WEBVTT 1 00:00:13.439 --> 00:00:18.160 A yell Camels, the cigarette that first in the service 2 00:00:18.199 --> 00:00:21.679 Presents from the sixth Ferrying Group Air Transport Command at 3 00:00:21.679 --> 00:00:22.920 Long Beach, California. 4 00:00:23.199 --> 00:00:30.719 The Abbott and Costello program, Everybody. 5 00:00:30.480 --> 00:00:34.600 Darkness hangs and the Cameo five The Nice des mis 6 00:00:34.600 --> 00:00:38.240 Merle Oberon and starring what Abbott and Little Costello? 7 00:00:45.880 --> 00:00:47.600 Hey? 8 00:00:48.679 --> 00:00:49.119 Oh, come on? 9 00:00:49.119 --> 00:00:50.240 What's the matter with you? Costello? 10 00:00:50.399 --> 00:00:50.520 Hey? 11 00:00:50.960 --> 00:00:52.359 I want to ask you a very personal question. 12 00:00:52.719 --> 00:00:54.799 Do you think I'm pat where I'd say you were 13 00:00:54.840 --> 00:00:55.799 on the plump side? 14 00:00:55.880 --> 00:00:57.679 Why do you ask? Well, I was hovering by one 15 00:00:57.679 --> 00:00:59.799 of those big hangars, I was standing next to a blimp. 16 00:01:00.039 --> 00:01:01.719 All of a sudden, enough's a point to me, and says, 17 00:01:01.759 --> 00:01:06.599 look to making them with faces. Now, Oh, he was 18 00:01:06.680 --> 00:01:07.200 just kidding. 19 00:01:07.359 --> 00:01:09.280 You know, there's nobody that has a better sense of 20 00:01:09.319 --> 00:01:10.640 humor than a flying man. 21 00:01:10.760 --> 00:01:12.359 I know that too, have it because I'm a flying 22 00:01:12.400 --> 00:01:14.120 man myself. What do you mean? I started flying when 23 00:01:14.120 --> 00:01:15.840 I was a six months old baby. You flew when 24 00:01:15.840 --> 00:01:17.680 you were a baby. Yet I flew out of my 25 00:01:17.760 --> 00:01:21.280 nurse's arms and made a perfect one point landing. You 26 00:01:21.359 --> 00:01:27.239 mean three pine, No, one point? My safety pin was open, Costello. 27 00:01:27.280 --> 00:01:29.359 I don't believe you've ever been up in the air. Oh, yes, 28 00:01:29.359 --> 00:01:31.120 I have. I used to be a hostess when you 29 00:01:31.159 --> 00:01:32.400 walked into that with my friend. 30 00:01:33.000 --> 00:01:36.359 For your information, plane hostesses are always female. 31 00:01:36.480 --> 00:01:41.519 This was a male plane. Tell me, Costello, when was 32 00:01:41.560 --> 00:01:43.359 the last time you were up in the plane. Do 33 00:01:43.400 --> 00:01:47.120 you want the truth or my version? Oh no, no, no, no, 34 00:01:47.079 --> 00:01:49.480 I want the trew. I think we'd get more last 35 00:01:49.519 --> 00:01:52.319 year other way. No no, no, no, no, tell the drew. Okay, 36 00:01:52.359 --> 00:01:54.280 I'll tell it truth, all right. I took my first 37 00:01:54.280 --> 00:01:57.120 plane ride today. Captain Dick Lasher took me up in 38 00:01:57.159 --> 00:02:00.000 a great big plane. Try himtor, try what I said, 39 00:02:00.079 --> 00:02:04.280 try motor. Certainly we tried to motive. What do you 40 00:02:04.280 --> 00:02:06.680 think we did? Push it? Gnawski. I'm not going to 41 00:02:06.719 --> 00:02:07.840 get up there and don't. 42 00:02:07.640 --> 00:02:09.919 Try all right, forget about it saying. 43 00:02:09.719 --> 00:02:10.280 About the motor. 44 00:02:10.360 --> 00:02:12.479 Oh no, no, no, no, no, no, no the other things. 45 00:02:12.639 --> 00:02:14.360 By the way, what kind of a pilot is he? 46 00:02:14.719 --> 00:02:14.800 Was? 47 00:02:14.800 --> 00:02:20.759 He flying blind? Ah? He was perfectly stubber. What a dope, 48 00:02:20.800 --> 00:02:24.159 of course he was sober. Well, never mind that, you know, Loom. 49 00:02:24.439 --> 00:02:26.719 I wonder what these boys down here at Long Beach 50 00:02:26.960 --> 00:02:28.879 do when they go on leave. Well, I saw a 51 00:02:28.879 --> 00:02:30.800 bunch of the boys down at the beach with their girlfriends. 