WEBVTT

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<v Speaker 1>The Magnificent Montague stirring Marty Wally. Yes, it's the Magnificent Montague.

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<v Speaker 1>The Saturday Night Transcribe feature on NBC's All Star Festival

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<v Speaker 1>of Comedy, Music, Mystery, and Drama, brought to you by

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<v Speaker 1>Anison for fast relief from pain of headache, neurytis and

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<v Speaker 1>euralgia by RCA Victor World Radio, first in recorded music

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<v Speaker 1>and first in television, and by Extra Mild Fatima, best

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<v Speaker 1>of all King Size cigarettes. In Fatima, the difference is quality.

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<v Speaker 1>Before we join the Magnificent Montagule, here's a word from Anison.

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<v Speaker 1>When we ask you to try Alison for the relief

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<v Speaker 1>are not asking you to try a new or unproved method.

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<v Speaker 1>a combination of medically proven active ingredients in each to

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<v Speaker 1>take tablet form People by the thousands are using modern

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<v Speaker 1>anison today instead of other ways. Doesn't fair experience seem

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<v Speaker 1>worth following? Try Allison.

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<v Speaker 2>The next time you.

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<v Speaker 1>Suffer pains from headache neurytis on euralgia. You will be

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<v Speaker 1>delighted with the results. Ask your druggist for anison Today.

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<v Speaker 1>Anison is spelled ana cin and now the magnificent monocule

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<v Speaker 1>in the world of a theater dotted by the bosses

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<v Speaker 1>and maritals strive. The marriage of Edwin the Magnificent Montague

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<v Speaker 1>and his former leading lady, Lily Boyne twenty five years

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<v Speaker 1>ago is an enviable one, yes, even today, though Edwin's

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<v Speaker 1>mind is racked with guilt for having deserted the stage

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<v Speaker 1>for the more lucrative role is Uncle Goodheart.

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<v Speaker 3>Here of an afternoon.

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<v Speaker 1>Radio program, Lily loves Edwin and Edwin loves Lily. It

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<v Speaker 1>is morning in the Montague apartment. Agnes, the maid is

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<v Speaker 1>up and preparing breakfast. The telephone rings.

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<v Speaker 4>Okay, okay, the residents of Edwin, Montague, Lily boy and

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<v Speaker 4>Magnus Anderson. He's asleep, she's getting up. I'm busy. What

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<v Speaker 4>do you want.

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<v Speaker 5>Now?

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<v Speaker 4>She's just getting up like I said. Okay, So all

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<v Speaker 4>morning telephone. Well, I better get breakfast ready before the monster,

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<v Speaker 4>I mean the master gets up.

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<v Speaker 6>The truly, truly.

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<v Speaker 4>Fair he gets in my hair. Oh, good morning, honey.

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<v Speaker 7>Good morning address. Who is out on the phone.

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<v Speaker 4>Celi, your tailor? Your friends have been calling all morning?

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<v Speaker 4>What is it, honey? They catch are fixing a comaster game.

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<v Speaker 7>I guess it's just a juicy piece of gossip about somebody.

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<v Speaker 4>You know, the girl girl, she said, you mean the

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<v Speaker 4>Flora Dora girl. I'd hate to own the corn field.

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<v Speaker 4>Those crows were headed for.

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<v Speaker 7>They're old friends of mine. We were on the stage

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<v Speaker 7>together before.

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<v Speaker 4>I'm not a deadward there still on the stage, the

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<v Speaker 4>last stage. They're all sniping at you.

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<v Speaker 7>They're just a little jealous of me because I have

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<v Speaker 7>a happy marriage.

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<v Speaker 4>Maybe each had four happy marriages. Don't exaggerate, exaggerate. Look

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<v Speaker 4>at that Ceia Taylor? And what about that Gloria Gable?

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<v Speaker 4>What a record six husbands in three years? Didn't that

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<v Speaker 4>time to take up her wedding gown?

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<v Speaker 7>Was it six? I think you're right.

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<v Speaker 4>Shirt was sick. She has a charge account of the

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<v Speaker 4>marriage bureau.

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<v Speaker 7>Try and understand the magnus. They're just chasing rainbows. Looking

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<v Speaker 7>for the pot of gold.

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<v Speaker 4>You chase manager and just wound up with a past.

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<v Speaker 1>Ah.

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<v Speaker 7>They all envy me Aglas twenty five years with Edwin. Oh,

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<v Speaker 7>never mind, Aggres, I'll get the phone.

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<v Speaker 4>Must be one of the hags.

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<v Speaker 7>Hello, Gloria, I'm fine, what no, no, I have Redwinstel's

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<v Speaker 7>call Umn yet? Why what would they say about Edwin? Gloria?

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<v Speaker 7>Would you please stop snickering and tell me.

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<v Speaker 3>Very well?

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<v Speaker 7>I'll find out myself. Here's the paper.

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<v Speaker 4>Wait, here's Winchell's column.

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<v Speaker 7>Does it mentioned Edwin's name? I mean, look here, what's

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<v Speaker 7>it say?

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<v Speaker 2>Uh?

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<v Speaker 7>Huh, well, what is it?

