1
00:00:00,080 --> 00:00:00,880
Speaker 1: Best actresses.

2
00:00:03,520 --> 00:00:05,000
Speaker 2: Uh you go first, sir.

3
00:00:05,120 --> 00:00:06,599
Speaker 1: Oh, yeah, that's right. That's how we do this.

4
00:00:08,240 --> 00:00:14,039
Speaker 3: I'll start the bidding with one me A cough from Frankenstein.

5
00:00:15,160 --> 00:00:17,640
Speaker 1: She lead her side.

6
00:00:18,120 --> 00:00:19,800
Speaker 2: I can't think I got her supporting.

7
00:00:19,920 --> 00:00:23,440
Speaker 3: Yeah, okay, fucking right, so we'll go ahead and fill

8
00:00:23,559 --> 00:00:25,399
that Florence Pugh thunderbolts.

9
00:00:25,679 --> 00:00:33,799
Speaker 4: Yeah of course you boys, Yeah, flop hid backup, thank you,

10
00:00:36,600 --> 00:00:37,320
thank you.

11
00:00:37,479 --> 00:00:38,000
Speaker 5: I'll jump in.

12
00:00:38,119 --> 00:00:41,200
Speaker 6: Whoa, he's taking my third going clockwise here, sir.

13
00:00:41,759 --> 00:00:44,399
Speaker 1: Oh, go for it. You're so slow, so I was like,

14
00:00:44,439 --> 00:00:45,240
I better jump.

15
00:00:45,079 --> 00:00:46,439
Speaker 2: In and thinking it's a lot.

16
00:00:46,520 --> 00:00:47,640
Speaker 7: It's it's a lot of weight.

17
00:00:49,079 --> 00:00:53,840
Speaker 6: Right now, we're just pitching Jody Comer twenty days later

18
00:00:55,240 --> 00:00:58,240
performance as a an alien woman.

19
00:00:58,840 --> 00:01:01,119
Speaker 1: Actually what I had her in support supporting?

20
00:01:02,799 --> 00:01:03,600
Speaker 5: I didn't.

21
00:01:06,000 --> 00:01:08,680
Speaker 1: Where'd you have her? Tailor? Did you ever hear Dylen?

22
00:01:08,920 --> 00:01:11,239
Speaker 8: Didn't have her until Travis mentioned her to be honest, but.

23
00:01:11,239 --> 00:01:12,640
Speaker 6: Ye, okay, well if you had her, would you have

24
00:01:12,680 --> 00:01:15,599
her in leader supporting? Now you remember she existed.

25
00:01:15,719 --> 00:01:16,239
Speaker 5: I put her.

26
00:01:16,519 --> 00:01:20,200
Speaker 8: I feel like she'd be I feel like she'd.

27
00:01:19,959 --> 00:01:20,719
Speaker 5: Be in lead.

28
00:01:21,120 --> 00:01:22,519
Speaker 1: I feel like she's less of a leader than me.

29
00:01:23,159 --> 00:01:23,760
Speaker 5: No, she gets the.

30
00:01:23,760 --> 00:01:25,640
Speaker 8: Whole arc out there where she's out in the woods

31
00:01:25,680 --> 00:01:26,599
with with Spike.

32
00:01:26,719 --> 00:01:28,200
Speaker 2: I mean it's the.

33
00:01:28,239 --> 00:01:31,359
Speaker 6: Thing like she's but she's the leading of a female Yea,

34
00:01:31,920 --> 00:01:35,640
but me you still is Jody Comber though, right, but

35
00:01:35,719 --> 00:01:39,079
they're so they're both sides. I guess it's just because

36
00:01:39,079 --> 00:01:42,760
I feel like me A Gough's role is it is vital,

37
00:01:42,799 --> 00:01:45,400
But I don't think she gets to get the performance

38
00:01:45,439 --> 00:01:46,319
that Jody Comber has.

39
00:01:46,359 --> 00:01:46,680
Speaker 2: That thing.

40
00:01:46,760 --> 00:01:49,480
Speaker 6: I'm not worse sating hale hairs. If it makes it

41
00:01:49,480 --> 00:01:51,159
easier going supporting, we can, we can put it.

42
00:01:51,239 --> 00:01:52,879
Speaker 1: I won't. I won't back it here. I'm going to

43
00:01:52,920 --> 00:01:54,959
be that guy. So I'll back up and supporting, and

44
00:01:54,959 --> 00:01:56,959
if Travis chooses not to, then she just dies.

45
00:01:57,000 --> 00:01:58,040
Speaker 2: I can't remember.

46
00:01:57,760 --> 00:01:59,959
Speaker 1: That, you know, maybe happened to her characters.

47
00:02:00,000 --> 00:02:00,799
Speaker 2: I don't remember that.

48
00:02:01,480 --> 00:02:02,799
Speaker 1: Are you got another one for Remson? Please?

49
00:02:02,959 --> 00:02:03,359
Speaker 2: Uh?

50
00:02:03,439 --> 00:02:03,719
Speaker 7: Yeah?

51
00:02:03,879 --> 00:02:07,760
Speaker 2: I had? Uh? Oh god? Why did I just forget

52
00:02:07,760 --> 00:02:10,199
her name? Oh?

53
00:02:10,240 --> 00:02:14,840
Speaker 7: Haley Steinfeld and sinners for one night?

54
00:02:15,840 --> 00:02:16,759
Speaker 2: Tell me? I can't.

55
00:02:19,039 --> 00:02:20,919
Speaker 1: I spelt her name wrong? Please get let the buck

56
00:02:20,919 --> 00:02:21,560
out of my face.

57
00:02:22,400 --> 00:02:24,560
Speaker 2: You are you? Did you back it?

58
00:02:24,680 --> 00:02:24,840
Speaker 8: Oh?

59
00:02:24,919 --> 00:02:26,319
Speaker 5: Shack in my head? Yes, I'm backing her.

60
00:02:26,400 --> 00:02:31,919
Speaker 8: She's audio for Fantastic in that movie Holy Ship Onwesome.

61
00:02:36,680 --> 00:02:38,800
Speaker 1: Who's uh Taylor? Go ahead?

62
00:02:39,680 --> 00:02:43,840
Speaker 8: Okay, I think I'm gonna go with a lady by

63
00:02:43,879 --> 00:02:46,759
the name of Rachel pros Nan Proshan.

64
00:02:47,960 --> 00:02:49,879
Speaker 5: Rachel is still your Superman.

65
00:02:51,680 --> 00:02:52,599
Speaker 7: Missed his husband?

66
00:02:52,960 --> 00:02:56,960
Speaker 2: Still it's Lois Lane, Dylan and Superman. Is she a lead?

67
00:02:58,280 --> 00:02:58,639
Speaker 5: Is she not?

68
00:02:59,400 --> 00:03:01,680
Speaker 1: She'd be the name one time Lois and Mulaine has

69
00:03:01,680 --> 00:03:02,919
been a lead in anything ever.

70
00:03:03,080 --> 00:03:06,520
Speaker 8: She recruits the what sinator six whatever and goes to town

71
00:03:06,800 --> 00:03:11,680
the Sinister Six. I want that movie, the Three Company,

72
00:03:12,039 --> 00:03:13,479
that's the one Justice Gang.

73
00:03:15,360 --> 00:03:17,439
Speaker 2: Sure, overeign lead? Sure?

74
00:03:19,479 --> 00:03:21,439
Speaker 1: Is that a back though or just a cat back?

75
00:03:22,280 --> 00:03:24,400
Speaker 2: Both? Sure to lead in the backing?

76
00:03:24,560 --> 00:03:26,319
Speaker 5: You're back in, then I'll back. I'll back.

77
00:03:27,280 --> 00:03:28,639
Speaker 1: I don't know this actor's name, So you guys, you

78
00:03:28,719 --> 00:03:31,479
write that one and I'll go with I'll go with

79
00:03:31,520 --> 00:03:34,599
the movie that hasn't been mentioned yet and we'll see

80
00:03:34,759 --> 00:03:36,759
if it gets anywhere. But I'm gonna go with Greta

81
00:03:36,840 --> 00:03:39,879
Lee as Eve in tron Aries.

82
00:03:40,879 --> 00:03:45,879
Speaker 2: Right, I forgot about that. I can't.

83
00:03:47,360 --> 00:03:51,400
Speaker 8: Was Eve in that movie the main making it?

84
00:03:53,639 --> 00:03:55,159
Speaker 2: She's from past life?

85
00:03:55,840 --> 00:03:59,319
Speaker 1: Yeah, she was a boy. Yeah, that's a good action hero.

86
00:03:59,479 --> 00:04:03,680
She's going to October with her sister going on.

87
00:04:04,280 --> 00:04:04,919
Speaker 5: Yeah, I back it.

88
00:04:05,159 --> 00:04:07,439
Speaker 8: She was the leading What the fuck did she do again?

89
00:04:07,639 --> 00:04:09,159
I'm sorry she.

90
00:04:10,680 --> 00:04:13,039
Speaker 2: Was driving sticks around her sister died.

91
00:04:13,319 --> 00:04:16,000
Speaker 5: All I remember is Jared Letto in the water digital specs.

92
00:04:16,040 --> 00:04:18,639
Speaker 1: That that's all I solved the math equation.

93
00:04:20,879 --> 00:04:22,439
Speaker 5: I need I need to rewatch this movie.

94
00:04:22,439 --> 00:04:25,879
Speaker 2: Actually, plus, I can't back it. I didn't even remember.

95
00:04:27,639 --> 00:04:34,120
Speaker 1: Okay, yes, back to me here? Who did I have next?

96
00:04:37,759 --> 00:04:38,920
That's a side character?

97
00:04:39,000 --> 00:04:39,240
Speaker 2: I had?

98
00:04:39,360 --> 00:04:39,839
Speaker 1: L Fanning?

99
00:04:42,879 --> 00:04:43,839
Speaker 2: Is it a side carrier?

100
00:04:44,000 --> 00:04:45,879
Speaker 5: I guess she's the main character.

101
00:04:46,240 --> 00:04:50,279
Speaker 2: She's she's the leading lady.

102
00:04:50,839 --> 00:04:51,600
Speaker 1: I think that fits.

103
00:04:53,079 --> 00:04:57,439
Speaker 6: So wait is she now leader supporting el? Okay, I

104
00:04:57,639 --> 00:05:00,920
back al Fanning. Yes, she's fantastic. Can't towards simil value?

105
00:05:01,480 --> 00:05:01,600
Speaker 9: Uh?

106
00:05:01,920 --> 00:05:03,480
Speaker 2: Chasing Findy for one beat after another?

107
00:05:04,279 --> 00:05:04,519
Speaker 5: Hell?

108
00:05:04,639 --> 00:05:10,639
Speaker 2: Yeah? As Lenora the daughter the daughter?

109
00:05:10,720 --> 00:05:14,480
Speaker 8: Yeah, yeah, Taylor, i'd back up.

110
00:05:14,680 --> 00:05:19,079
Speaker 1: Okay, Finity is this person's last name.

111
00:05:18,959 --> 00:05:20,040
Speaker 7: That's chasing Findy?

112
00:05:20,279 --> 00:05:20,680
Speaker 2: Yeah?

113
00:05:21,160 --> 00:05:23,680
Speaker 6: With an eye though not a why?

114
00:05:24,519 --> 00:05:24,759
Speaker 2: Yeah?

115
00:05:25,879 --> 00:05:27,360
Speaker 1: I can't fucking make that mistake.

