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Speaker 1: Get this and get it straight. I am on a

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summer recording break and we are bringing you encore presentations

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of the Philip Marlow nineteen fifty one Summer Replacement series.

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As usual, any offers or information in this episode may

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not be valid unless currently reflected on our Great Detectives

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of Old Time Radio website. But here is today's episode.

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It happened like this.

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Speaker 2: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. If you have a

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common email it to me Box thirteen at Great Detectors

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dot net, follow us on Twitter at Radio Detectives, and

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become one of our friends on Facebook, Facebook dot com

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slash Radio Detectives. Before we do get started, I want

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to remind you that our listener support campaign continues and

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you can support it at support dot Great Detectors dot

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the listener support campaign, we have special thank you gifts

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have either Sherlock Holmes The Hound of the Baskervilles from

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Big Finished Production or Sherlock Holmes The Adventure of the

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the ordeals also for those who want to physical media.

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If you're in the US or candidate, the fifty dollars

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level will send you The Big Sleep starring the Great

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Humphrey Boguard. A full list of available thank you gifts

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is at support dot Great Detectives dot net. And thanks

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so much for Ruth Ellen for her support. Appreciate that

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as a supporter to the listener support campaign. Well, now

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it's time for today's episode of the Adventures of Philip Marlow.

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The original aired eight August the twenty first, nineteen fifty one,

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and the title is Life can be Murdered Most Saturdays.

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Speaker 3: At this time, we spent an exciting half hour of

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adventure in action with America's public hero number one, hop

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Along Cassidays. Well, even two fisted cowboys take summer vacations

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when they can, and Hoppy is no exception. Hop Along

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and topper. We'll be back with us riding the CBS

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air Trails again nine weeks from tonight, September twenty second.

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Speaker 4: Get this and get it straight. Crime is a sucker's road.

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Those who travel it wind up in the gut of

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the prison of the grave, no other end, But they

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never learn.

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Speaker 3: From the pan of Raymond Chandler, outstanding author of crime fiction,

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comes his most famous character in the Adventures of Philip

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marlow Now with Gerald Moore starred as Philip Marlowe, we

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bring you tonight's exciting story.

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Speaker 4: Wife can be murdered the time and a half light

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above the entrance, free bells trifle in. If you say

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it fast enough, you may be right. It's authentic English

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scripts and it hangs over the door of an authentic

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English restaurant just south of the authentic Sunset strip, owned

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and bought seaded by Belle Smithers. Inside, from the paneling

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to the prime rib, from the Welsh rabbits of the

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dot board at one end of the bar, it's the

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Union Jack all the way, and it figures Bell's authentic

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two one hundred percent pure Nebraska. I always sit at

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the bar.

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Speaker 5: Mallow, you old dog, you've been neglecting me.

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Speaker 4: Yeah, well, I've tried to stay away from you, honey,

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but I can't. You're bigger than both of them. Yeah, me,

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And what you said you want to drink honey, Yeah,

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but make it with your own light hand for a change. Really,

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I'm tired of walking out of here on my knees.

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Getting out the water will floated.

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Speaker 5: Okay, honey, it's your point in.

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Speaker 4: My stomach lining. Hey, looks like most of the regulars

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are here, huh. But when they get tired of looking

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at the same old faces, you stand it as long

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as they can, No, Milo, I kind of like it's

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clubby this way.

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Speaker 5: You get a few people who.

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Speaker 4: Just come in to see what a lady Barki's like.

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Speaker 5: But most of them are just regular folks, you know,

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real people like the.

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Speaker 4: Food and drink.

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Speaker 5: Oh yeah, sure, Sometimes I forget. I get all carried

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away working my jaw.

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Speaker 6: Yeah, thanks, honey.

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Speaker 4: So you know, sometimes you forget a lot of things.

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I think, like teaching school and where was it Nebraska?

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Speaker 7: Oh?

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Speaker 4: Galala?

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Speaker 6: That name don't stick with you with a don does it?

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Speaker 4: Oh doesn't mean anything? What does to the folks back there?

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Speaker 5: County?

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Speaker 6: See the Keith County that's right there on.

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Speaker 8: The South Flat River, that's just south of.

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Speaker 5: The North Flat River.

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Speaker 4: Yeah, well that's nice, right.

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Speaker 5: No, mirlo, that's one thing I'll never forget teaching school

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back there in Nogalala. Now the cliff hadn't done that,

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I wouldn't be doing this now.

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Speaker 9: You see these reached cattle folks, they come through from Chinenne.

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Speaker 10: And what I got a thirteen year old shavers?

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Speaker 4: And where are they going with the shave of it England?

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And what do they need but a too?

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Speaker 11: And who do they draw but me right out our

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tenth grade and social studies?

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Speaker 4: That don't. No, I got a feeling you've heard this

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song before. Yeah, just a few thousand times though, But

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don't worry.

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Speaker 11: I like it a matter of fact, Missus Smithing, Oh

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call me Dale, honey.

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Speaker 12: What can I do for you?

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Speaker 8: The young lady said, you've kept the.

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Speaker 5: Dart bo oh for the dark.

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Speaker 8: Oh yeah, sure I do.

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Speaker 5: It is all right, showing God I'm waiting for someone,

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and I sah.

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Speaker 8: It's perfectly all right, honey.

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Speaker 5: Just make yourself at home there, y'are? Thank you?

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Speaker 8: Oh I hope I didn't bother you.

