Speaker 1: Get this and get it straight. I am on a
summer recording break and we are bringing you encore presentations
of the Philip Marlow nineteen fifty one Summer Replacement series.
As usual, any offers or information in this episode may
not be valid unless currently reflected on our Great Detectives
of Old Time Radio website. But here is today's episode.
It happened like this.
Speaker 2: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
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as a supporter to the listener support campaign. Well, now
it's time for today's episode of the Adventures of Philip Marlow.
The original aired eight August the twenty first, nineteen fifty one,
and the title is Life can be Murdered Most Saturdays.
Speaker 3: At this time, we spent an exciting half hour of
adventure in action with America's public hero number one, hop
Along Cassidays. Well, even two fisted cowboys take summer vacations
when they can, and Hoppy is no exception. Hop Along
and topper. We'll be back with us riding the CBS
air Trails again nine weeks from tonight, September twenty second.
Speaker 4: Get this and get it straight. Crime is a sucker's road.
Those who travel it wind up in the gut of
the prison of the grave, no other end, But they
never learn.
Speaker 3: From the pan of Raymond Chandler, outstanding author of crime fiction,
comes his most famous character in the Adventures of Philip
marlow Now with Gerald Moore starred as Philip Marlowe, we
bring you tonight's exciting story.
Speaker 4: Wife can be murdered the time and a half light
above the entrance, free bells trifle in. If you say
it fast enough, you may be right. It's authentic English
scripts and it hangs over the door of an authentic
English restaurant just south of the authentic Sunset strip, owned
and bought seaded by Belle Smithers. Inside, from the paneling
to the prime rib, from the Welsh rabbits of the
dot board at one end of the bar, it's the
Union Jack all the way, and it figures Bell's authentic
two one hundred percent pure Nebraska. I always sit at
the bar.
Speaker 5: Mallow, you old dog, you've been neglecting me.
Speaker 4: Yeah, well, I've tried to stay away from you, honey,
but I can't. You're bigger than both of them. Yeah, me,
And what you said you want to drink honey, Yeah,
but make it with your own light hand for a change. Really,
I'm tired of walking out of here on my knees.
Getting out the water will floated.
Speaker 5: Okay, honey, it's your point in.
Speaker 4: My stomach lining. Hey, looks like most of the regulars
are here, huh. But when they get tired of looking
at the same old faces, you stand it as long
as they can, No, Milo, I kind of like it's
clubby this way.
Speaker 5: You get a few people who.
Speaker 4: Just come in to see what a lady Barki's like.
Speaker 5: But most of them are just regular folks, you know,
real people like the.
Speaker 4: Food and drink.
Speaker 5: Oh yeah, sure, Sometimes I forget. I get all carried
away working my jaw.
Speaker 6: Yeah, thanks, honey.
Speaker 4: So you know, sometimes you forget a lot of things.
I think, like teaching school and where was it Nebraska?
Speaker 7: Oh?
Speaker 4: Galala?
Speaker 6: That name don't stick with you with a don does it?
Speaker 4: Oh doesn't mean anything? What does to the folks back there?
Speaker 5: County?
Speaker 6: See the Keith County that's right there on.
Speaker 8: The South Flat River, that's just south of.
Speaker 5: The North Flat River.
Speaker 4: Yeah, well that's nice, right.
Speaker 5: No, mirlo, that's one thing I'll never forget teaching school
back there in Nogalala. Now the cliff hadn't done that,
I wouldn't be doing this now.
Speaker 9: You see these reached cattle folks, they come through from Chinenne.
Speaker 10: And what I got a thirteen year old shavers?
Speaker 4: And where are they going with the shave of it England?
And what do they need but a too?
Speaker 11: And who do they draw but me right out our
tenth grade and social studies?
Speaker 4: That don't. No, I got a feeling you've heard this
song before. Yeah, just a few thousand times though, But
don't worry.
