1 00:00:02,640 --> 00:00:07,280 Speaker 1: You're listening to Macconnorton unleash on w M n H 2 00:00:07,799 --> 00:00:38,520 five point three. 3 00:00:39,679 --> 00:00:42,640 Speaker 2: Basing goes up again. 4 00:00:42,759 --> 00:00:48,960 Speaker 3: If you try to find the battles last you are verisy. 5 00:00:49,759 --> 00:00:51,640 Speaker 2: You want an easy. 6 00:00:54,759 --> 00:01:00,359 Speaker 3: Now you pull me come outside your bad stop the 7 00:01:01,280 --> 00:01:03,200 you will ver reason. 8 00:01:05,120 --> 00:01:07,159 Speaker 2: You want any reason. 9 00:01:09,439 --> 00:01:16,159 Speaker 4: Wor of your mind trying. 10 00:01:16,359 --> 00:01:21,400 Speaker 3: To see it as it is themdiction. 11 00:01:25,040 --> 00:01:29,400 Speaker 5: No, Now you're ja. 12 00:01:30,799 --> 00:01:35,200 Speaker 4: Goractify. 13 00:01:35,560 --> 00:01:52,359 Speaker 3: You are sided person goes up forgat. 14 00:01:52,079 --> 00:01:53,159 Speaker 4: To try to find. 15 00:01:53,319 --> 00:01:57,040 Speaker 2: But the battles you want to reason. 16 00:01:58,879 --> 00:02:05,159 Speaker 3: You will get any he say, Now you pulling every 17 00:02:05,319 --> 00:02:12,159 drop side your head. Stop going out any he said, he. 18 00:02:14,199 --> 00:02:23,039 Speaker 2: Go ay said. 19 00:02:21,680 --> 00:02:28,319 Speaker 3: Of your man change you see it as it is. 20 00:02:29,360 --> 00:02:31,240 Speaker 2: You're exics. 21 00:02:34,159 --> 00:02:45,960 Speaker 4: Now now you chack gorat by and what you are started. 22 00:03:06,000 --> 00:03:08,240 Speaker 6: That is catchy as hell. I love that. That is easy. 23 00:03:08,360 --> 00:03:11,199 The band is Barren Kismo. We'll talk to the guys 24 00:03:11,199 --> 00:03:12,919 in a moment see if I'm saying that correctly. But 25 00:03:12,960 --> 00:03:16,080 welcome everybody. We have entered our number two new marawdos 26 00:03:16,120 --> 00:03:19,639 of Matt Connorton Unleashed. If you are listening live today 27 00:03:19,680 --> 00:03:23,719 is Saturday, December sixth, twenty twenty five. Welcome everybody, and 28 00:03:23,960 --> 00:03:25,960 let's go ahead. So these guys are joining me. I 29 00:03:25,960 --> 00:03:28,639 think we might have the whole band via Microsoft teams. 30 00:03:29,240 --> 00:03:32,120 Let's see, hopefully everybody can hear each other. Hey, guys, 31 00:03:32,120 --> 00:03:32,599 are you there? 32 00:03:33,599 --> 00:03:34,159 Speaker 5: Hello? 33 00:03:34,360 --> 00:03:38,080 Speaker 6: Hey, welcome, so welcome to the show. I love that 34 00:03:38,199 --> 00:03:40,360 song Easy, That is so good. We're gonna we're gonna 35 00:03:40,360 --> 00:03:42,360 play another track too at the end of our conversation. 36 00:03:42,479 --> 00:03:44,879 But you guys have a great sound, very very catchy. 37 00:03:46,120 --> 00:03:48,240 First question, my saying, how do you say the name 38 00:03:48,240 --> 00:03:56,240 of the band barn. 39 00:03:56,319 --> 00:03:58,759 Speaker 7: Dash for pronunciation Spanish. 40 00:03:58,840 --> 00:04:01,759 Speaker 6: Okay, okay, so bar and kismo. I'm kind of saying 41 00:04:01,759 --> 00:04:07,000 it sort of correct with that, You're right the way 42 00:04:07,080 --> 00:04:12,639 the American accent as it were. Okay, So who do 43 00:04:12,680 --> 00:04:14,439 we have? Do we have the entire band? 44 00:04:14,479 --> 00:04:14,680 Speaker 8: Here? 45 00:04:16,319 --> 00:04:16,680 Speaker 9: Can I go? 46 00:04:19,240 --> 00:04:20,519 Speaker 6: I just I just heard of tone? Do I have 47 00:04:20,600 --> 00:04:22,439 somebody else? I have somebody else joining us? Hang on? 48 00:04:25,879 --> 00:04:28,720 There we go? Okay, so there's someone else entering the room. 49 00:04:28,839 --> 00:04:30,519 So I think now we might have the whole band. 50 00:04:30,600 --> 00:04:34,120 Do we have the whole band? Hey, welcome, Welcome to 51 00:04:34,160 --> 00:04:37,639 the show. All right, so we'll we'll do this. I 52 00:04:37,680 --> 00:04:39,240 know we can't see each other, but we'll do this 53 00:04:39,279 --> 00:04:41,480 as smoothly as we can. Or maybe one of you 54 00:04:41,480 --> 00:04:44,360 can introduce everybody, but who who is with us? Who 55 00:04:44,399 --> 00:04:46,480 is actually in the band? I I I'd like to 56 00:04:47,000 --> 00:04:49,240 know your names and and what you each do in 57 00:04:49,279 --> 00:04:50,439 this project. 58 00:04:52,480 --> 00:04:52,680 Speaker 9: Hi. 59 00:04:52,759 --> 00:04:56,959 Speaker 10: So I'm I'm some and I am the kind of 60 00:04:58,560 --> 00:05:03,319 bassist from my of the group. I'm one of the 61 00:05:03,759 --> 00:05:06,120 two of the original members. One of the other original 62 00:05:06,160 --> 00:05:10,519 members is our lead guitarist Joe. And then you've got 63 00:05:10,560 --> 00:05:13,519 our drummer Nay and our resin guitarist. 64 00:05:14,040 --> 00:05:16,560 Speaker 6: He told me, Okay, okay, so there's four of you 65 00:05:16,600 --> 00:05:21,519 in the band. Yeah, so so tell me about tell 66 00:05:21,560 --> 00:05:25,120 me about how this band started, because this started as 67 00:05:25,240 --> 00:05:27,800 as just two of you, right and then and then 68 00:05:27,839 --> 00:05:30,279 it kind of grew from there. But it started out 69 00:05:30,279 --> 00:05:31,439 almost like just a duo. 70 00:05:33,759 --> 00:05:34,000 Speaker 9: Yeah. 71 00:05:34,040 --> 00:05:36,240 Speaker 10: So me, me and Joe and you have known each 72 00:05:36,279 --> 00:05:39,680 other since we were about fifteen sixteen, Okay, and we 73 00:05:40,000 --> 00:05:43,519 you see and a different man. But I got I 74 00:05:43,560 --> 00:05:49,639 got kicked out in the first rehearsal. Oh he went, yeah, yeah, 75 00:05:49,680 --> 00:05:52,519 So the two of you after that, I own thing. 76 00:05:52,920 --> 00:05:54,680 Speaker 6: So so the two of you, I don't want to 77 00:05:55,720 --> 00:05:57,560 I don't want to bury the lead here. So so 78 00:05:57,600 --> 00:05:59,439 the two of you, you would you were in this 79 00:05:59,519 --> 00:06:03,360 other band and then you got kicked out. Yeah, can 80 00:06:03,399 --> 00:06:04,160 you tell us why? 81 00:06:06,160 --> 00:06:07,680 Speaker 9: I think I was just that I was too good? 82 00:06:07,879 --> 00:06:08,800 It must have been too good. 83 00:06:08,920 --> 00:06:12,800 Speaker 6: That's a good reason. There you go, There you go. 84 00:06:13,120 --> 00:06:16,079 So that happened. When did that happen in twenty or 85 00:06:16,079 --> 00:06:16,560 twenty one? 86 00:06:17,920 --> 00:06:19,639 Speaker 9: That would have been twenty one, twenty. 87 00:06:19,399 --> 00:06:21,839 Speaker 6: One, okay, And then so from there, So then so 88 00:06:21,879 --> 00:06:25,639 then the two of you started this project at that point. 89 00:06:26,959 --> 00:06:31,720 Speaker 10: Yeah, it started quite casually. I mean we would just 90 00:06:31,759 --> 00:06:34,279 go over to each other's how she's and just kind 91 00:06:34,279 --> 00:06:38,279 of jam and play music and yeah, not just kind 92 00:06:38,279 --> 00:06:41,759 of do general kind of music stuff. And we just 93 00:06:41,839 --> 00:06:43,800 kind of kept doing that for a couple of years. 94 00:06:44,560 --> 00:06:45,680 Speaker 9: And then we've. 95 00:06:45,519 --> 00:06:48,959 Speaker 10: Obviously ended up going to university and that's where we've met. 96 00:06:49,399 --> 00:06:52,680 Told me and Nate as of the start of. 97 00:06:52,680 --> 00:06:54,639 Speaker 9: Last year, Okay, the joke. 98 00:06:55,920 --> 00:06:58,360 Speaker 10: Okay, there was at least about two or three years 99 00:06:58,560 --> 00:07:01,600 where it was just me and Joe writing music and 100 00:07:01,680 --> 00:07:05,560 performing just the two of us before we came into 101 00:07:05,600 --> 00:07:06,120 a full band. 102 00:07:06,639 --> 00:07:08,600 Speaker 6: Now, when it was just the two of you, When 103 00:07:08,720 --> 00:07:11,319 when it was just you guys, Sam and Joe was 104 00:07:12,000 --> 00:07:14,120 did you already have the name at that point? Like, 105 00:07:14,199 --> 00:07:17,879 were we already whoa, I think somebody's got a foghorn 106 00:07:18,000 --> 00:07:26,439 or something. There we go it was was it just technology? 107 00:07:26,600 --> 00:07:29,120 What was it Baron key small at that point or 108 00:07:29,360 --> 00:07:31,279 or what were what were you guys using for a name? 109 00:07:32,560 --> 00:07:34,519 Speaker 10: Yeah, we came we came up with the name pretty 110 00:07:34,560 --> 00:07:40,079 early on. It must have been about about like five 111 00:07:40,199 --> 00:07:42,839 or six months into me and Joe just writing music 112 00:07:42,839 --> 00:07:45,600 with each other. Yeah, that we came up with the 113 00:07:45,720 --> 00:07:48,319 name and then we just kind of she kind of 114 00:07:48,319 --> 00:07:48,800 went with. 115 00:07:48,680 --> 00:07:52,240 Speaker 6: It and okay name And then so where does the 116 00:07:52,319 --> 00:07:54,199 name come from? Why did you decide on that name? 117 00:07:56,160 --> 00:07:59,279 Speaker 10: So, I mean coming up with a band name as 118 00:08:00,079 --> 00:08:06,120 honestly like the worst part of being a band try 119 00:08:06,199 --> 00:08:08,360 to get people to agree on like one name that 120 00:08:08,399 --> 00:08:08,959 they all like. 121 00:08:09,040 --> 00:08:12,720 Speaker 9: It's more difficult I know, and I. 122 00:08:12,639 --> 00:08:14,800 Speaker 6: Know from experience that that that can be challenging. 