52 00:02:30.840 --> 00:02:32.919 Did they get down there to school? Well, they didn't 53 00:02:32.919 --> 00:02:39.400 get down there to wash their socks. Well, here's Ken, Niles. 54 00:02:39.400 --> 00:02:41.800 I've been waiting to see you again. I was wondering 55 00:02:41.840 --> 00:02:43.840 what your wife thought of the picture we made last week. 56 00:02:43.960 --> 00:02:46.080 That's right, Niles. What does she think of my acting? 57 00:02:46.280 --> 00:02:49.360 Well, I don't mind telling you that she absolutely raved? 58 00:02:49.599 --> 00:02:50.319 She raved? 59 00:02:50.439 --> 00:02:52.840 Hey, yeah, they took her away the next morning. 60 00:02:55.800 --> 00:02:58.919 What's so funny about that? Did you make that up yourself? Yeah? 61 00:02:58.960 --> 00:03:05.919 Out of my head. You certainly are quick hate that way, 62 00:03:06.000 --> 00:03:08.520 I know you do. But quit arguing, Costell. I want 63 00:03:08.520 --> 00:03:12.400 to hear more about the picture. Did you read any reviews? Ken? Yeah? Sure. 64 00:03:12.560 --> 00:03:15.039 The Druggis Weekly gave the picture four aspirds. 65 00:03:17.639 --> 00:03:18.319 See what happens? 66 00:03:18.319 --> 00:03:20.960 Don't We've got the band framed up. Surry's got the 67 00:03:21.000 --> 00:03:23.240 band frame That wasn't a funny line. There was nothing 68 00:03:23.479 --> 00:03:26.479 nothing funny about that, brother, Can you imagine lessen? Ken? 69 00:03:26.520 --> 00:03:29.759 I read all the reviews, and even missus Roosevelt mentioned 70 00:03:29.759 --> 00:03:32.120 our picture in her column. What did she say? She said? 71 00:03:32.560 --> 00:03:37.759 My day was ruined? That's the one line. I don't 72 00:03:37.759 --> 00:03:41.039 know why they got it in well, didn't we get 73 00:03:41.039 --> 00:03:43.319 any compliments at all? Oh? Sure, we got one chair 74 00:03:43.360 --> 00:03:45.199 that I remember where from the Bronx. 75 00:03:45.400 --> 00:03:47.280 The Bronx, you know? 76 00:03:47.719 --> 00:03:49.199 And Hitler's face without music? 77 00:03:49.400 --> 00:03:51.479 Oh yeah, Well, maybe. 78 00:03:51.240 --> 00:03:53.120 We should give up the idea of producing our own 79 00:03:53.120 --> 00:03:56.159 pictures though, would you'll be silly? Her a few pictures incorporators? 80 00:03:56.159 --> 00:03:58.199 Here to stay and I'm ready to start another picture 81 00:03:58.280 --> 00:04:03.719 right now? Push the button for myselfecretary. What's the idea 82 00:04:03.719 --> 00:04:05.439 of a horn for a buzzy? She used to be 83 00:04:05.479 --> 00:04:06.319 a waitress and a driver? 84 00:04:06.599 --> 00:04:11.199 Oh O course, I'm sorry it was late this morning. 85 00:04:11.639 --> 00:04:12.719 Are you doing anything tonight? 86 00:04:13.280 --> 00:04:15.319 Why you no, not a thing? 87 00:04:15.759 --> 00:04:20.199 Then try and get here on time tomorrow morning, the 88 00:04:20.360 --> 00:04:23.040 fine secretary, how did you get a job here? 89 00:04:23.240 --> 00:04:25.360 I used to be in pitches. I played in the 90 00:04:25.399 --> 00:04:26.560 way of all flesh? 91 00:04:26.639 --> 00:04:27.720 What part did you play? 92 00:04:27.839 --> 00:04:28.720 One of the meetfuls? 93 00:04:31.759 --> 00:04:36.759 Everybody your slash for me? All right? Have patience? Have patience. 94 00:04:36.959 --> 00:04:39.759 By the way, do I have any appointments today? Yes, 95 00:04:39.959 --> 00:04:42.240 at twelve o'clock you have an appointment with Hetty Lamar. 