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Speaker 1: And we have joining us. Let me get these uh,

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let me get these mics up here, because it's been

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a while since this gentleman's been on the show. Bags

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Ballan is here.

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Speaker 2: Hell Hello, hey, hey, hey, nice to be back.

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Speaker 1: That mic sounds good too, excellent. Yeah, yeah, that's always uh.

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Speaker 2: Hey, Matt, hey, Jenny, it's good to be back and unleashed.

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Speaker 1: Hey, do me a favorite. Justus strum that guitar a

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little bit, so to make sure I can hear you

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turn that up a little bit. Oh yeah, that sounds nice.

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That sounds really good. So it's been a while since, uh,

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since you've been on the show. I mean it's probably

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been at least a.

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Speaker 2: Year, right, and then a little over a year I

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think since I did. Yeah, I been working a lot

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hard this winter, writing a lot of songs and not

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so much playing out places and shows, but working on

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some songs. I have a lot written, and I got

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to get in and get those produced with mister goodbar.

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Shout out to Timothy Thorpe Toy Box Studios. Yhl oh yeah,

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young hustle League shout out.

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Speaker 1: Yeahang Goldie, He's he's so talented and he does uh.

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You know, some people might not realize he doesn't just

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do hip hop. He does he does all kinds of stuff.

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Speaker 3: That guy.

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Speaker 1: I mean, he does rock, he does metal, he does

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he does wy You.

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Speaker 2: Disraverses all the genres. Yeah, oh yeah, I said this

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on one time. I came in there with an acoustic

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guitar song and when I came in there, within about

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ten minutes he turns it into a hip hop song.

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I add a big eight oh eight beats to it. Yeah,

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well versus Yeah, he does a really good job. Anybody

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wants a very good, you know, value of the best

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for the best pricing out there, I think so, oh yeah,

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check him out.

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Speaker 1: Absolutely. Yeah. We had him on the show. I don't

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know how, I don't know what it was. Now it all,

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it all becomes a blur. But he's just so fascinating

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to talk to, you know, all different kinds of music,

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and his backstory is really interesting, you know.

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Speaker 4: Mm hmm.

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Speaker 1: So yeah, shout out to him, Yeah you have you

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been working with him on some studio stuff or I haven't.

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Speaker 2: I'm gonna be getting in there and message him. I'm

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going to get in there and some things done, at

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least four of them. I want to try and get

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like three or three or so today and maybe play

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a couple days that.

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Speaker 4: I've played here before.

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Speaker 1: Good.

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Speaker 2: So, yeah, that's what I've been doing, you know, acoustic

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style here. Once we once they'll start taking form like

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they do, you know. Yeah, and just like the other

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ones have. But uh yeah, I got them kind of

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raw acoustic style for these. A couple of new ones

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I wanted to play, especially this new one I have

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I want to get really soon is love Ransom.

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Speaker 4: Okay, so that's when that one's going out right now?

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Speaker 1: Oh? Very cool, very cool. So you want to you

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want to play a play a few plays, play three

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or four, and then we'll talk a little more and

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then maybe play some more.

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Speaker 2: Yeah, it's Jim a little bit on here, all right,

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all right.

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Speaker 1: Shane Ballin live and I'm sorry bags Ballin old habits.

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Speaker 2: All right, sometimes I forget them bags too, Thanks a lot, and.

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Speaker 1: We should tell people too. For people looking for you online,

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it's B A g Z. Thank you.

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Speaker 4: B A g Z B A L O N. Yeah.

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Speaker 2: Facebook, you can see YouTube, Spotify songs, everything like that

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still on YouTube under Shane Ballin, so especially any but

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so you can find both ways.

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Speaker 3: But B A G z.

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Speaker 4: That's that is me.

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Speaker 2: Bag's balanced, so uh yeah, play play some tunes. I

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hope you like it. Here's a couple of new songs

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and maybe some covers for you. All right, here we

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go and a little clad Joy. You know, we gotta

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started things off hot here. This is my new song

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called love Ransom you who.

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Speaker 3: And you go on you like after whad of.

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Speaker 5: Ham Blouse like favery, weird saying scriptures skins.

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Speaker 3: We wins both the shine.

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Speaker 6: Some baby of skill as we won't you right, we

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chase the.

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Speaker 7: Moon to.

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Speaker 3: Cross Joy feels.

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Speaker 4: No regrets.

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Speaker 8: You one man, hang on you like after nine Street.

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I've been very faint, real dream if this fool last

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you right, use mine.

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Speaker 3: Call you like you use use me you wre I love.

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Speaker 4: Somebody high we shine.

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Speaker 9: See but I really feel for him, but I feel rejection.

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Speaker 3: And sell me. I want to say I love you

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fo time, scared if I.

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Speaker 8: That you'll leave me the he want mine loved somebody

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leave hanging want.

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Speaker 7: You like after.

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Speaker 3: Love be Dream. This was nice.

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Speaker 7: He was my.

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Speaker 3: Me, you my.

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Speaker 4: Love ang you like after.

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Speaker 3: The extreme h.

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Speaker 4: Yeah it's beautiful. Thanks, yeah, wow, Bags Ballad live and

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studio with us. That's it.

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Speaker 1: That's love Ransom, Love Ransom brand new.

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Speaker 4: You get that out.

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Speaker 2: Yeah, it might be a little bit different next time

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you hear it. Never know, Yeah, a little different different ways.

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Speaker 4: But uh yeah, so you know, I just thinking about

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what's next time. I kind of wanted to play.

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Speaker 2: I'm play a little.

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Speaker 4: Cover right here, all right, h.

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Speaker 2: Chill bomb you got don't change time to me type

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who's got the clothes in your my friend.

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Speaker 3: To your house?

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Speaker 4: Huh be loo game.

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Speaker 3: Sweet like candy to my soul. Sweets you rock sweets

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you roll lass fu. I'm soul sweet? Can you calm

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in crack out shoot to me? You know? Maybe? And

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I come in to.

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Speaker 4: If I won over, I'm board and I'm backing mule

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to forget me or with my hands. It's old in

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clubs girl.

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Speaker 10: That was me and I wasn't coming crash in tune

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maybe and I come in in to.

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Speaker 11: I come in the.

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Speaker 2: Cho lips just sever out, you know in your eyes

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love It grows so lime, very boondly and crazy homely

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for you home.

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Speaker 12: Yeah, and you come in cash into me baby, and

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I come into.

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Speaker 2: This song is called Gingerbread Houses. This is about chaperone

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and event for my son.

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Speaker 13: Pancakes, stings, your bread and houses, and I was along.

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Speaker 3: For the shore. I worked the bread while I swelt

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just a little.

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Speaker 2: My son never wanted me to have a cold candy

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cane gum drops some frosty, each one the sweeter than

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the last I met Holly's friends.

