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Speaker 1: W m N h Rip the Dormals. We're back from

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the brains.

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Speaker 2: The donut Chop, Trouble Luta, Donut Shop, Trouble, Trouble, Trouble, trouble,

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trouble ut.

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Speaker 3: The dollar Chop.

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Speaker 4: I was walking down the street. I wanted something to eat.

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How about something sweet? That would be such a treat.

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When I saw it, I curtain believe my eyes. I

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almost began to cry.

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Speaker 2: Bubu the donut Chop, Trouble Uta, Dona Shop, Trouble, Trouble, Trouble, Trouble, trouble,

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lut a dollar chop.

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Speaker 5: It was a line around the block.

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Speaker 6: I barey could handle the shop.

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Speaker 4: I had to walk walk away to keep my mind overkare.

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But when I got back to the shop, the sign

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said stop, were sold out.

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Speaker 2: Now let the donut shuck trouble Let the donut shop Trouble, Trouble, trouble, trouble, trouble,

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lut the donor jump.

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Speaker 4: I stormed into the shop to see the reality. They

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said were really sold out. I said, what about the

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donuts right there? She said those donuts are not for sale.

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But I grabbed them and ran out.

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Speaker 3: Of the door.

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Speaker 2: Bubble Let the donut Chuck, Trouble Let, the Donut Shop, Trouble, Trouble, Trouble,

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Drum Trouble, the Donut Chop.

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Speaker 4: Next thing I know, I was getting arrested for stealing

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the donut Trouble the Donut Shot.

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Speaker 7: I was so sowing.

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Speaker 3: Embarrassed, but I had a donut in my jacket.

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Speaker 8: It in the way to jail.

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Speaker 9: Cable Trouble, Travel, Trouble, Trouble, Job Double.

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Speaker 2: The Donut Chuck, trouble Let, the Donut Shock, Trouble, Trouble, Trouble, Trouble,

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Trouble at.

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Speaker 7: The Donut Jump, Trouble at the Donut Shop, by the

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Great Ricky Mapleton. And he is here with us. We're

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gonna talk with him in just a moment. Welcome everybody.

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Speaker 10: Here we go.

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Speaker 7: We have entered our number two New maridos of Matt

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Connorton Unleashed, and we are live from the studios of

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w m NH ninety five point three FM, Inglorious, Manchester,

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New Hampshire. Of course, you can also stream the show

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from anywhere. Go to Matt conorton dot com slash live

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for all of your live streaming options, social media links,

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contact info, show archives, et cetera. Et cetera. Today is Saturday,

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March twenty one, twenty twenty six. Jenny is here, of course,

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at the news table president account of fur By the way,

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we're only two weeks away from the nine year anniversary.

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Speaker 11: That's so crazy.

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Speaker 7: Matt Connorton unleashed here at WMNH ninety five point three FM.

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Speaker 12: We have to throw your birthday, Patty.

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Speaker 7: Can't believe you want to Patty, No, but no, eight, no, no,

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eleventh pound cake. I don't even eat that anymore. Although

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that lemon pound cake did look good in that. Now,

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I will say, uh Afroman's original hit Because I Got

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High does share something in common with Trouble at the

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Donut Shop by Ricky Mapleton in that they are, both,

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in my opinion, a cautionary tale. Oh absolutely absolutely, yes, yes,

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n yes, because things go awry for you in Trouble

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at the Donut Chess.

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Speaker 12: Very insightful.

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Speaker 11: That is based on a true experience.

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Speaker 7: You shoplifted a donut.

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Speaker 11: That was a little bit embellished. Yes, for the sake

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of conversation, yes, but.

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Speaker 7: No, okay, artistic license.

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Speaker 11: I think my mind, yes, I think my mind was

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there at the moment of seeing all was true up

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to the moment of stealing the donut. Okay, going there

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realizing that I was not going to get a donut

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because they were sold out, was absolutely mind blowing, right,

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mind blowing right. But there I was face and on

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the way home as I went to another donut shop,

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what's there? Thousands of them around and got their donuts

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with no, we're sold out. Okay I was, but it

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was disappointing.

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Speaker 7: So you in your mind, you were you take me

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back to that moment in the mind and in your

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mind you're at the donut shop, and.

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Speaker 11: Then well, let's backtrack a little, can we?

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Speaker 3: Yeah?

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Speaker 7: Yeah, please please?

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Speaker 11: Okay? You know, happy uh person living with you, happy wife,

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happy life, happy Okay, So nice, Ricky Mapleton carrying nurturer off.

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I went on a Sunday morning. I'm gonna go get

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these awesome donuts that we had a while back. Don't

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need them all the time. Not super healthy for you, obviously,

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but do you have gluten free? There?

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Speaker 7: I see where you're going. You're gonna blame this on

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your wife.

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Speaker 11: No blaming on miss blaming Ricky Mapleton, caring nurture okay, okay,

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and really not being tuned in to the hip place

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to get your donut. I mean, I guess like Queen Remember,

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is Queen City Donuts still around? I have no idea.

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They were big for a while. I was the big

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thing cupcakes bill Bill Sorry, Queen City Cupcakes.

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Speaker 7: Bills Donuts are still around.

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Speaker 11: I see if you've heard, I see the Bills Donuts

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sign right there.

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Speaker 7: Legendary bills donuts.

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Speaker 11: How do they compare with? Should I say this donut

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shops name?

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Speaker 7: I think you can.

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Speaker 11: It is New Hampshire Donut Company, okay. And they're in Bedford, Okay.

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And I was first exposed to them at a event

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and I'm like, these are fantastic donuts. Yes, we're fourth out.

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And so I said, okay, I'm going to go get some.

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Went there, signed on the door. I was there at

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ten thirty eleven.

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Speaker 7: Yeah.

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Speaker 11: I looked in mine and it was the cheap white

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inch cheap old paper plates. Yeah, stuck on the window.

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Where sold out?

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Speaker 10: Wow?

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Speaker 3: Yeah?

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Speaker 11: Okay. So I walked up beautiful day, I'm how good

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this place is? Huh? They are fantastic? I mean they're not. Yeah,

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they're good. They're good. Are a stand in line? I

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just dedicated half an hour of my life getting there

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and then going back empty handed. No, no, but there

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is a happy ending to this, Okay. Number one, it

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was a fantastic idea to start the donut chips one

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and it was the seed, the seed. And second I

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did go back the week following week, but I went online,

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which was terrifying for me. But I went online and

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if you order them online before five o'clock, you can

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pick them up. You walk in the door, around the side,

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and you get them. So that was the plan of action.

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I did have my wife, of course, helped me through

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the quagmire that is online ordering. Yes, the beautiful word quagmire. Yes,

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the quagmire blagmire. So I it was my favorite family character.

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I'm not going to do a quag man.

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Speaker 3: Yeah.

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Speaker 11: So that's the story of the Donut Shop. It really

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I think it's really it's really fun. It's really upbeat,

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donuts a yummy and now we have I think that

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project was called Celebrating the Donut twenty four Songs Celebrating

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the Donut Too Bad. I don't even know the title

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of that CD. But there's a big pink Simpsons sort

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of donut on the front cover. When you look at it,

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Ladies and gentlemen. So that has that, it has one donut,

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one song about twenty four other types of donuts.

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Speaker 7: I have the actual title Trouble, Thank You, Thank You,

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Trouble at the Donut Shop, two dozen songs celebrating the donut.

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Speaker 11: Come on? Is that not not called warm and warm

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and yummy?

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Speaker 7: That is warm on?

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Speaker 11: Come on? So yeah, I did not get arrested on

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them on the way home. I was like I should.

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Speaker 7: I wasn't impressed, but you fantasized at some point about

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stealing the donut. Clearly good.

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Speaker 11: I think we all have that quick flash of I'm

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steal these donuts? Yeah, yeah, how what then of course

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reality sets in, Yeah, and not wanting to be the

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old guy stealing donuts at New Hampshire Donut Company. Yum yum. Right,

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So yeah, that's the and then now we have other

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songs about donuts on that. And that was the last

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the project before the bread Man of bread Time Story,

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which is all kind of connected in Flour in its

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own particular way. I yes, yes, this, this last couple,

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this last six to eight months has been very entertainment

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entertainment wise, revolving around baked goods such as donuts. Bread rolls, so.

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Speaker 7: A lot of gluten.

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Speaker 11: I feel like, well, they do have a gluten donut

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at New Hampshire Donut Company, and I just would like

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to give them a quick word of advice if I could.

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When you go in there, they have these beautiful display

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that you choose from a cream and they look fantastic

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behind this nice little guard. Then they have the poor

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little gluten free guy and it looks like half the size.

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Super sad. It's like, why don't you just make that

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big too. I know it's more money for that flower,

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but make it as big as that give. You know,

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there's gluten free and then and then there's a vegan free,

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and they're both just made with different types of flour,

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which does give challenges. When you're baking a donut. You

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have to use something called cilium husk and you have

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to use some other things to hold the donut together,

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so usually it's not as fluffy and delicious. But the

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small little donut when I went in there. You go

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in there and go look at that small little gluten

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free and that's the one that I usually get. So

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I eat it on the way home and I'm not

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feeling really bloated. When I get home, I just hat.

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But then of course I'll have a piece of the

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Boston Cream.

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Speaker 6: My favorite.

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Speaker 11: Oh my god. Yeah, so yeah that's the well, very good. Yeah,

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donnut don't.

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Speaker 7: We'll have to listen to some one of those. Oh

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we do have a call though, let's see us on

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the line.

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Speaker 10: Matt got it.

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Speaker 13: Ricky Mapleton, Happy Saturday morning, and wow, thank you for

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really this.

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Speaker 5: Is exciting to be on.

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Speaker 13: We here at the community are thrilled that you are

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having us on today.

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Speaker 10: Well, first of.

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Speaker 13: All, if you could play someday I'm going to live

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in the castle on the new Ricky Mapleton this we

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just love.

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Speaker 4: That.

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Speaker 7: We really said the move.