96 00:04:42.680 --> 00:04:43.600 What am I doing after that? 97 00:04:43.920 --> 00:04:49.360 N He asked, mister Costello, could I speak to you 98 00:04:49.399 --> 00:04:51.800 for a moment? Why it's spots for Twink or sell 99 00:04:51.800 --> 00:04:54.240 the man. What's on your mind? Bots Well, I want 100 00:04:54.240 --> 00:04:56.000 you to know that I was terribly hurt because I 101 00:04:56.040 --> 00:04:59.240 wasn't in your picture last week with Carmen Miranda. After all, 102 00:04:59.240 --> 00:05:01.480 if you're looking for two faces, look at me. My 103 00:05:01.600 --> 00:05:02.720 face is new, isn't it? 104 00:05:03.000 --> 00:05:05.240 Oh? Very new? In fact, your whole head has only 105 00:05:05.279 --> 00:05:10.279 been slightly used. Please give me a chance, mister castell O. Help. 106 00:05:10.639 --> 00:05:12.720 I really do have a lot of talent, you know. 107 00:05:12.800 --> 00:05:14.600 I do most of the voices and all the leons 108 00:05:14.600 --> 00:05:16.480 schlessing your cartoons for Warner Brothers. 109 00:05:16.519 --> 00:05:19.319 Don't tell me. Yeah. For instance, here's a little porky pig. 110 00:05:21.079 --> 00:05:23.959 If if this is the way I did, heap talk 111 00:05:24.480 --> 00:05:28.920 when I play it, heap the porkyp Parky the day. 112 00:05:29.000 --> 00:05:29.360 That's all. 113 00:05:37.600 --> 00:05:40.120 I'll play Parky for you for a thousand dollars you're 114 00:05:40.120 --> 00:05:41.160 talking about Warner Brothers. 115 00:05:41.160 --> 00:05:43.519 Don't pay you that, I know, But pork has gone up? 116 00:05:45.600 --> 00:05:46.279 What else do you do? 117 00:05:46.319 --> 00:05:46.759 Botsford? 118 00:05:47.079 --> 00:05:49.360 Did you ever hear bugs? Bunny? I have a carrot here, 119 00:05:49.360 --> 00:05:55.279 so I'll give you a little sample. And what chip dock? 120 00:05:58.600 --> 00:05:58.800 Yeah? 121 00:05:59.279 --> 00:06:01.000 What do you say? He wats cooking? Huh? 122 00:06:01.720 --> 00:06:03.439 Of course if you use bugs, bunny, you'll have to 123 00:06:03.519 --> 00:06:04.720 use my wife, missus bunny. 124 00:06:04.879 --> 00:06:07.120 But we can't use two rabbits in our picture. Well, 125 00:06:07.120 --> 00:06:09.560 we couldn't separate them. That would be splitting hairs. 126 00:06:12.079 --> 00:06:14.240 Well, if you can't use the rabbit, maybe I could 127 00:06:14.240 --> 00:06:16.680 furnish some of the musical background. I can imitate an 128 00:06:16.720 --> 00:06:26.839 electric organ. Listen do you call it an organ? 129 00:06:27.279 --> 00:06:27.439 Now? 130 00:06:27.639 --> 00:06:30.759 Listen Potsford, I can't use any of that stuff in 131 00:06:30.879 --> 00:06:34.759 my picture. Now, will you get out of here? Now? 132 00:06:34.759 --> 00:06:36.680 Look what you now? Look what you now? 133 00:06:36.759 --> 00:06:37.199 Look at you? 134 00:06:37.639 --> 00:06:39.920 Every time you yell at, yell at, yell at me? 135 00:06:39.959 --> 00:06:43.560 I guess why do you yell what? I know? 136 00:06:43.839 --> 00:06:44.920 I know I talk loud. 137 00:06:44.920 --> 00:06:45.399 He gets to hit. 138 00:06:46.439 --> 00:06:49.000 I don't yell at him. Do something for the pastor 139 00:06:49.600 --> 00:06:52.680 these spots toots. But I'm talking a lot and easy, 140 00:06:52.720 --> 00:06:54.839 not take it easy, No more hiccups. That brings him 141 00:06:54.839 --> 00:06:56.000 out of it. That brings him out of it because 142 00:06:56.120 --> 00:06:58.000 I didn't know that. All right, take it is? How 143 00:06:58.000 --> 00:07:00.680 do you feel? Uh better? Now? 144 00:07:00.879 --> 00:07:01.279 Oh? You do? 145 00:07:01.519 --> 00:07:02.800 I see you're fine? Oh my glad? 146 00:07:02.800 --> 00:07:03.160 That have it? 147 00:07:03.199 --> 00:07:05.519 Now let's get back to this picture. But mister Castell, 148 00:07:05.639 --> 00:07:07.160 are you sure you can't use the organ? 149 00:07:07.319 --> 00:07:07.600 Fox? 150 00:07:07.600 --> 00:07:10.560 But How many times do I have to tell you that? Please? 151 00:07:12.560 --> 00:07:25.959 You know what I'm doing? Hey, Lolu Castello or yes, Niles. 