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Speaker 1: When Matso wakes up in the morning, he gets into

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the shower and to the top of his lungs he sings.

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Speaker 2: The man, I do what I want because I can.

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Speaker 3: All right back to the radio show.

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Speaker 4: Now all the best.

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Speaker 5: Cherry stranded and distressing, nice supplor sart down.

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Speaker 6: There's a rich.

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Speaker 2: Such smarts b the uncle.

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Speaker 7: Rich.

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Speaker 2: I must thus best several way I can see your

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shot serious two f.

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Speaker 8: G together with no.

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Speaker 6: Break, just one chance to free.

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Speaker 7: Now went on Si.

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Speaker 6: Si small.

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Speaker 7: Suicide shines pstroms sort by Shan. I love it.

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Speaker 9: That is absolutely epic. That is the quality of mercury.

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The track is called Radiate and we are going to

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talk to the man behind that project in just a moment.

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But welcome everybody. We have entered our number two numarrow

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dose of Matt Connorton Unleashed and we are live from

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the studios of wm NH ninety five point three FM

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and Glorious Manchester, New Hampshire. Of course, you can stream

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the show from anywhere. Go to Matt connorton dot com

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slash live for all of your live streaming options, social

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media links, contact and foshow archives, etc. Et cetera. Today

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is Saturday, November twenty nine, twenty twenty five, and let's

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bring in showing us via Microsoft Teams Jeremiah Rouse from

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the Quality of Mercury. Jeremiah, are you there.

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Speaker 3: Good morning, Matt. Thanks for having me on.

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Speaker 9: Absolutely, it's wonderful to have you. I really really love

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I love everything you're doing here with the Quality of Mercury.

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I love the sound. It's just epic. It's so it's

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so big, and the way that track, the way radiate,

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the way it ends is so cool. You got that

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that really long sustain on that guitar that just seems

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to go on and on and you feel like eventually

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it's just going to kind of fade out, but then

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there's that little thing at the end that it kind

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of seeks up on you. It's just so cool. I

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really but I listened to the full album and I

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love the whole thing. It's really really good. So congratulations

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on that.

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Speaker 3: Well, thank you very much, and thanks for the kind words.

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Speaker 10: You know, it's a it's a love of the art

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and it's something that I've been trying to really push

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for it in getting this sound, you know, for a

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long time now, and I'm really happy with the way

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the album turned out.

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Speaker 9: Yeah, yeah, absolutely. So the album is called The Voyager.

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So what can you tell us about this? Obviously, I

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mean I feel like there's I feel like there's a theme,

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like there's a story here. But tell us about the

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album The Voyager. Well, you know, the.

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Speaker 10: Album itself, it kind of explores the idea of longing

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and needing connection basically always you know, wanting something more

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or the search for something more grand or fulfilling in life,

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whether that's like a spiritual connection or human connection. But

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basically overall theme of the album kind of conveys that idea.

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Speaker 9: Yeah, I was reading too that you kind of tell

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me if I have this right? When you the way

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you approach these songs, is it kind of like each

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one is a movie theme or or I'm sorry, not

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a theme, but a scene in a film.

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Speaker 8: Is that?

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Speaker 3: Yeah?

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Speaker 10: You know what, I'm a very visual artist when it

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comes to the music, So like when I put things together,

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when I write songs, I kind of write a story

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that I could see, you know, being filmed cinematically and a.

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Speaker 3: Little short stories basically.

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Speaker 10: You know, I come from a film production background and

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I watch a lot of sci fi stuff and that's

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kind of like my impetus to put these things together.

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Speaker 3: So you know, I would you know, if I had money.

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Speaker 10: In time, I would love to put like little short

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films together for all the songs. But that's kind of

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how I approach the music and the writing.

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Speaker 9: Okay, No, that makes sense given your background. So are

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you currently working in film?

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Speaker 10: I yes, not, well, not film. I manage an audio

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video production company.

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Speaker 9: Oh excellent.

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Speaker 3: It's for a good portion of my career.

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Speaker 10: I did film production, mainly a lot of corporate stuff

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that worked on you know, music videos and commercials and

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some independent short films and stuff like that. But my

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bread and butter is in the corporate realm and that's

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kind of what I do now as I manage large

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events and provide the av support for large events.

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Speaker 9: Oh excellent. That must be an exciting field to work in, too,

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because as technology continues to evolve, I mean, you probably

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never stop learning, right, You're probably constantly evolving in what

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you do, and it's got to be I mean, it's

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got to be just an amazing time to have a

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career in your field.

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Speaker 3: I would think, Well, I enjoyed a lot.

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Speaker 10: The one aspect that I really enjoys being able to

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travel a lot, so, I mean, my job takes me

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to a lot of places. But you know, being immersed

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in the new and upcoming technology is also really cool.

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You know. It's it's hard to keep your finger on

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the pulse of everything because technology is just increasing so

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rapidly and there's always a new gadget out and by

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the time you master one thing, it's obsolete.

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Speaker 9: No doubt, no doubt. You're obviously very busy and you've

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got a lot on your play it. So I'm curious

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because I know that there was a was it a

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nine year gap between the first album that you did Transmission?

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Is that correct?

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Speaker 11: Yeah?

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Speaker 10: Yeah, I mean with my career and the way I

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travel and family, you know, the music unfortunately is more

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of a hobby and you know, it takes the back

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seat to life at this point. So I try to

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create when I can and record when I can. I'm hoping,

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you know, keep up the pace a little bit better

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than I have for the past nine years now with

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my kids being older and whatnot. And yeah, but it's

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it's uh, you know, it's it's a great creative outlet

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for me. I have to do it, but sometimes making

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the time to do it is just very challenging.

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Speaker 9: I would imagine that can be challenging because you know,

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you're probably day to day, You've probably got all these

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ideas in your head right for songs, and you just

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want to you know, you want to be able to

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find the time actually record them. Yeah, I would imagine

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that's uh, I would imagine that's hard in a way.

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But I mean a good problem to have, and that

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you've probably got tons of ideas. You strike me as

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someone who is constantly thinking about this stuff, but but

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then to find the time to actually record them and

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really and to really do it right, you know, the

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the sound that you achieved. I'm also very curious, and

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I'm a little bit of a recording nerd and audio

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engineering nerd, so I'm just curious about your process because

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you really achieve that sort of I think, I use

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the word epic coming out of that song. I mean,

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it's just you've got such a big, full sound. How

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what is your process like in terms of recording?

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Speaker 3: Well, you know, thanks, you know, thanks again for the

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kind words. I appreciate that.

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Speaker 10: It's you know, I guess I really base what I

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want to do on the sonic like landscape. I do

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want to create these lush, you know, big sound and landscape,

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so that's kind of the priority when I when I record.

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Speaker 3: But my process is, you know, I generally.

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Speaker 10: Start you know, noodling around with some type of rhythm

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section on an acoustic guitar or an electric guitar and

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I and then you know, from that, I kind of

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get the hook or the chorus part of the song,

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and then I have to build it or out around that.

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It's probably ninety nine percent of time how I start

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writing a song. And since I play by myself, you know,

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a lot of times when I'm recording, I may have

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only ever played that guitar part once or that you know,

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that thing one time only. It's not like I'm a

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rehearsing band or something like that. So I kind of

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build it as I go, and then you know, just

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kind of crafted in the box with effects and whatnot.

