01.679
<v Speaker 5>Is that your handiwork?

314
00:17:02.080 --> 00:17:02.440
<v Speaker 3>Sure?

315
00:17:03.039 --> 00:17:04.240
<v Speaker 2>I thought it was pretty cute.

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00:17:04.440 --> 00:17:05.599
<v Speaker 5>Then how about this one.

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00:17:06.000 --> 00:17:09.400
<v Speaker 2>Well, let's see, dear Cupid, I was out with a

318
00:17:09.400 --> 00:17:12.039
<v Speaker 2>young man the other evening, had drank two high balls.

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00:17:12.240 --> 00:17:16.079
<v Speaker 2>Did I do anything wrong? Don't worried, dear worried? How

320
00:17:16.079 --> 00:17:17.440
<v Speaker 2>can I tell I wasn't there?

321
00:17:17.799 --> 00:17:19.799
<v Speaker 5>Oh that's a keen answer.

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00:17:20.039 --> 00:17:21.160
<v Speaker 2>What do you want me to do? Give him a

323
00:17:21.160 --> 00:17:22.799
<v Speaker 2>twenty five word psycho analysis?

324
00:17:22.960 --> 00:17:26.960
<v Speaker 5>Certainly? What's this letter here from sophisticated?

325
00:17:27.240 --> 00:17:28.960
<v Speaker 2>Oh that's from some kid who's in love with the

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00:17:28.960 --> 00:17:33.519
<v Speaker 2>girl who's older than he is. Smart lad, Yeah, but

327
00:17:33.559 --> 00:17:35.200
<v Speaker 2>she isn't paying any attention to him.

328
00:17:35.440 --> 00:17:38.720
<v Speaker 5>Oh, what did you suggest he do shoot himself? No?

329
00:17:39.519 --> 00:17:41.480
<v Speaker 2>I told him to get the woman interested in him

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00:17:41.519 --> 00:17:44.319
<v Speaker 2>by pretending to get sick. Then when she helps him

331
00:17:44.319 --> 00:17:46.039
<v Speaker 2>and takes care of him a little bit, she might

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00:17:46.079 --> 00:17:46.880
<v Speaker 2>get to like him.

333
00:17:47.279 --> 00:17:50.279
<v Speaker 5>Hey, I'll make a note of that. Myself. Might work

334
00:17:50.359 --> 00:17:51.400
<v Speaker 5>with a younger woman too.

335
00:17:52.240 --> 00:17:53.720
<v Speaker 2>Are you married, mister Kranz?

336
00:17:53.880 --> 00:17:54.960
<v Speaker 5>Oh that reminds me.

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00:17:55.079 --> 00:17:57.599
<v Speaker 8>If you get a letter from a girl called undecided

338
00:17:57.799 --> 00:18:00.200
<v Speaker 8>who can't tell whether she loves a young athlete or

339
00:18:00.240 --> 00:18:02.480
<v Speaker 8>an older man of the world type who's a writer,

340
00:18:02.880 --> 00:18:04.400
<v Speaker 8>you tell her to take the older man.

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00:18:05.039 --> 00:18:07.440
<v Speaker 5>Why because it's me.

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00:18:08.400 --> 00:18:09.440
<v Speaker 2>I say, when that.

343
00:18:09.440 --> 00:18:11.559
<v Speaker 5>Letter comes in, you stack the cards for me and

344
00:18:11.640 --> 00:18:12.359
<v Speaker 5>stack him. Good.

345
00:18:12.440 --> 00:18:14.319
<v Speaker 2>But I can't at a young girl throw her life

346
00:18:14.319 --> 00:18:15.640
<v Speaker 2>away on a guy like you.

347
00:18:15.920 --> 00:18:17.400
<v Speaker 5>Are you calling me a rat?

348
00:18:17.880 --> 00:18:20.359
<v Speaker 2>All I say is if the pied Piper of Hammon

349
00:18:20.440 --> 00:18:23.480
<v Speaker 2>came walking down the street right now, you'd fall in

350
00:18:23.599 --> 00:18:28.400
<v Speaker 2>behind him. Somebody who knows must be a stranger come in.

351
00:18:29.160 --> 00:18:30.920
<v Speaker 7>Hello, Maze's hollow.

352
00:18:30.599 --> 00:18:35.359
<v Speaker 2>Missus Kennedy. Oh now, mister Kranch, here's somebody more your

353
00:18:35.359 --> 00:18:39.160
<v Speaker 2>own age. And Missus Kennedy, would you be interested in

354
00:18:39.200 --> 00:18:40.200
<v Speaker 2>marrying miss Krench.