Speaker 11: I like it a matter of fact, Missus Smithing, Oh
call me Dale, honey.
Speaker 12: What can I do for you?
Speaker 8: The young lady said, you've kept the.
Speaker 5: Dart bo oh for the dark.
Speaker 8: Oh yeah, sure I do.
Speaker 5: It is all right, showing God I'm waiting for someone,
and I sah.
Speaker 8: It's perfectly all right, honey.
Speaker 5: Just make yourself at home there, y'are? Thank you?
Speaker 8: Oh I hope I didn't bother you.
Speaker 4: Oh I'm so glad you didn't. In fact, if you
want to build a house, I'd like that too. Well,
thank you for the darts, hey Bill, that red hair,
the green all you and your don't say it just
for me, another pilever and water.
Speaker 7: You don't beat a whole on declaire, lookout bos eyes.
Speaker 5: She made it, Marlow, Your head was right in front
of a target and she still made it.
Speaker 4: Yeah. Well, I'm very happy for it.
Speaker 8: I had no idea your head away.
Speaker 4: Neither in my head as long as that you really sorry?
Speaker 5: Sorry?
Speaker 6: Why we haven't had a booze out all week?
Speaker 5: That rates a drink and dinner on the house belle
for two, of course, a bell girl right now tonight.
Speaker 4: I'm again, where's Marlow here? Naturally that's my girl, red
hair and green eyes, smiling a nice smile went along
with the gay We coasted us throwing on my head
and Bell telling sense of judgment and putting the dot
board at head level at one end of the bar.
By the time we moved to a table for two,
I knew her name was Monty Carr before dinner was over.
I had a pretty good idea that everything about her
was all right me. Hey, Marney, you got that look again. Oh?
Speaker 8: Really? Which one?
Speaker 4: The dark one happens every time you look out the door?
Speaker 5: Yes, I expected.
Speaker 8: Do you see? I'm not exactly a free agent. Someone
brought me here, said he'd be back.
Speaker 4: I think he'll object to our little party, isn't it?
Speaker 5: Not?
Speaker 8: Really? I guess I hope he doesn't come back.
Speaker 4: All right? So too? Tell me? Can I play twenty questions?
Speaker 8: I rather you didn't? Okay, you know, I really feel
pretty silly. It's but it's so easy being with you,
Like I've known you a long time.
Speaker 5: And I practically picked you up.
Speaker 8: You know I've never done anything like that in my life.
Speaker 4: Yeah, well, Belle picked us boats up. I wouldn't want
worry about it.
Speaker 5: I don't think you even heard me. It's very important
to me that you know I've never picked anyone up.
Speaker 4: Sure, I believe you.
Speaker 6: Know what I mean.
Speaker 8: It's like I'm doing something wrong and I should feel
guilty about it, but I don't. I'm not making any
sense at all, am.
Speaker 4: I Look, why don't you just forget about it? Huh?
You said you felt easy with me. That's enough, isn't it? Yeah?
Such enough?
Speaker 5: Well, I guess.
Speaker 8: I really think I should go now.
Speaker 4: Oh Belle, I'll never forgive you for not finishing the trifle?
Is how specialty you know?
Speaker 8: Maybe I'll come back sometimes I'll eat a double order.
Speaker 4: Will you let me take you home? Oh? I don't know,
it'll be all right, money, very all right? Well can
I take you home? Yes?
Speaker 8: Yes you can.
Speaker 4: Goodyear. We'll stop by the bar and slip bell the
grip and then we'll be on our way.
Speaker 5: Yes, I do want to saycause they drave us me
right out him Social Studies at Ogalalla Hospital.
Speaker 6: Yeah, yeah, you told me Bell, great story.
Speaker 4: You gotta change it a little bell just for listener entries.
Hi Matthews, Hello Phil, what brings you up, miss Carr?
Lieutenant Matthews, how do you do? Great dinner?