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Speaker 4: Oh I'm so glad you didn't. In fact, if you

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want to build a house, I'd like that too. Well,

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thank you for the darts, hey Bill, that red hair,

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the green all you and your don't say it just

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for me, another pilever and water.

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Speaker 7: You don't beat a whole on declaire, lookout bos eyes.

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Speaker 5: She made it, Marlow, Your head was right in front

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of a target and she still made it.

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Speaker 4: Yeah. Well, I'm very happy for it.

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Speaker 8: I had no idea your head away.

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Speaker 4: Neither in my head as long as that you really sorry?

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Speaker 5: Sorry?

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Speaker 6: Why we haven't had a booze out all week?

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Speaker 5: That rates a drink and dinner on the house belle

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for two, of course, a bell girl right now tonight.

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Speaker 4: I'm again, where's Marlow here? Naturally that's my girl, red

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hair and green eyes, smiling a nice smile went along

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with the gay We coasted us throwing on my head

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and Bell telling sense of judgment and putting the dot

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board at head level at one end of the bar.

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By the time we moved to a table for two,

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I knew her name was Monty Carr before dinner was over.

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I had a pretty good idea that everything about her

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was all right me. Hey, Marney, you got that look again. Oh?

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Speaker 8: Really? Which one?

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Speaker 4: The dark one happens every time you look out the door?

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Speaker 5: Yes, I expected.

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Speaker 8: Do you see? I'm not exactly a free agent. Someone

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brought me here, said he'd be back.

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Speaker 4: I think he'll object to our little party, isn't it?

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Speaker 5: Not?

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Speaker 8: Really? I guess I hope he doesn't come back.

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Speaker 4: All right? So too? Tell me? Can I play twenty questions?

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Speaker 8: I rather you didn't? Okay, you know, I really feel

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pretty silly. It's but it's so easy being with you,

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Like I've known you a long time.

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Speaker 5: And I practically picked you up.

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Speaker 8: You know I've never done anything like that in my life.

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Speaker 4: Yeah, well, Belle picked us boats up. I wouldn't want

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worry about it.

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Speaker 5: I don't think you even heard me. It's very important

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to me that you know I've never picked anyone up.

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Speaker 4: Sure, I believe you.

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Speaker 6: Know what I mean.

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Speaker 8: It's like I'm doing something wrong and I should feel

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guilty about it, but I don't. I'm not making any

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sense at all, am.

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Speaker 4: I Look, why don't you just forget about it? Huh?

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You said you felt easy with me. That's enough, isn't it? Yeah?

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Such enough?

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Speaker 5: Well, I guess.

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Speaker 8: I really think I should go now.

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Speaker 4: Oh Belle, I'll never forgive you for not finishing the trifle?

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Is how specialty you know?

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Speaker 8: Maybe I'll come back sometimes I'll eat a double order.

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Speaker 4: Will you let me take you home? Oh? I don't know,

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it'll be all right, money, very all right? Well can

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I take you home? Yes?

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Speaker 8: Yes you can.

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Speaker 4: Goodyear. We'll stop by the bar and slip bell the

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grip and then we'll be on our way.

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Speaker 5: Yes, I do want to saycause they drave us me

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right out him Social Studies at Ogalalla Hospital.

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Speaker 6: Yeah, yeah, you told me Bell, great story.

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Speaker 4: You gotta change it a little bell just for listener entries.

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Hi Matthews, Hello Phil, what brings you up, miss Carr?

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Lieutenant Matthews, how do you do? Great dinner?

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Speaker 1: Bell?

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Speaker 5: Dinner Bell my head?

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Speaker 4: Yeah, I'm a regular. Yeah, yeah, it was.

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Speaker 7: A very nice dinner.

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Speaker 4: Bell, Thank you, my pleasure.

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Speaker 3: Honey you come again?

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Speaker 4: You will night off? Matthew? Yeah so far? Hey you too,

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have a drinking. I think the young lady's anxious to

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go home.

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Speaker 7: Oh I'm afraid I'm taking still.

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Speaker 5: Out of his b Lieutenant, but bed for driving him

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too far.

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Speaker 9: Maybe he does.

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Speaker 4: Wait a minute, wait a minute, I'll make my own arrangement.

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Speaker 8: I know some lovely folks on bed the Dickinson.

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Speaker 4: Six hundred blocks. You know him?

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Speaker 5: No, No, I don't.

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Speaker 8: I'm north there seventy.

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Speaker 4: Oh yeah, well we'll see yeah. Huh night bell Matthew,

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good night.

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Speaker 5: It's nice to make you turn right at this corner,

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the last house on the.

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Speaker 4: Money. Can we do this again?

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Speaker 7: I don't know, Phil, Oh you usually it failed?

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Speaker 8: In case I get the urge to throw duart skin.

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Speaker 4: Yeah, well I also have a home, and I'll get

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a dog board.

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Speaker 8: Let's keep it at failed maybe later sometime I'll oh

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wait a minute, he.

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Speaker 4: Looks like you got company clime and drive.

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Speaker 8: Yes, I serious.

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Speaker 7: I wonderful the.

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Speaker 4: Guy who was supposed to come back and didn't.

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Speaker 8: I'll say good night here, Phil, don't bother coming to

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the door.

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Speaker 4: Oh no, look I sake.

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Speaker 8: I I mean, well, maybe i'll see you at bells again.

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Speaker 4: Don't call us, we'll call you. Is that? God?

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Speaker 8: Thanks?