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Speaker 13: We have some Danish, we have some bread, we have

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some toast, we have some bagels, we had some whole week,

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we got.

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Speaker 11: Some pump and Nippo, we got.

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Speaker 5: Some rye, we got a lot of bread here.

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Speaker 13: So uh, if you could play something off that.

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Speaker 3: That would be fantastic. And thank you.

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Speaker 5: Uh Matt, you look as fabulous as always.

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Speaker 7: Thank you, Thank you.

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Speaker 13: Hard would just really thinks you're a fantastic person. Hold

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nothing to Ricky Mapleton, of course we are. We hold

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him in high respect.

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Speaker 11: He went the community as well.

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Speaker 13: So thank you.

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Speaker 7: Okay, well it's coming right up. Well, oh, I think

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he's gone.

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Speaker 11: Agnes has called before, and.

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Speaker 7: Oh that was Agnes. That was Oh I think I

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think I misgendered Agnes. I apologize. I feel terrible.

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Speaker 11: No, Agnes is thank you Agnes for calling in.

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Speaker 7: Thank you Agnes.

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Speaker 11: Yeah, and it sounds like your friend Guildehunt has a

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little twinkling arrve for you. She's mentioned you before. Guildahunt,

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guilda hard guilde heart. She lives with Uh, she lives

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with Agnes in a group of other senior citizens.

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Speaker 7: Oh so they're in Uh so she's an older lady.

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Speaker 11: They're living in a in a fabulous community. And yeah,

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and they call up all the time. They're big fans

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of you. They're big fans of us, and we need

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all the fans we can get, at least I do.

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Speaker 7: Well, all right, Well, I guess we'll play this for

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Agnes and Guildeahart. Someday I'm gonna live in the castle.

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And and this is from we should Uh.

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Speaker 11: Yes, this is from the project called The bread Man,

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a bread Time Story. Now the beauty about this is

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we made this uh with narration before each song and

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I really feel it sets things up. It's uh my,

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uh boy, I'm gonna step on some hollow ground. But

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it's my twenty one twelve, my, my, my tommy, my quadrophenia. Wow,

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uh with of course everybody that helped me with it.

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Of course couldn't have done without them. But this is,

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this is, it's a it's an epic in my mind.

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Speaker 7: And so enjoy all right, someday I'm gonna live in

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the castle. Ricky Mimpleton.

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Speaker 10: Stops not knowing.

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Speaker 8: No boy.

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Speaker 10: To work. Okay, father, you'll never mean nothing butnna make

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a boy, but make a boy.

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Speaker 14: What what do you mean You think you're gonna marry

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the princess?

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Speaker 10: Well you're I'm gonna live in a castle. No, father,

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get back to work. Don't hit me, father back to work,

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good lie. No, not the bag.

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Speaker 14: Some them going live in the castle, some them going

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live on him.

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Speaker 10: Something. I'm going to live in a castle.

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Speaker 15: Some day a boom making print for the father.

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Speaker 10: No mo bacon the print.

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Speaker 14: Some damn gonna some dail conna.

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Speaker 10: Some dam gonna live.

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Speaker 14: Back toor.

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Speaker 10: Loll never never that castle down.

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Speaker 14: Not that I gas again, what you're thinking of a man,

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the Princess.

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Speaker 8: No more begain that bread.

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Speaker 10: Gone Rulest, Still.

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Speaker 14: Gonna live in the castle, still gone live castle, some

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of them gone live.

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Speaker 11: Mm hmmmmm.

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Speaker 7: Someday I'm going to live in the castle. That is

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Ricky Mapleton from The bread Man a bread Time Story.

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That's that's a pretty intense song.

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Speaker 3: Wow.

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Speaker 11: Yeah, it's very emotional. Yes, we all have dreams, Yes,

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pretty much what that song's about. We all, we all

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aspire to something. Ricky Mapleton's speechless. I've heard that a

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million times, but I'm really kind of I hope everybody's

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kind of right there.

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Speaker 7: Wow, I hope. So if you are just joining us,

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Ricky Mapleton is here of course, and uh we are

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featuring also some songs from Trouble at the Donut Shop,

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two dozen songs celebrating the donut because, uh, this is

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something that you would released a little bit ago, back

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in December, but we never really got a chance to feature.

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Speaker 11: It, not within the year.

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Speaker 3: Yeah.

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Speaker 11: Yeah, yeah, it's right, fun, whimsical, happy songs about donut right,

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and Ricky Mapleton's wheelhouse. I'd love happy, I love snappy,

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I love just fun stuff, fun stuff. And then of

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course we have the bread man, which is a mind

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bending story. Uh yeah, so I went quite It's been

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quite a great year. And I think someday we live

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in the so someday we all have to if we

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if we focus on something. It's hard to do in

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today's world, isn't it, you know, to focus creatively, whether

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you're building a car, or you're making donuts or your whatever. Yeah, well,

300
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I'm sorry, I'm getting a little bit. That's what I'm

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looking for. Choked up on a donut.

302
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Speaker 7: I guess, I guess, so, I guess so yeah, so yeah. Well,

303
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speaking of which, so one of the songs on Trouble

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at the Donut, Okay, we're gonna shift gears. Two dozen songs, okay, goodness.

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One of these is called maple bacon. Dont no, I've

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never had a macon maple bacon donut, but that that

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actually sounds disgusting to me.

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Speaker 11: Maple bacon, you got your sweet and savory grumble platter, Oh,

309
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maple bacon, maple bake bacon. I haven't heard this song.

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00:18:49,279 --> 00:18:53,200
I don't know the Uh yeah, you want to just

311
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touch base on a few of them and not go

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through the whole song If they're not super well, I

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00:18:57,559 --> 00:18:59,480
shouldn't say that about my music. I'm sorry.

314
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Speaker 7: I'm curious to play this one because I'm wondering if

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00:19:03,720 --> 00:19:07,279
it can convince me. Because to me, the idea of

316
00:19:07,279 --> 00:19:10,839
a maple bacon donut sounds disgusting. But I'm wondering if

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00:19:10,839 --> 00:19:13,359
the song will kind of convince me that it's something

318
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that could be delicious.

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Speaker 11: That is a great segue. Let's find out.

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Speaker 7: All right, all right, let's give this a spin. We'll see.

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This is called the maple Bacon donut song.

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Speaker 16: Babe, Boo bakeon donut me boot bakeon donut me, boo bacon,

323
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donut me boo bacon It.

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Speaker 17: On me outside heaven on me insund maple baking donut,

325
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never let me down, the king of the morning, the talk.

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Speaker 6: Of the town.

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Speaker 5: Yuh, maple baking.

328
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Speaker 6: Don't let you walk this town.

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Speaker 16: Babe, o bacon donut me bacon, don't bacon bacon.

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Speaker 17: Sticky fingers on the counter, lay shining like the sun.

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Speaker 3: One bite in, I'm lifted.

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Speaker 6: Up to the sun.

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Speaker 16: Bye b Bacon, donut baby, boot bag and donut babe

334
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boot bag and donut.

335
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Speaker 17: Ba bag and bacon crackling like banda maple, smooth like

336
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a dream. I'm a flavor revolution, come in straight straight

337
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from a donuts dream. It's not done else like you,

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so savory and sweet, blue bag donut, maple boot bag

339
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and donut, maple.

340
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Speaker 16: Bole, bacon donut, maybe bacon donut.

341
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Speaker 11: Are you convinced?

342
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Speaker 3: No donuts in the world?

343
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Speaker 11: Could we do?

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Speaker 8: It?

345
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Speaker 10: Is good?

346
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Speaker 11: Could you do one of my personal favorites on this one?

347
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Speaker 14: Oh?

348
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Speaker 10: Sure?

349
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Speaker 11: I think when you look at the overall as aspect

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of donuts, the blueberry donut, the forgotten Oh I like

351
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blueberry okay donut. So just a song on this called

352
00:20:54,400 --> 00:20:58,119
blueberry Donut go figure on the donut collection, right, so

353
00:20:58,119 --> 00:21:00,720
it just talks about how well I think it's tough

354
00:21:00,720 --> 00:21:02,839
explanatory if you want to give that a spin.

355
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Speaker 7: All right, let's try this one blueberry donuts song, because yeah, no,

356
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I did like the song about the maple bag.

357
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Speaker 11: Are you convinced?

358
00:21:08,480 --> 00:21:09,799
Speaker 7: But I just but I'm not.

359
00:21:10,200 --> 00:21:10,359
Speaker 18: No?

360
00:21:10,720 --> 00:21:12,119
Speaker 7: Is that actually a real thinger to use me?

361
00:21:12,319 --> 00:21:13,400
Speaker 11: No, it's convens there.

362
00:21:14,240 --> 00:21:16,440
Speaker 12: People put bacon on the wrong things all the time.

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Speaker 7: That's true.

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00:21:17,079 --> 00:21:19,480
Speaker 11: No, no, no, no, don't don't be a don't be

365
00:21:19,519 --> 00:21:21,119
a hater. Don't be a hater.

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Speaker 12: I'm going to be a hater.

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00:21:22,200 --> 00:21:26,839
Speaker 11: The sweet and savory combination. Flavor profile. How's that for

368
00:21:26,880 --> 00:21:27,839
a clinary term.

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00:21:27,920 --> 00:21:28,920
Speaker 7: There's a term.

370
00:21:29,160 --> 00:21:30,799
Speaker 11: That's a phrase I've never used in my life. What

371
00:21:30,880 --> 00:21:35,640
flavor profile? Favorite profile? Flavor I'm getting hungry just thinking

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00:21:35,640 --> 00:21:37,799
about it. Flavor profile.

373
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Speaker 12: You know what is good if you put jelly inside

374
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of maple donut?

375
00:21:42,039 --> 00:21:44,400
Speaker 7: And now we're getting now that I agree A.

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Speaker 12: Long time ago, back in the days with the donut

377
00:21:46,720 --> 00:21:50,079
tree dress, when I worked at Duncans when I was

378
00:21:50,119 --> 00:21:51,480
eighteen and.

379
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Speaker 11: We were bored, you made your own donut.