Speaker 1: Bell?
Speaker 5: Dinner Bell my head?
Speaker 4: Yeah, I'm a regular. Yeah, yeah, it was.
Speaker 7: A very nice dinner.
Speaker 4: Bell, Thank you, my pleasure.
Speaker 3: Honey you come again?
Speaker 4: You will night off? Matthew? Yeah so far? Hey you too,
have a drinking. I think the young lady's anxious to
go home.
Speaker 7: Oh I'm afraid I'm taking still.
Speaker 5: Out of his b Lieutenant, but bed for driving him
too far.
Speaker 9: Maybe he does.
Speaker 4: Wait a minute, wait a minute, I'll make my own arrangement.
Speaker 8: I know some lovely folks on bed the Dickinson.
Speaker 4: Six hundred blocks. You know him?
Speaker 5: No, No, I don't.
Speaker 8: I'm north there seventy.
Speaker 4: Oh yeah, well we'll see yeah. Huh night bell Matthew,
good night.
Speaker 5: It's nice to make you turn right at this corner,
the last house on the.
Speaker 4: Money. Can we do this again?
Speaker 7: I don't know, Phil, Oh you usually it failed?
Speaker 8: In case I get the urge to throw duart skin.
Speaker 4: Yeah, well I also have a home, and I'll get
a dog board.
Speaker 8: Let's keep it at failed maybe later sometime I'll oh
wait a minute, he.
Speaker 4: Looks like you got company clime and drive.
Speaker 8: Yes, I serious.
Speaker 7: I wonderful the.
Speaker 4: Guy who was supposed to come back and didn't.
Speaker 8: I'll say good night here, Phil, don't bother coming to
the door.
Speaker 4: Oh no, look I sake.
Speaker 8: I I mean, well, maybe i'll see you at bells again.
Speaker 4: Don't call us, we'll call you. Is that? God?
Speaker 8: Thanks?
Speaker 12: I liked it.
Speaker 4: Great work, Marmo, so crazy about you. She's running the
other way.
Speaker 6: Oh what.
Speaker 5: Never minds.
Speaker 9: Could not do nice a game.
Speaker 4: It wasn't ideal. The way the evening ended, not the
way I'd planned it. But then how would you plan
an evening like that? Girl meets dots, girl throws dot,
Girl meets boy didn't make much sense, but it didn't
have to. It was a nice evening, though short, but nice.
Montie Carr was a nice girl, and I decided to
leave it at that nice girl. It was straight up
eleven o'clock when I got home. I thought about the
red hair and the green eyes for several pleasant minutes,
and then I went to bed to sleep. M a
chance to dream?
Speaker 10: Oh well, oh oh.
Speaker 4: Hello Matthews film. Yeah, yeah, girl, you were last night.
Speaker 10: Where was it she lived?
Speaker 4: Where did she live? Look, it's not even eight o'clock
in the morning. You're asking for driving. Yes, it's worth
twenty four seventy bed for driving. If you hurry, maybe
you can get there in time for Brett. I'm already are.
Speaker 3: Field, and you better come on up.
Speaker 1: The name has been murdered.
Speaker 3: In just a moment, we will return to the second
act of Philip Marlowe. But first, so you think this
old world of ours.
Speaker 4: Is fresh out of miracles, Maybe it sort of long
for the.
Speaker 3: Days of the Arabian Nights or folks of fables who
possess those magic wands. Lamps, rings, healismans that all produced wonders.
Speaker 4: Well, if you do, you'll find CBS's Mister Aladdin a
refreshing gent to meat. He gets the name mister Aladdin
from the fact that his exciting adventures have the atmosphere
of miracles about them.
Speaker 3: Listen for him later this evening on most of these
same CBS stations, and now with our star jel Moore,
the second act of Philip Marlowe.