123 00:08:14,879 --> 00:08:20,079 Speaker 10: Yeah, absolutely, it's harder than anything else for some reason. 124 00:08:20,120 --> 00:08:22,519 But we were just kind of struggling to come up 125 00:08:22,560 --> 00:08:25,319 with something that we liked. And then if you have 126 00:08:25,560 --> 00:08:27,920 you ever heard that kind of cliche kind of like 127 00:08:28,240 --> 00:08:31,720 advice of if you're if you're struggling for inspiration, just 128 00:08:31,759 --> 00:08:34,679 pick out a book, slip to a random page and 129 00:08:34,720 --> 00:08:35,480 then pick a word. 130 00:08:35,919 --> 00:08:38,240 Speaker 9: So I went into my dad's. 131 00:08:39,039 --> 00:08:43,360 Speaker 10: Kind of bookshelf picked out this book about breathing exercises, 132 00:08:43,519 --> 00:08:45,840 and then the page that we landed on just so 133 00:08:45,919 --> 00:08:49,159 happened to be talking about Barankis. 134 00:08:50,000 --> 00:08:52,399 Speaker 9: So we thought that was a coll name for a 135 00:08:52,399 --> 00:08:56,000 band and just kind of went with it, because because. 136 00:08:57,720 --> 00:09:00,480 Speaker 6: Do you happen to remember any of the reject I 137 00:09:00,519 --> 00:09:02,960 love hearing about rejected band names. Do you remember any 138 00:09:03,000 --> 00:09:05,240 of any other names that you considered that you decided 139 00:09:05,279 --> 00:09:05,879 not to go with? 140 00:09:07,799 --> 00:09:09,279 Speaker 10: Yeah, there was there was a There was a name 141 00:09:09,279 --> 00:09:11,720 that I came up with that I still really like, 142 00:09:12,639 --> 00:09:14,080 but nobody else seems to like it. 143 00:09:14,159 --> 00:09:14,960 Speaker 9: Polysonic. 144 00:09:15,159 --> 00:09:15,519 Speaker 11: That was. 145 00:09:15,639 --> 00:09:19,480 Speaker 10: That was one that I came up with. But apart 146 00:09:19,480 --> 00:09:23,039 from that, I can't really remember any other names. We 147 00:09:23,080 --> 00:09:24,919 should have wrote them down somewhere, because I'm sure there 148 00:09:24,919 --> 00:09:27,679 would have been some absolute bultles, But I know that's 149 00:09:27,679 --> 00:09:30,600 the only what I can remember is Polysnic, and I 150 00:09:30,679 --> 00:09:34,200 quite I quite like that name because it meansly, it's 151 00:09:34,200 --> 00:09:37,360 a kind of a different way of saying many sounds okay, 152 00:09:37,519 --> 00:09:41,399 I think is a good way of to scribing our music. 153 00:09:42,559 --> 00:09:45,240 Speaker 6: By the way, so Joe is saying in the chat 154 00:09:45,279 --> 00:09:47,879 room because we're doing this via Microsoft teams that he 155 00:09:47,960 --> 00:09:50,840 can't he can't hear us. He has no audio, and 156 00:09:51,159 --> 00:09:54,720 it's showing on my screen. It looks like it looks 157 00:09:54,759 --> 00:09:56,879 like something is muted on his end. I don't know, Joe, 158 00:09:56,879 --> 00:09:58,240 I don't know if you still can't hear us. 159 00:09:58,399 --> 00:10:00,240 Speaker 9: Yes, I'm pretty. 160 00:10:01,759 --> 00:10:05,000 Speaker 6: Yeah, something's it's it's not anything I can change here. 161 00:10:05,039 --> 00:10:08,000 It looks like it's it's on his end. But but 162 00:10:08,039 --> 00:10:10,960 that's that's all right. We'll uh, we'll, we'll continue on certainly. 163 00:10:12,080 --> 00:10:14,120 And then so I'm curious too about the EP? So 164 00:10:14,159 --> 00:10:15,360 what does the EP? 165 00:10:15,559 --> 00:10:15,639 Speaker 12: Is? 166 00:10:15,679 --> 00:10:19,000 Speaker 6: Great? I really like it a lot. It's I listened 167 00:10:19,039 --> 00:10:20,360 to the whole thing, not you know, I mean, it's 168 00:10:20,399 --> 00:10:25,200 it's only five tracks, but really good work, smoothly lifetime piece. 169 00:10:25,240 --> 00:10:26,320 What does that title mean? 170 00:10:29,720 --> 00:10:32,440 Speaker 10: Your your guess is as good as me? 171 00:10:33,879 --> 00:10:35,679 Speaker 6: Or does or does anyone else who's on the call 172 00:10:35,720 --> 00:10:37,200 with us? Do any of you guys have have a 173 00:10:37,519 --> 00:10:38,399 have an answer for that? 174 00:10:38,519 --> 00:10:38,639 Speaker 11: Like? 175 00:10:38,720 --> 00:10:40,799 Speaker 6: Where where does that title come from? Because it sounds 176 00:10:40,799 --> 00:10:42,840 like something that there's gonna be got to be some 177 00:10:42,879 --> 00:10:44,360 sort of a deep meaning too, But I don't know, 178 00:10:44,399 --> 00:10:46,600 Maybe it just sounds good sometimes that's the answer. But 179 00:10:46,759 --> 00:10:48,759 does anyone want to address that. 180 00:10:49,720 --> 00:10:51,600 Speaker 7: A deep meaning behind it as much. But there is 181 00:10:51,600 --> 00:10:53,399 a bit of a story about how we got to 182 00:10:53,639 --> 00:10:57,519 that to you, Oh okay, slip back last year also, 183 00:10:57,559 --> 00:10:59,600 the big group of Palin did this whole thing where 184 00:11:00,039 --> 00:11:02,039 putting groups and got sent to different parts of Scotland 185 00:11:02,399 --> 00:11:04,159 and the aim us to do a bout of tasks 186 00:11:04,159 --> 00:11:06,399 and get back to where we stay first, and he'll 187 00:11:06,440 --> 00:11:08,960 go back first. Wins kind of thing, right m And 188 00:11:09,120 --> 00:11:10,679 along the way Joe and Sammon and a team with 189 00:11:10,679 --> 00:11:13,039 someone else and they got stopped by this person dressed 190 00:11:13,080 --> 00:11:14,799 up as like a bit of monk I think it was, 191 00:11:15,519 --> 00:11:18,000 and gave him this card and this brace and it's 192 00:11:18,039 --> 00:11:20,200 like pay me what you think it's worth. Very big, 193 00:11:20,320 --> 00:11:22,519 is like scam. We get don in glasgowing up and 194 00:11:22,600 --> 00:11:25,080 Sam paid for this stuff. And one things was this 195 00:11:25,120 --> 00:11:28,120 little yell card which is on the album cover, which 196 00:11:28,120 --> 00:11:29,720 has works when we life ten piece on it, and 197 00:11:29,759 --> 00:11:31,440 ever since that day was kept kind of saying it 198 00:11:31,519 --> 00:11:34,240 and eventually Right screws his name EP after it. 199 00:11:34,279 --> 00:11:37,720 Speaker 6: You know, yeah, yeah, no, that's cool. I mean, you know, 200 00:11:37,759 --> 00:11:40,440 maybe it's kind of fake that that's you know that 201 00:11:40,240 --> 00:11:43,840 that be what it's called, so. 202 00:11:42,799 --> 00:11:47,919 Speaker 10: So exactly the Buddhist monk that got me to pay 203 00:11:47,960 --> 00:11:51,000 for the amula, he actually told me that I was 204 00:11:51,120 --> 00:11:54,159 very lucky, which is the type of thing that that 205 00:11:54,200 --> 00:11:57,799 a monk would say. But I think I've got to 206 00:11:57,840 --> 00:12:02,360 thank him for the inspiration of this of this epeak 207 00:12:02,399 --> 00:12:06,080 because I love the name and I love the cover. Yeah, 208 00:12:06,559 --> 00:12:10,480 love the story as well, because there was actually on 209 00:12:10,480 --> 00:12:13,039 on that that plaque that you see that kind of 210 00:12:13,080 --> 00:12:17,799 like amulet I'm holding on the cover became quite new 211 00:12:17,799 --> 00:12:21,799 toys in Glasgow for for being known as like a 212 00:12:21,840 --> 00:12:24,840 scam that people come up to you and try and 213 00:12:24,879 --> 00:12:29,759 like give you that kind of like what kind of 214 00:12:29,840 --> 00:12:31,519 charm amulet or whatever, and. 215 00:12:31,480 --> 00:12:32,600 Speaker 9: They ask you for money. 216 00:12:33,320 --> 00:12:36,720 Speaker 10: Oh you read like the NOC like the local kind 217 00:12:36,720 --> 00:12:40,960 of Glasgow newspapers. There's actually quite a few articles about 218 00:12:41,039 --> 00:12:43,840 like people coming up to you and trying to give 219 00:12:43,879 --> 00:12:47,279 you those little those little cards. 220 00:12:47,440 --> 00:12:50,240 Speaker 6: Oh interesting, So it's kind of so it's kind of 221 00:12:50,240 --> 00:12:52,960 an open secret though that it's a scam. But but obviously, 222 00:12:53,039 --> 00:12:55,480 so like who do they target with a scam like that? 223 00:12:55,600 --> 00:12:58,519 Is it is it tourists or because obviously you guys, 224 00:12:58,759 --> 00:13:00,759 you know the deal right, So you're not going to 225 00:13:00,799 --> 00:13:07,759 be fooled by that attention. What's that say that again? 