380
00:21:55,799 --> 00:21:59,039
Speaker 12: We well, my store made fresh donuts every morning, like

381
00:21:59,079 --> 00:21:59,759
the real deal.

382
00:22:00,240 --> 00:22:01,720
Speaker 7: Come in and make the donuts.

383
00:22:02,039 --> 00:22:04,559
Speaker 11: Wow. Yeah, wouldn't that be nice if they could like

384
00:22:04,599 --> 00:22:07,240
a krispy Kreme kind of situation around here? Will you

385
00:22:07,880 --> 00:22:09,359
when you go to krispy Kreme, I don't know if

386
00:22:09,359 --> 00:22:12,400
you've ever been to one the a Krispy Kreme factory.

387
00:22:13,079 --> 00:22:15,599
You go there like you would go to a Dunkin Donuts,

388
00:22:15,599 --> 00:22:18,480
and you can see the donuts being on the conveyor

389
00:22:18,519 --> 00:22:21,200
bell and you get what's called a hot one right

390
00:22:21,240 --> 00:22:25,559
off and happened like I don't know, five am and

391
00:22:25,640 --> 00:22:31,960
ten when they're making them it's unbelievable. It's I don't

392
00:22:32,000 --> 00:22:35,960
think no. These are usually honey glazed, the number one

393
00:22:36,000 --> 00:22:39,519
donut in the world if you were keeping track. Oh, okay,

394
00:22:40,920 --> 00:22:43,319
I did learn that making the donut thing, that the

395
00:22:43,359 --> 00:22:46,799
honey glaze is number one all right, worldwide.

396
00:22:47,519 --> 00:22:48,200
Speaker 10: Well, let's give this.

397
00:22:48,359 --> 00:22:50,400
Speaker 7: Let's give this a listen. I do like a blueberry donut,

398
00:22:50,440 --> 00:22:53,200
so let's let's give this a shot. Blueberry Donuts song.

399
00:22:53,799 --> 00:22:57,559
This is from Ricky Mapleton's album Trouble at the Donut Shop,

400
00:22:57,599 --> 00:23:00,599
two dozen songs celebrating the doughnut, blue.

401
00:23:00,480 --> 00:23:05,200
Speaker 16: Very donuts, Blue very donuts, blueberry donuts.

402
00:23:05,359 --> 00:23:07,720
Speaker 6: You find them in the back of the rack.

403
00:23:07,599 --> 00:23:11,039
Speaker 2: Of the Bakeriso underappreciated.

404
00:23:11,160 --> 00:23:17,079
Speaker 17: How can this be full of anti oxes, danced healthy donut?

405
00:23:17,519 --> 00:23:21,640
Speaker 6: How can this be? Yeah, it's tasty and it's good

406
00:23:21,759 --> 00:23:22,279
for you.

407
00:23:22,400 --> 00:23:25,359
Speaker 11: What else do you want from a donut?

408
00:23:26,119 --> 00:23:30,880
Speaker 16: Very donuts, blue very donuts, very donuts.

409
00:23:30,960 --> 00:23:32,640
Speaker 6: You find us in the back of.

410
00:23:32,559 --> 00:23:36,640
Speaker 2: The rack of the bakeriso under appreciated.

411
00:23:36,759 --> 00:23:41,839
Speaker 4: How can this be from the first soft crumble the

412
00:23:41,960 --> 00:23:43,400
juicy center burst.

413
00:23:45,119 --> 00:23:48,680
Speaker 17: You're the kind of flavor that gets rid of the

414
00:23:48,759 --> 00:23:55,519
Monday curse. You don't need flashy lights you're a legend

415
00:23:56,039 --> 00:23:56,920
in the sky.

416
00:23:57,720 --> 00:23:58,279
Speaker 11: Yum, yum.

417
00:23:58,880 --> 00:24:01,160
Speaker 7: All right, here's the thing. Here's the thing though. You're

418
00:24:01,200 --> 00:24:03,720
trying to convince us that it's good for us. No,

419
00:24:03,799 --> 00:24:06,160
I want what are you RFK? You're trying to tell

420
00:24:06,240 --> 00:24:09,359
us that, wow, this blueberry donut, Oh, it's actually healthy

421
00:24:09,440 --> 00:24:09,839
for you.

422
00:24:10,240 --> 00:24:13,759
Speaker 11: I just wanted to use the word anti oxidants in

423
00:24:13,839 --> 00:24:14,319
a song.

424
00:24:14,519 --> 00:24:16,000
Speaker 7: Oh fair enough, Okay.

425
00:24:15,680 --> 00:24:17,599
Speaker 11: Okay, I don't know if that's ever happened before.

426
00:24:19,599 --> 00:24:20,519
Speaker 7: The blueberry.

427
00:24:20,519 --> 00:24:22,119
Speaker 11: Weren't you listening to the words?

428
00:24:22,200 --> 00:24:23,680
Speaker 7: Oh, yes, the blueberry.

429
00:24:23,680 --> 00:24:25,680
Speaker 11: They sit in the back of the rack with the bakery.

430
00:24:25,720 --> 00:24:27,160
Can kind of do you even notice when you go

431
00:24:27,319 --> 00:24:29,839
to like Duncans or what have you? The blueberry? Is

432
00:24:29,880 --> 00:24:33,160
that one kind of always the last the last one picked?

433
00:24:33,640 --> 00:24:37,519
If you would? I noticed, yeah, and I quite didn't understand. Well,

434
00:24:37,559 --> 00:24:39,960
it's not as good as we have any more phone calls.

435
00:24:40,680 --> 00:24:40,799
Speaker 10: Uh.

436
00:24:42,519 --> 00:24:46,839
Speaker 11: I don't want to talk about donuts anymore. I'm trying

437
00:24:46,880 --> 00:24:50,119
to be good and really, wow, I'm trying to watch

438
00:24:50,200 --> 00:24:50,920
my waistlines.

439
00:24:51,200 --> 00:24:53,519
Speaker 7: Oh good, well, that's that's excellent. Oh, actually, we do

440
00:24:53,599 --> 00:24:54,440
watch mine all the time.

441
00:24:54,680 --> 00:24:56,599
Speaker 11: I put out a whole thing about donuts.

442
00:24:57,799 --> 00:24:59,160
Speaker 7: We do have we do have a call? Let's say,

443
00:24:59,240 --> 00:25:00,000
is online here.

444
00:25:03,119 --> 00:25:05,119
Speaker 6: Copy damn seize the day.

445
00:25:05,160 --> 00:25:12,720
Speaker 19: Happy Saturday morning, you look as lovely as always. A

446
00:25:12,720 --> 00:25:15,559
copy dem to you all. If you could play, if

447
00:25:15,599 --> 00:25:20,400
you could play copy dim seize the day, that would

448
00:25:20,400 --> 00:25:23,440
just make everything complete.

449
00:25:23,599 --> 00:25:26,039
Speaker 7: Oh are you having me.

450
00:25:26,000 --> 00:25:26,720
Speaker 10: All, gentlemen?

451
00:25:27,119 --> 00:25:29,240
Speaker 3: And there's always copy dm seize the day?

452
00:25:29,799 --> 00:25:30,400
Speaker 11: Okay.

453
00:25:30,759 --> 00:25:32,400
Speaker 7: I do have a question. Why do all of your

454
00:25:33,000 --> 00:25:36,319
friends call the call the show and objectify me. I'm

455
00:25:36,359 --> 00:25:39,279
not a piece of meat, I mean, my goodness, I

456
00:25:39,279 --> 00:25:40,039
mean I know, I'm.

457
00:25:39,880 --> 00:25:42,680
Speaker 11: You're a piece of donut from I'm sitting you are

458
00:25:42,759 --> 00:25:46,759
you are? You're don't you are like a a What

459
00:25:46,759 --> 00:25:49,119
are those? What do they call them? Stick donuts or

460
00:25:49,920 --> 00:25:54,359
jelly stick you? Oh boy, no, you write the donut

461
00:25:54,400 --> 00:25:56,519
little early in the day for that. What's the donut

462
00:25:56,599 --> 00:26:00,480
that is not in the circle? What is that?

463
00:26:00,640 --> 00:26:00,680
Speaker 20: Is?

464
00:26:00,680 --> 00:26:01,160
Speaker 11: A donuts?

465
00:26:01,160 --> 00:26:01,359
Speaker 8: Stack?

466
00:26:01,519 --> 00:26:04,920
Speaker 11: Donuts stack? Okay, okay, so you're okay, wow, all right.

467
00:26:05,039 --> 00:26:10,799
So that's a whole different baking technique, the French cler

468
00:26:11,200 --> 00:26:13,480
Oh but there's a different that's a that's one of

469
00:26:13,519 --> 00:26:16,640
the more difficult standard donuts to make, the French curler.

470
00:26:17,119 --> 00:26:18,839
Speaker 7: Why do I feel like if I looked up French

471
00:26:19,359 --> 00:26:22,079
crawler on Urban Dictionary, I would find something horrifying.

472
00:26:23,160 --> 00:26:27,079
Speaker 11: Oh you were like a like a torture device. Maybe

473
00:26:27,559 --> 00:26:31,480
give you get in the French curler. All right, let's

474
00:26:31,480 --> 00:26:34,000
play this for our friend English Bank of English. Ye

475
00:26:34,039 --> 00:26:34,400
for Colin.

476
00:26:34,519 --> 00:26:37,519
Speaker 7: This is called Seize the Day Carpe d M by

477
00:26:37,799 --> 00:26:38,519
Ricky Mippleton.

478
00:26:40,200 --> 00:26:55,079
Speaker 5: Oh like that, you doubt?

479
00:26:55,160 --> 00:26:56,440
Speaker 11: Is what I'm gonna.

480
00:26:58,240 --> 00:27:02,400
Speaker 6: Right right now, my turn to shine Corbery deal.

481
00:27:03,359 --> 00:27:10,440
Speaker 21: See Today Commery, see to day coming everything.

482
00:27:10,640 --> 00:27:11,319
Speaker 6: Every said to take.

