Speaker 1: A yell Camels, the cigarette that first in the service
Speaker 1: Presents from the sixth Ferrying Group Air Transport Command at
Speaker 1: Long Beach, California.
Speaker 2: The Abbott and Costello program, Everybody.
Speaker 1: Darkness hangs and the Cameo five The Nice des mis
Speaker 1: Merle Oberon and starring what Abbott and Little Costello?
Speaker 3: Hey?
Speaker 1: Oh, come on?
Speaker 4: What's the matter with you? Costello?
Speaker 5: Hey?
Speaker 4: I want to ask you a very personal question.
Speaker 6: Do you think I'm pat where I'd say you were
Speaker 6: on the plump side?
Speaker 4: Why do you ask? Well, I was hovering by one
Speaker 4: of those big hangars, I was standing next to a blimp.
Speaker 4: All of a sudden, enough's a point to me, and says,
Speaker 4: look to making them with faces. Now, Oh, he was
Speaker 4: just kidding.
Speaker 6: You know, there's nobody that has a better sense of
Speaker 6: humor than a flying man.
Speaker 4: I know that too, have it because I'm a flying
Speaker 4: man myself. What do you mean? I started flying when
Speaker 4: I was a six months old baby. You flew when
Speaker 4: you were a baby. Yet I flew out of my
Speaker 4: nurse's arms and made a perfect one point landing. You
Speaker 4: mean three pine, No, one point? My safety pin was open, Costello.
Speaker 4: I don't believe you've ever been up in the air. Oh, yes,
Speaker 4: I have. I used to be a hostess when you
Speaker 4: walked into that with my friend.
Speaker 6: For your information, plane hostesses are always female.
Speaker 4: This was a male plane. Tell me, Costello, when was
Speaker 4: the last time you were up in the plane. Do
Speaker 4: you want the truth or my version? Oh no, no, no, no,
Speaker 4: I want the trew. I think we'd get more last
Speaker 4: year other way. No no, no, no, no, tell the drew. Okay,
Speaker 4: I'll tell it truth, all right. I took my first
Speaker 4: plane ride today. Captain Dick Lasher took me up in
Speaker 4: a great big plane. Try himtor, try what I said,
Speaker 4: try motor. Certainly we tried to motive. What do you
Speaker 4: think we did? Push it? Gnawski. I'm not going to
Speaker 4: get up there and don't.
Speaker 7: Try all right, forget about it saying.
Speaker 4: About the motor.
Speaker 2: Oh no, no, no, no, no, no, no the other things.
Speaker 7: By the way, what kind of a pilot is he?
Speaker 6: Was?
Speaker 4: He flying blind? Ah? He was perfectly stubber. What a dope,
Speaker 4: of course he was sober. Well, never mind that, you know, Loom.
Speaker 4: I wonder what these boys down here at Long Beach
Speaker 4: do when they go on leave. Well, I saw a
Speaker 4: bunch of the boys down at the beach with their girlfriends.
Speaker 4: Did they get down there to school? Well, they didn't
Speaker 4: get down there to wash their socks. Well, here's Ken, Niles.
Speaker 4: I've been waiting to see you again. I was wondering
Speaker 4: what your wife thought of the picture we made last week.
Speaker 4: That's right, Niles. What does she think of my acting?
Speaker 1: Well, I don't mind telling you that she absolutely raved?
Speaker 4: She raved?
Speaker 2: Hey, yeah, they took her away the next morning.
Speaker 4: What's so funny about that? Did you make that up yourself? Yeah?
Speaker 4: Out of my head. You certainly are quick hate that way,
Speaker 4: I know you do. But quit arguing, Costell. I want
Speaker 4: to hear more about the picture. Did you read any reviews? Ken? Yeah? Sure.
Speaker 1: The Druggis Weekly gave the picture four aspirds.
Speaker 7: See what happens?
Speaker 4: Don't We've got the band framed up. Surry's got the
Speaker 4: band frame That wasn't a funny line. There was nothing
Speaker 4: nothing funny about that, brother, Can you imagine lessen? Ken?
Speaker 4: I read all the reviews, and even missus Roosevelt mentioned
Speaker 4: our picture in her column. What did she say? She said?
Speaker 4: My day was ruined? That's the one line. I don't
Speaker 4: know why they got it in well, didn't we get
Speaker 4: any compliments at all? Oh? Sure, we got one chair
Speaker 4: that I remember where from the Bronx.