116
00:05:27,600 --> 00:05:29,360
Speaker 2: Yeah, superstar name right there?

117
00:05:30,199 --> 00:05:33,399
Speaker 1: Taylor? What do you go?

118
00:05:34,600 --> 00:05:36,319
Speaker 5: I am gonna throw down?

119
00:05:37,279 --> 00:05:37,439
Speaker 8: Uh?

120
00:05:39,560 --> 00:05:41,040
Speaker 5: She might be supporting in that.

121
00:05:41,279 --> 00:05:46,319
Speaker 8: I don't know the movie. Well, so in weapons. I

122
00:05:46,319 --> 00:05:50,040
don't know how to discern between mains and sides.

123
00:05:50,160 --> 00:05:51,480
Speaker 7: You're talking about Julie Gardner.

124
00:05:52,600 --> 00:05:54,360
Speaker 6: I would have her as a lead here because it's tough,

125
00:05:54,399 --> 00:05:56,079
because it's unselmbable. I think it's the same thing as

126
00:05:56,120 --> 00:05:59,160
Chasing Finny that she's like the she's the lead actress

127
00:05:59,279 --> 00:05:59,600
of that.

128
00:05:59,800 --> 00:06:02,959
Speaker 2: So yeah, I was back Julia Gardner here leading lady.

129
00:06:03,519 --> 00:06:07,519
Speaker 1: Yeah cool as Justine I think is her name according

130
00:06:07,519 --> 00:06:09,079
to my notes that I took months ago.

131
00:06:09,120 --> 00:06:10,399
Speaker 5: So I'm gonna trust out there.

132
00:06:10,399 --> 00:06:12,480
Speaker 2: Everyone watched The Americans? Have you ever seen that show?

133
00:06:13,160 --> 00:06:13,680
Great ship?

134
00:06:14,759 --> 00:06:17,360
Speaker 1: It was hark too, She's h right. I gotta get

135
00:06:17,360 --> 00:06:21,120
to that, man. I don't think any of mine are

136
00:06:21,160 --> 00:06:22,360
gonna make it at this point.

137
00:06:23,560 --> 00:06:25,560
Speaker 2: Really, I feel like there's one more.

138
00:06:25,720 --> 00:06:29,879
Speaker 1: I just something you guys have seen these movies. I'll

139
00:06:30,000 --> 00:06:34,120
quick quick shout out Olivia Coleman Roses, she's great, Alison

140
00:06:34,199 --> 00:06:39,759
Breen together great there. I liked her. H Have you

141
00:06:39,759 --> 00:06:41,160
guys seen the movie? The assessment?

142
00:06:42,519 --> 00:06:43,800
Speaker 2: No, I want to with olson.

143
00:06:44,160 --> 00:06:46,000
Speaker 5: Was it good or it was?

144
00:06:46,079 --> 00:06:48,079
Speaker 1: I mean, it wasn't best film category, but it was

145
00:06:48,120 --> 00:06:50,560
it was weird, it was really interesting. She is great

146
00:06:50,639 --> 00:06:55,240
in it, So I enjoyed it. Cool setting, cool visuals,

147
00:06:55,240 --> 00:06:58,120
like it's a it's a weird movie, but uh yeah,

148
00:06:58,560 --> 00:07:00,959
no one's seen it. Sounds like it's on the watch list.

149
00:07:01,040 --> 00:07:02,480
Speaker 5: That's the Afterlife Husbands.

150
00:07:02,519 --> 00:07:03,759
Speaker 7: That's Eternity.

151
00:07:04,279 --> 00:07:08,120
Speaker 5: Okay, yeah, okay, I.

152
00:07:08,040 --> 00:07:10,920
Speaker 1: Got two more. I'll I guess I'll just I'll throw

153
00:07:11,040 --> 00:07:13,879
van Asa Kirby absolutely.

154
00:07:13,920 --> 00:07:17,800
Speaker 2: Oh yes, oh yes, oh yes, oh yes.

155
00:07:22,800 --> 00:07:26,879
Speaker 1: Are you still rifling? Well, we'll go into order now,

156
00:07:26,920 --> 00:07:31,920
so I'll come back to my last one. Okay, Pamela

157
00:07:31,920 --> 00:07:33,680
Anderson naked gun.

158
00:07:35,240 --> 00:07:38,040
Speaker 2: I can't go that far. M the way.

159
00:07:38,199 --> 00:07:40,360
Speaker 6: So I think Pam's fun in there, but I don't

160
00:07:40,360 --> 00:07:42,160
think it's the same thing as leave Neeson, where I

161
00:07:42,160 --> 00:07:44,160
think if someone else is in there, I don't think

162
00:07:44,160 --> 00:07:45,360
that role was as vital.

163
00:07:45,399 --> 00:07:46,959
Speaker 7: I think she did add to it, but.

164
00:07:47,160 --> 00:07:49,120
Speaker 6: Not the way where leave nees and I actively believe

165
00:07:49,160 --> 00:07:51,160
you take him out and out someone else. It might

166
00:07:51,199 --> 00:07:52,920
not work with her. I think there's a couple of

167
00:07:52,959 --> 00:07:54,199
other people, but I liked her.

168
00:07:54,240 --> 00:07:57,519
Speaker 1: I just wasn't expecting anything, but I thought she was

169
00:07:57,560 --> 00:08:03,959
phenomenal in that role. So good be my pitch, Travis.

170
00:08:04,600 --> 00:08:06,000
Speaker 7: I'm depleted. That's it for people.

171
00:08:06,000 --> 00:08:08,639
Speaker 6: I think I would actually unless I'm still in surprise here.

172
00:08:09,199 --> 00:08:11,959
But Vanessa Kirby was the last one I had the

173
00:08:12,040 --> 00:08:14,000
curbster my pick for Sue Storm.

174
00:08:14,120 --> 00:08:15,519
Speaker 2: Everyone remember that three years ago.

175
00:08:16,399 --> 00:08:20,439
Speaker 5: M No, I can't say I got anything unless.

176
00:08:20,120 --> 00:08:23,160
Speaker 8: You were to throw it like Haley Atwell from Mission Impossible.

177
00:08:23,199 --> 00:08:24,040
Speaker 2: But I got nothing.

178
00:08:24,439 --> 00:08:25,199
Speaker 5: He's always.

179
00:08:26,560 --> 00:08:27,000
Speaker 7: You guys.

180
00:08:27,040 --> 00:08:30,079
Speaker 2: Remember that scene where Tom Cruise has to get warmed back.

181
00:08:29,959 --> 00:08:32,639
Speaker 5: To like, oh, I think about all the time, Dylan.

182
00:08:32,639 --> 00:08:36,320
Speaker 2: There's this scene. So he's in the ice and he's

183
00:08:36,440 --> 00:08:36,799
in there.

184
00:08:36,720 --> 00:08:38,600
Speaker 6: Of course longer than he's supposed to be, so that

185
00:08:38,720 --> 00:08:40,480
what they do is they're Ethan's gonna die, so they

186
00:08:40,480 --> 00:08:43,639
build this big tank to warm them up, and you think.

187
00:08:43,519 --> 00:08:45,360
Speaker 2: That's gonna be it. Then when Tom Cruise wakes.

188
00:08:45,200 --> 00:08:47,000
Speaker 6: Up, Haley Atwell's in the tank with him in a

189
00:08:47,039 --> 00:08:50,600
bra and man, it is that d thing.

190
00:08:50,879 --> 00:08:53,200
Speaker 5: There's just a massive he was doing.

191
00:08:53,279 --> 00:08:56,840
Speaker 6: He's just he's getting warmed up and there's just boomed

192
00:08:56,879 --> 00:08:57,919
and it's just it felt.

193
00:08:58,000 --> 00:08:59,000
Speaker 5: It's a long scene.

194
00:08:59,200 --> 00:09:00,720
Speaker 2: It's a long, awkward.

195
00:09:01,200 --> 00:09:02,919
Speaker 1: Yeah. I'll YouTube that one later.

196
00:09:02,759 --> 00:09:06,960
Speaker 2: For surest scene best scene. Yeah, that's what we're talking about. No,

197
00:09:07,039 --> 00:09:08,639
I can't I like it. Yeah, well, I think her

198
00:09:08,679 --> 00:09:10,200
movie is better in the last one.

199
00:09:10,840 --> 00:09:14,120
Speaker 3: I agreed, Yeah, should have been Ferguson in this role

200
00:09:14,120 --> 00:09:14,600
in this movie.

201
00:09:14,600 --> 00:09:16,639
Speaker 1: It would have made a lot better in the in

202
00:09:16,720 --> 00:09:19,080
the Tube with him, Taylor, do you have any more?

203
00:09:19,679 --> 00:09:21,279
Speaker 5: No, I'm tapped. Yeah.

204
00:09:21,320 --> 00:09:25,080
Speaker 1: My last one here, My last one here is from

205
00:09:25,080 --> 00:09:26,840
Bringer Back, So it's probably not gonna make it. But

206
00:09:27,039 --> 00:09:29,240
sore Wong, who plays like the main actress in there,

207
00:09:29,279 --> 00:09:32,600
she's the daughter character. She you know, she's kind of

208
00:09:32,600 --> 00:09:35,440
like the lead in here. You follow her as the protagonist.

209
00:09:36,360 --> 00:09:39,919
Really great character, does really great emotional stuff, you know,

210
00:09:40,080 --> 00:09:43,279
good in that kind of horror thriller kind of vibe

211
00:09:43,279 --> 00:09:45,879
as well. But also just like a cool opportunity because

212
00:09:45,879 --> 00:09:48,600
the character and the actress are blind or at least

213
00:09:48,639 --> 00:09:52,240
like partially blind, and like even outside of that, she

214
00:09:52,559 --> 00:09:55,320
delivers an amazing performance. But I think given that context,

215
00:09:55,360 --> 00:09:57,320
is especially cool that she was in this huge movie

216
00:09:57,320 --> 00:09:59,759
and did like an amazing job, and it adds a

217
00:09:59,799 --> 00:10:02,759
lot to the scariness of the movie because you know,

218
00:10:02,879 --> 00:10:05,240
she just can't see all the fucked up shit that's

219
00:10:05,279 --> 00:10:07,879
going on around her and whatnot. So I think she

220
00:10:07,960 --> 00:10:12,080
does a great job. I'm curious, like obviously giving her condition,

221
00:10:12,159 --> 00:10:14,120
like I don't know how how big of a star

222
00:10:14,200 --> 00:10:16,440
she could become in this Hollywood landscape, but I think

223
00:10:16,480 --> 00:10:18,200
she's great and had like this year and other stuff.

224
00:10:18,240 --> 00:10:19,840
So shouts to her.

225
00:10:20,279 --> 00:10:21,440
Speaker 2: Yeah, it's a good shout up.

226
00:10:23,399 --> 00:10:25,600
Speaker 1: I think that's my uh, I list, my list, then

227
00:10:28,799 --> 00:10:42,279
it's mine, small small list this year the leading ladies. Yeah, yeah, yeah, yeah.

228
00:10:42,480 --> 00:10:53,159
Anybody see five five September five? So good movie.

229
00:10:56,159 --> 00:10:58,200
Speaker 5: I see one in there. I'd like to throw a

230
00:10:58,240 --> 00:10:58,639
lock on.