226 00:13:08,519 --> 00:13:10,279 Speaker 7: If you just give them any attention, I think they'll 227 00:13:10,320 --> 00:13:10,919 go for you. 228 00:13:11,000 --> 00:13:13,639 Speaker 6: Oh really yeah? 229 00:13:13,720 --> 00:13:13,919 Speaker 13: Yeah? 230 00:13:15,600 --> 00:13:18,000 Speaker 6: And can you tell us more too about the song easy? 231 00:13:18,159 --> 00:13:21,000 Like I said, it's very very catchy, uh, but if 232 00:13:21,039 --> 00:13:22,840 you kind of dig into the lyrics, it seems like 233 00:13:22,840 --> 00:13:25,000 there's something there's a little bit of a darker theme there, 234 00:13:25,320 --> 00:13:27,240 which is always interesting. You know, when you can make 235 00:13:27,279 --> 00:13:29,519 something that sounds it sounds peppy, it sounds happy and 236 00:13:29,559 --> 00:13:32,480 almost like a like a party song. Uh, but but 237 00:13:32,519 --> 00:13:34,000 then you you know, you kind of dig in and 238 00:13:34,000 --> 00:13:36,240 you really pay attention and it's like that that's not 239 00:13:36,360 --> 00:13:38,559 necessarily what the song is about. Like what what can 240 00:13:38,600 --> 00:13:39,440 you tell us about that? 241 00:13:41,679 --> 00:13:43,799 Speaker 10: I would I would say, like when I was like, no, 242 00:13:44,559 --> 00:13:49,799 that's one to kind of have the kind of mean thing, 243 00:13:52,960 --> 00:13:55,759 don't way share action. But like you know, everybody's kind 244 00:13:55,759 --> 00:13:58,039 of got a vice or something that they just like 245 00:13:58,840 --> 00:14:00,960 they always they always go back to. It's almost like 246 00:14:01,000 --> 00:14:03,399 this easy thing that they have in their life. They 247 00:14:03,440 --> 00:14:07,320 know isn't isn't the best, you know, like they they 248 00:14:07,360 --> 00:14:10,279 know it's not one hundred percent then, but it's just 249 00:14:10,399 --> 00:14:12,360 it's so easy to gravitate towards. 250 00:14:12,519 --> 00:14:14,480 Speaker 9: So I wanted to write a song about that. 251 00:14:14,879 --> 00:14:18,679 Speaker 10: Okay, but at the time, like I thought, it was 252 00:14:18,759 --> 00:14:20,759 quite a blasting the message, do you know what I mean? 253 00:14:20,759 --> 00:14:22,840 It's like if you if you want to make a 254 00:14:22,919 --> 00:14:24,720 change in your Like, like what I was wanting to 255 00:14:24,720 --> 00:14:26,440 try and say was that if you want to make 256 00:14:26,480 --> 00:14:27,600 a change in your life, that's. 257 00:14:27,519 --> 00:14:28,840 Speaker 9: Up to you. 258 00:14:28,039 --> 00:14:31,879 Speaker 10: You can you can reck by what you have you 259 00:14:31,879 --> 00:14:36,919 have set out to do, you know, right, right, But yeah, 260 00:14:36,919 --> 00:14:38,480 I would I would say that the kind of main 261 00:14:39,399 --> 00:14:43,679 semat of it is you know, that kind of you know, 262 00:14:43,799 --> 00:14:47,440 battle that people have inside the head between like the 263 00:14:47,480 --> 00:14:49,679 part of them they're saying, oh that isn't that maybe 264 00:14:49,679 --> 00:14:51,840 not the best idea, and then that kind of other 265 00:14:52,039 --> 00:14:55,840 more like what would you say, kind of darker part 266 00:14:55,840 --> 00:14:57,720 of your brain that's like, no, you should just like 267 00:14:58,000 --> 00:15:01,080 just given what i' you and it doesn't really matter. 268 00:15:01,399 --> 00:15:03,559 Speaker 6: Yeah, yeah, it's kind of like that. You know, we 269 00:15:03,600 --> 00:15:06,200 all have that that devil and that angel that's you know, 270 00:15:06,200 --> 00:15:09,519 they sent on our shoulders and try to point us 271 00:15:09,519 --> 00:15:10,600 in one direction or the other. 272 00:15:11,399 --> 00:15:14,759 Speaker 9: Yeah, no exactly. 273 00:15:14,919 --> 00:15:17,559 Speaker 6: And that did that song. So I read something about 274 00:15:17,559 --> 00:15:19,320 that song came out of a like you guys were 275 00:15:19,320 --> 00:15:21,159 just jamming at rehearsal and it kind of because it 276 00:15:21,200 --> 00:15:24,159 sounds like that, it sounds like it's something that came 277 00:15:24,200 --> 00:15:26,559 out very organically. I'm assuming that you know the music 278 00:15:26,600 --> 00:15:27,960 of it. Is that true? 279 00:15:29,639 --> 00:15:30,039 Speaker 14: Yeah? 280 00:15:30,120 --> 00:15:33,360 Speaker 10: Yeah, So at the time, that was before and they 281 00:15:33,480 --> 00:15:36,320 and Ryan joined the band, we had another drummer. His 282 00:15:36,399 --> 00:15:39,919 name was Brody and like Brodie, so it was it 283 00:15:39,960 --> 00:15:43,840 wasn't the best drummer. Okay, so I kind of just 284 00:15:43,840 --> 00:15:47,639 gotten to stop playing that that's like sixteenth kind of 285 00:15:47,679 --> 00:15:49,039 be on the on the drums. 286 00:15:49,200 --> 00:15:51,200 Speaker 9: I kind of showed them how to play that. Yeah, 287 00:15:51,399 --> 00:15:53,360 he started playing it, and then I just kind of like, 288 00:15:53,399 --> 00:15:54,240 I don't know what was that. 289 00:15:54,320 --> 00:15:56,159 Speaker 10: I just kind of came up with the main kind 290 00:15:56,159 --> 00:15:58,639 of rather guitar but in my head, and I was like. 291 00:15:58,600 --> 00:15:59,639 Speaker 9: Do you do? You do you do? 292 00:16:01,519 --> 00:16:02,960 Speaker 10: So I just kind of went at you. I was like, Joe, 293 00:16:03,000 --> 00:16:05,639 can you play that? And then he started playing. 294 00:16:06,120 --> 00:16:09,399 Speaker 9: She just kind of came together. Yeah, Yeah, it was 295 00:16:09,840 --> 00:16:10,519 very organic. 296 00:16:10,559 --> 00:16:14,960 Speaker 10: It only took probably about fifteen twenty minutes before we 297 00:16:15,799 --> 00:16:17,919 had the first kind of draft of the of the song. 298 00:16:18,399 --> 00:16:20,039 Speaker 6: That's I always say though, That's how you know you've 299 00:16:20,080 --> 00:16:22,159 really got something right when it comes together quickly. 300 00:16:22,279 --> 00:16:22,840 Speaker 9: Yeah. 301 00:16:22,879 --> 00:16:24,480 Speaker 6: I mean, you know, you can come up with a great, 302 00:16:24,519 --> 00:16:27,120 great song obviously that you know that takes a long 303 00:16:27,120 --> 00:16:29,799 time to create. But when you but when something just 304 00:16:29,840 --> 00:16:32,759 comes together fast, you know, there's almost like it's almost 305 00:16:32,840 --> 00:16:35,240 like magic. Right, It's just like like you just it 306 00:16:35,399 --> 00:16:37,159 just sort of appears there and it's like, oh, we 307 00:16:37,519 --> 00:16:38,519 really got something here. 308 00:16:39,840 --> 00:16:40,080 Speaker 11: Yeah. 309 00:16:40,360 --> 00:16:43,240 Speaker 10: Actually a lot of people say the song rites itself. 310 00:16:43,399 --> 00:16:46,279 It doesn't even feel like you're you're having to do anything. 311 00:16:46,320 --> 00:16:49,039 It's just kind of it's kind of working. 312 00:16:49,320 --> 00:16:53,279 Speaker 6: It's just happened right right. The other thing I was 313 00:16:53,279 --> 00:16:55,519 reading is you guys have been I mean, you're playing 314 00:16:55,559 --> 00:16:57,600 a lot of shows, right. It sounds like you've been 315 00:16:57,600 --> 00:16:59,879 pretty busy as far as your live schedule. Is that true? 316 00:17:02,240 --> 00:17:09,680 Speaker 10: Yeah, well, I mean do you want to talk about. 317 00:17:06,559 --> 00:17:09,359 Speaker 6: M Yeah, whoever wants to wants to jump down. 318 00:17:09,559 --> 00:17:14,279 Speaker 7: Take Yeah, we've done quite a lot of shows, especial 319 00:17:14,319 --> 00:17:17,039 when we first started. Obviously, when me and Ryan i 320 00:17:17,039 --> 00:17:20,359 mean Tommy sorry joined back in started last year. We 321 00:17:20,440 --> 00:17:23,359 kind of took a few months getting everything together and 322 00:17:23,400 --> 00:17:27,200 then really kind of dove into it. Oh just got 323 00:17:27,319 --> 00:17:29,559 for a show of a promoter and Gosco coab B twelve, 324 00:17:29,559 --> 00:17:31,079 and we worked with them for a while and just 325 00:17:31,200 --> 00:17:35,079 kept kept going. Eventually worked touts and then you know, 326 00:17:35,240 --> 00:17:37,960 as it went, just kept on going. Last weekend we 327 00:17:38,039 --> 00:17:41,880 played our EP headliner show when You Called Nice and Slazyes, 328 00:17:41,960 --> 00:17:46,759 which was a wild night, pretty good, really good reception, 329 00:17:47,200 --> 00:17:50,839 excellent going off. We're taking a bit of a break 330 00:17:50,839 --> 00:17:54,039 for the time being. Sam's going away for some studying 331 00:17:54,039 --> 00:17:56,279 for a few months, so we've got time to kind 332 00:17:56,279 --> 00:17:58,759 of do more recording and right. 333 00:17:58,759 --> 00:18:02,000 Speaker 9: Yes, yeah, yeah, all right place. 