Speaker 3: The Bronx, you know?
Speaker 4: And Hitler's face without music?
Speaker 7: Oh yeah, Well, maybe.
Speaker 4: We should give up the idea of producing our own
Speaker 4: pictures though, would you'll be silly? Her a few pictures incorporators?
Speaker 4: Here to stay and I'm ready to start another picture
Speaker 4: right now? Push the button for myselfecretary. What's the idea
Speaker 4: of a horn for a buzzy? She used to be
Speaker 4: a waitress and a driver?
Speaker 8: Oh O course, I'm sorry it was late this morning.
Speaker 4: Are you doing anything tonight?
Speaker 9: Why you no, not a thing?
Speaker 4: Then try and get here on time tomorrow morning, the
Speaker 4: fine secretary, how did you get a job here?
Speaker 10: I used to be in pitches. I played in the
Speaker 10: way of all flesh?
Speaker 4: What part did you play?
Speaker 10: One of the meetfuls?
Speaker 4: Everybody your slash for me? All right? Have patience? Have patience.
Speaker 4: By the way, do I have any appointments today? Yes,
Speaker 4: at twelve o'clock you have an appointment with Hetty Lamar.
Speaker 4: What am I doing after that?
Speaker 6: N He asked, mister Costello, could I speak to you
Speaker 6: for a moment? Why it's spots for Twink or sell
Speaker 6: the man. What's on your mind? Bots Well, I want
Speaker 6: you to know that I was terribly hurt because I
Speaker 6: wasn't in your picture last week with Carmen Miranda. After all,
Speaker 6: if you're looking for two faces, look at me. My
Speaker 6: face is new, isn't it?
Speaker 4: Oh? Very new? In fact, your whole head has only
Speaker 4: been slightly used. Please give me a chance, mister castell O. Help.
Speaker 4: I really do have a lot of talent, you know.
Speaker 6: I do most of the voices and all the leons
Speaker 6: schlessing your cartoons for Warner Brothers.
Speaker 4: Don't tell me. Yeah. For instance, here's a little porky pig.
Speaker 6: If if this is the way I did, heap talk
Speaker 6: when I play it, heap the porkyp Parky the day.
Speaker 4: That's all.
Speaker 6: I'll play Parky for you for a thousand dollars you're
Speaker 6: talking about Warner Brothers.
Speaker 4: Don't pay you that, I know, But pork has gone up?
Speaker 4: What else do you do?
Speaker 10: Botsford?
Speaker 4: Did you ever hear bugs? Bunny? I have a carrot here,
Speaker 4: so I'll give you a little sample. And what chip dock?
Speaker 5: Yeah?
Speaker 4: What do you say? He wats cooking? Huh?
Speaker 6: Of course if you use bugs, bunny, you'll have to
Speaker 6: use my wife, missus bunny.
Speaker 4: But we can't use two rabbits in our picture. Well,
Speaker 4: we couldn't separate them. That would be splitting hairs.
Speaker 6: Well, if you can't use the rabbit, maybe I could
Speaker 6: furnish some of the musical background. I can imitate an
Speaker 6: electric organ. Listen do you call it an organ?
Speaker 7: Now?
Speaker 4: Listen Potsford, I can't use any of that stuff in
Speaker 4: my picture. Now, will you get out of here? Now?
Speaker 4: Look what you now? Look what you now?
Speaker 1: Look at you?
Speaker 4: Every time you yell at, yell at, yell at me?
Speaker 6: I guess why do you yell what? I know?
Speaker 4: I know I talk loud.
Speaker 7: He gets to hit.
Speaker 4: I don't yell at him. Do something for the pastor
Speaker 4: these spots toots. But I'm talking a lot and easy,
Speaker 4: not take it easy, No more hiccups. That brings him
Speaker 4: out of it. That brings him out of it because
Speaker 4: I didn't know that. All right, take it is? How
Speaker 4: do you feel? Uh better? Now?
Speaker 1: Oh? You do?
Speaker 4: I see you're fine? Oh my glad?
Speaker 5: That have it?
Speaker 4: Now let's get back to this picture. But mister Castell,
Speaker 4: are you sure you can't use the organ?
Speaker 3: Fox?
Speaker 4: But How many times do I have to tell you that? Please?
Speaker 2: You know what I'm doing? Hey, Lolu Castello or yes, Niles.