231
00:11:00,799 --> 00:11:02,879
Speaker 1: Well, I guess we'll do a quick recap. Florence Pugh,

232
00:11:04,759 --> 00:11:08,200
Hailey Steinfeld as her character name I don't remember, Lois

233
00:11:08,279 --> 00:11:11,320
Lane isn't as played by an actress, el Fanning as

234
00:11:11,840 --> 00:11:15,600
thea Tessa, and tomorrow Chase Infinity as a character I

235
00:11:15,639 --> 00:11:17,519
don't know the name of, Juliet Garner as Justine, and

236
00:11:17,600 --> 00:11:23,639
Vessa Kirby as Soue Storm. Hell, yeah, taya, what do

237
00:11:23,679 --> 00:11:25,000
you see?

238
00:11:25,919 --> 00:11:28,759
Speaker 5: I see that little piece of spit just coming down.

239
00:11:29,080 --> 00:11:31,200
Speaker 2: Oh and uh, what a way to describe it.

240
00:11:31,960 --> 00:11:35,519
Speaker 8: I see Hailey Steinfeld locking in.

241
00:11:36,440 --> 00:11:38,000
Speaker 1: Please never describe anyone like that.

242
00:11:38,080 --> 00:11:40,919
Speaker 2: Every Sorry.

243
00:11:40,919 --> 00:11:42,840
Speaker 6: I was trying to find that scene for Dylan because

244
00:11:42,879 --> 00:11:47,039
I just stuck my head. I just Hailey Steinfeld I'm

245
00:11:47,039 --> 00:11:50,440
just trying to think who would be my clocks and cuts?

246
00:11:50,480 --> 00:11:52,840
So we got one, two, three, four, five, six, so

247
00:11:52,840 --> 00:11:55,080
we got cut three.

248
00:11:55,320 --> 00:11:55,919
Speaker 2: I can't.

249
00:11:56,200 --> 00:11:57,919
Speaker 6: I think she's on the lock side. I don't know

250
00:11:57,960 --> 00:11:59,480
if it's like a one hundred percent lock, but if

251
00:11:59,480 --> 00:12:00,080
someone else is.

252
00:12:00,120 --> 00:12:02,440
Speaker 2: Super strong on it, I have no problem like locking

253
00:12:02,519 --> 00:12:02,840
it up.

254
00:12:04,120 --> 00:12:07,200
Speaker 5: Kirkland, Yeah, not for me.

255
00:12:09,080 --> 00:12:12,559
Speaker 3: Uh, I like hughthey Steinfeld a lot. I think she

256
00:12:12,679 --> 00:12:15,720
could squeeze in there. I think it's a little early, though,

257
00:12:15,919 --> 00:12:17,559
with how much vacancy we still got.

258
00:12:18,240 --> 00:12:21,360
Speaker 1: Okay, can you guys, since I haven't seen Superman, where's

259
00:12:21,360 --> 00:12:22,799
lowis Lane at in this list?

260
00:12:24,279 --> 00:12:24,799
Speaker 5: Forgettable?

261
00:12:26,159 --> 00:12:26,720
Speaker 7: A picture?

262
00:12:26,759 --> 00:12:32,399
Speaker 2: Okay? First, okay, wait a second, I need to defend that.

263
00:12:32,600 --> 00:12:34,799
I don't think she's forgettable. I think she does a

264
00:12:34,799 --> 00:12:35,279
great job.

265
00:12:35,320 --> 00:12:38,080
Speaker 1: I don't know, Travis, you just pointed downwards, so I

266
00:12:38,120 --> 00:12:39,360
don't think that's a much better.

267
00:12:39,679 --> 00:12:41,320
Speaker 6: But that's the recent Where is she on this list?

268
00:12:41,399 --> 00:12:43,399
I'm saying at the ball was saying forgettable. That's it,

269
00:12:43,519 --> 00:12:46,200
like at least we knew we knew her, we forgot.

270
00:12:45,879 --> 00:12:49,440
Speaker 1: About even none of you even wrote an actress's name down.

271
00:12:49,480 --> 00:12:50,600
So I think she is forgettable.

272
00:12:50,600 --> 00:12:53,200
Speaker 2: Okay, she does great, she's she's great.

273
00:12:53,200 --> 00:12:54,960
Speaker 7: It's just the material she's given.

274
00:12:55,000 --> 00:12:58,480
Speaker 2: Okay. Rachel Brosnan gone, Maybe next maybe twenty seventeen.

275
00:13:00,960 --> 00:13:06,039
Speaker 1: Julia Gardner lock, Can we get a Garner lock on here?

276
00:13:06,399 --> 00:13:06,559
Speaker 2: Good?

277
00:13:07,559 --> 00:13:08,960
Speaker 1: I'm sure we'll see many more of those in the

278
00:13:09,080 --> 00:13:15,480
coming years. She's really good. That's where my thoughts stop.

279
00:13:16,600 --> 00:13:18,840
Speaker 6: Yeah, I'm not ready for the lock yet.

280
00:13:21,039 --> 00:13:23,080
Speaker 1: We actually we only need to cut one. Let's just

281
00:13:23,120 --> 00:13:24,759
do that. Mm hmmm.

282
00:13:26,720 --> 00:13:31,000
Speaker 6: The most Yeah, el Fan is fucking gone.

283
00:13:34,240 --> 00:13:38,559
Speaker 1: Okay, so I would cut Chase Infinity. I I don't

284
00:13:38,559 --> 00:13:41,080
think there's anything special in that performance.

285
00:13:43,279 --> 00:13:47,480
Speaker 2: Corumba, Sorry, Chase, I can't.

286
00:13:48,399 --> 00:13:51,039
Speaker 7: I'm still chasing Thames.

287
00:13:51,080 --> 00:13:52,080
Speaker 1: You know, young.

288
00:13:54,320 --> 00:14:01,000
Speaker 6: She's no spiky how she's an ex who's the next Mason?

289
00:14:01,039 --> 00:14:02,559
Thing is the next to the shot.

290
00:14:02,720 --> 00:14:04,600
Speaker 1: She's got, She's got climbing to do. She'll get there,

291
00:14:04,639 --> 00:14:05,159
She'll get there.

292
00:14:05,480 --> 00:14:08,919
Speaker 7: Kir where are you on that? On Chase?

293
00:14:10,759 --> 00:14:10,960
Speaker 6: Uh?

294
00:14:11,159 --> 00:14:11,320
Speaker 7: No?

295
00:14:11,360 --> 00:14:17,559
Speaker 1: I think she's phenomenal. I think I she's.

296
00:14:17,480 --> 00:14:18,519
Speaker 5: Like on par with Haley.

297
00:14:18,879 --> 00:14:25,240
Speaker 3: I guess for right now, comparing to everyone else, those

298
00:14:25,399 --> 00:14:28,279
might be my bottom two.

299
00:14:29,320 --> 00:14:32,559
Speaker 1: Wow, I think Julia Gardner might be my my bottom. Actually,

300
00:14:33,279 --> 00:14:36,039
I think it's just like the I think so too.

301
00:14:36,200 --> 00:14:36,480
Speaker 2: For me.

302
00:14:36,600 --> 00:14:37,480
Speaker 5: The quantity of.

303
00:14:37,399 --> 00:14:39,679
Speaker 1: The role in the movie, I don't know.

304
00:14:40,720 --> 00:14:41,120
Speaker 2: I don't know.

305
00:14:43,279 --> 00:14:47,120
Speaker 1: Okay, Taylor was good with anything.

306
00:14:49,600 --> 00:14:53,000
Speaker 7: Storm, I think, so.

307
00:14:53,879 --> 00:14:56,120
Speaker 1: Come on, we gotta do one. Let's work with me here,

308
00:14:56,159 --> 00:14:56,480
give me.

309
00:15:00,840 --> 00:15:03,279
Speaker 6: Hey, I know I was down a lock, Kaylie, remember,

310
00:15:03,360 --> 00:15:05,159
so don't say I wasn't trying to lock anybody.

311
00:15:09,080 --> 00:15:11,759
Speaker 1: You guys feeling flop. It's been a while.

312
00:15:12,759 --> 00:15:15,000
Speaker 6: Yea. So great as Elena though, right, that's the thing

313
00:15:15,360 --> 00:15:17,200
because at first, like, oh, did we just lock her again?

314
00:15:17,279 --> 00:15:20,039
She's been here before, but she's just still always great, right,

315
00:15:20,120 --> 00:15:23,639
So yeah, yeah, I'm a lock. I feel like we

316
00:15:23,720 --> 00:15:26,000
need to because I think we have to probably wait

317
00:15:26,120 --> 00:15:27,480
until Taya gets back because I feel like me and

318
00:15:27,559 --> 00:15:31,720
Kirkland are a bottom on Julia, I don't think you are,

319
00:15:31,799 --> 00:15:33,679
so we'd have to find it where that.

320
00:15:33,799 --> 00:15:36,159
Speaker 7: Ranks for mister Field.

321
00:15:38,120 --> 00:15:40,799
Speaker 1: Okay, yeah, what about you and Vanessa?

322
00:15:41,000 --> 00:15:44,320
Speaker 6: Travis, Well, we wait for him to come back in

323
00:15:44,399 --> 00:15:45,000
the lock.

324
00:15:45,320 --> 00:15:47,240
Speaker 1: I mean, bring this this is blurred. Are we gonna

325
00:15:47,240 --> 00:15:47,799
get pulled off?

326
00:15:48,039 --> 00:15:49,960
Speaker 2: I'm gonna, I'm gonna. I'm gonna take it out later.

327
00:15:50,440 --> 00:15:52,480
This is hang hang on, this is anthing.

328
00:15:52,879 --> 00:15:53,440
Speaker 5: It gets better.

329
00:15:53,519 --> 00:16:05,120
Speaker 1: It gets better acting. Oh my god, come to me.

330
00:16:07,039 --> 00:16:10,279
Speaker 6: I think I actually missed something when she's given them CPR.

331
00:16:10,679 --> 00:16:14,159
Speaker 1: CPR is the big one because she's just like thrusting

332
00:16:14,240 --> 00:16:14,919
on top of them.

333
00:16:15,960 --> 00:16:17,639
Speaker 2: Let me just let me get here, let me get it.

334
00:16:17,639 --> 00:16:18,039
Speaker 7: I know where.

335
00:16:18,279 --> 00:16:20,519
Speaker 2: Oh there's something.

336
00:16:19,799 --> 00:16:25,480
Speaker 1: Slow fade from scene to scene is it's strange.

337
00:16:26,519 --> 00:16:28,120
Speaker 2: Okay, it's coming, it's coming, it's coming.

338
00:16:30,120 --> 00:16:31,200
Speaker 5: It's slow. Mow too.

339
00:16:33,519 --> 00:16:40,399
Speaker 2: A camera doing doing this on the big screen, which is.

340
00:16:42,279 --> 00:16:45,840
Speaker 1: And the movie is not loud here either, just people

341
00:16:45,919 --> 00:16:49,240
breathing this. This is some of the worst acting from

342
00:16:49,240 --> 00:16:53,799
people who I know are like good actors, like a

343
00:16:53,840 --> 00:16:54,399
look at her.

344
00:16:57,720 --> 00:16:59,080
Speaker 5: Bas Well, Old.

345
00:17:00,799 --> 00:17:03,919
Speaker 2: Taylor, Where are you on? Julia Gardner, Me and kirkla

346
00:17:03,960 --> 00:17:06,359
were on a kick. Dylan was iffy on that.

347
00:17:08,319 --> 00:17:12,480
Speaker 8: Just you know, let's see who's still here.