355
00:18:40.319 --> 00:18:40.559
<v Speaker 7>Wait.

356
00:18:40.960 --> 00:18:44.279
<v Speaker 9>I never make snap judgment, but I can give you

357
00:18:44.319 --> 00:18:45.880
<v Speaker 9>a decision in ten or fifteen minutes.

358
00:18:46.000 --> 00:18:49.039
<v Speaker 5>Yeah, Heaven for me, Good life, Mazy.

359
00:18:49.400 --> 00:18:51.720
<v Speaker 9>I just stopped over to see if you'd heard anything

360
00:18:51.720 --> 00:18:53.640
<v Speaker 9>from the man who signed himself Handsome.

361
00:18:53.880 --> 00:18:55.000
<v Speaker 2>Oh yes I did.

362
00:18:55.880 --> 00:18:57.720
<v Speaker 7>How did your advice work out? Well?

363
00:18:57.759 --> 00:19:00.319
<v Speaker 2>That girl he goes with is a disgrace to the female.

364
00:19:01.160 --> 00:19:03.559
<v Speaker 2>She's the lady wrestler type.

365
00:19:03.680 --> 00:19:07.000
<v Speaker 11>Oh you don't need yes.

366
00:19:07.279 --> 00:19:09.799
<v Speaker 2>Can you imagine a girl throwing a guy over her

367
00:19:09.799 --> 00:19:13.319
<v Speaker 2>shoulder und to the floor. A girl's gotta be soft

368
00:19:13.359 --> 00:19:16.680
<v Speaker 2>and feminine and yielding up to a point of card.

369
00:19:17.000 --> 00:19:19.200
<v Speaker 7>Uh like you are amazing.

370
00:19:19.839 --> 00:19:23.079
<v Speaker 2>Well, thank you. I know I have my little faults,

371
00:19:23.079 --> 00:19:25.559
<v Speaker 2>but I'm nothing like this girl Hansome's having trouble with.

372
00:19:25.920 --> 00:19:28.319
<v Speaker 9>Oh you're as different as day and night.

373
00:19:29.599 --> 00:19:32.000
<v Speaker 2>Well, I'm going to fix that girl. This time. We're

374
00:19:32.039 --> 00:19:34.559
<v Speaker 2>giving her the reverse treatment. My auntswer will be in

375
00:19:34.599 --> 00:19:35.480
<v Speaker 2>the afternoon paper.

376
00:19:35.519 --> 00:19:39.079
<v Speaker 7>Oh that's great, wonderful, marvelous. And what is it?

377
00:19:39.359 --> 00:19:42.640
<v Speaker 2>Well, the reverse of the caveman takes me if they

378
00:19:42.680 --> 00:19:45.720
<v Speaker 2>go out tonight. Every time she gets interested in romance,

379
00:19:46.079 --> 00:19:49.160
<v Speaker 2>he'll avoid it. He won't kiss her, he won't hold

380
00:19:49.200 --> 00:19:52.039
<v Speaker 2>her in his arms. He'll talk all the time, and

381
00:19:52.079 --> 00:19:55.400
<v Speaker 2>if she mentions love, he'll change the subject. That'll stir up.

382
00:19:55.519 --> 00:19:57.799
<v Speaker 7>Oh, I wonderful, it'll work for sure.

383
00:19:58.440 --> 00:20:00.119
<v Speaker 2>All girls love to be kissed by their men. And

384
00:20:00.279 --> 00:20:06.240
<v Speaker 2>it held in his arms and kissed and what I

385
00:20:06.279 --> 00:20:08.119
<v Speaker 2>don't know what reminded me of him? But I wonder

386
00:20:08.160 --> 00:20:09.359
<v Speaker 2>what Eddie's doing tonight.

387
00:20:21.200 --> 00:20:23.880
<v Speaker 4>Gee, Maisie, thanks for taking me off for such a

388
00:20:23.920 --> 00:20:24.720
<v Speaker 4>wonderful dinner.

389
00:20:24.799 --> 00:20:26.240
<v Speaker 2>Oh that's all right, Eddie.

390
00:20:26.559 --> 00:20:30.240
<v Speaker 4>What a sensational steak I had must have cost a fortune.

391
00:20:30.319 --> 00:20:34.160
<v Speaker 2>It was four seventy five, but who looks at the prices?

