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<v Speaker 1>This is pet Life Radio. Let's Talk pets.

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<v Speaker 2>Hello, feline friends, Welcome to Katatude. I'm your show host,

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<v Speaker 2>Michelle Burn and today I have an amazing author who's

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<v Speaker 2>going to share her book with us, and I am

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<v Speaker 2>just very excited to have her on. It's a memoir

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<v Speaker 2>and I think all of us with cats can relate

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<v Speaker 2>to this book. We'll be right back.

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<v Speaker 3>Cats may have nine lives, but what if we could

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<v Speaker 3>give them one more? That's the mission behind that Give

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<v Speaker 3>Them Ten movement from spee and neuter to adoption, fostering

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<v Speaker 3>and helping community cats thrive. Give Them Ten is working

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<v Speaker 3>to give cat the chance at at healthier future. Together

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<v Speaker 3>we can help give cats the life they deserve. Learn more.

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<v Speaker 3>Meet Scooter the Neoter Cat, and join the movement at

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<v Speaker 3>Give Them ten dot org.

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<v Speaker 4>Let's talk pets on Petlifradio dot com.

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<v Speaker 2>Welcome back everyone. I'd like to welcome Louise Watts. She

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<v Speaker 2>is the author of Slow Blink, a memoir. Louise, welcome

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<v Speaker 2>the cautitude.

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<v Speaker 5>Thanks so much, Michelle. That was a lovely introduction.

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<v Speaker 2>Well, it's lovely to have you. I love your accent,

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<v Speaker 2>so you're worldly. So we were talking a bit before

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<v Speaker 2>the show, you're Australian, you're based in Portugal, you've lived

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<v Speaker 2>in the US. Do you find cats different in places

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<v Speaker 2>you've lived or they're pretty much all the same.

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<v Speaker 5>You know, here in Portugal, well, particularly Lisbon where I live,

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<v Speaker 5>you never see them on the streets. They're indoors. And

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<v Speaker 5>probably the reason they're not on the streets so because

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<v Speaker 5>the streets are crazy, the traffic is crazy, the streets

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<v Speaker 5>are tiny and windy and cobblestones, so you know, presumably

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<v Speaker 5>people keep them indoors because they're safest. Whereas in the US,

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<v Speaker 5>of course they lived in Colorado, cats were indoor, outdoor

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<v Speaker 5>in the winter, mostly indoor. In Australia it's quite different

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<v Speaker 5>now because cats have decimated our bird life and Australians

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<v Speaker 5>are very into their environment now wildlife and now flora

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<v Speaker 5>and faunath So there are rules now about keeping your

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<v Speaker 5>cats indoors, and if they're outdoors, they need to wear

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<v Speaker 5>a bell around their neck so that they alert the

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<v Speaker 5>birds that they're coming, which you know, I think I

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<v Speaker 5>think is a good thing.

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<v Speaker 2>You need to love that a goosebumps didn't know Australia

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<v Speaker 2>are so just did something. I think they stopped declining

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<v Speaker 2>nationwide or they did something nationwide, but I can't recall

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<v Speaker 2>what it is.

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<v Speaker 5>You mean regarding cats.

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<v Speaker 2>Yes, you know, I don't know.

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<v Speaker 5>Michelle, but the one thing I'm very aware of is

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<v Speaker 5>the bells around next and the preference is that you

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<v Speaker 5>keep your cats in doors.

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<v Speaker 2>I agree. I agree. I live in a warm climate

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<v Speaker 2>and my cats are indoors. They have a cadio, but

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<v Speaker 2>they could decide if they want to go in or out.

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<v Speaker 2>In some areas that's more rural, yeah, they could be outside.

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<v Speaker 2>But mostly I say keep them indoors. Okay, Yeah, so

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<v Speaker 2>let's talk about slow blink. Okay, first, I'm so curious

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<v Speaker 2>what made you decide to write the memoir? What inspired you?

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<v Speaker 5>It sat with me for thirty five years, this story

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<v Speaker 5>because it happened when I was probably around thirty I'm

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<v Speaker 5>sixty six now, when I was nearly married, living in

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<v Speaker 5>Boulder and color and this stray cat lived on the

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<v Speaker 5>premises of the townhouse complex where we lived. And the

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<v Speaker 5>story really happened over the course of about a year,

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<v Speaker 5>and it was quite extraordinary for me. And I'll fast

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<v Speaker 5>forward and say that it was quite magical, mystical, otherworldly.