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I have a general idea where I want to go

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with things, but there's a lot of nice surprises that

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happened along the way.

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Speaker 9: Yeah, I would imagine. I mean, do you sometimes find

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that what you end up with at the end of

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it is significantly different than sort of your initial idea,

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Your initial concept.

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Speaker 10: Yeah, I would say probably most of the time it

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ends up being quite a bit different than the initial concept,

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just because you know, the happy accidents happen and you're like, oh,

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that sounds different than I thought, but it's really good,

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so let me go with it.

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Speaker 9: Yeah, that must be exciting when that happens. And is

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it correct? That is it all you like? Do you

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have any collaborators at all, any guest musicians or do

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you do everything yourself?

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Speaker 10: So I do everything myself, and I basically program some

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basic drum beats with some software, and then when I'm

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all done with the you know, recording process, I'll have

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somebody actually play real drums and record drums for me.

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Speaker 9: So, oh, okay, for this is.

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Speaker 10: My second record, but for each record, that's that was

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my process. I wrote, recorded all the instrumentation around some

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program drum tracks, and then I have the drum tracks

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replaced by somebody who can actually play.

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Speaker 9: Oh. Interesting, Yeah that makes sense because I was thinking

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as you were saying that, you know, when you mentioned

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programming the drums, I was sinking, Wow, these drums they

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sound amazing. But but so you have is it the

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same drummer on each track all the way through or.

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Speaker 10: So, yeah, for this record, it was one drummer I

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actually connect with Mario quint Yeah, Mario Quintero from the

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band Spotlights.

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Speaker 3: Oh okay, he also produces and mixes.

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Speaker 10: So he recorded and you know, played the drums for

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all the songs, and he did the final mixing of

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the record, which I'm super happy with. I would not

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have gotten to you know where it is now without

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Mario's involvement.

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Speaker 9: Yeah, no, it sounds incredible. So he wasn't involved in transmission.

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I assume he was not. It was not okay, okay, Now,

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how did you come to work with him? Is he

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someone that you just know through the industry.

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Speaker 10: Or I've been a big fan of the band Spotlights

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for a long time and then you know I've been

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I'm the guy that reads all the record jackets and

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all the stuff and credits same.

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Speaker 3: And I had seen that he had done drums for.

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Speaker 10: A band called Machines Learning way back when, which I

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liked it, and so I know he was at one

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point he was promoting his audio mixing business or it's

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Audio MQ, and I just I connected through him, I

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think through his website. Asked him if he'd be interested

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in working on the project with me.

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Speaker 9: Okay, okay, wow, No, that's fantastic. Yeah, Like I said,

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the whole thing, it just it sounds really really good.

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Before prior to Quality of Mercury, had you ever been

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in a band a full, like normal sort of working

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situation in a band.

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Speaker 10: Yeah, I mean for a brief period, I was with

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some friends and we had you know, we called ourselves

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an emo band back in the late nineties early two thousands. Yeah,

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you know, we had played a handful of shows throughout

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a year, and we really enjoyed it. It's just tough

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being in a band. I would love to be in

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a band, but you know, different personalities to work with.

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Everybody's got a different work ethic, and I.

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Speaker 3: Enjoyed it a lot. I found to be a bit

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frustrating at times.

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Speaker 9: Yeah. Somebody, I wish I could remember who it was,

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but somebody was on the show who was a solo

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singer songwriter who had transitioned from being in a band

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to just doing a solo thing. Who said something about

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something like, when you're in a band with three other people,

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it's like being in a relationship with three other people

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who are also in a relationship with three other people,

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and it's just it's so difficult. And I know from

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my own experience too, because you know, if you're in

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a band with several people, everybody's got you know, you've

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got varying levels of commitment and vision in terms of

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where you're going and and you know sometimes and it's

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not anybody's fault, it's just you know kind of how

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it goes. But it can be it can be very difficult,

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you know, and especially too you're someone with with your

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commitments and your schedule. I'm sure it's it's just easier,

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you know, to be able to do this on your

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own and to and to be in control of everything

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and not have to check with anybody about you know, Hey,

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are you available to play this show on this state

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at this event? You Oh, no, you're you can't do

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that day? Okay, I guess we're not playing that show.

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Speaker 12: You know.

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Speaker 9: That's the kinds of things I would go through when

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I've played in bands, and it's it can be really hard.

255
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But that brings me to the question, So is there

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any sort of live performance of any of the work

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that you've done as the quality of Mercury that you've

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been able to do. I don't know how that would

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work exactly without a band. But have you ever found

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a way to do any of this live?

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Speaker 10: You know, I keep exploring that I haven't done it yet.

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It's not that I don't want to. I think it's,

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you know, a big challenge to figure out.

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Speaker 3: How to do it.

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Speaker 10: There's definitely I got ideas. I have people that you

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know would play with me as well. It's it's more

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about finding the time to make it happen.

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Speaker 3: At this point.

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Speaker 10: That's my biggest chal the challenge with my music. It's

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just finding time to make all this stuff happen. But

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I would love to do it, and I hope, you know,

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hopefully I get a chance to do something live at

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some point.

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Speaker 9: Yeah, yeah, that would be a well yeah, you know,

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with with evolving technology, there are there are ways to

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do it, but like you said, you know, time is uh,

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you know, time can be uh a barrier to that.

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I wanted to ask you too about the artwork. Now,

279
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you created this yourself? Correct the cover for the Voyager.

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Speaker 3: I did, Yeah, I didn't, you know.

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Speaker 10: Using the the AI tools that are available out there now,

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I can get some really you know, astonishing results. But

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you know, I think it kind of really I was

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able to achieve my vision of the artwork with with

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the AI tools.

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Speaker 9: Yeah, yeah, no, I like it. It looks like, uh,

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it's almost hard to describe. It looks like a spaceship

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landing in some sort of u body of water or

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river or something or.

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Speaker 3: Ala alien planet like yeah.

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Speaker 9: Yeah, but I like it. I like that and I

292
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really like the colors too. Yeah, it's it's very very cool.

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How do you feel about I mean, do you have

294
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any thoughts about it? A little bit of a side street,

295
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but it is a subject. It comes up a lot

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on the show, and you're working in areas where you know,

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the technology is, as we discussed earlier, is evolving so rapidly.

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I mean, how do you feel about the use of

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AI in all things creative?

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Speaker 3: You know, if you treat it as a tool to

301
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you know, enhance your art, I'm all for it. Yeah,

302
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I'm really torn, you know.

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Speaker 10: I just started messing around with Suno the audio recording stuff,

304
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and I am blown away with the results that give me.

305
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But like, at the same time, I don't feel right

306
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using it, Like right, it's kind of cool for inspiration

307
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and it's just jaw dropping on what it's doing, but

308
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at the same time, it's taking it's taking away that artistry.

309
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So ah, man, I'm torn. You know, I'm a bit

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old school, you know.

311
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Speaker 3: I like analog. I stay analog, so to speak.

312
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Speaker 10: And I think, you know, after messing with this AI

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music generator, like, I had a lot of fun and

314
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it's it's been, you know, quite an experience mess with

315
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music with this souno. But I am going to continue

316
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to write my songs record them in the traditional way.