Speaker 1: I want to ask you something. Do you know anything
Speaker 1: about winter sports?
Speaker 4: Are you kidding? I'm one of the best jumpers in
Speaker 4: the country, really sure? Last winter late lass if I
Speaker 4: made my biggest jump. I climbed up to the tump
Speaker 4: of a slide. Thousands of people were looking up at me.
Speaker 4: And when I leaped into the year, I went down
Speaker 4: at sixty miles an hour, and I made a sensational
Speaker 4: jump up two hundred feet two hundred feet yep. And
Speaker 4: I could have even come further if there was snow.
Speaker 4: Oh tonight, Thank you, Lou.
Speaker 1: I know another good skier, and his name is Dick Duran,
Speaker 1: and he's one of the finest skiers in the world.
Speaker 1: In fact, he's so good that the government asked him
Speaker 1: to give instructions to ski troopers in.
Speaker 11: Lightning fast mountain warfare.
Speaker 2: Dick knows he's smoking too, he said.
Speaker 4: Quote, I've smoked camels for years.
Speaker 11: They have the full rich flavor that I want in
Speaker 11: a cigarette. No matter how often I smoke camels, never
Speaker 11: tire my taste, never get my throat unquote yes.
Speaker 1: And with many in all the services, camel is the
Speaker 1: favorite too, according to actual sales records in the stores
Speaker 1: where they buy cigarettes. Try camels yourself for steady pleasure.
Speaker 1: You'll like the way they hold up were well pack
Speaker 1: after pack, no matter how many you smoke. The reason
Speaker 1: is extra flavor. And you know camels always have more
Speaker 1: flavor better. Yet camels combine flavor with extra mildness, the
Speaker 1: extra mildness that goes with slow burning and cool smoking.
Speaker 1: One reason for that is costlier tobaccos blend. It is
Speaker 1: only camels know how to blend. I remember, you're the
Speaker 1: one who's doing your smoke. Your throat and your taste
Speaker 1: will tell you he camel's get up back tonight. Send
Speaker 1: a carton too, that fellow in the service.
Speaker 2: With the orchest dry and the camel file with a
Speaker 2: new treatment for an old tune. By the light of
Speaker 2: the silvery moon, By thee of.
Speaker 10: The silvery moon, My.
Speaker 5: Money lost, honey moon, Keep listen, Your silvery peas will
Speaker 5: bring not peace, will because them buy the silberry boom, oh,
Speaker 5: buy the silberry.
Speaker 4: Costel, and we can't hold up production on your new
Speaker 4: picture any longer. Now we've got to get a leading lady.
Speaker 4: How about giving that secretary view as a chance. She
Speaker 4: has blue eyes and blonde hair and a supreme court figure.
Speaker 7: What do you mean a supreme card figure?
Speaker 4: A supreme court figure? What are your appeals? Oh, besides
Speaker 4: typhone Merle o'bron about playing a leading card. You did, yes,
Speaker 4: I picked up the receiver. I said, Merle Darling, Merle sweetheart,
Speaker 4: Merle my love, And then then I dialed.
Speaker 3: Her number, Merle Obron, Merle o'bron. The s in our picture,
Speaker 3: you know.
Speaker 4: And I sent for a new fashion designer. What is
Speaker 4: this but just popping hair? What what happened?
Speaker 6: Well?
Speaker 4: Now wait, even I sent for a new fashion designer.
Speaker 2: Is that it?
Speaker 4: Now he's saying, come in, you don't even in James
Speaker 4: and Man, I'm your new fashion designer. Uh, pier up
Speaker 4: a to my friends, I'm pu you said it, but hey,
Speaker 4: get over that guy's hair. He's a male Ronica Lake. Yeah,
Speaker 4: this is Lilule Castello. How do you do?
Speaker 2: Mister Costello?
Speaker 4: You are just the man I'm looking at.
Speaker 2: I'm not seeing you in.
Speaker 3: Your long distance.
Speaker 4: He wear his hair hangs over his face. Pardon me, Pierre,
Speaker 4: does your mother have to stay by a ship dog
Speaker 4: lean the man alone. We've got to get him to
Speaker 4: the design miss O'Brien's clothes. Now, no more remarks about
Speaker 4: his hair looks like a palm tree in a high.
Speaker 12: Wind, doesn't where mister Costello, I admit that my hair
Speaker 12: is a standing joke.