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<v Speaker 5>Several of the experiences I had with this, with this

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<v Speaker 5>feral cat, so much so that when I shared some

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<v Speaker 5>of the things that had happened, people didn't believe me.

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<v Speaker 5>And when people don't believe you about mystical experiences that

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<v Speaker 5>you have, you tend to sort of shut down or

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<v Speaker 5>keep quiet about it, particularly back then that was nineteen

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<v Speaker 5>the late eighties, I think the late eighties, and as

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<v Speaker 5>a young person, as a thirty year old, perhaps I

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<v Speaker 5>still didn't have the kind of all the voice that

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<v Speaker 5>I have now, and so I just shuddered away. I

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<v Speaker 5>put the story away, the whole experience away. I did

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<v Speaker 5>actually initially write it on little Q cards, because that's

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<v Speaker 5>sort of what you did in those days as a writer.

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<v Speaker 5>If you had ideas, you journaled them or you put

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<v Speaker 5>them on que cards. And I kept those que cards

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<v Speaker 5>for years, even moving countries, and then finally at some

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<v Speaker 5>point I let them go. I let those que cards go,

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<v Speaker 5>but the story never left me. And I moved apartments

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<v Speaker 5>two and a half years ago. I used to live

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<v Speaker 5>out on the coast, and I decided, well, I'm going

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<v Speaker 5>to move into Lisbon and have a city experience. And

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<v Speaker 5>when I did that, I wasn't particularly comfortable in the

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<v Speaker 5>apartment in which I moved to. So I thought, I

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<v Speaker 5>really have to get into a creative project. I've got

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<v Speaker 5>to do some writing because that's what I tend to do.

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<v Speaker 5>And the story came back to me. And as happens,

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<v Speaker 5>I think sometimes just synchronous events occur and you feel compelled,

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<v Speaker 5>you pull off and experience perhaps that you put away

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<v Speaker 5>and do something with it. And that's what happened. Was

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<v Speaker 5>actually a movie I saw. It was the twenty twenty

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<v Speaker 5>five animated movie that won the Academy Award called Flow,

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<v Speaker 5>and it was about a black cat that goes through

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<v Speaker 5>some pretty harrowing experiences and because of its cross species

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<v Speaker 5>connections with other animals, it manages to survive a cataclysm.

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<v Speaker 5>And it was almost like I was seeing Archie, this

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<v Speaker 5>stray cat that had come into my life thirty five

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<v Speaker 5>years ago, on the big screen. And so that was

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<v Speaker 5>the synchronous event. Yeah. I came out of the movie

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<v Speaker 5>theater thinking it's time to write the story. So I

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<v Speaker 5>just sat down and I wrote it in about six months.

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<v Speaker 2>That is quite a story about your story. Wow. Yeah,

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<v Speaker 2>I think times have changed. I don't know if times

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<v Speaker 2>have changed. I'm one of these people that I think

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<v Speaker 2>things happen sometimes that are unexplainable and coming from I

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<v Speaker 2>have my definitely have my left brain experience because I

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<v Speaker 2>have two business degrees, so you am. You know, in

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<v Speaker 2>grad school we actually had a class about a shaman

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<v Speaker 2>and crystals because you need to sometimes think differently than

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<v Speaker 2>you do. You know, you have to think open your mind,

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<v Speaker 2>and I think that's one thing cats do to us.

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<v Speaker 2>They make us open our mind. We don't have a choice.

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<v Speaker 2>With dogs, you don't have to be I don't think

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<v Speaker 2>and I'm a dog person too, I'm both. But you know,

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<v Speaker 2>dogs friendly pet on the nothing's gonna happen. Cats you

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<v Speaker 2>have to know them, yes, have that understanding with them.

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<v Speaker 2>You have to get them. Tell us about the straight

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<v Speaker 2>black cat that is the hero of the story.

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<v Speaker 5>Okay, Well, as I said, he appeared in the town

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<v Speaker 5>home complex where my husband and I lived, and he

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<v Speaker 5>was probably about two years old at this point. He

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<v Speaker 5>was in pretty good condition. He was living out of

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<v Speaker 5>the dumpster. Boss him and when I would come home

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<v Speaker 5>from work, I would approach her and approach him. He

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<v Speaker 5>wasn't He was very skittish, so he would sort of

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<v Speaker 5>run off, but I would always just say Hi kitty,

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<v Speaker 5>and I was always curious about where he was from.