483
00:27:11,359 --> 00:27:14,319
Speaker 11: I'm running out short for goodness sake, got break demon

484
00:27:14,440 --> 00:27:17,319
calling it loud for the moment, make it out problem

485
00:27:17,359 --> 00:27:17,720
and neal.

486
00:27:18,680 --> 00:27:23,519
Speaker 6: See the day Commery, See the day.

487
00:27:24,559 --> 00:27:31,279
Speaker 21: Combery Deal, See the day Comedy, see Today.

488
00:27:32,680 --> 00:27:34,400
Speaker 6: Think around man, he's new to scene.

489
00:27:34,559 --> 00:27:37,200
Speaker 15: Every bready takes bringing my tweet from seeing the lights

490
00:27:37,279 --> 00:27:39,160
to mountain time reaching up.

491
00:27:39,160 --> 00:27:44,160
Speaker 6: And touching this scot cover deal. See the day Commery,

492
00:27:45,640 --> 00:27:48,720
See the day Combery Deal.

493
00:27:49,400 --> 00:27:51,680
Speaker 10: See the day com.

494
00:27:53,279 --> 00:28:03,640
Speaker 6: See the day com Deal. Da go out and play copy.

495
00:28:06,759 --> 00:28:06,799
Speaker 20: Co.

496
00:28:22,440 --> 00:28:22,759
Speaker 22: I like it.

497
00:28:22,839 --> 00:28:23,680
Speaker 7: It's very positive.

498
00:28:24,119 --> 00:28:25,279
Speaker 11: Yes, yes, I like that.

499
00:28:25,559 --> 00:28:28,039
Speaker 7: I like that Ricky Mapleton is here with us.

500
00:28:29,240 --> 00:28:30,400
Speaker 11: Can I do a shameless plug?

501
00:28:30,480 --> 00:28:31,000
Speaker 7: Absolutely?

502
00:28:31,079 --> 00:28:36,440
Speaker 11: Okay? That is from the collection called Happy Fun Joy Okay,

503
00:28:36,559 --> 00:28:41,799
carpe DM sees the day Big Orange cover happy about

504
00:28:41,880 --> 00:28:46,200
ten or fifteen Latin based songs on their carpe DM

505
00:28:46,880 --> 00:28:52,079
and it's unum and yeah it's it's super upbeat, super happy,

506
00:28:52,160 --> 00:28:53,480
super fun, happy fun joy.

507
00:28:53,799 --> 00:28:54,960
Speaker 7: Yes, yes, I like it.

508
00:28:55,720 --> 00:28:57,839
Speaker 11: My heart was broken at the donut chop and then

509
00:28:58,839 --> 00:29:01,799
things changed right right? But what are you gonna do?

510
00:29:02,359 --> 00:29:02,799
Speaker 7: That's right?

511
00:29:03,319 --> 00:29:03,440
Speaker 6: Uh?

512
00:29:03,640 --> 00:29:03,920
Speaker 7: I think?

513
00:29:04,079 --> 00:29:04,200
Speaker 23: Uh?

514
00:29:04,960 --> 00:29:06,839
Speaker 7: Oh, wait a minute, I think we have another call here.

515
00:29:06,920 --> 00:29:09,640
Hang on, see who's uh on the line.

516
00:29:10,640 --> 00:29:16,759
Speaker 24: Wow, things are getting so intense. We just got a

517
00:29:17,079 --> 00:29:21,359
mellow out man. Wow, this is mellow Mike.

518
00:29:21,599 --> 00:29:23,880
Speaker 3: Come on, could we.

519
00:29:23,960 --> 00:29:28,799
Speaker 24: Maybe chill things out a little bit and play Say

520
00:29:28,920 --> 00:29:34,279
and Do from from the Rock Opera?

521
00:29:35,000 --> 00:29:35,279
Speaker 11: Wow?

522
00:29:35,720 --> 00:29:39,880
Speaker 24: Man, Wow, that that last call really freaked me out.

523
00:29:40,000 --> 00:29:42,400
Metal mic whoa, Oh.

524
00:29:43,279 --> 00:29:44,160
Speaker 7: He's a clairvoyant.

525
00:29:46,160 --> 00:29:48,200
Speaker 11: Good voys there, good boy, Wow.

526
00:29:49,880 --> 00:29:50,480
Speaker 3: Mellow Mike.

527
00:29:50,640 --> 00:29:53,640
Speaker 7: Uh can predict the future? What gigs up?

528
00:29:53,880 --> 00:29:54,319
Speaker 3: Gigs up?

529
00:29:54,400 --> 00:29:54,720
Speaker 11: My friend?

530
00:29:54,799 --> 00:29:55,839
Speaker 4: What not?

531
00:29:56,000 --> 00:29:57,920
Speaker 11: That the gig was ever going on? But it's up now,

532
00:29:58,319 --> 00:30:00,000
isn't it? The jake the jigs?

533
00:30:00,160 --> 00:30:02,240
Speaker 7: Everyone says that wrong? What did I say? You said

534
00:30:02,279 --> 00:30:02,559
the gig?

535
00:30:02,799 --> 00:30:03,480
Speaker 11: The gig is up?

536
00:30:03,559 --> 00:30:05,319
Speaker 7: Yeah, you and millions of other people say it wrong.

537
00:30:05,400 --> 00:30:06,480
Speaker 11: It's up?

538
00:30:07,279 --> 00:30:10,599
Speaker 7: What what's mellow? Mic requests of this?

539
00:30:11,599 --> 00:30:12,039
Speaker 11: I don't know?

540
00:30:12,920 --> 00:30:13,359
Speaker 7: Was it saying?

541
00:30:13,599 --> 00:30:16,440
Speaker 11: Can we listen to? I see that metal? Mic is on?

542
00:30:16,920 --> 00:30:17,079
Speaker 22: Oh?

543
00:30:17,240 --> 00:30:17,359
Speaker 20: Is he?

544
00:30:17,720 --> 00:30:19,759
Speaker 11: I think I love metal?

545
00:30:19,839 --> 00:30:21,599
Speaker 7: Mic Oh? Don't don't we all?

546
00:30:22,119 --> 00:30:22,480
Speaker 11: I don't know?

547
00:30:22,559 --> 00:30:24,440
Speaker 7: Don't don't we all love metal? Mic Oh? Yes, I

548
00:30:24,480 --> 00:30:27,359
can see him on the caller ID. Let's see what

549
00:30:27,440 --> 00:30:29,240
he wants metal.

550
00:30:32,680 --> 00:30:38,319
Speaker 5: Come on, Mapleton, Wow, play good out of my pool?

551
00:30:39,200 --> 00:30:43,279
Speaker 7: Come on, okay, play some rock down. Come on, we've

552
00:30:43,319 --> 00:30:44,559
heard that metal stuff.

553
00:30:44,920 --> 00:30:50,559
Speaker 11: Let's pick it up metal Mike, okay, all right, get

554
00:30:50,599 --> 00:30:51,400
out of my pool.

555
00:30:52,839 --> 00:30:55,359
Speaker 7: He needs some uh what is emodium a D or something?

556
00:30:55,559 --> 00:30:55,839
Speaker 3: Metal?

557
00:30:55,920 --> 00:30:57,960
Speaker 11: Mic man, he's got a point man, just a metal

558
00:30:58,000 --> 00:31:01,599
mic in all of us. Come on, wimpy la la

559
00:31:01,720 --> 00:31:03,960
la music. Let's get to some metal. Play get out

560
00:31:04,000 --> 00:31:08,079
of My Pool by Ricky Mapleton off. Don't count me out.

561
00:31:08,400 --> 00:31:10,039
Speaker 7: I was in a metal band with a guy named

562
00:31:10,400 --> 00:31:11,079
Evil Mike.

563
00:31:11,440 --> 00:31:12,680
Speaker 11: Ooh, evil Mike.

564
00:31:13,480 --> 00:31:15,079
Speaker 7: All right, here it is, Get out of my pool,

565
00:31:15,200 --> 00:31:17,000
Ricky Mapleton, rock on America.

566
00:31:28,039 --> 00:31:33,839
Speaker 3: Good out of my pool. You're using all the corene.

567
00:31:34,680 --> 00:31:35,920
Speaker 8: I don't even know you.

568
00:31:38,000 --> 00:31:40,559
Speaker 6: I only see you when it's hot out.

569
00:31:41,880 --> 00:31:49,119
Speaker 8: Get out of my pool. Good out of ba pool.

570
00:31:50,880 --> 00:31:52,400
Speaker 3: I don't even know you.

571
00:31:54,000 --> 00:31:55,599
Speaker 8: Get out of my pool.

572
00:31:57,039 --> 00:31:59,079
Speaker 6: You're using a babba coryne.

573
00:31:59,440 --> 00:32:02,400
Speaker 17: I never see when there's seven feet of stolen around,

574
00:32:02,720 --> 00:32:05,680
you're walking around with your beautiful snowblower.

575
00:32:10,240 --> 00:32:14,880
Speaker 3: Good out of my pool, I mean your summer pool.

576
00:32:16,559 --> 00:32:18,279
Speaker 8: I know what makes you truel.

577
00:32:19,160 --> 00:32:23,359
Speaker 17: Why don't you get your own pool then you can

578
00:32:23,599 --> 00:32:24,599
be the pool.

579
00:32:25,640 --> 00:32:28,920
Speaker 3: Why don't you just good out of my pool?

580
00:32:29,920 --> 00:32:30,160
Speaker 10: Wow?

581
00:32:30,720 --> 00:32:33,279
Speaker 7: Wow, that's intense. Now I have to ask you, is

582
00:32:33,319 --> 00:32:34,799
that based on a true story?

583
00:32:35,359 --> 00:32:35,559
Speaker 11: Yes?

584
00:32:35,920 --> 00:32:36,039
Speaker 3: Oh?

585
00:32:36,119 --> 00:32:37,799
Speaker 7: Really, Yes, someone was in your pool?

586
00:32:38,839 --> 00:32:41,240
Speaker 11: Yes, who wasn't a neighbor?