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Speaker 4: I stayed to the board of the time, go by five.

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Speaker 8: Today hour receied indeed to kill by five?

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Speaker 3: Who said.

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Speaker 2: I showed up the class. He hugged me so fast,

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showed everyone I was his day. Maybe I work as

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a teacher that had a p s now mind, I

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won't get closure to Christmas is over f me is

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on cost till next week. I don't think i'll over

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be over.

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Speaker 3: Week.

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Speaker 4: Ma operak that I feel.

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Speaker 2: I wish they were here every day of my ear,

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and then I wouldn't write these songs just to heal.

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I wouldn't need these songs just to.

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Speaker 4: Hear me to day I received remedy to kill me.

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Any father who said to show up the class self, uck,

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you're so fast, show everyone you GeSe breadhouses. Find that

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one out.

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Speaker 2: It's kind of like a little mash up, maybe maybe

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a little Morgan Walla mash up.

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Speaker 4: He's hot again.

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Speaker 3: Right, everyone likes him a guy, right, that's right. The

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only guy can come back from that.

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Speaker 8: S yeah, change just some cool around town and some gasoline.

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He's trying to pine a flame, try to burn full

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place down.

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Speaker 3: Down here. Explain every falling in love with a guy

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like me in first place. I'm saying it's the worst

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thing that signs prive.

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Speaker 8: Go miss everything know wrongly clime slower while gets stick

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around his flag and this listen, Hi putting in off

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the show. Any man, you little at me because you

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beast seen you say you gotta be thinking.

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Speaker 7: Tying the crime.

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Speaker 2: Who's going all over town? Can't keep my mouth and

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mouth these days they're gonna see lived too fast to

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settled down choose this. I just think about these games.

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They all pay.

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Speaker 3: How wall to find.

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Speaker 8: Something stronger than Louise can And every time, my time,

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every time I feel canting me, I could come in

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up them tea.

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Speaker 3: I just wanna live. Sound body who wanted holding my heart.

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I just want to live soundbod who call in the

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part you fight every five some more than interestreet christ Night.

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Speaker 8: I just wanna lie somebody who waited every time, God

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of science and bloody nuts like that sensible.

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Speaker 4: Needs to settle down, someone to.

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Speaker 14: Bring back to my hometown outstairs that just ain't calling.

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Who want to find something stronger than with? And every

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time I try, every time.

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Speaker 3: I forget care. I keep coming up empte.

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Speaker 8: I just wanna lie somebody who won't eed me falling.

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Speaker 3: Aperse, I just wanna lie.

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Speaker 8: Somebody who wanted hold in my heart can't out here

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looking eyby every five sounding Morgan just increasing.

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Speaker 3: Had his long lou somebody m hm h m hm,

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he's a.

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Speaker 2: Little song by. I want my song by Luke Combs

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and out to play and play another cover. I mean

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I play another original.

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Speaker 3: M h.

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Speaker 2: I got called and paying my city, trying.

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Speaker 3: To buy some beer for some George and.

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Speaker 7: I got worn out.

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Speaker 8: Buy my Daddy Epstein sais.

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Speaker 3: From the Smoke smore on My Friends Kill seems I

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got calls prins to plain forever real little Thames, that

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guy who heaves with you somehow, young girl, I still

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ain't been found out. It's crazy truth like a stroll

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LP Gates about the track. I don't walk down blue now.

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Speaker 8: The born least a thing he's mine, shout the booking hand,

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little crime.

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Speaker 3: But I gotta working with it looking like you do

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on it, Demel, you need you cry little long and

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feel like me hand in hand to time. Then we

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already free. Someone turning up cheese.

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Speaker 10: It's the rain on blue like send my revenue.

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Speaker 3: I gotta praying with you somehow, girl, I still ain't

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been found down.

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Speaker 8: It's a crazytu like a storm day sur found to try.

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Speaker 3: How walk m blue? Now, moll resus stop the booking

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hanging in the crown. I gotta woo nah god wood.

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Speaker 4: Mm hmm, all right.

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Speaker 1: Was it was that an original or is that a copage?

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Speaker 3: Oh?

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Speaker 1: Those Luke comps. I hadn't heard that song. I really

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like it though. Yeah, that's really good with you. Yeah.

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Speaker 3: Yeah.

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Speaker 1: By the way, the song about what was it called

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the Chaperone.

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Speaker 4: For Gingerbread Houses?

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Speaker 1: Gingerbread houses?

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Speaker 3: So what is your that?

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Speaker 1: That's about chaperonie your for your son.

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Speaker 2: That's about chaperone for my son ya as chaperone a

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uh gingerbread house making event. Oh really they're making pancakes

240
00:20:04,240 --> 00:20:06,000
and so oh wow. I got to go when it

241
00:20:06,079 --> 00:20:07,880
was one of the parents who got to go, and yeah,

242
00:20:08,000 --> 00:20:11,200
I sat there. We did a bunch of gingerbread houses

243
00:20:11,240 --> 00:20:13,759
and pancakes and it's like right before a great Christmas time,

244
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you know.

245
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Speaker 4: And then I came back it was like I had to.

246
00:20:16,160 --> 00:20:18,279
Speaker 2: Leave halfway through the day and the other kids I

247
00:20:18,400 --> 00:20:20,160
want to go to resets too, and I said, I

248
00:20:20,240 --> 00:20:22,720
kind of go, and I ended up going writing a

249
00:20:22,839 --> 00:20:24,440
song that night about that.

250
00:20:25,759 --> 00:20:28,000
Speaker 1: So yeah, it takes.

251
00:20:28,440 --> 00:20:30,759
Speaker 2: Songs can take, you know, he takes sometimes she's sad

252
00:20:30,799 --> 00:20:32,839
about something and then you can write a song and

253
00:20:32,920 --> 00:20:34,200
it becomes a real positive thing.

254
00:20:34,319 --> 00:20:36,680
Speaker 4: So yeah, one real good thing about songwriting.

255
00:20:36,759 --> 00:20:38,720
Speaker 1: So has he heard it? Does he heard the song?

256
00:20:38,839 --> 00:20:41,160
Speaker 2: Oh yeah, yeah, yeah, yeah, he's there. Maybe he's listening

257
00:20:41,240 --> 00:20:43,240
right now. Yeah, shout out to Eli and Nora.

258
00:20:44,400 --> 00:20:48,559
Speaker 1: By the way, I can tell you Leo. Bonnie is listening.

259
00:20:48,640 --> 00:20:49,200
Speaker 4: Hey Bonnie.