152 00:07:26.000 --> 00:07:28.199 I want to ask you something. Do you know anything 153 00:07:28.199 --> 00:07:29.199 about winter sports? 154 00:07:29.240 --> 00:07:31.279 Are you kidding? I'm one of the best jumpers in 155 00:07:31.279 --> 00:07:33.920 the country, really sure? Last winter late lass if I 156 00:07:33.959 --> 00:07:36.399 made my biggest jump. I climbed up to the tump 157 00:07:36.399 --> 00:07:39.519 of a slide. Thousands of people were looking up at me. 158 00:07:39.920 --> 00:07:42.000 And when I leaped into the year, I went down 159 00:07:42.040 --> 00:07:44.720 at sixty miles an hour, and I made a sensational 160 00:07:44.839 --> 00:07:48.600 jump up two hundred feet two hundred feet yep. And 161 00:07:48.680 --> 00:07:50.839 I could have even come further if there was snow. 162 00:07:53.360 --> 00:07:56.839 Oh tonight, Thank you, Lou. 163 00:07:57.199 --> 00:07:59.759 I know another good skier, and his name is Dick Duran, 164 00:08:00.040 --> 00:08:02.000 and he's one of the finest skiers in the world. 165 00:08:02.399 --> 00:08:05.000 In fact, he's so good that the government asked him 166 00:08:05.000 --> 00:08:07.480 to give instructions to ski troopers in. 167 00:08:07.519 --> 00:08:09.240 Lightning fast mountain warfare. 168 00:08:09.639 --> 00:08:11.959 Dick knows he's smoking too, he said. 169 00:08:12.120 --> 00:08:14.319 Quote, I've smoked camels for years. 170 00:08:14.839 --> 00:08:16.920 They have the full rich flavor that I want in 171 00:08:16.920 --> 00:08:19.959 a cigarette. No matter how often I smoke camels, never 172 00:08:20.040 --> 00:08:23.319 tire my taste, never get my throat unquote yes. 173 00:08:23.240 --> 00:08:25.439 And with many in all the services, camel is the 174 00:08:25.480 --> 00:08:28.680 favorite too, according to actual sales records in the stores 175 00:08:28.720 --> 00:08:32.519 where they buy cigarettes. Try camels yourself for steady pleasure. 176 00:08:32.919 --> 00:08:36.000 You'll like the way they hold up were well pack 177 00:08:36.159 --> 00:08:39.360 after pack, no matter how many you smoke. The reason 178 00:08:39.519 --> 00:08:42.960 is extra flavor. And you know camels always have more 179 00:08:43.039 --> 00:08:47.720 flavor better. Yet camels combine flavor with extra mildness, the 180 00:08:47.840 --> 00:08:51.399 extra mildness that goes with slow burning and cool smoking. 181 00:08:51.960 --> 00:08:55.200 One reason for that is costlier tobaccos blend. It is 182 00:08:55.279 --> 00:08:58.720 only camels know how to blend. I remember, you're the 183 00:08:58.759 --> 00:09:01.759 one who's doing your smoke. Your throat and your taste 184 00:09:01.759 --> 00:09:07.840 will tell you he camel's get up back tonight. Send 185 00:09:07.840 --> 00:09:09.720 a carton too, that fellow in the service. 186 00:09:15.200 --> 00:09:17.120 With the orchest dry and the camel file with a 187 00:09:17.200 --> 00:09:19.639 new treatment for an old tune. By the light of 188 00:09:19.759 --> 00:09:49.679 the silvery moon, By thee of. 189 00:09:49.879 --> 00:09:52.360 The silvery moon, My. 190 00:09:55.039 --> 00:10:03.440 Money lost, honey moon, Keep listen, Your silvery peas will 191 00:10:03.519 --> 00:10:37.799 bring not peace, will because them buy the silberry boom, oh, 192 00:10:42.240 --> 00:10:43.759 buy the silberry. 193 00:10:57.360 --> 00:10:59.320 Costel, and we can't hold up production on your new 194 00:10:59.360 --> 00:11:01.200 picture any longer. Now we've got to get a leading lady. 195 00:11:01.399 --> 00:11:03.480 How about giving that secretary view as a chance. She 196 00:11:03.519 --> 00:11:06.360 has blue eyes and blonde hair and a supreme court figure. 197 00:11:06.440 --> 00:11:08.200 What do you mean a supreme card figure? 