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Speaker 9: Yeah, no, I think I think that's good. Yeah, it is. Uh,

318
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Suno is incredible. I always tell people, though, to enjoy

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these tools while we have them, because the sharks are

320
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circling in terms of class action lawsuits all that kind

321
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of thing. But not that I think these uh, not

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that I think these tools are going away. I think

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it's too late to shove the the genie back in

324
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the bottle. But but still, yeah, it's it's.

325
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Speaker 3: It's crazy times right now.

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Speaker 10: It's I don't know what the future holds, but it's

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gonna keep evolving and getting better.

328
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Speaker 3: But does that mean everything's going to be looking and

329
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sounding the same?

330
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Speaker 9: I don't know, right right, Yeah, exactly, Yeah, we'll see

331
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you know that the technology, it does move, It does

332
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move very quickly. By the way, did I see something

333
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about do you have a family member who's also on

334
00:22:00,440 --> 00:22:02,640
the album with doing backing vocals?

335
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Speaker 3: Yeah, my daughter, Violet, she did backing vocals and some

336
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of the tracks.

337
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Speaker 9: Oh that's so cool. That must be that must be

338
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a kick.

339
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Speaker 10: Yes, she kind of You know, I wanted to do

340
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backing vocals for almost all the tracks, and she she

341
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did like half of them, and then she refused to

342
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do the rest. Oh really, yeah, you know at nine years.

343
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You know, a young girl changes a lot in nine years.

344
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So when she was younger, she was more interested in

345
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help me out, and as I got closer to the

346
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end of the recording process, she didn't have anything to

347
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do with it.

348
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Speaker 4: Oh, no kidding.

349
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Speaker 9: Oh that's funny. No, that must be so cool though,

350
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having your daughter on the tracks, is she I mean,

351
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does she have interest in being a professional musician or

352
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or what? Do you what do you think?

353
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Speaker 8: I don't know.

354
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Speaker 3: You know, earlier on I thought she she was playing piano.

355
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Speaker 9: She loves to singing.

356
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Speaker 10: She still sings constantly, so I think I think she'll

357
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have the bug. You know, she's still kind of young.

358
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But I think she gets a little bit more into

359
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the high school years. I think she's gonna kind of

360
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reconsider what she does with music and take it a

361
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little bit more seriously.

362
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Speaker 9: Right right, Yeah, No, that's great, that's that's fantastic. And

363
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then so what can you tell us too? I wanted

364
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to ask you about these songs because I know Radiate.

365
00:23:17,880 --> 00:23:20,880
We opened with Radiate because that's kind of the focus

366
00:23:21,000 --> 00:23:24,680
track as we say, what's what can you tell us

367
00:23:24,680 --> 00:23:27,960
about that song? And why is that song so significant

368
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to you?

369
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Speaker 10: Well, I mean, I guess for most of these songs,

370
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you know, they're all kind of set in a space theme, right,

371
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the sci fi space theme, But they're all most of

372
00:23:40,640 --> 00:23:44,720
my songs are metaphors for something. Either it's some kind

373
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of love lost or longing for something bigger or new.

374
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And that's kind of, like I said, the overall theme

375
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of this But this particular song, you know, it's it's

376
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about this guy who's stuck in this disabled spaceship that's

377
00:23:59,799 --> 00:24:04,279
you know, about to explode and he needs to he

378
00:24:04,359 --> 00:24:06,039
needs to get out of there, and oft in a

379
00:24:06,119 --> 00:24:11,200
distance is a smaller space station that he's gonna try

380
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to like kind of use the airlock to eject himself

381
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out towards that.

382
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Speaker 3: Space station for survival.

383
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Speaker 10: But you know, the tether that he would normally wear doesn't,

384
00:24:24,880 --> 00:24:27,039
you know, go that far out, so it would be

385
00:24:27,079 --> 00:24:28,759
too short. So he's going to be out in space

386
00:24:28,920 --> 00:24:32,519
free and he's hoping to meet someone on the other

387
00:24:32,640 --> 00:24:36,440
side halfway basically, So that's kind of just that story

388
00:24:36,559 --> 00:24:42,519
there literally, but metaphorically it's about, you know, having all

389
00:24:42,640 --> 00:24:46,720
of your options, you know, taken away except for one,

390
00:24:46,759 --> 00:24:49,680
and you've got to take the leap of faith to

391
00:24:50,000 --> 00:24:51,279
move forward and survive.

392
00:24:53,039 --> 00:24:56,119
Speaker 9: It's relatable. I think everyone's yeah, been in that position

393
00:24:56,519 --> 00:25:00,160
or will at some point certainly, So yeah, yeah, I

394
00:25:00,240 --> 00:25:03,799
think that's I think that's that's interesting. And then what

395
00:25:03,880 --> 00:25:06,440
about in a moment, So at the end of our segment,

396
00:25:06,480 --> 00:25:09,359
we're gonna play uh g made or a Ganymede? How

397
00:25:09,519 --> 00:25:10,240
am I saying that? Right?

398
00:25:10,279 --> 00:25:14,400
Speaker 3: Ganymede it's yeah, named after one of the moons.

399
00:25:15,839 --> 00:25:19,039
Speaker 9: Oh okay, yeah, Well, and and what can you tell

400
00:25:19,119 --> 00:25:19,839
us about that track?

401
00:25:22,519 --> 00:25:27,039
Speaker 10: Well, that track that's essentially a love story and it's

402
00:25:29,559 --> 00:25:35,319
it's basically about this guy who or yeah, it meets

403
00:25:36,480 --> 00:25:42,519
a partner on a like a space station and basically

404
00:25:42,599 --> 00:25:45,160
falls in love with her, follows her around, and then

405
00:25:45,240 --> 00:25:51,279
he she she's kind of reckless and loose and wants

406
00:25:51,319 --> 00:25:55,000
to get off planet Jupiter and go to the moon,

407
00:25:55,440 --> 00:25:58,240
uh Ganymede, which is this ice planet, and and he

408
00:25:58,400 --> 00:26:02,720
follows her, but uh, you know, he hates going there

409
00:26:02,839 --> 00:26:04,880
and things don't work out, they don't see eye to eye,

410
00:26:05,000 --> 00:26:06,240
and then she ends up leaving him.

411
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Speaker 3: That's kind of what the story is about, Okay.

412
00:26:09,519 --> 00:26:13,599
Speaker 10: And the significance of this track, you know, I think

413
00:26:13,640 --> 00:26:17,680
this was this was my initial single. I think this

414
00:26:18,359 --> 00:26:22,400
track really captures, you know, what the album's about, and

415
00:26:22,640 --> 00:26:25,519
like what the landscape is of the album and the

416
00:26:25,680 --> 00:26:26,839
journey is of the album.

417
00:26:27,039 --> 00:26:29,240
Speaker 3: So this is why it was the lead track.

418
00:26:29,480 --> 00:26:32,400
Speaker 10: It kind of has all that in there, you know,

419
00:26:32,599 --> 00:26:37,240
the space, the metaphorical story, plus the sonical landscape, so

420
00:26:37,279 --> 00:26:39,519
it kind of laid out what the albums are all about.

421
00:26:39,759 --> 00:26:42,599
Speaker 9: Okay, Okay, that makes sense. Yeah, yeah, it's another great track.

422
00:26:42,640 --> 00:26:44,279
We're gonna play that in just a couple of minutes.