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<v Speaker 4>Listen to this the raised eyebrow Department. Friends of the

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<v Speaker 4>Eddie monaghers hope the message doesn't find out he made

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<v Speaker 4>a fool of himself last night with what copa cabanacutie?

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<v Speaker 7>Agnes Eddie morted you that can't be Edward.

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<v Speaker 4>Well, if it is some copa gabana Cutie's gone clean

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<v Speaker 4>out of her mind.

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<v Speaker 7>Oh Edwin in a night club with a chorus what else?

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<v Speaker 4>Thank You're beauty?

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<v Speaker 8>And the beast.

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<v Speaker 7>Edwin was homeless, like.

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<v Speaker 4>He's done every night in the last twenty five years.

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<v Speaker 7>Of all things to say about Edward.

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<v Speaker 4>Don't last, honey, he's at that awkward age, too old

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<v Speaker 4>for yo yos and too young for social security.

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<v Speaker 2>Can you you.

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<v Speaker 7>Picture Edward at the Copacabana, carrying.

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<v Speaker 4>On carrying on one rumber they carry him out.

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<v Speaker 7>We better find out who this Eddy mooregue is.

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<v Speaker 8>There?

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<v Speaker 4>It is the voice the firestone.

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<v Speaker 7>Let me break it.

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<v Speaker 3>To good morning darling.

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<v Speaker 2>What's the joke that'd be funny?

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<v Speaker 3>Good morning? I did. What's happening here is like waking

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<v Speaker 3>up in the middle of a Milton Bill Stu the audience.

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<v Speaker 2>That's what's so funny.

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<v Speaker 7>Stop laughing.

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<v Speaker 4>Better be for my girdle, sad snap and.

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<v Speaker 7>All his coffee evans.

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<v Speaker 5>Sit down, Let me in on it.

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<v Speaker 3>What he is so funny?

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<v Speaker 7>Winch's column?

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<v Speaker 3>So is my name mentioned?

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<v Speaker 9>Read it?

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<v Speaker 3>Oh yeah? Anybody?

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<v Speaker 9>You may you pullse with what co when his wife

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<v Speaker 9>finds a Bedwin Montague.

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<v Speaker 7>But it's a different Montague.

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<v Speaker 3>But the world will.

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<v Speaker 7>Wait when stop being ridiculous. No one who knows you

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<v Speaker 7>will ever believe you're running around with a chorus girl.

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<v Speaker 5>And why not, well, because.

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<v Speaker 3>Well where.

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<v Speaker 4>Let's face it, pal at your age.

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<v Speaker 9>All right, A man's just for that you're not getting

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<v Speaker 9>Memorial Day off. Your old Civil War regiment will march

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<v Speaker 9>without you.

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<v Speaker 4>Oh, button, you're.

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<v Speaker 7>Dead when it is childish. I wouldn't have stayed married

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<v Speaker 7>to you twenty five years if I didn't still think

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<v Speaker 7>you were the most attractive and charming man in the wood.

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<v Speaker 4>Reallyly, oh sure you're the last of the red hot poppers.

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<v Speaker 9>All right, all right, now, let's have breakfast, Lily, me

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<v Speaker 9>and a.

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<v Speaker 3>I' let's put it in my scrap book.

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<v Speaker 7>Oh I missed the door.

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<v Speaker 4>I'll get it, missus. Blame honey, it's your mother.

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<v Speaker 1>Mother, Lily, my babby.

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<v Speaker 10>I'm taking you right home to Cleave.

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<v Speaker 7>But I flew you the Minuti red Winter with column.

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<v Speaker 7>How can you stay in the same house with this route?

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<v Speaker 3>And now, Missy come near me?

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<v Speaker 7>It's disgusting, will you, Lily my? Who betrayed baby? I

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<v Speaker 7>told you about actors. I knew it wouldn't last.

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<v Speaker 3>We've been married twenty five years. What is that one

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<v Speaker 3>night in an court?

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<v Speaker 7>Whyet you, old wolf mother?

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<v Speaker 4>Lily?

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<v Speaker 7>I told you about men like him.

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<v Speaker 2>Oh, this is ridiculous, ridiculous?

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<v Speaker 10>Is it ridiculous for a mother to try and save

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<v Speaker 10>her babies from an old reprobate who spends every night

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<v Speaker 10>and sea easies when colors go move, Lily, I'm taking

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<v Speaker 10>you home.

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<v Speaker 7>Your old room is ready. Uncle Charlie picked your dollhouse.

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<v Speaker 9>Oh goody goody, that's all placed in the bottle, Edwin, Lily,

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<v Speaker 9>I refused me to.

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<v Speaker 2>He's like a dazz mad Romeo out.

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<v Speaker 7>Of a too slimy she Thank Heaven's I got your time.

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<v Speaker 9>Mother.

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<v Speaker 7>Edwin and I have been married for twenty five years.

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<v Speaker 7>We'll have it and old.

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<v Speaker 3>An old? What are you going to tell them? We're

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<v Speaker 3>under ad.

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<v Speaker 7>Now now, Edwin, let me explain it to her.

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<v Speaker 2>Mother.