392
00:20:34.519 --> 00:20:35.640
<v Speaker 4>Music was nice too.

393
00:20:35.960 --> 00:20:38.920
<v Speaker 2>Yeah, but you didn't dance as close as you usually do. No,

394
00:20:39.559 --> 00:20:41.640
<v Speaker 2>ust there was two couples dancing between us.

395
00:20:42.039 --> 00:20:44.720
<v Speaker 4>Well, when we dance too close, it must as your dress.

396
00:20:45.000 --> 00:20:47.559
<v Speaker 2>Well we're home now, so it doesn't make any difference anymore.

397
00:20:48.279 --> 00:20:52.799
<v Speaker 2>Shall we Shall we go in the sitting.

398
00:20:52.559 --> 00:20:53.319
<v Speaker 9>Room for a while.

399
00:20:56.200 --> 00:20:59.200
<v Speaker 2>Okay, Well, I hope I'm not keeping you up. Oh

400
00:20:59.319 --> 00:21:04.519
<v Speaker 2>that's all right, you know, Eddie. It's nice and dark

401
00:21:04.640 --> 00:21:05.000
<v Speaker 2>in here.

402
00:21:05.440 --> 00:21:08.680
<v Speaker 4>I'll turn some lights. What for I like to have

403
00:21:08.839 --> 00:21:09.759
<v Speaker 4>some light when I talk.

404
00:21:09.920 --> 00:21:10.880
<v Speaker 2>Who's going to talk?

405
00:21:12.079 --> 00:21:12.319
<v Speaker 7>Eddie?

406
00:21:12.440 --> 00:21:12.799
<v Speaker 6>Dining?

407
00:21:13.839 --> 00:21:14.160
<v Speaker 2>Come here?

408
00:21:14.599 --> 00:21:15.160
<v Speaker 4>Cigarette?

409
00:21:15.519 --> 00:21:15.720
<v Speaker 5>Oh?

410
00:21:16.920 --> 00:21:19.599
<v Speaker 2>Well, you almost shove that cigarette of my nose. No,

411
00:21:19.759 --> 00:21:21.319
<v Speaker 2>I don't want to smoke now.

412
00:21:23.799 --> 00:21:25.480
<v Speaker 4>What's working my lighter?

413
00:21:25.839 --> 00:21:28.039
<v Speaker 2>I didn't think it could have been you. You haven't

414
00:21:28.079 --> 00:21:31.920
<v Speaker 2>worked for three weeks. But that cigarette away? Okay, now,

415
00:21:33.000 --> 00:21:34.559
<v Speaker 2>snuggle up nice and comfortable.

416
00:21:35.279 --> 00:21:36.839
<v Speaker 4>Well I'm comfortable now.

417
00:21:37.039 --> 00:21:41.480
<v Speaker 2>Well, come on, honey, snuggle up a little, Eddie, snuggle

418
00:21:41.559 --> 00:21:42.079
<v Speaker 2>up already.

419
00:21:42.640 --> 00:21:44.640
<v Speaker 4>Well, if you're going to yell at me, maybe I

420
00:21:44.720 --> 00:21:45.200
<v Speaker 4>better leave.

421
00:21:45.359 --> 00:21:47.000
<v Speaker 2>No, stay with me. I want to be alone.

422
00:21:47.240 --> 00:21:49.400
<v Speaker 4>No, wait a minute, honey, I want to tell you.

423
00:21:49.640 --> 00:21:52.680
<v Speaker 2>Don't tell me anything. I'll tell you. Until I met you,

424
00:21:52.799 --> 00:21:54.799
<v Speaker 2>I never knew how much I enjoyed being all by

425
00:21:54.839 --> 00:21:57.200
<v Speaker 2>myself with a good book. And all the time we

426
00:21:57.240 --> 00:21:59.599
<v Speaker 2>were dancing, you were yacking to yacking away. I never

427
00:21:59.640 --> 00:22:02.480
<v Speaker 2>heard si empty headed conversation. And next time you get

428
00:22:02.480 --> 00:22:04.039
<v Speaker 2>a headache, don't believe it.

429
00:22:04.559 --> 00:22:05.920
<v Speaker 6>And if you've got something.

430
00:22:05.680 --> 00:22:07.799
<v Speaker 2>To say, go ahead and say it. But I won't

431
00:22:07.839 --> 00:22:09.559
<v Speaker 2>be here. I'm going to bed, and I don't want

432
00:22:09.559 --> 00:22:32.480
<v Speaker 2>to see her talk you ever again. Good night? Hm

433
00:22:32.519 --> 00:22:38.160
<v Speaker 2>hm hmmm. Oh who could that be? This is second?