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Speaker 12: I liked it.

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Speaker 4: Great work, Marmo, so crazy about you. She's running the

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other way.

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Speaker 6: Oh what.

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Speaker 5: Never minds.

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Speaker 9: Could not do nice a game.

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Speaker 4: It wasn't ideal. The way the evening ended, not the

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way I'd planned it. But then how would you plan

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an evening like that? Girl meets dots, girl throws dot,

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Girl meets boy didn't make much sense, but it didn't

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have to. It was a nice evening, though short, but nice.

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Montie Carr was a nice girl, and I decided to

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leave it at that nice girl. It was straight up

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eleven o'clock when I got home. I thought about the

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red hair and the green eyes for several pleasant minutes,

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and then I went to bed to sleep. M a

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chance to dream?

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Speaker 10: Oh well, oh oh.

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Speaker 4: Hello Matthews film. Yeah, yeah, girl, you were last night.

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Speaker 10: Where was it she lived?

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Speaker 4: Where did she live? Look, it's not even eight o'clock

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in the morning. You're asking for driving. Yes, it's worth

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twenty four seventy bed for driving. If you hurry, maybe

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you can get there in time for Brett. I'm already are.

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Speaker 3: Field, and you better come on up.

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Speaker 1: The name has been murdered.

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Speaker 3: In just a moment, we will return to the second

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act of Philip Marlowe. But first, so you think this

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old world of ours.

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Speaker 4: Is fresh out of miracles, Maybe it sort of long

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for the.

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Speaker 3: Days of the Arabian Nights or folks of fables who

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possess those magic wands. Lamps, rings, healismans that all produced wonders.

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Speaker 4: Well, if you do, you'll find CBS's Mister Aladdin a

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refreshing gent to meat. He gets the name mister Aladdin

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from the fact that his exciting adventures have the atmosphere

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of miracles about them.

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Speaker 3: Listen for him later this evening on most of these

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same CBS stations, and now with our star jel Moore,

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the second act of Philip Marlowe.

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Speaker 4: And Tonight's story, Lights can be Murdered all the way

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to Beverly Hills. I tried hud the place of the

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guy in the doorway the night before. Paul Money had

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called him, but there was no use. You can't remember

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a face. You ever saw the car on the driveway

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when I took a home, A Chevy Coop gray, two dogs,

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forty nine fifty and there are millions of it had

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been blue and bright with stars the night before. Morning

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was hazy overcat and so was I. Matthews, let me

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at the door, Come on in, Phil, sure, yes, tell

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me how long you know the last night? You sure?

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I'm sure? Any idea? What happened? Oh yeah, yeah, someone

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was looting the place. Our black door was jimmyde and

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some stuff missing. This day must have interrupted it got

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herself killed. Where is she? But the corp Yes, the

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cops in here. I Hey, that's not mine. Did I

278
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say it was? Oh no, but I thought that never mind.

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You know who this is? Yeah? And howkness? According to

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identification of her purse, it's from New York. Taxi driver

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brought her here about eleven last night from the airport

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and the car and that says she must have been

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shot shortly after that. You bring your girlfriend straight here

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from Bells. Yeah, that's new for you, all right. That

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would put her here by ten thirty easy. So the

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taxi driver says, A redheaded gallo answered the door and

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let the hawkness woman name. That doesn't prove a thing.

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00:16:37,159 --> 00:16:41,360
Oh no, no, it doesn't. I'd like to talk to her, though, Phil.

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You know where she lives. She lives here, doesn't She

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00:16:46,000 --> 00:16:48,399
house belongs to mister and missus Orvey Edwards. They're out

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of town. It's called a Chicago yesterday was a death

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in the family and the neighbors don't know anything about

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this Missus Carr was it? Yeah, money car? Yeah? Oh,

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I got a call into Chicago for the Edwards got

295
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to clear it up tomorrow. Him mooney, Yeah, what you

296
00:17:05,160 --> 00:17:08,319
got such? Well? They stand this book, phone numbers from

297
00:17:08,359 --> 00:17:11,000
the phone desk in the hall, nobody named carlist. I

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00:17:11,079 --> 00:17:14,559
don't okay, this note might be something from the big

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bedroom upstairs, son of the house. Let's see. Hmm it

300
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signed money Phil, it is let me have a look. Yeah,

301
00:17:23,960 --> 00:17:27,240
dear missus Edwards, thanks for the lovely remembrance. You're very thoughtful.

302
00:17:28,079 --> 00:17:30,680
I'll tell miss Harkness to make his tell yeah, whatever

303
00:17:30,759 --> 00:17:33,000
that means. I'll keep looking around with NNA do that

304
00:17:33,039 --> 00:17:36,319
money out well, asten as the Chicago call comes through,

305
00:17:36,319 --> 00:17:38,519
we'll get our hooks into something. Look, Matthews, you might

306
00:17:38,519 --> 00:17:41,799
have I looking around? Oh help yourself. You've got any ideas? Yeah,

307
00:17:42,480 --> 00:17:44,319
I don't think Monney had anything to do with it,

308
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and I don't know where she lives. Okay, okay, Phil,

309
00:17:47,759 --> 00:17:49,119
only leave the note with me.

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Speaker 13: Huh.

311
00:17:53,640 --> 00:17:56,039
Speaker 4: I looked around and try to figure things that didn't figure.