423
00:26:44,319 --> 00:26:47,920
But now, what is uh, what's kind of your future

424
00:26:48,079 --> 00:26:50,559
trajectory with this track? I mean, I mean not with

425
00:26:50,680 --> 00:26:53,079
this track, but with with your music, with the quality

426
00:26:53,119 --> 00:26:56,039
of Mercury because obviously, I'm sure you don't want to

427
00:26:56,039 --> 00:26:59,119
wait another nine years until the next one. But I mean,

428
00:26:59,559 --> 00:27:01,920
do you have do you have plans for the next

429
00:27:02,039 --> 00:27:05,079
album or are you obviously in the moment you're focused

430
00:27:05,119 --> 00:27:07,880
on this one, But I mean, are you already thinking

431
00:27:07,880 --> 00:27:10,440
about songs for the next the next record, or where

432
00:27:10,480 --> 00:27:10,960
are you with that?

433
00:27:11,279 --> 00:27:12,680
Speaker 10: Yeah, I'm not sure if I'm going to do another

434
00:27:12,799 --> 00:27:15,400
record right away. You know, I just started recording a

435
00:27:15,480 --> 00:27:17,799
new song. I want to release a single, Oh in

436
00:27:17,880 --> 00:27:18,839
the next few months.

437
00:27:19,079 --> 00:27:19,839
Speaker 9: So good.

438
00:27:19,960 --> 00:27:21,480
Speaker 10: I'm going to do a single and then I have

439
00:27:21,559 --> 00:27:24,480
an idea for an EP that I want to do

440
00:27:25,720 --> 00:27:29,319
some things that I've already recorded but want to recreate,

441
00:27:29,599 --> 00:27:32,240
you know, older things that I've I liked in my

442
00:27:32,319 --> 00:27:35,119
shelved a long time ago that I want to kind of.

443
00:27:35,559 --> 00:27:37,160
Speaker 3: Give new life to and do an EP.

444
00:27:37,759 --> 00:27:37,920
Speaker 8: Oh.

445
00:27:38,119 --> 00:27:40,640
Speaker 9: Very nice. Yeah, there's so many different ways to release

446
00:27:40,759 --> 00:27:43,440
music now and so many different strategies you can use.

447
00:27:43,519 --> 00:27:46,039
And I think the album format is great for what

448
00:27:46,079 --> 00:27:48,240
you're doing because obviously all these songs, you know, there's

449
00:27:48,319 --> 00:27:50,720
there's a theme, there's a story here with everything. But

450
00:27:51,319 --> 00:27:54,039
but releasing singles is great too, And you know, as

451
00:27:54,039 --> 00:27:55,920
soon as the next single is ready, we'd love to

452
00:27:55,920 --> 00:27:57,359
play it here and have you back on the show

453
00:27:57,440 --> 00:27:59,119
to talk about it, because you know, we really like

454
00:27:59,200 --> 00:28:01,640
what you're doing a lot. But no, that's great. I'm

455
00:28:01,640 --> 00:28:04,279
glad you're I'm glad you're already working on something new.

456
00:28:04,400 --> 00:28:08,240
So that's fantastic. That's good to hear, Jeremiah, where should

457
00:28:08,279 --> 00:28:09,319
people go online to?

458
00:28:09,480 --> 00:28:09,599
Speaker 13: Uh?

459
00:28:09,599 --> 00:28:11,000
Speaker 9: Where's the best place to go to keep up with

460
00:28:11,039 --> 00:28:13,799
everything that you're doing? Uh, be it with the quality

461
00:28:13,839 --> 00:28:16,559
of Mercury or anything else you want people to be

462
00:28:16,799 --> 00:28:17,720
aware of and know about.

463
00:28:19,279 --> 00:28:22,759
Speaker 10: Yeah, I'm most active on Facebook. I'm not real great

464
00:28:22,759 --> 00:28:27,240
at social media, but I'm most active on Facebook. If

465
00:28:27,279 --> 00:28:28,720
you want to listen to my music, I always try

466
00:28:28,720 --> 00:28:30,400
to get people to go to band camp first, but

467
00:28:31,319 --> 00:28:33,480
music's available on all the streaming platforms.

468
00:28:34,039 --> 00:28:39,559
Speaker 9: So yeah, yeah, band camp is a great resource. And uh, yeah,

469
00:28:39,599 --> 00:28:41,759
the album is the album is there and it sounds great.

470
00:28:41,880 --> 00:28:44,319
A lot of people don't know too. Something people don't

471
00:28:44,319 --> 00:28:46,319
realize about band camp is you actually get a higher

472
00:28:46,400 --> 00:28:49,000
quality You'll get a higher quality file if you get

473
00:28:49,039 --> 00:28:50,720
it from band camp. Then if you're just say streaming

474
00:28:50,759 --> 00:28:53,599
it on YouTube or something like that, and I've noticed

475
00:28:53,640 --> 00:28:56,039
that people don't seem to realize that, but that's one

476
00:28:56,039 --> 00:28:57,720
of the reasons that band camp is so great, so

477
00:28:58,440 --> 00:28:59,519
I like to direct people there.

478
00:28:59,559 --> 00:29:03,279
Speaker 3: Absolute yeah, and then you know, I have vinyl for sale.

479
00:29:03,319 --> 00:29:05,480
Oh you do my first Yeah, my first album.

480
00:29:05,680 --> 00:29:08,160
Speaker 10: And then there's pre orders for this record, so I

481
00:29:08,240 --> 00:29:09,480
will be releasing the vinyl.

482
00:29:09,839 --> 00:29:12,359
Speaker 3: Oh hopefully. I'm waiting.

483
00:29:12,440 --> 00:29:15,440
Speaker 10: You know, the pressing companies are all backed up all

484
00:29:15,440 --> 00:29:17,200
the time, but I'm hoping to have those in hand

485
00:29:17,279 --> 00:29:18,960
by the end of December, early January.

486
00:29:19,160 --> 00:29:22,079
Speaker 9: Oh that is so cool, very cool. Yeah, that's awesome.

487
00:29:22,200 --> 00:29:24,279
I love to hear that is Are you also doing

488
00:29:24,359 --> 00:29:27,759
physical CDs? Physical discs of no no CDs?

489
00:29:27,920 --> 00:29:29,480
Speaker 3: So it's just digital and then the vinyl.

490
00:29:29,640 --> 00:29:33,359
Speaker 9: Yeah, I think that's really cool, very very cool, excellent.

491
00:29:33,400 --> 00:29:36,480
Well listen, Jeremiah, thank you so much. We're gonna play

492
00:29:36,519 --> 00:29:38,720
this track get a meat in just a moment. We'll

493
00:29:38,799 --> 00:29:40,640
let you go, but like I said, when you've got

494
00:29:40,680 --> 00:29:43,400
the next single ready, please come back. We'd love to

495
00:29:43,440 --> 00:29:45,279
have you back on to play it and talk about it.

496
00:29:45,400 --> 00:29:48,640
And like I said, we're fast fans here. I love

497
00:29:48,680 --> 00:29:50,680
your sound, I love everything you're doing, so we definitely

498
00:29:50,720 --> 00:29:51,480
want to stay in touch.

499
00:29:52,400 --> 00:29:54,039
Speaker 3: Well, I appreciate you, Matt, thanks for having me on.