434
00:22:39.720 --> 00:22:44.240
<v Speaker 2>Was a bathroom? I'm with us sleeves and I'm trying

435
00:22:44.240 --> 00:22:48.279
<v Speaker 2>to put it on upside down and inside out. Who

436
00:22:48.440 --> 00:22:53.440
<v Speaker 2>is it? It's mehmurt in falsguber, Oh, m's matter?

437
00:22:53.599 --> 00:22:56.079
<v Speaker 6>Merton, I'm sick.

438
00:22:56.839 --> 00:23:00.559
<v Speaker 2>Well, I'm not exactly feeling great myself. Where do you hurt?

439
00:23:01.440 --> 00:23:02.000
<v Speaker 6>All over?

440
00:23:02.960 --> 00:23:04.559
<v Speaker 2>The pains localized? Huh?

441
00:23:05.240 --> 00:23:06.240
<v Speaker 6>I think I'm gonna faint.

442
00:23:06.599 --> 00:23:08.440
<v Speaker 2>Oh, take me to catch us?

443
00:23:08.559 --> 00:23:12.119
<v Speaker 10>Oh oh, oh, no, I guess I'm not gonna faint.

444
00:23:12.839 --> 00:23:21.079
<v Speaker 6>Oh what was that? I keep getting those terrible pains?

445
00:23:21.599 --> 00:23:22.680
<v Speaker 2>How fast are they come in?

446
00:23:22.960 --> 00:23:24.519
<v Speaker 6>Oh about every three minutes?

447
00:23:25.279 --> 00:23:27.440
<v Speaker 2>When you better rush yourself to the hospital. Maybe you're

448
00:23:27.480 --> 00:23:28.400
<v Speaker 2>about to become a mother.

449
00:23:30.000 --> 00:23:31.319
<v Speaker 6>I don't think so.

450
00:23:31.759 --> 00:23:34.960
<v Speaker 2>No, Oh well, what do you think is wrong with you?

451
00:23:35.039 --> 00:23:38.720
<v Speaker 6>Oh? Oh I think I'm dying? Yes I am. Would

452
00:23:38.720 --> 00:23:41.599
<v Speaker 6>you would you like to nurse me back to help making?

453
00:23:42.079 --> 00:23:45.599
<v Speaker 2>Listen, Merton, there's nothing wrong with you, nothing new that

454
00:23:45.839 --> 00:23:48.920
<v Speaker 2>is well like you think so for a dying boy.

455
00:23:48.960 --> 00:23:51.640
<v Speaker 2>Your eyes are wandering around too much.

456
00:23:52.039 --> 00:23:54.160
<v Speaker 6>Oh well, I thought I.

457
00:23:54.200 --> 00:23:56.079
<v Speaker 2>Was sick, and I go back to bed before I

458
00:23:56.119 --> 00:23:57.480
<v Speaker 2>lose my lovely disposition.

459
00:24:13.480 --> 00:24:15.880
<v Speaker 5>What do you guys want? Are you the editor that

460
00:24:16.039 --> 00:24:16.359
<v Speaker 5>de pay?

461
00:24:16.599 --> 00:24:18.640
<v Speaker 6>We came down here to horsewhip the editor.

462
00:24:18.920 --> 00:24:21.519
<v Speaker 5>Yeah, I'm a stranger here myself. What's the meta?

463
00:24:21.680 --> 00:24:23.920
<v Speaker 4>We don't like whoever runs? But don't be stupid ask

464
00:24:24.000 --> 00:24:24.720
<v Speaker 4>cupid column.

465
00:24:24.880 --> 00:24:26.839
<v Speaker 5>You know. I had a little trouble with at my

466
00:24:27.000 --> 00:24:28.039
<v Speaker 5>shelf last night.

467
00:24:28.200 --> 00:24:30.160
<v Speaker 8>I was going with a girl and the editor of

468
00:24:30.160 --> 00:24:32.279
<v Speaker 8>the column told her I was a broken down old

469
00:24:32.319 --> 00:24:33.519
<v Speaker 8>werewolf and told her.

470
00:24:33.440 --> 00:24:34.000
<v Speaker 5>To ditch me.