334 00:18:02,119 --> 00:18:05,359 Speaker 10: I mean talking about that EP release shure. That was 335 00:18:05,519 --> 00:18:07,400 the first gag we've had where so that you can 336 00:18:07,440 --> 00:18:11,480 audibly hear on stage people singing the words back to 337 00:18:11,559 --> 00:18:15,279 the to the EP songs, which I thought was really 338 00:18:15,359 --> 00:18:15,920 really cool. 339 00:18:16,400 --> 00:18:20,079 Speaker 9: Oh yeah, and I'm sure you'll get that later some day. 340 00:18:20,119 --> 00:18:24,839 Speaker 10: That's aspired to have that since I know for me, 341 00:18:24,920 --> 00:18:25,839 since I was a little kid. 342 00:18:26,319 --> 00:18:28,839 Speaker 9: Yeah, to have that actually happened, it it was such 343 00:18:28,839 --> 00:18:29,720 a kill experience. 344 00:18:30,519 --> 00:18:33,400 Speaker 6: Well, it's so validating, right, Like, if it's one thing 345 00:18:33,480 --> 00:18:36,160 you know, people come to your shows, that's great. I mean, 346 00:18:36,200 --> 00:18:39,039 that's certainly validating in itself, but when you see somebody 347 00:18:39,039 --> 00:18:42,720 actually singing along or multiple people actually singing along, then 348 00:18:42,759 --> 00:18:45,440 you know they're actually they've made a sort of a 349 00:18:45,519 --> 00:18:50,160 mental conscious investment in your music, you know, when they 350 00:18:50,200 --> 00:18:53,000 actually know the words. So that's fantastic. Good for you. Yeah, 351 00:18:53,039 --> 00:18:54,880 it sounds like like you guys are off to a 352 00:18:54,880 --> 00:18:58,279 great start, because I know the EP is is pretty new, right, 353 00:18:58,359 --> 00:19:00,000 this just dropped last month, didn't I. 354 00:19:01,160 --> 00:19:04,519 Speaker 9: Yeah, he became on the eight Yeah. 355 00:19:04,640 --> 00:19:10,079 Speaker 6: Oh wow, yeah, really recent. So you guys, Yeah, so 356 00:19:10,160 --> 00:19:12,559 you guys there will have to a very strong start. 357 00:19:12,640 --> 00:19:15,839 That's that's wonderful. Now do you have you know, obviously, 358 00:19:15,920 --> 00:19:17,559 so it's a five song EP do you have other 359 00:19:17,839 --> 00:19:19,640 I assume you have other stuff kind of in the 360 00:19:19,680 --> 00:19:22,720 pipeline that you're gonna be recording in the future, right, 361 00:19:22,799 --> 00:19:24,680 Like you strike me as you know, you guys probably 362 00:19:24,720 --> 00:19:26,680 have a lot of ideas for more songs, and you 363 00:19:26,759 --> 00:19:28,759 might even have somewhere all ready to go and record, 364 00:19:28,839 --> 00:19:31,359 or maybe you've even already started recording. I don't know, 365 00:19:31,400 --> 00:19:33,079 Like what's kind of the situation there. 366 00:19:35,599 --> 00:19:37,799 Speaker 7: Yeah, ego son. 367 00:19:39,359 --> 00:19:45,559 Speaker 15: No, Yeah, we we've spent uh two like almost two 368 00:19:45,640 --> 00:19:48,319 years of writing songs together and stuff, and before that, 369 00:19:48,359 --> 00:19:51,119 there's hundreds of songs from just chewing some so we're 370 00:19:51,119 --> 00:19:53,279 just gonna spend the next couple of months well sounds 371 00:19:53,279 --> 00:19:56,440 away studying just recording all of them, and you really 372 00:19:56,480 --> 00:19:57,759 sit it over the next year. 373 00:19:57,960 --> 00:20:01,240 Speaker 6: Yeah, yeah, excellent. Are you gonna do another epedia? 374 00:20:01,240 --> 00:20:01,480 Speaker 16: You think? 375 00:20:01,480 --> 00:20:04,079 Speaker 6: Are you gonna maybe do a full album or. 376 00:20:05,359 --> 00:20:07,880 Speaker 15: We're not hunement sure, I think right now the goal 377 00:20:07,920 --> 00:20:10,359 is to just get as many stuff as we can, yeah, 378 00:20:10,400 --> 00:20:13,799 on Spotify for I know, Yeah, once we've got a 379 00:20:13,799 --> 00:20:17,599 bigger collection organized in an album and put that out together. 380 00:20:18,200 --> 00:20:20,319 Speaker 6: Yeah. That seems to be the trend too. A lot 381 00:20:20,359 --> 00:20:23,279 of artists now are doing that where instead of, you know, 382 00:20:23,319 --> 00:20:25,640 because the old school way of doing it, the model, 383 00:20:25,720 --> 00:20:28,000 the previous model in the music industry was you know, 384 00:20:28,039 --> 00:20:30,200 you've got an album and you you know, first single 385 00:20:30,240 --> 00:20:32,680 goes to radio six eight weeks before the album comes out, 386 00:20:32,680 --> 00:20:34,519 and then the album comes out and then you know, 387 00:20:34,559 --> 00:20:36,279 if all goes well, you get a second single and 388 00:20:36,319 --> 00:20:39,000 maybe a third single. But now a lot of artists 389 00:20:39,000 --> 00:20:41,160 seem to be releasing as you know, they'll release a 390 00:20:41,200 --> 00:20:45,200 series of singles for example, that eventually coalesce into an album. 391 00:20:45,279 --> 00:20:47,799 So it's sort of an inversion of the approach that 392 00:20:48,240 --> 00:20:50,799 used to be used, but with platforms like Spotify, it 393 00:20:50,799 --> 00:20:53,039 can be really helpful to you know. They call it 394 00:20:53,079 --> 00:20:55,680 the waterfall effect, where you release a series of singles 395 00:20:56,200 --> 00:20:58,720 and then uh, you know, because you're gonna get you're 396 00:20:58,720 --> 00:21:01,519 gonna get something from that, you know, in terms of 397 00:21:01,559 --> 00:21:04,440 the algorithm every time you release an individual single, whereas 398 00:21:04,640 --> 00:21:06,400 when you put out the album all at once, yeah, 399 00:21:06,440 --> 00:21:08,839 you get that one big big bang from putting that 400 00:21:08,880 --> 00:21:11,400 album out, but then it's like, you know, then you 401 00:21:11,400 --> 00:21:14,640 don't have anything more to really engage in terms of 402 00:21:14,680 --> 00:21:17,079 the algorithms. And yeah, we we I was kind of 403 00:21:17,079 --> 00:21:19,400 talking about that somewhat with our previous guests in the 404 00:21:19,440 --> 00:21:22,200 first hour. We had Rob Critchley on from the Thodds 405 00:21:22,200 --> 00:21:25,359 and we you know, we we got into talking about 406 00:21:25,400 --> 00:21:26,759 all that a little bit too. But it's something that 407 00:21:26,759 --> 00:21:29,039 comes up a lot on the show. But but no, 408 00:21:29,160 --> 00:21:30,599 I think you guys are off to a great start. 409 00:21:30,640 --> 00:21:32,480 Now do you have more do you have more live 410 00:21:32,519 --> 00:21:36,400 shows coming up before before you take this break or 411 00:21:36,559 --> 00:21:39,119 or or is that it like are you are you 412 00:21:39,720 --> 00:21:41,240 essentially in break mode? Now? 413 00:21:42,880 --> 00:21:47,000 Speaker 7: Nothing's lined up yet. There's a few piles we've got 414 00:21:47,039 --> 00:21:49,440 here doing some gigs and they've mentioned they might try 415 00:21:49,440 --> 00:21:52,480 to get us on their lineup for some stuff. Yeah nothing, 416 00:21:53,039 --> 00:21:53,880 nothing ourselves. 417 00:21:54,240 --> 00:21:58,559 Speaker 17: Okay, we're looking at there's a big best of a 418 00:21:58,640 --> 00:22:03,279 new k called bel drum uh in Burnese and we 419 00:22:03,359 --> 00:22:05,559 were able to play that through our headliner gig in 420 00:22:05,599 --> 00:22:06,279 the company work. 421 00:22:06,200 --> 00:22:08,920 Speaker 7: With with upt to play that this year or next year. 422 00:22:09,119 --> 00:22:10,640 Speaker 17: Okay, so we can anyone. 423 00:22:11,000 --> 00:22:13,680 Speaker 7: Salve is back and however looking will ever do that 424 00:22:13,880 --> 00:22:15,039 which is in July? 425 00:22:15,400 --> 00:22:16,480 Speaker 11: I believe that. 426 00:22:17,359 --> 00:22:21,440 Speaker 6: Yeah, it's not confirmed to yet, okay, Okay, Yeah. Festivals 427 00:22:21,440 --> 00:22:23,480 are great because not only does it get you in 428 00:22:23,559 --> 00:22:25,680 front of an audience that might not otherwise see you 429 00:22:26,079 --> 00:22:29,039 potentially huge audience of course, but also too just for 430 00:22:29,160 --> 00:22:32,559 the opportunity to meet other musicians and other industry people 431 00:22:32,640 --> 00:22:36,079 and make connection. I mean the networking opportunities at a 432 00:22:36,160 --> 00:22:38,920 festival or are you know like that can I mean, 433 00:22:38,960 --> 00:22:41,319 I can really influence your career in a in a 434 00:22:41,440 --> 00:22:43,960 very positive way, you know, just getting to meet people 435 00:22:44,240 --> 00:22:45,599 and get in front of people and all that. 436 00:22:45,799 --> 00:22:46,319 Speaker 10: So good for you. 437 00:22:46,400 --> 00:22:47,880 Speaker 6: I hope that works out. I know you said it's 438 00:22:47,920 --> 00:22:50,720 not confirmed yet, but I have a feeling it will 439 00:22:50,759 --> 00:22:52,160 be so like I said, you guys are off to 440 00:22:52,240 --> 00:22:56,680 a great start with this project. So yeah, absolutely absolutely, 441 00:22:57,039 --> 00:22:59,319 I think in a moment too. 442 00:22:59,480 --> 00:22:59,599 Speaker 18: Uh. 443 00:22:59,680 --> 00:23:01,119 Speaker 6: At the end of the segment, I'd like to play 444 00:23:01,200 --> 00:23:05,279 this track Tortured, which is another great song from the EP. 445 00:23:05,440 --> 00:23:07,440 But what should we know about this one? Any anything 446 00:23:07,480 --> 00:23:09,640 we should know about this our listeners should know before 447 00:23:09,680 --> 00:23:10,119 we play. 448 00:23:10,000 --> 00:23:14,640 Speaker 10: It's that's a little bit more smooth, it's a little 449 00:23:14,680 --> 00:23:18,160 bit more chill, it's a little bit more soulful than 450 00:23:18,400 --> 00:23:22,200 the other tracks off the EP. Yeah, I would say 451 00:23:23,000 --> 00:23:25,160 probably Intimate is a good one that it's just very 452 00:23:25,279 --> 00:23:26,960 like it's something you can swear yours to. 453 00:23:27,559 --> 00:23:30,440 Speaker 9: Yeah, you know, maybe get a glass of wine and 454 00:23:30,559 --> 00:23:34,920 just you know, there you. 455 00:23:34,960 --> 00:23:37,720 Speaker 6: Go, there you go. So before we do that, uh, 456 00:23:37,880 --> 00:23:39,759 and before we let you guys go, and I really 457 00:23:39,759 --> 00:23:42,559 appreciate you joining us this morning or I don't know 458 00:23:42,599 --> 00:23:44,480 what time, it's probably afternoon there right. 