260
00:20:49,680 --> 00:20:52,559
Speaker 1: She messaged through the website. She said love Ransom my

261
00:20:52,799 --> 00:20:56,960
song and she said follow bags ballad with multiple explanation points,

262
00:20:57,000 --> 00:21:01,240
so we know she she means it. Yeah yeah, yeah, yeah,

263
00:21:01,319 --> 00:21:04,519
very good, very good. Now what's so have you been

264
00:21:04,559 --> 00:21:06,400
playing out a lot or well?

265
00:21:06,559 --> 00:21:09,400
Speaker 2: I haven't been playing out like I did last year. Yeah,

266
00:21:09,440 --> 00:21:12,160
I've been focusing in on writing the songs, yeah, and

267
00:21:12,279 --> 00:21:15,480
doing more songwriting. Yeah, so I have about I'd say

268
00:21:15,519 --> 00:21:17,359
I went through. I have them almost twenty songs here,

269
00:21:17,960 --> 00:21:19,799
but I got you know, three or four here. I'm

270
00:21:19,799 --> 00:21:23,599
ready to go and get those kind of completed. So yeah, yeah,

271
00:21:23,880 --> 00:21:25,240
just folks on that. I will be playing at the

272
00:21:25,279 --> 00:21:31,480
Sanddown Farmers Market on September third, okay, hosted by ROOSTERA Gilla.

273
00:21:31,599 --> 00:21:37,400
Shout out Roosta Sandown Farmers Market Music Series. And you know,

274
00:21:37,599 --> 00:21:40,440
I played a couple of different places, one great place,

275
00:21:40,440 --> 00:21:42,079
and I also wanted to give a quick shout out

276
00:21:42,119 --> 00:21:46,240
to them playing in Kiddy there for an event. But

277
00:21:46,319 --> 00:21:50,880
it's one of the finest medical herbal medicine dispensaries that

278
00:21:51,000 --> 00:21:55,960
there are in I would say New England area, and

279
00:21:56,400 --> 00:21:57,799
you know, definitely the local area.

280
00:21:57,880 --> 00:21:58,640
Speaker 4: And it's in Maine.

281
00:21:58,680 --> 00:22:01,640
Speaker 2: It's right over the border. It's in Kittery, Maine. You

282
00:22:01,759 --> 00:22:04,799
can't miss it. You look at It's called Marx Organics

283
00:22:05,519 --> 00:22:08,519
and uh they it's just uh, you know, all natural,

284
00:22:09,880 --> 00:22:12,559
great remedies for anything you you know that you need

285
00:22:12,640 --> 00:22:16,440
for for more and all natural health and uh, you

286
00:22:16,519 --> 00:22:20,759
know check them out. Great people there, and you know

287
00:22:21,039 --> 00:22:24,000
you can see those guys there, Uh you know, Joe, Johnny,

288
00:22:25,039 --> 00:22:27,839
you know, Andy, a bunch of different people, great people

289
00:22:27,920 --> 00:22:29,839
up there. So I just wanted to let you know

290
00:22:29,880 --> 00:22:32,119
about that. It's right off exit two, go over the bridge,

291
00:22:32,160 --> 00:22:37,039
Exit two in Maine, and uh it's Marx Organics.

292
00:22:37,119 --> 00:22:37,640
Speaker 4: So it's an.

293
00:22:37,720 --> 00:22:41,240
Speaker 15: Kidtery and that is Organics as O R G A

294
00:22:41,680 --> 00:22:42,559
N I X.

295
00:22:42,880 --> 00:22:45,839
Speaker 2: That's right with an X on it. And they've been

296
00:22:46,079 --> 00:22:49,000
in business for a long time too, you know. And

297
00:22:49,440 --> 00:22:53,519
you know, I myself been a patient of therapeutic uh

298
00:22:54,000 --> 00:22:57,880
you know program uh for about eight years, and uh

299
00:22:58,039 --> 00:22:59,960
they're the best around. So take my advice and check

300
00:23:00,000 --> 00:23:01,240
called Marx Organics R.

301
00:23:01,519 --> 00:23:02,799
Speaker 1: Yeah, very good, very good.

302
00:23:03,079 --> 00:23:04,160
Speaker 4: Like Joe Rogan, I'm back.

303
00:23:06,960 --> 00:23:12,480
Speaker 1: Well, yeah, except you're promoting something actually useful. Some of

304
00:23:12,599 --> 00:23:17,519
the stuff Rogan puts. Anyway, I don't know about that

305
00:23:17,720 --> 00:23:21,400
that on it that he's uh, I don't know that

306
00:23:21,480 --> 00:23:23,599
he's always promoting. I guess he's a part of the company.

307
00:23:23,880 --> 00:23:25,799
I'm still small, I'm still under the radar enough I

308
00:23:25,839 --> 00:23:28,319
can say that I'm not gonna get sued. I'm not

309
00:23:28,400 --> 00:23:31,160
throwing shade out. Stay around, man, you have more You

310
00:23:31,240 --> 00:23:32,960
have more credibility with me than Joe Rogan.

311
00:23:33,039 --> 00:23:34,640
Speaker 4: Let's put it that way, Thank you.

312
00:23:34,920 --> 00:23:36,759
Speaker 1: No, I think no, I think in all seriously. So

313
00:23:36,799 --> 00:23:38,920
I think it's cool that you tell people about that because, uh,

314
00:23:39,400 --> 00:23:40,720
you know, that's something that can help people.

315
00:23:40,799 --> 00:23:42,359
Speaker 2: It is and a lot of people are in pain.

316
00:23:42,359 --> 00:23:44,640
They're taking a lot of medicines for pain. They're taking

317
00:23:44,640 --> 00:23:47,160
a lot of painkillers and sleep medicines, and it's horrible

318
00:23:47,240 --> 00:23:50,880
for your kidneys and your body and you know, and

319
00:23:51,039 --> 00:23:54,839
that's uh, it's, it's it's it's a really great alternative.

320
00:23:54,839 --> 00:23:56,599
A lot of people have turned their lives around without

321
00:23:56,640 --> 00:23:59,200
being you know, a lot of people are on different

322
00:23:59,240 --> 00:23:59,960
things from their doc.

323
00:24:00,319 --> 00:24:01,079
Speaker 4: So check it out.

324
00:24:01,240 --> 00:24:03,559
Speaker 1: Yeah, yeah, absolutely, No, I think that's really cool. Did

325
00:24:03,599 --> 00:24:04,680
they know you were going to come on the show

326
00:24:04,720 --> 00:24:05,480
today and talk about him?

327
00:24:05,599 --> 00:24:05,960
Speaker 4: I gave him.

328
00:24:05,960 --> 00:24:08,319
Speaker 2: I told him I would. We had come in and

329
00:24:08,880 --> 00:24:10,599
hopefully they hear it and I'll send it over to

330
00:24:10,680 --> 00:24:11,200
you guys too.

331
00:24:11,720 --> 00:24:15,000
Speaker 1: Awesome, awesome, All right, you want you want to play

332
00:24:15,039 --> 00:24:16,000
some more for us?