348
00:17:12,680 --> 00:17:14,559
Speaker 2: We have to cut one. That's where we're stuck at.

349
00:17:15,839 --> 00:17:16,680
Speaker 5: You just have to cut one.

350
00:17:17,319 --> 00:17:18,720
Speaker 7: We locked pus. You can see.

351
00:17:18,720 --> 00:17:20,079
Speaker 6: We just have to cut one. And then the list

352
00:17:20,119 --> 00:17:23,519
is block block. I think Dylan was you were on

353
00:17:23,559 --> 00:17:25,880
the bandwagon. Chase was your lowest, right, Dylan.

354
00:17:26,440 --> 00:17:27,400
Speaker 1: Chase is my lowest.

355
00:17:27,720 --> 00:17:29,559
Speaker 5: Chase is my lowest too, Okay.

356
00:17:29,640 --> 00:17:33,079
Speaker 2: Julie Gardner's my lowis Kirkland. Is that a fishy or lowest?

357
00:17:33,160 --> 00:17:38,319
Julia Gardner? Yeah, well you know.

358
00:17:38,400 --> 00:17:42,839
Speaker 6: That means that means we're getting another Patren vote right here,

359
00:17:42,880 --> 00:17:44,240
unlesson wants to change the thing.

360
00:17:44,279 --> 00:17:47,799
Speaker 2: But I I'm yeah, I just put Chase.

361
00:17:48,640 --> 00:17:51,920
Speaker 6: I think Chase has a bit more longer scenes because

362
00:17:51,960 --> 00:17:53,920
I think we do break we do break away from Chase.

363
00:17:54,000 --> 00:17:56,960
Speaker 1: Is el Fanning really better than both of them?

364
00:17:57,400 --> 00:17:57,680
Speaker 5: Pretty?

365
00:17:57,720 --> 00:18:01,559
Speaker 6: I think with the multiple performances, I I give it

366
00:18:01,559 --> 00:18:03,880
to her, just like with Passing and Jordan.

367
00:18:03,920 --> 00:18:06,200
Speaker 7: I think there's some versatility there.

368
00:18:08,880 --> 00:18:13,400
Speaker 6: Okay, okay, so we're locked as Florence Pugh as Elena,

369
00:18:13,480 --> 00:18:16,480
but Aessa Kirbys who Storm Haley signed Steinfeld.

370
00:18:15,960 --> 00:18:18,000
Speaker 2: Mauch or who she is? Forgout the carriage name.

371
00:18:18,200 --> 00:18:20,799
Speaker 6: El Fanning is the Tessa and tomorrow and then you

372
00:18:20,839 --> 00:18:22,640
guys again for the fourth time, we're gonna be.

373
00:18:22,759 --> 00:18:25,880
Speaker 2: De signing between Chase and Finney and Juliet Gardner. Man,

374
00:18:26,039 --> 00:18:27,319
this is what it pays to be a Patrin, you

375
00:18:27,319 --> 00:18:31,039
guys on this year. This is the most polls ever.

376
00:18:31,119 --> 00:18:33,720
You can see. It's an undecided here for us. So, okay,

377
00:18:33,759 --> 00:18:36,359
we did some acting, let's change it up a little bit.

378
00:18:36,400 --> 00:18:39,400
I'm gonna say, let's go to best visuals. I think

379
00:18:39,359 --> 00:18:40,920
this would be a bit of a quicker one, easier.

380
00:18:40,960 --> 00:18:43,279
Speaker 6: I'm gonna start off. You know, we might have forgot Eve,

381
00:18:43,400 --> 00:18:46,160
but I did not forget about tron Aries and uh,

382
00:18:46,160 --> 00:18:47,200
that's one that didn't make.

383
00:18:47,160 --> 00:18:50,240
Speaker 2: It, the Oscar. So I'm gonna throw mister Ayre's in

384
00:18:50,279 --> 00:18:51,359
there for best visuals.

385
00:18:54,440 --> 00:18:57,480
Speaker 5: I'm back in the amazing.

386
00:18:57,119 --> 00:18:58,880
Speaker 2: Got really quiet there for a second. I was worried.

387
00:18:59,480 --> 00:19:01,319
Speaker 1: I'm tight, that's fair.

388
00:19:01,880 --> 00:19:05,480
Speaker 7: Those two Taylor visuals.

389
00:19:05,920 --> 00:19:07,920
Speaker 6: We know where you're going, you know where you're taking us.

390
00:19:10,319 --> 00:19:11,680
Speaker 7: I think so, and I.

391
00:19:17,839 --> 00:19:20,960
Speaker 8: Honestly, aside from one thing, I'm fantastic for out there

392
00:19:20,960 --> 00:19:22,079
because Marvel's been a.

393
00:19:22,079 --> 00:19:24,759
Speaker 5: Little weird with the CGI the visuals.

394
00:19:24,839 --> 00:19:28,160
Speaker 8: But Galactus looked freaking awesome, So I'm gonna give them

395
00:19:28,160 --> 00:19:29,039
credit where it's due.

396
00:19:29,519 --> 00:19:31,519
Speaker 2: Did have me until Kirkland just low blowed me there

397
00:19:31,559 --> 00:19:32,279
with those babies.

398
00:19:32,359 --> 00:19:32,960
Speaker 7: Yeah, I can't.

399
00:19:33,000 --> 00:19:34,039
Speaker 2: I actually can't give it that.

400
00:19:34,079 --> 00:19:35,119
Speaker 5: It was a real baby.

401
00:19:35,640 --> 00:19:37,200
Speaker 1: Didn't look like you don't want to go there. You

402
00:19:37,200 --> 00:19:40,519
don't want to go there with the baby? Why because

403
00:19:40,599 --> 00:19:44,599
Frankenstein looks great, But those fucking wolves and ship looked atrocious.

404
00:19:45,480 --> 00:19:47,200
Speaker 6: Yeah, but I'm not pitching on the CG. I'm pitching

405
00:19:47,200 --> 00:19:49,200
on the set design in Frankenstein. You know I can

406
00:19:49,240 --> 00:19:51,440
go with I'll find before I can get there, they got.

407
00:19:51,359 --> 00:19:54,240
Speaker 5: Some good sets too, I still logic.

408
00:19:54,359 --> 00:20:01,759
Speaker 1: Yeah, before I back it, I'll pitch Frankenstein.

409
00:20:02,519 --> 00:20:05,079
Speaker 6: Hell yeah, just those sets alone, like Freget, like frank

410
00:20:05,119 --> 00:20:08,000
Stin's Layer, Yeah, like everything, the lightning.

411
00:20:11,200 --> 00:20:14,000
Speaker 1: And like the they get those giant fucking battery things.

412
00:20:14,200 --> 00:20:15,480
Speaker 2: Oh yeah, such.

413
00:20:15,279 --> 00:20:16,039
Speaker 1: A cool design.

414
00:20:16,279 --> 00:20:17,000
Speaker 7: Just the aesthetic.

415
00:20:17,119 --> 00:20:18,119
Speaker 1: Yeah, yeah, we.

416
00:20:18,160 --> 00:20:21,160
Speaker 3: Got F four, we got Frankens sign. I'm gonna pitch

417
00:20:21,240 --> 00:20:24,680
F one here. Don't have a lot of categories. But

418
00:20:24,720 --> 00:20:27,039
I really liked the car angles. I thought it was

419
00:20:27,079 --> 00:20:28,839
fun car.

420
00:20:29,240 --> 00:20:32,519
Speaker 2: Yeah, sure, I'll give you that. I'll give you that

421
00:20:32,640 --> 00:20:34,039
one in there.

422
00:20:34,519 --> 00:20:37,039
Speaker 1: Yeah, Oscar winner, that's right.

423
00:20:37,440 --> 00:20:39,319
Speaker 6: I think we talked about this as far as the

424
00:20:39,400 --> 00:20:41,799
second one lacking a little bit twenty years later.

425
00:20:41,880 --> 00:20:43,079
Speaker 2: I think we talked.

426
00:20:42,799 --> 00:20:44,440
Speaker 6: About that in that review, but also in just this

427
00:20:44,799 --> 00:20:47,880
recent one of multiple shots, we talk about that shot

428
00:20:47,960 --> 00:20:51,160
of well you have the iPhone rigamaroles that didn't really

429
00:20:51,160 --> 00:20:53,480
happen or not all In two you had that great

430
00:20:53,519 --> 00:20:56,000
moment when they're running across the water and the spoons

431
00:20:56,039 --> 00:20:56,480
going down.

432
00:20:56,599 --> 00:20:57,759
Speaker 1: Yeah, stars and stuff.

433
00:20:57,799 --> 00:20:59,480
Speaker 6: Yeah, when you that one time when they're out in

434
00:20:59,480 --> 00:21:01,519
the woods middle the night and all like the whatever

435
00:21:01,559 --> 00:21:04,559
infected are all like it's red and they're all shadows.

436
00:21:04,559 --> 00:21:05,640
Speaker 2: You just got the eyes.

437
00:21:05,880 --> 00:21:08,000
Speaker 1: Yeah, world War one radio thing going off.

438
00:21:08,319 --> 00:21:10,920
Speaker 6: Oh yeah, well that's that's audio crook and we'll get there.

439
00:21:11,039 --> 00:21:12,920
Speaker 7: But visuals twenty eight.

440
00:21:12,920 --> 00:21:15,799
Speaker 1: Years later, it boosted the visuals for me back.

441
00:21:16,400 --> 00:21:16,960
Speaker 5: I'm backup.

442
00:21:18,720 --> 00:21:20,519
Speaker 7: There's no just charge in the wall.

443
00:21:21,279 --> 00:21:23,319
Speaker 1: Tail, You're I just real listened out this week.

444
00:21:23,480 --> 00:21:24,200
Speaker 7: It's so good.

445
00:21:25,440 --> 00:21:27,319
Speaker 8: I don't know, I don't know where this is gonna go,

446
00:21:27,480 --> 00:21:30,680
but this one's for you, Mike. I'm gonna back Wicked,

447
00:21:30,880 --> 00:21:33,640
Like the visuals in that movie are fucking awesome, and

448
00:21:34,680 --> 00:21:38,039
like just going to the Emerald City and just everything

449
00:21:38,079 --> 00:21:38,920
they created in there.

450
00:21:38,799 --> 00:21:40,359
Speaker 5: It was. It was a damn good time. I think

451
00:21:40,400 --> 00:21:41,599
that they knocked it out of the park.

452
00:21:42,799 --> 00:21:45,559
Speaker 2: I can't. I'm not like a Wicked hater, but I

453
00:21:45,599 --> 00:21:47,440
do not enjoy a lot of the visuals in those movies.

454
00:21:47,440 --> 00:21:49,759
Speaker 6: I'm sorry, Like a lot of it's very feels like

455
00:21:49,880 --> 00:21:52,319
ms muted colors at times, like the Green's green, the

456
00:21:52,359 --> 00:21:54,319
Pink's pink. But then when they're just out in the woods,

457
00:21:54,319 --> 00:21:59,359
it's like everything's just like tan and it's like, so, yeah,

458
00:21:59,359 --> 00:22:00,640
I can't I can't go there.

459
00:22:01,240 --> 00:22:04,200
Speaker 2: Mm hmm, sorry Mike naked gun, no joking.

460
00:22:05,640 --> 00:22:09,720
Speaker 1: Yeah, I don't have that one here. Let me, Uh,

461
00:22:10,759 --> 00:22:12,559
should I throw Taylor a bone? Or should I throw

462
00:22:12,640 --> 00:22:17,200
Kirkland a bone? Who's who's getting a bone? I like bones?