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<v Speaker 7>Edwin and I are one of the happiest couples in

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<v Speaker 7>New York. He's even touched you, to lie h to

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<v Speaker 7>think of? That's for the feast you broke your engagement

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<v Speaker 7>to Tarlie Hoskin. Mother will in this jelly. I warned

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<v Speaker 7>you about the big city. I knew no good whatever comedy.

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<v Speaker 7>We're happy your father hated, don't mother?

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<v Speaker 9>Mean? Wow?

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<v Speaker 5>Who is Charlie Hoskin.

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<v Speaker 7>A timer man than you'll ever be? Mister Edwin Montague

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<v Speaker 7>a respectable man.

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<v Speaker 10>Lily was engaged to it till you who came along

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<v Speaker 10>with your sneaky ways and let her down.

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<v Speaker 3>The road to ruin.

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<v Speaker 9>Now, really, mother, Lily, how can you never told me

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<v Speaker 9>about Charlie Husky Edwin.

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<v Speaker 7>He's a boy I grew up with, owns his own

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<v Speaker 7>dry goods. Or now, oh, Lily, to take you through

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<v Speaker 7>all that away? Other stop Edwin, it's.

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<v Speaker 2>Unimportant, Cleane. You have told me about this Charlie dry goods.

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<v Speaker 7>Now Edwin, don't start.

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<v Speaker 10>I'll tell you about Charlie Huskins. He's a decent, hard

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<v Speaker 10>working businessman, but he must sound dull you, mister sugar daddy.

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<v Speaker 10>His name is never in the gossip column linked with Collins.

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<v Speaker 3>Girl, Will you shut up.

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<v Speaker 8>Now?

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<v Speaker 7>Dare you speak to my mother like that?

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<v Speaker 3>Just come here?

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<v Speaker 7>Don't shout at us.

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<v Speaker 2>Think I flew.

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<v Speaker 9>Here all the way from Cleve Well, get on your

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<v Speaker 9>broom and fly back.

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<v Speaker 7>Edwin. I'm ashamed of you, Lily.

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<v Speaker 3>I do.

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<v Speaker 7>And when you apologize to my mother.

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<v Speaker 3>Lily, come home.

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<v Speaker 7>He's a month even, don't you dare? I'm hold a

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<v Speaker 7>seat fire, horrible mother?

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<v Speaker 9>Oh what is it the time.

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<v Speaker 4>I'll be late for his broadcast?

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<v Speaker 3>Broadcast?

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<v Speaker 2>Never mind what broadcast? I thought?

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<v Speaker 10>The loafer worked as a Shakespearean actor who never worked.

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<v Speaker 7>Mother, he has a program ed when you may be

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<v Speaker 7>ashamed of it, but my mother has a right to

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<v Speaker 7>know what you're doing. There's your big bum. What's he

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<v Speaker 7>up to now? He's uncle good, hard uncle good mother,

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<v Speaker 7>and this a glass of ward. I listened to him

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<v Speaker 7>every day, mother.

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<v Speaker 10>Oh, Lily, he's such a fine sweet kyle.

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<v Speaker 7>Yes, mother, you just saw how sweet and kind he

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<v Speaker 7>can be.

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<v Speaker 2>I didn't know.

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<v Speaker 3>Don't talk to me.

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<v Speaker 7>What you doing to this man?

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<v Speaker 10>He's your husband, mother, Wait till I get till I

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<v Speaker 10>tell Cleveland, my son in law's uncle.

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<v Speaker 7>Good heart.

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<v Speaker 11>Don't you dare spread it around?

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<v Speaker 7>And when I'm waiting, you and apologize to my mother, Slelly,

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<v Speaker 7>he didn't mean it. You always did have a nasty temper, Lily. Father,

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<v Speaker 7>you never would let me teach you to cook.

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<v Speaker 10>No wonder the poor man was driven to these nightclubs.

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<v Speaker 7>He was hungry.

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<v Speaker 2>Oh wait, Lily and I are happy, Edwin.

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<v Speaker 7>Will you explain it to us?

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<v Speaker 3>Why should I have I'm doing great, mother.

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<v Speaker 7>We've been trying to tell you. Edwin and I are

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<v Speaker 7>perfectly happy. It was a different Eddie Montague who was

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<v Speaker 7>mentioned in the columns. Babe, I knew that all the time?

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<v Speaker 7>Who could Sis said, dear old uncle good heart.

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<v Speaker 3>I gotta get in the station.

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<v Speaker 2>I won't be a good heart broadcast today.

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<v Speaker 1>Uncle, Yeah, look at the time, I'll be late. We'll

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<v Speaker 1>be back with a magnificent Montague in just a moment.