333
00:24:16,319 --> 00:24:16,960
Speaker 4: Most definitely?

334
00:24:17,799 --> 00:24:19,559
Speaker 1: Bags Ballance is here with us live and studio. If

335
00:24:19,599 --> 00:24:23,440
you're just shoining us, this is your fourth, fourth time,

336
00:24:23,559 --> 00:24:26,039
fourth time, you're in. You're almost in the five timers club.

337
00:24:26,079 --> 00:24:27,279
Speaker 4: All right, five timers club.

338
00:24:27,319 --> 00:24:28,160
Speaker 1: We'll get we'll get there.

339
00:24:28,400 --> 00:24:29,039
Speaker 3: So you're close.

340
00:24:29,119 --> 00:24:29,599
Speaker 1: You're close.

341
00:24:29,720 --> 00:24:32,480
Speaker 2: Okay, Yeah, yeah, definitely the first time I came on here,

342
00:24:33,119 --> 00:24:37,680
and uh, I still have the magazine that had him

343
00:24:37,720 --> 00:24:40,400
on it for his tribute. But the first time I

344
00:24:40,519 --> 00:24:42,200
was here, I came out of the student at the

345
00:24:42,240 --> 00:24:45,279
old studio and a gentleman comes walking out, and man,

346
00:24:45,400 --> 00:24:48,920
he looked like he was a real you know, country

347
00:24:49,200 --> 00:24:51,559
guy or something, just like he just you know, he

348
00:24:51,680 --> 00:24:54,559
was real, real, you know, professional, you know. And I

349
00:24:54,599 --> 00:24:56,960
see him coming out, how you doing, real nice guy?

350
00:24:57,759 --> 00:25:01,200
And Brooks Young, Oh, Brooks Young? Yeah, and uh and

351
00:25:01,440 --> 00:25:04,680
so yeah, you'll see him again one day.

352
00:25:05,359 --> 00:25:08,559
Speaker 1: But what a shock that was. Yeah, Brooks was amazing.

353
00:25:08,759 --> 00:25:09,880
Speaker 4: Just shout out to Brooks.

354
00:25:10,279 --> 00:25:13,079
Speaker 1: Enormously talented, and it's just a really good guy too, just.

355
00:25:13,160 --> 00:25:15,279
Speaker 2: A really he was just ready to take off and

356
00:25:15,359 --> 00:25:19,680
everything was taken off stuff. So yeah, still think about

357
00:25:19,759 --> 00:25:21,279
him a lot, even though I really didn't know him

358
00:25:21,319 --> 00:25:21,640
that much.

359
00:25:21,720 --> 00:25:22,680
Speaker 7: But same.

360
00:25:22,880 --> 00:25:24,680
Speaker 1: And he's one of those people too, you know, even

361
00:25:24,720 --> 00:25:26,440
if you didn't know him that well, you felt like

362
00:25:26,480 --> 00:25:28,960
you knew him, like really well. It was impossible to

363
00:25:29,079 --> 00:25:32,160
not feel that immense sense of loss at the shock

364
00:25:32,240 --> 00:25:34,680
of the news, you know, And it's it's one of

365
00:25:34,720 --> 00:25:36,839
those things, you know, don't don't take anything for granted.

366
00:25:39,160 --> 00:25:41,519
Speaker 2: And uh it's kind of like loss brings me into

367
00:25:41,559 --> 00:25:43,519
this song Daddy's Truck. I got this on one O

368
00:25:43,559 --> 00:25:46,079
four point nine in the Hawk Oh I remember this.

369
00:25:46,160 --> 00:25:49,720
George beerra on backstage put it on one O four

370
00:25:49,960 --> 00:25:51,000
nine the Hawk Lakes region.

371
00:25:51,519 --> 00:25:53,000
Speaker 1: So uh yeah, this is a.

372
00:25:55,640 --> 00:25:58,160
Speaker 2: This is this, This is Daddy's truck. This is daddy truck.

373
00:25:58,200 --> 00:26:01,640
This is a song I wrote my friend Jeanine, who's passed.

374
00:26:01,680 --> 00:26:05,039
But this is really her kind of child with my

375
00:26:05,839 --> 00:26:09,160
instrument and my uh chord progressions.

376
00:26:08,680 --> 00:26:10,440
Speaker 4: And the right in the back and some of the writing.

377
00:26:10,480 --> 00:26:12,440
Speaker 2: But I always give her a credit even though she's

378
00:26:12,480 --> 00:26:14,039
not here, she definitely does.

379
00:26:13,960 --> 00:26:14,640
Speaker 4: Hears all of it.

380
00:26:14,960 --> 00:26:21,559
Speaker 3: Yeah, m h m hm hm.

381
00:26:23,160 --> 00:26:28,240
Speaker 2: I can step smell tobacco and I climbed side my

382
00:26:28,359 --> 00:26:34,160
Daddy's stood on the tree, Daddy's name.

383
00:26:35,440 --> 00:26:47,880
Speaker 3: He told me how to drive down. Look you straight

384
00:26:48,160 --> 00:26:54,960
smell and spies o too. Smells that hit in my heart.

385
00:26:55,799 --> 00:26:57,359
Speaker 7: Now that wall.

386
00:27:03,000 --> 00:27:07,599
Speaker 3: Memories in his own diets truckle worth more than my money.

387
00:27:07,799 --> 00:27:20,319
Speaker 8: That you ever gone up pignant. If I was in

388
00:27:20,640 --> 00:27:24,720
so downtown on my love, I keeper in.

389
00:27:28,640 --> 00:27:37,039
Speaker 3: Hang on to my dad. An really childhood running by

390
00:27:38,480 --> 00:27:40,839
it didn't know where team.

391
00:27:50,519 --> 00:27:55,160
Speaker 7: That is, girl. What I was is his w love

392
00:27:56,119 --> 00:28:07,200
he gave me. I didn't care.

393
00:28:07,519 --> 00:28:13,359
Speaker 3: I just warn it to groo up and be free.

394
00:28:20,720 --> 00:28:24,960
Speaker 8: Memories in his olden Didge truck worth more than the

395
00:28:25,119 --> 00:28:29,319
money that you're ever gonna pay me if I wasn't

396
00:28:29,559 --> 00:28:31,640
so down on my.

397
00:28:31,839 --> 00:28:34,759
Speaker 3: Luck right now, I'll keep that truck.

398
00:28:34,920 --> 00:28:35,480
Speaker 7: And now.

399
00:28:38,319 --> 00:28:53,319
Speaker 3: I hang on to my daddy as I take that

400
00:28:53,640 --> 00:28:58,519
gun rack down. It breaks with the.