198 00:11:08.320 --> 00:11:13.440 A supreme court figure? What are your appeals? Oh, besides 199 00:11:13.519 --> 00:11:16.519 typhone Merle o'bron about playing a leading card. You did, yes, 200 00:11:17.039 --> 00:11:20.320 I picked up the receiver. I said, Merle Darling, Merle sweetheart, 201 00:11:20.960 --> 00:11:23.879 Merle my love, And then then I dialed. 202 00:11:23.600 --> 00:11:29.600 Her number, Merle Obron, Merle o'bron. The s in our picture, 203 00:11:30.320 --> 00:11:30.480 you know. 204 00:11:30.720 --> 00:11:33.399 And I sent for a new fashion designer. What is 205 00:11:33.600 --> 00:11:36.200 this but just popping hair? What what happened? 206 00:11:36.519 --> 00:11:36.679 Well? 207 00:11:36.759 --> 00:11:38.840 Now wait, even I sent for a new fashion designer. 208 00:11:39.639 --> 00:11:40.000 Is that it? 209 00:11:41.159 --> 00:11:45.559 Now he's saying, come in, you don't even in James 210 00:11:45.639 --> 00:11:49.960 and Man, I'm your new fashion designer. Uh, pier up 211 00:11:50.120 --> 00:11:55.679 a to my friends, I'm pu you said it, but hey, 212 00:11:55.720 --> 00:11:59.879 get over that guy's hair. He's a male Ronica Lake. Yeah, 213 00:12:00.120 --> 00:12:02.159 this is Lilule Castello. How do you do? 214 00:12:02.320 --> 00:12:03.159 Mister Costello? 215 00:12:03.840 --> 00:12:05.360 You are just the man I'm looking at. 216 00:12:06.000 --> 00:12:06.720 I'm not seeing you in. 217 00:12:06.720 --> 00:12:07.519 Your long distance. 218 00:12:09.159 --> 00:12:11.840 He wear his hair hangs over his face. Pardon me, Pierre, 219 00:12:12.120 --> 00:12:13.799 does your mother have to stay by a ship dog 220 00:12:15.960 --> 00:12:17.600 lean the man alone. We've got to get him to 221 00:12:17.600 --> 00:12:20.519 the design miss O'Brien's clothes. Now, no more remarks about 222 00:12:20.559 --> 00:12:22.679 his hair looks like a palm tree in a high. 223 00:12:22.559 --> 00:12:26.360 Wind, doesn't where mister Costello, I admit that my hair 224 00:12:26.559 --> 00:12:27.559 is a standing joke. 225 00:12:28.000 --> 00:12:32.039 Well, it needs a new switch. I don't know what's 226 00:12:32.080 --> 00:12:33.120 wrong there. I keep quiet. 227 00:12:34.039 --> 00:12:37.559 We must have miss O'Brien's wadrobe design before she gets here. Pierre, 228 00:12:38.039 --> 00:12:40.279 would you mind telling us some of your ideas on 229 00:12:40.399 --> 00:12:41.120 women's clothes? 230 00:12:41.320 --> 00:12:42.240 Oh not at all. 231 00:12:42.799 --> 00:12:43.000 You know. 232 00:12:43.120 --> 00:12:47.159 The main thing is color harmony. Color harmony. What's that? Well, 233 00:12:47.279 --> 00:12:50.960 it's very simple, mister Constello. For instance, if you were 234 00:12:51.120 --> 00:12:54.000 carrying a pink bag, you would not wear a green 235 00:12:54.080 --> 00:13:00.279 dress with you. Oh gracious no, I wouldn't there. I'd 236 00:13:00.320 --> 00:13:02.480 be the laughing stock of my sewing circle. All right, 237 00:13:07.159 --> 00:13:09.240 forget a skip those things. Tell me. 238 00:13:09.279 --> 00:13:12.559 If you are with a shortage of materials, how about 239 00:13:12.639 --> 00:13:14.440 something plain for miss o'bron to wear. 240 00:13:15.120 --> 00:13:17.480 We'll call it a defense. How about that? How about 241 00:13:17.559 --> 00:13:19.600 making a lot of bob wire that isn't the fence 242 00:13:20.039 --> 00:13:23.960 ain't exactly an invitation? Go ahead, beer, suggest a dress 243 00:13:24.000 --> 00:13:26.200 for Merle O'Brien. You know something that she can wear 244 00:13:26.200 --> 00:13:26.799 in our picture? 