Speaker 4: Well, it needs a new switch. I don't know what's
Speaker 4: wrong there. I keep quiet.
Speaker 6: We must have miss O'Brien's wadrobe design before she gets here. Pierre,
Speaker 6: would you mind telling us some of your ideas on
Speaker 6: women's clothes?
Speaker 4: Oh not at all.
Speaker 5: You know.
Speaker 4: The main thing is color harmony. Color harmony. What's that? Well,
Speaker 4: it's very simple, mister Constello. For instance, if you were
Speaker 4: carrying a pink bag, you would not wear a green
Speaker 4: dress with you. Oh gracious no, I wouldn't there. I'd
Speaker 4: be the laughing stock of my sewing circle. All right,
Speaker 4: forget a skip those things. Tell me.
Speaker 6: If you are with a shortage of materials, how about
Speaker 6: something plain for miss o'bron to wear.
Speaker 4: We'll call it a defense. How about that? How about
Speaker 4: making a lot of bob wire that isn't the fence
Speaker 4: ain't exactly an invitation? Go ahead, beer, suggest a dress
Speaker 4: for Merle O'Brien. You know something that she can wear
Speaker 4: in our picture?
Speaker 12: Well, being a brunette, I would suggest that I make
Speaker 12: miss soberon a gown of apple green with a peach skirt,
Speaker 12: a lemon trimmings, plum ruffles, an orange belt, and a
Speaker 12: tangerine scarf and a dress that's.
Speaker 4: A fruit salad. Nevertheless, that sounds fine. Now what about
Speaker 4: Merle's hat? Well, the hat should be a very simple,
Speaker 4: but very smart. Do you think the boys in camp
Speaker 4: here would like miser in a hat that has three
Speaker 4: roses and a ribbon on the side, No, they'd right,
Speaker 4: I have four roses with a chase around a side.
Speaker 4: I'll get out of here and I'll design to close
Speaker 4: myself of costelly. You can't design cloth, that's all. I
Speaker 4: just invented a lady's leg paint that takes the place
Speaker 4: of stockings. It even covers knees. It disguises the knees.
Speaker 4: You said it, you can hardly recognize the old joints. Well,
Speaker 4: we let Merle Obron design her own clothes with a picture.
Speaker 1: What do you say?
Speaker 9: Yes, and I'm just a girl looking do it?
Speaker 5: Now?
Speaker 4: Listen, kid, you keep out of this look who it is.
Speaker 3: It's Merle, Obron, Merle.
Speaker 4: I'm overjoyed. I'm overcome, I'm overwhelmed. I'm over here, Merl.
Speaker 4: I've always been in love with you. You're so beautiful.
Speaker 4: Can I give you a kiss?
Speaker 6: Well?
Speaker 9: All right, for just one? Where did he hand a
Speaker 9: kiss like that?
Speaker 4: I used to be a buger and a boy scout love.
Speaker 4: If you folks don't mind, we'll go over the script
Speaker 4: of the picture that you are going to play tonight.
Speaker 4: It's a story of the Knights of Old Merle. You
Speaker 4: play a beautiful princess and you wear a hoopskirt.
Speaker 3: Hoopskirt, Yeah, hoopskirt.
Speaker 4: That's a parachute with lags. Costello plays the part of
Speaker 4: the night he's in love with you.
Speaker 9: I thought nights, but all.
Speaker 4: Well, kid, on account of daylight saving time, the nights
Speaker 4: are getting short. As the first scene opens, Marle, you're
Speaker 4: in the palace, so we din the arrival of your lover.
Speaker 4: You are playing the organ organs like this, Bosphor and
Speaker 4: tin it u to come be in this part. I
Speaker 4: got it in again. Shout at him. I'm sorry, I'm
Speaker 4: starting shout all right, I'm showing up talking me last.
Speaker 4: All right, once we got.
Speaker 2: Out of him in the I'm talking, I'm okay.
Speaker 4: I'm sorry, pot, but I'm okay. Now, mister Costello, I'm
Speaker 4: glad you're now keep out of the picture. You get
Speaker 4: it all, but I'm sorry. Please put a gag in
Speaker 4: his mouth. Put a gag in heir's mouth. If I
Speaker 4: had a gag, I'd tell it myself.
Speaker 1: Come on, let's get back with this story.
Speaker 4: Costello as a knight. Your costume is a suit of armor.