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<v Speaker 1>But first, here's a word from our CAA Vector. The

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00:14:36.360 --> 00:14:39.600
<v Speaker 1>superb quality of our CA Vector television has been proven

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00:14:39.639 --> 00:14:44.000
<v Speaker 1>in millions of homes. Our CAA Vector is unquestionably America's

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00:14:44.000 --> 00:14:48.440
<v Speaker 1>finest television and for this reason, it deserves America's finest service,

245
00:14:48.799 --> 00:14:52.360
<v Speaker 1>our CAA Factory Service. Yes, when you buy our CA

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00:14:52.480 --> 00:14:55.799
<v Speaker 1>Vector television with our c A Factory Service, you get

247
00:14:55.840 --> 00:15:00.559
<v Speaker 1>television's greatest combination, a combination that results in top performance

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00:15:00.600 --> 00:15:04.320
<v Speaker 1>and best possible reception all the time. For the best

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00:15:04.360 --> 00:15:08.120
<v Speaker 1>in television service, then buy one of our CAA's service

250
00:15:08.159 --> 00:15:13.519
<v Speaker 1>company's economical protection plans. And speaking of economy, prices on

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00:15:13.720 --> 00:15:16.600
<v Speaker 1>RCA Victor million proof television sets are now.

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00:15:16.519 --> 00:15:17.879
<v Speaker 3>The lowest in history.

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00:15:18.360 --> 00:15:22.200
<v Speaker 1>Million proof television sets are reduced in price by now

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00:15:22.240 --> 00:15:25.600
<v Speaker 1>at tremendous savings of up to one hundred and fifteen dollars.

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00:15:25.879 --> 00:15:29.039
<v Speaker 1>It's for a limited time only, and inquire about our

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00:15:29.159 --> 00:15:33.799
<v Speaker 1>caa factory service when you buy RCA Victor Television. And

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00:15:33.840 --> 00:15:46.320
<v Speaker 1>now back to the magnificent Montagule. He is just finishing

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<v Speaker 1>his Uncle good Heart program.

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<v Speaker 9>Listen, sorold once again, you can hold your head high.

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<v Speaker 5>He followed in hend, Hello, there was.

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<v Speaker 3>Another epic from coast to coast.

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<v Speaker 2>Ah, here's the great director, missus Inza.

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<v Speaker 8>That was another humdinger of a program. Mister Montague.

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<v Speaker 3>Yeah, thank you.

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<v Speaker 8>In the sew your name in Winchell's columns. All eyes

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<v Speaker 8>in THEI a copa cutie has she got a friend.

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<v Speaker 3>All the would you stop? It wasn't me?

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<v Speaker 8>You can tell me, mister Montague. I'm one of the boys.

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<v Speaker 8>I'll keep it under my hat.

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<v Speaker 3>Well, if you do, keep it under your head of me.

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<v Speaker 2>The first time there was editing under there.

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<v Speaker 3>I'll be quiet when I read it.

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<v Speaker 8>This morning, I said to my wife, there's still life

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<v Speaker 8>in the old dog. What I said?

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<v Speaker 9>The little interest to me? What you chatted to you

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00:17:02.559 --> 00:17:05.440
<v Speaker 9>or me? As you shared a coconut at that tree

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<v Speaker 9>top this morning?

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00:17:08.640 --> 00:17:15.279
<v Speaker 8>Oh no, we had pancakes. Wait, I almost forgot. Mister

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00:17:15.400 --> 00:17:18.359
<v Speaker 8>Springer has a message for you from the sponsor. The

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00:17:18.400 --> 00:17:20.640
<v Speaker 8>sponsor here comes mister Springer.

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<v Speaker 11>Hello, mister Montague, I just saw the sponsor you did.

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00:17:25.119 --> 00:17:28.920
<v Speaker 3>I didn't know it was visiting our mister Monticule. He

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00:17:29.000 --> 00:17:32.039
<v Speaker 3>saw this item that appeared in the newspaper. Now, missus Springer,

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<v Speaker 3>shill up, Monaca.

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<v Speaker 11>We don't want to dictate your private life, but we

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00:17:35.920 --> 00:17:37.599
<v Speaker 11>can't have stuff like this coming.

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00:17:37.319 --> 00:17:40.240
<v Speaker 3>Out in the paper. Your uncle, good heart. Remember you

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00:17:40.279 --> 00:17:42.720
<v Speaker 3>don't have to remind me you're.

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00:17:42.519 --> 00:17:45.960
<v Speaker 11>The kindly old philosopher and don't look good to have

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00:17:46.039 --> 00:17:48.039
<v Speaker 11>your boozing around with dames.

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00:17:47.759 --> 00:17:54.559
<v Speaker 3>Getting stink on a hot anybody get referred to by

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00:17:54.559 --> 00:17:58.039
<v Speaker 3>mister Winchell is not me? Oh Winchell, lineup? Oh I

293
00:17:58.119 --> 00:17:59.000
<v Speaker 3>know that wasn't you.

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<v Speaker 11>That's Eddie Montague, who sings with hot lips Loopo's orchestra.

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00:18:03.559 --> 00:18:04.680
<v Speaker 3>And what are you talking about?

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00:18:04.799 --> 00:18:08.400
<v Speaker 11>Oh here, why you're mentioned in Earl Wilson's cop Wilson,

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00:18:08.680 --> 00:18:12.839
<v Speaker 11>you mean you didn't read this Broadway nightlifers are still

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00:18:12.920 --> 00:18:16.440
<v Speaker 11>laughing at the romantic antics of the famous Shakespearean actor

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00:18:16.759 --> 00:18:17.240
<v Speaker 11>and that.