459 00:23:46,960 --> 00:23:47,359 Speaker 11: Have for you? 460 00:23:47,880 --> 00:23:48,200 Speaker 6: Okay? 461 00:23:49,559 --> 00:23:49,599 Speaker 19: What? 462 00:23:49,920 --> 00:23:50,039 Speaker 5: Uh? 463 00:23:51,000 --> 00:23:52,960 Speaker 6: Where should people go online? Where's the best place for 464 00:23:53,039 --> 00:23:55,160 people to go online to keep up with everything that 465 00:23:55,279 --> 00:23:56,440 Baron KEITHSMO is doing? 466 00:23:57,880 --> 00:23:59,359 Speaker 7: Definitely Instagram. 467 00:24:00,839 --> 00:24:06,319 Speaker 6: On Instagram Instagram. Yeah, and the nice thing about having 468 00:24:06,319 --> 00:24:08,279 a name like you do too, this is probably you 469 00:24:08,319 --> 00:24:10,119 know you're not gonna get mixed up with another band 470 00:24:10,200 --> 00:24:18,119 that has a similar name, so that's so that's a plus, right, right, exactly. Yeah, 471 00:24:19,119 --> 00:24:21,119 I'm sure. I'm sure they'll figure it out. But yeah, 472 00:24:21,240 --> 00:24:23,799 and and I encourage everybody check out the EP. It's 473 00:24:23,880 --> 00:24:27,960 it's uh, it's really good. So we'll we'll close out 474 00:24:28,000 --> 00:24:30,400 the segment with this song, Torture. This is this song 475 00:24:30,559 --> 00:24:32,359 I really really like a lot. I like the whole thing, 476 00:24:32,440 --> 00:24:35,960 but this this was probably my personal favorite from the EP. 477 00:24:36,319 --> 00:24:38,599 But thank you guys so much for joining us. And 478 00:24:38,759 --> 00:24:40,519 we'll definitely do this again in the future when you've 479 00:24:40,519 --> 00:24:43,039 got some some more music, because it sounds like you're 480 00:24:43,039 --> 00:24:44,799 gonna be working on some stuff, we'll have you back 481 00:24:44,839 --> 00:24:47,240 on Well. We we'd love to be the first American 482 00:24:47,319 --> 00:24:50,119 radio station to feature it. And uh, we're we're big 483 00:24:50,160 --> 00:24:52,880 fans here already. We really like what you're doing. So guys, 484 00:24:52,960 --> 00:24:53,440 thank you so. 485 00:24:53,559 --> 00:24:55,559 Speaker 7: Much, thanks so much for having us. 486 00:24:55,599 --> 00:24:57,000 Speaker 11: Man, thank you, thank you. 487 00:24:57,480 --> 00:24:59,599 Speaker 6: Absolutely you got it. Guys, We'll we'll do it again 488 00:24:59,599 --> 00:25:01,279 in the future. Sure, all right, we'll talk. I'm gonna 489 00:25:01,319 --> 00:25:03,000 I'm gonna hit this track and we'll talk to you soon. 490 00:25:03,039 --> 00:25:07,039 Take care, guys. Bye. Bye, all right, wonderful. So that 491 00:25:07,319 --> 00:25:10,079 is baron Cismo. They are from Glasgow, of course, and 492 00:25:10,920 --> 00:25:14,079 or Glasgow is a Glasgow or Glasgow I've heard it 493 00:25:14,160 --> 00:25:17,359 said both ways. But great music scene there too, because 494 00:25:17,400 --> 00:25:19,240 we've had other we've had other guests from that area, 495 00:25:19,319 --> 00:25:21,799 and I love what they're doing. I'm glad they're having 496 00:25:22,119 --> 00:25:25,119 a lot of early success. And let's play this to 497 00:25:25,319 --> 00:25:27,519 end the segment. We're gonna play. This is a This 498 00:25:27,680 --> 00:25:30,000 is a great track from the EP. This is called 499 00:25:30,119 --> 00:25:32,440 Tortured and the band is barren Quismo. 500 00:25:57,359 --> 00:26:02,640 Speaker 4: Solent Past. It's not gonna least. 501 00:26:06,880 --> 00:26:28,559 Speaker 2: Answer you chance to see back and go back. Yayaya? 502 00:26:29,799 --> 00:26:33,480 Speaker 5: Did you guess some sounds? 503 00:26:33,640 --> 00:26:33,799 Speaker 20: Man? 504 00:26:34,519 --> 00:26:36,640 Speaker 3: I was surpray. 505 00:26:41,039 --> 00:26:47,359 Speaker 5: So night to all the things we should and had. 506 00:26:49,920 --> 00:27:03,279 Speaker 13: It's sort rice, it's sorries, it's sort, it's sort cheateries. 507 00:27:04,039 --> 00:27:05,839 Speaker 2: It's sort cheties. 508 00:27:06,880 --> 00:27:31,920 Speaker 5: It's sort chick no wi things. The said thought, I've 509 00:27:32,279 --> 00:27:33,880 a graded all. 510 00:27:37,920 --> 00:27:47,160 Speaker 21: How long will it be the one that's moved and stumblepen. 511 00:27:46,400 --> 00:27:53,200 Speaker 3: It's so chetie, it's sort cheaties, it's sort. 512 00:27:53,000 --> 00:28:04,400 Speaker 5: Chi, it's sort chee, it's sort, it's sort you. 513 00:28:11,400 --> 00:28:23,319 Speaker 22: Sarator director Doletara trap called director the director doctor Tarata 514 00:28:23,559 --> 00:28:29,279 conterator doletarac dot traterrector the direct. 515 00:28:28,920 --> 00:28:30,559 Speaker 5: Act to latter. 516 00:28:34,000 --> 00:28:49,240 Speaker 22: Satterletter donator for me chalactor letterat me. 517 00:29:21,079 --> 00:29:28,559 Speaker 2: Try to sell it down? Well, no that I buka. 518 00:29:31,000 --> 00:29:32,759 Speaker 4: Oh the watch pond. 519 00:29:36,000 --> 00:29:38,519 Speaker 20: You don't know what job is. 520 00:29:40,799 --> 00:29:50,920 Speaker 2: So when I'm around, let me claim my bond and 521 00:29:51,240 --> 00:30:02,960 you'll welcome that will come to pass, sir So out 522 00:30:03,200 --> 00:30:09,319 if we get it together. But I know that it's fine. 523 00:30:10,079 --> 00:30:14,920 Speaker 21: Beyond that all I will fight till the end to 524 00:30:15,240 --> 00:30:21,359 leave enough. Shake every sil. 525 00:30:30,400 --> 00:30:37,680 Speaker 20: Try to slum it down, but I'm stronger than ever. 526 00:30:40,279 --> 00:30:47,279 While I'm getting down, you've been throwing away. 527 00:30:50,119 --> 00:30:51,640 Speaker 6: So I sell you what. 528 00:30:55,160 --> 00:31:00,759 Speaker 2: You can't say when it's time, and don't you are 529 00:31:01,000 --> 00:31:12,519 gonna know what I'm jet It's all rodes. 530 00:31:12,920 --> 00:31:15,559 Speaker 4: We get it to get a birth. 531 00:31:16,519 --> 00:31:23,440 Speaker 2: I know that it's not amiss. I'll fight tilling and. 532 00:31:25,519 --> 00:31:29,920 Speaker 4: Not sake bad. 533 00:31:29,759 --> 00:31:30,880 Speaker 5: Prison b. 534 00:32:20,599 --> 00:32:23,640 Speaker 2: What Mattso wakes up in the morning, he gets into 535 00:32:23,759 --> 00:32:26,799 the shower and to the top of his lungs. 536 00:32:26,799 --> 00:32:35,079 Speaker 5: He sings, I want because I can him. 537 00:32:36,480 --> 00:32:41,319 Speaker 6: All right, Bank doing the radio show now, all the best, Jeerry, 538 00:32:42,720 --> 00:32:45,799 Thanks Jerry, Thank you again to Baron Kismo for joining 539 00:32:45,880 --> 00:32:47,759 us today on the show. Really enjoyed that a lot 540 00:32:47,839 --> 00:32:49,680 played a couple of their songs, actually a few of 541 00:32:49,680 --> 00:32:53,359 their songs from the the EP and I really like 542 00:32:53,440 --> 00:32:54,799 those guys a lot. And of course thank you to 543 00:32:54,880 --> 00:32:57,599 Rob Critchley from The Fodds who joined us in the 544 00:32:57,640 --> 00:32:59,559 first hour of today's show. For those of you who 545 00:32:59,559 --> 00:33:03,359 are listening live on Saturday, December sixth, twenty twenty five, 546 00:33:03,480 --> 00:33:06,160 this is Matt Connorton Unleashed and we are live from 547 00:33:06,240 --> 00:33:09,160 the studios of WMNH ninety five point three FM and 548 00:33:09,200 --> 00:33:12,640 Glorious Manchester, New Hampshire. And coming up in the third 549 00:33:12,720 --> 00:33:16,839 hour today, we've got The Forensics, another great UK band. 550 00:33:17,160 --> 00:33:20,759 Love them. They've got a new single which we debuted 551 00:33:20,799 --> 00:33:22,759 on the show just recently. We're gonna play that again 552 00:33:22,799 --> 00:33:25,920 today and they're gonna be joining us in the third hour. 553 00:33:25,960 --> 00:33:27,880 I really look forward to that. But right now, if 554 00:33:27,960 --> 00:33:29,839 you haven't heard this yet, and if you're a regular 555 00:33:29,960 --> 00:33:32,519 listener of the show, you have, but I'm gonna Spin 556 00:33:32,759 --> 00:33:35,720 the Ocean by one of our favorite bands around here, 557 00:33:35,880 --> 00:33:39,839 replaced by Robots. This track is currently showing up on 558 00:33:39,960 --> 00:33:42,319 college radio stations across the country and it's getting a 559 00:33:42,359 --> 00:33:45,039 lot of buzz a lot of buzz. This is such 560 00:33:45,079 --> 00:33:47,680 a great song. Check this out The Ocean and the 561 00:33:47,799 --> 00:33:49,920 band is replaced by robots. 