463
00:22:17,400 --> 00:22:19,839
I like bones, well, Kirkland said at first, So I'm

464
00:22:19,839 --> 00:22:23,400
gonna throw Demon Hunters out there. Hey, let's go back.

465
00:22:23,519 --> 00:22:24,599
Speaker 2: Yeah, I'll back it there.

466
00:22:26,559 --> 00:22:31,720
Speaker 8: I love it, so never mind it's in there. I'm

467
00:22:31,759 --> 00:22:33,559
gonna say, what's what's my bone? But it's not your

468
00:22:33,559 --> 00:22:34,000
turn again.

469
00:22:34,000 --> 00:22:35,519
Speaker 5: I apologize.

470
00:22:35,519 --> 00:22:38,279
Speaker 1: If it gets back to me and your bone hasn't

471
00:22:38,319 --> 00:22:43,359
been picked, then I'll I'll throw your bone out there too. Okay,

472
00:22:46,200 --> 00:22:49,079
back to my bone, my bone, I'm gonna go with.

473
00:22:49,319 --> 00:22:51,920
It's got lots of marrow to it. How to train

474
00:22:51,960 --> 00:22:53,759
your dragon dragon bones?

475
00:22:54,279 --> 00:22:56,880
Speaker 8: Yes, that visually was fucking stellar.

476
00:22:57,440 --> 00:22:59,960
Speaker 2: Hell yeah, I can't give you that bone.

477
00:23:01,400 --> 00:23:03,640
Speaker 5: You just don't like it. Yeah, that's the only reason.

478
00:23:03,720 --> 00:23:07,039
Speaker 8: But usually looks so good.

479
00:23:07,720 --> 00:23:08,319
Speaker 2: You're not copy.

480
00:23:09,000 --> 00:23:11,000
Speaker 5: I saw copy animation.

481
00:23:11,119 --> 00:23:16,119
Speaker 1: Like the details very much, great, the set pulled on him,

482
00:23:18,039 --> 00:23:19,079
Lewis Pullman.

483
00:23:23,119 --> 00:23:27,079
Speaker 6: Have fun now, Yeah, I can't go there. This one's

484
00:23:27,079 --> 00:23:29,160
just pure on a shot basis. But I'm throwing in

485
00:23:29,240 --> 00:23:29,880
sinners here.

486
00:23:29,920 --> 00:23:30,119
Speaker 2: You know.

487
00:23:30,519 --> 00:23:33,240
Speaker 6: Think about that last shot when you know and Taylor,

488
00:23:33,240 --> 00:23:35,039
you love that end creds scene right more then credits

489
00:23:35,039 --> 00:23:35,519
scene with.

490
00:23:37,079 --> 00:23:38,160
Speaker 5: Lenora.

491
00:23:38,799 --> 00:23:39,640
Speaker 7: But when they're talking.

492
00:23:39,440 --> 00:23:41,599
Speaker 6: About the last time he saw that the sunset and

493
00:23:41,640 --> 00:23:44,359
it's him and his brother, they got that wide shot

494
00:23:44,599 --> 00:23:47,519
and the sunset's going, or that shot when Remick is

495
00:23:47,559 --> 00:23:51,200
burning and it's just hold Admiral help. Yeah, well that

496
00:23:51,359 --> 00:23:53,640
but then also it's the reflection of them burning, that

497
00:23:53,799 --> 00:23:57,319
great moment when in the background Remick jumps up before

498
00:23:57,319 --> 00:23:59,039
we know his vampire. He jumps up and it cuts.

499
00:23:59,079 --> 00:24:01,160
It's just the right moment before he lands. For me,

500
00:24:01,240 --> 00:24:05,039
it's all the camera trickery. Okay, masks and pipe down.

501
00:24:05,480 --> 00:24:07,359
But that's what I'm saying is the peer shots and

502
00:24:07,720 --> 00:24:10,440
location shots of the final battle. We're getting whip arounds

503
00:24:10,480 --> 00:24:12,480
all the time while people are popping off vampires everywhere.

504
00:24:12,680 --> 00:24:13,960
Speaker 2: Sammy, remember that part.

505
00:24:14,079 --> 00:24:23,319
Speaker 5: Yeah, sold those eyes those eyes are what sold me. Cool. Oh,

506
00:24:23,400 --> 00:24:24,880
I mean I'm back in that for sure.

507
00:24:25,400 --> 00:24:33,279
Speaker 2: You know, what's your next mine, I'm back in La

508
00:24:33,400 --> 00:24:39,240
fanning for sure, best Actress, Best visuals man.

509
00:24:41,440 --> 00:24:44,200
Speaker 5: I mean, I'm gonna throw Mission dress, Drassic World Rebirth.

510
00:24:44,279 --> 00:24:47,599
Speaker 8: I'd say the use of practical dinos in here, just

511
00:24:47,640 --> 00:24:49,720
some of the visuals over the previous.

512
00:24:49,440 --> 00:24:50,440
Speaker 5: Drastic World films.

513
00:24:50,559 --> 00:24:53,400
Speaker 8: While it's a small amount, it definitely visually, I would

514
00:24:53,400 --> 00:24:56,079
definitely give it a an edge. Has that Gareth Edwards

515
00:24:56,200 --> 00:24:58,799
kind of filter on it that are making.

516
00:24:58,680 --> 00:25:01,960
Speaker 6: Me sound bad because it awes no nation trust Toty CASTI.

517
00:25:02,039 --> 00:25:03,559
I said, oh, like, I don't know why this It

518
00:25:03,640 --> 00:25:05,480
got an Oscar Best visual No, but I'm like, I

519
00:25:05,480 --> 00:25:07,440
don't even know why this is there because even Taylor,

520
00:25:07,880 --> 00:25:09,799
you said that it was lesser than the last see

521
00:25:10,160 --> 00:25:12,200
it just doesn't look as good like, and there's there's

522
00:25:12,240 --> 00:25:14,200
recorded to proof of you saying this on air.

523
00:25:15,400 --> 00:25:17,319
Speaker 5: I watched it the other day on my my four

524
00:25:17,400 --> 00:25:19,680
K TV and it looked just great. So maybe, yeah,

525
00:25:19,720 --> 00:25:20,839
but you have a twelve inch TV.

526
00:25:21,039 --> 00:25:21,839
Speaker 7: You can't see anything.

527
00:25:25,839 --> 00:25:28,000
Speaker 5: I'll show you how big I am when you come

528
00:25:28,039 --> 00:25:28,680
over next time.

529
00:25:31,039 --> 00:25:32,839
Speaker 2: Yeah, you look big because you've got the twelve inch TV.

530
00:25:33,079 --> 00:25:34,920
I look at me. I can't go there.

531
00:25:38,799 --> 00:25:40,960
Speaker 8: That's an honorable mention I got nothing else for it,

532
00:25:41,440 --> 00:25:42,160
honorable man.

533
00:25:44,960 --> 00:25:47,960
Speaker 1: That got me so good. Oh all right, let me

534
00:25:48,079 --> 00:25:51,240
give Taylor and Ie twelve inch bone here. Yeah, in

535
00:25:51,319 --> 00:25:56,759
the form of Predator bad Lands, Yeah, yeah, go there.

536
00:25:58,000 --> 00:26:00,359
I think there's some moments that aren't as great those

537
00:26:00,359 --> 00:26:02,640
other parts of that movie, but for the most of it, yeah,

538
00:26:02,839 --> 00:26:05,200
anything that's CGI fest, like, you know, it's probably not

539
00:26:05,279 --> 00:26:06,680
all going to hit the mark, but I think there's

540
00:26:06,680 --> 00:26:09,880
all really fun, weird creative creature designs, a lot of

541
00:26:09,920 --> 00:26:12,359
fun space stuff, a lot of cool planet stuff, just

542
00:26:12,480 --> 00:26:14,000
a lot of things that I like looking at in

543
00:26:14,039 --> 00:26:14,440
this movie.

544
00:26:14,839 --> 00:26:17,519
Speaker 6: If we made exception for the f or baby, I

545
00:26:17,599 --> 00:26:20,440
think I think bad Lands can get in there as well.

546
00:26:20,480 --> 00:26:22,960
Speaker 1: As its got the baby, Frankenstein's got the wolves. Bad

547
00:26:23,039 --> 00:26:25,079
Lands got some creature. I don't know the name of it.

548
00:26:25,160 --> 00:26:27,640
Speaker 5: You know, we all got we get one pass. Yeah,

549
00:26:28,519 --> 00:26:28,960
I'll back it.

550
00:26:29,079 --> 00:26:30,640
Speaker 8: The one thing for me was bad Lands is just

551
00:26:30,759 --> 00:26:33,319
when the predators moving their faces around talking. That's where

552
00:26:33,319 --> 00:26:35,200
it pulled me out, because you can really see the

553
00:26:35,319 --> 00:26:37,359
CGI in those scenes.

554
00:26:37,720 --> 00:26:40,519
Speaker 1: You wanted them to hire actual predators, Yeah.

555
00:26:40,319 --> 00:26:43,240
Speaker 5: I wanted actual robotic mandibles. Don't hire predators.

556
00:26:43,279 --> 00:26:45,720
Speaker 2: The predators aren't right now, so you couldn't get them.

557
00:26:48,519 --> 00:26:54,559
Speaker 1: Mister Katzer, Where was I going at? Oh yeah, Avatar,

558
00:26:54,680 --> 00:26:56,319
let's get that in there. Let's lock it while we're

559
00:26:56,319 --> 00:26:56,559
at it.

560
00:26:58,400 --> 00:26:59,240
Speaker 2: Why do they do the dune?

561
00:26:59,279 --> 00:27:03,519
Speaker 5: Sound pretty good? I'll do a trade with you said

562
00:27:03,519 --> 00:27:04,000
you back it?

563
00:27:04,160 --> 00:27:07,960
Speaker 7: Actually, yeah, I got a backup always.

564
00:27:08,759 --> 00:27:09,480
Speaker 1: I was hoping to get some.

565
00:27:11,799 --> 00:27:14,480
Speaker 5: Deal earlier when I pitched if this one.

566
00:27:14,640 --> 00:27:16,000
Speaker 6: You know, I did think about it, but as I'm

567
00:27:16,000 --> 00:27:18,279
thinking about now, I'm gonna pitch Weapons, I think kind

568
00:27:18,279 --> 00:27:21,079
of like the Samis aspect, there's some like scary stuff

569
00:27:21,119 --> 00:27:23,000
in there. I mentioned that Gladys thing, that one shot

570
00:27:23,039 --> 00:27:25,920
when auscar Ameres's the woods and she's waving uh. But

571
00:27:26,079 --> 00:27:29,039
also just all those shots those kids run around, even

572
00:27:29,039 --> 00:27:31,160
the last see that Gladys, like the one shot of

573
00:27:31,200 --> 00:27:32,359
her running through house to house.

574
00:27:32,400 --> 00:27:34,240
Speaker 7: So I think there's some good visual stuff in there.

575
00:27:36,240 --> 00:27:41,480
Speaker 5: A third I back up for sure, I guess so,

576
00:27:42,279 --> 00:27:42,599
I guess.

577
00:27:42,640 --> 00:27:45,200
Speaker 6: I I'm surprised how much you really didn't like Weapons,

578
00:27:45,200 --> 00:27:47,000
because you like it, walked up about it. You've been

579
00:27:47,000 --> 00:27:49,759
watching because you you loved barbarians, So I'm surprised.