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<v Speaker 5>Perhaps he lived close by, but increasingly I was aware

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<v Speaker 5>that he was always around the dumpster in the town

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<v Speaker 5>home complex. But there was a day when I was

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<v Speaker 5>upstairs working from home, and we had a balcony that

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<v Speaker 5>was abutting the upstairs one of the upstairs bedrooms, and

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<v Speaker 5>I was just at my desk, working away, and suddenly

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<v Speaker 5>there he was staring at me through the sliding glass door,

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<v Speaker 5>and I stared back at him, and we had this

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<v Speaker 5>moment where I realized he was just as curious about

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<v Speaker 5>me as I was about him. He was watching me,

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<v Speaker 5>and you know, I felt that he had sensed where

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<v Speaker 5>I was in the apartment because he had to climb

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<v Speaker 5>an apple tree in our front yard to get up

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<v Speaker 5>and jump over the balcony railing to be able to

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<v Speaker 5>stare in that glass door. And this was the this

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<v Speaker 5>was our first kind of close encounter. So that was

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<v Speaker 5>the beginning. That was the beginning of something.

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<v Speaker 2>Yes, and that's that's unusual for a feral cat. Having

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<v Speaker 2>had two very unusual Let's talk about the title. So

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<v Speaker 2>the title slow Blink has a special meaning. Can you

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<v Speaker 2>share that with our audience? Because not everybody knows about

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<v Speaker 2>cats and blinking.

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<v Speaker 5>Really really well. That's interesting because back then I didn't either.

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<v Speaker 5>Of course, there was no internet, but I was very

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<v Speaker 5>aware that this cat would communicate with me lea slow blinks. So,

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<v Speaker 5>for instance, I was very chatty with him always in

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<v Speaker 5>order to try and you know, filled some kind of

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<v Speaker 5>friendship with him. He still wouldn't let me get close,

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<v Speaker 5>so I would sort of just talk to him.

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<v Speaker 2>Did you know that cats? And I've heard this a

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<v Speaker 2>few times, so if I'm wrong, someone will send me

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<v Speaker 2>an email. But I've heard numerous places that when cats

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<v Speaker 2>me out, it's not so much for other cats, it's

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<v Speaker 2>for the humans. Yes, yes, so when you stay talking

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<v Speaker 2>to your cat, I said, yeah, it makes perfect sense,

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<v Speaker 2>because that's how they don't really mew for other cats.

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<v Speaker 2>It's for I mean, maybe in fights or something, but

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<v Speaker 2>that'll be more of a yal, But mostly when they're

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<v Speaker 2>mewing or telling us doing something, that's to tell us

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<v Speaker 2>do something for me whatever they're you know, willing to

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<v Speaker 2>figure out what they're doing.

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<v Speaker 5>Yes, And I've actually since learned. Actually writing the book,

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<v Speaker 5>I did a little bit more research about feline communication

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<v Speaker 5>and feral cats don't me ow. They don't tend to

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<v Speaker 5>me out. They learn it from people. So you know,

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<v Speaker 5>once they become more domesticated, if you like, perhaps they're

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<v Speaker 5>spending more time with us and we're communicating with them

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<v Speaker 5>and talking. That is one of the ways they begin

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<v Speaker 5>to communicate with us. They meow, and of course they

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<v Speaker 5>do tell us in their meowing what it is that

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<v Speaker 5>they want. But the slow blink is similar. And again

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<v Speaker 5>I didn't know that this was part of feline communication

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<v Speaker 5>back then, but when I would chat away to Archie,

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<v Speaker 5>he would perhaps sit and he would just do this

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<v Speaker 5>very slow blink was almost as though it was a

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<v Speaker 5>blink in slow motion, and it was always so endearing.

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<v Speaker 5>It was just so sweet. And I've since learned that

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<v Speaker 5>feline behaviorist animal behaviorists understand this slow blinking as the

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<v Speaker 5>cat's way or their gesture of showing the trust and love.

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<v Speaker 5>So that's just so beautiful.