562 00:34:38,639 --> 00:34:41,159 Speaker 11: I'm standing in air shut. 563 00:34:43,079 --> 00:34:44,480 Speaker 18: I'm listening to you and. 564 00:34:47,320 --> 00:34:48,639 Speaker 4: The one the last. 565 00:34:51,800 --> 00:34:53,280 Speaker 2: Long the whites bell. 566 00:34:56,000 --> 00:34:56,639 Speaker 13: May I. 567 00:35:00,239 --> 00:35:50,840 Speaker 4: Okay? Then staying in the most time, I beg I'm 568 00:35:51,000 --> 00:35:56,920 getting a back, staying in your side. 569 00:35:58,880 --> 00:37:06,000 Speaker 18: Let me see to you, Let's see me ahind miss it? 570 00:37:08,320 --> 00:37:10,159 What's father at the time. 571 00:37:13,719 --> 00:37:53,519 Speaker 4: He got he got to be a bilt kill it. 572 00:38:09,760 --> 00:38:13,239 Speaker 18: Lo Lo lo man nights. 573 00:38:15,679 --> 00:38:20,400 Speaker 5: Hother lo lo lo lo man nights. 574 00:38:28,679 --> 00:38:32,159 Speaker 16: Look funny cigarette and walked down to the discotheque and 575 00:38:32,360 --> 00:38:37,559 trying not to act strange, dancing like a freak to 576 00:38:37,760 --> 00:38:39,719 trying to beat the streets. 577 00:38:39,800 --> 00:38:43,039 Speaker 2: Are trying to catch the nise hother lo. 578 00:39:04,559 --> 00:39:07,360 Speaker 18: The suns in English speaker, the touts and guns a 579 00:39:07,519 --> 00:39:13,639 line that couldn't find you anywhere for did so far stuczetting. 580 00:39:12,880 --> 00:39:16,960 Speaker 5: Small them, running out of time, the media and China houser. 581 00:39:17,239 --> 00:39:17,880 Speaker 4: I want you to. 582 00:39:35,679 --> 00:40:42,079 Speaker 23: Think there's a couple for you. 583 00:40:42,239 --> 00:40:45,920 Speaker 6: From replaced by Robots. We played the Ocean, which is 584 00:40:45,960 --> 00:40:48,639 the current single, and also Lonely Nights, which is another 585 00:40:48,880 --> 00:40:52,599 great song by replaced by Robots. Great Boston based band 586 00:40:52,719 --> 00:40:55,760 love them so much. We're also gonna play now I 587 00:40:55,960 --> 00:40:58,039 think we have time. I want to sneak this into. 588 00:40:58,360 --> 00:40:59,800 Played this a couple of weeks ago on the show 589 00:41:00,079 --> 00:41:03,599 to play it again now. Had a very fascinating conversation 590 00:41:03,719 --> 00:41:06,960 with the gentleman behind this project recently on the podcast 591 00:41:07,119 --> 00:41:09,800 version of Matt Connorton Unleashed, and he will be appearing 592 00:41:09,840 --> 00:41:12,880 on the radio show soon too. But this is called 593 00:41:13,039 --> 00:41:15,840 is This Our America? And the project is Eddie Sing 594 00:41:16,039 --> 00:41:18,360 and the thirty one Days. You gotta check this out. 595 00:41:18,840 --> 00:41:21,280 I might sneak in, you know what. I'm gonna play 596 00:41:21,320 --> 00:41:23,480 two tracks from Eddie Sing in the thirty one Days. 597 00:41:23,679 --> 00:41:25,440 I'm gonna play is This Our America? And then we're 598 00:41:25,440 --> 00:41:28,719 gonna play another track from that project that has a 599 00:41:28,880 --> 00:41:32,880 very different flavor called Some Justice Opportunity, which we played 600 00:41:33,119 --> 00:41:34,760 last week on the show, and I got a lot 601 00:41:34,840 --> 00:41:38,480 of interesting feedback on that one. So two really great 602 00:41:38,599 --> 00:41:42,480 songs from the same project, but they have very different 603 00:41:42,599 --> 00:41:45,360 sounds to them, and you'll see what I mean. I'm 604 00:41:45,400 --> 00:41:47,320 gonna play both of these for you. So first we're 605 00:41:47,320 --> 00:41:51,119 gonna play is This Our America? Followed by Some Justice Opportunity? 606 00:41:51,199 --> 00:41:54,239 From Eddie sing in the thirty one days, and then 607 00:41:54,639 --> 00:41:56,079 we'll take a break, and then coming up in the 608 00:41:56,119 --> 00:41:58,320 third hour, we'll have the forensics with us. But here 609 00:41:58,360 --> 00:41:59,559 we go. Is this our America? 610 00:42:00,440 --> 00:42:00,639 Speaker 9: Well? 611 00:42:00,719 --> 00:42:03,960 Speaker 5: I don't know if you're wondering why on earth we. 612 00:42:04,079 --> 00:42:08,599 Speaker 24: Landed here with the struggle in the heartland, in our 613 00:42:08,679 --> 00:42:14,280 disconnected fear. We got politicians scream insanity, lying cold watch 614 00:42:14,400 --> 00:42:15,719 truth right through that seat. 615 00:42:16,119 --> 00:42:19,639 Speaker 2: I thought we were all in this together, huddled around 616 00:42:19,840 --> 00:42:20,559 this Liberty. 617 00:42:21,280 --> 00:42:22,599 Speaker 5: Is this my merry? 618 00:42:22,880 --> 00:42:23,239 Speaker 2: Come? 619 00:42:23,840 --> 00:42:25,159 Speaker 4: Is this my Beverri. 620 00:42:26,360 --> 00:42:29,599 Speaker 2: Shouldn't we stand two together as war? 621 00:42:31,400 --> 00:42:36,039 Speaker 4: This is my Mary Come, This is my Mary Comes. 622 00:42:36,719 --> 00:42:39,840 Speaker 2: If it is, then we ain't even close to done. 623 00:42:41,280 --> 00:42:42,960 We gotta take it to the cities. 624 00:42:43,800 --> 00:42:47,239 Speaker 3: We gotta take it to the streets, because these profits 625 00:42:47,280 --> 00:42:51,039 of division are tearing down all our hopes and dreams. 626 00:42:51,639 --> 00:42:53,239 Speaker 2: I don't care if you're a Democrat. 627 00:42:54,199 --> 00:42:56,760 Speaker 23: I don't care if you love the States right, I 628 00:42:56,840 --> 00:42:58,760 don't care if you're independence. 629 00:42:59,280 --> 00:43:00,920 Speaker 2: I don't care if you black old. 630 00:43:01,960 --> 00:43:06,559 Speaker 4: This is my Mary Come, This is my Berry comes, 631 00:43:07,599 --> 00:43:10,519 home of the breed of breathe. 632 00:43:12,159 --> 00:43:16,800 Speaker 5: This is my very Cole, This is this my Mary Come. 633 00:43:18,119 --> 00:43:25,519 Speaker 2: Huddle around miss Liberty. We have not forgotten who we are. 634 00:43:25,719 --> 00:43:28,800 We are bound together near and for you and me, 635 00:43:29,239 --> 00:43:32,159 you and me, You and me, you and me, you 636 00:43:32,440 --> 00:43:38,440 and me. Will we ride a ica as our own? 637 00:43:42,119 --> 00:43:43,639 Speaker 5: So what is the truth? 638 00:43:44,800 --> 00:43:46,199 Speaker 4: What is the truth? 639 00:43:47,320 --> 00:43:49,719 Speaker 2: What is a Maica? 640 00:43:50,199 --> 00:43:51,079 Speaker 4: Through and through? 641 00:43:52,440 --> 00:43:55,159 Speaker 2: Will you just open your eyes? 642 00:43:55,360 --> 00:43:57,360 Speaker 5: Will you just letter in? 643 00:43:58,400 --> 00:44:01,559 Speaker 2: Because I hear the blowing of the wind. 644 00:44:03,920 --> 00:44:05,639 Speaker 11: Maybe it was just a pink house. 645 00:44:06,480 --> 00:44:08,079 Speaker 2: Maybe it was just a pink coat. 646 00:44:09,000 --> 00:44:09,960 Speaker 11: Maybe we should. 647 00:44:09,719 --> 00:44:10,239 Speaker 8: Try to go. 648 00:44:11,559 --> 00:44:13,159 Speaker 2: Maybe we should take it slow. 649 00:44:14,079 --> 00:44:15,760 Speaker 5: Maybe we should just have some fun. 650 00:44:16,639 --> 00:44:19,880 Speaker 2: Maybe we were both born to run. Maybe we should 651 00:44:20,000 --> 00:44:23,519 just take a chance. What else, Maybe we should just 652 00:44:23,639 --> 00:44:24,760 get up and dance. 653 00:44:26,119 --> 00:44:27,800 Speaker 4: Is this my aby co? 654 00:44:28,639 --> 00:44:33,800 Speaker 5: It's my Mery comes home of the brave and of 655 00:44:34,000 --> 00:44:34,480 the free. 656 00:44:36,239 --> 00:44:38,239 Speaker 2: It's Smery come. 657 00:44:38,760 --> 00:44:41,119 Speaker 4: It's all Mary come. 658 00:44:42,440 --> 00:44:43,960 Speaker 2: Around as liberty. 659 00:44:45,000 --> 00:44:47,800 Speaker 4: Who so Mary? 660 00:44:47,960 --> 00:44:50,320 Speaker 2: Because some men car of Mary? 661 00:44:50,559 --> 00:44:51,880 Speaker 4: Because some men. 662 00:44:51,960 --> 00:44:54,840 Speaker 2: Maria every voice, every. 663 00:44:57,480 --> 00:44:59,840 Speaker 4: Merycause some minis. 664 00:45:00,079 --> 00:45:10,679 Speaker 25: Mary praying to us to guy hit us clean, army 665 00:45:11,679 --> 00:45:13,760 every eye. 666 00:45:13,679 --> 00:45:21,920 Speaker 4: Every month, every years. It's almy. 667 00:45:22,880 --> 00:45:26,679 Speaker 11: Praying to the Lord to guide us clean. This is 668 00:45:26,719 --> 00:45:31,079 the police Department. You are violating state and post curfew. 