Speaker 9: That's right blue. You wear an iron coat and iron
Speaker 9: vest and iron trousers. In fact, you wear a whole
Speaker 9: iron suit.
Speaker 4: What do I get A person lucky?
Speaker 9: Now your suit may become rusty, so you better keep
Speaker 9: yourself well.
Speaker 3: Oil.
Speaker 4: I'd have to be oiled to make love to you
Speaker 4: in an iron suit, merco. You walk out on the balcony, yes,
Speaker 4: and I sneak.
Speaker 3: Right up to it.
Speaker 9: How do you get across the moat?
Speaker 4: I caught the guard with his bridges down. Then we
Speaker 4: have the big scene where Costello tranaded you with a.
Speaker 9: Song of love and lou I will drop a flower
Speaker 9: on you in a man.
Speaker 7: That moment of love in a pot, you signal that
Speaker 7: the coast is clear and costello.
Speaker 4: You climbed a balcony, you reach Merle's side. You're panting
Speaker 4: from the long climb in that suit of armor. Yes,
Speaker 4: that's it. You gaze into her eyes. Remember this is
Speaker 4: your big chance. Never buy no more pants here by
Speaker 4: that there's a motion in your voice as you stand
Speaker 4: there in your riding suit. What do you say to her?
Speaker 13: Hey kid, if you got a can opener, here's Connie
Speaker 13: Haynes or the camel five with a new room with
Speaker 13: a pan of coal, parner as still awego.
Speaker 8: In a small canteen on an aisles, and you read
Speaker 8: the lean.
Speaker 10: To a hot guitar.
Speaker 8: All the things gone Dandy used together about when the
Speaker 8: lovely Lena Lady Zana.
Speaker 10: Were given and given up to too bad remark.
Speaker 2: Hot sole.
Speaker 10: Food, Chuck Queen Hall.
Speaker 8: Once they'd married, Lena and her rich cool guys moved
Speaker 8: past the sina where the best people go to die.
Speaker 8: But when she collected on his copper prefers back to
Speaker 8: her canteena lovely Lena, when Lyon and she paned.
Speaker 3: Alas si.
Speaker 10: Angle to we musta.
Speaker 14: Saa angles and there's mood sya just last sweet home.
Speaker 14: How to wagle, to be we muscle to wargle, and
Speaker 14: that glues yard squeeze.
Speaker 2: And all ladies and gentlemen.
Speaker 1: Perfume Pictures Incorporated resents the great Costume drama entitled The
Speaker 1: Brave Knight cut Off the Dragon's Tale or the Dragon
Speaker 1: Isn't Wagon Anymore. The beautiful Princess Guinevere is played by
Speaker 1: Merle Oberon. Lou Costello is the brave Knight, Sir Porterhouse,
Speaker 1: and Bud Abbott is his good friend, Sir Lloin I
Speaker 1: played the part of the king. As the scene opens,
Speaker 1: the Princess and I await the arrival of two brave
Speaker 1: knights in our kingdom curtain. Greetings, brave knights, kindly approached
Speaker 1: the throne.
Speaker 4: Greeting your majesty.
Speaker 11: I am sir Lyin Knight of the Bath from Saxony,
Speaker 11: and I.
Speaker 4: Am Sir Porterhouse, not of the Bath from Constantinople.
Speaker 6: What kind of worse.
Speaker 3: I'm Stantanople, Yeah, Turkish Beth.
Speaker 9: Greetings, brave Knights, I'm the Princess Guinevere.
Speaker 4: And who are those beautiful dames with you?
Speaker 2: There?
Speaker 9: My ladies and' waiting?
Speaker 4: Well? What are we waiting for?
Speaker 9: Oh supporter House? You must save our kingdom. The people
Speaker 9: are angry, they're camering outside the gates of the palace.
Speaker 9: Just listen to them, clamor.
Speaker 4: Did you hear that the people are rebolting? They certainly are.
Speaker 9: No, no, no, the people are starving. They've not eaten
Speaker 9: in five days.
Speaker 4: Or they should try and force themselves. They gotta eat. But,
Speaker 4: my dear princess, have we no food?
Speaker 9: And last, no, the dragon has destroyed our crops.
Speaker 4: You mean all our corner's gone?
Speaker 9: Yes, there's only enough left for this program.
Speaker 4: What's so funny about that? What a fresh princess? Listen,
Speaker 4: listen to the people shouting. They have been shouting for
Speaker 4: five days.