401
00:29:01,559 --> 00:29:13,400
Speaker 16: Return of the scheme that review will don't ask a clear.

402
00:29:13,279 --> 00:29:18,000
Speaker 3: And Paine.

403
00:29:24,119 --> 00:29:29,359
Speaker 8: Please fix her of don junker, don't turn my dad to.

404
00:29:31,039 --> 00:29:42,319
Speaker 17: Me memories in his old Dodge truck, nor in loney

405
00:29:42,640 --> 00:29:44,359
that you ever gon't pay me.

406
00:30:43,440 --> 00:30:45,559
Speaker 4: The sum is not finished. But this is called the seamstress.

407
00:31:06,279 --> 00:31:10,599
Speaker 3: If child, if.

408
00:31:12,160 --> 00:31:12,920
Speaker 7: You want.

409
00:31:14,160 --> 00:31:15,440
Speaker 3: If God to have.

410
00:31:17,039 --> 00:31:32,200
Speaker 18: Your dream, you would to guess, take if all the restaurant.

411
00:31:33,000 --> 00:31:50,240
Speaker 19: But your cooking is better than if God.

412
00:31:51,480 --> 00:31:53,680
Speaker 3: I have all your dreams.

413
00:31:54,559 --> 00:31:57,880
Speaker 7: Because you were too baby kid and gave me.

414
00:31:59,480 --> 00:32:01,039
Speaker 2: A man many.

415
00:32:03,759 --> 00:32:05,759
Speaker 4: Seamstress so nice.

416
00:32:21,960 --> 00:32:25,200
Speaker 3: I never got to get that business to your own.

417
00:32:30,960 --> 00:32:42,160
Speaker 4: Never rest seamstress. Shout up, my.

418
00:32:42,480 --> 00:32:46,039
Speaker 1: Wow, beautiful, beautiful. If you're just joining us bags, balance

419
00:32:46,119 --> 00:32:47,960
is here with us in studio and we've got a

420
00:32:48,200 --> 00:32:51,160
message came in from Irish Ryl who says, yeah, I

421
00:32:51,359 --> 00:32:55,039
like that one. She is very nice, very nice.

422
00:32:55,200 --> 00:32:57,759
Speaker 4: So we got another one, one more original. I know

423
00:32:57,880 --> 00:32:58,880
we have time for another original.

424
00:32:58,960 --> 00:32:59,440
Speaker 3: Oh definitely.

425
00:32:59,519 --> 00:33:03,319
Speaker 2: Yeah, So we got I Love Ransom, I got the

426
00:33:03,319 --> 00:33:03,960
Seamstress in.

427
00:33:04,920 --> 00:33:06,160
Speaker 3: This one's called Hurts to Breathe.

428
00:33:06,359 --> 00:33:10,000
Speaker 2: It's about my when my dad passed away. I referenced

429
00:33:10,039 --> 00:33:13,160
him a lot over several different times I've been on

430
00:33:13,799 --> 00:33:18,599
yeah yeah, but uh he Uh so I wrote several songs.

431
00:33:18,680 --> 00:33:20,640
It seems like it has a lot of different lyrics

432
00:33:20,720 --> 00:33:25,640
with him and writing. So this one's, uh, it's about him.

433
00:33:26,279 --> 00:33:28,839
It's about that feeling that people know when they get

434
00:33:29,000 --> 00:33:33,799
a loss of somebody, especially something but somebody, Yeah, and

435
00:33:34,480 --> 00:33:37,039
you try to think about them, but it's become suffocating

436
00:33:37,279 --> 00:33:39,960
and you try to think about it and you can't

437
00:33:40,000 --> 00:33:43,640
really breathe that well, and it's it's true, it's like

438
00:33:43,759 --> 00:33:46,480
it's hard to breathe. It hurts to breathe, like it's uh,

439
00:33:47,480 --> 00:33:50,640
it takes your breath away. It's it's sometimes it's like

440
00:33:50,759 --> 00:33:52,440
real suffocating to think about.

441
00:33:53,759 --> 00:33:54,319
Speaker 3: That. Yeah.

442
00:33:54,440 --> 00:34:00,680
Speaker 1: Absolutely, this is called Hurts to Breathe.

443
00:34:00,960 --> 00:34:23,559
Speaker 20: All right, robust from his cat.

444
00:34:25,800 --> 00:34:30,320
Speaker 3: You can't go out and play. He's just like my bad.

445
00:34:32,159 --> 00:34:34,519
It hurts him to breathe.

446
00:34:35,599 --> 00:34:37,840
Speaker 10: You love way to win.

447
00:34:38,679 --> 00:34:45,920
Speaker 3: The Pastor's s green. You just live the days in

448
00:34:46,400 --> 00:34:53,320
between when I love radity. When you search for me,

449
00:34:54,719 --> 00:34:57,000
I'll mass you so much.

450
00:34:57,920 --> 00:34:59,760
Speaker 4: It hurts too, bo.

451
00:35:13,960 --> 00:35:15,159
Speaker 2: I wait to.

452
00:35:15,280 --> 00:35:18,920
Speaker 3: Wear the pastures are green.

453
00:35:20,039 --> 00:35:31,000
Speaker 12: You haven't just waen los Daisy met me, wm not brill.

454
00:35:29,639 --> 00:35:31,480
Speaker 3: You search for me.

455
00:35:32,880 --> 00:35:34,360
Speaker 7: I miss you, so.

456
00:35:35,920 --> 00:35:51,880
Speaker 3: It hurt still breathe. My best friend came.

457
00:35:53,960 --> 00:35:56,239
Speaker 4: You can't go out and play.

458
00:35:57,320 --> 00:35:59,360
Speaker 20: He's just like my dad.

459
00:36:04,440 --> 00:36:05,199
Speaker 7: That was beautiful.

460
00:36:05,840 --> 00:36:06,119
Speaker 4: Thank you?

461
00:36:07,239 --> 00:36:08,320
Speaker 1: Sorry, Jenny, say that again.

462
00:36:08,719 --> 00:36:14,519
Speaker 3: That was beautiful. That's okay, Yeah, I appreciate that.

463
00:36:14,719 --> 00:36:17,480
Speaker 1: That that was beautiful. Yeah, Bags Ballad is here with us,

464
00:36:17,639 --> 00:36:22,360
alive in studio on this Saturday morning. Yeah. That is

465
00:36:22,440 --> 00:36:25,599
that a new song? Or is that that is wow? Yeah?

466
00:36:26,239 --> 00:36:27,760
Oh that's that's I love that.

467
00:36:27,960 --> 00:36:28,199
Speaker 4: Thanks.

468
00:36:28,400 --> 00:36:30,320
Speaker 1: Yeah. Is that one of the ones you're planning to record?

469
00:36:30,360 --> 00:36:30,400
Speaker 3: So?