580
00:27:51,319 --> 00:27:55,200
Speaker 1: There's aspects to it that are good it's not my turn,

581
00:27:55,279 --> 00:27:56,160
so I won't pitch anything.

582
00:27:57,680 --> 00:28:02,240
Speaker 6: Take a seat, Daniel, What about what about the gorge?

583
00:28:04,400 --> 00:28:06,480
Once that third act kicks and I can't pass it?

584
00:28:06,759 --> 00:28:07,960
Speaker 1: Never got around to it myself.

585
00:28:08,559 --> 00:28:10,960
Speaker 6: It just the effects are It's not because it's just CGA.

586
00:28:11,039 --> 00:28:13,240
It's like to me, it's like a bunch of bad CGI.

587
00:28:13,640 --> 00:28:14,680
Speaker 2: So that's where I'm at.

588
00:28:14,799 --> 00:28:21,119
Speaker 1: But some of the stuff school, Okay, I'll go up next.

589
00:28:21,200 --> 00:28:27,759
Then I got one here that is maybe one of

590
00:28:27,839 --> 00:28:30,200
my favorites in kind of a more understated way. You know,

591
00:28:30,279 --> 00:28:32,440
within visuals, a lot of different things that could mean.

592
00:28:33,160 --> 00:28:36,039
But for me, best lighting of the year and other

593
00:28:36,200 --> 00:28:38,599
visuals is Wake Up Dead Man. I think the lighting

594
00:28:38,799 --> 00:28:43,160
is unbelievably great in this movie. There's one scene, the

595
00:28:43,240 --> 00:28:47,039
scene when Josh O'Connor first meets ben Wa Blanc, I know,

596
00:28:47,160 --> 00:28:50,039
mixing character and actor names here they have like they're

597
00:28:50,079 --> 00:28:53,480
having a longer conversation. It's back and forth. They're in

598
00:28:53,559 --> 00:28:56,839
the church, and if like I I was barely paying

599
00:28:56,880 --> 00:28:58,359
attention to the words they're saying because I was just

600
00:28:58,480 --> 00:29:00,920
so gluting on how cool cool the lighting was in

601
00:29:01,000 --> 00:29:03,839
that scene, like changes back and forth, the shadows, you know,

602
00:29:04,000 --> 00:29:06,079
getting like really dark in this one room, and then

603
00:29:06,119 --> 00:29:08,240
really bright even though no no lights are changing. It's

604
00:29:08,279 --> 00:29:10,440
just like the sun coming through or probably not actual sun,

605
00:29:10,519 --> 00:29:14,480
probably some crazy Ryan Johnson technology stuff. But also just

606
00:29:14,599 --> 00:29:18,319
like the gorgeous scenery in that movie in general. But

607
00:29:18,400 --> 00:29:21,200
I think, honestly for me, it's like, you know, best visuals,

608
00:29:21,240 --> 00:29:24,480
best lighting. Specific I think this movie is gorgeously lit

609
00:29:24,599 --> 00:29:26,920
or color graded or whatever it is, combination of the two,

610
00:29:26,960 --> 00:29:29,119
I suppose, but looks beautiful.

611
00:29:29,640 --> 00:29:30,160
Speaker 2: I back it.

612
00:29:32,680 --> 00:29:34,559
Speaker 5: I'd back it, thank you, thank you.

613
00:29:37,920 --> 00:29:42,079
Speaker 2: Mason's run on the roof up there, I told her

614
00:29:42,119 --> 00:29:42,680
this TV is.

615
00:29:42,680 --> 00:29:46,519
Speaker 5: Too small, Oh dear.

616
00:29:48,160 --> 00:29:52,759
Speaker 1: Mickey seventeen backed no pitch fact. I think it's a

617
00:29:52,799 --> 00:29:54,000
really stylistic movie.

618
00:29:54,079 --> 00:29:54,839
Speaker 5: But also.

619
00:29:56,200 --> 00:29:59,720
Speaker 1: Like just the creature CGI is like very impressive.

620
00:29:59,519 --> 00:30:02,559
Speaker 3: That's true, those little things that like crawl over Pattison,

621
00:30:04,160 --> 00:30:06,759
Like it could look really bad there, but it actually

622
00:30:06,799 --> 00:30:08,559
looks pretty pretty smooth.

623
00:30:08,640 --> 00:30:11,920
Speaker 1: So costumes and stuff, the space, just the space visuals,

624
00:30:12,000 --> 00:30:14,960
the spaceship and everything. I love all that stuff so fun.

625
00:30:14,920 --> 00:30:18,200
Speaker 2: Totally, that's it for me.

626
00:30:18,519 --> 00:30:20,920
Speaker 6: I thought this was gonna be a much quicker category,

627
00:30:21,000 --> 00:30:23,240
but no, we still got some condenders here, so but

628
00:30:23,359 --> 00:30:24,759
that is it. For me, I took a look and

629
00:30:24,839 --> 00:30:26,440
didn't see anything that caught my eye.

630
00:30:26,960 --> 00:30:32,160
Speaker 1: Taylor, that's it for me, quick shout out to the

631
00:30:32,240 --> 00:30:36,799
assessment again, really weird, cool looking movie that obviously no

632
00:30:36,799 --> 00:30:39,599
one will seen it. And then bring her back. Visuals

633
00:30:39,720 --> 00:30:43,640
unbelievable in that movie, crazy weird, editing shots that you've

634
00:30:43,680 --> 00:30:47,720
never seen before, disturbing imagery that's still stuck in my

635
00:30:47,799 --> 00:30:49,720
head which you know could be best seen but could

636
00:30:49,799 --> 00:30:53,960
also be just encapsit in Best visuals. Gorgeous movie. You

637
00:30:54,000 --> 00:30:55,519
know we already have enough on here, so I won't

638
00:30:55,599 --> 00:30:57,799
fight for it, considering too the boys haven't seen it.

639
00:30:57,839 --> 00:30:59,880
But yeah, gorgeous movie is that one?

640
00:31:01,000 --> 00:31:04,079
Speaker 2: Yeah? Uh, I think that's it?

641
00:31:04,440 --> 00:31:08,960
Speaker 3: Are you all will shout out nothing?

642
00:31:09,000 --> 00:31:10,680
Speaker 1: I guess because we got the stuff so you can

643
00:31:10,720 --> 00:31:11,119
if you want.

644
00:31:12,240 --> 00:31:16,640
Speaker 6: Mikey says Taylor, where were you for Ariana? Well, we

645
00:31:16,720 --> 00:31:17,799
haven't done supporting actress.

646
00:31:17,920 --> 00:31:21,160
Speaker 1: But Mike, uh, I thought you just meant visually like

647
00:31:21,319 --> 00:31:23,160
she's that oh or something.

648
00:31:23,279 --> 00:31:25,559
Speaker 2: Maybe I guess, but she ain't make it anywhere or Mike,

649
00:31:25,599 --> 00:31:26,319
I'm sorry.

650
00:31:26,839 --> 00:31:28,279
Speaker 7: She's getting two snubs today.

651
00:31:29,599 --> 00:31:33,279
Speaker 6: Best Visuals contender is Tron Area is fantastic four Frankenstein

652
00:31:33,519 --> 00:31:36,599
F one twenty eight years later, cap Open Hunter, Sinners, Paer,

653
00:31:36,640 --> 00:31:39,200
bad Lands After Fire and Ash Weapons, Wake Up dead

654
00:31:39,200 --> 00:31:40,160
Man at Mickey seventeen.

655
00:31:40,799 --> 00:31:45,079
Speaker 1: Wow, Wow, ooh. Very diverse group yet again.

656
00:31:45,599 --> 00:31:48,519
Speaker 6: Tron's gotta be a lock right. I feel I feel

657
00:31:48,519 --> 00:31:50,880
like that's the fact. The two things we I'm fine

658
00:31:50,960 --> 00:31:52,400
locking after. But I just feel like with Tron, we

659
00:31:52,480 --> 00:31:54,200
talked about the music and the looks, and I feel

660
00:31:54,200 --> 00:31:56,079
like we just kept going over that again, like we've

661
00:31:56,079 --> 00:31:57,160
talked about other things that review.

662
00:31:57,240 --> 00:32:00,079
Speaker 7: But for me, Tron's a it's all.

663
00:32:01,680 --> 00:32:02,359
Speaker 5: On an Avatar.

664
00:32:02,400 --> 00:32:06,799
Speaker 1: I'd say, sorry, do I have to lock Avatar with Tron?

665
00:32:06,880 --> 00:32:09,799
Speaker 2: Is that that's what they're pitching, But that's what I'm

666
00:32:09,839 --> 00:32:10,279
pitching too.

667
00:32:10,319 --> 00:32:11,680
Speaker 1: I don't think I would do that yet, but I

668
00:32:11,680 --> 00:32:15,960
would lock Tron on its own. I mean, I guess

669
00:32:16,000 --> 00:32:18,119
Avatar that's kind of that's gonna be a bottleneck, isn't it.

670
00:32:19,079 --> 00:32:22,079
Speaker 5: I mean, it just it's it's it's the visuals. I mean,

671
00:32:22,319 --> 00:32:24,400
the fire look really good in the movie. It does

672
00:32:24,480 --> 00:32:25,000
look pretty good.

673
00:32:25,000 --> 00:32:26,920
Speaker 1: Oh yeah, is it real fire or is it c

674
00:32:27,039 --> 00:32:27,599
g I fire?

675
00:32:28,160 --> 00:32:30,000
Speaker 5: You're gonna watch it? It's real fire.

676
00:32:30,119 --> 00:32:32,480
Speaker 1: I'm not gonna watch it, but I'll say it's real. Okay,

677
00:32:32,880 --> 00:32:35,000
let's do it. Double lock. Hey, there we go.

678
00:32:39,359 --> 00:32:39,759
Speaker 2: I like it.

679
00:32:40,680 --> 00:32:45,880
Speaker 6: I like it too, Okay, okay, does anyone have any

680
00:32:46,079 --> 00:32:48,519
strong locks or cuts on this?

681
00:32:49,839 --> 00:32:51,960
Speaker 1: Keep Up Demon Hunters was my next number one. I

682
00:32:52,039 --> 00:32:56,400
think it does look really good, cool style, its fun.

683
00:32:56,279 --> 00:32:57,240
Speaker 5: And say, I'm there with you.

684
00:32:57,799 --> 00:32:59,359
Speaker 7: Have you seen keep Hunters too?

685
00:32:59,640 --> 00:33:01,079
Speaker 5: No, so you can never see it.

686
00:33:03,400 --> 00:33:06,319
Speaker 1: I don't know if I can lock it at the moment, though. Yeah,

687
00:33:06,480 --> 00:33:10,240
that's fine, Okay, I haven't seen F one. That's a

688
00:33:10,319 --> 00:33:12,000
cut for me. F four I would cut.

689
00:33:14,400 --> 00:33:17,920
Speaker 3: I could cut both. Considering what's still on the list.

690
00:33:19,319 --> 00:33:24,200
Trius is dying, I can see both cut.

691
00:33:24,839 --> 00:33:26,920
Speaker 1: Okay, that makes things easier.

692
00:33:27,480 --> 00:33:28,359
Speaker 2: No my favorite pick.

693
00:33:30,839 --> 00:33:34,279
Speaker 7: Yeah, no, it's fine.

694
00:33:34,319 --> 00:33:35,200
Speaker 2: I'm liking these cuts.