312
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Monnie didn't live here, but she knew the Edwards, that is,

313
00:17:59,519 --> 00:18:01,920
she knew me Edwards, and she addressed her as missus

314
00:18:02,039 --> 00:18:06,920
Edwards and find herself money made. Maybe Paul could have

315
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been anybody and I wanted to find money before I

316
00:18:09,920 --> 00:18:13,480
took up the matter of Paul with Matthews. Upstairs, by

317
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the phone in the master bedroom, I found something, Sergeant Mooney.

318
00:18:16,160 --> 00:18:20,839
It overlooks another address book, smaller with phone numbers. I

319
00:18:20,920 --> 00:18:23,640
flipped through it. There was nothing under see for car,

320
00:18:23,680 --> 00:18:26,000
but under m for money. There was a costume number,

321
00:18:26,039 --> 00:18:28,920
but no address. I decided to take the book with me.

322
00:18:31,960 --> 00:18:36,400
Will you still hear soil? Yeah? Yeah, just leaving. Oh look, hey,

323
00:18:36,720 --> 00:18:40,599
what about that card girl? Yeah, she may be the

324
00:18:40,640 --> 00:18:43,400
sweetest kid in town, and she may be a killer.

325
00:18:43,440 --> 00:18:47,839
You never know. Thanks for the chip, And I didn't

326
00:18:47,839 --> 00:18:50,279
call you to get in my way though. If I

327
00:18:50,400 --> 00:18:53,359
find her, I'll tell you fair enough. Yeah, yes, fair enough.

328
00:18:53,839 --> 00:19:02,279
Just don't get lost finding her. It was kind of

329
00:19:02,279 --> 00:19:05,920
a break head started. Least I had a phone number

330
00:19:05,920 --> 00:19:08,160
for money that Matthews didn't have, and I wasn't for

331
00:19:08,359 --> 00:19:11,839
her against Jimmy knew that. I just couldn't think murdering

332
00:19:11,960 --> 00:19:15,200
money in the same thought until I could. I'd string

333
00:19:15,279 --> 00:19:18,319
with her if I could find her. Morning Hayes was

334
00:19:18,359 --> 00:19:20,559
lifting somewhat. If I stopped at a gas station on

335
00:19:20,599 --> 00:19:29,960
the strip and use the payphone.

336
00:19:28,880 --> 00:19:30,200
Speaker 7: Mister Felix is good morning.

337
00:19:30,480 --> 00:19:32,000
Speaker 4: Uh will you say this one?

338
00:19:32,359 --> 00:19:33,319
Speaker 9: This is mister Felix.

339
00:19:33,359 --> 00:19:34,160
Speaker 8: It's beauty sello.

340
00:19:34,880 --> 00:19:37,759
Speaker 4: Oh oh he is money there? Please?

341
00:19:38,079 --> 00:19:40,279
Speaker 5: I'm sorry, Miss Monney's not insane.

342
00:19:41,039 --> 00:19:44,480
Speaker 4: Can someone else tell you? No? I look? Would you

343
00:19:44,480 --> 00:19:46,000
be kind enough to give me a home phone?

344
00:19:46,279 --> 00:19:47,200
Speaker 7: I'm sorry, sir.

345
00:19:47,559 --> 00:19:48,720
Speaker 5: We're not allowed to give out.

346
00:19:49,160 --> 00:19:49,720
Speaker 4: But I'm an order.

347
00:19:49,839 --> 00:19:52,480
Speaker 5: It doesn't matter who you are. I can't give you

348
00:19:52,559 --> 00:19:53,440
her numbers?

349
00:19:53,799 --> 00:19:55,400
Speaker 4: Okay? Thanks?

350
00:20:00,079 --> 00:20:10,279
Speaker 13: Oh?

351
00:20:10,359 --> 00:20:10,960
Speaker 5: May I help you?

352
00:20:11,079 --> 00:20:11,279
Speaker 8: Sir?

353
00:20:11,480 --> 00:20:13,000
Speaker 4: I just talked to you a few minutes ago on

354
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the phone about money.

355
00:20:13,960 --> 00:20:16,319
Speaker 8: I told you then, I tell you now. We are

356
00:20:16,400 --> 00:20:19,519
not permitted to give out numbers. How did you find us?

357
00:20:19,680 --> 00:20:21,640
Speaker 4: Oh, mister Felix is in the book and money is not.

358
00:20:22,559 --> 00:20:24,599
Look really, this is important. I'm doing this for her.

359
00:20:24,960 --> 00:20:26,359
Speaker 7: I've given mister Felix my.

360
00:20:26,359 --> 00:20:28,119
Speaker 8: Word and I've never broken it.

361
00:20:28,400 --> 00:20:31,480
Speaker 4: Yeah. Well, I hope that is Oh Monny's friend here?

362
00:20:31,519 --> 00:20:33,359
You know, the special one. She keeps talking about her

363
00:20:33,359 --> 00:20:37,720
all the time, isn't it strange? I can't remember her name. Pig, Yes, yes, Pig,

364
00:20:37,960 --> 00:20:40,240
sure that's the one. Can I talk to him? Well?

365
00:20:41,640 --> 00:20:47,599
Speaker 7: Oh all right, Ah, thirty six desk please thirty six,

366
00:20:47,640 --> 00:20:50,440
please thank you. I hope this never gets back to

367
00:20:50,480 --> 00:20:53,079
mister Felix. I can't imagine what he'd think. Oh, I

368
00:20:53,079 --> 00:20:54,559
can't either, But don't worry my lips.