Speaker 4: And Tonight's story, Lights can be Murdered all the way
to Beverly Hills. I tried hud the place of the
guy in the doorway the night before. Paul Money had
called him, but there was no use. You can't remember
a face. You ever saw the car on the driveway
when I took a home, A Chevy Coop gray, two dogs,
forty nine fifty and there are millions of it had
been blue and bright with stars the night before. Morning
was hazy overcat and so was I. Matthews, let me
at the door, Come on in, Phil, sure, yes, tell
me how long you know the last night? You sure?
I'm sure? Any idea? What happened? Oh yeah, yeah, someone
was looting the place. Our black door was jimmyde and
some stuff missing. This day must have interrupted it got
herself killed. Where is she? But the corp Yes, the
cops in here. I Hey, that's not mine. Did I
say it was? Oh no, but I thought that never mind.
You know who this is? Yeah? And howkness? According to
identification of her purse, it's from New York. Taxi driver
brought her here about eleven last night from the airport
and the car and that says she must have been
shot shortly after that. You bring your girlfriend straight here
from Bells. Yeah, that's new for you, all right. That
would put her here by ten thirty easy. So the
taxi driver says, A redheaded gallo answered the door and
let the hawkness woman name. That doesn't prove a thing.
Oh no, no, it doesn't. I'd like to talk to her, though, Phil.
You know where she lives. She lives here, doesn't She
house belongs to mister and missus Orvey Edwards. They're out
of town. It's called a Chicago yesterday was a death
in the family and the neighbors don't know anything about
this Missus Carr was it? Yeah, money car? Yeah? Oh,
I got a call into Chicago for the Edwards got
to clear it up tomorrow. Him mooney, Yeah, what you
got such? Well? They stand this book, phone numbers from
the phone desk in the hall, nobody named carlist. I
don't okay, this note might be something from the big
bedroom upstairs, son of the house. Let's see. Hmm it
signed money Phil, it is let me have a look. Yeah,
dear missus Edwards, thanks for the lovely remembrance. You're very thoughtful.
I'll tell miss Harkness to make his tell yeah, whatever
that means. I'll keep looking around with NNA do that
money out well, asten as the Chicago call comes through,
we'll get our hooks into something. Look, Matthews, you might
have I looking around? Oh help yourself. You've got any ideas? Yeah,
I don't think Monney had anything to do with it,
and I don't know where she lives. Okay, okay, Phil,
only leave the note with me.
Speaker 13: Huh.
Speaker 4: I looked around and try to figure things that didn't figure.
Monnie didn't live here, but she knew the Edwards, that is,
she knew me Edwards, and she addressed her as missus
Edwards and find herself money made. Maybe Paul could have
been anybody and I wanted to find money before I
took up the matter of Paul with Matthews. Upstairs, by
the phone in the master bedroom, I found something, Sergeant Mooney.
It overlooks another address book, smaller with phone numbers. I
flipped through it. There was nothing under see for car,
but under m for money. There was a costume number,
but no address. I decided to take the book with me.
Will you still hear soil? Yeah? Yeah, just leaving. Oh look, hey,
what about that card girl? Yeah, she may be the
sweetest kid in town, and she may be a killer.
You never know. Thanks for the chip, And I didn't
call you to get in my way though. If I
find her, I'll tell you fair enough. Yeah, yes, fair enough.
Just don't get lost finding her. It was kind of
a break head started. Least I had a phone number
for money that Matthews didn't have, and I wasn't for
her against Jimmy knew that. I just couldn't think murdering
money in the same thought until I could. I'd string
with her if I could find her. Morning Hayes was
lifting somewhat. If I stopped at a gas station on
the strip and use the payphone.
Speaker 7: Mister Felix is good morning.
Speaker 4: Uh will you say this one?
Speaker 9: This is mister Felix.
Speaker 8: It's beauty sello.
Speaker 4: Oh oh he is money there? Please?
Speaker 5: I'm sorry, Miss Monney's not insane.