587
00:32:41,640 --> 00:32:41,839
Speaker 6: Oh?

588
00:32:42,599 --> 00:32:42,759
Speaker 23: Who?

589
00:32:43,440 --> 00:32:47,599
Speaker 11: During that past winter, as the song talks about, I'm

590
00:32:47,839 --> 00:32:52,240
my snowblower broke, okay, which happens in the world of snowblowing?

591
00:32:52,519 --> 00:32:54,200
Speaker 7: Yes, and there I was.

592
00:32:54,279 --> 00:32:56,440
Speaker 11: I look down the street, and there he is, in

593
00:32:56,519 --> 00:32:59,279
this beautiful shine. I could see the glimmering of the

594
00:32:59,359 --> 00:33:02,720
newness of his snowblow. And I really don't. I live

595
00:33:02,759 --> 00:33:06,440
in a fantastic community in Manchester. There are there are

596
00:33:06,519 --> 00:33:10,960
fantastic communities in Manson, and except I saw down there

597
00:33:11,079 --> 00:33:14,200
and uh, he looked over at me, He gave me,

598
00:33:14,319 --> 00:33:16,519
He looked over from five or six houses down. He

599
00:33:16,599 --> 00:33:20,039
looked over and said and kind of just like gave

600
00:33:20,119 --> 00:33:22,519
me the I'm kind of like looking at him like

601
00:33:22,920 --> 00:33:24,119
maybe I did.

602
00:33:24,240 --> 00:33:24,960
Speaker 7: Like wave them over.

603
00:33:25,400 --> 00:33:29,880
Speaker 11: Yeah, and no, fast forward to the summer one hundred

604
00:33:29,960 --> 00:33:32,359
degrees that those two weeks when we get one hundred

605
00:33:32,400 --> 00:33:35,000
degrees here in New Hampshire, right, oh yeah, And I

606
00:33:35,240 --> 00:33:38,599
was out in my front with my bathing suit on,

607
00:33:38,880 --> 00:33:42,359
enjoying the hot, hot summer day. But he's walking down

608
00:33:42,440 --> 00:33:43,160
the street.

609
00:33:43,400 --> 00:33:43,759
Speaker 4: With his.

610
00:33:45,480 --> 00:33:49,759
Speaker 11: Offspring. If you would, young, young, I would say between

611
00:33:50,359 --> 00:33:53,400
Milt say Junior Highest High School. Okay, all right, and

612
00:33:53,880 --> 00:33:57,880
they walked by the name of the Pity look really yeah, okay,

613
00:33:58,240 --> 00:34:03,160
what is carrying nurture Ricky maple toon, do a write

614
00:34:03,200 --> 00:34:06,319
a song about him, b invite him in, then write

615
00:34:06,359 --> 00:34:10,239
a song about him later on, D gave him the hey,

616
00:34:10,880 --> 00:34:11,639
what the heck man?

617
00:34:11,840 --> 00:34:12,280
Speaker 7: Remember me?

618
00:34:12,719 --> 00:34:16,679
Speaker 11: Remember me? My back still hurts from shoveling that day,

619
00:34:16,719 --> 00:34:19,159
because never mind, So that's where the energy from that

620
00:34:19,320 --> 00:34:22,239
song came from. Okay, and then I did invite him in. Okay,

621
00:34:22,480 --> 00:34:25,639
they swam for a few hours. I think one of

622
00:34:25,679 --> 00:34:29,639
the kids may have ruined my pH level. If you

623
00:34:29,719 --> 00:34:32,159
know what I'm saying, huh huh, and you figure people

624
00:34:32,159 --> 00:34:34,000
would shower before they go in your Poolice say hey,

625
00:34:34,039 --> 00:34:38,280
can I hose down? Nothing? Really nothing? And that's where

626
00:34:38,320 --> 00:34:40,760
that whole don't don't calt me out album came from.

627
00:34:40,800 --> 00:34:44,679
There's a lot of let it go, let's go okay

628
00:34:44,920 --> 00:34:45,880
kind of stuff on there.

629
00:34:46,000 --> 00:34:46,400
Speaker 3: I like that.

630
00:34:46,639 --> 00:34:48,320
Speaker 11: It was about two years ago that came out, but

631
00:34:48,360 --> 00:34:50,639
I just loved that heaviness of that. Yeah. Yeah, I

632
00:34:50,760 --> 00:34:53,119
get that nice Fender Precision sound and that's what I

633
00:34:53,239 --> 00:34:54,000
really lived for that.

634
00:34:54,320 --> 00:34:55,920
Speaker 7: No, that is a lot of fun. I like that too.

635
00:34:56,000 --> 00:34:58,719
I like that too. Ricky Mapleton is here with that.

636
00:34:58,800 --> 00:35:00,840
But you could come swimming if you like. Matt Oh,

637
00:35:00,920 --> 00:35:01,760
thank you, thank you?

638
00:35:01,920 --> 00:35:07,519
Speaker 11: Okay, and you too, I don't okay, Yes, my pool

639
00:35:07,599 --> 00:35:09,119
is always open to creative people.

640
00:35:09,320 --> 00:35:09,719
Speaker 7: Thank you.

641
00:35:10,119 --> 00:35:13,840
Speaker 11: Just maybe you can come over though and mow my

642
00:35:14,039 --> 00:35:18,440
launch during the summer. Probably not, but it's gotta be

643
00:35:18,440 --> 00:35:20,519
a trade off somewhere. I suppose you could bring some

644
00:35:20,599 --> 00:35:23,719
donuts perhaps, Oh right, maybe, and then the ants come

645
00:35:23,800 --> 00:35:27,360
with the donuts. We don't want that, okay, I'm o

646
00:35:27,440 --> 00:35:28,599
seeding right now in the summer.

647
00:35:28,760 --> 00:35:31,000
Speaker 7: Oh that's right, we do. We do have another call here.

648
00:35:31,119 --> 00:35:32,440
Let's see what's on the line here.

649
00:35:32,519 --> 00:35:37,239
Speaker 25: Good morning, Matt Connerton and Ricky Mapleton. This is Tom

650
00:35:37,400 --> 00:35:41,440
toming morning. I am sitting here having some whole weat

651
00:35:41,679 --> 00:35:45,960
toast with a jelly and a little bit of peanut butter,

652
00:35:46,559 --> 00:35:50,079
and I decided to call in and see if you

653
00:35:50,239 --> 00:35:53,599
would be kind enough to play a song called what

654
00:35:53,920 --> 00:36:00,360
About Me from a bread time story. I think it

655
00:36:00,440 --> 00:36:03,559
would definitely set the tone, and perhaps I might risk

656
00:36:03,639 --> 00:36:08,880
it and have a bagel. Oh, don't be silly, all right,

657
00:36:09,239 --> 00:36:12,440
Thank you very much, mister Connaton, You're welcome. Rickie Mapleton,

658
00:36:13,360 --> 00:36:14,280
what about Me?

659
00:36:14,559 --> 00:36:15,079
Speaker 3: What about Me?

660
00:36:15,440 --> 00:36:25,039
Speaker 25: Really is a impactful song during this narrated just voyage, okay,

661
00:36:25,159 --> 00:36:29,920
of entertainment. This is Tom Tomilson wishing you all a

662
00:36:30,039 --> 00:36:33,719
happy Saturday and thank you for taking my call. Mister Connaton.

663
00:36:34,360 --> 00:36:36,920
This is Tom Tomilson signing off.

664
00:36:37,519 --> 00:36:40,400
Speaker 11: Oh all right, well goodbye. He's a long time calling too.

665
00:36:40,440 --> 00:36:42,880
Speaker 7: It's called before. Your friends are all very polite, Yeah,

666
00:36:43,719 --> 00:36:47,440
yeah they are, well, I strive, they know, they know,

667
00:36:47,559 --> 00:36:49,880
yeah we we. I didn't meet all of them at

668
00:36:49,920 --> 00:36:54,719
one time last summer. We got together okay at Applebee's.

669
00:36:54,800 --> 00:36:58,119
Oh really, yes? Common ground? Have they been in your pool.

670
00:36:59,800 --> 00:37:03,199
Speaker 11: No, oh okay, no check them. No, but uh, well

671
00:37:03,280 --> 00:37:06,039
I guess technically if I if you really want to

672
00:37:06,079 --> 00:37:08,679
think about it, they've all they've all been in my

673
00:37:08,800 --> 00:37:11,440
pool fair enough, if you know what I'm saying.

674
00:37:11,760 --> 00:37:14,360
Speaker 7: Yes, yes, well we don't want to break the fourth wall.

675
00:37:14,800 --> 00:37:17,199
Speaker 11: Yes, I think we What is that called in wrestling

676
00:37:17,719 --> 00:37:21,960
when you when you o k fob k fabe k fabe.

677
00:37:22,280 --> 00:37:23,920
So we're doing kind of a am I is that

678
00:37:24,000 --> 00:37:24,719
what I'm kind of doing?

679
00:37:24,800 --> 00:37:26,519
Speaker 7: A k fabe? Well, we don't want to break k

680
00:37:26,719 --> 00:37:27,840
fab do what I'm saying.

681
00:37:27,880 --> 00:37:28,840
Speaker 11: I'm ready to come clean.

682
00:37:29,800 --> 00:37:31,079
Speaker 7: No, don't do that.

683
00:37:31,960 --> 00:37:33,360
Speaker 11: Wow, this is intense man.

684
00:37:33,800 --> 00:37:35,280
Speaker 7: You know you don't set up a bit just to

685
00:37:35,360 --> 00:37:35,679
ruin it.

686
00:37:35,840 --> 00:37:37,360
Speaker 3: So yes, wow.

687
00:37:37,800 --> 00:37:40,360
Speaker 7: So yes, that's what John Hopwood you say. Maybe you

688
00:37:40,480 --> 00:37:42,719
do when I was on Afternoons coming in and just

689
00:37:42,840 --> 00:37:43,360
ruined the bit.