245 00:13:27.000 --> 00:13:30.240 Well, being a brunette, I would suggest that I make 246 00:13:30.320 --> 00:13:34.480 miss soberon a gown of apple green with a peach skirt, 247 00:13:34.879 --> 00:13:38.679 a lemon trimmings, plum ruffles, an orange belt, and a 248 00:13:38.879 --> 00:13:41.679 tangerine scarf and a dress that's. 249 00:13:41.519 --> 00:13:46.000 A fruit salad. Nevertheless, that sounds fine. Now what about 250 00:13:46.039 --> 00:13:48.919 Merle's hat? Well, the hat should be a very simple, 251 00:13:49.000 --> 00:13:51.679 but very smart. Do you think the boys in camp 252 00:13:51.759 --> 00:13:54.960 here would like miser in a hat that has three 253 00:13:55.120 --> 00:13:57.879 roses and a ribbon on the side, No, they'd right, 254 00:13:57.919 --> 00:13:59.799 I have four roses with a chase around a side. 255 00:14:04.039 --> 00:14:06.240 I'll get out of here and I'll design to close 256 00:14:06.320 --> 00:14:09.480 myself of costelly. You can't design cloth, that's all. I 257 00:14:09.679 --> 00:14:11.799 just invented a lady's leg paint that takes the place 258 00:14:11.840 --> 00:14:14.840 of stockings. It even covers knees. It disguises the knees. 259 00:14:14.960 --> 00:14:19.279 You said it, you can hardly recognize the old joints. Well, 260 00:14:19.360 --> 00:14:21.919 we let Merle Obron design her own clothes with a picture. 261 00:14:21.960 --> 00:14:22.399 What do you say? 262 00:14:22.559 --> 00:14:24.080 Yes, and I'm just a girl looking do it? 263 00:14:24.440 --> 00:14:24.519 Now? 264 00:14:24.559 --> 00:14:26.840 Listen, kid, you keep out of this look who it is. 265 00:14:27.200 --> 00:14:37.360 It's Merle, Obron, Merle. 266 00:14:37.559 --> 00:14:44.840 I'm overjoyed. I'm overcome, I'm overwhelmed. I'm over here, Merl. 267 00:14:45.559 --> 00:14:49.000 I've always been in love with you. You're so beautiful. 268 00:14:49.279 --> 00:14:50.240 Can I give you a kiss? 269 00:14:50.600 --> 00:14:50.840 Well? 270 00:14:51.279 --> 00:14:59.200 All right, for just one? Where did he hand a 271 00:14:59.279 --> 00:14:59.840 kiss like that? 272 00:15:00.519 --> 00:15:04.600 I used to be a buger and a boy scout love. 273 00:15:04.679 --> 00:15:06.519 If you folks don't mind, we'll go over the script 274 00:15:06.600 --> 00:15:08.320 of the picture that you are going to play tonight. 275 00:15:08.679 --> 00:15:11.480 It's a story of the Knights of Old Merle. You 276 00:15:11.639 --> 00:15:14.720 play a beautiful princess and you wear a hoopskirt. 277 00:15:15.120 --> 00:15:16.759 Hoopskirt, Yeah, hoopskirt. 278 00:15:17.200 --> 00:15:21.960 That's a parachute with lags. Costello plays the part of 279 00:15:22.000 --> 00:15:23.240 the night he's in love with you. 280 00:15:23.759 --> 00:15:25.039 I thought nights, but all. 281 00:15:25.120 --> 00:15:27.399 Well, kid, on account of daylight saving time, the nights 282 00:15:27.440 --> 00:15:33.879 are getting short. As the first scene opens, Marle, you're 283 00:15:33.919 --> 00:15:35.919 in the palace, so we din the arrival of your lover. 284 00:15:36.519 --> 00:15:42.639 You are playing the organ organs like this, Bosphor and 285 00:15:42.960 --> 00:15:46.320 tin it u to come be in this part. I 286 00:15:46.399 --> 00:15:51.279 got it in again. Shout at him. I'm sorry, I'm 287 00:15:51.320 --> 00:15:54.639 starting shout all right, I'm showing up talking me last. 288 00:15:55.120 --> 00:15:56.240 All right, once we got. 289 00:15:56.080 --> 00:15:58.960 Out of him in the I'm talking, I'm okay. 290 00:15:59.240 --> 00:16:02.679 I'm sorry, pot, but I'm okay. Now, mister Costello, I'm 291 00:16:02.720 --> 00:16:06.200 glad you're now keep out of the picture. You get 292 00:16:06.279 --> 00:16:10.919 it all, but I'm sorry. Please put a gag in 293 00:16:11.039 --> 00:16:14.320 his mouth. Put a gag in heir's mouth. If I 294 00:16:14.480 --> 00:16:16.240 had a gag, I'd tell it myself. 295 00:16:20.480 --> 00:16:22.200 Come on, let's get back with this story. 296 00:16:22.519 --> 00:16:26.159 Costello as a knight. Your costume is a suit of armor. 