Speaker 4: Can someone else tell you? No? I look? Would you
be kind enough to give me a home phone?
Speaker 7: I'm sorry, sir.
Speaker 5: We're not allowed to give out.
Speaker 4: But I'm an order.
Speaker 5: It doesn't matter who you are. I can't give you
her numbers?
Speaker 4: Okay? Thanks?
Speaker 13: Oh?
Speaker 5: May I help you?
Speaker 8: Sir?
Speaker 4: I just talked to you a few minutes ago on
the phone about money.
Speaker 8: I told you then, I tell you now. We are
not permitted to give out numbers. How did you find us?
Speaker 4: Oh, mister Felix is in the book and money is not.
Look really, this is important. I'm doing this for her.
Speaker 7: I've given mister Felix my.
Speaker 8: Word and I've never broken it.
Speaker 4: Yeah. Well, I hope that is Oh Monny's friend here?
You know, the special one. She keeps talking about her
all the time, isn't it strange? I can't remember her name. Pig, Yes, yes, Pig,
sure that's the one. Can I talk to him? Well?
Speaker 7: Oh all right, Ah, thirty six desk please thirty six,
please thank you. I hope this never gets back to
mister Felix. I can't imagine what he'd think. Oh, I
can't either, But don't worry my lips.
Speaker 4: I see you.
Speaker 5: You blasphemylas Oh yes.
Speaker 4: Thirty six pig this gentle to hear Peggy, it's about money?
Speaker 8: What about mine?
Speaker 4: Well, I don't have her home phone or her address.
Speaker 8: She wouldn't give it to you.
Speaker 4: Huh, well, no she wouldn't.
Speaker 5: You look all right to me? What's wrong?
Speaker 8: Would you?
Speaker 4: Nothing? Hey, I'm a nice, clean cut fella.
Speaker 8: Yeah, looks like eh.
Speaker 4: What do you want with Marny? Well? I just want
to see her good enough?
Speaker 11: Raising dust in the world. She don't feel too well today.
She called me first thing this morning?
Speaker 4: Your fault? Oh no, no, I don't think so. No.
Tell me what did she say when she called she
didn't feel too well? Ah? When I look, Peggy, does
money go out to missus? Edward's often just when she's
called to do her hair? Good enough reason, you're old,
best in the world. Do I get that phone number? Ridgely?
Speaker 11: Oh oh four oh oh fo yeah, and that's one
six three seven North Vermont Apartment.
Speaker 4: B Ridgely oh four oh one six three seven north
from my apartment B and walk softly by A.
Speaker 8: That's the land lady.
Speaker 4: Yeah, well, I'll remember thanks.
Speaker 9: Pegging, and if you don't find her come back, I'll
give you mine.
Speaker 4: Peg was something of a prophet, among other things. Well,
there was no answer to my not get one six
three seven off from mont Apartment B, and no answer
to the phone call I faced in the lobby, so
I quit walking softly by Apartment A. Not there, and
the doorway was suddenly filled the solid block of granite.
Speaker 9: Yes, I'm a.
Speaker 12: Landlady, but if she don't answer the door, it takes
sense to me she ain't in.
Speaker 4: Well, have you seen her this morning?
Speaker 12: I ain't seen since she went to work yesterday morning.
I ain't seen him either, her husband, husband, young man.
Even if I knew, I wouldn't tell you.
Speaker 4: And I was getting proud of my head. It could
dodge anything from flying dots, the door slams near the eyebrow.
But that was about all I was proud of at
the moment. I wasn't exactly closing in on money. A
landlady's snort didn't give me much of a line on
Paul Let that's who she was exhaling about. And there
was a matter of Vane Hartness, who flew into Los
Angeles the night before, just in time to be murdered me. Now,
I drove to a nearby drive in and mulded over
a sandwich. Coffee was grim too. I was starting in
on the routine that begins with if I were money,
where would I go? When I got a flash of
an idea. Ten minutes later, I was banging on another door.