470
00:36:30,519 --> 00:36:32,639
Speaker 2: Yeah, I want to do that one Love Ransom yeah

471
00:36:32,880 --> 00:36:33,920
and the Seamstress.

472
00:36:34,280 --> 00:36:37,400
Speaker 1: Yeah. Yeah, it hurts to breathe. I mean, like I said,

473
00:36:37,440 --> 00:36:39,800
you know, it's relatable, you know, because that's something everybody

474
00:36:39,880 --> 00:36:43,280
goes through and uh that feeling of yeah, that's a

475
00:36:43,320 --> 00:36:44,840
good way of putting it when you're grieving, you know,

476
00:36:44,840 --> 00:36:45,639
it hurts to breathe.

477
00:36:45,719 --> 00:36:50,679
Speaker 2: Yeah, yeah, you know, maybe a couple more covers, you know, yeah, yeah,

478
00:36:50,719 --> 00:36:51,559
we have time, all right?

479
00:36:54,679 --> 00:36:55,000
Speaker 4: Hellout?

480
00:36:55,119 --> 00:36:55,239
Speaker 3: Uh?

481
00:36:55,800 --> 00:37:00,360
Speaker 2: Well, Zach Brian, Zach Brian, Absolutely Zach. So I have

482
00:37:00,480 --> 00:37:05,199
your permission, thank you. He just texted me, he said, yes.

483
00:37:05,320 --> 00:37:07,320
Speaker 1: Yeah, Wow, he's quick. It's good to know he listen

484
00:37:07,400 --> 00:37:07,920
to what he does.

485
00:37:08,000 --> 00:37:08,920
Speaker 4: You know he listens quick.

486
00:37:11,159 --> 00:37:13,159
Speaker 3: Oh a message just came through the website.

487
00:37:13,199 --> 00:37:13,880
Speaker 1: He said, it's fine.

488
00:37:14,840 --> 00:37:16,079
Speaker 4: Thanks, I appreciate it.

489
00:37:22,880 --> 00:37:25,000
Speaker 1: All right, bags, Balance studio.

490
00:37:30,280 --> 00:37:30,599
Speaker 3: This is.

491
00:37:32,119 --> 00:37:32,639
Speaker 6: Z that Bryan.

492
00:37:33,400 --> 00:37:34,320
Speaker 4: I remember everything.

493
00:37:45,039 --> 00:38:05,039
Speaker 3: He's gone my beach town. M Do I mind you

494
00:38:05,519 --> 00:38:16,199
of your daddy? Is it for labby door hanging knife

495
00:38:16,760 --> 00:38:22,559
bastard to door over that's right, bubb m h.

496
00:38:24,639 --> 00:38:26,800
Speaker 20: Have you remember you love me?

497
00:38:27,400 --> 00:38:39,159
Speaker 3: Donlest me singing name of songs? Chill me bo.

498
00:38:45,760 --> 00:38:56,719
Speaker 21: Are you mohambleing under ray? Ima?

499
00:38:57,800 --> 00:39:07,000
Speaker 5: I remembering mm hmm, won shoulder.

500
00:39:07,760 --> 00:39:08,920
Speaker 3: Close to time.

501
00:39:10,199 --> 00:39:19,639
Speaker 8: You pickt me staying to side, Stranger's come on.

502
00:39:19,880 --> 00:39:25,000
Speaker 4: Out of the boom man smiles and small his mod.

503
00:39:28,559 --> 00:39:34,880
Speaker 11: Pictures and passing tide you want, smile right there.

504
00:39:35,519 --> 00:39:41,960
Speaker 3: When a drinking I w shined bud, I.

505
00:39:42,159 --> 00:39:46,960
Speaker 22: Do with.

506
00:39:57,119 --> 00:40:25,079
Speaker 3: H drinking teas your mind conies every be me that

507
00:40:25,599 --> 00:40:27,199
you hall me so.

508
00:40:32,840 --> 00:40:36,159
Speaker 4: Def never he said in.

509
00:40:36,440 --> 00:40:52,159
Speaker 8: Mine can't showlder clumbs in time. You begging me to

510
00:40:52,320 --> 00:41:01,039
stay tail of the sun room strangers, Come on, I'm

511
00:41:02,000 --> 00:41:06,119
grown man found where his mind grown.

512
00:41:09,199 --> 00:41:16,760
Speaker 11: Pictures and passing time walk smile right door when.

513
00:41:20,280 --> 00:41:22,199
Speaker 3: I wish I didn't.

514
00:41:22,079 --> 00:41:22,679
Speaker 7: Good I do.

515
00:41:42,400 --> 00:41:47,239
Speaker 4: That is gone, he's my mind.

516
00:41:51,039 --> 00:41:51,360
Speaker 3: M h.

517
00:41:55,440 --> 00:42:07,000
Speaker 4: Each tower rest is a shin line. Dude, I don't

518
00:42:07,079 --> 00:42:09,000
mind you love your daddy.

519
00:42:10,239 --> 00:42:11,719
Speaker 7: Z eight floor.

520
00:42:16,159 --> 00:42:24,920
Speaker 4: H but door out pass your door.

521
00:42:26,400 --> 00:42:30,119
Speaker 3: M h.

522
00:42:32,320 --> 00:42:32,840
Speaker 7: M hmm.

523
00:42:35,800 --> 00:42:38,800
Speaker 2: It's a little unreleased by exact grand as song.

524
00:42:43,199 --> 00:42:45,000
Speaker 4: She reminds me and my dad. I like singing the song.

525
00:42:45,599 --> 00:42:47,920
Speaker 2: He had this trailer up in Maine towards the end

526
00:42:47,920 --> 00:42:50,440
of his life, and when he retired, he would go

527
00:42:50,519 --> 00:42:51,920
up there and he would sit in this trailer.

528
00:42:53,400 --> 00:42:55,639
Speaker 4: Then he'd be in the close to the ocean play.

529
00:42:56,280 --> 00:43:00,519
Speaker 2: He wouldn't be able to swim, you know, body even

530
00:43:00,599 --> 00:43:06,719
let him so, but he's still made it in there.

531
00:43:08,159 --> 00:43:13,360
Speaker 23: To sleep sins jeans in the back of a cander

532
00:43:17,800 --> 00:43:23,840
Yah listening to the way he's cash cover and sliding

533
00:43:24,119 --> 00:43:24,719
and show.

534
00:43:31,519 --> 00:43:37,719
Speaker 2: He puts his knees, heads, feet, his caddy in the wader.

535
00:43:44,920 --> 00:43:51,519
Speaker 4: I've never gone walk through rich Man, he's over there.

536
00:43:56,199 --> 00:43:59,880
Speaker 3: You sleep sin' jeans in the back.

537
00:44:00,199 --> 00:44:10,039
Speaker 20: Good have gone a lot through.