297 00:16:26.320 --> 00:16:28.480 That's right blue. You wear an iron coat and iron 298 00:16:28.600 --> 00:16:30.919 vest and iron trousers. In fact, you wear a whole 299 00:16:31.000 --> 00:16:31.519 iron suit. 300 00:16:31.879 --> 00:16:33.159 What do I get A person lucky? 301 00:16:35.399 --> 00:16:37.440 Now your suit may become rusty, so you better keep 302 00:16:37.440 --> 00:16:37.960 yourself well. 303 00:16:38.000 --> 00:16:38.240 Oil. 304 00:16:38.480 --> 00:16:40.080 I'd have to be oiled to make love to you 305 00:16:40.240 --> 00:16:45.480 in an iron suit, merco. You walk out on the balcony, yes, 306 00:16:45.919 --> 00:16:46.840 and I sneak. 307 00:16:46.639 --> 00:16:47.120 Right up to it. 308 00:16:47.360 --> 00:16:48.480 How do you get across the moat? 309 00:16:48.879 --> 00:16:52.879 I caught the guard with his bridges down. Then we 310 00:16:53.000 --> 00:16:55.399 have the big scene where Costello tranaded you with a. 311 00:16:55.519 --> 00:16:58.519 Song of love and lou I will drop a flower 312 00:16:58.639 --> 00:16:59.919 on you in a man. 313 00:17:00.120 --> 00:17:09.000 That moment of love in a pot, you signal that 314 00:17:09.119 --> 00:17:10.559 the coast is clear and costello. 315 00:17:10.839 --> 00:17:14.279 You climbed a balcony, you reach Merle's side. You're panting 316 00:17:14.319 --> 00:17:17.160 from the long climb in that suit of armor. Yes, 317 00:17:17.279 --> 00:17:21.119 that's it. You gaze into her eyes. Remember this is 318 00:17:21.200 --> 00:17:25.519 your big chance. Never buy no more pants here by 319 00:17:25.640 --> 00:17:28.359 that there's a motion in your voice as you stand 320 00:17:28.400 --> 00:17:30.559 there in your riding suit. What do you say to her? 321 00:17:31.000 --> 00:17:45.000 Hey kid, if you got a can opener, here's Connie 322 00:17:45.000 --> 00:17:47.279 Haynes or the camel five with a new room with 323 00:17:47.319 --> 00:17:49.839 a pan of coal, parner as still awego. 324 00:17:50.960 --> 00:17:57.039 In a small canteen on an aisles, and you read 325 00:17:57.160 --> 00:17:58.079 the lean. 326 00:17:59.799 --> 00:18:00.880 To a hot guitar. 327 00:18:01.759 --> 00:18:07.559 All the things gone Dandy used together about when the 328 00:18:07.680 --> 00:18:11.000 lovely Lena Lady Zana. 329 00:18:10.759 --> 00:18:22.240 Were given and given up to too bad remark. 330 00:18:24.720 --> 00:18:31.160 Hot sole. 331 00:18:30.160 --> 00:18:33.160 Food, Chuck Queen Hall. 332 00:18:37.240 --> 00:18:43.039 Once they'd married, Lena and her rich cool guys moved 333 00:18:43.240 --> 00:18:47.519 past the sina where the best people go to die. 334 00:18:48.200 --> 00:18:53.960 But when she collected on his copper prefers back to 335 00:18:54.079 --> 00:18:59.759 her canteena lovely Lena, when Lyon and she paned. 336 00:19:00.119 --> 00:19:00.960 Alas si. 337 00:19:03.000 --> 00:19:08.880 Angle to we musta. 338 00:19:10.720 --> 00:19:19.039 Saa angles and there's mood sya just last sweet home. 339 00:19:21.400 --> 00:19:36.839 How to wagle, to be we muscle to wargle, and 340 00:19:37.079 --> 00:19:41.160 that glues yard squeeze. 341 00:19:57.079 --> 00:19:58.240 And all ladies and gentlemen. 342 00:19:58.359 --> 00:20:02.559 Perfume Pictures Incorporated resents the great Costume drama entitled The 343 00:20:02.680 --> 00:20:05.640 Brave Knight cut Off the Dragon's Tale or the Dragon 344 00:20:05.759 --> 00:20:09.839 Isn't Wagon Anymore. The beautiful Princess Guinevere is played by 345 00:20:09.920 --> 00:20:13.799 Merle Oberon. Lou Costello is the brave Knight, Sir Porterhouse, 346 00:20:14.039 --> 00:20:16.880 and Bud Abbott is his good friend, Sir Lloin I 347 00:20:17.079 --> 00:20:21.759 played the part of the king. As the scene opens, 348 00:20:21.839 --> 00:20:24.920 the Princess and I await the arrival of two brave 349 00:20:25.000 --> 00:20:34.039 knights in our kingdom curtain. Greetings, brave knights, kindly approached 350 00:20:34.079 --> 00:20:34.640 the throne. 