471
00:24:34.519 --> 00:24:37.000
<v Speaker 8>Go ahead, boys, go in and horsewhipper. Her name is

472
00:24:37.039 --> 00:24:42.160
<v Speaker 8>Mazie Revere. There's the office he's using, Mazie Revere. Holy smoke,

473
00:24:42.400 --> 00:24:45.039
<v Speaker 8>Come on, Merton, How.

474
00:24:44.920 --> 00:24:49.279
<v Speaker 2>Many times have I told you not to Eddy Merton?

475
00:24:49.680 --> 00:24:52.839
<v Speaker 4>Not Eddie Cupid? Just call me handsome.

476
00:24:52.720 --> 00:24:55.440
<v Speaker 6>And call me sophist. That hated.

477
00:24:55.680 --> 00:24:59.359
<v Speaker 2>Oh no, no, you mean I was giving you advice

478
00:24:59.400 --> 00:25:01.279
<v Speaker 2>to try out I me and I didn't know it.

479
00:25:01.599 --> 00:25:05.960
<v Speaker 4>Watch this, merten, it'll be an education. Yeah yeah, came

480
00:25:05.960 --> 00:25:06.599
<v Speaker 4>here baby.

481
00:25:06.720 --> 00:25:08.640
<v Speaker 2>Now, Eddie, don't look at me that way.

482
00:25:09.720 --> 00:25:11.440
<v Speaker 4>Maybe you better go outside.

483
00:25:11.119 --> 00:25:15.920
<v Speaker 2>Nor don't don't go outside. Cam here, doll, baby, get

484
00:25:15.920 --> 00:25:18.440
<v Speaker 2>away from me, Eddie, don't you dare touch me? Mar

485
00:25:18.799 --> 00:25:24.640
<v Speaker 2>mister Crunch, gentlemen, Eddie, get away from me, now, get away.

486
00:25:24.960 --> 00:25:25.720
<v Speaker 4>No, I've got.

487
00:25:27.200 --> 00:25:28.359
<v Speaker 2>And this told me.

488
00:25:29.200 --> 00:25:30.599
<v Speaker 3>Don't Eddie please.

489
00:25:48.240 --> 00:25:51.039
<v Speaker 12>And just the moment we shall return to the adventures

490
00:25:51.079 --> 00:26:25.680
<v Speaker 12>of Mazie.

491
00:26:28.799 --> 00:26:34.640
<v Speaker 3>And now once again. Here's well.

492
00:26:34.680 --> 00:26:37.200
<v Speaker 2>I ate off the mantelpiece for four days before I

493
00:26:37.240 --> 00:26:40.640
<v Speaker 2>was ready for overstuffed chairs, and I'm still wincing every

494
00:26:40.640 --> 00:26:44.240
<v Speaker 2>time I see a chair without a cushion. I guess

495
00:26:44.240 --> 00:26:46.400
<v Speaker 2>I had it coming to me, though, and Eddie and

496
00:26:46.480 --> 00:26:49.559
<v Speaker 2>I made up. Of course, Mary Jane came back to

497
00:26:49.599 --> 00:26:52.519
<v Speaker 2>a job after a vacation. But there were a few

498
00:26:52.599 --> 00:26:55.640
<v Speaker 2>lawsuits on the things I wrote. So mister Crunch, the

499
00:26:55.680 --> 00:26:58.160
<v Speaker 2>city editor quit to become the editor in chief of

500
00:26:58.799 --> 00:27:01.720
<v Speaker 2>a cider meal. He said he lighted because it goes

501
00:27:01.720 --> 00:27:05.200
<v Speaker 2>to press only once a year. Well, I got to

502
00:27:05.240 --> 00:27:09.960
<v Speaker 2>start hunting for another job. Come anty, good moveing.

503
00:27:17.319 --> 00:27:18.039
<v Speaker 4>You've just heard.

504
00:27:18.039 --> 00:27:27.160
<v Speaker 1>The Adventures of Mazie, starring and Southern Mazie, was written

505
00:27:27.240 --> 00:27:27.960
<v Speaker 1>by John L.

506
00:27:28.039 --> 00:27:28.279
<v Speaker 4>Green.

507
00:27:28.400 --> 00:27:32.480
<v Speaker 1>Original music was composed and conducted by Harry Zimmerman. Supporting

508
00:27:32.519 --> 00:27:36.599
<v Speaker 1>cast included Alba Allman, Pat mcgeeon, Sidney Miller, and Frank Nelson.

509
00:27:36.920 --> 00:27:38.000
<v Speaker 4>Jack McCoy speaking

510
00:28:01.599 --> 00:28:07.279
<v Speaker 2>The