690
00:37:45,719 --> 00:37:50,280
Speaker 11: So yeah, to answer your question, yes, all my all,

691
00:37:50,440 --> 00:37:54,000
the all our friends and Collins have technically been in

692
00:37:54,079 --> 00:37:54,519
my pool.

693
00:37:54,679 --> 00:37:56,840
Speaker 7: Okay, we'll leave it at that. Well, we'll leave it

694
00:37:56,840 --> 00:37:58,760
at that, so we should play this. This is so

695
00:37:58,840 --> 00:38:02,559
the actual title is Drunk and Disillusion Yes, what about me?

696
00:38:02,800 --> 00:38:05,840
Speaker 11: Okay, so this is later on in the operation. This

697
00:38:05,960 --> 00:38:08,719
is during scene two. This is from The bread Man,

698
00:38:08,800 --> 00:38:11,440
The bread Man, Yes, what has happened?

699
00:38:11,559 --> 00:38:11,719
Speaker 8: Now?

700
00:38:12,800 --> 00:38:14,800
Speaker 11: Is the bread Man who we were introduced to as

701
00:38:14,800 --> 00:38:17,320
a young child earlier in the show, Yes, who gets

702
00:38:17,360 --> 00:38:20,880
beat by bread by his dad the bags and ends

703
00:38:20,960 --> 00:38:24,480
up having a trist or a relationship with the princess

704
00:38:25,599 --> 00:38:30,199
who comes down and gets bread. And now years later

705
00:38:30,639 --> 00:38:34,000
he's made it into the key due to a lot

706
00:38:34,039 --> 00:38:37,039
of different murders and there's a lot of stuff going on,

707
00:38:37,199 --> 00:38:41,079
but he eventually ends up living in the castle as

708
00:38:41,280 --> 00:38:45,119
the not new King, but moves in with the princess

709
00:38:45,320 --> 00:38:50,199
once they have kind of how do I How they

710
00:38:50,320 --> 00:38:54,000
got rid of the queen the prince? Yes, due to

711
00:38:54,159 --> 00:38:56,920
poison bread and everything else that goes along with it.

712
00:38:57,079 --> 00:39:01,480
Now he's looking at what he's created, and since the princess,

713
00:39:01,679 --> 00:39:08,719
who now is the queen's getting all the attention, he's disillusioned.

714
00:39:08,880 --> 00:39:10,239
I guess it's a great way of saying it. And

715
00:39:10,320 --> 00:39:12,840
as he looks kind of into himself during this portion

716
00:39:13,000 --> 00:39:14,559
of the play, all right, very good.

717
00:39:14,840 --> 00:39:18,360
Speaker 7: This is called Drunken Disillusioned What About Me? By Ricky

718
00:39:18,400 --> 00:39:20,960
Mapleton from The bread Man, a bread time story.

719
00:39:21,679 --> 00:39:26,079
Speaker 23: With the death of the king. The princess becomes the Queen.

720
00:39:26,960 --> 00:39:32,280
She's in charge, and everyone seems to be respecting the queen,

721
00:39:33,280 --> 00:39:36,840
and really the bread man is in the back of

722
00:39:36,920 --> 00:39:40,079
the scenes. Nobody's really paying attention to the bread Man.

723
00:39:41,159 --> 00:39:45,559
He's getting a little frustrated that even the queen is

724
00:39:45,679 --> 00:39:50,679
not taking his advice. He's become jealous and he's losing

725
00:39:50,760 --> 00:40:31,440
affection for the queen. The bread Man stares into the mirror.

726
00:40:32,840 --> 00:40:38,639
He looks at himself, perplexed, wondering why the queen is

727
00:40:38,719 --> 00:40:41,400
getting so much attention and none for him.

728
00:40:42,679 --> 00:40:50,679
Speaker 22: Oh wi, a beautiful every one gainsy, I'm.

729
00:40:50,719 --> 00:40:59,320
Speaker 10: No real beautiful? What about me? What about me?

730
00:41:00,079 --> 00:41:05,360
Speaker 6: What abound? About me? What about me?

731
00:41:06,079 --> 00:41:07,360
Speaker 11: What about me?

732
00:41:08,079 --> 00:41:09,440
Speaker 6: What about me?

733
00:41:10,679 --> 00:41:30,559
Speaker 8: What about me? I know?

734
00:41:31,559 --> 00:41:36,920
Speaker 22: A beautiful everyone can see?

735
00:41:38,840 --> 00:41:41,559
Speaker 10: No all beautiful?

736
00:41:42,800 --> 00:41:44,760
Speaker 6: What about see?

737
00:41:46,159 --> 00:41:47,440
Speaker 10: What about me?

738
00:41:48,119 --> 00:41:49,480
Speaker 6: What about me?

739
00:41:50,119 --> 00:41:53,440
Speaker 10: What about me? What about me?

740
00:41:54,159 --> 00:41:55,480
Speaker 14: What about me?

741
00:41:56,199 --> 00:41:57,440
Speaker 8: What about me?

742
00:41:58,199 --> 00:41:59,119
Speaker 6: What abound?

743
00:42:15,719 --> 00:42:17,079
Speaker 7: It's very emotional songs.

744
00:42:17,239 --> 00:42:19,400
Speaker 11: Yeah, there's a lot of emotion in the bread Man

745
00:42:19,480 --> 00:42:21,760
of bread Time story. Yes, a lot of a lot

746
00:42:21,840 --> 00:42:25,280
of a lot of insight. Take it or you can

747
00:42:25,320 --> 00:42:27,239
take it from face value. It's just a fun, little,

748
00:42:28,079 --> 00:42:32,760
fun little play. We did a yeah, but Yeah, there's

749
00:42:32,760 --> 00:42:35,000
a lot of impactful things, and I just would like

750
00:42:35,119 --> 00:42:40,400
to thank again the amazing musicians that were all over

751
00:42:40,679 --> 00:42:44,000
this compilation. Is that a good word I'm saying compilation

752
00:42:44,239 --> 00:42:47,239
compilation of songs that there I would say, there's twenty

753
00:42:47,280 --> 00:42:48,320
five musicians on here.

754
00:42:48,400 --> 00:42:48,719
Speaker 10: Oh wow.

755
00:42:48,800 --> 00:42:50,360
Speaker 11: But I rarely want to get a big shout out

756
00:42:50,400 --> 00:42:59,039
to Larry Holt, Doctor Holton. Okay in Larry Holton and

757
00:42:59,239 --> 00:43:03,519
Ryan Fitzpat Trick or the big two that did this

758
00:43:03,679 --> 00:43:06,599
with me and then we had all fabulous musicians come

759
00:43:06,639 --> 00:43:09,760
in and help out. You can tell the difference I

760
00:43:09,960 --> 00:43:13,400
would think of people listening can tell the difference between

761
00:43:13,719 --> 00:43:19,480
the bread Time story versus some of my other stuff

762
00:43:19,519 --> 00:43:24,199
that may not be as layered but still fun. This

763
00:43:24,360 --> 00:43:27,559
is kind of a little adventure off into something a

764
00:43:27,599 --> 00:43:31,800
little different as far as Ereky Mapleton Galaxy of Stars. Yes,

765
00:43:32,079 --> 00:43:34,400
but I want to thank everybody, and my wife of course,

766
00:43:34,440 --> 00:43:37,159
who puts up with everything that I do so right right,

767
00:43:37,239 --> 00:43:38,719
so I gotta gotta plug her.

768
00:43:39,119 --> 00:43:44,719
Speaker 7: Very good, very good. So we're running out of time.

769
00:43:45,000 --> 00:43:46,440
Speaker 11: Should we the hour go?

770
00:43:46,760 --> 00:43:47,639
Speaker 7: Should we play?

771
00:43:48,880 --> 00:43:49,039
Speaker 6: Well?

772
00:43:49,199 --> 00:43:52,559
Speaker 7: Okay, so I figured out what song Mellow Mike requested. Yes, uh,

773
00:43:53,400 --> 00:43:56,280
someone sent me a message who was paying more attention

774
00:43:56,320 --> 00:43:57,920
than I was in the moment. So we'll play that.

775
00:43:58,119 --> 00:43:59,440
We'll play that one at the end of the segment.

776
00:43:59,559 --> 00:44:02,559
Should we play though, uh? Just quickly? Should we play

777
00:44:02,599 --> 00:44:05,320
one more track from Trouble at the Donut Shop? Two

778
00:44:05,360 --> 00:44:07,360
dozen songs celebrating the donut?

779
00:44:07,960 --> 00:44:10,840
Speaker 11: Well, you seem to be very pro donut today. When

780
00:44:10,880 --> 00:44:13,679
I came in the studio, you were all a gleam.

781
00:44:13,840 --> 00:44:16,000
You had the gleam of a donut in your eye.

782
00:44:16,239 --> 00:44:17,239
Speaker 7: Yes, and so.

783
00:44:17,559 --> 00:44:20,480
Speaker 11: Whatever you would like to place her, I would be honored.

784
00:44:20,840 --> 00:44:23,360
Speaker 7: Jenny said the same thing this morning. She said, you've

785
00:44:23,360 --> 00:44:24,119
got the gleam.

786
00:44:23,960 --> 00:44:26,239
Speaker 11: Of a donut in your eye and a donut stick.

787
00:44:26,440 --> 00:44:28,880
Speaker 7: But yes, but we we and we did go. We

788
00:44:28,960 --> 00:44:30,960
did stop at Duncan, But I didn't have a donut.

789
00:44:31,760 --> 00:44:33,239
Speaker 11: Is it that something that we go to there for

790
00:44:33,599 --> 00:44:37,800
for drinks more than donuts? You with the name Duncan Donuts.

791
00:44:38,079 --> 00:44:44,119
Speaker 7: In my case it was for a sausage and egg cheeseage.

792
00:44:44,199 --> 00:44:44,760
Speaker 11: What are you thinking?

793
00:44:45,480 --> 00:44:47,760
Speaker 7: YEA, let's protein need protein?

794
00:44:47,880 --> 00:44:49,559
Speaker 11: No, how's your acid reflux?

795
00:44:49,760 --> 00:44:50,800
Speaker 7: Fine? So far?