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<v Speaker 2>Yes, I think it is too. When I first found

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<v Speaker 2>that out. My most stoic cat is Molly, so I

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<v Speaker 2>would look at her and tried doing blinks. Sometimes she

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<v Speaker 2>all blink back. It depends on the mood. It's worth

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<v Speaker 2>getting better we know each other. After ten years a

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<v Speaker 2>little better than we used to. Let's talk about also, now,

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<v Speaker 2>this barrel cat is black. I had shows on black cats,

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<v Speaker 2>several shows. I've heard about the Black Velvet Club, which

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<v Speaker 2>I don't know if that's just for dogs. When I adopted,

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<v Speaker 2>I saw there was a picture of a dog. But

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<v Speaker 2>that's for dogs, I believe, and cats, for some reason,

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<v Speaker 2>they're not adopted as much. Everyone that I've adopted. All

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<v Speaker 2>my dogs were black with markings. And Molly's tuxedo, well

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<v Speaker 2>she adopted us. What do you think is interesting about

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<v Speaker 2>this era of mystique or sometimes you know, there's a

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<v Speaker 2>lot of superstitions about black cats. Did that, you know,

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<v Speaker 2>deter you or have any Did you have any part

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<v Speaker 2>about that when you were, you know, communicating with their

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<v Speaker 2>barrel cat?

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<v Speaker 5>No, not at all. I thought he was absolutely beautiful

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<v Speaker 5>because his coat was just raven black and he had

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<v Speaker 5>just exquisite green eyes. There's a picture of him on

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<v Speaker 5>the front cover. He's looking a little bit annoyed with

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<v Speaker 5>me because I was up close trying to take a

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<v Speaker 5>photo of him. But this superstition around black cats I

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<v Speaker 5>do find disturbing, and I do wonder if it's because

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<v Speaker 5>we associate the color black with the dark, with the night, danger,

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<v Speaker 5>the unknown, perhaps what lies beneath the surface of life,

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<v Speaker 5>and so perhaps it's association with the deep or the

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<v Speaker 5>mysterious parts of life and our existence simply yeah that

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<v Speaker 5>we can't see or fully rationalize that that causes or

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<v Speaker 5>generates some kind of mystique around them around black cats.

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<v Speaker 5>From a cultural perspective, sort of alluded to that too.

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<v Speaker 5>The black hats have been associated with the supernatural across

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<v Speaker 5>many cultures. In ancient Egypt, they were revered and harming

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<v Speaker 5>one was illegal. Killing a cat was punishable by death. Unbelieve.

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<v Speaker 5>In the Celtic tradition, the black cat arriving at your

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<v Speaker 5>home was a sign of prosperity. But in medieval Europe,

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<v Speaker 5>for instance, they became associated with witchcraft and the occult.

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<v Speaker 5>And I think that's one that particularly has infiltrated our

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<v Speaker 5>I don't know our psyche as somewhat damaging.

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<v Speaker 2>In fact, I absolutely agree we need to take a

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<v Speaker 2>short break and we'll be right back.

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<v Speaker 5>Talk to the par hid Amy Suing.

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<v Speaker 2>Hi, I'm Jeane Lynch.

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<v Speaker 1>This is Mandy Boyne.

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<v Speaker 5>Hi.

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<v Speaker 3>There is Caturine Pagel.

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<v Speaker 1>There's only one nation that gives you the Scoop on

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<v Speaker 1>Wagging Tongues, Antails and Who's Walking Hill in Rent and

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<v Speaker 1>tencil down on pet Life Radio, The tail Wagger, Let's

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<v Speaker 1>Talk Past.

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<v Speaker 2>Let's at Life Radio, Wetline Radio.

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<v Speaker 6>At life Radio dot com.

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<v Speaker 2>Welcome back everyone. We're talking to Louise Watts. She is

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<v Speaker 2>the author of Slow Blink, a memoir. So, Louise, I

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<v Speaker 2>want to ask you about this. Your book is about

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<v Speaker 2>several things. I mean, it's about loss, it's about grief.

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<v Speaker 2>It's about loving something that you can't keep. I mean

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<v Speaker 2>a lot of people have experienced this, and I know

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<v Speaker 2>it's two different things. Grief, well maybe intertwine a little,

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<v Speaker 2>and then loving something you can keep. What do you

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<v Speaker 2>hope readers take away from your story that relates to

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<v Speaker 2>those feelings.

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<v Speaker 5>Well, I think one of the things that I kind

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<v Speaker 5>of conclude the book with is this designed that love

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<v Speaker 5>doesn't end when letting go begins. It simply changes form.