538
00:44:17,679 --> 00:44:30,360
Speaker 3: It puts his n seeting's hid it gone.

539
00:44:33,280 --> 00:44:33,800
Speaker 1: It's me.

540
00:44:43,280 --> 00:44:44,679
Speaker 2: All right now, I just not I really want to

541
00:44:44,679 --> 00:44:47,639
play this song, Charlie, my song Charlie. Here shout to

542
00:44:47,760 --> 00:44:50,360
Charlie's Hill and Terry and Mike Merrill and that's where

543
00:44:50,360 --> 00:44:52,840
I rather started playing music. And uh, I'm so grateful

544
00:44:52,880 --> 00:44:54,960
for them. I coulda get up there more than I do.

545
00:44:55,119 --> 00:44:55,599
Speaker 4: I'm sorry.

546
00:44:56,119 --> 00:44:58,599
Speaker 1: Uh yeah, that's Charlie's Hill comes up. That comes up

547
00:44:58,639 --> 00:45:00,360
a lot on the show. That's right, Jenny and I

548
00:45:00,400 --> 00:45:02,760
saw haven't been there, but apparently it's a pretty incredible venue.

549
00:45:02,760 --> 00:45:05,039
Speaker 2: I'm gonna take you guys there. Yeah, yeah, all right,

550
00:45:05,119 --> 00:45:06,599
I got an RV up there. You guys can stay

551
00:45:06,599 --> 00:45:06,719
in it.

552
00:45:06,840 --> 00:45:10,480
Speaker 1: Oh wow, where was that exactly? I don't I don't

553
00:45:10,480 --> 00:45:11,079
even remember it is.

554
00:45:11,199 --> 00:45:15,239
Speaker 4: Stuff's right in Lebanon, Maine. So it's right over the Rochester.

555
00:45:15,559 --> 00:45:17,079
Oh okay, it's right over the line.

556
00:45:17,320 --> 00:45:18,960
Speaker 3: Oh is it New York?

557
00:45:19,000 --> 00:45:22,760
Speaker 2: Kidtery then no, no, not not New York Kittery, but

558
00:45:22,960 --> 00:45:25,360
it's uh, it's well, I mean it's closer to it,

559
00:45:25,440 --> 00:45:27,639
closer to Kittery, I guess. But it's a right past

560
00:45:27,800 --> 00:45:30,639
Rochester off a Spaulding Turnpike. Okay, and you get up

561
00:45:30,679 --> 00:45:32,599
there and it's right as soon as you get into Maine.

562
00:45:32,599 --> 00:45:34,800
It's about ten fifteen minutes up there on Center Road.

563
00:45:34,920 --> 00:45:35,840
Speaker 4: Yeah, Levin and Maine.

564
00:45:36,199 --> 00:45:38,800
Speaker 2: You can look it up Charlie's Hill, Yeah, yeah. And

565
00:45:38,880 --> 00:45:40,920
they have some great music that comes through there, with

566
00:45:41,000 --> 00:45:43,840
some really good bands. Yeah, you know, all sorts of

567
00:45:43,960 --> 00:45:46,719
genres that you can find. So Terry and Mike Merrill,

568
00:45:47,719 --> 00:45:48,119
I love you.

569
00:45:48,280 --> 00:45:50,199
Speaker 1: Yeah, shout out to that. Yeah we got yeah, we

570
00:45:50,280 --> 00:45:51,719
had time for one more, one more.

571
00:45:51,960 --> 00:45:53,519
Speaker 4: This one's for you, Terry Mike Merrill.

572
00:45:54,119 --> 00:45:58,280
Speaker 2: The song goes out to their love daughter Charlie, who

573
00:45:58,440 --> 00:46:01,400
had passed away many years ago, now several, not many,

574
00:46:01,440 --> 00:46:02,840
but several, and.

575
00:46:04,320 --> 00:46:08,800
Speaker 4: This song is for her. And this song is about.

576
00:46:11,440 --> 00:46:15,960
Speaker 2: When you see something someone passes away, and these people

577
00:46:16,079 --> 00:46:18,760
will always want to hold their.

578
00:46:20,199 --> 00:46:23,320
Speaker 4: Feelings and their memory to them close. And sometimes.

579
00:46:26,639 --> 00:46:30,719
Speaker 2: You start seeing things that you think might be them

580
00:46:31,360 --> 00:46:35,360
kind of with you or watching with you, or you're

581
00:46:35,400 --> 00:46:38,239
just not necessarily them itself, and even if they're gone

582
00:46:38,239 --> 00:46:41,320
in a state of rest, that it's this memory that

583
00:46:42,599 --> 00:46:43,760
they're always thinking of them.

584
00:46:44,119 --> 00:47:00,159
Speaker 4: And that's what this is about. M saturning nights James.

585
00:47:03,559 --> 00:47:03,599
Speaker 3: In.

586
00:47:04,000 --> 00:47:04,360
Speaker 7: Have you.

587
00:47:12,920 --> 00:47:15,480
Speaker 3: Take times and borrow.

588
00:47:15,880 --> 00:47:22,559
Speaker 4: Car a distance between us.

589
00:47:23,639 --> 00:47:30,239
Speaker 3: It's closer than you think. The next time you.

590
00:47:30,280 --> 00:47:34,199
Speaker 4: Were in the field and the stars giveaway.

591
00:47:35,920 --> 00:47:40,519
Speaker 3: Just remember I wakening here and sleep.

592
00:47:42,800 --> 00:47:47,079
Speaker 21: Slack the campers in your field oft retree.

593
00:47:51,960 --> 00:47:56,199
Speaker 3: High am a flickering light.

594
00:47:58,679 --> 00:48:00,559
Speaker 7: High, Yeah, I'm.

595
00:48:02,159 --> 00:48:09,199
Speaker 3: Louison you fighting Hi, he am the curl in your grin.

596
00:48:09,679 --> 00:48:15,360
That ship is on, young men. I am lowistle in

597
00:48:15,679 --> 00:48:18,880
the wood. In the segments when you rest.

598
00:48:21,679 --> 00:48:30,719
Speaker 22: Living Lord, laughter, survived, and I don't buy my marral

599
00:48:30,840 --> 00:48:32,400
disons alive.

600
00:48:35,039 --> 00:48:44,159
Speaker 3: How is the resignation? Last said in the hall? Is

601
00:48:44,599 --> 00:48:51,039
you find that it's me? Oh Min's me? It's me.

602
00:48:52,159 --> 00:49:13,880
It's sharp Hi, yeah, flicker Hi, yeah, reason you f.

603
00:49:16,320 --> 00:49:22,159
Speaker 24: I am curling your gren and chills an you know.