300
00:18:17.240 --> 00:18:19.519
<v Speaker 2>Beautiful honker stuff cuddles.

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00:18:19.200 --> 00:18:27.119
<v Speaker 11>McCune Montague Montague act your ade, that's what it says, Hi.

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00:18:29.200 --> 00:18:32.799
<v Speaker 3>Cuddles McCune. I don't know how you do it.

303
00:18:33.039 --> 00:18:33.880
<v Speaker 2>I think I'm.

304
00:18:33.680 --> 00:18:34.720
<v Speaker 5>Gonna grow a beard.

305
00:18:36.160 --> 00:18:39.079
<v Speaker 3>Pallas and spring eye. It's another mistake. I demand retraction.

306
00:18:39.359 --> 00:18:44.440
<v Speaker 11>Mistake famous Shakespearean actor Montague, Montague actual ade.

307
00:18:44.599 --> 00:18:47.599
<v Speaker 3>It's all there, Cuddles McCune. I never heard of her.

308
00:18:48.200 --> 00:18:49.839
<v Speaker 8>She's a burlesque dancer.

309
00:18:53.880 --> 00:18:54.319
<v Speaker 6>Dancer.

310
00:18:54.440 --> 00:18:55.119
<v Speaker 3>I say.

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00:18:58.039 --> 00:19:01.559
<v Speaker 8>You got a burlessed chalk man hasn't made of wood.

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00:19:04.519 --> 00:19:05.839
<v Speaker 3>Cuddles McCune.

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00:19:06.680 --> 00:19:08.880
<v Speaker 2>I have to get home before Lily sees ruse caper.

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00:19:09.000 --> 00:19:09.480
<v Speaker 3>Where's my.

315
00:19:20.319 --> 00:19:24.000
<v Speaker 7>Oh? Mother, mother, please let me think, Lily. There's nothing

316
00:19:24.039 --> 00:19:27.039
<v Speaker 7>to think about. You read Earl Wilson's column. Now, Harry,

317
00:19:27.079 --> 00:19:30.039
<v Speaker 7>we can still catch that plane in Cleveland. Oh now, mother,

318
00:19:30.079 --> 00:19:32.599
<v Speaker 7>I'm sure Edwin will have some explanation that.

319
00:19:32.759 --> 00:19:33.880
<v Speaker 4>I don't want to miss.

320
00:19:34.160 --> 00:19:36.680
<v Speaker 7>Now, listen to both of you. I trust Edwin, and

321
00:19:36.720 --> 00:19:38.440
<v Speaker 7>I assure you. Edwin never heard of this.

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00:19:38.640 --> 00:19:42.559
<v Speaker 4>Cuddles Here he comes, Hello.

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00:19:42.559 --> 00:19:44.039
<v Speaker 3>Edwin, Hello, cuddles.

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00:19:44.359 --> 00:19:50.720
<v Speaker 2>I mean, hell, Lily, ohn't not Lily.

325
00:19:51.079 --> 00:19:53.160
<v Speaker 5>I'm inner though, Get away.

326
00:19:52.839 --> 00:19:56.359
<v Speaker 4>From her, you vulture, Yeah, yellow light go back here,

327
00:19:56.400 --> 00:19:57.200
<v Speaker 4>bros Queen.

328
00:19:57.519 --> 00:19:58.119
<v Speaker 3>They believe me.

329
00:19:58.200 --> 00:20:00.480
<v Speaker 9>I never heard of cuddles. I never saw It's all

330
00:20:00.519 --> 00:20:04.079
<v Speaker 9>a horrible mistake. As the telephone.

331
00:20:05.039 --> 00:20:07.319
<v Speaker 4>Hello, This is what's left of the residence of Edwin

332
00:20:07.400 --> 00:20:08.440
<v Speaker 4>Montague and Lilli Boi.

333
00:20:10.279 --> 00:20:13.559
<v Speaker 7>Who, no, kidd when did you.

334
00:20:13.559 --> 00:20:16.720
<v Speaker 4>Get into the country as soon as you read Winchell?

335
00:20:17.240 --> 00:20:21.880
<v Speaker 4>Oh sure, I'll here, come right up now for the fireworks.

336
00:20:23.039 --> 00:20:24.559
<v Speaker 4>Who was that your father?

337
00:20:24.960 --> 00:20:27.880
<v Speaker 3>Oh no, that's all I need. Let me out of here.

338
00:20:28.440 --> 00:20:30.160
<v Speaker 7>When you're afraid to face your father.

339
00:20:30.359 --> 00:20:32.920
<v Speaker 3>He'll only make it worse. You know him. He gets

340
00:20:33.039 --> 00:20:36.079
<v Speaker 3>fat on trouble. Believe before he comes. Please believe me.

341
00:20:37.079 --> 00:20:38.960
<v Speaker 7>Lily, don't go near him.

342
00:20:39.920 --> 00:20:40.440
<v Speaker 4>I'll get it.

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00:20:42.759 --> 00:20:45.680
<v Speaker 7>Well, mister Montague.