Speaker 2: But I dare not speak to them.
Speaker 4: I will speak to the people, Your majesty, open the door.
Speaker 4: I'm make your speech me. I got him now, my
Speaker 4: dear princess, just what do you desire us to do?
Speaker 9: My dear night. For several years now, my father has
Speaker 9: been bothered by a terrible dragon.
Speaker 4: Why does he pick up his feet? You don't understand,
Speaker 4: You don't understand. Nobody understood that.
Speaker 1: Today the dragon is coming to carry off the princess Guinneville.
Speaker 9: You must save me from this mean monster.
Speaker 4: Supporterhouse. He's a very mean beast.
Speaker 10: He has two heads, one at each end.
Speaker 4: How does she shut down.
Speaker 3: Be can't?
Speaker 10: That's what makes him so mean.
Speaker 4: Well, don't be mean. I don't worry all right, I'm
Speaker 4: about one mistake. I am not afraid of nothing. One
Speaker 4: time I climbed up a tree and I bagged a
Speaker 4: ferocious tiger.
Speaker 9: You went up a tree after a tiger.
Speaker 4: No, he came up after me, But you said you
Speaker 4: bagged him. I did bag him. I begged him to
Speaker 4: go away.
Speaker 9: But what happened?
Speaker 4: Well, I snapped at the tiger, snapped at me, and
Speaker 4: suddenly something was past me.
Speaker 10: What was it?
Speaker 4: Hamanamona Falk says, will you? Then my uncle came to
Speaker 4: my rescue, and I finally brought that tiger home. Stuff?
Speaker 2: What was he stepped with?
Speaker 4: My uncle? Oh, your majesty, the dragon is almost a polis.
Speaker 4: He's coming to get the princess. Quick, princess, button up
Speaker 4: my iron suit. Just a minute, I thought you were
Speaker 4: a pristal.
Speaker 9: I worked a spring shift on the side.
Speaker 4: Look at that thing belching smoking fire? Is that the dragon?
Speaker 4: It ain't a smuch. Pop. I'm getting out of here.
Speaker 9: He's got us trapped.
Speaker 4: Here he comes, I'll do what he does, do exactly
Speaker 4: what he does. He still ring at you. Stare back
Speaker 4: at him. I can't all right, I can't do it quiet.
Speaker 4: He's roaring at you.
Speaker 2: Roll back at him.
Speaker 4: Wait a minute, now he's wagging his tail. That lets
Speaker 4: me out. You guy even got a joge's gonna charge?
Speaker 4: How much.
Speaker 1: Dragon got I haven't got this.
Speaker 4: There's a fancy line. I know what the gulls got
Speaker 4: it the dragon's neck. Let him know what do I
Speaker 4: care about their love life? Give me my short, Give
Speaker 4: me my short. Somebody, I'll cut as nose off. That
Speaker 4: is something that should only interest I'm not a dragon.
Speaker 6: God.
Speaker 4: He's coming at you. Be catul hostello. You back this,
Speaker 4: turn to him.
Speaker 5: He's coming up behind you.
Speaker 2: He got me.
Speaker 4: Where did he get you? Where the fire was? Wearing
Speaker 4: a licnise plate. He would have cut off the last
Speaker 4: three numbers. Hey, he ruined my shuit, my good iron shuit.
Speaker 4: He wronged you, nasty dragon.
Speaker 3: Get out of here.
Speaker 4: Oh, don't do that.
Speaker 13: Don't yell me.
Speaker 2: How did I do the dress?
Speaker 4: I can't do that. What can I do to keep
Speaker 4: your clients butts?
Speaker 7: But we're gonna cut it out.
Speaker 4: Sorry yoursall for hollering at him. There's only one, only
Speaker 4: one thing that will kill in my hiccups. If you
Speaker 4: let me kiss Miss Oberon.
Speaker 9: Oh very well, I'll kiss you if only you stop
Speaker 9: those awful hiccups.
Speaker 4: Go ahead, Botsford, kiss her.
Speaker 5: Okay, how do you.
Speaker 4: Feel now, Botsford?
Speaker 5: Oh?
Speaker 4: I feel fine.