500
00:29:54,119 --> 00:29:54,720
It was a great time.

501
00:29:54,839 --> 00:29:56,759
Speaker 9: Absolutely, we'll talk to you soon, my friend. Take care,

502
00:29:57,240 --> 00:30:00,079
take care, all right. That was Jeremiah Rouse and the

503
00:30:00,119 --> 00:30:03,079
project is The Quality of Mercury. And we're gonna play

504
00:30:03,119 --> 00:30:04,759
this track. So this was the first single from the

505
00:30:04,799 --> 00:30:09,839
album The Voyager, and this is called Ganymede. Let me

506
00:30:09,920 --> 00:30:13,519
try that again. My brain is cold here, my brain

507
00:30:13,599 --> 00:30:15,279
is still frozen. Here we go here it is.

508
00:30:24,799 --> 00:31:30,079
Speaker 14: Chicken, You're young, stars.

509
00:31:26,880 --> 00:31:49,880
Speaker 15: Sip you explore how the fathers, but you groups about

510
00:31:49,920 --> 00:33:49,440
the stars, nice the crystals as a joyous stron Street

511
00:33:50,440 --> 00:33:53,519
STOs talk about.

512
00:33:57,119 --> 00:34:15,239
Speaker 7: Les c Do you have dad?

513
00:34:25,239 --> 00:34:25,880
Speaker 6: After all?

514
00:34:26,400 --> 00:34:27,480
Speaker 9: Was charged to fight.

515
00:34:28,800 --> 00:34:30,880
Speaker 6: I was going and a.

516
00:35:04,480 --> 00:35:44,079
Speaker 2: S s, schools, school, shops, school and stop stop stop.

517
00:36:25,079 --> 00:36:28,840
Speaker 9: I love that. That is Ganymede from the Quality of Mercury.

518
00:36:29,079 --> 00:36:31,639
Thank you again to Jeremiah Rous for joining us. And hey,

519
00:36:31,960 --> 00:36:34,559
little bonus for you. I'm gonna play one more. We

520
00:36:34,679 --> 00:36:36,559
have time. I'm gonna play one more from the Quality

521
00:36:36,599 --> 00:36:39,400
of Mercury. This is another great single from or a

522
00:36:39,440 --> 00:36:41,039
great track from the album. I don't think this has

523
00:36:41,079 --> 00:36:43,519
been no, this hasn't been a single yet, I don't think.

524
00:36:43,840 --> 00:36:45,800
But it's from the album The Voyager. This is called

525
00:36:45,840 --> 00:36:48,320
Heaven's Gate. We're gonna play this one too. One more

526
00:36:48,400 --> 00:36:50,360
track from the Quality of Mercury. This is so good.

527
00:36:50,480 --> 00:38:09,719
Check this out, xpen.

528
00:38:12,079 --> 00:38:17,800
Speaker 16: True tell me.

529
00:38:17,920 --> 00:38:18,400
Speaker 7: Miss t.

530
00:38:21,320 --> 00:38:47,000
Speaker 2: Speaks sty searching my salvation.

531
00:38:47,920 --> 00:38:54,039
Speaker 15: Class times as desperate.

532
00:39:04,559 --> 00:39:17,440
Speaker 7: Just away.

533
00:39:19,760 --> 00:39:23,840
Speaker 16: SnO three.

534
00:39:26,480 --> 00:39:29,760
Speaker 2: Way away.

535
00:39:31,800 --> 00:39:32,840
Speaker 6: If you fu.

536
00:39:44,960 --> 00:39:47,079
Speaker 2: Si the guy spe.

537
00:39:48,400 --> 00:39:51,079
Speaker 6: Still trap nice.

538
00:39:52,719 --> 00:39:53,599
Speaker 16: She spell.

539
00:39:55,519 --> 00:39:56,280
Speaker 6: Nice time.

540
00:40:01,920 --> 00:40:07,679
Speaker 7: A way.

541
00:40:09,199 --> 00:41:15,000
Speaker 16: Stop side.

542
00:41:16,719 --> 00:41:23,079
Speaker 6: Us that was making desperates us.

543
00:41:56,760 --> 00:41:56,920
Speaker 10: Well.

544
00:41:57,000 --> 00:41:59,880
Speaker 9: I don't know if you're honoring w honor.

545
00:42:00,039 --> 00:42:03,800
Speaker 7: As we landed here with the struggle in the heartland,

546
00:42:04,639 --> 00:42:05,039
in our.

547
00:42:05,000 --> 00:42:10,599
Speaker 17: Disconnected fear, we got politicians scream insanity, lying cold watch

548
00:42:10,679 --> 00:42:12,039
truth right through that seat.

549
00:42:12,400 --> 00:42:13,920
Speaker 3: I thought we were all in this.

550
00:42:14,199 --> 00:42:16,840
Speaker 9: Together, huddled around this liberty.

551
00:42:17,559 --> 00:42:19,360
Speaker 6: Is this my marriedel?

552
00:42:20,119 --> 00:42:21,920
Speaker 9: Is this my Maryel?

553
00:42:22,679 --> 00:42:25,880
Speaker 6: Shouldn't we stand two together? The rest war?

554
00:42:27,679 --> 00:42:31,639
Speaker 2: This is my Mary Cole, This is my Mary.

555
00:42:33,000 --> 00:42:36,119
Speaker 9: If it is, then we ain't even close to done.

556
00:42:37,559 --> 00:42:40,760
Speaker 18: We gotta take it to the city's We gotta take

557
00:42:40,840 --> 00:42:44,679
it to the streets because these profits of division.

558
00:42:44,559 --> 00:42:47,320
Speaker 9: Are tearing down all our hopes and dreams.

559
00:42:47,920 --> 00:42:50,119
Speaker 6: I don't care if you're a Democrat.

560
00:42:50,480 --> 00:42:53,079
Speaker 9: I don't care if you love the states right. I

561
00:42:53,119 --> 00:42:55,039
don't care if you're independence.

562
00:42:55,559 --> 00:42:57,199
Speaker 6: I don't care if you're black old.

563
00:42:57,400 --> 00:43:02,760
Speaker 2: Why this is my Mary, This is my very come

564
00:43:03,920 --> 00:43:06,800
home of the brain of breathe.

565
00:43:08,440 --> 00:43:12,679
Speaker 6: This is my very cole, this is my very.

566
00:43:14,400 --> 00:43:21,800
Speaker 9: Huddle around, Miss Liberty. We have not forgotten who we are.

567
00:43:22,000 --> 00:43:24,000
Speaker 3: We are bound together near and.

568
00:43:24,119 --> 00:43:26,960
Speaker 10: For you and me, You and me, you and me,

569
00:43:27,440 --> 00:43:29,000
you and me, you and me.

570
00:43:30,679 --> 00:43:34,719
Speaker 9: Will we ride a ica as our own?

571
00:43:38,400 --> 00:43:42,480
Speaker 16: So what is the truth? What is the truth?

572
00:43:43,639 --> 00:43:46,000
Speaker 6: What is a meica?

573
00:43:46,480 --> 00:43:47,400
Speaker 16: Through and through?

574
00:43:48,719 --> 00:43:51,440
Speaker 3: Will you just open your eyes?

575
00:43:51,639 --> 00:43:56,920
Speaker 6: Will you just letter in? Because I hear the blowing

576
00:43:57,159 --> 00:43:57,880
of the wind.