796
00:44:51,000 --> 00:44:53,920
Speaker 11: Okay? I did burpy beating that you were after leafles

797
00:44:53,960 --> 00:44:56,239
going coming on your back hard and heavy.

798
00:44:56,480 --> 00:44:59,679
Speaker 7: I did burp earlier. There is that's good to know.

799
00:44:59,800 --> 00:45:02,159
Thanks you tell me about this. There's there's a song

800
00:45:02,440 --> 00:45:05,119
on here that stands out to me. The title stands

801
00:45:05,119 --> 00:45:07,719
out to me because it's unlike all the others. It's

802
00:45:07,760 --> 00:45:11,719
called us a number one? What an awesome country? Ducks

803
00:45:11,920 --> 00:45:12,840
in my pool?

804
00:45:13,440 --> 00:45:14,599
Speaker 4: What is this?

805
00:45:15,119 --> 00:45:18,960
Speaker 11: Here? Are some probably when I was doing the project

806
00:45:20,280 --> 00:45:25,239
has nothing to do with donuts. Usually when you put

807
00:45:25,280 --> 00:45:29,760
out a project on a with a distributor a someone

808
00:45:29,800 --> 00:45:34,239
that you distribute to your music, you might as well

809
00:45:34,280 --> 00:45:37,239
put out as many as many tracks as you can

810
00:45:37,679 --> 00:45:40,960
in my theory, okay, because you get X amount of

811
00:45:41,239 --> 00:45:45,000
tracks per submission if you would in the independent world

812
00:45:45,079 --> 00:45:49,639
of releasing music. Okay, So I always at least try

813
00:45:49,719 --> 00:45:52,440
to have and when all said and done, if I'm

814
00:45:52,480 --> 00:45:53,920
looking through the files, what's this?

815
00:45:54,360 --> 00:45:54,559
Speaker 7: Yeah?

816
00:45:55,039 --> 00:45:55,360
Speaker 11: Okay?

817
00:45:55,719 --> 00:45:55,920
Speaker 14: Yeah?

818
00:45:56,079 --> 00:45:56,440
Speaker 20: This is.

819
00:45:58,719 --> 00:46:02,039
Speaker 11: This was done last summer. As I was I had

820
00:46:02,079 --> 00:46:08,519
a moment of clarity watching my plastic chlorine floater float

821
00:46:08,559 --> 00:46:11,480
around my small little pool. Yes, and uh, I said,

822
00:46:11,519 --> 00:46:13,239
what a great country we live in? And I just

823
00:46:13,559 --> 00:46:15,840
kind of pop this cauld we listen to a second

824
00:46:15,880 --> 00:46:17,880
of it? Oh sure, Because to be honest with you,

825
00:46:18,480 --> 00:46:20,519
I don't know what it is. I kind of think

826
00:46:20,559 --> 00:46:23,400
I know what it is, but I'm not sure. Because

827
00:46:23,519 --> 00:46:26,960
the Ricky Magnilton myself, I have about one thousand, three

828
00:46:27,119 --> 00:46:31,400
hundred songs for my good for my troop too, and

829
00:46:31,559 --> 00:46:35,920
my people that like to enjoying my music and can

830
00:46:36,000 --> 00:46:36,440
dig into.

831
00:46:37,159 --> 00:46:41,079
Speaker 7: Well, here's the second of it. Oh does sound familiar?

832
00:46:41,239 --> 00:46:41,400
Speaker 10: Yes?

833
00:46:42,840 --> 00:46:48,960
Speaker 11: Yeah, you know what makes this country number one?

834
00:46:49,880 --> 00:46:52,880
Speaker 26: It's my fuck in the pool, having so much fun.

835
00:46:54,039 --> 00:46:59,000
Gop flag tick to you, what's back? You would say, Hey,

836
00:46:59,320 --> 00:47:00,320
that's where it's that.

837
00:47:00,519 --> 00:47:06,559
Speaker 15: You've gotta work hard, keep it cool, jun't beat, No

838
00:47:07,039 --> 00:47:08,159
Fudi's fool.

839
00:47:08,199 --> 00:47:11,719
Speaker 3: That's what makes us say number one.

840
00:47:13,360 --> 00:47:14,360
Speaker 6: US say, just.

841
00:47:14,719 --> 00:47:21,719
Speaker 15: Having some fun, got my duck in my pool, coran things.

842
00:47:21,840 --> 00:47:25,480
That's ain't nobody's fool because I'm keeping my boot clean,

843
00:47:26,280 --> 00:47:31,119
USA USA, keeping my coreer usay.

844
00:47:31,119 --> 00:47:33,760
Speaker 3: US say, keeping it all fields.

845
00:47:33,960 --> 00:47:35,320
Speaker 6: USA, USA.

846
00:47:35,519 --> 00:47:37,760
Speaker 3: You gotta live in the USA.

847
00:47:38,199 --> 00:47:40,239
Speaker 14: Oh, just go go away.

848
00:47:40,719 --> 00:47:46,679
Speaker 18: Come on, duck, swim swim red what in blue? Come

849
00:47:46,719 --> 00:47:50,760
on swim swim red white and blue eye.

850
00:47:51,079 --> 00:47:54,440
Speaker 3: Love my duck so much, but coreen in the water,

851
00:47:59,159 --> 00:48:05,639
US say no, move on, having so much.

852
00:48:05,599 --> 00:48:13,800
Speaker 11: Fun aside love, I'm living in the US a.

853
00:48:15,840 --> 00:48:19,960
Speaker 7: Patriotic I'm ready to invade the entire Middle East.

854
00:48:20,039 --> 00:48:22,559
Speaker 11: So we get a little I like the fact that

855
00:48:22,679 --> 00:48:26,599
we're talking about spring scene right now, right, Yes, we

856
00:48:26,719 --> 00:48:29,000
got ducks in the pool. Yep, we gotta get out

857
00:48:29,039 --> 00:48:29,760
of my pool.

858
00:48:32,840 --> 00:48:33,039
Speaker 14: Yeah.

859
00:48:33,199 --> 00:48:36,000
Speaker 11: So I really feel that this is good. This is

860
00:48:36,320 --> 00:48:37,960
spring is almost here? Is that true?

861
00:48:38,119 --> 00:48:42,000
Speaker 7: It's here officially, it is totally here. So this is

862
00:48:42,039 --> 00:48:42,719
our celebration.

863
00:48:43,280 --> 00:48:47,480
Speaker 11: Yes, okay, so uh boy defended precision right there?

864
00:48:48,960 --> 00:48:51,840
Speaker 7: Oh M love it.

865
00:48:52,079 --> 00:48:55,039
Speaker 11: That's my one true love in music? Is the bass?

866
00:48:55,320 --> 00:48:55,719
Speaker 7: Oh really?

867
00:48:56,079 --> 00:48:56,280
Speaker 27: Yes?

868
00:48:56,760 --> 00:48:58,960
Speaker 7: As a bass player, I certainly approved.

869
00:48:58,719 --> 00:49:02,239
Speaker 11: Yes, absolutely, And I dabble in the bass on some

870
00:49:02,400 --> 00:49:05,199
of these songs, and I just the bass is just

871
00:49:06,440 --> 00:49:07,599
so so wonderful.

872
00:49:07,840 --> 00:49:08,360
Speaker 7: Absolutely.

873
00:49:08,400 --> 00:49:10,840
Speaker 11: Can I tell you a quick joke about yes, okay,

874
00:49:11,000 --> 00:49:14,039
there there's a guy on an island and he keeps

875
00:49:14,039 --> 00:49:17,079
hearing these drums in the background. He's on like fantasy

876
00:49:17,159 --> 00:49:19,440
island or a vacation island. Keeps hearing these drums. He

877
00:49:19,480 --> 00:49:22,000
goes up to the guy says, hey, what's all these drums?

878
00:49:22,039 --> 00:49:24,920
And the guy goes, you do not want those drums

879
00:49:25,199 --> 00:49:28,800
to stop? Sir, bad, bad bad guys say here's that

880
00:49:29,000 --> 00:49:30,679
all night? Line goes up. He goes, what's up with

881
00:49:30,760 --> 00:49:34,159
these drums? You do not want these drums to stop?

882
00:49:34,320 --> 00:49:36,320
He goes, what happened to when the drum stop? He goes, oh,

883
00:49:36,559 --> 00:49:42,239
very bad drums start based solo start. Come on. There's

884
00:49:42,239 --> 00:49:43,440
not a big lead up to that joke.

885
00:49:43,840 --> 00:49:49,039
Speaker 7: That was a long way to drive. All right, we

886
00:49:49,119 --> 00:49:51,559
are almost out of time. Where should people go to

887
00:49:51,840 --> 00:49:53,480
keep up with everything that you're doing and get all

888
00:49:53,559 --> 00:49:54,239
their musics go.

889
00:49:54,440 --> 00:49:58,800
Speaker 11: To Ricky maple ten. I am all over the place

890
00:49:58,880 --> 00:50:05,599
on Spotify, YouTube and all your other digital platforms. Yes, yes, yes, yes,

891
00:50:06,280 --> 00:50:06,639
very good.

892
00:50:06,840 --> 00:50:08,679
Speaker 7: Well, always a pleasure. This was kind of last minute,

893
00:50:08,719 --> 00:50:11,079
but so glad to have you this morning. Always a

894
00:50:11,119 --> 00:50:11,440
good time.

895
00:50:11,480 --> 00:50:12,719
Speaker 11: I really appreciate you having me on that.

896
00:50:12,840 --> 00:50:15,079
Speaker 7: It's fun. Absolutely, we'll do it again. We should do

897
00:50:15,119 --> 00:50:16,880
it more often because you've got a lot of great stuff,

898
00:50:17,960 --> 00:50:20,400
very very good. So we'll close out the segment with

899
00:50:20,679 --> 00:50:23,079
say and do because I think this is the one

900
00:50:23,159 --> 00:50:25,039
Melow Mike was trying to request.

901
00:50:25,199 --> 00:50:27,760
Speaker 11: There's another emotional gut right sure to end with.