369
00:20:54,559 --> 00:20:55,599
Speaker 4: I see you.

370
00:20:55,599 --> 00:20:57,559
Speaker 5: You blasphemylas Oh yes.

371
00:20:57,400 --> 00:21:01,480
Speaker 4: Thirty six pig this gentle to hear Peggy, it's about money?

372
00:21:02,599 --> 00:21:03,440
Speaker 8: What about mine?

373
00:21:03,640 --> 00:21:06,119
Speaker 4: Well, I don't have her home phone or her address.

374
00:21:06,440 --> 00:21:07,400
Speaker 8: She wouldn't give it to you.

375
00:21:07,640 --> 00:21:10,920
Speaker 4: Huh, well, no she wouldn't.

376
00:21:11,519 --> 00:21:13,920
Speaker 5: You look all right to me? What's wrong?

377
00:21:13,960 --> 00:21:14,240
Speaker 8: Would you?

378
00:21:14,920 --> 00:21:18,319
Speaker 4: Nothing? Hey, I'm a nice, clean cut fella.

379
00:21:19,039 --> 00:21:24,079
Speaker 8: Yeah, looks like eh.

380
00:21:24,119 --> 00:21:27,839
Speaker 4: What do you want with Marny? Well? I just want

381
00:21:27,880 --> 00:21:29,480
to see her good enough?

382
00:21:29,559 --> 00:21:34,240
Speaker 11: Raising dust in the world. She don't feel too well today.

383
00:21:34,440 --> 00:21:35,960
She called me first thing this morning?

384
00:21:37,240 --> 00:21:41,200
Speaker 4: Your fault? Oh no, no, I don't think so. No.

385
00:21:41,799 --> 00:21:44,640
Tell me what did she say when she called she

386
00:21:44,680 --> 00:21:48,480
didn't feel too well? Ah? When I look, Peggy, does

387
00:21:48,519 --> 00:21:51,200
money go out to missus? Edward's often just when she's

388
00:21:51,279 --> 00:21:55,720
called to do her hair? Good enough reason, you're old,

389
00:21:55,799 --> 00:22:00,839
best in the world. Do I get that phone number? Ridgely?

390
00:22:01,119 --> 00:22:04,160
Speaker 11: Oh oh four oh oh fo yeah, and that's one

391
00:22:04,279 --> 00:22:07,519
six three seven North Vermont Apartment.

392
00:22:07,079 --> 00:22:10,160
Speaker 4: B Ridgely oh four oh one six three seven north

393
00:22:10,200 --> 00:22:13,920
from my apartment B and walk softly by A.

394
00:22:15,039 --> 00:22:16,240
Speaker 8: That's the land lady.

395
00:22:16,759 --> 00:22:18,559
Speaker 4: Yeah, well, I'll remember thanks.

396
00:22:18,279 --> 00:22:23,960
Speaker 9: Pegging, and if you don't find her come back, I'll

397
00:22:23,960 --> 00:22:29,000
give you mine.

398
00:22:32,359 --> 00:22:37,000
Speaker 4: Peg was something of a prophet, among other things. Well,

399
00:22:37,000 --> 00:22:38,960
there was no answer to my not get one six

400
00:22:39,039 --> 00:22:41,640
three seven off from mont Apartment B, and no answer

401
00:22:41,640 --> 00:22:44,279
to the phone call I faced in the lobby, so

402
00:22:44,319 --> 00:22:47,480
I quit walking softly by Apartment A. Not there, and

403
00:22:47,519 --> 00:22:51,599
the doorway was suddenly filled the solid block of granite.

404
00:22:52,559 --> 00:22:53,359
Speaker 9: Yes, I'm a.

405
00:22:53,400 --> 00:22:55,799
Speaker 12: Landlady, but if she don't answer the door, it takes

406
00:22:55,839 --> 00:22:57,400
sense to me she ain't in.

407
00:22:57,880 --> 00:22:59,119
Speaker 4: Well, have you seen her this morning?

408
00:22:59,319 --> 00:23:01,920
Speaker 12: I ain't seen since she went to work yesterday morning.

409
00:23:02,079 --> 00:23:06,720
I ain't seen him either, her husband, husband, young man.

410
00:23:07,160 --> 00:23:09,720
Even if I knew, I wouldn't tell you.

411
00:23:15,240 --> 00:23:17,839
Speaker 4: And I was getting proud of my head. It could

412
00:23:17,839 --> 00:23:21,079
dodge anything from flying dots, the door slams near the eyebrow.

413
00:23:21,920 --> 00:23:23,559
But that was about all I was proud of at

414
00:23:23,599 --> 00:23:27,519
the moment. I wasn't exactly closing in on money. A

415
00:23:27,640 --> 00:23:29,920
landlady's snort didn't give me much of a line on

416
00:23:30,039 --> 00:23:33,160
Paul Let that's who she was exhaling about. And there

417
00:23:33,200 --> 00:23:35,319
was a matter of Vane Hartness, who flew into Los

418
00:23:35,359 --> 00:23:40,200
Angeles the night before, just in time to be murdered me. Now,

419
00:23:40,279 --> 00:23:42,599
I drove to a nearby drive in and mulded over

420
00:23:42,599 --> 00:23:47,039
a sandwich. Coffee was grim too. I was starting in

421
00:23:47,079 --> 00:23:49,799
on the routine that begins with if I were money,

422
00:23:49,839 --> 00:23:52,599
where would I go? When I got a flash of

423
00:23:52,599 --> 00:23:55,920
an idea. Ten minutes later, I was banging on another door.