Speaker 6: Well, anybody old.
Speaker 5: So Marlowe, come in arrange for swinging doors, first thing tomorrow.
Speaker 4: I'm sorry, but I got an idea.
Speaker 5: I told you lately.
Speaker 4: We're not open for line, I said him, Sorry, didn't I?
Speaker 9: I'm sorry, marlow Yes, I'm kind of off my feet,
did they?
Speaker 8: I there?
Speaker 5: You ought to see what that butcher sent.
Speaker 8: Me in the name of Prime rib.
Speaker 5: And Charlotte Paul said she'd foundered like a beach twail
all night bad too run down. And when I got.
Speaker 8: Here, this was here for you.
Speaker 5: Someone shoved it under the door. I guess least that's.
Speaker 8: Where I found it.
Speaker 3: Well, I'm the Ghoshen.
Speaker 11: Come in.
Speaker 5: You don't up people would put on a floor show.
Speaker 4: You have been a busy boy, still.
Speaker 5: Make yourself at home, attendant.
Speaker 8: I got work to do.
Speaker 4: If you know that, you also and I'm getting nowhere. Yeah,
maybe listen, you've been telling me Matthew's tailing you. That's
what I said. Just the boy has been going the
same place as you have a little bit later, all
the way around and along about the second stop, the
description began to fit you. It did another Tell me,
how did your phone call a Chicago come out? Oh?
We found out where your money cough fits in? Oh yeah,
that hackness name was a friend from New York who
came to call on the Edwardses and they tried to
intercept her when they got the call about their family
death in Chicago. Only they couldn't reach her. Your money,
told missus Edwards. She'd stick around the house and wait
for the hotness name.
Speaker 8: Is that all?
Speaker 4: Well? They described some of the stuff that might be missing.
We checked and it is it is. Huh yeah, tell
me how do you figure money by? Now? How can
I figure a film? She's missing? Yeah? She is missing,
isn't she? Phil? I said, if I found her, i'd
tell you remember? Oh, yes, I remember, Phil. I just
want to make sure you do. I had a reason
for not telling Matthews about the notes Bell gave me.
It's what signed money, all right, But it wasn't the
same handwriting I've seen in the note she left for
Missus Edwards. It said phill meet me at eight thirty
to night in the park above the bluffs of Santa Monica.
That was all except eight point thirty was like six
hours away, and it's just dark here at eight thirty,
and a fella can get killed keeping that kind of
an appointment. Do you ever wait six hours for something
to happen? Oh, it's no fun. Neither as the thought
that maybe something's final has happened to a pretty nice person.
I was almost sure now that Paul was my boy,
but almost wasn't close enough, and I had to find
money if she could be found. And I got to
the park above the Plantamonica Bluffs about fifteen minutes earlier,
left my car a block or so away, and all
the way to the park I watched for a gray
Chevy Coop forty nine or fifty. When you look for
I'm they're hard to see. And then I saw it
parking half a blockdown. A guy got out and headed
into the park. I let him go got to his
car a boy the time he reached the bluffs. I
don't know what I thought i'd find, But not my
wildest dreams did I expect what I found. Three minutes later,
I was put the floor boarding it up the coast Highway.
Taught Malibu the Seaway Motel, twenty one, twenty four to
five Malibu Road, that's the way. The parking ticket. I
lifted front of the windshield wiper on the Chevy Rift
and that was good enough for me. I hit two
wrong doors before I found the one I wanted, and
I had a spring to lock money. The place rough
doesney here? Yeah, I'll tell you rich, No?
Speaker 5: Did you get away? Still?
Speaker 8: I've been such an idiot.
Speaker 4: You love him a lot? Huh?
Speaker 8: Who who doesn't love their own kid? Brother?
Speaker 4: All is your kid brother?
Speaker 5: Write it down somewhere.