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<v Speaker 5>And the grief is not linear. It doesn't follow a

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<v Speaker 5>tidy arc from loss to acceptance. It circles back, as

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<v Speaker 5>in my case, it ambushes you years later, and it

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<v Speaker 5>hides inside other losses, which I think I sort of

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<v Speaker 5>try and weave that through this story. You know, writing

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<v Speaker 5>Slow Blink thirty five years after Archie died, taught me

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<v Speaker 5>that grief has its own timing and that unprocessed grief

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<v Speaker 5>waits until we're ready to process it to meet it. Also,

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<v Speaker 5>animals give us permission to grieve. There's still a cultural

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<v Speaker 5>tendency to minimize the loss of an animal. It was

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<v Speaker 5>just a cat, which I know some people have thought

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<v Speaker 5>when I have shared something of archie story with them,

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<v Speaker 5>and this kind of really feels or leaves you feeling

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<v Speaker 5>isolated in your grief. And I hope Slow Blink gives

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<v Speaker 5>read permission to take their grief seriously and to honor

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<v Speaker 5>the depth of what they felt the connection they had

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<v Speaker 5>with their kiddy, because the bond was real and the

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<v Speaker 5>loss is real. So I suppose I hope readers take

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<v Speaker 5>away that your grief for your cat is not small,

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<v Speaker 5>it's not embarrassing. It's the resonance of something profound that

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<v Speaker 5>happened between two creatures some very different worlds who sound

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<v Speaker 5>each other.

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<v Speaker 2>That's an amazing way to put it. That's how I

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<v Speaker 2>got amazing. Now, did you adopt other cats after Archie?

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<v Speaker 5>You know, Michelle, I didn't. This also might sound I

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<v Speaker 5>don't know odd or not bizarre, but I loved him

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<v Speaker 5>so much, so profoundly, that when I lost him, I

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<v Speaker 5>thought I could never never have another cat. The pain

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<v Speaker 5>was just too great, and he was soul and so unusual,

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<v Speaker 5>and the experience was so otherworldly. I felt it surpassed

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<v Speaker 5>what I could ever give another cat. Now something is shifting.

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<v Speaker 5>I mean, thirty five years later, a lot has happened,

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<v Speaker 5>and I still have a sense that our chie is

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<v Speaker 5>around me, and I do think one day, yes, I'll

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<v Speaker 5>open my heart to another cat, because every now and

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<v Speaker 5>then I encounter friends cats and I just love them

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<v Speaker 5>so much. I think, Oh, I think I'm almost ready

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<v Speaker 5>for another one.

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<v Speaker 2>Well, we each have our time, you know, we we do.

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<v Speaker 2>We do some people, you know, we need to adopt

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<v Speaker 2>right away. Some people just can never do another. That's

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<v Speaker 2>their cats, all made for life. Yeah, I don't know.

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<v Speaker 2>Mine find me, So I don't know what to say

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<v Speaker 2>about that one.

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<v Speaker 5>Well, they do. I think that's one of the mysterious

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<v Speaker 5>things about cats is that they find us.

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<v Speaker 2>Why do you think they do that? Is it food?

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<v Speaker 1>Like?

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<v Speaker 2>How do the cats? I live in a warm climate,

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<v Speaker 2>so there are sometimes other cats and so forth. I

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<v Speaker 2>wonder how they know this is the house that will

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<v Speaker 2>feed you when there's just a we do have a

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<v Speaker 2>water fountain outside just for cats. Is that the giveaway?

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<v Speaker 2>Do they just know who to go to?

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<v Speaker 5>No? I think that there might be something to that,

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<v Speaker 5>and of course the rational side of me always feels like, oh,

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<v Speaker 5>they're very much food driven. And as I understand it,

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<v Speaker 5>cats came out of Africa, that domestic cats are still

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<v Speaker 5>genetically are very much connected to wild cats of Africa,

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<v Speaker 5>and as communities and civilizations encroached on their space, they

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<v Speaker 5>sort of lived at the periphery, and of course living

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<v Speaker 5>on the periphery of villages, towns, cities that had access

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<v Speaker 5>to food. So it may well have been very food driven.