424
00:23:56,759 --> 00:23:59,240
Speaker 6: Well, anybody old.

425
00:24:02,559 --> 00:24:07,640
Speaker 5: So Marlowe, come in arrange for swinging doors, first thing tomorrow.

426
00:24:07,680 --> 00:24:09,079
Speaker 4: I'm sorry, but I got an idea.

427
00:24:09,160 --> 00:24:10,039
Speaker 5: I told you lately.

428
00:24:10,039 --> 00:24:12,799
Speaker 4: We're not open for line, I said him, Sorry, didn't I?

429
00:24:12,799 --> 00:24:16,559
Speaker 9: I'm sorry, marlow Yes, I'm kind of off my feet,

430
00:24:16,559 --> 00:24:16,839
did they?

431
00:24:16,839 --> 00:24:17,359
Speaker 8: I there?

432
00:24:17,440 --> 00:24:19,279
Speaker 5: You ought to see what that butcher sent.

433
00:24:19,160 --> 00:24:20,880
Speaker 8: Me in the name of Prime rib.

434
00:24:20,960 --> 00:24:24,359
Speaker 5: And Charlotte Paul said she'd foundered like a beach twail

435
00:24:24,440 --> 00:24:27,839
all night bad too run down. And when I got.

436
00:24:27,680 --> 00:24:29,880
Speaker 8: Here, this was here for you.

437
00:24:30,680 --> 00:24:33,039
Speaker 5: Someone shoved it under the door. I guess least that's.

438
00:24:32,880 --> 00:24:34,839
Speaker 8: Where I found it.

439
00:24:35,039 --> 00:24:36,519
Speaker 3: Well, I'm the Ghoshen.

440
00:24:36,720 --> 00:24:37,200
Speaker 11: Come in.

441
00:24:38,119 --> 00:24:40,359
Speaker 5: You don't up people would put on a floor show.

442
00:24:40,759 --> 00:24:43,039
Speaker 4: You have been a busy boy, still.

443
00:24:43,960 --> 00:24:45,519
Speaker 5: Make yourself at home, attendant.

444
00:24:45,599 --> 00:24:46,319
Speaker 8: I got work to do.

445
00:24:46,480 --> 00:24:49,079
Speaker 4: If you know that, you also and I'm getting nowhere. Yeah,

446
00:24:49,200 --> 00:24:55,319
maybe listen, you've been telling me Matthew's tailing you. That's

447
00:24:55,319 --> 00:24:58,519
what I said. Just the boy has been going the

448
00:24:58,559 --> 00:25:01,279
same place as you have a little bit later, all

449
00:25:01,279 --> 00:25:03,640
the way around and along about the second stop, the

450
00:25:03,680 --> 00:25:07,480
description began to fit you. It did another Tell me,

451
00:25:07,519 --> 00:25:10,720
how did your phone call a Chicago come out? Oh?

452
00:25:10,759 --> 00:25:14,319
We found out where your money cough fits in? Oh yeah,

453
00:25:14,720 --> 00:25:17,160
that hackness name was a friend from New York who

454
00:25:17,200 --> 00:25:19,559
came to call on the Edwardses and they tried to

455
00:25:19,599 --> 00:25:21,799
intercept her when they got the call about their family

456
00:25:21,839 --> 00:25:25,640
death in Chicago. Only they couldn't reach her. Your money,

457
00:25:25,759 --> 00:25:28,319
told missus Edwards. She'd stick around the house and wait

458
00:25:28,359 --> 00:25:29,400
for the hotness name.

459
00:25:30,160 --> 00:25:30,680
Speaker 8: Is that all?

460
00:25:31,319 --> 00:25:33,839
Speaker 4: Well? They described some of the stuff that might be missing.

461
00:25:33,960 --> 00:25:37,799
We checked and it is it is. Huh yeah, tell

462
00:25:37,839 --> 00:25:42,160
me how do you figure money by? Now? How can

463
00:25:42,200 --> 00:25:49,359
I figure a film? She's missing? Yeah? She is missing,

464
00:25:49,440 --> 00:25:52,880
isn't she? Phil? I said, if I found her, i'd

465
00:25:52,920 --> 00:25:57,000
tell you remember? Oh, yes, I remember, Phil. I just

466
00:25:57,039 --> 00:26:08,039
want to make sure you do. I had a reason

467
00:26:08,079 --> 00:26:10,359
for not telling Matthews about the notes Bell gave me.

468
00:26:11,119 --> 00:26:13,720
It's what signed money, all right, But it wasn't the

469
00:26:13,799 --> 00:26:15,720
same handwriting I've seen in the note she left for

470
00:26:15,799 --> 00:26:19,160
Missus Edwards. It said phill meet me at eight thirty

471
00:26:19,200 --> 00:26:22,119
to night in the park above the bluffs of Santa Monica.

472
00:26:22,559 --> 00:26:26,119
That was all except eight point thirty was like six

473
00:26:26,160 --> 00:26:29,759
hours away, and it's just dark here at eight thirty,

474
00:26:30,440 --> 00:26:32,519
and a fella can get killed keeping that kind of

475
00:26:32,559 --> 00:26:41,440
an appointment. Do you ever wait six hours for something

476
00:26:41,440 --> 00:26:45,559
to happen? Oh, it's no fun. Neither as the thought

477
00:26:45,599 --> 00:26:48,119
that maybe something's final has happened to a pretty nice person.