669 00:45:32,440 --> 00:45:36,000 Speaker 24: You must continue to disperse peacefully or you will be 670 00:45:36,079 --> 00:45:39,800 subject to arrest and all other actions. 671 00:45:41,599 --> 00:45:46,239 Speaker 2: Wor I'm here protesting for Mike Brown. 672 00:45:47,320 --> 00:45:48,480 Speaker 5: He was wrongfully killed. 673 00:45:49,920 --> 00:45:52,719 Speaker 2: There's a lot of unity going on that they're not broadcasting. 674 00:45:54,360 --> 00:45:55,280 Speaker 11: It's not a race state. 675 00:45:56,400 --> 00:45:58,719 Speaker 24: I never thought i'd get political, but life in my 676 00:45:58,800 --> 00:46:00,440 city right now is just a readical. 677 00:46:00,559 --> 00:46:03,000 Speaker 2: Man, it's a war zone in my backyard. 678 00:46:03,360 --> 00:46:06,400 Speaker 24: Why I get in justice gotta be this hard? Howe 679 00:46:06,480 --> 00:46:08,800 the lesson that they care about. Tell you that, that's 680 00:46:08,840 --> 00:46:10,119 why the police always. 681 00:46:09,920 --> 00:46:10,440 Speaker 26: Use their cloud. 682 00:46:10,559 --> 00:46:10,920 Speaker 27: They do that. 683 00:46:11,280 --> 00:46:13,639 Speaker 24: My grandma said, don't fear with another man. I never will, 684 00:46:13,880 --> 00:46:15,920 but they will shoot with nothing in my hand about 685 00:46:16,639 --> 00:46:19,559 see the media, you show the bad part and they blocking. 686 00:46:19,320 --> 00:46:19,840 Speaker 5: Out the good. 687 00:46:19,920 --> 00:46:20,800 Speaker 2: That's the sad part. 688 00:46:20,920 --> 00:46:21,960 Speaker 4: Man. I can tell you this. 689 00:46:22,320 --> 00:46:22,880 Speaker 11: We're fed up. 690 00:46:23,119 --> 00:46:25,159 Speaker 2: But if no one never told you, keep your head up. 691 00:46:25,480 --> 00:46:26,960 Speaker 11: Hope you understand. 692 00:46:27,960 --> 00:46:28,960 Speaker 6: Take me to your leader. 693 00:46:30,320 --> 00:46:32,119 Speaker 11: I hope you understand. 694 00:46:33,159 --> 00:46:34,119 Speaker 20: Take me to your leader. 695 00:46:35,519 --> 00:46:37,320 Speaker 11: I hope you understand. 696 00:46:38,320 --> 00:46:42,199 Speaker 2: Take me to your lead up. Yeah, you finally should Yeah, 697 00:46:43,519 --> 00:46:43,840 take me. 698 00:46:43,880 --> 00:46:47,960 Speaker 22: To your lead up at once once once, brothers and sisters, 699 00:46:49,559 --> 00:46:53,159 brothers and sisters, brothers and sisters. 700 00:46:55,400 --> 00:46:56,519 Speaker 11: I guess you finally heard. 701 00:46:57,559 --> 00:46:57,760 Speaker 5: Yeah. 702 00:46:58,159 --> 00:47:00,000 Speaker 2: Yeah, I'm just the youth in the society. 703 00:47:00,280 --> 00:47:02,920 Speaker 24: But since my skin dunk and thug buy novoriety and 704 00:47:03,000 --> 00:47:05,400 treated justifiably turn into propriety. 705 00:47:05,480 --> 00:47:06,679 Speaker 28: We act mortifiedly. 706 00:47:06,840 --> 00:47:08,320 Speaker 6: Man, tell me that ain't notty. 707 00:47:08,400 --> 00:47:11,639 Speaker 24: So many accusations because of from eli nations, the complications 708 00:47:11,679 --> 00:47:13,840 we're facing, the verdicts a made by racist I'm just 709 00:47:13,920 --> 00:47:16,199 a plud to go my nation and because of my pigmentation, 710 00:47:16,239 --> 00:47:18,880 and I'm bound to live life with adaptation to allegations 711 00:47:18,880 --> 00:47:20,360 because what you see is on the surface. 712 00:47:20,519 --> 00:47:21,440 Speaker 5: Try to make me feel this. 713 00:47:21,559 --> 00:47:23,440 Speaker 2: If my skin was just a verdict, I'm the. 714 00:47:23,480 --> 00:47:25,840 Speaker 24: Judge and the children, Yeah, I got a verdict, just 715 00:47:25,920 --> 00:47:26,800 as it's just a sending. 716 00:47:26,800 --> 00:47:28,119 Speaker 2: In the end, I'm still a person. 717 00:47:28,159 --> 00:47:29,239 Speaker 4: I hope you want to stand. 718 00:47:29,920 --> 00:47:30,119 Speaker 11: Yeah. 719 00:47:30,239 --> 00:47:34,400 Speaker 4: Take me to your leader. Yeah, oh this stand. 720 00:47:35,400 --> 00:47:36,400 Speaker 11: Take me to your leader. 721 00:47:36,519 --> 00:47:36,719 Speaker 20: Yeah. 722 00:47:37,800 --> 00:47:39,519 Speaker 11: I hope you understand. 723 00:47:39,719 --> 00:47:41,559 Speaker 2: Yeah yeah, take me to your leader. 724 00:47:41,679 --> 00:47:46,119 Speaker 5: Yeah you find me shure, Yeah yeah yeah, take. 725 00:47:46,000 --> 00:47:46,760 Speaker 4: Me to your leader. 726 00:47:46,800 --> 00:47:52,760 Speaker 11: I have once on brothers and sisters, brothers, it's just this. 727 00:47:54,440 --> 00:47:56,159 Speaker 4: Brothers, this the world. 728 00:47:57,639 --> 00:48:00,400 Speaker 24: I guess you finally heard kids were on the front 729 00:48:00,480 --> 00:48:03,599 line shot him in the head that the media ain't 730 00:48:03,599 --> 00:48:05,239 been showing all the stuff that goes down here. 731 00:48:05,320 --> 00:48:07,000 Speaker 2: I want to see love in America. 732 00:48:07,480 --> 00:48:09,159 Speaker 11: I want to see togetherness in America. 733 00:48:09,280 --> 00:48:12,199 Speaker 2: We're not gonna stand for it. They can kill us all, 734 00:48:12,400 --> 00:48:14,920 kill them dead, cold blood in the head. I need 735 00:48:15,039 --> 00:48:15,800 answers tonight. 736 00:48:16,360 --> 00:48:17,440 Speaker 11: It's about some justice. 737 00:48:17,599 --> 00:48:19,679 Speaker 2: My whole thing is that if it was me and you. 738 00:48:21,159 --> 00:48:24,719 Speaker 24: And they had two eye witnesses, see because both of 739 00:48:24,760 --> 00:48:28,119 those eye witnesses described the same thing, thing thing, thing, 740 00:48:28,320 --> 00:48:28,880 thing thing. 741 00:48:28,920 --> 00:48:31,719 Speaker 29: They said, he cutting that man down and shot him. Guys, 742 00:48:32,199 --> 00:48:34,960 I don't see white boys, you know, laying on the curb, 743 00:48:35,079 --> 00:48:38,800 you know, police messing with them, whiling them over for 744 00:48:38,920 --> 00:48:40,159 no reason, no reason. 745 00:48:40,559 --> 00:48:42,559 Speaker 2: If they don't, it's. 746 00:48:42,480 --> 00:48:43,719 Speaker 11: Not getting broadcasts. 747 00:48:44,440 --> 00:48:47,679 Speaker 2: But I see that with black folks every day, and 748 00:48:47,800 --> 00:48:48,559 I see them get. 749 00:48:48,519 --> 00:48:52,119 Speaker 29: Shot down every day. I'm not saying it's not happening 750 00:48:52,199 --> 00:48:53,480 to white people, white. 751 00:48:53,280 --> 00:48:57,559 Speaker 11: People, but if it is, we don't see it. I 752 00:48:57,639 --> 00:48:58,239 don't see it. 753 00:49:01,760 --> 00:49:02,280 Speaker 4: Revolution. 754 00:49:04,360 --> 00:49:06,800 Speaker 2: Revolution, It begins to night. 755 00:49:15,719 --> 00:49:17,360 Speaker 30: Nana's Kitchen and Pizzeria. 756 00:49:18,280 --> 00:49:24,320 Speaker 20: From Nana's hands to your play tradition, love and taste. 757 00:49:24,440 --> 00:49:32,800 Speaker 18: That's great solough fermented dough flavor, so true, each bite, the. 758 00:49:33,000 --> 00:49:36,239 Speaker 5: Story made just for you. 759 00:49:37,320 --> 00:49:41,039 Speaker 30: Six o three two three two nine three six six 760 00:49:41,840 --> 00:49:46,360 Nana's Kitchen and Pizzerive fifteen Yartmouth Dry Auburn. 761 00:49:46,039 --> 00:49:50,360 Speaker 23: New Hampshires Kitchen and Hissar. 762 00:49:54,639 --> 00:49:57,440 Speaker 31: The two greatest rock and roll bands of all time 763 00:49:57,599 --> 00:50:00,920 face off as the Chubb Theater hosts tributes to the 764 00:50:01,000 --> 00:50:05,440 Beatles and the Rolling Stone. Beatles Versus Stones, A musical 765 00:50:05,480 --> 00:50:08,159 Showdown comes to Chubb Theater at the Capitol Center for 766 00:50:08,239 --> 00:50:12,159 the Arts on Thursday, December eleventh at seven thirty pm. 767 00:50:12,599 --> 00:50:15,679 Tickets can be purchased at the theater box office or 768 00:50:15,760 --> 00:50:20,320 online at CCANH dot com. The Capital Center for the 769 00:50:20,480 --> 00:50:23,920 Arts is located at forty four South Main Street, Conquered, 770 00:50:23,960 --> 00:50:31,239 New Hampshire. The show was appropriate for all ages. Luigi's 771 00:50:31,320 --> 00:50:32,800 Pizza Barren Grill. 772 00:50:33,760 --> 00:50:38,440 Speaker 20: One, Let's raise his Lican Hines with toppings all the 773 00:50:38,760 --> 00:50:41,599 ground Pizza, Pizza Barrio. 774 00:50:41,400 --> 00:50:46,599 Speaker 28: Line Luigi's Pizza Barren Grill seven to twelve Valley Street, Manchester. 775 00:50:46,880 --> 00:50:49,719 Come on in or call six two two one zero 776 00:50:50,000 --> 00:50:55,039 two one. Luigi keeping the tradition alive since nineteen seventy five. 777 00:50:56,880 --> 00:51:01,239 Speaker 2: Pizza for a Brief one, come joint the Beast to night. 778 00:51:02,239 --> 00:51:06,360 Speaker 9: With these slye sets of it, everything feels so right. 