Speaker 1: What some tunes you whistle for a while and then
Speaker 1: forget another stay with you for years. I think the
Speaker 1: ones you remember are the ones that have character. I
Speaker 1: believe that goes for cigarettes too. We say that camels
Speaker 1: have character, and we back that up with the thousands
Speaker 1: of smokers who have stood by camels for twenty years
Speaker 1: and more. We think it's true that more people have
Speaker 1: smoked camels longer than any other cigarette. Try camels and
Speaker 1: see for yourself. Try them in your tea zone. That's
Speaker 1: tea for taste and tea for throat, your own proving
Speaker 1: ground for cigarettes. Your taste will tell you that camels
Speaker 1: have more flavor, and it's extra flavor that helps make
Speaker 1: camels hold up day in and day out, makes the
Speaker 1: second pact better than the first, and the third better
Speaker 1: than the second. Your throat will tell you about mildness too.
Speaker 1: If the best judge, you'll find yes, camels are mild, cool, smoking,
Speaker 1: slow burning because they're expertly blended of costlier tobaccos. Your
Speaker 1: throat and your taste will tell you see damn out
Speaker 1: camel's get it back tonight.
Speaker 4: You'll want to buy a carton tomorrow.
Speaker 1: Here's more news about the camel Caravans, those traveling shows
Speaker 1: which entertained the men in the army camps. Thirty two
Speaker 1: performances of the camel caravan units will be given to
Speaker 1: men in the training station throughout the coming week. And
Speaker 1: now here are bud Habbit at lu Costello.
Speaker 4: With a final word, thanks ken ladies and gentlemen. It's
Speaker 4: really been a thrill forgotton me to do this program
Speaker 4: from the Ferry in Command airburs here at Long Beach,
Speaker 4: and an added thrill to be here with Merril o'bron.
Speaker 2: Thank you, Lou.
Speaker 4: I had a wonderful time.
Speaker 9: And it's been lots of fun.
Speaker 6: That's right, Marl, And we'd like to extend our sincere
Speaker 6: thanks to Colonel Ralph Eastpeake, Lieutenant Colonel John P.
Speaker 4: Frame Junior.
Speaker 6: And there's splendid staff of officers for the opportunity to
Speaker 6: make this visit. Next week, we'll be back in Hollywood
Speaker 6: on Thanksgiving Days. In addition to the regular gang, we'll
Speaker 6: have us our guest Herbert Marshalls, and we do hope
Speaker 6: you'll all join us until next Thursday. But night, wish
Speaker 6: you all a very pleasant good night.
Speaker 2: She's got four great shows each week.
Speaker 1: Tomorrow Night to Cambel Caravan with Lanny Ross, Xavier Kugat,
Speaker 1: Herb Triner, lou Lair and their guest star Bob Holp,
Speaker 1: Saturday Night Thanks to the Yanks with Bob Hawk, Monday
Speaker 1: Night Blondie, and next Thursday at the same time ab
Speaker 1: In Costello with their guests Herbert Marshall. Our broadcast this
Speaker 1: evening was from the sixth Ferrying Group Air Transport Command
Speaker 1: at Long Beach and does not constitute an endorsement of
Speaker 1: our product by the War Department, as they do not
Speaker 1: endorse any product. The Army has also requested us to
Speaker 1: make this announcement to all men of eighteen and nineteen.
Speaker 1: There is a serious need for young men, so serious
Speaker 1: at the Art is willing to let man of eighteen
Speaker 1: and nineteen choose whatever branch of service they desire go
Speaker 1: to your nearest Army recruiting office or induction station tomorrow
Speaker 1: learn about the jobs the Army has open in thirteen
Speaker 1: different branches, all explained by men who know these jobs
Speaker 1: inside and out. Listen to the Camel Caravan tomorrow night
Speaker 1: with Manny Ross, Xavier Kugat, perb Shiner, lu Lair and
Speaker 1: their guest star Bob Hope.
Speaker 2: And now this is Kendles wherehy you are?
Speaker 4: Good eyes.
Speaker 11: Mister. If you've got a pipe that's biting you, why,
Speaker 11: it just means one thing. Your pipe's hungry, yes, sir,
Speaker 11: hungry for Prince Albert, the mild rich, tasty tobacco that
Speaker 11: won't bite your tongue because it's no bite treated PA's
Speaker 11: crimp cut two for easy packing and stay lit, burning
Speaker 11: around fifty pipefuls in every handy pocket package. Get Prince
Speaker 11: Albert tonight. You'll see why men call it the National
Speaker 11: Joy Smoke. This is the National Broadcasting Company