478
00:26:49,240 --> 00:26:51,480
I was almost sure now that Paul was my boy,

479
00:26:52,240 --> 00:26:55,519
but almost wasn't close enough, and I had to find

480
00:26:55,640 --> 00:26:59,200
money if she could be found. And I got to

481
00:26:59,240 --> 00:27:02,240
the park above the Plantamonica Bluffs about fifteen minutes earlier,

482
00:27:03,039 --> 00:27:06,119
left my car a block or so away, and all

483
00:27:06,160 --> 00:27:07,759
the way to the park I watched for a gray

484
00:27:07,920 --> 00:27:11,559
Chevy Coop forty nine or fifty. When you look for

485
00:27:11,640 --> 00:27:15,359
I'm they're hard to see. And then I saw it

486
00:27:16,200 --> 00:27:18,400
parking half a blockdown. A guy got out and headed

487
00:27:18,440 --> 00:27:21,119
into the park. I let him go got to his

488
00:27:21,200 --> 00:27:23,519
car a boy the time he reached the bluffs. I

489
00:27:23,519 --> 00:27:25,559
don't know what I thought i'd find, But not my

490
00:27:25,720 --> 00:27:31,920
wildest dreams did I expect what I found. Three minutes later,

491
00:27:31,960 --> 00:27:33,920
I was put the floor boarding it up the coast Highway.

492
00:27:34,000 --> 00:27:37,119
Taught Malibu the Seaway Motel, twenty one, twenty four to

493
00:27:37,200 --> 00:27:40,000
five Malibu Road, that's the way. The parking ticket. I

494
00:27:40,039 --> 00:27:42,200
lifted front of the windshield wiper on the Chevy Rift

495
00:27:42,759 --> 00:27:45,359
and that was good enough for me. I hit two

496
00:27:45,400 --> 00:27:47,400
wrong doors before I found the one I wanted, and

497
00:27:47,440 --> 00:27:54,759
I had a spring to lock money. The place rough

498
00:27:54,799 --> 00:27:59,079
doesney here? Yeah, I'll tell you rich, No?

499
00:27:59,240 --> 00:28:01,720
Speaker 5: Did you get away? Still?

500
00:28:01,759 --> 00:28:02,839
Speaker 8: I've been such an idiot.

501
00:28:03,880 --> 00:28:05,640
Speaker 4: You love him a lot? Huh?

502
00:28:05,720 --> 00:28:09,599
Speaker 8: Who who doesn't love their own kid? Brother?

503
00:28:10,960 --> 00:28:12,039
Speaker 4: All is your kid brother?

504
00:28:14,119 --> 00:28:15,119
Speaker 5: Write it down somewhere.

505
00:28:16,480 --> 00:28:18,279
Speaker 8: Big sisters don't make good mothers.

506
00:28:18,599 --> 00:28:20,680
Speaker 4: Take it easy. You're okay?

507
00:28:20,920 --> 00:28:21,759
Speaker 5: Sure, I'm fine.

508
00:28:22,920 --> 00:28:23,279
Speaker 6: Birthday?

509
00:28:23,359 --> 00:28:26,880
Speaker 5: Catch Paul stealing from the Edwards. Then I stand there

510
00:28:26,880 --> 00:28:28,960
like a zombie and watch him shoot down a woman

511
00:28:29,079 --> 00:28:29,880
in the seat.

512
00:28:35,559 --> 00:28:37,200
Speaker 8: I'm sorry. I didn't want to drag you into this.

513
00:28:38,160 --> 00:28:40,200
He asked me who you were when you brought me

514
00:28:40,240 --> 00:28:41,279
to the Edwards last night.

515
00:28:41,319 --> 00:28:43,640
Speaker 5: I'd never heard of you, the cool head And.

516
00:28:43,799 --> 00:28:45,759
Speaker 4: Wait a minute, that's probably him.

517
00:28:45,799 --> 00:28:47,079
Speaker 8: Now be careful.

518
00:28:47,079 --> 00:28:50,000
Speaker 4: Philly's crazy right behind the door.

519
00:28:55,160 --> 00:28:57,160
Speaker 6: Boyfriends, put me up. We got to get out of here.

520
00:28:57,559 --> 00:29:10,920
He's just a kid.

521
00:29:12,400 --> 00:29:28,440
Speaker 4: Yeah, just a kid. I called Matthews and wounded up.

522
00:29:29,480 --> 00:29:34,359
Everything checked, everything balanced. Paul cried like the baby he was,

523
00:29:34,480 --> 00:29:38,079
and blabbed his head off when he came to Monnie

524
00:29:38,240 --> 00:29:42,880
just cried. Funny. How many people disposed of anything from

525
00:29:42,920 --> 00:29:46,960
Mayhem to murder with the phrase, he's just a kid.

526
00:29:48,480 --> 00:29:52,839
I bet someone said that about Capone Villinger and pretty

527
00:29:52,839 --> 00:30:17,160
boy Floyd. I take Monny, She's what a kid. The

528
00:30:17,200 --> 00:30:21,359
Adventures of Philip Marlowe Bringing You Raymond Chandler's most famous characters,

529
00:30:21,400 --> 00:30:25,559
star Gerald Moore, are produced and directed by Norman MacDonnell

530
00:30:25,839 --> 00:30:29,440
and written for radio by Kathleen hit Featured in the

531
00:30:29,480 --> 00:30:33,119
cast were Virginia greg and Joan Banks, with Paul.