577
00:44:00,199 --> 00:44:01,920
Speaker 19: Maybe it was just a pink house.

578
00:44:02,760 --> 00:44:04,360
Speaker 3: Maybe it was just a pink coat.

579
00:44:05,280 --> 00:44:06,239
Speaker 1: Maybe we should.

580
00:44:06,039 --> 00:44:06,519
Speaker 6: Try to go.

581
00:44:07,840 --> 00:44:11,199
Speaker 9: Maybe we should take it so, maybe we should just

582
00:44:11,320 --> 00:44:14,800
have some fun. Maybe we were both born to run.

583
00:44:15,480 --> 00:44:19,239
Maybe we should just take a chance. What else, maybe

584
00:44:19,320 --> 00:44:21,079
we should just get up and dance.

585
00:44:22,400 --> 00:44:23,880
Speaker 2: Is this my Mary?

586
00:44:24,079 --> 00:44:24,320
Speaker 14: Come?

587
00:44:24,920 --> 00:44:29,880
Speaker 2: This is myna Mery, Come, whome of the brave and

588
00:44:30,039 --> 00:44:30,760
of the free.

589
00:44:32,519 --> 00:44:36,960
Speaker 6: It's the Soromery Come. It's this arm Mary.

590
00:44:36,760 --> 00:44:40,239
Speaker 2: Come around as Liberty.

591
00:44:41,280 --> 00:44:44,079
Speaker 16: Who so Mary?

592
00:44:44,280 --> 00:44:49,199
Speaker 2: Because some men fara Mary, because some men let weare.

593
00:44:49,599 --> 00:44:55,639
Speaker 15: Every voice every year, mister smerycause some men.

594
00:44:55,920 --> 00:45:00,480
Speaker 6: All Mary come then go praying to you.

595
00:45:00,559 --> 00:45:00,719
Speaker 8: Guy.

596
00:45:00,800 --> 00:45:01,519
Speaker 6: Hit us clean.

597
00:45:06,039 --> 00:45:20,000
Speaker 2: So every eye, every month, every years, rain two.

598
00:45:20,000 --> 00:45:21,960
Speaker 3: The Lord to guide us clean.

599
00:45:23,000 --> 00:45:26,800
Speaker 4: This is the police department. You are violating state and

600
00:45:26,880 --> 00:45:27,679
post curfew.

601
00:45:29,039 --> 00:45:32,599
Speaker 17: You must continue to disperse peacefully or you will be

602
00:45:32,679 --> 00:45:36,000
subject to arrest and all other actions.

603
00:45:41,000 --> 00:45:45,079
Speaker 9: I'm here protesting for Mike Brown. He was wrongfully killed.

604
00:45:46,519 --> 00:45:49,320
Speaker 17: There's a lot of unity going on that they're not broadcasting.

605
00:45:50,960 --> 00:45:51,880
Speaker 9: It's not a race state.

606
00:45:53,000 --> 00:45:55,320
Speaker 17: I never thought I'd get political, but life in my

607
00:45:55,400 --> 00:45:57,039
city right now is just so critical.

608
00:45:57,159 --> 00:45:57,360
Speaker 6: Man.

609
00:45:57,679 --> 00:45:59,599
Speaker 20: It's a war zone in my backyard.

610
00:46:00,039 --> 00:46:03,039
Speaker 17: Why I get in justice gotta be this hard hoigh

611
00:46:03,079 --> 00:46:04,360
the lesson that they care about.

612
00:46:04,480 --> 00:46:06,719
Speaker 4: Tell you that that's why the police always.

613
00:46:06,519 --> 00:46:07,039
Speaker 7: Use their cloud.

614
00:46:07,159 --> 00:46:07,519
Speaker 8: They do that.

615
00:46:07,880 --> 00:46:10,239
Speaker 17: My grandma said, don't fear with another man. I never will,

616
00:46:10,480 --> 00:46:11,920
but they will shoot with nothing in my.

617
00:46:12,000 --> 00:46:15,280
Speaker 10: Hand about see the media, you show the bad part and.

618
00:46:15,320 --> 00:46:16,440
Speaker 4: They blocking out the good.

619
00:46:16,519 --> 00:46:17,400
Speaker 6: That's the sad part.

620
00:46:17,519 --> 00:46:17,679
Speaker 7: Man.

621
00:46:17,840 --> 00:46:19,480
Speaker 10: I can tell you this. We're fed up.

622
00:46:19,719 --> 00:46:21,760
Speaker 4: But if no one never told you, keep your head up.

623
00:46:22,079 --> 00:46:23,559
Hope you understand.

624
00:46:24,559 --> 00:46:25,559
Speaker 9: Take me to your leader.

625
00:46:26,920 --> 00:46:28,719
Speaker 4: I hope you understand.

626
00:46:29,760 --> 00:46:30,719
Speaker 7: Take me to your leader.

627
00:46:32,119 --> 00:46:33,920
Speaker 4: I hope you understand.

628
00:46:34,920 --> 00:46:38,800
Speaker 6: Take me to your leader. Yeah, you finally should Yeah,

629
00:46:40,119 --> 00:46:40,440
take me.

630
00:46:40,480 --> 00:46:44,559
Speaker 9: To your lead up at once once once, brothers and sisters,

631
00:46:46,159 --> 00:46:49,760
brothers and sisters, brothers and sisters.

632
00:46:52,000 --> 00:46:53,119
Speaker 4: I guess you finally heard.

633
00:46:54,159 --> 00:46:54,360
Speaker 10: Yeah.

634
00:46:54,760 --> 00:46:56,760
Speaker 9: Yeah, I'm just a youth in the society.

635
00:46:56,840 --> 00:46:59,519
Speaker 17: But since my skin dunk and thugs by novoriety and

636
00:46:59,599 --> 00:47:03,280
treated the fable turn into the propriety, we act moretifiably.

637
00:47:03,440 --> 00:47:04,920
Speaker 9: Man, tell me that ain't notty.

638
00:47:05,000 --> 00:47:08,239
Speaker 17: So many accusations because of from alien nations, the complications

639
00:47:08,280 --> 00:47:10,440
we're facing, the verdicts a maid by racist. I'm just

640
00:47:10,519 --> 00:47:12,800
a proud to go my nation and because of my pigmentation,

641
00:47:12,840 --> 00:47:15,480
and I'm bound to live life with adaptation to allegations

642
00:47:15,480 --> 00:47:16,960
because what you see is on the surface.

643
00:47:17,119 --> 00:47:18,880
Speaker 20: Try to make me feel as if my skin was

644
00:47:19,000 --> 00:47:19,599
just a verdict.

645
00:47:19,719 --> 00:47:21,000
Speaker 4: I'm the judge and the children.

646
00:47:21,119 --> 00:47:23,360
Speaker 9: Yeah, I got a verdict, just as it's just a sending.

647
00:47:23,400 --> 00:47:25,159
In the end, I'm still a person. I hope you

648
00:47:25,239 --> 00:47:27,800
want to stand. Yeah, take me to your leader.

649
00:47:27,920 --> 00:47:33,000
Speaker 6: Yeah, oh this stand. Take me to your leader.

650
00:47:33,119 --> 00:47:36,119
Speaker 4: Yeah, I hope you understand.