902
00:50:28,280 --> 00:50:31,079
Speaker 7: And it's from of course the bread Man, a bread

903
00:50:31,159 --> 00:50:34,519
Time story. And if you are listening live on Saturday,

904
00:50:34,519 --> 00:50:37,199
of course stick around Andrew deVie is coming up next

905
00:50:37,360 --> 00:50:39,880
via WhatsApp all the way from the UK, but we

906
00:50:39,920 --> 00:50:44,199
will close out with this say and do from Ricky Mapleton.

907
00:50:44,320 --> 00:50:44,599
Thank you.

908
00:50:45,480 --> 00:50:48,239
Speaker 23: Over time, the poison yeast begins to take its toll

909
00:50:48,360 --> 00:50:52,000
on all those who consume the royal bread. The poison

910
00:50:52,119 --> 00:50:56,760
quickly overtakes the Prince of Yeastland due to his bread gluttony,

911
00:50:57,280 --> 00:51:01,559
and he expires like stale, outdated bread. The servants find

912
00:51:01,639 --> 00:51:05,679
him on the floor, stiff as a weak old bagette.

913
00:51:07,199 --> 00:51:12,000
The King himself too feels the effects of the poison yeast. However,

914
00:51:12,280 --> 00:51:16,400
due to his slight gluten allergies, he consumes bread only

915
00:51:16,480 --> 00:51:22,519
on special occasions, though over time he becomes frail. A

916
00:51:22,639 --> 00:51:26,480
funeral is held for the Prince, and the princess and

917
00:51:26,559 --> 00:51:30,679
the baker the bread man start sneaking off together more often.

918
00:51:31,519 --> 00:51:33,000
Speaker 7: Rumors are abound.

919
00:51:36,519 --> 00:51:39,679
Speaker 23: The princess and the bread man begin to spend a

920
00:51:39,760 --> 00:51:42,119
lot of time with each other, and they don't really

921
00:51:42,199 --> 00:51:44,719
care what other people think. At this point, the prince

922
00:51:44,880 --> 00:51:48,159
is dead and it's their time to be together.

923
00:51:49,119 --> 00:51:58,280
Speaker 10: It doesn't really bad, run this s.

924
00:52:01,119 --> 00:52:01,159
Speaker 8: You.

925
00:52:03,840 --> 00:52:18,159
Speaker 10: He doesn't really mad. Even as all true, We can

926
00:52:18,360 --> 00:52:21,760
have just this mom mad.

927
00:52:23,679 --> 00:52:27,000
Speaker 28: Together, see.

928
00:52:33,320 --> 00:52:40,039
Speaker 10: Says safer.

929
00:52:40,119 --> 00:52:58,719
Speaker 22: Says s when the mill good fall each other, that

930
00:52:58,960 --> 00:53:00,039
we could have had.

931
00:53:05,360 --> 00:53:13,639
Speaker 10: People say we don't long together. Let me can live

932
00:53:14,639 --> 00:53:29,199
all the albums look out together as.

933
00:53:32,199 --> 00:53:35,920
Speaker 8: Together, said.

934
00:53:38,039 --> 00:53:42,199
Speaker 22: Said, say.

935
00:53:45,239 --> 00:53:53,159
Speaker 10: Said dune, say said, du.

936
00:53:55,559 --> 00:54:30,800
Speaker 23: Said said, Well, things are really looking up for the

937
00:54:30,920 --> 00:54:33,800
princess and the bread Man. It turns out that the

938
00:54:33,880 --> 00:54:37,039
bread Man's father has died and left a fortune of

939
00:54:37,159 --> 00:54:40,440
yeast to the bread Man's Where and how his father

940
00:54:40,599 --> 00:54:45,000
accumulated his vast scores of yeast his only rumor at

941
00:54:45,039 --> 00:54:47,840
this point, but it is believed that when the bread

942
00:54:47,920 --> 00:54:51,960
man was young, he sold off the baker boy's mother

943
00:54:52,920 --> 00:54:56,960
and gained a fortune in yeast. Granted, this is only

944
00:54:57,079 --> 00:55:03,400
speculation regardless. In return for the princess's hand in marriage,

945
00:55:04,039 --> 00:55:07,719
the bread Man offers the frail king a promise to

946
00:55:07,800 --> 00:55:11,760
supply all of Wheatland with his yeast import and export

947
00:55:11,840 --> 00:55:16,119
monopoly on the worldwide bread market. Of course, with recent

948
00:55:16,400 --> 00:55:20,199
death of the prince, the king has no choice but

949
00:55:20,400 --> 00:55:23,519
to accept, as he no longer has access to yeas

950
00:55:23,599 --> 00:55:27,719
from the Prince's family in Yeastland. The king agrees to

951
00:55:27,960 --> 00:55:29,440
let them get married.

952
00:55:40,280 --> 00:55:42,599
Speaker 28: Banana's kitchet and Pizzeria.

953
00:55:42,960 --> 00:55:48,960
Speaker 29: From Nana's hands to your play tradition. Love and taste

954
00:55:49,079 --> 00:55:57,320
that's great, so fermented dome flavor, so true, each bite

955
00:55:57,360 --> 00:55:58,519
a story.

956
00:55:59,239 --> 00:56:04,320
Speaker 28: May just for six O three two three two nine

957
00:56:04,519 --> 00:56:10,599
three six six Nana's Kitchen and Pizza Ree fifteen Dartleth Dry, Auburn,

958
00:56:10,719 --> 00:56:15,239
New Hampshire, Kid Piz.

959
00:56:19,400 --> 00:56:21,599
Speaker 27: Luigi's Pizza Barren Grill.

960
00:56:22,559 --> 00:56:26,719
Speaker 1: One, Let's raise a slye on hide with top and

961
00:56:26,880 --> 00:56:30,440
top the ground Pizza Pizza Barrio.

962
00:56:30,199 --> 00:56:35,400
Speaker 27: Mine Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester,

963
00:56:35,679 --> 00:56:38,519
Come on in or call six two two one zero

964
00:56:38,800 --> 00:56:43,840
two one Luigi keeping the tradition alive since nineteen seventy five.

965
00:56:45,679 --> 00:56:50,079
Speaker 11: Pizza for every one, Come join a piece to night.

966
00:56:51,039 --> 00:56:55,000
Speaker 6: With each slice, sense of it, everything feels so right.

967
00:56:58,159 --> 00:57:00,360
Speaker 30: In times of crisis, you need a law firm that

968
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stands by your side. With over forty years of experience,

969
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Craigan Getsulis is dedicated to fighting for your rights. As

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former state prosecutors, our attorneys have the knowledge and trial

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experience to provide an aggressive defense against any charge, from

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DUIs to homicides. If you've been injured, our compassionate team

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will assess your case and fight for the compensation you deserve.

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Serving all of New Hampshire. Craigan Getzulis is here when

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you need us most. Visit craigatzulis dot com for a

976
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free consultation. Craigan Getzulis your advocates, your allies.

977
00:57:33,079 --> 00:57:37,199
Speaker 31: Bring your kitchen to life with Queen City Cabinetry, located

978
00:57:37,280 --> 00:57:40,719
at eighty seven Elm Street in the historic Sunbeam Wall

979
00:57:40,880 --> 00:57:44,599
in Manchester, open Monday through Friday nine am to five

980
00:57:44,760 --> 00:57:48,960
thirty pm, in Saturdays ten am to two pm. They

981
00:57:49,039 --> 00:57:52,199
can be reached at six h three two two two

982
00:57:52,599 --> 00:57:55,800
to zero zero seven or on the web at Queen

983
00:57:55,920 --> 00:58:01,599
Citycabinetry NH dot com. Come see thelity is Queen City

984
00:58:01,719 --> 00:58:05,400
Cabinet Treatment another crowd sponsor of MNH.

985
00:58:05,719 --> 00:58:08,320
Speaker 32: Hey everyone, there's Rob Azevedo, host of Grantite State of

986
00:58:08,360 --> 00:58:09,960
Mind and I want to tell you about Pembrooke City

987
00:58:10,039 --> 00:58:12,840
Limits and the historic sun Cook Village. PCL is an

988
00:58:12,840 --> 00:58:16,039
award winning bar, restaurant and music venue where there's live

989
00:58:16,119 --> 00:58:19,000
music five days a week and twice on Saturdays. Everything

990
00:58:19,039 --> 00:58:21,679
from blues, country, folk, funk and a whole lot of jazz.

991
00:58:22,159 --> 00:58:24,800
We have twelve craft Beers on Tap, dedicated to local

992
00:58:24,880 --> 00:58:27,800
brewers in the area and some of the friendliest bartenders around.

993
00:58:28,280 --> 00:58:30,840
Please come visit Pembrook City Limits at one thirty four

994
00:58:30,920 --> 00:58:34,000
Main Street, the historic sunk Cook Village, only six miles

995
00:58:34,079 --> 00:58:37,639
outside of Manchester. Open Tuesdays to Wednesdays four to ten

996
00:58:38,000 --> 00:58:40,000
Thursday's a Sunday eleven to ten.

997
00:58:40,360 --> 00:58:42,800
Speaker 11: Pembrook City Limits where it's all about the music.

998
00:58:43,039 --> 00:58:45,679
Speaker 27: Disneys Cafe is the place to put a smile on

999
00:58:45,760 --> 00:58:48,199
your face. Judy and the crew will take care of you,

1000
00:58:48,440 --> 00:58:52,119
bring your appetite and treat your taste. Bus Right Business

1001
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Cafe is always a winning choice. Breakfast, lunch or supper.

1002
00:58:56,800 --> 00:59:01,039
Disney's Cafe at eight sixty Elm Street in Dawntown, Manchester.

1003
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Dine in, take out or make a reservation call six

1004
00:59:04,559 --> 00:59:08,480
h three six oh six two five three two, Eat,

1005
00:59:08,960 --> 00:59:11,679
drink and be happy Buzz's Cafe.

1006
00:59:12,039 --> 00:59:14,760
Speaker 20: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust grow In

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