604
00:49:24,320 --> 00:49:28,039
I am the west soon the wind in the silence

605
00:49:28,199 --> 00:49:38,760
when new when living the left of suv, it's.

606
00:49:38,679 --> 00:49:45,559
Speaker 3: Me in the hot stuff keeps the musical. Yeah, it's me.

607
00:49:47,079 --> 00:49:56,039
The resonation. That's the designed. Yeah, it's me. Oh yeah,

608
00:49:56,480 --> 00:50:03,079
in ownst still fining. It's me home. It's me and

609
00:50:03,440 --> 00:50:06,400
n I'm Charlie.

610
00:50:07,559 --> 00:50:17,400
Speaker 5: Home, and we all, we all Charlie, we are flickering

611
00:50:17,840 --> 00:50:19,280
like for no reason.

612
00:50:19,480 --> 00:50:27,480
Speaker 3: We fight. Oh yeah, we have curs in our green. Yeah,

613
00:50:27,599 --> 00:50:31,960
we have chills on our necks. Oh yeah, we all

614
00:50:32,039 --> 00:50:36,559
have silence. When we rest him, him, that living lord

615
00:50:36,800 --> 00:50:42,440
will have to be always survived. It's me him, that

616
00:50:42,840 --> 00:50:50,519
resignation in that bond that survives me. Oh don't know.

617
00:50:52,079 --> 00:50:59,559
With God, it's me.

618
00:51:03,920 --> 00:51:05,599
Speaker 4: I really appreciate playing on here again.

619
00:51:06,400 --> 00:51:08,960
Speaker 1: Oh, we're glad to have you that. That was a

620
00:51:09,000 --> 00:51:10,679
great song. Yeah, I remember you playing that before, and

621
00:51:10,760 --> 00:51:11,599
that's that's powerful.

622
00:51:11,719 --> 00:51:12,000
Speaker 4: Thanks.

623
00:51:12,159 --> 00:51:13,280
Speaker 1: That is so good. That is so good.

624
00:51:13,280 --> 00:51:14,199
Speaker 4: Appreciate it. That means a lot.

625
00:51:14,320 --> 00:51:18,360
Speaker 1: Absolutely bags ballin live in studio, we are just about

626
00:51:18,400 --> 00:51:20,119
out of time, but thank you so much for coming

627
00:51:20,159 --> 00:51:22,119
in today. I could play for three hours here.

628
00:51:24,480 --> 00:51:24,679
Speaker 3: Yeah.

629
00:51:24,719 --> 00:51:26,880
Speaker 1: You probably do a lot of shows that are three hours, right, yeah,

630
00:51:26,880 --> 00:51:29,920
when you when you play live yeah yeah. And and

631
00:51:30,000 --> 00:51:31,679
then you're and you're going into the studio soon, you

632
00:51:31,719 --> 00:51:32,280
said too.

633
00:51:32,400 --> 00:51:35,079
Speaker 2: Uh, I'll be going to the studio soon. Awesome, gonna

634
00:51:35,079 --> 00:51:38,199
be aligned now excellent. So within the next month, I

635
00:51:38,280 --> 00:51:41,519
want to get in and go see uh coming for you.

636
00:51:41,800 --> 00:51:44,559
Speaker 1: Yeah, excellent, excellent, very good. Well, listen, I want to

637
00:51:44,559 --> 00:51:46,199
thank everybody who joined us today. Of course we had

638
00:51:46,280 --> 00:51:48,079
a Lyle Hutchins in the second hour, and in the

639
00:51:48,159 --> 00:51:52,159
first hour the great Jesse Rutstein and Caleb Dyer. We're

640
00:51:52,199 --> 00:51:52,679
here with us.

641
00:51:53,079 --> 00:51:53,159
Speaker 6: Uh.

642
00:51:53,239 --> 00:51:54,840
Speaker 1: If you missed any part of today's show, it'll be

643
00:51:54,880 --> 00:51:56,639
up in just a little bit at w M andhradio

644
00:51:56,679 --> 00:51:59,400
dot organ on my website Matt Connorton dot com. And

645
00:51:59,519 --> 00:52:01,159
Jenny is always you've been up to a lot. You

646
00:52:01,239 --> 00:52:02,440
want to mention your website.

647
00:52:02,840 --> 00:52:05,639
Speaker 15: You can check out what trouble good trouble I'm getting

648
00:52:05,679 --> 00:52:08,639
into at Jencoffee dot com. J E N N c

649
00:52:08,800 --> 00:52:10,480
O F f e y dot com.

650
00:52:10,760 --> 00:52:12,559
Speaker 1: And you've been uh yeah, you've been up to a

651
00:52:12,639 --> 00:52:16,039
lot lately. So and you've redesigned some of the website too.

652
00:52:16,199 --> 00:52:19,000
Speaker 15: So I did straighten it out. It will now load better.

653
00:52:19,280 --> 00:52:21,920
And I took off Yeah I had, I had kind

654
00:52:21,960 --> 00:52:23,440
of overdone it.

655
00:52:23,840 --> 00:52:28,199
Speaker 1: Yeah yeah, yeah, and uh, let's see oh quick plug two.

656
00:52:28,840 --> 00:52:32,519
Uh tonight there's a Purge d I show happening at

657
00:52:32,519 --> 00:52:35,159
Angel City Music Hall in Manchester. I believe it's their

658
00:52:35,159 --> 00:52:40,119
thirtieth anniversary. Of course, uh now, well, Jay of course

659
00:52:40,280 --> 00:52:42,840
now is in Chasing the Devil, but he's also doing

660
00:52:42,920 --> 00:52:45,840
the uh the anniversary show with perged I. So if

661
00:52:45,840 --> 00:52:49,920
you're looking for something tonight and also tomorrow, Eric Filter

662
00:52:50,000 --> 00:52:51,840
and I will be doing a I'm not sure exactly

663
00:52:51,920 --> 00:52:54,639
when sometime in the afternoon, a live episode of Tough

664
00:52:54,719 --> 00:52:57,920
Bumps tomorrow today, it's gonna be tomorrow, checking them up.

665
00:52:58,000 --> 00:53:01,559
Definitely gonna be tomorrow. Hi, are you wait? So lots

666
00:53:01,880 --> 00:53:04,599
lots going on, but so we got to get out

667
00:53:04,599 --> 00:53:06,480
of here, bag Spell and thank you again, my friend.

668
00:53:06,400 --> 00:53:06,639
Speaker 3: Thank you.

669
00:53:06,719 --> 00:53:07,440
Speaker 7: It was great to be here.

670
00:53:07,480 --> 00:53:08,079
Speaker 4: Looking forward to the.

671
00:53:08,119 --> 00:53:11,800
Speaker 1: Next time, absolutely absolutely, and we will talk to y'all

672
00:53:12,000 --> 00:53:13,239
a little bit later. Bye, everybody,