651
00:47:36,320 --> 00:47:40,119
Speaker 9: Yeah yeah, take me to your leader. Yeah you find

652
00:47:40,199 --> 00:47:43,360
me shure, Yeah yeah, yeah, take me to your leader.

653
00:47:43,400 --> 00:47:52,760
Speaker 3: I have once one brothers and sisters, brothers, brothers, the world.

654
00:47:54,239 --> 00:47:57,360
Speaker 17: I guess you finally heard kids were on our front line,

655
00:47:57,920 --> 00:47:58,840
shot them in the head.

656
00:47:58,960 --> 00:48:01,079
Speaker 13: That the media I ain't been showing all the stuff

657
00:48:01,119 --> 00:48:01,800
that goes down here.

658
00:48:01,920 --> 00:48:04,440
Speaker 9: I want to see love in America. I want to

659
00:48:04,480 --> 00:48:05,760
see togetherness in America.

660
00:48:05,880 --> 00:48:07,280
Speaker 4: We're not gonna stand for it.

661
00:48:07,840 --> 00:48:10,719
Speaker 3: They can kill us all, kill them dead, cold blood

662
00:48:10,760 --> 00:48:11,159
in the head.

663
00:48:11,239 --> 00:48:12,400
Speaker 9: I need answers tonight.

664
00:48:12,960 --> 00:48:14,039
Speaker 11: It's about some justice.

665
00:48:14,199 --> 00:48:16,280
Speaker 9: My whole thing is that if it was me and you.

666
00:48:17,760 --> 00:48:21,320
Speaker 17: And they had two eye witnesses, sweet because both of

667
00:48:21,360 --> 00:48:24,719
those eye witnesses described the same thing, thing thing, thing

668
00:48:24,920 --> 00:48:25,480
thing thing.

669
00:48:25,519 --> 00:48:26,000
Speaker 10: They said, he.

670
00:48:26,079 --> 00:48:27,840
Speaker 6: Goutting that man down and shot him.

671
00:48:28,079 --> 00:48:31,039
Speaker 9: Guy, I don't see white boys, you know, laying on

672
00:48:31,159 --> 00:48:34,400
the curb, you know, police messing.

673
00:48:34,159 --> 00:48:36,400
Speaker 6: With them, willing them over for no reason.

674
00:48:36,199 --> 00:48:36,760
Speaker 8: No reason.

675
00:48:37,159 --> 00:48:40,320
Speaker 17: If they don't, it's not getting broadcasts.

676
00:48:41,039 --> 00:48:42,440
Speaker 9: But I see that with black.

677
00:48:42,199 --> 00:48:45,599
Speaker 3: Folks every day, and I see them get shot.

678
00:48:45,519 --> 00:48:48,840
Speaker 6: Down every day. I'm not saying it's not happening to

679
00:48:48,880 --> 00:48:50,000
white people, white.

680
00:48:49,880 --> 00:48:53,360
Speaker 4: People, but if it is, we don't see it.

681
00:48:54,119 --> 00:48:54,800
Speaker 20: I don't see it.

682
00:48:58,360 --> 00:49:01,480
Speaker 7: Revolution, it be revolution.

683
00:49:02,360 --> 00:49:03,400
Speaker 6: It begins tonight.

684
00:49:12,159 --> 00:49:15,280
Speaker 19: Nana's Kitchen and Pizzeria from.

685
00:49:15,239 --> 00:49:21,559
Speaker 18: Nana's handss to your play Tradition, Love and taste, That's great,

686
00:49:21,800 --> 00:49:26,039
Solo fermented dough flavor so true.

687
00:49:28,480 --> 00:49:29,239
Speaker 14: Each bite the.

688
00:49:29,440 --> 00:49:35,239
Speaker 19: Story made just for you six o three two three

689
00:49:35,360 --> 00:49:40,760
two nine three six six Nana's Kitchen and Pizzerive fifteen

690
00:49:40,880 --> 00:49:42,719
Yartmouth Dry Auburn, New.

691
00:49:42,679 --> 00:49:46,800
Speaker 2: Hampshire Kitchen and Hissar.

692
00:49:51,079 --> 00:49:53,880
Speaker 4: The two greatest rock and roll bands of all time

693
00:49:54,039 --> 00:49:57,360
face off as the Chubb Theater hosts tributes to the

694
00:49:57,440 --> 00:50:01,880
Beatles and the Rolling Stone. Beatles Versus Stones, a musical

695
00:50:01,920 --> 00:50:04,599
Showdown comes to Chubb Theater at the Capitol Center for

696
00:50:04,639 --> 00:50:08,599
the Arts on Thursday, December eleventh at seven thirty pm.

697
00:50:09,039 --> 00:50:12,119
Tickets can be purchased at the theater box office or

698
00:50:12,199 --> 00:50:16,760
online at CCANH dot com. The Capital Center for the

699
00:50:16,920 --> 00:50:20,360
Arts is located at forty four South Main Street, Conquered,

700
00:50:20,400 --> 00:50:27,679
New Hampshire. The show was appropriate for all ages. Luigi's

701
00:50:27,760 --> 00:50:29,239
Pizza Barren Grill.

702
00:50:29,199 --> 00:50:34,239
Speaker 17: Under one Let's raise a slyes On Hides with top

703
00:50:34,320 --> 00:50:38,039
and all the Ground Pizza Pizza Barrio.

704
00:50:37,840 --> 00:50:43,039
Speaker 4: Line Luigi's Pizza Barren Grill seven to twelve Valley Street, Manchester.

705
00:50:43,320 --> 00:50:46,159
Come on in or call six two two one zero

706
00:50:46,440 --> 00:50:51,480
two one Luigi, keeping the tradition alive since nineteen seventy five.

707
00:50:53,320 --> 00:50:57,119
Speaker 17: Pizza for a brief one, Come join a piece to

708
00:50:57,519 --> 00:51:02,639
night with each sly sense everything feels so right.

709
00:51:05,800 --> 00:51:08,000
Speaker 21: In times of crisis, you need a law firm that

710
00:51:08,119 --> 00:51:11,159
stands by your side. With over forty years of experience,

711
00:51:11,280 --> 00:51:14,960
Craigan Getsulis is dedicated to fighting for your rights. As

712
00:51:15,039 --> 00:51:18,159
former state prosecutors, our attorneys have the knowledge and trial

713
00:51:18,239 --> 00:51:22,159
experience to provide an aggressive defense against any charge, from

714
00:51:22,239 --> 00:51:26,519
DUIs to homicides. If you've been injured, our compassionate team

715
00:51:26,559 --> 00:51:29,480
will assess your case and fight for the compensation you deserve.

716
00:51:29,960 --> 00:51:32,840
Serving all of New Hampshire, Craigan Getzulis is here when

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you need us most. Visit craigatzulis dot com for a

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free consultation. Craigan getsulus, your advocates, your allies.

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Speaker 20: Bring your kitchen to life with Queen City Cabinetry, located

720
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at eighty seven Elm Street in the historic Sunbeam Wall

721
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in Manchester, open Monday through Friday nine am to five

722
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thirty pm, in Saturdays ten am to two pm. They

723
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can be reached at six h three two two two

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two zero zero seven. We're on the web at Queen

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Citycabina Tree nh dot com. Come see the possibility is

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Queen City Cabinet Tree. Another crowd sponsor.