695
00:33:38,200 --> 00:33:41,680
Speaker 1: Weapons will be my next number one. Cut your nicked, Okay,

696
00:33:42,240 --> 00:33:44,039
I'll cut it. I'd cut it.

697
00:33:47,240 --> 00:33:49,279
Speaker 8: I think I got I could see Weapons going to

698
00:33:49,400 --> 00:33:53,119
some best scenes category, but out of visuals, I don't

699
00:33:53,160 --> 00:33:53,799
think it's there.

700
00:33:54,519 --> 00:33:59,680
Speaker 1: Sure, okay, fucking long running at you, that's what it

701
00:33:59,720 --> 00:34:02,240
does have. I don't know how we just cut that.

702
00:34:02,559 --> 00:34:05,640
Speaker 5: It's great looking in sinners, though, be a sin not

703
00:34:05,759 --> 00:34:10,239
to put it on this Those visuals.

704
00:34:10,280 --> 00:34:12,760
Speaker 2: I agree, but it's not my number one here.

705
00:34:13,519 --> 00:34:16,559
Speaker 1: Well, I've been known to sin so what we got.

706
00:34:16,559 --> 00:34:17,559
Speaker 2: To lock three more?

707
00:34:18,159 --> 00:34:19,400
Speaker 1: Yeah, that's right to me.

708
00:34:20,400 --> 00:34:22,119
Speaker 2: The three is in the top four.

709
00:34:24,519 --> 00:34:27,599
Speaker 1: Interesting and for the audio listeners.

710
00:34:28,159 --> 00:34:30,639
Speaker 6: Let's breaking sign twenty years later, keep up t hunters

711
00:34:30,639 --> 00:34:32,119
and sinners the one I would be willing to kick

712
00:34:32,159 --> 00:34:34,199
our bad lands. Wake Up dead Man making seventeen got

713
00:34:34,239 --> 00:34:36,039
some good stuff in there, but I think those top

714
00:34:36,119 --> 00:34:37,880
four are superior.

715
00:34:38,880 --> 00:34:40,280
Speaker 2: In the multitude of facets.

716
00:34:41,679 --> 00:34:44,280
Speaker 1: Yeah, I'm very biased for Wake Up dead Man. We

717
00:34:44,360 --> 00:34:48,280
don't have the best visual best lighting category, so this

718
00:34:48,440 --> 00:34:51,320
is where it fits the most here. But also like

719
00:34:51,400 --> 00:34:53,760
the scene the church kind of destruction scene like that,

720
00:34:53,880 --> 00:34:55,599
it's gorgeous, gorgeous scene.

721
00:34:58,000 --> 00:34:59,320
Speaker 8: I'll make you a deal, if you want to make

722
00:34:59,320 --> 00:35:01,880
a deal, I said, I pull a favor on you

723
00:35:03,119 --> 00:35:03,679
leave my way.

724
00:35:04,199 --> 00:35:04,519
Speaker 2: I will.

725
00:35:05,199 --> 00:35:08,320
Speaker 8: I'll give you my vote for Wake Up dead Man

726
00:35:08,400 --> 00:35:10,920
for those visuals, because you're right, it's got some beautiful visuals.

727
00:35:10,960 --> 00:35:12,960
The night scene when he walks out of the cathedral

728
00:35:13,119 --> 00:35:14,840
and how they lit up the darkness in there and

729
00:35:14,920 --> 00:35:15,559
everything like.

730
00:35:17,360 --> 00:35:21,239
Speaker 5: Okay, and the pitch support it. The pitch is you

731
00:35:21,519 --> 00:35:23,800
don't put demon hunters in there.

732
00:35:24,199 --> 00:35:28,559
Speaker 1: Whoa, you just don't want demon. I can put anything else.

733
00:35:28,920 --> 00:35:29,239
Speaker 8: M hm.

734
00:35:29,719 --> 00:35:32,000
Speaker 2: My favorite thing about this pitch. So it's like, you

735
00:35:32,079 --> 00:35:34,199
don't have the numbers for wake up. We don't have

736
00:35:34,239 --> 00:35:34,719
the numbers.

737
00:35:35,159 --> 00:35:37,519
Speaker 1: Okay, that's okay, Yeah.

738
00:35:37,639 --> 00:35:38,119
Speaker 5: I'll do that.

739
00:35:38,400 --> 00:35:38,800
Speaker 1: I'll do that.

740
00:35:40,760 --> 00:35:43,280
Speaker 5: Okay, put my name down a wake up dead Man?

741
00:35:43,360 --> 00:35:43,679
Right there?

742
00:35:43,920 --> 00:35:45,000
Speaker 1: I got a third on dead Man.

743
00:35:46,159 --> 00:35:49,400
Speaker 5: No you like that movie, Kirkling, No.

744
00:35:55,159 --> 00:35:56,840
Speaker 1: Do I got a back?

745
00:35:58,199 --> 00:35:58,800
Speaker 5: Where are we going?

746
00:35:58,840 --> 00:36:01,280
Speaker 1: Where are we going? This is tricky. This is a

747
00:36:01,320 --> 00:36:07,800
tricky one bad Lands chop choppability tailor, didn't chop it? Okay,

748
00:36:08,000 --> 00:36:08,440
chop it like.

749
00:36:08,440 --> 00:36:10,800
Speaker 5: It's hot, chopple like it's cold.

750
00:36:12,920 --> 00:36:23,719
Speaker 1: Uh okay, jeez hm hmmm mm hmmm. Where's everyone on Frankenstein? Overall?

751
00:36:24,000 --> 00:36:24,559
Speaker 5: I'm a lock.

752
00:36:25,440 --> 00:36:27,960
Speaker 7: That's my number one right now? What's for what's left?

753
00:36:28,920 --> 00:36:31,920
Speaker 9: It's like my top of the bottom tier for me,

754
00:36:33,199 --> 00:36:40,119
top of the bottom tier. Oh interesting, yeah, in verse

755
00:36:40,199 --> 00:36:41,800
of top wake Up.

756
00:36:41,760 --> 00:36:43,559
Speaker 1: Dead Man's my bottleneck right now. It's hard for me

757
00:36:43,639 --> 00:36:45,639
to walk anything with knowing nut's just hanging.

758
00:36:46,440 --> 00:36:46,639
Speaker 2: Yeah.

759
00:36:47,039 --> 00:36:49,239
Speaker 5: What's your top of the top tier, Kirkland?

760
00:36:51,800 --> 00:36:51,920
Speaker 8: Uh?

761
00:36:52,960 --> 00:36:55,360
Speaker 1: I mean I love me some K pop Dima Hunters.

762
00:36:56,199 --> 00:36:57,360
Speaker 2: Animates, weave down there.

763
00:36:57,400 --> 00:37:00,800
Speaker 3: You know what he's pickings, gonna be gonna be golden.

764
00:37:02,360 --> 00:37:04,239
Speaker 1: Not a lot of animated in general this year. He

765
00:37:04,360 --> 00:37:06,400
is that our only animated thing that's pop up so far.

766
00:37:07,159 --> 00:37:10,719
Speaker 2: Yeah, it's a week you guys. Will you keep refusing

767
00:37:10,719 --> 00:37:12,159
to watch Walls and Grammet.

768
00:37:11,840 --> 00:37:14,639
Speaker 1: So, hey, if you made your must watch, I would

769
00:37:14,679 --> 00:37:15,039
have watched it.

770
00:37:15,239 --> 00:37:16,760
Speaker 2: I could have, but y'all would just trash it for

771
00:37:16,840 --> 00:37:17,280
two hours.

772
00:37:17,599 --> 00:37:17,800
Speaker 1: Yeah.

773
00:37:18,079 --> 00:37:19,800
Speaker 5: I don't understand it. It's too dry.

774
00:37:20,000 --> 00:37:22,440
Speaker 2: Yeah, it's too British. I don't get their jokes.

775
00:37:22,800 --> 00:37:23,480
Speaker 1: Is that guy dog?

776
00:37:23,800 --> 00:37:26,360
Speaker 2: What's that dog? Didn't talk?

777
00:37:32,079 --> 00:37:32,639
Speaker 1: Getting goody?

778
00:37:34,559 --> 00:37:37,719
Speaker 6: Vengeance, molls, foul feathers already clear, I've made my clear

779
00:37:37,880 --> 00:37:40,519
ringing signs one and then those top three we could

780
00:37:40,519 --> 00:37:41,039
talk between.

781
00:37:41,079 --> 00:37:42,719
Speaker 2: So that's where you guys are kind of the stellemate.

782
00:37:42,760 --> 00:37:45,280
Speaker 5: There a third on Frankenstein.

783
00:37:47,639 --> 00:37:49,000
Speaker 2: We do, Taylor, don't we do?

784
00:37:49,119 --> 00:37:50,719
Speaker 1: I'll lock Frankenstein if you lock dead Man.

785
00:37:53,079 --> 00:37:55,079
Speaker 5: There you go, that's that's that's.

786
00:37:54,800 --> 00:37:56,039
Speaker 1: A fair deal.

787
00:37:56,559 --> 00:37:57,440
Speaker 5: Let's do it, Travis.

788
00:37:57,800 --> 00:38:00,920
Speaker 6: You know, I just have dead Men below those other

789
00:38:01,000 --> 00:38:03,239
three by like a couple, not just because I also

790
00:38:03,280 --> 00:38:03,760
had some c J.

791
00:38:03,920 --> 00:38:05,639
Speaker 8: I don't even know if we're getting Sinners in there,

792
00:38:05,719 --> 00:38:07,800
Travis like, it's just this is getting signo.

793
00:38:07,960 --> 00:38:10,320
Speaker 7: But I have That's not my concern right now because

794
00:38:10,320 --> 00:38:10,719
Sinners is.

795
00:38:10,760 --> 00:38:11,280
Speaker 2: My number one.

796
00:38:12,679 --> 00:38:15,159
Speaker 8: Sinners is your number one, is not it's not you

797
00:38:15,239 --> 00:38:17,280
want frank So we can put Franken sign in there

798
00:38:17,360 --> 00:38:17,760
right now.

799
00:38:17,880 --> 00:38:20,320
Speaker 6: But then I have to sacrifice Wake Up Deadman, which

800
00:38:20,519 --> 00:38:22,559
that is not a it's not a for sure, it's

801
00:38:22,599 --> 00:38:23,599
not either or right now.

802
00:38:25,719 --> 00:38:27,000
Speaker 1: Can we cut Mickey seventeen?

803
00:38:27,559 --> 00:38:29,039
Speaker 5: Yes, yeah we could.

804
00:38:29,360 --> 00:38:32,000
Speaker 1: Okay, that one's gone crazy.

805
00:38:31,840 --> 00:38:32,639
Speaker 7: Cut wake Up dead Man?

806
00:38:32,760 --> 00:38:33,599
Speaker 5: Crazy behavior?

807
00:38:35,320 --> 00:38:37,880
Speaker 2: Oh you're quiet over there, Kirkland movie here.

808
00:38:37,840 --> 00:38:47,400
Speaker 1: You are quiet? You're quiet, Kirkland. If you lock Wake

809
00:38:47,480 --> 00:38:49,920
Up dead Men with me and Taylor, then I'll lock.

810
00:38:50,400 --> 00:38:50,719
Speaker 5: I can't.

811
00:38:50,760 --> 00:38:52,280
Speaker 1: I guess I can't do K pop because I was

812
00:38:52,320 --> 00:38:54,199
part of Taylor's you know, I don't have to do that.