779 00:51:09,360 --> 00:51:11,559 Speaker 8: In times of crisis, you need a law firm that 780 00:51:11,679 --> 00:51:14,719 stands by your side. With over forty years of experience, 781 00:51:14,840 --> 00:51:18,519 Craigan Getsulis is dedicated to fighting for your rights. As 782 00:51:18,599 --> 00:51:21,719 former state prosecutors, our attorneys have the knowledge and trial 783 00:51:21,800 --> 00:51:25,719 experience to provide an aggressive defense against any charge, from 784 00:51:25,800 --> 00:51:30,079 DUIs to homicides. If you've been injured, our compassionate team 785 00:51:30,119 --> 00:51:33,039 will assess your case and fight for the compensation you deserve. 786 00:51:33,519 --> 00:51:36,400 Serving all of New Hampshire, Craigan Getzulis is here when 787 00:51:36,440 --> 00:51:39,440 you need us most. Visit craigatzulis dot com for a 788 00:51:39,519 --> 00:51:43,320 free consultation. Craigan getsulus your advocates, your. 789 00:51:43,280 --> 00:51:47,440 Speaker 27: Allies, bring your kitchen to life with Queen City Cabinetry, 790 00:51:47,880 --> 00:51:51,599 located at eighty seven Elm Street in the historic Sunbeam 791 00:51:51,719 --> 00:51:55,159 Wall in Manchester, open Monday through Friday nine. 792 00:51:55,039 --> 00:51:58,880 Speaker 28: Am to five thirty pm, in Saturdays ten am to 793 00:51:59,000 --> 00:51:59,519 two pm. 794 00:52:00,079 --> 00:52:01,519 Speaker 11: They can be reached at. 795 00:52:01,519 --> 00:52:05,280 Speaker 32: Six O three two two two to zero zero seven. 796 00:52:05,639 --> 00:52:10,119 We're on the web at Queen citycabinat tree NH dot com. 797 00:52:10,519 --> 00:52:11,840 Come see the possibility. 798 00:52:11,960 --> 00:52:16,599 Speaker 28: Is Queen City Cabinet Tree, another crowd sponsor of w MNH. 799 00:52:16,960 --> 00:52:19,719 Speaker 33: Hey everyone, there's Rob Azevedo, host of grantite state of mind, 800 00:52:19,760 --> 00:52:21,519 and I want to tell you about Pembrooke City Limits 801 00:52:21,559 --> 00:52:24,880 and the Historic Suncook Village. PCL's an award winning bar, 802 00:52:25,079 --> 00:52:28,039 restaurant and music venue where there's live music five days 803 00:52:28,079 --> 00:52:31,840 a week and twice on Saturdays, everything from blues, country, folk, funk, 804 00:52:31,920 --> 00:52:34,199 and a whole lot of jazz. We have twelve craft 805 00:52:34,280 --> 00:52:36,880 beers on tap dedicated to local brewers in the area 806 00:52:37,159 --> 00:52:40,280 and some of the friendliest bartenders around. Please come visit 807 00:52:40,320 --> 00:52:42,719 Pembrook City Limits at one thirty four Main Street, the 808 00:52:42,920 --> 00:52:47,079 Historic Suncook Village, only six miles outside of Manchester. Open 809 00:52:47,159 --> 00:52:50,800 Tuesdays to Wednesdays four to ten, Thursday's a Sunday eleven 810 00:52:50,840 --> 00:52:54,000 to ten. Pembrook City Limits where it's all about the music. 811 00:52:54,199 --> 00:52:56,880 Speaker 28: Business Cafe is the place to put a smile on 812 00:52:56,960 --> 00:52:59,360 your face. Judy and the crew will take care of you, 813 00:52:59,599 --> 00:53:03,320 bring your appetite and trig your taste buds right. Business 814 00:53:03,400 --> 00:53:07,519 Cafe is always a winning choice. Breakfast, lunch or supper. 815 00:53:08,000 --> 00:53:12,239 Dizze's Cafe at eight sixty Elm Street in downtown Manchester. 816 00:53:12,719 --> 00:53:15,599 Dine in, take out or make a reservation call six 817 00:53:15,719 --> 00:53:19,679 oh three, six oh six, two five three two, eat, 818 00:53:20,159 --> 00:53:22,920 drink and be happy Dizze's Cafe. 819 00:53:23,239 --> 00:53:25,960 Speaker 19: When it comes to keeping WMNH on the air and 820 00:53:26,119 --> 00:53:29,280 your own personal or business computer needs, trust growl In 821 00:53:29,360 --> 00:53:33,119 Computers located on Elm Street in Manchester. Groll In handles 822 00:53:33,159 --> 00:53:36,519 computer repair, virus removal and custom built systems. Are you 823 00:53:36,639 --> 00:53:39,440 looking for budget friendly options. Check out our selection of 824 00:53:39,519 --> 00:53:43,480 fully inspected used computers. 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Visit Groland dot com or call 826 00:53:47,360 --> 00:53:51,000 Grolling Computers at six zero three six four five zero. 827 00:53:50,960 --> 00:53:51,960 Speaker 30: One zero one. 828 00:53:52,159 --> 00:53:53,280 Speaker 5: Your tech, your way. 829 00:53:53,480 --> 00:53:55,320 Speaker 19: Trust groll In Computers. 830 00:53:58,760 --> 00:54:02,320 Speaker 11: Hot Midnight. 831 00:54:02,760 --> 00:54:06,679 Speaker 18: Seven times out of ten we listened to our music 832 00:54:06,960 --> 00:54:07,519 at night. 833 00:54:09,519 --> 00:54:12,679 Speaker 28: That's one titled business program. 834 00:54:12,559 --> 00:54:14,960 Speaker 24: Late Night to Light with DJ Midas right here on 835 00:54:15,199 --> 00:54:17,079 WMNH Manchester. 836 00:54:17,719 --> 00:54:22,480 Speaker 11: Because Saturdays and Sunday nights midnight to four am. 837 00:54:23,800 --> 00:54:29,239 Speaker 30: This hour on WMNH is sponsored by CGI Business Solutions, 838 00:54:29,599 --> 00:54:33,639 located at five Dartmouth Drive in Auburn. They serve all 839 00:54:33,719 --> 00:54:38,159 your business needs including employee benefits, planning, corporate design and 840 00:54:38,280 --> 00:54:44,280 business administration, investments and wealth management and customized business insurance solutions. 841 00:54:44,559 --> 00:54:47,119 Their phone number is eight sixty six eighty four to 842 00:54:47,239 --> 00:54:50,960 one forty six hundred or on the web at CGI 843 00:54:51,199 --> 00:54:53,039 Business Solutions dot com. 844 00:54:56,039 --> 00:54:59,519 Speaker 26: Behold the harmony of airwaves as you immerse yourself in 845 00:54:59,599 --> 00:55:03,400 the ca devating frequencies of w m NHLP. The sonic 846 00:55:03,480 --> 00:55:06,840 heart beats of Manchester is transcending through the ether at 847 00:55:06,920 --> 00:55:10,679 ninety five point three megahertz frequency modulation or transmissions m 848 00:55:10,719 --> 00:55:13,599 andate from the zenith of one thousand elm streets. Ensure 849 00:55:13,639 --> 00:55:16,239 into the hearts of our creative realm at one nineteen 850 00:55:16,320 --> 00:55:20,519 Canal Street, where innovation and sound collode. They're the impro 851 00:55:20,639 --> 00:55:24,000 moder of Manchester Public Television Service in the venerable city 852 00:55:24,039 --> 00:55:27,960 of Manchester, New Hampshire, USA. Enrich your auditory journey with 853 00:55:28,079 --> 00:55:31,239 the depth of our license to wesidens wept your missives. 854 00:55:31,280 --> 00:55:33,760 Did w m n H ninety five three at gmail 855 00:55:33,840 --> 00:55:38,719 dot com or traverse the virtual corridors of wmnhradio dot org. 856 00:55:38,880 --> 00:55:41,840 Engage with our sonic vibrations by communing with us through 857 00:55:41,880 --> 00:55:45,599 the digital channels or radio beckons, eager to enthrall you 858 00:55:45,719 --> 00:55:48,599 with its mesmerizing cadence and develop you with a symphony 859 00:55:48,679 --> 00:55:50,079 of boundless auditories. 860 00:55:50,119 --> 00:56:05,840 Speaker 11: Won Dude, WMNH rip the novels. We're back Thenglish. 861 00:56:19,440 --> 00:56:39,079 Speaker 12: M hm, there's nothing near found me own school breed 862 00:56:39,280 --> 00:56:42,360 chas it's not a thing that they could try to 863 00:56:42,480 --> 00:56:46,760 teach us. Well, the will that's changed, She shas to. 864 00:56:52,000 --> 00:56:55,400 Speaker 2: This something lost on her. He shad where I always 865 00:56:55,480 --> 00:56:59,400 meaning so he never left day, he says him, saying 866 00:56:59,599 --> 00:57:02,199 he man decide honestly then. 867 00:57:05,519 --> 00:57:09,559 Speaker 4: Side no one. God, if you think us take. 868 00:57:09,519 --> 00:57:10,840 Speaker 2: Your mind chance up there. 869 00:57:10,920 --> 00:57:14,760 Speaker 4: It's not the U. And some model never comes. 870 00:57:14,559 --> 00:57:23,000 Speaker 14: At least a stands up tonight, man, John Fastings, Not even. 871 00:57:22,880 --> 00:57:26,800 Speaker 4: Though I say can see the world, I never figure out, 872 00:57:27,000 --> 00:57:29,079 saying to mother, never comes. 873 00:57:29,320 --> 00:57:59,079 Speaker 14: At least some stands out tonight. No one, God, if 874 00:57:59,159 --> 00:58:02,920 you feel no, say I said something that's. 875 00:58:02,840 --> 00:58:06,760 Speaker 4: Walking about it's some model. The other toms and the us. 876 00:58:06,760 --> 00:58:14,559 Speaker 3: To stay out about tonight, wa know best it's not even. 877 00:58:16,679 --> 00:58:19,760 Speaker 4: Walks you it's a model. 878 00:58:19,760 --> 00:58:23,400 Speaker 14: Another times don't used to stay out about to die. 879 00:59:26,400 --> 00:59:36,000 Speaker 4: Knows that the dogs. The kid said some moss to stay. 880 00:59:41,119 --> 00:59:42,559 Speaker 5: Do stay your st 881 00:59:47,599 --> 00:59:50,559 Speaker 4: That's some moss to stay