532
00:30:32,920 --> 00:30:37,480
Speaker 3: Duball, Jim Knusser, June Whitley, Shirley Mitchell, and Marjory Bennett.

533
00:30:37,680 --> 00:30:42,319
Detective Lieutenant Matthews was played by Larry Dobkin. Gerald Moore

534
00:30:42,440 --> 00:30:45,359
may soon be seen in the Santana production sier Rocco.

535
00:30:46,160 --> 00:30:49,799
The special music is composed by Pierre Garagank and conducted

536
00:30:49,839 --> 00:30:57,160
by Wilbur Hatch. Be sure to listen again next week

537
00:30:57,160 --> 00:30:59,920
at the same time. When Philip Marlow say.

538
00:31:01,240 --> 00:31:03,839
Speaker 4: It's time a pair of cross telephone wires put the

539
00:31:03,839 --> 00:31:07,640
good neighbor policy into effect, the murderous accompaniment of an

540
00:31:07,680 --> 00:31:12,440
off key xylophone, one good neighbor almost kills another good neighbor.

541
00:31:13,400 --> 00:31:14,480
Tell a name, Mollow.

542
00:31:31,839 --> 00:31:32,799
Speaker 13: This is Andrew J.

543
00:31:32,960 --> 00:31:35,799
Speaker 11: Graham, author of the web surface series Oh and a

544
00:31:35,920 --> 00:31:36,599
Man and his Wife.

545
00:31:36,960 --> 00:31:39,720
Speaker 8: You're listening to the great detectives of old time radio.

546
00:31:46,799 --> 00:31:52,240
Speaker 2: Welcome back. It's kind of odd that they kept mentioning

547
00:31:52,359 --> 00:31:56,079
hop Along Cassidy now three weeks in. Apparently they want

548
00:31:56,799 --> 00:32:01,720
just for people to be comfortable, ensure that Hoppolong is

549
00:32:01,839 --> 00:32:05,039
not going anywhere, you know, and we'll be back once

550
00:32:05,119 --> 00:32:10,359
the summer's over. That was an interesting Nebraska accent. I've

551
00:32:10,440 --> 00:32:13,720
never heard anyone from Nebraska who talk quite like that.

552
00:32:14,119 --> 00:32:17,000
I guess it's just my experience of people from the

553
00:32:17,079 --> 00:32:23,079
Midwest is more lack of a country accent than anything,

554
00:32:23,400 --> 00:32:26,319
though I've not spent a great deal of time in Nebraska.

555
00:32:27,119 --> 00:32:30,519
Though I know a couple of people from there, I

556
00:32:30,640 --> 00:32:36,359
will defer to experts in the audience on the particular accent,

557
00:32:36,839 --> 00:32:39,960
and that will actually do it for today, though. Join

558
00:32:40,079 --> 00:32:44,720
us back here tomorrow for Mystery Theater Next Wednesday, another

559
00:32:44,839 --> 00:32:48,960
episode of the Adventures of Philip Marlowe. A reminder that

560
00:32:49,480 --> 00:32:52,640
our listener support campaign continues and you can become an

561
00:32:52,680 --> 00:32:58,359
ongoing contributor to the campaign at Patreon dot Great Detectives

562
00:32:58,400 --> 00:33:02,480
dot net support the show monthly. You can also become

563
00:33:03,119 --> 00:33:07,039
time supporter at support dot Great Detectives dot net. And

564
00:33:07,440 --> 00:33:11,240
during the listener support campaign we offer special thank you gifts.

565
00:33:12,359 --> 00:33:15,000
Among the items that we do have. At a twenty

566
00:33:15,079 --> 00:33:18,119
dollars level, at your request, we will send you one

567
00:33:18,160 --> 00:33:22,680
of the great Colonial Radio theater audio dramas, including Zoro

568
00:33:22,839 --> 00:33:27,400
and the Pirate Raiders or King Solomon's Mind, or The

569
00:33:27,599 --> 00:33:36,119
Martian Chronicles full cast adaptation from Colonial Radio Theater, or Gettysburg,

570
00:33:36,200 --> 00:33:39,279
which is a fantastic historical epic. And then we do

571
00:33:39,480 --> 00:33:44,200
have fall the Brown Ason releases. Also at the seventy

572
00:33:44,279 --> 00:33:47,240
five dollars level, we'll send you the Hillary Kinge Mysteries

573
00:33:47,359 --> 00:33:53,160
from Productions in Seattle. They are period pieces actually produced

574
00:33:53,200 --> 00:33:57,920
in modern day Seattle, but set in nineteen thirties England.

575
00:33:58,000 --> 00:34:00,960
There are a lot of fun and they're available with

576
00:34:01,039 --> 00:34:04,359
a donation of seventy five dollars or more. Full list

577
00:34:04,440 --> 00:34:07,319
of available thank you gives is at support dot great

578
00:34:07,359 --> 00:34:10,639
Attractives dot net. In the meanwhile, I do send your

579
00:34:10,679 --> 00:34:14,199
comments to Box thirteen at great Attractives dot net. Follow

580
00:34:14,320 --> 00:34:17,760
us on Twitter at Radio Detectives, and become one of

581
00:34:17,840 --> 00:34:23,599
our friends on Facebook, Facebook dot com, slash Radiodetectives From Boise, Idaho,

582
00:34:23,800 --> 00:34:26,480
this is your host, Adam Grahamson and Off