351 00:20:35.319 --> 00:20:36.400 Greeting your majesty. 352 00:20:36.480 --> 00:20:39.440 I am sir Lyin Knight of the Bath from Saxony, 353 00:20:39.599 --> 00:20:39.799 and I. 354 00:20:39.839 --> 00:20:42.920 Am Sir Porterhouse, not of the Bath from Constantinople. 355 00:20:43.000 --> 00:20:44.720 What kind of worse. 356 00:20:46.559 --> 00:20:49.160 I'm Stantanople, Yeah, Turkish Beth. 357 00:20:50.759 --> 00:20:53.279 Greetings, brave Knights, I'm the Princess Guinevere. 358 00:20:53.880 --> 00:20:55.480 And who are those beautiful dames with you? 359 00:20:55.759 --> 00:20:55.960 There? 360 00:20:56.039 --> 00:20:56.960 My ladies and' waiting? 361 00:20:57.200 --> 00:20:58.279 Well? What are we waiting for? 362 00:21:01.599 --> 00:21:04.680 Oh supporter House? You must save our kingdom. The people 363 00:21:04.759 --> 00:21:07.359 are angry, they're camering outside the gates of the palace. 364 00:21:07.559 --> 00:21:09.039 Just listen to them, clamor. 365 00:21:14.640 --> 00:21:18.000 Did you hear that the people are rebolting? They certainly are. 366 00:21:18.200 --> 00:21:23.559 No, no, no, the people are starving. They've not eaten 367 00:21:23.640 --> 00:21:24.440 in five days. 368 00:21:24.839 --> 00:21:29.599 Or they should try and force themselves. They gotta eat. But, 369 00:21:29.799 --> 00:21:32.039 my dear princess, have we no food? 370 00:21:32.440 --> 00:21:35.119 And last, no, the dragon has destroyed our crops. 371 00:21:35.359 --> 00:21:36.680 You mean all our corner's gone? 372 00:21:37.079 --> 00:21:39.240 Yes, there's only enough left for this program. 373 00:21:41.920 --> 00:21:47.880 What's so funny about that? What a fresh princess? Listen, 374 00:21:48.200 --> 00:21:50.680 listen to the people shouting. They have been shouting for 375 00:21:50.880 --> 00:21:51.640 five days. 376 00:21:51.680 --> 00:21:53.160 But I dare not speak to them. 377 00:21:53.400 --> 00:21:55.799 I will speak to the people, Your majesty, open the door. 378 00:21:55.920 --> 00:22:06.920 I'm make your speech me. I got him now, my 379 00:22:07.039 --> 00:22:09.839 dear princess, just what do you desire us to do? 380 00:22:10.400 --> 00:22:13.160 My dear night. For several years now, my father has 381 00:22:13.200 --> 00:22:15.119 been bothered by a terrible dragon. 382 00:22:15.480 --> 00:22:19.720 Why does he pick up his feet? You don't understand, 383 00:22:21.920 --> 00:22:24.119 You don't understand. Nobody understood that. 384 00:22:26.160 --> 00:22:29.359 Today the dragon is coming to carry off the princess Guinneville. 385 00:22:29.720 --> 00:22:31.680 You must save me from this mean monster. 386 00:22:31.759 --> 00:22:33.960 Supporterhouse. He's a very mean beast. 387 00:22:34.880 --> 00:22:37.119 He has two heads, one at each end. 388 00:22:37.799 --> 00:22:39.000 How does she shut down. 389 00:22:41.480 --> 00:22:41.960 Be can't? 390 00:22:42.079 --> 00:22:43.279 That's what makes him so mean. 391 00:22:43.759 --> 00:22:49.319 Well, don't be mean. I don't worry all right, I'm 392 00:22:49.359 --> 00:22:55.119 about one mistake. I am not afraid of nothing. One 393 00:22:55.200 --> 00:22:56.880 time I climbed up a tree and I bagged a 394 00:22:56.960 --> 00:22:57.799 ferocious tiger. 395 00:22:58.119 --> 00:22:59.920 You went up a tree after a tiger. 396 00:23:00.440 --> 00:23:05.440 No, he came up after me, But you said you 397 00:23:05.480 --> 00:23:08.440 bagged him. I did bag him. I begged him to 398 00:23:08.519 --> 00:23:08.920 go away. 399 00:23:09.039 --> 00:23:12.079 But what happened? 400 00:23:12.559 --> 00:23:15.200 Well, I snapped at the tiger, snapped at me, and 401 00:23:15.720 --> 00:23:17.079