813
00:38:56,519 --> 00:39:02,719
Can we cut Sinners? Can we cut twenty years? That's

814
00:39:03,119 --> 00:39:05,559
a hard cut, but I would do it for to

815
00:39:05,599 --> 00:39:06,199
wake Up dead Man?

816
00:39:07,239 --> 00:39:08,000
Speaker 5: I would agree with that.

817
00:39:09,760 --> 00:39:13,360
Speaker 1: And K Pop in there, that's for sure.

818
00:39:14,559 --> 00:39:16,079
Speaker 2: They're whittling down the numbers on you.

819
00:39:20,280 --> 00:39:22,159
Speaker 1: You know in your heart that's the right thing to do.

820
00:39:22,679 --> 00:39:23,639
Speaker 5: How do I make this deal?

821
00:39:23,639 --> 00:39:25,159
Speaker 1: If I'm not getting anything out of it, I'm just

822
00:39:25,199 --> 00:39:27,679
gonna you're cutting twenty eight and you're getting wake up.

823
00:39:27,679 --> 00:39:32,000
Speaker 5: Dead a cut for a take for a movie.

824
00:39:32,039 --> 00:39:36,639
Speaker 1: I've seen Stone for a Stone, Hi are you?

825
00:39:36,760 --> 00:39:37,519
Speaker 7: And Frankenstein?

826
00:39:38,280 --> 00:39:40,360
Speaker 5: I'm pretty high to be honest, I really like that movie,

827
00:39:40,480 --> 00:39:42,079
but you're ok.

828
00:39:42,719 --> 00:39:45,159
Speaker 1: Yeah, for the wolves, that'd be extremely hot on it.

829
00:39:45,320 --> 00:39:49,000
Speaker 8: Like animation is definitely there's some beautiful animated films, but what.

830
00:39:49,000 --> 00:39:50,639
Speaker 5: I've seen for the trailers in the previous like, yeah,

831
00:39:50,639 --> 00:39:51,039
it looks good.

832
00:39:51,039 --> 00:39:53,119
Speaker 8: But when I look at like movie like Frankenstein, like

833
00:39:53,320 --> 00:39:56,119
those live action visuals, I give animation, they give it

834
00:39:56,159 --> 00:39:59,239
an edge over animation just because it's like all the

835
00:39:59,239 --> 00:40:01,320
different things that they're creating. I just feel like it's

836
00:40:01,360 --> 00:40:03,079
in a different kind of tear compared animation.

837
00:40:03,480 --> 00:40:05,239
Speaker 2: I think Spider Verse has won the Sward a couple

838
00:40:05,239 --> 00:40:05,880
of times though.

839
00:40:06,840 --> 00:40:08,960
Speaker 8: Hm and so Spider Spider Verse had an type of

840
00:40:09,039 --> 00:40:10,719
animation that I had never seen before.

841
00:40:11,000 --> 00:40:15,199
Speaker 5: Put it that way, I would be.

842
00:40:18,199 --> 00:40:18,840
Speaker 7: Kirokling's busy.

843
00:40:18,840 --> 00:40:23,280
Speaker 6: I'd be okay with sacrificing K Pop if if needed

844
00:40:24,679 --> 00:40:24,960
for what.

845
00:40:26,199 --> 00:40:28,800
Speaker 1: Don't sacrifice demon hunters anything.

846
00:40:28,719 --> 00:40:28,800
Speaker 9: Just.

847
00:40:31,280 --> 00:40:32,800
Speaker 2: Anything like like, I'm not.

848
00:40:36,199 --> 00:40:38,239
Speaker 6: It sounds like we all have different like hang ups,

849
00:40:38,599 --> 00:40:40,639
hangouts on CA Pop and then dealing your hang up

850
00:40:40,679 --> 00:40:41,320
on the Wolves.

851
00:40:44,760 --> 00:40:46,360
Speaker 2: I don't think we have to de men, it's bad.

852
00:40:46,239 --> 00:40:46,559
Speaker 7: Per se.

853
00:40:46,639 --> 00:40:49,079
Speaker 6: I just have these like if there's tears, these are

854
00:40:49,199 --> 00:40:51,079
in A and wake Up for me is the the

855
00:40:51,199 --> 00:40:53,559
B and then Kirkland hence you wake Up.

856
00:40:53,599 --> 00:40:55,440
Speaker 7: But then I'll see the other four.

857
00:40:56,840 --> 00:41:00,280
Speaker 3: I think if this helps or doesn't help anyone, it all.

858
00:41:00,360 --> 00:41:03,440
My top two would be K Pop and Sinners.

859
00:41:04,039 --> 00:41:06,880
Speaker 2: Right now, whoa, we got a wild list going on here.

860
00:41:07,000 --> 00:41:11,159
Speaker 1: If that's crazy, I would cut wake Up if it

861
00:41:11,280 --> 00:41:15,639
comes with a cut of Sinners as well, I won't.

862
00:41:17,760 --> 00:41:30,079
Speaker 7: Oh man, Okay, Okay, sorry people, I know the way.

863
00:41:29,960 --> 00:41:34,639
Speaker 8: I see this list is Tron Avatar, Frankenstein, Sinners and

864
00:41:34,719 --> 00:41:35,480
wake Up dead Man.

865
00:41:37,039 --> 00:41:40,039
Speaker 1: That's a gorgeous list. That is a gorgeous list. Taylor

866
00:41:41,960 --> 00:41:43,960
the Brain one.

867
00:41:46,480 --> 00:41:49,719
Speaker 5: Okay, So we have to, like, you can't lose k.

868
00:41:52,239 --> 00:41:52,840
Speaker 1: I'm trying.

869
00:41:54,320 --> 00:41:58,039
Speaker 2: The live stream right now. You said you get it

870
00:41:58,119 --> 00:42:00,559
on there, promise me.

871
00:42:02,639 --> 00:42:02,920
Speaker 7: Okay.

872
00:42:03,039 --> 00:42:06,400
Speaker 6: So we either have to cut two or lock three,

873
00:42:06,559 --> 00:42:11,280
which obviously sounds very awful, right, so easy it is,

874
00:42:11,360 --> 00:42:13,199
but we all have it sounds like We're all over

875
00:42:13,199 --> 00:42:13,639
the map.

876
00:42:13,599 --> 00:42:16,119
Speaker 2: Like when you guys, just when you three gave your scenarios,

877
00:42:16,159 --> 00:42:16,559
they're all.

878
00:42:16,519 --> 00:42:21,800
Speaker 6: Completely different, like sets, like there's no common ground whatsoever.

879
00:42:22,840 --> 00:42:28,360
Speaker 2: So honestly, I'm thinking some of this is going to

880
00:42:28,440 --> 00:42:29,199
go to a vote.

881
00:42:30,880 --> 00:42:33,960
Speaker 6: My question is is there anyone we could all lock

882
00:42:34,480 --> 00:42:36,920
or are we gonna throw all five of these two vote?

883
00:42:36,960 --> 00:42:38,440
Speaker 7: We're gonna just throw them in the dogs and see

884
00:42:38,440 --> 00:42:38,760
what they do.

885
00:42:39,000 --> 00:42:41,559
Speaker 1: I don't want to do that. That crazy, I'm always

886
00:42:41,880 --> 00:42:42,360
kind of crazy.

887
00:42:43,480 --> 00:42:46,199
Speaker 2: Then throw what's your what's lock them up boys, cut

888
00:42:46,239 --> 00:42:46,920
them Let's see.

889
00:42:49,079 --> 00:42:51,039
Speaker 1: All kinds. There's so many things you don't even know.

890
00:42:51,320 --> 00:42:53,480
Speaker 2: I feel like I'm watching right now.

891
00:42:53,679 --> 00:42:54,800
Speaker 1: I feel like I have a lot of faith in

892
00:42:54,880 --> 00:42:57,079
K pop. I'm like almost tempted to allow that to

893
00:42:57,119 --> 00:42:58,599
go to the patroon vote because I feel like that

894
00:42:58,719 --> 00:43:01,920
would make it through team interesting. On the contrary, I

895
00:43:02,000 --> 00:43:04,079
am not confident and Wake Up dead Man surviving the

896
00:43:04,119 --> 00:43:08,880
patreon too. In fact, I have zero confidence of that,

897
00:43:11,039 --> 00:43:14,360
So maybe it should just be off here. The patrons

898
00:43:14,360 --> 00:43:16,519
aren't always right. That's seen that before.

899
00:43:16,599 --> 00:43:23,000
Speaker 7: You're always right patrons when you a greeve me, Okay.

900
00:43:23,280 --> 00:43:25,079
Speaker 1: Taylor, you're gonna lose Senners if you don't link up.

901
00:43:26,679 --> 00:43:29,920
It sounds to me like that. It sounds like to me,

902
00:43:30,000 --> 00:43:32,000
it sounds like twenty eight years later, is no one's

903
00:43:33,119 --> 00:43:35,920
number one or maybe even number two. It could be

904
00:43:35,960 --> 00:43:40,480
my number two, Taylor, Is anyone else's number one or two?

905
00:43:41,079 --> 00:43:44,760
It's not my number two, not my number one, Kirklam,

906
00:43:46,480 --> 00:43:47,679
not my number one or two.

907
00:43:48,639 --> 00:43:49,360
Speaker 5: I said, we drop it.

908
00:43:49,440 --> 00:43:53,679
Speaker 1: It sounds like it's lowish lowish Taylor, lowish land.

909
00:43:53,800 --> 00:43:57,159
Speaker 5: You could drop that, We could drop it. Acx it okay,

910
00:43:58,599 --> 00:43:59,199
you mark.

911
00:44:00,480 --> 00:44:00,800
Speaker 1: Okay.

912
00:44:01,599 --> 00:44:03,719
Speaker 5: So now we have one more. We need to cut

913
00:44:03,760 --> 00:44:04,079
one more.

914
00:44:04,119 --> 00:44:07,039
Speaker 1: We have Frankenstein, K Pop, Sinners and Wake Up Dead Man.

915
00:44:07,840 --> 00:44:10,320
Speaker 2: Oh I'm on that list for a reason, So that'd

916
00:44:10,360 --> 00:44:12,559
be the that'd be the next, that'd be the one

917
00:44:12,639 --> 00:44:13,519
to go or.

918
00:44:13,599 --> 00:44:20,239
Speaker 1: Put it to the Patreon with with cape. Just that

919
00:44:21,119 --> 00:44:23,880
is the number six best visuals of the year.

920
00:44:24,199 --> 00:44:28,119
Speaker 2: Oh that's how the light lighting is so good?

921
00:44:28,559 --> 00:44:30,480
Speaker 7: You're getting rid of twenty eight years later.

922
00:44:30,559 --> 00:44:32,679
Speaker 6: You sealed cap Pop And the second you said that,

923
00:44:32,679 --> 00:44:34,880
I was like, oh, yeah, K pop's getting the getting

924
00:44:34,960 --> 00:44:36,320
the vote there.

925
00:44:36,360 --> 00:44:37,079
Speaker 2: But that's how it works.

926
00:44:37,119 --> 00:44:37,639
Speaker 7: Best Visuals.

927
00:44:37,679 --> 00:44:42,000
Speaker 6: The first non poll UH nominee tron Aris After Fire

928
00:44:42,000 --> 00:44:45,239
and Ash Frankenstein CAPEOP, Hunters and Sinners.

929
00:44:45,320 --> 00:44:45,880
Speaker 2: There you go.