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<v Speaker 5>But of course, as all your listeners will know who

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<v Speaker 5>have cats, they're very independent and they have maintained that

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<v Speaker 5>sort of I don't know, African war wildness about them,

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<v Speaker 5>that African wild cap quality about them in their independence,

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<v Speaker 5>and so yes, perhaps there's an element of them being

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<v Speaker 5>food driven. But I think also over eons they've learned

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<v Speaker 5>that human companionship probably offers them more than food, and

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<v Speaker 5>I don't know what that is because there's something very

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<v Speaker 5>unknowable about cats again, and coming back to this idea,

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<v Speaker 5>there's something quite mysterious about them. I seem to sort

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<v Speaker 5>of observe and watch us, but from a very detached place,

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<v Speaker 5>unless they're ready to be stroked or comforted.

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<v Speaker 2>Yes, in a way, I think that's smart, their way

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<v Speaker 2>of saying, leave me alone when they want you, I'll

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<v Speaker 2>let me know, let you know, I'll know exactly. That's

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<v Speaker 2>actually smart. Too bad that you're humans. We can really

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<v Speaker 2>do that sometimes. So what do you hope that readers

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<v Speaker 2>when they read Slow Blink take away from your book?

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<v Speaker 5>I really do think it's as simple as love person,

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<v Speaker 5>even when we must let go, there's solace in this

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<v Speaker 5>persistence of having loved. However fleeting and how ever inexplicable

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<v Speaker 5>that connection is. It doesn't die with with the body.

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<v Speaker 5>It continues, and so in times of loss, I think

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<v Speaker 5>we can draw on that, and I think that that's

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<v Speaker 5>what I wish for for readers of Slow Blink.

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<v Speaker 2>And what would you tell readers that read your book

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<v Speaker 2>and listening to you thinking about adopting a cat? You

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<v Speaker 2>know some people can hear how you know about you know,

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<v Speaker 2>with everything, there's joy and grief, there's there's happy. You

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<v Speaker 2>know there's contrasts. So for somebody reading and listening to

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<v Speaker 2>you saying, oh, I want to adopt a cat, but

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<v Speaker 2>it'll be hard if something happens, or you know, what

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<v Speaker 2>would you say to those listeners, Oh gosh.

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<v Speaker 5>I think if you're drawn to caring for an animal,

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<v Speaker 5>go to a shelter, visit with the cats, see if

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<v Speaker 5>there's a particular cat that you're drawn to that's drawn

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<v Speaker 5>to you. I think, make genuine inquiries at the shelter

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<v Speaker 5>about what's involved in caring for a shelter cat, because

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<v Speaker 5>oftentimes I can be traumatized. They might have been abandoned,

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<v Speaker 5>they might have been abused, and there's a responsibility in

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<v Speaker 5>caring for a cap from a shelter. And I think, personally,

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<v Speaker 5>this is just my personal feeling that it's important that

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<v Speaker 5>we understand the responsibility of care, and so I think

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<v Speaker 5>just make inquiries. Open your heart and make inquiries. Go

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<v Speaker 5>to a shelter and investigate.

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<v Speaker 2>Thank you so much, Luis. Where can our listeners find

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<v Speaker 2>your book Slow Blink a memoir?

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<v Speaker 5>It is on Amazon That is actually the only place

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<v Speaker 5>that it's available for purchase. So you would just go

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<v Speaker 5>to Amazon and put in slow Blink a memoir by

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<v Speaker 5>Louise Ross, and it's all so available long kindle. So

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<v Speaker 5>that's the soft cover, all the paperback and the kindle version.

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<v Speaker 2>Okay, thank you so much again for coming on Catitude

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<v Speaker 2>and sharing your story with us and telling us more

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<v Speaker 2>about Slow Blink a Memoir.

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<v Speaker 5>Thank you so much, Michelle.

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<v Speaker 2>I hope everyone enjoyed the book again. It is called

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<v Speaker 2>slow Blink, a Memoir by Louise Ross. Thank you for

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<v Speaker 2>listening to our show today. I want to thank my

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<v Speaker 2>cat crew, Dennis, Charlotte and Mollie who I've had slow

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<v Speaker 2>blinks with all of them at one time or another,

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<v Speaker 2>mostly Dennis and Mollie. Thank you to my listeners of Catatude,

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<v Speaker 2>I appreciate you so much again. Thanks to my guest,

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<v Speaker 2>the author Louise Ross. Thank you, of course to my

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<v Speaker 2>amazing producer Mark Winter for all you do. He works

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<v Speaker 2>his magic and makes every shallow sound amazing. And always remember,

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<v Speaker 2>lose the attitude, have Catitude.

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<v Speaker 4>Let's talk best every week on demand only on petlive

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<v Speaker 4>radio dot com