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00:20:46.279 --> 00:20:49.640
<v Speaker 9>My little dove, come here, you lovely ways give me

345
00:20:49.759 --> 00:21:00.799
<v Speaker 9>a kid. Lily, my dear, dry those cheers. I can't

346
00:21:00.920 --> 00:21:05.920
<v Speaker 9>stand seeing a beautiful, luscious woman like you. Cry Hello

347
00:21:06.160 --> 00:21:10.720
<v Speaker 9>Dan Wait wait, who is this vision of loveliness? This

348
00:21:10.960 --> 00:21:15.480
<v Speaker 9>a July see before me, Lily, It can't be Yes,

349
00:21:15.599 --> 00:21:18.799
<v Speaker 9>it's my mother, missus Bohm.

350
00:21:18.960 --> 00:21:24.119
<v Speaker 7>Keep your distance, said on Martigall. Mother, really you haven't

351
00:21:24.160 --> 00:21:25.359
<v Speaker 7>seen him since our wedding.

352
00:21:25.759 --> 00:21:26.720
<v Speaker 6>That was enough.

353
00:21:28.480 --> 00:21:30.720
<v Speaker 10>Any man who in the middle of his own son's

354
00:21:30.759 --> 00:21:33.960
<v Speaker 10>wedding will reach over and deliberately pinch the bribes.

355
00:21:34.079 --> 00:21:43.119
<v Speaker 3>Mother, Lily looks like your daughter, And now where is he?

356
00:21:43.720 --> 00:21:44.000
<v Speaker 6>Hello?

357
00:21:44.319 --> 00:21:49.119
<v Speaker 9>Follow Sonny, what are you doing to your marriage? Copacabanacuties.

358
00:21:49.680 --> 00:21:52.160
<v Speaker 9>Shame on you, the boy of your age.

359
00:21:53.079 --> 00:21:53.319
<v Speaker 1>Dad.

360
00:21:53.440 --> 00:21:55.920
<v Speaker 3>It's not true, mad, it is not true.

361
00:21:56.880 --> 00:22:10.759
<v Speaker 9>Edwin gon blow your nose. You just when it looked

362
00:22:10.960 --> 00:22:15.359
<v Speaker 9>so human, liter on a good match, you have ruin

363
00:22:16.079 --> 00:22:19.000
<v Speaker 9>hooting around with Cocoagaban Acu sad.

364
00:22:18.839 --> 00:22:21.359
<v Speaker 7>That article you read winter was another montgue.

365
00:22:21.920 --> 00:22:25.920
<v Speaker 3>I knew it, and I had faith in my boy.

366
00:22:27.359 --> 00:22:28.480
<v Speaker 7>What about cuddles?

367
00:22:29.279 --> 00:22:29.759
<v Speaker 9>Cuddles?

368
00:22:30.640 --> 00:22:32.799
<v Speaker 5>Who's cuddle a burless dancer?

369
00:22:33.799 --> 00:22:34.400
<v Speaker 3>My son?

370
00:22:35.160 --> 00:22:45.119
<v Speaker 9>A Montague with a bullet. Yes, I'm all right now please,

371
00:22:45.839 --> 00:22:52.039
<v Speaker 9>I want to talk to my boy. Come mother, Edwin,

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00:22:53.079 --> 00:22:57.039
<v Speaker 9>sit down, father, let me explain, Edwin.

373
00:22:57.319 --> 00:22:58.480
<v Speaker 2>It's not your fault.

374
00:22:59.240 --> 00:23:01.000
<v Speaker 3>It's my fault. Y'r poh.

375
00:23:01.559 --> 00:23:03.920
<v Speaker 9>Yes, it was my duty to tell you about these

376
00:23:04.000 --> 00:23:06.920
<v Speaker 9>things long ago. I kept putting it off.

377
00:23:15.400 --> 00:23:17.839
<v Speaker 3>Oh father, what are you talking about?

378
00:23:18.359 --> 00:23:18.640
<v Speaker 9>Edwin?

379
00:23:18.960 --> 00:23:19.519
<v Speaker 3>Pay attention.

380
00:23:20.200 --> 00:23:24.000
<v Speaker 9>Now, let's begin from the beginning. There are the birds

381
00:23:24.079 --> 00:23:25.839
<v Speaker 9>and the bees, and there the flower.

382
00:23:30.000 --> 00:23:31.839
<v Speaker 3>I'm not back byet.

383
00:23:32.880 --> 00:23:35.039
<v Speaker 5>You have to be told these things sometimes.

384
00:23:36.400 --> 00:23:37.799
<v Speaker 3>What are you trying to tell me?

385
00:23:38.480 --> 00:23:38.720
<v Speaker 2>Son?

386
00:23:39.799 --> 00:23:43.960
<v Speaker 9>There are painted women lurking to snare young innocent boys

387
00:23:44.160 --> 00:23:44.400
<v Speaker 9>like you.

388
00:23:45.480 --> 00:23:48.000
<v Speaker 3>Now about this blest dance? Father, I swear I never

389
00:23:48.119 --> 00:23:49.359
<v Speaker 3>met this Cuddles. I don't know.

390
00:23:49.599 --> 00:23:52.240
<v Speaker 5>I never had anything to do with her or any girl.

391
00:23:53.079 --> 00:23:53.400
<v Speaker 3>Sonny.