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Speaker 1: I'll you mnh Hey everyone, there's Rob Azevido, host of

728
00:52:15,320 --> 00:52:16,719
Grantite State of Mind, and I want to tell you

729
00:52:16,760 --> 00:52:20,239
about Pembrooke City Limits and the Historic Suncook Village. PCL

730
00:52:20,320 --> 00:52:23,239
is an award winning bar, restaurant and music venue where

731
00:52:23,239 --> 00:52:26,039
there's live music five days a week and twice on Saturdays,

732
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everything from blues, country, folk, funk, and a whole lot

733
00:52:28,920 --> 00:52:32,039
of jazz. We have twelve craft beers on tap dedicated

734
00:52:32,039 --> 00:52:34,000
to local brewers in the area and some of the

735
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friendliest bartenders around. Please come visit Pembrook City Limits at

736
00:52:37,840 --> 00:52:40,960
one thirty four Main Street, the Historic Suncook Village, only

737
00:52:41,079 --> 00:52:44,920
six miles outside of Manchester. Open Tuesdays to Wednesdays four

738
00:52:44,960 --> 00:52:48,719
to ten Thursday's a Sunday eleven to ten. Pembrook City

739
00:52:48,760 --> 00:52:50,239
Limits where it's all about.

740
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Speaker 4: The music business. Cafe is the place to put a

741
00:52:52,880 --> 00:52:55,360
smile on your face. Judy and the crew will take

742
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care of you, bring your appetite and treat your taste.

743
00:52:58,559 --> 00:53:03,480
Bus Right is always a winning choice breakfast, lunch or

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supper Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

745
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Dine in, take out or make a reservation call six

746
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h three six oh six two five three two, eat,

747
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drink and be happy Dizze's Cafe.

748
00:53:19,679 --> 00:53:22,400
Speaker 12: When it comes to keeping WMNH on the air and

749
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your own personal or business computer needs, trust groll In Computers,

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located on Elm Street in Manchester. Grolin handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options? Check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

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expenses here. Visit Groland dot com or call grolling Computers

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at six zero three six four five zero one zero one.

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Your Tech, your way. Trust groll In Computers.

757
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Speaker 8: Nice seven times out of ten. We listened to our

758
00:54:02,800 --> 00:54:09,119
music at night. That's one titled business program.

759
00:54:08,960 --> 00:54:11,400
Speaker 17: Late Night to Light with DJ Mitas right here on

760
00:54:11,639 --> 00:54:13,519
WMNH Manchester.

761
00:54:14,159 --> 00:54:18,920
Speaker 4: Because Saturdays and Sunday nights midnight to four am.

762
00:54:20,239 --> 00:54:25,679
Speaker 22: This hour on WMNH is sponsored by CGI Business Solutions,

763
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located at five Dartmouth Drive in Auburn. They serve all

764
00:54:30,159 --> 00:54:34,599
your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

766
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Their phone number is eight sixty six eighty four to

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one forty six hundred, or on the web at CGI

768
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Business Solutions dot com.

769
00:54:52,480 --> 00:54:56,000
Speaker 13: Behold the harmony of airwaves as you immerse yourself in

770
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the captivating frequencies of w n NHLP their sonic our

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feats of Manchesters transcending through the ether at ninety five

772
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point three megahertz frequency modulation or transmissions M and eate

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from the zedith of one thousand Elm streets, insure into

774
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the hearts of our creative realm at one nineteen Canal Street,

775
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where innovation and sound collode. They're the impro moder of

776
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Manchester Public Television Service in the venerable city of Manchester,

777
00:55:21,239 --> 00:55:25,000
New Hampshire, USA. Enrich your auditory journey with the depth

778
00:55:25,039 --> 00:55:27,679
of our license to wesidens when you spent your missives

779
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did w m n H ninety five three at gmail

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dot com or traverse the virtual corridors of w mnhradio

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dot org. Engage with our sonic vibrations by communing with

782
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us through the digital channels or radio beckons eager to

783
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enthrall you with its mesmerizing cadence and envelop you with

784
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a symphony of foundless auditories.

785
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Speaker 3: Won dude, wmnh rip the.

786
00:55:53,159 --> 00:56:03,199
Speaker 13: Novels you're listening to Mattconnorton on why five point.

787
00:56:03,079 --> 00:56:07,079
Speaker 9: Three right now the world radio premiere of the new

788
00:56:07,199 --> 00:56:09,960
single from the Marches Don't fool me.

789
00:56:10,119 --> 00:56:27,360
Speaker 23: Twice shot.

790
00:56:28,119 --> 00:56:32,519
Speaker 6: He stand out in the dark. You know you sadly

791
00:56:33,320 --> 00:56:34,480
and I will have.

792
00:56:35,079 --> 00:56:41,199
Speaker 11: Our spark issue sadly and all that is long start,

793
00:56:41,559 --> 00:56:43,280
but it keeps taving me.

794
00:56:44,320 --> 00:56:47,000
Speaker 6: No, I'll not go into this.

795
00:56:47,639 --> 00:56:55,000
Speaker 2: You no say the things that showed to show.

796
00:56:55,599 --> 00:56:58,480
Speaker 9: I try to shut that shy every time.

797
00:56:58,519 --> 00:57:02,679
Speaker 2: I so passing by pasting.

798
00:57:02,760 --> 00:57:05,360
Speaker 6: But we were going and thats something launch.

799
00:57:06,360 --> 00:57:08,239
Speaker 16: It's not ecadest, not sad.

800
00:57:08,280 --> 00:57:10,559
Speaker 6: It's not too much time to do anything. And I

801
00:57:10,639 --> 00:57:14,519
think it through poll means talk from me, but.

802
00:57:17,159 --> 00:57:18,599
Speaker 2: Don't fool me.

803
00:57:18,840 --> 00:57:29,880
Speaker 11: It's a present so theround. I know it's so well

804
00:57:30,039 --> 00:57:34,519
you do the isolation in the crowd of blame it

805
00:57:34,840 --> 00:57:39,440
all luck on you and all I'm saying it because

806
00:57:39,599 --> 00:57:41,719
now you're feeling me was tough.

807
00:57:42,000 --> 00:57:45,719
Speaker 6: Now we both going to do this smile.

808
00:57:50,280 --> 00:57:51,079
Speaker 7: No, say the.

809
00:57:51,119 --> 00:57:54,159
Speaker 6: Things that showed me to try.

810
00:57:54,519 --> 00:58:00,679
Speaker 2: Shats like every time, I'll do it, passing best, but.

811
00:58:01,199 --> 00:58:07,800
Speaker 6: We will know it s not suns not stopping away.

812
00:58:08,280 --> 00:58:15,199
I think it true to me. What's not going? Don't

813
00:58:19,480 --> 00:58:44,880
say don't get me sitting control.

814
00:58:45,360 --> 00:58:48,079
Speaker 8: No, don't miss because.

815
00:58:47,920 --> 00:59:00,320
Speaker 24: You don't want to know if you're ready. You isn't

816
00:59:00,360 --> 00:59:08,519
really because no stopping Say you guys said, don't be

817
00:59:08,679 --> 00:59:11,559
testing because you don't.

818
00:59:13,639 --> 00:59:14,920
Speaker 6: Get mad.

819
00:59:15,280 --> 00:59:20,599
Speaker 2: All made