Speaker 8: Big sisters don't make good mothers.
Speaker 4: Take it easy. You're okay?
Speaker 5: Sure, I'm fine.
Speaker 6: Birthday?
Speaker 5: Catch Paul stealing from the Edwards. Then I stand there
like a zombie and watch him shoot down a woman
in the seat.
Speaker 8: I'm sorry. I didn't want to drag you into this.
He asked me who you were when you brought me
to the Edwards last night.
Speaker 5: I'd never heard of you, the cool head And.
Speaker 4: Wait a minute, that's probably him.
Speaker 8: Now be careful.
Speaker 4: Philly's crazy right behind the door.
Speaker 6: Boyfriends, put me up. We got to get out of here.
He's just a kid.
Speaker 4: Yeah, just a kid. I called Matthews and wounded up.
Everything checked, everything balanced. Paul cried like the baby he was,
and blabbed his head off when he came to Monnie
just cried. Funny. How many people disposed of anything from
Mayhem to murder with the phrase, he's just a kid.
I bet someone said that about Capone Villinger and pretty
boy Floyd. I take Monny, She's what a kid. The
Adventures of Philip Marlowe Bringing You Raymond Chandler's most famous characters,
star Gerald Moore, are produced and directed by Norman MacDonnell
and written for radio by Kathleen hit Featured in the
cast were Virginia greg and Joan Banks, with Paul.
Speaker 3: Duball, Jim Knusser, June Whitley, Shirley Mitchell, and Marjory Bennett.
Detective Lieutenant Matthews was played by Larry Dobkin. Gerald Moore
may soon be seen in the Santana production sier Rocco.
The special music is composed by Pierre Garagank and conducted
by Wilbur Hatch. Be sure to listen again next week
at the same time. When Philip Marlow say.
Speaker 4: It's time a pair of cross telephone wires put the
good neighbor policy into effect, the murderous accompaniment of an
off key xylophone, one good neighbor almost kills another good neighbor.
Tell a name, Mollow.
Speaker 13: This is Andrew J.
Speaker 11: Graham, author of the web surface series Oh and a
Man and his Wife.
Speaker 8: You're listening to the great detectives of old time radio.
Speaker 2: Welcome back. It's kind of odd that they kept mentioning
hop Along Cassidy now three weeks in. Apparently they want
just for people to be comfortable, ensure that Hoppolong is
not going anywhere, you know, and we'll be back once
the summer's over. That was an interesting Nebraska accent. I've
never heard anyone from Nebraska who talk quite like that.
I guess it's just my experience of people from the
Midwest is more lack of a country accent than anything,
though I've not spent a great deal of time in Nebraska.
Though I know a couple of people from there, I
will defer to experts in the audience on the particular accent,
and that will actually do it for today, though. Join
us back here tomorrow for Mystery Theater Next Wednesday, another
episode of the Adventures of Philip Marlowe. A reminder that
our listener support campaign continues and you can become an
ongoing contributor to the campaign at Patreon dot Great Detectives
dot net support the show monthly. You can also become
time supporter at support dot Great Detectives dot net. And
during the listener support campaign we offer special thank you gifts.
Among the items that we do have. At a twenty
dollars level, at your request, we will send you one
of the great Colonial Radio theater audio dramas, including Zoro
and the Pirate Raiders or King Solomon's Mind, or The
Martian Chronicles full cast adaptation from Colonial Radio Theater, or Gettysburg,
which is a fantastic historical epic. And then we do
have fall the Brown Ason releases. Also at the seventy
five dollars level, we'll send you the Hillary Kinge Mysteries
from Productions in Seattle. They are period pieces actually produced
in modern day Seattle, but set in nineteen thirties England.
There are a lot of fun and they're available with
a donation of seventy five dollars or more. Full list
of available thank you gives is at support dot great
Attractives dot net. In the meanwhile, I do send your
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this is your host, Adam Grahamson and Off