392
00:23:53.920 --> 00:23:57.599
<v Speaker 9>So are you telling Daddy the truth? Yes, I'm ashamed

393
00:23:57.640 --> 00:24:01.359
<v Speaker 9>of you. Say you're no son of mine.

394
00:24:02.000 --> 00:24:02.279
<v Speaker 3>Gad.

395
00:24:02.640 --> 00:24:05.680
<v Speaker 9>When I first read that item you and a corpora cutie,

396
00:24:06.000 --> 00:24:09.599
<v Speaker 9>I thought, at last, he's a Montague. He got Edwin

397
00:24:09.799 --> 00:24:20.039
<v Speaker 9>when I was your age. I the Montague spirit just

398
00:24:20.200 --> 00:24:24.680
<v Speaker 9>never reached you. Lila Paula, help me convinced Lia, Daddy

399
00:24:24.759 --> 00:24:26.920
<v Speaker 9>will fix it. Dad with a stupid kid.

400
00:24:34.640 --> 00:24:36.759
<v Speaker 7>What is your dad? Defeat confessed?

401
00:24:37.119 --> 00:24:40.480
<v Speaker 3>What about Cuddles, Lilay, I've just had a long talk

402
00:24:40.559 --> 00:24:43.839
<v Speaker 3>with Edwin. He knows nothing about her. In fact, this

403
00:24:43.960 --> 00:24:48.480
<v Speaker 3>boy here knows nothing about anything. Fala, Why speak only

404
00:24:48.519 --> 00:24:54.240
<v Speaker 3>when you're spoken to? Lily? Don't encourage him delay?

405
00:24:54.319 --> 00:24:57.240
<v Speaker 9>How could you have ever doubted his pudding faced offspring

406
00:24:57.319 --> 00:25:01.200
<v Speaker 9>of mind? Allison Paula tells Bala, you are either the

407
00:25:01.279 --> 00:25:05.400
<v Speaker 9>most portunate or most unfortunate of women in this spiritless

408
00:25:05.480 --> 00:25:07.640
<v Speaker 9>health that I have tried to mold into an accar

409
00:25:08.400 --> 00:25:12.759
<v Speaker 9>that burns but one flame, And that flame, Lily, is

410
00:25:12.960 --> 00:25:13.200
<v Speaker 9>for you.

411
00:25:14.000 --> 00:25:18.720
<v Speaker 2>Oh Edwin, I've been you doern'tly have been, Lily where.

412
00:25:18.599 --> 00:25:19.440
<v Speaker 3>You are in your mind?

413
00:25:19.920 --> 00:25:21.279
<v Speaker 2>Shame on you, lily.

414
00:25:22.000 --> 00:25:24.880
<v Speaker 5>But mother, did you hear what his father said?

415
00:25:25.599 --> 00:25:29.079
<v Speaker 7>Burns but one flame? You're a lucky girl to have

416
00:25:29.200 --> 00:25:30.119
<v Speaker 7>the son of such.

417
00:25:29.960 --> 00:25:34.319
<v Speaker 9>A father, My dear missus, bohem, I haven't been through

418
00:25:34.440 --> 00:25:38.039
<v Speaker 9>Cleveland in many a year. I had quite forgotten that

419
00:25:38.200 --> 00:25:43.119
<v Speaker 9>his greatest job was the loveliness and beauty of his women.

420
00:25:45.000 --> 00:25:49.519
<v Speaker 3>Demanded you now, father, don't start go on there?

421
00:25:49.759 --> 00:25:50.200
<v Speaker 9>What is it?

422
00:25:50.759 --> 00:25:53.000
<v Speaker 2>What is it that Shakespeare said about beauty?

423
00:25:53.160 --> 00:25:55.400
<v Speaker 3>But I always say about my lily.

424
00:25:56.400 --> 00:26:01.400
<v Speaker 9>Her beauty makes this vault a feasting presents all of life.

425
00:26:02.200 --> 00:26:03.680
<v Speaker 2>The beauty makes it fold.

426
00:26:03.759 --> 00:26:06.960
<v Speaker 3>If you see present, full of life. It's nine o'clock

427
00:26:07.039 --> 00:26:15.119
<v Speaker 3>on a bed. Good night, come in, ah, this is

428
00:26:15.200 --> 00:26:19.240
<v Speaker 3>the day I shall not long for gaps. Oh good night,

429
00:26:20.720 --> 00:26:21.960
<v Speaker 3>my dear missus for him.

430
00:26:22.119 --> 00:26:25.680
<v Speaker 9>Now that the children are asleep, May I show you.

431
00:26:25.799 --> 00:26:28.680
<v Speaker 7>A bit of New York that should we leave the

432
00:26:28.799 --> 00:26:29.759
<v Speaker 7>children alone?

433
00:26:30.559 --> 00:26:36.160
<v Speaker 9>Agnews is with them? A little nightlight, perhaps a few

434
00:26:36.279 --> 00:26:38.400
<v Speaker 9>memories to take back to Cleveland.

435
00:26:39.799 --> 00:26:43.400
<v Speaker 7>Well I shouldn't, but may I'll get my car.

436
00:26:46.720 --> 00:26:50.400
<v Speaker 9>We're going to Maxine's where all the girls are dream.

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00:26:52.599 --> 00:26:54.400
<v Speaker 3>Hello is this the.

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00:26:54.480 --> 00:26:58.920
<v Speaker 9>Love you and Rhodes apartment give me apartment six or two?

439
00:26:59.039 --> 00:27:23.319
<v Speaker 9>Please Hello, cuddle Poopsy. I'm busy tonight business right, Yes, yes,

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00:27:23.400 --> 00:27:26.400
<v Speaker 9>I saw it. We got in Earl Wilson's column.

441
00:27:28.720 --> 00:27:35.960
<v Speaker 5>Tomorrow maybe good night, my jobs, we're going to.

442
00:27:39.559 --> 00:27:41.440
<v Speaker 3>My dear May I take your arm?

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00:27:42.119 --> 00:27:42.359
<v Speaker 7>Yeah?

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00:28:07.519 --> 00:28:12.160
<v Speaker 1>And now here is Jack Webb, star of DRAGNEB.

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00:28:12.519 --> 00:28:15.799
<v Speaker 6>If you smoke king size cigarettes, listen to Fatima's amazing

446
00:28:15.880 --> 00:28:20.200
<v Speaker 6>new offer. Buy a pack of Fatimas, enjoy their extra mildness,

447
00:28:20.400 --> 00:28:22.559
<v Speaker 6>and see if you don't like Fatimas better than the

448
00:28:22.640 --> 00:28:26.599
<v Speaker 6>king size cigarette you're now smoking. If you don't, return

449
00:28:26.680 --> 00:28:29.359
<v Speaker 6>the pack with the unused Fatimas, and we'll give you

450
00:28:29.359 --> 00:28:31.359
<v Speaker 6>your money back plus postage.

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00:28:31.880 --> 00:28:32.000
<v Speaker 1>Now.

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00:28:32.079 --> 00:28:34.359
<v Speaker 6>We make this offer because we believe Fatima is the

453
00:28:34.440 --> 00:28:37.799
<v Speaker 6>best of all king size cigarettes. Smokers all over the

454
00:28:37.839 --> 00:28:40.559
<v Speaker 6>country are confirming this every day. Listen to this state

455
00:28:40.640 --> 00:28:44.599
<v Speaker 6>by state report, State one Fatima sales up ninety two percent,

456
00:28:45.279 --> 00:28:48.559
<v Speaker 6>Two sales up fifty six percent, Three.

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00:28:48.799 --> 00:28:50.440
<v Speaker 3>Sales up seventy four percent.

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00:28:51.000 --> 00:28:54.079
<v Speaker 1>Four Fatima sales up one hundred and seven percent.

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00:28:54.440 --> 00:28:57.359
<v Speaker 6>Remember, if you're not convinced they're better than your present

460
00:28:57.480 --> 00:29:01.039
<v Speaker 6>king size cigarette, return the pack and the unsmoked Fatimas

461
00:29:01.079 --> 00:29:04.559
<v Speaker 6>before December first and get your money back plus postage.

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00:29:04.920 --> 00:29:09.920
<v Speaker 6>That's Fatima Box thirty seven, New York one by Fatima Today.

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00:29:16.720 --> 00:29:17.759
<v Speaker 3>Listen again next week.

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00:29:17.880 --> 00:29:22.799
<v Speaker 1>Friends to The Magnificent Montague starring Mati Wally, the Saturday

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00:29:22.920 --> 00:29:27.960
<v Speaker 1>Night transcribed feature on NBC's All Star Festival of Comedy, Music, Mystery,

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00:29:28.000 --> 00:29:32.480
<v Speaker 1>and Drama, brought to you by Anison for fast relief

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00:29:32.559 --> 00:29:36.240
<v Speaker 1>from pain of headache. You're writers Senor Altia by RCA

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00:29:36.440 --> 00:29:40.279
<v Speaker 1>Victor world leader in radio, first in recorded music and

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00:29:40.440 --> 00:29:46.119
<v Speaker 1>first in television, and by extram Mild Fatima best of

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00:29:46.200 --> 00:29:52.799
<v Speaker 1>all King size cigarettes in Fatima. The difference is quality.

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00:29:53.720 --> 00:29:57.160
<v Speaker 1>The Magnificent Montague was created and directed by net Hiking

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00:29:57.240 --> 00:30:01.160
<v Speaker 1>and written by net Hiking and Billy Friedberg, and Seymour

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00:30:01.319 --> 00:30:05.359
<v Speaker 1>was Lily Pert Calton was Agnes. Also heard on tonight's

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00:30:05.400 --> 00:30:10.079
<v Speaker 1>broadcast were Art Connie, Johnny Gibson, John Griggs, and Barbara Weeks.

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00:30:10.640 --> 00:30:14.279
<v Speaker 1>Jack Ward was at the organ. This is Don Pardo speaking.

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00:30:18.799 --> 00:30:20.839
<v Speaker 2>Stay tuned for the best in popular music.

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00:30:20.920 --> 00:30:23.039
<v Speaker 1>It's the musical Merry Go Round on NBC

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<v Speaker 9>K FI, Los Angeles,
